subtitlecat.com

All language subtitles for The 62nd Annual Grammy Awards 2020

Afrikaans

Albanian

Amharic

Arabic

Armenian

Azerbaijani

Basque

Belarusian

Bengali

Bosnian

Bulgarian

Catalan

Cebuano

Chichewa

Chinese (Simplified)

Chinese (Traditional)

Corsican

Croatian

Czech

Danish

Dutch

English

Esperanto

Estonian

Filipino

Finnish

French

Frisian

Galician

Georgian

German

Greek

Gujarati

Haitian Creole

Hausa

Hawaiian

Hebrew

Hindi

Hmong

Hungarian

Icelandic

Igbo

Indonesian

Irish

Italian

Japanese

Javanese

Kannada

Kazakh

Khmer

Korean

Kurdish (Kurmanji)

Kyrgyz

Lao

Latin

Latvian

Lithuanian

Luxembourgish

Macedonian

Malagasy

Malay

Malayalam

Maltese

Maori

Marathi

Mongolian

Myanmar (Burmese)

Nepali

Norwegian

Pashto

Persian

Polish

Portuguese

Punjabi

Romanian

Russian

Samoan

Scots Gaelic

Serbian

Sesotho

Shona

Sindhi

Sinhala

Slovak

Slovenian

Somali

Spanish Download

Sundanese

Swahili

Swedish

Tajik

Tamil

Telugu

Thai

Turkish

Ukrainian

Urdu

Uzbek

Vietnamese

Welsh

Xhosa

Yiddish

Yoruba

Zulu

Odia (Oriya)

Kinyarwanda

Turkmen

Tatar

Uyghur

Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,413 --> 00:00:03,482 >> Announcer: LIVE FROM STAPLES CENTER IN LOS ANGELES, IT'S THE 2 00:00:03,517 --> 00:00:10,310 62nd GRAMMY AWARDS, WHERE MAGIC MOMENTS HAPPEN ALL THE TIME. 3 00:00:10,344 --> 00:00:13,103 TONIGHT, MUSIC'S LATEST SUPERSTARS, LIZZO AND BILLIE 4 00:00:13,137 --> 00:00:17,034 EILISH, CREATE GRAMMY GOLD AND VIE FOR MUSIC'S BIGGEST HONORS; 5 00:00:17,068 --> 00:00:20,275 ROCK AND HIP HOP HISTORY MEET WHEN AEROSMITH AND RUN DMC 6 00:00:20,310 --> 00:00:24,275 REUNITE FOR ONE INCREDIBLE PERFORMANCE OF "WALK THIS WAY"; 7 00:00:24,310 --> 00:00:27,551 LIL NAS X SINGS "OLD TOWN ROAD" LIKE YOU'VE NEVER HEARD IT 8 00:00:27,586 --> 00:00:31,275 BEFORE AS K-POP GROUP BTS, BILLY RAY CYRUS, MASON RAMSEY, YOUNG 9 00:00:31,310 --> 00:00:34,379 THUG AND DIPLO JOIN IN; USHER HONORS THE ENDURING LEGACY OF 10 00:00:34,413 --> 00:00:39,448 PRINCE; AN EMOTIONAL RETURN BY DEMI LOVATO; AN ALL-STAR GRAMMY 11 00:00:39,482 --> 00:00:44,482 TRIBUTE TO NIPSEY HUSSLE BY THE HIP HOP COMMUNITY; AND AMAZING 12 00:00:44,517 --> 00:00:47,655 PERFORMANCES BY CAMILA CABELLO, BLAKE SHELTON AND GWEN STEFANI, 13 00:00:47,689 --> 00:00:51,517 THE JONAS BROTHERS, ROSALIA AND TYLER THE CREATOR, AND MUCH 14 00:00:51,551 --> 00:00:53,172 MORE. 15 00:00:53,206 --> 00:00:58,931 AND TO KICK IT ALL OFF, IT'S LIZZO! 16 00:00:58,965 --> 00:01:05,206 [ CHEERS AND APPLAUSE] ♪ ♪ 17 00:01:05,241 --> 00:01:08,655 >> TONIGHT IS FOR KOBE. 18 00:01:08,689 --> 00:01:18,551 ♪ I'M CRYING 'CAUSE I LOVE YOU, OH 19 00:01:18,586 --> 00:01:24,965 ♪ YA YA YA, YA YA, YA YA NEVER BEEN IN LOVE BEFORE 20 00:01:25,000 --> 00:01:27,379 ♪ WHAT THE-- ARE FEELINGS YO? 21 00:01:27,413 --> 00:01:32,586 ONCE UPON A TIME, I WAS A HO ♪ I DON'T EVEN WANNA HO NO MO' 22 00:01:32,620 --> 00:01:33,482 GOT YOU SOMETHING ♪ FROM THE LIQUOR STORE 23 00:01:33,517 --> 00:01:36,517 LITTLE BIT OF LIZZO ♪ AND SOME MO 24 00:01:36,551 --> 00:01:37,482 TRYNA OPEN UP ♪ A LITTLE MORE 25 00:01:37,517 --> 00:01:42,517 SORRY IF MY HEART ♪ A LITTLE SLOW 26 00:01:42,551 --> 00:01:49,965 I THOUGHT THAT I DIDN'T CARE ♪ I THOUGHT I WAS LOVE-IMPAIRED 27 00:01:50,000 --> 00:01:54,517 BUT BABY, BABY ♪ I DON'T KNOW WHAT 28 00:01:54,551 --> 00:02:02,000 I'M GONNA DO ♪ I'M CRYING 29 00:02:02,034 --> 00:02:12,034 'CAUSE I LOVE YOU, OH ♪ YES, YOU 30 00:02:12,034 --> 00:02:18,517 'CAUSE I LOVE YOU, OH ♪ YES, YOU 31 00:02:18,551 --> 00:02:22,551 ♪ ♪ I THOUGHT THAT I DIDN'T CARE 32 00:02:22,586 --> 00:02:25,344 ♪ I THOUGHT I WAS LOVE-IMPAIRED BUT BABY, OH BABY 33 00:02:25,379 --> 00:02:34,517 ♪ I DON'T KNOW WHAT I'M GONNA DO 34 00:02:34,551 --> 00:02:44,586 ♪ OOOOH ♪ ♪ 35 00:02:44,586 --> 00:02:56,034 ♪ OOOOH ♪ ♪ 36 00:02:56,068 --> 00:03:10,551 ♪ ♪ ♪ ♪ 37 00:03:10,586 --> 00:03:20,965 ♪ ♪ ♪ ♪ 38 00:03:21,000 --> 00:03:26,137 ♪ WHY MEN GREAT 'TIL THEY GOTTA BE GREAT? 39 00:03:26,172 --> 00:03:29,241 I JUST TOOK A D.N.A. TEST ♪ TURNS OUT I'M 100% THAT BITCH 40 00:03:29,275 --> 00:03:32,965 EVEN WHEN I'M CRYING CRAZY ♪ YEAH, I GOT BOY PROBLEMS 41 00:03:33,000 --> 00:03:34,551 THAT'S THE HUMAN IN ME ♪ BLING BLING, THEN I SOLVE 'EM, 42 00:03:34,586 --> 00:03:37,551 THAT'S THE GODDESS IN ME ♪ YOU COULDA HAD A BAD BITCH 43 00:03:37,586 --> 00:03:41,482 NON-COMMITTAL ♪ HELP YOU WITH YOUR CAREER 44 00:03:41,517 --> 00:03:44,793 JUST A LITTLE ♪ YOU'RE 'POSED TO HOLD ME DOWN 45 00:03:44,827 --> 00:03:46,517 BUT YOU'RE HOLDING ME BACK ♪ AND THAT'S THE SOUND OF ME 46 00:03:46,551 --> 00:03:50,172 NOT CALLING YOU BACK ♪ WHY MEN GREAT 47 00:03:50,206 --> 00:03:52,724 'TIL THEY GOTTA BE GREAT? 48 00:03:52,758 --> 00:03:55,827 ♪ DON'T TEXT ME TELL IT STRAIGHT TO MY FACE 49 00:03:55,862 --> 00:03:59,068 ♪ BEST FRIEND SAT ME DOWN IN THE SALON CHAIR 50 00:03:59,103 --> 00:04:02,310 ♪ SHAMPOO PRESS GET YOU OUT OF MY HAIR 51 00:04:02,344 --> 00:04:04,172 ♪ FRESH PHOTOS WITH THE BOMB LIGHTING 52 00:04:04,206 --> 00:04:07,931 ♪ NEW MAN ON THE MINNESOTA VIKINGS 53 00:04:07,965 --> 00:04:11,896 ♪ TRUTH HURTS NEEDED SOMETHING MORE EXCITING 54 00:04:11,931 --> 00:04:15,620 ♪ BOM BOM BI DOM BI DUM BUM BAY YOU TRIED TO BREAK MY HEART? 55 00:04:15,655 --> 00:04:17,379 ♪ OH, THAT BREAKS MY HEART THAT YOU THOUGHT YOU EVER HAD IT 56 00:04:17,413 --> 00:04:20,103 ♪ NO, YOU AIN'T FROM THE START HEY, I'M GLAD YOU'RE BACK 57 00:04:20,137 --> 00:04:21,862 ♪ WITH YOUR BITCH I MEAN WHO WOULD 58 00:04:21,896 --> 00:04:23,758 ♪ WANNA HIDE THIS? 59 00:04:23,793 --> 00:04:27,034 I WILL NEVER, EVER, EVER, EVER ♪ EVER BE YOUR SIDE CHICK 60 00:04:27,068 --> 00:04:30,655 I PUT THE SING IN SINGLE ♪ AIN'T WORRIED 'BOUT A RING 61 00:04:30,689 --> 00:04:33,034 ON MY FINGER ♪ SO YOU CAN TELL YOUR FRIEND 62 00:04:33,068 --> 00:04:35,482 "SHOOT YOUR SHOT" ♪ WHEN YOU SEE 'EM 63 00:04:35,517 --> 00:04:38,896 IT'S OKAY, HE ♪ ALREADY IN MY DM'S 64 00:04:38,931 --> 00:04:41,793 WHY MEN GREAT ♪ 'TIL THEY GOTTA BE GREAT? 65 00:04:41,827 --> 00:04:43,931 DON'T TEXT ME ♪ TELL IT STRAIGHT TO MY FACE 66 00:04:43,965 --> 00:04:47,793 BEST FRIEND SAT ME DOWN ♪ IN THE SALON CHAIR 67 00:04:47,827 --> 00:04:50,827 SHAMPOO PRESS ♪ GET YOU OUT OF MY HAIR 68 00:04:50,862 --> 00:04:53,931 FRESH PHOTOS WITH THE ♪ BOMB LIGHTING 69 00:04:53,965 --> 00:04:55,862 NEW MAN ♪ ON THE MINNESOTA VIKINGS 70 00:04:55,896 --> 00:04:59,896 TRUTH HURTS ♪ NEEDED SOMETHING MORE EXCITING 71 00:04:59,931 --> 00:05:03,896 BOM BOM BI BOM BI DUM BUM BAY ♪ I'MA HIT YOU BACK 72 00:05:03,931 --> 00:05:07,896 IN A MINUTE ♪ I DON'T PLAY TAG 73 00:05:07,931 --> 00:05:19,965 I BEEN IT ♪ ♪ 74 00:05:20,000 --> 00:05:27,896 ♪ ♪ ♪ ♪ 75 00:05:27,931 --> 00:05:30,413 ♪ ♪ ♪ ♪ 76 00:05:30,448 --> 00:05:33,724 ♪ WHY MEN GREAT 'TIL THEY GOTTA BE GREAT? 77 00:05:33,758 --> 00:05:36,482 ♪ DON'T TEXT ME TELL IT STRAIGHT TO MY FACE 78 00:05:36,517 --> 00:05:38,793 ♪ BEST FRIEND SAT ME DOWN IN THE SALON CHAIR 79 00:05:38,827 --> 00:05:41,379 ♪ SHAMPOO PRESS GET YOU OUT OF MY HAIR 80 00:05:41,413 --> 00:05:45,241 ♪ FRESH PHOTOS WITH THE BOMB LIGHTING 81 00:05:45,275 --> 00:05:48,862 ♪ NEW MAN ON THE MINNESOTA VIKINGS 82 00:05:48,896 --> 00:05:52,517 ♪ TRUTH HURTS NEEDED SOMETHING MORE EXCITING 83 00:05:52,551 --> 00:05:53,827 ♪ BOM BOM BI BOM BI DUM BUM BAY ♪ 84 00:05:53,862 --> 00:05:57,586 ♪ BOM BOM BI BOM BI DUM BUM BAY ♪ 85 00:05:57,620 --> 00:06:00,448 KOBE TEST. WELCOME TO THE GRAMMYS BITCH. 86 00:06:00,482 --> 00:06:07,413 BOMB BOMB BI BOMB BI DUMB BUM BAY. 87 00:06:07,448 --> 00:06:17,517 [ CHEERS AND APPLAUSE] [ CHEERS AND APPLAUSE] 88 00:06:17,517 --> 00:06:31,758 [ CHEERS AND APPLAUSE] [ CHEERS AND APPLAUSE] 89 00:06:31,793 --> 00:06:33,724 >> Announcer: LADIES AND GENTLEMEN, YOUR HOST FOR THE 90 00:06:33,758 --> 00:06:40,206 62nd ANNUAL GRAMMY AWARDS, A 15- TIME GRAMMY WINNER: ALICIA KEYS! 91 00:06:40,241 --> 00:06:46,586 [ CHEERS AND APPLAUSE] [ CHEERS AND APPLAUSE] 92 00:06:46,586 --> 00:06:50,275 [ CHEERS AND APPLAUSE] [ CHEERS AND APPLAUSE] 93 00:07:13,413 --> 00:07:15,655 HERE WE ARE. 94 00:07:15,689 --> 00:07:16,827 TOGETHER. 95 00:07:16,862 --> 00:07:22,275 ON MUSIC'S BIGGEST NIGHT CELEBRATING THE ARTISTS THAT DO 96 00:07:22,310 --> 00:07:23,586 IT BEST. 97 00:07:23,620 --> 00:07:30,034 BUT TO BE HONEST WITH YOU, WE'RE ALL FEELING CRAZY SADNESS RIGHT 98 00:07:30,068 --> 00:07:32,206 NOW. 99 00:07:32,241 --> 00:07:40,862 BECAUSE EARLIER TODAY LOS ANGELES, AMERICA AND THE WHOLE 100 00:07:40,896 --> 00:07:44,034 WIDE WORLD LOST A HERO. 101 00:07:44,068 --> 00:07:51,551 AND WE'RE LITERALLY STANDING HERE HEARTBROKEN IN THE HOUSE 102 00:07:51,586 --> 00:07:56,206 THAT KOBE BRYANT BUILT. 103 00:07:56,241 --> 00:08:07,068 [APPLAUSE] RIGHT NOW KOBE AND HIS DAUGHTER 104 00:08:07,103 --> 00:08:10,931 GIANNA AND ALL OF THOSE THAT HAVE BEEN TRAGICALLY LOST TODAY 105 00:08:10,965 --> 00:08:15,620 ARE IN OUR SPIRIT, THEY'RE IN OUR HEARTS, THEY'RE IN OUR 106 00:08:15,655 --> 00:08:16,517 PRAYERS. 107 00:08:16,551 --> 00:08:17,896 THEY'RE IN THIS BUILDING. 108 00:08:17,931 --> 00:08:22,724 AND I WOULD LIKE TO ASK EVERYBODY TO TAKE A MOMENT AND 109 00:08:22,758 --> 00:08:24,586 JUST HOLD THEM INSIDE OF YOU. 110 00:08:24,620 --> 00:08:26,896 HOLD THEM INSIDE OF YOU. 111 00:08:26,931 --> 00:08:33,241 AND SHARE OUR STRENGTH AND OUR SUPPORT WITH THEIR FAMILIES. 112 00:08:33,275 --> 00:08:36,620 WE NEVER IMAGINED IN A MILLION YEARS WE WOULD HAVE TO START THE 113 00:08:36,655 --> 00:08:38,206 SHOW LIKE THIS. 114 00:08:38,241 --> 00:08:40,448 NEVER, NEVER, NEVER, NEVER, NEVER. 115 00:08:40,482 --> 00:08:46,379 BUT WE WANTED TO DO SOMETHING THAT COULD DESCRIBE A TEENY BIT 116 00:08:46,413 --> 00:08:57,172 HOW WE ALL FEEL RIGHT NOW. 117 00:08:57,206 --> 00:09:05,551 ♪ IT'S SO HARD TO SAY GOOD-BYE. 118 00:09:05,586 --> 00:09:11,551 ♪ TO WHAT WE HAD. 119 00:09:11,586 --> 00:09:20,655 ♪ THE GOOD TIMES THAT MADE US LAUGH. 120 00:09:20,689 --> 00:09:30,413 ♪ OUTWEIGH THE BAD. 121 00:09:30,448 --> 00:09:42,379 ♪ TODAY WE THE NEED MEMORY. 122 00:09:42,413 --> 00:09:50,413 ♪ AFTER THE RAIN. 123 00:09:50,448 --> 00:09:58,379 ♪ IT'S SO HARD. 124 00:09:58,413 --> 00:10:10,413 ♪ 125 00:10:10,448 --> 00:10:19,034 WE LOVE YOU, KOBE. BOYZ II MEN. 126 00:10:19,068 --> 00:10:21,655 THANK Y'ALL SO MUCH. 127 00:10:21,689 --> 00:10:25,172 THANK YOU. 128 00:10:25,206 --> 00:10:28,724 AND I KNOW THAT WE'RE GOING TO DO WHAT WE'RE HERE TO DO. 129 00:10:28,758 --> 00:10:32,758 I KNOW THAT WE'RE GOING TO ALL JOIN TOGETHER AND DO WHAT WHAT 130 00:10:32,793 --> 00:10:34,344 WE DO IN HAPPY TIMES. 131 00:10:34,379 --> 00:10:38,068 WE'RE GOING TO SING TOGETHER, WE'RE GOING TO LAUGH TOGETHER. 132 00:10:38,103 --> 00:10:39,241 WE'RE GOING TO DANCE TOGETHER. 133 00:10:39,275 --> 00:10:40,413 WE'RE GOING TO CRY TOGETHER. 134 00:10:40,448 --> 00:10:42,586 WE'RE GOING TO BRING IT ALL TOGETHER. 135 00:10:42,620 --> 00:10:46,206 WE'RE GOING TO LOVE TOGETHER AND WE'RE GOING TO MAKE SURE THAT WE 136 00:10:46,241 --> 00:10:49,862 ARE CELEBRATING THE MOST POWERFUL ENERGY, THE MOST 137 00:10:49,896 --> 00:10:53,103 BEAUTIFUL THING IN THE WORLD, THE ONE THING THAT HAS THE POWER 138 00:10:53,137 --> 00:10:55,344 TO BRING ALL OF US TOGETHER. 139 00:10:55,379 --> 00:11:02,137 AND THAT'S MUSIC. 140 00:11:02,172 --> 00:11:06,103 [APPLAUSE] SO IT'S THE MOST HEALING THING 141 00:11:06,137 --> 00:11:07,482 IN THE WORLD. 142 00:11:07,517 --> 00:11:11,896 SO LET US GET SOME HUMAN GOING ON RIGHT NOW WITH TWO BEAUTIFUL 143 00:11:11,931 --> 00:11:18,413 PEOPLE WHO WANT TO SHARE THEIR LOVE WITH ALL OF US, MY FRIENDS 144 00:11:18,448 --> 00:11:31,620 BLAKE SHELTON AND GWEN STEFANI. 145 00:11:31,655 --> 00:11:34,000 ♪ DON'T HAVE TO LEAVE THIS TOWN TO SEE THE WORLD 146 00:11:34,034 --> 00:11:36,551 ♪ 'CAUSE IT'S SOMETHING THAT I'VE GOTTA DO 147 00:11:36,586 --> 00:11:39,655 ♪ I DON'T WANNA LOOK BACK IN 30 YEARS 148 00:11:39,689 --> 00:11:43,931 ♪ AND WONDER WHO YOU'RE MARRIED TO 149 00:11:43,965 --> 00:11:47,482 ♪ WANT TO SAY IT NOW WANT TO MAKE IT CLEAR 150 00:11:47,517 --> 00:11:51,931 ♪ FOR ONLY YOU AND GOD TO HEAR WHEN YOU LOVE SOMEONE 151 00:11:51,965 --> 00:11:57,206 ♪ THEY SAY YOU SET 'EM FREE BUT THAT AIN'T GONNA WORK FOR ME 152 00:11:57,241 --> 00:11:59,758 ♪ I DON'T WANT TO LIVE WITHOUT YOU 153 00:11:59,793 --> 00:12:03,965 ♪ I DON'T WANT TO EVEN BREATHE 154 00:12:04,000 --> 00:12:07,965 ♪ I DON'T WANT TO DREAM ABOUT YOU 155 00:12:08,000 --> 00:12:11,034 ♪ I WANT TO WAKE UP WITH YOU NEXT TO ME 156 00:12:11,068 --> 00:12:13,620 ♪ I DON'T WANT TO GO DOWN ANY OTHER ROAD NOW 157 00:12:13,655 --> 00:12:17,241 ♪ I DON'T WANT TO LOVE NOBODY BUT YOU 158 00:12:17,275 --> 00:12:19,931 ♪ LOOKING IN YOUR EYES NOW IF I HAD TO DIE NOW 159 00:12:19,965 --> 00:12:27,137 ♪ I DON'T WANT TO LOVE NOBODY BUT YOU 160 00:12:27,172 --> 00:12:29,758 ♪ ♪ [ CHEERS AND APPLAUSE] 161 00:12:29,793 --> 00:12:35,689 ♪ ALL THE WASTED DAYS ALL THE WASTED NIGHTS 162 00:12:35,724 --> 00:12:39,827 ♪ I BLAME IT ALL ON BEING YOUNG I'VE GOT NO REGRETS 163 00:12:39,862 --> 00:12:41,689 ♪ 'CAUSE IT GOT ME HERE I DON'T WANT TO 164 00:12:41,724 --> 00:12:46,586 ♪ WASTE ANOTHER ONE I'VE BEEN THINKING ABOUT 165 00:12:46,620 --> 00:12:50,620 ♪ WHAT I WANT IN MY LIFE IT BEGINS AND ENDS THE SAME 166 00:12:50,655 --> 00:12:53,689 ♪ IF I HAD TO CHOOSE WHAT I COULDN'T LOSE 167 00:12:53,724 --> 00:12:59,000 ♪ THERE'D ONLY BE ONE THING I DON'T WANT TO 168 00:12:59,034 --> 00:13:02,344 ♪ LIVE WITHOUT YOU I DON'T WANT TO 169 00:13:02,379 --> 00:13:05,413 ♪ EVEN BREATHE I DON'T WANT TO 170 00:13:05,448 --> 00:13:07,965 ♪ DREAM ABOUT YOU I WANT TO WAKE UP 171 00:13:08,000 --> 00:13:11,586 ♪ WITH YOU NEXT TO ME I DON'T WANT TO GO DOWN 172 00:13:11,620 --> 00:13:14,965 ♪ ANY OTHER ROAD NOW I DON'T WANT TO LOVE 173 00:13:15,000 --> 00:13:17,724 ♪ NOBODY BUT YOU LOOKING IN YOUR EYES NOW 174 00:13:17,758 --> 00:13:23,724 ♪ IF I HAD TO DIE NOW I DON'T WANT TO LOVE 175 00:13:23,758 --> 00:13:27,931 ♪ NOBODY BUT YOU YOU 176 00:13:27,965 --> 00:13:35,827 I DON'T WANT TO LOVE ♪ NOBODY BUT YOU 177 00:13:35,862 --> 00:13:39,931 ♪ ♪ I WANT TO SAY IT NOW 178 00:13:39,965 --> 00:13:45,689 ♪ WANT TO MAKE IT CLEAR FOR ONLY YOU AND GOD TO HEAR 179 00:13:45,724 --> 00:13:47,827 ♪ I DON'T WANT TO LIVE WITHOUT YOU 180 00:13:47,862 --> 00:13:51,793 ♪ I DON'T WANT TO EVEN BREATHE 181 00:13:51,827 --> 00:13:53,758 ♪ I DON'T WANT TO DREAM ABOUT YOU 182 00:13:53,793 --> 00:13:58,137 ♪ I WANT TO WAKE UP WITH YOU NEXT TO ME 183 00:13:58,172 --> 00:14:01,413 ♪ I DON'T WANT TO GO DOWN ANY OTHER ROAD NOW 184 00:14:01,448 --> 00:14:03,965 ♪ I DON'T WANT TO LOVE NOBODY BUT YOU 185 00:14:04,000 --> 00:14:08,000 ♪ LOOKING IN YOUR EYES NOW IF I HAD TO DIE NOW 186 00:14:08,034 --> 00:14:11,827 ♪ I DON'T WANT TO LOVE NOBODY BUT YOU 187 00:14:11,862 --> 00:14:16,206 ♪ YOU I DON'T WANT TO LOVE 188 00:14:16,241 --> 00:14:23,551 ♪ NOBODY BUT YOU YOU 189 00:14:23,586 --> 00:14:27,931 ♪ I DON'T WANT TO LOVE NOBODY BUT YOU ♪ 190 00:14:27,965 --> 00:14:38,000 [ CHEERS AND APPLAUSE] 191 00:14:38,000 --> 00:14:44,310 [ CHEERS AND APPLAUSE] 192 00:14:44,344 --> 00:14:46,379 >> Announcer: UP NEXT, THE JONAS 193 00:14:46,413 --> 00:14:50,310 BROTHERS AND TYLER THE CREATOR BOTH LIGHT UP THE GRAMMY STAGE; 194 00:14:50,344 --> 00:14:53,310 USHER SALUTES THE LEGACY OF PRINCE; AND COMING UP, CAMILLA 195 00:14:53,344 --> 00:14:58,206 CABELLO, ARIANA GRANDE AND TANYA TUCKER WITH BRANDI CARLILE. 196 00:14:58,241 --> 00:14:59,241 ONLY CBS. 197 00:15:08,724 --> 00:15:15,827 ♪ ♪ OKAY, WE'RE BACK. 198 00:15:15,862 --> 00:15:19,931 AND HERE I AM IN MY FAVORITE PLACE AT THE PIANO WHERE I 199 00:15:19,965 --> 00:15:22,827 ALWAYS GO WHEN I NEED A LITTLE ENERGY, YOU KNOW WHAT I MEAN, 200 00:15:22,862 --> 00:15:27,275 WHEN I NEED SOME GOOD VIBES, I COME HERE. 201 00:15:27,310 --> 00:15:30,965 SO LET ME GET SOME BACKGROUND MUSIC. 202 00:15:31,000 --> 00:15:37,620 BECAUSE LET ME BE HONEST WITH Y'ALL, IT'S BEEN A HELL OF A 203 00:15:37,655 --> 00:15:38,034 WEEK. 204 00:15:38,068 --> 00:15:38,931 DAMN! 205 00:15:38,965 --> 00:15:41,413 IT'S A REALLY, A SERIOUS ONE, REAL TALK. 206 00:15:41,448 --> 00:15:43,620 THERE'S A LOT GOING ON. 207 00:15:43,655 --> 00:15:48,034 I CAN ALSO HAVE A LITTLE MORE PIANO IN MY EARPIECE SO I CAN 208 00:15:48,068 --> 00:15:49,793 PROPERLY SERENADE THE PEOPLE, I NEED TO SERENADE Y'ALL FOR A 209 00:15:49,827 --> 00:15:52,620 MOMENT. 210 00:15:52,655 --> 00:15:57,379 BUT YOU KNOW WHAT, I'M PROUD TO BE STANDING HERE, YOU KNOW. 211 00:15:57,413 --> 00:15:58,172 I AM. 212 00:15:58,206 --> 00:16:00,448 I AM. 213 00:16:00,482 --> 00:16:06,206 AND I'M PROUD TO BE HERE AS AN ARTIST FOR THE ARTISTS WITH THE 214 00:16:06,241 --> 00:16:10,482 PEOPLE AND I FEEL THE ENERGY OF ALL THE BEAUTIFUL ARTISTS IN 215 00:16:10,517 --> 00:16:11,689 THIS ROOM. 216 00:16:11,724 --> 00:16:16,103 IT'S GOING TO BE AN AMAZING NIGHT, AMAZING NIGHT, BECAUSE 217 00:16:16,137 --> 00:16:16,862 IT'S A NEW DECADE. 218 00:16:16,896 --> 00:16:17,931 IT'S A NEW DECADE. 219 00:16:17,965 --> 00:16:20,689 IT'S TIME FOR NEWNESS. 220 00:16:20,724 --> 00:16:24,137 nd WE REFUSE THE NEGATIVE ENERGY. 221 00:16:24,172 --> 00:16:27,103 WE REFUSE THE OLD SYSTEM. 222 00:16:27,137 --> 00:16:29,482 FEEL ME ON THAT. 223 00:16:29,517 --> 00:16:33,758 WE WANT TO BE RESPECTED AND SAFE IN OUR DIVERSITY. 224 00:16:33,793 --> 00:16:41,482 WE WANT TO BE SHIFTING TO REALNESS AN INCLUSIVITY. 225 00:16:41,517 --> 00:16:47,724 SO TONIGHT WE WANT TO CELEBRATE THE PEOPLE, THE ARTISTS THAT PUT 226 00:16:47,758 --> 00:16:50,689 THEMSELVES ON THE LINE AND SHARE THEIR TRUTH WITH US. 227 00:16:50,724 --> 00:16:52,068 YOU KNOW WHAT I MEAN. 228 00:16:52,103 --> 00:16:57,275 WE GOT THE INCREDIBLE BILLIE EILISH RIGHT HERE IN THIS 229 00:16:57,310 --> 00:16:58,344 BUILDING. 230 00:16:58,379 --> 00:17:01,448 THAT'S RIGHT, THAT'S MY LITTLE SISTER RIGHT THERE. 231 00:17:01,482 --> 00:17:07,931 WE GOT LIZZO WHO JUST OWNED THE STAGE! 232 00:17:07,965 --> 00:17:11,172 [APPLAUSE] EIGHT NOMINATIONS AND ALREADY A 233 00:17:11,206 --> 00:17:13,172 WINNER TONIGHT. 234 00:17:13,206 --> 00:17:16,586 WE HAVE THE MAGNIFICENT ARIANA RIGHT HERE IN THE BUILDING 235 00:17:16,620 --> 00:17:19,827 TONIGHT. 236 00:17:19,862 --> 00:17:20,655 THAT'S RIGHT. 237 00:17:20,689 --> 00:17:22,275 YOU SEE HER. 238 00:17:22,310 --> 00:17:27,586 YOU SEE US, WE'RE UNSTOPPABLE. 239 00:17:27,620 --> 00:17:28,758 WE GET TO BE WHO WE WANT TO BE. 240 00:17:28,793 --> 00:17:30,241 WE GET TO BE DIFFERENT, WE GET TO BE UNIQUE, WE GET TO BE 241 00:17:30,275 --> 00:17:32,827 EVERYTHING RIGHT NOW. 242 00:17:32,862 --> 00:17:41,275 SO I'M LOOKING FORWARD TO BEING HERE TOGETHER WITH ALL OF US. 243 00:17:41,310 --> 00:17:43,965 AGAIN, CELEBRATING, CELEBRATING THIS MUSIC. 244 00:17:44,000 --> 00:17:47,827 BECAUSE I KNOW HOW MUCH KOBE LOVED MUSIC. 245 00:17:47,862 --> 00:17:49,413 I KNOW HOW MUCH HE LOVED MUSIC. 246 00:17:49,448 --> 00:17:53,931 SO WE'VE GOT TO MAKE THIS A CELEBRATION IN HIS HONOR, YOU 247 00:17:53,965 --> 00:17:55,103 KNOW. 248 00:17:55,137 --> 00:17:59,413 HE WOULD WANT US TO KEEP THE VY BRACES-- VIBRATIONS HOT. 249 00:17:59,448 --> 00:18:01,793 MUSIC IS THAT ONE LANGUAGE WE CAN ALL SPEAK. 250 00:18:01,827 --> 00:18:04,034 IT DON'T MATTER WHERE WE ARE FROM. 251 00:18:04,068 --> 00:18:05,275 WE ALL UNDERSTAND IT. 252 00:18:05,310 --> 00:18:10,379 SO I WANT TO SHOW SOME LOVE TO SOME OF THE ARTISTS THAT SPOKE 253 00:18:10,413 --> 00:18:12,827 THIS LANGUAGE SO BEAUTIFULLY WITH US THIS YEAR. 254 00:18:12,862 --> 00:18:18,068 I GOT SOMETHING FOR YOU. 255 00:18:18,103 --> 00:18:24,655 HERE WE G HERE WE GO, HERE WE GO . 256 00:18:24,689 --> 00:18:26,655 ♪ OS ♪ ROSALIA'S HOT. 257 00:18:26,689 --> 00:18:32,275 BEYONCEÉ TOOK US ALL ON SAFARI. 258 00:18:32,310 --> 00:18:36,310 ♪ OH YEAH, THANKS FOR THE BOX, BEY, THAT WAS FIRE! 259 00:18:36,344 --> 00:18:38,724 ♪ WE OBSESSED ABOUT BTS, H.E.R AND LEWIS CAPALDI. 260 00:18:38,758 --> 00:18:42,206 IS IT COOL THAT I'M USING YOUR SONG? 261 00:18:42,241 --> 00:18:44,206 THANKS. 262 00:18:44,241 --> 00:18:46,206 ♪ JONAS BROTHERS RETURNED. 263 00:18:46,241 --> 00:18:50,206 BILLIE AND FINNEAS. 264 00:18:50,241 --> 00:18:54,206 ♪ CAMILA LIKED SHAWN TO CALL HE"“ SEÑORITA."” 265 00:18:54,241 --> 00:18:59,896 ♪ ARIANA WENT "“NEXT!"” TYLER BROUGHT US IGOR. 266 00:18:59,931 --> 00:19:08,482 ♪ LIL' NAS RODE THAT ROAD !¡TIL HE COULDN'T NO MORE. 267 00:19:08,517 --> 00:19:13,689 ♪ IT'S THE GRAMMYS WE'RE GOING TO HAVE A BALL 268 00:19:13,724 --> 00:19:18,241 ♪ AND HERE'S ALICIA KEYS TO GET YOU THROUGH IT ALL. 269 00:19:18,275 --> 00:19:22,241 ♪ IF YOU LIKE COUNTRY, OR YOU PREFER YOUNG THUG. 270 00:19:22,275 --> 00:19:30,482 ♪ I'MA GET YOU KINDA USED TO HEARING MUSIC YOU LOVE 271 00:19:30,517 --> 00:19:34,827 OKAY, OKAY, A LITTLE BIT MORE. 272 00:19:34,862 --> 00:19:38,724 ♪ TONIGHT WE MUST UNITE IN SPITE OF ALL THE NEWS THAT 273 00:19:38,758 --> 00:19:44,448 ♪ WE'RE SEEING. 274 00:19:44,482 --> 00:19:46,379 COMMANDER IN CHIEF IMPEACHED; ♪ Y'ALL GET OUT! 275 00:19:46,413 --> 00:19:51,448 LET'S BRING CARDI B IN !¡CAUSE GREAT., CARDI, CAN YOU PLEASE 276 00:19:51,482 --> 00:19:54,206 SHOW THESE PEOPLE WHAT TO DO. 277 00:19:54,241 --> 00:19:56,413 ♪ MUSIC CHANGES THE WORLD, JUST LIKE BEETHOVEN SAID. 278 00:19:56,448 --> 00:20:01,689 ♪ OLD DUDE IN A WIG BUT I STILL GIVE HIM SOME CRED 279 00:20:01,724 --> 00:20:05,172 ♪ THERE'S JUST TOO MANY LIES TOO MUCH HATE, TOO MUCH SPIN 280 00:20:05,206 --> 00:20:08,448 ♪ IT'S WHEN GOOD PEOPLE DO NOTHING 281 00:20:08,482 --> 00:20:22,172 ♪ THAT THE BAD GUYS WIN BUT IT'S THE GRAMMYS 282 00:20:22,206 --> 00:20:24,172 ♪ WE GONNA HAVE A BALL AND I'M ALICIA KEYS 283 00:20:24,206 --> 00:20:27,379 ♪ TO GET YOU THROUGH IT ALL IF YOU LOVE K-POP 284 00:20:27,413 --> 00:20:32,551 ♪ OR ROCK'N'ROLL'S YOUR DRUG I'MA GET YOU KINDA USED TO 285 00:20:32,586 --> 00:20:37,034 ♪ HEARING MUSIC YOU LOVE AT THE GRAMMYS, 286 00:20:37,068 --> 00:20:40,655 ♪ 10,000 HOURS LONG LET'S KEEP THE SPEECHES SHORT 287 00:20:40,689 --> 00:20:44,551 ♪ AND FIT IN ONE MORE SONG TO ALL MY OVERKILLS 288 00:20:44,586 --> 00:20:50,206 ♪ AND ALL MY UNDERDOGS I'MA GET YOU KINDA USED TO 289 00:20:50,241 --> 00:21:00,517 ♪ KNOWING MUSIC IS LOVE [ CHEERS AND APPLAUSE] 290 00:21:00,551 --> 00:21:02,206 I WROTE THAT FOR Y'ALL. 291 00:21:02,241 --> 00:21:03,896 ARE YOU READY? 292 00:21:03,931 --> 00:21:08,206 ARE YOU READY FOR THIS MUSIC? 293 00:21:08,241 --> 00:21:14,206 PLEASE WELCOME A GRAMMY, EMMY AND TONY WINNER, THE STAR OF 294 00:21:14,241 --> 00:21:25,620 "POSE," BILLY PORTER. 295 00:21:25,655 --> 00:21:26,827 >> HEY, EVERYBODY. 296 00:21:26,862 --> 00:21:30,586 Y'ALL LOOK FABULOUS THIS EVENING! 297 00:21:30,620 --> 00:21:34,379 TONIGHT WE ARE ALL PART OF ONE BIG GRAMMY FAMILY. 298 00:21:34,413 --> 00:21:38,448 SO I'M PROUD TO STAND HERE AS A GRAMMY WINNER TO WELCOME BACK 299 00:21:38,482 --> 00:21:42,137 SOME BROTHERS WHO ARE MAKING US ALL PROUD. 300 00:21:42,172 --> 00:21:46,758 LIKE SO MANY OF YOU, I'M A SUCKER FOR THIS BAND OF GRAMMY 301 00:21:46,793 --> 00:21:48,068 NOMINATED BROTHERS. 302 00:21:48,103 --> 00:21:55,965 HERE TO DO WHAT A MAN GOTTA DO, LADIES, GENTLEMEN, AND THOSE WHO 303 00:21:56,000 --> 00:22:06,310 HAVE YET TO MAKE UP THEIR MINDS, PLEASE WELCOME JONAS BROTHERS! 304 00:22:06,344 --> 00:22:09,586 [CHEERS AND APPLAUSE] ♪ GIVE ME FIVE MORE MINUTES 305 00:22:14,896 --> 00:22:18,862 BABY I'M NOT FINISHED ♪ LOVING YOU 306 00:22:18,896 --> 00:22:21,655 I DON'T WANNA END IT ♪ WHEN WE'RE ONLY 307 00:22:21,689 --> 00:22:27,896 JUST BEGINNING ♪ GIVE ME FIVE MORE MINUTES 308 00:22:27,931 --> 00:22:33,103 DO YOU THINK YOU COULD ♪ JUST WAIT AWHILE 309 00:22:33,137 --> 00:22:38,137 I THINK I COULD MAKE IT ♪ WORTH YOUR WHILE 310 00:22:38,172 --> 00:22:42,758 I KNOW THAT BEING LATE ♪ AIN'T YOUR STYLE BUT 311 00:22:42,793 --> 00:22:45,620 YEAH ♪ PLEASE SAY YES 312 00:22:45,655 --> 00:22:51,000 PLEASE SAY YES ♪ GIVE ME FIVE MORE MINUTES 313 00:22:51,034 --> 00:22:54,827 HEY ♪ YEAH, BABY 314 00:22:54,862 --> 00:22:58,827 BABY I'M NOT FINISHED ♪ LOVING YOU 315 00:22:58,862 --> 00:23:02,896 I DON'T WANNA END IT ♪ WHEN WE'RE ONLY 316 00:23:02,931 --> 00:23:09,689 JUST BEGINNING ♪ GIVE ME FIVE MORE MINUTES 317 00:23:09,724 --> 00:23:21,758 JUST FIVE MORE GIVE ME FIVE MORE MINUTES ♪ 318 00:23:21,793 --> 00:23:30,862 MAKE SOME NOISE! 319 00:23:30,896 --> 00:23:35,103 ♪ ♪ ♪ CUT MY HEART 320 00:23:35,137 --> 00:23:38,896 ABOUT ONE, TWO TIMES ♪ DON'T NEED TO QUESTION 321 00:23:38,931 --> 00:23:42,827 THE REASON, I'M YOURS ♪ I'M YOURS 322 00:23:42,862 --> 00:23:45,758 I KNOW THE OTHER LOSE A FIGHT ♪ JUST TO SEE YOU SMILE 323 00:23:45,793 --> 00:23:50,827 'CAUSE YOU GOT NO FLAWS ♪ NO FLAWS 324 00:23:50,862 --> 00:23:53,965 I'M NOT TRYIN' TO BE ♪ YOUR PART-TIME LOVER 325 00:23:54,000 --> 00:23:58,827 SIGN ME UP FOR THE FULL-TIME ♪ I'M YOURS, ALL YOURS 326 00:23:58,862 --> 00:24:02,655 SO, WHAT A MAN GOTTA DO? 327 00:24:02,689 --> 00:24:03,448 ♪ WHAT A MAN GOTTA DO? 328 00:24:03,482 --> 00:24:06,896 TO BE TOTALLY ♪ LOCKED UP BY YOU 329 00:24:06,931 --> 00:24:09,793 WHAT A MAN GOTTA SAY? 330 00:24:09,827 --> 00:24:12,413 ♪ WHAT A MAN GOTTA PRAY? 331 00:24:12,448 --> 00:24:15,758 TO BE YOUR LAST GOOD NIGHT ♪ AND YOUR FIRST GOOD DAY 332 00:24:15,793 --> 00:24:18,862 SO, WHAT A MAN GOTTA DO? 333 00:24:18,896 --> 00:24:20,793 ♪ WHAT A MAN GOTTA DO? 334 00:24:20,827 --> 00:24:25,344 TO BE TOTALLY ♪ LOCKED UP BY YOU 335 00:24:25,379 --> 00:24:26,862 WHAT A MAN GOTTA DO? 336 00:24:26,896 --> 00:24:29,172 ♪ WHAT A MAN GOTTA PROVE? 337 00:24:29,206 --> 00:24:33,827 TO BE TOTALLY ♪ LOCKED UP BY YOU 338 00:24:33,862 --> 00:24:36,000 YOU AIN'T TRYING TO BE ♪ WASTING TIME 339 00:24:36,034 --> 00:24:38,896 ON STUPID PEOPLE ♪ AND CHEAP LINES, I'M SURE 340 00:24:38,931 --> 00:24:43,172 I'M SURE ♪ SO I'D GIVE A MILLION DOLLARS 341 00:24:43,206 --> 00:24:46,862 JUST TO GO GRAB ME BY THE COLLAR ♪ AND I'M GONNA BE LOST 342 00:24:46,896 --> 00:24:51,034 BE LOST ♪ I'M NOT TRYIN' TO BE 343 00:24:51,068 --> 00:24:54,827 YOUR PART-TIME LOVER ♪ SIGN ME UP FOR THE FULL-TIME 344 00:24:54,862 --> 00:25:02,103 I'M YOURS, I'M YOURS, WOO ♪ SO, WHAT A MAN GOTTA DO? 345 00:25:02,137 --> 00:25:02,896 WHAT A MAN GOTTA DO? 346 00:25:02,931 --> 00:25:06,896 ♪ TO BE TOTALLY LOCKED UP BY YOU 347 00:25:06,931 --> 00:25:10,103 ♪ WHAT A MAN GOTTA SAY? 348 00:25:10,137 --> 00:25:11,241 WHAT A MAN GOTTA PRAY? 349 00:25:11,275 --> 00:25:15,000 ♪ TO BE YOUR LAST GOOD NIGHT AND YOUR FIRST GOOD DAY 350 00:25:15,034 --> 00:25:18,896 ♪ SO, WHAT A MAN GOTTA DO? 351 00:25:18,931 --> 00:25:20,206 WHAT A MAN GOTTA DO? 352 00:25:20,241 --> 00:25:24,965 ♪ TO BE TOTALLY LOCKED UP BY YOU 353 00:25:25,000 --> 00:25:26,862 ♪ WHAT A MAN GOTTA DO? 354 00:25:26,896 --> 00:25:28,172 WHAT A MAN GOTTA PROVE? 355 00:25:28,206 --> 00:25:34,241 ♪ TO BE TOTALLY LOCKED UP BY YOU 356 00:25:34,275 --> 00:25:49,241 ♪ OOH-OOH-OOH-OOH-OOH OOH-OOH-OOH-OOH-OOH 357 00:25:49,275 --> 00:25:51,034 ♪ TELL ME WHAT A MAN GOTTA DO SO, WHAT A MAN GOTTA DO? 358 00:25:51,068 --> 00:25:54,827 ♪ WHAT A MAN GOTTA DO? 359 00:25:54,862 --> 00:25:56,310 WHAT A MAN GOTTA DO? 360 00:25:56,344 --> 00:26:01,241 TO BE TOTALLY ♪ LOCKED UP BY YOU 361 00:26:01,275 --> 00:26:02,896 ♪ WHAT A MAN GOTTA SAY? 362 00:26:02,931 --> 00:26:04,034 ♪ WHAT A MAN GOTTA PRAY? 363 00:26:04,068 --> 00:26:06,896 ♪ TO BE YOUR LAST GOOD NIGHT AND YOUR FIRST GOOD DAY 364 00:26:06,931 --> 00:26:07,482 ♪ SO, WHAT A MAN GOTTA DO? 365 00:26:07,517 --> 00:26:08,413 WHAT A MAN GOTTA DO? 366 00:26:08,448 --> 00:26:10,068 ♪ WHAT A MAN GOTTA DO? 367 00:26:10,103 --> 00:26:14,896 WOAH ♪ TO BE TOTALLY 368 00:26:14,931 --> 00:26:20,931 LOCKED UP BY YOU ♪ WHAT A MAN GOTTA DO? 369 00:26:20,965 --> 00:26:22,655 WHAT A MAN GOTTA PROVE? 370 00:26:22,689 --> 00:26:32,724 ♪ TOTALLY LOCKED UP BY YOU [ CHEERS AND APPLAUSE] 371 00:26:32,724 --> 00:26:40,620 ♪ TOTALLY LOCKED UP BY YOU [ CHEERS AND APPLAUSE] 372 00:26:40,655 --> 00:26:45,689 >> Announcer: PLEASE WELCOME FOUR-TIME GRAMMY WINNER KEITH 373 00:26:45,724 --> 00:26:48,310 URBAN; AND GRAMMY WINNER, TONY WINNER, EMMY WINNER- AND NOW 374 00:26:48,344 --> 00:26:55,586 NOMINATED FOR TWO OSCARS-- CYNTHIA ERIVO. 375 00:26:55,620 --> 00:26:55,896 HI, CYNTHIA. 376 00:26:55,931 --> 00:26:56,965 >> HI. 377 00:26:57,000 --> 00:26:59,758 >> HI, THE GRAMMIES ARE >> THE GRAMMYS ARE TRULY A 378 00:26:59,793 --> 00:27:04,379 GLOBAL EVENT, SO, FIRST, LET'S START BY FIRST OF ALL SENDING 379 00:27:04,413 --> 00:27:05,620 OUR LOVE AND SUPPORT OUT TO EVERYBODY IN AUSTRALIA WHO HAVE 380 00:27:05,655 --> 00:27:06,241 BEEN THROUGH SO MUCH THIS YEAR. 381 00:27:06,275 --> 00:27:07,379 >> ABSOLUTELY. 382 00:27:07,413 --> 00:27:10,586 AND NOW THE FIRST AWARD OF THE NIGHT FOR BEST POP SOLO 383 00:27:10,620 --> 00:27:11,827 PERFORMANCE. 384 00:27:11,862 --> 00:27:13,862 AS A NATURAL WOMAN NAMED ARETHA FRANKLIN ONCE SAID, BEING A 385 00:27:13,896 --> 00:27:15,310 SINGER IS A NATURAL GIFT. 386 00:27:15,344 --> 00:27:18,586 IT MEANS I'M USING, TO THE HIGHEST DEGREE POSSIBLE THE GIFT 387 00:27:18,620 --> 00:27:21,034 THAT GOD GAVE PLEA TO USE. 388 00:27:21,068 --> 00:27:22,241 >> ABSOLUTELY. 389 00:27:22,275 --> 00:27:27,000 HERE ARE FIVE GIFTED VOCALISTS WHO, LIKE THIS AMAZING OSCAR 390 00:27:27,034 --> 00:27:28,275 NOMINEE RIGHT HERE, HAVE USED THEIR VOCAL GIFTS TO THE HIGHEST 391 00:27:28,310 --> 00:27:29,448 DEGREE. 392 00:27:29,482 --> 00:27:36,724 THESE ARE THE OUTSTANDING NOMINATIONS FOR BEST POP SOLO 393 00:27:36,758 --> 00:27:37,862 PERFORMANCE. 394 00:27:37,896 --> 00:27:40,034 >> Announcer: "SPIRIT," BEYONCEÉ. 395 00:27:40,068 --> 00:27:45,827 "BAD GUY," BILLIE EILISH. 396 00:27:45,862 --> 00:27:49,827 "7 RINGS," ARIANA GRANDE. 397 00:27:49,862 --> 00:27:51,551 "TRUTH HURTS," LIZZO. 398 00:27:51,586 --> 00:27:57,827 "YOU NEED TO CALM DOWN," TAYLOR SWIFT. 399 00:27:57,862 --> 00:28:05,482 >> AND THE GRAMMY GOES TO: 400 00:28:05,517 --> 00:28:16,448 LIZZO. 401 00:28:16,482 --> 00:28:17,862 ♪ SHAMPOO PRESS GET YOU OUT OF MY CHAIR. 402 00:28:17,896 --> 00:28:21,862 ♪ PRESS PHOTO. 403 00:28:21,896 --> 00:28:35,862 [APPLAUSE] >> UM, THANK YOU, THANK YOU TO 404 00:28:35,896 --> 00:28:43,172 THE ACADEMY, FIRST OF ALL,-- UNEXPECTED, REALLY COOL, 405 00:28:43,206 --> 00:28:48,034 BUT I JUST, I WANT TO SAY, YOU KNOW, THIS WHOLE WEEK, YOU KNOW, 406 00:28:48,068 --> 00:28:51,275 I'LL BE LOST IN MY PROBLEMS, STRESSED OUT AND THEN IN AN 407 00:28:51,310 --> 00:28:55,862 INSTANT ALL OF THAT IS-- CAN GO AWAY AND YOUR PRIORITIES REALLY 408 00:28:55,896 --> 00:28:57,068 SHIFT. 409 00:28:57,103 --> 00:28:59,275 AND TODAY ALL OF MY LITTLE PROBLEMS ARE, I THOUGHT, WERE AS 410 00:28:59,310 --> 00:29:01,172 BIG AS THE WORLD WERE GONE. 411 00:29:01,206 --> 00:29:05,241 AND I REALIZED THAT THERE IS PEOPLE HURTING RIGHT NOW. 412 00:29:05,275 --> 00:29:08,172 YOU GUYS CREATE BEAUTIFUL MUSIC. 413 00:29:08,206 --> 00:29:12,068 YOU GUYS CREATE CONNECTIVITY AND AS I'M SPEAKING TO ALL OF Y'ALL 414 00:29:12,103 --> 00:29:14,379 IN THIS ROOM, WE NEED TO CONTINUE TO REACH OUT. 415 00:29:14,413 --> 00:29:17,862 THIS IS THE BEGINNING OF MAKING MUSIC THAT MOVES PEOPLE AGAIN. 416 00:29:17,896 --> 00:29:24,103 MAKING MUSIC-- THAT LIBERATES PEOPLE. 417 00:29:24,137 --> 00:29:25,379 YES. 418 00:29:25,413 --> 00:29:28,827 AND IF I HADN'T REACHED OUT, I WOULDN'T HAVE MET MY BEST FRIEND 419 00:29:28,862 --> 00:29:30,068 QUINN AND LAUREN. 420 00:29:30,103 --> 00:29:32,931 I DON'T KNOW WHERE I WOULD BE RIGHT NOW, SLEEPING IN MY CAR. 421 00:29:32,965 --> 00:29:36,724 IF I HADN'T REACHED OUT I WOULDN'T HAVE RHETORICKY AND 422 00:29:36,758 --> 00:29:40,344 KEVIN AND IF I HADN'T REACHED OUT I WOULDN'T HAVE MET ATLANTIC 423 00:29:40,379 --> 00:29:42,241 RECORDS, SO THANK YOU SO MUCH FOR LIFTING ME UP. 424 00:29:42,275 --> 00:29:43,724 LET'S CONTINUE TO REACH OUT. 425 00:29:43,758 --> 00:29:47,931 HOLD EACH OTHER DOWN AND LIFT EACH OTHER UP. 426 00:29:47,965 --> 00:29:48,931 GOD BLESS YOU. 427 00:29:48,965 --> 00:29:52,586 THANK YOU SO MUCH. 428 00:29:52,620 --> 00:29:54,827 >> Announcer: COMING UP; TYLER THE CREATOR SHAKES UP THE 429 00:29:54,862 --> 00:29:58,275 GRAMMYS WITH CHARLIE WILSON; AND BOYZ TO MEN. 430 00:29:58,310 --> 00:30:01,551 CAMILA CABELLO WITH AN EMOTIONAL GRAMMY MOMENT. 431 00:30:01,586 --> 00:30:04,689 AND LATER PERFORMANCES BY BILLIE EILISH, TAYLOR SWIFT AND RUN 432 00:30:04,724 --> 00:30:05,862 DMC. 433 00:30:05,896 --> 00:30:08,137 AND ARIANA GRANDE MAKE A TRIUMPHANT RETURN TO THE GRAMMY 434 00:30:08,172 --> 00:30:10,827 STAGE. 435 00:30:10,862 --> 00:30:14,931 CHECK OUT BEHIND THE SCENES INTERVIEWS FROM REHEARSALS AS 436 00:30:14,965 --> 00:30:16,379 GRAMMY NOMINEES PREPARE TO TAKE THE STAGE. 437 00:30:16,413 --> 00:30:18,103 NOW ON IG TV. 438 00:30:25,655 --> 00:30:27,655 >> Announcer: PLEASE WELCOME THE HOST OF "THE DAILY SHOW" AND A 439 00:30:27,689 --> 00:30:39,275 NOMINEE TONIGHT, TREVOR NOAH! 440 00:30:39,310 --> 00:30:42,758 >> WHEN I WAS GROWING UP IN SOUTH AFRICA, I TRIED 441 00:30:42,793 --> 00:30:47,275 DESPERATELY TO GET THE KIDS IN SCHOOL TO CALL ME "TREVOR THE 442 00:30:47,310 --> 00:30:48,517 CREATOR." 443 00:30:48,551 --> 00:30:49,517 [ LAUGHTER] THIS DID NOT WORK OUT 444 00:30:49,551 --> 00:30:50,689 WELL FOR ME. 445 00:30:50,724 --> 00:30:54,413 >> THE ONLY THING IT CREATED IS WEDGIES T IS WORKING OUT 446 00:30:54,448 --> 00:30:57,034 INFINITELY BETTER FOR THE FORCE OF NATURE ABOUT TO TAKE THE 447 00:30:57,068 --> 00:30:58,241 STAGE. 448 00:30:58,275 --> 00:31:00,655 NOMINATED TONIGHT FOR THE BEST RAP ALBUM FOR A MASTER PIECE 449 00:31:00,689 --> 00:31:05,172 CALLED IGOR, AND JOINED BY BOYZ II MEN AND EVERYONE'S FAVORITE 450 00:31:05,206 --> 00:31:06,448 UNCLE, CHARLIE WILSON. 451 00:31:06,482 --> 00:31:10,655 LET'S HEAR IT FOR ONE THE GREAT CREATORS IN MUSIC TODAY, TYLER 452 00:31:10,689 --> 00:31:17,413 THE CREATOR. 453 00:31:17,448 --> 00:31:20,137 >> RIDING AROUND. 454 00:31:20,172 --> 00:31:21,827 ♪ ♪ EARTH QUAKE, OOH 455 00:31:21,862 --> 00:31:24,103 OH, YOU MAKE MY EARTH QUAKE ♪ RIDING AROUND 456 00:31:24,137 --> 00:31:29,344 YOUR LOVE IS SHAKIN' ME UP ♪ EARTH QUAKE, OOH 457 00:31:29,379 --> 00:31:31,724 OH, YOU MAKE MY EARTH QUAKE ♪ RIDING AROUND 458 00:31:31,758 --> 00:31:36,137 YOUR LOVE IS SHAKIN' ME UP ♪ AND IT'S MAKING MY HEART BREAK 459 00:31:36,172 --> 00:31:41,448 DON'T LEAVE ♪ IT'S MY FAULT 460 00:31:41,482 --> 00:31:48,206 DON'T LEAVE ♪ IT'S MY FAULT 461 00:31:48,241 --> 00:31:56,448 DON'T LEAVE ♪ IT'S MY FAULT, YEAH 462 00:31:56,482 --> 00:32:09,482 'CAUSE WHEN IT ALL COMES ♪ CRASHING DOWN I'LL NEED YOU 463 00:32:09,517 --> 00:32:19,551 ♪ ♪ SPHIEMS YOU GOT TO 464 00:32:19,551 --> 00:32:33,482 ♪ ♪ SPHIEMS YOU GOT TO 465 00:32:33,517 --> 00:32:41,448 CLOSE A DOOR TO OPEN A WINDOW. 466 00:32:41,482 --> 00:32:45,655 ♪ ♪ ♪ WOO 467 00:32:45,689 --> 00:32:47,310 I SAW A PHOTO ♪ YOU LOOKED JOYOUS 468 00:32:47,344 --> 00:32:51,448 MY EYES ARE GREEN ♪ I EAT MY VEGGIES 469 00:32:51,482 --> 00:32:55,344 I NEED TO GET HER ♪ OUT THE PICTURE 470 00:32:55,379 --> 00:32:58,965 SHE'S REALLY-- UP MY FRAME ♪ SHE'S NOT DEVELOPED 471 00:32:59,000 --> 00:33:02,344 LIKE WE ARE ♪ LIKE MAGIC, LIKE MAGIC 472 00:33:02,379 --> 00:33:05,517 LIKE MAGIC, GONE ♪ NEW MAGIC, NEW MAGIC 473 00:33:05,551 --> 00:33:08,379 NEW MAGIC WAND ♪ LIKE MAGIC, LIKE MAGIC 474 00:33:08,413 --> 00:33:11,655 LIKE MAGIC, GONE ♪ NEW MAGIC, NEW MAGIC 475 00:33:11,689 --> 00:33:14,068 NEW MAGIC WAND ♪ MY BROTHER SAID 476 00:33:14,103 --> 00:33:17,724 I'M ON THE SPECTRUM ♪ DON'T CALL ME SELFISH 477 00:33:17,758 --> 00:33:25,724 I AIN'T SHARIN' ♪ THIS 60-40 ISN'T WORKIN' 478 00:33:25,758 --> 00:33:28,896 I WANT 100 OF YOUR TIME ♪ YOU'RE MINE 479 00:33:28,931 --> 00:33:35,206 PLEASE DON'T LEAVE ME NOW ♪ PLEASE DON'T LEAVE ME NOW 480 00:33:35,241 --> 00:33:40,689 DON'T LEAVE ♪ PLEASE DON'T LEAVE ME NOW 481 00:33:40,724 --> 00:33:45,724 PLEASE DON'T LEAVE ME NOW ♪ DON'T LEAVE 482 00:33:45,758 --> 00:33:55,793 PLEASE DON'T LEAVE ME NOW ♪ ♪ 483 00:33:55,793 --> 00:34:08,655 PLEASE DON'T LEAVE ME NOW ♪ ♪ 484 00:34:08,689 --> 00:34:16,655 WE CAN FINALLY BE TOGETHER TOGETHER BABY. 485 00:34:16,689 --> 00:34:22,379 ♪ ♪ TAKE ONE LOOK IN THE MIRROR. 486 00:34:22,379 --> 00:34:26,689 ♪ ♪ TAKE ONE LOOK IN THE MIRROR. 487 00:34:51,344 --> 00:34:54,379 ♪ IMPLICATIONS SO CLEAR, I LIVE LIFE WITH NO FEAR. 488 00:34:54,413 --> 00:34:55,620 EXCEPT FOR THE IDEA. 489 00:34:55,655 --> 00:35:00,586 ♪ THAT ONE DAY YOU WON'T BE MERE. 490 00:35:00,620 --> 00:35:03,551 WHERE. 491 00:35:03,586 --> 00:35:07,758 ♪ I GT A PLAN ABOUT TO WALK IN THE 492 00:35:07,793 --> 00:35:09,448 ♪ EYES ON THE PRIZE GOT WEIGHT ON MY CHEST 493 00:35:09,482 --> 00:35:11,034 ♪ THAT I NEED TO GET OFF OR I AIN'T TALKIN' TO THEM 494 00:35:11,068 --> 00:35:12,689 ♪ CAN'T BE IN THE PICTURE IF IT GOT NO FRAME 495 00:35:12,724 --> 00:35:14,275 ♪ GON' LET THE WORLD KNOW 'CAUSE I AIN'T GOT NO SHAME 496 00:35:14,310 --> 00:35:15,655 ♪ BLOW THE WHOLE SPOT UP 'CAUSE I AIN'T 497 00:35:15,689 --> 00:35:17,827 ♪ I WANNA SHARE LAST NAMES I WANNA BE YOUR NUMBER ONE 498 00:35:17,862 --> 00:35:19,827 ♪ NOT THE OTHER ONE KEEP IT ON THE LOW 499 00:35:19,862 --> 00:35:21,068 ♪ I'M IN MY RIGHT MIND KEEP IT ON A HIGH 500 00:35:21,103 --> 00:35:23,310 ♪ JANIS JOPLIN SPILLIN' FEELINGS 501 00:35:23,344 --> 00:35:25,000 ♪ NOW I'M OUT HERE MOPPIN' 'EM FOUR ON THE FLOOR 502 00:35:25,034 --> 00:35:26,413 ♪ PACK UP YOUR BAGS WE HIT THE STORE 503 00:35:26,448 --> 00:35:28,172 ♪ GRAB OUR SUPPLIES NO NEED FOR MASKS 504 00:35:28,206 --> 00:35:29,793 ♪ BUST THROUGH THE DOOR GET THE JOB DONE 505 00:35:29,827 --> 00:35:32,896 ♪ LIKE RETIREMENT I ADMIT YOU LOOK CONCERNED 506 00:35:32,931 --> 00:35:42,965 ♪ NEW MAGIC WAND [ CHEERS AND APPLAUSE] 507 00:35:42,965 --> 00:35:54,931 ♪ NEW MAGIC WAND [ CHEERS AND APPLAUSE] 508 00:35:54,965 --> 00:36:00,896 >> Announcer: UP NEXT, USHER. CAMILA CABELLO IN A MOMENT. 509 00:36:00,931 --> 00:36:07,241 YOU WON'T WANT TO MISS; ARIANA GRANDE RETURNS. BILLIE EILISH. 510 00:36:07,275 --> 00:36:10,068 AEROSMITH ROCKS ANDRUN DMC RAPS TO "WALK DMC RAPS TO WALK THIS 511 00:36:10,103 --> 00:36:11,758 WAY, ONLY ON CBS. 512 00:36:11,793 --> 00:36:14,448 THE 62nd GRAMMY AWARDS. 513 00:36:14,482 --> 00:36:15,448 TAKE HOME EXCLUSIVE ITEMS SIGNED BY MANY OF TONIGHT'S STARS, 514 00:36:15,482 --> 00:36:20,137 BIDDING STARTS NOW THROUGH FEBRUARY 6th ON 515 00:36:20,172 --> 00:36:21,517 EBAY.COM/GRAMMY. 516 00:36:21,551 --> 00:36:25,137 PROCEEDS BENEFIT THE GRAMMY MUSEUM AND MUSICARES. 517 00:36:25,172 --> 00:36:30,000 THE 62nd GRAMMY AWARDS IS SPONSORED BY FORD, BUILT FORD 518 00:36:30,034 --> 00:36:31,896 PROUD. 519 00:36:35,137 --> 00:36:39,931 ♪ ♪ 520 00:36:39,965 --> 00:36:40,896 >> Alicia: HOW WE DOING SO FAR, GRAMMYS? 521 00:36:40,931 --> 00:36:44,655 WE FEELING GOOD? 522 00:36:44,689 --> 00:36:45,758 YES, WE ARE GOOD. 523 00:36:45,793 --> 00:36:49,103 YOU KNOW, AS YOUR HOST, AS YOUR HOST, I WANT TO MAKE 524 00:36:49,137 --> 00:36:51,379 SURE EVERYONE'S HAVING A GOOD TIME, ESPECIALLY THE NOMINEES IN 525 00:36:51,413 --> 00:36:55,344 THE ROOM. 526 00:36:55,379 --> 00:37:00,655 YOU DON'T UNDERSTAND HOW CRAZY SEE PEOPLE, YOU KNOW THEM FROM 527 00:37:00,689 --> 00:37:01,793 TV. 528 00:37:01,827 --> 00:37:02,241 BUT YOU DON'T REALLY KNOW THEM, YOU ONLY TV KNOW THEM. 529 00:37:02,275 --> 00:37:03,551 IT IS WEIRD. 530 00:37:03,586 --> 00:37:06,551 SO YOU FEEL STRANGE AND YOU WISH YOU COULD GUP AND SAY HELLO BUT 531 00:37:06,586 --> 00:37:09,034 YOU QUEENED OF FEEL AWKWARD AND WEIRD SO LET'S JUST TAKE A 532 00:37:09,068 --> 00:37:13,000 MOMENT TO GET TO KNOW REACH OTHER, LOOK, IT'S BLAKE AND 533 00:37:13,034 --> 00:37:14,310 GWEN, HOW ARE Y'ALL DOING? 534 00:37:14,344 --> 00:37:18,655 ARE YOU FEELING GOOD. 535 00:37:18,689 --> 00:37:23,344 DID YOU SAY I HAD TO EL EL TONIGHT? 536 00:37:23,379 --> 00:37:28,172 ST LOVE, DID YOU SAY I HAD TO MY FRIEND GENESIS TONIGHT? 537 00:37:28,206 --> 00:37:29,344 OH, THANKS, Y'ALL. 538 00:37:29,379 --> 00:37:31,379 THERE GOES MY FRIEND RIGHT THERE. 539 00:37:31,413 --> 00:37:34,068 LET'S TAKE A MINUTE TO GET TO KNOW EACH OTHER AND LOVE EACH 540 00:37:34,103 --> 00:37:37,034 OTHER BECAUSE WE DON'T KNOW FROM MINUTE TO MINUTE IT IS A REAL 541 00:37:37,068 --> 00:37:38,137 THING, IT'S SPECIAL. 542 00:37:38,172 --> 00:37:41,827 SO NOW LET ME MAKE ONE MORE INTRODUCTION TO OUR NEXT 543 00:37:41,862 --> 00:37:46,310 PRESENTERS, TWO MUSIC POWERHOUSES THAT I ADORE. 544 00:37:46,344 --> 00:37:57,275 BEBE REXHA AND THE LEGENDARY SHANIA TWAIN. 545 00:37:57,310 --> 00:37:57,965 OO. 546 00:37:58,000 --> 00:37:59,206 ♪. 547 00:37:59,241 --> 00:38:07,310 >> I MEAN LIKE DAMN, ANYWAY, GOSH, ALL RIGHT, THE WOMAN IN ME 548 00:38:07,344 --> 00:38:11,379 IS SUPERTHRILLED TO STAND ON THE GRAMMY STAGE WITH THIS ARTIST 549 00:38:11,413 --> 00:38:14,310 WHO BROKE BARRIERS FOR WOMEN IN COUNTRY AND BEYOND. 550 00:38:14,344 --> 00:38:19,275 SO MAKE SOME NOITION FOR SHANIA TWAIN, LADIES AND GENTLEMEN. 551 00:38:19,310 --> 00:38:22,448 >> THANK YOU, BEBE. 552 00:38:22,482 --> 00:38:23,379 >> THANK YOU, BEBE. 553 00:38:23,413 --> 00:38:28,241 THIS MOMENT WAS "MEANT TO BE," >> HA HA. 554 00:38:28,275 --> 00:38:29,482 >> ABSOLUTELY. 555 00:38:29,517 --> 00:38:30,655 SO WITH THIS MOMENT FOR THE OUTSTANDING RECORDINGS NOMINATED 556 00:38:30,689 --> 00:38:41,137 FOR BEST COUNTRY DUO GROUP >> Announcer: "BRAND NEW MAN," 557 00:38:41,172 --> 00:38:42,241 BROOKS & DUNN WITH LUKE COMBS. 558 00:38:42,275 --> 00:38:46,517 "I DON'T REMEMBER ME [BEFORE YOU]," BROTHERS OSBORNE. 559 00:38:46,551 --> 00:38:49,689 "SPEECHLESS," DAN + SHAY. 560 00:38:49,724 --> 00:38:55,344 "THE DAUGHTERS," LITTLE BIG TOWN. 561 00:38:55,379 --> 00:39:03,413 "COMMON," MAREN MORRIS FEATURING BRANDI CARLILE. 562 00:39:03,448 --> 00:39:15,448 >> AND THE GRAMMY GOES TO: "SPEECHLESS," DAN + SHAY. 563 00:39:15,482 --> 00:39:20,896 [ CHEERS AND APPLAUSE] ♪ ♪ 564 00:39:23,931 --> 00:39:24,379 ♪ WITHOUT EVEN TRYING. 565 00:39:24,413 --> 00:39:24,862 ♪ YEAH. 566 00:39:24,896 --> 00:39:26,655 ♪ I'M SPEECHLESS. 567 00:39:26,689 --> 00:39:29,551 ♪ ♪ WHAT IS DOING TO ME, I'M 568 00:39:29,586 --> 00:39:30,482 SPEECHLESS. 569 00:39:30,517 --> 00:39:35,379 ♪ JUST WATCHING YOU IS ALL THAT I CAN DO. 570 00:39:35,413 --> 00:39:35,965 ♪. 571 00:39:36,000 --> 00:39:40,310 >> I'M GOING TO HUG YOU. 572 00:39:40,344 --> 00:39:43,379 >> WELL, I'M GOING TO LET YOU START BECAUSE I CAN'T BREATHE 573 00:39:43,413 --> 00:39:44,482 RIGHT NOW. 574 00:39:44,517 --> 00:39:46,448 >> I WILL PUT MY HEART UP TO THIS MICROPHONE, YOU CAN 575 00:39:46,482 --> 00:39:48,379 LITERALLY HEAR IT BEATING OUT OF MY CHEST RIGHT NOW. 576 00:39:48,413 --> 00:39:50,344 THIS IS ONE OF THE COOLEST MOMENTS EVER. 577 00:39:50,379 --> 00:39:53,827 THANK YOU TO MY WIFE ABBY WHO IS IN THE CROWD DOWN THERE FOR 578 00:39:53,862 --> 00:39:55,482 INSPIRING THE SONG, FOR INSPIRING EVERY SONG THAT WE 579 00:39:55,517 --> 00:39:59,310 WRITE, FOR INSPIRING EVERY THING WE DO IN OUR LIVERS, SHAY'S WIFE 580 00:39:59,344 --> 00:40:01,172 HANNA IS AT HOME IN NASHVILLE. 581 00:40:01,206 --> 00:40:02,310 WE LOVE YOU. 582 00:40:02,344 --> 00:40:07,344 THANK YOU TO OUR TEAM, WARREN-- WARNER MUSIC NASHVILLE. 583 00:40:07,379 --> 00:40:09,965 SCOOTER BRAWN, EVERYBODY, THE RECORDING ACADEMY. 584 00:40:10,000 --> 00:40:12,586 EVERYBODY WHO VOTED FOR US, THIS IS AN ABSOLUTE DREAM COME 585 00:40:12,620 --> 00:40:14,965 TREUVMENT WE ALWAYS DREAMED OF BEING UP HERE ON THIS STAGE. 586 00:40:15,000 --> 00:40:18,620 SO THANK YOU ALL SO MUCH FOR MAKING THIS HAPPEN. 587 00:40:18,655 --> 00:40:19,931 >> THIS IS SERIOUSLY UNBELIEVABLE. 588 00:40:19,965 --> 00:40:22,172 ALICIA KEYS, YOU ARE UNBELIEVABLE. 589 00:40:22,206 --> 00:40:25,655 I WANT TO THANK ALL OF OUR FRIENDS BACK HOME, MY WIFE 590 00:40:25,689 --> 00:40:29,137 REWITH ABOUT TO HAVE OUR SECOND BABY, SO BABY, I LOVE YOU SO 591 00:40:29,172 --> 00:40:29,931 MUCH. 592 00:40:29,965 --> 00:40:31,034 THANK YOU ALL SO MUCH, WE LOVE YOU! 593 00:40:31,068 --> 00:40:35,206 ♪. 594 00:40:35,241 --> 00:40:37,965 >> THAT GOT ME FEELING ALL WARM AND EVERYTHING. 595 00:40:38,000 --> 00:40:42,034 ONCE UPON A TIME I NERVOUSLY CALLED ONE OF MY HEROES TO ASK 596 00:40:42,068 --> 00:40:49,310 IF I COULD COVER A SONG OF HIS THAT I LOVED 597 00:40:49,344 --> 00:40:51,482 MY HERO WAS THE ONE AND ONLY PRINCE AND THE SONG WAS 598 00:40:51,517 --> 00:40:58,034 ♪ HOW COME YOU DON'T CALL ME ANYMORE ♪ 599 00:40:58,068 --> 00:40:59,206 THAT CALL LED TO A FRIENDSHIP THAT LIVES WITH ME TO THIS 600 00:40:59,241 --> 00:41:03,344 DAY. 601 00:41:03,379 --> 00:41:06,172 AND THIS SPRING WE'LL CELEBRATE MY BRILLIANT FRIEND WITH A CBS 602 00:41:06,206 --> 00:41:11,034 SPECIAL CALLED "“LET'S GO CRAZY: THE GRAMMY SALUTE TO PRINCE."” 603 00:41:11,068 --> 00:41:15,344 SO HERE, TO GET US IN THE MOOD, JOINED BY SHEILA E. AND 604 00:41:15,379 --> 00:41:23,344 NOMINEE TONIGHT FKA TWIGS, LET'S GO CRAZY FOR AN EIGHT-TIME 605 00:41:23,379 --> 00:41:27,379 GRAMMY WINNER: MY BROTHER USHER! 606 00:41:27,413 --> 00:41:31,310 [ CHEERS AND APPLAUSE] ♪ I GUESS I SHOULD HAVE KNOWN 607 00:41:31,344 --> 00:41:35,310 BY THE WAY YOU PARKED YOUR CAR ♪ SIDEWAYS 608 00:41:35,344 --> 00:41:39,310 THAT IT WOULDN'T LAST ♪ SEE YOU'RE THE KINDA PERSON 609 00:41:39,344 --> 00:41:45,655 THAT BELIEVES IN MAKIN' OUT ONCE ♪ LOVE 'EM AND LEAVE 'EM FAST 610 00:41:45,689 --> 00:41:47,310 I GUESS I MUST BE DUMB ♪ 'CAUSE YOU HAD A POCKET 611 00:41:47,344 --> 00:41:53,344 FULL OF HORSES ♪ TROJAN AND SOME OF THEM USED 612 00:41:53,379 --> 00:41:55,275 BUT IT WAS SATURDAY NIGHT ♪ I GUESS THAT MAKES IT 613 00:41:55,310 --> 00:41:58,241 ALL RIGHT ♪ AND YOU SAY 614 00:41:58,275 --> 00:41:59,344 WHAT HAVE I GOT TO LOSE? 615 00:41:59,379 --> 00:42:05,482 ♪ AND HONEY I SAY LITTLE RED CORVETTE 616 00:42:05,517 --> 00:42:13,172 ♪ BABY YOU'RE MUCH TOO FAST LITTLE RED CORVETTE 617 00:42:13,206 --> 00:42:19,344 ♪ YOU NEED A LOVE THAT'S GONNA LAST 618 00:42:19,379 --> 00:42:23,344 GONNA LAST ♪ GONNA LAST 619 00:42:23,379 --> 00:42:33,448 ♪ GONNA LAST ♪ ♪ 620 00:42:33,448 --> 00:42:45,827 ♪ GONNA LAST ♪ ♪ 621 00:42:45,862 --> 00:42:48,137 ♪ DIG IF YOU WILL ITS PICTURE OF YOU AND I ENGAGED IN A KISS. 622 00:42:48,172 --> 00:42:50,413 ♪ THE SWEAT OF YOURED ABOUTEE COVERS ME. 623 00:42:50,448 --> 00:42:51,034 ♪ YOU CAN MY DARLING. 624 00:42:51,068 --> 00:42:52,758 ♪ YOU CAN PICTURE THIS. 625 00:42:52,793 --> 00:42:55,724 ♪ DREAM IF YOU CAN A COURTYARD. 626 00:42:55,758 --> 00:43:03,379 ♪ AN OCEAN OF VIOLETS IN ANIMALS STRIKE CURIOUS POSES 627 00:43:03,413 --> 00:43:07,172 ♪ THEY FEEL THE HEAT THE HEAT BETWEEN ME AND YOU 628 00:43:07,206 --> 00:43:11,379 ♪ HOW CAN YOU JUST LEAVE ME STANDING? 629 00:43:11,413 --> 00:43:15,310 ♪ ALONE IN A WORLD THAT'S SO COLD, SO COLD 630 00:43:15,344 --> 00:43:18,206 ♪ MAYBE I'M JUST TOO DEMANDING 631 00:43:18,241 --> 00:43:22,620 ♪ MAYBE I'M JUST LIKE MY FATHER, TOO BOLD 632 00:43:22,655 --> 00:43:27,344 ♪ MAYBE YOU'RE JUST LIKE MY MOTHER 633 00:43:27,379 --> 00:43:30,000 ♪ SHE'S NEVER SATISFIED SHE'S NEVER SATISFIED 634 00:43:30,034 --> 00:43:35,068 ♪ WHY DO WE SCREAM AT EACH OTHER? 635 00:43:35,103 --> 00:43:47,310 ♪ THIS IS WHAT IT SOUNDS LIKE WHEN DOVES CRY 636 00:43:47,344 --> 00:43:57,379 ♪ ♪ ♪ ♪ 637 00:43:57,379 --> 00:44:06,034 ♪ ♪ ♪ ♪ 638 00:44:06,068 --> 00:44:16,103 ♪ ♪ ♪ ♪ 639 00:44:16,103 --> 00:44:27,344 ♪ ♪ ♪ ♪ 640 00:44:27,379 --> 00:44:32,862 ♪ UH ♪YEAH 641 00:44:32,896 --> 00:44:35,344 YOU DON'T HAVE TO BE ♪ BEAUTIFUL 642 00:44:35,379 --> 00:44:43,344 TO TURN ME ON ♪ I JUST NEED YOUR BODY, BABY 643 00:44:43,379 --> 00:44:51,344 FROM DUSK 'TIL DAWN ♪ YOU DON'T NEED EXPERIENCE 644 00:44:51,379 --> 00:44:55,689 TO TURN ME OUT ♪ YOU JUST LEAVE IT 645 00:44:55,724 --> 00:44:59,310 ALL UP TO ME ♪ I'M GONNA SHOW YOU 646 00:44:59,344 --> 00:45:05,689 WHAT IT'S ALL ABOUT ♪ YOU DON'T HAVE TO BE RICH 647 00:45:05,724 --> 00:45:09,517 TO BE MY GIRL ♪ YOU DON'T HAVE TO BE COOL 648 00:45:09,551 --> 00:45:12,275 TO RULE MY WORLD ♪ AIN'T NO PARTICULAR SIGN 649 00:45:12,310 --> 00:45:16,827 I'M MORE COMPATIBLE WITH ♪ I JUST WANT YOUR 650 00:45:16,862 --> 00:45:23,379 EXTRA TIME AND YOUR ♪ KISS 651 00:45:23,413 --> 00:45:33,448 AH, OH-OH AH, I THINK I WANNA DANCE 652 00:45:33,448 --> 00:45:39,344 AH, OH-OH AH, I THINK I WANNA DANCE 653 00:45:39,379 --> 00:45:47,758 ♪ ♪ ♪ ♪ 654 00:45:47,793 --> 00:45:48,241 ♪ WOMEN NOT GIRLS. 655 00:45:48,275 --> 00:45:48,931 ♪ RULE MY WORLD. 656 00:45:48,965 --> 00:45:51,379 ♪ I SAID THEY RULE MY WORLD. 657 00:45:51,413 --> 00:45:54,620 ♪ ACT YOUR AGE ♪ ACT YOUR AGE, MAMA 658 00:45:54,655 --> 00:45:59,310 NOT YOUR SHOE SIZE ♪ MAYBE WE COULD DO THE TWIRL 659 00:45:59,344 --> 00:46:03,379 YOU DON'T HAVE TO ♪ WATCH "DYNASTY" 660 00:46:03,413 --> 00:46:11,034 TO HAVE AN ATTITUDE, UH ♪ YOU JUST LEAVE IT ALL UP TO ME 661 00:46:11,068 --> 00:46:14,551 MY LOVE WILL BE YOUR FOOD ♪ YEAH 662 00:46:14,586 --> 00:46:17,862 YOU DON'T HAVE TO BE RICH ♪ TO BE MY GIRL 663 00:46:17,896 --> 00:46:22,068 YOU DON'T HAVE TO BE COOL ♪ TO RULE MY WORLD 664 00:46:22,103 --> 00:46:24,793 AIN'T NO PARTICULAR SIGN ♪ I'M MORE COMPATIBLE WITH 665 00:46:24,827 --> 00:46:30,793 I JUST WANT YOUR ♪ EXTRA TIME AND YOUR 666 00:46:30,827 --> 00:46:42,758 KISS ♪ [ CHEERS AND APPLAUSE] 667 00:46:42,793 --> 00:46:52,827 [ CHEERS AND APPLAUSE] [ CHEERS AND APPLAUSE] 668 00:46:52,827 --> 00:46:59,344 [ CHEERS AND APPLAUSE] [ CHEERS AND APPLAUSE] 669 00:46:59,379 --> 00:47:03,137 >> Announcer: COMING UP, GRAMMY MOMENTS EVERYONE WILL BE TALKING 670 00:47:03,172 --> 00:47:06,896 ABOUT TOMORROW, INCLUDING THE GRAMMY DEBUT OF BILLIE EILISH; 671 00:47:06,931 --> 00:47:14,758 CAMILA CABELLO SINGS TO A VERY SPECIAL PERSON IN HER LIFE; AND 672 00:47:14,793 --> 00:47:16,931 AND LATER LATIN GRAMMY SENSATION ROSALIA, ARIANA GRANDE RETURNS 673 00:47:16,965 --> 00:47:23,379 TO THE GRAMMY STAGE, ONLY CBS. RELIVE WINNING MOMENTS FROM THE 674 00:47:23,413 --> 00:47:26,034 RELIVE WINNING MOMENTS FROM THE 62nd ANNUAL GRAMMY AWARDS 675 00:47:26,068 --> 00:47:30,379 FOLLOWING THE SHOW ON THE GRAMMY AWARDS PAGE ON FACEBOOK. 676 00:47:30,413 --> 00:47:33,517 THE 62nd GRAMMY AWARDS IS SPONSORED BY DISNEY AND PIXAR 677 00:47:33,551 --> 00:47:37,310 SOUL IN THEATERS EVERYWHERE JUNE 2020. 678 00:47:41,965 --> 00:47:44,724 >> Announcer: GETTING READY TO SING FOR A MAN SHE LOVES, CAMILA 679 00:47:44,758 --> 00:47:45,068 CABELLO! 680 00:47:45,103 --> 00:47:45,448 ONLY CBS. 681 00:47:53,482 --> 00:47:57,241 >> Announcer: PLEASE WELCOME A FIVE-TIME GRAMMY NOMINEE, ONE OF 682 00:47:57,275 --> 00:48:05,482 THE STARS OF "“TROOP ZERO,"” JIM GAFFIGAN! 683 00:48:05,517 --> 00:48:08,793 >> THANK YOU, THANK YOU. SOME OF YOU KNOW ME AS A COMEDIAN. 684 00:48:08,827 --> 00:48:13,482 SOME OF YOU ASSUME I'M THE SHOW'S ACCOUNTANT. 685 00:48:13,517 --> 00:48:16,862 BUT BUT WHEN I'M NOT BUSY LOSING 686 00:48:16,896 --> 00:48:28,448 GRAMMY AWARDS TO DAVE CHAPPELLE, I'M A FULL-TIME FATHER OF FIVE 687 00:48:28,482 --> 00:48:29,655 THREE SONS. 688 00:48:29,689 --> 00:48:33,655 CHILDREN-- TWO DAUGHTERS AND THIS NEXT SONG IS FOR ALL THE 689 00:48:33,689 --> 00:48:36,862 DAUGHTERS AND ALL THE FATHERS OUT THERE. 690 00:48:36,896 --> 00:48:38,827 IT'S FROM A PERFORMER WHO KICKED OFF MUSIC'S BIGGEST NIGHT LAST 691 00:48:38,862 --> 00:48:45,448 YEAR BY TAKING US ALL TO"“ HAVANA."” 692 00:48:45,482 --> 00:48:47,482 TONIGHT, SHE'S TAKING US SOME PLACE CLOSE TO HOME. 693 00:48:47,517 --> 00:48:52,482 HERE TO SING "“FIRST MAN,"” A LOVE SONG TO SOMEONE VERY SPECIAL IN 694 00:48:52,517 --> 00:48:53,310 HER LIFE. 695 00:48:53,344 --> 00:48:58,482 LADIES AND GENTLEMEN, CAMILA CABELLO! 696 00:48:58,517 --> 00:49:01,448 [ CHEERS AND APPLAUSE] ♪ ♪ 697 00:49:08,793 --> 00:49:13,482 ♪ YES I'M GONNA STAY WITH HIM TONIGHT 698 00:49:13,517 --> 00:49:21,482 ♪ I'LL SEE YOU IN THE MORNIN' NO OF COURSE, HE WON'T 699 00:49:21,517 --> 00:49:28,689 ♪ DRINK AND DRIVE CAN YOU SAY BYE TO MOM FOR ME? 700 00:49:28,724 --> 00:49:33,000 ♪ OH YOU'LL LIKE HIM, HE'S REALLY KIND 701 00:49:33,034 --> 00:49:37,827 ♪ AND HE'S FUNNY LIKE YOU SOMETIMES 702 00:49:37,862 --> 00:49:45,448 ♪ AND I FOUND SOMEONE I REALLY LIKE 703 00:49:45,482 --> 00:49:52,758 ♪ MAYBE FOR THE FIRST TIME NO I DON'T NEED A JACKET 704 00:49:52,793 --> 00:50:01,448 ♪ IT'S NOT THAT COLD TONIGHT AND YOU WORRY, I GET IT 705 00:50:01,482 --> 00:50:09,448 ♪ BUT HE'S WAITING OUTSIDE I SWEAR ON MY HEART 706 00:50:09,482 --> 00:50:15,689 ♪ THAT HE'S A GOOD MAN I KNOW YOU'LL STAY UP LATE 707 00:50:15,724 --> 00:50:21,206 ♪ JUST WAITING FOR ME YOU HELD ME SO TIGHT 708 00:50:21,241 --> 00:50:23,137 ♪ NOW SOMEONE ELSE CAN BUT YOU WERE THE FIRST MAN THAT 709 00:50:23,172 --> 00:50:33,413 ♪ REALLY LOVED ME NOW YOU'RE DRIVING 710 00:50:33,448 --> 00:50:40,137 ♪ TO THE AIRPORT NOT JUST ME YOU PICK UP ANYMORE 711 00:50:40,172 --> 00:50:44,724 ♪ I'VE GOT EIGHT DAYS OFF COMING UP 712 00:50:44,758 --> 00:50:49,379 ♪ AND I CAN ONLY COME HOME FOR FOUR 713 00:50:49,413 --> 00:50:59,068 ♪ YEAH I JUST MET HIS FAMILY THEY'RE JUST LIKE YOU AND MOM 714 00:50:59,103 --> 00:51:09,448 ♪ HE MAKES ME REALLY HAPPY I THINK HE MIGHT BE THE ONE, OH 715 00:51:09,482 --> 00:51:15,586 ♪ I SWEAR ON MY HEART THAT HE'S A GOOD MAN 716 00:51:15,620 --> 00:51:20,482 ♪ I PROMISE HE LOVES ME HE'D NEVER HURT ME 717 00:51:20,517 --> 00:51:25,413 ♪ YOU HELD ME SO TIGHT NOW SOMEONE ELSE CAN 718 00:51:25,448 --> 00:51:29,344 ♪ BUT YOU WERE THE FIRST MAN THAT REALLY LOVED ME 719 00:51:29,379 --> 00:51:33,413 ♪ NOW YOU'RE ON THE DRIVEWAY FAKING A SMILE 720 00:51:33,448 --> 00:51:37,413 ♪ YOU WISH YOU COULD TELL HIM HE DOESN'T DESERVE ME 721 00:51:37,448 --> 00:51:41,344 ♪ SO I HAD TO STOP THE CAR AND TURN AROUND 722 00:51:41,379 --> 00:51:53,413 ♪ TO TELL YOU YOU WERE THE FIRST MAN THAT REALLY LOVED ME 723 00:51:53,448 --> 00:52:06,758 ♪ ♪ ♪ ♪ 724 00:52:06,793 --> 00:52:11,103 ♪ AND BEFORE THEY OPEN UP THE DOORS 725 00:52:11,137 --> 00:52:15,965 ♪ I SAY I'VE NEVER SEEN YOU CRY BEFORE 726 00:52:16,000 --> 00:52:20,965 ♪ YOU SAY "YOU'VE NEVER LOOKED SO BEAUTIFUL 727 00:52:21,000 --> 00:52:27,586 ♪ YOU KNOW YOU'LL ALWAYS BE MY LITTLE GIRL" 728 00:52:27,620 --> 00:52:32,344 ♪ YOU'RE LOOKING AT ME, WHILE WALKING DOWN THE AISLE 729 00:52:32,379 --> 00:52:37,448 ♪ WITH TEARS IN YOUR EYES, MAYBE HE DESERVES ME 730 00:52:37,482 --> 00:52:41,379 ♪ YOU DON'T EVEN KNOW HOW MUCH IT MEANS TO ME NOW 731 00:52:41,413 --> 00:52:47,379 ♪ THAT YOU WERE THE FIRST MAN THAT REALLY LOVED ME, 732 00:52:47,413 --> 00:52:57,448 ♪ THAT REALLY LOVED ME YOU REALLY LOVE ME ♪ 733 00:52:57,448 --> 00:53:11,482 ♪ THAT REALLY LOVED ME YOU REALLY LOVE ME ♪ 734 00:53:11,517 --> 00:53:13,448 [ CHEERS AND APPLAUSE] >> Announcer: SHE RECEIVED HER 735 00:53:13,482 --> 00:53:19,379 FIRST NOMINATION WHEN SHE WAS 13 YEARS OLD FOR "“DELTA DAWN"” AND 736 00:53:19,413 --> 00:53:23,620 JOINED BY COLLABORATOR BRANDI CARLILE ALSO A WINNER TODAY, 737 00:53:23,655 --> 00:53:33,448 TANYA TUCKER. 738 00:53:35,689 --> 00:53:45,413 ♪ ♪ ♪ "BRING MY FLOWERS NOW, WHILE 739 00:53:45,448 --> 00:53:49,413 I'M LIVING" ♪ I WON'T NEED YOUR LOVE WHEN 740 00:53:49,448 --> 00:53:59,620 I'M GONE ♪ DON'T SPEND TIME, TEARS, OR 741 00:53:59,655 --> 00:54:05,586 MONEY ON MY OLD BREATHLESS BODY ♪ IF YOUR HEART IS IN THEM 742 00:54:05,620 --> 00:54:15,655 FLOWERS, BRING 'EM ON ♪ THE DAYS ARE LONG BUT THE 743 00:54:15,655 --> 00:54:21,241 FLOWERS, BRING 'EM ON ♪ THE DAYS ARE LONG BUT THE 744 00:54:21,275 --> 00:54:23,689 YEARS ARE LIGHTNING ♪ THEY'RE BRIGHT AND THEY WILL 745 00:54:23,724 --> 00:54:29,448 NEVER STRIKE AGAIN ♪ I WISH I'D BEEN A BETTER 746 00:54:29,482 --> 00:54:35,758 FRIEND, A BETTER DAUGHTER ♪ TO MY MOTHER 747 00:54:35,793 --> 00:54:45,448 THERE'S NO GOIN' BACK WHEN YOUR ♪ BACK'S AGAINST THE WIND 748 00:54:45,482 --> 00:54:49,448 SO IF YOU GOT LOVE, THEN YOU'RE ♪ SITTIN' ON A GOLD MINE 749 00:54:49,482 --> 00:54:55,344 AND YOU CAN'T TAKE IT WITH YOU ♪ WHEN YOU GO 750 00:54:55,379 --> 00:54:57,896 SO DON'T WAIT TO HELP ♪ YOUR SISTER 751 00:54:57,931 --> 00:55:05,965 FORGIVE YOUR BROTHER AND ♪ YOUR NEIGHBOR 752 00:55:06,000 --> 00:55:14,862 WE ALL THINK WE GOT THE TIME ♪ UNTIL WE DON'T 753 00:55:14,896 --> 00:55:21,172 SO BRING MY FLOWERS NOW, ♪ WHILE I'M LIVIN' 754 00:55:21,206 --> 00:55:29,448 I WON'T NEED YOUR LOVE ♪ WHEN I'M GONE 755 00:55:29,482 --> 00:55:33,448 DON'T YOU SPEND TIME, TEARS, OR ♪ MONEY ON MY OLD BREATHLESS 756 00:55:33,482 --> 00:55:41,482 BODY ♪ IF YOUR HEART IS IN THEM 757 00:55:41,517 --> 00:55:48,344 FLOWERS, BRING 'EM ON ♪ IF YOUR HEART IS IN THEM 758 00:55:48,379 --> 00:55:58,448 FLOWERS, BRING 'EM ON ♪ [ CHEERS AND APPLAUSE] 759 00:55:58,448 --> 00:56:03,448 FLOWERS, BRING 'EM ON ♪ [ CHEERS AND APPLAUSE] 760 00:56:03,482 --> 00:56:09,482 [ CHEERS AND APPLAUSE] >> THE GREAT TANYA TUCKER, 761 00:56:09,517 --> 00:56:12,068 >> THANK YOU AND NOW FOR SOMETHING COMPLETELY 762 00:56:12,103 --> 00:56:17,482 DIFFERENT, THESE ARE THE NOMINATIONS FOR BEST COMEDY 763 00:56:17,517 --> 00:56:19,689 ALBUM >> Announcer: "QUALITY TIME," 764 00:56:20,862 --> 00:56:21,758 JIM GAFFIGAN. 765 00:56:21,793 --> 00:56:24,551 PEOPLE SAY YOU WANT TO RIDE A HORSE? 766 00:56:24,586 --> 00:56:30,586 WHAT "RELATABLE," ELLEN DEGENERES. 767 00:56:30,620 --> 00:56:31,827 "RIGHT NOW," AZIZ ANSARI. 768 00:56:31,862 --> 00:56:34,344 >> WHAT YOU THINK I'M GOING TO GIVE YOU SOME COOKIES, SON OF 769 00:56:34,379 --> 00:56:38,068 PATRICIA, TREVOR "SON OF PATRICIA," TREVOR NOAH. 770 00:56:38,103 --> 00:56:39,068 >> BECAUSE YOU NEVER LIVED A LIFE WITHOUT SIGHT. 771 00:56:39,103 --> 00:56:40,000 STICKS & STONES "STICKS & STONES," DAVE 772 00:56:40,034 --> 00:56:43,275 CHAPPELLE. 773 00:56:43,310 --> 00:56:51,275 >> WHERE ARE WE SUPPOSED TO >> AND THE GRAMMY GOES TO: 774 00:56:51,310 --> 00:56:55,275 DAVE CHAPPELLE. 775 00:56:55,310 --> 00:57:07,931 [ CHEERS AND APPLAUSE] 776 00:57:07,965 --> 00:57:10,586 WE'RE GOING TO ACCEPT THIS ON BEHALF OF DAVE CHAPPELLE. 777 00:57:10,620 --> 00:57:11,344 >> CONGRATULATION, DAVE CHAPPELLE. 778 00:57:11,379 --> 00:57:13,827 >> I'M SURE HE THANKS Y'ALL. 779 00:57:13,862 --> 00:57:16,586 >> THANK YOU NEXT, BEN >> Announcer: "THANK YOU, NEXT." 780 00:57:16,620 --> 00:57:19,344 BEN PLATT INTRODUCES THE GRAMMY RETURN OF FIVE-TIME NOMINEE THIS 781 00:57:19,379 --> 00:57:22,793 YEAR, ARIANA GRANDE; SIX-TIME NOMINEE BILLIE EILISH MAKES HER 782 00:57:22,827 --> 00:57:27,275 GRAMMY DEBUT; AEROSMITH ROCKS THE HOUSE AND REUNITES WITH 783 00:57:27,310 --> 00:57:31,275 RUN DMC; THEN, SIX-TIME NOMINEE LIL NAS X PUTS A NEW SPIN ON THE 784 00:57:31,310 --> 00:57:36,827 BIGGEST HIT OF THE PAST YEAR; AND POWERFUL PERFORMS BY DEMI 785 00:57:36,862 --> 00:57:38,620 LOVATO AND ROSALIA. 786 00:57:38,655 --> 00:57:41,172 ONLY ON CBS. 787 00:57:41,206 --> 00:57:45,034 PICK PUP THE 2020 GRAMMY PICK UP THE "2020 GRAMMY 788 00:57:45,068 --> 00:57:46,689 NOMINEES" ALBUM AT AMAZON, AND A PORTION OF PROCEEDS WILL GO TO 789 00:57:46,724 --> 00:57:50,034 MUSICARES TO PROVIDE ASSISTANCE FOR MUSIC PEOPLE IN NEED. 790 00:57:50,068 --> 00:57:55,034 >> Announcer: THE 62nd GRAMMY AWARDS. 791 00:57:55,068 --> 00:57:57,275 THE LINCOLN CORSAIR. 792 00:57:57,310 --> 00:58:00,482 PROUD SPOARNS OF THE 6 2-7BD GRAMMY AWARDS. 793 00:58:07,172 --> 00:58:09,310 >> Announcer: PLEASE WELCOME GRAMMY-WINNING RECORDING ARTIST 794 00:58:09,344 --> 00:58:14,103 AND TONY-WINNING ACTOR, BEN PLATT. 795 00:58:14,137 --> 00:58:20,103 >> I LOVE THIS NEXT ARTIST AS A FAN AND AS A FRIEND. 796 00:58:20,137 --> 00:58:23,034 I LOVE HER FOR HER POWERFUL, SKILLFUL, ONCE-IN-A-GENERATION 797 00:58:23,068 --> 00:58:24,034 VOICE. 798 00:58:24,068 --> 00:58:27,586 SHE SINGS! 799 00:58:27,620 --> 00:58:29,931 SHE REALLY SINGS. 800 00:58:29,965 --> 00:58:32,000 I LOVE THE WAY THAT SHE USES THAT VOICE TO SHARE REAL 801 00:58:32,034 --> 00:58:34,413 VULNERABILITY AND TRUTH, IN GOOD TIMES AND IN BAD, SOMEHOW DOING 802 00:58:34,448 --> 00:58:41,206 IT ALL THROUGH SOME OF THE MOST POPULAR SONGS OF OUR TIME. 803 00:58:41,241 --> 00:58:42,827 I LOVE THAT SHE'S A HUMAN BEING OF UNBELIEVABLE KINDNESS AND 804 00:58:42,862 --> 00:58:45,034 GENEROSITY, AND AN ARTIST OF ENDLESS INSPIRATION. 805 00:58:45,068 --> 00:58:48,000 WITH FIVE NOMINATIONS TONIGHT, INCLUDING RECORD AND ALBUM OF 806 00:58:48,034 --> 00:58:52,689 THE YEAR, MY BEAUTIFUL PAL AND ONE OF OUR VERY BEST: ARIANA 807 00:58:52,724 --> 00:58:54,620 GRANDE! 808 00:58:54,655 --> 00:58:58,551 [ CHEERS AND APPLAUSE] ♪ STEP UP THE TWO OF US 809 00:58:58,586 --> 00:59:02,034 NOBODY KNOWS US ♪ GET IN THE CAR LIKE 810 00:59:02,068 --> 00:59:05,034 "SKRRT" ♪ STAYIN' UP ALL NIGHT 811 00:59:05,068 --> 00:59:09,137 ORDER ME PAD THAI ♪ THEN WE GON' SLEEP 'TIL NOON 812 00:59:09,172 --> 00:59:13,482 ME WITH NO MAKEUP ♪ YOU IN THE BATHTUB 813 00:59:13,517 --> 00:59:15,620 BUBBLES AND BUBBLY, OOH ♪ THIS IS A PLEASURE 814 00:59:15,655 --> 00:59:20,862 FEEL LIKE WE NEVER ♪ ACT THIS REGULAR 815 00:59:20,896 --> 00:59:23,586 CLICK, CLICK, CLICK ♪ AND POST 816 00:59:23,620 --> 00:59:30,931 DRIP-DRIP-DRIPPED ♪ IN GOLD 817 00:59:30,965 --> 00:59:33,620 QUICK, QUICK, QUICK ♪ LET'S GO 818 00:59:33,655 --> 00:59:34,758 KISS ME AND ♪ TAKE OFF YOUR CLOTHES 819 00:59:34,793 --> 00:59:45,655 IMAGINE A WORLD LIKE THAT ♪ IMAGINE A WORLD LIKE THAT 820 00:59:45,689 --> 00:59:50,551 WE GO LIKE UP 'TIL ♪ I'M 'SLEEP ON YOUR CHEST 821 00:59:50,586 --> 00:59:54,551 LOVE HOW MY FACE FITS ♪ SO GOOD IN YOUR NECK 822 00:59:54,586 --> 01:00:02,551 WHY CAN'T YOU ♪ IMAGINE A WORLD LIKE THAT? 823 01:00:02,586 --> 01:00:12,620 IMAGINE A WORLD RAINDROPS ON ROSES AND WHISKERS 824 01:00:12,620 --> 01:00:21,793 IMAGINE A WORLD RAINDROPS ON ROSES AND WHISKERS 825 01:00:21,827 --> 01:00:23,068 IN KIT EARN, BRIGHT COPPER KETTLES AND WARM WOOLIN MITTENS 826 01:00:23,103 --> 01:00:25,034 BROWN MAKE AGE PACKAGES TRIED UP IN STRINGS, THESE ARE A FEW OF 827 01:00:25,068 --> 01:00:32,896 MY FAVORITE THINGS. 828 01:00:32,931 --> 01:00:38,517 WHEN YOU WHEN YOU FEELING SAD. 829 01:00:38,551 --> 01:00:41,517 ♪ I I REMEMBER MY FAVORITE THINGS. 830 01:00:41,551 --> 01:00:51,827 ♪ AND THEN I DON'T FEEL SO. 831 01:00:51,862 --> 01:00:57,034 ♪ ♪ 832 01:00:57,034 --> 01:01:01,896 ♪ ♪ 833 01:01:18,551 --> 01:01:21,172 ♪ WHOA. 834 01:01:21,206 --> 01:01:24,068 ♪ YEAH, BREAKFAST AT TIFFANY'S AND BOTTLES OF BUBBLES 835 01:01:24,103 --> 01:01:26,517 ♪ GIRLS WITH TATTOOS WHO LIKE GETTING IN TROUBLE 836 01:01:26,551 --> 01:01:29,758 ♪ LASHES AND DIAMONDS A.T.M. MACHINES 837 01:01:29,793 --> 01:01:38,517 ♪ BUY MYSELF ALL OF MY FAVORITE THINGS, YEAH 838 01:01:38,551 --> 01:01:41,689 ♪ WHO WOULDA THOUGHT IT'D TURN ME TO A SAVAGE? 839 01:01:41,724 --> 01:01:45,310 ♪ RATHER BE TIED UP WITH CALLS AND NOT STRINGS 840 01:01:45,344 --> 01:01:48,379 ♪ WRITE MY OWN CHECKS LIKE I WRITE WHAT I SING, YEAH 841 01:01:48,413 --> 01:01:50,517 ♪ MY WRIST, STOP WATCHIN' MY NECK IS FLOSSIN' 842 01:01:50,551 --> 01:01:54,482 ♪ MAKE BIG DEPOSITS MY GLOSS IS POPPIN' 843 01:01:54,517 --> 01:01:57,137 ♪ YOU LIKE MY HAIR? 844 01:01:57,172 --> 01:02:00,586 GEE, THANKS, JUST BOUGHT IT ♪ I SEE IT, I LIKE IT 845 01:02:00,620 --> 01:02:02,517 I WANT IT, I GOT IT ♪ I WANT IT, I GOT IT 846 01:02:02,551 --> 01:02:06,586 I WANT IT, I GOT IT ♪ I WANT IT, I GOT IT 847 01:02:06,620 --> 01:02:09,862 I WANT IT, I GOT IT ♪ YOU LIKE MY HAIR? 848 01:02:09,896 --> 01:02:14,344 GEE, THANKS, JUST BOUGHT IT ♪ I SEE IT, I LIKE IT 849 01:02:14,379 --> 01:02:15,965 I WANT IT, I GOT IT ♪ WEARING A RING, BUT AIN'T 850 01:02:16,000 --> 01:02:18,551 GON' BE NO "MRS." 851 01:02:18,586 --> 01:02:22,034 ♪ BOUGHT MATCHING DIAMONDS FOR SIX OF MY 852 01:02:22,068 --> 01:02:26,241 ♪ I'D RATHER SPOIL ALL MY FRIENDS WITH MY RICHES 853 01:02:26,275 --> 01:02:29,862 ♪ THINK RETAIL THERAPY MY NEW ADDICTION 854 01:02:29,896 --> 01:02:32,965 ♪ WHOEVER SAID MONEY CAN'T SOLVE YOUR PROBLEMS 855 01:02:33,000 --> 01:02:36,482 ♪ MUST NOT HAVE HAD ENOUGH MONEY TO SOLVE 'EM 856 01:02:36,517 --> 01:02:38,896 ♪ THEY SAY, "WHICH ONE?" I SAY "NAH, I WANT ALL OF 'EM" 857 01:02:38,931 --> 01:02:42,551 ♪ HAPPINESS IS THE SAME PRICE AS RED-BOTTOMS 858 01:02:42,586 --> 01:02:46,068 ♪ MY SMILE IS BEAMIN' MY SKIN IS GLEAMIN' 859 01:02:46,103 --> 01:02:50,517 ♪ THE WAY IT SHINE I KNOW YOU'VE SEEN IT 860 01:02:50,551 --> 01:02:53,862 I BOUGHT A CRIB ♪ JUST FOR THE CLOSET 861 01:02:53,896 --> 01:02:56,758 BOTH HIS AND HERS ♪ I WANT IT, I GOT IT, YEAH 862 01:02:56,793 --> 01:02:58,551 I WANT IT, I GOT IT ♪ I WANT IT, I GOT IT 863 01:02:58,586 --> 01:03:02,482 I WANT IT, I GOT IT ♪ I WANT IT, I GOT IT, BABY 864 01:03:02,517 --> 01:03:04,103 YOU LIKE MY HAIR? 865 01:03:04,137 --> 01:03:08,793 ♪ GEE, THANKS, JUST BOUGHT IT ♪ I SEE IT, I LIKE IT 866 01:03:08,827 --> 01:03:10,137 I WANT IT, I GOT IT, YEAH ♪ YEAH, MY RECEIPTS BE 867 01:03:10,172 --> 01:03:12,275 LOOKIN' LIKE PHONE NUMBERS ♪ IF IT AIN'T MONEY 868 01:03:12,310 --> 01:03:14,206 THEN WRONG NUMBER ♪ BLACK CARD IS 869 01:03:14,241 --> 01:03:16,068 MY BUSINESS CARD ♪ THE WAY IT BE SETTIN' 870 01:03:16,103 --> 01:03:18,275 THE TONE FOR ME ♪ I DON'T MEAN TO BRAG 871 01:03:18,310 --> 01:03:20,413 BUT I BE LIKE ♪ "PUT IT IN THE BAG," YEAH 872 01:03:20,448 --> 01:03:22,103 WHEN YOU SEE THEM RACKS ♪ THEY STACKED UP 873 01:03:22,137 --> 01:03:24,379 LIKE MY ASS, YEAH ♪ SHOOT, GO FROM THE 874 01:03:24,413 --> 01:03:26,551 STORE TO THE BOOTH ♪ MAKE IT ALL BACK IN ONE LOOP 875 01:03:26,586 --> 01:03:28,620 GIVE ME THE LOOT ♪ NEVER MIND, I GOT THE JUICE 876 01:03:28,655 --> 01:03:30,551 NOTHING BUT NET WHEN WE SHOOT ♪ LOOK AT MY NECK 877 01:03:30,586 --> 01:03:32,413 LOOK AT MY JET ♪ AIN'T GOT ENOUGH MONEY 878 01:03:32,448 --> 01:03:34,068 TO PAY ME RESPECT ♪ AIN'T NO BUDGET 879 01:03:34,103 --> 01:03:36,689 WHEN I'M ON THE SET ♪ IF I LIKE IT 880 01:03:36,724 --> 01:03:38,862 THEN THAT'S WHAT I GET, YEAH ♪ I WANT IT, I GOT IT 881 01:03:38,896 --> 01:03:42,551 I WANT IT, I GOT IT, YEAH ♪ I WANT IT, I GOT IT 882 01:03:42,586 --> 01:03:46,103 I WANT IT, I GOT IT YOU LIKE MY HAIR? 883 01:03:46,137 --> 01:03:49,517 ♪ GEE, THANKS, JUST BOUGHT IT I SEE IT, I LIKE IT 884 01:03:49,551 --> 01:03:54,206 ♪ I WANT IT, I GOT IT, YEAH [ CHEERS AND APPLAUSE] 885 01:03:54,241 --> 01:03:55,344 ♪ ONE DAY I'LL WALK DOWN THE AISLE 886 01:03:55,379 --> 01:04:00,620 ♪ HOLDING HANDS WITH MY MAMA I'LL BE THANKING MY DAD 887 01:04:00,655 --> 01:04:02,206 ♪ 'CAUSE SHE GREW FROM THE DRAMA ONLY WANNA DO IT ONCE, REAL BAD 888 01:04:02,241 --> 01:04:09,517 ♪ GON' MAKE THAT LAST GOD FORBID SOMETHING HAPPENS 889 01:04:09,551 --> 01:04:13,482 ♪ LEAST THIS SONG IS A SMASH ♪ I'VE GOT SO MUCH LOVE 890 01:04:13,517 --> 01:04:17,482 ♪ GOT SO MUCH PATIENCE ♪ I'VE LEARNED FROM THE PAIN 891 01:04:17,517 --> 01:04:21,379 ♪ I TURNED OUT AMAZING ♪ I'VE LOVED AND I'VE LOST 892 01:04:21,413 --> 01:04:29,896 ♪ BUT THAT'S NOT WHAT I SEE ♪ 'CAUSE LOOK WHAT I'VE FOUND 893 01:04:29,931 --> 01:04:31,862 ♪ AIN'T NO NEED FOR SEARCHING AND FOR THAT, I'LL SAY 894 01:04:31,896 --> 01:04:35,862 ♪ THANK YOU, NEXT THANK YOU, NEXT 895 01:04:35,896 --> 01:04:39,241 ♪ THANK YOU, NEXT THANK YOU, NEXT 896 01:04:39,275 --> 01:04:41,482 I'M SO GRATEFUL FOR MY EX ♪ THANK YOU, NEXT 897 01:04:41,517 --> 01:04:45,448 THANK YOU, NEXT ♪ THANK YOU, NEXT 898 01:04:45,482 --> 01:04:56,379 SAID THANK YOU, NEXT I'M SO GRATEFUL FOR MY EX 899 01:04:56,413 --> 01:05:00,034 ♪ ♪ ♪ THANK YOU, NEXT 900 01:05:00,068 --> 01:05:09,482 THANK YOU, NEXT ♪ THANK YOU, NEXT 901 01:05:09,517 --> 01:05:24,275 [ CHEERS AND APPLAUSE] 902 01:05:24,310 --> 01:05:25,413 COMING RIGHT UP: SIX-TIME 903 01:05:25,448 --> 01:05:27,689 NOMINEE BILLIE EILISH, AND HER COLLABORATOR AND BROTHER 904 01:05:27,724 --> 01:05:29,896 FINNEAS, SHARE THEIR DEBUT PERFORMANCE ON THE GRAMMY STAGE; 905 01:05:29,931 --> 01:05:33,482 THEN, AEROSMITH ROCKS AND PERFORMS THEIR GROUNDBREAKING 906 01:05:33,517 --> 01:05:37,482 COLLABORATION "WALK THIS WAY" WITH RUN DMC; LIL NAS X TAKES US 907 01:05:37,517 --> 01:05:45,448 DOWN "OLD TOWN ROAD" WITH AN ECLECTIC GROUP OF FRIENDS; 908 01:05:45,482 --> 01:05:48,482 DEMI LOVATO LATIN GRAMMY SENSATION ROSALIA AND THE 909 01:05:48,517 --> 01:05:51,655 RECORDING ACADEMY PAYS TRIBUTE TO NIP SEE HUSSLE, ONLY CBS. 910 01:05:51,689 --> 01:05:54,448 THE 612nd GRAMMY AWARDS. 911 01:05:54,482 --> 01:05:57,448 TAKE HOME EXCLUSIVE ITEMS SIGNED BY MANY OF TONIGHT'S STARS. 912 01:05:57,482 --> 01:06:03,689 BIDDING STARTS NOW THROUGH FEBRUARY 6th ON 913 01:06:03,724 --> 01:06:04,689 EBAY.COM/GRAMMY. 914 01:06:04,724 --> 01:06:05,758 www.ebay.com/grammy. 915 01:06:05,793 --> 01:06:07,862 PROCEEDS BENEFIT THE GRAMMY MUSEUM AND MUSICARES. 916 01:06:07,896 --> 01:06:09,275 THE 62nd GRAMMY AWARDS IS SPONSORED BY VERIZON, THE 917 01:06:09,310 --> 01:06:11,586 NETWORK MORE PEOPLE RELY ON. 918 01:06:21,551 --> 01:06:22,758 ♪ ♪ >> Alicia: TONIGHT, WE HONOR 919 01:06:22,793 --> 01:06:28,655 MICKEY SMITH, JR., THE HEAD BAND DIRECTOR AT MAPLEWOOD MIDDLE 920 01:06:28,689 --> 01:06:34,655 SCHOOL IN SULPHUR, LOUISIANA, AS OUR MUSIC EDUCATOR OF THE YEAR. 921 01:06:34,689 --> 01:06:36,827 MICKEY! 922 01:06:36,862 --> 01:06:38,034 THERE HE IS, CONGRATULATIONS, THANK YOU SO 923 01:06:38,068 --> 01:06:38,724 MUCH FOR ALL YOU DO. 924 01:06:38,758 --> 01:06:40,724 WE REALLY NEED YOU. 925 01:06:40,758 --> 01:06:42,620 SO BLESSINGS. 926 01:06:42,655 --> 01:06:43,689 BLESSINGS. 927 01:06:43,724 --> 01:06:46,655 BUT ARTISTS GET THEIR BUT ARTISTS GET THEIR MUSIC 928 01:06:46,689 --> 01:06:47,965 EDUCATION IN ALL DIFFERENT WAYS. 929 01:06:48,000 --> 01:06:51,000 FOR EXAMPLE, OUR NEXT PERFORMER WAS HOME SCHOOLED BUT PICKED UP 930 01:06:51,034 --> 01:06:53,172 SOME OF HER MUSIC EDUCATION AT THE GRAMMY MUSEUM JUST 500 YARDS 931 01:06:53,206 --> 01:07:00,344 AWAY FROM HERE. 932 01:07:00,379 --> 01:07:03,000 THAT'S CRAZY, YES, THE NAME'S EILISH. 933 01:07:03,034 --> 01:07:05,068 BILLIE EILISH. 934 01:07:05,103 --> 01:07:10,517 [ CHEERS AND APPLAUSE] AT 18 YEARS OLD, SHE'S ALREADY 935 01:07:10,551 --> 01:07:15,034 EARNED SIX NOMINATIONS AND HER RIGHTFUL PLACE ON THIS GRAMMY 936 01:07:15,068 --> 01:07:19,000 STAGE IN A BIG WAY. 937 01:07:19,034 --> 01:07:20,103 AND SHE'S ALREADY WON HER FIRST GRAMMY TONIGHT. 938 01:07:20,137 --> 01:07:23,034 SHE'S JOINED BY HER CLOSEST COLLABORATOR AND BELOVED 939 01:07:23,068 --> 01:07:26,068 BROTHER, FINNEAS. 940 01:07:26,103 --> 01:07:33,172 EVERYONE, LISTEN CLOSELY. 941 01:07:33,206 --> 01:07:35,034 SHHHH. 942 01:07:35,068 --> 01:07:45,103 ♪ ♪ ♪ DON'T YOU KNOW 943 01:07:45,103 --> 01:07:51,000 ♪ ♪ ♪ DON'T YOU KNOW 944 01:07:51,034 --> 01:07:55,000 I'M NO GOOD FOR YOU? 945 01:07:55,034 --> 01:08:05,344 ♪ I'VE LEARNED TO LOSE YOU CAN'T AFFORD TO 946 01:08:05,379 --> 01:08:15,034 ♪ TORE MY SHIRT TO STOP YOU BLEEDIN' 947 01:08:15,068 --> 01:08:23,034 ♪ BUT NOTHIN' EVER STOPS YOU LEAVIN' 948 01:08:23,068 --> 01:08:28,103 ♪ QUIET WHEN I'M COMING HOME AND I'M ON MY OWN 949 01:08:28,137 --> 01:08:31,034 ♪ I COULD LIE SAY I LIKE IT LIKE THAT 950 01:08:31,068 --> 01:08:37,586 ♪ LIKE IT LIKE THAT I COULD LIE 951 01:08:37,620 --> 01:08:47,000 ♪ SAY I LIKE IT LIKE THAT LIKE IT LIKE THAT 952 01:08:47,034 --> 01:08:55,000 ♪ DON'T YOU KNOW TOO MUCH ALREADY? 953 01:08:55,034 --> 01:09:03,000 ♪ I'LL ONLY HURT YOU IF YOU LET ME 954 01:09:03,034 --> 01:09:11,793 ♪ CALL ME FRIEND BUT KEEP ME CLOSER 955 01:09:11,827 --> 01:09:22,758 AND I'LL CALL YOU ♪ WHEN THE PARTY'S OVER 956 01:09:22,793 --> 01:09:27,034 QUIET WHEN I'M COMING HOME ♪ AND I'M ON MY OWN 957 01:09:27,068 --> 01:09:30,068 AND I COULD LIE ♪ SAY I LIKE IT LIKE THAT 958 01:09:30,103 --> 01:09:35,862 LIKE IT LIKE THAT ♪ YEAH, I COULD LIE 959 01:09:35,896 --> 01:09:41,862 SAY I LIKE IT LIKE THAT ♪ LIKE IT LIKE THAT 960 01:09:41,896 --> 01:09:47,827 BUT NOTHING IS BETTER ♪ SOMETIMES 961 01:09:47,862 --> 01:09:59,000 ONCE WE'VE BOTH SAID ♪ OUR GOODBYES 962 01:09:59,034 --> 01:10:11,000 LET'S JUST LET IT GO ♪ LET ME LET YOU GO 963 01:10:11,034 --> 01:10:21,724 QUIET WHEN I'M COMING HOME ♪ AND I'M ON MY OWN 964 01:10:21,758 --> 01:10:26,965 I COULD LIE ♪ SAY I LIKE IT LIKE THAT 965 01:10:27,000 --> 01:10:34,965 LIKE IT LIKE THAT ♪ I COULD LIE 966 01:10:35,000 --> 01:10:47,000 SAY I LIKE IT LIKE THAT ♪ LIKE IT LIKE THAT 967 01:10:47,034 --> 01:10:59,103 [ CHEERS AND APPLAUSE] [ CHEERS AND APPLAUSE] 968 01:10:59,137 --> 01:11:02,931 >> Announcer: HERE'S A THREE- TIME GRAMMY AWARD WINNER AND 969 01:11:02,965 --> 01:11:06,137 OSCAR-WINNER: COMMON! 970 01:11:06,172 --> 01:11:15,000 ♪ ♪ FIRST OF ALL, ALYSSA, ARE YOU 971 01:11:15,034 --> 01:11:19,000 LIGHTENING THESE AWARDS WE THANK YOU, YOUR HEART IS NECESSARY AT 972 01:11:19,034 --> 01:11:22,206 THIS TIME. 973 01:11:22,241 --> 01:11:25,827 SO ON FRIDAY NIGHT THE RECORDING ACADEMY PUT THE SPOTLIGHT ON ONE 974 01:11:25,862 --> 01:11:29,896 OF THE MOST LEGENDARY ROCK BANDS IN HISTORY. 975 01:11:29,931 --> 01:11:34,965 THIS YEAR'S MUSICCARES HONOREES HAVE WON FOUR GRAMMY AWARDS AND 976 01:11:35,000 --> 01:11:38,517 BEEN NOMINATED FOR 14. 977 01:11:38,551 --> 01:11:42,206 THE ICONIC GROUP CAME TOGETHER IN THE '70S AND HAVE ROCKED THE 978 01:11:42,241 --> 01:11:44,206 WORLD EVER SINCE. 979 01:11:44,241 --> 01:11:47,931 TONIGHT WE HONOR ALL THAT LIVING ON THE EDGE. 980 01:11:47,965 --> 01:11:54,172 AND WE CELEBRATE THEIR HISTORIC COLLABORATION WITH THE LEGENDARY 981 01:11:54,206 --> 01:12:00,827 HIP-HOP PIONEERS RUN DMC. 982 01:12:00,862 --> 01:12:02,068 YEAH. 983 01:12:02,103 --> 01:12:06,344 THEY BROKE DOWN THE BARRIERS BETWEEN ROCK AND RAP AND CHANGED 984 01:12:06,379 --> 01:12:08,172 THE GAME FOREVER. 985 01:12:08,206 --> 01:12:11,000 FOR SO MANY OF US, INCLUDING ME. 986 01:12:11,034 --> 01:12:19,000 HERE TO SHOW YOU HOW THEY "WALK THIS WAY" AEROSMITH! 987 01:12:19,034 --> 01:12:21,000 [ CHEERS AND APPLAUSE] ♪ ♪ 988 01:12:27,034 --> 01:12:33,034 ♪ ♪ ♪ ♪ 989 01:12:33,068 --> 01:12:35,000 ♪ THERE'S SOMETHIN' WRONG WITH THE WORLD TODAY 990 01:12:35,034 --> 01:12:42,517 ♪ I DON'T KNOW WHAT IT IS SOMETHING'S WRONG WITH OUR EYES 991 01:12:42,551 --> 01:12:46,965 ♪ WE'RE SEEIN' THINGS IN A DIFFERENT WAY 992 01:12:47,000 --> 01:12:54,517 ♪ AND GOD KNOWS IT AIN'T HIS IT SURE AIN'T NO SURPRISE 993 01:12:54,551 --> 01:13:06,034 ♪ LIVIN' ON THE EDGE LIVIN' ON THE EDGE 994 01:13:06,068 --> 01:13:07,275 ♪ LIVIN' ON THE EDGE ♪ YOU KNOW WHAT THIS IS ALL 995 01:13:07,310 --> 01:13:08,275 ABOUT. 996 01:13:08,310 --> 01:13:16,241 ♪ WE'RE LIVIN' ON THE WE'RE LIVIN' ON THE EDGE 997 01:13:16,275 --> 01:13:18,827 ♪ THERE'S SOMETHIN' WRONG WITH THE WORLD TODAY 998 01:13:18,862 --> 01:13:28,206 ♪ THE LIGHT BULB'S GETTIN DIM THERE'S MELTDOWN IN THE SKY 999 01:13:28,241 --> 01:13:30,896 YEAH, YEAH ♪ IF YOU CAN JUDGE A WISE MAN 1000 01:13:30,931 --> 01:13:35,000 BY THE COLOR OF HIS SKIN ♪ THEN MISTER YOU'RE A BETTER 1001 01:13:35,034 --> 01:13:39,310 MAN THAN I ♪ WE'RE LIVIN' ON THE EDGE 1002 01:13:39,344 --> 01:13:42,862 YOU CAN'T HELP YOURSELF ♪ FROM FALLIN' 1003 01:13:42,896 --> 01:13:50,000 WE'RE LIVIN' ON THE EDGE ♪ YOU CAN'T HELP YOURSELF AT ALL 1004 01:13:50,034 --> 01:13:54,862 WE'RE LIVIN' ON THE EDGE ♪ YOU CAN'T STOP YOURSELF FROM 1005 01:13:54,896 --> 01:14:02,965 FALLIN' ♪ LOOK OUT 1006 01:14:03,000 --> 01:14:13,000 ♪ ♪ ♪ ♪ 1007 01:14:13,034 --> 01:14:27,000 ♪ ♪ ♪ ♪ 1008 01:14:27,034 --> 01:14:35,000 ♪ ♪ ♪ ♪ 1009 01:14:35,034 --> 01:14:39,068 ♪ ♪ LOOK OUT! 1010 01:14:39,103 --> 01:14:45,862 ♪ ♪ ♪ ♪ 1011 01:14:45,896 --> 01:14:47,517 ♪ BACKSTROKE LOVER ALWAYS HIDIN' 'NEATH THE COVER 1012 01:14:47,551 --> 01:14:50,758 ♪ 'TILL I TALKED TO MY DADDY HE SAY 1013 01:14:50,793 --> 01:14:52,517 ♪ HE SAID, YOU AIN'T SEEN NOTING 'TILL YOU'RE DOWN ON A MUFFIN 1014 01:14:52,551 --> 01:14:55,310 ♪ THEN YOU'RE SURE TO BE A- CHANGIN' YOUR WAYS 1015 01:14:55,344 --> 01:14:58,517 ♪ I MET A CHEERLEADER, WAS A REAL YOUNG BLEEDER 1016 01:14:58,551 --> 01:15:00,965 ♪ ALL THE TIMES I CAN REMINISCE AH THE BEST THING LOVIN' WITH 1017 01:15:01,000 --> 01:15:02,965 ♪ HER SISTER AND HER COUSIN STARTED WITH A LITTLE KISS, 1018 01:15:03,000 --> 01:15:10,931 ♪ LIKE THIS ♪ WHAT'S HAPPENING. 1019 01:15:10,965 --> 01:15:19,241 ♪ YOU KNOW WHAT, LET'S TRY SOMETHING A LITTLE DIFFERENT, 1020 01:15:19,275 --> 01:15:21,310 STEVEN. 1021 01:15:21,344 --> 01:15:23,965 ♪ [CHEERS AND APPLAUSE] 1022 01:15:24,000 --> 01:15:26,379 ONE FOR THE MONEY, TWO FOR THE SHOW. 1023 01:15:26,413 --> 01:15:30,413 ♪ SAY HEY HUT, HUT, HUT. 1024 01:15:30,448 --> 01:15:32,448 ♪ LET'S GO. 1025 01:15:32,482 --> 01:15:37,275 ♪ OH YEAH. 1026 01:15:37,310 --> 01:15:41,655 ♪ NOW SEA SAW SWINGING WITH THE ♪ BACKSTROKE LOVER ALWAYS HIDIN' 1027 01:15:41,689 --> 01:15:43,034 'NEATH THE COVER ♪ 'TILL I TALKED TO MY DADDY HE 1028 01:15:43,068 --> 01:15:44,758 SAY ♪ HE SAID, YOU AIN'T SEEN NOTING 1029 01:15:44,793 --> 01:15:46,620 'TILL YOU'RE DOWN ON A MUFFIN ♪ THEN YOU'RE SURE TO BE A- 1030 01:15:46,655 --> 01:15:48,689 CHANGIN' YOUR WAYS ♪ I MET A CHEERLEADER, WAS A 1031 01:15:48,724 --> 01:15:50,517 REAL YOUNG BLEEDER ♪ ALL THE TIMES I CAN REMINISCE 1032 01:15:50,551 --> 01:15:52,034 AH THE BEST THING LOVIN' WITH ♪ HER SISTER AND HER COUSIN 1033 01:15:52,068 --> 01:15:55,000 STARTED WITH A LITTLE KISS, ♪ LIKE THIS 1034 01:15:55,034 --> 01:16:01,275 ♪ ♪ ♪ ♪ 1035 01:16:01,310 --> 01:16:04,241 ♪ ♪ ♪ ♪ 1036 01:16:04,275 --> 01:16:06,551 ♪ SEE-SAW SWINGIN' WITH THE BOYS IN THE SCHOOL 1037 01:16:06,586 --> 01:16:08,965 ♪ WITH YOUR FEET FLYIN' UP IN THE AIR 1038 01:16:09,000 --> 01:16:11,034 ♪ SINGIN' HEY DIDDLE-DIDDLE WITH THE KITTY IN THE MIDDLE 1039 01:16:11,068 --> 01:16:13,241 ♪ YOU BE SWINGIN' LIKE YOU JUST DIDN'T CARE 1040 01:16:13,275 --> 01:16:15,034 ♪ SO I TOOK A BIG CHANCE AT THE HIGH SCHOOL DANCE 1041 01:16:15,068 --> 01:16:17,068 ♪ WITH A MISSY WHO WAS READY TO PLAY 1042 01:16:17,103 --> 01:16:18,068 ♪ WAS IT ME SHE WAS FOOLIN'? 1043 01:16:18,103 --> 01:16:19,413 'CAUSE SHE KNEW WHAT ♪ SHE WAS DOIN' 1044 01:16:19,448 --> 01:16:21,448 TAUGHT ME HOW TO WALK THIS WAY ♪ SHE TOLD ME TO 1045 01:16:21,482 --> 01:16:25,482 WALK THIS WAY, WALK THIS WAY ♪ WALK THIS WAY, WALK THIS WAY 1046 01:16:25,517 --> 01:16:34,103 WALK THIS WAY, WALK THIS WAY ♪ SHE TOLD ME TO 1047 01:16:34,137 --> 01:16:39,000 WALK THIS WAY, WALK THIS WAY ♪ WALK THIS WAY, WALK THIS WAY 1048 01:16:39,034 --> 01:16:43,000 AH, JUST GIVE ME A KISS ♪ ♪ 1049 01:16:43,034 --> 01:16:44,793 ♪ ♪ ♪ PUT YOUR HANDS IN THE AIR. 1050 01:16:44,827 --> 01:16:45,482 ♪ PUT YOUR HANDS IN THE AIR. 1051 01:16:45,517 --> 01:16:46,172 ♪ PUT YOUR HANDS IN THE AIR. 1052 01:16:46,206 --> 01:16:49,655 ♪ PUT YOUR HANDS IN THE AIR. 1053 01:16:49,689 --> 01:16:53,689 ♪ LIKE THIS 1054 01:16:53,724 --> 01:16:58,034 ♪ ♪ ♪ ♪ 1055 01:16:58,068 --> 01:16:59,482 ♪ ♪ ♪ SCHOOL GIRL SADIE WITH THE 1056 01:16:59,517 --> 01:17:01,724 CLASSY KINDA SASSY ♪ LITTLE SKIRT CLIMBING WAY UP 1057 01:17:01,758 --> 01:17:04,655 HER KNEES ♪ THERE WAS THREE YOUNG LADIES 1058 01:17:04,689 --> 01:17:06,896 IN THE SCHOOL GYM LOCKER ♪ WHEN I NOTICED THEY WAS 1059 01:17:06,931 --> 01:17:09,172 LOOKIN' AT ME ♪ I WAS A HIGH SCHOOL LOSER, 1060 01:17:09,206 --> 01:17:11,034 NEVER MADE IT WITH A LADY ♪ TILL THE BOYS TOLD ME 1061 01:17:11,068 --> 01:17:13,034 SOMETHING I MISSED ♪ THEN MY NEXT DOOR NEIGHBOR 1062 01:17:13,068 --> 01:17:15,034 WITH A DAUGHTER HAD A FAVOR ♪ TOOK ME JUST A LITTLE KISS, 1063 01:17:15,068 --> 01:17:19,034 LIKE THIS ♪ ♪ 1064 01:17:19,068 --> 01:17:23,034 ♪ ♪ ♪ ♪ 1065 01:17:23,068 --> 01:17:25,413 ♪ SAY WHAT. 1066 01:17:25,448 --> 01:17:26,448 ♪ ♪ ♪ 1067 01:17:26,482 --> 01:17:29,413 ♪ SEE-SAW SWINGIN' WITH THE BOYS IN THE SCHOOL 1068 01:17:29,448 --> 01:17:31,620 ♪ WITH YOUR FEET FLYIN' UP IN THE AIR 1069 01:17:31,655 --> 01:17:33,241 ♪ SINGIN' HEY DIDDLE-DIDDLE WITH THE KITTY IN THE MIDDLE 1070 01:17:33,275 --> 01:17:36,172 ♪ YOU BE SWINGIN' LIKE YOU JUST DIDN'T CARE 1071 01:17:36,206 --> 01:17:37,586 ♪ SO I TOOK A BIG CHANCE AT THE HIGH SCHOOL DANCE 1072 01:17:37,620 --> 01:17:40,172 ♪ WITH A MISSY WHO WAS READY TO PLAY 1073 01:17:40,206 --> 01:17:41,000 ♪ WAS IT ME SHE WAS FOOLIN'? 1074 01:17:41,034 --> 01:17:42,931 'CAUSE SHE KNEW WHAT ♪ SHE WAS DOIN' 1075 01:17:42,965 --> 01:17:44,724 TOLD ME HOW TO WALK THIS WAY ♪ SHE TOLD ME TO 1076 01:17:44,758 --> 01:17:56,482 WALK THIS WAY, WALK THIS WAY ♪ WALK THIS WAY, TALK THIS WAY 1077 01:17:56,517 --> 01:18:03,310 WALK THIS WAY, TALK THIS WAY ♪ WALK THIS WAY, TALK THIS WAY 1078 01:18:03,344 --> 01:18:08,551 JUST GIVE ME A KISS ♪ ♪ 1079 01:18:08,586 --> 01:18:14,758 ♪ ♪ ♪ ♪ 1080 01:18:14,793 --> 01:18:19,896 ♪ LIKE THIS ♪ ♪ 1081 01:18:19,931 --> 01:18:24,551 ♪ ♪ ♪ ♪ 1082 01:18:24,586 --> 01:18:32,517 ♪ ♪ ♪ ♪ 1083 01:18:32,551 --> 01:18:39,586 ♪ ♪ ♪ ♪ 1084 01:18:39,620 --> 01:18:45,586 ♪ ♪ ♪ ♪ 1085 01:18:45,620 --> 01:18:51,689 ♪ ♪ ♪ ♪ 1086 01:18:51,724 --> 01:18:57,655 ♪ ♪ ♪ ♪ 1087 01:18:57,689 --> 01:19:04,551 ♪ ♪ ♪ ♪ 1088 01:19:04,586 --> 01:19:12,724 ♪ ♪ ONE, TWO THREE! 1089 01:19:12,758 --> 01:19:15,689 ♪ ♪ ♪ LET'S GET OUT OF HERE. 1090 01:19:15,724 --> 01:19:20,517 ♪ [CHEERS AND 1091 01:19:20,551 --> 01:19:32,275 [ CHEERS AND APPLAUSE] [ CHEERS AND APPLAUSE] 1092 01:19:32,310 --> 01:19:33,689 >> Announcer: FOR COMPLETE GRAMMY COVERAGE, EXCLUSIVE 1093 01:19:33,724 --> 01:19:36,517 BACKSTAGE ACCESS, RED CARPET HIGHLIGHTS, AND LIVE INTERVIEWS 1094 01:19:36,551 --> 01:19:39,689 WITH THE NIGHT'S WINNERS, VISIT www.grammy.com. 1095 01:19:39,724 --> 01:19:44,517 UP NEXT: LIL NAS X TAKES US DOWN "OLD TOWN ROAD" WITH BILLY RAY 1096 01:19:44,551 --> 01:19:49,620 CYRUS, BTS, MASON RAMSEY AND DIPLO; DEMI LOVATO RETURNS WITH 1097 01:19:49,655 --> 01:19:52,482 AN EMOTIONAL PERFORMANCE THAT WILL MOVE ANYONE. 1098 01:19:52,517 --> 01:19:56,482 AN ALL-STAR RECORDING ACADEMY TRIBUTE TO NIPSEY HUSSLE. 1099 01:19:56,517 --> 01:19:58,482 STILL TO COME, LATIN GRAMMY WINNER AND BEST NEW ARTIST 1100 01:19:58,517 --> 01:20:02,517 NOMINEE ROSALIA MAKES HER DEBUT ON THE GRAMMY STAGE; AND DEMI 1101 01:20:02,551 --> 01:20:02,793 ONLY CBS. 1102 01:20:08,862 --> 01:20:10,000 ♪ ♪ 1103 01:20:10,034 --> 01:20:16,000 >> Announcer: PLEASE WELCOME UPCOMING FILM THE 1104 01:20:16,034 --> 01:20:26,413 PHOTOGRAPH, ISSA RAE. 1105 01:20:26,448 --> 01:20:29,413 >> MUSIC IS AN ESSENTIAL PART OF EVERY PROJECT I DO. 1106 01:20:29,448 --> 01:20:31,931 AND HIP HOP ISN'T JUST THE SOUNDTRACK OF OUR SHOWS AND 1107 01:20:31,965 --> 01:20:34,413 FILMS TODAY, IT'S A LEADING CHARACTER IN THE STORY OF OUR 1108 01:20:34,448 --> 01:20:40,310 TIMES. 1109 01:20:40,344 --> 01:20:41,034 SO I'M PROUD TO ANNOUNCE THE 1110 01:20:41,068 --> 01:20:48,379 NOMINATIONS FOR BEST RAP ALBUM. 1111 01:20:48,413 --> 01:20:50,413 >> Announcer: "REVENGE OF THE DREAMERS III," DREAMVILLE. 1112 01:20:50,448 --> 01:20:54,379 "CHAMPIONSHIPS," MEEK MILL. 1113 01:20:54,413 --> 01:20:56,689 "I AM > I WAS," 21 SAVAGE. 1114 01:20:56,724 --> 01:21:01,310 "IGOR," TYLER THE CREATOR. 1115 01:21:01,344 --> 01:21:12,448 "THE LOST BOY," YBN CORDAE. 1116 01:21:12,482 --> 01:21:20,724 >> AND THE GRAMMY GOES TO: "IGOR," TYLER THE CREATOR. 1117 01:21:20,758 --> 01:21:30,793 ♪ ♪ ♪ 1118 01:21:30,793 --> 01:21:38,413 ♪ ♪ ♪ 1119 01:21:38,448 --> 01:21:39,482 ♪. 1120 01:21:39,517 --> 01:21:45,034 >> THAT'S MY MOM, IF Y'ALL WONDERING. 1121 01:21:45,068 --> 01:21:50,413 [LAUGHTER] ALL RIGHT, I GOT TO SAY MY 1122 01:21:50,448 --> 01:21:54,413 SPEECH, DOGS. 1123 01:21:54,448 --> 01:21:55,758 UM, HELLO. 1124 01:21:55,793 --> 01:22:02,379 ALL RIGHT, SO I DON'T KNOW IF IMMA BE UP HERE AGAIN SO BEAR 1125 01:22:02,413 --> 01:22:03,689 WITH ME. 1126 01:22:03,724 --> 01:22:08,827 MAN, I DON'T GOT NOTHING TO SAY, OKAY, ONE TO MY MOTHER, YOU DID 1127 01:22:08,862 --> 01:22:14,448 A GREAT JOB RAISING THIS GUY. 1128 01:22:14,482 --> 01:22:20,413 [LAUGHTER] TWO, TO THE CLANCYS, MY MANAGER, 1129 01:22:20,448 --> 01:22:21,241 MY MANAGERS. 1130 01:22:21,275 --> 01:22:24,068 YOU GUYS TOOK A SEED AND WATERED IT. 1131 01:22:24,103 --> 01:22:29,689 AND I THANK YOU FOR TRUSTING MY IDEAS. 1132 01:22:29,724 --> 01:22:34,413 THREE, Y'ALL DON'T GOT TO FEEL OBLIGATED TO CLAP ALL THE TIME. 1133 01:22:34,448 --> 01:22:39,137 THREE, TO MY FRIENDS AND MY FAMILY FOR TRUSTING MY IDEAS AND 1134 01:22:39,172 --> 01:22:44,551 PUTTING UP WITH MY ANNOYING HYPERACTIVE ENERGY SINCE WE WERE 1135 01:22:44,586 --> 01:22:46,344 CHILDREN BUT ALWAYS BEING THERE. 1136 01:22:46,379 --> 01:22:48,241 THIS MAN HAS NEVER MISSED A SHOW OF MINE. 1137 01:22:48,275 --> 01:22:49,931 THIS IS MY DAY ONE. 1138 01:22:49,965 --> 01:22:56,758 AND I LOVE THIS DUDE, MAN. 1139 01:22:56,793 --> 01:23:01,586 TO MY FANS AND MY LABEL, AGAIN, TRUSTING MY CRAZY IDEAS. 1140 01:23:01,620 --> 01:23:06,310 TO THE NEW FANS, TO THE OLD ONES, ALL THE CRAZY STUFF I DO. 1141 01:23:06,344 --> 01:23:11,448 I NEVER FULLY FELT ACCEPTED IN RAP AND STUFF SO Y'ALL ALWAYS 1142 01:23:11,482 --> 01:23:16,275 STAND BY ME AND GET ME HERE, I REALLY APPRECIATE THAT. 1143 01:23:16,310 --> 01:23:22,793 AND I DON'T KNOW IF HE IS HERE BUT I REALLY WANT TO THANK 1144 01:23:22,827 --> 01:23:26,241 FARRELL WILLIAMS-- PHARRELL WILLIAMS BECAUSE GROWING UP 1145 01:23:26,275 --> 01:23:29,137 FEELING LEFT OF CENTRE TO A LOT OF STUFF THAT I SAW ON TV, THAT 1146 01:23:29,172 --> 01:23:32,310 MAN HAS ALLOWED ME TO BE COMFORTABLE WITH MYSELF AND HAS 1147 01:23:32,344 --> 01:23:34,620 OPENED UP DOORS THAT YOU GUYS CANNOT IMAGINE. 1148 01:23:34,655 --> 01:23:40,482 BEFORE I MET HIM AND WHEN I MET HIM, SO THANK YOU, P, I LOVE 1149 01:23:40,517 --> 01:23:41,413 Y'ALL. 1150 01:23:41,448 --> 01:23:42,310 >> Announcer: A GRAMMY NOMINEE 1151 01:23:42,344 --> 01:23:51,827 AND FORMER GRAMMY HOST, ELLEN DEGENERES. 1152 01:23:51,862 --> 01:24:01,896 [ CHEERS AND APPLAUSE] >> HI, EVERYBODY. 1153 01:24:01,896 --> 01:24:07,551 [ CHEERS AND APPLAUSE] >> HI, EVERYBODY. 1154 01:24:07,586 --> 01:24:11,206 [CHEERS AND APPLAUSE] COURAGEOUS. 1155 01:24:11,241 --> 01:24:11,862 BRAVE. 1156 01:24:11,896 --> 01:24:13,241 GROUND-BREAKING. 1157 01:24:13,275 --> 01:24:14,172 GAME CHANGER. 1158 01:24:14,206 --> 01:24:15,862 ADORABLE. 1159 01:24:15,896 --> 01:24:17,206 THE CUTEST SMILE. 1160 01:24:17,241 --> 01:24:21,482 ALL WORDS USED TO DESCRIBE ME BUT ALSO THIS NEXT PERFORMER. 1161 01:24:21,517 --> 01:24:23,896 [ LAUGHTER] AT THE INCREDIBLE AGE OF 20, 1162 01:24:23,931 --> 01:24:26,448 HE'S DONE THE UNTHINKABLE. 1163 01:24:26,482 --> 01:24:29,206 HE SET THE ALL-TIME RECORD FOR THE LONGEST NUMBER ONE HIT SONG. 1164 01:24:29,241 --> 01:24:35,172 HE'S NOMINATED FOR SIX GRAMMY AWARDS TONIGHT, AND HE'S DONE IT 1165 01:24:35,206 --> 01:24:38,241 IS HE'S ALREADY WON TWO ALL BY BEING TRUE TO HIMSELF. 1166 01:24:38,275 --> 01:24:40,000 UNWAVERING IN THE FACE OF PREJUDICE, HE TOLD THE WORLD 1167 01:24:40,034 --> 01:24:42,827 HE WAS GAY, AND, OVERNIGHT, HE BECAME AN INSPIRATION AND ROLE 1168 01:24:42,862 --> 01:24:47,344 MODEL TO MILLIONS OF YOUNG PEOPLE AROUND THE WORLD. 1169 01:24:47,379 --> 01:24:53,344 [ CHEERS AND APPLAUSE] THE SONG LAUNCHED A THOUSAND 1170 01:24:53,379 --> 01:24:57,068 REMIXES, AND, TONIGHT, FOR THE FIRST AND THE ONLY TIME ON 1171 01:24:57,103 --> 01:24:59,241 TELEVISION, HE'S GOING TO PERFORM "“OLD TOWN ROAD"” WITH 1172 01:24:59,275 --> 01:25:00,517 SOME VERY SPECIAL GUESTS. 1173 01:25:00,551 --> 01:25:05,482 ALONG WITH BILLY RAY CYRUS, BTS, MASON RAMSEY AND DIPLO, PLEASE 1174 01:25:05,517 --> 01:25:11,793 WELCOME LIL NAS X! 1175 01:25:11,827 --> 01:25:23,482 [ CHEERS AND APPLAUSE] ♪ ♪ 1176 01:25:23,517 --> 01:25:27,862 ♪ ♪ ♪ ♪ 1177 01:25:27,896 --> 01:25:31,517 ♪ YEAH, I'M GONNA TAKE MY HORSE TO THE OLD TOWN ROAD 1178 01:25:31,551 --> 01:25:35,034 ♪ I'M GONNA RIDE 'TIL I CAN'T NO MORE 1179 01:25:35,068 --> 01:25:38,655 ♪ I'M GONNA TAKE MY HORSE TO THE OLD TOWN ROAD 1180 01:25:38,689 --> 01:25:41,551 ♪ I'M GONNA RIDE 'TIL I CAN'T NO MORE 1181 01:25:41,586 --> 01:25:45,793 ♪ I GOT THE HORSES IN THE BACK HORSE TACK IS ATTACHED 1182 01:25:45,827 --> 01:25:47,620 ♪ HAT IS MATTE BLACK GOT THE BOOTS THAT'S 1183 01:25:47,655 --> 01:25:51,482 ♪ BLACK TO MATCH RIDIN' ON A HORSE, HA 1184 01:25:51,517 --> 01:25:53,620 ♪ YOU CAN WHIP YOUR PORSCHE I BEEN IN THE VALLEY 1185 01:25:53,655 --> 01:25:56,034 ♪ YOU AIN'T BEEN UP OFF THAT PORCH, NOW 1186 01:25:56,068 --> 01:26:03,827 ♪ CAN'T NOBODY TELL ME NOTHIN' YOU CAN'T TELL ME NOTHIN' 1187 01:26:03,862 --> 01:26:10,931 ♪ CAN'T NOBODY TELL ME NOTHIN' YOU CAN'T TELL ME NOTHIN' 1188 01:26:10,965 --> 01:26:14,379 ♪ I GOT THE HOMIS IN MY BAG HAVE YOU HEARD OF THAT 1189 01:26:14,413 --> 01:26:17,655 ♪ HOMIS MADE OF STEEL FROM KOREA THEY THE BEST 1190 01:26:17,689 --> 01:26:22,241 ♪ RIDIN' TO THE FARM GRABBIN' ALL THE CORN 1191 01:26:22,275 --> 01:26:24,241 ♪ WE GON' GET YOUR MONEY WITH MY HOMI IN YOUR BACKYARD 1192 01:26:24,275 --> 01:26:31,862 ♪ CAN'T NOBODY TELL ME NOTHIN' YOU CAN'T TELL ME NOTHIN' 1193 01:26:31,896 --> 01:26:38,931 ♪ CAN'T NOBODY TELL ME NOTHIN' YOU CAN'T TELL ME 1194 01:26:38,965 --> 01:26:41,620 ♪ YEAH, I'M GONNA TAKE MY HORSE TO THE SEOUL TOWN ROAD 1195 01:26:41,655 --> 01:26:45,793 ♪ I'M GONNA RIDE 'TIL I CAN'T NO MORE 1196 01:26:45,827 --> 01:26:48,034 ♪ I'M GONNA TAKE MY HORSE TO THE SEOUL TOWN ROAD 1197 01:26:48,068 --> 01:26:52,103 ♪ I'M GONNA RIDE 'TIL I CAN'T NO MORE 1198 01:26:52,137 --> 01:26:57,551 ♪ MASERATI ROWDY GOT A V12 FOR MY DRIDE 1199 01:26:57,586 --> 01:26:59,689 ♪ FOGGY ROCKY ROAD, GOT A THREE-WHEELER INSIDE YEAH 1200 01:26:59,724 --> 01:27:03,862 ♪ ALL I WANNA DO IS TAKE A PILL, CATCH A CHILL VIBE 1201 01:27:03,896 --> 01:27:07,862 ♪ REAL PRINCE, I'M REALLY DOIN' REAL DUMB 1202 01:27:07,896 --> 01:27:11,379 ♪ I'MA TAKE A HORSE TO THE SOUTH BERRY ROAD 1203 01:27:11,413 --> 01:27:14,620 ♪ I DON'T REMEMBER HER NAME BUT I PAINTED ON HER NOSE 1204 01:27:14,655 --> 01:27:17,517 ♪ COUNTRY MONEY I DON'T GOTTA DO NO CHORES 1205 01:27:17,551 --> 01:27:19,896 ♪ I'M A MENACE I GOT WOMEN TRYNA SNEAK ME 1206 01:27:19,931 --> 01:27:23,758 ♪ THROUGH THEIR DOORS HOP UP IN MY RZR 1207 01:27:23,793 --> 01:27:27,586 ♪ GOT A THOUSAND ACRES RIDE UP ON THE COWS WITH IT 1208 01:27:27,620 --> 01:27:29,724 ♪ PRAY THAT IT DON'T FAZE HER AYE-O, AYE-YO 1209 01:27:29,758 --> 01:27:35,724 ♪ YIPPEE-O KI-YAY IF YOU AIN'T GOT NO GIDDY UP 1210 01:27:35,758 --> 01:27:41,827 ♪ THEN GIDDY OUT MY WAY ♪ ♪ 1211 01:27:41,862 --> 01:27:49,620 ♪ ♪ [ CHEERS AND APPLAUSE] 1212 01:27:49,655 --> 01:27:51,896 ♪ HAT DOWN, CROSS TOWN LIVIN' LIKE A ROCKSTAR 1213 01:27:51,931 --> 01:27:55,068 ♪ SPENT A LOT OF MONEY ON MY BRAND NEW GUITAR 1214 01:27:55,103 --> 01:27:58,965 ♪ BABY'S GOT A HABIT DIAMOND RINGS AND 1215 01:27:59,000 --> 01:28:01,827 ♪ FENDI SPORTS BRAS RIDIN' DOWN RODEO IN MY 1216 01:28:01,862 --> 01:28:03,827 ♪ MASERATI SPORTS CAR GOT NO STRESS 1217 01:28:03,862 --> 01:28:07,896 ♪ I'VE BEEN THROUGH ALL THAT I'M LIKE A MARLBORO MAN 1218 01:28:07,931 --> 01:28:11,586 ♪ SO I KICK ON BACK WISH I COULD ROLL ON BACK 1219 01:28:11,620 --> 01:28:15,620 ♪ TO THAT OLD TOWN ROAD I WANNA 1220 01:28:15,655 --> 01:28:17,931 ♪ RIDE 'TIL I CAN'T NO MORE YEAH, I'M GONNA TAKE MY HORSE 1221 01:28:17,965 --> 01:28:22,689 ♪ TO THE OLD TOWN ROAD I'M GONNA RIDE 1222 01:28:22,724 --> 01:28:27,896 ♪ 'TIL I CAN'T NO MORE I'M GONNA TAKE MY HORSE 1223 01:28:27,931 --> 01:28:31,379 ♪ TO THE OLD TOWN ROAD I'M GONNA RIDE 1224 01:28:31,413 --> 01:28:33,620 ♪ 'TIL I CAN'T NO MORE I'M GONNA TAKE MY HORSE 1225 01:28:33,655 --> 01:28:35,896 ♪ TO THE OLD TOWN ROAD I'M GONNA RIDE 1226 01:28:35,931 --> 01:28:39,862 ♪ 'TIL I CAN'T NO MORE I'M GONNA TAKE MY HORSE 1227 01:28:39,896 --> 01:28:47,862 ♪ TO THE OLD TOWN ROAD I'M GONNA RIDE 1228 01:28:47,896 --> 01:28:54,034 [ CHEERS AND APPLAUSE] OH, HERE WE GO 1229 01:28:54,068 --> 01:29:00,034 ♪ PLEASE LET ME KNOW OFF WE GO 1230 01:29:00,068 --> 01:29:05,137 ♪ DON'T LEAVE ME IN THE COLD IF I TOOK YOU EVERYWHERE 1231 01:29:05,172 --> 01:29:07,827 ♪ THEN WELL, YOU WOULDN'T KNOW HOW TO WALK 1232 01:29:07,862 --> 01:29:10,068 ♪ IF I SPOKE ON YOUR BEHALF THEN WELL, YOU WOULDN'T KNOW 1233 01:29:10,103 --> 01:29:11,896 ♪ HOW TO TALK IF I GAVE YOU EVERYTHING 1234 01:29:11,931 --> 01:29:14,310 ♪ AND EVERYTHING IS WHAT I BOUGHT 1235 01:29:14,344 --> 01:29:15,896 ♪ I CAN TAKE IT ALL BACK I NEVER CARED 'BOUT 1236 01:29:15,931 --> 01:29:23,931 ♪ WHAT YOU THOUGHT ♪ ♪ 1237 01:29:23,965 --> 01:29:31,448 ♪ ♪ ♪ ♪ 1238 01:29:31,482 --> 01:29:32,517 ♪ ♪ HORSE AIN'T FAITH OF THE GOT TO 1239 01:29:32,551 --> 01:29:40,482 LOCK UP THE WHOLE STABLE. 1240 01:29:40,517 --> 01:29:47,862 RODEO, RODEO, PORTFOLIO, PORT-PLAYER. 1241 01:29:47,896 --> 01:29:51,862 ♪ ♪ OH, HERE WE GO 1242 01:29:51,896 --> 01:29:55,862 PLEASE LET ME KNOW ♪ OFF WE GO 1243 01:29:55,896 --> 01:30:06,206 DON'T LEAVE ME IN THE COLD ♪ I THOUGHT YOU WOULD 1244 01:30:06,241 --> 01:30:11,758 STAY WITH ME ♪ I'M YOURS AND YOU'RE MINE 1245 01:30:11,793 --> 01:30:12,827 I ENVY ♪ SO WHAT I'M GON' DO? 1246 01:30:12,862 --> 01:30:15,862 I DON'T HAVE NO CLUE ♪ AIN'T NO ME WITHOUT YOU 1247 01:30:15,896 --> 01:30:27,827 [ CHEERS AND APPLAUSE] [ CHEERS AND APPLAUSE] 1248 01:30:27,862 --> 01:30:34,206 >> Announcer: COMING UP NEXT, NEXT DEMI LOVATO 1249 01:30:34,241 --> 01:30:35,413 MAKES A STRONG STATEMENT. 1250 01:30:35,448 --> 01:30:38,034 THEN JOHN LEGEND, DJ KHALED, MEEK MILKER RODDY RICCH, KIRK 1251 01:30:38,068 --> 01:30:40,275 FRANKLIN AND YG HONOR NIP SEE HUSSLE. 1252 01:30:40,310 --> 01:30:43,965 STILL TO COME: POWERFUL PERFORMANCES BY ROSALIA, DEMI 1253 01:30:44,000 --> 01:30:47,758 LOVATO, BONNIE RAITT, GARY CLARK JR., H.E.R. AND OUR HOST, ALICIA 1254 01:30:47,793 --> 01:30:49,034 KEYS. 1255 01:30:49,068 --> 01:30:51,793 AND LATER, WHO WILL TAKE HOME THE AWARDS FOR BEST NEW ARTIST, 1256 01:30:51,827 --> 01:30:53,241 ALBUM, AND RECORD OF THE YEAR? 1257 01:30:53,275 --> 01:30:55,241 FIND OUT, RIGHT HERE. 1258 01:30:55,275 --> 01:30:55,793 ONLY CBS. 1259 01:31:02,620 --> 01:31:05,517 ♪ ♪ >> Announcer: PLEASE WELCOME THE 1260 01:31:05,551 --> 01:31:08,517 DIRECTOR OF "LITTLE WOMEN," GRETA GERWIG! 1261 01:31:08,551 --> 01:31:16,793 [ CHEERS AND APPLAUSE] >> IT TAKES A LOT FOR ANYONE TO 1262 01:31:16,827 --> 01:31:20,482 STAND IN THE SPOTLIGHT, EVEN SOMEBODY WHO'S GROWN UP IN ITS 1263 01:31:20,517 --> 01:31:23,620 OFTEN DISTORTING GLARE. 1264 01:31:23,655 --> 01:31:28,517 THE GIFTED YOUNG ARTIST ABOUT TO SHARE HER POWERFUL VOICE WROTE 1265 01:31:28,551 --> 01:31:32,551 THIS NEXT SONG LAST SUMMER JUST FOUR DAYS BEFORE AN 1266 01:31:32,586 --> 01:31:33,793 INCIDENT THAT ALMOST TOOK HER LIFE. 1267 01:31:33,827 --> 01:31:36,827 TONIGHT SHE'S HERE TO SHARE HER VOICE WITH ALL THOSE WHO ARE 1268 01:31:36,862 --> 01:31:38,896 BATTLING THE DARKNESS IN THEIR LIVES. 1269 01:31:38,931 --> 01:31:44,655 SO THEY MIGHT BE REMINDED THERE IS LIGHT ON THE OTHER SIDE 1270 01:31:44,689 --> 01:31:48,448 LADIES AND GENTLEMEN, DEMI LOVATO. 1271 01:31:48,482 --> 01:31:58,517 [ CHEERS AND APPLAUSE] ♪ ♪ 1272 01:31:58,517 --> 01:32:03,586 [ CHEERS AND APPLAUSE] ♪ ♪ 1273 01:32:03,620 --> 01:32:12,482 ♪ I TRIED TO TALK TO MY PIANO 1274 01:32:12,517 --> 01:32:24,482 [ CHEERS AND APPLAUSE] ♪ ♪ 1275 01:32:24,517 --> 01:32:31,068 ♪ OOOOH ♪ I TRIED TO TALK 1276 01:32:31,103 --> 01:32:36,482 TO MY PIANO ♪ I TRIED TO TALK 1277 01:32:36,517 --> 01:32:43,034 TO MY GUITAR ♪ TALK TO MY IMAGINATION 1278 01:32:43,068 --> 01:32:46,241 CONFIDED INTO ALCOHOL ♪ I TRIED AND TRIED 1279 01:32:46,275 --> 01:32:51,275 AND TRIED SOME MORE ♪ TALKED SECRETS 'TIL 1280 01:32:51,310 --> 01:32:58,034 MY VOICE WAS SORE ♪ TIRED OF EMPTY CONVERSATION!¡ 1281 01:32:58,068 --> 01:33:03,275 CAUSE NO ONE HEARS ME ANYMORE ♪ A HUNDRED MILLION STORIES 1282 01:33:03,310 --> 01:33:07,379 AND A HUNDRED MILLION SONGS ♪ I FEEL STUPID WHEN I SING 1283 01:33:07,413 --> 01:33:15,344 NOBODY'S LISTENING TO ME ♪ NOBODY'S LISTENING 1284 01:33:15,379 --> 01:33:19,310 I TALK TO SHOOTING STARS ♪ BUT THEY ALWAYS GET IT WRONG 1285 01:33:19,344 --> 01:33:27,310 I FEEL STUPID WHEN I PRAY ♪ SO WHY AM I PRAYING ANYWAY 1286 01:33:27,344 --> 01:33:34,172 IF NOBODY'S LISTENING ♪ ANYONE 1287 01:33:34,206 --> 01:33:39,310 PLEASE SEND ME ANYONE ♪ LORD IS THERE ANYONE 1288 01:33:39,344 --> 01:33:43,310 I NEED SOMEONE ♪ OH 1289 01:33:43,344 --> 01:33:51,310 ANYONE ♪ PLEASE SEND ME ANYONE 1290 01:33:51,344 --> 01:34:03,275 LORD IS THERE ANYONE ♪ I NEED SOMEONE 1291 01:34:03,310 --> 01:34:14,344 [ CHEERS AND APPLAUSE] I USED TO CRAVE 1292 01:34:14,379 --> 01:34:16,655 ♪ THE WORLDS ATTENTION AND I THINK I CRIED 1293 01:34:16,689 --> 01:34:21,551 ♪ TOO MANY TIMES I JUST NEED SOME 1294 01:34:21,586 --> 01:34:26,206 ♪ MORE AFFECTION ANYTHING TO GET ME BY 1295 01:34:26,241 --> 01:34:28,827 ♪ A HUNDRED MILLION STORIES AND A HUNDRED MILLION SONGS 1296 01:34:28,862 --> 01:34:34,827 ♪ I FEEL STUPID WHEN I SING NOBODY'S LISTENING TO ME 1297 01:34:34,862 --> 01:34:40,931 ♪ NOBODY'S LISTENING I TALK TO SHOOTING STARS 1298 01:34:40,965 --> 01:34:46,793 ♪ BUT THEY ALWAYS GET IT WRONG I FEEL STUPID WHEN I PRAY 1299 01:34:46,827 --> 01:34:58,862 ♪ WHY AM I PRAYING ANYWAY IF NOBODY'S LISTENING 1300 01:34:58,896 --> 01:35:03,310 ♪ ANYONE PLEASE SEND ME ANYONE 1301 01:35:03,344 --> 01:35:07,275 ♪ LORD IS THERE ANYONE I NEED SOMEONE 1302 01:35:07,310 --> 01:35:10,931 ♪ OH ANYONE 1303 01:35:10,965 --> 01:35:19,344 ♪ PLEASE SEND ME ANYONE OH LORD IS THERE ANYONE 1304 01:35:19,379 --> 01:35:27,344 ♪ I NEED SOMEONE OH, ANYONE 1305 01:35:27,379 --> 01:35:35,034 ♪ I NEED ANYONE OH, ANYONE 1306 01:35:35,068 --> 01:35:41,034 ♪ I NEED SOMEONE A HUNDRED MILLION STORIES 1307 01:35:41,068 --> 01:35:47,034 ♪ AND A HUNDRED MILLION SONGS I FEEL STUPID WHEN I SING 1308 01:35:47,068 --> 01:35:53,103 ♪ NOBODY'S LISTENING TO ME NOBODY'S LISTENING ♪ 1309 01:35:53,137 --> 01:35:59,482 [ CHEERS AND APPLAUSE] [ CHEERS AND APPLAUSE] 1310 01:35:59,482 --> 01:36:03,137 [ CHEERS AND APPLAUSE] [ CHEERS AND APPLAUSE] 1311 01:36:21,379 --> 01:36:24,482 [ CHEERS AND APPLAUSE] >> Announcer: USE #GRAMMYS TO 1312 01:36:24,517 --> 01:36:26,413 JOIN THE CONVERSATION WITH MUSIC FANS AROUND THE WORLD TONIGHT, 1313 01:36:26,448 --> 01:36:29,034 AND FOLLOW THE RECORDING ACADEMY'S OFFICIAL PROFILES FOR 1314 01:36:29,068 --> 01:36:33,896 ALL THE BEHIND-THE-SCENES ACTION. 1315 01:36:33,931 --> 01:36:39,379 UP NEXT: NIPSEY HUSSLE'S LEGACY IS CELEBRATED BY JOHN LEGEND, DJ 1316 01:36:39,413 --> 01:36:41,931 KHALED, MEEK MILL, RODDY RICCH, KIRK FRANKLIN AND YG. 1317 01:36:41,965 --> 01:36:44,896 THEN, LATIN GRAMMY SENSATION AND BEST NEW ARTIST NOMINEE 1318 01:36:44,931 --> 01:36:50,000 ROSALIA CREATES A GRAMMY MOMENT. 1319 01:36:50,034 --> 01:36:53,965 STILL TO COME: PERFORMANCES BY BONNIE RAITT; GARY CLARK, JR.; 1320 01:36:54,000 --> 01:36:57,068 H.E.R., AND ALICIA KEYS; AN ALL- STAR CELEBRATION OF THE POWER OF 1321 01:36:57,103 --> 01:37:00,413 MUSIC EDUCATION AND THE GRAMMY AWARDS FOR BEST NEW ARTIST, 1322 01:37:00,448 --> 01:37:02,000 ALBUM AND RECORD OF THE YEAR. 1323 01:37:21,896 --> 01:37:23,896 >> Announcer: CONGRATULATIONS TO ALL OF THE RECORDING ACADEMY'S 1324 01:37:23,931 --> 01:37:25,896 2020 SPECIAL MERIT HONOREES. 1325 01:37:25,931 --> 01:37:29,379 LIFETIME ACHIEVEMENT GRAMMY AWARDS ARE GOING TO THE 1326 01:37:29,413 --> 01:37:34,103 ENDURINGLY SUCCESSFUL ROCK BAND CHICAGO; THE ONLY SOLO ARTIST TO 1327 01:37:34,137 --> 01:37:37,862 EVER WIN THE RECORD OF THE YEAR GRAMMY TWICE IN A ROW, ROBERTA 1328 01:37:37,896 --> 01:37:41,655 FLACK; LEGENDARY SOUL ARTIST, SONGWRITER AND PRODUCER 1329 01:37:41,689 --> 01:37:49,827 ISAAC HAYES; ACCLAIMED SINGER- SONGWRITER JOHN PRINE; 1330 01:37:49,862 --> 01:37:54,034 CHARISMATIC ROCK ICON AND GODFATHER OF PUNK, IGGY POP; THE 1331 01:37:54,068 --> 01:37:59,310 GROUNDBREAKING SOCIALLY CONSCIOUS HIP HOP GROUP, PUBLIC 1332 01:37:59,344 --> 01:38:01,862 ENEMY; THE PIONEERING MUSICIAN AND GOSPEL GREAT WHO'S BEEN 1333 01:38:01,896 --> 01:38:09,103 CALLED "THE GODMOTHER OF ROCK & ROLL," SISTER ROSETTA THARPE. 1334 01:38:09,137 --> 01:38:10,206 [ CHEERS AND APPLAUSE] ♪ ♪ 1335 01:38:10,241 --> 01:38:13,896 >> Announcer: THE CREATOR OF "WHEN THEY SEE US," AVA 1336 01:38:13,931 --> 01:38:17,655 DUVERNAY! 1337 01:38:17,689 --> 01:38:23,655 [ CHEERS AND APPLAUSE] >> MUSIC IS, AT ITS BEST, A KIND 1338 01:38:23,689 --> 01:38:25,413 OF COMMUNITY. 1339 01:38:25,448 --> 01:38:30,000 TONIGHT, WE CELEBRATE THE ENDURING MEMORY OF AN ARTIST AND 1340 01:38:30,034 --> 01:38:33,931 Z WHO MADE BRILLIANT STRIDES TO UNITE SIX COMMUNITIES HERE IN 1341 01:38:33,965 --> 01:38:36,551 LOS ANGELES AND AROUND THE WORLD. 1342 01:38:36,586 --> 01:38:39,862 LADIES AND GENTLEMEN, LADIES AND GENTLEMAN, TOGETHER 1343 01:38:39,896 --> 01:38:43,896 NOW TO CELEBRATE THE MEMORY OF OUR FALLEN FRIEND NIPSEY HUSSLE: 1344 01:38:43,931 --> 01:38:47,758 WITH NIPSEY'S BAND 1500 OR NOTHIN', JOHN LEGEND, DJ KHALED, 1345 01:38:47,793 --> 01:38:51,137 YG, RODDY RICCH, AND KIRK FRANKLIN. 1346 01:38:51,172 --> 01:38:55,206 TO KICK IT ALL OFF, HE WON A GRAMMY ALREADY TONIGHT, 1347 01:38:55,241 --> 01:39:10,206 MEEK MILL. SOMETHING YOU CAN NEVER ONLY MADE YOU BIGGER 1348 01:39:10,241 --> 01:39:17,862 SNOAVMENT EVERY TIME I CLOSE MY EYES, I SEE YOU. 1349 01:39:17,896 --> 01:39:20,862 ♪ I WOULD BE ON THE WEST SIDE, YOU KNOW HOW WE DO SNOALT 1350 01:39:20,896 --> 01:39:24,724 MOTIVATE AND TURNING ONE AND ONE, TWO AND TWO. 1351 01:39:24,758 --> 01:39:26,758 >> I SEEN YOU ON THE FLOOR. 1352 01:39:26,793 --> 01:39:29,931 ♪ I DON'T ENJOY NO MORE. 1353 01:39:29,965 --> 01:39:36,034 ONLY THING I CAN SAY, YOU WERE THE LOVE, BLESSED. 1354 01:39:36,068 --> 01:39:39,344 WHEN WE LOST YOU IT REALLY PUT THE PAIN ON ME. 1355 01:39:39,379 --> 01:39:41,413 ♪ GOT ME SCARED TO GO OUTSIDE. 1356 01:39:41,448 --> 01:39:44,379 ♪ WHEN EVERYBODY WENT AGAINST ME, YOU AIN'T CHANGE ON ME. 1357 01:39:44,413 --> 01:39:46,793 YOU TOLD ME WHAT WAS WRONG OR RIGHT. 1358 01:39:46,827 --> 01:39:47,724 DEALT WITH MY LONGEST NIGHT. 1359 01:39:47,758 --> 01:39:49,965 YOU MADE ME CRY. 1360 01:39:50,000 --> 01:39:53,172 ♪ I FEEL LIKE I COULD DIE. 1361 01:39:53,206 --> 01:39:54,413 ♪ YOU KNOW THE VIBE. 1362 01:39:54,448 --> 01:39:57,241 ♪ I PRAY, A COUPLE OF DAYS AGO. 1363 01:39:57,275 --> 01:40:00,000 ♪ I SEEN YOUR KIDS. 1364 01:40:00,034 --> 01:40:04,482 ♪ MADE ME-- EVERY TIME WE CONTINUE WE KEEP RUNNING. 1365 01:40:04,517 --> 01:40:08,965 ♪ DAMN, I SEEN IT WISH I SEEN IT COMING. 1366 01:40:09,000 --> 01:40:11,000 ♪ HOW MANY YEARS DID YOU CRY WHEN YOU LOST. 1367 01:40:11,034 --> 01:40:14,586 ♪ DID IT ALL. 1368 01:40:14,620 --> 01:40:15,655 ♪ WHOA WHOA. 1369 01:40:15,689 --> 01:40:21,965 ♪ I SEE YOU EVERY TIME. 1370 01:40:22,000 --> 01:40:23,655 ♪ WHY YOU HAD TO GO. 1371 01:40:23,689 --> 01:40:26,551 ♪ ONLY GOD KNOWS. 1372 01:40:26,586 --> 01:40:28,275 ♪ YEAH. 1373 01:40:28,310 --> 01:40:33,655 ♪ LONG LIVE NIPSEY HUSESEL-- HUSSLE. 1374 01:40:33,689 --> 01:40:38,275 EVERYBODY GET UP OUT YOUR SEATS, WE'RE DOING THIS FOR NIPSEY 1375 01:40:38,310 --> 01:40:38,620 HUSSLE. 1376 01:40:38,655 --> 01:40:39,517 LET'S GO. 1377 01:40:39,551 --> 01:40:44,000 ♪ I GO BY THE NAME OF DJ KHALED. 1378 01:40:44,034 --> 01:40:52,551 ♪ THE ICONIC, LEGENDARY JOHN LEGEND. 1379 01:40:52,586 --> 01:40:54,551 ♪ LET'S GO. 1380 01:40:54,586 --> 01:40:58,241 ♪ YOU KEEP TAKING ME HIGHER, HIGHER, YEAH 1381 01:40:58,275 --> 01:41:01,000 ♪ BUT DON'T YOU KNOW THAT THE DEVIL IS A LIAR? 1382 01:41:01,034 --> 01:41:05,965 ♪ I KNOW THEY'D RATHER SEE ME DOWN 1383 01:41:06,000 --> 01:41:10,551 ♪ PUT MY SOUL IN THE FIRE BUT WE KEEP GOIN' 1384 01:41:10,586 --> 01:41:12,620 ♪ HIGHER, HIGHER LOOK, LOOK 1385 01:41:12,655 --> 01:41:14,586 ♪ MY GRANNY 88 SHE HAD MY UNCLE AND THEN 1386 01:41:14,620 --> 01:41:18,172 ♪ A MISCARRIAGE BACK-TO-BACK EVERY YEAR FOR LIKE TEN 1387 01:41:18,206 --> 01:41:21,068 ♪ PREGNANT WITH MY MOMS DOCTOR TOLD HER IT WAS SLIM 1388 01:41:21,103 --> 01:41:22,724 ♪ WAS BED RODE FOR NINE MONTHS BUT GAVE BIRTH IN THE END 1389 01:41:22,758 --> 01:41:25,379 ♪ POPS TURNED 60 HE PROUD WHAT WE DONE 1390 01:41:25,413 --> 01:41:29,172 ♪ IN ONE GENERATION HE CAME FROM AFRICA YOUNG 1391 01:41:29,206 --> 01:41:31,137 ♪ HE SAID HE MET MY MOMS AT THE CENTURY CLUB 1392 01:41:31,172 --> 01:41:34,551 ♪ LOS ANGELES LOVE KINDA LIKE HUSSLE AND BOOG 1393 01:41:34,586 --> 01:41:37,137 ♪ MANI TURNED TEN KROSS TURNED TWO 1394 01:41:37,172 --> 01:41:40,758 ♪ STARTIN' TO SEE THIS LIFE FROM A BIRD'S VIEW 1395 01:41:40,793 --> 01:41:42,931 ♪ WE THE ONES THAT MADE MILLIONS OFF THE CURB, FOOL 1396 01:41:42,965 --> 01:41:49,000 ♪ IN THIS RAP TEN NEVER MADE NERD MOVES 1397 01:41:49,034 --> 01:41:52,793 ♪ YOU KEEP TAKING ME HIGHER AND HIGHER, YEAH 1398 01:41:52,827 --> 01:41:53,931 ♪ LET'S GO, PUTS YOUR HANDS IN THE SKY. 1399 01:41:53,965 --> 01:41:56,517 ♪ HUSSLE, KHALED BUT DON'T YOU KNOW THAT 1400 01:41:56,551 --> 01:41:57,793 ♪ THE DEVIL IS A LIAR? 1401 01:41:57,827 --> 01:42:00,172 I KNOW ♪ RIGHT BACK 1402 01:42:00,206 --> 01:42:02,551 THEY'D RATHER SEE ME DOWN ♪ PUT MY SOUL IN THE FIRE 1403 01:42:02,586 --> 01:42:08,275 BUT WE KEEP GOIN' ♪ HIGHER, HIGHER 1404 01:42:08,310 --> 01:42:10,448 ♪ YOU WAS CRIP, CRIP I WAS WOOP, WOOP 1405 01:42:10,482 --> 01:42:12,931 ♪ IT WAS GANG, GANG SQUABBLE, SQUABBLE 1406 01:42:12,965 --> 01:42:14,482 ♪ SHOOT, SHOOT LIKE VEGAS WE BEAT THE ODDS 1407 01:42:14,517 --> 01:42:17,275 ♪ WE WAS PULLIN' UP IN COUPES YOU GET GREEN EVERY TIME 1408 01:42:17,310 --> 01:42:20,413 ♪ YOU MIX THE RED AND THE BLUE WE TALKIN' DR. SEBI-- MARRY 1409 01:42:20,448 --> 01:42:22,448 ♪ AND HOW MANY SHELLS THAT GLOCK CARRY 1410 01:42:22,482 --> 01:42:24,896 ♪ AND HOW MUCH MONEY WE SENDIN' HOMIES 1411 01:42:24,931 --> 01:42:26,724 ♪ FOR THEY COMMISSARY THE PLOT WAS SCARY 1412 01:42:26,758 --> 01:42:28,655 ♪ THE PROFIT WAS SCARY BUT WASN'T TRIPPIN' 1413 01:42:28,689 --> 01:42:29,551 ♪ WE OVERCAME THAT-- IT BLACK EXCELLENCE 1414 01:42:29,586 --> 01:42:34,448 ♪ SHOUT OUT TO DIDDY GONE TOO SOON 1415 01:42:34,482 --> 01:42:47,862 WE THE ONES THAT TOLD THEM-- ♪ AIN'T THAT TRICKY 1416 01:42:47,896 --> 01:42:49,448 BUT AY ♪ LONG LIVE THE LEGEND NIPSY 1417 01:42:49,482 --> 01:42:52,310 YEAH ♪ TURNT UP !¡CAUSE HE 1418 01:42:52,344 --> 01:42:56,206 GREW UP IN THE 60'S ♪ YEAH 1419 01:42:56,241 --> 01:42:59,689 YEAH ♪ ♪ YOU KEEP TAKING ME 1420 01:42:59,724 --> 01:43:03,034 HIGHER, HIGHER, YEAH ♪ BUT DON'T YOU KNOW THAT 1421 01:43:03,068 --> 01:43:05,965 THE DEVIL IS A LIAR? 1422 01:43:06,000 --> 01:43:08,655 ♪ I KNOW THEY'D RATHER SEE ME DOWN 1423 01:43:08,689 --> 01:43:11,965 ♪ PUT MY SOUL IN THE FIRE BUT WE KEEP GOIN' 1424 01:43:12,000 --> 01:43:20,896 ♪ HIGHER, HIGHER ♪ ♪ 1425 01:43:20,931 --> 01:43:29,931 ♪ ♪ ♪ ♪ 1426 01:43:29,965 --> 01:43:40,310 ♪ ♪ ♪ ♪ 1427 01:43:40,344 --> 01:43:40,827 ♪ LET'S GO. 1428 01:43:40,862 --> 01:43:43,482 ♪ LET'S ♪ ♪ 1429 01:43:43,517 --> 01:43:43,931 ♪ CAN YOU FEEL IT. 1430 01:43:43,965 --> 01:43:44,896 ♪ YEAH. 1431 01:43:44,931 --> 01:43:45,931 ♪ HOW Y'ALL DOING TONIGHT. 1432 01:43:45,965 --> 01:43:52,896 ♪ I DON'T KNOW ABOUT YOU. 1433 01:43:52,931 --> 01:43:56,862 ♪ ♪ ♪ ♪ 1434 01:43:56,896 --> 01:44:04,896 HIGHER, HIGHER, YEAH WE KEEP GOIN' 1435 01:44:04,931 --> 01:44:08,896 ♪ HIGHER ♪ REST IN PEACE, NIPSEY HUSSLE, 1436 01:44:08,931 --> 01:44:11,862 REST IN PEACE KOBE BRYANT. 1437 01:44:11,896 --> 01:44:12,965 >> LONG LIVE NIPS. 1438 01:44:13,000 --> 01:44:20,551 LONG LIVE KOBE. 1439 01:44:20,586 --> 01:44:21,896 CHEESIER [CHEERS AND 1440 01:44:21,931 --> 01:44:30,068 [ CHEERS AND APPLAUSE] >> Announcer: COMING RIGHT UP: 1441 01:44:30,103 --> 01:44:40,931 A MOVING PERFORMANCES BY BEST NEW ARTIST NOMINEE ROSALIA; 1442 01:44:40,965 --> 01:44:44,586 THEN SMOKEY REASONINSON AND LIL' 1443 01:44:44,620 --> 01:44:47,000 AND STILL TO COME, AN ALL-STAR CELEBRATION OF MUSIC EDUCATION, 1444 01:44:47,034 --> 01:44:50,172 AND THE AWARDS FOR BEST NEW ARTIST, ALBUM AND RECORD OF THE 1445 01:44:50,206 --> 01:44:50,896 YEAR. 1446 01:44:50,931 --> 01:44:51,931 ONLY CBS. 1447 01:44:53,206 --> 01:44:56,620 STREAM YOUR FAVORITE CBS SHOWS LIVE AND ON DEMAND WITH CBS ALL 1448 01:44:56,655 --> 01:44:58,896 ACCESS! 1449 01:44:58,931 --> 01:45:03,793 TRY IT FREE NOW AT cbs.com OR ON THE CBS APP. 1450 01:45:03,827 --> 01:45:14,620 >> Announcer: THE 62nd GRAMMY AWARDS IS SPONSORED BY: 1451 01:45:14,655 --> 01:45:19,206 THERE'S A FACEBOOK GROUP FOR EVERYONE. 1452 01:45:25,172 --> 01:45:32,931 ♪ ♪ [ APPLAUSE] 1453 01:45:32,965 --> 01:45:37,689 >> Alicia: LAST NIGHT, SEAN "DIDDY" COMBS RECEIVED THE 1454 01:45:37,724 --> 01:45:41,172 GRAMMY "SALUTE TO INDUSTRY" ICON AWARD. 1455 01:45:41,206 --> 01:45:44,862 IF I WERE TO LIST ALL OF DIDDY'S ACCOMPLISHMENTS-- OR JUST HIS 1456 01:45:44,896 --> 01:45:53,827 NAMES-- WE'D BE HERE ALL NIGHT, SO LET ME JUST SAY 1457 01:45:53,862 --> 01:45:59,965 MAGNIFICENT BROTHER, DIDDY. YEAH, LOVE, LOF LOVE, LOVE. 1458 01:46:00,000 --> 01:46:05,137 AND BIG SHOUT OUT TO FINNEAS WHO JUST WON THE GRAMMY FOR PRODUCER 1459 01:46:05,172 --> 01:46:12,551 OF THE YEAR, NONCLASSICAL. YES! 1460 01:46:12,586 --> 01:46:13,758 AMAZING, AMAZING. 1461 01:46:13,793 --> 01:46:18,137 YOU KNOW, AT MY VERY FIRST GRAMMYS I WAS CRAZY NERVOUS AND 1462 01:46:18,172 --> 01:46:23,137 I WAS CRAZY SICK, LIKE FOR REAL, FOR REAL, LIKE 103 DEGREE FEVER, 1463 01:46:23,172 --> 01:46:24,413 IT WAS RIDICULOUS. 1464 01:46:24,448 --> 01:46:26,586 BUT I STILL MANAGED TO PULL OFF A PERFORMANCE THAT MEANT A LOT 1465 01:46:26,620 --> 01:46:27,827 TO ME. 1466 01:46:27,862 --> 01:46:34,586 IT WAS A REMIX OF FALLIN' AND A WOMAN'S WORTH WITH SOME LIKE 1467 01:46:34,620 --> 01:46:35,172 FLAMENCO FLAVOR. 1468 01:46:35,206 --> 01:46:36,758 ♪ AND A REAL WOMAN. 1469 01:46:36,793 --> 01:46:41,068 ♪ OKAY, WE GOING TO CALL IT FLAMENCO-ISH. 1470 01:46:41,103 --> 01:46:46,241 SO MY MOVES DEFINITELY DON'T HAVE ANYTHING ON THE SPANISH 1471 01:46:46,275 --> 01:46:49,172 SENSATION WHO'S WAKING UP THE WORLD WITH HER SOUND AND HER 1472 01:46:49,206 --> 01:46:53,068 UNIQUE STYLE, A PERSONAL INSPIRATION AND A FRIEND TO ME, 1473 01:46:53,103 --> 01:47:00,379 ALREADY A NEW GRAMMY WINNER TONIGHT, LADIES AND GENTLEMEN, 1474 01:47:00,413 --> 01:47:03,034 ROSALIA! 1475 01:47:03,068 --> 01:47:13,241 [ CHEERS AND APPLAUSE] ♪ ♪ 1476 01:47:13,275 --> 01:47:21,206 ♪ ♪ [ SINGING IN SPANISH] 1477 01:47:21,241 --> 01:47:27,206 ♪ ♪ ♪ ♪ 1478 01:47:27,241 --> 01:47:37,172 [ SINGING IN SPANISH] ♪ ♪ 1479 01:47:37,206 --> 01:47:45,172 ♪ ♪ [ SINGING IN SPANISH] 1480 01:47:45,206 --> 01:47:57,172 ♪ ♪ ♪ ♪ 1481 01:47:57,206 --> 01:48:03,172 [ SINGING IN SPANISH] ♪ ♪ 1482 01:48:03,206 --> 01:48:13,137 ♪ ♪ [ SINGING IN SPANISH] 1483 01:48:13,172 --> 01:48:21,206 ♪ ♪ ♪ ♪ 1484 01:48:21,241 --> 01:48:29,206 [ CHEERS AND APPLAUSE] ♪ ♪ 1485 01:48:29,241 --> 01:48:37,172 ♪ ♪ ♪ ♪ 1486 01:48:37,206 --> 01:48:45,034 ♪ ♪ ♪ ♪ 1487 01:48:45,068 --> 01:48:49,172 ♪ ♪ ♪ ♪ 1488 01:48:49,206 --> 01:48:57,137 ♪ ♪ [ CHEERS AND APPLAUSE] 1489 01:48:57,172 --> 01:49:01,172 ♪ ♪ ♪ ♪ 1490 01:49:01,206 --> 01:49:09,206 [ SINGING IN SPANISH] ♪ ♪ 1491 01:49:09,241 --> 01:49:13,241 ♪ ♪ [ SINGING IN SPANISH] 1492 01:49:13,275 --> 01:49:21,206 ♪ ♪ ♪ ♪ 1493 01:49:21,241 --> 01:49:27,931 [ SINGING IN SPANISH] ♪ ♪ 1494 01:49:27,965 --> 01:49:33,206 ♪ ♪ [ SINGING IN SPANISH] 1495 01:49:33,241 --> 01:49:40,034 ♪ ♪ ♪ ♪ 1496 01:49:40,068 --> 01:49:45,172 [ SINGING IN SPANISH] ♪ ♪ 1497 01:49:45,206 --> 01:49:52,000 ♪ ♪ [ SINGING IN SPANISH] 1498 01:49:52,034 --> 01:50:01,172 ♪ ♪ ♪ ♪ 1499 01:50:01,206 --> 01:50:05,137 [ SINGING IN SPANISH] ♪ ♪ 1500 01:50:05,172 --> 01:50:16,034 ♪ ♪ ♪ ♪ 1501 01:50:16,068 --> 01:50:21,137 ♪ ♪ ♪ ♪ 1502 01:50:21,172 --> 01:50:33,137 ♪ ♪ ♪ ♪ 1503 01:50:33,172 --> 01:50:39,551 [ CHEERS AND APPLAUSE] >> THANK YOU SO 1504 01:50:39,586 --> 01:50:41,137 >> Announcer: PLEASE WELCOME GRAMMY WINNING LEGEND, SMOKEY 1505 01:50:41,172 --> 01:50:46,034 ROBINSON; AND THREE-TIME GRAMMY WINNERS, LITTLE BIG TOWN. 1506 01:50:46,068 --> 01:50:56,068 [ CHEERS AND APPLAUSE] ♪ ♪ 1507 01:50:56,068 --> 01:51:01,103 [ CHEERS AND APPLAUSE] ♪ ♪ 1508 01:51:01,137 --> 01:51:09,137 >> ♪ I'VE GOT SUNSHINE ON A CLOUDY DAY 1509 01:51:09,172 --> 01:51:16,034 ♪ WHEN IT'S COLD OUTSIDE I'VE GOT THE MONTH OF MAY 1510 01:51:16,068 --> 01:51:25,137 ♪ WELL, I GUESS YOU'D SAY WHAT CAN MAKE ME FEEL THIS WAY? 1511 01:51:25,172 --> 01:51:28,068 ♪ MY GIRL MY GIRL, MY GIRL 1512 01:51:28,103 --> 01:51:36,965 ♪ TALKIN' !¡BOUT MY GIRL MY GIRL ♪ 1513 01:51:37,000 --> 01:51:43,448 MY GIRL [ CHEERS AND APPLAUSE] 1514 01:51:43,482 --> 01:51:45,241 >> OOH, WE ARE SO HONORED TO PRESENT THE GRAMMY FOR SONG OF 1515 01:51:45,275 --> 01:51:49,275 THE YEAR WITH ONE OF THE MOST EXTRAORDINARY SONGWRITERS OF ALL 1516 01:51:49,310 --> 01:51:53,103 TIME, WHO WROTE "“MY GIRL"” AND COUNTLESS OTHER CLASSICS-- THE 1517 01:51:53,137 --> 01:51:57,103 LEGENDARY, SMOKEY ROBINSON. 1518 01:51:57,137 --> 01:52:03,000 [ CHEERS AND APPLAUSE] >> THANKS, LITTLE BIG TOWN. 1519 01:52:03,034 --> 01:52:05,103 AND I LIKE "BEING WITH YOU," TOO. 1520 01:52:05,137 --> 01:52:08,034 [ LAUGHS] HERE ARE EIGHT SONGS THAT HAD US 1521 01:52:08,068 --> 01:52:10,413 ALL SINGING ALONG THIS PAST YEAR. 1522 01:52:10,448 --> 01:52:16,551 THESE ARE THE NOMINATIONS FOR SONG OF THE YEAR. 1523 01:52:16,586 --> 01:52:20,103 >> Announcer: "ALWAYS REMEMBER US THIS WAY," BY NATALIE HEMBY, 1524 01:52:20,137 --> 01:52:22,551 LADY GAGA, HILLARY LINDSEY AND LORI McKENNA. 1525 01:52:22,586 --> 01:52:25,172 LADY GAGA, ARTIST. 1526 01:52:25,206 --> 01:52:29,068 "BAD GUY," BY BILLIE EILISH O'CONNELL AND FINNEAS O'CONNELL. 1527 01:52:29,103 --> 01:52:33,137 BILLIE EILISH, ARTIST. 1528 01:52:33,172 --> 01:52:37,137 "BRING MY FLOWERS NOW," BY BRANDI CARLILE, PHIL HANSEROTH, 1529 01:52:37,172 --> 01:52:38,517 TIM HANSEROTH AND TANYA TUCKER. 1530 01:52:40,620 --> 01:52:41,758 TANYA TUCKER, ARTIST. 1531 01:52:41,793 --> 01:52:44,965 "HARD PLACE," BY RUBY AMANFU, SAM ASHWORTH, D. ARCELIOUS 1532 01:52:45,000 --> 01:52:46,724 HARRIS, H.E.R. AND RODNEY JERKINS. 1533 01:52:46,758 --> 01:52:52,758 H.E.R., ARTIST. 1534 01:52:52,793 --> 01:52:57,103 "LOVER," BY TAYLOR SWIFT. 1535 01:52:57,137 --> 01:52:58,862 "NORMAN FREAKING ROCKWELL," BY JACK ANTONOFF AND LANA DEL REY. 1536 01:52:58,896 --> 01:53:01,137 LANA DEL REY, ARTIST. 1537 01:53:01,172 --> 01:53:04,655 "SOMEONE YOU LOVED," BY TOM BARNES, LEWIS CAPALDI, PETE 1538 01:53:04,689 --> 01:53:09,172 KELLEHER, BENJAMIN KOHN AND SAM ROMAN. 1539 01:53:09,206 --> 01:53:10,862 LEWIS CAPALDI, ARTIST. 1540 01:53:10,896 --> 01:53:13,482 "TRUTH HURTS," BY STEVEN CHEUNG, ERIC FREDERIC, MELISSA JEFFERSON 1541 01:53:13,517 --> 01:53:16,862 AND JESSE SAINT JOHN. 1542 01:53:16,896 --> 01:53:21,172 LIZZO, ARTIST. 1543 01:53:21,206 --> 01:53:29,448 >> AND THE GRAMMY GOES TO: >> "BAD GUY," BY BILLIE EILISH 1544 01:53:29,482 --> 01:53:40,931 [ CHEERS AND APPLAUSE] O'CONNELL AND FINNEAS O'CONNELL. 1545 01:53:40,965 --> 01:53:47,206 ♪ ♪ ♪ ♪ 1546 01:53:47,241 --> 01:53:57,275 [ CHEERS AND APPLAUSE] [ CHEERS AND APPLAUSE] 1547 01:53:57,275 --> 01:54:08,689 [ CHEERS AND APPLAUSE] [ CHEERS AND APPLAUSE] 1548 01:54:08,724 --> 01:54:09,206 W! 1549 01:54:09,241 --> 01:54:10,344 WOW, WOW, WOW, WOW. 1550 01:54:10,379 --> 01:54:14,034 OH MY GOD SO MANY OTHER SONGS DESERVE THIS, I'M SORRY. 1551 01:54:14,068 --> 01:54:15,931 THANK YOU SO MUCH. 1552 01:54:15,965 --> 01:54:17,103 THIS IS MY FIRST GRAMMY. 1553 01:54:17,137 --> 01:54:20,275 I NEVER THOUGHT THIS WOULD EVER HAPPEN IN MY WHOLE LIFE. 1554 01:54:20,310 --> 01:54:26,275 I GREW UP WATCHING THEM AND THIS IS MY BROTHER FINNEAS, AND HE'S 1555 01:54:26,310 --> 01:54:28,448 MY BEST FRIEND. 1556 01:54:28,482 --> 01:54:31,551 I FEEL LIKE I JOKE AROUND A LOT AND I NEVER TAKE ANYTHING 1557 01:54:31,586 --> 01:54:35,379 SERIOUSLY AT THESE KIND OF THINGS BUG I GENUINELY WANT TO 1558 01:54:35,413 --> 01:54:38,931 SAY I'M SO GRATEFUL AND I ONLY WANT TO SAY THAT I'M GRATEFUL 1559 01:54:38,965 --> 01:54:41,724 AND SO HONORED TO BE HERE AMONGST ALL OF YOU. 1560 01:54:41,758 --> 01:54:42,827 I LOVE YOU TO MY CORE. 1561 01:54:42,862 --> 01:54:44,931 I GREW UP WATCHING ALL OF YOU. 1562 01:54:44,965 --> 01:54:52,793 THANK YOU TO MY TEAM, MY MOM, MY DAD, MY BEST FRIEND DREW AND 1563 01:54:52,827 --> 01:54:56,137 ZOOEY FOR KEEPING ME ALIVE TO THIS DAY. 1564 01:54:56,172 --> 01:55:02,034 JEST AND DANNY, BRANDON, SHERYL, SPENCER, YOU SAY SOMETHING, 1565 01:55:02,068 --> 01:55:03,275 PLEASE. 1566 01:55:03,310 --> 01:55:07,620 >> YOU KNOW, THIS SAY REALLY, REALLY BIG DEAL AND I HAVE NO 1567 01:55:07,655 --> 01:55:11,137 IDEA WHAT TO SAY, I DIDN'T THINK WE WOULD WIN THIS AT ALL AM I 1568 01:55:11,172 --> 01:55:12,344 LOVED EVERY SONG ON THIS LIST. 1569 01:55:12,379 --> 01:55:15,482 I WANT TO THANK MY GIRLFRIEND, MY BEST FRIENDS, OUR ENTIRE 1570 01:55:15,517 --> 01:55:16,379 TEAM. 1571 01:55:16,413 --> 01:55:17,965 WE JUST MAKE MUS NIK A BEDROOM TOGETHER. 1572 01:55:18,000 --> 01:55:21,241 WE STILL DO THAT AND THEY LET US DO THAT. 1573 01:55:21,275 --> 01:55:26,068 AND I JUST, THIS IS TO ALL OF THE KIDS MAKING MUSIC IN YOUR 1574 01:55:26,103 --> 01:55:26,827 BEDROOMS TODAY. 1575 01:55:26,862 --> 01:55:31,310 YOU'RE GOING TO GET ONE OF THESE. 1576 01:55:31,344 --> 01:55:33,172 [CHEERS AND APPLAUSE] >> UP 1577 01:55:33,206 --> 01:55:35,758 >> Announcer: UP NEXT, ALICIA KEYS PERFORMS "“UNDERDOG"” FOR THE 1578 01:55:35,793 --> 01:55:39,068 FIRST TIME, THEN H.E.R. CREATES ANOTHER GRAMMY MOMENT. 1579 01:55:39,103 --> 01:55:41,172 STILL TO COME, AN ALL-STAR SALUTE TO THE POWER OF MUSIC 1580 01:55:41,206 --> 01:55:43,241 EDUCATION AND THE GRAMMY SPIRIT. 1581 01:55:43,275 --> 01:55:44,793 AND WHO WILL WIN THE GRAMMY AWARDS FOR ALBUM AND RECORD OF 1582 01:55:44,827 --> 01:55:45,137 THE YEAR? 1583 01:55:45,172 --> 01:55:47,517 FIND OUT. 1584 01:55:47,551 --> 01:55:49,137 ONLY CBS. 1585 01:55:49,172 --> 01:55:53,137 PICK UP THE "2020 GRAMMY NOMINEES" ALBUM AT AMAZON, AND A 1586 01:55:53,172 --> 01:55:56,000 PORTION OF PROCEEDS WILL GO TO THE GRAMMY MUSEUM TO BENEFIT 1587 01:55:56,034 --> 01:55:56,344 MUSIC EDUCATION. 1588 01:56:10,448 --> 01:56:13,689 ♪ ♪ WE WERE 1589 01:56:13,724 --> 01:56:18,896 JUST WRITING A SONG, WE WANT TO WRITE IT TOO. 1590 01:56:18,931 --> 01:56:22,310 ♪ SHE WAS WALKING IN THE STREET LOOKED UP AND NOTICED 1591 01:56:22,344 --> 01:56:25,482 ♪ HE WAS NAMELESS HE WAS HOMELESS 1592 01:56:25,517 --> 01:56:27,448 ♪ SHE ASKED HIM HIS NAME AND TOLD HIM WHAT HERS WAS 1593 01:56:27,482 --> 01:56:29,482 ♪ HE GAVE HER A STORY ABOUT A LIFE 1594 01:56:29,517 --> 01:56:32,586 ♪ WITH A GLINT IN HIS EYE AND A CORNER OF A SMILE 1595 01:56:32,620 --> 01:56:35,344 ♪ ONE CONVERSATION A SIMPLE MOMENT 1596 01:56:35,379 --> 01:56:37,448 ♪ THE THINGS THAT CHANGE US IF WE NOTICE 1597 01:56:37,482 --> 01:56:40,965 ♪ WHEN WE LOOK UP SOMETIMES 1598 01:56:41,000 --> 01:56:42,793 ♪ THEY SAID I WOULD NEVER MAKE IT 1599 01:56:42,827 --> 01:56:45,413 ♪ BUT I WAS BUILT TO BREAK THE MOLD 1600 01:56:45,448 --> 01:56:49,758 ♪ THE ONLY DREAM THAT I'VE BEEN CHASING IS MY OWN 1601 01:56:49,793 --> 01:56:53,137 ♪ SO I SING A SONG FOR THE HUSTLERS TRADING 1602 01:56:53,172 --> 01:56:55,482 ♪ AT THE BUS STOP SINGLE MOTHERS WAITING 1603 01:56:55,517 --> 01:56:57,448 ♪ ON A CHECK TO COME YOUNG TEACHERS 1604 01:56:57,482 --> 01:57:01,448 ♪ STUDENT DOCTORS SONS ON THE FRONTLINE 1605 01:57:01,482 --> 01:57:04,758 ♪ KNOWING THEY DON'T GET TO RUN THIS GOES OUT TO THE UNDERDOG 1606 01:57:04,793 --> 01:57:07,586 ♪ KEEP ON KEEPING AT WHAT YOU LOVE 1607 01:57:07,620 --> 01:57:09,482 ♪ YOU'LL FIND THAT SOMEDAY SOON ENOUGH 1608 01:57:09,517 --> 01:57:17,448 ♪ YOU WILL RISE UP RISE UP, YEAH 1609 01:57:17,482 --> 01:57:24,310 ♪ ♪ I SEE YOU 1610 01:57:24,344 --> 01:57:25,310 OUT HERE. 1611 01:57:25,344 --> 01:57:26,793 ♪ SHE'S RIDING IN A TAXI BACK TO THE KITCHEN. 1612 01:57:26,827 --> 01:57:29,137 ♪ SHE'S RIDING IN A TAXI BACK TO THE KITCHEN 1613 01:57:29,172 --> 01:57:30,758 ♪ TALKING TO THE DRIVER ABOUT HIS WIFE AND HIS CHILDREN 1614 01:57:30,793 --> 01:57:32,344 ♪ ON THE RUN FROM A COUNTRY WHERE THEY PUT YOU IN PRISON 1615 01:57:32,379 --> 01:57:33,482 ♪ FOR BEING A WOMAN AND SPEAKING YOUR MIND 1616 01:57:33,517 --> 01:57:36,413 ♪ SHE LOOKED IN HIS EYES IN THE MIRROR AND HE SMILED 1617 01:57:36,448 --> 01:57:38,862 ♪ ONE CONVERSATION A SINGLE MOMENT 1618 01:57:38,896 --> 01:57:41,448 ♪ THE THINGS THAT CHANGE US IF WE NOTICE 1619 01:57:41,482 --> 01:57:44,689 ♪ WHEN WE LOOK UP SOMETIMES 1620 01:57:44,724 --> 01:57:46,793 ♪ THEY SAID I WOULD NEVER MAKE IT 1621 01:57:46,827 --> 01:57:49,448 ♪ BUT I WAS BUILT TO BREAK THE MOLD 1622 01:57:49,482 --> 01:57:54,896 ♪ THE ONLY DREAM THAT I'VE BEEN CHASING IS MY OWN 1623 01:57:54,931 --> 01:57:56,724 ♪ SO I SING A SONG FOR THE HUSTLERS TRADING 1624 01:57:56,758 --> 01:57:59,310 ♪ AT THE BUS STOP SINGLE MOTHERS 1625 01:57:59,344 --> 01:58:01,448 ♪ WAITING ON A CHECK TO COME YOUNG TEACHERS 1626 01:58:01,482 --> 01:58:05,000 ♪ STUDENT DOCTORS SONS ON THE FRONTLINE 1627 01:58:05,034 --> 01:58:07,551 ♪ KNOWING THEY DON'T GET TO RUN THIS GOES OUT TO 1628 01:58:07,586 --> 01:58:09,275 ♪ THE UNDERDOG KEEP ON KEEPING AT 1629 01:58:09,310 --> 01:58:13,413 ♪ WHAT YOU LOVE YOU'LL FIND THAT 1630 01:58:13,448 --> 01:58:21,034 ♪ SOMEDAY SOON ENOUGH YOU WILL RISE UP, RISE UP, YEAH 1631 01:58:21,068 --> 01:58:29,482 ♪ ♪ ♪YEAH 1632 01:58:29,517 --> 01:58:37,413 ♪ EVERYBODY RISE UP YOU'RE GONNA RISE, YEAH 1633 01:58:37,448 --> 01:58:40,724 ♪ I SING A SONG FOR THE HUSTLERS 1634 01:58:40,758 --> 01:58:42,241 ♪ TRADING AT THE BUS STOP SINGLE MOTHERS 1635 01:58:42,275 --> 01:58:45,068 ♪ WAITING ON A CHECK TO COME YOUNG TEACHERS 1636 01:58:45,103 --> 01:58:48,137 ♪ STUDENT DOCTORS SONS ON THE FRONTLINE 1637 01:58:48,172 --> 01:58:49,448 ♪ KNOWING THEY DON'T GET TO RUN THIS GOES OUT TO 1638 01:58:49,482 --> 01:58:53,448 ♪ THE UNDERDOG KEEP ON KEEPING AT 1639 01:58:53,482 --> 01:58:55,620 ♪ WHAT YOU LOVE YOU'LL FIND THAT 1640 01:58:55,655 --> 01:58:57,275 ♪ SOMEDAY SOON ENOUGH YOU WILL RISE UP 1641 01:58:57,310 --> 01:59:06,655 ♪ RISE UP, YEAH LET ME SEE THOSE HANDS IN THE 1642 01:59:06,689 --> 01:59:07,551 AIR. 1643 01:59:07,586 --> 01:59:08,965 LET ME SEE YOU GET UP FOR THE UNDERDOG. 1644 01:59:09,000 --> 01:59:16,034 IF YOU EVER FELT LOST. 1645 01:59:16,068 --> 01:59:19,103 ♪ IF YOU EVER FELT LIKE YOU WASN'T GOING TO MAKE IT. 1646 01:59:19,137 --> 01:59:29,172 ♪ THIS IS FOR YOU. 1647 01:59:29,172 --> 01:59:37,482 ♪ THIS IS FOR YOU. 1648 01:59:37,517 --> 01:59:41,137 ♪ ♪ I WOULD NEVER MAKE IT. 1649 01:59:41,172 --> 01:59:45,172 ♪ THEY SAID I WOULD NEVER MAKE IT. 1650 01:59:45,206 --> 01:59:49,482 ♪ YEAH. 1651 01:59:49,517 --> 01:59:57,689 [ CHEERS AND APPLAUSE] >> YOU'LL NEVER STOP US. 1652 01:59:57,724 --> 02:00:03,862 I LOVE YOU. 1653 02:00:04,482 --> 02:00:07,793 >> Announcer: THIS YEAR'S TECHNICAL GRAMMY SPECIAL MERIT 1654 02:00:07,827 --> 02:00:09,758 AWARD RECIPIENT IS AUDIO AND ACOUSTICAL ENGINEER, GEORGE 1655 02:00:09,793 --> 02:00:13,448 AUGSPURGER, WHO HAS DESIGNED ROOMS FOR SOME OF THE MOST FAMED 1656 02:00:13,482 --> 02:00:15,448 STUDIOS IN NORTH AMERICA AND CONTINUES TO WORK AFTER 70 YEARS 1657 02:00:15,482 --> 02:00:19,206 IN THE BUSINESS. 1658 02:00:19,241 --> 02:00:27,482 STILL TO COME ON MUSIC'S BIGGEST NIGHT, H.E.R. RETURNS TO THE 1659 02:00:27,517 --> 02:00:28,758 AND PERFORMED WITH BONNIE RAITT. 1660 02:00:28,793 --> 02:00:30,862 THEN AN ALL-STAR CELEBRATION OF MUSIC EDUCATION, AND THE AWARD 1661 02:00:30,896 --> 02:00:33,482 FOR BEST NEW ARTIST, ALBUM AND RECORD OF THE YEAR. 1662 02:00:33,517 --> 02:00:34,896 WHO WILL WIN? 1663 02:00:34,931 --> 02:00:35,413 FIND OUT. 1664 02:00:35,448 --> 02:00:36,206 ONLY CBS. 1665 02:00:44,896 --> 02:00:48,862 >> Announcer: WELCOME ONE OF THE HOSTS OF "THE TALK" AND A GRAMMY 1666 02:00:48,896 --> 02:00:55,620 LIFETIME ACHIEVEMENT HONOREE, SHARON AND OZZY OSBOURNE. 1667 02:00:55,655 --> 02:01:01,034 [ CHEERS AND APPLAUSE] >> NOW, OZZY AND I HAVE BEEN 1668 02:01:01,068 --> 02:01:04,034 RAPPING TOGETHER FOR 50 DAMN YEARS. 1669 02:01:04,068 --> 02:01:05,379 >> HAS IT BEEN. 1670 02:01:05,413 --> 02:01:06,965 >> YES, BEEN THAT LONG. 1671 02:01:07,000 --> 02:01:13,137 SO WE'RE JUST THE PERFECT COUPLE TO PRESENT THE GRAMMY FOR BEST 1672 02:01:13,172 --> 02:01:16,896 RAP/SUNG PERFORMANCE. 1673 02:01:16,931 --> 02:01:24,896 AND THE HONOREES "HIGHER." 1674 02:01:24,931 --> 02:01:32,896 DJ KHALED FEATURING NIPSEY HUSSLE AND JOHN LEGEND. 1675 02:01:32,931 --> 02:01:36,931 "DRIP TOO HARD." 1676 02:01:36,965 --> 02:01:43,724 LIL BABY AND GUNNA. 1677 02:01:43,758 --> 02:01:52,862 "PANINI," LIL NAS X. 1678 02:01:52,896 --> 02:01:55,965 "BALLIN." 1679 02:01:56,000 --> 02:02:03,758 MUSTARD FEATURING RODDY RICCH [ CHEERS AND APPLAUSE] 1680 02:02:03,793 --> 02:02:04,862 "THE LONDON." 1681 02:02:04,896 --> 02:02:17,137 YOUNG THUG FEATURING J. COLE AND TRAVIS SCOTT. 1682 02:02:17,172 --> 02:02:18,310 ARE: AND THE WINNER IS. 1683 02:02:18,344 --> 02:02:19,103 >> ME. 1684 02:02:19,137 --> 02:02:23,172 >> NO, HIGHER, DJ "HIGHER." 1685 02:02:23,206 --> 02:02:36,931 DJ KHALED FEATURING NIPSEY HUSSLE AND JOHN LEGEND. 1686 02:02:36,965 --> 02:02:37,551 THAT THE DEVIL IS A LIAR. 1687 02:02:37,586 --> 02:02:42,965 ♪ I KNOW. 1688 02:02:43,000 --> 02:02:47,000 ♪. 1689 02:02:47,034 --> 02:02:52,827 >> FIRST OF ALL GOD IS THE GREATEST, THANK YOU, GOD. 1690 02:02:52,862 --> 02:02:56,827 THIS IS FOR NIPSEY HUSSLE. 1691 02:02:56,862 --> 02:02:59,482 THIS IS FOR HIP-HOP. 1692 02:02:59,517 --> 02:03:04,586 I WANT TO THANK MY BEAUTIFUL QUEEN, NICOLE, I JUST HAD A NEW 1693 02:03:04,620 --> 02:03:06,413 BABY BOY A WEEK AGO. 1694 02:03:06,448 --> 02:03:11,827 HIS NAME IS ALAMT MEANS THE WORLD IN ARABIC. 1695 02:03:11,862 --> 02:03:14,896 AND I ALSO WANT TO PICK UP MY OTHER SON ASSAD. 1696 02:03:14,931 --> 02:03:19,172 I LOVE YOU SO MUCH, DADDY BE HOME, I WANT TO PICK UP WE THE 1697 02:03:19,206 --> 02:03:23,206 BEST, EPIC RECORDS, I WANT TO PICK UP STEVEO, ALL MONEY IN, 1698 02:03:23,241 --> 02:03:29,103 LAUREN, LONDON, NIPSEY HUSSLE'S FAMILY, BLACK SAM, NIPSEY'S 1699 02:03:29,137 --> 02:03:30,034 KIDS. 1700 02:03:30,068 --> 02:03:32,413 THIS IS INCREDIBLE, MAN, THANK YOU SO MUCH. 1701 02:03:32,448 --> 02:03:35,620 NIPSEY HUSSLE, THIS IS FOR HIP-HOP. 1702 02:03:35,655 --> 02:03:36,827 >> THANK YOU, EVERYONE. 1703 02:03:36,862 --> 02:03:40,068 I WANT TO THANK KHALED FOR CALLING ME UP, CALLING NIPSEY UP 1704 02:03:40,103 --> 02:03:41,344 TO DO THIS RECORD. 1705 02:03:41,379 --> 02:03:46,000 I WANT TO THANK ALL OF YOU FOR SUPPORTING THIS AND FOR LIFTING 1706 02:03:46,034 --> 02:03:47,241 NIPSEY'S NAME UP. 1707 02:03:47,275 --> 02:03:50,586 WE ALL LOVED HIM, WE ALL MISS HIM IT IS TERRIBLE THAT WE HAD 1708 02:03:50,620 --> 02:03:51,689 TO LOSE HIM SO EARLY. 1709 02:03:51,724 --> 02:03:53,310 WE THANK HIS FAMILY FOR BEING HERE TONIGHT WITH US. 1710 02:03:53,344 --> 02:03:58,103 THANK YOU FOR ALLOWING US TO USE HIS LEGACY AND LIFT IT UP IN 1711 02:03:58,137 --> 02:03:59,068 SONG TONIGHT. 1712 02:03:59,103 --> 02:04:00,931 AND WE'RE JUST HONORED TO BE HERE TONIGHT. 1713 02:04:00,965 --> 02:04:02,793 YOU WANT TO THANK MY WIFE AND MY FAMILY. 1714 02:04:02,827 --> 02:04:07,965 WE'VE SEEN SO MUCH TRAGEDY TODAY AND LAST YEAR AND SO MUCH HAS 1715 02:04:08,000 --> 02:04:08,862 GONE ON. 1716 02:04:08,896 --> 02:04:10,241 BUT LET'S LOVE EACH OTHER. 1717 02:04:10,275 --> 02:04:13,275 LET'S LOVE OUR FAMILIES, LET'S HOLD EACH OTHER TIGHT. 1718 02:04:13,310 --> 02:04:16,965 GOD BLESS. 1719 02:04:17,000 --> 02:04:20,172 [APPLAUSE] >> FOR NIPSEY HUSSLE, NIPSEY 1720 02:04:20,206 --> 02:04:20,724 HUSSLE'S FAMILY. 1721 02:04:20,758 --> 02:04:24,965 MAKE SOME NOISE. 1722 02:04:25,000 --> 02:04:35,000 [CHEERS AND APPLAUSE] >> 1723 02:04:35,000 --> 02:04:43,344 [CHEERS AND APPLAUSE] >> 1724 02:04:43,379 --> 02:04:46,551 [APPLAUSE] >> OKAY. 1725 02:04:46,586 --> 02:04:50,586 >> OKAY, LAST YEAR, THIS WOMAN WAS THE TALK OF THE GRAMMYS, AND 1726 02:04:50,620 --> 02:04:52,896 I LOVE H.E.R. 1727 02:04:52,931 --> 02:04:55,965 >> I THOUGHT YOU LOVED ME. 1728 02:04:56,000 --> 02:05:00,103 [ LAUGHTER] >> I LOVE HIM, TOO. 1729 02:05:00,137 --> 02:05:04,862 BUT RIGHT NOW, WITH FIVE NOMINATIONS INCLUDING RECORD AND 1730 02:05:04,896 --> 02:05:14,724 ALBUM OF THE YEAR: H.E.R.! 1731 02:05:14,758 --> 02:05:16,793 YOU GOT IT! 1732 02:05:18,482 --> 02:05:25,137 ♪ SOMETIMES IT DON'T GO YOUR WAY 1733 02:05:25,172 --> 02:05:27,689 ♪ SOMETIMES YOU GOTTA SOMETIMES 1734 02:05:27,724 --> 02:05:31,310 ♪ SOMETIMES IT DON'T GO YOUR WAY 1735 02:05:31,344 --> 02:05:38,724 ♪ SOMETIMES SOMETIMES YOU GOTTA 1736 02:05:38,758 --> 02:05:44,758 ♪ YEAH I HAD A PLAN 1737 02:05:44,793 --> 02:05:49,172 ♪ I HAD IT MAPPED OUT WHERE I KNEW WHERE I WAS 1738 02:05:49,206 --> 02:05:56,758 ♪ GOING WHEN I LEFT OUT YOU COULDN'T TELL ME 1739 02:05:56,793 --> 02:06:00,896 ♪ THAT I WOULDN'T BE THERE OH, TELL ME 1740 02:06:00,931 --> 02:06:07,000 ♪ !¡CAUSE I HAD SOME GUARANTEES I HAD A DEADLINE 1741 02:06:07,034 --> 02:06:09,172 ♪ BUT NOW I KNOW THINGS CHANGE FOR 1742 02:06:09,206 --> 02:06:12,896 ♪ BETTER OR WORSE YOU COULD SAY THAT 1743 02:06:12,931 --> 02:06:19,000 ♪ I'M THE SAME BUT I AIN'T JUST 1744 02:06:19,034 --> 02:06:21,206 ♪ SO MANY NO'S SO MANY YES'S 1745 02:06:21,241 --> 02:06:24,931 ♪ DON'T WANNA BLAME DON'T GOT THE ANSWERS YEAH 1746 02:06:24,965 --> 02:06:28,068 ♪ I FELT THE PAIN I CAN ATTEST IT 1747 02:06:28,103 --> 02:06:32,931 ♪ THAT'S JUST THE GAME AND I RESPECT IT, YEAH 1748 02:06:32,965 --> 02:06:36,965 ♪ !¡CAUSE SOMETIMES IT DON'T GO YOUR WAY 1749 02:06:37,000 --> 02:06:40,931 ♪ SOMETIMES AND SOMETIMES YOU GON' 1750 02:06:40,965 --> 02:06:44,655 ♪ HAVE THOSE DAYS YEAH 1751 02:06:44,689 --> 02:06:51,068 ♪ AND SOMETIMES YOU FEEL OUT OF PLACE 1752 02:06:51,103 --> 02:06:56,896 ♪ YOU CAN'T PROMISE ME IT'LL BE THE SAME 1753 02:06:56,931 --> 02:07:04,896 ♪ CAUSE SOMETIMES CHANGE YEAH 1754 02:07:04,931 --> 02:07:10,689 ♪ I HAD A DAY I HAD A VISION 1755 02:07:10,724 --> 02:07:16,931 ♪ THIS WAS THE DAY I WAS SUPPOSED TO BE LIVING 1756 02:07:16,965 --> 02:07:20,896 ♪ INSTEAD OF WORRYING ABOUT THE TEMPORARY THINGS 1757 02:07:20,931 --> 02:07:24,931 ♪ OOH I HATE NOT KNOWING 1758 02:07:24,965 --> 02:07:28,931 ♪ WHERE IT'S GONNA TAKE ME SO MANY NO'S 1759 02:07:28,965 --> 02:07:32,931 ♪ SO MANY YES'S OOH I WAS SURE 1760 02:07:32,965 --> 02:07:36,482 ♪ BUT NOW I'M GUESSING FEEL LIKE MY FAITH 1761 02:07:36,517 --> 02:07:39,206 ♪ KEEP GETTING TESTED I NEED A SIGN 1762 02:07:39,241 --> 02:07:44,931 ♪ I NEED A MESSAGE CAUSE SOMETIMES IT DON'T 1763 02:07:44,965 --> 02:07:47,482 ♪ GO YOUR WAY OOH 1764 02:07:47,517 --> 02:07:48,931 ♪ OOH AND SOMETIMES YOU GON' 1765 02:07:48,965 --> 02:07:54,517 ♪ HAVE THOSE DAYS YEAH 1766 02:07:54,551 --> 02:08:00,896 ♪ AND SOMETIMES YOU'LL FEEL OUT OF PLACE 1767 02:08:00,931 --> 02:08:04,896 ♪ YOU CAN'T PROMISE ME IT'LL BE THE SAME 1768 02:08:04,931 --> 02:08:16,965 ♪ CAUSE SOMETIMES CHANGE YEAH 1769 02:08:17,000 --> 02:08:27,000 YEAH ♪ ♪ 1770 02:08:27,000 --> 02:08:32,931 YEAH ♪ ♪ 1771 02:08:32,965 --> 02:08:43,000 ♪ ♪ ♪ ♪ 1772 02:08:43,000 --> 02:08:56,896 ♪ ♪ ♪ ♪ 1773 02:08:56,931 --> 02:09:04,862 ♪ SOMETIMES IT DON'T GO YOUR WAY 1774 02:09:04,896 --> 02:09:09,068 ♪ SOMETIMES ♪ YOU CAN'T PROMISE ME 1775 02:09:09,103 --> 02:09:19,137 IT'LL BE THE SAME ♪ CAUSE SOMETIMES CHANGE 1776 02:09:19,137 --> 02:09:24,965 IT'LL BE THE SAME ♪ CAUSE SOMETIMES CHANGE 1777 02:09:25,000 --> 02:09:35,827 [ CHEERS AND APPLAUSE] [ CHEERS AND APPLAUSE] 1778 02:09:35,862 --> 02:09:39,655 >> Announcer: STILL TO COME, AN ALL-STAR CELEBRATION OF MUSIC 1779 02:09:39,689 --> 02:09:41,034 EDUCATION AND THE GRAMMY SPIRIT; AND WHO WILL TAKE HOME THE 1780 02:09:41,068 --> 02:09:44,344 GRAMMY AWARDS FOR BEST NEW ARTIST, ALBUM AND RECORD OF THE 1781 02:09:44,379 --> 02:09:44,931 YEAR? 1782 02:09:44,965 --> 02:09:45,655 FIND OUT. 1783 02:09:45,689 --> 02:09:47,310 ONLY CBS. 1784 02:09:52,103 --> 02:09:57,379 ♪ I AM AN OLD WOMAN NAMED AFTER MY MOTHER 1785 02:09:57,413 --> 02:10:04,413 ♪ MY OLD MAN IS ANOTHER CHILD THAT'S GROWN OLD 1786 02:10:04,448 --> 02:10:12,413 ♪ IF DREAMS WERE THUNDER AND LIGHTNING WAS DESIRE 1787 02:10:12,448 --> 02:10:20,413 ♪ THIS OLD HOUSE WOULD HAVE BURNT DOWN A LONG TIME AGO 1788 02:10:20,448 --> 02:10:28,379 ♪ MAKE ME AN ANGEL THAT FLIES FROM MONTGOMERY 1789 02:10:28,413 --> 02:10:34,862 ♪ MAKE ME A POSTER OF AN OLD RODEO 1790 02:10:34,896 --> 02:10:49,034 ♪ JUST GIVE ME ONE THING THAT I CAN HOLD ON TO 1791 02:10:49,068 --> 02:10:51,931 ♪ TO BELIEVE IN THIS LIVING IS JUST A HARD WAY TO GO 1792 02:11:00,586 --> 02:11:04,137 MY FRIEND AND HERO JOHN PRINE IS SITTING RIGHT OVER THERE, 1793 02:11:04,172 --> 02:11:08,137 ANGEL FROM MONTGOMERY AND SO MANY OTHER SONGS THAT CHANGED MY 1794 02:11:08,172 --> 02:11:09,310 LIFE. 1795 02:11:09,344 --> 02:11:12,620 ON BEHALF OF THE RECORDING ACADEMY AND EVERYONE WHO LOVES 1796 02:11:12,655 --> 02:11:19,758 YOU, CONGRATULATIONS ON YOUR LIFETIME ACHIEVEMENT AWARD. 1797 02:11:19,793 --> 02:11:20,448 I LOVE YOU, JOHN. 1798 02:11:20,482 --> 02:11:25,931 JOHN PRINE. 1799 02:11:25,965 --> 02:11:36,586 [APPLAUSE] AND NOW, A YOUNG SINGER- 1800 02:11:36,620 --> 02:11:40,586 SONGWRITER AND GUITAR SLINGER HERE TO MAKE A POWERFUL 1801 02:11:40,620 --> 02:11:44,241 STATEMENT ABOUT "THIS LAND" WE ALL LIVE IN, JOINED BY THE 1802 02:11:44,275 --> 02:11:47,620 THREE TIME GRAMMY A A NOMINATIONS TONIGHT, 1803 02:11:47,655 --> 02:12:02,034 GARY CLARK, JR.! 1804 02:12:02,068 --> 02:12:08,000 ♪ ♪ ♪ PARANOID AND PISSED OFF 1805 02:12:08,034 --> 02:12:13,689 NOW THAT I GOT THE MONEY ♪ 50 ACRES AND A MODEL A 1806 02:12:13,724 --> 02:12:16,862 RIGHT IN THE MIDDLE OF ♪ TRUMP COUNTRY 1807 02:12:16,896 --> 02:12:19,275 I TOLD YOU THERE ♪ GOES A NEIGHBORHOOD 1808 02:12:19,310 --> 02:12:22,379 NW MISTER WILLIAMS ♪ AIN'T SO FUNNY 1809 02:12:22,413 --> 02:12:25,275 I SEE YOU LOOKING ♪ OUT YOUR WINDOW 1810 02:12:25,310 --> 02:12:28,551 CAN'T WAIT TO CALL ♪ THE POLICE ON ME 1811 02:12:28,586 --> 02:12:31,275 WHEN I KNOW YOU THINK ♪ I'M UP TO SOMETHING 1812 02:12:31,310 --> 02:12:34,413 I'M JUST EATING OUT ♪ BUT STILL HUNGRY 1813 02:12:34,448 --> 02:12:37,379 AND THIS IS MY ANALOGY ♪ I AIN'T EVEN NEAR YOU 1814 02:12:37,413 --> 02:12:39,655 CAN'T 'TIL YOU PUT ME ♪ I REMEMBER WHEN YOU 1815 02:12:39,689 --> 02:12:42,379 USED TO TELL ME ♪ RUN, RUN 1816 02:12:42,413 --> 02:12:49,448 GO BACK WHERE YOU COME FROM ♪ RUN, RUN 1817 02:12:49,482 --> 02:12:53,689 GO BACK WHERE YOU COME FROM ♪ WE DON'T WANT 1818 02:12:53,724 --> 02:12:58,344 WE DON'T WANT YOUR KIND ♪ WE THINK YOU'S A DOG BORN 1819 02:12:58,379 --> 02:13:02,413 I'M AMERICA'S SON ♪ THIS IS WHERE I COME FROM 1820 02:13:02,448 --> 02:13:07,482 THIS LAND IS MINE ♪ THIS LAND IS MINE 1821 02:13:07,517 --> 02:13:17,586 THIS LAND IS MINE ♪ THIS LAND IS MINE 1822 02:13:17,620 --> 02:13:22,413 UP 'TIL THE SUN COMES UP ♪ NO I CAN'T STOP GRINDING 1823 02:13:22,448 --> 02:13:26,379 AND I CAN'T LET 'EM BREAK ME ♪ NO I CAN'T LET 'EM FIND ME 1824 02:13:26,413 --> 02:13:30,379 YOU CAN MEET MY FRIEND ♪ THE GOVERNOR 1825 02:13:30,413 --> 02:13:34,413 ONLY IF YOU WANNA TRY ME ♪ OR YOU CAN MEET 1826 02:13:34,448 --> 02:13:37,551 MY OTHER FRIEND THE JUDGE ♪ JUST IN CASE 1827 02:13:37,586 --> 02:13:40,965 YOU THINK I'M LYING ♪ AND I KNOW YOU THINK 1828 02:13:41,000 --> 02:13:42,551 I'M UP TO SOMETHING ♪ I'M JUST EATING OUT 1829 02:13:42,586 --> 02:13:46,413 BUT STILL HUNGRY ♪ AND THIS IS MY ANALOGY 1830 02:13:46,448 --> 02:13:48,448 I AIN'T LEAVING HERE ♪ YOU CAN'T TAKE IT FROM ME 1831 02:13:48,482 --> 02:13:50,379 I REMEMBER WHEN ♪ YOU USED TO TELL ME 1832 02:13:50,413 --> 02:13:57,758 RUN, RUN ♪ GO BACK WHERE YOU COME FROM 1833 02:13:57,793 --> 02:14:01,517 RUN, RUN ♪ GO BACK WHERE YOU COME FROM 1834 02:14:01,551 --> 02:14:06,344 WE DON'T WANT ♪ WE DON'T WANT YOUR KIND 1835 02:14:06,379 --> 02:14:10,448 WE THINK YOU'S A DOG BORN ♪ I'M AMERICA'S SON 1836 02:14:10,482 --> 02:14:17,586 THIS IS WHERE I COME FROM ♪ THIS LAND IS MINE 1837 02:14:17,620 --> 02:14:22,034 THIS LAND IS MINE ♪ THIS LAND IS MINE 1838 02:14:22,068 --> 02:14:30,413 THIS LAND IS MINE ♪ THIS LAND IS MINE 1839 02:14:30,448 --> 02:14:35,896 ♪ ♪ ♪ ♪ 1840 02:14:35,896 --> 02:14:40,482 ♪ ♪ ♪ ♪ 1841 02:14:58,413 --> 02:15:08,517 ♪ ♪ ♪ ♪ 1842 02:15:08,517 --> 02:15:13,931 ♪ ♪ ♪ ♪ 1843 02:15:13,965 --> 02:15:18,448 ♪ THIS LAND IS MINE ♪ THIS LAND IS MINE 1844 02:15:18,482 --> 02:15:26,413 ♪ THIS LAND IS MINE ♪ THIS LAND IS MINE 1845 02:15:26,448 --> 02:15:31,931 THIS LAND IS MINE ♪ THIS LAND IS MINE 1846 02:15:31,965 --> 02:15:42,379 THIS LAND IS MINE ♪ THIS LAND IS MINE 1847 02:15:42,413 --> 02:15:43,275 [ CHEERS AND APPLAUSE] 1848 02:16:02,103 --> 02:16:12,206 ♪ ♪ ♪ ♪ 1849 02:16:12,206 --> 02:16:18,137 ♪ ♪ ♪ ♪ 1850 02:16:18,172 --> 02:16:24,172 ♪ ♪ ♪ ♪ 1851 02:16:24,206 --> 02:16:27,862 I'VE GOT TWO TICKETS TO PARADISE. 1852 02:16:27,896 --> 02:16:34,137 ♪ ♪ ♪ 1853 02:16:34,172 --> 02:16:44,206 ♪ ♪ ♪ ♪ 1854 02:16:44,206 --> 02:16:50,137 ♪ ♪ ♪ ♪ 1855 02:16:50,172 --> 02:17:02,482 ♪ ♪ ♪ ♪ 1856 02:17:02,517 --> 02:17:12,620 ♪ ♪ ♪ ♪ 1857 02:17:12,620 --> 02:17:18,172 ♪ ♪ ♪ ♪ 1858 02:17:18,206 --> 02:17:30,172 ♪ ♪ ♪ ♪ 1859 02:17:30,206 --> 02:17:44,482 ♪ ♪ ♪ ♪ 1860 02:17:44,517 --> 02:17:50,000 ♪ ♪ ♪ ♪ 1861 02:17:50,000 --> 02:17:54,517 ♪ ♪ ♪ ♪ 1862 02:18:10,241 --> 02:18:15,965 ♪ ♪ DO YOU REMEMBER. 1863 02:18:16,000 --> 02:18:20,793 ♪ OH I SEE. 1864 02:18:20,827 --> 02:18:26,137 ♪ ♪ ♪ 1865 02:18:26,137 --> 02:18:30,827 ♪ ♪ ♪ 1866 02:18:49,896 --> 02:18:54,275 ♪ ♪ THIS TIME. 1867 02:18:54,310 --> 02:18:56,413 ♪ ASHES TO ASHES. 1868 02:18:56,448 --> 02:19:01,931 ♪ DUST TO DUST. 1869 02:19:01,965 --> 02:19:05,931 ♪ IF THE BROWN WHISKEY DON'T WASTE YOU. 1870 02:19:05,965 --> 02:19:16,034 ♪ THAN BETTER KNOW A WOMAN MIGHT. 1871 02:19:16,068 --> 02:19:16,172 ♪ ♪ ♪ 1872 02:19:26,206 --> 02:19:36,241 ♪ ♪ ♪ ♪ 1873 02:19:36,241 --> 02:19:42,172 ♪ ♪ ♪ ♪ 1874 02:19:42,206 --> 02:19:57,137 ♪ ♪ ♪ ♪ 1875 02:19:57,172 --> 02:20:10,103 ♪ ♪ ♪ ♪ 1876 02:20:10,137 --> 02:20:15,862 [ CHEERS AND APPLAUSE] 1877 02:20:15,862 --> 02:20:20,172 [ CHEERS AND APPLAUSE] 1878 02:20:38,137 --> 02:20:42,275 >> Alicia: BIG LOVE TO TROMBONE SHORTY AND THE PRESERVATION HALL 1879 02:20:42,310 --> 02:20:50,137 JAZZ BAND, AND THE ARTISTS WE WILL REMEMBER FOREVER! 1880 02:20:50,172 --> 02:20:54,103 NOW, I WANT YOU TO GIVE IT UP FOR THIS INCREDIBLE WOMAN 1881 02:20:54,137 --> 02:20:57,689 STANDING NEXT TO ME: DUA LIPA! 1882 02:20:57,724 --> 02:21:02,448 THAT'S A LOT OF LOVE, A LOT OF GOOD VIBES IN HERE. 1883 02:21:02,482 --> 02:21:03,758 I'M FEELING IT. 1884 02:21:03,793 --> 02:21:06,413 AND WE ACTUALLY ARE BLESESSED TO BOTH BE GRAMMY WINNERS FOR BEST 1885 02:21:06,448 --> 02:21:07,655 NEW ARTIST. 1886 02:21:07,689 --> 02:21:10,586 DUA JUST WON LAST YEAR AND WE'RE ABOUT TO ANNOUNCE THE NEWEST 1887 02:21:10,620 --> 02:21:13,896 PART OF OUR CREW. 1888 02:21:13,931 --> 02:21:19,862 BUT BEFORE WE DO, I JUST WANT TO SAY I AM SO IN A-WE OF YOU. 1889 02:21:19,896 --> 02:21:21,724 YOU'RE ABSOLUTELY KILLING IT. 1890 02:21:21,758 --> 02:21:22,655 YOU ARE A SUPERWOMAN. 1891 02:21:22,689 --> 02:21:23,827 >> THANK YOU. 1892 02:21:23,862 --> 02:21:27,965 >> AND HAVE I TO TAKE THIS OPPORTUNITY TO SAY THAT THERE 1893 02:21:28,000 --> 02:21:32,517 ARE SO MANY STELLAR FEMALE PROIRS, SONGWRITERS, ENGINEERS. 1894 02:21:32,551 --> 02:21:35,517 AND IF YOU ARE IN THE BUSINESS AND ARE YOU HIRING, RAISE YOUR 1895 02:21:35,551 --> 02:21:38,034 SIGHTS TO THE AMAZING TALENTED WOMEN OUT THERE. 1896 02:21:38,068 --> 02:21:42,551 BECAUSE WE ALL DESERVE A SEAT AT EVERY TABLE. 1897 02:21:42,586 --> 02:21:43,000 >> SERIOUSLY. 1898 02:21:43,034 --> 02:21:43,482 THAT'S FOR REAL. 1899 02:21:43,517 --> 02:21:47,379 SHE IS THE MUSIC. 1900 02:21:47,413 --> 02:21:50,206 AND NOW LET'S TALK BEST NEW ARTIST. 1901 02:21:50,241 --> 02:21:51,793 >> LET'S TALK BEST NEW ARTIST. 1902 02:21:51,827 --> 02:21:54,551 >> WE HAVE SO MANY INCREDIBLE NOMINEES IN THE AUDIENCE. 1903 02:21:54,586 --> 02:21:57,862 >> THEY MAY BE CONSIDERED NEW ARTISTS BUT EVERY ONE OF THESE 1904 02:21:57,896 --> 02:22:01,655 IN GRED-- INCREDIBLE ARTISTS HAVE FOUGHT HARD AND PUSHED UP 1905 02:22:01,689 --> 02:22:05,034 AGAINST TREMENDOUS OBSTACLES TO BE IN THIS MOMENT RIGHT HERE, SO 1906 02:22:05,068 --> 02:22:12,482 HERE ARE OUR 1907 02:22:12,517 --> 02:22:15,551 INSPIRING NOMINEES, Y'ALL. 1908 02:22:15,586 --> 02:22:17,034 >> Announcer: BLACK PUMAS. 1909 02:22:17,068 --> 02:22:17,896 BILLIE EILISH. 1910 02:22:17,931 --> 02:22:19,689 LIL NAS X. 1911 02:22:19,724 --> 02:22:21,862 LIZZO. 1912 02:22:21,896 --> 02:22:25,344 MAGGIE ROGERS. 1913 02:22:25,379 --> 02:22:25,862 ROSALIA. 1914 02:22:25,896 --> 02:22:29,862 TANK AND THE BANGAS. 1915 02:22:29,896 --> 02:22:37,758 YOLA. 1916 02:22:38,620 --> 02:22:39,413 SO MANY SPECIAL ARTISTS, I LOVE THEM. 1917 02:22:39,448 --> 02:22:40,034 >> ARE WE DOING THIS. 1918 02:22:40,068 --> 02:22:40,724 >> OKAY, WE'RE DOING THIS. 1919 02:22:40,758 --> 02:22:48,482 >> ALL RIGHT, WE'RE DOING IT. 1920 02:22:48,517 --> 02:23:01,827 AND THE GRAMMY GOES TO: BILLIE EILISH. 1921 02:23:01,862 --> 02:23:12,000 [ CHEERS AND APPLAUSE] ♪ HOLD THAT THING. 1922 02:23:12,000 --> 02:23:21,896 [ CHEERS AND APPLAUSE] ♪ HOLD THAT THING. 1923 02:23:21,931 --> 02:23:22,241 >> WHOOO. 1924 02:23:22,275 --> 02:23:25,896 THANK YOU. 1925 02:23:25,931 --> 02:23:29,827 AIYIYI. 1926 02:23:29,862 --> 02:23:30,379 TWO. 1927 02:23:30,413 --> 02:23:31,586 TWO! 1928 02:23:31,620 --> 02:23:34,482 OKAY, I FORGOT TO THANK MY TOURING TEAM IN THE LAST ONE SO 1929 02:23:34,517 --> 02:23:41,896 I WANT TO THANK YOU GUYS FOR HELPING ME PUT ON A SHOW THAT I 1930 02:23:41,931 --> 02:23:43,068 ACTUALLY LIKE. 1931 02:23:43,103 --> 02:23:45,034 THANK YOU TO BRIAN AND NICOLE AND EVERYBODY ON MY TEAM. 1932 02:23:45,068 --> 02:23:47,482 MAINLY I THINK THE FANS DESERVE EVERYTHING. 1933 02:23:47,517 --> 02:23:50,655 I FEEL LIKE THEY HAVE NOT BEEN TALKED ABOUT ENOUGH TONIGHT 1934 02:23:50,689 --> 02:23:53,896 BECAUSE THEY'RE THE ONLY REASON ANY OF US ARE HERE AT ALL. 1935 02:23:53,931 --> 02:23:59,000 SO THANKS TO THE FANS. 1936 02:23:59,034 --> 02:24:02,793 I KNOW THAT-- GOD, THIS IS SO CRAZY. 1937 02:24:02,827 --> 02:24:06,379 I KNOW THAT ALL THE OTHER ARTISTS THAT WERE IN THIS 1938 02:24:06,413 --> 02:24:08,551 CATEGORY, I LOVE YOU ALL, YOU GUYS ARE AMAZING. 1939 02:24:08,586 --> 02:24:10,896 YOU DESERVE THIS JUST AS MUCH AS I DO. 1940 02:24:10,931 --> 02:24:14,275 AND I KNOW YOUR FANS ARE HARD-CORE AND THEY'RE GOING TO 1941 02:24:14,310 --> 02:24:16,379 FIGHT FOR YOU GUYS. 1942 02:24:16,413 --> 02:24:22,827 AND THEY LOVE YOU-- CUZ OF IT. 1943 02:24:22,862 --> 02:24:27,137 SO I LOVE ALL FANDOM, THANK YOU TO ITS FANS. 1944 02:24:27,172 --> 02:24:29,896 YOU MYS MAKE THIS WORTH IT. 1945 02:24:29,931 --> 02:24:31,827 SO THANK YOU. 1946 02:24:31,862 --> 02:24:33,896 [CHEERS AND APPLAUSE] >> LADIES AND GENTLEMEN. 1947 02:24:33,931 --> 02:24:37,827 >> THIS YEAR THE RECORDING >> Announcer: THIS YEAR, THE 1948 02:24:37,862 --> 02:24:39,655 RECORDING ACADEMY'S TRUSTEES AWARD GOES TO INFLUENTIAL 1949 02:24:39,689 --> 02:24:41,689 COMPOSER AND PIANIST PHILIP GLASS; THE A&R SCOUT WHO HELPED 1950 02:24:41,724 --> 02:24:46,034 DISCOVER EVERYONE FROM HANK WILLIAMS TO BESSIE SMITH, FRANK 1951 02:24:46,068 --> 02:24:49,896 WALKER: AND THE LONGTIME EXECUTIVE PRODUCER OF THE GRAMMY 1952 02:24:49,931 --> 02:24:56,310 AWARDS BROADCAST, KEN EHRLICH. 1953 02:24:56,344 --> 02:25:03,724 [ CHEERS AND APPLAUSE] >> ALL RIGHT, LET'S GO BEHIND 1954 02:25:03,758 --> 02:25:04,827 THE SCENES FOR A MINUTE. 1955 02:25:04,862 --> 02:25:07,689 THERE HAVE BEEN SO MANY EXTRAORDINARY GRAMMY MOMENTS 1956 02:25:07,724 --> 02:25:09,896 OVER THE YEARS. 1957 02:25:09,931 --> 02:25:14,931 AND SO MANY INCREDIBLE ARTISTS HAVE GRACED THIS STAGE. 1958 02:25:14,965 --> 02:25:21,068 BUT FOR 40 YEARS THERE HAS BEEN ONE MAN WHO HAS BEEN BEHIND ALL 1959 02:25:21,103 --> 02:25:24,862 THESE BEAUTIFUL GRAMMY MOMENTS THAT WE'VE EXPERIENCED. 1960 02:25:24,896 --> 02:25:31,448 MY FRIEND KEN EHRLICH. 1961 02:25:31,482 --> 02:25:33,931 [APPLAUSE] YOU WOULD THINK THATAFTER ALL 1962 02:25:33,965 --> 02:25:37,448 THAT TIME-- THAT AFTER ALL THAT TIME HE MIGHT JUST WANT TO PHONE 1963 02:25:37,482 --> 02:25:40,000 IT IN, OR GET A LITTLE CYNICAL. 1964 02:25:40,034 --> 02:25:41,241 BUT NOT KEN. 1965 02:25:41,275 --> 02:25:46,586 I'VE NEVER SEEN ANYONE GET SO EXCITED AND HAVE SO MUCH LOVE 1966 02:25:46,620 --> 02:25:49,310 FOR MUSIC AS KEN EHRLICH. 1967 02:25:49,344 --> 02:25:53,517 INSTEAD OF BEING HONORED ON STAGE TONIGHT WITH HIS TRUSTEES 1968 02:25:53,551 --> 02:25:57,413 AWARD, AT THIS, HIS FINAL GRAMMY AWARD SHOW AS EXECUTIVE 1969 02:25:57,448 --> 02:26:01,137 PRODUCER, KEN SAID HE WOULD RATHER HAVE SOME MUSIC. 1970 02:26:01,172 --> 02:26:04,689 HE WANTED TO CREATE ANOTHER GRAMMY MOMENT. 1971 02:26:04,724 --> 02:26:07,931 ONE CELEBRATING THE SHARED COMMITMENT THAT HE AND THE 1972 02:26:07,965 --> 02:26:13,965 RECORDING ACADEMY HAVE FOR MUSIC EDUCATION IN OUR SCHOOLS. 1973 02:26:14,000 --> 02:26:19,620 AND FOR KEN, TONIGHT WE'RE GOING TO HEAR THIS INSPIRING SONG FROM 1974 02:26:19,655 --> 02:26:24,448 THE MOVIE "FAME" AND IT SPEAKS POWERFULLY TO HIS 40 YEAR QUEST 1975 02:26:24,482 --> 02:26:30,103 TO CROSS GENERATIONS, ACROSS GENRES TO UNITE OUR WORLD WITH 1976 02:26:30,137 --> 02:26:31,310 MUSIC. 1977 02:26:31,344 --> 02:26:33,896 THANK YOU KEN EHRLICH FOR CHANGING SO MANY OF OUR LIVES ON 1978 02:26:33,931 --> 02:26:37,344 THE GRAMMY STAGE, FOR INSPIRING US ALL TO HONOR THE POWER OF 1979 02:26:37,379 --> 02:26:49,862 MUSIC AND TO SING THE BODY ELECTRIC. 1980 02:26:49,896 --> 02:26:59,965 ♪ ♪ ♪ ♪ 1981 02:26:59,965 --> 02:27:08,862 ♪ ♪ ♪ ♪ 1982 02:27:08,896 --> 02:27:17,965 ♪ I SING THE BODY ELECTRIC I CELEBRATE THE 1983 02:27:18,000 --> 02:27:25,896 ♪ ME YET TO COME I TOAST TO 1984 02:27:25,931 --> 02:27:29,931 ♪ MY OWN REUNION WHEN I BECOME 1985 02:27:29,965 --> 02:27:37,931 ♪ ONE WITH THE SUN AND I'LL LOOK BACK ON VENUS 1986 02:27:37,965 --> 02:27:42,275 ♪ I'LL LOOK BACK ON MARS AND I'LL BURN WITH THE FIRE 1987 02:27:42,310 --> 02:27:50,034 ♪ OF TEN MILLION STARS AND IN TIME, AND IN TIME 1988 02:27:50,068 --> 02:28:01,862 ♪ WE WILL ALL BE STARS ♪ ♪ 1989 02:28:01,896 --> 02:28:09,965 ♪ ♪ ♪ I SING THE BODY ELECTRIC 1990 02:28:10,000 --> 02:28:17,965 I GLORY IN ♪ THE GLOW OF REBIRTH 1991 02:28:18,000 --> 02:28:25,931 CREATING MY OWN ♪ TOMORROW 1992 02:28:25,965 --> 02:28:33,206 WHEN I SHALL EMBODY THE EARTH ♪ AND I'LL SERENADE VENUS 1993 02:28:33,241 --> 02:28:42,034 I'LL SERENADE MARS ♪ AND I'LL BURN WITH THE FIRE 1994 02:28:42,068 --> 02:28:45,241 OF TEN MILLION STARS ♪ AND IN TIME, AND IN TIME 1995 02:28:45,275 --> 02:28:55,310 WE WILL ALL BE STARS ♪ ♪ 1996 02:28:55,310 --> 02:29:01,896 WE WILL ALL BE STARS ♪ ♪ 1997 02:29:01,931 --> 02:29:15,551 ♪ ♪ ♪ ♪ 1998 02:29:15,586 --> 02:29:25,620 ♪ ♪ ♪ ♪ 1999 02:29:25,620 --> 02:29:37,896 ♪ ♪ ♪ ♪ 2000 02:29:37,931 --> 02:29:48,000 ♪ ♪ ♪ ♪ 2001 02:29:48,000 --> 02:29:53,413 ♪ ♪ ♪ ♪ 2002 02:29:53,448 --> 02:29:57,655 ♪ WE ARE THE EMPERORS NOW AND WE ARE THE CZARS 2003 02:29:57,689 --> 02:30:01,931 ♪ AND IN TIME, AND IN TIME WE WILL ALL BE STARS 2004 02:30:01,965 --> 02:30:10,068 ♪ I SING THE BODY ELECTRIC I CELEBRATE THE 2005 02:30:10,103 --> 02:30:17,862 ♪ ME YET TO COME I TOAST TO 2006 02:30:17,896 --> 02:30:22,103 ♪ MY OWN REUNION WHEN I BECOME 2007 02:30:22,137 --> 02:30:32,172 ♪ ONE WITH THE SUN >> MY SOUL IS IN THE ETHOS. 2008 02:30:32,172 --> 02:30:39,034 ♪ ONE WITH THE SUN >> MY SOUL IS IN THE ETHOS. 2009 02:30:39,068 --> 02:30:41,551 FEELING THAT IS OURS. 2010 02:30:41,586 --> 02:30:43,551 THE UNIVERSITY UNIVERSE, LOOKING BACK. 2011 02:30:43,586 --> 02:30:47,275 ♪ ALL THAT WE SEE. 2012 02:30:47,310 --> 02:30:48,517 ♪ BODY ELECTRIC. 2013 02:30:48,551 --> 02:30:51,034 ♪ NEVER BLEW A FUSE. 2014 02:30:51,068 --> 02:30:51,896 ♪ ON THAT GRAMMY. 2015 02:30:51,931 --> 02:30:57,862 ♪ WHERE THE MUSIC IS THE GROOVE SNEET. 2016 02:30:57,896 --> 02:31:05,862 AND IN TIME, AND IN TIME ♪ WE WILL ALL BE STARS 2017 02:31:05,896 --> 02:31:16,000 ♪ ♪ ♪ ♪ 2018 02:31:16,000 --> 02:31:29,896 ♪ ♪ ♪ ♪ 2019 02:31:29,931 --> 02:31:35,827 ♪ ♪ [ CHEERS AND APPLAUSE] 2020 02:31:35,827 --> 02:31:39,931 ♪ ♪ [ CHEERS AND APPLAUSE] 2021 02:32:03,862 --> 02:32:05,551 [ CHEERS AND APPLAUSE] PLEASE WELCOME A GRAMMY WINNER 2022 02:32:05,586 --> 02:32:19,206 AND A WINNING GRAMMY HOST LL COOL J. 2023 02:32:19,241 --> 02:32:22,655 >> THAT WAS AMAZING, WAS IT NOT? 2024 02:32:22,689 --> 02:32:23,310 ALL RIGHT. 2025 02:32:23,344 --> 02:32:25,620 WE REALLY LOVE YOU, KEN. 2026 02:32:25,655 --> 02:32:29,517 WE LOVE YOU AND REMEMBER, MUSIC EDUCATION IS ONE OF THE SMARTEST 2027 02:32:29,551 --> 02:32:31,724 INVESTMENTS WE CAN MAKE IN OUR FUTURE. 2028 02:32:31,758 --> 02:32:33,896 AND TONIGHT IS LIVING PROOF OF THAT. 2029 02:32:33,931 --> 02:32:36,793 MAKE SOME NOISE. 2030 02:32:36,827 --> 02:32:40,586 [CHEERS AND APPLAUSE] AND NOW HERE ARE EIGHT MUSICAL 2031 02:32:40,620 --> 02:32:43,862 STATEMENTS THAT EDUCATED US ALL DURING THE PAST YEAR. 2032 02:32:43,896 --> 02:32:49,896 THESE ARE THE NOMINATIONS FOR ALBUM OF THE YEAR. 2033 02:32:49,931 --> 02:32:53,896 >> Announcer: "I, I," BON IVER. 2034 02:32:53,931 --> 02:32:57,310 "NORMAN F---ING ROCKWELL!," LANA DEL REY. 2035 02:32:57,344 --> 02:33:01,827 "WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?," BILLIE EILISH. 2036 02:33:01,862 --> 02:33:04,620 "THANK U, NEXT," ARIANA GRANDE. 2037 02:33:04,655 --> 02:33:09,034 "I USED TO KNOW HER," H.E.R. 2038 02:33:09,068 --> 02:33:09,931 "7," LIL NAS X. 2039 02:33:09,965 --> 02:33:12,241 "'CUZ I LOVE YOU [DELUXE]," LIZZO. 2040 02:33:12,275 --> 02:33:26,931 "FATHER OF THE BRIDE," VAMPIRE WEEKEND. 2041 02:33:26,965 --> 02:33:29,000 >> AND THE GRAMMY GOES TO: BILLIE EILISH. 2042 02:33:29,034 --> 02:33:35,896 "WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?," 2043 02:33:35,931 --> 02:33:41,965 SONGWRITER, BILLIE EILISH O'DONNELL AND 2044 02:33:42,000 --> 02:33:51,137 FINNEAS O'DONNELL. 2045 02:33:51,172 --> 02:33:57,655 [CHEERS AND APPLAUSE] >> AY, PLEASE, SIT DOWN. 2046 02:33:57,689 --> 02:34:03,620 CAN I JUST SAY THAT I THINK ARIANA DESERVES THIS. 2047 02:34:03,655 --> 02:34:07,275 THANK YOU NEXT-- AND I THINK IT DESERVES MORE THAN ANYTHING IN 2048 02:34:07,310 --> 02:34:10,793 THE WORLD, I LOVE YOU SO MUCH. 2049 02:34:10,827 --> 02:34:13,620 I'M NOT GOING TO WASTE YOUR TIME, I'M REALLY NOT, I LOVE 2050 02:34:13,655 --> 02:34:14,965 YOU, THANK YOU FOR THIS. 2051 02:34:15,000 --> 02:34:17,931 >> THANK YOU TO THE RECORDING ACADEMY, THANK YOU AGAIN TO OUR 2052 02:34:17,965 --> 02:34:21,827 TEAM, OUR FAMILY, TO THE PEOPLE THAT HAVE SUPPORTED US FROM THE 2053 02:34:21,862 --> 02:34:23,103 BEGINNING. 2054 02:34:23,137 --> 02:34:29,586 TO ME, WE DIDN'T WRITE A PIECE FOR THIS WE DIDN'T MAKE AN ALBUM 2055 02:34:29,620 --> 02:34:33,965 TO WIN A GRAMMY, WE WROTE AN AT BUM ABOUT DEPRESSION, SUICIDAL 2056 02:34:34,000 --> 02:34:37,172 THOUGHT, CLIMATE CHANGE AND BEING THE BAD GUY, WHATEVER THAT 2057 02:34:37,206 --> 02:34:38,068 MEANS. 2058 02:34:38,103 --> 02:34:41,000 WE STAND UP HERE CONFUSED AND GRATEFUL. 2059 02:34:41,034 --> 02:34:45,862 >> THANK YOU. 2060 02:34:45,896 --> 02:35:00,034 [APPLAUSE] [APPLAUSE] 2061 02:35:00,068 --> 02:35:03,344 >> ALL RIGHT, I THINK I'M SUPPOSED TO BE-- I GOT CAUGHT 2062 02:35:03,379 --> 02:35:04,137 UP. 2063 02:35:04,172 --> 02:35:06,034 BUT I'M SUPPOSED TO BE DOING THIS. 2064 02:35:06,068 --> 02:35:07,172 OKAY. 2065 02:35:07,206 --> 02:35:12,758 WE ARE HERE AND IT IS TIME AND NOW SOME MUSIC WE LOVE. 2066 02:35:12,793 --> 02:35:17,068 HERE ARE THE NOMINATIONS FOR RECORD OF THE 2067 02:35:17,103 --> 02:35:25,896 >> Announcer: "HEY, MA," BON IVER. 2068 02:35:25,931 --> 02:35:29,103 "BAD GUY," BILLIE EILISH. 2069 02:35:29,137 --> 02:35:29,931 "7 RINGS," ARIANA GRANDE. 2070 02:35:29,965 --> 02:35:33,931 "HARD PLACE," H.E.R. 2071 02:35:33,965 --> 02:35:37,896 "TALK," KHALID. 2072 02:35:37,931 --> 02:35:41,896 "OLD TOWN ROAD," LIL NAS X FEATURING BILLY RAY CYRUS. 2073 02:35:41,931 --> 02:35:45,413 "TRUTH HURTS," LIZZO. 2074 02:35:45,448 --> 02:35:59,172 "SUNFLOWER," POST MALONE AND SWAE LEE. 2075 02:35:59,206 --> 02:36:09,310 >> AND THE GRAMMY GOES TO: "BAD GUY," BILLIE EILISH. 2076 02:36:09,310 --> 02:36:21,896 >> AND THE GRAMMY GOES TO: "BAD GUY," BILLIE EILISH. 2077 02:36:21,931 --> 02:36:23,172 >> WHOA.. 2078 02:36:23,206 --> 02:36:25,689 >> WHOA! 2079 02:36:25,724 --> 02:36:27,862 >> BILLIE, BILLIE, BILLIE. 2080 02:36:27,896 --> 02:36:32,275 >> GO, GO, GO. 2081 02:36:32,310 --> 02:36:41,310 EXCELLENT. 2082 02:36:41,344 --> 02:36:45,896 >> . 2083 02:36:45,931 --> 02:36:51,724 >> THANK YOU. 2084 02:36:51,758 --> 02:36:55,620 [CHEERS AND APPLAUSE] THANK YOU SO MUCH FOR SPEAKING 2085 02:36:55,655 --> 02:36:58,758 OUR LANGUAGE, TO ALL THE AMAZING ARTISTS IN HERE TONIGHT. 2086 02:36:58,793 --> 02:36:59,896 ALL NIGHT LONG. 2087 02:36:59,931 --> 02:37:00,862 WE GOT A LOT TO CHANGE. 2088 02:37:00,896 --> 02:37:02,689 WE GOT A LOT TO DO. 2089 02:37:02,724 --> 02:37:06,482 KEEP SPEAKING THE TRUTH, PEACE AND LOVE, WE LOVE YOU SO MUCH, 2090 02:37:06,517 --> 02:37:08,275 GOD BLESS KOBE'S FAMILY. 2091 02:37:08,310 --> 02:37:09,034 WE LOVE YOU. 2092 02:37:09,068 --> 02:37:13,965 GOOD NIGHT. 2093 02:37:14,000 --> 02:37:16,965 >> Announcer: AT HILTON, MUSIC FANS CAN EXPECT BETTER. 2094 02:37:17,000 --> 02:37:18,172 WE'RE PROUD TO BE THE OFFICIAL HOTEL PARTNER OF MUSIC'S BIGGEST 2095 02:37:18,206 --> 02:37:21,068 NIGHT. 2096 02:37:21,965 --> 02:37:26,275 DELTA AIR LINES IS PROUD TO BE THE OFFICIAL AIRLINE PARTNER OF 2097 02:37:26,310 --> 02:37:29,793 THE GRAMMY AWARDS, AND THE OFFICIAL SUPPORTER OF FIRST- 2098 02:37:29,827 --> 02:37:30,310 TIME NOMINEES. 2099 02:37:30,344 --> 02:37:31,655 DELTA. 2100 02:37:31,689 --> 02:37:34,103 KEEP CLIMBING. 2101 02:37:34,137 --> 02:37:35,310 Captioning sponsored by CBS Captioned by 2102 02:37:35,344 --> 02:37:39,137 Media Access Group at WGBH access.wgbh.org 2103 02:37:40,137 --> 02:37:42,137 ♪ ♪ ♪ ♪ 159433