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>> ♫ MAKE ME
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BEAUTIFUL ♫
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♫ MAKE ME
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THE PERFECT SOUL,
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A PERFECT MIND,
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A PERFECT FACE,
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A PERFECT
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LIE ♫
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[LIGHTS BUZZING]
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>> ♫ THE BEST IS YET TO COME,
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AND, BABE, WON´T IT BE FINE?
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YOU THINK YOU´VE SEEN THE SUN,
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BUT YOU AIN´T SEEN IT SHINE,
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WAIT TILL THE WARM-UP´S
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UNDER WAY,
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WAIT TILL OUR LIPS HAVE MET,
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WAIT TO SEE THAT SUNSHINE DAY,
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YOU AIN´T SEEN NOTHIN´ YET ♫
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>> DOWN BY 5, PARTNER. THINK YOU
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CAN GET INSIDE OF ME NOW?
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>> HEH HEH HEH.
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[SHOES SQUEAK]
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HEY, THAT´S A FOUL.
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>> OH!
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>> NOW, LOOK, REAL MEN
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DON´T CHEAT.
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>> THEY DO IF THEY WANNA WIN.
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FACE IT, PARTNER. YOU CAN´T
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DOMINATE ME. NEVER HAVE.
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NEVER WILL.
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OHH!
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COME ON. YOU´RE JUST GONNA SCUFF
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THE NEW FLOOR.
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>> WHO CARES? IT´S NOT LIKE
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WE GOT PATIENTS IN HERE
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TO COMPLAIN.
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[SHOES SQUEAKING]
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>> YES!
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>> IT´S BEEN 2 MONTHS WITHOUT
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EVEN A BOTOX SHOT, CHRISTIAN.
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SO FAR, THE ONLY THING I HAVE
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TO SHOW FOR OPENING A NEW
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PRACTICE IN LOS ANGELES IS
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A BETTER HOOK SHOT.
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>> I WOULDN´T GO THAT FAR.
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HA HA HA HA. LOOK, WE BOTH KNEW
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IT WASN´T GONNA BE EASY, RIGHT?
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>> YEAH.
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>> BUT IT´S NOT LIKE WE CAN
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START UP IN A STRIP MALL,
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HAND OUT FLIERS HOPING PEOPLE
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WILL COME THROUGH THE DOOR.
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>> WORKED THE FIRST TIME
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WE STARTED A BUSINESS TOGETHER.
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>> AT 25, BABY. AT 40,
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YOU GOTTA GO ALL OUT.
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OWW!
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WE OWNED MIAMI, RIGHT?
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>> YEAH.
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>> RIGHT? SO SOONER OR LATER,
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WE´RE GONNA MAKE THIS TOWN
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OUR BITCH, TOO.
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SPEAK O´ THE DEVIL.
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>> REPO MAN. HE´S IN
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YOUR OFFICE.
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>> REPO MAN?
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>> SORRY, DOC. YOU HAVEN´T PAID
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YOUR BILL.
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>> BUT I JUST SENT A CHECK
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LAST WEEK.
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>> AND IT BOUNCED HIGHER THAN
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HENDRIX WAS AT WOODSTOCK.
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[CHUCKLES]
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>> YOU CAN´T KIDNAP OUR FISH.
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>> CAN´T WORK FOR FREE EITHER.
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IF I STOP COMIN´ TO CLEAN
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THE TANKS, THE LITTLE GUYS
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GO BELLY UP. OH, I´LL TELL YOU
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WHAT. I DON´T WANNA TERRORIZE
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THE LITTLE AQUA DUDES HERE,
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AND THEY´RE JUST SETTLIN´ IN.
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I´LL GIVE YOU A WEEK. COOL?
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>> COOL.
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>> I KNEW THIS WAS A MISTAKE.
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I KNEW INVESTING ALL OUR
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SETTLEMENT MONEY FROM MICHELLE
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INTO A RODEO DRIVE SINKHOLE WAS
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GONNA BITE US RIGHT IN THE ASS.
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>> PERHAPS YOU COULD
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SAVE YOUR ASS BY SELLING OFF
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THAT DISGUSTINGLY EXTRAVAGANT
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MALIBU BEACH PAD.
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>> NO WAY. IMAGE IS EVERYTHING
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IN THIS TOWN. BESIDES, IF I SELL
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THE MALIBU COMPOUND, WHERE´S MY
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PARTNER GONNA STAY, HUH, IN YOUR
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HIDEOUS SILVER LAKE ONE BEDROOM?
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>> I´M ONLY BUNKING WITH YOU
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BECAUSE I´M UP TO MY ASS
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IN ALIMONY AND CHILD SUPPORT.
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>> YOU´RE GONNA NEED
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A BIGGER BOAT.
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>> WHAT?
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>> JAWS, FIRST TIME BRODY SEES
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THE SHARK. YOU GUYS ARE IN OVER
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YOUR HEADS. YOU´RE CHUM BEING
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DEVOURED BY ALL THE RODEO DRIVE
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GREAT WHITES.
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>> YOU GOTTA HAVE FAITH, LIZZIE.
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THE PATIENTS WILL COME.
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>> FAITH AIN´T GONNA CUT IT
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OUT HERE, CHRISTIAN. YOU WANT
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THE HOLLYWOOD DREAM, YOU GOTTA
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GO OUT AND GET IT, NOT WAIT
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TO BE DISCOVERED, SO GET UP OFF
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YOUR ASSES AND GO GET SOME.
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GET SOME TITS WHILE YOU´RE
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AT IT, TOO. NECKS, CHINS,
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SAGGING VAGINAS. THIS IS
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LOS ANGELES, FOR GOD´S SAKE.
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>> I THINK LIZZIE´S RIGHT.
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WE NEED TO GO ON A FISHING
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EXPEDITION OF OUR OWN.
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>> WHAT ARE WE GONNA USE
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AS BAIT?
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>> [SIGHS] US. HEH HEH.
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>> ♫ ALL THE HOMIES,
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THEY KNOW WHAT I MEAN,
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BABY, LET ME SHOW HOW I LEAN ♫
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>> ♫ LIKE A CHOLO ♫
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>> ♫ LAID-BACK,
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BOUNCE TO THE CUT,
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WHEN WE DO A DANCE,
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THEN WE DO IT LIKE WHAT? ♫
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>> ♫ LIKE A--LIKE A CHOLO ♫
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>> ♫ SIDE TO SIDE,
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ELBOWS U-UP, SIDE TO SIDE,
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ELBOWS UP, SIDE TO SIDE,
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E-E-ELBOWS U-UP, SIDE TO SIDE ♫
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>> ♫ LIKE A CHOLO ♫
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>> ♫ ALL UP IN THE CLUB,
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10 DEEP,
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LOOKIN´ FOR SOME HEINAS,
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WE ON THE CREEP,
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I NEED A BAD ONE, A REAL FREAK,
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FIND ´EM ON THE DANCE FLOOR,
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SO DON´T SLEEP,
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DAMN, I LIKE YOU, I LIKE YOU,
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BUT I REALLY WANT HER,
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SHE´S THAT TYPE, I CAN TELL,
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LET ME GET IN TO DEEP,
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TAKE HER BACK TO THE HOTEL,
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BUT RIGHT NOW I´M ON THE MOVE,
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SHOW THIS LITTLE MAMA
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HOW A GANGSTER GROOVE,
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I DON´T DO A WHOLE LOT,
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JUST ENOUGH,
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LEAN SIDE TO SIDE,
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KEEP MY ELBOWS UP LIKE THIS
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AND LIKE THAT,
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ALL THE GIRLS KNOW
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WHERE THE REAL G´s AT,
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YOU CAN FIND US
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WAY UP IN THE BACK,
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WATCHIN´ THAT A-ASS
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BOUNCE LIKE A LOW-LOW,
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LEAN LIKE A CHOLO ♫
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>> ♫ SIDE TO SIDE,
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ELBOWS U-UP, SIDE TO SIDE ♫
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>> ♫ HEY ♫
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>> ♫ ELBOWS UP, SIDE TO SIDE,
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E-E-ELBOWS U-UP, SIDE TO SIDE ♫
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>> ♫ I LEAN LIKE A CHOLO ♫
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>> ♫ SIDE TO SIDE,
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ELBOWS U-UP, SIDE TO SIDE ♫
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>> ♫ HEY ♫
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>> ♫ ELBOWS UP, SIDE TO SIDE,
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E-E-ELBOWS U-UP, SIDE TO SIDE ♫
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>> ♫ I LEAN LIKE A CHOLO ♫
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>> ♫ SIDE TO SIDE,
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ELBOWS UP, SIDE TO SIDE,
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E-E-ELBOWS U-UP, SIDE TO SIDE ♫
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>> ♫ LIKE A CHOLO... ♫
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>> WHAT´S THE PLAN?
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>> DIVIDE AND CONQUER.
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>> ♫ BABY, LET ME SHOW YOU
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HOW I LEAN ♫
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>> ♫ LIKE A CHOLO ♫
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>> ♫ LAID-BACK,
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BOUNCE TO THE CUT,
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WHEN WE DO A DANCE,
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THEN WE DO IT LIKE WHAT? ♫
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>> DR. CHRISTIAN TROY,
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PLASTIC SURGEON.
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>> ACTORS ARE JUDGED BY THEIR
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APPEARANCE. MAYBE WE COULD
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FRESHEN YOU UP A BIT FOR
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YOUR NEXT AUDITION.
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>> THAT IS SO SWEET, BUT I GET
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ALL MY WORK DONE WITH
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DR. ESKANDARIAN.
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>> ♫ SIDE TO SIDE,
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ELBOWS UP... ♫
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>> DR. THAYER DID
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MY CHIN IMPLANT.
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>> ♫ ELBOWS UP... ♫
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>> MY LIPS.
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>> MY VAGINA.
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>> MY TITS.
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>> HE DOES ALL THE BIG STARS.
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HE ACTUALLY SHAVED DOWN THE BUMP
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ON MY NOSE A FEW MONTHS AGO.
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>> YOU EVER DONE ANYONE FAMOUS?
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>> UH, WE ALMOST WORKED ON
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JOAN RIVERS.
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Sean: SOMETHING WRONG?
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>> IT´S JUST THAT MOST GUYS YOUR
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AGE WHO COME IN WEARING SUITS
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LIKE THAT ARE AGENTS. MINE JUST
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DROPPED ME, SO I WAS HOPING
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YOU WERE ONE.
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>> I´M THE WEST COAST EDITOR
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OF US WEEKLY. IF YOU EVER DO
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SOMEONE IMPORTANT, GIVE ME
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A CALL. IT´S ANONYMOUS.
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>> ♫ ELBOWS UP, SIDE TO SIDE ♫
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>> ♫ FIN-FIN-FIN-FINGAZZ
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ON THE TRACK ♫
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>> JESUS. HAS ANYONE IN THIS
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TOWN NOT HAD PLASTIC SURGERY?
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>> I FEEL LIKE I´M TRYIN´ TO
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SELL SEMEN AT A WHOREHOUSE.
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OOH. UNCUT FLESH 11:00.
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[TAPS A BEAT ON THE TABLE]
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>> HI. I´M DR. CHRISTIAN TROY.
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THIS IS MY PARTNER.
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>> DR. SEAN McNAMARA.
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WE´RE PLASTIC SURGEONS.
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>> I-I´VE ALWAYS RESISTED
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GETTING ANYTHING DONE.
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>> WELL, MAYBE YOU HAVEN´T
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MET THE RIGHT SURGEONS YET.
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WE´RE NEW IN TOWN, FROM MIAMI.
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>> MIAMI, YEAH.
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>> WE´D LOVE YOU TO COME IN
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FOR A CONSULT.
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>> FREE CONSULT.
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>> FREE CONSULT.
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>> AND THEN WILL I BE HAPPY?
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>> WELL...
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>> YOU´RE BOTH CUTE AS CLAMS,
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AND I DON´T KNOW HOW THEY
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DO BUSINESS IN MIAMI, BUT IN
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HOLLYWOOD, TROLLING FOR BUSINESS
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AT A NIGHTCLUB ISN´T
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A SAVVY MARKETING TECHNIQUE.
257
00:08:10,961 --> 00:08:12,963
IT´S PATHETIC. AND IF YOU
258
00:08:12,963 --> 00:08:13,994
WANNA MAKE IT IN THIS TOWN,
259
00:08:13,994 --> 00:08:15,025
YOU´RE GONNA HAVE TO DO A BETTER
260
00:08:15,025 --> 00:08:16,767
JOB OF SELLING YOURSELVES.
261
00:08:16,767 --> 00:08:17,698
>> WHAT MAKES YOU THE EXPERT,
262
00:08:17,698 --> 00:08:18,629
HUH?
263
00:08:18,629 --> 00:08:20,170
>> SEE THOSE BLONDES OVER THERE?
264
00:08:20,170 --> 00:08:21,171
THE ONE ON THE RIGHT IS A CLIENT
265
00:08:21,171 --> 00:08:22,703
OF MINE. SHE´S GOT AS MANY
266
00:08:22,703 --> 00:08:23,934
GOLD RECORDS AS SHE HAS TRIPS
267
00:08:23,934 --> 00:08:25,706
TO REHAB. THAT´S HER MOTHER
268
00:08:25,706 --> 00:08:27,578
BUYING HER SHOTS. I´M HERE
269
00:08:27,578 --> 00:08:28,779
TO KEEP AN EYE ON HER, MAKE SURE
270
00:08:28,779 --> 00:08:29,910
SHE DOESN´T COMPLETELY DESTROY
271
00:08:29,910 --> 00:08:32,813
THE IMAGE I WORKED MY ASS OFF
272
00:08:32,813 --> 00:08:37,648
CREATING FOR HER. FIONA McNEIL,
273
00:08:37,648 --> 00:08:40,821
PUBLICIST.
274
00:08:40,821 --> 00:08:42,623
>> I THINK OUR CREDENTIALS SPEAK
275
00:08:42,623 --> 00:08:44,254
FOR THEMSELVES. BEEN WRITTEN UP
276
00:08:44,254 --> 00:08:45,195
IN THE NEW ENGLAND JOURNAL
277
00:08:45,195 --> 00:08:46,557
OF MEDICINE 3 TIMES,
278
00:08:46,557 --> 00:08:47,628
PLASTIC RECONSTRUCTIVE SURGERY
279
00:08:47,628 --> 00:08:48,298
JOURNAL TWICE.
280
00:08:48,298 --> 00:08:49,299
>> AND HOW MANY TIMES HAVE YOU
281
00:08:49,299 --> 00:08:50,631
BEEN WRITTEN UP IN PEOPLE
282
00:08:50,631 --> 00:08:52,302
MAGAZINE, HOTSHOT? YOU CAN´T
283
00:08:52,302 --> 00:08:53,634
SPIT IN THIS TOWN WITHOUT
284
00:08:53,634 --> 00:08:54,765
HITTING A PLASTIC SURGEON FROM
285
00:08:54,765 --> 00:08:56,306
HARVARD. IT´S NOT WHAT
286
00:08:56,306 --> 00:08:58,238
YOU´VE DONE. IT´S WHOM.
287
00:08:58,238 --> 00:08:59,870
CELEBRITY IS POWER.
288
00:08:59,870 --> 00:09:01,712
>> WELL, WE´RE SCREWED. WE CAN´T
289
00:09:01,712 --> 00:09:02,713
GET A CELEBRITY UNTIL WE´VE
290
00:09:02,713 --> 00:09:04,544
OPERATED ON A CELEBRITY.
291
00:09:04,544 --> 00:09:06,216
>> OR BECOME CELEBRITIES
292
00:09:06,216 --> 00:09:07,317
YOURSELF.
293
00:09:07,317 --> 00:09:08,248
>> YOU MEAN ADVERTISE?
294
00:09:08,248 --> 00:09:09,650
>> ANYONE CAN ADVERTISE, BUT NOT
295
00:09:09,650 --> 00:09:12,152
EVERYONE CAN GET EXPOSURE.
296
00:09:12,152 --> 00:09:13,624
>> WHAT´S THE DIFFERENCE?
297
00:09:13,624 --> 00:09:14,725
>> DIFFERENCE IS YOU DON´T LOOK
298
00:09:14,725 --> 00:09:17,187
LIKE THE ONE PLACING THE AD.
299
00:09:17,187 --> 00:09:19,159
THAT´S PUBLICITY. THAT´S WHAT
300
00:09:19,159 --> 00:09:20,731
I DO BETTER THAN ANYONE IN THIS
301
00:09:20,731 --> 00:09:22,693
TOWN FOR 5,000 A MONTH.
302
00:09:22,693 --> 00:09:24,595
>> WE DON´T HAVE IT.
303
00:09:24,595 --> 00:09:26,336
>> TOO BAD, PUPPY, ´CAUSE I HAVE
304
00:09:26,336 --> 00:09:27,868
A UNIQUE OPPORTUNITY THAT WOULD
305
00:09:27,868 --> 00:09:29,670
FIT YOU GUYS LIKE A SURGEON´S
306
00:09:29,670 --> 00:09:30,941
GLOVE. TCCH.
307
00:09:30,941 --> 00:09:34,645
>> WE´VE GOT IT. WHAT IS IT?
308
00:09:34,645 --> 00:09:39,680
>> HEARTS ´N SCALPELS. HEH HEH.
309
00:09:39,680 --> 00:09:41,952
YOU GUYS DON´T WATCH TELEVISION?
310
00:09:41,952 --> 00:09:42,953
HEARTS ´N SCALPELS IS
311
00:09:42,953 --> 00:09:45,716
A FANTASTIC NEW SERIES ABOUT
312
00:09:45,716 --> 00:09:47,688
PLASTIC SURGERY. THE SHOW RUNNER
313
00:09:47,688 --> 00:09:49,219
HAPPENS TO BE A CLIENT OF MINE,
314
00:09:49,219 --> 00:09:50,961
AND HE´S LOOKING FOR A MEDICAL
315
00:09:50,961 --> 00:09:52,793
ADVISER TO HELP HIM WITH
316
00:09:52,793 --> 00:09:53,764
THE TECHNICAL STUFF.
317
00:09:53,764 --> 00:09:54,765
>> ARE YOU SAYING THAT BEING
318
00:09:54,765 --> 00:09:55,696
ON A TV SHOW WOULD GIVE US
319
00:09:55,696 --> 00:09:56,596
CREDIBILITY?
320
00:09:56,596 --> 00:09:59,129
>> BINGO. I THINK HE´S GOT IT.
321
00:10:04,975 --> 00:10:06,306
>> BET YOU NEVER SEEN A VIEW
322
00:10:06,306 --> 00:10:10,711
LIKE THIS, HAVE YOU, BABY?
323
00:10:10,711 --> 00:10:12,843
>> IT´S SO BEAUTIFUL. I THINK
324
00:10:12,843 --> 00:10:15,686
I CAN SEE ALL THE WAY TO CANADA.
325
00:10:15,686 --> 00:10:17,718
>> WHEW. THAT´S NOT THE VIEW
326
00:10:17,718 --> 00:10:20,751
I´M TALKIN´ ABOUT.
327
00:10:20,751 --> 00:10:22,693
>> OH, DR. CLIFT. I DON´T
328
00:10:22,693 --> 00:10:24,695
KNOW ABOUT THIS. I´M JUST
329
00:10:24,695 --> 00:10:25,926
A FIRST-YEAR PLASTIC SURGERY
330
00:10:25,926 --> 00:10:26,827
RESIDENT.
331
00:10:26,827 --> 00:10:27,858
>> OH, AND I´M JUST SHOWIN´ YOU
332
00:10:27,858 --> 00:10:29,229
HOW I OPERATE.
333
00:10:29,229 --> 00:10:30,400
>> OH.
334
00:10:30,400 --> 00:10:32,002
>> THINK OF ME AS YOUR
335
00:10:32,002 --> 00:10:34,264
FIRST LESSON.
336
00:10:34,264 --> 00:10:35,265
>> THEY SHOULD JUST BE HONEST
337
00:10:35,265 --> 00:10:37,007
AND RENAME THIS SHOW SHIT.
338
00:10:37,007 --> 00:10:38,368
>> SHIT.
339
00:10:38,368 --> 00:10:41,011
[WOMAN SIGHING]
340
00:10:41,011 --> 00:10:43,814
>> YOU´RE SO HOT.
341
00:10:43,814 --> 00:10:44,675
Sean: HEH.
342
00:10:44,675 --> 00:10:45,946
>> WHO IS THIS AIDAN STONE
343
00:10:45,946 --> 00:10:46,717
DOUCHE?
344
00:10:46,717 --> 00:10:47,347
>> HE´S HILARIOUS.
345
00:10:47,347 --> 00:10:48,318
>> HE´S RIDICULOUS. HE THINKS
346
00:10:48,318 --> 00:10:50,050
HE´S JAMES BOND OR SOMETHING.
347
00:10:50,050 --> 00:10:51,321
HE´S NOT EVEN THAT GOOD-LOOKING.
348
00:10:51,321 --> 00:10:52,422
I´M HOTTER THAN HE IS.
349
00:10:52,422 --> 00:10:53,824
Woman: OH, YEAH.
350
00:10:53,824 --> 00:10:54,785
>> WE´RE SAILIN´ ON THE WATER,
351
00:10:54,785 --> 00:10:55,355
BABY.
352
00:10:55,355 --> 00:10:57,387
>> OH, YEAH. OH, YEAH.
353
00:10:57,387 --> 00:10:59,389
>> YOU´RE SAILIN´
354
00:10:59,389 --> 00:11:00,861
WITH THE DOCTOR.
355
00:11:00,861 --> 00:11:02,192
>> THIS IS REALLY BAD.
356
00:11:02,192 --> 00:11:02,933
>> HEH HEH HEH.
357
00:11:02,933 --> 00:11:03,764
IT´S PRETTY GOOD.
358
00:11:03,764 --> 00:11:04,765
>> REAL BAD. I DON´T EVEN KNOW
359
00:11:04,765 --> 00:11:05,665
WHAT YOU´RE LOOKIN´--
360
00:11:05,665 --> 00:11:06,336
>> IT´S ENTERTAINING.
361
00:11:06,336 --> 00:11:07,938
[CELLPHONE RINGS]
362
00:11:07,938 --> 00:11:09,900
[RING]
363
00:11:09,900 --> 00:11:14,004
>> YEAH? CAR ACCIDENT?
364
00:11:14,004 --> 00:11:17,247
I´LL BE THERE IN 10.
365
00:11:17,247 --> 00:11:19,049
10 ORGASMS.
366
00:11:19,049 --> 00:11:21,952
>> [CHUCKLES] IT IS PRETTY FUN.
367
00:11:21,952 --> 00:11:24,184
[DRAMATIC THEME MUSIC PLAYING]
368
00:11:37,968 --> 00:11:39,800
YOU THINK THEY KNOW IT´S FUNNY?
369
00:11:39,800 --> 00:11:41,331
SUPPOSED TO BE LIKE A DRAMA,
370
00:11:41,331 --> 00:11:41,972
RIGHT?
371
00:11:41,972 --> 00:11:42,933
>> ...REMOVED HER CHEEK IMPLANTS
372
00:11:42,933 --> 00:11:44,074
FROM HER ESOPHAGUS. SHE´S STILL
373
00:11:44,074 --> 00:11:45,035
GONNA NEED A COMPLETE FACIAL
374
00:11:45,035 --> 00:11:46,336
RECONSTRUCTION HERE. WHERE´S THE
375
00:11:46,336 --> 00:11:47,237
DOCTOR? WHERE IS THE DOCTOR?
376
00:11:47,237 --> 00:11:48,038
>> SOMEONE CALL FOR
377
00:11:48,038 --> 00:11:49,379
A PLASTIC SURGEON?
378
00:11:49,379 --> 00:11:50,240
>> WHAT THE HELL IS THIS?
379
00:11:50,240 --> 00:11:51,441
THEY DON´T WEAR MASKS OR HATS?
380
00:11:51,441 --> 00:11:52,412
>> YOU´RE GONNA BE FINE.
381
00:11:52,412 --> 00:11:53,483
10 BLADE.
382
00:11:53,483 --> 00:11:54,284
[MONITOR FLAT-LINES]
383
00:11:54,284 --> 00:11:55,185
>> SHE´S CRASHING! OH, GOD!
384
00:11:55,185 --> 00:11:56,046
GET THE CRASH CART! STAT!
385
00:11:56,046 --> 00:11:56,887
>> GIVE ME THE PADDLES.
386
00:11:56,887 --> 00:11:59,449
GIVE ME PADDLES. STAT.
387
00:11:59,449 --> 00:12:00,050
PADDLES!
388
00:12:00,050 --> 00:12:02,823
>> LET´S GO. PADDLES.
389
00:12:02,823 --> 00:12:03,954
>> ALL RIGHT, PUT IT UP TO 380.
390
00:12:03,954 --> 00:12:05,025
>> 380. 380.
391
00:12:05,025 --> 00:12:05,996
>> CLEAR. HUNH!
392
00:12:05,996 --> 00:12:07,327
Sean: LOOK AT THOSE TITS.
393
00:12:07,327 --> 00:12:08,999
>> ALL RIGHT, ALL RIGHT, 360.
394
00:12:08,999 --> 00:12:09,930
>> 360. 360!
395
00:12:09,930 --> 00:12:10,831
>> NO, NO, NO. 460. 460.
396
00:12:10,831 --> 00:12:11,361
>> FOUR. 460!
397
00:12:11,361 --> 00:12:12,162
>> CLEAR! CLEAR!
398
00:12:12,162 --> 00:12:13,733
>> CLEAR!
399
00:12:13,733 --> 00:12:17,908
>> HUNH. NOTHING! 580, NOW!
400
00:12:17,908 --> 00:12:18,508
>> MAN, COME ON.
401
00:12:18,508 --> 00:12:20,811
>> HA HA HA! LOOK. LOOK AT THAT.
402
00:12:20,811 --> 00:12:21,741
>> GET RID OF THESE. GET RID OF
403
00:12:21,741 --> 00:12:24,975
THESE. [HARD BREATHING] I WANT
404
00:12:24,975 --> 00:12:26,146
ONE MILLIGRAM OF EPI RIGHT NOW.
405
00:12:26,146 --> 00:12:26,947
>> EPI. GRAM.
406
00:12:26,947 --> 00:12:27,778
>> DOCTOR. STAT.
407
00:12:27,778 --> 00:12:28,378
>> ALL RIGHT. STAT.
408
00:12:28,378 --> 00:12:29,149
>> I SAID YOU, DOCTOR.
409
00:12:29,149 --> 00:12:29,880
>> I-I´M DOING IT.
410
00:12:29,880 --> 00:12:30,520
>> NOT ON MY WATCH.
411
00:12:30,520 --> 00:12:31,251
>> OK.
412
00:12:31,251 --> 00:12:32,252
>> I´M NOT LOSING ANOTHER ONE.
413
00:12:32,252 --> 00:12:33,283
I AM NOT LOSING ANOTHER ONE.
414
00:12:33,283 --> 00:12:34,184
>> I SURE HOPE SHE CAN SING
415
00:12:34,184 --> 00:12:35,055
IN HER DAUGHTER´S WEDDING
416
00:12:35,055 --> 00:12:36,356
ON SATURDAY.
417
00:12:36,356 --> 00:12:37,988
>> DOCTOR, I WANT YOU TO
418
00:12:37,988 --> 00:12:39,129
GO OUTSIDE TO THE WAITING ROOM.
419
00:12:39,129 --> 00:12:40,060
I WANT YOU TO TELL HER DAUGHTER
420
00:12:40,060 --> 00:12:40,991
THAT I AM NOT GONNA RUIN HER
421
00:12:40,991 --> 00:12:42,362
WEDDING. DO YOU UNDERSTAND ME?
422
00:12:42,362 --> 00:12:43,333
>> I UNDERSTAND.
423
00:12:43,333 --> 00:12:44,394
>> NOW! AND I WANNA SEE A LITTLE
424
00:12:44,394 --> 00:12:46,997
BETTER BEDSIDE MANNER NEXT TIME!
425
00:12:46,997 --> 00:12:48,338
WE´RE SAVIN´ A LIFE TODAY, GUYS.
426
00:12:48,338 --> 00:12:49,439
WE´RE ALL HERE FOR IT. WE ARE
427
00:12:49,439 --> 00:12:51,401
SAVING A LIFE TODAY, PEOPLE.
428
00:12:51,401 --> 00:12:52,372
Christian: HER FACE COMPLETELY
429
00:12:52,372 --> 00:12:54,004
HEALED IN 3 DAYS. I MEAN,
430
00:12:54,004 --> 00:12:54,805
THE WHOLE THING WAS
431
00:12:54,805 --> 00:12:55,876
WILDLY UNREALISTIC.
432
00:12:55,876 --> 00:12:56,776
>> BEING LINKED TO THAT SHOW
433
00:12:56,776 --> 00:12:57,878
COULD DESTROY OUR PROFESSIONAL
434
00:12:57,878 --> 00:12:59,309
REPUTATIONS. WE´LL GET
435
00:12:59,309 --> 00:13:01,982
REFERRALS. WE´LL FIND PATIENTS.
436
00:13:01,982 --> 00:13:02,883
WE´RE NOT THAT DESPERATE,
437
00:13:02,883 --> 00:13:03,553
ARE WE?
438
00:13:03,553 --> 00:13:05,385
>> MAYBE NOT, BOYS. OUR FIRST
439
00:13:05,385 --> 00:13:11,992
CONSULT´S IN SEAN´S OFFICE.
440
00:13:11,992 --> 00:13:13,293
>> TELL US WHAT YOU DON´T LIKE
441
00:13:13,293 --> 00:13:14,564
ABOUT YOURSELF, MR. GORCHEK.
442
00:13:14,564 --> 00:13:15,565
>> OH, THAT´S OK. YOU CAN USE
443
00:13:15,565 --> 00:13:17,027
MY REAL NAME. I JUST--I SAID
444
00:13:17,027 --> 00:13:18,028
THAT SO YOUR SECRETARY WOULDN´T
445
00:13:18,028 --> 00:13:22,372
POST ME ON DEFAMER.
446
00:13:22,372 --> 00:13:23,473
THAT JUST PROVES MY INSTINCTS
447
00:13:23,473 --> 00:13:24,975
WERE--PTT--DEAD ON. THAT´S WHY
448
00:13:24,975 --> 00:13:26,276
I CAME TO YOU GUYS AND NOT ONE
449
00:13:26,276 --> 00:13:28,909
OF THE BIG SURGEONS. BOB EASTON
450
00:13:28,909 --> 00:13:32,042
RING A BELL? CHAIRMAN,
451
00:13:32,042 --> 00:13:33,313
CHIEF EXECUTIVE OFFICER OF
452
00:13:33,313 --> 00:13:35,916
THE BIGGEST STUDIO IN TOWN.
453
00:13:35,916 --> 00:13:37,017
QUARTERLY PROFITS NEVER BEEN
454
00:13:37,017 --> 00:13:38,048
HIGHER. MY MOVIES ARE SMART
455
00:13:38,048 --> 00:13:39,319
AND ENTERTAINING.
456
00:13:39,319 --> 00:13:40,390
>> WELL, WE´RE DELIGHTED
457
00:13:40,390 --> 00:13:41,922
YOU CHOSE US, MR. EASTON.
458
00:13:41,922 --> 00:13:43,393
WHAT CAN WE DO FOR YOU?
459
00:13:43,393 --> 00:13:44,554
>> I´M GONNA BE SPENDING THE
460
00:13:44,554 --> 00:13:46,056
HOLIDAYS AT THE FOUR SEASONS
461
00:13:46,056 --> 00:13:47,597
IN KONA. THE ENTIRE TOWN´S GONNA
462
00:13:47,597 --> 00:13:52,332
BE THERE. NEED YOU GUYS TO MAKE
463
00:13:52,332 --> 00:13:54,604
THESE INVISIBLE BY THE TIME
464
00:13:54,604 --> 00:13:56,036
I´M POOLSIDE. IT´S WHERE I DO
465
00:13:56,036 --> 00:13:57,407
THE BULK OF MY BUSINESS
466
00:13:57,407 --> 00:13:58,869
FOR THE NEXT FISCAL YEAR.
467
00:13:58,869 --> 00:13:59,569
>> DID YOU HAVE A RUN-IN
468
00:13:59,569 --> 00:14:00,310
WITH A DOG?
469
00:14:00,310 --> 00:14:01,271
>> WHEN MY MISTRESS PUTS
470
00:14:01,271 --> 00:14:02,472
MY COLLAR AND LEASH ON,
471
00:14:02,472 --> 00:14:05,375
I´M THE DOG.
472
00:14:05,375 --> 00:14:06,516
>> YOUR DOMINATRIX
473
00:14:06,516 --> 00:14:07,377
INFLICTED THESE?
474
00:14:07,377 --> 00:14:08,478
>> YEAH, AND SHE´S NOT CHEAP
475
00:14:08,478 --> 00:14:11,251
EITHER. STILL, NO SCOTCH,
476
00:14:11,251 --> 00:14:12,883
NO YOGA CLASS, NO HOT ROCK
477
00:14:12,883 --> 00:14:14,284
THERAPY EVER HELPED ME
478
00:14:14,284 --> 00:14:16,486
LIKE MISTRESS DARK PAIN DOES.
479
00:14:16,486 --> 00:14:17,988
>> SOUNDS LIKE LIVING THE DREAM
480
00:14:17,988 --> 00:14:19,229
HAS ITS PRICE.
481
00:14:19,229 --> 00:14:22,262
>> OF COURSE IT DOES.
482
00:14:22,262 --> 00:14:23,493
EAT YOUR YOUNG ON A REGULAR
483
00:14:23,493 --> 00:14:27,237
BASIS, WHAT DO YOU EXPECT? ALL
484
00:14:27,237 --> 00:14:28,268
DAY LONG, I´M THE ONE WITH THE
485
00:14:28,268 --> 00:14:31,271
CONTROL, THE POWER. WHEN SWEET
486
00:14:31,271 --> 00:14:33,273
MISTRESS DARK PAIN TAKES IT ALL
487
00:14:33,273 --> 00:14:36,346
AWAY FROM ME, SOMETIMES TWICE
488
00:14:36,346 --> 00:14:38,909
DURING OSCAR SEASON, EVERY BITE
489
00:14:38,909 --> 00:14:40,480
SOMEHOW RESTORES THE BALANCE,
490
00:14:40,480 --> 00:14:43,053
KEEPS ME REAL, YOU KNOW?
491
00:14:43,053 --> 00:14:44,384
>> YEAH.
492
00:14:44,384 --> 00:14:45,455
>> ANYWAY, HOW SOON CAN WE
493
00:14:45,455 --> 00:14:47,517
GET IT TAKEN CARE OF?
494
00:14:47,517 --> 00:14:48,518
>> WE´RE, UH, PRETTY BOOKED UP
495
00:14:48,518 --> 00:14:49,359
THIS WEEK. HOW ´BOUT
496
00:14:49,359 --> 00:14:50,660
NEXT TUESDAY?
497
00:14:50,660 --> 00:14:51,891
>> PLEASE, THIS PLACE IS DEADER
498
00:14:51,891 --> 00:14:53,323
THAN MY NANA. TODAY.
499
00:14:53,323 --> 00:14:57,427
MAKE IT HAPPEN.
500
00:14:57,427 --> 00:15:00,630
>> ♫ LOVE HURTS,
501
00:15:00,630 --> 00:15:03,533
LOVE SCARS,
502
00:15:03,533 --> 00:15:04,604
LOVE WOUNDS... ♫
503
00:15:04,604 --> 00:15:05,505
>> THOUGHT WE LEFT MIAMI
504
00:15:05,505 --> 00:15:06,406
SO WE DIDN´T HAVE TO DEAL
505
00:15:06,406 --> 00:15:07,407
WITH FREAKS LIKE THIS GUY.
506
00:15:07,407 --> 00:15:08,508
>> ONE CLIENT AT A TIME, CHRI--
507
00:15:08,508 --> 00:15:09,940
>> BULLSHIT, SEAN. I´M A
508
00:15:09,940 --> 00:15:11,281
JACKRABBIT. I DON´T DO SLOW AND
509
00:15:11,281 --> 00:15:12,542
STEADY. I PAID MY DUES, AND I
510
00:15:12,542 --> 00:15:13,683
WANT SOME OVERNIGHT SUCCESS.
511
00:15:13,683 --> 00:15:17,687
>> ♫ OOH, LOVE HURTS ♫
512
00:15:17,687 --> 00:15:19,349
>> OUT OF THE WAY, WIGGY. YOU´LL
513
00:15:19,349 --> 00:15:21,451
LOSE A LOT MORE THAN YOUR HEAD.
514
00:15:21,451 --> 00:15:23,293
JESUS. YOU HAVE NO IDEA HOW
515
00:15:23,293 --> 00:15:24,294
STRESSFUL IT CAN BE RUNNING
516
00:15:24,294 --> 00:15:25,425
A TELEVISION SHOW. EVERYBODY
517
00:15:25,425 --> 00:15:27,027
WANTS YOU. EVERYBODY´S RELYING
518
00:15:27,027 --> 00:15:28,428
ON YOU, YOU KNOW, THE STUDIO,
519
00:15:28,428 --> 00:15:30,300
THE NETWORK. ROSE BOWL PARADE,
520
00:15:30,300 --> 00:15:32,032
THEY WANT ME ON A FLOAT.
521
00:15:32,032 --> 00:15:33,263
GOD, THE STEERING ON THIS THING
522
00:15:33,263 --> 00:15:34,564
IS SO TIGHT. IT´S GERMANIC
523
00:15:34,564 --> 00:15:36,066
OR SOMETHING. IT´S BRAND-NEW.
524
00:15:36,066 --> 00:15:37,637
ANYWAY, FIONA RECOMMENDS
525
00:15:37,637 --> 00:15:39,039
YOU GUYS VERY, VERY HIGHLY.
526
00:15:39,039 --> 00:15:40,070
>> SHE´S BEEN VERY HELPFUL TO US
527
00:15:40,070 --> 00:15:40,971
SINCE OUR MOVE OUT HERE
528
00:15:40,971 --> 00:15:41,541
FROM MIAMI.
529
00:15:41,541 --> 00:15:42,442
>> I THINK SHE HEARD ABOUT
530
00:15:42,442 --> 00:15:43,573
OUR MORE PRESTIGIOUS CASES AND
531
00:15:43,573 --> 00:15:44,714
THOUGHT THAT US WORKING TOGETHER
532
00:15:44,714 --> 00:15:46,046
MIGHT BE MUTUALLY BENEFICIAL.
533
00:15:46,046 --> 00:15:47,317
>> WATCH IT, SPARTACUS!
534
00:15:47,317 --> 00:15:49,449
IT´S NOT A SOCCER FIELD. LOOK,
535
00:15:49,449 --> 00:15:51,321
THERE´S ACHILLES, TOO. GET IT?
536
00:15:51,321 --> 00:15:53,053
HA HA. SO, LISTEN. I HAVE
537
00:15:53,053 --> 00:15:53,984
A VERY IMPORTANT QUESTION
538
00:15:53,984 --> 00:15:54,554
I NEED TO ASK YOU.
539
00:15:54,554 --> 00:15:55,325
>> YEAH.
540
00:15:55,325 --> 00:15:57,357
>> SCALE OF 1 TO 10, WHAT DO
541
00:15:57,357 --> 00:15:58,288
YOU THINK OF MY SHOW?
542
00:15:58,288 --> 00:15:58,688
Sean: 5.
543
00:15:58,688 --> 00:15:59,629
Christian: 10.
544
00:15:59,629 --> 00:16:00,590
>> SORRY. IT´S JUST FROM
545
00:16:00,590 --> 00:16:01,591
A MEDICAL STANDPOINT, THE
546
00:16:01,591 --> 00:16:03,233
PROCEDURES LOOK REALLY PHONY.
547
00:16:03,233 --> 00:16:04,294
>> WHO´S THE LEAD GUY? I MEAN,
548
00:16:04,294 --> 00:16:05,965
HE´S TOTALLY UNREALISTIC.
549
00:16:05,965 --> 00:16:06,997
>> WOMEN 18 TO 49, THEY LOVE
550
00:16:06,997 --> 00:16:09,699
AIDAN STONE. AND HE HAS A HUGE
551
00:16:09,699 --> 00:16:11,441
FOLLOWING AMONGST THE GAYS.
552
00:16:11,441 --> 00:16:12,972
BUT I DON´T KNOW, YOU KNOW.
553
00:16:12,972 --> 00:16:14,074
SOUNDS LIKE MAYBE THIS ISN´T
554
00:16:14,074 --> 00:16:16,076
THE RIGHT SHOW FOR YOU GUYS.
555
00:16:16,076 --> 00:16:17,577
[BACKING UP BEEPS]
556
00:16:17,577 --> 00:16:18,608
>> NOT ONLY COULD WE MAKE YOUR
557
00:16:18,608 --> 00:16:20,480
MEDICAL STUFF MORE REALISTIC. WE
558
00:16:20,480 --> 00:16:22,552
COULD GIVE YOU EXAMPLES OF CASES
559
00:16:22,552 --> 00:16:24,014
WE´VE WORKED ON FOR 15 YEARS.
560
00:16:24,014 --> 00:16:25,615
>> IT´D GIVE YOU CREDIBILITY.
561
00:16:25,615 --> 00:16:26,616
>> WHAT THE HELL IS THIS SHIT,
562
00:16:26,616 --> 00:16:28,518
FREDDIE? A MUSICAL EPISODE?
563
00:16:28,518 --> 00:16:30,490
HOW GAY IS THAT? COME ON.
564
00:16:30,490 --> 00:16:31,491
THIS IS THE KIND OF DESPERATE
565
00:16:31,491 --> 00:16:32,362
SCHLOCK YOU DON´T DO
566
00:16:32,362 --> 00:16:33,323
UNTIL YOUR FIFTH SEASON.
567
00:16:33,323 --> 00:16:34,264
>> I THOUGHT--I THOUGHT--
568
00:16:34,264 --> 00:16:35,265
>> WHAT? WHAT´D YOU THINK? NO.
569
00:16:35,265 --> 00:16:36,326
NO, NO, YOU DIDN´T. NO, YOU
570
00:16:36,326 --> 00:16:37,427
DIDN´T THINK, ´CAUSE YOU´RE TOO
571
00:16:37,427 --> 00:16:38,368
BUSY PARADING AROUND IN THAT
572
00:16:38,368 --> 00:16:39,369
GOD-UGLY JUMPSUIT LIKE SOME
573
00:16:39,369 --> 00:16:42,632
FAGGY FAT-ASS CHORUS GIRL.
574
00:16:42,632 --> 00:16:44,474
WHY DON´T YOU JUST FIRE THOSE
575
00:16:44,474 --> 00:16:45,505
HACKITY-HACK WRITERS BEFORE
576
00:16:45,505 --> 00:16:47,006
I QUIT AND YOU´RE FORCED TO
577
00:16:47,006 --> 00:16:49,339
START RUNNING CRAFT SERVICE.
578
00:16:49,339 --> 00:16:51,411
I MEAN, LOOK AT YOUR BODY. WHAT
579
00:16:51,411 --> 00:16:53,083
HAPPENED TO THE PROGRAM I SET UP
580
00:16:53,083 --> 00:16:56,246
FOR YOU? IT IS SO DEPRESSING.
581
00:17:00,650 --> 00:17:02,792
>> UH, SO WHERE WERE WE?
582
00:17:02,792 --> 00:17:03,693
>> YOU GONNA LET THAT SON OF
583
00:17:03,693 --> 00:17:04,754
A BITCH TALK TO YOU THAT WAY?
584
00:17:04,754 --> 00:17:07,757
>> WHO? OH, AIDAN? PFFT. HE´S
585
00:17:07,757 --> 00:17:10,760
A SWEETIE. YOU KNOW, HE´S, UM...
586
00:17:10,760 --> 00:17:13,763
SENSITIVE, AND HE´S DAMAGED,
587
00:17:13,763 --> 00:17:16,406
AND, UM, YOU KNOW, HE´S A--
588
00:17:16,406 --> 00:17:19,539
HE´S FRUSTRATED.
589
00:17:19,539 --> 00:17:21,641
>> ARE YOU ALL RIGHT?
590
00:17:21,641 --> 00:17:22,812
>> JUST GOT LOW BLOOD SUGAR,
591
00:17:22,812 --> 00:17:23,713
AND I NEED TO EAT SOMETHING
592
00:17:23,713 --> 00:17:24,674
RIGHT NOW.
593
00:17:24,674 --> 00:17:27,547
[BACKING UP BEEPING]
594
00:17:27,547 --> 00:17:29,779
>> OK, WHEAT, SUGAR, POO, POO,
595
00:17:29,779 --> 00:17:32,622
CRAP. PACO, WHY IS EVERYTHING
596
00:17:32,622 --> 00:17:35,555
STILL FRIED?! STILL? [SIGHS]
597
00:17:35,555 --> 00:17:37,557
I´M GETTING TITS LIKE A GIRL.
598
00:17:37,557 --> 00:17:39,429
TRUTH IS AIDAN´S RIGHT. I´M IN
599
00:17:39,429 --> 00:17:41,561
OVER MY HEAD, WAY OVER MY HEAD.
600
00:17:41,561 --> 00:17:43,293
START PRODUCTION ON EPISODE 6
601
00:17:43,293 --> 00:17:44,834
ON TUESDAY, AND I HAVE NO CASE,
602
00:17:44,834 --> 00:17:46,436
AND I CAN´T KEEP RIPPING OFF
603
00:17:46,436 --> 00:17:47,567
EPISODES OF CHICAGO HOPE.
604
00:17:47,567 --> 00:17:48,698
THEY´LL START SUING ME. I NEED
605
00:17:48,698 --> 00:17:49,799
SOMETHING SEXY. I NEED A RATINGS
606
00:17:49,799 --> 00:17:52,672
GRABBER. JESUS CHRIST.
607
00:17:52,672 --> 00:17:54,574
CHICKEN FINGERS. GODDAMN IT.
608
00:17:54,574 --> 00:17:56,376
>> WELL, WE HAD A CASE A COUPLE
609
00:17:56,376 --> 00:17:58,648
OF YEARS AGO. REMEMBER, SEAN?
610
00:17:58,648 --> 00:18:00,110
THIS, UH, WOMAN CAME INTO OUR
611
00:18:00,110 --> 00:18:01,351
OFFICE. SHE´D BURNED HER LIPS
612
00:18:01,351 --> 00:18:02,652
OFF IN A COOKING ACCIDENT.
613
00:18:02,652 --> 00:18:04,314
>> RIGHT. WE HAD TO DO A GRAFT
614
00:18:04,314 --> 00:18:06,586
USING SKIN FROM HER VAGINA.
615
00:18:06,586 --> 00:18:08,788
THE ONLY TROUBLE WAS HER HUSBAND
616
00:18:08,788 --> 00:18:09,719
DIDN´T LIKE ORAL SEX,
617
00:18:09,719 --> 00:18:10,660
SO SHE COULDN´T LET HIM KNOW
618
00:18:10,660 --> 00:18:12,462
WHERE THE SKIN CAME FROM.
619
00:18:12,462 --> 00:18:14,664
>> WE CALLED HER PUSSY LIPS.
620
00:18:14,664 --> 00:18:16,566
I´D WATCH A SHOW WITH PUSSY LIPS
621
00:18:16,566 --> 00:18:22,502
ON IT.
622
00:18:22,502 --> 00:18:23,833
>> HOW SOON CAN YOU START?
623
00:18:23,833 --> 00:18:25,405
[THE BEST IS YET TO COME
624
00:18:25,405 --> 00:18:26,876
STARTS PLAYING]
625
00:18:26,876 --> 00:18:28,308
>> WE´RE NOT INTERESTED IN JUST
626
00:18:28,308 --> 00:18:29,609
BEING CONSULTANTS, MR. PRUNE.
627
00:18:29,609 --> 00:18:30,380
>> WE´RE NOT?
628
00:18:30,380 --> 00:18:31,641
>> WE WANT PRODUCER CREDITS
629
00:18:31,641 --> 00:18:34,614
AND THE OCCASIONAL LINE.
630
00:18:34,614 --> 00:18:35,885
>> ♫ THE BEST IS YET
631
00:18:35,885 --> 00:18:37,747
TO COME... ♫
632
00:18:37,747 --> 00:18:41,421
>> PUSSY LIPS. GOD, I LOVE IT.
633
00:18:41,421 --> 00:18:42,452
LET´S GET TO WORK.
634
00:18:42,452 --> 00:18:43,453
>> ♫ AND, BABY,
635
00:18:43,453 --> 00:18:45,825
YOU´RE GONNA FLY ♫
636
00:18:57,507 --> 00:18:58,508
>> LET ME START OFF BY SAYING
637
00:18:58,508 --> 00:19:00,370
I´M A HUGE FAN. OF ALL
638
00:19:00,370 --> 00:19:01,371
THE ROMANTIC COMEDIES I´VE BEEN
639
00:19:01,371 --> 00:19:02,412
DRAGGED TO BY MY GIRLFRIENDS
640
00:19:02,412 --> 00:19:03,743
OVER THE YEARS, YOURS ARE
641
00:19:03,743 --> 00:19:05,645
THE ONES I HATED THE LEAST.
642
00:19:05,645 --> 00:19:07,377
SO, TELL ME WHAT YOU DON´T LIKE
643
00:19:07,377 --> 00:19:08,748
ABOUT YOURSELF, MS. SUMMERS.
644
00:19:08,748 --> 00:19:13,423
>> HEH. UM, THAT I WAS STUPID
645
00:19:13,423 --> 00:19:14,524
ENOUGH TO LET FIONA DRAG ME
646
00:19:14,524 --> 00:19:17,327
HERE. LOOK, DOCTOR, I AM SURE
647
00:19:17,327 --> 00:19:19,259
YOU ARE A GENIUS AT WHAT YOU DO,
648
00:19:19,259 --> 00:19:20,530
BUT PLASTIC SURGERY IS
649
00:19:20,530 --> 00:19:22,632
AN ACTOR´S WORST NIGHTMARE.
650
00:19:22,632 --> 00:19:24,294
YOU STRETCH ACTORS´ FACES
651
00:19:24,294 --> 00:19:24,864
SO THEY DON´T HAVE TO
652
00:19:24,864 --> 00:19:25,795
STRETCH THEMSELVES.
653
00:19:25,795 --> 00:19:26,796
>> SAYS THE WOMAN WHO HASN´T
654
00:19:26,796 --> 00:19:28,398
LANDED A PART DEEPER THAN A
655
00:19:28,398 --> 00:19:30,600
SHOT GLASS IN 3 YEARS. FACE IT,
656
00:19:30,600 --> 00:19:32,802
CARLY. NO ONE WANTS TO SEE
657
00:19:32,802 --> 00:19:34,604
A 40-YEAR-OLD WOMAN IN ROMANTIC
658
00:19:34,604 --> 00:19:37,447
COMEDIES. IF SHE LOOKS 35,
659
00:19:37,447 --> 00:19:40,650
MAYBE.
660
00:19:40,650 --> 00:19:41,551
>> SHOW BUSINESS IS ROUGH
661
00:19:41,551 --> 00:19:43,413
ON YOU.
662
00:19:43,413 --> 00:19:44,384
>> IT´S HARD TO FIND SOMEONE
663
00:19:44,384 --> 00:19:45,355
IN THIS TOWN WHO´LL BE HONEST
664
00:19:45,355 --> 00:19:46,316
WITH YOU.
665
00:19:46,316 --> 00:19:47,357
>> WHICH IS WHY WE CAME TO YOU,
666
00:19:47,357 --> 00:19:48,558
DR. TROY. YOU´RE A FELLOW
667
00:19:48,558 --> 00:19:51,691
CLIENT. WE CAN TRUST YOU.
668
00:19:51,691 --> 00:19:53,393
TELL US HOW YOU CAN REFRESH
669
00:19:53,393 --> 00:19:54,724
CARLY´S FACE SO WE CAN REFRESH
670
00:19:54,724 --> 00:19:59,299
HER CAREER.
671
00:19:59,299 --> 00:20:00,970
[TAPS DESK]
672
00:20:00,970 --> 00:20:02,672
>> WELL, LET´S START OUT ON
673
00:20:02,672 --> 00:20:04,804
THE RIGHT FOOT, SHALL WE? AHEM.
674
00:20:04,804 --> 00:20:06,506
TELL ME, DO YOU WANT
675
00:20:06,506 --> 00:20:07,907
COSMETIC SURGERY?
676
00:20:07,907 --> 00:20:09,809
>> LOOK, I´M UP FOR THIS REALLY
677
00:20:09,809 --> 00:20:12,211
GREAT PART--SINGLE MOTHER,
678
00:20:12,211 --> 00:20:13,683
COAL MINER, WITH AN AUTISTIC
679
00:20:13,683 --> 00:20:15,245
CHILD--AND EVEN IF I DON´T
680
00:20:15,245 --> 00:20:16,986
GET IT, A PART OF ME WANTS
681
00:20:16,986 --> 00:20:18,818
TO TAKE A STAND. I WANT TO SHOW
682
00:20:18,818 --> 00:20:20,520
EVERYONE THAT A WOMAN MY AGE
683
00:20:20,520 --> 00:20:21,991
CAN BE DESIRABLE WITHOUT
684
00:20:21,991 --> 00:20:23,493
THE HELP OF SCIENCE.
685
00:20:23,493 --> 00:20:25,695
>> SWEETHEART, YOU HAVE A LOVELY
686
00:20:25,695 --> 00:20:26,826
LITTLE TALENT, AND YOU MAKE
687
00:20:26,826 --> 00:20:28,928
THE MOST OF IT, BUT YOU´VE
688
00:20:28,928 --> 00:20:31,701
GOT 5 YEARS LEFT, AND THAT´S
689
00:20:31,701 --> 00:20:34,334
ONLY IF YOU LET DR. TROY WORK
690
00:20:34,334 --> 00:20:35,805
HIS MEDICAL MAGIC.
691
00:20:35,805 --> 00:20:37,307
>> WELL, MAYBE I CAN START OUT
692
00:20:37,307 --> 00:20:39,339
WITH THAT RESTYLANE OR BOTOX,
693
00:20:39,339 --> 00:20:43,343
YOU KNOW, EASE ME INTO IT.
694
00:20:43,343 --> 00:20:49,549
WHAT DO YOU THINK, DR. TROY?
695
00:20:49,549 --> 00:20:50,480
>> HONESTLY...
696
00:20:50,480 --> 00:20:51,451
>> YES.
697
00:20:51,451 --> 00:20:52,382
>> I DON´T THINK YOU NEED
698
00:20:52,382 --> 00:20:54,524
ANYTHING DONE. MAYBE A NICE
699
00:20:54,524 --> 00:20:55,855
DINNER BY THE BEACH, A GREAT
700
00:20:55,855 --> 00:20:56,856
BOTTLE OF BURGUNDY, AND SOME
701
00:20:56,856 --> 00:20:59,729
DECENT CONVERSATION.
702
00:21:09,469 --> 00:21:11,741
AW, LOOK AT YOU, BEAUTIFUL BOY.
703
00:21:11,741 --> 00:21:13,303
[KISSES]
704
00:21:13,303 --> 00:21:14,844
>> WHERE ARE YOU GOIN´?
705
00:21:14,844 --> 00:21:17,547
>> I´M TAKING CARLY TO THE IVY.
706
00:21:17,547 --> 00:21:18,478
>> DID YOU CALL A SITTER?
707
00:21:18,478 --> 00:21:19,949
>> NO, BUT YOU´RE NOT DOING
708
00:21:19,949 --> 00:21:23,753
ANYTHING. COME ON.
709
00:21:23,753 --> 00:21:24,384
IT´S BUSINESS.
710
00:21:24,384 --> 00:21:25,515
>> I THOUGHT YOU TURNED DOWN
711
00:21:25,515 --> 00:21:26,516
HER SURGERY.
712
00:21:26,516 --> 00:21:28,287
>> I DID TURN DOWN HER SURGERY.
713
00:21:28,287 --> 00:21:29,789
NOW I NEED TO TURN HER ON. WE´RE
714
00:21:29,789 --> 00:21:30,720
NOT GONNA GET ANYWHERE IN THIS
715
00:21:30,720 --> 00:21:32,422
TOWN BY GIVING CARLY SUMMERS
716
00:21:32,422 --> 00:21:33,763
A LITTLE BOTOX. SHE NEEDS
717
00:21:33,763 --> 00:21:35,365
A FACE-LIFT, A TIT JOB, AND
718
00:21:35,365 --> 00:21:36,366
WHATEVER ELSE I CAN SEDUCE HER
719
00:21:36,366 --> 00:21:38,768
INTO GETTING. GOOD PLAN, HUH?
720
00:21:38,768 --> 00:21:39,769
>> HOW ´BOUT I TAKE
721
00:21:39,769 --> 00:21:41,371
THE HOLLYWOOD STAR OUT TO DINNER
722
00:21:41,371 --> 00:21:43,473
AND YOU STAY HOME WITH YOUR SON?
723
00:21:43,473 --> 00:21:44,374
I´LL DO THE CONVINCING.
724
00:21:44,374 --> 00:21:45,475
>> BECAUSE I´M THE CHARISMATIC
725
00:21:45,475 --> 00:21:47,337
SALESMAN, AND YOU´RE THE TALENT.
726
00:21:47,337 --> 00:21:48,438
THAT´S THE WAY IT´S ALWAYS BEEN.
727
00:21:48,438 --> 00:21:52,782
>> EXACTLY WHY I LEFT MIAMI.
728
00:21:52,782 --> 00:21:53,883
>> AHH.
729
00:21:53,883 --> 00:21:55,785
>> WHAT ARE YOU, A CAMEL?
730
00:21:55,785 --> 00:21:57,517
>> PINEAPPLE JUICE, BABY.
731
00:21:57,517 --> 00:21:58,548
MAKES A MAN´S SHOOTY-SHOOT
732
00:21:58,548 --> 00:22:00,920
TASTE INFINITELY SWEETER. IT´S
733
00:22:00,920 --> 00:22:02,321
NATURE´S GUARANTEE OF A SECOND
734
00:22:02,321 --> 00:22:05,725
DATE. NOW, IF YOU WERE ANY KIND
735
00:22:05,725 --> 00:22:06,796
OF SALESMAN, YOU WOULD HAVE
736
00:22:06,796 --> 00:22:08,398
KNOWN THAT. COME ON, THE NEXT
737
00:22:08,398 --> 00:22:09,399
AMERICA´S SWEETHEART WHO COMES
738
00:22:09,399 --> 00:22:10,400
INTO OUR OFFICE IS ALL YOURS.
739
00:22:10,400 --> 00:22:11,861
>> WHY DIDN´T YOU HIRE A LIVE-IN
740
00:22:11,861 --> 00:22:12,932
NANNY LIKE YOU SAID YOU WOULD?
741
00:22:12,932 --> 00:22:13,903
>> I CAN´T AFFORD IT NOW THAT
742
00:22:13,903 --> 00:22:16,065
WE´RE PAYING FIONA 5 GRAND
743
00:22:16,065 --> 00:22:19,108
A MONTH. GOOD NIGHT. I LOVE YOU.
744
00:22:19,108 --> 00:22:22,412
>> CHRISTIAN.
745
00:22:22,412 --> 00:22:25,515
[WAVES CRASHING]
746
00:22:25,515 --> 00:22:28,418
[TELEPHONE RINGS]
747
00:22:28,418 --> 00:22:30,520
[RING]
748
00:22:30,520 --> 00:22:32,782
[RING]
749
00:22:32,782 --> 00:22:36,856
HELLO. LIZ, SLOW DOWN.
750
00:22:36,856 --> 00:22:38,488
I CAN´T UNDERSTAND YOU.
751
00:22:38,488 --> 00:22:39,358
>> [SCREAMING]
752
00:22:39,358 --> 00:22:40,359
>> YOU THINK YOU´RE A GREAT BIG
753
00:22:40,359 --> 00:22:43,993
BARRACUDA, DON´T YOU? WELL,
754
00:22:43,993 --> 00:22:44,994
I CAN JERK YOU LIKE YOU´RE
755
00:22:44,994 --> 00:22:48,838
A GUPPY. GET OUT OF HERE!
756
00:22:48,838 --> 00:22:50,840
>> WHAT THE HELL ARE YOU DOING?
757
00:22:50,840 --> 00:22:54,444
STOP IT. I WANT YOU TO PACK UP
758
00:22:54,444 --> 00:22:55,405
AND GET OUT.
759
00:22:55,405 --> 00:22:55,975
>> OR WHAT?
760
00:22:55,975 --> 00:22:58,077
>> OR I´M CALLING THE POLICE.
761
00:23:05,985 --> 00:23:07,487
>> COURSE I STERILIZE.
762
00:23:07,487 --> 00:23:11,861
I´M A PROFESSIONAL.
763
00:23:11,861 --> 00:23:13,392
>> WHAT´S GOING ON WITH YOU?
764
00:23:13,392 --> 00:23:14,494
THIS IS OUT OF CONTROL.
765
00:23:14,494 --> 00:23:16,165
>> [MUFFLED RESPONSE]
766
00:23:16,165 --> 00:23:17,527
>> YOU NEED THERAPY.
767
00:23:17,527 --> 00:23:19,429
>> I HAD TO CALL HER, OK? AHH.
768
00:23:19,429 --> 00:23:21,471
I HAD TO FIRE 5 PEOPLE TODAY
769
00:23:21,471 --> 00:23:22,532
BY E-MAIL.
770
00:23:22,532 --> 00:23:23,533
>> THIS IS A MEDICAL FACILITY,
771
00:23:23,533 --> 00:23:25,475
MR. EASTON, NOT A BEDROOM...
772
00:23:25,475 --> 00:23:26,005
>> AHH.
773
00:23:26,005 --> 00:23:27,006
>> OR A DUNGEON.
774
00:23:27,006 --> 00:23:27,937
>> ONE OF THEM WAS MY OLDEST
775
00:23:27,937 --> 00:23:29,479
FRIEND OUT HERE. YOU KNOW
776
00:23:29,479 --> 00:23:30,940
I´M GODFATHER TO HIS DAUGHTER?
777
00:23:30,940 --> 00:23:32,041
THERE´S THIS WHOLE CORPORATE
778
00:23:32,041 --> 00:23:33,412
MERGER IN THE WIND.
779
00:23:33,412 --> 00:23:34,784
EVERYTHING´S SHIFTING.
780
00:23:34,784 --> 00:23:37,447
>> YOU ARE NOT IN CHARGE HERE.
781
00:23:37,447 --> 00:23:39,148
YOU TALK WHEN I SAY YOU CAN
782
00:23:39,148 --> 00:23:43,192
TALK. LET ME TELL YOU SOMETHING,
783
00:23:43,192 --> 00:23:45,054
DOCTOR. IT´S NOT EASY BEING
784
00:23:45,054 --> 00:23:48,027
ROBERT EASTON. HE ISN´T STUPID.
785
00:23:48,027 --> 00:23:49,028
HE KNOWS THAT UNDERNEATH HIS
786
00:23:49,028 --> 00:23:51,160
"LOOK HOW BIG MY DICK IS" ACT
787
00:23:51,160 --> 00:23:52,502
THAT HE´S JUST A SCARED LITTLE
788
00:23:52,502 --> 00:23:54,504
BOY WHO FEEDS OFF EVERYONE
789
00:23:54,504 --> 00:23:57,166
ELSE´S TALENT AND DREAMS.
790
00:23:57,166 --> 00:24:02,011
HE´S NOTHING. I HAVE A GIFT.
791
00:24:02,011 --> 00:24:04,814
I HELP KEEP MEN LIKE BOB FROM
792
00:24:04,814 --> 00:24:06,516
IMPLODING WITH TOO MUCH POWER.
793
00:24:06,516 --> 00:24:07,477
>> LET ME TELL YOU SOMETHING,
794
00:24:07,477 --> 00:24:09,078
MISTRESS WHOMEVER. YOU AND
795
00:24:09,078 --> 00:24:10,720
YOUR GIFT ARE NOT WELCOME HERE.
796
00:24:10,720 --> 00:24:13,182
THIS IS A PLACE OF HEALING.
797
00:24:13,182 --> 00:24:17,527
>> YOU´D BE FUN TO WORK WITH.
798
00:24:17,527 --> 00:24:20,129
SEE YOU LATER, BOBBY.
799
00:24:34,073 --> 00:24:37,076
>> [SIGHS]
800
00:24:37,076 --> 00:24:38,908
SO NEXT TIME, MAYBE WE SHOULD
801
00:24:38,908 --> 00:24:41,511
MEET AT THE RESTAURANT FIRST.
802
00:24:41,511 --> 00:24:44,253
>> REALLY? HOW COME? YOU DIDN´T
803
00:24:44,253 --> 00:24:45,955
LIKE OUR FIRST DATE?
804
00:24:45,955 --> 00:24:47,857
>> I DID. TRUST ME.
805
00:24:47,857 --> 00:24:49,218
>> TRUST YOU? AREN´T YOU
806
00:24:49,218 --> 00:24:53,192
AN ACTRESS? HUH? HOW COULD
807
00:24:53,192 --> 00:24:56,225
I TRUST AN ACTRESS?
808
00:24:56,225 --> 00:24:57,867
>> YEAH.
809
00:24:57,867 --> 00:25:00,269
>> I NEED TO SEE FOR MYSELF.
810
00:25:00,269 --> 00:25:01,831
>> NO, YOU DON´T.
811
00:25:01,831 --> 00:25:02,702
>> OH, COME ON.
812
00:25:02,702 --> 00:25:03,102
>> NO.
813
00:25:03,102 --> 00:25:04,704
>> WHAT ARE YOU DOING?
814
00:25:04,704 --> 00:25:10,179
>> OH, MY GOD.
815
00:25:10,179 --> 00:25:11,981
[LAUGHS]
816
00:25:11,981 --> 00:25:13,943
>> WHY ARE YOU BEING SO SHY
817
00:25:13,943 --> 00:25:14,844
ALL OF A SUDDEN?
818
00:25:14,844 --> 00:25:15,845
>> LOOK, I TOOK OVER AN HOUR
819
00:25:15,845 --> 00:25:17,146
GETTING READY FOR YOU, AND, YOU
820
00:25:17,146 --> 00:25:19,218
KNOW, YOU BARELY SAW IT, AND NOW
821
00:25:19,218 --> 00:25:21,250
MY HAIR IS A WRECK, AND MY
822
00:25:21,250 --> 00:25:22,922
MAKEUP IS ALL SMEARED, AND--
823
00:25:22,922 --> 00:25:25,224
>> MAKEUP? AFTER THE FIRST TIME
824
00:25:25,224 --> 00:25:27,296
WE MET, I, UH--I GOT THE
825
00:25:27,296 --> 00:25:29,559
IMPRESSION THAT YOU WERE VERY
826
00:25:29,559 --> 00:25:31,260
CONFIDENT WITH YOUR APPEARANCE.
827
00:25:31,260 --> 00:25:37,036
>> I AM. I JUST...
828
00:25:37,036 --> 00:25:39,268
I´VE JUST NEVER SLEPT WITH
829
00:25:39,268 --> 00:25:43,272
A PLASTIC SURGEON BEFORE.
830
00:25:43,272 --> 00:25:45,775
OH, GOD. IMAGINE IT´S WORSE
831
00:25:45,775 --> 00:25:47,276
THAN A CASTING DIRECTOR.
832
00:25:47,276 --> 00:25:50,820
>> PLEASE. YOU THINK I´M JUDGING
833
00:25:50,820 --> 00:25:54,984
THE WAY THAT YOU LOOK NOW?
834
00:25:54,984 --> 00:25:57,827
YOU´RE BEAUTIFUL.
835
00:26:04,734 --> 00:26:05,264
WHAT?
836
00:26:05,264 --> 00:26:08,037
>> GOD, YOU AND THE LIGHT.
837
00:26:08,037 --> 00:26:10,269
[SIGHS]
838
00:26:10,269 --> 00:26:11,901
>> WOW.
839
00:26:11,901 --> 00:26:13,773
>> WHAT?
840
00:26:13,773 --> 00:26:18,147
>> I´VE NEVER SEEN THAT BEFORE.
841
00:26:18,147 --> 00:26:22,752
>> OH. YEAH.
842
00:26:22,752 --> 00:26:23,282
>> IT´S AN ORIGINAL
843
00:26:23,282 --> 00:26:25,084
ANDREW MACPHERSON.
844
00:26:25,084 --> 00:26:26,055
>> YOU KNOW HIS WORK?
845
00:26:26,055 --> 00:26:29,118
>> I HAVE HIS BOOK.
846
00:26:29,118 --> 00:26:31,320
>> WOW. CAN YOU BELIEVE THAT WAS
847
00:26:31,320 --> 00:26:32,321
TAKEN ALMOST--
848
00:26:32,321 --> 00:26:34,063
>> 18 YEARS AGO, GIVE OR TAKE
849
00:26:34,063 --> 00:26:35,324
6 MONTHS.
850
00:26:35,324 --> 00:26:36,295
>> HOW DO YOU KNOW THAT?
851
00:26:36,295 --> 00:26:37,226
>> THEY DIDN´T AIRBRUSH
852
00:26:37,226 --> 00:26:39,929
BACK THEN LIKE THEY DO TODAY.
853
00:26:39,929 --> 00:26:41,070
>> I DON´T THINK I LOOK
854
00:26:41,070 --> 00:26:46,836
THAT DIFFERENT. DO YOU?
855
00:26:46,836 --> 00:26:50,940
>> NOT AT ALL.
856
00:26:50,940 --> 00:26:52,241
>> WELL, SAY I WAS GONNA DO THAT
857
00:26:52,241 --> 00:26:56,115
EXACT SAME PICTURE TODAY. LIKE,
858
00:26:56,115 --> 00:26:57,817
WOULD YOU HAVE TO FIX ANYTHING
859
00:26:57,817 --> 00:27:01,921
TO MAKE ME LOOK LIKE THAT AGAIN?
860
00:27:01,921 --> 00:27:06,325
>> DO YOU HAVE A LIPSTICK?
861
00:27:06,325 --> 00:27:09,699
>> YEAH.
862
00:27:18,307 --> 00:27:21,270
>> STARTING AT THE BOTTOM.
863
00:27:21,270 --> 00:27:23,773
THE MUSCLES IN YOUR CALVES
864
00:27:23,773 --> 00:27:26,175
AND THIGHS, THEY SOFTEN AFTER
865
00:27:26,175 --> 00:27:27,917
A WOMAN TURNS 40, SO I´D GIVE
866
00:27:27,917 --> 00:27:30,249
YOU CALF IMPLANTS AND, UH,
867
00:27:30,249 --> 00:27:32,381
LIPOSUCTION THROUGH HERE AND
868
00:27:32,381 --> 00:27:34,754
THROUGH HERE. OF COURSE SOME
869
00:27:34,754 --> 00:27:36,185
LIPOSUCTION RIGHT HERE. NOW YOUR
870
00:27:36,185 --> 00:27:38,758
BOOBS ARE STILL REALLY PERKY, SO
871
00:27:38,758 --> 00:27:40,760
I´D JUST MAYBE TAKE ´EM TO A--
872
00:27:40,760 --> 00:27:42,792
A HIGH "B" AND LIFT THEM JUST
873
00:27:42,792 --> 00:27:44,133
A LITTLE BIT. NOW HERE THE HARD
874
00:27:44,133 --> 00:27:47,066
PART. A FEATHER-LIFT WOULD TAKE
875
00:27:47,066 --> 00:27:49,038
6 YEARS OFF THE WAY YOU LOOK
876
00:27:49,038 --> 00:27:55,845
NOW. THROUGH HERE, HERE.
877
00:27:55,845 --> 00:27:57,076
THE GOOD NEWS IS IF YOU
878
00:27:57,076 --> 00:27:58,407
GET THAT COAL MINER ROLE,
879
00:27:58,407 --> 00:28:00,079
NOBODY´LL NOTICE YOUR ASS
880
00:28:00,079 --> 00:28:02,752
IN OVERALLS, RIGHT?
881
00:28:18,327 --> 00:28:19,198
[BELL RINGS]
882
00:28:19,198 --> 00:28:21,170
>> LET´S FOCUS, PEOPLE. I NEED A
883
00:28:21,170 --> 00:28:23,132
BRUSCHETTA, STAT, EXTRA CHEESE.
884
00:28:23,132 --> 00:28:24,173
>> OK, WHAT THE HECK?
885
00:28:24,173 --> 00:28:25,134
WHERE ARE YOUR PUSSY LIPS?
886
00:28:25,134 --> 00:28:26,035
I THOUGHT WE WERE SHOOTING.
887
00:28:26,035 --> 00:28:27,076
WHERE ARE HER PUSSY LIPS?
888
00:28:27,076 --> 00:28:28,037
>> NO, YOU SAID WE WERE
889
00:28:28,037 --> 00:28:29,238
JUST REHEARSING.
890
00:28:29,238 --> 00:28:30,079
>> OH, GOD, OF COURSE.
891
00:28:30,079 --> 00:28:31,210
I´M SORRY. I´M AN ASSHOLE.
892
00:28:31,210 --> 00:28:32,982
WHAT´S THIS? WHY´S--WHAT IS
893
00:28:32,982 --> 00:28:34,213
THIS BUCK ROGERS BULLSHIT, OK?
894
00:28:34,213 --> 00:28:35,184
I KNOW IT´S REAL AND EVERYTHING,
895
00:28:35,184 --> 00:28:35,985
BUT CAN WE SPRAY IT?
896
00:28:35,985 --> 00:28:36,385
>> FREDDIE?
897
00:28:36,385 --> 00:28:37,246
>> YES, DEAR.
898
00:28:37,246 --> 00:28:38,217
>> I JUST NEED TO KNOW, SHOULD I
899
00:28:38,217 --> 00:28:40,850
SCREAM AND BREAK DOWN AND BE
900
00:28:40,850 --> 00:28:42,291
TERRIFIED THAT I´M GONNA DIE?
901
00:28:42,291 --> 00:28:45,324
LIKE THIS. WATCH.
902
00:28:45,324 --> 00:28:49,829
[SOBBING] I´M SO TERRIFIED
903
00:28:49,829 --> 00:28:54,133
I´M GONNA DIE.
904
00:28:54,133 --> 00:28:55,935
DON´T LOOK AT ME LIKE YOU JUST
905
00:28:55,935 --> 00:28:57,066
STEPPED IN DOG SHIT, FREDDIE.
906
00:28:57,066 --> 00:28:57,937
I´M JUST TRYING TO GIVE
907
00:28:57,937 --> 00:28:59,068
THIS THING SOME COLOR.
908
00:28:59,068 --> 00:29:00,169
>> OH, HONEY, I´M PROCESSING.
909
00:29:00,169 --> 00:29:01,270
>> ALL RIGHT. I MEAN, DON´T YOU
910
00:29:01,270 --> 00:29:02,241
THINK WE SHOULD JUST SEE HER,
911
00:29:02,241 --> 00:29:04,173
YOU KNOW, RESIST AND RESIST, AND
912
00:29:04,173 --> 00:29:06,215
THEN SHE SHOULD SLOWLY REVEAL
913
00:29:06,215 --> 00:29:08,177
THAT WHEN SHE WAS A LITTLE GIRL,
914
00:29:08,177 --> 00:29:09,348
SHE WAS SEXUALLY ABUSED.
915
00:29:09,348 --> 00:29:11,080
>> ALL RIGHT, LET´S DO IT. LET´S
916
00:29:11,080 --> 00:29:13,082
GET IT DONE. OHH! I FEEL GOOD.
917
00:29:13,082 --> 00:29:14,023
>> GREAT. GREAT.
918
00:29:14,023 --> 00:29:15,224
>> CLAUDE, SIDES STAT, PLEASE.
919
00:29:15,224 --> 00:29:16,786
>> OVER HERE. NOW, YOU TAKE
920
00:29:16,786 --> 00:29:17,226
A 15 BLADE.
921
00:29:17,226 --> 00:29:17,987
>> ALL RIGHT.
922
00:29:17,987 --> 00:29:18,928
>> WE´LL JUST PANTOMIME THIS
923
00:29:18,928 --> 00:29:19,758
FOR NOW.
924
00:29:19,758 --> 00:29:20,329
Aidan: OK.
925
00:29:20,329 --> 00:29:21,290
>> BUT YOU HOLD IT LIKE THIS,
926
00:29:21,290 --> 00:29:22,261
AND YOU START BY EXCISING
927
00:29:22,261 --> 00:29:22,962
THE BURNT SKIN--
928
00:29:22,962 --> 00:29:24,063
>> FREDDIE, WE HAVE TO DO THIS
929
00:29:24,063 --> 00:29:24,763
REAL-LIFE SHIT?
930
00:29:24,763 --> 00:29:25,234
>> UM...
931
00:29:25,234 --> 00:29:26,095
>> I DON´T WANNA DO ALL THIS
932
00:29:26,095 --> 00:29:26,996
REAL-LIFE SHIT. I MEAN,
933
00:29:26,996 --> 00:29:28,037
THEY´RE NOT TUNING IN TO SEE
934
00:29:28,037 --> 00:29:29,038
MY HANDS. IT´S MORE--NEW IDEA.
935
00:29:29,038 --> 00:29:30,369
NEW IDEA. NEW IDEA. NEW IDEA.
936
00:29:30,369 --> 00:29:33,102
>> MWAH.
937
00:29:33,102 --> 00:29:34,303
>> I ACTUALLY THINK IT´S
938
00:29:34,303 --> 00:29:35,474
A MISTAKE TO UNDERESTIMATE
939
00:29:35,474 --> 00:29:36,345
THE INTELLIGENCE OF YOUR
940
00:29:36,345 --> 00:29:37,476
AUDIENCE. I THINK ADDING
941
00:29:37,476 --> 00:29:39,248
A LITTLE AUTHENTICITY COULD
942
00:29:39,248 --> 00:29:40,109
MAKE A HUGE DIFFERENCE.
943
00:29:40,109 --> 00:29:41,080
>> YOU KNOW WHAT? I COMPLETELY
944
00:29:41,080 --> 00:29:42,211
AGREE WITH YOU. I MEAN, THAT´S
945
00:29:42,211 --> 00:29:43,212
WHY I DON´T THINK SHE SHOULD
946
00:29:43,212 --> 00:29:44,513
GIVE IN SO EASILY, YOU KNOW.
947
00:29:44,513 --> 00:29:46,085
I MEAN, I--I THINK I SHOULD BE
948
00:29:46,085 --> 00:29:48,057
FLAILING AROUND, LIKE...
949
00:29:48,057 --> 00:29:52,391
[SOBBING]
950
00:29:52,391 --> 00:29:54,163
AND THEN YOU SHOULD TIE ME DOWN.
951
00:29:54,163 --> 00:29:55,394
Aidan: WITH WHAT?
952
00:29:55,394 --> 00:29:56,795
>> WITH SOME ROPES.
953
00:29:56,795 --> 00:29:58,027
>> DO YOU KNOW WHAT´S SO MAGIC
954
00:29:58,027 --> 00:29:58,427
FOR ME?
955
00:29:58,427 --> 00:29:59,198
>> WHAT?
956
00:29:59,198 --> 00:30:00,269
>> IS WHEN I GET TO WATCH YOU
957
00:30:00,269 --> 00:30:01,100
LISTEN.
958
00:30:01,100 --> 00:30:01,831
>> I CAN DO THAT.
959
00:30:01,831 --> 00:30:03,202
[BELL RINGS]
960
00:30:03,202 --> 00:30:04,233
>> YOU KNOW, YOU´LL NEED A CAP
961
00:30:04,233 --> 00:30:05,234
ON WHEN WE´RE DOING THE SURGERY
962
00:30:05,234 --> 00:30:06,235
SCENES. YOU COULD LOOK
963
00:30:06,235 --> 00:30:07,206
RIDICULOUS WHEN YOU DON´T WEAR
964
00:30:07,206 --> 00:30:12,511
A CAP.
965
00:30:12,511 --> 00:30:13,843
>> CLAUDE, CAPS, STAT.
966
00:30:13,843 --> 00:30:15,514
>> NO, NO. 86 THAT. DO YOU SEE
967
00:30:15,514 --> 00:30:18,848
THIS? SEE THIS HAIR? YEAH? THIS
968
00:30:18,848 --> 00:30:20,850
IS WHY PEOPLE TUNE IN. OK, IF I
969
00:30:20,850 --> 00:30:21,851
WAS BALDING IN THE TEMPLES LIKE
970
00:30:21,851 --> 00:30:23,822
YOU, IT´D BE A DIFFERENT STORY.
971
00:30:23,822 --> 00:30:24,553
>> EXCUSE ME?
972
00:30:24,553 --> 00:30:26,125
>> WHY DON´T WE JUST REHEARSE
973
00:30:26,125 --> 00:30:27,296
THE BASIC MOVES SO IT LOOKS
974
00:30:27,296 --> 00:30:29,428
MORE REAL, OK? JUST--
975
00:30:29,428 --> 00:30:30,399
JUST IF YOU COULD SEE THE--
976
00:30:30,399 --> 00:30:31,400
YOU MAKE THE CUT HERE.
977
00:30:31,400 --> 00:30:32,401
>> HEY, DOC, YOU´RE A TECHNICAL
978
00:30:32,401 --> 00:30:33,532
ADVISOR, OK? YOU ARE NOT
979
00:30:33,532 --> 00:30:35,234
THE DIRECTOR. FREDDIE, WHY IS IT
980
00:30:35,234 --> 00:30:36,135
THAT WE´RE IN THE PLASTIC
981
00:30:36,135 --> 00:30:37,206
SURGERY CAPITAL OF THE WORLD,
982
00:30:37,206 --> 00:30:38,207
AND WE´RE FORCED TO WORK
983
00:30:38,207 --> 00:30:39,268
WITH THESE MIAMI WANNABES?
984
00:30:39,268 --> 00:30:40,209
CAN YOU TELL ME THAT?
985
00:30:40,209 --> 00:30:43,142
>> YOU ARE NOT IN CHARGE HERE.
986
00:30:48,147 --> 00:30:50,219
I HAVE SEEN KIDS PLAYING DOCTOR
987
00:30:50,219 --> 00:30:51,280
WHO HAVE BETTER SURGICAL
988
00:30:51,280 --> 00:30:52,381
TECHNIQUE THAN YOU DO.
989
00:30:52,381 --> 00:30:53,852
I´M GIVING YOU AN OPPORTUNITY
990
00:30:53,852 --> 00:30:55,284
TO BE MORE AUTHENTIC.
991
00:30:55,284 --> 00:30:58,087
I WOULD TAKE IT IF I WERE YOU.
992
00:31:16,645 --> 00:31:18,377
HOLDING IT JUST LIKE THAT.
993
00:31:18,377 --> 00:31:19,248
>> OK.
994
00:31:19,248 --> 00:31:20,309
>> IT´S JUST SOME SKIN THAT´S
995
00:31:20,309 --> 00:31:21,310
RIGHT ON THE EDGE OF THE LIP.
996
00:31:21,310 --> 00:31:22,251
>> SO I JUST COME IN GENTLY.
997
00:31:22,251 --> 00:31:23,152
>> EASY, EASY.
998
00:31:23,152 --> 00:31:24,313
Actress: BUT DON´T REALLY DO IT.
999
00:31:24,313 --> 00:31:25,314
>> SHH. DON´T--DON´T.
1000
00:31:25,314 --> 00:31:26,385
JUST BREATHE. JUST LIKE
1001
00:31:26,385 --> 00:31:31,560
A LITTLE CRESCENT MOON?
1002
00:31:31,560 --> 00:31:33,192
>> GAME OVER, PALLY PAL.
1003
00:31:33,192 --> 00:31:34,293
WE FINALLY HAVE A REAL-LIFE
1004
00:31:34,293 --> 00:31:36,265
PATIENT. AH, AT LEAST YOU DO,
1005
00:31:36,265 --> 00:31:38,227
ANYWAY.
1006
00:31:38,227 --> 00:31:39,168
>> THEY SPECIFICALLY
1007
00:31:39,168 --> 00:31:39,898
REQUESTED ME?
1008
00:31:39,898 --> 00:31:40,599
>> WELL, APPARENTLY YOU´RE
1009
00:31:40,599 --> 00:31:41,570
THE ONLY ONE HE TRUSTS TO KEEP
1010
00:31:41,570 --> 00:31:44,203
HIS PEEKABOO SCALP A SECRET.
1011
00:31:44,203 --> 00:31:44,633
>> HEH.
1012
00:31:44,633 --> 00:31:45,904
>> I CAN´T BELIEVE YOU´LL LET ME
1013
00:31:45,904 --> 00:31:46,575
GO IN FRONT OF MILLIONS
1014
00:31:46,575 --> 00:31:47,376
OF VIEWERS SHOWING OFF
1015
00:31:47,376 --> 00:31:48,277
MY SHINY HEAD.
1016
00:31:48,277 --> 00:31:49,208
>> THE ONLY TIME I SEE THE TOP
1017
00:31:49,208 --> 00:31:50,079
OF YOUR HEAD IS WHEN
1018
00:31:50,079 --> 00:31:50,909
IT´S COVERED.
1019
00:31:50,909 --> 00:31:52,541
>> WELL, IF THAT ASSHOLE´S
1020
00:31:52,541 --> 00:31:53,442
NOT WEARING A CAP,
1021
00:31:53,442 --> 00:31:54,383
THAN NEITHER AM I.
1022
00:31:54,383 --> 00:31:55,414
>> ASSHOLE´S A VAIN NARCISSIST
1023
00:31:55,414 --> 00:31:56,545
WITHOUT A SHRED OF INTEGRITY.
1024
00:31:56,545 --> 00:31:58,547
>> I KNOW. HE´S A TV STAR.
1025
00:31:58,547 --> 00:31:59,488
WHAT´S ON TOP OF HIS HEAD
1026
00:31:59,488 --> 00:32:00,389
IS MORE IMPORTANT THAN
1027
00:32:00,389 --> 00:32:01,350
WHAT´S IN IT. I GET IT.
1028
00:32:01,350 --> 00:32:04,493
IT´S HOLLYWOOD, BABY.
1029
00:32:04,493 --> 00:32:07,456
PLUG ME.
1030
00:32:17,666 --> 00:32:19,068
>> I´M SORRY YOU DIDN´T GET
1031
00:32:19,068 --> 00:32:21,240
THE PART.
1032
00:32:21,240 --> 00:32:24,443
>> CAMERON DIAZ IS 35.
1033
00:32:24,443 --> 00:32:25,374
SHE THINKS BEING AUTISTIC
1034
00:32:25,374 --> 00:32:27,276
MEANS YOU CAN PAINT.
1035
00:32:27,276 --> 00:32:28,177
>> [CHUCKLES]
1036
00:32:28,177 --> 00:32:29,118
>> BUT I GUESS SHE´S EASIER
1037
00:32:29,118 --> 00:32:31,080
TO LIGHT IN A COAL MINE.
1038
00:32:31,080 --> 00:32:34,353
>> WHICH IS WHY WE´RE HERE.
1039
00:32:34,353 --> 00:32:35,254
>> WHAT´S THIS?
1040
00:32:35,254 --> 00:32:37,226
>> A CONFIDENTIALITY AGREEMENT.
1041
00:32:37,226 --> 00:32:38,627
NO ONE CAN FIND ABOUT
1042
00:32:38,627 --> 00:32:41,660
CARLY´S SURGERY.
1043
00:32:41,660 --> 00:32:42,661
>> [SIGHS]
1044
00:32:42,661 --> 00:32:43,562
>> IT´S STRAIGHT.
1045
00:32:43,562 --> 00:32:46,235
YOU CAN SIGN IT.
1046
00:32:58,177 --> 00:33:01,410
>> SO WHAT DO WE DO FIRST?
1047
00:33:01,410 --> 00:33:04,153
>> UH, FEATHER-LIFT, WHICH ONLY
1048
00:33:04,153 --> 00:33:05,514
TAKES A FEW HOURS, SO WE CAN DO
1049
00:33:05,514 --> 00:33:06,655
YOUR BREAST AUGMENTATION AT
1050
00:33:06,655 --> 00:33:11,490
THE SAME TIME. ARE YOU SURE THIS
1051
00:33:11,490 --> 00:33:12,561
IS SOMETHING YOU´D WANNA DO?
1052
00:33:12,561 --> 00:33:13,562
I´D HATE TO SEE YOU BOWING
1053
00:33:13,562 --> 00:33:14,563
TO THE SUPERFICIAL PRESSURES
1054
00:33:14,563 --> 00:33:19,198
OF YOUR INDUSTRY.
1055
00:33:19,198 --> 00:33:20,529
[GROANS]
1056
00:33:20,529 --> 00:33:21,670
>> IS IT GOING TO HURT?
1057
00:33:21,670 --> 00:33:22,501
>> NO MORE THAN HAVING
1058
00:33:22,501 --> 00:33:28,577
YOUR TEETH CLEANED.
1059
00:33:28,577 --> 00:33:30,179
>> HOW EXACTLY DOES
1060
00:33:30,179 --> 00:33:31,580
THE LIFT WORK?
1061
00:33:31,580 --> 00:33:32,581
>> WE BEGIN BY MAKING
1062
00:33:32,581 --> 00:33:35,184
A TINY INCISION IN YOUR SCALP.
1063
00:33:45,154 --> 00:33:46,395
>> THEN WE SLIDE IN SILICONE
1064
00:33:46,395 --> 00:33:50,129
CHEEK ENHANCERS...
1065
00:33:50,129 --> 00:33:51,530
AND THEN INSERT TINY THREADS
1066
00:33:51,530 --> 00:33:52,561
INTO THE CHEEKS AND PULL
1067
00:33:52,561 --> 00:33:53,702
THE FACIAL MUSCLE TIGHT.
1068
00:33:53,702 --> 00:33:57,366
[PANTING IN PAIN]
1069
00:33:57,366 --> 00:33:59,268
>> FOR THE RECORD, I CONTINUE
1070
00:33:59,268 --> 00:34:01,170
TO FIND YOUR VANITY RIDICULOUS.
1071
00:34:01,170 --> 00:34:01,740
>> [SIGHS]
1072
00:34:01,740 --> 00:34:02,611
>> WHAT ARE YOU GONNA DO
1073
00:34:02,611 --> 00:34:03,572
IF THIS READS ON CAMERA?
1074
00:34:03,572 --> 00:34:05,274
>> COME ON. YOU´RE THE ONE
1075
00:34:05,274 --> 00:34:07,276
WHO IN THE MIAMI DAYS TOLD
1076
00:34:07,276 --> 00:34:08,177
OUR CLIENTS THAT MICROPLUGS
1077
00:34:08,177 --> 00:34:09,148
ARE SO REALISTIC YOU CAN
1078
00:34:09,148 --> 00:34:10,649
GO BACK TO WORK THE NEXT DAY.
1079
00:34:10,649 --> 00:34:13,082
WHAT, I GOT--I GOT 3 DAYS
1080
00:34:13,082 --> 00:34:17,626
BEFORE WE SHOOT? SHOULD BE FINE.
1081
00:34:17,626 --> 00:34:19,828
I NEED THIS.
1082
00:34:26,635 --> 00:34:29,438
Matt: DEAR DAD, ENCLOSED, FIND
1083
00:34:29,438 --> 00:34:31,600
A PICTURE OF THE NEW BAMBINO.
1084
00:34:31,600 --> 00:34:33,342
HER NAME IS JENNA. KIMBER NAMED
1085
00:34:33,342 --> 00:34:35,304
HER AFTER SOME SITCOM ACTRESS IN
1086
00:34:35,304 --> 00:34:37,546
THE CHURCH I´VE NEVER HEARD OF.
1087
00:34:37,546 --> 00:34:38,647
I KNOW YOU WANTED TO BE THERE
1088
00:34:38,647 --> 00:34:40,509
TO DELIVER MY FIRSTBORN, DAD.
1089
00:34:40,509 --> 00:34:42,581
I WANTED THAT, TOO, BUT JENNA
1090
00:34:42,581 --> 00:34:43,612
CAME SO QUICKLY, THERE WOULDN´T
1091
00:34:43,612 --> 00:34:44,583
HAVE BEEN ENOUGH TIME FOR YOU
1092
00:34:44,583 --> 00:34:47,116
TO GET HERE ANYWAY. I´M SORRY
1093
00:34:47,116 --> 00:34:48,457
I HAVEN´T RETURNED YOUR CALLS.
1094
00:34:48,457 --> 00:34:50,519
YOU KNOW HOW BUSY FATHERHOOD IS.
1095
00:34:50,519 --> 00:34:52,191
AND KIMBER´S GOOD. SHE LOVES
1096
00:34:52,191 --> 00:34:55,364
BEIN´ A MOM. I MISS YOU, DAD.
1097
00:34:55,364 --> 00:34:56,495
SHOW CHRISTIAN THE PICTURE AND
1098
00:34:56,495 --> 00:34:58,267
TELL HIM I MISS HIM, TOO.
1099
00:34:58,267 --> 00:35:00,599
I LOVE YOU GUYS. MATT.
1100
00:35:00,599 --> 00:35:02,401
>> JESUS CHRIST!
1101
00:35:02,401 --> 00:35:03,602
>> WHAT IS IT? WHAT´S WRONG?
1102
00:35:03,602 --> 00:35:04,533
>> LOOK AT THIS.
1103
00:35:04,533 --> 00:35:06,135
>> WHAT? LET ME SEE. LET ME SEE.
1104
00:35:06,135 --> 00:35:06,675
>> WHAT IS IT?
1105
00:35:06,675 --> 00:35:08,407
>> AH. FOLLICULITIS. INFECTION
1106
00:35:08,407 --> 00:35:09,408
OCCURS IN A SMALL PERCENTAGE
1107
00:35:09,408 --> 00:35:10,239
OF HAIR TRANSPLANTS--
1108
00:35:10,239 --> 00:35:11,140
>> WEREN´T THE INSTRUMENTS
1109
00:35:11,140 --> 00:35:11,680
PROPERLY, UH--
1110
00:35:11,680 --> 00:35:12,641
>> THIS WAS PROBABLY CAUSED BY
1111
00:35:12,641 --> 00:35:13,612
ALL THAT SWEATING YOU DID IN
1112
00:35:13,612 --> 00:35:14,683
THE TANNING SALON YESTERDAY.
1113
00:35:14,683 --> 00:35:15,584
>> 2--2 DAYS, MAN.
1114
00:35:15,584 --> 00:35:16,545
>> I TOLD YOU TO STAY AWAY FROM
1115
00:35:16,545 --> 00:35:17,546
THAT UNTIL YOU´RE FULLY HEALED.
1116
00:35:17,546 --> 00:35:18,447
>> WE NEED TO LOOK OUR BEST,
1117
00:35:18,447 --> 00:35:19,548
RIGHT? IT´S OUR BIG BREAK.
1118
00:35:19,548 --> 00:35:21,220
>> WHY DON´T YOU JUST
1119
00:35:21,220 --> 00:35:21,890
STAY STILL? COME HERE.
1120
00:35:21,890 --> 00:35:22,651
>> ANTISEPTIC CREAM OR
1121
00:35:22,651 --> 00:35:23,522
SOMETHING? BUT I´M GONNA BE
1122
00:35:23,522 --> 00:35:24,293
ALL RIGHT, RIGHT?
1123
00:35:24,293 --> 00:35:25,154
>> IT´S GONNA BE FINE.
1124
00:35:25,154 --> 00:35:25,554
>> RIGHT?
1125
00:35:25,554 --> 00:35:31,530
>> IT´S FINE.
1126
00:35:31,530 --> 00:35:33,402
THIS WAS A MISTAKE.
1127
00:35:33,402 --> 00:35:34,433
>> IT´S JUST A MINOR INFECTION.
1128
00:35:34,433 --> 00:35:36,235
>> NO, NOT YOUR PLUGS. LOOK AT
1129
00:35:36,235 --> 00:35:39,308
US, MUTILATING OUR BODIES,
1130
00:35:39,308 --> 00:35:40,609
SELLING OUT TO SOME HACK
1131
00:35:40,609 --> 00:35:44,813
TV SHOW. WE´RE GOOD SURGEONS.
1132
00:35:44,813 --> 00:35:46,215
WHY LIVE IN A PLACE THAT DOESN´T
1133
00:35:46,215 --> 00:35:49,548
APPRECIATE US, YOU KNOW?
1134
00:35:49,548 --> 00:35:50,649
MAYBE WE SHOULD´VE MOVED
1135
00:35:50,649 --> 00:35:53,182
SOMEWHERE WHERE SUBSTANCE REIGNS
1136
00:35:53,182 --> 00:35:57,556
OVER STYLE, LIKE NEW YORK. EH?
1137
00:35:57,556 --> 00:35:59,288
>> JULIA´S GONE. LIVING A COUPLE
1138
00:35:59,288 --> 00:36:00,359
OF SUBWAY STOPS AWAY AIN´T GONNA
1139
00:36:00,359 --> 00:36:07,236
CHANGE THAT.
1140
00:36:07,236 --> 00:36:11,940
>> I MISS MY KIDS. I MISS ANNIE
1141
00:36:11,940 --> 00:36:13,202
LAUGHING AT ME WHEN I TRY TO PUT
1142
00:36:13,202 --> 00:36:16,675
HER HAIR IN A PONYTAIL, CONOR´S
1143
00:36:16,675 --> 00:36:20,609
FIRST SMILE IN THE MORNING.
1144
00:36:20,609 --> 00:36:21,580
I MISS SEEING MATT WITH HIS
1145
00:36:21,580 --> 00:36:25,914
CHILD, OUR GRANDCHILD. YOU CAN´T
1146
00:36:25,914 --> 00:36:27,956
GET THOSE MOMENTS BACK.
1147
00:36:27,956 --> 00:36:32,961
>> LOOK, YOU MADE A BOLD MOVE
1148
00:36:32,961 --> 00:36:35,764
COMIN´ OUT HERE, PARTNER, MAYBE
1149
00:36:35,764 --> 00:36:40,699
THE FIRST ONE OF YOUR LIFE. HUH?
1150
00:36:40,699 --> 00:36:42,631
COME ON. I MEAN, HOW MANY GUYS
1151
00:36:42,631 --> 00:36:44,333
OUR AGE FINALLY GET THE
1152
00:36:44,333 --> 00:36:45,374
OPPORTUNITY TO GET THE
1153
00:36:45,374 --> 00:36:48,677
RECOGNITION THEY DESERVE? HUH?
1154
00:36:48,677 --> 00:36:51,680
THIS IS JUST THE BEGINNING.
1155
00:36:51,680 --> 00:36:52,941
>> FAME ISN´T LOVE, CHRISTIAN.
1156
00:36:52,941 --> 00:36:54,843
GETTING IT ISN´T GONNA FILL UP
1157
00:36:54,843 --> 00:36:55,984
SOME HOLE YOU´VE HAD INSIDE YOU
1158
00:36:55,984 --> 00:36:58,987
SINCE YOU WERE A KID.
1159
00:37:09,898 --> 00:37:12,301
>> SHE´S BEAUTIFUL.
1160
00:37:12,301 --> 00:37:16,234
SHE LOOKS JUST LIKE ME.
1161
00:37:16,234 --> 00:37:18,967
>> [CHUCKLES]
1162
00:37:24,913 --> 00:37:29,017
>> I WANNA BE HERE, MAN. I MEAN,
1163
00:37:29,017 --> 00:37:32,721
LOOK AT THIS PLACE. I CAN´T DO
1164
00:37:32,721 --> 00:37:39,328
IT WITHOUT YOU. SO, YOU´RE GONNA
1165
00:37:39,328 --> 00:37:42,761
HAVE TO JUMP ONBOARD,
1166
00:37:42,761 --> 00:37:48,337
´CAUSE I AIN´T LEAVIN´.
1167
00:37:48,337 --> 00:37:52,941
COME ON. LET´S RUN SOME LINES.
1168
00:37:52,941 --> 00:37:54,373
[BELL RINGS]
1169
00:37:54,373 --> 00:37:55,744
>> NOT TOO MUCH.
1170
00:37:55,744 --> 00:37:59,007
>> FREDDIE, I GOT THE REWRITE.
1171
00:37:59,007 --> 00:38:00,879
BUT I DON´T UNDERSTAND. IF YOU
1172
00:38:00,879 --> 00:38:02,351
DIDN´T LIKE THE WAY I WAS SAYING
1173
00:38:02,351 --> 00:38:03,312
THE LINE, WHY DIDN´T YOU
1174
00:38:03,312 --> 00:38:05,554
JUST TELL ME TO MY FACE?
1175
00:38:05,554 --> 00:38:06,785
>> NO, DARLING, IT´S NOT YOU.
1176
00:38:06,785 --> 00:38:07,916
YOU´RE GOLD. I-IT´S THE
1177
00:38:07,916 --> 00:38:08,757
STANDARDS AND PRACTICES
1178
00:38:08,757 --> 00:38:10,619
DEPARTMENT. YOU KNOW, IT´S OK,
1179
00:38:10,619 --> 00:38:11,760
YOU KNOW, FOR TONY SOPRANO´S
1180
00:38:11,760 --> 00:38:12,821
BEST FRIEND TO BE NAMED PUSSY,
1181
00:38:12,821 --> 00:38:14,763
BUT WE´RE TELEVISION, NOT HBO,
1182
00:38:14,763 --> 00:38:15,794
SO WE CAN´T USE THE P-WORD
1183
00:38:15,794 --> 00:38:16,765
ON THE NETWORK. THAT´S ALL.
1184
00:38:16,765 --> 00:38:19,668
>> BUT I CAN´T SAY THAT. I MEAN,
1185
00:38:19,668 --> 00:38:20,699
IT DOESN´T SOUND NATURAL.
1186
00:38:20,699 --> 00:38:22,571
ALLEGRA´S A GROWN WOMAN.
1187
00:38:22,571 --> 00:38:26,074
I MEAN, ONLY A CHILD WOULD REFER
1188
00:38:26,074 --> 00:38:28,076
TO HER LABIA AS A--
1189
00:38:28,076 --> 00:38:29,037
>> CANDY, CANDY, CANDY, CANDY,
1190
00:38:29,037 --> 00:38:30,779
SHE´S A VICTIM OF ABUSE, OK?
1191
00:38:30,779 --> 00:38:31,910
ANY REFERENCE TO HER FEMALE
1192
00:38:31,910 --> 00:38:33,782
PARTS INFANTILIZES HER, OK?
1193
00:38:33,782 --> 00:38:36,345
END OF STORY. NOW, I WANT YOU
1194
00:38:36,345 --> 00:38:37,315
TO PLAY AGAINST THE SOUND--
1195
00:38:37,315 --> 00:38:38,847
>> YOU WANNA HEAR SOMETHIN´,
1196
00:38:38,847 --> 00:38:42,891
FREDDIE? YOU ARE RIGHT.
1197
00:38:42,891 --> 00:38:45,854
OH, MY GOD. YOU ARE A GENIUS.
1198
00:38:45,854 --> 00:38:49,758
I´M INFANTILIZED. MAYBE I
1199
00:38:49,758 --> 00:38:51,700
COULD GURGLE LIKE A BABY,
1200
00:38:51,700 --> 00:38:54,933
LIKE...
1201
00:38:54,933 --> 00:39:01,710
[GURGLING]
1202
00:39:01,710 --> 00:39:04,773
NANA!
1203
00:39:04,773 --> 00:39:05,914
>> ARE YOU READY FOR YOUR
1204
00:39:05,914 --> 00:39:08,046
CLOSE-UP, DR. McNAMARA? HUH?
1205
00:39:08,046 --> 00:39:10,749
HUH? EH? EH? HEH? I DON´T KNOW
1206
00:39:10,749 --> 00:39:11,820
ABOUT YOU, BUT I FEEL LIKE MY
1207
00:39:11,820 --> 00:39:12,921
WHOLE LIFE HAS BUILT UP FOR THIS
1208
00:39:12,921 --> 00:39:14,753
MOMENT IN TIME RIGHT NOW.
1209
00:39:14,753 --> 00:39:15,784
HEH HEH HEH. DO YOU REALIZE
1210
00:39:15,784 --> 00:39:16,755
THAT IN ONE NIGHT, MORE PEOPLE
1211
00:39:16,755 --> 00:39:17,756
WILL SEE US THAN WE´LL MEET
1212
00:39:17,756 --> 00:39:19,788
IN A WHOLE LIFETIME.
1213
00:39:19,788 --> 00:39:20,689
WHAT ARE YOU LOOKIN´ AT?
1214
00:39:20,689 --> 00:39:22,461
>> NOTHING. JUST--I THINK
1215
00:39:22,461 --> 00:39:23,392
YOU NEED A LITTLE SOMETHIN´
1216
00:39:23,392 --> 00:39:24,463
AROUND THE PLUGS.
1217
00:39:24,463 --> 00:39:26,034
>> SHIT. SERIOUSLY? PRACTICALLY
1218
00:39:26,034 --> 00:39:27,095
SPRAYED A WHOLE CAN OF
1219
00:39:27,095 --> 00:39:28,066
SPRAY-PAINT ON MY HEAD. THEY
1220
00:39:28,066 --> 00:39:29,067
SAID IT WOULDN´T SHOW ON CAMERA.
1221
00:39:29,067 --> 00:39:29,938
>> WELL, THEY´RE PROS.
1222
00:39:29,938 --> 00:39:30,839
I´M SURE THEY KNOW WHAT
1223
00:39:30,839 --> 00:39:31,800
THEY´RE TALKIN´ ABOUT.
1224
00:39:31,800 --> 00:39:33,001
>> TELL ME. YOU TELL ME. HUH?
1225
00:39:33,001 --> 00:39:33,802
>> NO, IT´S OK.
1226
00:39:33,802 --> 00:39:34,473
>> IT´S OK?
1227
00:39:34,473 --> 00:39:35,003
>> IT´S FINE.
1228
00:39:35,003 --> 00:39:35,774
>> YOU´RE SURE?
1229
00:39:35,774 --> 00:39:36,374
>> YEAH.
1230
00:39:36,374 --> 00:39:36,875
[BELL RINGS]
1231
00:39:36,875 --> 00:39:38,847
>> WHOO.
1232
00:39:38,847 --> 00:39:40,809
>> "A" CAMERA MARKER.
1233
00:39:40,809 --> 00:39:43,682
[MONITOR BEEPING]
1234
00:39:43,682 --> 00:39:46,084
>> YOU DON´T UNDERSTAND. I CAN´T
1235
00:39:46,084 --> 00:39:49,858
WEAR MY LADY CHA-CHA ON MY LIPS.
1236
00:39:49,858 --> 00:39:51,860
I JUST CAN´T. IT´LL BE
1237
00:39:51,860 --> 00:39:53,892
A CONSTANT REMINDER OF--
1238
00:39:53,892 --> 00:39:57,696
>> OF WHAT, ALLEGRA? YOU CAN
1239
00:39:57,696 --> 00:39:59,828
TELL ME. I´M YOUR DOCTOR.
1240
00:39:59,828 --> 00:40:03,772
>> MY FATHER TOUCHED THOSE LIPS.
1241
00:40:03,772 --> 00:40:06,134
[SOBS] HE USED TO COME INTO
1242
00:40:06,134 --> 00:40:07,836
MY ROOM AT NIGHT WHEN I WAS
1243
00:40:07,836 --> 00:40:09,708
A LITTLE GIRL AND--
1244
00:40:09,708 --> 00:40:10,839
>> LET IT OUT.
1245
00:40:10,839 --> 00:40:14,913
>> AND ABUSE ME. [SOBS] I JUST
1246
00:40:14,913 --> 00:40:18,717
CAN´T WEAR MY SHAME ON MY FACE.
1247
00:40:18,717 --> 00:40:20,949
>> [SHUSHING] NO ONE WILL KNOW
1248
00:40:20,949 --> 00:40:21,850
I PUT YOUR LADY CHA-CHA
1249
00:40:21,850 --> 00:40:22,891
ON YOUR FACE.
1250
00:40:22,891 --> 00:40:23,852
>> I´M GONNA GET A HUMANITAS
1251
00:40:23,852 --> 00:40:24,453
FOR THIS.
1252
00:40:24,453 --> 00:40:29,458
>> YOU HAVE MY WORD. DOCTOR.
1253
00:40:29,458 --> 00:40:30,999
>> YOU WERE RIGHT, DOCTOR.
1254
00:40:30,999 --> 00:40:32,160
>> WHAT IS THAT, ANOTHER
1255
00:40:32,160 --> 00:40:33,832
SURGEON, OR IS THAT A CHIA PET?
1256
00:40:33,832 --> 00:40:36,935
THAT´S--THAT´S DISGUSTING. GET--
1257
00:40:36,935 --> 00:40:38,106
GET OFF HIM.
1258
00:40:38,106 --> 00:40:40,469
>> ...ELASTIC FIBERS ALLOW
1259
00:40:40,469 --> 00:40:42,440
FOR LESS CONTRACTION DURING THE
1260
00:40:42,440 --> 00:40:45,143
HEALING AND RECOVERY PROCESS.
1261
00:40:53,121 --> 00:40:54,483
>> SHE´S READY WHEN YOU ARE,
1262
00:40:54,483 --> 00:40:55,884
DOCTOR.
1263
00:40:55,884 --> 00:41:01,560
>> 15 BLADE.
1264
00:41:01,560 --> 00:41:02,491
>> I´M PRETTY GOOD AT THIS.
1265
00:41:02,491 --> 00:41:03,732
COULD HEAR A PIN DROP WHEN I WAS
1266
00:41:03,732 --> 00:41:04,893
SAYING MY LINES.
1267
00:41:04,893 --> 00:41:08,236
>> WHAT ARE YOU DOING HERE?
1268
00:41:08,236 --> 00:41:09,167
>> APPARENTLY THE MERGER´S
1269
00:41:09,167 --> 00:41:11,139
OFFICIAL, AND OUR LITTLE BOBBY
1270
00:41:11,139 --> 00:41:12,100
HAS BEEN ASKED TO BE CHAIRMAN
1271
00:41:12,100 --> 00:41:13,502
AND C.E.O. OF THE PARENT
1272
00:41:13,502 --> 00:41:16,705
COMPANY. HE´S VERY EXCITED,
1273
00:41:16,705 --> 00:41:20,178
BUT UNDERSTANDABLY
1274
00:41:20,178 --> 00:41:26,084
A LITTLE STRESSED.
1275
00:41:26,084 --> 00:41:26,955
>> WHO IS THAT, MAN?
1276
00:41:26,955 --> 00:41:28,186
SHE´S KIND OF HOT.
1277
00:41:28,186 --> 00:41:29,518
>> BOB EASTON´S ONE-WOMAN
1278
00:41:29,518 --> 00:41:31,219
STRESS MANAGEMENT.
1279
00:41:36,895 --> 00:41:38,927
>> MR. EASTON, PULL DOWN
1280
00:41:38,927 --> 00:41:39,928
THE BLANKET.
1281
00:41:39,928 --> 00:41:41,530
>> I-I´M GOOD.
1282
00:41:41,530 --> 00:41:43,201
>> IN SHOCK.
1283
00:41:43,201 --> 00:41:43,972
>> I´M GOOD.
1284
00:41:43,972 --> 00:41:44,973
>> I NEED TO EXAMINE YOUR
1285
00:41:44,973 --> 00:41:49,007
SUTURES. LET GO OF THE BLANKET.
1286
00:41:49,007 --> 00:41:52,110
>> JESUS.
1287
00:41:52,110 --> 00:41:53,982
>> IT´S NOT HER FAULT.
1288
00:41:53,982 --> 00:41:55,814
SHE WANTED TO STOP, BUT I
1289
00:41:55,814 --> 00:41:59,948
BEGGED HER TO KEEP GOIN´.
1290
00:41:59,948 --> 00:42:01,920
[MONITOR BEEPING]
1291
00:42:01,920 --> 00:42:03,552
I WANNA THANK YOU GUYS.
1292
00:42:03,552 --> 00:42:04,292
LESSER MEN WOULD HAVE KICKED ME
1293
00:42:04,292 --> 00:42:05,223
TO THE CURB.
1294
00:42:05,223 --> 00:42:06,224
>> YOU KNOW, I´M HAVING A HARD
1295
00:42:06,224 --> 00:42:07,155
TIME UNDERSTANDING HOW SUCH
1296
00:42:07,155 --> 00:42:09,798
A SMART GUY COULD BE SO STUPID.
1297
00:42:09,798 --> 00:42:10,859
IN ADDITION TO COMPROMISING
1298
00:42:10,859 --> 00:42:12,931
OUR PRACTICE, YOU HAVE ANY IDEA
1299
00:42:12,931 --> 00:42:14,863
WHAT LIVES IN THE HUMAN MOUTH?
1300
00:42:14,863 --> 00:42:15,834
IT´S A CESSPOOL. YOU RISKED
1301
00:42:15,834 --> 00:42:17,766
SEPSIS, HEPATITIS B.
1302
00:42:17,766 --> 00:42:18,937
>> I KNOW. I KNOW. I HAVE
1303
00:42:18,937 --> 00:42:22,010
A PROBLEM, OK? FOR THE RECORD,
1304
00:42:22,010 --> 00:42:24,743
I DECIDED NOT TO TAKE THE JOB.
1305
00:42:24,743 --> 00:42:28,977
I´M OUT. YOU KNOW, IT´S ONLY
1306
00:42:28,977 --> 00:42:30,779
A MATTER OF TIME UNTIL THIS TOWN
1307
00:42:30,779 --> 00:42:33,021
EATS YOU GUYS ALIVE. YOU MAY
1308
00:42:33,021 --> 00:42:35,083
WANNA PACK UP YOUR SCALPELS
1309
00:42:35,083 --> 00:42:36,925
AND HEAD BACK TO MIAMI WHILE
1310
00:42:36,925 --> 00:42:38,156
YOUR SOULS ARE STILL INTACT.
1311
00:42:38,156 --> 00:42:41,189
[GAS HISSING]
1312
00:42:41,189 --> 00:42:43,892
>> COUNT BACK FROM 10 FOR ME.
1313
00:42:43,892 --> 00:42:45,994
>> 10, 9...
1314
00:42:51,800 --> 00:42:52,901
>> [SOBBING]
1315
00:42:52,901 --> 00:42:55,103
>> OH, LOOK. THAT WAS A GREAT
1316
00:42:55,103 --> 00:42:56,304
IDEA. YOU SEE THE FACE?
1317
00:42:56,304 --> 00:43:00,749
>> YOU DON´T UNDERSTAND. I CAN´T
1318
00:43:00,749 --> 00:43:03,581
WEAR MY LADY CHA-CHA ON MY LIPS.
1319
00:43:03,581 --> 00:43:04,282
>> HONEY, IF YOU CAN LIVE WITH
1320
00:43:04,282 --> 00:43:05,754
THE SHAME OF CALLING YOUR LABIA
1321
00:43:05,754 --> 00:43:07,055
MINORA A LADY CHA-CHAS, THEN YOU
1322
00:43:07,055 --> 00:43:08,787
CAN PAINT ´EM BRIGHT ORANGE AND
1323
00:43:08,787 --> 00:43:09,888
WEAR ´EM ON YOUR FOREHEAD.
1324
00:43:09,888 --> 00:43:11,760
>> SHH, SHH, SHH, SHH.
1325
00:43:11,760 --> 00:43:12,761
>> OF WHAT, ALLEGRA?
1326
00:43:12,761 --> 00:43:15,123
>> UM...
1327
00:43:15,123 --> 00:43:17,025
>> I´M YOUR DOCTOR. YOU CAN
1328
00:43:17,025 --> 00:43:18,767
TELL ME ANYTHING.
1329
00:43:18,767 --> 00:43:21,900
>> MY FATHER TOUCHED THOSE LIPS.
1330
00:43:21,900 --> 00:43:24,973
[SOBS] HE USED TO COME INTO
1331
00:43:24,973 --> 00:43:26,775
MY ROOM AT NIGHT WHEN I WAS
1332
00:43:26,775 --> 00:43:28,276
A LITTLE GIRL AND--
1333
00:43:28,276 --> 00:43:29,337
>> LET IT OUT.
1334
00:43:29,337 --> 00:43:31,740
>> AND ABUSE ME.
1335
00:43:31,740 --> 00:43:32,741
>> LOOK, LOOK. DADDY´S GONNA BE
1336
00:43:32,741 --> 00:43:33,181
ON TV.
1337
00:43:33,181 --> 00:43:34,182
>> OH, SEAN, LOOK.
1338
00:43:34,182 --> 00:43:35,013
YOU LOOK REALLY MOVED.
1339
00:43:35,013 --> 00:43:35,884
>> HEY, WILL YOU GUYS BE--
1340
00:43:35,884 --> 00:43:36,845
>> IT WAS WEIRD. I SORT OF WAS.
1341
00:43:36,845 --> 00:43:38,747
>> BE QUIET, PLEASE, ALL RIGHT?
1342
00:43:38,747 --> 00:43:41,049
[AIDAN SHUSHING] NO ONE WILL
1343
00:43:41,049 --> 00:43:42,290
KNOW I PUT YOUR LADY CHA-CHA
1344
00:43:42,290 --> 00:43:47,325
ON YOUR FACE. YOU HAVE MY WORD.
1345
00:43:47,325 --> 00:43:48,256
DOCTOR.
1346
00:43:48,256 --> 00:43:52,861
[GAS HISSING]
1347
00:43:52,861 --> 00:43:53,832
>> SHE´S READY WHEN YOU ARE,
1348
00:43:53,832 --> 00:43:56,004
DOCTOR.
1349
00:43:56,004 --> 00:43:57,806
>> WH-WHAT? WAIT, WAIT. WHAT
1350
00:43:57,806 --> 00:44:03,341
THE HELL HAPPENED TO MY SPEECH?
1351
00:44:03,341 --> 00:44:04,342
>> DOCTOR.
1352
00:44:04,342 --> 00:44:08,917
[GAS HISSING]
1353
00:44:08,917 --> 00:44:10,078
>> SHE´S READY WHEN YOU ARE,
1354
00:44:10,078 --> 00:44:11,820
DOCTOR.
1355
00:44:11,820 --> 00:44:13,822
>> 15 BLADE.
1356
00:44:20,188 --> 00:44:20,989
>> THEY CUT OUT
1357
00:44:20,989 --> 00:44:21,960
THE WHOLE SPEECH.
1358
00:44:21,960 --> 00:44:22,931
>> OH, NO, YOU´RE NOT, NOT
1359
00:44:22,931 --> 00:44:23,832
COMPLETELY. I MEAN, THE BACK
1360
00:44:23,832 --> 00:44:24,933
OF YOUR HEAD, VERY DISTINCTIVE.
1361
00:44:24,933 --> 00:44:25,964
>> THIS IS THAT AIDAN STONE. I´M
1362
00:44:25,964 --> 00:44:27,235
TELLIN´ YOU, HE FELT THREATENED
1363
00:44:27,235 --> 00:44:28,236
BY ME, COULDN´T HANDLE THE HEAT.
1364
00:44:28,236 --> 00:44:29,067
>> COME ON, CHRISTIAN.
1365
00:44:29,067 --> 00:44:29,998
IT´S JUST A STUPID TV SHOW.
1366
00:44:29,998 --> 00:44:31,840
>> WHAT? McNAMARA/TROY CANNOT
1367
00:44:31,840 --> 00:44:32,801
BE ASSOCIATED WITH THIS KIND
1368
00:44:32,801 --> 00:44:33,972
OF SCHLOCK, MY FRIEND. THAT´S
1369
00:44:33,972 --> 00:44:35,303
ALL THERE IS TO IT. WE HAVE
1370
00:44:35,303 --> 00:44:37,375
A REPUTATION TO PROTECT.
1371
00:44:37,375 --> 00:44:38,346
THEY CAN TAKE THIS SHITTY SHOW
1372
00:44:38,346 --> 00:44:42,350
AND SHOVE IT UP THEIR ASSES.
1373
00:44:42,350 --> 00:44:43,351
WE DON´T NEED THAT KIND OF
1374
00:44:43,351 --> 00:44:45,754
EXPOSURE, SEAN. WE GOT CARLY,
1375
00:44:45,754 --> 00:44:46,354
AND OUR WORK WILL SPEAK
1376
00:44:46,354 --> 00:44:47,115
FOR ITSELF.
1377
00:44:47,115 --> 00:44:48,116
>> YOU SIGNED A CONFIDENTIALITY
1378
00:44:48,116 --> 00:44:49,157
AGREEMENT, REMEMBER?
1379
00:44:49,157 --> 00:44:50,188
>> YEAH, YEAH. WHATEVER.
1380
00:44:50,188 --> 00:44:50,989
>> IT´S LIKE CARLY
1381
00:44:50,989 --> 00:44:51,760
NEVER HAPPENED.
1382
00:44:51,760 --> 00:44:53,061
>> EXCUSE ME. DIDN´T I SEE YOU
1383
00:44:53,061 --> 00:44:54,092
LAST NIGHT ON HEARTS ´N
1384
00:44:54,092 --> 00:44:56,324
SCALPELS? OHH! LAST NIGHT´S
1385
00:44:56,324 --> 00:44:57,866
EPISODE WAS AWESOME.
1386
00:44:57,866 --> 00:44:59,297
EVERYONE IS TALKING ABOUT IT.
1387
00:44:59,297 --> 00:45:00,869
LOOK. IT´S THE NEW CUTE DOCTOR
1388
00:45:00,869 --> 00:45:02,070
FROM HEARTS ´N SCALPELS.
1389
00:45:02,070 --> 00:45:04,232
>> OH, WOW. YOU WERE GREAT. IT
1390
00:45:04,232 --> 00:45:05,804
WAS LIKE WATCHING A REAL DOCTOR.
1391
00:45:05,804 --> 00:45:07,275
>> WELL, ACTUALLY I AM.
1392
00:45:07,275 --> 00:45:08,236
THEY HIRED ME TO CONSULT.
1393
00:45:08,236 --> 00:45:09,137
>> HEY, YOU´RE A REAL
1394
00:45:09,137 --> 00:45:10,739
PLASTIC SURGEON?
1395
00:45:10,739 --> 00:45:11,209
>> YES, I--
1396
00:45:11,209 --> 00:45:12,981
>> DO YOU HAVE A CARD? MY WIFE´S
1397
00:45:12,981 --> 00:45:13,882
BEEN HOUNDING ME TO GET SOME
1398
00:45:13,882 --> 00:45:15,113
WORK DONE. YOU MUST BE
1399
00:45:15,113 --> 00:45:16,284
PRETTY GOOD. EVERY SURGEON
1400
00:45:16,284 --> 00:45:17,215
IN BEVERLY HILLS MUST HAVE
1401
00:45:17,215 --> 00:45:19,117
BEEN AFTER THAT JOB.
1402
00:45:19,117 --> 00:45:20,889
>> HERE.
1403
00:45:24,893 --> 00:45:25,994
>> ♫ THERE´S TALK ON THE STREET,
1404
00:45:25,994 --> 00:45:26,895
IT SOUNDS SO FAMILIAR... ♫
1405
00:45:26,895 --> 00:45:28,026
>> THANKS.
1406
00:45:28,026 --> 00:45:30,258
>> SURE. SURE RENAULT, RIGHT?
1407
00:45:30,258 --> 00:45:33,161
OH. HI.
1408
00:45:33,161 --> 00:45:34,963
>> ♫ EVERYBODY´S WATCHIN´ YOU ♫
1409
00:45:34,963 --> 00:45:35,363
[SUCTION]
1410
00:45:35,363 --> 00:45:36,965
>> LIPO´S A HARSH PROCEDURE.
1411
00:45:36,965 --> 00:45:38,266
THE KEY IS TO USE SHORT,
1412
00:45:38,266 --> 00:45:39,908
EVEN STROKES AND AVOID
1413
00:45:39,908 --> 00:45:41,069
EXCESSIVE BRUISING.
1414
00:45:41,069 --> 00:45:44,242
>> WOW. [SIGHS] THAT LOOKS
1415
00:45:44,242 --> 00:45:45,974
JUST SO REAL WHEN YOU DO IT.
1416
00:45:45,974 --> 00:45:49,047
>> THIS IS REAL, REMEMBER?
1417
00:45:49,047 --> 00:45:49,948
>> YEAH, THIS IS EXACTLY HOW
1418
00:45:49,948 --> 00:45:50,849
I WANT THE SHOW TO LOOK FROM
1419
00:45:50,849 --> 00:45:53,251
NOW ON. I WENT ONLINE THE OTHER
1420
00:45:53,251 --> 00:45:54,322
NIGHT AFTER WE AIRED AND GOT OUR
1421
00:45:54,322 --> 00:45:56,054
HIGHEST RATINGS EVER. YOU KNOW
1422
00:45:56,054 --> 00:45:56,955
WHAT I KEPT READING ABOUT
1423
00:45:56,955 --> 00:45:57,956
IN ALL THE HEARTS ´N SCALPEL
1424
00:45:57,956 --> 00:46:03,331
CHAT ROOMS? SURGERY. THEY LOVE
1425
00:46:03,331 --> 00:46:04,993
THE SURGERY. EVERYBODY THOUGHT
1426
00:46:04,993 --> 00:46:05,934
THAT IT BROUGHT A HEIGHTENED
1427
00:46:05,934 --> 00:46:07,796
SENSE OF REALISM AND--AND DRAMA
1428
00:46:07,796 --> 00:46:08,196
TO THE SHOW.
1429
00:46:08,196 --> 00:46:09,067
>> YOU´RE KIDDING.
1430
00:46:09,067 --> 00:46:12,300
>> NO, NO. ME DOING
1431
00:46:12,300 --> 00:46:13,101
REALISTIC SURGERY--
1432
00:46:13,101 --> 00:46:14,342
>> YOU CAN´T--CAN´T DO THAT.
1433
00:46:14,342 --> 00:46:15,343
>> RIGHT. RIGHT. JUST WHAT
1434
00:46:15,343 --> 00:46:17,806
THE FANS WANNA SEE. AND YOU,
1435
00:46:17,806 --> 00:46:20,208
MY FRIEND, YOU ARE THE GUY
1436
00:46:20,208 --> 00:46:21,810
THAT´S GONNA MAKE THAT HAPPEN.
1437
00:46:21,810 --> 00:46:22,951
>> I´M JUST HAPPY TO DO MY PART.
1438
00:46:22,951 --> 00:46:23,882
>> SPEAKING OF WHICH, I WANT
1439
00:46:23,882 --> 00:46:24,552
TO TALK TO YOU ABOUT WHAT
1440
00:46:24,552 --> 00:46:26,254
HAPPENED ON SET THE OTHER DAY,
1441
00:46:26,254 --> 00:46:28,286
HOW YOU SPOKE TO ME.
1442
00:46:28,286 --> 00:46:29,818
>> LOOK, I DIDN´T MEAN--
1443
00:46:29,818 --> 00:46:32,560
>> THANK YOU. I NEEDED TO
1444
00:46:32,560 --> 00:46:35,293
HEAR IT. YOU KNOW, IT--IT´S HARD
1445
00:46:35,293 --> 00:46:36,324
BEING THE SOLE CREATIVE FORCE
1446
00:46:36,324 --> 00:46:38,967
BEHIND A HIT SHOW. EVERYTHING IS
1447
00:46:38,967 --> 00:46:40,168
RIDING ON MY BROAD SHOULDERS
1448
00:46:40,168 --> 00:46:43,071
ALL THE TIME, AND THE PRESSURE
1449
00:46:43,071 --> 00:46:44,302
GETS TO ME.
1450
00:46:44,302 --> 00:46:47,305
>> [CLEARS THROAT]
1451
00:46:47,305 --> 00:46:48,907
WHAT´S HE DOING HERE?
1452
00:46:48,907 --> 00:46:51,109
>> CHRISTOPHER.
1453
00:46:51,109 --> 00:46:53,211
GOOD TO SEE YOU, MY MAN.
1454
00:46:53,211 --> 00:46:54,382
YOUR BETTER HALF´S GIVING ME
1455
00:46:54,382 --> 00:46:55,583
SOME POINTERS ON THE SHOW. IT´S
1456
00:46:55,583 --> 00:46:57,115
AWESOME STUFF. LISTEN, YOU HAVE
1457
00:46:57,115 --> 00:46:58,086
ANY NOTES IN THE NEXT SCRIPT,
1458
00:46:58,086 --> 00:46:59,347
YOU GIVE ME A CALL, OK?
1459
00:46:59,347 --> 00:47:00,588
>> YEAH.
1460
00:47:00,588 --> 00:47:02,120
>> WE SHOULD DO A MEAL SOON.
1461
00:47:02,120 --> 00:47:05,093
YOU BEEN TO THE IVY YET? YOU GOT
1462
00:47:05,093 --> 00:47:09,057
MY DIGITS, RIGHT? LOOK AT YOU.
1463
00:47:09,057 --> 00:47:11,129
LOOK AT YOU. HA HA HA!
1464
00:47:11,129 --> 00:47:15,964
>> IT´S CHRISTIAN.
1465
00:47:15,964 --> 00:47:18,136
SO WHAT´S HE TALKIN´ ABOUT? HUH?
1466
00:47:18,136 --> 00:47:19,207
I THOUGHT WE AGREED WE WEREN´T
1467
00:47:19,207 --> 00:47:21,009
DOING THE TV SHOW.
1468
00:47:21,009 --> 00:47:23,912
>> I NEVER COMMITTED TO THAT.
1469
00:47:23,912 --> 00:47:24,873
YOU´RE THE ONE WHO WANTED TO
1470
00:47:24,873 --> 00:47:26,544
QUIT BECAUSE YOU WERE CUT OUT.
1471
00:47:26,544 --> 00:47:29,147
>> ♫ THERE´S A NEW KID IN TOWN,
1472
00:47:29,147 --> 00:47:31,079
I DON´T WANNA HEAR IT... ♫
1473
00:47:31,079 --> 00:47:32,550
>> IS THAT THE LADY FROM...
1474
00:47:32,550 --> 00:47:34,252
>> THE HOT DOG STAND. YEAH.
1475
00:47:34,252 --> 00:47:35,023
>> HMM.
1476
00:47:35,023 --> 00:47:36,084
>> AND SOME COLD CALLS CAME IN
1477
00:47:36,084 --> 00:47:36,925
THIS MORNING FROM FANS
1478
00:47:36,925 --> 00:47:40,088
OF THE SHOW.
1479
00:47:40,088 --> 00:47:43,091
>> GREAT. NOW THE BALL´S OFF
1480
00:47:43,091 --> 00:47:44,092
AND ROLLING, WE DON´T HAVE TO DO
1481
00:47:44,092 --> 00:47:45,633
THAT STUPID, SHITTY TV SHOW,
1482
00:47:45,633 --> 00:47:47,195
RIGHT?
1483
00:47:47,195 --> 00:47:48,897
>> YOU CAN DO WHAT YOU WANT,
1484
00:47:48,897 --> 00:47:50,138
BUT I´M DOIN´ THE SHOW,
1485
00:47:50,138 --> 00:47:52,400
CHRISTIAN. FIONA WAS RIGHT.
1486
00:47:52,400 --> 00:47:54,042
IT´S GOOD FOR BUSINESS.
1487
00:47:54,042 --> 00:47:55,303
>> YOU MEAN IT´S GOOD
1488
00:47:55,303 --> 00:47:57,045
FOR YOUR EGO.
1489
00:47:57,045 --> 00:48:01,109
>> ♫ THERE´S A NEW KID IN TOWN,
1490
00:48:01,109 --> 00:48:04,152
THERE´S A NEW KID IN TOWN ♫
1491
00:48:04,152 --> 00:48:06,214
[MONITOR BEEPING]
1492
00:48:06,214 --> 00:48:07,185
>> EVERYTHING´S WHERE IT OUGHT
1493
00:48:07,185 --> 00:48:09,988
TO BE, MINIMAL BRUISING
1494
00:48:09,988 --> 00:48:12,060
AND SWELLING.
1495
00:48:12,060 --> 00:48:15,363
>> [PANTING]
1496
00:48:15,363 --> 00:48:17,125
>> WHAT IS IT?
1497
00:48:17,125 --> 00:48:18,927
>> OH, I JUST DIDN´T KNOW
1498
00:48:18,927 --> 00:48:22,900
IT WAS GONNA HURT SO MUCH.
1499
00:48:22,900 --> 00:48:24,572
>> I COULD UP YOUR MORPHINE
1500
00:48:24,572 --> 00:48:25,373
IF YOU LIKE.
1501
00:48:25,373 --> 00:48:28,036
>> NO. UH-UH. COMING DOWN
1502
00:48:28,036 --> 00:48:31,079
OFF THAT STUFF´S A...
1503
00:48:31,079 --> 00:48:35,183
EVEN BIGGER BITCH.
1504
00:48:35,183 --> 00:48:37,685
>> I´M SORRY.
1505
00:48:37,685 --> 00:48:42,020
>> I´M GLAD.
1506
00:48:42,020 --> 00:48:44,092
I NEEDED TO. RIGHT?
1507
00:49:01,069 --> 00:49:02,140
>> SEE IF WE CAN MOVE
1508
00:49:02,140 --> 00:49:03,141
MRS. SIEBERT´S BROW-LIFT TO
1509
00:49:03,141 --> 00:49:04,412
3:00. THAT WAY, WE CAN STILL FIT
1510
00:49:04,412 --> 00:49:05,974
IN MRS. KASHOGGI´S TUMMY TUCK
1511
00:49:05,974 --> 00:49:07,145
BEFORE SHE LEAVES FOR CABO.
1512
00:49:07,145 --> 00:49:08,146
DR. TROY CAN DO IT.
1513
00:49:08,146 --> 00:49:09,717
>> MRS. KASHOGGI WAS VERY CLEAR.
1514
00:49:09,717 --> 00:49:14,983
SHE WANTS YOU TO DO THE SURGERY.
1515
00:49:14,983 --> 00:49:16,124
>> SEEMS LIKE BUSINESS
1516
00:49:16,124 --> 00:49:17,255
IS FINALLY PICKING UP.
1517
00:49:17,255 --> 00:49:18,086
>> DO I NEED TO TAKE OUT
1518
00:49:18,086 --> 00:49:20,058
A RESTRAINING ORDER? LEAVE.
1519
00:49:20,058 --> 00:49:21,229
>> I WATCHED YOU ON TELEVISION
1520
00:49:21,229 --> 00:49:23,131
LAST NIGHT, DOCTOR. YOU WERE
1521
00:49:23,131 --> 00:49:24,993
VERY HANDSOME AND VERY
1522
00:49:24,993 --> 00:49:27,665
CONVINCING. I CAN ALREADY TELL
1523
00:49:27,665 --> 00:49:28,696
YOU´RE GONNA DO QUITE WELL
1524
00:49:28,696 --> 00:49:30,268
FOR YOURSELF IN THIS TOWN.
1525
00:49:30,268 --> 00:49:32,670
>> THAT´S RIGHT, WHICH MEANS
1526
00:49:32,670 --> 00:49:34,742
WE DON´T NEED TO SEE YOU OR
1527
00:49:34,742 --> 00:49:36,244
YOUR SICKO CLIENTS ANY LONGER.
1528
00:49:36,244 --> 00:49:37,275
>> HAVE YOU SEEN TODAY´S
1529
00:49:37,275 --> 00:49:39,407
VARIETY? THIS SICKO HAS
1530
00:49:39,407 --> 00:49:40,578
JUST CLIMBED UP ANOTHER RUNG
1531
00:49:40,578 --> 00:49:41,679
ON THE LADDER.
1532
00:49:41,679 --> 00:49:43,251
>> "BOB EASTON NAMED C.E.O.
1533
00:49:43,251 --> 00:49:45,053
AFTER MERGER." HE TOLD ME
1534
00:49:45,053 --> 00:49:46,714
HE WAS LEAVING TOWN.
1535
00:49:46,714 --> 00:49:48,016
>> I GUESS THE RUSH OF POWER´S
1536
00:49:48,016 --> 00:49:49,157
JUST TOO ADDICTIVE TO WALK AWAY
1537
00:49:49,157 --> 00:49:53,661
FROM. CALL ME.
1538
00:49:53,661 --> 00:49:54,662
>> I DON´T NEED YOUR KIND
1539
00:49:54,662 --> 00:49:56,324
OF HELP.
1540
00:49:56,324 --> 00:49:58,666
>> YOU WILL.
1541
00:50:11,209 --> 00:50:13,611
[DIALING]
1542
00:50:21,589 --> 00:50:22,750
>> US WEEKLY. THIS IS MIRANDA
1543
00:50:22,750 --> 00:50:23,791
SPEAKING.
1544
00:50:23,791 --> 00:50:24,722
>> GUESS WHO JUST GOT
1545
00:50:24,722 --> 00:50:28,656
A FACE-LIFT. CARLY SUMMERS. YES,
1546
00:50:28,656 --> 00:50:31,599
THAT CARLY SUMMERS. IT DOESN´T
1547
00:50:31,599 --> 00:50:33,601
MATTER WHO I AM, BUT, UH,
1548
00:50:33,601 --> 00:50:35,733
THE SURGEON WHO DID HER WORK
1549
00:50:35,733 --> 00:50:41,539
IS DR. CHRISTIAN TROY.
1550
00:50:41,539 --> 00:50:42,740
[BEEP]
100160
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