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These are the user uploaded subtitles that are being translated: 1 00:00:01,877 --> 00:00:05,552 (exciting music) (distant barking) 2 00:00:06,507 --> 00:00:10,808 (wolves howling) 3 00:00:19,770 --> 00:00:23,024 (quiet folk music playing) 4 00:01:20,789 --> 00:01:25,545 (suspenseful music) (snarling) 5 00:02:09,338 --> 00:02:10,681 Okay... 6 00:02:12,341 --> 00:02:14,514 Word balloon for you. 7 00:02:15,135 --> 00:02:16,136 What's that? 8 00:02:27,147 --> 00:02:29,445 (ominous music) Let's see. 9 00:02:29,650 --> 00:02:32,494 "He who has wisdom wonders not of the Beast, 10 00:02:32,694 --> 00:02:35,823 "for nothing in Hell lives without man's consent." 11 00:02:40,285 --> 00:02:45,086 "Woe unto you that gives the Beast form. 12 00:02:45,290 --> 00:02:50,968 "To contemplate evil is to ask evil home." 13 00:02:54,883 --> 00:02:56,510 "Contemplate." 14 00:02:56,718 --> 00:03:04,523 To contemplate is to ask... evil... home. 15 00:03:04,726 --> 00:03:07,229 (low growling) 16 00:03:11,108 --> 00:03:13,202 (growling intensifies) 17 00:03:13,402 --> 00:03:14,369 (chuckling) 18 00:03:14,569 --> 00:03:17,493 (screaming) (frightening music) 19 00:03:17,698 --> 00:03:23,205 (roaring) (screaming continues) 20 00:03:23,620 --> 00:03:25,122 Good God! 21 00:03:44,683 --> 00:03:47,983 (screaming and roaring) 22 00:03:49,813 --> 00:03:53,113 (glass shattering) (screaming continues) 23 00:03:56,987 --> 00:04:01,083 (loud crashes) (grunting) 24 00:04:12,627 --> 00:04:16,382 (suspenseful music) 25 00:05:43,134 --> 00:05:46,229 (wind howling) 26 00:05:58,817 --> 00:06:00,285 (low growl) 27 00:06:07,909 --> 00:06:10,287 (heavy breathing) 28 00:06:23,383 --> 00:06:25,010 (low growl) 29 00:06:28,972 --> 00:06:31,566 (growling intensifies) 30 00:06:31,766 --> 00:06:33,063 (electrical crackle) (man gasps) 31 00:06:33,727 --> 00:06:36,230 (roaring) 32 00:06:37,188 --> 00:06:41,113 (frantic music) 33 00:06:57,626 --> 00:07:01,426 (pained grunting) 34 00:07:07,594 --> 00:07:10,564 (rasping and choking) 35 00:07:10,764 --> 00:07:14,485 (inhuman scream) 36 00:07:14,726 --> 00:07:16,478 (triumphant music) (screaming continues) 37 00:07:23,652 --> 00:07:27,782 (gagging and wheezing) 38 00:07:36,790 --> 00:07:40,636 (frightening music) 39 00:07:49,678 --> 00:07:54,935 (screaming) 40 00:07:55,308 --> 00:07:58,357 (distorted laughter) 41 00:08:00,605 --> 00:08:05,406 (ominous music) 42 00:11:02,871 --> 00:11:06,296 (birds chirping) (soft rock music) 43 00:11:20,471 --> 00:11:24,977 (wind howling) (thunderclaps) 44 00:11:30,023 --> 00:11:30,945 This is it, lady. 45 00:11:31,149 --> 00:11:32,651 Can I help you with your things? 46 00:11:32,859 --> 00:11:33,826 No thanks. I've got it. 47 00:11:34,027 --> 00:11:36,746 You know, there's a lot of talk in town about this place. 48 00:11:36,946 --> 00:11:38,072 Kind of creepy talk. 49 00:11:38,281 --> 00:11:40,249 A lot of weirdoes, well, they come and go. 50 00:11:40,450 --> 00:11:41,542 - Know what I mean? - Yeah. 51 00:11:41,743 --> 00:11:43,871 A couple of people were murdered here back in '55. 52 00:11:44,078 --> 00:11:45,876 I was a kid then, but I remember 53 00:11:46,080 --> 00:11:46,922 like it was yesterday. 54 00:11:47,123 --> 00:11:48,591 My mother, she would just say, 55 00:11:48,791 --> 00:11:51,340 "Stewart, you steer clear from that place. 56 00:11:51,544 --> 00:11:53,171 "Understand? It's a bad place." 57 00:11:53,379 --> 00:11:54,096 - The meter's- - In fact, uh, 58 00:11:54,297 --> 00:11:57,096 just a month ago I picked a fellow up from here. 59 00:11:57,675 --> 00:11:59,769 Well, he told me a hell of a lot of bizarre stories. 60 00:12:00,887 --> 00:12:04,517 Oh, hey, thanks. Are you an artist? 61 00:12:04,724 --> 00:12:06,977 Yes, yes, here you go. I'm a cartoonist. 62 00:12:07,185 --> 00:12:08,232 Ah, I see. 63 00:12:08,436 --> 00:12:10,313 Well, listen, you just watch out for yourself in there, lady. 64 00:12:10,521 --> 00:12:12,068 This place attracts all kinds of trouble. 65 00:12:12,273 --> 00:12:13,570 - Thank you. - You're welcome. 66 00:12:13,858 --> 00:12:14,780 Sure you don't want any help with that? 67 00:12:14,984 --> 00:12:16,577 ' NO. no, I got it. - Okay. 68 00:12:17,362 --> 00:12:19,490 Boy, those broads'll chew your ear off. 69 00:12:26,788 --> 00:12:29,837 (thunder crashing) 70 00:12:30,041 --> 00:12:32,885 (eerie music) 71 00:12:56,150 --> 00:13:00,371 (thunder rolling) 72 00:13:10,540 --> 00:13:11,837 Hello? 73 00:13:13,710 --> 00:13:14,802 Hello? 74 00:13:19,382 --> 00:13:20,508 "WING! here? 75 00:13:27,724 --> 00:13:28,725 Hello? 76 00:13:36,649 --> 00:13:37,616 Hello? 77 00:13:41,446 --> 00:13:43,665 Oh, I'm sorry. Did I frighten you? 78 00:13:43,865 --> 00:13:45,742 Yes, you scared me half to death. 79 00:13:46,367 --> 00:13:48,995 - You must be Mrs. Briggs. - That's right. 80 00:13:49,203 --> 00:13:50,455 Hi, I'm Whitney Taylor. 81 00:13:50,663 --> 00:13:53,337 We met two years ago at the Rhode Island School of Design. 82 00:13:53,708 --> 00:13:56,086 You lectured on Classicism and the decline of 83 00:13:56,294 --> 00:13:57,637 pop art in America. 84 00:13:57,837 --> 00:13:58,759 Oh, I remember. 85 00:13:58,963 --> 00:14:01,091 You were the heckler in the first row. 86 00:14:02,300 --> 00:14:03,927 Well, actually I was just offering you 87 00:14:04,135 --> 00:14:05,512 a different point of view. 88 00:14:05,720 --> 00:14:06,721 So to speak. 89 00:14:07,555 --> 00:14:09,307 Well, shall we get on with it? 90 00:14:10,016 --> 00:14:10,892 I'm sorry? 91 00:14:11,100 --> 00:14:12,522 The interview. 92 00:14:20,526 --> 00:14:22,494 Would you shut the door, please? 93 00:14:28,034 --> 00:14:30,002 I love to be frightened. 94 00:14:30,203 --> 00:14:33,503 As a child I collected every issue of Cellar Dweller 95 00:14:33,706 --> 00:14:36,630 no matter how hard they were to track down. 96 00:14:36,834 --> 00:14:38,677 I'm not surprised. 97 00:14:38,878 --> 00:14:40,880 Well, my parents disapproved, 98 00:14:41,089 --> 00:14:43,433 so I had to hide the comic books under my bed and... 99 00:14:43,633 --> 00:14:46,011 I'd read them only late at night by flashlight. 100 00:14:46,469 --> 00:14:49,518 I'd read about towns besieged by vampires and 101 00:14:49,722 --> 00:14:51,520 men transformed into hideous beasts 102 00:14:51,724 --> 00:14:53,271 by the waxing of the full moon. 103 00:14:53,476 --> 00:14:54,898 How inspiring. 104 00:14:55,103 --> 00:14:57,606 Exactly, well, that's how I got into drawing. 105 00:14:58,606 --> 00:15:00,984 So now you've taken it upon yourself to 106 00:15:01,192 --> 00:15:03,866 follow in the footsteps of your idol, hm? 107 00:15:04,070 --> 00:15:06,949 - Colin Childress. - That's my dream. 108 00:15:07,573 --> 00:15:09,826 As you can see the first few sketches are just copies 109 00:15:10,034 --> 00:15:11,035 of Childress' work. 110 00:15:11,244 --> 00:15:13,246 I was just really learning how to draw, 111 00:15:13,454 --> 00:15:15,206 and the rest, of course, are my own. 112 00:15:17,208 --> 00:15:21,054 Mrs. Briggs, I want to create a whole new comic book 113 00:15:21,254 --> 00:15:23,803 in the tradition of Cellar Dweller. 114 00:15:24,632 --> 00:15:27,636 Well, what better place to be inspired than here in the... 115 00:15:27,844 --> 00:15:30,768 house that Colin Childress lived and worked in? 116 00:15:31,806 --> 00:15:34,650 And went crazy in and killed himself in. 117 00:15:35,351 --> 00:15:37,103 Let's not forget that. 118 00:15:37,937 --> 00:15:43,285 Ms. Taylor, all of this is very spine-tingling. 119 00:15:43,693 --> 00:15:45,866 But what does it have to do with art? 120 00:15:47,155 --> 00:15:48,156 I'm sorry? 121 00:15:48,364 --> 00:15:49,786 Let me be frank: 122 00:15:49,991 --> 00:15:52,335 This facility's admissions committee 123 00:15:52,535 --> 00:15:54,788 has advised me to find a place for you. 124 00:15:55,288 --> 00:15:58,508 I suspect, however, that in accepting you 125 00:15:58,708 --> 00:16:00,710 my superiors are, well, 126 00:16:00,918 --> 00:16:03,717 acting on some perverse sense of nostalgia. 127 00:16:03,921 --> 00:16:07,346 Colin Childress was a cartoonist. 128 00:16:07,550 --> 00:16:08,472 So are you. 129 00:16:08,926 --> 00:16:10,473 That's the only reason you're here. 130 00:16:10,678 --> 00:16:13,648 If it were up to me, you wouldn't be. 131 00:16:14,974 --> 00:16:16,772 No need to mince words, Mrs. Briggs. 132 00:16:16,976 --> 00:16:18,569 Just tell me exactly how you feel. 133 00:16:18,769 --> 00:16:21,318 Well, please don't misunderstand. 134 00:16:21,522 --> 00:16:24,275 There's nothing personal in all this. 135 00:16:24,775 --> 00:16:28,075 It's just that my only concern is for the colony. 136 00:16:32,200 --> 00:16:33,543 (Mrs. Briggs): See, we have no telephones, 137 00:16:33,743 --> 00:16:36,997 no television, no outside ties to the world. 138 00:16:37,288 --> 00:16:40,883 - It's a unique situation. - What's all this? 139 00:16:42,210 --> 00:16:44,212 Our most promising resident does some 140 00:16:44,420 --> 00:16:46,764 highly innovative work with video. 141 00:16:47,006 --> 00:16:50,761 This is her Video Verité project. 142 00:16:51,010 --> 00:16:53,388 It's an effort to reflect our world... 143 00:16:54,180 --> 00:16:56,478 as precisely as possible. 144 00:16:57,183 --> 00:16:59,277 You could learn something from her. 145 00:16:59,477 --> 00:17:02,321 (eerie music) 146 00:17:02,730 --> 00:17:06,451 Oh, by the way, that is where your idol 147 00:17:06,651 --> 00:17:09,996 concocted his last and most notorious work. 148 00:17:10,196 --> 00:17:13,575 The murder of an innocent young woman. 149 00:17:13,783 --> 00:17:17,504 A promising musician with her entire career ahead of her. 150 00:17:18,704 --> 00:17:21,082 Oh, and don't even think about going down there. 151 00:17:21,290 --> 00:17:24,294 That door is off-limits. 152 00:17:24,502 --> 00:17:29,759 (mysterious music) 153 00:18:28,733 --> 00:18:33,034 (heavy breathing) 154 00:18:34,071 --> 00:18:35,994 (frightening music) 155 00:18:40,244 --> 00:18:45,546 (screaming) 156 00:19:03,017 --> 00:19:05,315 As you can see, this is our kitchen. 157 00:19:05,519 --> 00:19:09,399 We all take turns preparing the meals. 158 00:19:09,815 --> 00:19:12,819 This is Whitney Taylor, our newest resident. 159 00:19:13,361 --> 00:19:15,534 Lisa is a performance artist. 160 00:19:16,197 --> 00:19:18,950 And Phillip paints abstracts. 161 00:19:19,450 --> 00:19:20,372 I would think that you would 162 00:19:20,576 --> 00:19:22,544 discourage this kind of work, Mrs. Briggs. 163 00:19:23,996 --> 00:19:29,048 Not all contemporary art is populist tripe, Ms. Taylor. 164 00:19:29,251 --> 00:19:30,673 Come along. 165 00:19:42,431 --> 00:19:45,184 (thunder rolling) 166 00:19:55,027 --> 00:19:55,994 (Whitney): Yep? 167 00:19:56,320 --> 00:19:57,242 (Phillip:) Hey. 168 00:19:57,446 --> 00:19:58,413 Hi. 169 00:19:59,240 --> 00:20:00,457 What do you think? 170 00:20:01,158 --> 00:20:04,162 (Whitney): It's... It's very nice, that's... 171 00:20:04,578 --> 00:20:06,797 That's a cow in there, huh? 172 00:20:07,623 --> 00:20:08,875 It's very nice. 173 00:20:11,168 --> 00:20:12,340 It's angst. 174 00:20:13,379 --> 00:20:14,426 Sorry. 175 00:20:16,340 --> 00:20:19,139 - Phillip Lemley. - Whitney Taylor. 176 00:20:19,343 --> 00:20:20,640 Enchanted. 177 00:20:21,053 --> 00:20:22,350 Likewise. 178 00:20:24,014 --> 00:20:26,187 Aren't you a little old for comics, Whitney? 179 00:20:27,893 --> 00:20:29,895 Aren't you a little young to be a critic, Phillip? 180 00:20:31,063 --> 00:20:32,565 You're right. I'm sorry. 181 00:20:34,817 --> 00:20:37,070 So I guess we have something in common, huh? 182 00:20:37,278 --> 00:20:38,200 Really? What's that? 183 00:20:38,404 --> 00:20:42,034 A great big thorn in our side: Mrs. Briggs. 184 00:20:42,992 --> 00:20:44,335 She doesn't think much of me, either. 185 00:20:45,077 --> 00:20:46,078 Why not? 186 00:20:46,662 --> 00:20:48,380 Because I'm brilliant. 187 00:20:49,206 --> 00:20:50,924 But alas, my lady,: 188 00:20:51,083 --> 00:20:53,336 I am just a mere child and a 189 00:20:53,544 --> 00:20:56,889 pawn of the cruel trappings of our Mrs. Briggs. 190 00:20:57,423 --> 00:20:59,846 - Come on. - Where? 191 00:21:01,427 --> 00:21:02,974 To my opening. 192 00:21:03,179 --> 00:21:04,806 - Your opening? - Yes. 193 00:21:05,681 --> 00:21:07,308 Every evening a group of us gather 194 00:21:07,516 --> 00:21:09,063 to critique each other's work. 195 00:21:09,268 --> 00:21:11,691 It's the one time we're supposed to share what we're doing. 196 00:21:12,772 --> 00:21:15,901 And I'm sure you'll find the comments most enlightening. 197 00:21:19,195 --> 00:21:22,620 (Mrs. Briggs): The excess of flamboyance of the 198 00:21:22,823 --> 00:21:26,544 coloration of your painting detracts 199 00:21:26,744 --> 00:21:28,462 from the power of the narrative 200 00:21:28,662 --> 00:21:30,960 and the true glory of the painting. 201 00:21:32,166 --> 00:21:33,543 Could you repeat that in English? 202 00:21:33,751 --> 00:21:36,300 It's elegant. Powerful. 203 00:21:37,004 --> 00:21:38,881 And deceptively simple. 204 00:21:39,799 --> 00:21:43,053 It has this amazing otherness. 205 00:21:44,887 --> 00:21:47,106 Alright, give me the paintings or the broad gets it. 206 00:21:47,598 --> 00:21:50,192 I'm flattered; you really think they're that valuable? 207 00:21:50,851 --> 00:21:52,603 (gunshot) (screams) 208 00:21:57,233 --> 00:21:58,450 What on earth are you doing?! 209 00:21:58,651 --> 00:21:59,743 Can it, lad?! 210 00:22:00,194 --> 00:22:02,413 Now hand them over. I really mean business. 211 00:22:02,613 --> 00:22:05,366 Jesus, Phillip, give him the paintings! 212 00:22:05,741 --> 00:22:08,335 Nu. No, he's bluffing. 213 00:22:08,786 --> 00:22:09,912 Don't count on it, lady. 214 00:22:10,120 --> 00:22:11,497 You're not going to shoot her. 215 00:22:11,705 --> 00:22:12,957 You want to take that chance? 216 00:22:13,207 --> 00:22:17,883 That gun you're so proud of is a .357 Magnum. 217 00:22:18,838 --> 00:22:20,385 Give the lady a cigar. 218 00:22:20,965 --> 00:22:22,342 - Sn whit? -... 219 00:22:23,008 --> 00:22:24,726 The cylinder holds six bullets. 220 00:22:24,927 --> 00:22:25,769 You just fired one. 221 00:22:25,970 --> 00:22:27,267 The rest of the cells are empty. 222 00:22:27,805 --> 00:22:29,148 That gun isn't even loaded. 223 00:22:29,348 --> 00:22:32,602 You are very observant. Very. 224 00:22:33,310 --> 00:22:35,278 I want to thank you all very much. 225 00:22:35,479 --> 00:22:36,901 I can continue with my scene now. 226 00:22:37,106 --> 00:22:38,949 You've been very, very helpful. 227 00:22:40,401 --> 00:22:42,995 - Thank you. - Oh, Norman, you fool! 228 00:22:43,612 --> 00:22:44,579 (Mrs. Briggs): You've destroyed a work of... 229 00:22:44,780 --> 00:22:47,408 - Lisa, what is that- - That's Norman Michelsky. 230 00:22:47,700 --> 00:22:50,624 Ex-private eye and tomorrow's Raymond Chandler. 231 00:22:50,828 --> 00:22:51,499 (laughter) 232 00:22:51,704 --> 00:22:53,126 Sometimes he gets blocked and he says 233 00:22:53,330 --> 00:22:55,753 it helps to act things out so we humor him. 234 00:22:56,125 --> 00:22:59,379 (giggling) I just treat it as an exercise. 235 00:22:59,795 --> 00:23:00,967 (whirring) 236 00:23:01,171 --> 00:23:04,516 Well, Whitney Taylor, it's been a long time. 237 00:23:05,718 --> 00:23:08,267 Not nearly long enough, Amanda. 238 00:23:09,263 --> 00:23:10,765 Still drawing the funnies? 239 00:23:10,973 --> 00:23:13,317 Some people never outgrow certain things. 240 00:23:13,517 --> 00:23:15,565 Some things get better with age, Amanda. 241 00:23:15,769 --> 00:23:16,941 I've stuck with the drawing. 242 00:23:17,146 --> 00:23:19,820 Of course you have. I always knew you would. 243 00:23:20,149 --> 00:23:22,618 You had such a knack for kitsch. 244 00:23:23,068 --> 00:23:24,661 I see you've changed directions again. 245 00:23:24,862 --> 00:23:26,114 When our paths first crossed 246 00:23:26,322 --> 00:23:28,450 you were, what, the reigning queen of the sculpture world? 247 00:23:28,657 --> 00:23:30,580 Then it was action drawing, and, oh, 248 00:23:30,784 --> 00:23:33,037 we can't forget your stint as actress, can we? 249 00:23:33,245 --> 00:23:35,418 You are a real Renaissance woman, Amanda. 250 00:23:35,623 --> 00:23:37,671 Well, careers are organic, Whitney. 251 00:23:39,418 --> 00:23:43,844 (ominous music) 252 00:23:47,551 --> 00:23:49,349 What the hell is she doing here? 253 00:23:50,596 --> 00:23:53,395 The board of directors fell in love with her. 254 00:23:55,601 --> 00:23:58,070 We'll have to do something about that, won't we? 255 00:23:58,270 --> 00:23:59,692 You bet. 256 00:24:10,741 --> 00:24:13,745 (thunder crashing) 257 00:24:19,500 --> 00:24:23,755 (footsteps and snarling) 258 00:24:26,590 --> 00:24:31,061 (frightening music) 259 00:24:31,261 --> 00:24:33,605 (screaming) 260 00:24:39,436 --> 00:24:42,656 (distant screaming) 261 00:24:47,361 --> 00:24:50,615 (screaming intensifies) 262 00:24:50,823 --> 00:24:52,746 (suspenseful music) 263 00:24:58,163 --> 00:25:01,542 (screaming continues) 264 00:25:16,181 --> 00:25:20,561 (screaming continues) 265 00:25:42,708 --> 00:25:44,927 I'm sorry. Did I wake you? 266 00:25:46,295 --> 00:25:48,468 It's a great way to try and cleanse out all the... 267 00:25:49,131 --> 00:25:50,383 tension in my body. 268 00:25:50,591 --> 00:25:51,638 I guess the others are just used to it 269 00:25:51,842 --> 00:25:53,560 and I'll have to he a little bit more quiet for you. 270 00:25:54,011 --> 00:25:56,480 (thunder rolls) 271 00:25:56,680 --> 00:26:00,480 So what do you think of our cosy college? 272 00:26:01,143 --> 00:26:03,441 Well, the atmosphere is nice, but, uh, 273 00:26:03,645 --> 00:26:05,773 it's a bit stuffy for my taste. 274 00:26:05,981 --> 00:26:07,153 - You mean Amanda? - Mm-hm. 275 00:26:07,357 --> 00:26:08,859 I take it you two are old friends. 276 00:26:09,068 --> 00:26:10,035 Hardly. 277 00:26:10,235 --> 00:26:12,203 I think that if I ever had an enemy 278 00:26:12,404 --> 00:26:14,532 in this whole world, it would be Amanda. 279 00:26:15,074 --> 00:26:16,291 We knew each other in art school, 280 00:26:16,492 --> 00:26:19,211 and she made every minute of my first year miserable. 281 00:26:19,411 --> 00:26:20,333 What do you mean? 282 00:26:21,205 --> 00:26:24,129 Well, Amanda was the hot thing on campus 283 00:26:24,333 --> 00:26:25,585 when I first entered the school. 284 00:26:25,793 --> 00:26:27,966 Not that she was very talented. 285 00:26:28,170 --> 00:26:30,468 She was just great at dazzling people 286 00:26:30,672 --> 00:26:31,468 with all the bullshit. 287 00:26:31,673 --> 00:26:32,799 (laughter) 288 00:26:33,509 --> 00:26:35,603 Even though I was only a first-year student, 289 00:26:35,803 --> 00:26:37,305 my work ended up in the same gallery show 290 00:26:37,513 --> 00:26:40,266 as Amanda's and I guess you could say 291 00:26:40,474 --> 00:26:42,693 I garnered a bit more attention than she did. 292 00:26:43,560 --> 00:26:45,654 Amanda always wanted everything, 293 00:26:45,854 --> 00:26:48,027 even if it wasn't hers, and, um... 294 00:26:48,232 --> 00:26:49,609 she had a way of taking things 295 00:26:49,817 --> 00:26:50,943 that didn't belong to her, 296 00:26:51,151 --> 00:26:54,655 and getting things that she really did not deserve. 297 00:26:56,156 --> 00:26:58,329 Mrs. Briggs has sure warmed up to her. 298 00:26:58,742 --> 00:27:00,790 Yeah, well like they say, birds of a feather. 299 00:27:01,703 --> 00:27:03,501 Anyway we're not all that bad. 300 00:27:03,831 --> 00:27:05,504 You get a chance to talk to Phillip yet? 301 00:27:06,208 --> 00:27:09,087 Yeah, he's a sweet kid. (thunder crashes) 302 00:27:10,129 --> 00:27:12,882 (giggling) 303 00:27:14,341 --> 00:27:18,346 Oh, don't worry about Mrs. Briggs. 304 00:27:18,554 --> 00:27:20,056 Don't worry about Amanda. 305 00:27:21,181 --> 00:27:25,186 Just keep busy and your work will speak for itself. 306 00:27:25,477 --> 00:27:26,399 Thank you, Lisa. 307 00:27:26,603 --> 00:27:29,857 (eerie screech) What is that? 308 00:27:30,065 --> 00:27:33,160 That's the ghost of Colin Childress. 309 00:27:34,236 --> 00:27:37,285 Seriously, that's why the cellar door is off limits, 310 00:27:37,489 --> 00:27:41,665 is because he haunts the scene of his gruesome crime. 311 00:27:41,869 --> 00:27:43,496 Stop it. 312 00:27:45,080 --> 00:27:47,048 Listen, I'm beat. I'm gonna go to bed. 313 00:27:47,541 --> 00:27:49,293 - Okay, good night. - Good night, kiddo. 314 00:27:54,173 --> 00:27:57,393 (eerie moan) 315 00:28:01,346 --> 00:28:04,020 (thunder crashes) (suspenseful music) 316 00:29:06,954 --> 00:29:11,300 (eerie music) 317 00:30:03,468 --> 00:30:04,594 (Phillip): Boo! (Whitney screams) 318 00:30:04,803 --> 00:30:07,556 on, God, Phillip, you little shit! 319 00:30:07,764 --> 00:30:09,391 I heard you love to be frightened. 320 00:30:09,599 --> 00:30:11,852 What are you doing down here? 321 00:30:12,477 --> 00:30:13,569 SWINE fin you. 322 00:30:13,937 --> 00:30:16,190 Phillip, isn't it past your bedtime? 323 00:30:16,398 --> 00:30:17,365 (chuckling) 324 00:30:17,566 --> 00:30:18,863 What are you doing down here? 325 00:30:19,067 --> 00:30:20,284 What the hell is this? 326 00:30:20,736 --> 00:30:24,661 Phillip, this is the place where Colin Childress 327 00:30:24,865 --> 00:30:26,458 lived and worked. 328 00:30:26,700 --> 00:30:28,668 Now according to the police, thirty years ago he 329 00:30:28,869 --> 00:30:30,337 butchered a woman with an axe, 330 00:30:30,537 --> 00:30:32,130 and then set himself on fire. 331 00:30:32,748 --> 00:30:34,625 And this guy's your idol? 332 00:30:34,958 --> 00:30:36,676 Well, Phillip, I don't believe he did that. 333 00:30:37,210 --> 00:30:39,759 Then what happened, Sherlock? 334 00:30:40,881 --> 00:30:43,384 - They were murdered. - How do you know that? 335 00:30:44,134 --> 00:30:45,807 It's the only logical explanation. 336 00:30:46,011 --> 00:30:48,810 (eerie moan) 337 00:30:49,014 --> 00:30:51,267 That must be, the, uh... 338 00:30:52,684 --> 00:30:53,810 Pines, right? 339 00:30:54,019 --> 00:30:56,397 It's the ghost of Colin Childress. (snarls) 340 00:30:56,605 --> 00:30:57,322 (Phillip chuckles) 341 00:30:57,522 --> 00:30:58,694 Look, let's just get out of here- 342 00:30:58,899 --> 00:30:59,445 - No. - okay, really. 343 00:30:59,649 --> 00:31:01,697 No, Phillip, come on, this place is great. 344 00:31:04,613 --> 00:31:07,162 I think I just found the ghost of Colin Childress. 345 00:31:08,408 --> 00:31:09,409 What? 346 00:31:09,743 --> 00:31:12,041 (ominous music) Look at this. 347 00:31:13,246 --> 00:31:14,247 Shoot. 348 00:31:18,251 --> 00:31:19,423 What are you doing? 349 00:31:24,633 --> 00:31:26,135 Don't open it. 350 00:31:33,642 --> 00:31:35,019 (Phillip): You never listen. 351 00:31:35,227 --> 00:31:37,070 (coughing) So much for this ghost. 352 00:31:37,270 --> 00:31:39,113 This must have been vacuum packed... Oh. 353 00:31:40,607 --> 00:31:41,608 Oh; m?' 354 00:31:42,567 --> 00:31:44,865 All this must have belonged to Colin Childress. 355 00:31:45,070 --> 00:31:46,913 Why do I have this feeling that at any minute 356 00:31:47,114 --> 00:31:48,707 he's going to come back and claim it? 357 00:31:49,199 --> 00:31:50,200 (Whitney gasps) 358 00:31:55,622 --> 00:31:56,999 (mysterious music) "Curses... 359 00:31:57,874 --> 00:31:59,968 "of the Ancient Dead." 360 00:32:01,002 --> 00:32:03,721 All the pages are stuck together. 361 00:32:03,964 --> 00:32:07,764 - Is... Is that... - It's blood. 362 00:32:08,552 --> 00:32:09,474 Great. 363 00:32:09,678 --> 00:32:11,976 "He who has wisdom wonders not of the Beast, 364 00:32:12,180 --> 00:32:15,104 "for nothing in Hell lives without man's consent. 365 00:32:15,600 --> 00:32:17,694 "Woe unto you who would give the Beast form. 366 00:32:18,687 --> 00:32:22,362 "To contemplate evil is to ask evil home." 367 00:32:24,526 --> 00:32:25,698 I'm out of here. 368 00:32:26,111 --> 00:32:27,078 That's it. 369 00:32:27,362 --> 00:32:29,205 I don't see how anyone could spend ten minutes down here, 370 00:32:29,406 --> 00:32:30,623 let alone work down here. 371 00:32:30,824 --> 00:32:31,746 Crazy. 372 00:32:36,288 --> 00:32:38,382 (Mrs. Briggs): No. Absolutely not. 373 00:32:38,832 --> 00:32:39,799 Why not? 374 00:32:40,542 --> 00:32:41,964 Because I said so. 375 00:32:42,169 --> 00:32:43,466 Well, that's not good enough. 376 00:32:43,670 --> 00:32:46,719 You sneak around here in the middle of the night 377 00:32:46,923 --> 00:32:49,847 and invade an off limits area 378 00:32:50,051 --> 00:32:52,679 and you expect me to grant you favors? 379 00:32:53,513 --> 00:32:57,814 My dear, what you lack in talent you make up for in nerve. 380 00:32:58,185 --> 00:32:59,687 Mrs. Briggs, be reasonable. 381 00:32:59,895 --> 00:33:01,488 Nobody is using the cellar right now. 382 00:33:01,688 --> 00:33:03,031 It's just collecting dust. 383 00:33:03,857 --> 00:33:06,326 We can both benefit if I work down there. 384 00:33:06,693 --> 00:33:08,787 The room I'm using now will be empty. 385 00:33:08,987 --> 00:33:09,988 Then you can bring in someone else, 386 00:33:10,197 --> 00:33:11,119 and you won't have to worry 387 00:33:11,323 --> 00:33:13,792 about my displacing a real artist. 388 00:33:14,284 --> 00:33:15,911 Alright, Whitney, you win. 389 00:33:17,037 --> 00:33:18,755 But if you don't like it once you're down there, 390 00:33:18,955 --> 00:33:20,252 you can only blame yourself. 391 00:33:20,457 --> 00:33:22,084 I won't change my mind. 392 00:33:24,336 --> 00:33:27,636 (Amanda gasps) Whitney... Hi. 393 00:33:30,050 --> 00:33:31,302 (Mrs. Briggs): Amanda. 394 00:33:31,510 --> 00:33:34,764 I have a little video project... 395 00:33:35,347 --> 00:33:37,349 I'd like to commission for you. 396 00:33:39,518 --> 00:33:41,941 (upbeat music) 397 00:34:27,065 --> 00:34:28,362 I've never done a restoration before. 398 00:34:28,567 --> 00:34:29,489 What do you think? 399 00:34:29,859 --> 00:34:30,951 It's great. 400 00:34:31,570 --> 00:34:33,072 - Yeah? - It's great, yeah. 401 00:34:33,989 --> 00:34:35,787 It's terrific. Phillip, listen to this: 402 00:34:36,783 --> 00:34:39,627 "It's part werewolf and vampire, 403 00:34:39,911 --> 00:34:41,083 "demon and ghost. 404 00:34:41,288 --> 00:34:44,758 "It would tear your throat open then drink your blond, 405 00:34:45,292 --> 00:34:48,045 "and feast on your still-warm brains." 406 00:34:48,378 --> 00:34:49,880 - That's sick. - It's terrifying, 407 00:34:50,088 --> 00:34:51,840 but it's going to make a terrific comic book. 408 00:34:52,048 --> 00:34:53,425 In fact, I'm certain this is 409 00:34:53,633 --> 00:34:55,476 what Childress was working on when he died. 410 00:34:55,677 --> 00:34:58,476 The roughs were probably destroyed in the fire. 411 00:34:58,680 --> 00:35:00,307 Thank God for small favors, huh? 412 00:35:00,849 --> 00:35:01,941 Now... 413 00:35:02,183 --> 00:35:05,062 With the inspiration of this ancient curse, 414 00:35:05,270 --> 00:35:09,366 Whitney Taylor is going to create the ultimate monster. 415 00:35:09,774 --> 00:35:10,650 Good luck. 416 00:35:10,859 --> 00:35:13,157 I'm off to create the ultimate finger painting. 417 00:36:14,255 --> 00:36:16,633 (faint growling) 418 00:37:12,439 --> 00:37:14,567 (growling) 419 00:37:14,774 --> 00:37:15,900 (thud) 420 00:37:20,864 --> 00:37:25,836 (heavy breathing) 421 00:37:29,622 --> 00:37:33,172 (suspenseful music) 422 00:38:22,425 --> 00:38:26,271 (heavy breathing) 423 00:39:00,964 --> 00:39:02,466 What the hell are you doing down here? 424 00:39:02,674 --> 00:39:04,051 Whitney... 425 00:39:04,425 --> 00:39:06,553 I just wanted to see what you were up to. 426 00:39:06,761 --> 00:39:08,308 You've been so secretive about it. 427 00:39:08,513 --> 00:39:09,184 Bullshit. 428 00:39:09,389 --> 00:39:11,266 Since when have you been interested in my work? 429 00:39:11,766 --> 00:39:12,608 (Whitney): And you know the rules. 430 00:39:12,809 --> 00:39:14,436 Ho one is allowed to look at anyone else's work 431 00:39:14,644 --> 00:39:16,487 without an explicit invitation. 432 00:39:16,688 --> 00:39:18,440 It's your work; I'm sorry. 433 00:39:18,648 --> 00:39:20,321 I don't know what you're up to, Amanda, 434 00:39:20,525 --> 00:39:23,699 but if I ever catch you down here again, I will... 435 00:39:23,903 --> 00:39:25,246 hang you up by your eyelids and 436 00:39:25,446 --> 00:39:27,574 wrench out your fingernails one by one, you got it? 437 00:39:27,782 --> 00:39:29,375 Yeah, I do. I'm really scared. 438 00:39:29,617 --> 00:39:30,539 (Whitney): Amanda... 439 00:39:30,743 --> 00:39:33,622 Haven't you caused me enough trouble for one lifetime? 440 00:39:33,830 --> 00:39:35,207 I really don't know what you mean. 441 00:39:35,415 --> 00:39:37,042 You know exactly what I mean. 442 00:39:37,750 --> 00:39:39,047 I still can't seem to forget about 443 00:39:39,252 --> 00:39:41,550 a certain fellowship that was supposed to be mine. 444 00:39:41,754 --> 00:39:43,597 Well, the committee seemed to have thought otherwise. 445 00:39:43,798 --> 00:39:45,846 Yeah, after a little monetary persuasion from you. 446 00:39:46,050 --> 00:39:47,802 Whitney, you've always been such a sore loser. 447 00:39:48,011 --> 00:39:50,434 Get out of here before I really lose my temper. 448 00:39:50,638 --> 00:39:51,685 Bye. 449 00:39:59,230 --> 00:40:02,700 (wind howling) (melancholy music) 450 00:40:03,776 --> 00:40:07,826 (thunder crashing) 451 00:40:09,657 --> 00:40:11,751 (ominous music) 452 00:40:58,790 --> 00:41:03,921 (heavy breathing) 453 00:42:51,778 --> 00:42:53,325 Whitney Taylor is a plagiarist, 454 00:42:53,529 --> 00:42:56,032 as this videotape so clearly demonstrates. 455 00:42:56,574 --> 00:42:58,622 She cloistered herself in the cellar and 456 00:42:58,826 --> 00:43:00,874 stole another artist's work. 457 00:43:08,211 --> 00:43:09,463 (low growling) Now I am certain that the 458 00:43:09,670 --> 00:43:12,093 Throckmorton Institute for the Arts has no place 459 00:43:12,298 --> 00:43:13,891 (snarling) for an untalented hack 460 00:43:14,092 --> 00:43:15,093 like Miss Taylor. 461 00:43:26,562 --> 00:43:29,190 It is with true- (growling intensifies) 462 00:43:35,321 --> 00:43:38,165 (Amanda screams) 463 00:43:47,667 --> 00:43:49,920 (distorted laughter) (Amanda): Oh my God! 464 00:43:50,920 --> 00:43:52,342 (Amanda): Oh dear... 465 00:43:54,090 --> 00:43:57,970 (Amanda gasping) 466 00:44:02,598 --> 00:44:05,101 (screaming) 467 00:44:08,020 --> 00:44:10,193 (screaming continues) 468 00:44:21,117 --> 00:44:24,121 (loud growling) 469 00:44:28,166 --> 00:44:30,589 Will somebody help me?! 470 00:44:42,972 --> 00:44:44,098 (Amanda shrieks) 471 00:44:47,602 --> 00:44:51,106 (bones crunching) (grunting and chewing) 472 00:45:04,785 --> 00:45:06,958 (Monster): Who's next'? 473 00:45:12,835 --> 00:45:15,714 (melancholy music) 474 00:45:45,618 --> 00:45:50,840 (growling) (frightening music) 475 00:46:04,095 --> 00:46:08,066 (growling intensifies) 476 00:46:28,786 --> 00:46:29,787 (Phillip): Wake up. 477 00:46:31,872 --> 00:46:33,499 It's a beautiful day in the neighborhood. 478 00:46:34,208 --> 00:46:35,835 Morning. (Whitney groans) 479 00:46:36,335 --> 00:46:38,508 Come on. Time to go to school. 480 00:46:38,713 --> 00:46:40,340 (Phillip chuckles) 481 00:46:42,049 --> 00:46:44,268 You know, you really disappoint me. 482 00:46:44,468 --> 00:46:46,345 I've always heard grown women sleep in the nude. 483 00:46:46,554 --> 00:46:47,897 (Whitney scoffs) 484 00:46:48,097 --> 00:46:49,644 At least that's the way it is in my dreams. 485 00:46:49,849 --> 00:46:51,317 What time is it? 486 00:46:51,517 --> 00:46:53,360 If we hurry we can still make breakfast. 487 00:46:56,939 --> 00:46:58,191 (Whitney): What do you think? 488 00:47:01,193 --> 00:47:02,160 (Phillip): Hmm. 489 00:47:02,903 --> 00:47:05,122 I think I'd hate to get on your had side. 490 00:47:14,582 --> 00:47:17,210 (Mus. Briggs): Amanda? Amanda. 491 00:47:18,085 --> 00:47:19,632 (knocking) 492 00:47:22,715 --> 00:47:23,967 (ominous music) Amand... 493 00:47:34,685 --> 00:47:36,938 Well, so this pet care products company wants to know 494 00:47:37,146 --> 00:47:39,569 the formula of their newest competitor's flea collar. 495 00:47:39,899 --> 00:47:41,776 So they hired me to dig out some info. 496 00:47:41,984 --> 00:47:44,237 I find out that the competitor's top-of-the-line model, 497 00:47:44,445 --> 00:47:46,948 the Peppy Puppy Deluxe, is gonna put the guy out of business. 498 00:47:47,323 --> 00:47:48,916 I gotta get my hands on the formula. 499 00:47:49,116 --> 00:47:50,413 But the competitor, he's shrewd. 500 00:47:50,618 --> 00:47:52,040 He puts the formula in code. 501 00:47:52,244 --> 00:47:53,746 It's no good to my man. 502 00:47:54,455 --> 00:47:55,581 To make a long story short, 503 00:47:55,790 --> 00:47:57,167 I end up tailing a German Shepherd 504 00:47:57,375 --> 00:47:58,422 halfway across the country. 505 00:47:58,626 --> 00:48:00,048 (laughter) 506 00:48:01,545 --> 00:48:03,263 Has anyone here seen Amanda? 507 00:48:03,464 --> 00:48:04,886 Well, not since last night. 508 00:48:05,091 --> 00:48:07,093 - Maybe she went out. - Get real. 509 00:48:07,301 --> 00:48:09,520 We're hundreds of miles from the nearest shopping mall. 510 00:48:09,970 --> 00:48:10,846 Where's she gonna go? 511 00:48:11,055 --> 00:48:13,399 She's been missing all morning and I'm really worried. 512 00:48:13,599 --> 00:48:14,475 I'm not. 513 00:48:14,683 --> 00:48:16,526 In fact, I don't care if I ever see her again. 514 00:48:26,028 --> 00:48:27,371 Hey, kid, did you ever hear 515 00:48:27,571 --> 00:48:29,198 Amanda and Whitney arguing? 516 00:48:30,908 --> 00:48:31,830 Who hasn't? 517 00:48:32,034 --> 00:48:33,206 They're at each other's throats. 518 00:48:33,953 --> 00:48:35,125 (Phillip imitates cat yowling) 519 00:48:35,746 --> 00:48:37,874 Whitney really hates that bitch, doesn't she? 520 00:48:38,541 --> 00:48:39,542 I'll say. 521 00:48:40,000 --> 00:48:42,344 You should see this cartoon she drew of her last night. 522 00:48:42,586 --> 00:48:43,508 What about it? 523 00:48:43,712 --> 00:48:46,841 - She drew Amanda. - What? 524 00:48:48,175 --> 00:48:49,472 Sorry, I can't tell you. 525 00:48:49,760 --> 00:48:50,727 Why not? 526 00:48:51,095 --> 00:48:52,187 Because it's Whitney's work, 527 00:48:52,388 --> 00:48:54,390 and if she wants you to see it... 528 00:48:54,598 --> 00:48:56,100 she'll show it to you herself. 529 00:48:56,809 --> 00:48:57,810 Huh. 530 00:48:58,352 --> 00:49:00,400 I got a funny feeling we're not gonna... 531 00:49:00,813 --> 00:49:03,407 be graced by Amanda's presence much longer. 532 00:49:03,607 --> 00:49:07,828 (languid jazz music) 533 00:49:38,142 --> 00:49:39,894 The tension between the two girls was 534 00:49:40,102 --> 00:49:41,820 thick enough to cut with a knife. 535 00:49:48,569 --> 00:49:53,166 But was Whitney Taylor... capable... of murder? 536 00:50:01,457 --> 00:50:03,459 (upbeat music) 537 00:50:25,689 --> 00:50:26,656 (Lisa): Death. 538 00:50:29,735 --> 00:50:30,736 Death. 539 00:51:07,773 --> 00:51:09,366 - What the hell... - Shh! 540 00:51:26,792 --> 00:51:28,419 Death is sad. 541 00:52:52,169 --> 00:52:53,546 It's a death knell. 542 00:52:54,046 --> 00:52:56,344 A lament to the brevity of life. 543 00:52:56,548 --> 00:52:57,674 It was interesting. 544 00:52:58,342 --> 00:53:00,015 It was very moving, Lisa. 545 00:53:01,387 --> 00:53:03,515 You must have put a lot of work into that, 546 00:53:03,722 --> 00:53:05,520 because it was very hard on me. 547 00:53:07,768 --> 00:53:10,191 (discordant music) 548 00:53:33,460 --> 00:53:36,509 (ominous music) 549 00:54:03,991 --> 00:54:07,211 (chuckling) I've got you now, Whitney. 550 00:54:07,995 --> 00:54:09,212 I've got you now. 551 00:54:43,947 --> 00:54:45,574 (Amanda): Whitney Taylor is a plagiarist, 552 00:54:45,783 --> 00:54:48,332 as this videotape so clearly demonstrates. 553 00:54:48,535 --> 00:54:50,537 She cloistered herself in the cellar and 554 00:54:50,746 --> 00:54:52,794 stole another artist's work. 555 00:54:52,998 --> 00:54:54,841 Son of a bitch. 556 00:54:55,042 --> 00:54:56,669 She killed her for revenge. 557 00:54:56,877 --> 00:54:58,595 The motive was revenge. 558 00:54:59,379 --> 00:55:00,676 It is with... (law growling) 559 00:55:01,089 --> 00:55:03,558 (screaming) 560 00:55:03,759 --> 00:55:06,888 (snarling) 561 00:55:07,513 --> 00:55:09,231 God. 562 00:55:15,145 --> 00:55:18,399 (distorted laughter) 563 00:55:20,359 --> 00:55:22,987 (frightening music) 564 00:55:25,447 --> 00:55:28,166 (screaming) 565 00:55:34,998 --> 00:55:40,425 (ominous music) (heavy breathing) 566 00:55:47,386 --> 00:55:49,855 (chewing) (bones crunching) 567 00:55:51,807 --> 00:55:54,276 (Monster): Shop me if you can. 568 00:55:56,311 --> 00:55:57,437 Damn her. 569 00:55:58,272 --> 00:56:01,025 - What's wrong? - Amanda, who else? 570 00:56:01,233 --> 00:56:02,200 Who else? 571 00:56:02,401 --> 00:56:03,903 (Phillip): What are you talking about? 572 00:56:07,281 --> 00:56:10,251 (heavy breathing) (wind howling) 573 00:56:15,581 --> 00:56:17,709 (knocking) (Whitney): Amanda! 574 00:56:22,504 --> 00:56:24,006 I just knew it! 575 00:56:24,214 --> 00:56:26,262 What the hell is she up to? 576 00:56:26,466 --> 00:56:27,433 You tell me. 577 00:56:28,176 --> 00:56:29,098 I don't know. 578 00:56:29,303 --> 00:56:30,395 I don't know, but I swear to God, 579 00:56:30,596 --> 00:56:31,813 I swear to God I'm gonna kill her. 580 00:56:35,350 --> 00:56:37,023 Amanda stole my work from the cellar, 581 00:56:37,227 --> 00:56:38,945 but how did she get a hold of my portfolio? 582 00:56:39,313 --> 00:56:41,031 - I'm sure I don't know. - Bullshit. 583 00:56:41,231 --> 00:56:42,278 You gave it to her. 584 00:56:42,482 --> 00:56:43,734 Now both of you had it in for me 585 00:56:43,942 --> 00:56:44,818 from the moment I got here. 586 00:56:45,027 --> 00:56:46,745 Now what the hell is going on and where is she? 587 00:56:46,945 --> 00:56:50,074 I assure you I don't know where Amanda is. 588 00:56:51,116 --> 00:56:53,494 Well, maybe she's playing a joke on you. 589 00:56:53,869 --> 00:56:55,416 (knocking) Come in. 590 00:56:57,915 --> 00:56:59,588 Another interesting development. 591 00:56:59,791 --> 00:57:01,293 Michelsky's nowhere in the house. 592 00:57:01,501 --> 00:57:02,878 - Are you sure? - Yeah. 593 00:57:03,086 --> 00:57:05,805 Unless he's suddenly developed a passion for hide-and-seek. 594 00:57:06,006 --> 00:57:07,098 Well, you see? 595 00:57:07,591 --> 00:57:09,218 Norman is probably working on an 596 00:57:09,426 --> 00:57:13,226 elaborate scenario and he's stuck on one of his scenes, 597 00:57:13,430 --> 00:57:15,899 and he and Amanda are testing it out. 598 00:57:16,350 --> 00:57:17,317 Maybe. 599 00:57:17,601 --> 00:57:19,774 If I find out that you're trying to hurt me, 600 00:57:19,978 --> 00:57:21,946 I'm going straight to the board of directors, 601 00:57:22,147 --> 00:57:24,241 and that, Mrs. Briggs, is a promise. 602 00:57:36,036 --> 00:57:37,458 You know, usually when I'm angry 603 00:57:37,663 --> 00:57:39,131 I can channel it into my work. 604 00:57:39,915 --> 00:57:41,087 So I've noticed. 605 00:57:41,291 --> 00:57:44,511 I am so upset I feel like I'm paralyzed. 606 00:57:47,047 --> 00:57:49,175 Come on, let's hag the work and get out of here. 607 00:57:49,383 --> 00:57:50,430 Go for a walk or something. 608 00:57:50,717 --> 00:57:52,310 Oh, I can't do that, Phillip. 609 00:57:52,511 --> 00:57:54,388 Come on, you're not getting anything done here anyway. 610 00:57:55,973 --> 00:57:57,441 I'll tell you my life story. 611 00:57:58,892 --> 00:58:00,394 - Really? - Uh-huh. 612 00:58:02,145 --> 00:58:03,567 This I've got to hear. 613 00:58:05,983 --> 00:58:08,406 - Your life story, huh? - Absolutely. 614 00:58:08,610 --> 00:58:09,532 Is it interesting? 615 00:58:09,736 --> 00:58:12,364 It started back in the, uh, early 1930's... 616 00:58:12,572 --> 00:58:13,915 (Whitney laughs) 617 00:58:14,116 --> 00:58:16,494 (upbeat music) 618 00:58:17,828 --> 00:58:20,172 Have you seen Norman or Amanda? 619 00:58:20,372 --> 00:58:21,919 For the last time, no. 620 00:58:22,124 --> 00:58:23,341 Well, I am worried about- 621 00:58:23,542 --> 00:58:24,885 Oh, who are you kidding? 622 00:58:25,210 --> 00:58:27,133 Whitney told me that Amanda stole her things. 623 00:58:27,337 --> 00:58:29,010 It's a cinch, the two of you are in cahoots 624 00:58:29,214 --> 00:58:30,511 plotting something against Whitney. 625 00:58:30,716 --> 00:58:32,389 - That's absurd. - Oh, is it? 626 00:58:32,592 --> 00:58:34,594 You just didn't expect Whitney to find out. 627 00:58:34,803 --> 00:58:36,225 My only concern- 628 00:58:36,430 --> 00:58:39,149 (mockingly) Is for the reputation of this colony! 629 00:58:39,850 --> 00:58:41,397 Well, Mrs. Briggs, you just might 630 00:58:41,601 --> 00:58:43,729 have something to be concerned about now. 631 00:58:48,191 --> 00:58:51,115 (laughter and footsteps) 632 00:58:51,987 --> 00:58:54,365 (Whitney): Now, the real challenge for me 633 00:58:54,573 --> 00:58:57,201 is to come up with interesting ways to kill people. 634 00:58:58,035 --> 00:58:59,582 You're an authority in that area, right? 635 00:58:59,786 --> 00:59:01,083 Yeah, lots of field work. 636 00:59:01,288 --> 00:59:03,507 Plus, I have some great research material. 637 00:59:05,500 --> 00:59:06,922 I see what you mean by interesting. 638 00:59:07,127 --> 00:59:07,923 (Whitney): Huh? 639 00:59:08,837 --> 00:59:10,931 You have really outdone yourself this time. 640 00:59:11,465 --> 00:59:12,762 What are you talking about? 641 00:59:13,467 --> 00:59:15,140 (Phillip): Your latest masterpiece. 642 00:59:16,470 --> 00:59:18,222 It's very intense. 643 00:59:20,098 --> 00:59:21,270 (ominous music) I didn't draw this. 644 00:59:21,475 --> 00:59:23,523 Oh, come on, don't be embarrassed, Whit. 645 00:59:24,144 --> 00:59:25,987 It's your way of dealing with aggression, right? 646 00:59:26,438 --> 00:59:28,065 At least it's constructive. 647 00:59:28,273 --> 00:59:29,399 It's okay. 648 00:59:30,942 --> 00:59:33,445 I'm serious, Phillip. I've never seen this before. 649 00:59:33,695 --> 00:59:36,619 (suspenseful music) 650 00:59:43,455 --> 00:59:45,958 Whitney, it's really not like you to be modest. 651 00:59:46,166 --> 00:59:48,134 I'm telling you, Phillip, I did not draw that. 652 00:59:49,002 --> 00:59:50,094 Then who did? 653 00:59:50,295 --> 00:59:51,592 - Childress's ghost? - Shh. Listen. 654 00:59:52,506 --> 00:59:56,227 Okay... "He who has wisdom wonders not of the Beast, 655 00:59:56,426 --> 00:59:59,851 "for nothing in Hell lives without man's consent." 656 01:00:01,348 --> 01:00:04,352 God. "Woe unto you who would give the Beast form. 657 01:00:04,976 --> 01:00:09,231 "To contemplate evil is to ask evil home." 658 01:00:12,984 --> 01:00:15,203 (frightening music) (growling) 659 01:00:15,403 --> 01:00:17,155 Hello? Is somebody there? 660 01:00:19,783 --> 01:00:21,877 Not again. Phillip, is that you? 661 01:00:24,913 --> 01:00:27,336 Alright, you little maniac, I know you're out there. 662 01:00:30,043 --> 01:00:31,841 Come on, kid, game's over. I need my towel. 663 01:00:32,045 --> 01:00:33,046 My hair is wet. 664 01:00:36,508 --> 01:00:39,307 Okay, Phillip, ready or not, here I come. 665 01:00:42,305 --> 01:00:44,399 Whitney, come on now. What are you talking about? 666 01:00:44,599 --> 01:00:46,647 Phillip, the curse is real. 667 01:00:46,852 --> 01:00:48,479 What curse? What are you saying? 668 01:00:48,687 --> 01:00:50,189 It threatens anybody 669 01:00:50,397 --> 01:00:52,070 who dares to give the Beast form. 670 01:00:52,274 --> 01:00:53,150 Don't you see? 671 01:00:53,525 --> 01:00:54,617 I drew it. 672 01:00:54,943 --> 01:00:57,037 I gave it life and now... 673 01:00:57,237 --> 01:00:59,615 and now Amanda is gone and Norman is gone. 674 01:00:59,823 --> 01:01:01,075 Wait. Wait a minute. 675 01:01:01,283 --> 01:01:02,785 Are you trying to say to me 676 01:01:02,993 --> 01:01:06,588 that a monster you drew just stepped off the page 677 01:01:06,788 --> 01:01:08,665 and devoured Amanda and Norman? 678 01:01:08,874 --> 01:01:10,091 That's right. 679 01:01:10,917 --> 01:01:12,590 God, Phillip, that's what... 680 01:01:12,794 --> 01:01:14,296 That's what killed Colin Childress 681 01:01:14,504 --> 01:01:16,381 O years ago, he probably... 682 01:01:16,590 --> 01:01:18,934 (ominous music) 683 01:01:33,106 --> 01:01:34,198 Oh NY" 684 01:01:34,983 --> 01:01:36,235 Oh my God, Phillip. 685 01:01:39,696 --> 01:01:40,743 (Whitney): It's Lisa. 686 01:01:41,406 --> 01:01:42,498 It's Lisa! 687 01:01:44,284 --> 01:01:45,285 (Phillip): Wait! 688 01:01:45,660 --> 01:01:47,754 (suspenseful music) 689 01:01:47,954 --> 01:01:48,876 Phillip? 690 01:01:50,498 --> 01:01:51,841 Where are you? 691 01:01:55,295 --> 01:01:56,296 (low growling) 692 01:01:56,504 --> 01:01:58,506 (Lisa): Hey, this isn't funny anymore. 693 01:02:04,221 --> 01:02:08,397 (screaming and snarling) 694 01:02:09,059 --> 01:02:11,482 (screaming) (bones crunching) 695 01:02:11,686 --> 01:02:13,814 (distorted laughter) 696 01:02:14,022 --> 01:02:15,239 (frantic music) Lisa! 697 01:02:16,483 --> 01:02:17,359 Lisa! 698 01:02:17,567 --> 01:02:18,534 Wait, wait, wait, stand back. 699 01:02:18,735 --> 01:02:19,736 (Whitney): Lisa! 700 01:02:23,240 --> 01:02:24,537 Lisa! 701 01:02:24,783 --> 01:02:26,410 (Whitney screams) 702 01:02:26,618 --> 01:02:27,710 Time to go, Whit! 703 01:02:35,001 --> 01:02:36,503 (snarling) 704 01:02:36,711 --> 01:02:37,928 (Whitney screams) 705 01:02:40,840 --> 01:02:42,217 Shit! Oh, God. 706 01:02:42,425 --> 01:02:45,019 Phillip, it's not gonna let us out of here. 707 01:02:45,220 --> 01:02:46,642 I hate to tell you this but if we don't get out of here 708 01:02:46,846 --> 01:02:48,439 - it's over for us! - I know. 709 01:02:49,724 --> 01:02:50,976 There's only one chance. 710 01:02:51,184 --> 01:02:53,027 There's only one chance. We have to get rid of it. 711 01:02:53,687 --> 01:02:54,813 What? 712 01:02:55,021 --> 01:02:56,113 (Whitney): Shit. 713 01:02:56,606 --> 01:02:58,734 (thunder crashing) 714 01:02:58,984 --> 01:03:01,237 on, God, Phillip, Phillip, it makes sense. 715 01:03:01,444 --> 01:03:03,367 Childress made the same mistake. 716 01:03:03,780 --> 01:03:06,454 If I... By giving that monster a physical presence, 717 01:03:06,658 --> 01:03:07,534 even a two-dimensional one, 718 01:03:07,742 --> 01:03:09,710 we offered it a vessel that it could occupy 719 01:03:09,911 --> 01:03:11,208 in the real world. 720 01:03:11,413 --> 01:03:13,336 - That's great. - Oh, God. Okay. 721 01:03:13,540 --> 01:03:15,417 According to the curse... 722 01:03:15,625 --> 01:03:18,128 the Beast is spawned by man's imagination. 723 01:03:18,920 --> 01:03:21,469 Oh, God, it's literally been ingesting creative energy 724 01:03:21,673 --> 01:03:22,925 to keep itself alive. 725 01:03:23,383 --> 01:03:25,431 Michelsky's, Lisa's, and Amanda's. 726 01:03:25,635 --> 01:03:26,477 Amanda? 727 01:03:26,678 --> 01:03:28,351 She's gonna give that thing diarrhea. 728 01:03:28,555 --> 01:03:30,102 Wait, what are we gonna do? 729 01:03:30,473 --> 01:03:32,191 What are we gonna do, Phillip? We're gonna... 730 01:03:33,560 --> 01:03:36,905 We're gonna destroy its physical form. 731 01:03:37,105 --> 01:03:39,073 (frightening music) 732 01:03:39,274 --> 01:03:42,448 (heavy breathing) 733 01:03:48,616 --> 01:03:50,994 (snarling) (Whitney shrieks) 734 01:04:09,721 --> 01:04:10,722 Phillip? 735 01:04:13,266 --> 01:04:14,267 Phillip! 736 01:04:15,727 --> 01:04:16,694 Oh my God. 737 01:04:20,231 --> 01:04:21,448 Oh, no. 738 01:04:22,067 --> 01:04:24,286 (Mrs. Briggs): Hello? Anyone down there? 739 01:04:29,282 --> 01:04:32,161 (frightening music) 740 01:04:35,288 --> 01:04:36,881 (Whitney): It was the creature all along. 741 01:04:37,082 --> 01:04:39,380 It killed Amanda and Norman and Lisa 742 01:04:39,584 --> 01:04:41,586 and now it's got Phillip. We've got to do something. 743 01:04:41,795 --> 01:04:42,762 Slow down, Whitney. 744 01:04:42,962 --> 01:04:44,134 You're not making any sense. 745 01:04:44,339 --> 01:04:48,185 Look, I have searched high and low for all of them. 746 01:04:48,676 --> 01:04:49,552 But they'll he back. 747 01:04:49,761 --> 01:04:51,058 Haven't you been listening to me? 748 01:04:51,262 --> 01:04:52,764 I certainly have. 749 01:04:52,972 --> 01:04:56,476 Comic books and monsters and... oh. 750 01:04:56,684 --> 01:04:58,402 That's a nasty cut. 751 01:04:59,145 --> 01:05:02,194 I have some disinfectant here somewhere. 752 01:05:02,399 --> 01:05:04,072 I'll look for it. 753 01:05:09,114 --> 01:05:11,162 (Mrs. Briggs): You know, I changed my mind 754 01:05:11,366 --> 01:05:12,538 about those comic hooks. 755 01:05:16,496 --> 01:05:19,670 I've been going through a lot of changes lately. 756 01:05:20,083 --> 01:05:22,256 (growling) (suspenseful music) 757 01:05:23,128 --> 01:05:24,220 (Whitney shrieks) 758 01:05:25,755 --> 01:05:29,305 (grunting) (bones snapping) 759 01:05:32,429 --> 01:05:33,851 (monster laughs) 760 01:05:37,434 --> 01:05:39,482 (Monster:) You're mine now. 761 01:05:43,440 --> 01:05:46,865 (screaming) (snarling) 762 01:06:09,924 --> 01:06:10,675 (Whitney): No... 763 01:06:10,884 --> 01:06:13,182 (distorted laughter) 764 01:06:28,318 --> 01:06:30,741 (clattering) (Whitney shouting) 765 01:06:35,158 --> 01:06:36,034 Nu! 766 01:06:36,242 --> 01:06:39,621 (distorted chuckling) (Monster): Whitney... 767 01:06:50,507 --> 01:06:51,474 (monster groans) 768 01:06:51,674 --> 01:06:54,143 (ethereal hum) 769 01:06:56,137 --> 01:06:59,767 (panting) 770 01:07:31,130 --> 01:07:32,928 (roaring) 771 01:07:33,132 --> 01:07:35,760 (monster screams) 772 01:07:44,477 --> 01:07:46,400 (melancholy music) Phillip... 773 01:07:47,939 --> 01:07:49,156 on, Phillip. 774 01:07:58,700 --> 01:08:00,452 Phillip, I'm sorry. 775 01:08:01,786 --> 01:08:03,834 (sobbing) Oh, Phillip... 776 01:08:32,025 --> 01:08:35,529 (smack) (chains rattling) 777 01:09:05,141 --> 01:09:07,269 I'm sorry, Phillip. 778 01:09:08,394 --> 01:09:10,522 (weeping) I'm sorry. 779 01:09:10,730 --> 01:09:12,232 (Phillip): You call that a kiss? 780 01:09:12,440 --> 01:09:15,694 I'm not talking about some quick peck on the cheek here. 781 01:09:15,902 --> 01:09:18,405 I'm talking about a real kiss. 782 01:09:18,613 --> 01:09:21,207 Oh! (triumphant music) 783 01:09:21,616 --> 01:09:23,368 Now that's more like it! 784 01:09:24,160 --> 01:09:25,833 Hey, hey, hey. Do you mind? 785 01:09:26,663 --> 01:09:29,587 On, Phillip, thank God you're back. 786 01:09:29,791 --> 01:09:30,292 Thank you. 787 01:09:30,500 --> 01:09:32,343 You're the one that did it. Now look: 788 01:09:32,543 --> 01:09:33,669 I don't want you to think 789 01:09:33,878 --> 01:09:35,926 this means you own me or anything, okay? 790 01:09:36,422 --> 01:09:38,390 - I'm still my own man? - What a guy. 791 01:09:38,591 --> 01:09:40,184 (laughing) What a guy- 792 01:09:40,385 --> 01:09:41,432 So what's next? 793 01:09:41,886 --> 01:09:43,138 I mean, what about the others? 794 01:09:43,346 --> 01:09:44,723 Looks like the hall's in your court. 795 01:09:44,931 --> 01:09:46,774 Or in your case, the pen's in your hand. 796 01:09:47,684 --> 01:09:48,936 What about that thing? 797 01:09:49,811 --> 01:09:51,859 Alright, one step at a time, okay? 798 01:09:52,063 --> 01:09:53,280 I've only got two hands. 799 01:09:53,481 --> 01:09:54,198 - Okay, - Okay? 800 01:09:54,399 --> 01:09:55,195 Hey, hey, hey', 801 01:09:55,400 --> 01:09:56,868 get some mouthwash or something. 802 01:09:58,820 --> 01:09:59,821 Who first? 803 01:10:00,571 --> 01:10:02,869 Not Amanda. (laughing) 804 01:10:03,074 --> 01:10:06,829 (happy music) 805 01:10:45,324 --> 01:10:47,702 (exciting music) 806 01:10:48,786 --> 01:10:51,585 If I don't destroy him like they did 30 years ago, 807 01:10:51,789 --> 01:10:52,665 he's gonna do it again. 808 01:10:52,874 --> 01:10:54,046 Trashcan's right over there. 809 01:10:54,959 --> 01:10:58,088 (snarling) 810 01:11:00,965 --> 01:11:04,845 Oh, I'm gonna burn you, you bastard. 811 01:11:05,261 --> 01:11:07,730 We're gonna make you burn. 812 01:11:07,930 --> 01:11:10,399 (snarling) 813 01:11:15,605 --> 01:11:20,782 (monster moaning) 814 01:11:24,197 --> 01:11:28,668 (monster screaming) 815 01:11:28,868 --> 01:11:32,463 (triumphant music) 816 01:11:54,310 --> 01:11:57,280 (screaming) 817 01:11:57,480 --> 01:12:01,280 No! Phillip! 818 01:12:03,402 --> 01:12:06,201 (distorted laughter) 819 01:12:06,405 --> 01:12:09,033 (Lisa whimpering) 820 01:12:09,242 --> 01:12:12,246 (screaming) 821 01:12:14,580 --> 01:12:17,379 (screaming) 822 01:12:18,042 --> 01:12:20,545 (Amanda screaming) 823 01:12:23,714 --> 01:12:28,094 (Mus. Briggs): Mo! No! (summing) 824 01:12:30,805 --> 01:12:33,524 (Phillip screaming) (monster snarls) 825 01:12:34,225 --> 01:12:37,695 (screaming) 826 01:12:42,650 --> 01:12:46,746 (sad music) 827 01:13:09,260 --> 01:13:11,979 (distorted chuckle) 828 01:13:13,890 --> 01:13:17,269 (Monster): Wherever there is imagination, 829 01:13:17,476 --> 01:13:19,695 I will dwell. 830 01:13:25,192 --> 01:13:27,536 (frightening music) 831 01:13:29,238 --> 01:13:34,165 (monster roars) No! 832 01:13:34,368 --> 01:13:37,918 (chewing) (bones crunching) 58218

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