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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:53,953 --> 00:00:59,414 PAXTON: I believe things can happen of such an intensity 2 00:00:59,492 --> 00:01:01,926 that they do resonate through time, 3 00:01:01,995 --> 00:01:04,156 create, like, an echo. 4 00:01:09,436 --> 00:01:12,098 The story of the "Titanic" is very personal 5 00:01:12,205 --> 00:01:16,369 to each person who hears it, almost like a biblical story. 6 00:01:16,476 --> 00:01:17,568 This giant ship, 7 00:01:17,677 --> 00:01:20,145 all these people in the middle of the ocean, 8 00:01:20,213 --> 00:01:22,773 this iceberg, the warnings. 9 00:01:23,983 --> 00:01:25,917 What would it have been like 10 00:01:25,985 --> 00:01:28,852 to be there on that fateful night? 11 00:01:50,944 --> 00:01:53,572 I knew Jim was going to go back to the "Titanic. " 12 00:01:53,646 --> 00:01:55,409 He had talked about it. 13 00:01:55,482 --> 00:01:57,507 He wanted to take another expedition 14 00:01:57,584 --> 00:02:00,246 since he had made the film. 15 00:02:00,320 --> 00:02:03,517 He had invited me in passing. 16 00:02:03,590 --> 00:02:06,457 But I guess I didn't really seriously consider 17 00:02:06,526 --> 00:02:08,391 I would actually go. 18 00:02:08,461 --> 00:02:09,519 - Hello! - Hello! 19 00:02:09,596 --> 00:02:11,587 - You speak English? - [Speaking Russian] 20 00:02:11,664 --> 00:02:14,895 Great. I'm looking for my room. My cabin. 21 00:02:14,968 --> 00:02:17,459 [Speaking Russian] 22 00:02:18,605 --> 00:02:19,867 Oh. 23 00:02:19,973 --> 00:02:22,840 Oh, thank you. Thank you, thank you, thank you. 24 00:02:22,909 --> 00:02:24,672 But then, when he actually said, 25 00:02:24,744 --> 00:02:29,204 "No, I really want you to come along and experience it 26 00:02:29,282 --> 00:02:32,308 for yourself and just take it all in"... 27 00:02:33,520 --> 00:02:36,887 I had to go. 28 00:02:36,956 --> 00:02:40,119 [Glen Phillips' "Departure" plays] 29 00:02:43,630 --> 00:02:47,828 # Leave my past # 30 00:02:47,901 --> 00:02:52,133 # Leave my home # 31 00:02:52,238 --> 00:02:55,207 # I'll find my way # 32 00:02:56,809 --> 00:03:01,473 # To the great unknown # 33 00:03:01,548 --> 00:03:04,312 The "Keldysh" is the largest scientific research vessel 34 00:03:04,384 --> 00:03:05,316 in the world. 35 00:03:05,385 --> 00:03:08,252 And all the activity onboard is focused on the "Mirs" 36 00:03:08,321 --> 00:03:11,722 and what they have to accomplish at the bottom of the ocean. 37 00:03:14,394 --> 00:03:16,692 They take their work extremely seriously. 38 00:03:16,763 --> 00:03:19,231 Everything is checked and rechecked, 39 00:03:19,299 --> 00:03:22,325 just like a space mission. 40 00:03:22,402 --> 00:03:27,396 # But like the shore finds the ocean # 41 00:03:27,507 --> 00:03:31,671 # Like the night finds the day # 42 00:03:31,744 --> 00:03:36,977 # I'll find an answer to these questions # 43 00:03:37,050 --> 00:03:40,144 # Far away # 44 00:03:41,287 --> 00:03:43,721 # Far away # 45 00:03:43,790 --> 00:03:44,984 Oh! 46 00:03:45,825 --> 00:03:47,554 ABERNATHY: My name is Lewis Abernathy. 47 00:03:47,627 --> 00:03:49,925 I'm an underwater explorer. 48 00:03:49,996 --> 00:03:51,930 I got them all. 49 00:03:51,998 --> 00:03:54,796 I have been trying to thumb a ride down to "Titanic" 50 00:03:54,867 --> 00:03:57,097 for probably 10 years now. 51 00:03:57,203 --> 00:03:58,192 What do you got? 52 00:03:58,304 --> 00:04:02,832 We got bots, slimy bots, and "A" deck, "B" deck, "C" deck. 53 00:04:02,942 --> 00:04:05,172 Huge rusticles, like this big around. 54 00:04:05,245 --> 00:04:06,940 JOHNSTON: My name is Lori Johnston. 55 00:04:07,013 --> 00:04:09,379 My position was as a microbiologist, 56 00:04:09,449 --> 00:04:11,713 looking at the rusticles. 57 00:04:11,784 --> 00:04:15,515 The idea that she spiraled down, spitting objects. 58 00:04:15,588 --> 00:04:17,715 PELLEGRINO: My name is Charles Pellegrino. 59 00:04:17,790 --> 00:04:22,523 I was one of the historians and biologists on the expedition. 60 00:04:22,595 --> 00:04:26,292 We tend to think of it in 21st-century eyes. 61 00:04:26,366 --> 00:04:29,096 LYNCH: I'm Don Lynch, and I studied the "Titanic" 62 00:04:29,168 --> 00:04:32,626 based upon the testimony and accounts of passengers and crew. 63 00:04:32,739 --> 00:04:35,333 The people who were there and witnessed it. 64 00:04:36,643 --> 00:04:38,611 MARSCHALL: My name is Ken Marschall. 65 00:04:38,678 --> 00:04:42,614 I've been studying the "Titanic" for over three decades now. 66 00:04:42,682 --> 00:04:45,742 I checked it out. The Straus suite. 67 00:04:45,818 --> 00:04:47,615 Through those years and study, 68 00:04:47,687 --> 00:04:50,281 I've sort of become a visual historian 69 00:04:50,356 --> 00:04:53,951 about the ship and her structure and appearance. 70 00:04:55,928 --> 00:04:58,021 PAXTON: It was an amazing expedition 71 00:04:58,097 --> 00:05:02,227 in terms of all of the state-of-the-art technology 72 00:05:02,302 --> 00:05:05,931 and engineering we were using, in terms of the camera system. 73 00:05:06,039 --> 00:05:08,507 The R.O.V.S were amazing. 74 00:05:08,574 --> 00:05:10,974 On the cutting edge of technology. 75 00:05:11,044 --> 00:05:14,172 Just try to keep the light in right where I've gone in. 76 00:05:14,247 --> 00:05:15,839 I'm gonna explore these cabins. 77 00:05:15,915 --> 00:05:18,543 There is no script. We don't know what we're gonna see. 78 00:05:18,618 --> 00:05:21,348 We don't know what we're gonna encounter. 79 00:05:21,421 --> 00:05:24,720 The crucial thing about deep-sea photography 80 00:05:24,791 --> 00:05:26,315 is lighting. 81 00:05:26,392 --> 00:05:29,589 Just come up over and light all this business down here. 82 00:05:29,662 --> 00:05:31,596 - You see what I mean? - Yeah. 83 00:05:32,298 --> 00:05:36,632 So we had a sister ship on the expedition called the "EAS." 84 00:05:37,470 --> 00:05:39,938 The "EAS" had this giant lighting chandelier 85 00:05:40,039 --> 00:05:41,529 called Medusa. 86 00:05:42,608 --> 00:05:46,339 The theory was to lower the chandelier down over the wreck 87 00:05:46,412 --> 00:05:50,508 and do this overlighting, almost like moonlight. 88 00:05:50,583 --> 00:05:52,710 There was no manual for any of this. 89 00:05:52,785 --> 00:05:55,117 Nobody had ever combined this many elements 90 00:05:55,188 --> 00:05:58,783 into a single-dive operation before at these depths. 91 00:06:00,626 --> 00:06:03,618 We were pushing the limits of technology, 92 00:06:03,696 --> 00:06:05,163 which was a little eerie 93 00:06:05,231 --> 00:06:08,223 given the fate of the ship we had come to explore. 94 00:06:14,307 --> 00:06:17,299 This is where it all happened. 95 00:06:17,410 --> 00:06:19,071 It could be any other part of the ocean, 96 00:06:19,145 --> 00:06:20,612 but there's something special about knowing 97 00:06:20,713 --> 00:06:23,614 this is the spot and the wreck's down there. 98 00:06:23,683 --> 00:06:27,016 Why this shipwreck? Why not the "Lusitania"? 99 00:06:27,086 --> 00:06:29,953 Why not the "Moro Castle"? Why not the "Atlantic"? 100 00:06:30,022 --> 00:06:31,080 LYNCH: They're all good. 101 00:06:31,157 --> 00:06:33,125 They're all good, but why is this one? 102 00:06:33,192 --> 00:06:35,023 Look at the stuff that comes with this. 103 00:06:35,094 --> 00:06:37,927 You've got the biggest ship on its maiden voyage, 104 00:06:37,997 --> 00:06:40,329 the president of the company onboard that owns it, 105 00:06:40,400 --> 00:06:41,867 the builder onboard. 106 00:06:41,934 --> 00:06:44,732 And it hits an iceberg, and it sinks so slowly 107 00:06:44,837 --> 00:06:48,034 that you've got all these hours for drama to be acted out. 108 00:06:48,141 --> 00:06:50,109 You don't get that with other shipwrecks. 109 00:06:50,176 --> 00:06:53,168 It's really a Greek tragedy for real. 110 00:06:53,279 --> 00:06:56,442 She was so cheated. She was so beautiful. 111 00:06:56,516 --> 00:06:59,542 So much energy went into building this creation. 112 00:06:59,619 --> 00:07:02,520 You know, the epitome of human engineering 113 00:07:02,588 --> 00:07:05,648 and architecture, maritime architecture at that point. 114 00:07:05,725 --> 00:07:08,455 And to have it taken away, stolen, 115 00:07:08,528 --> 00:07:11,497 just four days out of England. 116 00:07:11,564 --> 00:07:16,467 And that's part, I guess, of the odd attraction to it. 117 00:07:16,536 --> 00:07:19,630 The fact that you could never have such a thing happen 118 00:07:19,739 --> 00:07:21,434 before or since. 119 00:07:21,541 --> 00:07:24,510 The ship remains at the bottom of the sea 120 00:07:24,577 --> 00:07:26,306 as an eternal memorial. 121 00:07:26,379 --> 00:07:28,472 And we can visit that memorial. 122 00:07:28,548 --> 00:07:31,574 We can bear witness to the event. 123 00:07:31,651 --> 00:07:34,119 And if we're gonna do interior exploration, 124 00:07:34,187 --> 00:07:36,655 we have to do it now, because five years from now, 125 00:07:36,722 --> 00:07:38,087 there might not be anything. 126 00:07:38,157 --> 00:07:40,455 Five years ago, the technology didn't exist. 127 00:07:40,526 --> 00:07:43,154 We had to will it into existence. 128 00:07:44,630 --> 00:07:47,997 PAXTON: "Monday, August 20, 2001. 129 00:07:48,067 --> 00:07:50,433 Tomorrow morning we will descend 21/2 miles 130 00:07:50,536 --> 00:07:53,164 into the cold, dark netherworld 131 00:07:53,272 --> 00:07:55,740 and see 'Titanic' for ourselves 132 00:07:55,808 --> 00:07:59,403 as she lies broken on the seafloor. 133 00:07:59,479 --> 00:08:02,141 How do you prepare for such an experience?" 134 00:08:10,590 --> 00:08:12,182 CAMERON: Okay. Dive one. 135 00:08:12,258 --> 00:08:16,524 It's gonna be J. B. And Bill in "Mir-2," 136 00:08:16,596 --> 00:08:18,154 and me and Vince in "Mir-1." 137 00:08:18,231 --> 00:08:21,325 Pilots are gonna be Genya Chernaiev, "Mir-2," 138 00:08:21,400 --> 00:08:23,698 Anatoly Sagalevitch, "Mir-1." 139 00:08:30,643 --> 00:08:33,077 PAXTON: Okay. Here's your checklist. 140 00:08:33,145 --> 00:08:36,012 Have your last will and testament in order, 141 00:08:36,082 --> 00:08:38,482 make sure your insurance is paid up, 142 00:08:38,551 --> 00:08:40,712 write a final note to your family. 143 00:08:40,786 --> 00:08:43,653 These are the kind of things you think about. 144 00:08:52,732 --> 00:08:54,165 Next stop, "Titanic. " 145 00:08:54,233 --> 00:08:55,393 Happy hunting. 146 00:08:55,468 --> 00:08:57,129 Let's rock and roll. 147 00:08:58,971 --> 00:09:00,370 The moment of truth. 148 00:09:10,650 --> 00:09:12,379 See you in the sunshine. 149 00:09:28,601 --> 00:09:31,764 PAXTON: To get in a three-man submersible 150 00:09:31,871 --> 00:09:35,170 and descend 12,500 feet 151 00:09:35,241 --> 00:09:38,267 down into the bottom of the North Atlantic, 152 00:09:38,377 --> 00:09:44,247 it just was maybe a little more adventure than I wanted. 153 00:09:55,728 --> 00:09:56,660 Oxygen? 154 00:09:56,729 --> 00:09:57,661 Yeah. 155 00:09:57,730 --> 00:09:59,027 That's good. 156 00:09:59,098 --> 00:10:01,828 Yeah. Be sure to turn that on. 157 00:11:16,575 --> 00:11:19,908 Yeah, I can see how you get kind of queasy sitting up here. 158 00:12:01,887 --> 00:12:04,117 Look at the colors change. 159 00:12:12,798 --> 00:12:15,266 [Speaking Russian] 160 00:12:15,334 --> 00:12:16,926 Boy, that's fast. 161 00:12:23,909 --> 00:12:26,605 This tells you the oxygen up here, right? 162 00:12:26,679 --> 00:12:27,737 Yes. 163 00:12:27,813 --> 00:12:30,008 So it's at 21. That's good. 164 00:12:30,082 --> 00:12:33,848 Now, if that gets below 19, then it's... 165 00:12:33,919 --> 00:12:36,217 What's the number you watch for? 166 00:12:36,288 --> 00:12:39,348 It's 19. It's good also. 167 00:12:39,425 --> 00:12:40,824 It's good. Yes. 168 00:12:40,893 --> 00:12:43,885 But if it gets below what? 169 00:12:50,436 --> 00:12:53,963 Does the battery sound okay? It sounds sluggish like that? 170 00:12:54,073 --> 00:12:56,041 - That's normal? - Yes, it's normal. 171 00:12:56,142 --> 00:12:58,610 Now, if you have a real emergency 172 00:12:58,677 --> 00:13:00,577 and everything fails, 173 00:13:00,679 --> 00:13:02,340 I heard something about, 174 00:13:02,414 --> 00:13:06,783 you can disengage, drop the main battery? 175 00:13:06,852 --> 00:13:07,944 Just... 176 00:13:08,020 --> 00:13:11,080 Yes, we have many possibilities. 177 00:13:15,427 --> 00:13:21,559 I hope we never drop battery, because it's very expensive. 178 00:13:21,634 --> 00:13:22,623 How much? 179 00:13:22,701 --> 00:13:27,365 It's $250, 000, I think. 180 00:13:28,107 --> 00:13:30,098 I mean, would you take a check? 181 00:13:36,949 --> 00:13:37,847 2, 000 meters? 182 00:13:37,917 --> 00:13:39,714 Yes. 2, 000. 183 00:13:58,137 --> 00:13:59,832 That's pretty deep. 184 00:14:07,112 --> 00:14:09,273 [Rattling] 185 00:14:12,551 --> 00:14:14,314 Something wrong? 186 00:14:14,386 --> 00:14:15,648 It's okay? 187 00:14:15,721 --> 00:14:17,052 Yes. 188 00:14:18,524 --> 00:14:19,456 That's handy. 189 00:14:19,525 --> 00:14:21,322 And it's fixed. 190 00:14:21,393 --> 00:14:23,190 I adjust for them for later. 191 00:14:23,262 --> 00:14:26,254 Oh, okay. Okay. Good. Yeah. 192 00:14:27,333 --> 00:14:30,598 "Mir-1," "Mir-1," this is "Mir-2." 193 00:14:30,669 --> 00:14:33,069 What is your depth? Over. 194 00:14:34,106 --> 00:14:36,973 "Mir-2," "Mir-2," this is "Mir-1." 195 00:14:37,042 --> 00:14:44,278 Depth is 3,353 meters. 196 00:14:44,350 --> 00:14:46,716 See you on the bottom. Jim out. 197 00:15:02,501 --> 00:15:05,834 I see bottom. It's bottom. 198 00:15:05,938 --> 00:15:07,064 Oh, yeah. 199 00:15:07,172 --> 00:15:08,104 You see it? 200 00:15:08,173 --> 00:15:10,505 Yeah. Just barely. 201 00:15:16,015 --> 00:15:18,711 Bottom of the ocean. Look at that. 202 00:15:18,784 --> 00:15:20,911 Look at that. 203 00:15:21,921 --> 00:15:24,754 It looks like the dark side of the moon. 204 00:15:35,734 --> 00:15:37,224 PAXTON: It wasn't just the idea 205 00:15:37,303 --> 00:15:39,999 of putting your faith in these little submarines 206 00:15:40,105 --> 00:15:42,437 and going to the bottom of the sea. 207 00:15:42,508 --> 00:15:45,568 There's thousands of tons of pressure against you. 208 00:15:45,678 --> 00:15:49,876 But where we were going, where we were going. 209 00:15:49,949 --> 00:15:53,885 We'll see more debris as we go. There's a piece right there. 210 00:15:57,656 --> 00:16:00,887 Yeah, look. There's some china. See the china? 211 00:16:02,828 --> 00:16:03,920 Yeah, we got her. 212 00:16:03,996 --> 00:16:06,464 You want to see "Titanic" on the sonar? 213 00:16:06,532 --> 00:16:07,999 You're gonna love this. 214 00:16:08,067 --> 00:16:10,661 - It's, like, there she is, baby. - Oh, man. 215 00:16:10,736 --> 00:16:13,204 Okay. 50 meters straight ahead. 216 00:16:29,388 --> 00:16:32,289 Bill, it's the bow. 217 00:16:33,058 --> 00:16:36,186 Oh, look at that. 218 00:16:37,262 --> 00:16:39,822 Oh, God. There it is. 219 00:16:39,898 --> 00:16:41,160 What a sight. 220 00:16:41,233 --> 00:16:43,030 What a sight! 221 00:16:45,838 --> 00:16:49,069 So Medusa is lighting it up. 222 00:17:03,088 --> 00:17:05,989 Look at that. 223 00:17:06,058 --> 00:17:07,389 Oh, man. 224 00:17:08,494 --> 00:17:11,793 Oh, now you get a sense of the size of this thing. 225 00:17:11,864 --> 00:17:13,627 My God! 226 00:17:14,533 --> 00:17:15,727 This was the "Titanic. " 227 00:17:15,801 --> 00:17:19,396 This is the fabled liner that lies in its grave 228 00:17:19,505 --> 00:17:21,496 at the bottom of the North Atlantic. 229 00:17:21,607 --> 00:17:24,474 You approach it with incredible reverence. 230 00:17:24,543 --> 00:17:27,341 Bill, it is bow anchor. 231 00:17:28,013 --> 00:17:28,707 Oh, God. 232 00:17:28,781 --> 00:17:31,181 Its port side in good conditions. 233 00:17:31,250 --> 00:17:33,741 That is incredible. Look at that. 234 00:17:35,087 --> 00:17:36,782 Look at that! 235 00:17:36,855 --> 00:17:40,552 It's dug in all the way up to the anchor. 236 00:18:03,248 --> 00:18:07,082 Oh, it's amazing just to be floating above it. 237 00:18:07,152 --> 00:18:10,144 Gosh, you could just reach out and touch it. 238 00:18:14,426 --> 00:18:17,554 We're near the anchor crane. It's right there. 239 00:18:17,629 --> 00:18:18,596 See it? 240 00:18:18,664 --> 00:18:20,029 Look. Right here. 241 00:18:20,099 --> 00:18:21,930 Okay. Oh, yes. 242 00:18:29,641 --> 00:18:32,405 Okay. Okay. You're clear. 243 00:18:32,478 --> 00:18:36,471 I knew we were gonna get close, but not this close. 244 00:18:45,324 --> 00:18:48,555 PAXTON: The experience of being in one of the submersibles 245 00:18:48,627 --> 00:18:52,188 is almost like an astral projection. 246 00:18:52,264 --> 00:18:53,731 The way you float around it, 247 00:18:53,799 --> 00:18:58,964 it really is an ethereal, kind of ghostly experience. 248 00:19:01,473 --> 00:19:03,634 We're here. It's Hatch Number One. 249 00:19:03,742 --> 00:19:04,868 Oh, yeah. Look. 250 00:19:04,977 --> 00:19:07,172 You can see right down the cargo hatch. 251 00:19:07,246 --> 00:19:10,943 Boy, it just falls into just a black well. 252 00:19:22,995 --> 00:19:25,793 Oh, there's the crow's-nest door right there. 253 00:19:25,864 --> 00:19:28,560 They climbed up inside the mast 254 00:19:28,634 --> 00:19:30,465 to get out to the crow's nest. 255 00:19:30,536 --> 00:19:32,436 That's where Fleet stood. 256 00:19:32,538 --> 00:19:34,597 Right there when he saw the iceberg. 257 00:19:34,706 --> 00:19:36,139 [Bell dinging] 258 00:19:36,208 --> 00:19:38,972 MAN: Iceberg right ahead! 259 00:19:39,044 --> 00:19:43,845 PAXTON: You see the... it looks like the port electric crane. 260 00:19:43,916 --> 00:19:45,178 What is that? 261 00:19:45,250 --> 00:19:46,615 Yeah, it's a gate. 262 00:19:46,685 --> 00:19:48,846 - Yes, it's gate. Yes. - Closed gate. 263 00:19:48,921 --> 00:19:50,218 Officers locked that 264 00:19:50,289 --> 00:19:54,658 to keep the steerage passengers down below decks. 265 00:19:54,726 --> 00:19:58,059 Of course, I'd have been just climbing over that thing. 266 00:20:10,976 --> 00:20:14,309 Oh, God. So that's right where the bridge was. 267 00:20:14,379 --> 00:20:16,540 And there's the telemotor. 268 00:20:16,615 --> 00:20:19,607 The helm. The helm of the ship. 269 00:20:22,120 --> 00:20:23,246 PAXTON: Try to imagine 270 00:20:23,322 --> 00:20:26,382 what it must have been like to be on the bridge that night. 271 00:20:26,458 --> 00:20:29,291 First Officer William Murdoch is on duty. 272 00:20:29,361 --> 00:20:32,524 Quartermaster Hichens at the wheel. 273 00:20:39,104 --> 00:20:41,766 That split-second decision Murdoch had to make. 274 00:20:41,873 --> 00:20:43,101 [Bell dinging] 275 00:20:43,208 --> 00:20:44,641 MAN: Iceberg right ahead! 276 00:20:44,710 --> 00:20:47,201 PAXTON: He can go left or he can go right. 277 00:20:47,312 --> 00:20:50,213 [Men shouting indistinctly] 278 00:20:50,282 --> 00:20:51,271 Quickly! 279 00:20:56,822 --> 00:20:59,450 Murdoch is suddenly staring an iceberg 280 00:20:59,524 --> 00:21:01,515 right down the barrel. 281 00:21:05,797 --> 00:21:08,789 Murdoch knows how many passengers are onboard, 282 00:21:08,867 --> 00:21:10,732 how few lifeboats there are, 283 00:21:10,802 --> 00:21:13,862 what grave danger the ship is in. 284 00:21:13,972 --> 00:21:14,961 Golly. 285 00:21:15,073 --> 00:21:19,066 That is history right there. We are touching the legend. 286 00:21:19,177 --> 00:21:23,170 [Lisa Torban's "Darkness, Darkness" plays] 287 00:21:28,820 --> 00:21:32,756 # Darkness, darkness # 288 00:21:32,824 --> 00:21:36,760 # Be my pillow # 289 00:21:36,828 --> 00:21:40,525 # Take my hand # 290 00:21:40,599 --> 00:21:43,295 # And let me sleep # 291 00:21:43,368 --> 00:21:46,963 Wow. Just like a cliff just falling in the abyss. 292 00:21:47,072 --> 00:21:49,768 # I n the coolness # 293 00:21:49,875 --> 00:21:53,675 # Of your shadow # 294 00:21:53,745 --> 00:21:57,613 # I n the silence # 295 00:21:57,683 --> 00:22:00,618 # Of your deep # 296 00:22:02,888 --> 00:22:05,755 "Mir-2," "Mir-2," be advised that we are... 297 00:22:05,824 --> 00:22:07,655 We're gonna be going up. 298 00:22:07,726 --> 00:22:09,387 Did they start up? 299 00:22:12,731 --> 00:22:17,168 Well, let's clear "Titanic" before we turn the lights off. 300 00:22:17,235 --> 00:22:20,693 "Titanic" was good to us today. 301 00:22:20,772 --> 00:22:23,104 [Speaking Russian] 302 00:22:30,882 --> 00:22:32,907 Goodbye, "Titanic. " 303 00:22:43,161 --> 00:22:45,652 [Indistinct voices on radio] 304 00:23:01,680 --> 00:23:04,046 Oh! Oh! 305 00:23:10,489 --> 00:23:13,458 [Groans] 306 00:23:56,067 --> 00:23:57,329 Hello, again. 307 00:23:57,402 --> 00:23:59,199 Hello, Sergei. 308 00:23:59,304 --> 00:24:00,464 Whoo. 309 00:24:00,572 --> 00:24:02,540 Welcome to "Keldysh. " 310 00:24:03,708 --> 00:24:05,972 Quite a ride. 311 00:24:06,044 --> 00:24:09,707 If the bow is so dug in, you just don't get that depth. 312 00:24:09,781 --> 00:24:12,341 And seeing that wall going all the way down 313 00:24:12,417 --> 00:24:13,679 and falling into nothing, 314 00:24:13,752 --> 00:24:15,743 even just with the "Mir-2's" lights, 315 00:24:15,821 --> 00:24:20,349 really was like, "Holy cow. This thing is so big. " 316 00:24:21,526 --> 00:24:24,825 PAXTON: What exciting work. 317 00:24:24,896 --> 00:24:28,832 We were exploring the "Titanic" with new technologies 318 00:24:28,900 --> 00:24:30,800 and these incredible new cameras. 319 00:24:30,869 --> 00:24:32,461 Have you ever been in any sub? 320 00:24:32,571 --> 00:24:34,539 Only at Disneyland. 321 00:24:34,639 --> 00:24:36,129 This is different. 322 00:24:36,241 --> 00:24:37,538 [Speaking Russian] 323 00:24:41,046 --> 00:24:42,240 Good luck. 324 00:24:42,314 --> 00:24:44,874 See you later. 325 00:24:51,389 --> 00:24:54,153 These dives, every one is so precious. 326 00:24:54,226 --> 00:24:55,352 I want to make sure 327 00:24:55,427 --> 00:24:59,158 we pack as much information, visually and historically, 328 00:24:59,231 --> 00:25:01,324 as I can possibly get into these eyeballs. 329 00:25:01,399 --> 00:25:03,731 Ha! Ha! Ha! 330 00:25:06,905 --> 00:25:09,874 PAXTON: You know, you have historians, scientists. 331 00:25:09,941 --> 00:25:12,375 It was a great camaraderie. 332 00:25:20,752 --> 00:25:23,312 I screamed like a girl the whole time. 333 00:25:23,388 --> 00:25:24,912 Crying like a kid? 334 00:25:24,990 --> 00:25:26,958 Cried like a baby. 335 00:25:28,793 --> 00:25:31,557 The R.O.V.S were fascinating. 336 00:25:31,630 --> 00:25:34,463 Initially they were called Bot 1 and Bot 2. 337 00:25:34,533 --> 00:25:38,560 But ultimately they were named Jake and Elwood. 338 00:25:45,810 --> 00:25:47,744 MIKE: My name is Mike Cameron. 339 00:25:47,812 --> 00:25:50,372 I'm the R.O.V. Creator. 340 00:25:50,448 --> 00:25:53,349 The vehicle is not unlike a little creature. 341 00:25:53,418 --> 00:25:56,751 It's got a brain. It's got a computer onboard. 342 00:25:56,821 --> 00:25:59,312 It's got eyes in a couple cameras up front. 343 00:25:59,391 --> 00:26:01,222 CAMERON: Give it a little forward. 344 00:26:01,293 --> 00:26:04,091 You are in, Daddy-O. You're in. 345 00:26:04,162 --> 00:26:07,757 MIKE: It's got this character about it that's alive. 346 00:26:08,733 --> 00:26:12,362 PAXTON: The real revolutionary part is the fiber-optic spool. 347 00:26:12,470 --> 00:26:14,995 It's like a spider spinning out its own silk. 348 00:26:15,106 --> 00:26:17,836 Come in here, explore these rooms, 349 00:26:17,909 --> 00:26:19,001 come back out. 350 00:26:19,110 --> 00:26:22,273 If these bots worked like we were hoping they would, 351 00:26:22,347 --> 00:26:24,872 we could go through the entire ship. 352 00:26:26,484 --> 00:26:28,714 The bots are finally going to "Titanic. " 353 00:26:28,787 --> 00:26:30,482 Three years in the making. 354 00:26:35,627 --> 00:26:39,358 PAXTON: "Mir-1," Jake's just coming out of his hooch. Over. 355 00:26:39,431 --> 00:26:41,865 CAMERON: Here he comes. He's out. 356 00:26:43,969 --> 00:26:47,666 PAXTON: I think we were so intent on watching the screens. 357 00:26:47,772 --> 00:26:51,606 Very quickly, I forgot where I was. 358 00:26:53,845 --> 00:26:58,111 The R. O.V. Had just unconsciously become our eyes. 359 00:26:59,517 --> 00:27:04,454 This is what it's all about. Cruising around at 12, 000 feet. 360 00:27:05,824 --> 00:27:07,155 CAMERON: Jeff, stand by. 361 00:27:07,225 --> 00:27:11,218 We're about to launch Bot 1, a. K. A. Elwood. 362 00:27:12,397 --> 00:27:14,262 Sight enabler. 363 00:27:15,634 --> 00:27:18,000 Com link. Camera power. 364 00:27:18,069 --> 00:27:20,663 All right. I think we're ready to fly. 365 00:27:21,940 --> 00:27:24,636 Elwood's coming out. 366 00:27:31,383 --> 00:27:32,873 Pretty cool. 367 00:27:34,352 --> 00:27:36,343 Looking good, Elwood. 368 00:27:37,288 --> 00:27:40,815 Tell them we'll meet in the center of the grand staircase. 369 00:27:40,892 --> 00:27:44,692 LEDDA: We're gonna meet in the center of the grand staircase. 370 00:27:44,763 --> 00:27:46,924 PAXTON: Copy that. 371 00:27:46,998 --> 00:27:49,523 MARSCHALL: The grand staircase on "Titanic" 372 00:27:49,601 --> 00:27:53,002 was, in my opinion, the most beautiful feature of the ship. 373 00:27:53,104 --> 00:27:54,503 And the dome, 374 00:27:54,572 --> 00:27:58,906 the wrought-iron dome overhead, was just beautiful. 375 00:27:58,977 --> 00:28:00,342 It's really a blessing 376 00:28:00,412 --> 00:28:03,609 that this staircase did break apart and float out, 377 00:28:03,682 --> 00:28:08,779 because it allows easy access to the interior of the ship. 378 00:28:12,123 --> 00:28:13,681 What's Elwood's 20? 379 00:28:13,758 --> 00:28:15,157 CAMERON: Right above you. 380 00:28:15,226 --> 00:28:18,059 Getting ready to start our descent. Over. 381 00:28:20,899 --> 00:28:22,332 Okay. We see him. 382 00:28:22,400 --> 00:28:23,492 That's them. 383 00:28:23,568 --> 00:28:24,557 Okay. We see you. 384 00:28:24,636 --> 00:28:25,568 Okay. 385 00:28:25,670 --> 00:28:27,831 Proceed slowly. 386 00:28:27,939 --> 00:28:30,271 PAXTON: Proceeding slowly. 387 00:28:36,314 --> 00:28:39,340 This is so much like flying a helicopter. 388 00:28:48,226 --> 00:28:51,593 PAXTON: We knew the beauty of the grand staircase was gone. 389 00:28:51,663 --> 00:28:55,155 But no one knew what we'd find deep inside the ship. 390 00:28:58,002 --> 00:28:59,765 MARSCHALL: Continue down one. 391 00:28:59,871 --> 00:29:02,806 You're crossing the floor of "B" deck right now. 392 00:29:02,907 --> 00:29:05,171 You're looking into "C" deck right now. 393 00:29:05,243 --> 00:29:08,007 - Do not go into "C" deck. - Awaiting instructions. 394 00:29:08,079 --> 00:29:10,570 "C" deck. "D" deck. There's "D" deck. 395 00:29:13,685 --> 00:29:16,984 All right. He's in position to enter "D" deck. 396 00:29:17,055 --> 00:29:18,955 Stand by there, Jeff. 397 00:29:19,023 --> 00:29:22,288 Your first move would be to enter "D" deck. 398 00:29:22,360 --> 00:29:24,351 Roger that. 399 00:29:24,429 --> 00:29:26,522 You getting ready to go down there? 400 00:29:26,598 --> 00:29:29,692 Do I want to be pointed aft or what? 401 00:29:29,768 --> 00:29:31,030 Yeah. Okay. 402 00:29:31,102 --> 00:29:32,694 Okay. Tell him to move ahead slow. 403 00:29:32,804 --> 00:29:34,863 Move ahead slow. 404 00:29:35,573 --> 00:29:37,541 Moving ahead slow. 405 00:29:56,094 --> 00:29:59,586 Tell him to move real, real, real, real easy. 406 00:29:59,664 --> 00:30:03,293 Move real, real, real, real easy. 407 00:30:03,368 --> 00:30:05,302 Real easy. 408 00:30:05,370 --> 00:30:07,201 Moving real easy. 409 00:30:09,741 --> 00:30:12,710 Believe we are heading toward starboard. 410 00:30:15,747 --> 00:30:18,341 We're looking at a light fixture. 411 00:30:18,416 --> 00:30:21,544 Looks like it had four or five bulbs on it. 412 00:30:21,619 --> 00:30:23,712 We should come to the right. 413 00:30:23,788 --> 00:30:25,187 Come to the right, Jeff. 414 00:30:25,256 --> 00:30:27,884 And we'll head for the boiler uptake. 415 00:30:27,959 --> 00:30:30,325 Copy that. 416 00:30:30,395 --> 00:30:33,364 So far, the vehicle is handling like a champ. 417 00:30:39,337 --> 00:30:42,397 It's performing beautifully. How much tether do we have out? 418 00:30:42,507 --> 00:30:44,532 Just shy of 200 feet out. 419 00:30:44,642 --> 00:30:45,574 Okay. 420 00:30:45,643 --> 00:30:48,806 [Sagalevitch speaking Russian] 421 00:30:50,982 --> 00:30:53,644 CAMERON: Move forward to that doorframe. 422 00:30:57,522 --> 00:31:00,320 We are inside the "Titanic. " 423 00:31:02,327 --> 00:31:04,921 - Tell him to slow down. - I still can't get over it. 424 00:31:04,996 --> 00:31:06,327 CAMERON: Slow down. 425 00:31:06,397 --> 00:31:07,796 PAXTON: Copy that. 426 00:31:07,866 --> 00:31:11,029 I still can't believe that we're actually here. 427 00:31:14,105 --> 00:31:16,073 I keep waiting for somebody to yell, "Cut," 428 00:31:16,174 --> 00:31:18,540 and I'm gonna go back to my trailer. 429 00:31:19,344 --> 00:31:22,541 I don't think I can get out of this and get back to my trailer. 430 00:31:22,614 --> 00:31:24,138 My trailer! 431 00:31:24,949 --> 00:31:26,940 I need to call my agent. 432 00:31:28,887 --> 00:31:31,822 CAMERON: It's getting a little skinny right in here. 433 00:31:31,890 --> 00:31:35,917 Looks like Carlsbad Caverns in there. 434 00:31:35,994 --> 00:31:37,291 Is he pinned? 435 00:31:37,362 --> 00:31:40,331 Is there no way forward from there? 436 00:31:40,398 --> 00:31:41,660 Go left. 437 00:31:41,733 --> 00:31:42,722 Go left. 438 00:31:42,800 --> 00:31:44,791 Making the turn. 439 00:31:48,840 --> 00:31:51,604 That's too close to the bottom. Tell them to come up. 440 00:31:51,676 --> 00:31:53,644 You're too close to the bottom. 441 00:31:53,711 --> 00:31:54,973 PAXTON: Copy that. 442 00:31:55,046 --> 00:31:56,638 Oh! 443 00:31:57,548 --> 00:31:59,573 Boy, this is nerve-racking. 444 00:32:01,486 --> 00:32:04,546 There's something there. See what that is? 445 00:32:04,622 --> 00:32:06,112 Windows, windows. 446 00:32:06,190 --> 00:32:07,748 Dining-room windows. 447 00:32:07,825 --> 00:32:10,794 - We're going for the window. - We're going for the windows. 448 00:32:10,862 --> 00:32:11,829 Look at that. 449 00:32:11,896 --> 00:32:13,761 - Unbelievable. - That's amazing. 450 00:32:13,831 --> 00:32:15,128 Take it real slow here. 451 00:32:15,199 --> 00:32:17,633 Those are the lead-glass windows. 452 00:32:17,702 --> 00:32:20,671 Try to get your light up on those. 453 00:32:21,306 --> 00:32:23,001 - Amazing, huh? - Yes. 454 00:32:23,107 --> 00:32:24,631 Turn off his spotlight. 455 00:32:24,742 --> 00:32:26,232 Turn off your spotlight. 456 00:32:26,344 --> 00:32:28,312 Make a nice image of the windows. 457 00:32:28,379 --> 00:32:31,405 Make a nice picture of the windows in front of you. 458 00:32:31,482 --> 00:32:33,450 PAXTON: Look at that. Look at that. 459 00:32:33,518 --> 00:32:34,644 Oh, boy! 460 00:32:34,719 --> 00:32:38,052 Beautiful. Still intact. 461 00:32:38,122 --> 00:32:39,453 Very much intact. 462 00:32:39,524 --> 00:32:40,957 Looks like the glass, 463 00:32:41,025 --> 00:32:42,959 all the leaded glass, it's all there. 464 00:32:43,027 --> 00:32:44,517 It's not broken. 465 00:32:54,105 --> 00:32:57,506 MARSCHALL: The first-class dining room was beautiful. 466 00:32:57,575 --> 00:33:00,476 Among the passengers who ate here were John Jacob Astor 467 00:33:00,578 --> 00:33:03,843 and his wife, Madeline, who were on their honeymoon. 468 00:33:03,915 --> 00:33:06,816 She would be widowed before the end of the voyage. 469 00:33:08,353 --> 00:33:11,550 We are not in Kansas anymore. 470 00:33:15,593 --> 00:33:17,458 I think you got a friend. 471 00:33:17,528 --> 00:33:21,055 Oh. There's Sam. 472 00:33:21,132 --> 00:33:23,225 Sam stopped by to say hello. 473 00:33:23,301 --> 00:33:25,895 He's giving us the tour. 474 00:33:28,272 --> 00:33:30,331 "Follow me," he says. 475 00:33:49,660 --> 00:33:52,754 CAMERON: It's like a fantasy in here, isn't it? 476 00:33:52,830 --> 00:33:56,027 MARSCHALL: The craftsmanship. The delicate beauty. 477 00:33:56,100 --> 00:33:58,261 That human hands created these windows, 478 00:33:58,336 --> 00:34:01,271 that human eyes looked at these windows. 479 00:34:01,339 --> 00:34:03,307 And then you realize 480 00:34:03,408 --> 00:34:07,742 that you're 12, 500 feet beneath the sea. 481 00:34:08,946 --> 00:34:11,380 Oh, look at that woodwork. 482 00:34:11,449 --> 00:34:15,510 That's all wood, Genya. That's all carved wood. 483 00:34:15,586 --> 00:34:18,020 But these things created by man, 484 00:34:18,089 --> 00:34:21,786 in this dark abyss, where they just shouldn't be. 485 00:34:21,859 --> 00:34:23,724 They're not supposed to be here. 486 00:34:23,795 --> 00:34:25,023 CAMERON: Unbelievable. 487 00:34:25,096 --> 00:34:27,530 Who would've thought that would still be there? 488 00:34:27,598 --> 00:34:29,759 It's the dream come true for me. 489 00:34:33,004 --> 00:34:35,871 LYNCH: What's significant about the reception room 490 00:34:35,940 --> 00:34:38,408 is that this is where Elizabeth Lines 491 00:34:38,476 --> 00:34:39,841 overheard a conversation 492 00:34:39,911 --> 00:34:41,708 between Captain Smith and Bruce Ismay, 493 00:34:41,779 --> 00:34:43,508 the owner of the "Titanic. " 494 00:34:43,581 --> 00:34:45,742 And she heard Ismay telling Smith 495 00:34:45,817 --> 00:34:49,378 to have the "Titanic" arrive in New York a day early. 496 00:34:49,454 --> 00:34:51,581 I think we're going to beat "Olympic's" time 497 00:34:51,656 --> 00:34:53,920 and arrive in New York Tuesday night. 498 00:35:06,370 --> 00:35:08,565 PAXTON: We're holding at the first-class entrance, 499 00:35:08,673 --> 00:35:10,573 starboard side. 500 00:35:13,811 --> 00:35:16,905 Isn't that beautiful? Gosh. 501 00:35:16,981 --> 00:35:20,576 It looks like it's just been made more beautiful by time. 502 00:35:20,651 --> 00:35:23,518 LYNCH: "Titanic's" main first-class entrance 503 00:35:23,588 --> 00:35:24,782 was on "D" deck. 504 00:35:24,856 --> 00:35:28,087 And she had two large gangway doors 505 00:35:28,159 --> 00:35:30,753 on both the port and the starboard side. 506 00:35:30,828 --> 00:35:33,160 Through the eyes of the R. O.V., 507 00:35:33,231 --> 00:35:36,689 we could see the wrought-iron gates just inside the doors, 508 00:35:36,767 --> 00:35:39,998 which were unknown to historians until this expedition. 509 00:35:40,104 --> 00:35:43,005 We had no idea what was inside, and now we know. 510 00:35:43,074 --> 00:35:45,508 CAMERON: This is the way they boarded the ship. 511 00:35:45,576 --> 00:35:49,444 They came in through that door, and then this inner door. 512 00:35:55,786 --> 00:35:58,277 MARSCHALL: And in this entrance vestibule, 513 00:35:58,356 --> 00:36:00,984 there was a large sideboard against the aft wall 514 00:36:01,058 --> 00:36:03,458 where lots of first-class china was stored. 515 00:36:03,528 --> 00:36:06,827 ABERNATH Y: The dish cabinet had more or less rotted away. 516 00:36:06,898 --> 00:36:09,799 But you could see the teacups and the little dishes 517 00:36:09,867 --> 00:36:11,357 stacked perfectly there. 518 00:36:11,435 --> 00:36:13,835 I wish I had those dishes, you know? 519 00:36:13,938 --> 00:36:15,906 Give it up on eBay. 520 00:36:17,275 --> 00:36:19,743 CAMERON: There's the elevators. 521 00:36:21,779 --> 00:36:22,837 There's... 522 00:36:22,914 --> 00:36:25,348 There's the shaft. 523 00:36:27,418 --> 00:36:29,409 Look at that. 524 00:36:30,888 --> 00:36:33,721 I thought they called them "lifts," but you know what? 525 00:36:33,791 --> 00:36:36,453 The ship was owned by an American company. 526 00:36:37,395 --> 00:36:38,828 Hmm. 527 00:36:38,896 --> 00:36:41,160 Like you could just call them now. 528 00:36:41,232 --> 00:36:43,928 MARSCHALL: Whenever you're looking at the elevator grilles, 529 00:36:44,001 --> 00:36:46,595 try to remember to turn and look forward and see. 530 00:36:46,704 --> 00:36:49,195 There may still be paneling right amidships, 531 00:36:49,307 --> 00:36:51,332 and there will be brass letters that say 532 00:36:51,442 --> 00:36:53,637 "A" deck, "B" deck, "C" deck, or "D" deck. 533 00:36:53,711 --> 00:36:55,235 When you come out of the elevators. 534 00:36:55,346 --> 00:36:58,247 Most likely that paneling is down. But you never know. 535 00:36:58,316 --> 00:36:59,681 That would be a classic shot 536 00:36:59,750 --> 00:37:01,911 to have that lettering still clinging. 537 00:37:01,986 --> 00:37:04,113 Ken loves this stuff. 538 00:37:04,188 --> 00:37:09,592 I feel like I'm making a film for one person. Ken Marschall. 539 00:37:09,660 --> 00:37:12,322 And there it is. Bingo, baby. 540 00:37:12,396 --> 00:37:14,956 - Tell him "bingo. " - LEDDA: Bingo. 541 00:37:15,032 --> 00:37:18,433 MARSCHALL: The "A" had recently fallen from its own weight. 542 00:37:18,536 --> 00:37:22,529 That brass letter was heavier than the "D," "E," "C," "K." 543 00:37:23,307 --> 00:37:26,276 Okay. I see where we are. We just peeked into "D" 35. 544 00:37:26,377 --> 00:37:29,244 PAXTON: We were methodical exploring the interior. 545 00:37:29,313 --> 00:37:33,215 We had to be because the wreck can be very disorienting. 546 00:37:33,284 --> 00:37:34,945 It was spooky. 547 00:37:37,088 --> 00:37:38,521 "D" 33 was the cabin 548 00:37:38,589 --> 00:37:41,524 of Henry Sleeper Harper and his wife. 549 00:37:41,592 --> 00:37:44,459 Sitting on the remains of the wardrobe cabinet 550 00:37:44,528 --> 00:37:47,156 is Henry Harper's bowler hat. 551 00:37:47,231 --> 00:37:51,429 Just the idea that we know whose it was. 552 00:37:54,972 --> 00:37:57,532 CAMERON: Hey, look. There's some kind of glass. 553 00:37:57,642 --> 00:38:01,009 Maybe a mirror. Let's see if that's a mirror. 554 00:38:01,112 --> 00:38:04,445 It is. We're gonna go see ourselves. 555 00:38:08,085 --> 00:38:11,248 PAXTON: "A" 11 was occupied by Edith Russell. 556 00:38:11,322 --> 00:38:13,256 Before getting into a lifeboat, 557 00:38:13,324 --> 00:38:16,088 she went back to her cabin to lock her 19 trunks 558 00:38:16,160 --> 00:38:18,993 because she didn't trust the stewards onboard. 559 00:38:24,802 --> 00:38:27,669 LYNCH: Jim was looking for Molly Brown's stateroom. 560 00:38:27,772 --> 00:38:30,536 We had a good idea where that stateroom would be. 561 00:38:30,641 --> 00:38:33,872 And he was searching for a forward-facing window. 562 00:38:33,944 --> 00:38:36,777 The R. O.V. Is narrow enough to scoot through that. 563 00:38:36,847 --> 00:38:40,977 And I saw there was jagged glass at the bottom of the windowsill. 564 00:38:41,052 --> 00:38:44,112 That could sever the tether, commit suicide. 565 00:38:44,188 --> 00:38:45,780 Ken says we can do this. 566 00:38:45,856 --> 00:38:47,187 LEDDA: It's a gamble. 567 00:38:47,258 --> 00:38:48,782 Don't do it. Don't do it. 568 00:38:48,859 --> 00:38:52,124 You're gonna be laying your tether right across the glass. 569 00:38:52,196 --> 00:38:54,960 CAMERON: There he goes. He's in there. 570 00:38:55,032 --> 00:38:57,262 That's what I'm talking about. 571 00:38:57,335 --> 00:39:01,271 LYNCH: Okay, now that you're in, it's not that bad of an idea. 572 00:39:01,372 --> 00:39:04,239 That's not a brass bed. That's a wooden bed. 573 00:39:04,308 --> 00:39:05,798 It's kind of creepy. 574 00:39:05,910 --> 00:39:06,672 I don't know. 575 00:39:06,744 --> 00:39:09,474 Molly Brown said she was in a brass bed. 576 00:39:09,547 --> 00:39:11,572 I don't see a brass bed. 577 00:39:11,649 --> 00:39:13,549 PAXTON: Molly Brown was a character. 578 00:39:13,617 --> 00:39:16,609 She and her husband had made their fortune mining out west. 579 00:39:16,687 --> 00:39:20,316 And she was desperate to be accepted by high society. 580 00:39:20,391 --> 00:39:23,326 The "Titanic" tragedy made her a legend. 581 00:39:27,765 --> 00:39:29,596 Uh, Genya? 582 00:39:29,667 --> 00:39:30,599 Yes? 583 00:39:30,668 --> 00:39:32,761 Um, I need to pee. 584 00:39:32,870 --> 00:39:36,670 I don't think I can hold it much longer. 585 00:39:36,741 --> 00:39:37,799 - No problem. - Okay. 586 00:39:37,908 --> 00:39:39,307 PAXTON: For me, personally, 587 00:39:39,377 --> 00:39:43,438 I've always been kind of a nervous, you know, pisser. 588 00:39:43,514 --> 00:39:45,311 [Laughing] I need a little privacy. 589 00:39:45,383 --> 00:39:47,977 But when you got to go and you're 21/2 miles down, 590 00:39:48,052 --> 00:39:50,043 you got to go. 591 00:39:51,389 --> 00:39:52,720 It's okay? 592 00:40:05,836 --> 00:40:07,497 Um, I'll turn around. 593 00:40:07,605 --> 00:40:09,129 - Can you turn around? - Okay. 594 00:40:09,240 --> 00:40:11,800 Thank you. Thank you. 595 00:40:11,909 --> 00:40:13,308 Let's see here. 596 00:40:15,479 --> 00:40:17,709 Point your lights straight into "A" deck. 597 00:40:17,782 --> 00:40:18,976 My God. Look at that. 598 00:40:19,049 --> 00:40:20,209 Look at that, Tolya. 599 00:40:20,284 --> 00:40:23,117 A brass bed sitting right in there. 600 00:40:25,790 --> 00:40:28,554 Maybe Molly Brown did stay in a brass bed. 601 00:40:28,626 --> 00:40:30,287 But which one? 602 00:40:34,698 --> 00:40:37,462 ABERNATH Y: They've built bigger ships since "Titanic," 603 00:40:37,535 --> 00:40:41,130 but I don't know that they'll ever build one as luxurious. 604 00:40:41,238 --> 00:40:42,500 And even now, 605 00:40:42,606 --> 00:40:45,302 after 90 years of laying on the bottom of the ocean, 606 00:40:45,409 --> 00:40:47,843 its beauty came to light. 607 00:40:55,586 --> 00:40:57,577 Okay. We're in. 608 00:40:57,655 --> 00:41:00,488 Okay. Tell them we're in the promenade. 609 00:41:00,558 --> 00:41:02,185 LEDDA: Jake's in the promenade. 610 00:41:02,259 --> 00:41:04,659 MARSCHALL: We did get into one of the millionaire suites 611 00:41:04,728 --> 00:41:06,127 on "B" deck. 612 00:41:06,197 --> 00:41:07,289 Private promenade. 613 00:41:07,364 --> 00:41:09,298 They call them "private promenade. " 614 00:41:09,366 --> 00:41:12,858 These were the fanciest, most expensive lodgings on the ship. 615 00:41:12,970 --> 00:41:14,301 And in April 1912, 616 00:41:14,405 --> 00:41:18,466 you would have paid over $3, 000 to book your passage. 617 00:41:18,576 --> 00:41:21,670 This must be some of the facing. 618 00:41:21,745 --> 00:41:24,407 Yeah, it's some of the Tudor facing. 619 00:41:31,889 --> 00:41:33,550 We are in the room. 620 00:41:33,624 --> 00:41:35,023 LEDDA: Jake's in the room. 621 00:41:35,092 --> 00:41:36,889 This is Bruce Ismay's suite. 622 00:41:36,961 --> 00:41:38,861 This is the guy that left the ship 623 00:41:38,929 --> 00:41:41,989 with 1, 500 people still onboard. 624 00:41:42,066 --> 00:41:43,693 Ooh, that's a beauty. 625 00:41:43,767 --> 00:41:46,600 We are in the sitting room, looking at the fireplace. 626 00:41:46,704 --> 00:41:50,640 Isn't that amazing? That ribbon design is still there. 627 00:41:50,708 --> 00:41:52,903 These little touches of elegance. 628 00:41:52,977 --> 00:41:56,413 You can almost feel the hands of the guy that made that. 629 00:42:02,086 --> 00:42:03,212 LYNCH: J. Bruce Ismay 630 00:42:03,287 --> 00:42:05,687 was managing director of the White Star Line, 631 00:42:05,756 --> 00:42:08,554 and he vetoed the idea of having 48 lifeboats. 632 00:42:08,626 --> 00:42:10,059 He felt fewer would be fine, 633 00:42:10,127 --> 00:42:13,426 that as long as they met the law, they were okay. 634 00:42:19,169 --> 00:42:20,966 CHERNAIEV: It is Smith's bathtub. 635 00:42:21,071 --> 00:42:22,698 ABERNATH Y: Oh, Captain Smith. 636 00:42:22,806 --> 00:42:24,034 Wow. 637 00:42:24,141 --> 00:42:25,733 The captain of the "Titanic" 638 00:42:25,843 --> 00:42:28,971 used to take his baths right there. 639 00:42:29,046 --> 00:42:32,777 His little pink butt sitting right there in the tub. 640 00:42:32,850 --> 00:42:35,512 PAXTON: Captain Smith was called "the millionaire's captain" 641 00:42:35,586 --> 00:42:38,919 because he was so popular with the first-class passengers. 642 00:42:38,989 --> 00:42:41,981 30 years at sea. Perfect record. 643 00:42:42,059 --> 00:42:44,653 This voyage was to be his crowning achievement. 644 00:42:44,728 --> 00:42:48,596 He was going to take the biggest, most beautiful ship 645 00:42:48,666 --> 00:42:53,296 across the ocean on her maiden voyage and then retire. 646 00:42:54,838 --> 00:42:56,271 PELLEGRINO: I n archeology, 647 00:42:56,340 --> 00:42:59,332 we carry these ghosts of the imagination with us. 648 00:42:59,443 --> 00:43:01,968 And I was kind of imagining 649 00:43:02,046 --> 00:43:04,810 Thomas Andrews out there on the deck. 650 00:43:06,417 --> 00:43:08,749 MARSCHALL: Thomas Andrews was managing director 651 00:43:08,819 --> 00:43:11,344 and president of Harland and Wolff Shipbuilders. 652 00:43:11,422 --> 00:43:14,118 He designed and built the "Titanic" from the ground up. 653 00:43:14,191 --> 00:43:15,749 He knew the ship better than anyone. 654 00:43:15,826 --> 00:43:18,693 He put davits on the ship that were designed 655 00:43:18,762 --> 00:43:21,629 to take a lifeboat from here and lift it outward 656 00:43:21,699 --> 00:43:23,860 and then go inward and pick up a second lifeboat 657 00:43:23,934 --> 00:43:25,492 in a second position and go out. 658 00:43:25,569 --> 00:43:27,196 I n his own hand, 659 00:43:27,304 --> 00:43:30,296 in his notebook, he has the number of lifeboats 660 00:43:30,407 --> 00:43:33,638 that are supposed to go on the ship that he designed it for. 661 00:43:33,711 --> 00:43:35,178 He was overruled 662 00:43:35,279 --> 00:43:38,043 and forced to comply only to the minimum 663 00:43:38,115 --> 00:43:41,516 of the Board of Trade requirement. 664 00:43:42,820 --> 00:43:45,311 MARSCHALL: Andrews cared about the ship and crew 665 00:43:45,389 --> 00:43:48,358 and was onboard to make last-minute improvements 666 00:43:48,425 --> 00:43:50,552 and make sure everything ran smoothly. 667 00:43:50,628 --> 00:43:53,119 PELLEGRINO: If only there were a way to let him see 668 00:43:53,197 --> 00:43:57,031 these submersibles sending these incredible robots 669 00:43:57,101 --> 00:43:59,433 into his creation. 670 00:44:20,257 --> 00:44:22,418 MIKE: Move a little right to avoid the arm. 671 00:44:22,493 --> 00:44:23,858 There you go. Okay. 672 00:44:23,927 --> 00:44:26,361 We're good. We're coming out. 673 00:44:26,430 --> 00:44:28,796 It's coming out, folks. 674 00:44:28,866 --> 00:44:30,731 - Okay. Ease it forward. - Okay. 675 00:44:30,801 --> 00:44:33,929 MARSCHALL: We explored all three forward cargo hatches 676 00:44:34,038 --> 00:44:36,905 and made it into several crew and third-class spaces 677 00:44:36,974 --> 00:44:39,204 that had never even been photographed before. 678 00:44:39,276 --> 00:44:41,244 CAMERON: Is that the "D" deck? 679 00:44:41,345 --> 00:44:42,277 MAN: I think so. 680 00:44:42,346 --> 00:44:44,075 Yeah. I think you're right. 681 00:44:44,148 --> 00:44:46,912 All right. That's it. There's the other hatch. 682 00:44:46,984 --> 00:44:50,351 So just ease on in there. Ease it on in there. 683 00:44:53,090 --> 00:44:54,557 Okay. Here's our stairwell. 684 00:44:54,625 --> 00:44:56,422 It should go right up to it. 685 00:44:59,396 --> 00:45:01,023 LYNCH: So we got into third class. 686 00:45:01,098 --> 00:45:04,795 We were in the general room in the bow under the well deck. 687 00:45:04,868 --> 00:45:08,235 There wasn't a lot of detail in this room, 688 00:45:08,338 --> 00:45:11,774 because it was never a well-decorated room. 689 00:45:11,842 --> 00:45:15,005 The bar at one end that still had the little tap there. 690 00:45:15,079 --> 00:45:17,809 There were table bases still there in place. 691 00:45:17,881 --> 00:45:20,975 The tables and bench bases rising up from the floor. 692 00:45:21,051 --> 00:45:22,848 It was neat to see those. 693 00:45:22,920 --> 00:45:25,184 That's a very big table. 694 00:45:25,255 --> 00:45:27,018 The place where they all ate. 695 00:45:27,091 --> 00:45:29,321 They would've sat here and played cards. 696 00:45:29,393 --> 00:45:31,520 MARSCHALL: This was where there was a party held 697 00:45:31,595 --> 00:45:34,621 by many of the third-class passengers on Sunday night. 698 00:45:34,698 --> 00:45:37,758 And it really was moving to be able see this room 699 00:45:37,835 --> 00:45:41,066 where so many of them spent their last few happy hours. 700 00:45:46,643 --> 00:45:49,976 MIKE: There was a brand-new Renault, beautiful car, 701 00:45:50,047 --> 00:45:52,345 that was strapped down in the cargo hold. 702 00:45:52,416 --> 00:45:56,079 And we have some fairly good historical projections 703 00:45:56,153 --> 00:45:57,916 of what it would look like now. 704 00:45:57,988 --> 00:46:01,219 CAMERON: Going from "F" deck to "G" deck. 705 00:46:02,493 --> 00:46:05,758 A solid hatch cover, as advertised. 706 00:46:05,829 --> 00:46:06,955 But it's open. 707 00:46:07,030 --> 00:46:09,658 And it would be barely recognizable as a car. 708 00:46:09,733 --> 00:46:13,692 Only a few items would show up recognizable as a vehicle. 709 00:46:13,804 --> 00:46:16,637 We were on "G" deck. We went through the hatch cover. 710 00:46:16,707 --> 00:46:18,868 We are now on the orlop deck. 711 00:46:18,976 --> 00:46:20,000 Correct. You are. 712 00:46:20,110 --> 00:46:22,101 Tilt up, and you'll see the car. 713 00:46:22,212 --> 00:46:24,180 [Snorts] 714 00:46:24,248 --> 00:46:27,308 Tilt up, and we see some gak. 715 00:46:27,384 --> 00:46:29,181 I see some light back there. 716 00:46:29,253 --> 00:46:31,187 Yeah. 717 00:46:31,255 --> 00:46:32,654 Maybe that is the car. 718 00:46:32,723 --> 00:46:34,190 It is. 719 00:46:34,258 --> 00:46:36,055 - I think that's the car. - It is. 720 00:46:36,126 --> 00:46:38,026 It's the car. 721 00:46:38,095 --> 00:46:39,824 No. 722 00:46:40,764 --> 00:46:42,857 No! 723 00:46:42,933 --> 00:46:44,195 It can't be that easy. 724 00:46:44,268 --> 00:46:45,428 - It is. - [Chuckles] 725 00:46:45,502 --> 00:46:47,333 I don't think that's the car. 726 00:46:47,437 --> 00:46:49,632 I think we're seeing cars. 727 00:46:49,740 --> 00:46:51,469 - Shiny piece of... - Oh, my God. 728 00:46:51,575 --> 00:46:53,668 I'm thinking... 729 00:46:53,777 --> 00:46:55,472 That looks like wheel. 730 00:46:55,546 --> 00:46:57,343 Jim, that's a fender. 731 00:46:57,414 --> 00:47:01,475 I don't care what planet you're on, that's a tire and fender. 732 00:47:01,552 --> 00:47:03,383 This is headlight. 733 00:47:04,555 --> 00:47:07,922 We're seeing cars, boy. [Laughs] 734 00:47:07,991 --> 00:47:09,754 All right, the best thing to do 735 00:47:09,827 --> 00:47:14,264 now that we're here is to just look everywhere. 736 00:47:15,065 --> 00:47:15,997 There's a car. 737 00:47:16,066 --> 00:47:17,499 That's a car. 738 00:47:17,568 --> 00:47:21,402 No, those are... That's a trunk right there. 739 00:47:21,505 --> 00:47:22,529 Wicker trunk. 740 00:47:22,639 --> 00:47:24,004 That's a tire. 741 00:47:24,074 --> 00:47:27,942 There were some pretty interesting-looking structures, 742 00:47:28,011 --> 00:47:29,535 obviously man-made stuff, 743 00:47:29,646 --> 00:47:33,104 but nothing clearly identifiable as a car. 744 00:47:35,185 --> 00:47:38,586 Yeah, we should be able to get all the way forward. 745 00:47:43,894 --> 00:47:44,952 - Are you in? - Yes. 746 00:47:45,028 --> 00:47:46,256 Oh, baby. 747 00:47:47,297 --> 00:47:51,233 That's awesome. Oh, dude, this is so cool! 748 00:47:51,301 --> 00:47:54,327 Count doors on the right. That's how we'll orient ourselves. 749 00:47:54,438 --> 00:47:56,429 There should be two doors side by side. 750 00:47:56,540 --> 00:47:59,532 The first door should take you into the firemen's mess. 751 00:47:59,643 --> 00:48:01,270 You want to go in there? 752 00:48:01,345 --> 00:48:03,176 Yeah. 753 00:48:03,247 --> 00:48:06,273 That's definitely the firemen's mess. 754 00:48:06,350 --> 00:48:09,012 Oh, look at that. Table after table. 755 00:48:09,086 --> 00:48:11,316 You can see the bow tapering in. 756 00:48:11,388 --> 00:48:12,355 Exactly. 757 00:48:12,422 --> 00:48:13,719 Shape of the ship. 758 00:48:13,790 --> 00:48:16,782 You can imagine exactly what this place looked like. 759 00:48:17,861 --> 00:48:19,726 LYNCH: The firemen were segregated 760 00:48:19,796 --> 00:48:21,195 from the rest of the crew, 761 00:48:21,265 --> 00:48:23,961 probably because they had the dirtiest job. 762 00:48:24,034 --> 00:48:26,400 So their quarters are in the tip of the bow. 763 00:48:26,503 --> 00:48:27,970 They had two staircases, 764 00:48:28,071 --> 00:48:30,835 which took them to the very bottom of the ship 765 00:48:30,941 --> 00:48:32,966 and to the boiler rooms. 766 00:48:33,844 --> 00:48:35,778 PAXTON: Imagine spiraling your way down 767 00:48:35,846 --> 00:48:38,406 to the furnaces of this hungry leviathan 768 00:48:38,482 --> 00:48:41,178 to join hundreds of men shoveling coal 769 00:48:41,251 --> 00:48:44,186 into the gaping maws of the boilers. 770 00:48:48,225 --> 00:48:50,352 That's kind of spooky. 771 00:49:08,612 --> 00:49:11,410 And when you finish your shift hours later, 772 00:49:11,481 --> 00:49:14,416 you climb back up into your little world below decks 773 00:49:14,484 --> 00:49:18,147 at the very bow of the ship, where you eat, you sleep, 774 00:49:18,221 --> 00:49:20,655 then you do it all over again. 775 00:49:22,326 --> 00:49:26,194 Even here, we could feel the hand of Thomas Andrews. 776 00:49:26,263 --> 00:49:28,663 At the top of one of the spiral staircases, 777 00:49:28,732 --> 00:49:30,962 we found a drinking fountain. 778 00:49:31,034 --> 00:49:33,696 I'm sure that even this small kindness 779 00:49:33,804 --> 00:49:36,295 must have been greatly appreciated. 780 00:49:41,078 --> 00:49:46,311 Here we've got a plan that illustrates pretty well 781 00:49:46,383 --> 00:49:48,044 what happened that night. 782 00:49:48,118 --> 00:49:52,748 The "Titanic" was divided into 16 watertight compartments 783 00:49:52,823 --> 00:49:56,088 separated by 15 watertight bulkheads. 784 00:49:56,159 --> 00:49:58,286 That's these white lines here. 785 00:49:58,362 --> 00:50:02,059 And the ship was designed to be as unsinkable as they could. 786 00:50:02,132 --> 00:50:04,225 The worst they could imagine is a collision 787 00:50:04,301 --> 00:50:05,791 at the juncture of two compartments, 788 00:50:05,869 --> 00:50:08,429 which would flood two adjacent compartments. 789 00:50:08,538 --> 00:50:11,564 The ship would only sink so far and still be safe. 790 00:50:11,675 --> 00:50:14,337 She was also designed to float 791 00:50:14,411 --> 00:50:18,404 with any three of the first five compartments flooded. 792 00:50:18,482 --> 00:50:21,747 Or the first four in a row could still flood 793 00:50:21,818 --> 00:50:23,683 if they were in some traumatic... 794 00:50:23,754 --> 00:50:25,984 That was the worst-case scenario. 795 00:50:26,056 --> 00:50:29,048 Run into a rock or something like that, just full-on. 796 00:50:29,126 --> 00:50:31,788 She'd buckle back, and the ship could still float. 797 00:50:31,862 --> 00:50:35,354 With all of this combination of safety factors, 798 00:50:35,432 --> 00:50:37,093 she was considered virtually unsinkable. 799 00:50:37,167 --> 00:50:40,659 What they didn't envision is what happened that night. 800 00:50:44,274 --> 00:50:46,139 "Titanic" struck the iceberg, 801 00:50:46,209 --> 00:50:48,507 a glancing blow along the starboard side, 802 00:50:48,578 --> 00:50:51,706 scraped along and ruptured plates or split the seams, 803 00:50:51,782 --> 00:50:53,841 moving along into this cargo compartment, 804 00:50:53,917 --> 00:50:56,818 into this cargo compartment, and this baggage and cargo, 805 00:50:56,887 --> 00:50:58,252 into Boiler Room Number 6 806 00:50:58,321 --> 00:51:00,949 and two feet into the coal bunker 807 00:51:01,024 --> 00:51:02,582 of Boiler Room Number 5. 808 00:51:02,659 --> 00:51:03,853 And as the ship sank, 809 00:51:03,927 --> 00:51:06,623 just at the point where it was about ready to stabilize, 810 00:51:06,696 --> 00:51:09,221 it reached the top of this watertight subdivision, 811 00:51:09,299 --> 00:51:11,733 and started flowing up the stairways, across the deck 812 00:51:11,802 --> 00:51:13,770 and down into the next compartment. 813 00:51:13,870 --> 00:51:16,031 It was just a mathematical certainty. 814 00:51:16,139 --> 00:51:18,573 There was no way, no matter how you slice it, 815 00:51:18,642 --> 00:51:20,872 that the ship is going to make it. 816 00:51:22,879 --> 00:51:24,938 So where exactly did it split? 817 00:51:25,015 --> 00:51:28,246 Well, it broke in two right back here. 818 00:51:28,318 --> 00:51:31,913 Just right about at the third funnel and after that. 819 00:51:31,988 --> 00:51:36,084 There's a natural weak spot here in the hull 820 00:51:36,159 --> 00:51:38,252 right above the reciprocating engine room. 821 00:51:38,328 --> 00:51:41,354 There is a large air shaft here for light and air 822 00:51:41,431 --> 00:51:44,264 to ventilate the reciprocating engine room. 823 00:51:45,068 --> 00:51:46,797 PAXTON: My God. 824 00:51:46,903 --> 00:51:50,134 What that must have sounded like, looked like. 825 00:51:50,240 --> 00:51:53,073 What that must have been like. 826 00:51:53,143 --> 00:51:57,011 What a deathblow to this great ship. 827 00:52:02,552 --> 00:52:06,454 Imagine the vortex to create that kind of twisting. 828 00:52:06,523 --> 00:52:07,649 That's what gets me. 829 00:52:07,724 --> 00:52:10,625 Seeing the end of the stern piece, and seeing how... 830 00:52:10,694 --> 00:52:15,529 Can't you just see one of those fish swimming along? 831 00:52:15,599 --> 00:52:17,089 And then... 832 00:52:17,167 --> 00:52:19,465 [Imitates crashing] 833 00:52:19,569 --> 00:52:21,833 And you know what the fish would've done? 834 00:52:21,938 --> 00:52:23,929 "Whoa," you know? 835 00:52:25,208 --> 00:52:25,867 Exactly. 836 00:52:25,976 --> 00:52:29,002 Our best shot is probably of the reciprocating engines 837 00:52:29,112 --> 00:52:30,977 on the starboard side, right? 838 00:52:31,047 --> 00:52:32,275 That's the guts of it. 839 00:52:32,349 --> 00:52:33,577 Starboard side. 840 00:52:33,650 --> 00:52:36,983 CHERNAIEV: Sometimes I see him come here and come up. 841 00:52:37,053 --> 00:52:38,543 Yes. That's good. 842 00:52:38,622 --> 00:52:39,850 - Good. - Like that. 843 00:52:39,923 --> 00:52:45,691 And I lose, sometimes, good shots when Victor stays here. 844 00:52:45,762 --> 00:52:46,854 Right. 845 00:52:46,930 --> 00:52:49,626 But the thing is that Victor can't face us. 846 00:52:49,699 --> 00:52:52,566 He can't, otherwise his lights will hit the camera. 847 00:52:52,636 --> 00:52:55,867 He has to be above with the lights down, 848 00:52:55,972 --> 00:52:57,735 or like this. 849 00:52:57,841 --> 00:53:00,742 Yes. Maybe here. 850 00:53:01,478 --> 00:53:05,744 So sort of this. This sort of thing. 851 00:53:05,815 --> 00:53:08,375 See, if the water is clear, that'll make a good shot. 852 00:53:08,451 --> 00:53:10,612 The engine room, where those guys were fighting 853 00:53:10,687 --> 00:53:12,177 to keep that thing alive. 854 00:53:12,255 --> 00:53:16,055 They were "Titanic. " They knew it was dying. 855 00:53:16,126 --> 00:53:18,060 They didn't die with a brandy glass in hand. 856 00:53:18,128 --> 00:53:22,758 They died with a monkey wrench, trying to stop the bleeding. 857 00:53:31,575 --> 00:53:34,544 PAXTON: That is the starboard engine. 858 00:53:34,644 --> 00:53:36,077 Look at that. 859 00:53:36,146 --> 00:53:38,307 Oh, man! 860 00:53:38,381 --> 00:53:41,316 Look at the size of that thing. 861 00:53:47,724 --> 00:53:51,421 Okay, keep panning, because I'm gonna be coming around this way. 862 00:53:55,365 --> 00:53:56,889 Oh, man. 863 00:53:56,967 --> 00:53:59,800 It does give you the scale, seeing that little bot 864 00:53:59,903 --> 00:54:02,804 next to that giant sphinx of an engine. 865 00:54:19,122 --> 00:54:22,853 PAXTON: When you see the stern section where it tore in half, 866 00:54:22,926 --> 00:54:25,190 and there are the two reciprocating engines 867 00:54:25,262 --> 00:54:27,628 standing four stories high, 868 00:54:27,697 --> 00:54:31,793 they really do look like these twin sphinxes 869 00:54:31,868 --> 00:54:35,099 that are guarding the forbidden tomb. 870 00:54:57,427 --> 00:55:00,055 JOHNSTON: When the historians look at "Titanic," 871 00:55:00,130 --> 00:55:03,588 they think of the lives that were lost. 872 00:55:03,667 --> 00:55:06,158 When I look at the ship as a scientist, 873 00:55:06,236 --> 00:55:10,263 I look at the life that still is on "Titanic. " 874 00:55:10,373 --> 00:55:13,103 "Titanic" is very much alive. 875 00:55:15,178 --> 00:55:20,741 Rusticles are bacteria... microscopic organisms, bugs... 876 00:55:20,817 --> 00:55:23,445 that are actually eating the steel 877 00:55:23,520 --> 00:55:25,511 and the insides of the ship. 878 00:55:25,588 --> 00:55:30,787 I look at a rail and think, "Oh, look at the bacteria. 879 00:55:30,860 --> 00:55:34,523 They're breaking 'Titanic' down and taking her back to nature. " 880 00:55:34,597 --> 00:55:37,088 But then you immediately go back and think, 881 00:55:37,167 --> 00:55:39,658 "Who touched this railing last?" 882 00:55:42,972 --> 00:55:46,464 PELLEGRINO: Helen Candee is one of my favorite passengers. 883 00:55:46,576 --> 00:55:50,012 She had written one of the century's first best sellers. 884 00:55:50,080 --> 00:55:51,604 Basically, the theme being 885 00:55:51,681 --> 00:55:54,548 how a woman can get along in life successfully 886 00:55:54,617 --> 00:55:55,777 without a man. 887 00:55:55,852 --> 00:55:59,720 And that's how she was traveling first-class on the "Titanic. " 888 00:55:59,789 --> 00:56:02,622 And on the very last sunrise 889 00:56:02,692 --> 00:56:04,626 that the "Titanic" would ever see, 890 00:56:04,694 --> 00:56:08,061 she snuck out to the very point of the bow 891 00:56:08,131 --> 00:56:10,395 just to greet the sunrise alone. 892 00:56:10,467 --> 00:56:12,298 And she wrote about it 893 00:56:12,369 --> 00:56:15,497 and how she felt the power and the beauty of this ship 894 00:56:15,605 --> 00:56:18,768 and that it was stronger than nature itself, 895 00:56:18,875 --> 00:56:21,366 maybe even stronger than God itself. 896 00:56:21,478 --> 00:56:23,776 And then, suddenly, she felt very darkened, 897 00:56:23,847 --> 00:56:27,783 as if she had thought something sacrilegious. 898 00:56:41,131 --> 00:56:42,996 Mmm. It's good. What's in borscht? 899 00:56:43,066 --> 00:56:44,192 That's good borscht. 900 00:56:44,267 --> 00:56:47,168 - Borscht in Russian. - What is in borscht? 901 00:56:47,270 --> 00:56:49,238 Borscht. 902 00:56:49,339 --> 00:56:51,534 [Speaking Russian] 903 00:56:51,641 --> 00:56:55,270 Cabbage, potatoes, bouillon. 904 00:56:55,345 --> 00:56:57,575 Everybody eat borscht. 905 00:56:57,647 --> 00:57:00,582 [Singing in Russian] 906 00:57:03,853 --> 00:57:07,584 ABERNATH Y: Anatoly has a song that he wrote 907 00:57:07,657 --> 00:57:09,887 about the blue sky that you see 908 00:57:09,959 --> 00:57:13,360 when you return to the surface and the hatch opens. 909 00:57:13,430 --> 00:57:16,558 And I think that's very apropos, because it's something 910 00:57:16,633 --> 00:57:20,592 that you didn't think you would miss, but you do. 911 00:57:30,280 --> 00:57:33,147 It's very difficult to wander through the "Keldysh" 912 00:57:33,216 --> 00:57:37,585 and not think of the "Titanic" and draw some parallel. 913 00:57:39,489 --> 00:57:41,980 You know, what would've happened if the engineers 914 00:57:42,058 --> 00:57:43,355 hadn't stayed at their station 915 00:57:43,426 --> 00:57:47,157 when the "Titanic" had gone dark, say, an hour earlier? 916 00:57:47,230 --> 00:57:49,824 It would have been absolute pandemonium. 917 00:57:52,302 --> 00:57:55,829 I became very close with the men in the engineering section. 918 00:57:55,939 --> 00:57:58,464 It's quieter in here. Hello, my friends! 919 00:57:58,575 --> 00:58:00,873 There wasn't a lot said. 920 00:58:00,944 --> 00:58:05,005 But there was still very much a bonding that went on. 921 00:58:05,081 --> 00:58:06,548 Tell me. 922 00:58:06,616 --> 00:58:10,643 If we were going full speed, okay, 923 00:58:10,720 --> 00:58:13,883 and all of a sudden, the bridge said, "Iceberg!" 924 00:58:13,957 --> 00:58:17,518 Or "Drunken fishing-boat captain in our way!" 925 00:58:17,594 --> 00:58:21,553 And they ring alarm, what do you do? 926 00:58:21,631 --> 00:58:24,191 [Speaking Russian] 927 00:58:26,202 --> 00:58:27,692 [Alarm rings] 928 00:58:27,804 --> 00:58:28,771 Ah. 929 00:58:31,174 --> 00:58:33,438 Full speed. 930 00:58:33,510 --> 00:58:35,478 [Speaking Russian] 931 00:58:35,545 --> 00:58:37,706 The engines all stop? 932 00:58:37,780 --> 00:58:40,271 [Singing in Russian] 933 00:58:45,054 --> 00:58:46,043 Whoo! 934 00:58:48,124 --> 00:58:50,251 Yay! 935 00:59:15,919 --> 00:59:18,217 [Song ends] 936 00:59:18,288 --> 00:59:19,516 Ah. 937 00:59:21,357 --> 00:59:24,258 Anatoly! Dal Dal 938 00:59:40,376 --> 00:59:42,742 JOHNSTON: On our last dive to "Titanic," 939 00:59:42,812 --> 00:59:45,110 we found some interesting organisms. 940 00:59:45,181 --> 00:59:47,308 - Inside, yeah? - Yes, inside the ship. 941 00:59:47,383 --> 00:59:48,975 It almost has wings. 942 00:59:49,052 --> 00:59:51,612 See the wings that are flying? 943 00:59:51,688 --> 00:59:55,021 MARSCHALL: The oddest creature that was seen down there 944 00:59:55,091 --> 00:59:57,457 was something we call the batwing. 945 00:59:57,527 --> 01:00:02,055 And to my knowledge, nobody has identified it yet. 946 01:00:04,100 --> 01:00:05,692 Several creatures down there 947 01:00:05,768 --> 01:00:08,896 that I don't think are known to science. 948 01:00:09,005 --> 01:00:10,267 JOHNSTON: "Titanic," 949 01:00:10,373 --> 01:00:13,274 because there is so much interest in it, 950 01:00:13,343 --> 01:00:18,280 has really allowed us to do a great deal of research. 951 01:00:18,348 --> 01:00:20,009 You could actually see 952 01:00:20,083 --> 01:00:24,042 gelatinous-type clouds of bacteria as they floated by 953 01:00:24,120 --> 01:00:26,111 and fingerlike structures 954 01:00:26,189 --> 01:00:28,749 that were hanging from the ceilings. 955 01:00:30,927 --> 01:00:33,191 MARSCHALL: Intertwined with this woodwork, 956 01:00:33,262 --> 01:00:35,730 we'll see these lavender worms. 957 01:00:35,798 --> 01:00:39,666 Shimmery, strange things, almost transparent sometimes. 958 01:00:39,736 --> 01:00:43,502 And they particularly like the mahogany paneling. 959 01:00:46,376 --> 01:00:48,173 CAMERON: Let's go up to him. 960 01:00:48,244 --> 01:00:50,838 MARSCHALL: Even the fish don't look like the same rattails 961 01:00:50,913 --> 01:00:52,210 that are found outside. 962 01:00:52,281 --> 01:00:56,741 To me, they appear to live exclusively inside the ship. 963 01:00:56,819 --> 01:00:59,287 He's heading for the elevator shaft. 964 01:00:59,355 --> 01:01:01,482 LYNCH: Hey, he knows where he's going. 965 01:01:06,195 --> 01:01:09,187 MARSCHALL: Wow. I can't believe it. 966 01:01:09,265 --> 01:01:12,132 I didn't think I'd see the boilers on this dive. 967 01:01:12,201 --> 01:01:13,133 I had no idea 968 01:01:13,202 --> 01:01:16,171 we were approaching the bow from this angle. 969 01:01:16,239 --> 01:01:18,400 We're awful close to this stuff. 970 01:01:18,508 --> 01:01:20,976 CAMERON: "Mir-2," you got a steam pipe above you. 971 01:01:21,077 --> 01:01:21,873 Be careful. 972 01:01:21,944 --> 01:01:25,505 - It's safe to be this close? - What are you worried about? 973 01:01:25,581 --> 01:01:29,073 If something happens to us, your artwork will be worth millions. 974 01:01:29,152 --> 01:01:32,019 Oh, great. That'll do me a lot of good. 975 01:01:34,090 --> 01:01:37,218 I see a real shiny thing straight ahead. 976 01:01:37,293 --> 01:01:40,922 Oh, these are whistles, Genya. Whistles from the funnel. 977 01:01:40,997 --> 01:01:43,727 Oh, my goodness. Right under me. 978 01:01:47,704 --> 01:01:50,366 CAMERON: Ooh, look at this. What is that, Genya? 979 01:01:50,473 --> 01:01:51,405 Yes. 980 01:01:51,474 --> 01:01:54,068 Like a hatch cover. It's a hatch cover, I think. 981 01:01:54,177 --> 01:01:55,144 Yes. 982 01:01:55,211 --> 01:01:57,076 I don't think we've ever seen a hatch cover. 983 01:01:57,146 --> 01:01:58,374 I saw it earlier. 984 01:01:58,448 --> 01:02:00,040 Yeah. So that's Hatch One. 985 01:02:00,083 --> 01:02:02,210 It got blown off when the ship hit the bottom. 986 01:02:02,285 --> 01:02:05,186 It's just blown right out here in front of the ship. 987 01:02:06,389 --> 01:02:07,549 MARSCHALL: Oh, my God. 988 01:02:07,623 --> 01:02:11,024 - What? What? - Here's a glass carafe. 989 01:02:11,094 --> 01:02:13,358 - Oh, look at that. - Unbelievable. 990 01:02:13,429 --> 01:02:15,727 Can you believe it survived? 991 01:02:15,798 --> 01:02:18,562 That's a first-class stateroom... 992 01:02:18,634 --> 01:02:21,068 - Water decanter. - Yeah. 993 01:02:21,170 --> 01:02:23,229 I was pretty calm going down. 994 01:02:23,339 --> 01:02:25,864 As a matter of fact, we saw, in my porthole, 995 01:02:25,975 --> 01:02:27,442 there was this woman's shoe. 996 01:02:27,510 --> 01:02:29,273 It was perfectly preserved. 997 01:02:29,345 --> 01:02:31,108 And it was laced up. 998 01:02:31,180 --> 01:02:34,149 You know, I was just like, "Oh, my God. " 999 01:02:34,217 --> 01:02:36,014 That's somebody's grave marker. 1000 01:02:36,085 --> 01:02:38,679 That's the only grave marker they have. 1001 01:02:41,758 --> 01:02:44,727 You see now that we are coming to the davit. 1002 01:02:44,794 --> 01:02:47,456 Yeah. Davit Number One. 1003 01:02:47,530 --> 01:02:49,725 LYNCH: This was Lifeboat One, 1004 01:02:49,799 --> 01:02:52,290 where Sir Cosmo and Lady Duff Gordon had escaped 1005 01:02:52,368 --> 01:02:54,268 with only 10 other people 1006 01:02:54,370 --> 01:02:57,703 in a lifeboat that could have held two dozen more. 1007 01:03:03,045 --> 01:03:05,673 The law of the sea is women and children first 1008 01:03:05,748 --> 01:03:07,545 when you go to evacuate a ship. 1009 01:03:07,617 --> 01:03:08,914 MAN: For the time being, 1010 01:03:08,985 --> 01:03:11,749 I shall require only women and children. 1011 01:03:11,821 --> 01:03:14,813 LYNCH: On the port side of the ship, Second Officer Lightoller 1012 01:03:14,891 --> 01:03:16,791 took it to mean women and children only, 1013 01:03:16,859 --> 01:03:19,384 and he only let women and children into the boats, 1014 01:03:19,462 --> 01:03:22,363 and then as few crewmen as possible to navigate it. 1015 01:03:22,431 --> 01:03:24,194 Please! Daddy! 1016 01:03:24,267 --> 01:03:25,928 Don't you worry. 1017 01:03:28,838 --> 01:03:31,272 CAMERON: Working on the other side, here's Murdoch, 1018 01:03:31,340 --> 01:03:33,808 getting the boats in the water as quick as he can, 1019 01:03:33,876 --> 01:03:36,868 shoving men, women, children, first-class, third-class. 1020 01:03:36,979 --> 01:03:37,911 He didn't care. 1021 01:03:37,980 --> 01:03:40,448 - May I get in the boat? - I wish you would. 1022 01:03:40,516 --> 01:03:42,507 Yes, ma'am. I n you go. 1023 01:03:42,585 --> 01:03:44,610 Lower away! 1024 01:03:44,687 --> 01:03:46,951 Almost 2/3 of everyone who survived 1025 01:03:47,023 --> 01:03:49,082 have Murdoch to thank for it. 1026 01:03:58,634 --> 01:04:02,570 LYNCH: Moving into the "A" deck promenade with the R. O.V., 1027 01:04:02,672 --> 01:04:05,835 it really looked familiar. 1028 01:04:05,942 --> 01:04:09,036 A long, sweeping, open deck. Half of it was open. 1029 01:04:09,145 --> 01:04:12,308 The forward end was enclosed by large glass windows. 1030 01:04:12,381 --> 01:04:15,009 CAMERON: This is right where they walked, you know? 1031 01:04:15,084 --> 01:04:17,814 John Jacob Astor put Madeline Astor into the lifeboat 1032 01:04:17,887 --> 01:04:20,583 right through one of those windows right there. 1033 01:04:21,757 --> 01:04:23,520 LYNCH: Because she was pregnant, 1034 01:04:23,593 --> 01:04:25,561 he asked Second Officer Lightoller... 1035 01:04:25,628 --> 01:04:26,993 May I accompany my wife? 1036 01:04:27,063 --> 01:04:29,031 No, sir. Women and children only. 1037 01:04:29,098 --> 01:04:29,655 Come on. 1038 01:04:29,732 --> 01:04:31,700 Here, darling. Take these. 1039 01:04:31,767 --> 01:04:34,600 And so he told her he'd be seeing her in New York. 1040 01:04:34,704 --> 01:04:36,433 No, sir. Step aside. 1041 01:04:38,741 --> 01:04:42,700 I've been thinking about my family a lot being out here, 1042 01:04:42,812 --> 01:04:44,575 and we're going on these dives. 1043 01:04:44,647 --> 01:04:47,207 There's an element of risk involved. 1044 01:04:47,283 --> 01:04:48,511 It's a calculated risk. 1045 01:04:48,584 --> 01:04:51,553 But I think the idea of suddenly being on the deck 1046 01:04:51,621 --> 01:04:54,283 and saying, "I love you," you know, 1047 01:04:54,357 --> 01:04:55,984 and trying to bear up. 1048 01:04:56,058 --> 01:04:57,787 "Now, just go in the lifeboats. 1049 01:04:57,860 --> 01:05:00,021 Daddy will be along in a little while. " 1050 01:05:00,096 --> 01:05:01,893 That's just torturous. 1051 01:05:01,964 --> 01:05:04,956 Trying to make your family think that it's okay. 1052 01:05:05,034 --> 01:05:08,128 You're just keeping up a brave face. 1053 01:05:08,237 --> 01:05:09,204 Exactly. 1054 01:05:09,305 --> 01:05:11,865 Also, it's the question of personal character 1055 01:05:11,974 --> 01:05:13,737 that you keep going back to. 1056 01:05:13,809 --> 01:05:16,710 For me, ever since I was a teenager, 1057 01:05:16,779 --> 01:05:20,112 the whole idea is the question of, 1058 01:05:20,182 --> 01:05:22,082 how would I have beared up? 1059 01:05:22,151 --> 01:05:24,517 Would I have had the character to stand back 1060 01:05:24,587 --> 01:05:27,988 and shown that kind of nobility, shown that kind of courage? 1061 01:05:28,057 --> 01:05:33,359 And as we romanticize the image of "Titanic," 1062 01:05:33,429 --> 01:05:35,989 and it's such a romantic time and everything, 1063 01:05:36,065 --> 01:05:37,532 you want to put yourself 1064 01:05:37,600 --> 01:05:39,659 with the men standing there with dignity. 1065 01:05:39,735 --> 01:05:43,000 But you really can't assume 1066 01:05:43,105 --> 01:05:45,869 what your character would be in that moment 1067 01:05:45,942 --> 01:05:48,570 unless you've been through that kind of thing. 1068 01:05:48,644 --> 01:05:50,441 Absolutely. 1069 01:05:50,513 --> 01:05:53,505 SAGALEVITCH: You see the doors, the entrance to first class? 1070 01:05:53,582 --> 01:05:55,015 Yeah. That's the entrance. 1071 01:05:55,084 --> 01:05:58,679 This is where the band played. This open area right here. 1072 01:05:58,754 --> 01:06:00,346 The orchestra would have gathered, 1073 01:06:00,423 --> 01:06:02,789 and they started playing ragtime. 1074 01:06:02,858 --> 01:06:06,726 ["Alexander's Ragtime Band" playing] 1075 01:06:06,796 --> 01:06:10,027 LYNCH: You think of the band in terms of how heroic they were. 1076 01:06:10,099 --> 01:06:12,499 They played, knowing that everyone else 1077 01:06:12,568 --> 01:06:14,798 was getting into a lifeboat except them. 1078 01:06:14,904 --> 01:06:16,929 But how calming that band music was 1079 01:06:17,039 --> 01:06:19,507 to the people who were onboard. 1080 01:06:24,513 --> 01:06:25,707 Okay. 1081 01:06:25,781 --> 01:06:30,184 This right over here should be the Marconi Room. 1082 01:06:30,252 --> 01:06:32,812 MARSCHALL: Everyone knows the important role 1083 01:06:32,888 --> 01:06:35,857 that the Marconi Wireless played that night. 1084 01:06:35,925 --> 01:06:38,951 Senior Marconi Wireless Operator Jack Phillips 1085 01:06:39,028 --> 01:06:42,293 and Junior Operator Harold Bride worked in tandem 1086 01:06:42,365 --> 01:06:43,696 until the very end. 1087 01:06:43,766 --> 01:06:46,667 You should try S. O. S. It's the new signal. 1088 01:06:46,736 --> 01:06:50,570 Yes, it might be our last chance to use it. 1089 01:06:50,673 --> 01:06:53,164 During the final moments of the sinking, 1090 01:06:53,275 --> 01:06:56,142 the ship's power was becoming unstable. 1091 01:06:56,212 --> 01:06:58,578 Harold Bride was in the Silent Room, 1092 01:06:58,647 --> 01:07:02,947 trying to compensate for this loss of power. 1093 01:07:03,019 --> 01:07:06,420 To our great astonishment are the handles, 1094 01:07:06,489 --> 01:07:10,016 the settings still visible on these two field regulators. 1095 01:07:10,092 --> 01:07:14,461 They are in the final settings that this man manipulated. 1096 01:07:14,530 --> 01:07:15,792 Hey, that's better! 1097 01:07:15,865 --> 01:07:18,197 They have the human touch to them. 1098 01:07:23,539 --> 01:07:24,938 MAN: Pull! 1099 01:07:25,875 --> 01:07:27,069 Pull together! 1100 01:07:27,176 --> 01:07:29,508 PAXTON: Many of the boats had been launched half-full. 1101 01:07:31,914 --> 01:07:33,939 Return to the ship! 1102 01:07:34,016 --> 01:07:36,883 - Boat 6! Return. - We need to go back! 1103 01:07:36,952 --> 01:07:38,283 No! 1104 01:07:38,988 --> 01:07:42,185 It's our lives now. Now, row! 1105 01:07:42,258 --> 01:07:45,659 The suction will pull us down if we don't keep going. 1106 01:07:45,728 --> 01:07:48,026 ABERNATH Y: "Titanic" was a stage where God says, 1107 01:07:48,097 --> 01:07:51,692 "You have 21/2 hours to act out the rest of your life. 1108 01:07:51,767 --> 01:07:53,530 What are you gonna be? 1109 01:07:53,602 --> 01:07:56,867 Will you be a hero? Will you be a coward?" 1110 01:07:56,972 --> 01:07:58,906 Time for one more hand. 1111 01:07:58,974 --> 01:08:02,171 - Poker. Five card draw. - [Glass breaking] 1112 01:08:02,244 --> 01:08:04,212 [Creaking] 1113 01:08:04,313 --> 01:08:06,076 Would you fight to survive? 1114 01:08:06,148 --> 01:08:08,582 Would you take your place meekly with the people 1115 01:08:08,651 --> 01:08:11,347 that were relegated to the third-class spaces 1116 01:08:11,420 --> 01:08:14,048 and wait patiently until someone unlocks a gate 1117 01:08:14,123 --> 01:08:15,351 and lets you free? 1118 01:08:15,424 --> 01:08:17,153 - Help us! - What would you do? 1119 01:08:17,226 --> 01:08:19,353 - Please! - How would you act? 1120 01:08:19,428 --> 01:08:21,555 I think it's fortunate that most of us 1121 01:08:21,630 --> 01:08:23,621 will never be put to that test. 1122 01:08:24,767 --> 01:08:27,668 MAN: Any more women or children? 1123 01:08:27,770 --> 01:08:30,295 Anyone else, men? Anyone else? 1124 01:08:30,406 --> 01:08:33,239 Quickly! Quickly, men, quickly! 1125 01:08:33,309 --> 01:08:36,972 Prepare to lower! Ready on the left? 1126 01:08:37,046 --> 01:08:38,479 MARSCHALL: Bruce Ismay. 1127 01:08:38,547 --> 01:08:41,072 He's the guy who was responsible. 1128 01:08:41,150 --> 01:08:44,813 And yet he did survive, when others died. 1129 01:08:44,887 --> 01:08:46,616 Right and left together! 1130 01:08:46,689 --> 01:08:49,715 PAXTON: I don't know which man would've felt worse that night. 1131 01:08:49,792 --> 01:08:53,387 Bruce Ismay, for vetoing more lifeboats, 1132 01:08:53,462 --> 01:08:54,554 or Thomas Andrews, 1133 01:08:54,630 --> 01:08:57,292 for not having fought that decision harder. 1134 01:09:02,671 --> 01:09:05,003 PELLEGRINO: There was absolute pandemonium, 1135 01:09:05,074 --> 01:09:08,043 just chaos as those last boats went down. 1136 01:09:08,110 --> 01:09:09,771 Get back, I say! 1137 01:09:09,845 --> 01:09:11,710 [Gunshots, screaming] 1138 01:09:11,780 --> 01:09:15,216 Get back! Link arms! Form a chain! 1139 01:09:15,284 --> 01:09:17,775 Women and children only, please! 1140 01:09:19,054 --> 01:09:20,043 It was precarious. 1141 01:09:20,122 --> 01:09:24,616 There was one lifeboat where they weren't letting adults in. 1142 01:09:24,693 --> 01:09:26,786 This forced women to decide 1143 01:09:26,862 --> 01:09:29,160 whether they were gonna be separated from their children. 1144 01:09:29,231 --> 01:09:31,165 They were trying to take children only. 1145 01:09:31,233 --> 01:09:33,827 There were so many people and a few lifeboats. 1146 01:09:33,936 --> 01:09:37,963 Several women said, " I am not going without my children. 1147 01:09:38,073 --> 01:09:39,973 They're not leaving without me. " 1148 01:09:40,042 --> 01:09:41,737 They overcrowded that lifeboat, 1149 01:09:41,810 --> 01:09:43,607 but the water was so calm, it made it. 1150 01:09:43,679 --> 01:09:46,944 It had over 70 people, but the water was calm enough. 1151 01:09:47,016 --> 01:09:48,813 It must have been up to the gunwales. 1152 01:09:48,884 --> 01:09:50,681 It was that far above the water. 1153 01:09:50,753 --> 01:09:54,052 You could've put your hand over and trailed it in the water. 1154 01:09:55,124 --> 01:09:56,648 PAXTON: At the very end, 1155 01:09:56,725 --> 01:09:59,421 Murdoch was trying to get collapsible "A" off the roof 1156 01:09:59,495 --> 01:10:01,986 while the ship was sinking out from under it. 1157 01:10:02,064 --> 01:10:03,622 Get back! Get back! 1158 01:10:03,699 --> 01:10:05,894 Step away! Get back! 1159 01:10:09,838 --> 01:10:11,237 Crank this down there, men! 1160 01:10:11,307 --> 01:10:12,774 They cranked the davits in 1161 01:10:12,875 --> 01:10:15,070 to drag the collapsible over the side. 1162 01:10:15,144 --> 01:10:17,612 But by then, it was too late. 1163 01:10:19,515 --> 01:10:21,676 [Water rushing] 1164 01:10:26,455 --> 01:10:30,221 The number-one davit remains in that cranked-in position, 1165 01:10:30,292 --> 01:10:31,623 an unspoken monument 1166 01:10:31,694 --> 01:10:34,720 to Murdoch's dedication and heroism. 1167 01:10:35,931 --> 01:10:37,626 LYNCH: After the lifeboats had gone, 1168 01:10:37,700 --> 01:10:40,294 we have evidence of some third-class passengers 1169 01:10:40,369 --> 01:10:42,098 just going back to their cabins. 1170 01:10:42,204 --> 01:10:45,970 They had no hope of surviving, and they took it gracefully. 1171 01:10:46,041 --> 01:10:49,477 [Creaking, rattling] 1172 01:10:49,578 --> 01:10:54,345 [Screaming in distance] 1173 01:11:21,877 --> 01:11:24,641 To me, it must have been tough for the people who survived, 1174 01:11:24,713 --> 01:11:27,204 knowing they could have possibly gone back 1175 01:11:27,283 --> 01:11:29,945 and rescued some of the people in the water 1176 01:11:30,019 --> 01:11:31,953 once the ship had gone under. 1177 01:11:32,021 --> 01:11:34,148 To go in there would have been suicide 1178 01:11:34,223 --> 01:11:35,315 and nothing less. 1179 01:11:35,391 --> 01:11:37,985 We've got 1, 500 people in the water 1180 01:11:38,060 --> 01:11:40,961 all screaming for help, fighting for their lives. 1181 01:11:41,030 --> 01:11:43,328 You could easily have 50, 100 people 1182 01:11:43,399 --> 01:11:45,333 trying to climb onboard at once. 1183 01:11:45,401 --> 01:11:48,859 They're sitting in a lifeboat, safe. 1184 01:11:48,971 --> 01:11:52,168 To not row back or to have that not in your mind, 1185 01:11:52,274 --> 01:11:54,333 I can't believe that of somebody. 1186 01:11:54,443 --> 01:11:56,308 How safe are you in a lifeboat 1187 01:11:56,378 --> 01:11:58,608 in the middle of the North Atlantic? 1188 01:11:58,681 --> 01:11:59,807 "Titanic" is that thing 1189 01:11:59,882 --> 01:12:02,214 you always try to measure yourself against. 1190 01:12:02,284 --> 01:12:05,583 "What would I have done if I would have been on the deck?" 1191 01:12:05,654 --> 01:12:07,121 Heroism and character 1192 01:12:07,189 --> 01:12:10,590 will always be the domain of the individual, not the group. 1193 01:12:10,659 --> 01:12:13,150 That's what will never change. 1194 01:12:16,598 --> 01:12:17,997 LYNCH: On one of the later dives, 1195 01:12:18,067 --> 01:12:21,594 Jim decided to go back into the first-class spaces on "D" deck 1196 01:12:21,704 --> 01:12:23,331 and have "Mir-2" shine lights 1197 01:12:23,439 --> 01:12:25,999 through those leaded-glass windows from the outside. 1198 01:12:26,108 --> 01:12:28,042 - Getting ready? - Yes. 1199 01:12:28,110 --> 01:12:29,737 Here comes the light. 1200 01:12:29,812 --> 01:12:31,780 MARSCHALL: Nice. 1201 01:12:31,880 --> 01:12:33,541 Perfect. 1202 01:12:43,659 --> 01:12:46,389 MARSCHALL: Not since April 14, 1912, 1203 01:12:46,462 --> 01:12:49,022 had human eyes seen light 1204 01:12:49,098 --> 01:12:52,534 pouring through these beautiful windows. 1205 01:12:56,605 --> 01:12:59,574 LYNCH: A lot of the washstands have fallen over, 1206 01:12:59,641 --> 01:13:02,371 yet here was one that was still upright. 1207 01:13:02,444 --> 01:13:04,537 And so someone took a drink of water, 1208 01:13:04,613 --> 01:13:07,514 set that glass down, and walked out of that room, 1209 01:13:07,583 --> 01:13:11,349 and 90 years later, that glass and that carafe are still there. 1210 01:13:11,420 --> 01:13:15,481 CAMERON: I n the middle of this, you see this perfect object. 1211 01:13:15,557 --> 01:13:17,320 It really ties you to the people. 1212 01:13:17,393 --> 01:13:18,951 It does. 1213 01:13:19,027 --> 01:13:21,052 PELLEGRINO: You still see things 1214 01:13:21,130 --> 01:13:24,065 where people had last left them. 1215 01:13:25,901 --> 01:13:29,302 Lamps still plugged in. 1216 01:13:30,439 --> 01:13:34,842 The medicine bottles still in place. 1217 01:13:36,278 --> 01:13:37,973 It's the things people touched 1218 01:13:38,046 --> 01:13:41,675 that bring the pictures alive in your mind. 1219 01:13:45,421 --> 01:13:48,015 So we're looking at it right here, like this. 1220 01:13:48,090 --> 01:13:49,148 I need more power. 1221 01:13:49,224 --> 01:13:51,454 Come on, baby. React, react, react. 1222 01:13:51,527 --> 01:13:52,926 - We have a problem. - What? 1223 01:13:52,995 --> 01:13:54,929 We got a low-battery warning here. 1224 01:13:54,997 --> 01:13:57,864 Whoa, there's something really terribly wrong here. 1225 01:13:57,933 --> 01:13:59,924 Uh-oh. Are we gonna lose this thing? 1226 01:14:00,002 --> 01:14:01,060 Oh, Jesus. 1227 01:14:01,136 --> 01:14:03,400 - Did we crash? - We're dead. We're dead. 1228 01:14:03,505 --> 01:14:04,972 We're dead and buoyant. 1229 01:14:05,073 --> 01:14:07,735 Drop it. Drop it. Buoyancy right now. 1230 01:14:07,843 --> 01:14:11,108 - Easy, easy, easy. - Battery is starting to die. 1231 01:14:11,180 --> 01:14:13,239 Oh, we're not gonna live. 1232 01:14:14,249 --> 01:14:17,685 Guys, get a visual on us, because we just lost power. 1233 01:14:17,753 --> 01:14:19,948 PAXTON: You're headed for the ceiling. 1234 01:14:20,022 --> 01:14:22,013 You're sitting on the ceiling, Jim. 1235 01:14:22,090 --> 01:14:24,820 We're dead in the water. We have a dead battery. 1236 01:14:24,893 --> 01:14:27,453 We're watching you. We're gonna sit and watch you. 1237 01:14:27,529 --> 01:14:29,656 PAXTON: The whole thing was melting down. 1238 01:14:29,731 --> 01:14:32,723 The batteries, they were melting down and venting. 1239 01:14:32,801 --> 01:14:33,825 It was very bizarre. 1240 01:14:33,902 --> 01:14:36,769 It was like, "Houston, we have a problem. " 1241 01:14:38,907 --> 01:14:41,933 They flew beautifully right up until the point 1242 01:14:42,044 --> 01:14:46,378 that we had an absolute, total major-malfunction system crash. 1243 01:14:48,884 --> 01:14:50,511 CAMERON: I've had a debate with myself 1244 01:14:50,586 --> 01:14:53,111 as to whether I would even ever try a rescue, 1245 01:14:53,188 --> 01:14:55,213 because better to lose one than two. 1246 01:14:55,290 --> 01:14:56,621 It's almost a straight shot, 1247 01:14:56,692 --> 01:14:58,922 except there's a couple of columns in the way. 1248 01:14:58,994 --> 01:15:01,394 I think there's a way to bring it back. 1249 01:15:01,463 --> 01:15:04,261 Yeah, it's not too far from the stairwell. 1250 01:15:04,333 --> 01:15:05,265 No. 1251 01:15:05,334 --> 01:15:08,929 But the first thing we got to do is get some weight on it. 1252 01:15:09,037 --> 01:15:11,164 The weight with a piece of Velcro on top. 1253 01:15:11,273 --> 01:15:12,865 I want to fly up underneath it 1254 01:15:12,975 --> 01:15:14,943 and stick the weight to the bottom, 1255 01:15:15,010 --> 01:15:16,204 sink it to the floor, 1256 01:15:16,278 --> 01:15:18,746 then come up, dock with it and carry it out. 1257 01:15:18,814 --> 01:15:20,975 That's the only way to do it. 1258 01:15:21,049 --> 01:15:23,517 Let me know if I'm going too fast. 1259 01:15:28,123 --> 01:15:30,091 PAXTON: We had to rescue Elwood, 1260 01:15:30,158 --> 01:15:32,626 not just because these bots are expensive, 1261 01:15:32,694 --> 01:15:34,889 but because, in some strange way, 1262 01:15:34,963 --> 01:15:37,022 he'd become part of the crew. 1263 01:15:37,099 --> 01:15:40,068 Oh, where, oh, where is my little bot now? 1264 01:15:41,570 --> 01:15:43,504 Look up. Look up. 1265 01:15:43,572 --> 01:15:45,062 Hello, Elwood. 1266 01:15:45,173 --> 01:15:48,973 MAN: We tried to attach weights to the R. O.V. 1267 01:15:49,044 --> 01:15:51,638 To make it come down off the ceiling. 1268 01:15:51,713 --> 01:15:53,874 If I can just go forward. 1269 01:15:57,586 --> 01:15:59,383 What the hell was that? 1270 01:15:59,454 --> 01:16:01,922 Something fell. I don't know. 1271 01:16:03,525 --> 01:16:05,459 See, we're thrusting up against it, 1272 01:16:05,527 --> 01:16:08,553 so it may not come down right away. 1273 01:16:08,630 --> 01:16:12,259 All right, so let me get set for the separation maneuver. 1274 01:16:16,004 --> 01:16:17,699 It's on there. 1275 01:16:17,806 --> 01:16:20,240 It's on there. We have it. 1276 01:16:21,543 --> 01:16:25,639 I'm gonna have to get out of this no matter what. 1277 01:16:25,714 --> 01:16:28,774 Otherwise, we're not coming home. 1278 01:16:28,850 --> 01:16:30,477 I'm going out. 1279 01:16:34,623 --> 01:16:36,250 Oh! 1280 01:16:37,459 --> 01:16:38,551 Link error. 1281 01:16:38,627 --> 01:16:40,458 We lost... 1282 01:16:42,197 --> 01:16:44,188 It's gonna come past us in a second. 1283 01:16:44,266 --> 01:16:46,234 We might as well get it on tape. 1284 01:16:47,769 --> 01:16:49,532 Here she comes. 1285 01:16:51,907 --> 01:16:53,772 Say goodbye. 1286 01:16:54,743 --> 01:16:57,871 LYNCH: Probably two hours without radio contact from Jim. 1287 01:16:57,946 --> 01:16:59,538 All we hear over the radio is... 1288 01:16:59,615 --> 01:17:01,048 Say goodbye to Jake. 1289 01:17:01,116 --> 01:17:03,277 "Say goodbye to Jake"? 1290 01:17:05,554 --> 01:17:07,112 What's happened? 1291 01:17:07,189 --> 01:17:08,952 Hit our own tether. 1292 01:17:09,024 --> 01:17:10,389 Cable broke. 1293 01:17:10,459 --> 01:17:13,155 ABERNATH Y: I can't imagine what it was like in Jim's sub. 1294 01:17:13,228 --> 01:17:15,093 He goes through a range of emotions. 1295 01:17:15,163 --> 01:17:19,497 He loses one robot. Then he loses a second robot. 1296 01:17:20,936 --> 01:17:22,995 Well, we got our ceiling scenario, 1297 01:17:23,105 --> 01:17:25,073 and we got our kite scenario. 1298 01:17:26,708 --> 01:17:31,008 The two ways we thought we could actually lose these things. 1299 01:17:34,883 --> 01:17:37,545 LYNCH: And after a quick exchange, 1300 01:17:37,619 --> 01:17:40,144 we noticed the tether coming up past our sub. 1301 01:17:40,222 --> 01:17:44,158 Genya grabs the joysticks that control the sub manipulators. 1302 01:17:44,226 --> 01:17:47,354 And he grabs the tether and starts winding the tether up 1303 01:17:47,429 --> 01:17:49,329 around the arms of the manipulators. 1304 01:17:49,398 --> 01:17:51,730 This is scary. See what he's doing? 1305 01:17:51,800 --> 01:17:54,633 If he breaks it before he gets a wrap on it... 1306 01:17:56,238 --> 01:17:59,833 Oh, my God. I can't watch this. 1307 01:17:59,941 --> 01:18:02,136 You're scaring me now, Genya. 1308 01:18:02,210 --> 01:18:04,906 To wind up this tether, it took 30, 35 minutes 1309 01:18:04,980 --> 01:18:07,414 of the same motion over and over and over, 1310 01:18:07,482 --> 01:18:08,574 winding this up. 1311 01:18:08,650 --> 01:18:12,211 35 minutes that we've been at this. 1312 01:18:12,287 --> 01:18:14,915 - Hey! - Let's see it. 1313 01:18:14,990 --> 01:18:17,151 I thought it was on the ground. 1314 01:18:17,225 --> 01:18:19,159 You got him. All stop. All stop. 1315 01:18:19,227 --> 01:18:22,424 Our next task is to take a Velcro patch 1316 01:18:22,497 --> 01:18:24,692 and slap it on top of the robot 1317 01:18:24,766 --> 01:18:28,964 with the manipulator arms and pull the robot in that way. 1318 01:18:29,071 --> 01:18:31,164 - You got him. - Still got it. 1319 01:18:32,808 --> 01:18:34,571 As Genya is pulling up on it, 1320 01:18:34,643 --> 01:18:37,612 the Velcro rips off the robot, and for this brief second, 1321 01:18:37,679 --> 01:18:40,614 the entire robot was free and starts floating back up. 1322 01:18:40,682 --> 01:18:42,650 There's no tether holding it. 1323 01:18:42,718 --> 01:18:45,209 It's free. Grab it. Grab it any way you can. 1324 01:18:45,287 --> 01:18:48,381 Genya, the most amazing operator of any machinery 1325 01:18:48,457 --> 01:18:52,052 I've ever seen in my life, grabbed these manipulators. 1326 01:18:52,127 --> 01:18:54,994 He pulls it back in and hugs it tight to the "Mir. " 1327 01:18:55,063 --> 01:18:56,928 I'm going gray over here. 1328 01:18:59,000 --> 01:19:00,991 I think he's got it in that garage. 1329 01:19:01,103 --> 01:19:03,970 He's got the tool out. I saw the tool. Yes! 1330 01:19:04,039 --> 01:19:05,165 Whoo! 1331 01:19:05,273 --> 01:19:07,138 - Garage closed. - [Laughs] 1332 01:19:07,209 --> 01:19:08,608 He lives another day! 1333 01:19:08,677 --> 01:19:10,645 Oh, my God! 1334 01:19:11,346 --> 01:19:13,871 I do believe Genya deserves a raise. 1335 01:19:13,949 --> 01:19:17,407 I do believe you owe everybody here a beer. 1336 01:19:17,486 --> 01:19:20,683 CAMERON: Dude, I'll buy you a brewery. 1337 01:19:20,756 --> 01:19:24,419 That was incredible. That was absolutely incredible. 1338 01:19:27,596 --> 01:19:30,463 The R. O.V. Department was almost out of a job. 1339 01:19:30,532 --> 01:19:31,897 Was that amazing? 1340 01:19:31,967 --> 01:19:35,562 That was the most amazing thing I've ever seen. 1341 01:19:35,670 --> 01:19:37,638 I think I aged a year. 1342 01:19:37,739 --> 01:19:40,139 And we sat there, and we just watched him 1343 01:19:40,208 --> 01:19:42,438 just fly up out of the grand staircase 1344 01:19:42,511 --> 01:19:43,637 and keep on going. 1345 01:19:43,712 --> 01:19:47,978 Genya wound it all in like a kid winding up a kite string. 1346 01:19:48,049 --> 01:19:49,641 Great job, man. Good job. 1347 01:19:49,718 --> 01:19:51,811 So we got the rescue half done. 1348 01:19:51,887 --> 01:19:55,186 We installed the weight, and then we had a problem. 1349 01:19:55,257 --> 01:19:58,556 We saw it with the weight hanging on it. 1350 01:19:58,627 --> 01:20:00,618 I don't know if it came down or not. 1351 01:20:00,695 --> 01:20:04,153 I think metal hooks would work if you get a fishing lure 1352 01:20:04,232 --> 01:20:06,200 that you can stab into the screen 1353 01:20:06,268 --> 01:20:08,736 and pull it out by the screen. 1354 01:20:19,915 --> 01:20:22,406 CAMERON: I told you we'd nab him. 1355 01:20:23,485 --> 01:20:25,077 LEDDA: Just remember, when you hook up, 1356 01:20:25,153 --> 01:20:27,417 peel away to your right. 1357 01:20:32,194 --> 01:20:33,456 Come on, baby. 1358 01:20:35,964 --> 01:20:37,522 - We're in. - We're in. 1359 01:20:37,599 --> 01:20:38,998 - I n? - We're in. 1360 01:20:39,067 --> 01:20:42,764 Now I'm gonna sit for a minute. 1361 01:20:45,040 --> 01:20:47,099 Take a little break. 1362 01:20:47,209 --> 01:20:50,406 Very good. Excellent. Excellent. 1363 01:20:50,478 --> 01:20:51,945 We're halfway. 1364 01:20:53,114 --> 01:20:55,412 There's nothing in front of him. 1365 01:20:55,483 --> 01:20:59,044 Push him a little bit, and I think we busted loose. 1366 01:20:59,120 --> 01:21:01,281 - Hooks pulled out. - Put him in the cage. 1367 01:21:01,356 --> 01:21:02,380 Hooks pulled out. 1368 01:21:02,457 --> 01:21:06,154 And I think we knocked him off his weight. 1369 01:21:07,495 --> 01:21:10,362 Yeah, the weight would've come off anyway, though. 1370 01:21:11,900 --> 01:21:13,060 All right. 1371 01:21:13,134 --> 01:21:15,364 The question is, do we have another try? 1372 01:21:15,470 --> 01:21:16,937 Something's right over me. 1373 01:21:17,005 --> 01:21:19,098 Oh, there we go. Got rid of that. 1374 01:21:19,207 --> 01:21:20,231 Now we're rising. 1375 01:21:20,342 --> 01:21:23,106 All right. Time to go for the kill. 1376 01:21:23,178 --> 01:21:25,237 Okay. Not the center. 1377 01:21:25,313 --> 01:21:27,178 We could bend our hooks on the... 1378 01:21:27,249 --> 01:21:28,409 Oh, that looked good. 1379 01:21:28,483 --> 01:21:32,783 Push him a little bit, then all back full, yaw right. 1380 01:21:32,854 --> 01:21:34,116 The hooks still there? 1381 01:21:34,189 --> 01:21:35,247 Negative. 1382 01:21:35,323 --> 01:21:36,221 It looks good. 1383 01:21:36,291 --> 01:21:39,124 Let's go for a drive and see if he comes with us. 1384 01:21:41,096 --> 01:21:44,497 Oh, I'm yawing in a weird way, so that must mean I have him, 1385 01:21:44,566 --> 01:21:46,727 so I'm just gonna keep playing him. 1386 01:21:46,801 --> 01:21:49,429 I'm gonna play the hand. 1387 01:21:49,537 --> 01:21:52,472 I think the door is down there. Tell him we're here. 1388 01:21:52,540 --> 01:21:54,940 "Mir-1," we see the door. We're on station. 1389 01:21:55,010 --> 01:21:56,773 There's the light. 1390 01:21:56,845 --> 01:21:58,335 Tell them we see them. 1391 01:21:58,446 --> 01:22:00,710 "Mir-2," "Mir-2," we see your lights. 1392 01:22:00,782 --> 01:22:02,409 Maintain position. 1393 01:22:02,484 --> 01:22:04,611 - All right. - There's the way out. 1394 01:22:04,686 --> 01:22:06,449 Hanging up. 1395 01:22:06,521 --> 01:22:08,546 I'm hung up. We're stopped. 1396 01:22:08,623 --> 01:22:10,989 And we're stuck. 1397 01:22:11,059 --> 01:22:14,517 See it? It's like hitting a wall. 1398 01:22:15,530 --> 01:22:19,864 We are hung up solid. Absolutely solid. 1399 01:22:19,935 --> 01:22:21,232 Nothing. 1400 01:22:23,538 --> 01:22:25,335 I think we lost it. 1401 01:22:32,847 --> 01:22:35,008 I don't know what to do. 1402 01:22:38,987 --> 01:22:42,650 I'm sure nothing's changed, but we'll try it again. 1403 01:22:43,992 --> 01:22:47,826 Okay. I'm gonna back up, take a little leash. 1404 01:22:49,597 --> 01:22:51,758 And then charge it. 1405 01:22:56,905 --> 01:22:59,840 Now we get to the same spot, and... 1406 01:23:00,742 --> 01:23:01,709 Hey. 1407 01:23:03,278 --> 01:23:05,303 - We're going. - LEDDA: You're going. 1408 01:23:05,380 --> 01:23:10,943 Go toward the light, Jake. Go toward the light. 1409 01:23:12,120 --> 01:23:14,554 Oh, come on, baby. Come on. 1410 01:23:14,622 --> 01:23:17,819 LEDDA: "Mir-2," "Mir-2," tilt your light down. 1411 01:23:17,892 --> 01:23:20,383 Tilt your light down. 1412 01:23:20,462 --> 01:23:22,896 LYNCH: Copy that. Tilting it down. 1413 01:23:22,964 --> 01:23:25,159 I keep feeling shocks. 1414 01:23:25,233 --> 01:23:26,723 I think I still have him. 1415 01:23:26,801 --> 01:23:30,168 Oh, that's why. They're coming this way. 1416 01:23:30,271 --> 01:23:33,707 Tell them to take a visual on us and see if we have Elwood. 1417 01:23:33,808 --> 01:23:36,538 - Look at that. - Do you see Elwood? 1418 01:23:36,611 --> 01:23:38,602 Oh, my God. He got it! 1419 01:23:38,713 --> 01:23:40,840 LYNCH: It looks great. It's beautiful. 1420 01:23:40,915 --> 01:23:44,282 Do you see Elwood? Do you see Elwood? 1421 01:23:44,352 --> 01:23:45,341 Yes, we do. 1422 01:23:45,420 --> 01:23:46,978 We got him. 1423 01:23:47,055 --> 01:23:49,853 # Just the two of us # 1424 01:23:49,924 --> 01:23:52,358 # We can make it if we try # 1425 01:23:52,427 --> 01:23:54,918 # Just the two of us # 1426 01:23:54,996 --> 01:23:57,089 # Just the two of us # 1427 01:23:57,165 --> 01:23:58,962 # Just the two of us # 1428 01:23:59,034 --> 01:24:01,628 We pulled it off, Daddy-O. 1429 01:24:01,736 --> 01:24:02,634 Yeah. 1430 01:24:02,737 --> 01:24:03,635 Whoo. 1431 01:24:03,738 --> 01:24:05,137 Great job. 1432 01:24:05,206 --> 01:24:06,730 Everybody did a great job. 1433 01:24:06,841 --> 01:24:09,867 MARSCHALL: Elwood is safe and sound. 1434 01:24:09,978 --> 01:24:17,646 And the time is 6: 16, September 11, 2001. 1435 01:24:19,020 --> 01:24:20,248 See you later. 1436 01:24:25,660 --> 01:24:27,389 What's this thing that's going on? 1437 01:24:27,462 --> 01:24:30,022 The worst terrorist attack in history, Jim. 1438 01:24:30,098 --> 01:24:32,828 CAMERON: We all were wrapped up in what we were doing 1439 01:24:32,901 --> 01:24:34,801 and thought it was important. 1440 01:24:34,869 --> 01:24:37,997 Hit by two separate hijacked commercial jets... 1441 01:24:38,106 --> 01:24:40,199 And then this horrible event happened 1442 01:24:40,308 --> 01:24:42,333 and slammed us into this perspective. 1443 01:24:42,444 --> 01:24:43,468 God. 1444 01:24:49,984 --> 01:24:52,976 LYNCH: The morning after the attack on September 11th, 1445 01:24:53,054 --> 01:24:56,751 I kept thinking how trivial this expedition suddenly became. 1446 01:24:56,825 --> 01:25:00,022 It just wasn't a big deal anymore. 1447 01:25:07,235 --> 01:25:11,296 MARSCHALL: The emotional parallels came first. 1448 01:25:11,406 --> 01:25:13,374 We now understood what it felt like 1449 01:25:13,475 --> 01:25:16,308 to be a witness to tragedy. 1450 01:25:16,377 --> 01:25:18,868 The sense of shock and numbness 1451 01:25:18,980 --> 01:25:23,144 and the disbelief that the unthinkable has happened. 1452 01:25:23,218 --> 01:25:24,810 It does happen. 1453 01:25:24,886 --> 01:25:27,411 Occasionally, life sits on your head. 1454 01:25:30,358 --> 01:25:34,522 But, hey, I've been knocked down before. 1455 01:25:34,596 --> 01:25:36,530 We all have. We get up. 1456 01:25:36,598 --> 01:25:37,997 We go on. 1457 01:25:41,970 --> 01:25:44,598 I think that's what makes us great. 1458 01:25:50,245 --> 01:25:54,011 PAXTON: Everyone decided to continue the expedition. 1459 01:25:54,082 --> 01:25:57,210 I think that after we'd gotten over the initial shock, 1460 01:25:57,285 --> 01:26:00,015 "Titanic" did seem to become important again. 1461 01:26:00,088 --> 01:26:02,886 Not so much for itself, but as a symbol 1462 01:26:02,957 --> 01:26:05,755 of what can happen when warnings go unheeded 1463 01:26:05,827 --> 01:26:08,489 and how I think we all hope to face death 1464 01:26:08,563 --> 01:26:09,996 when it comes. 1465 01:26:11,733 --> 01:26:15,726 PELLEGRINO: Archie Frost was in the engine room that night. 1466 01:26:15,837 --> 01:26:18,533 Just barely into his twenties 1467 01:26:18,640 --> 01:26:21,268 and had worked with Thomas Andrews 1468 01:26:21,376 --> 01:26:23,344 when the ship was being built. 1469 01:26:23,444 --> 01:26:26,971 After a certain point, Andrews had come down and told them, 1470 01:26:27,048 --> 01:26:29,812 "The ship does not have much time to live, 1471 01:26:29,884 --> 01:26:33,911 and if you stay here, you will die. " 1472 01:26:33,988 --> 01:26:35,421 Archie Frost said, 1473 01:26:35,490 --> 01:26:39,551 "We'll stay here as long as we need to be here. " 1474 01:26:39,627 --> 01:26:41,527 Those are the everyday heroes. 1475 01:26:41,596 --> 01:26:43,564 The people who ran those machines, 1476 01:26:43,631 --> 01:26:45,223 kept the generators running, 1477 01:26:45,300 --> 01:26:47,928 and kept power for the telegraph going, 1478 01:26:48,002 --> 01:26:51,768 who kept the crowds calm. 1479 01:26:51,873 --> 01:26:56,810 You find the ordinary hero that was standing next to you. 1480 01:27:08,423 --> 01:27:11,517 PAXTON: When you see the stern 1481 01:27:11,593 --> 01:27:14,687 where 1, 500 people had died, 1482 01:27:14,762 --> 01:27:17,060 I don't really know how to describe it. 1483 01:27:24,939 --> 01:27:27,407 MARSCHALL: You can't help but be emotional. 1484 01:27:27,475 --> 01:27:30,171 There's no doubt people were taken to the bottom 1485 01:27:30,245 --> 01:27:31,542 in the stern. 1486 01:27:31,613 --> 01:27:33,274 But they're no longer there. 1487 01:27:33,348 --> 01:27:35,543 Every trace of their human existence 1488 01:27:35,617 --> 01:27:37,983 has been dissolved into the ocean. 1489 01:27:39,454 --> 01:27:40,751 CAMERON: Okay, "Mir-2." 1490 01:27:40,822 --> 01:27:44,417 Get in position to lay the plaque. 1491 01:27:44,492 --> 01:27:48,394 LYNCH: Jim, getting into position to lay plaque. 1492 01:27:53,668 --> 01:27:57,399 PAXTON: "The 1,500 souls lost here still speak, 1493 01:27:57,505 --> 01:28:01,441 reminding us always that the unthinkable can happen 1494 01:28:01,542 --> 01:28:06,775 but for our vigilance, humility, and compassion. " 1495 01:28:08,016 --> 01:28:10,007 Goodbye. 1496 01:28:23,698 --> 01:28:26,428 We had been at sea a long time. 1497 01:28:26,501 --> 01:28:30,460 I was thinking about being home again. 1498 01:28:37,979 --> 01:28:40,277 On the final day, as we left, 1499 01:28:40,348 --> 01:28:43,181 at the stern of the ship was a white rainbow. 1500 01:28:43,251 --> 01:28:48,314 It was almost like a halo effect over the wreck of the "Titanic. " 1501 01:28:48,389 --> 01:28:52,189 And it had an ethereal feel to it. 1502 01:28:53,261 --> 01:28:56,992 I think you leave "Titanic," but it never leaves you. 1503 01:28:57,065 --> 01:28:58,623 It's always there. 1504 01:28:58,700 --> 01:29:01,669 And many times, when I close my eyes, 1505 01:29:01,736 --> 01:29:07,697 I'm suddenly back there, floating over the wreck, 1506 01:29:07,775 --> 01:29:10,972 and I feel like I am a ghost of the abyss. 1507 01:29:20,973 --> 01:29:23,773 [Lisa Torban's "Darkness, Darkness" plays] 113852

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