Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,102 --> 00:00:02,233
PREVIOUSLY ON NIP/TUCK...
2
00:00:02,233 --> 00:00:03,274
>> I´M AFRAID I´VE NEVER DONE
3
00:00:03,274 --> 00:00:06,037
THIS BEFORE, PAID FOR SOMEONE.
4
00:00:06,037 --> 00:00:07,308
>> YOU´RE ONE HOT MAMA.
5
00:00:07,308 --> 00:00:08,179
I´M SURPRISED YOU TWO
6
00:00:08,179 --> 00:00:08,739
NEVER WENT FOR IT.
7
00:00:08,739 --> 00:00:09,610
>> I SORT OF ASSUMED
8
00:00:09,610 --> 00:00:10,481
THAT YOU WERE STRAIGHT.
9
00:00:10,481 --> 00:00:11,412
>> I KNOW ABOUT YOUR LITTLE
10
00:00:11,412 --> 00:00:13,614
TRYST WITH JULIA, DR. TROY.
11
00:00:13,614 --> 00:00:14,585
>> YOU DON´T WANNA PLAY THIS
12
00:00:14,585 --> 00:00:15,646
GAME WITH ME. YOU´RE GONNA
13
00:00:15,646 --> 00:00:16,687
GET YOURSELF HURT.
14
00:00:16,687 --> 00:00:17,748
>> I´M MRS. FEENEY.
15
00:00:17,748 --> 00:00:18,549
I´M FROM THE SHELTER
16
00:00:18,549 --> 00:00:20,051
DRUG REHABILITATION CENTER.
17
00:00:20,051 --> 00:00:22,123
>> HEH. REHAB.
18
00:00:22,123 --> 00:00:23,354
>> YOU NEED PROFESSIONAL HELP.
19
00:00:23,354 --> 00:00:24,355
>> THERE´S BEEN A BED RESERVED
20
00:00:24,355 --> 00:00:26,057
FOR YOU. YOU´LL BE THERE
21
00:00:26,057 --> 00:00:26,697
FOR 6 WEEKS.
22
00:00:26,697 --> 00:00:28,559
>> WHEN I COME BACK, SEAN IS
23
00:00:28,559 --> 00:00:30,561
GOING TO KNOW EVERYTHING.
24
00:00:31,132 --> 00:00:34,265
[WATER RUNNING]
25
00:00:34,265 --> 00:00:35,066
>> WHY AREN´T YOU
26
00:00:35,066 --> 00:00:36,167
IN YOUR SCRUBS?
27
00:00:36,167 --> 00:00:37,108
>> [LISPING] AH, IT´TH JUTHT
28
00:00:37,108 --> 00:00:38,639
ANOTHER TIT JO--OH. THORRY.
29
00:00:38,639 --> 00:00:40,211
I FORGOT I HAD MY BLEACHING TRAY
30
00:00:40,211 --> 00:00:41,672
IN. WHAT I WAS TRYING TO SAY
31
00:00:41,672 --> 00:00:42,673
IS IT´S JUST ANOTHER TIT JOB.
32
00:00:42,673 --> 00:00:44,375
YOU CAN HANDLE IT. I GOT SALLY
33
00:00:44,375 --> 00:00:46,517
HERSHBERGER AT, UH, 10:00, I GOT
34
00:00:46,517 --> 00:00:49,220
A MANICURE AT 11:00, AND I GOT
35
00:00:49,220 --> 00:00:53,084
A FACIAL AT NOON. THE CAMERA´S
36
00:00:53,084 --> 00:00:54,325
A CRUEL MISTRESS, MY FRIEND.
37
00:00:54,325 --> 00:00:55,586
I CAN´T HAVE A HAIR, CUTICLE,
38
00:00:55,586 --> 00:00:56,687
OR PORE OUT OF PLACE.
39
00:00:56,687 --> 00:00:58,159
>> I TOLD YOU I´M NOT DOING
40
00:00:58,159 --> 00:00:59,190
A REALITY SHOW.
41
00:00:59,190 --> 00:01:00,261
>> FIONA WORKED VERY HARD
42
00:01:00,261 --> 00:01:00,661
FOR THIS.
43
00:01:00,661 --> 00:01:02,062
>> BECAUSE YOU PUSHED HER
44
00:01:02,062 --> 00:01:04,064
RELENTLESSLY. COME ON,
45
00:01:04,064 --> 00:01:05,436
CHRISTIAN. WE ALREADY HAVE
46
00:01:05,436 --> 00:01:06,467
ENOUGH EXPOSURE THROUGH
47
00:01:06,467 --> 00:01:07,338
HEARTS ´N SCALPELS.
48
00:01:07,338 --> 00:01:09,069
>> HEARTS ´N SCALPELS. DRAMAS
49
00:01:09,069 --> 00:01:10,201
ARE GOING BY WAY OF SITCOM,
50
00:01:10,201 --> 00:01:11,502
MY FRIEND, INTO THE SHITTER.
51
00:01:11,502 --> 00:01:13,204
REALITY IS THE FUTURE. IN FACT,
52
00:01:13,204 --> 00:01:14,605
REALITY IS THE PRESENT,
53
00:01:14,605 --> 00:01:16,307
ALL RIGHT? NO OVERPRICED WRITERS
54
00:01:16,307 --> 00:01:17,608
AND NO ACTORS TO SUCK UP TO.
55
00:01:17,608 --> 00:01:18,609
>> IT´S EXPLOITATION,
56
00:01:18,609 --> 00:01:20,681
AND I WON´T BE INVOLVED IN IT.
57
00:01:20,681 --> 00:01:21,682
THE WHOLE POINT OF THOSE SHOWS
58
00:01:21,682 --> 00:01:23,354
IS TO MAKE FOOLS OUT OF PEOPLE.
59
00:01:23,354 --> 00:01:24,385
>> THOSE PEOPLE ARE FOOLS,
60
00:01:24,385 --> 00:01:25,686
ALL RIGHT? WE´RE DIFFERENT.
61
00:01:25,686 --> 00:01:26,617
WE´RE DOCTORS, AND WE HAVE
62
00:01:26,617 --> 00:01:28,088
THE OPPORTUNITY TO SHOW PEOPLE
63
00:01:28,088 --> 00:01:29,520
HOW WE OPERATE.
64
00:01:29,520 --> 00:01:30,491
>> YOU MEAN IT´S YOUR CHANCE
65
00:01:30,491 --> 00:01:31,362
TO BE IN THE SPOTLIGHT.
66
00:01:31,362 --> 00:01:32,293
>> YEAH, SEAN, THIS IS IMPORTANT
67
00:01:32,293 --> 00:01:34,295
TO ME, OK? I´M A STAR,
68
00:01:34,295 --> 00:01:35,626
AND I AM TIRED OF FEELING LIKE
69
00:01:35,626 --> 00:01:39,430
A SUPPORTING PLAYER. ALL RIGHT?
70
00:01:39,430 --> 00:01:42,173
LOOK, WE´LL MAKE IT INTERESTING.
71
00:01:42,173 --> 00:01:44,135
WE´LL--WE´LL MAKE IT CLASSY.
72
00:01:44,135 --> 00:01:45,105
ALL RIGHT, IT´LL BE
73
00:01:45,105 --> 00:01:46,607
MUCH MORE PBS THAN VH1.
74
00:01:46,607 --> 00:01:48,479
>> FINE. GO AHEAD. DO THE SHOW.
75
00:01:48,479 --> 00:01:52,383
JUST WITHOUT ME.
76
00:01:52,383 --> 00:01:55,386
>> I CAN´T. LOOK, THEY´RE NOT
77
00:01:55,386 --> 00:01:56,247
GONNA GREEN LIGHT THE SHOW
78
00:01:56,247 --> 00:01:57,388
WITHOUT YOU IN IT. THEY THINK
79
00:01:57,388 --> 00:01:58,319
YOU´RE SOME KIND OF DRAW OR
80
00:01:58,319 --> 00:02:02,893
SOMETHING. I DON´T KNOW.
81
00:02:02,893 --> 00:02:03,494
[SCRUBS]
82
00:02:03,494 --> 00:02:06,126
SEAN...
83
00:02:06,126 --> 00:02:09,430
PLEASE? LOOK, JUST DO IT FOR ME.
84
00:02:13,133 --> 00:02:15,506
[SCRUBS]
85
00:02:22,413 --> 00:02:28,219
>> ♫ AHH,
86
00:02:28,279 --> 00:02:31,252
MAKE ME
87
00:02:31,252 --> 00:02:37,188
BEAUTIFUL ♫
88
00:02:37,188 --> 00:02:41,562
♫ MAKE ME
89
00:02:41,562 --> 00:02:44,535
THE PERFECT SOUL,
90
00:02:44,595 --> 00:02:47,568
A PERFECT MIND,
91
00:02:47,568 --> 00:02:51,902
A PERFECT FACE,
92
00:02:51,902 --> 00:02:56,607
A PERFECT
93
00:02:56,677 --> 00:02:59,310
LIE ♫
94
00:03:02,182 --> 00:03:03,554
>> HI. I´M DR. CHRISTIAN TROY.
95
00:03:03,554 --> 00:03:05,256
I´M A BOARD-CERTIFIED PLASTIC
96
00:03:05,256 --> 00:03:06,657
SURGEON, AND THIS SHOW IS
97
00:03:06,657 --> 00:03:08,289
ABOUT ME AND MY PARTNER AND
98
00:03:08,289 --> 00:03:09,420
THE FASCINATING WORLD IN WHICH
99
00:03:09,420 --> 00:03:12,192
WE LIVE AND WORK. HEH.
100
00:03:12,192 --> 00:03:12,923
>> WHILE THERE ARE A NUMBER
101
00:03:12,923 --> 00:03:14,465
OF PROGRAMS FOCUSING ON PLASTIC
102
00:03:14,465 --> 00:03:16,467
SURGERY, HEARTS ´N SCALPELS,
103
00:03:16,467 --> 00:03:18,299
FOR EXAMPLE, ON WHICH I PLAY
104
00:03:18,299 --> 00:03:20,271
DR. PETER CASEY...
105
00:03:20,271 --> 00:03:21,602
ARTERIAL HEMORRHAGE, DOCTOR!
106
00:03:21,602 --> 00:03:22,503
HE´S GOING INTO SHOCK!
107
00:03:22,503 --> 00:03:24,305
NONE ANALYZE THE WHYS AND HOWS
108
00:03:24,305 --> 00:03:25,506
OF THE PROCESS AS MUCH
109
00:03:25,506 --> 00:03:26,907
AS LOOK FOR THE FAUX DRAMA
110
00:03:26,907 --> 00:03:28,879
IN THE SITUATION. WE´RE DOING
111
00:03:28,879 --> 00:03:30,311
THIS PILOT TO REVEL THE TRUTH
112
00:03:30,311 --> 00:03:31,982
ABOUT PLASTIC SURGERY.
113
00:03:31,982 --> 00:03:33,213
>> SEAN I HAVE BEEN TOGETHER
114
00:03:33,213 --> 00:03:35,346
20 YEARS. I´D SAY WE´VE SEEN
115
00:03:35,346 --> 00:03:38,289
UP TO 40,000 UNDRESSED WOMEN.
116
00:03:38,289 --> 00:03:39,920
YOU COULD DOUBLE THAT NUMBER
117
00:03:39,920 --> 00:03:40,791
IF YOU´RE TALKING ABOUT
118
00:03:40,791 --> 00:03:42,253
MY PERSONAL LIFE. HEH.
119
00:03:42,253 --> 00:03:43,394
[CAMERA CLICKING]
120
00:03:43,394 --> 00:03:44,255
EVERY SINGLE ONE OF THEM
121
00:03:44,255 --> 00:03:45,926
IS SPECIAL. EVERY SINGLE ONE
122
00:03:45,926 --> 00:03:48,259
OF THEM IS DIFFERENT.
123
00:03:48,259 --> 00:03:48,899
I THINK YOU COULD GO UP
124
00:03:48,899 --> 00:03:50,531
TO A DOUBLE-D.
125
00:03:50,531 --> 00:03:52,263
>> I LIKE THAT.
126
00:03:52,263 --> 00:03:54,365
>> A "C," "D."
127
00:03:54,365 --> 00:03:55,436
MAYBE EVEN A DOUBLE-D
128
00:03:55,436 --> 00:03:56,407
WOULD BE FINE.
129
00:03:56,407 --> 00:03:57,408
>> HMM. DOUBLE-D
130
00:03:57,408 --> 00:03:59,610
SOUNDS DELICIOUS.
131
00:03:59,610 --> 00:04:00,841
>> I THINK YOU SHOULD GO DOWN
132
00:04:00,841 --> 00:04:02,343
TO A DOUBLE-D, SWEETHEART.
133
00:04:02,343 --> 00:04:04,875
>> [SIGHS] CAN I GO BIGGER?
134
00:04:04,875 --> 00:04:06,246
I MEAN, I´VE ALWAYS LOVED
135
00:04:06,246 --> 00:04:08,319
THE LETTER "H." I EVEN NAMED
136
00:04:08,319 --> 00:04:09,950
MY CAT HEATHCLIFF.
137
00:04:09,950 --> 00:04:10,951
[CAT YOWLS]
138
00:04:10,951 --> 00:04:12,283
>> WE´LL FOCUS ON THE HEALTH
139
00:04:12,283 --> 00:04:13,784
BENEFITS OF PLASTIC SURGERY,
140
00:04:13,784 --> 00:04:14,985
WHICH QUITE FRANKLY ALL TOO
141
00:04:14,985 --> 00:04:16,427
OFTEN ARE BURIED UNDER MEDIA
142
00:04:16,427 --> 00:04:18,289
SLANDER THAT CLAIMS OUR INDUSTRY
143
00:04:18,289 --> 00:04:19,860
IS UNNECESSARY AND CATERS ONLY
144
00:04:19,860 --> 00:04:22,463
TO THE WEALTHY AND VAIN.
145
00:04:22,463 --> 00:04:24,995
>> YEAH. I THINK EVERYTHING´S
146
00:04:24,995 --> 00:04:26,437
GONNA CHANGE FOR ME NOW.
147
00:04:26,437 --> 00:04:28,569
DON´T YOU, DR. McNAMARA?
148
00:04:28,569 --> 00:04:30,301
LADIES WILL BE LININ´ UP TO MEET
149
00:04:30,301 --> 00:04:33,273
THIS STUD. HA HA HA HA.
150
00:04:33,273 --> 00:04:34,305
>> WE´LL EXAMINE OUR PATIENTS´
151
00:04:34,305 --> 00:04:35,606
PSYCHES AND THEIR BODIES,
152
00:04:35,606 --> 00:04:37,478
ASK THEM WHY THEY WOULD UNDERGO
153
00:04:37,478 --> 00:04:39,380
A PAINFUL PROCEDURE JUST TO
154
00:04:39,380 --> 00:04:41,011
HAVE THEIR APPEARANCES ALTERED.
155
00:04:41,011 --> 00:04:42,413
>> I THINK THE AUDIENCE
156
00:04:42,413 --> 00:04:43,384
WILL FIND THEIR REASONS
157
00:04:43,384 --> 00:04:44,555
VERY SYMPATHETIC.
158
00:04:44,555 --> 00:04:45,456
>> THE DIFFERENCE BETWEEN THIS
159
00:04:45,456 --> 00:04:48,919
REALITY SHOW AND OTHERS, SIMPLE.
160
00:04:48,919 --> 00:04:51,021
THE OTHERS DON´T HAVE ME AND
161
00:04:51,021 --> 00:04:53,364
SEAN, AND IN THE END, THAT´S
162
00:04:53,364 --> 00:04:57,568
WHAT THIS SHOW IS ALL ABOUT, US.
163
00:04:57,568 --> 00:04:59,400
AND WE´RE FANTASTIC.
164
00:04:59,400 --> 00:05:01,372
>> ♫ WHOA, OH, OH, OH,
165
00:05:01,372 --> 00:05:03,374
DON´T WANT NO SAGGY BOTTOM,
166
00:05:03,374 --> 00:05:04,805
DON´T WANT NO DROOPY EYES ♫
167
00:05:04,805 --> 00:05:05,836
>> ♫ UH-UH ♫
168
00:05:05,836 --> 00:05:07,077
>> ♫ I´M LIKE A PIECE OF CANDY,
169
00:05:07,077 --> 00:05:09,009
GO UP ONE MORE CUP SIZE,
170
00:05:09,009 --> 00:05:12,383
EVERYBODY WANTS TO LOOK LIKE ME,
171
00:05:12,383 --> 00:05:13,884
PLASTIC FANTASTIC ♫
172
00:05:13,884 --> 00:05:15,616
>> ♫ OWW ♫
173
00:05:15,616 --> 00:05:16,947
>> THE MOST IMPORTANT THING
174
00:05:16,947 --> 00:05:22,052
WE DO EVERY DAY IS FLOSS.
175
00:05:22,052 --> 00:05:24,825
JUST KIDDING. IT´S ACTUALLY THE
176
00:05:24,825 --> 00:05:26,357
FIRST TIME WE MEET A CONSULT.
177
00:05:26,357 --> 00:05:27,898
WE, UH--WE SAY, "TELL ME
178
00:05:27,898 --> 00:05:28,899
WHAT YOU DON´T LIKE ABOUT
179
00:05:28,899 --> 00:05:31,331
YOURSELF." IT´S A--IT´S A LINE
180
00:05:31,331 --> 00:05:32,102
I CAME UP WITH. IT´S KIND OF
181
00:05:32,102 --> 00:05:33,604
OUR SIGNATURE LINE.
182
00:05:33,604 --> 00:05:34,535
>> ACTUALLY, I CAME UP WITH IT
183
00:05:34,535 --> 00:05:37,107
IN MED SCHOOL.
184
00:05:37,107 --> 00:05:38,609
>> NO, YOU DIDN´T. YOU, UH--I--
185
00:05:38,609 --> 00:05:40,611
I CAME UP WITH IT, UH, GRUBMAN´S
186
00:05:40,611 --> 00:05:43,574
FIRST CONSULT. I KNEW THAT SHE
187
00:05:43,574 --> 00:05:45,345
WAS A WELL OF SELF-HATRED AND,
188
00:05:45,345 --> 00:05:46,617
UH, SHE´D--SHE´D BE ON THE TABLE
189
00:05:46,617 --> 00:05:47,378
FOR YEARS.
190
00:05:47,378 --> 00:05:48,348
>> IT WAS IN WEINTRAUB´S
191
00:05:48,348 --> 00:05:49,520
SEMINAR. YOU WEREN´T EVEN THERE
192
00:05:49,520 --> 00:05:50,651
THAT DAY. YOU STAYED IN BED
193
00:05:50,651 --> 00:05:51,822
WITH A BELLY DANCER.
194
00:05:51,822 --> 00:05:54,024
[BELLY DANCING MUSIC PLAYS]
195
00:05:54,024 --> 00:05:55,085
>> [CLEARS THROAT]
196
00:05:55,085 --> 00:05:55,956
[WOMAN MOANING]
197
00:05:55,956 --> 00:05:56,857
Both: TELL ME WHAT YOU DON´T
198
00:05:56,857 --> 00:05:57,588
LIKE ABOUT YOURSELF?
199
00:05:57,588 --> 00:05:58,459
[RECORD NEEDLE SCRATCHES,
200
00:05:58,459 --> 00:06:01,432
MUSIC STOPS]
201
00:06:01,432 --> 00:06:02,132
>> MR. SANDS?
202
00:06:02,132 --> 00:06:03,734
>> I DON´T LIKE THAT THE WORLD
203
00:06:03,734 --> 00:06:05,836
WE LIVE IN REWARDS YOUTH
204
00:06:05,896 --> 00:06:06,867
OVER EXPERIENCE.
205
00:06:06,867 --> 00:06:07,868
>> YOU SEE, THAT´S WHAT´S
206
00:06:07,868 --> 00:06:09,600
SO GREAT ABOUT PLASTIC SURGERY.
207
00:06:09,600 --> 00:06:11,442
WE HAVE ABILITY TO GIVE
208
00:06:11,442 --> 00:06:12,643
PEOPLE WITH EXPERIENCE
209
00:06:12,643 --> 00:06:15,806
BACK THEIR YOUTH. HEH.
210
00:06:15,806 --> 00:06:18,378
>> I´LL NEVER BE 20 AGAIN. I
211
00:06:18,378 --> 00:06:19,580
KNOW THAT. FRANKLY, I WOULDN´T
212
00:06:19,580 --> 00:06:21,752
WANT IT. UH, 20-YEARS-OLDS HAVE
213
00:06:21,752 --> 00:06:23,684
THEIR HEADS UP THEIR ASSES, AND
214
00:06:23,684 --> 00:06:24,685
THEY STICK THEIR DICKS IN ANY
215
00:06:24,685 --> 00:06:27,157
MOIST HOLE THEY CAN FIND. EVEN
216
00:06:27,157 --> 00:06:30,390
AT 40, 45, YOU THINK YOU KNOW
217
00:06:30,390 --> 00:06:31,622
YOURSELF AND WHAT YOU´RE GOOD
218
00:06:31,622 --> 00:06:34,394
AT, BUT YOU--YOU REALLY DON´T,
219
00:06:34,394 --> 00:06:35,526
DO YOU?
220
00:06:35,526 --> 00:06:37,167
>> THESE TYPES OF PATIENTS ARE
221
00:06:37,428 --> 00:06:39,500
QUITE COMMON. THEY´RE REALLY
222
00:06:39,500 --> 00:06:40,631
JUST LOOKING FOR SOMEONE TO TALK
223
00:06:40,631 --> 00:06:42,132
TO, AND SOMETIMES THE BEST THAT
224
00:06:42,402 --> 00:06:44,905
WE CAN DO IS LISTEN AND ADVISE
225
00:06:44,905 --> 00:06:45,836
THEM NOT TO GO UNDER THE KNIFE
226
00:06:45,836 --> 00:06:48,178
AT ALL.
227
00:06:48,178 --> 00:06:49,780
BUT YOU ARE HERE TO TALK ABOUT
228
00:06:49,780 --> 00:06:51,512
GETTING COSMETIC SURGERY,
229
00:06:51,512 --> 00:06:52,813
AREN´T YOU?
230
00:06:52,813 --> 00:06:55,185
>> YES, OF COURSE. I WOULD LIKE
231
00:06:55,185 --> 00:06:57,618
A NECK TIGHTENING
232
00:06:57,618 --> 00:06:58,949
AND AN EYE-LIFT.
233
00:06:58,949 --> 00:06:59,950
Sean: MM-HMM.
234
00:06:59,950 --> 00:07:02,653
Christian: MM-HMM.
235
00:07:02,653 --> 00:07:04,525
>> MAY I ASK, MR. SANDS,
236
00:07:04,525 --> 00:07:06,657
WHAT TYPE OF BUSINESS YOU´RE IN?
237
00:07:06,657 --> 00:07:07,658
I SEE YOU LEFT IT BLANK
238
00:07:07,658 --> 00:07:10,160
IN YOUR QUESTIONNAIRE.
239
00:07:10,160 --> 00:07:12,503
>> OH, I´D RATHER NOT DIVULGE
240
00:07:12,503 --> 00:07:14,665
THAT INFORMATION.
241
00:07:14,665 --> 00:07:15,836
>> KNOWING YOUR PROFESSION
242
00:07:15,836 --> 00:07:17,708
CAN BE QUITE HELPFUL IN PLANNING
243
00:07:17,708 --> 00:07:19,209
YOUR RECOVERY SCHEDULE.
244
00:07:19,209 --> 00:07:20,671
BLURRED VISION, FOR EXAMPLE,
245
00:07:20,671 --> 00:07:21,942
IS A COMMON SIDE EFFECT AFTER A
246
00:07:21,942 --> 00:07:24,515
BLEPHAROPLASTY. UH, AN AIRLINE
247
00:07:24,515 --> 00:07:25,616
PILOT OR A TRUCK DRIVER--
248
00:07:25,616 --> 00:07:27,518
>> THAT´S NOT A CONCERN.
249
00:07:27,518 --> 00:07:28,879
MOST OF MY WORK IS--UH,
250
00:07:28,879 --> 00:07:32,152
IT´S DONE IN THE DARK.
251
00:07:32,152 --> 00:07:34,685
>> SO YOU´RE A VAMPIRE. HEH.
252
00:07:34,685 --> 00:07:37,628
>> NO, SIR. MORE LIKE
253
00:07:37,628 --> 00:07:39,960
A MARQUIS DE SADE, A CASANOVA,
254
00:07:39,960 --> 00:07:41,662
A LIBERTINE.
255
00:07:41,662 --> 00:07:42,793
>> NATURALLY I WAS SHOCKED
256
00:07:42,793 --> 00:07:43,834
WHEN MY PARTNER INFORMED ME
257
00:07:43,834 --> 00:07:45,235
HE BELIEVED OUR CONSULT
258
00:07:45,235 --> 00:07:46,667
WAS A MALE ESCORT.
259
00:07:46,667 --> 00:07:47,798
>> I DON´T LIKE TO JUDGE,
260
00:07:47,798 --> 00:07:50,771
BUT REALLY, OF ALL THE PEOPLE
261
00:07:50,771 --> 00:07:51,872
OUT THERE WE SHOULD BE HELPING,
262
00:07:51,872 --> 00:07:52,703
I´D HAVE TO SAY THAT
263
00:07:52,703 --> 00:07:54,775
A MALE PROSTITUTE IS, UH,
264
00:07:54,775 --> 00:07:56,707
PRETTY FAR DOWN THE LIST.
265
00:07:56,707 --> 00:07:57,708
>> MOST OF THE TIME, I WOULD
266
00:07:57,708 --> 00:07:59,850
HAVE TO AGREE WITH DR. TROY,
267
00:07:59,850 --> 00:08:01,552
BUT THERE WAS SOMETHING ABOUT
268
00:08:01,552 --> 00:08:02,853
THIS PATIENT THAT MAKES HIM
269
00:08:02,853 --> 00:08:04,715
QUITE A UNIQUE CASE, SOMETHING
270
00:08:04,715 --> 00:08:05,716
I DON´T BELIEVE HAS EVER BEEN
271
00:08:05,716 --> 00:08:06,957
ON TELEVISION BEFORE.
272
00:08:06,957 --> 00:08:08,559
>> I DON´T WANT ANY DRUGS IN
273
00:08:08,559 --> 00:08:10,661
MY SYSTEM DURING THE OPERATION.
274
00:08:10,661 --> 00:08:12,222
I´VE BEEN CLEAN FOR 20 YEARS,
275
00:08:12,222 --> 00:08:13,564
AND I´D--I´D LIKE TO KEEP IT
276
00:08:13,564 --> 00:08:14,264
THAT WAY.
277
00:08:14,264 --> 00:08:16,266
>> WE PRACTICE WESTERN MEDICINE,
278
00:08:16,266 --> 00:08:18,669
MR. SANDS. UH, PHARMACOLOGY
279
00:08:18,669 --> 00:08:19,800
IS NECESSARY IN ANESTHESIA.
280
00:08:19,800 --> 00:08:20,801
>> WELL, IT´S NOT A PROBLEM FOR
281
00:08:20,801 --> 00:08:22,703
ME, SEAN. IF HE WANTS TO FEEL
282
00:08:22,703 --> 00:08:24,835
THE PAIN, I SAY WE GO FOR IT.
283
00:08:24,835 --> 00:08:26,176
>> I ASSUME YOU´RE LOOKING
284
00:08:26,176 --> 00:08:27,538
FOR A MORE HOLISTIC,
285
00:08:27,538 --> 00:08:29,910
ALTERNATIVE APPROACH.
286
00:08:29,910 --> 00:08:31,582
>> ACUPUNCTURE.
287
00:08:31,582 --> 00:08:33,744
>> [CHUCKLES] I LOVE ALL THIS
288
00:08:33,744 --> 00:08:35,245
CALIFORNIA, NEW AGE CRAP.
289
00:08:35,245 --> 00:08:36,286
I MEAN, IT´S HILARIOUS TO ME
290
00:08:36,286 --> 00:08:37,147
TO THINK THAT YOU CAN STICK
291
00:08:37,147 --> 00:08:38,689
A NEEDLE IN YOUR HEAD AND THAT
292
00:08:38,689 --> 00:08:39,850
YOUR WHOLE BODY´S GONNA GO NUMB.
293
00:08:39,850 --> 00:08:41,521
YOU KNOW? IT´S--IT´S JUST
294
00:08:41,521 --> 00:08:43,153
A LAWSUIT WAITING TO HAPPEN.
295
00:08:43,153 --> 00:08:44,625
>> IF HE SIGNS A RELEASE AND OUR
296
00:08:44,625 --> 00:08:46,697
STAFF ANESTHESIOLOGIST STANDS BY
297
00:08:46,697 --> 00:08:47,858
READY TO JUMP IN, I THINK IT´S A
298
00:08:47,858 --> 00:08:49,900
TOTALLY VIABLE REQUEST. I MEAN,
299
00:08:49,900 --> 00:08:51,802
MORE AND MORE PEOPLE HAVE BEEN
300
00:08:51,802 --> 00:08:53,564
TURNING TO EASTERN MEDICINE
301
00:08:53,564 --> 00:08:54,905
TO TREAT A NUMBER OF AILMENTS,
302
00:08:54,905 --> 00:08:56,767
AND WE DO KNOW AN ACUPUNCTURIST
303
00:08:56,767 --> 00:08:57,938
WHO STUDIED IN CHINA.
304
00:08:57,938 --> 00:08:58,969
[GONG]
305
00:08:58,969 --> 00:09:00,210
>> WHEN SEAN FIRST ASKED ME
306
00:09:00,270 --> 00:09:01,672
TO TREAT ONE OF HIS PATIENTS,
307
00:09:01,672 --> 00:09:02,773
I MUST ADMIT I WAS QUITE
308
00:09:02,773 --> 00:09:05,275
SURPRISED. I HAVE MY DEGREE
309
00:09:05,275 --> 00:09:06,717
AT THE NANJING UNIVERSITY OF
310
00:09:06,717 --> 00:09:07,918
TRADITIONAL CHINESE MEDICINE,
311
00:09:07,918 --> 00:09:09,750
BUT I´VE ONLY ASSISTED
312
00:09:09,750 --> 00:09:10,851
ON ACUPUNCTURE ANESTHESIA
313
00:09:10,851 --> 00:09:12,552
A FEW TIMES.
314
00:09:12,552 --> 00:09:14,755
>> WHAT? SEAN DIDN´T TELL YOU
315
00:09:14,755 --> 00:09:16,727
SHE´S HIS EX-WIFE´S GIRLFRIEND?
316
00:09:16,727 --> 00:09:17,658
YEAH.
317
00:09:17,658 --> 00:09:19,660
>> I´M NOT SURE WHY MY OPINION
318
00:09:19,660 --> 00:09:22,893
MATTERS, BUT, UM, WELL, I MEAN,
319
00:09:22,963 --> 00:09:24,665
NO. OF--OF COURSE I--
320
00:09:24,665 --> 00:09:26,737
I COMPLETELY TRUST SEAN
321
00:09:26,737 --> 00:09:28,939
AND OLIVIA, YOU KNOW? I--
322
00:09:28,939 --> 00:09:30,771
I FEEL THAT THIS PATIENT´S
323
00:09:30,771 --> 00:09:35,205
IN VERY GOOD HANDS.
324
00:09:35,205 --> 00:09:37,948
[BABY CRYING]
325
00:09:37,948 --> 00:09:39,650
>> UH, I--I THINK I SHOULD
326
00:09:39,650 --> 00:09:41,351
GO AND CHECK ON HIM. I´M GONNA
327
00:09:41,351 --> 00:09:42,953
CHECK ON HIM NOW. OK.
328
00:09:42,953 --> 00:09:46,957
[CONOR CRYING]
329
00:09:46,957 --> 00:09:48,258
>> SHE´S STILL A LITTLE SHY
330
00:09:48,258 --> 00:09:50,190
ABOUT P.D.A. HEH.
331
00:09:50,190 --> 00:09:51,191
>> I´M NOT GONNA TALK ABOUT MY
332
00:09:51,191 --> 00:09:52,793
EX-WIFE AND HER PERSONAL LIFE.
333
00:09:52,793 --> 00:09:53,924
IF YOU HAVE ANY QUESTIONS ABOUT
334
00:09:53,924 --> 00:09:56,667
MEDICINE OR SURGICAL PROCEDURE,
335
00:09:56,727 --> 00:09:58,228
I´M ALL EARS.
336
00:09:58,228 --> 00:09:59,700
PREPARATION IS KEY BEFORE
337
00:09:59,700 --> 00:10:00,831
SURGERY, SO WE´RE DOING
338
00:10:00,831 --> 00:10:02,372
A DRY RUN OF THE ACUPUNCTURE
339
00:10:02,372 --> 00:10:03,974
ANESTHESIA. DR. TROY
340
00:10:03,974 --> 00:10:05,706
HAS VOLUNTEERED TO BE
341
00:10:05,706 --> 00:10:06,606
OUR GUINEA PIG.
342
00:10:06,606 --> 00:10:07,708
>> THERE ARE APPROXIMATELY
343
00:10:07,708 --> 00:10:08,979
20 POINTS THAT CAN TRIGGER
344
00:10:08,979 --> 00:10:10,741
ANALGESIA IN A PATIENT.
345
00:10:10,741 --> 00:10:11,982
AFTER EXAMINING DR. TROY,
346
00:10:11,982 --> 00:10:13,844
I´VE ISOLATED 3, AND ABOUT
347
00:10:13,844 --> 00:10:14,885
A HALF-HOUR BEFORE SURGERY,
348
00:10:14,885 --> 00:10:16,346
WE´LL INSERT NEEDLES INTO
349
00:10:16,346 --> 00:10:17,848
LARGE INTESTINE 4, LIVER 2,
350
00:10:17,848 --> 00:10:18,749
AND HEART 3.
351
00:10:18,749 --> 00:10:19,720
>> WHOA. YOU´RE NOT STICKING
352
00:10:19,720 --> 00:10:20,951
ANY NEEDLES INTO MY HEART.
353
00:10:20,951 --> 00:10:21,852
>> OH, CAN I DO IT?
354
00:10:21,852 --> 00:10:22,723
>> LIZZIE, KEEP YOUR HANDS
355
00:10:22,723 --> 00:10:23,754
OFF ME, ALL RIGHT? I DON´T WANNA
356
00:10:23,754 --> 00:10:25,826
CATCH THAT, UH, RASH FESTERING
357
00:10:25,826 --> 00:10:27,728
ALL OVER YOUR FACE.
358
00:10:27,728 --> 00:10:28,999
>> SURE, CHRISTIAN AND I JOKE
359
00:10:28,999 --> 00:10:30,000
AROUND, BUT WE´VE BEEN WORKING
360
00:10:30,000 --> 00:10:31,662
TOGETHER FOR A LONG TIME.
361
00:10:31,662 --> 00:10:33,333
WE DON´T MEAN IT. WE REALLY
362
00:10:33,333 --> 00:10:35,806
LOVE EACH OTHER, LIKE BILL
363
00:10:35,806 --> 00:10:37,908
AND HILLARY, IKE AND TINA.
364
00:10:37,908 --> 00:10:39,039
[WHACK, WOMAN SCREAMS]
365
00:10:39,039 --> 00:10:40,010
>> HEART 3 IS ON THE INSIDE
366
00:10:40,010 --> 00:10:41,111
OF YOUR ELBOW, CHRISTIAN,
367
00:10:41,111 --> 00:10:42,012
AND THE NEEDLES WILL ONLY
368
00:10:42,012 --> 00:10:43,243
GO IN ABOUT A CENTIMETER.
369
00:10:43,243 --> 00:10:44,414
YOU´LL BARELY FEEL THEM.
370
00:10:44,414 --> 00:10:48,378
Christian: OK.
371
00:10:48,378 --> 00:10:52,252
OHH. YEP. FELT THAT. [CHUCKLES]
372
00:10:52,252 --> 00:10:53,754
>> THESE PEOPLE ARE CRAZY.
373
00:10:53,754 --> 00:10:54,885
THE ONLY REASON I MOVED OUT HERE
374
00:10:54,885 --> 00:10:55,856
WAS BECAUSE THEY THREW
375
00:10:55,856 --> 00:10:56,787
A BUNCH OF MONEY AT ME.
376
00:10:56,857 --> 00:10:57,958
[CASH REGISTER DINGS]
377
00:10:57,958 --> 00:11:01,832
AND THE GOLFING OPPORTUNITIES.
378
00:11:01,832 --> 00:11:04,935
>> OK.
379
00:11:04,935 --> 00:11:07,397
WE´LL SLOWLY TURN IT UP TO 100
380
00:11:07,397 --> 00:11:08,839
HERTZ ON THE CONTINUOUS MODE.
381
00:11:08,839 --> 00:11:09,840
>> WHAT´S THE ELECTRO-STIMULATOR
382
00:11:09,840 --> 00:11:10,901
FOR?
383
00:11:10,901 --> 00:11:12,442
>> IT CALMS THE SHEN, WHICH IS
384
00:11:12,442 --> 00:11:13,673
THE PATIENT´S EMOTIONAL
385
00:11:13,673 --> 00:11:15,445
EXPERIENCE OF THE SURGERY.
386
00:11:15,445 --> 00:11:16,907
>> HEH. THAT´S RIGHT, LIZ.
387
00:11:16,907 --> 00:11:18,048
>> OH, I TOOK A COUPLE OF
388
00:11:18,048 --> 00:11:20,781
NIGHT CLASSES BACK IN MIAMI.
389
00:11:20,781 --> 00:11:21,812
I´LL HAVE THE INTRAVENOUS
390
00:11:21,812 --> 00:11:23,013
ANESTHESIA READY FOR MR. SANDS
391
00:11:23,013 --> 00:11:25,786
IF HE FEELS ANYTHING, BUT I HAVE
392
00:11:25,786 --> 00:11:27,687
THE UTMOST CONFIDENCE IN OLIVIA
393
00:11:27,687 --> 00:11:29,860
AND HER TECHNIQUES.
394
00:11:29,860 --> 00:11:32,292
SHE´S REALLY GREAT.
395
00:11:32,292 --> 00:11:33,323
>> OK. CLOSE YOUR EYES FOR ME,
396
00:11:33,323 --> 00:11:35,295
CHRISTIAN.
397
00:11:35,295 --> 00:11:35,896
>> [SIGHS]
398
00:11:35,896 --> 00:11:36,696
>> CAN YOU FEEL THIS?
399
00:11:36,696 --> 00:11:38,468
>> OF COURSE I CAN. HOW ABOUT
400
00:11:38,468 --> 00:11:39,830
YOU, OLLIE? WHAT DO YOU FEEL
401
00:11:39,830 --> 00:11:40,971
WHEN YOU´RE IN THE SACK
402
00:11:40,971 --> 00:11:42,232
WITH JULIA? CAN YOU FEEL HER
403
00:11:42,232 --> 00:11:43,774
DISAPPOINTMENT WHEN SHE REACHES
404
00:11:43,774 --> 00:11:45,005
DOWN BETWEEN YOUR LEGS AND
405
00:11:45,005 --> 00:11:47,307
COMES UP EMPTY-HANDED?
406
00:11:47,307 --> 00:11:48,809
>> I CAN ASSURE YOU, CHRISTIAN,
407
00:11:48,809 --> 00:11:50,280
THAT WHEN WE ARE UNDULATING
408
00:11:50,280 --> 00:11:51,381
IN THE SHEETS TOGETHER,
409
00:11:51,381 --> 00:11:53,043
THERE ARE NO EMPTY HANDS.
410
00:11:53,043 --> 00:11:54,714
>> HEART RATE IS 60.
411
00:11:54,714 --> 00:11:56,716
>> YOU KNOW, I DON´T THINK
412
00:11:56,716 --> 00:11:58,348
THIS IS WORKING, SEAN. I MEAN,
413
00:11:58,348 --> 00:12:00,991
IT MIGHT MAKE GREAT TV, BUT, UH,
414
00:12:00,991 --> 00:12:02,222
HOW DO YOU OPERATE ON A PATIENT
415
00:12:02,222 --> 00:12:04,424
WHO IS SCREAMING BLOODY MURDER?
416
00:12:04,424 --> 00:12:08,428
RIGHT? HEH. HEH. YOU KNOW,
417
00:12:08,428 --> 00:12:09,359
OLIVIA, IT´S JUST A MATTER
418
00:12:09,359 --> 00:12:11,301
OF TIME BEFORE JULIA GIVES UP
419
00:12:11,301 --> 00:12:12,502
THE GAY GHOST.
420
00:12:12,502 --> 00:12:13,934
>> YOU KNOW, OUR PRIVATE LIFE
421
00:12:13,934 --> 00:12:15,735
IS EXACTLY THAT, PRIVATE.
422
00:12:15,735 --> 00:12:16,306
Christian: MM-HMM.
423
00:12:16,306 --> 00:12:17,307
>> IT´S FOR US TO KNOW AND
424
00:12:17,307 --> 00:12:18,438
FOR YOU TO HAVE MASTURBATORY
425
00:12:18,438 --> 00:12:19,209
FANTASIES ABOUT.
426
00:12:19,209 --> 00:12:20,040
>> HO HO! I THINK SHE´S
427
00:12:20,040 --> 00:12:20,871
TALKING TO YOU, LIZZIE.
428
00:12:20,871 --> 00:12:21,511
>> LAY OFF, CHRISTIAN.
429
00:12:21,511 --> 00:12:22,512
>> OH, YOU´RE THE ONE WHO SAID
430
00:12:22,512 --> 00:12:23,473
SHE WASN´T A CARPET CRUNCHER,
431
00:12:23,473 --> 00:12:25,275
NOT ME.
432
00:12:25,275 --> 00:12:26,476
>> LIZ? YOU DON´T THINK
433
00:12:26,476 --> 00:12:28,378
JULIA´S GAY?
434
00:12:28,378 --> 00:12:31,381
>> UM, I, UM--I--I THINK
435
00:12:31,381 --> 00:12:33,383
THAT PEOPLE CAN FALL IN LOVE
436
00:12:33,383 --> 00:12:36,486
WITH WHOM--WHOMEVER THEY WANT,
437
00:12:36,486 --> 00:12:38,258
AND, UH, I TOTALLY UNDERSTAND
438
00:12:38,258 --> 00:12:40,891
WHY JULIA FELL IN LOVE WITH YOU.
439
00:12:40,891 --> 00:12:41,761
>> PATIENT´S READY,
440
00:12:41,761 --> 00:12:44,334
DR. McNAMARA.
441
00:12:44,334 --> 00:12:45,465
Christian: HMM.
442
00:12:45,465 --> 00:12:47,067
>> I´M GONNA GO GET HER SO THAT
443
00:12:47,067 --> 00:12:48,869
SHE COULD TAKE OUT THE NEEDLES.
444
00:12:48,869 --> 00:12:50,400
>> YEP. GOOD WORK THERE, LIZ,
445
00:12:50,400 --> 00:12:52,402
ALL RIGHT? I REALLY DON´T THINK
446
00:12:52,402 --> 00:12:54,544
THIS IS WORKING.
447
00:13:05,415 --> 00:13:11,191
>> I KNOW. I KNOW. IT´S JUST...
448
00:13:11,261 --> 00:13:12,322
>> YOU KNOW, I´D APPRECIATE IT
449
00:13:12,322 --> 00:13:14,224
IF YOU KEPT IT ON THE SURGERY
450
00:13:14,294 --> 00:13:15,896
AND OUT OF THE BEDROOM. YOU
451
00:13:15,896 --> 00:13:17,367
KNOW? I MEAN, YOU PROMISED ME
452
00:13:17,367 --> 00:13:18,798
THIS SHOW WOULD BE PROFESSIONAL,
453
00:13:18,798 --> 00:13:19,930
NOT EXPLOITATIVE, REMEMBER?
454
00:13:19,930 --> 00:13:20,871
>> JUST TRYING TO SPICE THINGS
455
00:13:20,871 --> 00:13:21,832
UP A LITTLE, ALL RIGHT? YOU KNOW
456
00:13:21,832 --> 00:13:23,533
JULIA´S NOT A LESBIAN. THAT´S
457
00:13:23,533 --> 00:13:24,835
WHY YOU´RE OVERCOMPENSATING
458
00:13:24,835 --> 00:13:26,006
BY HAVING OLIVIA HERE.
459
00:13:26,006 --> 00:13:26,837
>> WELL, YOU KNOW,
460
00:13:26,837 --> 00:13:27,577
I´M TRYING TO BE SUPPORTIVE.
461
00:13:27,577 --> 00:13:28,578
YOU´RE TRYING TO BREAK THEM UP.
462
00:13:28,578 --> 00:13:29,439
>> LOOK, IF YOU WANT TO BE
463
00:13:29,439 --> 00:13:31,041
SUPPORTIVE, ALL RIGHT, THEN TELL
464
00:13:31,041 --> 00:13:32,282
OLIVIA TO TAKE A HIKE,
465
00:13:32,282 --> 00:13:33,343
ALL RIGHT? AND WE´LL GET RID OF
466
00:13:33,343 --> 00:13:35,315
GRANDPA. I´LL HAVE 20 TIT JOBS
467
00:13:35,315 --> 00:13:36,386
IN HERE THAT´LL HAVE MUCH MORE
468
00:13:36,386 --> 00:13:37,587
EYES ON THE TV SCREEN THAN
469
00:13:37,587 --> 00:13:40,891
HIS SAGGY ASS? ALL RIGHT?
470
00:13:40,891 --> 00:13:41,892
OH.
471
00:13:41,892 --> 00:13:46,857
>> RIGHT.
472
00:13:46,857 --> 00:13:47,958
THE RUN-THROUGH WAS
473
00:13:47,958 --> 00:13:51,261
A COMPLETE SUCCESS.
474
00:13:51,261 --> 00:13:53,063
HOW ARE YOU DOING, MR. SANDS?
475
00:13:53,063 --> 00:13:54,905
>> JUST GREAT, THANK YOU.
476
00:13:54,905 --> 00:13:55,605
Olivia: FULLY ANESTHETIZED,
477
00:13:55,605 --> 00:13:56,366
DOCTOR.
478
00:13:56,366 --> 00:13:57,337
Christian: THEN LET´S GET
479
00:13:57,337 --> 00:13:59,839
THIS STARTED. HIT IT, TOOTS.
480
00:13:59,839 --> 00:14:00,570
BECAUSE THE SURGERIES CAN TAKE
481
00:14:00,570 --> 00:14:03,013
UP TO 6, MAYBE EVEN 8 HOURS,
482
00:14:03,013 --> 00:14:04,945
WE HERE AT McNAMARA/TROY HAVE
483
00:14:04,945 --> 00:14:06,977
A TRADITION OF PLAYING MUSIC
484
00:14:06,977 --> 00:14:08,919
TO KEEP US DANCING.
485
00:14:08,919 --> 00:14:10,480
>> 15-BLADE.
486
00:14:10,480 --> 00:14:11,521
>> I´M REALLY GLAD WE´RE DOING
487
00:14:11,521 --> 00:14:13,053
THIS SURGERY, DR. TROY.
488
00:14:13,053 --> 00:14:14,284
>> I ONLY WANNA HEAR YOU SPEAK
489
00:14:14,284 --> 00:14:16,056
IF THERE´S ANY PAIN, MR. SANDS.
490
00:14:16,056 --> 00:14:17,427
>> MY COMPETITION´S GETTING
491
00:14:17,427 --> 00:14:21,361
MORE FEROCIOUS...
492
00:14:21,361 --> 00:14:21,962
YOUNGER.
493
00:14:21,962 --> 00:14:22,933
Christian: WE GONNA HAVE TO SEW
494
00:14:22,933 --> 00:14:24,895
YOUR MOUTH SHUT? GIVE ME A BOVIE
495
00:14:24,895 --> 00:14:28,068
AND A 2-PRONG HOOK.
496
00:14:28,068 --> 00:14:32,242
>> METZ PICKUPS, LINDA.
497
00:14:32,242 --> 00:14:34,274
WHILE DR. TROY LIFTS THE SKIN
498
00:14:34,274 --> 00:14:36,076
AND CAUTERIZES THE BLEEDERS,
499
00:14:36,076 --> 00:14:37,047
I´LL SEPARATE IT FROM
500
00:14:37,047 --> 00:14:38,378
THE MUSCLES.
501
00:14:38,378 --> 00:14:40,580
Mel Torme: ♫ ON A SCALE OF 7,
502
00:14:40,580 --> 00:14:42,482
YOU WOULD GET AN 8... ♫
503
00:14:42,482 --> 00:14:43,553
>> WHY SO MUCH HOSTILITY,
504
00:14:43,553 --> 00:14:46,886
DR. TROY?
505
00:14:46,886 --> 00:14:49,619
WHAT ARE YOU AFRAID OF?
506
00:14:49,619 --> 00:14:50,660
CERTAIN INFORMATION MIGHT
507
00:14:50,660 --> 00:14:52,422
COME OUT, PERHAPS?
508
00:14:52,422 --> 00:14:53,293
>> ♫ TILL YOU TURN OUT
509
00:14:53,293 --> 00:14:54,564
THE LIGHT,
510
00:14:54,564 --> 00:14:56,426
HE´S PRETTY FUNNY, AND IT
511
00:14:56,426 --> 00:15:01,031
LOOKS LIKE YOU ARE, TOO... ♫
512
00:15:01,031 --> 00:15:02,332
Liz: WHAT ARE YOU DOING?
513
00:15:02,332 --> 00:15:04,404
>> NEEDLES ARE NOT WORKING.
514
00:15:04,404 --> 00:15:05,405
Olivia: HE´S PERFECTLY SEDATED.
515
00:15:05,405 --> 00:15:06,476
>> I´M THE OPERATING PHYSICIAN.
516
00:15:06,476 --> 00:15:08,278
IT´S MY CALL. IT´S BETTER
517
00:15:08,278 --> 00:15:10,310
TO BE SAFE THAN SORRY.
518
00:15:10,310 --> 00:15:14,014
>> ♫ UNDEFEATABLE YOU,
519
00:15:14,014 --> 00:15:15,515
UNDEFEATABLE YOU ♫
520
00:15:15,515 --> 00:15:18,688
>> RIGHT, SEAN?
521
00:15:18,688 --> 00:15:20,690
OK.
522
00:15:20,690 --> 00:15:21,651
>> I DON´T KNOW WHAT WHAT WAS
523
00:15:21,651 --> 00:15:23,323
GOING ON BETWEEN DR. TROY AND
524
00:15:23,323 --> 00:15:26,456
MR. SANDS, BUT FOR SOME REASON,
525
00:15:26,456 --> 00:15:27,927
CHRISTIAN HAS A BEE IN HIS
526
00:15:27,927 --> 00:15:28,658
BONNET ABOUT THAT GUY.
527
00:15:28,658 --> 00:15:29,529
[BEE BUZZES, WHACK]
528
00:15:29,529 --> 00:15:30,700
THE PATIENT IS STABLE, DOCTOR.
529
00:15:30,700 --> 00:15:32,062
Sean: MAYBE WE CAN CUT AROUND
530
00:15:32,062 --> 00:15:34,364
THAT LAST PART, YES?
531
00:15:34,364 --> 00:15:35,465
>> HEY, [HORN HONKS]!
532
00:15:35,465 --> 00:15:36,606
Sean: EDEN, THIS IS
533
00:15:36,606 --> 00:15:37,567
A STERILE ZONE.
534
00:15:37,567 --> 00:15:38,508
>> OH, YOU GOT WHAT YOU WANTED,
535
00:15:38,508 --> 00:15:39,339
RIGHT? THEY ATTACKED ME
536
00:15:39,339 --> 00:15:39,939
IN REHAB.
537
00:15:39,939 --> 00:15:40,640
Christian: GET THE HELL OUT
538
00:15:40,640 --> 00:15:41,671
OF HERE, OR YOU´LL GO SOMEPLACE
539
00:15:41,671 --> 00:15:43,013
MUCH WORSE THAN REHAB.
540
00:15:43,013 --> 00:15:44,214
>> YOU ARE A [HONK] LIAR!
541
00:15:44,214 --> 00:15:45,075
YOU PUT THE [HONK] PILLS
542
00:15:45,075 --> 00:15:48,418
IN MY BAG, [DONKEY BRAYS]!
543
00:15:48,418 --> 00:15:49,579
YOU KNOW, YOU JUST WANNA GET RID
544
00:15:49,579 --> 00:15:50,580
OF ME AGAIN BECAUSE YOU DON´T
545
00:15:50,580 --> 00:15:52,052
WANT YOUR LITTLE SECRET OUT.
546
00:15:52,052 --> 00:15:53,283
>> I HAVE NO SECRETS, EDEN.
547
00:15:53,283 --> 00:15:54,354
>> OH. REALLY?
548
00:15:54,354 --> 00:15:55,325
>> SHE´S A DRUG ADDICT AND A
549
00:15:55,325 --> 00:15:56,586
LIAR, AND SHE´LL DO ANYTHING SHE
550
00:15:56,586 --> 00:15:58,288
CAN TO SCORE SOME MORE PILLS.
551
00:15:58,288 --> 00:15:59,059
>> LYING ISN´T GONNA
552
00:15:59,059 --> 00:16:00,030
HELP ANYBODY.
553
00:16:00,030 --> 00:16:01,961
>> WHO´S THE LIAR, SEAN?
554
00:16:01,961 --> 00:16:02,732
YOU WANT ME TO TELL THEM ABOUT
555
00:16:02,732 --> 00:16:03,963
OUR LITTLE MASTURBATION PARTY,
556
00:16:03,963 --> 00:16:06,466
OR THEY KNOW ABOUT THAT, TOO?
557
00:16:06,466 --> 00:16:07,537
>> [GASPS]
558
00:16:07,537 --> 00:16:08,968
>> SHE´S A DRUG ADDICT AND
559
00:16:08,968 --> 00:16:11,071
A LIAR, AND SHE´LL DO ANYTHING--
560
00:16:11,071 --> 00:16:11,971
[SLOW MOTION] ANYTHING--
561
00:16:11,971 --> 00:16:12,672
[NORMAL] ANYTHING TO GET
562
00:16:12,672 --> 00:16:13,443
SOME PILLS.
563
00:16:13,443 --> 00:16:14,404
>> I DON´T GIVE A CRAP ABOUT
564
00:16:14,404 --> 00:16:15,405
THAT LITTLE BITCH EDEN OR ABOUT
565
00:16:15,405 --> 00:16:16,476
JULIA AND LIZ AND OLIVIA AND
566
00:16:16,476 --> 00:16:17,407
THEIR MUFF-DIVING BULLSHIT.
567
00:16:17,407 --> 00:16:18,378
THIS SHOW IS SUPPOSED TO BE
568
00:16:18,378 --> 00:16:22,412
ABOUT ME. ME!
569
00:16:22,412 --> 00:16:24,654
♫ OWW ♫
570
00:16:31,061 --> 00:16:31,721
>> HOW DID THIS HAPPEN?
571
00:16:31,721 --> 00:16:33,063
>> HOW DO YOU THINK IT HAPPENED?
572
00:16:33,063 --> 00:16:33,763
THE REAL JUNKIES IN REHAB
573
00:16:33,763 --> 00:16:35,065
ATTACKED ME. OH, AND I´M SURE
574
00:16:35,065 --> 00:16:36,066
YOU´LL ALL BE PROUD TO KNOW THAT
575
00:16:36,066 --> 00:16:36,766
I´M A PACK-A-DAY SMOKER.
576
00:16:36,766 --> 00:16:38,028
GOOD JOB, EVERYONE.
577
00:16:38,028 --> 00:16:39,069
>> I-I´M SORRY. DO WE HAVE TO
578
00:16:39,069 --> 00:16:40,370
HAVE THESE THINGS HERE? I MEAN,
579
00:16:40,370 --> 00:16:41,401
THIS IS A FAMILY MATTER. DO WE
580
00:16:41,401 --> 00:16:42,672
HAVE TO SHARE IT WITH THE WORLD?
581
00:16:42,672 --> 00:16:44,034
>> [WHISPERING] Keep rolling.
582
00:16:44,034 --> 00:16:44,634
Julia: CHRISTIAN?
583
00:16:44,634 --> 00:16:45,505
>> CIGARETTE BURNS, PROBABLY
584
00:16:45,505 --> 00:16:46,576
SECOND-DEGREE. DID A DOCTOR
585
00:16:46,576 --> 00:16:49,008
AT THE CENTER SEE THESE?
586
00:16:49,008 --> 00:16:50,710
>> [SIGHS] THEY DON´T CARE.
587
00:16:50,710 --> 00:16:52,112
ALL THEY DO IS CASH YOUR CHECK.
588
00:16:52,112 --> 00:16:53,283
>> SO YOU RAN AWAY BEFORE
589
00:16:53,283 --> 00:16:54,184
YOU EVEN GOT THE TREATMENT
590
00:16:54,184 --> 00:16:55,185
YOU NEEDED, RIGHT?
591
00:16:55,185 --> 00:16:56,646
>> THAT´S WHY I´M HERE,
592
00:16:56,646 --> 00:16:57,447
[BOING] HEAD.
593
00:16:57,447 --> 00:16:58,348
>> OH, OLIVIA, WHY DON´T YOU
594
00:16:58,348 --> 00:16:59,289
JUST, UH, STICK SOME NEEDLES
595
00:16:59,289 --> 00:17:00,250
IN HER, SEND HER ON HER WAY?
596
00:17:00,250 --> 00:17:01,151
>> GO TO HELL, CHRISTIAN.
597
00:17:01,151 --> 00:17:02,552
>> YOU JUST WANNA GET RID OF ME
598
00:17:02,552 --> 00:17:03,693
AGAIN, BECAUSE YOU DON´T WANT
599
00:17:03,693 --> 00:17:04,724
YOUR LITTLE SECRET OUT.
600
00:17:04,724 --> 00:17:06,096
>> I HAVE NO SECRETS, EDEN.
601
00:17:06,096 --> 00:17:07,457
>> OH. REALLY? SO THEN I GUESS
602
00:17:07,457 --> 00:17:08,428
SEAN KNOWS THAT YOU ALREADY
603
00:17:08,428 --> 00:17:13,503
[SQUEAL] JULIA.
604
00:17:13,503 --> 00:17:15,105
>> UM, 20 YEARS AGO.
605
00:17:15,105 --> 00:17:16,236
WE ALL KNOW.
606
00:17:16,236 --> 00:17:17,637
>> HEH. NO, SEAN.
607
00:17:17,637 --> 00:17:20,510
LIKE A MONTH AGO.
608
00:17:20,510 --> 00:17:23,643
>> [SIGHS] HEH.
609
00:17:23,643 --> 00:17:24,574
>> LYING ISN´T GONNA
610
00:17:24,574 --> 00:17:25,515
HELP ANYBODY.
611
00:17:25,515 --> 00:17:27,547
>> WHO´S THE LIAR, SEAN? WANT ME
612
00:17:27,547 --> 00:17:28,448
TO TELL THEM ABOUT OUR LITTLE
613
00:17:28,448 --> 00:17:29,749
MASTURBATION PARTY, OR DO THEY
614
00:17:29,749 --> 00:17:32,722
KNOW ABOUT THAT, TOO?
615
00:17:32,722 --> 00:17:33,483
>> [GASPS]
616
00:17:33,483 --> 00:17:34,724
>> WHAT I BELIEVE EDEN LORD WAS
617
00:17:34,724 --> 00:17:36,226
REFERRING TO IS AN EXAM I GAVE
618
00:17:36,226 --> 00:17:38,488
HER AFTER A PREVIOUS OPERATION.
619
00:17:38,488 --> 00:17:40,090
ANOTHER FEMALE WAS PRESENT.
620
00:17:40,090 --> 00:17:41,791
IT WAS COMPLETELY CLINICAL
621
00:17:41,791 --> 00:17:43,062
IN NATURE.
622
00:17:43,062 --> 00:17:44,334
>> MY MEDICAL OPINION,
623
00:17:44,334 --> 00:17:45,135
THE LITTLE BITCH BELONGS
624
00:17:45,135 --> 00:17:46,496
IN AN INSTITUTION.
625
00:17:46,496 --> 00:17:49,139
>> I--SOMEWHERE DEEP DOWN,
626
00:17:49,139 --> 00:17:52,272
I KNOW THAT EDEN´S A GOOD KID.
627
00:17:52,272 --> 00:17:56,206
I--I JUST HAVE NO IDEA WHY SHE
628
00:17:56,206 --> 00:18:00,480
HATES ME SO MUCH. I´M SORRY. UM,
629
00:18:00,480 --> 00:18:02,512
CAN WE S--JUST STOP A MINUTE.
630
00:18:02,512 --> 00:18:06,756
I--I--UM, THIS CAMERA BUSINESS
631
00:18:06,756 --> 00:18:10,760
IS REALLY INTRUSIVE. CAN I--
632
00:18:10,760 --> 00:18:14,564
UM, I SIGNED THE RELEASE FORM.
633
00:18:14,564 --> 00:18:17,627
OK.
634
00:18:39,549 --> 00:18:41,791
>> LIZ.
635
00:18:41,791 --> 00:18:43,253
>> HEY. HI.
636
00:18:43,253 --> 00:18:45,525
>> DO YOU, UM, HAVE A MOMENT?
637
00:18:45,525 --> 00:18:48,127
>> YEAH. SURE. WHAT?
638
00:18:48,127 --> 00:18:50,560
>> WELL, YOU KNOW, I KNOW THAT
639
00:18:50,560 --> 00:18:51,901
IT´S NOT EASY, YOU KNOW, BEING
640
00:18:51,901 --> 00:18:54,804
IN A NEW CITY, FINDING SOMEONE.
641
00:18:54,804 --> 00:18:55,735
>> UH, YEAH. WELL, YOU TELL ME
642
00:18:55,735 --> 00:18:57,667
ABOUT IT, HUH? YOU DON´T KNOW
643
00:18:57,667 --> 00:18:58,538
HOW LUCKY YOU ARE
644
00:18:58,538 --> 00:19:00,270
YOU FOUND OLIVIA.
645
00:19:00,270 --> 00:19:03,743
>> YOU MEAN BEFORE YOU DID? NO,
646
00:19:03,743 --> 00:19:06,145
EXCUSE ME. CAN YOU STOP TAPING
647
00:19:06,145 --> 00:19:08,518
ME, PLEASE? NO, I´M SERIOUS.
648
00:19:08,518 --> 00:19:10,620
NO, STOP TAPING ME NOW,
649
00:19:10,620 --> 00:19:12,682
OR I´M GONNA JUST LEAVE. AM I--
650
00:19:12,682 --> 00:19:14,784
AM I MAKING MYSELF CLEAR?
651
00:19:14,854 --> 00:19:18,157
AHH! I´VE WATCHED YOU, LIZ. YOU
652
00:19:18,157 --> 00:19:19,559
CAN´T KEEP YOUR EYES OFF HER.
653
00:19:19,559 --> 00:19:21,191
>> WE´RE FRIENDS, JULIA.
654
00:19:21,191 --> 00:19:22,462
YOU MIGHT NOT HAVE GOTTEN THAT
655
00:19:22,462 --> 00:19:24,434
HANDBOOK YET, BUT 2 LESBIANS
656
00:19:24,434 --> 00:19:26,636
CAN BE JUST FRIENDS.
657
00:19:26,636 --> 00:19:28,538
>> WELL, THEN, I HOPE THAT YOU
658
00:19:28,538 --> 00:19:30,500
AND I CAN BE FRIENDS AND, UH,
659
00:19:30,500 --> 00:19:31,901
YOU CAN RESPECT OUR BOUNDARIES.
660
00:19:31,901 --> 00:19:33,603
>> AND MAYBE YOU WANNA TALK
661
00:19:33,603 --> 00:19:35,475
TO YOUR GIRLFRIEND ABOUT THAT
662
00:19:35,475 --> 00:19:37,577
INSTEAD OF ME.
663
00:19:37,577 --> 00:19:42,782
>> [SIGHS]
664
00:19:42,782 --> 00:19:43,653
>> DO THEY KNOW ABOUT THE
665
00:19:43,653 --> 00:19:46,286
OVERHEAD CAMERAS I HAD PUT IN?
666
00:19:46,286 --> 00:19:48,588
UH, I DON´T THINK SO. BUT IT´S
667
00:19:48,588 --> 00:19:50,760
PRETTY SEXY STUFF, RIGHT?
668
00:19:50,760 --> 00:19:52,262
3 LESBIANS FIGHTING OVER
669
00:19:52,262 --> 00:19:54,894
THEIR TURF IS RATINGS GOLD.
670
00:19:54,894 --> 00:19:56,195
[PLASTIC FANTASTIC THEME PLAYS]
671
00:19:56,195 --> 00:19:57,727
>> ♫ OWW ♫
672
00:19:57,727 --> 00:19:58,728
>> THIS CREAM WILL HELP
673
00:19:58,728 --> 00:20:00,870
YOUR SCARS HEAL FASTER.
674
00:20:00,870 --> 00:20:02,672
[CAMERA WHIRRING]
675
00:20:02,672 --> 00:20:04,234
>> WHY ARE YOU DOING THIS? DON´T
676
00:20:04,234 --> 00:20:05,204
YOU HATE ME LIKE EVERYBODY ELSE?
677
00:20:05,204 --> 00:20:06,236
>> I´M DOING THIS BECAUSE I´M
678
00:20:06,236 --> 00:20:11,581
A DOCTOR. THIS IS WHAT I DO.
679
00:20:11,581 --> 00:20:14,944
NOW, YOU´LL NEED SOME SURGERY.
680
00:20:14,944 --> 00:20:16,246
>> SHIT. ARE THEY ARE THEY
681
00:20:16,246 --> 00:20:17,747
GONNA SCAR?
682
00:20:17,747 --> 00:20:19,889
>> NOT IF I´M YOUR SURGEON.
683
00:20:26,796 --> 00:20:27,927
>> SEAN.
684
00:20:27,927 --> 00:20:30,800
>> HMM?
685
00:20:30,800 --> 00:20:33,603
>> I LIED EARLIER. JULIA AND
686
00:20:33,603 --> 00:20:36,536
CHRISTIAN DIDN´T SLEEP TOGETHER.
687
00:20:36,536 --> 00:20:38,868
I JUST--I WAS SO ANGRY,
688
00:20:38,868 --> 00:20:44,274
I HAD TO SAY SOMETHING.
689
00:20:44,274 --> 00:20:46,916
[GLOVES SNAP OFF]
690
00:20:46,916 --> 00:20:47,847
>> [SIGHS] I´LL SEE YOU IN
691
00:20:47,847 --> 00:20:50,280
A FEW DAYS, OK? WE´LL SCHEDULE
692
00:20:50,280 --> 00:20:51,551
SOME TIME IN THE O.R. FOR
693
00:20:51,551 --> 00:20:53,853
YOUR GRAFTS, AND AFTERWARDS,
694
00:20:53,853 --> 00:20:54,924
THIS WHOLE THING CAN JUST
695
00:20:54,924 --> 00:20:57,256
BE FORGOTTEN.
696
00:21:02,992 --> 00:21:04,334
>> I DON´T GIVE A CRAP ABOUT
697
00:21:04,334 --> 00:21:05,695
THAT LITTLE BITCH EDEN OR ABOUT
698
00:21:05,765 --> 00:21:06,796
JULIA AND LIZ AND OLIVIA AND
699
00:21:06,796 --> 00:21:07,937
THEIR MUFF-DIVING BULLSHIT.
700
00:21:07,937 --> 00:21:08,868
THIS SHOW IS SUPPOSED TO BE
701
00:21:08,868 --> 00:21:10,540
ABOUT ME. ME!
702
00:21:10,540 --> 00:21:11,771
>> OK, WHY DON´T YOU JUST GO DO
703
00:21:11,771 --> 00:21:12,772
SOMETHING GLAMOROUS, YOU KNOW,
704
00:21:12,772 --> 00:21:13,973
LIKE GO SHOPPING ON RODEO DRIVE.
705
00:21:13,973 --> 00:21:15,044
PEOPLE EAT THAT SHIT UP.
706
00:21:15,044 --> 00:21:16,045
>> THAT´S RIDICULOUS.
707
00:21:16,045 --> 00:21:17,006
I SEE THAT SHIT ALL THE TIME.
708
00:21:17,006 --> 00:21:19,309
>> OH. OK, GO HAVE LUNCH
709
00:21:19,309 --> 00:21:20,680
AT FRED SEGAL. OK, THAT PLACE IS
710
00:21:20,680 --> 00:21:22,512
JUST CRAWLING WITH CELEBRITIES.
711
00:21:22,512 --> 00:21:23,413
I JUST SAW JASON PRIESTLEY
712
00:21:23,413 --> 00:21:24,314
HAVING A NOSH THERE LAST WEEK.
713
00:21:24,314 --> 00:21:24,884
THAT´S GOOD.
714
00:21:24,884 --> 00:21:25,815
>> YOU CAME HERE WITH NO CONTACT
715
00:21:25,815 --> 00:21:26,856
EXCEPT FOR ME, RIGHT? I GOT YOU
716
00:21:26,856 --> 00:21:27,887
THIS JOB, AND THAT´S THE BEST
717
00:21:27,887 --> 00:21:29,789
YOU CAN COME UP WITH? WHERE´S
718
00:21:29,789 --> 00:21:30,990
FIONA? GET FIONA ON THE PHONE?
719
00:21:30,990 --> 00:21:32,692
>> SHE´S UNAVAIL, CHRISTIAN, OK?
720
00:21:32,692 --> 00:21:33,863
SEAN PENN JUST GOT BACK FROM
721
00:21:33,863 --> 00:21:34,824
IRAQ. SHE´S GOT DAMAGE CONTROL
722
00:21:34,824 --> 00:21:35,595
TO DO.
723
00:21:35,595 --> 00:21:36,796
>> THEN YOU BETTER COME UP
724
00:21:36,796 --> 00:21:37,697
WITH SOMETHING FAST, BLISS,
725
00:21:37,697 --> 00:21:38,668
ALL RIGHT? I AM SICK OF HEARING
726
00:21:38,668 --> 00:21:39,699
ABOUT THIS HEARTS ´N SCALPELS
727
00:21:39,699 --> 00:21:41,000
BULLSHIT. THIS IS MY SHOW.
728
00:21:41,000 --> 00:21:42,632
>> I KNOW. I KNOW, OK? I WILL
729
00:21:42,632 --> 00:21:45,034
THINK OF SOMETHING. I PROMISE.
730
00:21:45,034 --> 00:21:45,875
[BEEP]
731
00:21:45,875 --> 00:21:46,876
WHEN I FOUND OUT MY FIRST
732
00:21:46,876 --> 00:21:48,338
ASSIGNMENT AS A LOS ANGELES
733
00:21:48,338 --> 00:21:49,879
P.R. QUEEN WAS TO WORK ON
734
00:21:49,879 --> 00:21:52,011
THE LAUNCH OF A REALITY SHOW,
735
00:21:52,011 --> 00:21:54,584
WELL, I WAS BESIDE MYSELF.
736
00:21:54,584 --> 00:21:55,745
SEE, HERE´S THE THING.
737
00:21:55,745 --> 00:21:56,346
[BEEP]
738
00:21:56,346 --> 00:21:58,017
REALITY SHOWS ARE MY JAM, OK?
739
00:21:58,017 --> 00:22:00,850
CHARM SCHOOL, PROJECT RUNWAY,
740
00:22:00,850 --> 00:22:02,352
HEY PAULA-- THE ONE WHERE THEY
741
00:22:02,352 --> 00:22:03,753
SPEND EVERY EPISODE CONVINCING
742
00:22:03,753 --> 00:22:04,754
US THAT PAULA ABDUL´S
743
00:22:04,754 --> 00:22:05,895
JUST TIRED.
744
00:22:05,895 --> 00:22:06,656
[BEEP]
745
00:22:06,656 --> 00:22:08,327
WELL, I WATCH EVERY ONE, OK?
746
00:22:08,327 --> 00:22:11,100
I´M JUST OBSESSED. SO SUDDENLY
747
00:22:11,100 --> 00:22:12,602
IT CAME TO ME.
748
00:22:12,602 --> 00:22:13,002
[BEEP]
749
00:22:13,002 --> 00:22:14,003
WHO BETTER TO GIVE CHRISTIAN
750
00:22:14,003 --> 00:22:14,934
ADVICE ON HOW TO NAVIGATE
751
00:22:14,934 --> 00:22:16,906
A REALITY SHOW THAN THE BIGGEST
752
00:22:16,906 --> 00:22:20,109
STAR IN REALITY TV RIGHT NOW?
753
00:22:20,109 --> 00:22:21,040
OH, THAT´S RIGHT.
754
00:22:21,110 --> 00:22:24,544
MS. NEW YORK HERSELF.
755
00:22:24,544 --> 00:22:25,845
I´M SITTING NEXT TO NEW YORK.
756
00:22:25,845 --> 00:22:26,676
[APPLAUSE]
757
00:22:26,746 --> 00:22:27,977
SHE´S HUGE.
758
00:22:27,977 --> 00:22:29,949
>> THAT´S RIGHT, HONEY. I AM
759
00:22:29,949 --> 00:22:31,881
BIG, AND I´LL SAVE YOUR ASS FROM
760
00:22:31,881 --> 00:22:33,823
CANCELLATION, BECAUSE I KNOW
761
00:22:33,823 --> 00:22:35,655
HOW THIS GENRE WORKS.
762
00:22:35,655 --> 00:22:37,557
>> MM-HMM. AND AFTER WE
763
00:22:37,557 --> 00:22:38,958
EXPLAINED TO CHRISTIAN ABOUT
764
00:22:38,958 --> 00:22:40,590
THE WHOLE NEW YORK PHENOMENON,
765
00:22:40,590 --> 00:22:41,631
HE REALLY SEEMED TO GET WITH
766
00:22:41,631 --> 00:22:43,533
THE PROGRAM. NEW YORK GAVE IT TO
767
00:22:43,533 --> 00:22:46,065
HIM STRAIGHT. I LOVE NEW YORK.
768
00:22:46,065 --> 00:22:47,366
>> I´M JUST GONNA CUT
769
00:22:47,366 --> 00:22:47,997
TO THE CHASE AND GIVE IT
770
00:22:47,997 --> 00:22:48,768
TO YOU STRAIGHT.
771
00:22:48,768 --> 00:22:49,368
>> OK.
772
00:22:49,368 --> 00:22:50,039
>> YOU NEED TO BE WAY MORE
773
00:22:50,039 --> 00:22:50,970
INTERESTING, HOMEBOY.
774
00:22:50,970 --> 00:22:51,741
>> INTERESTING?
775
00:22:51,741 --> 00:22:52,642
>> LIKE, SERIOUSLY. YES.
776
00:22:52,642 --> 00:22:53,643
>> INTERESTING?
777
00:22:53,643 --> 00:22:54,604
>> YES.
778
00:22:54,604 --> 00:22:55,775
>> SEE--[LAUGHS] COME IN.
779
00:22:55,775 --> 00:22:57,547
COME IN. INTERESTING?
780
00:22:57,547 --> 00:22:58,107
>> INTERESTING.
781
00:22:58,107 --> 00:23:00,079
>> I AM INTERESTING, ALL RIGHT?
782
00:23:00,079 --> 00:23:01,651
>> IF YOU WANT THIS SHOW TO GO,
783
00:23:01,651 --> 00:23:02,782
YOU ARE GOING TO HAVE TO
784
00:23:02,782 --> 00:23:03,913
CREATE CONFLICT, BE THE CENTER
785
00:23:03,913 --> 00:23:05,114
OF CONTROVERSY.
786
00:23:05,114 --> 00:23:06,085
>> CONTROVERSY, CONFLICT. OH,
787
00:23:06,085 --> 00:23:07,016
WHAT DO YOU MEAN, SO EVERYBODY
788
00:23:07,016 --> 00:23:07,887
CAN HATE ME? IS THAT WHAT
789
00:23:07,887 --> 00:23:08,758
YOU´RE TALKING ABOUT?
790
00:23:08,758 --> 00:23:09,519
>> YOU KNOW WHAT?
791
00:23:09,519 --> 00:23:10,660
EVERYBODY IS NOT GONNA HATE YOU.
792
00:23:10,660 --> 00:23:12,922
JUST DON´T TAKE RESPONSIBILITY.
793
00:23:12,922 --> 00:23:14,123
>> [SIGHS]
794
00:23:14,123 --> 00:23:15,795
>> DENY, DENY, DENY.
795
00:23:15,795 --> 00:23:16,566
>> DENY, DENY, DENY.
796
00:23:16,566 --> 00:23:17,527
>> AND THEN JUST MOVE ON TO THE
797
00:23:17,527 --> 00:23:19,028
NEXT THING. IT´S SIMPLE AS THAT.
798
00:23:19,028 --> 00:23:19,799
>> DENY?
799
00:23:19,799 --> 00:23:20,670
>> YEAH. I THINK THAT WHAT
800
00:23:20,670 --> 00:23:21,801
NEW YORK IS SAYING, CHRISTIAN,
801
00:23:21,801 --> 00:23:23,072
IS THAT PEOPLE HAVE VERY SHORT
802
00:23:23,072 --> 00:23:24,674
ATTENTION SPANS, SO YOU JUST
803
00:23:24,674 --> 00:23:25,805
NEED TO LISTEN TO NEW YORK,
804
00:23:25,805 --> 00:23:26,676
´CAUSE NEW YORK KNOWS
805
00:23:26,676 --> 00:23:30,710
WHAT´S GOIN´ ON, OK?
806
00:23:30,710 --> 00:23:35,114
New York: YOU FEELIN´ IT?
807
00:23:35,114 --> 00:23:37,046
>> [CLEARS THROAT]
808
00:23:42,992 --> 00:23:44,554
COULD YOU GUYS, UH, JUST GIVE ME
809
00:23:44,554 --> 00:23:46,756
A SECOND HERE? OK? HEH HEH.
810
00:24:01,671 --> 00:24:05,444
BYE.
811
00:24:05,515 --> 00:24:09,048
I CARE ABOUT JULIA, AND I DON´T
812
00:24:09,048 --> 00:24:15,585
WANNA SEE HER GET HURT.
813
00:24:15,585 --> 00:24:16,656
>> YOU KNOW, I SHOULD NEVER
814
00:24:16,656 --> 00:24:17,056
HAVE LET...
815
00:24:17,056 --> 00:24:18,127
Christian: WHAT´S GOIN´ ON HERE?
816
00:24:18,127 --> 00:24:19,589
>> OLIVIA ANYWHERE NEAR YOU.
817
00:24:19,589 --> 00:24:20,660
YOU ARE A BITTER, DRIED-UP--
818
00:24:20,660 --> 00:24:21,631
>> WHAT IS--WHAT?
819
00:24:21,631 --> 00:24:22,592
>> PLEASE!
820
00:24:22,592 --> 00:24:24,994
>> ♫ PLASTIC FANTASTIC ♫
821
00:24:28,037 --> 00:24:29,639
>> ♫ WHOA, OH,
822
00:24:29,639 --> 00:24:31,701
PLASTIC FANTASTIC ♫
823
00:24:31,701 --> 00:24:33,803
>> HOW WE FEELING, MR. SANDS?
824
00:24:33,803 --> 00:24:35,074
>> I THOUGHT YOU HAD FORGOTTEN
825
00:24:35,074 --> 00:24:36,946
ABOUT ME, DR. TROY. OR DID YOU
826
00:24:37,006 --> 00:24:38,678
STAY AWAY ON PURPOSE?
827
00:24:38,678 --> 00:24:39,579
>> I HEARD YOU ASKED FOR
828
00:24:39,579 --> 00:24:40,950
SOME MORPHINE. WHAT HAPPENED?
829
00:24:40,950 --> 00:24:43,553
ACUPUNCTURE NOT THE ANSWER YOU
830
00:24:43,553 --> 00:24:45,084
THOUGHT IT WOULD BE? THERE ARE
831
00:24:45,084 --> 00:24:46,756
SOME SIDE EFFECTS TO MORPHINE.
832
00:24:46,756 --> 00:24:48,758
THEY INCLUDE HALLUCINATIONS,
833
00:24:48,758 --> 00:24:50,059
DELUSIONS OF GRANDEUR.
834
00:24:50,059 --> 00:24:51,721
>> THIS IS NOT A HEALTHY
835
00:24:51,721 --> 00:24:53,763
ENVIRONMENT. THE PEACE AND QUIET
836
00:24:53,763 --> 00:24:55,625
THAT ACUPUNCTURE REQUIRES FOR
837
00:24:55,625 --> 00:24:57,627
SUCCESS ARE NONEXISTENT HERE.
838
00:24:57,627 --> 00:24:59,028
>> KEEP SAYING THAT, MR. SANDS.
839
00:24:59,028 --> 00:25:01,030
>> IF I DEVELOP AN ADDICTION
840
00:25:01,030 --> 00:25:02,071
TO THESE PAINKILLERS,
841
00:25:02,071 --> 00:25:03,172
I´LL BE SAYING LOTS OF THINGS
842
00:25:03,172 --> 00:25:06,976
TO MY LAWYER.
843
00:25:06,976 --> 00:25:08,137
>> TO BE FAIR, YOU DID REQUEST
844
00:25:08,137 --> 00:25:10,039
A SERVICE THAT OUR ACUPUNCTURIST
845
00:25:10,039 --> 00:25:12,642
COULDN´T PROVIDE. WE´VE DECIDED
846
00:25:12,642 --> 00:25:17,787
TO EAT THE COSTS. YOUR PROCEDURE
847
00:25:17,787 --> 00:25:19,789
IS FREE OF CHARGE.
848
00:25:19,789 --> 00:25:21,921
>> THAT SEEMS FAIR.
849
00:25:30,830 --> 00:25:36,666
MARVELOUS. I COULD BE 44 AGAIN,
850
00:25:36,666 --> 00:25:37,967
DON´T YOU THINK?
851
00:25:37,967 --> 00:25:39,869
>> 45 AT THE MOST.
852
00:25:39,869 --> 00:25:41,611
>> REMOVE THE WRINKLES, NOT THE
853
00:25:41,611 --> 00:25:43,943
WISDOM. YOU AND YOUR PARTNER
854
00:25:43,943 --> 00:25:45,645
HAVE DONE A VERY GOOD JOB.
855
00:25:45,645 --> 00:25:47,677
THIS PUTS ME BACK ON THE GAME.
856
00:25:47,677 --> 00:25:49,178
WILL I BE SEEING YOU
857
00:25:49,178 --> 00:25:50,820
ON THE PLAYING FIELD?
858
00:25:50,820 --> 00:25:51,821
>> THE ONLY PLAYING FIELD I HAVE
859
00:25:51,821 --> 00:25:52,822
IS THAT SURGICAL TABLE
860
00:25:52,822 --> 00:25:54,083
BACK IN THERE.
861
00:25:54,083 --> 00:25:55,955
>> LET´S KEEP IT THAT WAY.
862
00:25:55,955 --> 00:25:58,027
THIS TOWN ISN´T BIG ENOUGH
863
00:25:58,027 --> 00:26:00,690
FOR THE BOTH OF US.
864
00:26:00,690 --> 00:26:02,692
>> HEH. DOESN´T HE LOOK
865
00:26:02,692 --> 00:26:05,935
FANTASTIC? PATIENT SATISFACTION
866
00:26:05,935 --> 00:26:06,896
IS A PRIORITY HERE
867
00:26:06,896 --> 00:26:10,099
AT McNAMARA/TROY. TELL ME,
868
00:26:10,099 --> 00:26:15,004
ARE YOU SATISFIED, MR. SANDS?
869
00:26:15,004 --> 00:26:18,608
>> VERY.
870
00:26:18,678 --> 00:26:20,850
AS IT TURNS OUT, DR. TROY
871
00:26:20,850 --> 00:26:22,982
IS AN EXCELLENT DOCTOR.
872
00:26:22,982 --> 00:26:24,754
HE´S NOT WHO I THOUGHT HE´D BE.
873
00:26:24,814 --> 00:26:26,686
ACTUALLY I COULD PROBABLY
874
00:26:26,686 --> 00:26:29,158
SEND HIM SOME WORK. ON SECOND
875
00:26:29,158 --> 00:26:31,861
THOUGHTS, MAYBE NOT. HE DOESN´T
876
00:26:31,861 --> 00:26:33,663
REALLY SEEM TO NEED ANY HELP,
877
00:26:33,663 --> 00:26:35,094
NOW, DOES HE?
878
00:26:35,094 --> 00:26:36,025
>> WHILE EDEN LORD WAS NOT
879
00:26:36,025 --> 00:26:37,226
ORIGINALLY SCHEDULED TO BE A
880
00:26:37,226 --> 00:26:39,298
PATIENT, SHE DOES NEED OUR HELP.
881
00:26:39,298 --> 00:26:41,100
HER FOREARMS WERE BADLY SCARRED
882
00:26:41,100 --> 00:26:42,772
IN AN ACCIDENT, SO WE´RE GONNA
883
00:26:42,772 --> 00:26:44,774
GRAFT SOME SKIN FROM THE BACK OF
884
00:26:44,774 --> 00:26:47,106
HER THIGHS AND SEW IT ONTO HER
885
00:26:47,106 --> 00:26:48,277
FOREARMS. HERE YOU CAN SEE WHAT
886
00:26:48,277 --> 00:26:51,040
I´M TALKING ABOUT. WE PICK AN
887
00:26:51,040 --> 00:26:54,043
AREA OF UNAFFECTED SKIN, SHAVE
888
00:26:54,043 --> 00:26:55,815
IT OFF, AND THEN ROLL IT THROUGH
889
00:26:55,815 --> 00:26:58,017
THIS MACHINE HERE, WHICH CREATES
890
00:26:58,017 --> 00:26:59,919
A MESHLIKE QUALITY, ALLOWING THE
891
00:26:59,919 --> 00:27:02,051
SKIN TO EXPAND WHEN SUTURED
892
00:27:02,051 --> 00:27:03,252
TO THE AFFECTED AREA--
893
00:27:03,252 --> 00:27:09,699
>> WHERE ARE YOU?! LIZ! LIZ!
894
00:27:09,699 --> 00:27:12,161
SHE´S IN HERE--GODDAMN IT.
895
00:27:12,161 --> 00:27:16,035
[GASPS] OLIVIA, GODDAMN IT,
896
00:27:16,035 --> 00:27:17,306
HOW COULD YOU?
897
00:27:17,306 --> 00:27:18,237
>> WHAT ARE YOU TALKING ABOUT?
898
00:27:18,237 --> 00:27:19,008
WHAT´S WRONG?
899
00:27:19,008 --> 00:27:20,009
>> AND OF ALL THE PEOPLE THAT
900
00:27:20,009 --> 00:27:22,171
YOU HAD TO CHOOSE, LIZ AND HERE?
901
00:27:22,171 --> 00:27:23,112
>> SLOW DOWN, JULIA.
902
00:27:23,112 --> 00:27:23,973
>> WHAT, WERE YOU HOPING--
903
00:27:23,973 --> 00:27:24,874
>> YOU DON´T KNOW WHAT
904
00:27:24,874 --> 00:27:25,815
YOU´RE TALKING ABOUT.
905
00:27:25,815 --> 00:27:27,116
>> OH, DON´T EVEN, YOU KNOW?
906
00:27:27,116 --> 00:27:28,948
YOU KNOW, I SHOULD NEVER
907
00:27:28,948 --> 00:27:29,719
HAVE LET...
908
00:27:29,719 --> 00:27:30,820
Christian: WHAT´S GOIN´ ON HERE?
909
00:27:30,820 --> 00:27:31,951
>> OLIVIA ANYWHERE NEAR YOU.
910
00:27:31,951 --> 00:27:33,252
YOU ARE A BITTER, DRIED-UP--
911
00:27:33,252 --> 00:27:34,023
>> WHAT IS--WHAT?
912
00:27:34,023 --> 00:27:34,954
>> PLEASE!
913
00:27:34,954 --> 00:27:36,155
>> NO! YOU LOOKED ME IN THE
914
00:27:36,155 --> 00:27:37,026
FACE, AND YOU TOLD ME THAT
915
00:27:37,026 --> 00:27:38,928
"LESBIANS COULD BE FRIENDS."
916
00:27:38,928 --> 00:27:40,830
I MEAN, I JUST CAN´T BELIEVE
917
00:27:40,830 --> 00:27:41,861
THAT I FELL FOR IT.
918
00:27:41,861 --> 00:27:44,093
>> OK, WHO TOLD YOU WHAT?
919
00:27:44,093 --> 00:27:44,894
>> I--
920
00:27:44,894 --> 00:27:45,835
>> YOU WEREN´T EVEN THERE,
921
00:27:45,835 --> 00:27:46,836
CHRISTIAN! COME ON. GET IN HERE.
922
00:27:46,836 --> 00:27:47,837
>> JUST GET OFF ME.
923
00:27:47,837 --> 00:27:48,667
>> GET IN.
924
00:27:48,667 --> 00:27:49,298
>> WHOA, WHOA, WHOA, WHOA!
925
00:27:49,298 --> 00:27:50,099
WASN´T EVEN THERE
926
00:27:50,099 --> 00:27:51,070
TO SEE WHAT, LIZ?
927
00:27:51,070 --> 00:27:52,171
>> IT´S NOT--IT´S NOT HER FAULT.
928
00:27:52,171 --> 00:27:53,142
DON´T BLAME OLIVIA. IT--
929
00:27:53,142 --> 00:27:54,003
THOSE WERE MY LIPS.
930
00:27:54,003 --> 00:27:55,004
>> YOU DON´T NEED TO DEFEND ME,
931
00:27:55,004 --> 00:27:58,077
LIZ. I KISSED HER, OK? I WAS
932
00:27:58,077 --> 00:28:00,079
HURT AND CONFUSED AND IN NEED
933
00:28:00,079 --> 00:28:01,250
OF SOME KIND OF COMFORT.
934
00:28:01,250 --> 00:28:03,112
LOOK, I SCREWED UP, OK?
935
00:28:03,112 --> 00:28:04,854
I SCREWED UP, BUT SO HAVE YOU.
936
00:28:04,854 --> 00:28:06,215
>> NO. LOOK, I´M SORRY, BUT YOU
937
00:28:06,215 --> 00:28:08,057
KNOW, WHEN I TOLD YOU ABOUT
938
00:28:08,057 --> 00:28:09,759
THE INDISCRETIONS THAT I´VE HAD
939
00:28:09,759 --> 00:28:10,860
SINCE WE´VE BEEN TOGETHER--
940
00:28:10,860 --> 00:28:12,291
YOU KNOW, I KNOW I´M NOT
941
00:28:12,291 --> 00:28:14,023
PERFECT, BUT I THOUGHT YOU
942
00:28:14,023 --> 00:28:15,264
UNDERSTOOD. I TRUSTED YOU.
943
00:28:15,264 --> 00:28:16,726
I WISH YOU´D TRUSTED ME.
944
00:28:16,726 --> 00:28:18,898
>> WHAT--WHAT INDISCRETIONS?
945
00:28:18,898 --> 00:28:19,799
>> LISTEN, LIZ, LIZ, LIZ,
946
00:28:19,799 --> 00:28:20,730
DON´T INTERRUPT PEOPLE
947
00:28:20,730 --> 00:28:21,871
WHEN THEY´RE TRYING TO MAKE
948
00:28:21,871 --> 00:28:23,072
A RECONCILIATION, ALL RIGHT?
949
00:28:23,072 --> 00:28:24,033
>> NOTHING MORE. IT MEANT
950
00:28:24,033 --> 00:28:26,105
NOTHING. GOD, YOU HAVE BEEN
951
00:28:26,105 --> 00:28:28,007
SO UNAVAILABLE TO ME LATELY. I--
952
00:28:28,007 --> 00:28:29,108
I DON´T KNOW IF IT´S THE CAMERAS
953
00:28:29,108 --> 00:28:31,040
OR--OR WHAT, BUT SOMETIMES
954
00:28:31,040 --> 00:28:32,011
WHEN I´M WITH YOU, I HAVE
955
00:28:32,011 --> 00:28:33,042
NEVER FELT MORE ALONE.
956
00:28:33,042 --> 00:28:34,143
>> LOOK, I JUST--CAN WE--
957
00:28:34,143 --> 00:28:35,014
NOT HERE. PLEASE.
958
00:28:35,014 --> 00:28:36,045
>> OK, OK. TURN IT OFF.
959
00:28:36,045 --> 00:28:38,287
THE SHOW´S OVER. TURN IT OFF.
960
00:28:39,989 --> 00:28:40,850
>> GOD, YOU HAVE BEEN SO
961
00:28:40,850 --> 00:28:42,151
UNAVAILABLE TO ME LATELY. I--
962
00:28:42,151 --> 00:28:43,222
I DON´T KNOW IF IT´S THE CAMERAS
963
00:28:43,222 --> 00:28:45,354
OR--OR WHAT, BUT SOMETIMES WHEN
964
00:28:45,354 --> 00:28:46,295
I´M WITH YOU, I HAVE NEVER
965
00:28:46,295 --> 00:28:47,296
FELT MORE ALONE.
966
00:28:47,296 --> 00:28:48,227
>> LOOK, I JUST--CAN WE--
967
00:28:48,227 --> 00:28:49,298
NOT HERE. PLEASE.
968
00:28:49,298 --> 00:28:50,299
>> OK, OK. TURN IT OFF.
969
00:28:50,299 --> 00:28:53,262
THE SHOW´S OVER. TURN IT OFF.
970
00:28:53,262 --> 00:28:56,065
THIS IS THE CUT THEY WANNA AIR?
971
00:28:56,065 --> 00:28:58,307
>> MM-HMM. THE PRODUCERS LOVE
972
00:28:58,307 --> 00:28:59,338
IT. THEY WON´T CHANGE A FRAME
973
00:28:59,338 --> 00:29:01,841
AND WON´T CONSIDER ANY EDITS.
974
00:29:01,841 --> 00:29:02,772
WE´RE SCREWED.
975
00:29:02,772 --> 00:29:04,013
>> I KNEW WE SHOULDN´T DO THIS.
976
00:29:04,013 --> 00:29:05,915
I DID THIS FOR YOU. YOU FIX IT.
977
00:29:05,915 --> 00:29:06,876
>> OH, COME ON. LIKE YOU DON´T
978
00:29:06,876 --> 00:29:08,177
LOVE BEING MR. FAMOUS PLASTIC
979
00:29:08,177 --> 00:29:10,319
SURGEON. THERE´S A CAMERA AROUND
980
00:29:10,319 --> 00:29:11,250
THESE DAYS, YOU´RE LIKE A
981
00:29:11,250 --> 00:29:13,152
HEAT-SEEKING MISSILE. I WOULDN´T
982
00:29:13,152 --> 00:29:14,784
BE SURPRISED IF I TURN ON
983
00:29:14,784 --> 00:29:15,524
THE TV NEXT YEAR AND FIND YOU
984
00:29:15,524 --> 00:29:16,856
ON CELEBRITY FIT CLUB.
985
00:29:16,856 --> 00:29:18,257
>> I AM NOT FAT. I´M IN
986
00:29:18,257 --> 00:29:19,789
TERRIFIC SHAPE, AND I DON´T NEED
987
00:29:19,789 --> 00:29:21,290
TO GO ON THAT SHOW! I HAVE
988
00:29:21,290 --> 00:29:22,291
STANDARDS, YOU IDIOT!
989
00:29:22,291 --> 00:29:23,292
>> ALL RIGHT, ALL RIGHT.
990
00:29:23,292 --> 00:29:26,095
I´M SORRY, OK? I THOUGHT
991
00:29:26,095 --> 00:29:27,837
GETTING THAT TV SHOW WOULD EVEN
992
00:29:27,837 --> 00:29:28,798
THE PLAYING FIELD. I´M SORRY
993
00:29:28,798 --> 00:29:30,039
THAT I SINGLE-HANDEDLY DESTROYED
994
00:29:30,039 --> 00:29:35,805
OUR REPUTATION.
995
00:29:35,805 --> 00:29:37,076
>> WELL, NOBODY MADE ME SIGN THE
996
00:29:37,076 --> 00:29:41,080
CONSENT FORM. I ADMIT IT. I LIKE
997
00:29:41,080 --> 00:29:43,082
GETTING ATTENTION. AFTER YEARS
998
00:29:43,082 --> 00:29:44,313
IN YOUR SHADOW, I LIKED BEING
999
00:29:44,313 --> 00:29:48,357
IN THE LIMELIGHT. I´VE BECOME
1000
00:29:48,357 --> 00:29:52,291
DEEPLY SUPERFICIAL, HAVEN´T I?
1001
00:29:52,291 --> 00:29:55,825
I´VE GONE HOLLYWOOD.
1002
00:29:55,825 --> 00:29:56,565
WHAT ARE WE GONNA DO NOW?
1003
00:29:56,565 --> 00:29:57,366
>> WE HAVE TO MOVE BACK
1004
00:29:57,366 --> 00:29:58,327
TO MIAMI.
1005
00:29:58,327 --> 00:29:59,328
>> THEY HAVE CABLE TELEVISION
1006
00:29:59,328 --> 00:30:00,469
IN MIAMI, TOO.
1007
00:30:00,469 --> 00:30:01,370
>> THEN WE CAN´T SHOOT
1008
00:30:01,370 --> 00:30:02,301
ANY MORE EPISODES.
1009
00:30:02,301 --> 00:30:04,033
>> WE´RE CONTRACTED TO DO 13.
1010
00:30:04,033 --> 00:30:06,235
>> WELL, THEN, WE´RE SCREWED.
1011
00:30:06,235 --> 00:30:10,109
>> THERE´S ONLY ONE THING TO DO.
1012
00:30:10,109 --> 00:30:13,812
>> YOU´RE RIGHT. WE GOTTA HANG
1013
00:30:13,812 --> 00:30:15,845
FIONA AND THAT DUMB-ASS
1014
00:30:15,845 --> 00:30:17,216
BLISS BERGER BY THEIR PRESS-ON
1015
00:30:17,216 --> 00:30:20,920
FINGERNAILS. HEH.
1016
00:30:20,920 --> 00:30:22,191
>> I DON´T KNOW WHAT TO SAY.
1017
00:30:22,191 --> 00:30:23,392
>> THEN LET ME HELP. CRAWL BACK
1018
00:30:23,392 --> 00:30:24,593
TO FIONA AND TELL HER
1019
00:30:24,593 --> 00:30:25,895
THAT YOU´VE BOTH BEEN FIRED
1020
00:30:25,895 --> 00:30:27,096
BY McNAMARA/TROY.
1021
00:30:27,096 --> 00:30:28,197
>> THE SHOW IS A COMPLETE
1022
00:30:28,197 --> 00:30:29,358
EMBARRASSMENT. IT´S NOT ABOUT
1023
00:30:29,358 --> 00:30:31,260
DOCTORS. IT´S ABOUT 2 SEX-CRAZED
1024
00:30:31,260 --> 00:30:33,132
LUNATICS AND THEIR CRAZY FAMILY.
1025
00:30:33,132 --> 00:30:34,003
>> IF PEOPLE WANT TO WATCH
1026
00:30:34,003 --> 00:30:35,134
A CHEESY SOAP, THEY CAN WATCH
1027
00:30:35,134 --> 00:30:38,868
HEARTS ´N SCALPELS.
1028
00:30:38,868 --> 00:30:40,009
>> YOU HID CAMERAS
1029
00:30:40,009 --> 00:30:41,010
WITHOUT OUR CONSENT.
1030
00:30:41,010 --> 00:30:42,411
>> SORRY, BUT WATCHING YOU GUYS
1031
00:30:42,411 --> 00:30:43,272
INTERACT WHEN YOU THINK
1032
00:30:43,272 --> 00:30:44,613
NO ONE´S WATCHING IS WHERE
1033
00:30:44,613 --> 00:30:45,875
ALL THE ACTION IS.
1034
00:30:45,875 --> 00:30:47,016
>> WELL, DURING SURGERY, FINE,
1035
00:30:47,016 --> 00:30:48,147
BUT NOT WITH OUR WIVES AND
1036
00:30:48,147 --> 00:30:49,848
CHILDREN AND FRIENDS. THIS SHOW
1037
00:30:49,848 --> 00:30:51,420
WILL HURT PEOPLE IN OUR LIVES.
1038
00:30:51,420 --> 00:30:52,421
>> AND WE HAVE TO DO 12 MORE OF
1039
00:30:52,421 --> 00:30:53,883
THESE THINGS BECAUSE WE SIGNED
1040
00:30:53,883 --> 00:30:55,084
THAT CONSENT FORM. YOU DIDN´T
1041
00:30:55,084 --> 00:30:57,887
PROTECT US. YOU SCREWED US.
1042
00:30:57,887 --> 00:30:59,058
>> SO YOU WOULDN´T AGREE
1043
00:30:59,058 --> 00:31:00,159
TO ANY MORE RESHOOTS,
1044
00:31:00,159 --> 00:31:01,130
THAT SORT OF THING?
1045
00:31:01,130 --> 00:31:01,991
>> NO.
1046
00:31:01,991 --> 00:31:03,162
>> NO.
1047
00:31:03,162 --> 00:31:05,364
>> WELL, THEN, FINE. HEY, GOOD
1048
00:31:05,364 --> 00:31:07,366
NEWS. THE SHOW´S NOT HAPPENING.
1049
00:31:07,366 --> 00:31:08,367
I HOPE YOU´RE HAPPY. YOU KNOW,
1050
00:31:08,367 --> 00:31:10,139
YOU COULD HAVE BECOME HUGE STARS
1051
00:31:10,139 --> 00:31:11,340
FROM THIS.
1052
00:31:11,340 --> 00:31:13,172
>> WAIT A MINUTE. YOU GOT US
1053
00:31:13,172 --> 00:31:14,103
OUT OF IT?
1054
00:31:14,103 --> 00:31:15,204
>> I DIDN´T HAVE TO. THE NETWORK
1055
00:31:15,204 --> 00:31:16,375
TESTED THE SHOW THIS MORNING.
1056
00:31:16,375 --> 00:31:17,176
>> WHOA, WHOA, WHOA.
1057
00:31:17,176 --> 00:31:18,347
WAIT A SECOND. THE NETWORK
1058
00:31:18,347 --> 00:31:21,580
TESTED US? HOW HIGH´D WE SCORE?
1059
00:31:21,580 --> 00:31:23,052
BET YOU WE SCORED HUGE.
1060
00:31:23,052 --> 00:31:24,313
>> ACTUALLY, KILLER, IT WAS JUST
1061
00:31:24,313 --> 00:31:27,186
THE OPPOSITE. LET´S HAVE A LOOK.
1062
00:31:27,186 --> 00:31:29,588
THE TEST AUDIENCE RATED YOU LOW
1063
00:31:29,588 --> 00:31:31,620
ON THE LIKABILITY SCALE, UH,
1064
00:31:31,620 --> 00:31:34,193
A 2 ON A 1-TO-10 SCALE. AND THEY
1065
00:31:34,193 --> 00:31:35,424
THOUGHT THE TONE OF THE SHOW
1066
00:31:35,424 --> 00:31:37,666
WAS, AND I QUOTE, "PUSHING
1067
00:31:37,666 --> 00:31:40,269
CREDIBILITY." SAID ONE TESTER,
1068
00:31:40,269 --> 00:31:43,132
A MRS. LOIS GENE, "THIS SHOW
1069
00:31:43,132 --> 00:31:44,403
JUMPED THE SHARK 5 MINUTES
1070
00:31:44,403 --> 00:31:47,636
INTO THE PILOT." END QUOTE.
1071
00:31:47,636 --> 00:31:49,338
THE, UH, LESBIANS TESTED HIGH,
1072
00:31:49,338 --> 00:31:50,940
THOUGH. THEY ALWAYS DO.
1073
00:31:50,940 --> 00:31:52,081
GUYS FIND THAT HOT.
1074
00:31:52,081 --> 00:31:55,014
>> WHAT? THIS IS BULLSHIT.
1075
00:31:55,014 --> 00:31:56,915
WE´RE HOT! YOU TELL HER, SEAN.
1076
00:31:56,915 --> 00:31:59,288
>> SO WE´RE NOT PICKED UP?
1077
00:31:59,288 --> 00:32:00,619
>> NOPE. THE SHOW´S NOT
1078
00:32:00,619 --> 00:32:02,221
HAPPENING, ESPECIALLY WITHOUT
1079
00:32:02,221 --> 00:32:04,223
RESHOOTS, SO THANKS FOR KILLIN´
1080
00:32:04,223 --> 00:32:05,995
MY BABY. I APPRECIATE IT.
1081
00:32:05,995 --> 00:32:08,627
OH, AND, UH, BY THE WAY, BOYS,
1082
00:32:08,627 --> 00:32:10,359
BEFORE YOU CONSIDER FIRING
1083
00:32:10,359 --> 00:32:13,062
MYSELF AND MS. McNEIL, I SUGGEST
1084
00:32:13,062 --> 00:32:14,663
YOU WAIT A BEAT. IF THIS REPORT
1085
00:32:14,663 --> 00:32:16,365
GETS LEAKED TO THE BLOGGERS--AND
1086
00:32:16,365 --> 00:32:18,237
IT WILL--YOU´LL NEED SOMEBODY
1087
00:32:18,237 --> 00:32:23,672
AROUND TO DO DAMAGE CONTROL.
1088
00:32:23,672 --> 00:32:29,378
>> [SIGHS]
1089
00:32:29,378 --> 00:32:31,380
I THOUGHT WE WERE KINDA CUTE.
1090
00:32:31,380 --> 00:32:33,722
>> WELL, ME, TOO.
1091
00:32:33,722 --> 00:32:34,984
>> [SIGHS] HOW MUCH YOU THINK
1092
00:32:34,984 --> 00:32:39,258
IT COSTS FOR RESHOOTS?
1093
00:32:39,258 --> 00:32:40,189
Julia: BUT YOU KNOW, WHEN I TOLD
1094
00:32:40,189 --> 00:32:41,260
YOU ABOUT THE INDISCRETIONS
1095
00:32:41,260 --> 00:32:42,231
THAT I´VE HAD SINCE WE´VE
1096
00:32:42,231 --> 00:32:44,393
BEEN TOGETHER--YOU KNOW, I--
1097
00:32:44,393 --> 00:32:45,664
I KNOW I´M NOT PERFECT--
1098
00:32:45,664 --> 00:32:47,266
WHEN I TOLD YOU ABOUT
1099
00:32:47,266 --> 00:32:48,397
THE INDISCRETIONS THAT I´VE HAD
1100
00:32:48,397 --> 00:32:50,439
SINCE WE´VE BEEN TOGETHER--YOU
1101
00:32:50,439 --> 00:32:52,001
KNOW, I--I KNOW I´M NOT PERFECT,
1102
00:32:52,001 --> 00:32:53,742
BUT I THOUGHT YOU UNDERSTOOD.
1103
00:32:53,742 --> 00:32:55,004
WHEN I TOLD YOU ABOUT
1104
00:32:55,004 --> 00:32:56,275
THE INDISCRETIONS THAT I´VE HAD
1105
00:32:56,275 --> 00:32:57,646
SINCE WE´VE BEEN TOGETHER--
1106
00:32:57,646 --> 00:32:59,178
YOU KNOW, I--I KNOW I´M NOT
1107
00:32:59,178 --> 00:33:00,679
PERFECT, BUT I THOUGHT
1108
00:33:00,679 --> 00:33:02,151
YOU UNDERSTOOD. I TRUSTED YOU.
1109
00:33:02,151 --> 00:33:04,283
I WISH YOU´D TRUSTED ME.
1110
00:33:04,283 --> 00:33:06,355
[GRINDING]
1111
00:33:12,061 --> 00:33:13,662
>> WHAT I DON´T GET IS HOW
1112
00:33:13,662 --> 00:33:15,324
YOU KNEW ABOUT OLIVIA AND ME,
1113
00:33:15,324 --> 00:33:16,695
AND YOU WERE NOWHERE AROUND
1114
00:33:16,695 --> 00:33:17,996
WHEN WE KISSED.
1115
00:33:17,996 --> 00:33:19,028
>> MAYBE A LITTLE BIRDIE TOLD
1116
00:33:19,028 --> 00:33:21,230
ME. MAYBE I HAVE A HIDDEN CAMERA
1117
00:33:21,230 --> 00:33:23,032
OF MY OWN.
1118
00:33:23,032 --> 00:33:23,772
>> OH, YEAH?
1119
00:33:23,772 --> 00:33:25,404
WHERE DID IT HAPPEN?
1120
00:33:25,404 --> 00:33:27,406
>> IN THE LADIES´ BATHROOM.
1121
00:33:27,406 --> 00:33:28,677
>> OH, YOU HAVE A HIDDEN CAMERA
1122
00:33:28,677 --> 00:33:30,239
IN THE LADIES´ BATHROOM.
1123
00:33:30,239 --> 00:33:31,080
>> HOW ELSE WOULD I KNOW
1124
00:33:31,080 --> 00:33:35,314
YOU HAVE STRETCH MARKS?
1125
00:33:35,314 --> 00:33:37,186
LOOK, I ADMIT I WAS SHOCKED
1126
00:33:37,186 --> 00:33:38,117
TO FIND OUT THAT OLIVIA KISSED
1127
00:33:38,117 --> 00:33:39,048
YOU FIRST, AND I WAS EVEN MORE
1128
00:33:39,048 --> 00:33:40,719
PISSED THAT THEY DIDN´T CAPTURE
1129
00:33:40,719 --> 00:33:41,720
MY REACTION ON CAMERA, BECAUSE I
1130
00:33:41,720 --> 00:33:42,621
THINK IT WOULD HAVE MADE FOR
1131
00:33:42,621 --> 00:33:44,223
BRILLIANT TELEVISION. BUT I´M
1132
00:33:44,223 --> 00:33:46,425
NOT SURPRISED THAT OLIVIA MADE
1133
00:33:46,425 --> 00:33:47,756
THE FIRST MOVE, BECAUSE DESPITE
1134
00:33:47,756 --> 00:33:49,298
YOUR FLAWS--AND YOU HAVE MANY--
1135
00:33:49,298 --> 00:33:51,330
TRUST ME, YOU ARE STILL A VERY
1136
00:33:51,330 --> 00:33:55,704
CUTE LITTLE CUPCAKE. OH, I AM
1137
00:33:55,704 --> 00:33:57,035
SO HAPPY THOSE CAMERAS AREN´T
1138
00:33:57,035 --> 00:33:58,467
AROUND ANYMORE. AREN´T YOU?
1139
00:33:58,467 --> 00:34:00,309
WE CAN FINALLY GET LIFE
1140
00:34:00,309 --> 00:34:02,471
AROUND HERE BACK TO NORMAL.
1141
00:34:02,471 --> 00:34:04,213
AND IN THE SPIRIT OF NORMALCY,
1142
00:34:04,213 --> 00:34:05,744
I THINK YOU SHOULD INSULT ME.
1143
00:34:05,744 --> 00:34:08,147
>> OH, NO, NO, NO. NO, I AM DONE
1144
00:34:08,147 --> 00:34:09,618
WITH NAME-CALLING, CHRISTIAN.
1145
00:34:09,618 --> 00:34:10,749
>> OH, COME ON, LIZZIE. I JUST
1146
00:34:10,749 --> 00:34:11,750
APOLOGIZED. YOU CAN´T STILL BE
1147
00:34:11,750 --> 00:34:13,252
MAD AT ME. BESIDES, YOU´RE THE
1148
00:34:13,252 --> 00:34:14,323
ONE WHO KEPT LYING ABOUT YOUR
1149
00:34:14,323 --> 00:34:17,226
CRUSH ON MISS MUFFIN MUNCHER.
1150
00:34:17,226 --> 00:34:18,357
>> YOU KNOW, CHRISTIAN,
1151
00:34:18,357 --> 00:34:19,358
SOMETIMES YOU HAVE TO LIE TO
1152
00:34:19,358 --> 00:34:21,190
PROTECT OTHER PEOPLE´S FEELINGS.
1153
00:34:21,190 --> 00:34:22,761
YOU KNOW I DON´T THINK JULIA´S
1154
00:34:22,761 --> 00:34:24,633
A LESBIAN, BUT THERE´S NO REASON
1155
00:34:24,633 --> 00:34:29,168
OLIVIA HAS TO KNOW THAT.
1156
00:34:29,168 --> 00:34:31,440
>> YOU´RE RIGHT. I GUESS
1157
00:34:31,440 --> 00:34:32,641
SHE WOULD HAVE FIGURED IT OUT
1158
00:34:32,641 --> 00:34:33,372
ON HER OWN.
1159
00:34:33,372 --> 00:34:34,673
>> YOU KNOW, IN A PERFECT WORLD,
1160
00:34:34,673 --> 00:34:36,645
YOU´D BE WITH JULIA, AND I WOULD
1161
00:34:36,645 --> 00:34:38,147
RIDE OFF INTO THE SUNSET WITH
1162
00:34:38,147 --> 00:34:40,249
OLIVIA, BUT MAYBE THAT´S NOT THE
1163
00:34:40,249 --> 00:34:46,084
WAY IT´S MEANT TO HAPPEN, HUH?
1164
00:34:46,084 --> 00:34:52,121
[TELEPHONE RINGING]
1165
00:34:52,121 --> 00:34:54,123
>> HOW ARE THE ARMS?
1166
00:34:54,123 --> 00:34:55,424
>> [SIGHS] THEY ITCH LIKE HELL,
1167
00:34:55,424 --> 00:34:59,228
SEAN.
1168
00:34:59,228 --> 00:35:01,770
>> ALL RIGHT. LET´S, UH,
1169
00:35:01,770 --> 00:35:03,872
GIVE THE GRAFT SOME AIR.
1170
00:35:11,710 --> 00:35:14,213
HEY, EASY, EASY. YOU´LL RIP
1171
00:35:14,213 --> 00:35:17,686
YOUR STITCHES. THEY LOOK LIKE
1172
00:35:17,686 --> 00:35:18,747
THEY´RE HEALING WELL. YOU JUST
1173
00:35:18,747 --> 00:35:21,820
CAN´T SCRATCH LIKE THAT.
1174
00:35:27,696 --> 00:35:28,857
>> WHAT AM I GONNA DO?
1175
00:35:28,857 --> 00:35:29,698
MY MOM SAYS I HAVE TO GO
1176
00:35:29,698 --> 00:35:31,760
TO PUBLIC SCHOOL NOW.
1177
00:35:31,760 --> 00:35:33,262
>> I THINK THAT COULD
1178
00:35:33,262 --> 00:35:36,134
BE GOOD FOR YOU.
1179
00:35:36,134 --> 00:35:37,636
>> ARE YOU INSANE? I DON´T
1180
00:35:37,636 --> 00:35:38,437
BELONG IN PUBLIC SCHOOL.
1181
00:35:38,437 --> 00:35:40,709
I WON´T SURVIVE.
1182
00:35:40,709 --> 00:35:46,215
>> WHERE DO YOU BELONG, THEN?
1183
00:35:46,215 --> 00:35:52,681
>> NOWHERE, I GUESS.
1184
00:35:52,681 --> 00:35:57,186
OR MAYBE WITH YOU.
1185
00:35:57,186 --> 00:35:58,227
YOU´RE THE ONLY ONE WHO´S EVEN
1186
00:35:58,227 --> 00:36:00,259
PRETENDED TO BE NICE TO ME.
1187
00:36:00,259 --> 00:36:01,430
PRETTY MUCH EVERYONE ELSE
1188
00:36:01,430 --> 00:36:06,735
WANTS ME TO GO TO HELL.
1189
00:36:06,735 --> 00:36:10,639
>> YOU NEED TO GET SOME REST.
1190
00:36:10,639 --> 00:36:13,602
>> WAIT.
1191
00:36:13,602 --> 00:36:15,604
WILL YOU STAY WITH ME,
1192
00:36:15,604 --> 00:36:20,249
JUST FOR A LITTLE WHILE?
1193
00:36:20,249 --> 00:36:22,681
>> MAYBE FOR A MOMENT.
1194
00:37:10,399 --> 00:37:11,800
[CRICKETS CHIRPING]
1195
00:37:11,800 --> 00:37:13,932
[DOOR OPENS]
1196
00:37:20,839 --> 00:37:21,910
>> SO IS THIS IT?
1197
00:37:21,910 --> 00:37:22,911
YOU´RE MOVING OUT?
1198
00:37:22,911 --> 00:37:24,313
>> IS THAT WHAT YOU WANT?
1199
00:37:24,313 --> 00:37:26,014
>> OF COURSE NOT. I WANT TO BE
1200
00:37:26,014 --> 00:37:28,977
WITH YOU, BUT FIRST YOU NEED
1201
00:37:28,977 --> 00:37:30,879
TO REALIZE THAT WHO YOU ARE
1202
00:37:30,879 --> 00:37:32,951
AND WHAT YOU ARE IS NOTHING
1203
00:37:32,951 --> 00:37:35,924
TO BE ASHAMED OF.
1204
00:37:35,924 --> 00:37:39,027
>> THEN WHY AM I SO SCARED?
1205
00:37:39,027 --> 00:37:42,661
>> [SIGHS] BECAUSE--
1206
00:37:42,661 --> 00:37:44,763
I DON´T KNOW. YOU´VE ONLY KNOWN
1207
00:37:44,763 --> 00:37:47,336
ONE THING YOUR WHOLE LIFE.
1208
00:37:47,336 --> 00:37:49,037
CHANGE IS HARD.
1209
00:37:49,037 --> 00:37:51,900
>> YEAH. BUT IT´S NOT THAT.
1210
00:37:51,900 --> 00:37:53,972
I LOVE BEING WITH YOU. IT--
1211
00:37:53,972 --> 00:37:55,944
IT´S JUST...
1212
00:37:55,944 --> 00:37:56,875
>> YOU FEEL JUDGED
1213
00:37:56,875 --> 00:38:02,951
FOR BEING A LESBIAN IN PUBLIC.
1214
00:38:02,951 --> 00:38:04,413
WHY DO YOU THINK SO MANY OF US
1215
00:38:04,413 --> 00:38:07,356
ARE STILL IN THE CLOSET?
1216
00:38:07,356 --> 00:38:10,959
IT TAKES A STRONG INDIVIDUAL
1217
00:38:10,959 --> 00:38:13,892
TO BE GAY IN THIS WORLD, JULIA,
1218
00:38:13,892 --> 00:38:18,967
A STRONG PERSONALITY.
1219
00:38:18,967 --> 00:38:22,831
YOU´RE VERY STRONG. IT´S ONE
1220
00:38:22,831 --> 00:38:23,672
OF THE BIGGEST REASONS
1221
00:38:23,672 --> 00:38:26,975
I FELL IN LOVE WITH YOU.
1222
00:38:26,975 --> 00:38:31,340
>> I DON´T FEEL STRONG AT ALL.
1223
00:38:31,340 --> 00:38:37,916
>> TRUST ME. YOU ARE.
1224
00:38:37,916 --> 00:38:40,749
>> HEH. IT´S JUST SO MUCH EASIER
1225
00:38:40,749 --> 00:38:43,452
WHEN WE´RE ALONE.
1226
00:38:43,452 --> 00:38:44,993
>> WELL, THE CAMERAS
1227
00:38:44,993 --> 00:38:46,395
HAVE ALL GONE.
1228
00:38:46,395 --> 00:38:52,030
>> [LAUGHS]
1229
00:38:52,030 --> 00:38:56,004
PROMISE ME SOMETHING.
1230
00:38:56,004 --> 00:38:59,808
IF I´M EVER NOT BEING AS OPEN
1231
00:38:59,808 --> 00:39:03,111
AS I SHOULD BE, LET ME KNOW
1232
00:39:03,111 --> 00:39:05,073
ABOUT IT FIRST BEFORE YOU´D
1233
00:39:05,073 --> 00:39:09,648
RUN TO LIZ.
1234
00:39:09,648 --> 00:39:13,652
>> I DO PROMISE, BUT YOU NEED
1235
00:39:13,652 --> 00:39:15,384
TO GIVE ME THE SAME RESPECT AND
1236
00:39:15,384 --> 00:39:17,926
STAY OUT OF CHRISTIAN´S BED.
1237
00:39:44,853 --> 00:39:51,690
>> [SIGHS]
1238
00:39:51,690 --> 00:39:56,394
[SIGHS]
1239
00:39:56,394 --> 00:39:57,966
>> WHEN EDEN BURST INTO THE
1240
00:39:57,966 --> 00:40:00,469
SURGERY SUITE THAT DAY, DO YOU
1241
00:40:00,469 --> 00:40:02,070
BELIEVE ANYTHING SHE SAID?
1242
00:40:02,070 --> 00:40:03,001
>> OF COURSE NOT. STUPID LITTLE
1243
00:40:03,001 --> 00:40:05,403
BITCH´LL SAY ANYTHING.
1244
00:40:05,403 --> 00:40:06,805
>> SO YOU DIDN´T PUT THOSE PILLS
1245
00:40:06,805 --> 00:40:08,036
IN HER BAG?
1246
00:40:08,036 --> 00:40:13,041
>> WHAT? NO, OF COURSE I DIDN´T.
1247
00:40:13,041 --> 00:40:14,443
>> SHE TOLD ME SHE LIED ABOUT
1248
00:40:14,443 --> 00:40:15,714
YOU AND JULIA SLEEPING TOGETHER
1249
00:40:15,714 --> 00:40:21,019
AGAIN.
1250
00:40:21,019 --> 00:40:22,050
>> I WONDER WHY SHE FINALLY
1251
00:40:22,050 --> 00:40:25,023
ADMITTED SHE LIED?
1252
00:40:25,023 --> 00:40:28,997
>> GUILT, I GUESS. MAYBE SHE
1253
00:40:28,997 --> 00:40:30,459
FELT LIKE TOO MUCH DAMAGE
1254
00:40:30,459 --> 00:40:33,001
HAD BEEN DONE AND IT WAS TIME
1255
00:40:33,001 --> 00:40:37,135
TO STOP HURTING PEOPLE.
1256
00:40:37,135 --> 00:40:39,668
>> MAYBE.
81799
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
