All language subtitles for charlies.angels.s04e19.remastered.bdrip.x264-rovers-en

CHARLIE:
Once upon a time

there were three little girls
who went to the police academy,

One in los Ange/es.

One in San Francisco.

The other in Boston.

And they were each assigned...

[BUZZING]

very hazardous duties.

But i took them
away from all that

and now they work for me.

My name is Charlie.

I,”

I,”

[BAND PLAYING
"BUTTON UP YOUR 0VERCOAT"]

WOMAN:
I Button up your overcoat

1” Take good care of yourself

/ You belong to me

I Eat an apple every day

I Get to bed hy3

50 TH.-
/ Take good care ofyovrse/i
You belong to me

1” Be careful crossing streets

/ Ooh, don’t eat meat

f Ooh
fl Ooh, cut out sweets

BOTH:
/ You’ll get a pain
And ruin your tum-tum

1” Keep away from bootleg hooch

a” When you’re on a spree h

We're not gonna do ourselves
any good if those two win.

No, not hardly.

What's wrong?
W-why did we stop?

The crowd.
They don't appreciate
what we're doin'.

They're digging
the two
stumblebums over there.

They're very good.

They're not as good as us.

Ha. Hey, ifwinning
was that easy,

there wouldn't be
a $5000 prize.

That's the word to remember,
Jenny: winning.

Take five.

Oh, baby, wait up.
I've gotta go
outside and cool off.

Will you bring me
something to drink?

[CHUCKLES]

I,”

Oh, l--
l was expecting someone else.

Hey,
what are you doing with that?

Are you crazy?

Stay away from me.

Stay away!

CHARLIE [ON INTERCOM]:
Have you told your story
to the police, Mr. Farrgate?

I was with them all last night
and all day today.

And there's no trace
of your sister?

There's nothing. She--

She just stepped outside
for some air,

and she hasn't
been seen since.

Mr. Fairgate,
it's public knowledge

that you and your sister
are well-off financially.

Have you considered
the possibility

Of course I have.
that this is a kidnapping?

But there are no
ransom demands,
there's no letters,

there's no phone calls,
there's nothing.

Can you think of anyone who
would wanna harm your sister?

No.

Everyone who meets my sister

falls immediately in love
with her.

She just doesn't have
enemies.

CHARLIE:
Seems we're hard-pressed

to come up with a motivation,
Angels.

Unless...

Unless it has something to do
with the dance contest.

You know, there is one thing
that puzzles me, Mr. Fairgate.

Why were you and your sister

entered in the contest
in the first place?

Surely not for
the prize money.

Well, my sister
is very competitive.

And I mean competitive. She--

She loves
winning at everything,

if it's tennis or golf
or dancing.

You name it, she'll try it,

and,
uh, she'll beat you at it.

CHARLIE:
Competitive people
often malre enemies

of other competitive people,
Mr. Fairgate.

i think Kris is right.

This may have something to do
with the dance contest.

Well, it's a good place
to start.

Uh, Mr. Fairgate,

why don't you go home
and get some sleep?

We'll try and come up with
an approach,

and we'll call you
this evening.

It doesn't look good,
does it?

Get some sleep.
We'll call you.

[BAND PLAYING
UPBEAT JAZZ MUSIC]

Well, ladies, are you ready

to indulge in a little
fancy Terpsichore?

Bosley, I've never heard
this song before.

I think it slipped gracefully
into public domain

a few years back.

Sometimes you'll find
that mature music,

like mature men,

can be the source
of endless delight.

And once you see
these feet in action,

you will show
a little more respect.

[GIGGLES]

Yes, Mr. Astaire.

Hello, sweetheart.
Hi.

We wanted to enter
the dance contest.

Maybe you could tell us
who we should talk to.

Sure. You could talk to me.

Do you own this place?

You might say
I have a vested interest.

May I?

[BAND PLAYING
UPBEAT JAZZ MUSIC]

Thirty hours,
ladies and gentlemen.

Thirty hours
since this grueling
dance contest began

here at the new
Dancetown Ballroom.

Look at them,
ladies and gentlemen.

These brave couples
have been dancing

ever since the first second
Elton Mills lifted his baton

yesterday at noon.

And why not,
considering what's at stake?

Five thousand dollars in cash
to the lucky couple

who receives the most votes
from you wonderful people

who've come here
to show your appreciation

by casting your ballots.

For that, they thank you
and I thank you.

One of him
and three of you?

Who dances with who?

0h, lwas hoping
to pick up a partner here.

What do you think?

Dead meat.

Why don't you and I, uh...?

But you're management.

Well, like the judge
just explained,

it's too late to enter
the marathon
for the big money.

The best you can hope for
is a modest specialty prize.

And I promise not to step on
your very pretty feet.

Whatever's fair.

[BAND PLAYING TANGO MUSIC]

Now that Kris has
the executive section covered,

where do we start?

Well, our client said
his biggest competitors

were Couple Number 6.

There they are.

They're good.

Flashy.

Tiff, why don't you and B05
go check out those two.

I'll go talk to
the bandleader.

From where he stands,
he might've seen something.

Okay.

Shall we get their attention?

Uh-oh.

Oh, I'd love to.

The pleasure's entirely mine.

Well, now,
here's lookin' at you, kid.

[GIGGLES]

You didn't really say that.

I beg your pardon.

You didn't really just say

"Here's looking at you, kid."

Well, I didn't say it first.

[GIGGLES]

Um, Bogart. Casablanca.
1941 .

Nineteen forty-two.

Also a good year.

It's a habit of mine,
doing lines from old films.

Oh, that's all right.
You like Bogie.

I loved all those guys.

Bogart, E.G. Robinson, Cagney.

They saw what they wanted,

they went after it
and they took it.

Those were good days.
Good days.

Those were good old movies.

Pretend, you know?

No, movies reflect life.

So there had to be guys
like that.

Well, whatever. Heh.

You know, I came here
because a friend of mine

told me about this place.

You might know her.
Sally Fairgate?

Fairgate?

Yeah, she and her brother Joe
are contestants here.

You know them?

Name doesn't register.

Too bad.
They're really good people.

You'd like her a lot.
Mm-hm.

BOTH:
Smooth moves.

[CROWD APPLAUDS]

You have smooth moves.

Huh. Well, Couple Number6
is not very friendly.

No, but our client was right.

They are the heavy competition
on the floor.

Oh, present company excepted.

I would hope so.

I told you once you saw
these little feet in action.

All right, well, uh,
what are we
gonna do about them?

Yeah.
Them?

I would say proceed
with extreme caution.

He made that tango
seem absolutely sinister.

I haven't seen you
here before.

I haven't been here before.

Frances Farmer.

What?

You remind me of
Frances Farmer.

Ah.
She was an actress, right?

Oh, she was a star.

One of the brightest.

I played a featured role
in one of her pictures.

She was kind to me.

A lady of quality like you.

Well, how could you
possibly say that?

You've just met me.

Well, in this
very ungracious world,

there's only one quality
that's easy to recognize.

And why do you find
the world ungracious?

Well, today's music,
for example.

It's all, uh, electronic noise
and confusion.

That's why
what's happening here
is so important.

You mean the dance contest?

Well, this is all a cheap sham
and pretense.

But it'll serve my purpose.

When it's over,

I'll have reestablished myself
and my music,

in this time, in this place.

You're very eloquent.

You're very lovely.

Thank you.

I hope I'll see more of you.

Oh, I'll be around a while.

As a matter of fact, I'm--

I'm looking for
a friend of mine.

Maybe you've seen her.

Her name is Sally Fairgate.

What does she look like?

Um, blond, about 30,
very pretty.

She and her brother Joe
were competitors
in the contest.

Number 3.

Ah, yes.

Yes, I think I recall them.

Oh, good.

Uh, maybe ifyou see her
again,

you could tell her
I'm looking for her.

My name is Kelly.
Kelly Garrett.

The perfect name
for the perfect lady.

MAN:
One, two. One, two, three.

Thanks for the dance.

[BAND PLAYING
UPBEAT JAZZ MUSIC]

Listen, I have to take
a rain check on that drink.

Our client is here.

Oh.

I thought you
were gonna go home
and get some sleep.

What are you doing here?

[QUAVERING]
Urn, the police
found Sally and...

Where?

On the beach.

She's dead.

[SONG ENDS, CROWD APPLAUDS]

[INAUDIBLE SPEECH]

Who are those people
with Fairgate?

I don't know yet.

But I think
we'd better find out.

The blond's been asking
questions about his sister.

Questions?
What kind of questions?

Just questions.

I don't like that, Al.
I don't like it at all.

Neither do I, pal.

Neither do I.

I,”

[BAND PLAYING
UPBEAT JAZZ MUSIC]

[CROWD APPLAUDS]

[BAND PLAYING
"THE LAMBETH WALK"]

BOTH:
Mny time you're lambeth way

A Any evening, any day

1” You'll find us all

1” Doing the Lambeth wallr

A Every little lambeth gal

a” With her little Lambeth pal

1” You'll find 'em all

1” Doing the Lambeth walk, oh A

In the powder room.
Where's Tiff?

Something about a toe
you stepped on
during the tango.

Impossible.

How's our client?

Well, I got him home,
but he's in
pretty rough shape.

Did you hear
from Charlie?

Yeah, he called me
on my way back here.

Did he come up with anything
meaningful?

Yeah, the fellow
that you had a drink with,

Al Norman,
he's got a police record.

Somehow
that doesn't surprise me.

He's from back East.

He was arrested
on minor bunco charges.

Any convictions?

BOSLEY:
Yeah, a couple
in phony land promotion.

He was tied up
with the big boys
until he made a mistake.

Then they kicked him out.

He came out here.

Strictly a small-timer.

Does Charlie know how Mr.
Norman
is tied into this operation?

Well, Dancetown is owned
and operated by P.J. Wilkes,

but it went into receivership
last month,

and Al Norman bailed it out.

So now, according to
the business license,

they're partners.

Well, I think one of us
should get close to Mr.
Wilkes.

I'll give it a try.

Okay, you take care
of Mr. Wilkes,

and I'll concentrate
on Mr. Norman.

And I'll see if
I can get close
to our Couple Number 6.

Oh, listen, I almost forgot.

[CROWD APPLAUDS]

When I was taking
our client home,

he recalled something
that could be very relevant.

Like what?

Well, he says
that he recalls seeing

our angry Mr. 6
go out that exit

just moments before Sally.

Now, that could be
a coincidence or--

Maybe not.

Right. I think
I'd better find out which.

I'm gonna find Mr.
P.J. Wilkes.

[INDISTINCT CHATTER]

[BAND PLAYING "LET'S HAVE
ANOTHER CUP 0F COFFEE"]

BO TH:
I Just around the corner

1” There's a rainbow in the slry

I So let's have
Another cup of coffee

I And let's have
Another piece of pie

fl Mr. Herbert Hoover

.t Says that now is the time
To buy

I So let's have
Another cup of coffee

)And let's have
Another piece of pie I

Hey, I know this is supposed
to be heavy on nostalgia,

but who can
dance to that tempo?

Apparently,
everybody but you.

[CHUCKLES]

Yeah, but they dance
like you sing: boring.

Listen, pal, the man pays me
to sing this cornball muck.

I personally think it's lousy.

But a buck's a buck,
so I sing.

Yeah?

Now, you got
some kind of problem

about what's coming down here,
why don't you take a hike?

How'd you like me
to break that finger off

and shove it up your nose?

Why don't you try?

JENNY:
Steve, stop it.

You wouldn't hurt a guy
when he's down, would you?

I will. Get out of my way.

Well, I'm not gonna.

STEVE:
Maybe you'd like the same.

BOSLEY: Right.
Steven, that is enough!

You don't wanna get thrown out
when you're so
close to winning.

Hey!
Hey, what's going on here?
Come on now.

What is this? What's going on?

Uh, nothing really.
Just a little
misunderstanding.

But, uh, everything's
all right now, right?

Yeah, right.

KELLY:
Uh, see? No problem.

Play, maestro.

Take a break, 15 minutes.

Hey,
I'm still runnin' this show.

Now, I wanna know
what's going on here.

Oh, you must be Mr.
P.J. Wilkes.

Yeah, I must be. Who are you?

I'm Kelly Garrett.
I was just on my
way to see you.

Garrett, huh?

Look, I told you
to watch your temper.

Hey, look, Wilkes,
I didn't start it. He did.

Mr. Wilkes. People who work
for me call me Mr. Wilkes.

And I'm up to here
with your bad manners.

Look, | work for the band.
You hear me?

I don't work for you.

You don't shut your mouth,

you won't be working
for anybody.

Now, get your act together
or you and me
are gonna tangle.

All right,
ladies and gentlemen,
it's all over.

Just have yourself a drink.

The band's gonna take
a 15-minute intermission.

We'll be right back.
Thank you.

Yes.
You said you wanted to see me.

My office is right through
that door and to the left.

Why don't you go in there
and wait for me?

All right.
I'll be right in.

Do you realize
how close you came

to blowing
this whole thing for us?

Hey, don't start on me.

If he hadn't stepped in,

you'd probably be
on your way to jail right now.

Yeah, but I'm not on my way
to jail. We're still here.

Right? We're still in it
for the big bucks.

Yeah, well, I think
you owe him an apology.

I owe him nothing.

You're wrong.

Steve, you're letting
this ambitious drive of yours

turn you into
some kind of an animal.

Look, I'm no different
than I was

when we left New York.

And I'm just a little bit
more angry and frustrated.

And I'm tired.

Yeah, well, so what?

I'm tired too.

I'm telling you, Steve, if you
don't start acting civilized,

I swear to you, I'll--

You'll what?

I'll walk right outta here.

Don't be stupid.

Outta here, outta your life.

You know your big problem,
Jenny?

You're all mouth.

Yeah?

Watch me.

All right.

I'm sorry.

Yeah. Okay.

Tell it to him.

Don't plan on winnin' anything
around here, pal,

'cause I'm gonna see to it
that you don't.

Hi.

How you doing?

Uh, look, I'm, uh--

I'm sorry
I got so uptight before.

Oh, forget it.
It's just like I said.

It'd be a pity for you
to get thrown out now,

when you're so close
to winning.

How come you're so concerned
for your competition?

Well, I'm not, uh--
I'm not really
your competition.

My name's Bosley. John Bosley.
I'm an agent.

You're an agent? You m--?
You mean a theatrical agent?

Yeah, that's right.

I heard there were some
very talented
dancers down here,

so I came down to take a look.

You handle dancers?

Yeah, mostly.
You know, for TV and films.

As a matter of fact, there's a
picture in
the works right now.

A period piece.

They're planning to use
a couple of dancers

in some featured roles,

and they wanna
go with unknowns.

Hey.
look, now, I'm really sorry
I got so hot before.

Ah, forget that.

The point is,
I'll be watching you.

Oh, uh, also, somebody told me
to watch another couple.

Uh,
young lady with blond hair,
dances with her brother.

Uh, thinkthe name
was Fairgate.

Fairgate.

Yeah, Joe and, uh, Sally.

Joe and Sally Fairgate.

Have you seen them?
I heard they're very good.

Oh,
I know the couple you mean.
Ooh, they are very good.

But, uh, I haven't seen them
since last night.

Oh, well,
I'm sure they'll show up.

Good luck to you.

Wait a minute.
Listen, what am I thinking of?

Where are you kids from?
What are your names?

Oh, this is Steve Ames
and I'm Jenny Wills.

We're from New York.

Ames and Wills.

It's got a nice ring to it.

[GIGGLES]

I'll see you later.

Oh, it was nice meeting you.

Now, that was really stupid.

What are you talking about?

Tellin' him about how good
the other couple was.

I thought
we had an agreement.

You were going to start
acting civilized.

Hey, listen. Listen.
Wait a minute, baby.

Maybe you forgot
about the dives

we worked in
before we got here,

but I haven't,
so I'm not interested

in being a good sport
or a good loser,

or about being civilized
to anyone who gets in my way

for any reason,
you understand?

What I understand is
if you don't let go of me

I'm going to take that walk
out of here.

I wouldn't do it, Jenny.

Are you threatening me?

I'm just telling you
how it is.

Now, you're not gonna
go soft on me

and mess me up, all right?

Nobody's gonna mess me up,
you understand? Nobody.

I,”

I,”

I,”

[GRU NTS]

I,”

I,”

[BAND PLAYS SLOW MUSIC]

[INAUDIBLE SPEECH]

That Couple Number Six
sure doesn't smile much.

No, she's cool,

and he's like a bomb
ready to go off.

I think I will run
our Mr. Aims and Miss Wills

from New York
through Charlie's computer.

Oh. Sorry I was detained.

Garrett, right?

Yes. Kelly Garrett.

Sit down.

Thank you.

I saw you when you came in.

You, uh--
You came in with the blond

and the couple
who have been dancing, right?

Well, you're very observant.

I understand that you
and Mr. Norman run this place.

Who told you that?

Well, |-- I can't remember.

But you two are partners,
right?

In this venture, yes.

By the way,

what's the point
ofthis venture, Mr. Wilkes?

Well,
the point ofthis venture,
Miss Garrett, is promotion.

This place,
like this neighborhood,

has been going
steadily downhill.

I figure if! can get it
on its feet

with this dance
contest gimmick

I can make a little money.

Make it a paying proposition.

Hm.

Then it wouldn't look too good

if Sally and her brother
got the most votes.

What?

My friend Sally Fairgate.

She and her brother entered
your contest.

Fairgate?

Well, you know.

Uh, Fairgate oil refineries,

Fairgate meat packing,

Fairgate financiers.

Point is, I don't think
you would have drummed up

much local business
in this place

if two of the richest people
in the country

waltzed off
with the $5000 prize.

No. No, I supposed not.

Anyway, Sally felt
really bad about it.

So, uh, she and her brother
are dropping out
ofthe contest.

When did she tell you this?

Oh, a few minutes ago.

I talked to her at her home.

You spoke to her?

Yes. And she wanted me
to tell you her feelings.

And that's why you wanted
to see me?

Right.

Anyway, good luck.

I hope you and Mr. Norman
make it all happen.

Thank you.

Thank you.

[noon OPENS]

[noon CLOSES]

You said she talked
to Sally Fairgate?

on the telephone
just a few minutes ago.

Well, since we know
that's impossible,

the next question is,
why is Miss Garrett lying?

I don't know why she's lying.
All I know is I don't like it.

Now,
this Garrett lady and those
three people she came in with

are definitely
up to something.

And I know it's
no good for us.

I can tell you that.

The blond,

she mention Miss Fairgate
to me a little while ago.

What did you say to him?

I, uh, told him I talked
to Sally Fairgate

a few minutes ago.

Well, he's acting like
he knows Miss Fairgate's dead.

And since we and her brother
and the police

are the only ones
who are supposed to know--

How come he's so upset?

KELLY:
It looks like
he's discussing it

Maybe Mr. Norman
will discuss it with you.

Well, he said he wanted
to buy me a drink.

Guess I'll hang in here.

I better find out what kind
of head games

Miss Garrett and her friends
are playing.

You get back to your office.

And keep your mouth shut.

[CROWD APPLAUDS]

Get out number
21, 28, 32, 43 and 54.

Billy?

Billy?

[BAND PLAYING JAZZ MUSIC]

Hello.

I think it's time you start
leveling with me, doll.

"Doll"?

Again with
the old movie dialogue.

Never mind the dialogue.
Let's get to the plot.

What are you and your
three friends doing here?

I thought we were dancing.

You were asking me questions
about Miss Sally Fairgate.

Then Miss Garrett said
she called her on the phone.

She's a mutual friend.
What's the problem?

The problem is I want to know
why you keep
talking about her.

ljust told you,
she's a friend.

Why don't you and I
take a little walk?

Who are we doing now?
Bogie? Cagney?

Look,
I'm getting a little tired
ofthis macho routine.

Listen, I've got
every dime I own

in this little piece
of promotion.

So I ain't about
to let anybody mess it up.

Now, let's you
and | go somewhere private

and get some answers.

Slow, hard way
to make a fast, easy buck.

KELLY:
Yeah.

Have you seen Bosley?

Even as we speak.

Hi.

Hi. Charlie's computer come up

with anything
on our dynamic dance duo?

Oh, yes. As a matter of fact
some very interesting stuff

on Steven Aims.

Only 24 and he already has
a record
the length of your arm

with the New York
police department.

Such as?

He got started
when he was 16.

Petty theft,
grand theft auto,

petty larceny, along with
two visits to the county jail.

Anything current?

BOSLEY:
Something very current.

Right now he's wanted
for questioning in regards

to his partner,
Jenny Wills.

Seems that there's been
a missing persons report

filed on her by her parents.

She's only 17 years old.

Hm. Just the kind of fellow

you want your daughter
to run off with.

Yeah. Oh, and as a matter
fact, I forgot to mention

he's been arrested twice
on assault and
battery charges.

Let's not dance
too close to them.

Good idea.

Have you seen Kris?

I saw Al Norman leading her

toward P.J. Wilkes' office.

He looked very grim.

lfshe's not back here
in five minutes

I think we should see
if she needs a hand.

All right.

Meet you back here
in five minutes.

Come on, dear.
Right.

I,”

Hey, what's wrong?

Oh, it's Billy.

What?

Billy. He's lying out there.

I think he's dead.

Come on, let's go.

I,”

When Billy didn't come back
afterthe break,

I went looking for him.

Oh, God, it's awful.

Okay.

I,”

Betty, I've got
to ask you some questions.

I think we'd better call
the police.

We will. But first you've got
to talk to me.

Did you see anyone back here
before you found Billy's body?

[SIGHS]

I don't know. |--

I don't remember.

It's important.

Uh, no. No. |--

I didn't see anyone.

No one walking in the area?

BETTY:
No.

KELLY:
You're sure?

BETTY:
I'm not sure of anything.

Why don't we call the police?

Why do you keep
asking me these questions?

BETTY: What?
KELLY:
I'm a private detective.

I'm a private detective
and I'm working
on a case here.

[SIGHS]

I don't believe you.

Look, | work for
the Townsend Detective Agency.

Here's my identification.

BETTY:
Agun.

You have a gun?

Yes. Now do you believe me?

[SIGHS]

I guess so.

All right.
This is what I want you to do.

Go back inside.

And if anybody asks you,
you haven't seen Billy.

BETTY: But why?
Pretend like
nothing's happened.

KELLY:
Because we have
a better chance

who killed Billy
if we do it this way.

Trust me. All right?

All right.

Okay.

Go back in and--

And don't say anything
to anyone.

Go on.

I,”

I,”

Oh, you startled me.

I'm sorry.

What are you doing?

I was wrong about you,
Miss Garrett.

You're not a gracious lady.

You're not
acting yew gracious
yourself, Mr. Mills.

I'm afraid you've made that
necessary.

Walk.

Over there.

I'd rather not.

I'd rather you would.

I,”

I,”

[BAND PLAYING JAZZ MUSIC]

Wait.

In there.

Well, sit down.

[LAUGHING]

A detective, huh?

[LAUGHS]

I thought
lwas a better
judge of people.

I, uh, suppose I'll have

to dispose of you somehow.

I'll have to think
about this.

Take all the time you need.

Listen, blondie,
I'm getting
impatient with you.

"Blondie"?

You know, you really have got
to stop saying
things like that.

Why are you and your friends
asking questions

about Miss Fairgate?

VVhy?

You really
should stan learning
to control your temper.

It could get you
in so much trouble.

Don't you think so?

[TSKS]

[BAND PLAYING JAZZ MUSIC]

What?
I don't get it.

Kelly said she'd meet us
back here in five minutes.

It's not like her
just to disappear.

Well, maybe
she stepped outside.

Let's go see.

Kelly?

Uh-oh.

BOSLEY:
That's Kelly's purse,
isn't it?

TIFFANY:
Yep.

Minus the gun.

Bos.

What?

[MUSIC STOPS, CROWD APPLAUDS]

[BAND PLAYING TANGO MUSIC]

Oh, my God.

Let's go tell Kris.

MILLS:
You realize, of course,

that I'm very disappointed
in you.

I guess I'm not the only one.

Who disappointed you, I mean.

Billy too?

Well, did you hear
what he said about my music?

"Cornwall muck."
Did you hear him say that?

What did Sally Fairgate
say about you?

It's not what she said.
It's what she did.

They weren't-- They weren't
listening to my music.

I listened.

Yeah.

Yes, you did.

But you pretended
to be one thing

when you were something
quite different.

It didn't used to be that way.

People were--

People were more simple,
direct, honest like my music.

That's why they loved me
in those days.

lwas hoping it would be
that way again.

That it would all
start again here.

I guess I was wrong.

Nothing is simple anymore.

The music and the people--

They're all dissonant,
ugly, ugly.

lwill have to kill you,
you know.

When all the talk is over...

I will have to kill you.

Look, Mr. Norman, I'm getting
pretty bored with this.

I think it's time
for me to go home.

Listen, you'll go home
when | tell you.

You and your friends.

[KNOCKING 0N DOOR]

We wanna talk to Miss Monroe.
Well, speak of the devil.

Alone.
Go ahead, talk.

It's rather urgent.

I've got a few things
to say to you myself.

Mr. Norman, why don't you
sit down and be quiet?

[AUDIENCE APPLAUDS]

Well.

The lady has claws.

And she knows how to use them.

What's happening?

We just found
the boy singer out back

with his head caved in.

We also found Kelly's purse
on the ground,

but no sign of Kelly.

Well, you said you wanted
to do some talking. Go ahead.

Tell us what you know
about Sally Fairgate's death

and our
friend's disappearance.

Nothing. I don't know
what you're talking about.

Listen, you musical comedy
mobster,

I have had it with your dumb
dialogue and your bad manners.

And if you two
are in any way involved

in these killings
or Miss
Garrett's disappearance,

we're gonna string you up
by your ears.

Shut up, Wilkes.
We didn't kill her.

But it's the truth. We didn't.

Didn't ki|| who?

Anybody.
We didn't kill anybody.

We just moved the body,
that's all.

Whose body?

Sally Fairgate.

We found her dead outback,

so we took her body down
to the beach and we dumped it.

Why? Why did you do that?

Because if word ever got out
that somebody
had been murdered

around here,

this whole thing
would go down the drain.

Every dime we've got
is sunk in this place.

[CHUCKLES LIGHTLY]

Well, I hate to say it,

but I think I believe him.

These two are just low enough
to do something like that.

You know what?

You're right.

Let's go find Kelly.

[BAND PLAYING JAZZ MUSIC]

Okay. You walk and you listen.

Your competitor
Miss Fairgate's been murdered.

Are you aware of that?

Now, how the devil
would we know that?

How about the, uh,
singer you tangled with?

He's lying out back
with his head caved in.

You know anything
about that?

Those two are dead,
What are you trying to pull?

and my friend Miss Garrett
has disappeared.

I want answers.
I want them in a hurry.

What do you expect me
to do about it?

I'll wait outside.

Come on. What are you
looking at me like that for?

You think! had anything to do
with anybody getting killed?

I'm just remembering
what you said

to me about not letting
anybody stand in yourway

or mess you up.

I said it and I meant it.

Then and now. All right?

So just follow my lead

and stop
thinking about anything

except the 5000
we're gonna win.

'Cause like I said before,

that's all that counts,
winning.

Come on.

Okay, where do we start?

Well, I think
we had better spread out.

Check the buildings, and if
you find anything just yell.

Come on.

I'm really sorry I have
to hurt you.

We'll go outside
and walk to the beach

where no one will hear
the shot.

[GUNSHOT]

I think you had better put
the gun down, Mr. Mills.

Put it down.

[SIGHS]

Maybe it's
just as well this way.

It all got out of hand
somehow.

All dissonant, ugly--

There doesn't
seem to be a place
for me anymore.

You know what I mean?

AH.”

Yeah.

AH.”

You all right?

Yeah. You?

Well, I've had my fill
of dancing.

AH.”

[BAND PLAYING JAZZ MUSIC]

[INDISTINCT SPEECH
OVER POLICE RADIO]

Jenny.

Look,
with the arrests and all,

things have gotten
a little complicated.

And the police have decided
to shut the place down.

Shut it down?

BOSLEY: Yes, but the ballots
Yeah.

will be counted. And--

And there will be a winner.

But for the moment
there's no more dancing.

In a day or two.
When are we gonna know?

Well, the winners
will be notified.

I'm sure you two
will get the most votes.

BOSLEY:
0h, uh, and by the way,
Jenny, uh,

the police talked
to New York about you.

Uh, you know,
the missing persons report.

Well, your parents
want you to call them.

That won't be necessary.

I'm going home.

You're going home?

On the first plane
I can get.

What are you, crazy?

I mean, did you hear
what she just said?

We're gonna win.
The money's ours.

You keep it.

But this is it.

I mean, we won.

Hey, it's just the beginning.
From here on we move.

We'll get it all.

You get it all.

As far as I'm concerned,
it costs too much.

Who cares?
I'll find someone else.

Broads,
they're like streetcars.

You know, one comes along
every 10 minutes.

You don't think so?

You'll see.

A yearfrom now,
I'll have this
town by the tail.

lfyou don't think so,
watch me.

Just watch me!

Anyone for a foxtrot?

I think I'll pass.

All

AH.”