All language subtitles for charlies.angels.s03e01.remasterebdrip.x264-rovers-en

[Chattering]

[ Group/er] Comin' out again.
That's nine, Com/n� out,
[ Continues, Ind/�stincr]

I [Man Singing]
Play one for the crowd

n The lovely lady
ail/19 table 9
[No Audible Dialogue]

[Chattering]

/ Doublin� down
when she�s able

I One

.� One for the dealer f
[ Chaiiering ]

a� Four one for the house I

[No Audible Dialogue]

.h Raise the ante
for the winner

? Piayers for the lasers
and the sinners

I One

a� One for the dealer

I Take it from me

1� Though he seems to he

1� Sometimes under the weather

? When the town closes down

a� He can be found

a� Pullin� the pieces together

a� Lady Love lost

I And though the game
seems jaded

J� You knew before you faded

a� The odds were high

I But one�s for the tears

a� One�s for the tryin�

? Give us a smile
when you do the good-byin�

a� One for the crowd

I And one

a� One for the dealer h

[Applause ]

a� [ Orchestra ]

I [ Continues] I
[ Applause ]

[Chattering]

You've got
that look again.

Have you got something
to do for a couple of hours?

Is he coming over?
Yeah.

Well, you don't
sound thrilled.
I'd really rather not.

So don't.
It's not so easy.

He doesn't want
to let go.

I'll leave
the dead bolt open.

|'|| liptoe.

[Engine Starts]

[ Car Departs ]

[Tires Screeching ]

[Bosley] We've gone over all
the available
information, Charlie.

The problem is, we're not
sure exactly what we're
dealing with. Here you go.

[Charlie 0n Speakerphone]
Mr. Howell, what are we
dealing with here?

The Las Vegas Police
are calling Mary Phillips's
death accidental.

Mary Phillips was a very good
driver, and when she left
the casino she was sober.

Now, there's no reason for her
to hit that car at that speed.

Mr. Howell, the attendant
who was run down in your
parking lot last week--

The police are calling that
a hit and run?

I'd call it a killing.
A nice kid that
never hurt anybody.

So you're saying
it was deliberate.

/ didn 't think so
until Mary was killed

All right. Then let's
assume that the accidents
weren'taccidents. Why?

At the risk
of sounding paranoid,

I'd say somebody
was trying to gaslight rne.

lmean, I get phone calls
and nobody at the other end
of the line.

| go up to my suite,
and I notice that my furniture
is slightly moved.

Anything taken?

No.

[ Charlie ] Mr. Howell, you're
in an extremely competitive
and-- and lucrative business.

You no doubt have enemies.

I'm the sole owner
ofthe Tropicana.

No ex-partners.
I've never hurt anybody.

I've never cheated anyone.

i wouldn't even
if i wanted to.
Vegas is a clean town.

A/ll want are answers,
and I want 'em fast.

I want them fast,
because I don't want
any more of my people killed.

And I don't
care what it costs,
Mr. Townsend.

I love that song.
[Sabrina]
Bosleyl

[ Charlie] Then i suggest,
Mr.
Howe/l, the ?ve of you take

Uh, Charlie, you think maybe
we could take a later flight?

Um, I think maybe
we're gonna need a cover.

Yeah, like some new clothes.

Some new shoes.

Right. I think maybe
I'm going to do something
with my hair.

Maybe a perm.

Yeah.

I don't know
No?

Well, maybe.

Hmm. [Clicks Tongue]

Tell me something.
Do casino owners gamble?

You mean, do I?
Yep, that's exactly
what I mean.

Well, lwon this place
in a crap game.

Love a client
with a sense of humor.
[Kelly Laughs]

[ Crowd Chatter/rig]

Come on--
Come on in.

You inherited.

What?
I said, you got this place
with family money.

Look at that.

Are you gonna gamble?
[Giggles]

Listen, I'm not trying
to pry into your
personal affairs.

It's just that how you
got all this could be
relevant to the case.

Miss Duncan, you're hard
to convince. I won this
thing in a crap game.

Oh, come on now. Nobody
gets all this that easily.
I didn't say it was easy.

It took three days
and three nights.

You're really not kidding,
are you?
No, I am not.

I'm not kidding at all.
All right. Then where is the
man that you got all this from?

He is nowhere.
He just walked
right out that door...

and shot himself
right through the head.

Aww, no!

We'll hold our
command post here, huh?

"Command post"?
Ex-army?
Tank corps.

And here are four bedrooms
interlocking.

Each of you have
a special entry to the hall,

so no one will know
you're all together.

And the four phones--
You all have your
special extensions.

Well, we ought to get busy
establishing our covers.

Well,
I told the business office
that you're here as my

I'm not sure I know
exactly what that means.

Well, don't worry about it.
Neither do they.

Marty Cole is looking
for a backup girl singer
for his lounge act.

Bosley said you sing,
so I set up an audition
for you this afternoon.

Marty Cole. | used to listen
to his records
when lwas a kid.

- Tell him you played 'em
in college, okay?
- Oh. [Giggles]

And you have an audition
with the dance captain.

Terrific.

What about my cover?
Oh, I have yours right here.

I [Piano] I
Hitch, hip, kick, ball,
change, kick, ball, change.

Hitch, hip, hitch, hip,
kick, ball, change,
kick, ball, change.

Hitch, hip and stop.

I [ Continues] I
Excuse me, could you
point out Joan Wells?

Thank you.

Miss Wells?
Yeah.

Listen, I hate to bother you.
My name is Kelly Garrett.

I'm a friend of your
roommate, Mary Phillips.

Oh, I guess
you haven't heard...
about Mary's accident.

Yeah, I heard--
yesterday when I
arrived from Dallas.

It's not bad enough
to find out Mary's dead,

then to get here and find out
the audition is
to replace her.

You knew Mary in Dallas?
We studied dance together.

She'd written and suggested
I come out and try for a job.

Listen, |--
I'm kind of upset.

Can we talk more later?

Sure.
Thank you.

Guess what.
What?

You win this week's
piece of free advice.
Lucky me.

It goes like this: Go back to
Dallas 'cause
I've been waiting

And as far as I can see,
you're the only
competition here.

Thank you very much.
Very nice. Nextl

[Chuckles]

Okay, it goes like this.
And step, ball, change,
step, ball, change.

Step, hip, step, hip.
Step, two, three,
step, two, three.

Step, hip, step, hip.

I think l have it.

Okay, let's see it.
Ready?
Okay.

And step, two, three,
kick, two, three.
J� I�

Step, hip, step, hip.
Kick, two, three,
kick, two, three and stop.

I [ Stops ] I
You learn quick.

I've called a rehearsal
with the other girls.

You think ill ran you through
it once with them you could
make the dinner show?

Why, I thinkl can
make a run at it.
Okay, we'll give you a chance.

Great.
Thank you.
Audition's over.

Take five, girls.
We're going through
the whole number.

Hey, you got some nice moves.
Thank you.
Thinkl can cut it?

Sure.
Now guess
what you win.

Come on with me.

Mr. Howell, do you--
Formality makes
me nervous.

Now let's get down
to first names.
Okay.

Do you have any reason not
to trust any ofthe people
who work for you here?

Oh, no. They've all
been with me since
the Roundhouse days.

What are
"the Roundhouse days�?
Well, first joint I operated.

It was in a train shed
on the east side
of Philadelphia.

You had a casino
in a train shed?
Well, only at night.

You see, they cleaned
the engines during the day.

It was sort of
a floating crap game.

Uh-huh.
Did you show a profit?

| always show a profit.
Always?

Always.
How do you do that?

I'm blessed.
You mean, you're lucky.

No, I mean, I'm blessed.

Well,
the word �blessed" usually
has a theological connotation,

When you were a kid, you never
spent much time on the street.
It shows?

Well, you're suffering
from structured thinking.

You sure about that?
I'm sure of only one thing,
that's winning--

and that you and I
are going to be
more than just friends.

But that you already know,
don't you, Sabrina?

I might have known it
before you did.

Mm-hmm.
Mm-hmm.

I [ Jazz Pop ]

I / wanna be around
to see how he does it

I When he breaks
your heart to bits

I Let's see if
the puzzle fits

I So fine

I And that's
when l'll discover
that revenge is sweet

I As I sit there applaudin'
from a front-row seat

I When somebody
breaks your heart

I Like you

I Broke mine

I When somebody
breaks your heart

I Like you

I Broke mine I

I'II, uh,
see you guys at 3:30.

It sounded terrific.
How you doin'?

You tell me your
name is Leslie,
and I'll drop in a dead faint.

[Laughs]
Well, I would hate to
have you do that, Mr. Cole.

My name's Kris Munroe.
I heard you were looking
fora backup singer.

You, uh--

You sing like you look?

Well, I don't know.
Do I look hungry?

[Laughing]
Are you?

Well, let me
put it this way:

I am probably closer
to fainting than you are.

Okay, let's hear you
sing something.

Okay.

Uh, anything in particular
you'd like to hear?

Anything you want.
All righty.

I [Pop Ballad ]

I Keep on searchin'

I Love is what you find
Never change your mind

I Never give up

I Try again

I Take a chance and see
Love will never be

I Hopeless I

You're staring.
[Giggles]

[Laughs]
I'm listening.

Well, you were sort of
staring and listening.

And listening, yeah.

Who's Leslie?

My wife.

Ohh.

Oh, man, I'm sorry.
Leslie Cole, of course.
I forgot.

Blond hair.

The same height.

You even have her sound.

She died a few months ago,
didn't she?

You, uh--

You really rocked me
when you walked in here.

Okay.

Youll do fine.

You mean, I got thejob?

That's exactly what I mean.

[Sighs]
I think I'm gonna faint!
[Laughs]

Well, Dr. Cole prescribes
a very large steak.

Dr. Cole,
you got a lot of style.

[Chattering]

IfJazsz

It's exciting for you,
isn't it?

What?
I said, "It's exciting
for you, isn't it?"

All this craziness.
It's not crazy.
This is all very ordered.

This is very real.
I think you're the only one
who sees it that way.

I'm the only one
that has to.

The air feels rich today,
Frank.

Well,
don't breathe too deeply.
A person could choke.

You gotta give Frank credit.
He's always twing
to class up his act.

Well, if that's a compliment,
thank you very much.

Oh, it is, it is,
and you're welcome.

l'rn Mark Haines.
Sabrina Duncan.

I run the casino
up the street.

Oh, what'd you do?
Come over to borrow
a cup of money?

[Laughs]
No, just lookin' In
on the action.

You've looked.

Nice to have met you.
Yeah.

Frank, somehow you don't look
like a man without enemies.

Oh, it's just
a little competition.

Send this up
to accounting.

I've arranged for dinner
for us tonight--

10:00, my suite.

I didn't hear you ask.

I don't hear you say no.
[ Laughs]

Well, uh,

I guess somewhere between
that floating crap game
in Philadelphia...

and all this glitter,
there's got to be
a gentleman and a scholar.

30, um--
50, 10:00.

Yeah.
[Laughs]

You look like a lady
with a man on her mind.

Hey. Yoo-hool
I said, "You look like"--
I hearya, I hearya.

It shows, huh?
Yeah.

Well, you gotta look at it
this way: There are worse
things. Mm-hmm.

Come on.
Let's go find Kelly.

Yoo-hoo. Kelly?
Hmm? Kelly! Right.

[Joan] No, that's at the
beginning. It's three turns to
the left and then you go off.

Hey, wait a second.
This is my favorite machine.

Just one, okay?

Okay.

Friend of yours?
What?

That man over there.
Do you know him?
No, no.

I've got some costumes to
check on, so I'll see you later.
Sure.

Uh-oh, she's frowning.
Maybe she flunked
her dance audition.

Oh, no. It went great.
Oh, yeah?

Tell me something. Do you know
who that man Is over there?
Which one?

The one in the tan suit.

Yeah, that's Mark Haines.

He runs a casino
down the street. Why?
Is something the matter?

I'm not quite sure yet.
Come on. Let's go see Bosley.
See how he's doing.

[Tires Screeching ]

[Whistle Blowing]

Hey, where'd you
get that?

What?
The whistle.

I been here six years.
I don't have a whistle.

Do you think
you really deserve one?

I think you should be carrying
luggage like the rest of us.

When you get a whistle,
you don't have
to carry luggage.

Who says so?
The person who gave me
the whistle.

Yeah? Who's that?
I am not at liberty
to say.

And I think that you
should hurry, hurry, hurry!

Bosley, you sly devil.
Where did you
get that whistle?

From the person who told me
I should do no heavy lifting.
Oh, and who was that?

Ah-ah-ah! I bet he's
not at liberty to say.
And you would win that bet.

[ Crowd Chatter/rig]
[ Woman]
.loe y .lan uaryl

[Man] Hey, Joey Januaryl
Mr. January,
welcome to Las Vegas.

Very nice,
but I asked for vanilla.
We're out of vanilla.

Very funny.
Get out of town.

There's been
a lot of publicity
concerning your appearance

We hearyou're involved
a legal battle to maybe
get out of your commitment.

[January] The people
of Las I/egas-- i love them. My
beef is with the management.

[Reporter]
You mean, Mr. Frank Howell,
the owner of the Tropicana?

You got it, pal--
Frank Howell,
Mr. Bad News himself

The truck!

[People Screaming ]

[Sighs]
Anybody hurt?

Just a lot of bruised knees.
Anybody get a chance to
look at the license plate?

There wasn't one.
Wonderful.

[Sabrina]
Okay, okay,
Then what have we got?

Was the ballet
really meant for
Joey January, or could it have

Well, I figure it was meant
for Joey January, only |--
I think it was meant to miss.

Wait a minute.
You lost me.

Well, Ijust got a call
from Joey January's lawyer,

and he's using the incident
to break the contract.

Hmm.
He said it would jeopardize
him to appear down here.

Are you saying that
Joey January might have staged
that little fracas himself?

Well, I'm saying
he's not above pulling
a stunt like that.

Well, for what reason?
I mean, what's this trouble
between you and him?

A couple years ago
when Joey was flat broke,
I gave him ajob--

a five-year contract--

at a wage that he was thrilled
to get at the time.

Which is considerably
less than what he's
now getting elsewhere.

Yeah, well,
Joey's not too heavy
into gratitude.

So that brings us
to the really big question:
Is what happened here today...

connected to
the deaths of Mary Phillips
and the parking-lot attendant?

I don't know about
the connection, but, uh,

it certainly accomplishes
the same thing.

What you said before--
that someone 's trying
to gaslight you.

Someone or several someones.

Well, that brings us
right back to "why?"

Well, that's what
I hired you for, isn't it?

Drinks are on the house.

[Chuckles]

Okay. Next move.

Kelly, this Mark Haines-- the
one that manages
the casino down

Ti|| Charlie can get us a
computer checkout, why don't
you see what you can find out?

I'll call Charlie about
the readout right now.

I'd like to
know why Joan Wells

got so uptight
when she saw him.

Mm-hmm.

I think for the moment
I'm gonna spend
some time with Marty.

He and Frank have been friends
for a long time.

He may be able to give us some
insight into our
uptight client.

Wait a minute.
What are you talking about?

[Kris] Well, ldon'tknow
Look, we�ve got a case
with no suspects,

no motives, and a client
that is a total loner.

I don't think we're gonna get
any answers until we find out
what's going on inside his head.

Why do I have the feeling
that might be scary?

I [ Orchestra: Cancan [

I [ Continues]

I [Applause] I

[Performers Whooping]

[Audience Cheering,
Whistling]

I meant to tell you,
I stepped on somebody's foot
on the exit.

Yeah, I know--
the dance captain's.

Oh, well, if they fire me,
I got another offer.

Oh, yeah?
Got another offer, huh?

Yeah,
a hotel down the street--
a Mr. Haines.

Do you know him?
No, never heard of him.

[Clears Throat]

[Meows]
Hello there, baby.

[Laughs]
Hello, I'm, uh,
Sabrina Duncan.

Oh, things are looking up.
Right this way.

Oh, thank you.

I've been tellin' Frank,
you can't be doin'
your wash at midnight.

You don't know what
that means, do you?
No, I'm afraid I don't.

It means you can't spend
all your time under the car.
Yeah, yeah.

Oh, I see.
Well, I'm glad you
cleared me up on that.

[Cat Meows]
Hello.

if it doesn�t turn around,
call me, hmm?

Oh, hi.
Hi.

He means,
all work and no play.
All right. Just one.

HmmI
[ Mutters]

Ohh.

Come on.
Let's sit down.

He really can turn a phrase,
can't he?

And he's a prince
In the pantry.
He cooks?

Frank, she's gettin' on
to the lingo.

No, not really.
It's the apron.
It's a dead giveaway.

ldidn't catch your name.
Oh, I'm Jip Baker.
Make nice?

Oh, yeah.

Uh, how 'bout the night,
Frank?

Oh, all right.

Oh, no.
You better take a walk
in the moonlight.

[Sabrina]
Good night.
Good night.

[Door Closes]
Well, the floatin' crap game
I told you about?

- Yeah, the train shed
in Philadelphia.
- He was the night watchman.

Oh, but he liked the dice
better than the steam engines,
huh?

Mm-hmm. When I moved on,
he came with me.
He's, uh, family.

The only one you
ever really had?

Or will have.
Ohl

Now, uh, that sounds like
a pretty lonely place to live.

Living's what people do when
they roll out of bed In the
morning. I don't go beyond that.

How does this work?

Well, that's how
lwon the place.

Standing around the tables
for about 60 hours,

million and a half ahead.

Then I was down
to my last $10,000.

/ was heat,
tired on my feet.

Didn't know whether to quit
or keep rollin' the dice,

but I called Jip over,
and he flipped a coin.

And he obviously came up
with the right decision.

And things turned my way,
and 30 minutes later
this place was all mine.

You really believe
a lot in that, don't ya?

Everybody's believes
in something.

[Phone Ringing [
Excuse me.

Sure.

Yeah?
Frank, this is Jake.

This cutie-pie
with the computer

wants to raise
the table limit.

How much?
Three thousand.

What's he into us for?

A little over 90,000.

All right. Let him have it,
but keep in touch.

Okay, Frank.

Okay, folks.
The table limit
is now $3,000 per bet.

[ Croupier]
Bets down.

[Clears Throat]
Comin ' out.
Comin' out, a roller.

Here we go now

You did terrific
in the dinner show.
What are you talking about?

I made three wrong turns
while they were serving
the flaming Alaska.

So who cares about dancing
when your ice cream's on fire?
[Gamers Cheering]

[Man ]
Yeah, great. Think fast

Eight a winner.

Hey, I'll see you at
the midnight show, okay?
Okay.

Trouble?

A man at one ofthe tables
trying to beat me
with a computer.

Is that possible?
Oh, no.

Why not?
Well, eh,
winning is instinct--

feeling.
Feeling.

Hmm.
I've been wondering if
you ever use any of that.

Oh.
Well, stop wondering.

Oh, Kris? Kelly.
Listen, l'rn on my way
over to the Dunes.

Right, Haines's place.
I'm gonna check him out.

Yeah, I've got some time
before I have to get back
here for the midnight show.

[No Audible Dialogue]

Scotch stinger.

Hmm. Hi.

Hello.

I guess it's all right
to sit here since I'm alone.

No?
House rules.

How do you know?

I make the rules.
I run the house.

What?
You mean, I have to leave?

No.
[Chuckles]
No, you're all right.

But you just said--
I know, I know.

But now you're not alone.

I'm Mark Haines.

Now that you know
all about me,
what about you?

Well, my name
is Kelly Garrett,
and I'm from Dallas, Texas,

and l'rn out here
visiting my girlfriend--

you know, kind ofa drop-in,
surprise visit.

Only I got the surprise.

What'd she do?
Move back to Texas?

She passed away recently.

How? Uh, what happened?
She was in
an auto accident.

You might have read about it
in the newspapers. Her name
was Mary-- Mary Phillips.

Yes, I think I--
I think I did read
something about that.

We were really close.

I'm sorry.
That's-- That's too bad.

And ironic.
ironic? Why?

[Sighs]

About a-- a month ago,
Mary phoned me.

She was unhappy
about something,
and she said she'd write

Last night my mother called
and said a letter had arrived,
so she's sending it on.

Maybe I'll find out
what was bothering her.

Hmm.

Well, I gotta go.

Maybe, uh,
we can get together
and talk some more?

[No Audible Dialogue]

What did she want?
What do you care?

Do you know her?
| just met her.
Why?

Well, | just saw her
in Frank's place.

She was with that
Phillips girl's roommate.
You sure about that?

Sure, I'm sure.
They came up to the table
while I was with the professor.

They seemed pretty tight.
Maybe you'd better keep an eye
on her. See what she's up to.

All right.
I'll keep an eye on her.

Hey. How's the professor
doing with the computer?

Very good.
He's up about
a hundred thou.

Well, we're going for
our moonlight walk.

[Engine Running]

[ Tires Screech ]

[ Screams ]

[ Thuds 1

[ Cat Meows ]

[Man 1 ]Go, baby, go.

[ Gamers Cheering [

[Man 2]
He did it againl

Hey, Mr. Howell,
I may not have to work
for you after all. You know why?

'Cause this place may not
be yours much longer.

I mean, smiley here may have
this joint in his pocket.

Marty, I need some
good vibrations down here.
Would you get Jip for me?

[ Croupier]
Comin' out again.
Comin' out rollinI Bets down.

Clearin' time.

[Muttering]

Hand me that. Come on.
Let's roll the dice.
Get your bets down.

Come on. Let it roll.

"Don't Pass," eh?
All right. Roll 'em.

Pass!

[Cheering]

Pay the "Don't Pass."

Hey, don't look so grim,
Mr. Howell.
Your face is cracking.

How'd you make out
with Haines?

When I mentioned
Mary Phillips's name,
he got very nervous.

Meaning,
he knew her?
I don't know yet.

Roll the dice!
[Chattering]

Pick your back numbers.
Pick your odds.
Roll 'em. Nine's the point.

Looking for nines.

[Dice Rattle [

Six. Payin' a big six.

Still lookin' for nine.

Nine, winner.
Put it in there.

[Applause [

Hey, look at Mr. Howell.

His hair is holding its color.
His face is turning gray.

Mr. January was funnier
on television.

By the way, guess who I
saw laughing It up with
our friend Mr. Haines?

None other than Mr. January,
and they seemed quite chummy.

Maybe we ought to have
Charlie run a computer check
on Joey January too.

See you later.

Are you sure?
[Frank]
Pay the line.

Where is he now?

Okay.

[ Handset Settles
ln Cradle]

Make your bets.

Frank.
Take--
Yeah, did you find him?

Frank, Jip's been hurt.

What?
He's in the hospital

What the hell
are you talking about?

They found him
in the parking lot.

Six is the point.

[Dice Rattle [

Excuse me, please.
Excuse me.
All right.

The point is six.

What's wrong?
Just keep the stakes
where they are.

Come on.
[Mutters]

[Dice Rattle [
[ Cheering ]

[Beeping]

Are you Mr. Howell?
Yes, sir,

He's been asking for you.

Don't stay long.
No.

Hey, Jip.
What the devil
you doing here?

Picking up
some new threads.

Well, you always did
look good in white.

Frank, we really do need
to know what happened.

Hey, sport.
Now, what was it
that, uh--

that hit ya?

Big truck-- dark windows--

lights.

Couldn't see the driver.

Just came at me.
Just--

Hey, Jip,
don't fade on me now, man.

I'm tired, Frank.

Just wanna catch
a little nod, okay?

All right. You put it away
for a while, and I'll see you
in the morning. Deal?

Tell you what.

Ifl make it to morning,

will you show me
how to do that trick?

Now, you're evil.
You're evil, man.

[Jip]
Hmml You're evil

You been teasin' me
with that...

piece of business
for 20 years.

Okay, I'll... show it to you
in the morning.

I'll be here.

He'll be all right.
Yeah.
He'll be fine, Frank.

Two dead.
Jip's halfway there.

Who the devil
is doing this?
We'll find out, Frank.

It just takes time.
TIme-- I don't have time.
That's what's eatin' me alive.

You know,
when we're workin' on a case
and we keep comin' up empty,

| always ask myself,
"Where's the profit?"

- I don't know.
- Frank, uh, your competitor
from down the street, Haines--

Now,
Kelly said she saw him this

morning talking
to Joey January,

Well, Joey and I are hassling,
I mean,

and Haines is
taking advantage.

We're all
angling for top acts.
Everybody does that here.

Okay. We'll call that
normal procedure.

Listen to this.
When Kelly asked Haines about
the dead girl, Mary Phillips,

Haines got
very uptight.
You sure?

Did Haines know
Mary Phillips?

Well,
I thought saw 'em together
about a week ago in a cab.

- And |-- I meant to ask her
about it, but I never did.
- Frank, Haines resents you.

I could tell that
the minute that I met him.
Why does he resent you?

- I own my own place, and I've
got no one to answer to.
- And he does?

Everybody in this town
has somebody to answer to.

How well did you know
Mary Phillips?

Well, when she
first got here,

we went together
for a while.

Well, then, um,

Haines's personal feelings
for you could be more
than professional envy.

Maybe that's the profit.

You tryin' to tell me
that this is purely personal?

That maybe Haines or someone
is just tryin' to tear me up?

Well, until we come up
with something else,
we have to consider it.

- This is crazy.
Nobody can hate that much.
- Frank, people can.

And they do.

I [ Cancan Continues [ I

[Women Whooping]

[Applause [

[Monitor Beep/ng ]