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1
00:02:34,587 --> 00:02:36,589
[Car radio]
WELL, FOLKS,
2
00:02:36,589 --> 00:02:38,591
THE STORM THAT'S BEEN
BATTERING PUERTO RICO
3
00:02:38,591 --> 00:02:41,094
IS HEADING FOR MIAMI.
4
00:02:41,094 --> 00:02:43,596
IT'S PACKING WINDS
OF 90 MILES AN HOUR,
5
00:02:43,596 --> 00:02:46,099
SO BATTEN DOWN THE HATCHES,
SOUTH FLORIDA.
6
00:02:46,099 --> 00:02:48,601
LOOKS LIKE THE MEAN SEASON
IS FINALLY HERE.
7
00:02:48,601 --> 00:02:50,603
COACH DON SHULA WELCOMED
A NEW CROP OF ROOKIES
8
00:02:50,603 --> 00:02:52,605
TO THE MIAMI DOLPHINS'
9
00:02:52,605 --> 00:02:53,489
FIRST TRAINING CAMP SESSION
OF THE YEAR.
10
00:03:02,866 --> 00:03:04,367
HI, MAL.
11
00:03:04,367 --> 00:03:05,368
HOW'S
IT GOING?
12
00:03:05,368 --> 00:03:06,870
HEY, JACK.
13
00:03:06,870 --> 00:03:07,871
HEY! HEY,
WELCOME BACK.
14
00:03:08,371 --> 00:03:11,374
HOW YOU DOING, JIM?
15
00:03:11,374 --> 00:03:14,878
HEY, PORTER.
HOW'S IT GOING?
16
00:03:15,378 --> 00:03:19,382
I THOUGHT YOU WEREN'T
COMING BACK TILL MONDAY.
17
00:03:19,382 --> 00:03:21,885
TODAY'S FIGURES
CAUGHT EVERYONE BY SURPRISE,
18
00:03:21,885 --> 00:03:23,386
BUT SOME
PRIVATE ECONOMISTS...
19
00:03:23,887 --> 00:03:30,393
I DON'T THINK
I'M COMING BACK AT ALL.
20
00:03:30,393 --> 00:03:32,395
SAUL, HOW YOU DOING?
21
00:03:32,395 --> 00:03:33,396
MARY LOU.
22
00:03:33,396 --> 00:03:33,897
HI.
23
00:03:46,910 --> 00:03:48,411
WHAT, AREN'T YOU
GOING TO SAY ANYTHING?
24
00:03:48,411 --> 00:03:49,913
DON'T WANT TO INTRUDE.
25
00:03:49,913 --> 00:03:50,914
YOU LOOK TERRIBLE.
26
00:03:50,914 --> 00:03:52,415
HA HA!
27
00:03:52,415 --> 00:03:54,417
WHAT ARE YOU HACKING ON?
28
00:03:54,918 --> 00:03:56,419
MAN'S PET OCELOT
MAULED HIS WIFE.
29
00:03:56,920 --> 00:03:59,422
THAT SOUNDS GOOD.
30
00:03:59,422 --> 00:04:01,424
LOSE SOMETHING?
31
00:04:01,424 --> 00:04:03,426
A LITTLE ENTHUSIASM,
32
00:04:03,426 --> 00:04:06,429
AMBITION, DRIVE...
33
00:04:06,930 --> 00:04:08,431
TIME, MOSTLY.
34
00:04:08,431 --> 00:04:09,933
,
IT'S BROWN,
IT'S A LITTLE BOOK
35
00:04:10,433 --> 00:04:11,434
AND YOU KNOW
WHERE IT IS.
36
00:04:11,434 --> 00:04:12,435
I DO NOT.
37
00:04:12,936 --> 00:04:13,937
.
HE'S LEAVING AGAIN
38
00:04:14,437 --> 00:04:15,438
OH.
HE LIKED COLORADO.
39
00:04:15,939 --> 00:04:17,440
I LOVED IT.
40
00:04:17,440 --> 00:04:19,442
I LOVE THE NATURE
OF THEIR NEWS.
41
00:04:19,442 --> 00:04:20,944
[Kathy]
THIS IS TERRIFIC.
42
00:04:20,944 --> 00:04:22,946
NOLAN'S FINALLY GOING
TO KNOW HOW GOOD I AM.
43
00:04:23,446 --> 00:04:24,447
THAT'S WHY I WANT
TO QUIT, KATHY.
44
00:04:24,447 --> 00:04:25,448
THERE IT IS.
45
00:04:25,949 --> 00:04:27,951
HOW BUSY ARE YOU?
46
00:04:27,951 --> 00:04:30,954
FOUND A BODY SHOT IN THE HEAD
ON BAGGS BEACH.
47
00:04:30,954 --> 00:04:33,456
I CAN TELL HIM.
48
00:04:33,957 --> 00:04:35,091
GO WHILE
IT'S STILL NEWS.
49
00:04:35,591 --> 00:04:37,093
I JUST GOT HERE.
50
00:04:37,093 --> 00:04:39,095
GIVE IT TO HER.
I DON'T WANT IT.
51
00:04:39,595 --> 00:04:41,597
SHE'S ONLY BEEN
OUT OF SCHOOL 3 WEEKS.
52
00:04:41,597 --> 00:04:42,348
[Kathy]
THREE YEARS.
53
00:04:42,348 --> 00:04:43,850
YOU DON'T LISTEN.
54
00:04:43,850 --> 00:04:46,352
BILL,
I'M BURNED OUT HERE.
55
00:04:46,853 --> 00:04:47,854
YOU'RE IN A SLUMP.
56
00:04:47,854 --> 00:04:48,855
IT'S MORE THAN THAT.
57
00:04:48,855 --> 00:04:49,856
KATHY, IS THAT
THE WEEKENDER PIECE?
58
00:04:49,856 --> 00:04:51,357
YES.
59
00:04:51,357 --> 00:04:52,859
O
SAVE IT. STORM
OFF PUERTO RIC
60
00:04:52,859 --> 00:04:54,360
.
GOT UPGRADED
TO A HURRICANE
61
00:04:54,360 --> 00:04:55,862
HER NAME'S ANNIE.
62
00:04:55,862 --> 00:04:56,863
CAN I HAVE A MINUTE?
63
00:04:56,863 --> 00:04:58,865
I DON'T HAVE
A MINUTE.
64
00:04:58,865 --> 00:05:01,868
I'LL HAVE ONE
LATER. HERE.
65
00:05:01,868 --> 00:05:03,369
LATER.
66
00:05:03,369 --> 00:05:04,370
I CAN COUNT ON IT?
67
00:05:04,370 --> 00:05:05,872
HEY.
68
00:05:05,872 --> 00:05:06,873
PORTER'S
GOING WITH YOU.
69
00:05:07,373 --> 00:05:09,375
O.K., BILL.
70
00:05:09,375 --> 00:05:18,885
TRY AND GET
SOME GOOD STILLS
THIS TIME, ANDY.
71
00:05:18,885 --> 00:05:20,887
WHEN YOU GOING
TO HAVE SOMETHING, DOC?
72
00:05:20,887 --> 00:05:23,890
UM...TUESDAY,
PROBABLY.
73
00:05:23,890 --> 00:05:25,391
WE GOT A SOFTBALL GAME
SUNDAY. WANT TO PLAY?
74
00:05:25,892 --> 00:05:26,392
I DON'T KNOW.
75
00:05:26,893 --> 00:05:28,895
YOU O.K.? HEY.
76
00:05:28,895 --> 00:05:29,896
WHAT'S THE STORY?
77
00:05:29,896 --> 00:05:31,397
COME HERE.
78
00:05:31,397 --> 00:05:32,398
HOW WAS THE TRIP?
79
00:05:32,398 --> 00:05:33,900
NOT BAD.
80
00:05:33,900 --> 00:05:35,401
THE QUALITY OF OUR
LOCAL CRIME HASN'T
IMPROVED ANY.
81
00:05:35,401 --> 00:05:37,904
I HEAR THAT.
82
00:05:37,904 --> 00:05:39,405
WAS SHE RAPED,
MOLESTED, OR WHAT?
83
00:05:39,906 --> 00:05:41,407
HAD HER CLOTHES ON.
DOC, ANY ACTION?
84
00:05:41,407 --> 00:05:44,410
.
NOT LIKELY
85
00:05:44,410 --> 00:05:46,412
WHERE'S THAT JOGGER?
86
00:05:46,412 --> 00:05:46,913
IS HE THE GUY
I WANT TO TALK TO?
87
00:05:47,413 --> 00:05:49,916
OVER THERE.
88
00:05:49,916 --> 00:05:50,917
HI. MALCOLM ANDERSON,
JOURNAL.
89
00:05:50,917 --> 00:05:51,918
HOW ARE YOU?
90
00:05:52,418 --> 00:05:54,420
YOU RUN BY HERE
EVERY DAY?
91
00:05:54,420 --> 00:05:55,922
COUPLE TIMES A WEEK.
92
00:05:56,422 --> 00:05:57,924
UH-HUH.
93
00:05:57,924 --> 00:05:59,926
YOU MUST,
94
00:05:59,926 --> 00:06:01,928
MUST REALLY HAVE
SHARP EYES, 'CAUSE--
95
00:06:01,928 --> 00:06:04,430
NO, NO. I WAS RUNNING
ALONG THE BEACH,
96
00:06:04,931 --> 00:06:07,433
AND I JUST WALKED UP
THROUGH HERE,
97
00:06:07,433 --> 00:06:09,936
.
AND I ALMOST
STEPPED ON HER
98
00:06:09,936 --> 00:06:12,438
IF SOME KID FOUND THIS,
99
00:06:12,438 --> 00:06:14,057
IT REALLY COULD HAVE MESSED
HIM UP FOR A COUPLE YEARS.
100
00:06:14,057 --> 00:06:17,060
TALK TO YOU
LATER.
101
00:06:17,060 --> 00:06:18,061
YEAH,
I THOUGHT ABOUT THAT.
102
00:06:18,561 --> 00:06:20,063
I GOT A COUPLE OF KIDS.
103
00:06:20,063 --> 00:06:21,564
[Malcolm]
I NEED YOUR NAME.
104
00:06:21,564 --> 00:06:23,066
LISTEN,
I'D RATHER YOU WOULDN'T.
105
00:06:23,066 --> 00:06:25,568
I DON'T WANT
TO GET INVOLVED IN THIS.
106
00:06:25,568 --> 00:06:26,569
NO PROBLEM.
THANKS A LOT.
107
00:06:51,477 --> 00:06:57,350
[Car doors slam]
108
00:06:57,350 --> 00:06:58,851
NOTHING LIKE BLOOD,
SHIT, AND HOT WEATHER
109
00:06:59,352 --> 00:07:00,853
TO BRING OUT THE FLIES.
110
00:07:00,853 --> 00:07:01,854
ONE OF THESE DAYS,
111
00:07:02,355 --> 00:07:04,357
I JUST MIGHT CATCH YOU
IN A BAD MOOD.
112
00:07:04,357 --> 00:07:05,358
IT'S NOT GOOD
FOR YOUR HEALTH.
113
00:07:05,358 --> 00:07:06,359
COME ON.
114
00:07:06,359 --> 00:07:07,860
GIVE IT A REST.
115
00:07:07,860 --> 00:07:08,861
IS THIS
THE GIRL'S FATHER?
116
00:07:09,362 --> 00:07:11,864
MR. HOOKS?
117
00:07:11,864 --> 00:07:16,369
MR. HOOKS?
BLUE CAR, SIR.
118
00:07:16,369 --> 00:07:17,870
YOU TAKING HIM DOWN
TO MAKE THE I.D., RAY?
119
00:07:17,870 --> 00:07:19,372
K
YEAH. I DON'T THIN
120
00:07:19,372 --> 00:07:23,376
.
THE MOTHER'S
QUITE UP TO IT
121
00:07:23,876 --> 00:07:28,881
CAN I TALK TO HER?
122
00:07:28,881 --> 00:07:31,634
COME HERE.
123
00:07:31,634 --> 00:07:34,137
MRS. HOOKS?
124
00:07:34,137 --> 00:07:35,638
THIS IS
MALCOLM
ANDERSON
125
00:07:35,638 --> 00:07:36,639
FROM THE
JOURNAL.
126
00:07:36,639 --> 00:07:38,141
HOW DO YOU DO,
MA'AM?
127
00:07:38,141 --> 00:07:39,142
HE WOULDN'T
MIND STAYING
WITH YOU
128
00:07:39,642 --> 00:07:40,643
UNTIL
YOUR HUSBAND
CALLS.
129
00:07:41,144 --> 00:07:41,644
IS THAT
ALL RIGHT?
130
00:07:41,644 --> 00:07:43,146
YES.
131
00:07:43,146 --> 00:07:44,647
I THINK
IT'LL BE
A GOOD IDEA.
132
00:07:44,647 --> 00:07:45,148
THANKS, RAY.
133
00:07:56,159 --> 00:07:59,295
??[Soft music]
134
00:07:59,795 --> 00:08:01,297
[Malcolm]
I HAVE THE FEELING
135
00:08:01,297 --> 00:08:02,298
THAT SARAH'S REALLY
VERY POPULAR.
136
00:08:02,298 --> 00:08:09,805
SHE IS.
137
00:08:09,805 --> 00:08:12,808
I DON'T KNOW
WHAT SARAH'S GOING
TO WANT TO DO.
138
00:08:12,808 --> 00:08:14,810
I IMAGINE SHE'LL
FIND SOMETHING
139
00:08:14,810 --> 00:08:18,181
WHEN SHE'S
IN HIGH SCHOOL.
140
00:08:18,181 --> 00:08:19,682
THIS IS HER.
141
00:08:19,682 --> 00:08:21,684
SHE REALLY IS
VERY PRETTY.
142
00:08:22,185 --> 00:08:30,693
YOU MUST BE PROUD OF HER.
143
00:08:31,194 --> 00:08:32,695
AND...
144
00:08:32,695 --> 00:08:36,699
AND THAT'S
ALL WE HAVE NOW.
145
00:08:36,699 --> 00:08:41,704
[Telephone rings]
146
00:08:41,704 --> 00:08:45,208
[Ring]
147
00:08:45,708 --> 00:08:46,709
EXCUSE ME.
148
00:08:46,709 --> 00:08:51,347
[Ring]
149
00:08:51,347 --> 00:09:00,356
[Ring]
150
00:09:00,356 --> 00:09:05,361
HEL-HELLO.
151
00:09:05,361 --> 00:09:06,862
??[Sad music]
152
00:09:21,877 --> 00:09:27,500
[Camera shutter clicks]
153
00:09:27,500 --> 00:09:28,000
[Click]
154
00:10:06,922 --> 00:10:08,924
I'VE BEEN
WORKING BEHIND YOU
AT MY TERMINAL.
155
00:10:09,425 --> 00:10:10,426
IT'S GOOD.
156
00:10:10,426 --> 00:10:12,428
REALLY GOOD.
157
00:10:12,428 --> 00:10:15,047
NEEDS AN ENDING,
THOUGH.
158
00:10:15,047 --> 00:10:17,049
"THE TRAGIC VISION
OF MRS. HOOKS,
159
00:10:17,049 --> 00:10:22,438
"WHERE SNAPSHOTS
LAY..."
160
00:10:22,438 --> 00:10:24,440
DID YOU GET ONE
OF THOSE SNAPSHOTS?
161
00:10:24,440 --> 00:10:25,441
MAL?
162
00:10:25,691 --> 00:10:26,692
NO.
163
00:10:26,692 --> 00:10:29,195
YOU'RE KIDDING ME,
RIGHT?
164
00:10:29,195 --> 00:10:32,064
DIDN'T THINK
IT WAS NECESSARY, BILL.
165
00:10:32,064 --> 00:10:34,817
THE WHOLE STORY
WORKS BECAUSE
OF THE SNAPSHOTS.
166
00:10:35,318 --> 00:10:43,209
SORRY.
167
00:10:43,209 --> 00:10:49,715
BETTER.
168
00:10:49,715 --> 00:10:51,717
ANDY, THANK YOU.
169
00:10:51,717 --> 00:10:56,222
RUN IT RIGHT DOWN,
WILL YOU?
170
00:10:56,222 --> 00:10:57,723
SO, YOU THINK
THIS WILL HOLD
YOUR INTEREST
171
00:10:57,723 --> 00:11:00,226
?
FOR A LITTLE WHILE
172
00:11:00,226 --> 00:11:01,227
O.K.?
173
00:11:01,227 --> 00:11:02,728
NO.
174
00:11:03,229 --> 00:11:08,734
FORGOT TO PUT YOUR
NAME ON IT AGAIN.
175
00:11:08,734 --> 00:11:09,235
ONLY FIVE MINUTES
LATE.
176
00:11:27,203 --> 00:11:32,208
[Wind blowing]
177
00:11:32,708 --> 00:11:33,209
WAIT FOR ME!
178
00:11:46,605 --> 00:11:49,608
[Woman] TRY WORKING ON IT
AT HOME TOMORROW.
179
00:11:49,608 --> 00:11:51,110
IT'S NOT REALLY
THAT HARD
180
00:11:51,110 --> 00:11:52,611
ONCE YOU GET
THE HANG OF IT.
181
00:11:52,611 --> 00:11:55,114
YOU'LL SEE.
182
00:11:55,114 --> 00:11:57,116
[Bell rings]
183
00:11:57,616 --> 00:12:00,619
ALL RIGHT, YOU GUYS.
THAT'S IT FOR TODAY.
184
00:12:01,120 --> 00:12:08,627
??[Soft music]
185
00:12:08,627 --> 00:12:09,628
[Child]
BYE.
186
00:12:09,628 --> 00:12:10,629
[Woman]
BYE-BYE.
187
00:12:19,255 --> 00:12:21,257
HELLO.
188
00:12:21,257 --> 00:12:26,762
HI.
189
00:12:26,762 --> 00:12:29,265
SHOULDN'T YOU BE
RUNNING ACROSS THE ROOM?
190
00:12:29,265 --> 00:12:31,767
IF I TRIPPED AND FELL,
I'D BE HUMILIATED.
191
00:12:31,767 --> 00:12:38,774
AND I'D BE HYSTERICAL.
192
00:12:38,774 --> 00:12:40,776
I MISSED YOU.
193
00:12:40,776 --> 00:12:50,286
I MISSED YOU, TOO.
194
00:12:50,286 --> 00:12:52,288
SO, WHEN DID YOU GET IN?
195
00:12:52,288 --> 00:12:55,791
.
EARLY.
I TOOK THE RED-EYE
196
00:12:55,791 --> 00:12:57,293
AND YOU WENT
RIGHT BY THE PAPER.
197
00:12:57,293 --> 00:12:58,294
TO QUIT.
198
00:12:58,294 --> 00:12:59,295
BUT YOU DIDN'T.
199
00:12:59,795 --> 00:13:00,796
THE TIMING
WASN'T RIGHT.
200
00:13:00,796 --> 00:13:03,299
I'M WORKING ON IT,
THOUGH.
201
00:13:03,299 --> 00:13:04,300
YOU COULD HAVE CALLED.
I WAS STILL HOME.
202
00:13:04,300 --> 00:13:05,801
I KNOW,
203
00:13:06,302 --> 00:13:09,305
BUT I WANTED TO GET
AT NOLAN RIGHT AWAY.
204
00:13:09,305 --> 00:13:10,306
I'D LIKE TO HEAR
ABOUT THAT.
205
00:13:10,306 --> 00:13:15,811
IN A MINUTE.
206
00:13:15,811 --> 00:13:23,786
YOUR MOM.
207
00:13:23,786 --> 00:13:28,207
??[Soft music continues]
208
00:13:28,207 --> 00:13:30,209
[Christine] YOU SURE YOU DON'T
HAVE ANY DOUBTS, MALCOLM?
209
00:13:30,209 --> 00:13:32,211
[Malcolm] WHAT GIVES
YOU THAT IDEA?
210
00:13:32,211 --> 00:13:36,215
I JUST WANT YOU TO BE
SURE ABOUT COLORADO.
211
00:13:36,715 --> 00:13:39,218
I MEAN, RUNNING
THE GREELEY TRIBUNE
212
00:13:39,218 --> 00:13:41,720
WILL NEVER BE LIKE A JOB
AT THE NEW YORK TIMES.
213
00:13:41,720 --> 00:13:43,222
.
I TOLD YOU
214
00:13:43,222 --> 00:13:45,724
I LIKE THE TOWN.
I LIKE THE PAPER.
215
00:13:45,724 --> 00:13:50,229
I EVEN LIKE
YOUR PARENTS.
216
00:13:50,229 --> 00:13:51,680
BUT YOU DIDN'T TELL
NOLAN YOU'RE QUITTING.
217
00:13:52,181 --> 00:13:55,184
I HAD TO GO COVER
THAT MURDER.
218
00:13:55,184 --> 00:13:56,685
I'LL TELL HIM
IN THE MORNING,
219
00:13:56,685 --> 00:13:57,686
SOON AS I WALK
IN THE DOOR.
220
00:13:57,686 --> 00:13:58,187
REALLY?
221
00:13:58,687 --> 00:13:59,188
PROMISE.
222
00:14:21,260 --> 00:14:22,761
[Nolan]
IT'S GOOD WORK, MAL.
223
00:14:22,761 --> 00:14:25,264
COMPETITION
DIDN'T DO SO WELL.
224
00:14:25,264 --> 00:14:28,767
THOUGHT ABOUT A FOLLOW-UP?
225
00:14:29,268 --> 00:14:34,773
YEAH.
226
00:14:34,773 --> 00:14:37,276
"FEAR STALKS
QUIET NEIGHBORHOOD
227
00:14:37,276 --> 00:14:41,780
"
"IN WAKE OF
TEENAGER'S MURDER.
228
00:14:41,780 --> 00:14:44,283
MALCOLM, YOU HAVEN'T
BEEN AT THIS LONG ENOUGH
229
00:14:44,283 --> 00:14:45,784
TO BE AS BURNED OUT
AS YOU LIKE TO THINK
YOU ARE.
230
00:14:45,784 --> 00:14:47,786
I'VE DONE IT, BILL.
231
00:14:47,786 --> 00:14:51,156
EIGHT YEARS.
I'VE DONE IT TO DEATH.
232
00:14:51,156 --> 00:14:54,660
WHAT? WHAT THE HELL
DOES THAT MEAN?
233
00:14:54,660 --> 00:14:57,663
WHAT DO Y--
WHAT DO YOU WANT?
234
00:14:58,163 --> 00:15:04,670
I DON'T KNOW.
235
00:15:04,670 --> 00:15:13,679
JUST WANT WATERGATE,
RIGHT?
236
00:15:14,179 --> 00:15:15,681
I DON'T WANT TO SEE
MY NAME IN THE PAPER
237
00:15:16,181 --> 00:15:19,685
.
NEXT TO PICTURES
OF DEAD BODIES ANYMORE
238
00:15:19,685 --> 00:15:22,187
REPORTERS REPORT,
239
00:15:22,688 --> 00:15:23,689
WHICH HAPPENS TO BE
THE ONE THING
240
00:15:23,689 --> 00:15:26,191
YOU DO REALLY WELL.
241
00:15:26,191 --> 00:15:28,193
I DON'T WANT TO LOSE YOU
242
00:15:28,193 --> 00:15:31,196
TO SOME SMALL-TOWN PAPER
IN COLORADO, MAL.
243
00:15:31,196 --> 00:15:33,699
I APPRECIATE IT, BILL.
244
00:15:34,199 --> 00:15:35,200
MAL, WE'RE NOT
THE MANUFACTURER.
245
00:15:35,200 --> 00:15:37,703
WE RETAIL.
246
00:15:37,703 --> 00:15:39,204
NEWS GETS MADE
SOMEWHERE ELSE.
247
00:15:39,204 --> 00:15:40,205
WE JUST SELL IT.
248
00:16:05,481 --> 00:16:06,482
??[Scary music]
249
00:16:18,494 --> 00:16:19,495
MALCOLM?
250
00:16:36,679 --> 00:16:38,180
AAH!
251
00:16:38,180 --> 00:16:39,181
.
HONEY. HONEY, WAIT
252
00:16:39,181 --> 00:16:41,684
HONEY.
253
00:16:41,684 --> 00:16:45,187
HA HA HA!
254
00:16:45,187 --> 00:16:48,190
AH--WAIT!
255
00:16:48,190 --> 00:16:50,192
I'M GLAD YOU STOPPED BY.
256
00:16:50,192 --> 00:16:53,696
I WANTED TO TALK TO YOU.
257
00:16:54,196 --> 00:16:56,198
HONEY, DID YOU
GET MY OTHER SUIT
258
00:16:56,198 --> 00:17:00,202
OUT OF THE CLEANER'S?
259
00:17:00,202 --> 00:17:05,207
WILL YOU LISTEN TO ME?
I'M SERIOUS.
260
00:17:05,708 --> 00:17:07,209
OH.
261
00:17:07,209 --> 00:17:10,713
ALL RIGHT.
262
00:17:11,213 --> 00:17:14,717
THIS IS SERIOUS.
WHAT?
263
00:17:14,717 --> 00:17:16,218
NOW, IF WE'RE
REALLY GOING TO MOVE,
264
00:17:16,719 --> 00:17:18,220
I'VE GOT TO TELL
THE SCHOOL
265
00:17:18,220 --> 00:17:20,723
SO THEY CAN PLAN
FOR SEPTEMBER.
266
00:17:20,723 --> 00:17:24,226
TELL THEM.
267
00:17:24,727 --> 00:17:27,229
REALLY?
268
00:17:27,229 --> 00:17:35,237
REALLY.
269
00:17:35,237 --> 00:17:37,740
YOU SHOULD BE SLAPPED.
270
00:17:37,740 --> 00:17:38,741
YOU SHOULDN'T
SCARE ME LIKE THAT.
271
00:17:39,241 --> 00:17:40,242
I HATE THAT!
272
00:17:40,242 --> 00:17:41,243
OH, GOD. WHAT A DAY.
273
00:17:53,055 --> 00:17:54,556
BILL,
I WANT TO TALK.
274
00:17:54,556 --> 00:17:56,058
MALCOLM,
TELEPHONE'S FOR YOU.
275
00:17:56,058 --> 00:17:57,059
TELL THEM
I'LL CALL BACK.
276
00:17:57,059 --> 00:17:59,561
I AM NOT
YOUR SECRETARY.
277
00:17:59,561 --> 00:18:00,562
FIVE SECONDS?
278
00:18:00,562 --> 00:18:01,063
I'LL BE THERE.
279
00:18:10,072 --> 00:18:11,573
ANDERSON.
280
00:18:12,074 --> 00:18:13,075
[Man]
HELLO.
281
00:18:13,075 --> 00:18:16,829
YEAH, HELLO.
282
00:18:16,829 --> 00:18:19,331
LISTEN,
283
00:18:19,331 --> 00:18:20,833
I'VE BEEN READING
YOUR STORIES
284
00:18:20,833 --> 00:18:23,335
ABOUT THE MURDER
OF THE YOUNG GIRL.
285
00:18:23,335 --> 00:18:25,838
UM, WELL-WRITTEN.
286
00:18:26,338 --> 00:18:28,957
I MEAN, THEY SEEM
VERY ACCURATE.
287
00:18:28,957 --> 00:18:30,959
WELL,
I APPRECIATE THE CALL,
288
00:18:31,460 --> 00:18:33,962
AND I AM KIND OF BUSY
RIGHT NOW.
289
00:18:34,463 --> 00:18:36,965
[The man] I HAVE
A SPECIAL INTEREST
IN YOUR STORIES.
290
00:18:36,965 --> 00:18:39,351
I SEE.
WHY IS THAT?
291
00:18:39,852 --> 00:18:41,854
BECAUSE IT WAS ME.
292
00:18:41,854 --> 00:18:44,723
I KILLED HER.
293
00:18:44,723 --> 00:18:45,724
??[Suspenseful music]
294
00:18:45,724 --> 00:18:47,476
WHO IS THIS?
295
00:18:47,476 --> 00:18:49,478
[Laughs]
296
00:18:49,478 --> 00:18:52,731
YOU DON'T REALLY
EXPECT ME TO ANSWER
THAT, DO YOU?
297
00:18:52,731 --> 00:18:54,867
IT DEPENDS ON
WHY YOU CALLED.
298
00:18:54,867 --> 00:18:56,869
I GET 30 CALLS LIKE THIS
EVERY DAY--
299
00:18:56,869 --> 00:18:58,837
PEOPLE CLAIMING
RESPONSIBILITY FOR ANYTHING.
300
00:18:58,837 --> 00:18:59,321
WHAT MAKES YOU
SO DIFFERENT?
301
00:18:59,321 --> 00:19:00,823
UH...
302
00:19:00,823 --> 00:19:02,324
I CALLED
303
00:19:02,825 --> 00:19:05,828
.
BECAUSE
I WANT TO HELP YOU
304
00:19:05,828 --> 00:19:09,798
HOW COULD YOU HELP ME?
305
00:19:09,798 --> 00:19:11,800
HER RIGHT REAR POCKET.
306
00:19:11,800 --> 00:19:13,802
WAS THERE SOMETHING IN IT?
307
00:19:13,802 --> 00:19:14,803
UM...
308
00:19:14,803 --> 00:19:16,305
I HOPE
YOU'RE AS BRIGHT
309
00:19:16,305 --> 00:19:18,307
AS I ASSUMED
YOU WERE.
310
00:19:18,307 --> 00:19:19,808
UM...
311
00:19:20,309 --> 00:19:22,311
LISTEN.
312
00:19:22,311 --> 00:19:23,312
CAN YOU BE
AT YOUR PHONE
313
00:19:23,312 --> 00:19:28,183
AT, SAY, 3:00?
314
00:19:28,183 --> 00:19:29,184
[Crackle]
315
00:19:29,184 --> 00:19:30,185
HELLO?
316
00:19:30,185 --> 00:19:31,687
[Dial tone]
317
00:20:06,104 --> 00:20:08,607
HEY, RAY.
318
00:20:08,607 --> 00:20:10,108
SO, YOU GUYS
DECIDED
319
00:20:10,108 --> 00:20:11,109
?
TO HOLD OU
T ON ME, HUH
320
00:20:11,109 --> 00:20:13,612
WHAT DO YOU WANT?
321
00:20:13,612 --> 00:20:16,615
WE GOT A COURT APPEARANCE.
MAKE IT FAST.
322
00:20:16,615 --> 00:20:17,616
DID YOU
LOOK THROUGH
HER CLOTHES?
323
00:20:17,616 --> 00:20:19,117
WHAT DID
YOU FIND?
324
00:20:19,117 --> 00:20:21,119
NONE OF YOUR
FUCKING BUSINESS.
325
00:20:21,119 --> 00:20:22,621
JUST THOUGHT
YOU MIGHT HAVE
FOUND SOMETHING
326
00:20:22,621 --> 00:20:23,622
IN HER RIGHT
REAR POCKET.
327
00:20:23,622 --> 00:20:26,625
WE DID--LINT.
328
00:20:26,625 --> 00:20:29,127
TAKE IT EASY.
329
00:20:29,127 --> 00:20:30,128
WAIT A SECOND.
330
00:20:30,128 --> 00:20:32,631
MALCOLM, HOLD ON.
331
00:20:32,631 --> 00:20:34,132
HOW DO YOU KNOW?
332
00:20:34,633 --> 00:20:37,636
HE CALLED ME.
333
00:20:37,636 --> 00:20:39,137
WHO CALLED YOU?
THE KILLER.
334
00:20:39,137 --> 00:20:41,139
SHIT.
335
00:20:41,139 --> 00:20:45,143
COME HERE.
336
00:20:45,143 --> 00:20:47,145
HE SAYS THE KILLER
CALLED HIM.
337
00:20:47,145 --> 00:20:50,148
BULLSHIT.
338
00:20:50,148 --> 00:20:52,150
WHAT DID HE SAY?
WHAT DID HE SOUND LIKE?
339
00:20:52,651 --> 00:20:53,652
HE SAID HE
LEFT SOMETHING
IN HER POCKET.
340
00:20:53,652 --> 00:20:55,153
DIDN'T SOUND
LIKE ANYTHING.
341
00:20:55,153 --> 00:20:56,655
I'M TRYING
TO FIND OUT.
342
00:20:56,655 --> 00:20:58,657
WAS HE WHITE,
BLACK, ORIENTAL--
343
00:20:58,657 --> 00:20:59,157
WHITE,
PROBABLY.
344
00:20:59,157 --> 00:21:00,158
HOW OLD?
345
00:21:00,158 --> 00:21:01,660
OVER 30.
346
00:21:01,660 --> 00:21:04,162
DID HE SAY
HE WAS GOING TO CALL AGAIN?
347
00:21:04,162 --> 00:21:08,667
WHAT DID YOU
FIND?
348
00:21:08,667 --> 00:21:09,668
NO.
349
00:21:09,668 --> 00:21:10,168
TAKE IT EASY.
350
00:21:10,168 --> 00:21:12,671
HOLD ON.
351
00:21:13,171 --> 00:21:14,172
WE GOT TO TELL HIM
WHAT WE GOT.
352
00:21:14,172 --> 00:21:17,175
[Man] NO. HE'LL
JUST STIR IT UP.
353
00:21:17,175 --> 00:21:18,176
[Ray] HE'S GOT NO REASON
TO LIE TO US.
354
00:21:18,677 --> 00:21:23,181
IT'LL BE O.K.
355
00:21:23,181 --> 00:21:24,683
THIS IS NOT
FOR PUBLICATION.
356
00:21:25,183 --> 00:21:26,184
YOU KNOW ME BETTER
THAN THAT.
357
00:21:26,184 --> 00:21:30,188
I JUST WANT TO KNOW
WHAT IT'S ABOUT.
358
00:21:30,188 --> 00:21:31,556
THERE WAS
A NOTE.
359
00:21:32,057 --> 00:43:05,127
WHAT DID IT SAY?
360
00:21:33,058 --> 00:21:36,561
RAYMOND.
361
00:21:36,561 --> 00:21:39,064
"NUMBER ONE."
362
00:21:39,064 --> 00:21:40,565
NOW, DON'T GO
CRAZY ON THIS.
363
00:21:40,565 --> 00:21:42,567
??[Scary music]
364
00:21:42,567 --> 00:21:44,069
IF THIS IS THE SAME GUY,
365
00:21:44,069 --> 00:21:45,570
YOU'LL WANT
TO TALK TO ME.
366
00:21:45,570 --> 00:21:47,072
?
WAIT! WHAT HAV
E YOU GOT FOR US
367
00:21:47,572 --> 00:21:48,573
NOTHING.
368
00:21:48,573 --> 00:21:49,574
WHAT DO YOU MEAN?
369
00:21:49,574 --> 00:21:51,576
CALL ME WHEN
YOU GET OUT OF HERE.
370
00:21:51,576 --> 00:21:52,577
DON'T JUMP
TO ANY CONCLUSIONS!
371
00:22:14,016 --> 00:22:16,018
HEY, COME ON, GUYS.
WHAT--
372
00:22:16,018 --> 00:22:17,519
DOESN'T ANYBODY HAVE
ANYTHING BETTER TO DO?
373
00:22:28,663 --> 00:22:33,535
[Ring]
374
00:22:33,535 --> 00:22:35,037
[Ring]
375
00:22:35,037 --> 00:22:37,539
ANDERSON.
376
00:22:37,539 --> 00:22:40,042
[Man]
AFRAID I WOULDN'T CALL?
377
00:22:40,042 --> 00:22:41,676
I WASN'T CERTAIN.
378
00:22:41,676 --> 00:22:43,678
CERTAINTY,
I HAVE LEARNED,
379
00:22:43,678 --> 00:22:47,682
IS SOMETHING THE WORLD
IS IN VERY SHORT SUPPLY OF.
380
00:22:47,682 --> 00:22:49,184
DID YOU CALL
AND TALK TO THE POLICE?
381
00:22:49,684 --> 00:22:50,685
YES.
382
00:22:51,186 --> 00:22:53,805
AND WHAT DID THEY SAY?
383
00:22:54,306 --> 00:22:56,191
THERE WAS SOMETHING
IN HER POCKET.
384
00:22:56,191 --> 00:22:57,692
SUPPOSE YOU TELL ME
WHAT IT WAS.
385
00:22:57,692 --> 00:23:01,196
AH, A TRUE SKEPTIC.
386
00:23:01,196 --> 00:23:03,815
NOTEPAPER. FOLDED ONCE.
387
00:23:03,815 --> 00:23:05,817
TWO WORDS.
388
00:23:06,318 --> 00:23:10,822
"NUMBER ONE."
389
00:23:10,822 --> 00:23:12,074
THERE'S GOING TO BE
A NUMBER TWO?
390
00:23:12,074 --> 00:23:16,578
AND A THREE
AND A FOUR AND A FIVE.
391
00:23:17,079 --> 00:23:18,463
WHY?
392
00:23:18,463 --> 00:23:23,335
IT'S TOO EARLY FOR THAT.
393
00:23:23,335 --> 00:23:26,721
YOU'RE DOING THIS
ON SOME KIND OF SCHEDULE?
394
00:23:26,721 --> 00:23:30,342
SOMETHING ALONG THOSE LINES.
395
00:23:30,342 --> 00:23:32,094
AND YOU ALREADY
KNOW WHO THEY ARE?
396
00:23:32,094 --> 00:23:34,096
I KNOW
WHAT THEY ARE.
397
00:23:34,596 --> 00:23:36,098
AH...
398
00:23:36,098 --> 00:23:42,354
THREE WOMEN AND TWO MEN.
399
00:23:42,354 --> 00:23:44,489
I JUST MIGHT NOT
PRINT THIS.
400
00:23:44,489 --> 00:23:47,359
THEN YOU WILL BE MISSING
A WONDERFUL OPPORTUNITY.
401
00:23:47,359 --> 00:23:50,862
I'LL CALL SOMEONE ELSE.
402
00:23:50,862 --> 00:23:52,864
LOOK.
403
00:23:52,864 --> 00:23:58,620
YOU'RE GOING TO BE
MY CONDUIT TO THE PUBLIC.
404
00:23:58,620 --> 00:24:00,372
TELL ME ABOUT IT.
405
00:24:00,372 --> 00:24:02,374
LOOK,
THAT'S ALL FOR NOW.
406
00:24:02,374 --> 00:24:04,876
WE'LL TALK AGAIN
AFTER NUMBER TWO.
407
00:24:05,377 --> 00:24:06,128
[Hangs up]
408
00:24:06,128 --> 00:24:10,132
[Dial tone]
409
00:24:10,132 --> 00:24:13,018
[Camera clicking]
410
00:24:13,018 --> 00:24:14,519
THIS IS THE ONE YOU'VE
BEEN WAITING FOR, MAL.
411
00:24:15,020 --> 00:24:18,023
FABULOUS!
412
00:24:18,523 --> 00:24:20,025
I'M NOT SURE THIS
STORY WILL DO US
413
00:24:20,025 --> 00:24:22,527
OR ANYBODY ELSE
ANY GOOD.
414
00:24:22,527 --> 00:24:24,529
THERE'S NO WAY
OF SEEING
415
00:24:24,529 --> 00:24:26,031
WHERE THIS THING
COULD GO.
416
00:24:26,531 --> 00:24:28,033
IT COULD TAKE
SOME KIND OF TWIST.
417
00:24:28,033 --> 00:24:29,534
WE COULD
LOOK NEGLIGENT.
418
00:24:30,035 --> 00:24:31,536
[Jacoby] THE CHANCE
OF LIABILITY?
419
00:24:31,536 --> 00:24:34,039
HE DIDN'T CALL THE PAPER.
HE CALLED ME.
420
00:24:34,039 --> 00:24:37,542
MR. JACOBY...
421
00:24:38,043 --> 00:24:39,044
I THINK
WE HAVE A CHANCE,
422
00:24:39,044 --> 00:24:41,046
LET ALONE THE OBLIGATION,
423
00:24:41,046 --> 00:24:43,048
TO DO A PIECE ON A SOCIOPATH
WHO'S STILL OUT THERE.
424
00:24:43,048 --> 00:24:45,550
HE'S STILL A THREAT.
425
00:24:45,550 --> 00:24:47,552
,
THAT'S--THAT'S
OUR RESPONSIBILITY
426
00:24:47,552 --> 00:24:49,054
ISN'T IT?
427
00:24:49,554 --> 00:24:51,556
THIS STORY'S
GOING TO SELL
428
00:24:51,556 --> 00:24:56,561
A HELL OF A LOT
OF NEWSPAPERS
FOR SOMEBODY.
429
00:24:57,062 --> 00:24:58,563
LEGALLY,
430
00:24:59,064 --> 00:25:02,567
HOW FAR COULD
OUR ASSES BE
HANGING OUT?
431
00:25:02,567 --> 00:25:04,069
DID YOU TELL HIM
432
00:25:04,069 --> 00:25:06,071
YOU'D TRY TO PROTECT
HIS IDENTITY IN ANY WAY?
433
00:25:06,071 --> 00:25:08,573
NO.
434
00:25:09,074 --> 00:25:10,575
DID YOU IMPLY
YOUR CONVERSATION
435
00:25:10,575 --> 00:25:11,076
WAS OFF THE RECORD
OR CONFIDENTIAL?
436
00:25:11,076 --> 00:25:12,577
NO.
437
00:25:12,577 --> 00:25:16,081
MAKE THEM
COMFORTABLE.
438
00:25:16,081 --> 00:25:17,082
WELL, WE
HAVE THREE
439
00:25:17,582 --> 00:25:18,583
IMPATIENT
COPS OUTSIDE.
440
00:25:18,583 --> 00:25:21,086
OH, LOVELY.
441
00:25:21,086 --> 00:25:22,087
CAN WE GO
TALK TO THEM?
442
00:25:22,087 --> 00:25:23,088
I THINK
WE BETTER.
443
00:25:23,088 --> 00:25:24,589
GO AHEAD.
444
00:25:24,589 --> 00:25:29,094
THANK YOU.
445
00:25:29,094 --> 00:25:30,595
HOW MANY TIMES
HAS HE CALLED?
446
00:25:30,595 --> 00:25:32,097
TWICE.
447
00:25:32,097 --> 00:25:34,099
WE WANT A STATEMENT
FROM ANDERSON
448
00:25:34,099 --> 00:25:35,600
AND TO LOOK
AT HIS NOTES.
449
00:25:35,600 --> 00:25:37,602
YOU KNOW BETTER
THAN THAT.
450
00:25:37,602 --> 00:25:39,604
BILL,
WE'VE GOT A GUY
451
00:25:39,604 --> 00:25:40,605
WHO'S ANNOUNCED
HE'S GOING TO KILL SOMEONE.
452
00:25:41,106 --> 00:25:42,107
WE'D LIKE
YOUR COOPERATION,
453
00:25:42,107 --> 00:25:46,111
BUT IF WE HAVE TO,
WE'LL GET A SUBPOENA.
454
00:25:46,111 --> 00:25:47,612
WHAT HAPPENED
TO FREEDOM
OF THE PRESS?
455
00:25:47,612 --> 00:25:48,613
YOU'RE ABUSING
THE PRIVILEGE.
456
00:25:48,613 --> 00:25:50,115
THAT'S YOUR
OPINION.
457
00:25:50,115 --> 00:25:51,116
IF WE DON'T WRITE
ABOUT THESE GUYS,
458
00:25:51,116 --> 00:25:52,117
AND GET THE PUBLIC
INVOLVED,
459
00:25:52,117 --> 00:25:53,118
YOU'LL NEVER GET THEM.
460
00:25:53,118 --> 00:25:55,120
WE'LL TAKE CARE
OF OUR END.
461
00:25:55,120 --> 00:25:57,622
JOHN, WE CAN'T
BE REQUIRED
462
00:25:57,622 --> 00:25:58,623
TO TURN OVER
THE NOTES
463
00:25:58,623 --> 00:26:00,125
BY YOU
OR THE STATE'S
ATTORNEY.
464
00:26:00,125 --> 00:26:01,626
I'LL TELL YOU
WHAT I KNOW.
465
00:26:02,127 --> 00:26:03,628
IF THIS SON OF A BITCH
KILLS SOMEBODY ELSE,
466
00:26:03,628 --> 00:26:06,631
I'LL TELL THE POST
YOU HELD BACK
INFORMATION
467
00:26:06,631 --> 00:26:08,633
THAT COULD HAVE
PREVENTED IT.
468
00:26:09,134 --> 00:26:11,136
WE DIDN'T SAY WE WEREN'T
GOING TO COOPERATE.
469
00:26:11,136 --> 00:26:14,639
WE WANT AN ARRANGEMENT
THAT WE CAN ALL LIVE WITH.
470
00:26:14,639 --> 00:26:15,140
HOW ABOUT A TAP
ON ANDERSON'S PHONE?
471
00:26:15,140 --> 00:26:16,141
NO WAY.
472
00:26:16,641 --> 00:26:18,143
YOU WON'T
NEED IT.
473
00:26:18,143 --> 00:26:20,145
WE'LL GIVE YOU TAPES
OF THE CONVERSATIONS.
474
00:26:20,145 --> 00:26:22,647
WHAT'S
THE DEAL
HERE?
475
00:26:22,647 --> 00:26:23,148
YOU GIVE US
WHATEVER
YOU GET
476
00:26:23,148 --> 00:26:24,149
EXCLUSIVELY,
477
00:26:24,649 --> 00:26:25,650
24 HOURS
BEFORE
478
00:26:25,650 --> 00:26:27,652
THE OTHER
NEWSPAPERS.
479
00:26:27,652 --> 00:26:29,154
NO. WE'VE ALL GOT
OUR RELATIONSHIPS
TO MAINTAIN.
480
00:26:29,154 --> 00:26:30,155
6 HOURS.
481
00:26:30,155 --> 00:26:30,655
18.
482
00:26:31,156 --> 00:26:31,656
10.
483
00:26:31,656 --> 00:26:35,277
SOLD.
484
00:26:35,777 --> 00:26:37,279
??[Dramatic music]
485
00:27:07,692 --> 00:27:09,194
[Malcolm on tape]
I JUST MIGHT NOT PRINT THIS.
486
00:27:09,694 --> 00:27:12,314
[Killer on tape]
THEN YOU WILL BE MISSING
A WONDERFUL OPPORTUNITY.
487
00:27:12,314 --> 00:27:13,815
I'LL CALL SOMEONE ELSE.
488
00:27:13,815 --> 00:27:16,318
LOOK.
489
00:27:16,318 --> 00:27:22,324
YOU ARE GOING TO BE
MY CONDUIT TO THE PUBLIC.
490
00:27:22,324 --> 00:27:25,076
THERE MUST BE SOME KIND
OF PROFILE HERE, DOC.
491
00:27:25,076 --> 00:27:27,078
WE NEED SOMETHING
TO NARROW THIS GUY DOWN.
492
00:27:27,078 --> 00:27:29,581
I'M NOT A MIND READER.
I'M A SHRINK.
493
00:27:29,581 --> 00:27:31,583
I CAN'T TELL ANYTHING
494
00:27:31,583 --> 00:27:34,085
.
FROM ONE SHORT,
TAPED CONVERSATION
495
00:27:34,085 --> 00:27:35,086
BUT ISN'T THERE
SOMETHING
496
00:27:35,086 --> 00:27:37,088
ANDERSON
COULD DO
497
00:27:37,589 --> 00:27:39,090
TO KEEP
THE BASTARD
TALKING LONGER
498
00:27:39,090 --> 00:27:43,595
DRAW HIM OUT?
499
00:27:43,595 --> 00:27:46,598
I THINK YOU'RE DOING
THE RIGHT THINGS
INTUITIVELY.
500
00:27:46,598 --> 00:27:48,600
LISTEN TO HIM.
501
00:27:48,600 --> 00:27:51,853
WHEN HE'S UNCLEAR,
ASK QUESTIONS.
502
00:27:51,853 --> 00:27:53,855
I WOULDN'T
BE JUDGMENTAL,
503
00:27:53,855 --> 00:27:55,357
AND I WOULDN'T PUS
H HIM INTO GIVING MORE
504
00:27:55,857 --> 00:27:57,742
THAN WHAT HE WANTS
TO GIVE.
505
00:27:57,742 --> 00:27:59,744
BE PATIENT.
506
00:28:00,245 --> 00:28:00,745
BE A FRIEND.
507
00:28:23,768 --> 00:28:25,270
[Car door shuts]
508
00:28:25,270 --> 00:28:27,772
HEY, STEVE.
WHAT ARE YOU GUYS
DOING OUT HERE?
509
00:28:27,772 --> 00:28:29,774
GIVE US A BREAK.
510
00:28:30,275 --> 00:28:31,776
THE MAN YOU
TALKED TO--
THE KILLER.
511
00:28:31,776 --> 00:28:34,028
DID THE KILLER
INDICATE WHEN HE
WOULD CALL NEXT?
512
00:28:34,028 --> 00:28:35,530
ANY SPECIFICS
AT ALL, MAL?
513
00:28:35,530 --> 00:28:39,033
.
HE WASN'T SPECIFIC
514
00:28:39,033 --> 00:28:40,535
HE DIDN'T
SAY ANYTHING
515
00:28:40,535 --> 00:28:41,653
THAT WOULD NARROW
IT DOWN, GUYS.
516
00:28:41,653 --> 00:28:44,656
HOW LONG DID YOU
TALK TO HIM, MAL?
517
00:28:44,656 --> 00:28:47,158
10 MINUTES?
HOW LONG WAS IT?
518
00:28:47,158 --> 00:28:48,660
HOW LONG WAS
YOUR CONVERSATION?
519
00:28:49,160 --> 00:28:50,662
NEITHER ONE WAS MORE
THAN A COUPLE OF MINUTES.
520
00:28:50,662 --> 00:29:00,171
EVERYTHING I KNOW
IS IN THE PAPER.
521
00:29:00,171 --> 00:29:03,308
ARE YOU GOING TO
BE ABLE TO LIVE
WITH YOURSELF?
522
00:29:03,308 --> 00:29:04,309
[Asking questions]
523
00:29:13,568 --> 00:29:17,071
]
??[Television news theme music
524
00:29:17,071 --> 00:29:18,573
SO FAR,
MALCOLM ANDERSON,
525
00:29:18,573 --> 00:29:20,575
A JOURNALIST WITH
THE MIAMI JOURNAL,
526
00:29:20,575 --> 00:29:22,577
IS THE ONLY PERSON
TO HAVE BEEN CONTACTED
527
00:29:22,577 --> 00:29:24,078
BY THE KILLER
OF SARAH HOOKS,
528
00:29:24,078 --> 00:29:27,081
THE GIRL FOUND MURDERED
ON BILL BAGGS BEACH.
529
00:29:27,081 --> 00:29:29,083
ANDERSON HAS BEEN CONTACTED
TWICE BY THE KILLER.
530
00:29:29,584 --> 00:29:31,586
EACH OF THE TWO CONVERSATIONS
WERE BRIEF,
531
00:29:31,586 --> 00:29:34,088
LASTING A MINUTE OR TWO.
532
00:29:34,088 --> 00:29:36,591
IT IS KNOWN FOR SURE, HOWEVER,
THAT HE HAS ESTABLISHED
533
00:29:36,591 --> 00:29:39,093
A DEFINITE CONTACT
WITH ANDERSON
534
00:29:39,093 --> 00:29:42,096
FOR REASONS THAT NO ONE
HAS BEEN ABLE TO DETERMINE.
535
00:29:42,096 --> 00:29:43,598
MALCOLM ANDERSON SEEMED
SOMEWHAT RETICENT
536
00:29:43,598 --> 00:29:45,099
TO TALK TO REPORTERS,
537
00:29:45,099 --> 00:29:47,101
APPARENTLY CONFUSED
BY THE MEDIA ATTENTION
538
00:29:47,101 --> 00:29:49,604
THAT HAS BEEN THRUST UPON HIM.
539
00:29:49,604 --> 00:29:51,606
ACCORDING TO MR. ANDERSON'S
STORY IN THE MIAMI JOURNAL,
540
00:29:51,606 --> 00:29:53,608
NEITHER HE NOR THE PUBLIC
541
00:29:53,608 --> 00:29:55,109
HAS HEARD THE LAST
OF THIS INDIVIDUAL.
542
00:29:55,109 --> 00:29:57,111
ALTHOUGH NEWS CENTER 7
543
00:29:57,612 --> 00:29:59,113
TRIED TO GET HIM
TO ELABORATE...
544
00:29:59,614 --> 00:30:00,615
WHAT WOULD
YOU GUYS SAY?
545
00:30:01,115 --> 00:30:03,117
REFUSED TO SAY
ANYTHING MORE.
546
00:30:03,117 --> 00:30:04,118
I'M JILL BEACH,
NEWS CENTER 7.
547
00:30:43,157 --> 00:30:44,659
OH, I'M SORRY, HONEY.
548
00:30:44,659 --> 00:30:46,661
WERE YOU AWAKE?
549
00:30:46,661 --> 00:30:48,162
WE JUST...WE STOPPED BY
FOR A BEER.
550
00:30:48,162 --> 00:30:51,666
HMM.
551
00:30:52,166 --> 00:30:54,168
I'M SORRY, HONEY.
552
00:30:54,168 --> 00:30:55,670
SAW YOU ON
THE TELEVISION.
553
00:30:55,670 --> 00:30:57,171
DID YOU?
554
00:30:57,672 --> 00:30:58,673
.
MM-HMM
555
00:30:59,173 --> 00:31:01,676
MMM? WHAT DID
YOU THINK?
556
00:31:01,676 --> 00:31:03,177
I LOOKED LIKE
A JERK, DIDN'T I?
557
00:31:03,177 --> 00:31:06,681
I JUST LOOKED
LIKE SUCH A FRUMP!
558
00:31:06,681 --> 00:31:09,183
WAIT--LET'S TALK
ABOUT OBNOXIOUS.
559
00:31:09,183 --> 00:31:10,685
THOSE GUYS
DON'T GIVE YOU
A CHANCE TO THINK.
560
00:31:10,685 --> 00:31:14,188
I MEAN, THESE ARE
MY FRIENDS!
561
00:31:14,188 --> 00:31:15,189
WHEN YOU'RE
ON 60 MINUTES,
562
00:31:15,690 --> 00:31:17,692
YOU MIND
GIVING ME A CALL?
563
00:31:18,192 --> 00:31:20,695
I'D LIKE TO BRING
THE MACHINE HOME
AND TAPE IT.
564
00:31:21,195 --> 00:31:23,197
YOU THINK I OUGHT
TO DO THAT SHOW?
565
00:31:23,197 --> 00:31:25,199
YEAH, WHY NOT?
GIVE THEM A BREAK.
566
00:31:25,199 --> 00:31:26,701
CALL MORLEY
IN THE MORNING.
567
00:31:27,201 --> 00:31:28,202
I MEAN, CALL MORNING
IN THE MORLEY.
568
00:31:28,202 --> 00:31:29,704
HA HA HA!
569
00:31:29,704 --> 00:31:30,705
COME ON!
570
00:31:31,205 --> 00:31:33,207
HA HA HA!
571
00:31:33,207 --> 00:31:35,710
[Kiss]
572
00:31:35,710 --> 00:31:37,211
HONEY, WILL YOU TURN
OFF THE TELEVISION?
573
00:31:37,211 --> 00:31:38,713
I HATED
THE WAY I LOOKED.
574
00:31:39,213 --> 00:31:42,717
HONEY,
THE TELEVISION.
575
00:31:43,217 --> 00:31:45,219
OW! SHIT.
576
00:31:45,219 --> 00:31:46,721
WHO MOVED THIS THING?
577
00:31:46,721 --> 00:31:50,224
HA HA HA!
578
00:31:50,224 --> 00:31:51,759
BABY!
579
00:31:51,759 --> 00:31:56,264
HA HA HA!
580
00:31:56,264 --> 00:31:56,764
!
[Christine
] YOU'RE BAD
581
00:31:56,764 --> 00:31:58,783
.
ONE BEER..
582
00:31:58,783 --> 00:31:59,317
HA HA HA!
583
00:32:21,089 --> 00:32:26,711
[Telephone rings]
584
00:32:26,711 --> 00:32:28,212
ANDERSON.
585
00:32:28,212 --> 00:32:29,714
[Christine]
SORRY TO BOTHER YOU.
586
00:32:29,714 --> 00:32:31,215
THAT'S O.K.
587
00:32:31,215 --> 00:32:34,719
I JUST CALLED
TO SAY I LOVE YOU.
588
00:32:34,719 --> 00:32:36,721
I LOVE YOU, TOO.
589
00:32:36,721 --> 00:32:37,722
BYE.
590
00:32:48,232 --> 00:32:52,236
[Telephone rings]
591
00:32:52,236 --> 00:32:55,740
[Ring]
592
00:32:55,740 --> 00:32:57,241
ANDERSON.
593
00:32:57,241 --> 00:32:58,743
[Christine]
HOW COULD I LOVE
594
00:32:58,743 --> 00:32:59,744
A SMALL-TOWN
NEWSPAPERMAN?
595
00:33:00,244 --> 00:33:00,745
HA HA HA!
596
00:33:10,254 --> 00:33:13,758
[Telephone rings]
597
00:33:13,758 --> 00:33:15,760
WHAT?
598
00:33:15,760 --> 00:33:18,763
CHRISTINE, HONEY,
I CAN'T KEEP
THIS LINE TIED UP.
599
00:33:19,263 --> 00:33:20,765
[Man]
WHO'S CHRISTINE?
600
00:33:20,765 --> 00:33:24,769
YOUR WIFE
OR YOUR GIRLFRIEND?
601
00:33:25,269 --> 00:33:27,271
TESTED YOUR FAITH,
DIDN'T I?
602
00:33:27,271 --> 00:33:29,273
YOU WERE
BEGINNING TO WORRY
603
00:33:29,273 --> 00:33:31,159
I WOULDN'T
CALL YOU AGAIN.
604
00:33:31,659 --> 00:33:33,411
WAS THAT THE IDEA?
605
00:33:33,411 --> 00:33:36,914
IT WOULD BE NICE
IF YOU WANTED
TO TALK TO ME,
606
00:33:36,914 --> 00:33:41,419
BUT STILL,
YOUR WORDS ARE
THE IMPORTANT THING,
607
00:33:41,419 --> 00:33:43,538
AND I DO LIKE THEM.
608
00:33:44,038 --> 00:33:46,674
THANK YOU.
609
00:33:46,674 --> 00:33:50,545
EVER TRY
TO DESCRIBE A SMELL?
610
00:33:51,045 --> 00:33:52,430
WHY?
611
00:33:52,430 --> 00:33:56,434
UM...
612
00:33:56,434 --> 00:33:58,436
YOU'RE GOING
TO SMELL SOMETHING
613
00:33:58,436 --> 00:33:59,937
THAT'S GOING TO
TEST YOUR WRITING
ABILITIES.
614
00:33:59,937 --> 00:34:01,939
IT HAS
A SWEETNESS TO IT,
615
00:34:01,939 --> 00:34:03,941
AND AT
THE SAME TIME,
616
00:34:03,941 --> 00:34:05,443
IT REACHES
INTO YOUR BODY
617
00:34:05,443 --> 00:34:08,446
AND TWISTS
YOUR INSIDES.
618
00:34:08,446 --> 00:34:10,882
BUT THE ODD
THING IS THAT,
ONCE YOU SMELL IT,
619
00:34:10,882 --> 00:34:12,850
YOU KNOW EXACTLY
WHAT IT IS
620
00:34:13,317 --> 00:34:14,902
WITHOUT
HAVING TO LOOK.
621
00:34:14,902 --> 00:34:19,373
651 NAUTILUS.
622
00:34:19,373 --> 00:34:20,742
[Siren]
623
00:34:20,742 --> 00:34:22,243
YOU'RE GOING
TO GET SICK,
624
00:34:22,243 --> 00:34:23,244
YOU GET SICK
OUT HERE.
625
00:34:23,244 --> 00:34:29,751
GOT THAT?
626
00:34:29,751 --> 00:34:31,753
[Coughs]
627
00:34:31,753 --> 00:34:33,254
[Television static]
628
00:34:53,407 --> 00:34:55,910
I'D BE CAREFUL
WITH THIS GUY.
629
00:34:55,910 --> 00:34:56,911
HE KNOWS
AS MUCH ABOUT YOU
630
00:34:57,411 --> 00:34:57,912
AS YOU DO HIM.
631
00:35:14,378 --> 00:35:16,380
[Flies buzzing]
632
00:35:16,881 --> 00:35:17,882
[Reporter]
MALCOLM!
633
00:35:17,882 --> 00:35:27,391
[Reporters
asking questions]
634
00:35:27,391 --> 00:35:29,393
ONE AT A TIME.
635
00:35:29,894 --> 00:35:30,394
[Reporter] YOU TALKED
TO THE KILLER?
636
00:35:30,394 --> 00:35:31,395
YES.
637
00:35:31,395 --> 00:35:33,397
WHAT DID HE SAY?
638
00:35:33,397 --> 00:35:37,034
LOOK, I GOT
A DEADLINE TO MEET
JUST LIKE YOU.
639
00:35:37,034 --> 00:35:38,536
EVERYTHING I KNOW WILL BE
IN TOMORROW'S
JOURNAL.
640
00:35:38,536 --> 00:35:40,538
THAT'S IT.
641
00:35:40,538 --> 00:35:44,909
[Reporters
asking questions]
642
00:35:44,909 --> 00:35:45,910
GETTING BETTER.
643
00:36:08,950 --> 00:36:11,068
[Christine]
IS YOUR FAN MAIL PERSONAL?
644
00:36:11,068 --> 00:36:14,572
NO, BUT IT SURE IS
NICE TO GET SOME.
645
00:36:14,572 --> 00:36:17,074
[Telephone rings]
646
00:36:17,074 --> 00:36:19,577
HI.
647
00:36:19,577 --> 00:36:21,579
HELLO.
648
00:36:21,579 --> 00:36:23,581
[Man]
SURPRISE.
649
00:36:24,081 --> 00:36:27,084
HA HA HA!
650
00:36:27,585 --> 00:36:29,837
HOW DID YOU GET
MY HOME PHONE NUMBER?
651
00:36:29,837 --> 00:36:31,839
WELL, YOUR PHONE'S
NOT LISTED, BUT
652
00:36:32,340 --> 00:36:33,841
CHRISTINE
CONNELLY'S IS.
653
00:36:33,841 --> 00:36:41,098
I GOT HER NAME
OUT OF YOUR MAILBOX.
654
00:36:41,098 --> 00:36:43,100
THERE'S A POLICEMAN
OUTSIDE MY DOOR.
655
00:36:43,601 --> 00:36:47,188
THERE'S GOING
TO BE ONE THERE
24 HOURS A DAY.
656
00:36:47,688 --> 00:36:49,690
IF I WANTED YOU
OR YOUR GIRLFRIEND,
657
00:36:49,690 --> 00:36:51,692
IT WOULD BE SO EASY.
658
00:36:52,193 --> 00:36:55,112
DON'T WORRY, MALCOLM.
659
00:36:55,112 --> 00:36:56,614
I'M SUPPOSED
TO TRUST YOU?
660
00:36:56,614 --> 00:36:58,115
YOU'VE GOT TO BE
OUT OF YOUR MIND.
661
00:36:58,115 --> 00:37:01,619
WITHOUT YOU,
I'M NOWHERE,
662
00:37:02,119 --> 00:37:05,756
.
BACK TO SQUARE ONE
663
00:37:05,756 --> 00:37:08,709
BESIDES, WE WORK
WELL TOGETHER.
664
00:37:08,709 --> 00:37:12,179
I DON'T WANT
TO LOSE THAT.
665
00:37:12,179 --> 00:37:15,049
WHAT DID YOU
CALL ABOUT?
666
00:37:15,049 --> 00:37:17,051
I HAVE TWO NEEDS,
MALCOLM.
667
00:37:17,551 --> 00:37:20,554
THE NEED TO TALK
668
00:37:21,055 --> 00:37:22,556
AND THE OTHER ONE.
669
00:37:23,057 --> 00:37:25,559
UM.
670
00:37:26,060 --> 00:37:30,064
AND, UH...
671
00:37:30,064 --> 00:37:32,566
IT'S A LOT EASIER
TO FIND A VICTIM
672
00:37:32,566 --> 00:37:35,569
THAN IT IS A LISTENER.
673
00:37:35,569 --> 00:37:37,571
MM-HMM.
674
00:37:37,571 --> 00:37:40,074
?
WELL,
WHAT ABOUT FRIENDS
675
00:37:40,574 --> 00:37:42,576
WELL,
676
00:37:42,576 --> 00:37:45,579
I HAD ONE FRIEND.
677
00:37:45,579 --> 00:37:47,832
ONCE, TILL
THE PLANT CLOSED.
678
00:37:47,832 --> 00:37:50,835
WHAT--
WHAT PLANT WAS THAT?
679
00:37:50,835 --> 00:37:55,339
AN AUTO PLANT
IN DETROIT.
680
00:37:55,339 --> 00:37:57,842
A MACHINE
TOOK HIS HAND--
681
00:37:57,842 --> 00:38:00,845
TOOK THREE FINGERS
CLEAN OFF.
682
00:38:00,845 --> 00:38:03,347
THAT'S REALLY AWFUL.
683
00:38:03,347 --> 00:38:05,349
YOU, UH,
684
00:38:05,349 --> 00:38:06,851
YOU AND HIM KEEP
IN TOUCH, DO YOU?
685
00:38:07,351 --> 00:38:12,356
OH, MALCOLM,
YOU'RE SO TRANSPARENT.
686
00:38:12,857 --> 00:38:15,359
I'M JUST
DOING MY JOB.
YOU'RE THE STORY.
687
00:38:15,359 --> 00:38:19,363
YOU'RE TRYING TO MAKE
A CONNECTION TO SOMEONE
688
00:38:19,363 --> 00:38:20,865
WHO CAN LEAD
THE COPS TO ME.
689
00:38:21,365 --> 00:38:24,869
WE'RE FRIENDS,
YEAH, BUT,
690
00:38:24,869 --> 00:38:31,008
WE'RE NOT REALLY FRIENDS.
691
00:38:31,008 --> 00:38:34,011
I WANT TO TALK ABOUT
THE OLD PEOPLE NOW.
692
00:38:34,011 --> 00:38:35,513
ALL RIGHT. WHY DID
YOU PICK THEM?
693
00:38:36,013 --> 00:38:37,515
THEY WERE WHAT I WANTED.
694
00:38:37,515 --> 00:38:41,519
THEY WERE A MATCH--
A REASONABLE DUPLICATION.
695
00:38:41,519 --> 00:38:43,020
WAS THIS SOMETHING
YOU'VE HEARD ABOUT
OR READ ABOUT?
696
00:38:43,020 --> 00:38:47,525
IT WAS JUST
LIKE BEFORE.
697
00:38:47,525 --> 00:38:49,894
I CAUGHT THEM
ON THEIR PORCH.
698
00:38:50,394 --> 00:38:52,396
I JUST STARED.
699
00:38:52,396 --> 00:38:54,865
[Malcolm typing on keyboard]
700
00:38:54,865 --> 00:38:59,370
.
AND YOU KNOW,
THEY COULDN'T MOVE
701
00:38:59,870 --> 00:39:02,373
THEN, WHEN
THE GUN CAME OUT,
702
00:39:02,373 --> 00:39:05,376
THEY COULDN'T
EVEN SPEAK.
703
00:39:05,376 --> 00:39:08,379
FASCINATING, ISN'T IT?
704
00:39:08,379 --> 00:39:13,634
MALCOLM?
705
00:39:13,634 --> 00:39:17,138
THEN I GOT THEM
INTO THE DINING ROOM,
706
00:39:17,138 --> 00:39:21,642
AND I PUT A PILLOW
IN FRONT OF THE GUN.
707
00:39:21,642 --> 00:39:23,260
EVEN SO, IT WAS
708
00:39:23,260 --> 00:39:26,263
MUCH LOUDER
THAN I EXPECTED.
709
00:39:26,263 --> 00:39:31,268
[gunshots]
710
00:39:31,268 --> 00:39:38,776
??[Eerie music]
711
00:39:38,776 --> 00:39:41,278
I DON'T KNOW HOW LONG
I WAS IN THERE--
712
00:39:41,278 --> 00:39:44,281
FIVE MINUTES, AN HOUR...
713
00:39:44,782 --> 00:39:47,284
WHEN I LEFT,
I WAS COVERED WITH BLOOD.
714
00:39:47,785 --> 00:39:50,788
I WALKED RIGHT DOWN
THE STREET
715
00:39:50,788 --> 00:39:53,290
LIKE I WAS INVISIBLE.
716
00:39:53,791 --> 00:39:54,792
NOBODY SEEMED
TO NOTICE ME.
717
00:39:54,792 --> 00:39:57,795
NOBODY CARED!
718
00:39:57,795 --> 00:39:59,797
PHEW!
719
00:39:59,797 --> 00:40:00,798
[Caller hangs up]
720
00:40:10,307 --> 00:40:11,308
HELLO?
721
00:40:23,788 --> 00:40:25,289
CHRIST, I GOT A LOT.
722
00:40:37,334 --> 00:40:38,836
APPRECIATE IT.
723
00:40:38,836 --> 00:40:40,337
HEY, GOOD STUFF,
MALCOLM.
724
00:40:40,337 --> 00:40:43,841
I LIKED IT. REALLY.
I READ IT TWICE.
725
00:40:43,841 --> 00:40:44,842
IS--IS NOLAN--
726
00:40:44,842 --> 00:40:46,343
NICELY DONE.
727
00:40:46,343 --> 00:40:47,344
IS NOLAN REAL BUSY
RIGHT NOW?
728
00:41:07,748 --> 00:41:12,620
SEEN THIS YET?
729
00:41:13,120 --> 00:41:16,123
JACOBY WANTED ME
TO MAKE SURE
YOU SAW IT.
730
00:41:16,123 --> 00:41:17,124
PAGE 103.
731
00:41:26,634 --> 00:41:28,636
OUR ILLUSTRIOUS
PUBLISHER
732
00:41:28,636 --> 00:41:36,894
THINKS YOU
MAY BE ENTERING
PULITZER TERRITORY.
733
00:41:36,894 --> 00:41:39,396
YOU JUMP TO ANOTHER
PAPER, MAL,
734
00:41:39,396 --> 00:41:40,397
I'LL PUNCH
YOUR HEART IN.
735
00:42:01,919 --> 00:42:03,420
CELEBRATING WITH YOU
736
00:42:03,420 --> 00:42:04,421
IS MAKING
ADEQUATE USE
737
00:42:04,922 --> 00:42:11,428
.
OF ALL
MY REMEDIAL SKILLS
738
00:42:11,428 --> 00:42:16,567
I'M SORRY, HONEY.
I'M OUT OF IT.
739
00:42:17,067 --> 00:42:19,570
WAITING FOR
THE PHONE TO RING.
740
00:42:19,570 --> 00:42:24,074
I CAN'T GET
MY MIND OFF IT.
741
00:42:24,575 --> 00:42:28,078
DO YOU WANT
HIM TO CALL?
742
00:42:28,078 --> 00:42:31,582
HE QUITS TALKING TO ME,
WE MIGHT NEVER GET HIM.
743
00:42:31,582 --> 00:42:40,090
WE?
744
00:42:40,090 --> 00:42:44,094
HONEY, I CAN'T GET
AWAY FROM THIS THING
TILL IT'S OVER.
745
00:42:44,094 --> 00:42:46,096
I GAVE MY NOTICE.
746
00:42:46,096 --> 00:42:50,050
SO DID I.
747
00:42:50,050 --> 00:42:53,053
[Under breath]
YEAH, POSTDATED.
748
00:42:53,053 --> 00:42:55,055
WHAT?
749
00:42:55,055 --> 00:42:58,058
I JUST DON'T
THINK YOU KNOW
WHAT YOU'RE DOING.
750
00:42:58,058 --> 00:43:00,611
THINGS HAPPEN OUT THERE.
IT'S CALLED THE NEWS.
751
00:43:00,611 --> 00:43:04,114
I ONLY REPORT IT.
752
00:43:04,114 --> 00:43:06,116
ARE YOU REPORTING IT
753
00:43:06,116 --> 00:43:10,120
OR PARTICIPATING
IN IT?
754
00:43:10,621 --> 00:43:15,125
IT'S KIND OF
A UNIQUE SITUATION.
755
00:43:15,626 --> 00:43:23,751
WHAT DO YOU
WANT ME TO DO?
756
00:43:23,751 --> 00:43:27,254
GET AWAY FROM HERE
WHEN WE CAN.
757
00:43:27,755 --> 00:43:28,756
OH, COME ON, HONEY.
758
00:43:28,756 --> 00:43:37,014
OH, JEEZ.
759
00:43:37,514 --> 00:43:38,515
CAN I GET
THE CHECK, PLEASE?
760
00:43:39,016 --> 00:43:39,016
[Waiter]
YES, SIR.
761
00:44:31,568 --> 00:44:36,073
??[Scary music]
762
00:44:36,073 --> 00:44:40,077
UH!
763
00:44:40,077 --> 00:44:44,581
TOO MANY
CREEPY CABDRIVERS.
764
00:44:44,581 --> 00:44:45,582
HA HA HA!
765
00:44:56,060 --> 00:44:59,179
WHEN THIS THING
IS ALL OVER,
766
00:44:59,179 --> 00:45:04,184
WHETHER YOU END UP
AT A 20-CENT WEEKLY
IN COLORADO
767
00:45:04,184 --> 00:45:09,723
OR
THE NEW YORK TIMES,
768
00:45:09,723 --> 00:45:10,791
PART OF IT
STAYS WITH YOU.
769
00:45:21,485 --> 00:45:22,503
I JUST WISH YOU'D
THINK ABOUT THAT.
770
00:45:51,198 --> 00:45:55,702
[Telephone rings]
771
00:45:55,702 --> 00:45:59,706
[Ring]
772
00:45:59,706 --> 00:46:01,708
HELLO?
773
00:46:01,708 --> 00:46:04,711
[Man]
IS MALCOLM ANDERSON THERE?
774
00:46:04,711 --> 00:46:06,713
NO, I'M SORRY.
HE'S STILL IN THE SHOWER.
775
00:46:06,713 --> 00:46:07,714
CAN I HAVE HIM
CALL YOU?
776
00:46:07,714 --> 00:46:10,217
UM, NO.
777
00:46:10,217 --> 00:46:12,719
UH...
WE'VE NEVER MET.
778
00:46:12,719 --> 00:46:13,720
I'M MALCOLM'S
FRIEND.
779
00:46:14,221 --> 00:46:15,722
YOU KNOW,
THE ONE.
780
00:46:16,223 --> 00:46:19,226
WHY ARE YOU
DOING THIS?
781
00:46:19,226 --> 00:46:21,979
CHRISTINE,
THIS IS BETWEEN
MALCOLM AND ME.
782
00:46:21,979 --> 00:46:24,731
DON'T CALL ME
CHRISTINE.
783
00:46:24,731 --> 00:46:26,733
[Man]
CAN I TALK TO MALCOLM?
784
00:46:26,733 --> 00:46:29,236
[Christine] NO. WHY ARE YOU
KILLING ALL THESE
INNOCENT PEOPLE?
785
00:46:29,736 --> 00:46:31,238
GIVE ME THE PHONE,
CHRIS.
786
00:46:31,738 --> 00:46:33,240
MALCOLM, YOU CAN'T
TALK TO HIM.
787
00:46:33,240 --> 00:46:34,241
WHAT THE HELL
ARE YOU DOING?
788
00:46:34,241 --> 00:46:40,247
MALCOLM, HE'S SICK!
789
00:46:40,247 --> 00:46:41,748
DON'T TALK TO HIM.
790
00:46:41,748 --> 00:46:43,750
[Man]
MALCOLM?
791
00:46:43,750 --> 00:46:45,118
ARE YOU THERE?
792
00:46:45,118 --> 00:46:47,254
JUST DON'T TALK
TO HIM.
793
00:46:47,254 --> 00:46:50,257
IT'S ME.
794
00:46:50,257 --> 00:46:53,877
I'M SORRY I COULDN'T
GET TO THE PHONE.
795
00:46:53,877 --> 00:46:57,381
OH.
IT DOESN'T MATTER.
796
00:46:57,881 --> 00:46:59,383
WHY DON'T
YOU JUST TELL HER
797
00:46:59,883 --> 00:47:03,387
NOT TO ANSWER
THE PHONE?
798
00:47:03,387 --> 00:47:05,856
I THINK YOU'D BETTER
CALL ME AT THE PAPER.
799
00:47:06,356 --> 00:47:08,859
YOU MUST BE ANXIOUS
TO GET TO WORK.
800
00:47:08,859 --> 00:47:10,360
NUMBER FOUR.
801
00:47:10,360 --> 00:47:11,862
WHERE?
802
00:47:11,862 --> 00:47:13,363
MATHESON HAMMOCK.
803
00:47:13,363 --> 00:47:15,365
[Caller hangs up]
804
00:47:15,866 --> 00:47:18,368
MALCOLM, HOW LONG
ARE YOU GOING TO
LET THIS GO ON?
805
00:47:18,869 --> 00:47:21,371
CHRIS, I'M LOCKED
INTO THIS THING.
806
00:47:21,872 --> 00:47:23,373
HE WON'T TALK
TO ANYBODY ELSE.
807
00:47:23,373 --> 00:47:27,878
IT'S TURNED INTO
A COLLABORATION.
808
00:47:27,878 --> 00:47:29,880
THAT'S A REAL
STUPID THING TO SAY.
809
00:47:29,880 --> 00:47:32,883
STUPID? YOU JUST
GOT OFF THE PHONE
WITH A MANIAC.
810
00:47:32,883 --> 00:47:34,885
DID YOU EVER
TELL THAT TO HIM?
811
00:47:35,385 --> 00:47:37,387
DO YOU TWO
EVER ARGUE?
812
00:47:37,888 --> 00:47:40,140
RAY? I JUST
GOT ANOTHER ONE.
813
00:47:40,641 --> 00:47:42,142
[Thunder]
814
00:47:42,643 --> 00:47:49,149
??[Eerie music]
815
00:47:49,149 --> 00:47:55,656
[Sirens]
816
00:47:55,656 --> 00:48:02,162
HOW WE DOING HERE?
817
00:48:02,663 --> 00:48:07,668
THEY'RE OVER THERE.
818
00:48:07,668 --> 00:48:08,669
[Baby crying]
819
00:48:17,678 --> 00:48:18,679
YOU'RE O.K.
820
00:48:18,679 --> 00:48:20,681
YOU'RE O.K.
821
00:48:20,681 --> 00:48:21,682
MOMMY!
822
00:48:21,682 --> 00:48:24,184
[Crying]
823
00:48:24,184 --> 00:48:27,688
YOU'RE O.K., BABY.
824
00:48:27,688 --> 00:48:30,691
TONY, HOW YOU DOING?
825
00:48:31,191 --> 00:48:32,309
WHAT DO YOU MEAN?
SHE'S ALL CHOPPED UP.
826
00:48:32,309 --> 00:48:33,310
TAKE A WALK, BABE.
COME ON.
827
00:49:04,725 --> 00:49:06,727
WE'RE ABOUT TO TALK
TO MALCOLM ANDERSON,
828
00:49:06,727 --> 00:49:09,980
A REPORTER
FOR THE MIAMI JOURNAL.
829
00:49:10,480 --> 00:49:12,482
RECENTLY, THE SERIES
OF BRUTAL MURDERS IN HIS CITY
830
00:49:12,983 --> 00:49:15,485
HAS SOMEWHAT CHANGED
HIS OBJECTIVITY
831
00:49:15,485 --> 00:49:17,237
BECAUSE THE KILLER
HAS CHOSEN TO USE HIM
832
00:49:17,738 --> 00:49:19,239
AS A LIAISON BETWEEN
THE COMMUNITY,
833
00:49:19,239 --> 00:49:21,241
THE POLICE, AND HIMSELF.
834
00:49:21,241 --> 00:49:23,744
A SITUATION HAS DEVELOPED
WHERE A REPORTER
835
00:49:23,744 --> 00:49:26,747
IS MATERIALLY INVOLVED
IN THE STORY HE'S COVERING.
836
00:49:26,747 --> 00:49:29,866
HE'S WITH US AT WSVN,
OUR NBC AFFILIATE IN MIAMI.
837
00:49:29,866 --> 00:49:31,868
MALCOLM, THANKS
FOR BEING WITH US.
838
00:49:31,868 --> 00:49:33,503
MY PLEASURE, JOHN.
839
00:49:33,503 --> 00:49:35,505
TO BEGIN WITH,
TELL US WHEN AND WHERE
840
00:49:35,505 --> 00:49:38,508
YOU RECEIVED
THAT FIRST CALL.
841
00:49:38,508 --> 00:49:40,510
UH, IT WAS
AT THE JOURNAL,
842
00:49:40,510 --> 00:49:42,012
AND IT WAS
A FEW DAYS
843
00:49:42,512 --> 00:49:44,014
AFTER THEY FOUND
THE FIRST BODY.
844
00:49:44,514 --> 00:49:47,517
HOW DID YOU REACT WHEN
HE TOLD YOU WHO HE WAS?
845
00:49:47,517 --> 00:49:50,020
I DIDN'T BELIEVE
HIM AT FIRST.
846
00:49:50,520 --> 00:49:51,521
IN MY YEARS
OF REPORTING,
847
00:49:51,521 --> 00:49:53,974
I'VE HAD MY SHARE
OF PECULIAR CALLS.
848
00:49:53,974 --> 00:49:56,443
[John]
BUT HE CONVINCED YOU.
849
00:49:56,443 --> 00:49:58,945
HE HAD KNOWLEDGE
OF THE MURDER
AND THE VICTIM
850
00:49:58,945 --> 00:50:00,947
THAT NOBODY ELSE
COULD HAVE HAD.
851
00:50:00,947 --> 00:50:03,900
[John] HOW MANY TIMES HAVE
YOU AND HE TALKED?
852
00:50:03,900 --> 00:50:05,402
[Malcolm]
FIVE TIMES, JOHN.
853
00:50:05,902 --> 00:50:07,904
CAN WE ASSUME THAT
HE HASN'T SAID ANYTHING
854
00:50:07,904 --> 00:50:10,907
THAT'S BEEN OF MUCH HELP
TO THE POLICE?
855
00:50:10,907 --> 00:50:12,409
IT WOULDN'T BE HELPFUL
856
00:50:12,909 --> 00:50:14,411
FOR ME TO COMMENT
ON THE PROGRESS
857
00:50:14,411 --> 00:50:16,413
OF THE INVESTIGATION
RIGHT NOW.
858
00:50:16,913 --> 00:50:19,416
AFTER TALKING TO HIM
AS OFTEN AS YOU HAVE,
859
00:50:19,416 --> 00:50:22,419
WHAT'S YOUR SENSE
OF THE RELATIONSHIP
THAT'S DEVELOPED?
860
00:50:22,919 --> 00:50:24,921
WELL, "RELATIONSHIP",
JOHN, SUGGESTS
861
00:50:24,921 --> 00:50:27,424
THAT THERE'S
SOMETHING IN IT
FOR BOTH PARTIES.
862
00:50:27,891 --> 00:50:29,393
I'M CERTAINLY DOING
WHAT I CAN TO HELP,
863
00:50:29,393 --> 00:50:31,395
BUT THIS
WASN'T MY IDEA.
864
00:50:31,395 --> 00:50:31,895
I MEAN,
HE CALLED ME.
865
00:50:32,396 --> 00:50:33,897
[Gun cocking]
866
00:50:33,897 --> 00:50:36,400
[John] HAS HE SAID
WHY HE CALLED
YOU IN PARTICULAR?
867
00:50:36,400 --> 00:50:40,404
[Malcolm]
HE SAID HE LIKED
THE WAY I WRITE.
868
00:50:40,904 --> 00:50:42,355
??[Eerie music]
869
00:50:55,202 --> 00:51:00,707
[Telephone rings]
870
00:51:00,707 --> 00:51:02,209
[Man]
I SAW YOU ON TV THIS MORNING.
871
00:51:02,209 --> 00:51:03,210
I DIDN'T LIKE IT.
872
00:51:03,210 --> 00:51:05,212
WHY?
873
00:51:05,212 --> 00:51:07,714
YOU'RE BECOMING MORE
IMPORTANT THAN ME.
874
00:51:07,714 --> 00:51:10,717
I'M DOING THE WORK,
YOU GET PUT ON TV.
875
00:51:10,717 --> 00:51:13,220
YOU'RE GETTING
TOO MUCH ATTENTION.
876
00:51:13,720 --> 00:51:15,222
I REALLY WISH
I COULD COME FORWARD
877
00:51:15,722 --> 00:51:17,357
AND SPEAK FOR
MYSELF, YOU KNOW.
878
00:51:17,858 --> 00:51:20,777
OF COURSE, I CAN'T.
879
00:51:21,261 --> 00:51:23,029
I'VE ONLY BEEN
ARRESTED ONCE.
880
00:51:23,029 --> 00:51:24,030
WHAT YEAR?
881
00:51:24,030 --> 00:51:26,533
COME ON.
882
00:51:26,533 --> 00:51:29,035
I'M ALREADY
BEING TOO GENEROUS
883
00:51:29,536 --> 00:51:31,538
ON PHONES
THAT ARE TAPPED.
884
00:51:31,538 --> 00:51:35,158
MY PHONE ISN'T TAPPED.
885
00:51:35,158 --> 00:51:37,210
IS THERE ANY CHANCE
WE'LL EVER MEET IN PERSON?
886
00:51:37,210 --> 00:51:38,712
SO YOU CAN BRING THE COPS
887
00:51:39,212 --> 00:51:41,214
AND BE A REAL HERO.
888
00:51:41,214 --> 00:51:45,585
YOU ANGER ME,
YOU KNOW THAT?
889
00:51:45,585 --> 00:51:47,587
CUBAN COFFEE, PHIL?
890
00:51:47,587 --> 00:51:48,972
[Man on tape] I REALLY
WISH I COULD
COME FORWARD
891
00:51:48,972 --> 00:51:50,474
AND SPEAK
FOR MYSELF.
892
00:51:50,474 --> 00:51:51,475
THIS IS
INTERESTING.
893
00:51:51,475 --> 00:51:54,978
OF COURSE,
I CAN'T.
894
00:51:54,978 --> 00:51:56,980
I'VE ONLY BEEN
ARRESTED ONCE.
895
00:51:56,980 --> 00:51:57,981
[Malcolm on tape]
WHAT YEAR?
896
00:51:57,981 --> 00:51:59,983
[Man on tape]
COME ON.
897
00:51:59,983 --> 00:52:02,102
I'M ALREADY
BEING TOO GENEROUS
898
00:52:02,102 --> 00:52:06,106
ON PHONES
THAT ARE TAPPED.
899
00:52:06,106 --> 00:52:08,108
[Malcolm on tape]
MY PHONE ISN'T TAPPED.
900
00:52:08,108 --> 00:52:09,109
IS THERE ANY CHANCE
WE'LL EVER MEET
IN PERSON?
901
00:52:09,109 --> 00:52:10,610
DUMB.
902
00:52:10,610 --> 00:52:12,112
[Man on tape]
SO YOU CAN BRING THE COPS
903
00:52:12,112 --> 00:52:14,114
AND BE A REAL HERO.
904
00:52:14,114 --> 00:52:18,118
HIM,
YOU ARREST DEAD.
905
00:52:18,118 --> 00:52:20,620
WELL, YOU GOT
TO CATCH HIM FIRST.
906
00:52:21,121 --> 00:52:23,623
,
YOU GET
A FEEL FOR HIM
907
00:52:23,623 --> 00:52:25,625
FIGURE OUT WHAT
HE'LL GO AFTER NEXT,
908
00:52:25,625 --> 00:52:29,880
AND THEN BLOW HIS
DISEASED BRAINS OUT.
909
00:52:29,880 --> 00:52:38,388
I'M GOING TO GET
SOME AMERICAN COFFEE.
910
00:52:38,388 --> 00:52:40,390
YOU KNOW, WE SENT
A GUY TO MICHIGAN,
911
00:52:40,891 --> 00:52:42,392
AND THERE'S NO RECORD
912
00:52:42,392 --> 00:52:44,895
OF THE INDUSTRIAL ACCIDENT
THAT HE DESCRIBED,
913
00:52:44,895 --> 00:52:48,398
NOT AT ANY OF THE MAJOR
ASSEMBLY PLANTS.
914
00:52:48,398 --> 00:52:57,407
I GOT A 50 SAYS HE'S
MAKING ALL THIS UP.
915
00:52:57,407 --> 00:53:02,662
YOU'RE NOT TAPPING
MY PHONE, RIGHT, RAY?
916
00:53:02,662 --> 00:53:07,667
NO.
917
00:53:07,667 --> 00:53:08,668
GOOD NIGHT, RAY.
918
00:53:09,169 --> 00:53:11,671
YEAH.
919
00:53:11,671 --> 00:53:12,672
??[Moody music]
920
00:53:30,574 --> 00:53:32,075
PERFECT. WIDE OPEN
921
00:53:45,455 --> 00:53:46,590
??[Suspenseful music]
922
00:54:37,257 --> 00:54:38,758
WHOA, WHOA, WHOA!
923
00:54:38,758 --> 00:54:40,760
WAIT! WAIT!
WAIT A MINUTE!
924
00:54:40,760 --> 00:54:42,262
I--I--I--
POR FAVOR,
925
00:54:42,262 --> 00:54:47,517
I DELIVER
FOR YOU THE PAPER.
926
00:54:48,018 --> 00:54:52,272
WHAT HAPPENED?
927
00:54:52,772 --> 00:54:54,274
.
I'VE BEEN WITH
THE COPS ALL NIGHT
928
00:54:54,274 --> 00:54:56,276
I COME HOME,
AND THE PLACE
IS WIDE OPEN.
929
00:54:56,526 --> 00:54:58,028
IS IT
TOO MUCH TROUBLE
930
00:54:58,528 --> 00:55:03,667
TO REMEMBER TO LOCK
THE GODDAMN DOOR?
931
00:55:03,667 --> 00:55:12,175
I DIDN'T EVEN KNOW
YOU WERE GONE.
932
00:55:12,676 --> 00:55:14,177
I'M SORRY.
933
00:55:14,177 --> 00:55:16,179
I DON'T WANT TO BE
AROUND THIS ANYMORE.
934
00:55:16,179 --> 00:55:18,682
I'M SORRY. I MEAN IT.
I AM SORRY.
935
00:55:19,182 --> 00:55:20,183
DON'T BE.
936
00:55:20,183 --> 00:55:28,692
??[Sad music]
937
00:55:28,692 --> 00:55:30,193
YOU'RE LIVING ALONE,
938
00:55:30,193 --> 00:55:31,695
AND I'M LIVING
WITH SOMEBODY
939
00:55:31,695 --> 00:55:35,198
I DON'T EVEN KNOW.
940
00:55:35,198 --> 00:55:36,700
IT DOESN'T WORK.
941
00:55:36,700 --> 00:55:38,201
WHAT DOES THAT MEAN?
942
00:55:38,201 --> 00:55:40,203
I'M PUTTING A LOT
OF TIME IN THE STORY.
943
00:55:40,203 --> 00:55:42,205
IT'S GETTING ATTENTION,
AND YOU FEEL LEFT ALONE.
944
00:55:42,706 --> 00:55:44,207
THAT'S ALL THERE IS
TO IT, RIGHT?
945
00:55:44,207 --> 00:55:46,710
YOU HAVE NO IDEA
WHAT IT IS.
946
00:55:46,710 --> 00:55:49,713
YOU CAN'T.
947
00:55:50,213 --> 00:55:52,716
YOU'RE NOT PAYING
ENOUGH ATTENTION.
948
00:55:52,716 --> 00:55:55,218
CHRIS, I KNOW
I'VE BUSTED MY ASS
FOR EIGHT YEARS.
949
00:55:55,218 --> 00:55:58,722
WHAT WE'VE WANTED
IS RIGHT HERE.
950
00:55:58,722 --> 00:56:01,725
DON'T YOU
UNDERSTAND THAT?
951
00:56:02,208 --> 00:56:04,644
EVER SINCE
YOU STARTED
THE BODY COUNT,
952
00:56:05,145 --> 00:56:07,597
YOU LET
EVERYTHING SLIDE.
953
00:56:08,098 --> 00:56:09,599
I'VE GOTTEN
SO FAR AWAY
954
00:56:09,599 --> 00:56:13,603
THAT LEAVING'S
JUST A FORMALITY,
MALCOLM.
955
00:56:13,603 --> 00:56:15,605
HONEY, THIS IS
THE LAST THING
WE NEED RIGHT NOW.
956
00:56:15,605 --> 00:56:19,109
I SAID
I WAS SORRY, O.K.?
957
00:56:19,109 --> 00:56:20,110
I HEARD.
958
00:56:38,643 --> 00:56:39,644
DO YOU WANT A DRAG?
959
00:56:39,644 --> 00:56:42,146
DRAG, YOUR ASS.
960
00:56:42,146 --> 00:56:45,149
YOU GOT TO BE CLOSER
THAN YOU'RE SAYING.
961
00:56:45,149 --> 00:56:48,653
SURE WOULD LIKE
EVERYONE TO THINK SO.
962
00:56:48,653 --> 00:56:50,154
YOU GOT A VOICE PRINT.
GOT HIS M.O.
963
00:56:50,154 --> 00:56:51,656
YOU KNOW HE'S DUPLICATING.
964
00:56:51,656 --> 00:56:52,657
YOU KNOW WHAT PART
OF THE COUNTRY HE'S FROM.
965
00:56:53,157 --> 00:56:54,158
YOU GOT TO BE GETTING
SOMEWHERE.
966
00:56:54,158 --> 00:56:55,660
THIS GUY'S
KILLING PEOPLE
967
00:56:55,660 --> 00:56:57,161
HE'S HAD NO PERSONAL
CONTACT WITH.
968
00:56:57,161 --> 00:56:58,663
NOBODY HE'S
MAD AT.
969
00:56:58,913 --> 00:56:59,914
.
IT'S TOUGH
970
00:56:59,914 --> 00:57:01,916
WHAT DO YOU GUYS
DO ALL DAY?
971
00:57:02,417 --> 00:57:03,918
WE RUN DOWN
25 OR 30 PHONE CALLS
972
00:57:04,419 --> 00:57:05,420
FROM PEOPLE WHO THINK
THEY'RE LIVING WITH HIM.
973
00:57:05,420 --> 00:57:07,422
SO DO I.
974
00:57:07,422 --> 00:57:08,923
WHEN YOU WRITE ENOUGH
ABOUT SOMEBODY,
975
00:57:08,923 --> 00:57:10,925
YOU START SOUNDING
LIKE EVERYBODY.
976
00:57:10,925 --> 00:57:13,928
I DIDN'T EXPECT IT
TO LAST THIS LONG.
977
00:57:13,928 --> 00:57:16,431
AS LONG AS HE'S OUT THERE,
HE'S DEFINITELY NEWS.
978
00:57:16,931 --> 00:57:18,433
[Mumbling]
YEAH. SO ARE YOU.
979
00:57:18,433 --> 00:57:20,435
WHAT ARE YOU
SAYING TO ME?
980
00:57:20,435 --> 00:57:22,437
I NEVER UNDERSTAND WHAT
YOU'RE SAYING!
981
00:57:22,437 --> 00:57:22,937
WHAT'S THE MATTER
WITH YOU?
982
00:57:23,438 --> 00:57:24,806
I'M TIRED OF HIM!
983
00:57:24,806 --> 00:57:27,809
WELL, YOU'RE GETTING IN
PLACES YOU DON'T BELONG.
984
00:57:27,809 --> 00:57:28,810
DAMN IT!
985
00:57:29,310 --> 00:57:31,312
HEY! WALK AWAY.
986
00:57:31,312 --> 00:57:32,814
!
GO GET HIM, WILSON
987
00:57:32,814 --> 00:57:39,203
CATCH HIM
SO WE CAN GO HOME!
988
00:57:39,203 --> 00:57:42,206
YOU'RE COMING APART
ON ME, MAL.
989
00:57:42,206 --> 00:57:43,708
YOU KNOW WHAT HAPPENS
WHEN YOU COME APART?
990
00:57:43,708 --> 00:57:44,709
YOU CRASH,
AND WE GOT NOTHING.
991
00:57:44,709 --> 00:57:46,210
RIGHT NOW,
WE GOT NOTHING!
992
00:57:46,210 --> 00:57:48,713
YOU BETTER GET THIS GUY
BEFORE HE KILLS SOMEBODY ELSE.
993
00:57:48,713 --> 00:57:56,721
I'M TIRED OF BEING
YOUR CONTACT MAN.
994
00:57:57,221 --> 00:58:00,224
[Sighs]
995
00:58:00,224 --> 00:58:06,230
[Wind howling]
996
00:58:06,230 --> 00:58:08,733
"IF YOU'D LIKE
A NICE HOME-COOKED MEAL
997
00:58:08,733 --> 00:58:10,234
"AND SOME QUIET
CONVERSATION,
998
00:58:10,234 --> 00:58:11,736
"YOU'RE WELCOME
TO STOP BY.
999
00:58:11,736 --> 00:58:13,237
"HOPE TO SEE YOU SOON."
1000
00:58:13,237 --> 00:58:17,241
HMM-HMM. O.K.
1001
00:58:17,241 --> 00:58:20,244
[Clears throat]
1002
00:58:20,244 --> 00:58:22,747
"AFTER THE LAST KILLING,
1003
00:58:22,747 --> 00:58:26,751
"I READ THAT
THE KILLER WORKED
ON AN AUTO ASSEMBLY LINE.
1004
00:58:26,751 --> 00:58:28,202
"I BELIEVE
I REMEMBERED A GUY
1005
00:58:28,202 --> 00:58:31,172
"FROM KENOSHA, WISCONSIN,
OR SOMEWHERE
1006
00:58:31,172 --> 00:58:33,674
"WHO WAS CONNECTED
TO SOMETHING LIKE THIS.
1007
00:58:33,674 --> 00:58:35,676
"YOU WROTE THE KILLER WAS
DUPLICATING OTHER MURDERS.
1008
00:58:36,177 --> 00:58:39,180
"HE SOUNDS LIKE THE ONE
I HEARD ABOUT."
1009
00:58:39,680 --> 00:58:47,688
THERE IS SOME KIND OF
AN ADDRESS THERE.
1010
00:58:48,189 --> 00:58:49,190
"I'LL TALK
TO YOU ALONE,
1011
00:58:49,190 --> 00:58:50,691
"WITHOUT ANYBODY
OR POLICE EITHER.
1012
00:58:50,691 --> 00:58:52,193
"I LIVE AT PARADISE
TRAILER PARK.
1013
00:58:52,193 --> 00:58:53,694
"IF ANY COPS
COME WITH YOU,
1014
00:58:54,195 --> 00:58:55,696
"I'LL DENY
I WROTE THIS.
1015
00:58:55,696 --> 00:58:58,199
"I DON'T WANT
TO BE CONNECTED
WITH THIS."
1016
00:58:58,199 --> 00:58:59,700
HERE'S THE ADDRESS.
1017
00:58:59,700 --> 00:59:03,204
I DON'T KNOW.
WHAT DO YOU THINK?
1018
00:59:03,204 --> 00:59:07,208
GIVE IT A SHOT.
1019
00:59:07,208 --> 00:59:10,211
[Sighs]
1020
00:59:10,211 --> 00:59:11,712
WHY NOT?
1021
00:59:12,213 --> 00:59:15,216
[Ship horn blows]
1022
00:59:15,216 --> 00:59:16,217
??[Moody music]
1023
01:00:05,383 --> 01:00:13,891
[Clattering]
1024
01:00:13,891 --> 01:00:16,894
[Coughs]
1025
01:00:17,395 --> 01:00:25,903
EXCUSE ME.
1026
01:00:25,903 --> 01:00:27,405
YOU MR. ANDERSON?
1027
01:00:27,405 --> 01:00:30,408
YEAH.
1028
01:00:30,908 --> 01:00:32,410
ALL ALONE.
1029
01:00:32,410 --> 01:00:33,411
YEAH, WELL, I THIN
K I'M GLAD YOU COME.
1030
01:00:43,054 --> 01:00:44,555
I GOT TO GET THIS THING
REFITTED
1031
01:00:44,555 --> 01:00:46,557
DOWN AT
THE V.A. HOSPITAL.
1032
01:00:47,058 --> 01:00:49,060
TREAT YOU PRETTY
GOOD DOWN THERE.
1033
01:00:49,060 --> 01:00:51,562
OH, UH...
1034
01:00:51,562 --> 01:00:54,065
I'M JUST GOING TO
TAKE A COUPLE NOTES
WHILE WE TALK.
1035
01:00:54,065 --> 01:00:55,566
YOU DON'T MIND,
DO YOU?
1036
01:00:55,566 --> 01:00:57,068
]
[Unhooks leg brace
1037
01:00:57,068 --> 01:00:59,570
I GUESS. GO AHEAD.
1038
01:00:59,570 --> 01:01:01,572
I DON'T WANT MY NAME
IN THE PAPER.
1039
01:01:02,073 --> 01:01:03,574
I FIGURE THIS GUY'S
CRAZY ENOUGH,
1040
01:01:04,075 --> 01:01:06,077
HE WOULDN'T THINK TWICE
ABOUT WASTING ME.
1041
01:01:06,077 --> 01:01:07,578
I'VE BEEN WASTED
ENOUGH ALREADY.
1042
01:01:07,578 --> 01:01:09,080
GOT TO HANG ONTO
WHAT'S LEFT.
1043
01:01:09,080 --> 01:01:11,082
I CAN GIVE YOU
ANONYMITY,
1044
01:01:11,082 --> 01:01:13,084
BUT THE POLICE WILL
WANT TO TALK TO YOU.
1045
01:01:13,084 --> 01:01:16,087
LET ME THINK
ABOUT THAT.
1046
01:01:16,087 --> 01:01:17,588
WELL, I'M A LITTLE
SHORT ON TIME.
1047
01:01:17,588 --> 01:01:19,590
I'M WORKING
ON A DEADLINE.
1048
01:01:19,590 --> 01:01:21,092
WHY DON'T WE JUST
START WITH YOUR NAME?
1049
01:01:21,592 --> 01:01:24,095
[Turning notebook pages]
1050
01:01:24,095 --> 01:01:26,097
I'VE BEEN LED TO BELIEVE
THAT YOU PEOPLE PAY
1051
01:01:26,097 --> 01:01:27,598
FOR THIS KIND
OF INFORMATION.
1052
01:01:27,598 --> 01:01:30,101
I DON'T.
1053
01:01:30,101 --> 01:01:31,602
OH, COME ON.
IT WON'T BE MUCH.
1054
01:01:31,602 --> 01:01:34,605
YOU KNOW, 20? 10?
1055
01:01:34,605 --> 01:01:39,110
DO YOU HAVE ANY
INFORMATION FOR ME
OR NOT?
1056
01:01:39,610 --> 01:01:42,113
THIS GUY'S NAME
WAS O'SHAUGHNESSY,
1057
01:01:42,113 --> 01:01:45,116
AND I MET HIM
DOWNTOWN,
1058
01:01:45,616 --> 01:01:46,617
UM...
1059
01:01:47,118 --> 01:01:48,619
.
DOWN AT
THE SALVATION ARMY
1060
01:01:48,619 --> 01:01:52,123
UH,
KIND OF A JUICER.
1061
01:01:52,123 --> 01:01:54,125
HE WAS DEPRESSED
ALL THE TIME,
1062
01:01:54,125 --> 01:01:58,629
BUT THEN, HE HAD
GOOD REASON TO BE.
1063
01:01:58,629 --> 01:02:00,631
ABOUT A YEAR AGO,
1064
01:02:00,631 --> 01:02:03,634
UH, HE LOST HIS PARENTS,
1065
01:02:04,135 --> 01:02:07,138
HIS WIFE, SISTER-IN-LAW,
AND TEENAGE DAUGHTER.
1066
01:02:07,138 --> 01:02:10,141
WHAT HAPPENED?
1067
01:02:10,141 --> 01:02:12,143
HIS BROTHER JUST
WENT OUT OF HIS HEAD.
1068
01:02:12,643 --> 01:02:14,645
GOT HIS GUN,
MIDDLE OF THE DAY,
1069
01:02:14,645 --> 01:02:16,147
AND KILLED THEM ALL.
1070
01:02:16,647 --> 01:02:18,149
PUT THE MUZZLES
RIGHT HERE,
1071
01:02:18,149 --> 01:02:19,650
RIGHT AT THE BASE
OF THEIR SKULLS,
1072
01:02:19,650 --> 01:02:22,603
AND BLEW
THEIR HEADS OFF.
1073
01:02:22,603 --> 01:02:31,112
SOUND FAMILIAR
TO YOU?
1074
01:02:31,112 --> 01:02:33,614
YOU SAID HIS LAST NAME
WAS O'SHAUGHNESSY?
1075
01:02:33,614 --> 01:02:35,616
YOU REMEMBER
HIS FIRST NAME?
1076
01:02:35,616 --> 01:02:42,623
ALBERT,
I DO BELIEVE.
1077
01:02:42,623 --> 01:02:44,125
WHERE WAS THIS?
1078
01:02:44,125 --> 01:02:46,127
.
KENOSHA, WISCONSIN
1079
01:02:46,127 --> 01:02:48,629
HE WORKED
ON A PACER LINE.
1080
01:02:48,629 --> 01:02:53,134
HE USED TO CALL THEM
KENOSHA CADILLACS.
1081
01:02:53,134 --> 01:02:56,137
THIS GUY'S
FROM DETROIT.
1082
01:02:56,137 --> 01:03:03,644
KENOSHA.
1083
01:03:03,644 --> 01:03:05,146
I GOT THAT RIGHT HERE
SOMEWHERE IN MY NOTES.
1084
01:03:05,646 --> 01:03:06,647
EXCUSE ME A MINUTE.
1085
01:03:06,647 --> 01:03:09,150
YEAH. HERE IT IS.
1086
01:03:09,150 --> 01:03:18,159
.
I GOT TO
TAKE MYSELF A PISS
1087
01:03:18,159 --> 01:03:20,661
[Fly buzzing]
1088
01:03:20,661 --> 01:03:24,165
UH, LISTEN,
THIS IS REALLY GOOD.
1089
01:03:24,665 --> 01:03:26,050
THAT'S REALLY ALL I NEED.
1090
01:03:26,050 --> 01:03:28,552
[Urinating]
1091
01:03:28,552 --> 01:03:32,006
I GOT TO GET YOUR NAME
FOR LEGAL REASONS.
1092
01:03:32,006 --> 01:03:34,508
[Mike]
MIKE HILSON, SPEC FOUR,
1093
01:03:34,508 --> 01:03:37,511
HONORABLY DISCHARGED
APRIL 1, 1971.
1094
01:03:37,511 --> 01:03:41,515
UH-HUH. IS THAT
H-I-L-S-O-N?
1095
01:03:41,515 --> 01:03:42,016
[Mike]
THAT'S RIGHT.
1096
01:03:59,283 --> 01:04:03,287
HA HA! KILLED ME
SOME SLOPES WITH THIS.
1097
01:04:03,287 --> 01:04:05,790
IT'S NO GOOD
AT A DISTANCE,
YOU KNOW, BUT
1098
01:04:05,790 --> 01:04:07,792
WHEN YOU DROP THEM
WITH THE M-16,
1099
01:04:07,792 --> 01:04:11,796
THIS WILL
STOP THEM WRIGGLING.
1100
01:04:11,796 --> 01:04:14,799
GO AHEAD.
CLICK IT IF YOU WANT.
1101
01:04:14,799 --> 01:04:16,801
FIRING PIN'S OUT
BECAUSE MY NEPHEW
LIKES TO PLAY WITH IT
1102
01:04:16,801 --> 01:04:19,303
WHEN HE COMES OVER
TO VISIT.
1103
01:04:19,303 --> 01:04:20,805
YOU DON'T
NEED TO TELL ME
1104
01:04:20,805 --> 01:04:21,806
IT'S A LOUSY TOY
FOR A KID.
1105
01:04:21,806 --> 01:04:24,809
[Click]
1106
01:04:25,309 --> 01:04:27,812
UGH. FUCKING LEG.
1107
01:04:28,312 --> 01:04:30,314
SOMETIMES I WISH
I WAS PARALYZED
ALL THE WAY.
1108
01:04:30,314 --> 01:04:31,816
THEN THE V.A. WOULD
HAVE TO GIVE ME
1109
01:04:31,816 --> 01:04:34,819
AN EXTRA 60 BUCKS
A MONTH.
1110
01:04:34,819 --> 01:04:40,324
THANKS, MIKE.
1111
01:04:40,324 --> 01:04:42,827
LOOK, IF THERE'S
ANYTHING I CAN DO
1112
01:04:42,827 --> 01:04:44,328
TO HELP YOU OUT
DOWN AT THE V.A.,
1113
01:04:44,328 --> 01:04:45,329
JUST GIVE ME
A CALL, O.K.?
1114
01:04:45,329 --> 01:04:46,330
THANK YOU VERY MUCH.
1115
01:04:55,339 --> 01:04:57,842
TAKE CARE OF YOURSELF.
1116
01:04:57,842 --> 01:04:58,843
HEY, THANKS A LOT.
1117
01:05:07,852 --> 01:05:08,352
UGH.
1118
01:05:24,752 --> 01:05:27,371
WE OUGHT TO
THROW YOU IN JAIL
FOR OBSTRUCTING JUSTICE.
1119
01:05:27,872 --> 01:05:29,506
YOU SHOULD HAVE
CALLED ME, MAL,
1120
01:05:29,506 --> 01:05:31,008
AFTER YOU PUT
THIS STORY TO BED.
1121
01:05:31,508 --> 01:05:32,509
I HAD ENOUGH
CONFIRMATION
FOR A STORY
1122
01:05:32,509 --> 01:05:34,011
BUT NOT FOR YOU.
1123
01:05:34,011 --> 01:05:36,513
THAT'S NOT
YOUR DECISION, MAN!
1124
01:05:36,513 --> 01:05:38,015
JUST GIVE ME
THE GUY'S ADDRESS.
1125
01:05:38,015 --> 01:05:39,016
WE GOT
PROBLEMS.
1126
01:05:39,016 --> 01:05:40,517
WHAT?
1127
01:05:40,517 --> 01:05:42,019
ACCORDING TO
AMERICAN MOTORS,
1128
01:05:42,019 --> 01:05:43,520
THEY NEVER
EMPLOYED
1129
01:05:43,520 --> 01:05:45,022
AN ALBERT
O'SHAUGHNESSY.
1130
01:05:45,022 --> 01:05:47,024
THE PENTAGON
SAYS THERE WAS
NO SPEC FOUR
1131
01:05:47,024 --> 01:05:48,025
NAMED
MICHAEL HILSON
1132
01:05:48,525 --> 01:05:51,028
DISCHARGED
APRIL 1, 1971.
1133
01:05:51,028 --> 01:05:52,029
I THINK WE'VE
BEEN SCREWED.
1134
01:05:52,029 --> 01:05:54,031
[Bang]
1135
01:05:54,031 --> 01:05:55,032
APRIL 1st?
1136
01:05:55,032 --> 01:05:59,536
APRIL FOOLS'?
1137
01:05:59,536 --> 01:06:01,038
YOU SAID YOU WANTED TO
MEET HIM FACE-TO-FACE.
1138
01:06:01,038 --> 01:06:04,041
REMEMBER THAT?
1139
01:06:04,041 --> 01:06:11,548
WHAT?
1140
01:06:12,049 --> 01:06:12,917
[Hilson on tape recorder]
I CERTAINLY ENJOYED
1141
01:06:13,417 --> 01:06:14,919
OUR LITTLE CHAT.
1142
01:06:15,419 --> 01:06:16,921
I HOPE WE CAN MEET UNDER
MORE FAVORABLE CIRCUMSTANCES
1143
01:06:16,921 --> 01:06:18,422
IN THE FUTURE.
1144
01:06:18,422 --> 01:06:22,059
[Maniacal laughter]
1145
01:06:22,059 --> 01:06:25,062
I'M SORRY.
1146
01:06:25,062 --> 01:06:27,564
BUT YOU DID
WANT TO MEET IN PERSON
1147
01:06:28,065 --> 01:06:30,067
MALCOLM.
1148
01:06:30,067 --> 01:06:31,568
YOU TOLD ME THAT
YOURSELF.
1149
01:06:31,568 --> 01:06:33,070
HEH HEH HEH!
1150
01:06:33,570 --> 01:06:36,073
FOUR DOWN,
ONE TO GO.
1151
01:06:36,073 --> 01:06:40,077
HA HA HA!
1152
01:06:40,077 --> 01:06:43,580
[Shuts off tape recorder]
1153
01:06:43,580 --> 01:06:44,581
HELL OF A DEAL.
1154
01:06:45,082 --> 01:06:53,090
[sighs]
1155
01:06:53,590 --> 01:06:54,591
??[Moody music]
1156
01:07:16,113 --> 01:07:20,617
WE COULD HAVE
HAD HIM.
1157
01:07:20,617 --> 01:07:21,118
SEAL IT OFF.
1158
01:07:39,136 --> 01:07:41,138
O.K., PEOPLE,
HELP US OUT.
1159
01:07:41,138 --> 01:07:43,140
LET'S MOVE IT
BACK HERE.
1160
01:07:43,140 --> 01:07:47,144
MOVE IT BACK NOW,
PLEASE.
1161
01:07:47,144 --> 01:07:48,645
[Police radio transmitting]
1162
01:08:06,947 --> 01:08:08,949
[Nolan] YOU'RE GOING
TO TAKE A PUBLIC WHIPPING
1163
01:08:09,450 --> 01:08:10,701
LIKE NO ONE'S
EVER SEEN.
1164
01:08:10,701 --> 01:08:12,703
I HAVE
ABSOLUTELY NO IDEA
1165
01:08:12,703 --> 01:08:19,710
HOW TO WRITE THIS.
1166
01:08:19,710 --> 01:08:21,211
I BETTER GO.
1167
01:08:21,211 --> 01:08:23,213
YEAH.
1168
01:08:23,213 --> 01:08:24,715
WHEN YOU FINISH
WITH THEIR ARTIST,
1169
01:08:24,715 --> 01:08:26,216
BRING BACK A COPY
OF THE SKETCH.
1170
01:08:26,216 --> 01:08:27,217
I'LL KEEP WORKING
ON IT.
1171
01:08:27,217 --> 01:08:31,722
[Telephone rings]
1172
01:08:31,722 --> 01:08:33,724
ANDERSON.
1173
01:08:33,724 --> 01:08:38,362
[Hilson]
HI. IT'S ME.
1174
01:08:38,362 --> 01:08:40,864
WHAT THE HELL
ARE YOU TRYING TO PROVE?
1175
01:08:40,864 --> 01:08:42,866
YOU WERE GETTING
BIGGER THAN ME.
1176
01:08:42,866 --> 01:08:44,868
I HAD TO BRING YOU DOWN
A PEG OR TWO.
1177
01:08:44,868 --> 01:08:46,870
YOU DID. NOW YOU CAN CALL
SOMEBODY ELSE.
1178
01:08:46,870 --> 01:08:48,872
YOUR STORY'S GOTTEN OLD.
1179
01:08:48,872 --> 01:08:51,375
I'M GOING TO
FRESHEN IT UP.
1180
01:08:51,375 --> 01:08:53,877
I HAD PLANNED ON TALKING
TO SOMEONE ELSE.
1181
01:08:53,877 --> 01:08:57,881
FINE. I'M NOT WRITING
ONE MORE WORD ABOUT YOU.
1182
01:08:57,881 --> 01:09:00,884
I KNEW THIS
WOULD HAPPEN.
1183
01:09:00,884 --> 01:09:02,386
BUT YOU'RE
STILL GOING TO
HAVE A PART.
1184
01:09:02,386 --> 01:09:06,390
NO. NO PART.
1185
01:09:06,390 --> 01:09:08,392
DON'T BE THAT WAY,
MALCOLM.
1186
01:09:08,892 --> 01:09:11,895
REMEMBER,
NO ONE'S SAFE.
1187
01:09:11,895 --> 01:09:13,397
NO ONE'S IMMUNE.
1188
01:09:13,397 --> 01:09:15,899
ARE YOU
THREATENING ME?
1189
01:09:15,899 --> 01:09:17,901
??[Suspenseful music]
1190
01:09:17,901 --> 01:09:20,404
I STUDY PEOPLE,
TOO, HMM?
1191
01:09:20,904 --> 01:09:22,906
JUST LIKE
A REPORTER.
1192
01:09:22,906 --> 01:09:24,408
,
WATCH THEIR HABITS
1193
01:09:24,408 --> 01:09:28,412
THEIR ROUTINES.
1194
01:09:28,412 --> 01:09:31,415
SUPPOSING HER CAR
WOULDN'T START?
1195
01:09:31,415 --> 01:09:33,417
HOW WOULD
SHE KNOW THE WIRES
HAD BEEN SWITCHED
1196
01:09:33,417 --> 01:09:35,419
ON THE
DISTRIBUTOR CAP?
1197
01:09:35,419 --> 01:09:37,421
DO YOU THINK
SHE'D TURN DOWN HELP
1198
01:09:37,421 --> 01:09:41,425
FROM A SUBSTITUTE
TEACHER?
1199
01:09:41,542 --> 01:09:44,044
[Clicks receiver]
1200
01:09:44,044 --> 01:09:45,045
HEY.
1201
01:09:45,045 --> 01:09:46,180
WHOA!
1202
01:09:46,180 --> 01:09:47,181
HEY, MAL!
1203
01:09:47,181 --> 01:09:49,183
OH!
1204
01:09:49,183 --> 01:09:50,184
WHAT THE HELL'S
THE MATTER WITH HIM?
1205
01:10:03,814 --> 01:10:07,818
[Christine
starting engine]
1206
01:10:07,818 --> 01:10:09,319
[Engine grinds]
1207
01:10:27,337 --> 01:10:29,473
WOULD YOU LIKE ME
TO TAKE A LOOK?
1208
01:10:29,473 --> 01:10:32,476
OH, SURE. PLEASE.
1209
01:10:32,476 --> 01:10:33,477
I DON'T KNOW
WHAT'S WRONG WITH IT.
1210
01:10:33,977 --> 01:10:34,978
IT WAS FINE
THIS MORNING.
1211
01:10:34,978 --> 01:10:36,980
,
WELL, THIS ISN'T
MY FIELD, YOU KNOW
1212
01:10:36,980 --> 01:10:38,599
BUT SOMETIMES
I GET LUCKY.
1213
01:10:38,599 --> 01:10:42,603
[Tires squeal]
1214
01:10:42,603 --> 01:10:44,104
[Siren]
1215
01:10:55,249 --> 01:10:55,749
[Brakes squeal]
1216
01:11:30,284 --> 01:11:30,784
OH!
1217
01:11:40,911 --> 01:11:46,917
[Horns honking]
1218
01:11:46,917 --> 01:11:49,920
[Engine grinds]
1219
01:11:49,920 --> 01:11:52,422
O.K. TRY IT AGAIN.
1220
01:11:52,422 --> 01:11:53,423
[Engine grinds]
1221
01:12:07,688 --> 01:12:09,189
[Siren]
1222
01:12:20,450 --> 01:12:21,451
GET A PERIMETER
HERE!
1223
01:12:21,451 --> 01:12:22,953
COME WITH ME!
1224
01:12:22,953 --> 01:12:32,346
[Policeman]
SID, COVER THE BACK!
1225
01:12:32,346 --> 01:12:34,214
?
WHERE'S
CHRISTINE CONNELLY
1226
01:12:34,214 --> 01:12:35,215
I DON'T KNOW.
1227
01:12:35,716 --> 01:12:36,717
I SAW HER
OUT IN THE HALL
1228
01:12:37,217 --> 01:12:38,218
TALKING TO SOMEONE
A FEW MINUTES AGO.
1229
01:12:38,218 --> 01:12:39,720
WHO?
1230
01:12:39,720 --> 01:12:42,723
MAN, ARE YOU TRYING TO
GET SOMEBODY KILLED?
1231
01:12:42,723 --> 01:12:44,975
WHAT'S WRONG?
1232
01:12:44,975 --> 01:12:46,977
JUST ANYBODY CAN
WALK AROUND YOUR
GODDAMN SCHOOL?
1233
01:12:46,977 --> 01:12:49,479
HEY! ENOUGH!
1234
01:12:49,479 --> 01:12:51,982
DID YOU SEE THEM
LEAVE, MA'AM?
1235
01:12:51,982 --> 01:13:00,874
STAY HERE! HEY!
1236
01:13:00,874 --> 01:13:02,376
??[Suspenseful music]
1237
01:13:28,602 --> 01:13:30,604
[Sighs]
1238
01:13:30,604 --> 01:13:34,358
COME ON OUT.
1239
01:13:34,358 --> 01:13:37,361
IT'S O.K. NOW.
1240
01:13:37,361 --> 01:13:41,365
WE'RE JUST LOOKING
FOR THE BAD GUYS.
1241
01:13:41,365 --> 01:13:43,367
CRAYONS, HUH?
SO THAT'S IT.
1242
01:13:43,367 --> 01:13:50,374
OH!
1243
01:13:50,374 --> 01:13:50,874
SORRY, KID.
1244
01:14:31,081 --> 01:14:36,086
MAL...
1245
01:14:36,086 --> 01:14:37,554
[Sighs]
1246
01:14:37,554 --> 01:14:40,056
THIS GUY HERE IS--
HE'S ALL FLASH.
1247
01:14:40,056 --> 01:14:42,676
SHE'S O.K., MAL.
1248
01:14:43,176 --> 01:14:43,677
YOU THINK SO,
RIGHT?
1249
01:14:44,177 --> 01:14:45,729
YES.
1250
01:14:46,229 --> 01:14:48,248
IF HE'S DUPLICATING
THOSE FIVE KILLINGS,
1251
01:14:48,248 --> 01:14:50,767
THEN HE'S
ALREADY ACCOUNTED
FOR ALL THE WOMEN.
1252
01:14:51,268 --> 01:14:51,768
SHE'S O.K.
1253
01:15:02,162 --> 01:15:08,618
??[Suspenseful music]
1254
01:15:08,618 --> 01:15:10,120
HAVE YOU
EVER NOTICED
1255
01:15:10,120 --> 01:15:11,621
THAT THE OLDER
YOU GET,
1256
01:15:11,621 --> 01:15:14,124
THE SMALLER
YOU BECOME?
1257
01:15:14,124 --> 01:15:15,625
[Muffled]
I MEAN...
1258
01:15:16,126 --> 01:15:18,128
WHEN I WAS
A LITTLE KID,
1259
01:15:18,128 --> 01:15:19,629
THE BLOCK
WE LIVED ON
1260
01:15:19,629 --> 01:15:21,631
WAS THE WHOLE
WORLD TO ME.
1261
01:15:21,631 --> 01:15:23,633
BUT...
1262
01:15:23,633 --> 01:15:27,137
I KNEW EVERYBODY.
1263
01:15:27,137 --> 01:15:31,141
I WAS SIGNIFICANT,
EVEN IMPORTANT.
1264
01:15:31,141 --> 01:15:35,645
ARE YOU GOING
TO KILL ME?
1265
01:15:36,146 --> 01:15:37,647
LET'S TRY TO
KEEP THESE THINGS
1266
01:15:37,647 --> 01:15:38,648
AS ABSTRACT
AS POSSIBLE.
1267
01:15:38,648 --> 01:15:39,649
O.K.?
1268
01:15:39,649 --> 01:15:40,650
APPLE?
1269
01:15:41,151 --> 01:15:47,157
UH! N-NO.
1270
01:15:47,157 --> 01:15:50,160
UGH.
1271
01:15:50,160 --> 01:15:51,661
I WANT YOU
TO UNDERSTAND
SOMETHING.
1272
01:15:51,661 --> 01:15:53,163
WHAT?
1273
01:15:53,663 --> 01:15:55,665
YOU'RE KILLING PEOPLE
1274
01:15:55,665 --> 01:15:57,667
BECAUSE YOU WANT
TO BE NOTICED.
1275
01:15:57,667 --> 01:15:59,169
YOU WANT TO FEEL
SIGNIFICANT? HA HA!
1276
01:15:59,169 --> 01:16:01,171
HEY, AS A TEACHER,
1277
01:16:01,671 --> 01:16:03,173
YOUR RANGE
OF COMPREHENSION
COULD BE IMPROVED.
1278
01:16:03,173 --> 01:16:10,680
I'M SORRY.
1279
01:16:10,680 --> 01:16:12,682
FOR THE MOST PART,
1280
01:16:12,682 --> 01:16:17,687
GOOD BEHAVIOR
GOES UNNOTICED.
1281
01:16:17,687 --> 01:16:19,689
OH, NEVER MIND.
WHAT DO YOU CARE?
1282
01:16:19,689 --> 01:16:22,692
I DO CARE!
1283
01:16:22,692 --> 01:16:24,694
JUST TELL ME WHAT
YOU WANT UNDERSTOOD!
1284
01:16:25,195 --> 01:16:28,198
JUST TELL ME
WHAT YOU WANT!
1285
01:16:28,198 --> 01:16:30,200
!
IT'S NOT IMPORTANT
1286
01:16:30,200 --> 01:16:33,703
NOTHING IS.
1287
01:16:33,703 --> 01:16:41,545
ALL YOU'RE CONCERNED
ABOUT IS DYING.
1288
01:16:41,545 --> 01:16:44,047
I'M NOT RESPONSIBLE.
1289
01:16:44,047 --> 01:16:45,549
IT'S NOT MY FAULT.
1290
01:16:45,549 --> 01:16:47,050
NONE OF IT IS.
1291
01:16:47,050 --> 01:16:48,051
[Gunshot]
1292
01:17:00,564 --> 01:17:05,569
[Telephone rings]
1293
01:17:05,569 --> 01:17:10,073
JUST GIVE IT A COUPLE
OF FULL RINGS.
1294
01:17:10,073 --> 01:17:14,077
[Ring]
1295
01:17:14,077 --> 01:17:19,082
MALCOM, I KNOW YOU'RE THERE.
1296
01:17:19,583 --> 01:17:22,586
IT'S NOLAN.
1297
01:17:22,586 --> 01:17:27,841
[Sighs]
1298
01:17:27,841 --> 01:17:31,344
O.K.
1299
01:17:31,344 --> 01:17:33,346
SOME GUY WHO'S
BEEN FOLLOWING
MY STORIES
1300
01:17:33,346 --> 01:17:35,348
JUST WALKED
INTO THE JOURNAL.
1301
01:17:35,348 --> 01:17:36,733
HE THINKS HE KNOWS
THE KILLER.
1302
01:17:36,733 --> 01:17:38,234
HE SAYS
HE KNOWS HIM WELL.
1303
01:17:38,234 --> 01:17:40,737
TELL HIM
WE'RE ON OUR WAY.
1304
01:17:40,737 --> 01:17:42,739
WHAT IF THE CALL
COMES HERE?
1305
01:17:43,239 --> 01:17:46,359
HE KNOWS WHERE
TO REACH YOU.
HE ALWAYS HAS.
1306
01:17:46,359 --> 01:17:53,867
10 MINUTES.
1307
01:17:53,867 --> 01:17:55,869
UH, LOOK, UH...
1308
01:17:55,869 --> 01:18:01,875
.
MAYBE THIS ISN'T
THE RIGHT PERSON, YOU KNOW
1309
01:18:01,875 --> 01:18:03,877
IT SEEMED LIKE
A WEIRD COINCIDENCE TO ME
1310
01:18:03,877 --> 01:18:05,879
WHEN I READ MY NAME
IN THAT STORY
1311
01:18:05,879 --> 01:18:08,882
THAT YOU GOT FROM THE GUY
AT THE TRAILER.
1312
01:18:08,882 --> 01:18:10,884
THOSE FIVE MURDERS
HE TOLD YOU ABOUT
1313
01:18:10,884 --> 01:18:12,886
SOUND LIKE A SERIES
OF MURDERS
1314
01:18:12,886 --> 01:18:16,890
THAT HAPPENED IN CHICAGO
A FEW YEARS AGO.
1315
01:18:16,890 --> 01:18:20,894
I WAS WORKING AT A STATE-FUNDED
HALFWAY HOUSE AT THE TIME
1316
01:18:20,894 --> 01:18:26,399
FOR DOPERS, ALCOHOLICS,
MENTAL HOSPITAL DISCHARGEES.
1317
01:18:26,399 --> 01:18:29,402
SOME CHARACTER
STUMBLES INTO MY OFFICE.
1318
01:18:29,402 --> 01:18:31,404
HE SAYS HE'S THE GUY
1319
01:18:31,404 --> 01:18:35,408
THAT KILLED THOSE FIVE PEOPLE
IN CHICAGO.
1320
01:18:35,408 --> 01:18:38,411
HE SAYS HE WENT TO THE COPS
AND TURNED HIMSELF IN,
1321
01:18:38,912 --> 01:18:40,914
BUT THEY CHASED HIM OUT
1322
01:18:40,914 --> 01:18:43,917
BECAUSE SOME PSYCHIATRIST
DECIDED THAT HE WAS SOMEBODY
1323
01:18:44,417 --> 01:18:46,419
THAT GOT OFF
MAKING CONFESSIONS, AND, UH,
1324
01:18:46,419 --> 01:18:49,889
HE NEEDED THE HEADLINES.
1325
01:18:49,889 --> 01:18:54,894
IS THAT
WHAT YOU THOUGHT?
1326
01:18:54,894 --> 01:18:56,396
WELL, I WENT DOWN
TO THE PRECINCT WITH HIM
1327
01:18:56,896 --> 01:18:58,398
AND LISTENED
TO HIS STORY,
1328
01:18:58,398 --> 01:19:00,400
AND IT SOUNDED
STRAIGHT TO ME.
1329
01:19:00,900 --> 01:19:02,902
IT TURNED OUT, THOUGH,
1330
01:19:02,902 --> 01:19:05,905
THAT HE DID HAVE A HISTORY
OF FALSE CONFESSIONS.
1331
01:19:05,905 --> 01:19:07,907
[O'Shaughnessy
chuckles]
1332
01:19:07,907 --> 01:19:09,409
HE WAS PISSED, THOUGH.
1333
01:19:09,409 --> 01:19:11,411
I MEAN, HE WAS PISSED.
1334
01:19:11,411 --> 01:19:13,413
HE FIGURED HE FINALLY
DID SOMETHING,
1335
01:19:13,413 --> 01:19:15,532
THEN SOMEBODY ELSE
GOT THE CREDIT.
1336
01:19:16,032 --> 01:19:18,034
WELL,
AFTER THE VISIT
TO THE POLICE,
1337
01:19:18,535 --> 01:19:19,536
HE KEPT COMING
AROUND?
1338
01:19:19,536 --> 01:19:21,037
NO. HE, UH...
1339
01:19:21,538 --> 01:19:25,542
HE CALLS ONE MORE TIME
AFTER THINGS QUIET DOWN,
1340
01:19:25,542 --> 01:19:28,545
AND HE WANTS TO THANK ME
FOR BEING SO UNSELFISH.
1341
01:19:29,045 --> 01:19:30,547
AND THEN HE, UH--
1342
01:19:31,047 --> 01:19:32,549
HE SAID IF I TRIED TO
GET ANY ATTENTION
1343
01:19:32,549 --> 01:19:34,551
FROM WHAT HE'D DONE,
1344
01:19:35,051 --> 01:19:39,055
HE'D HAVE ME KILLED.
1345
01:19:39,055 --> 01:19:41,057
YOU GOT A NAME
ON THIS GUY?
1346
01:19:41,057 --> 01:19:44,561
UH, YEAH.
ALAN DELOUR.
1347
01:19:44,561 --> 01:19:46,563
SOUNDS LIKE OUR MAN.
1348
01:19:47,063 --> 01:19:48,064
??[Dramatic music]
1349
01:19:48,064 --> 01:19:49,065
[Siren]
1350
01:20:36,079 --> 01:20:37,831
LIEUTENANT,
NO ONE UP HERE.
1351
01:20:37,831 --> 01:20:39,833
O.K. IT'S CLEAR.
1352
01:20:39,833 --> 01:20:41,584
THERE'S NOBODY
UP THERE.
1353
01:20:41,584 --> 01:20:43,086
PERIMETER PEOPLE,
BRING IT ON IN.
1354
01:20:52,595 --> 01:20:54,097
MISSED HIM AGAIN.
1355
01:20:54,097 --> 01:20:55,598
HEY.
1356
01:20:56,099 --> 01:21:01,104
WE'LL BE THERE, RAY--
AROUND THE CORNER.
1357
01:21:01,104 --> 01:21:02,856
DOESN'T LOOK LIKE
THERE WAS ANYBODY
THERE ALL NIGHT.
1358
01:21:25,879 --> 01:21:26,880
RAYMOND.
1359
01:21:39,893 --> 01:21:45,899
I'M GOING TO GET
MAL IN HERE.
1360
01:21:45,899 --> 01:21:48,401
[Starts tape player]
1361
01:21:48,902 --> 01:21:50,904
[Delour on tape]
THIS IS FOR MALCOLM.
1362
01:21:50,904 --> 01:21:53,022
YOU'VE GOTTEN THIS FAR,
SO YOU KNOW WHO I AM.
1363
01:21:53,523 --> 01:21:55,024
ANDERSON.
1364
01:21:55,024 --> 01:21:59,028
[Reporters asking questions]
1365
01:21:59,028 --> 01:22:00,029
SHE'S NOT IN THERE.
1366
01:22:00,530 --> 01:22:06,035
NO,
BUT HE'S OUR GUY.
1367
01:22:06,035 --> 01:22:09,038
HE LEFT A TAPE
FOR YOU, MAL.
1368
01:22:09,038 --> 01:22:12,542
[Reporter]
WHAT DO YOU THINK,
MALCOLM? COME ON!
1369
01:22:13,042 --> 01:22:13,042
UPSTAIRS.
1370
01:22:29,559 --> 01:22:34,063
WE'LL BE OUTSIDE.
1371
01:22:34,063 --> 01:22:36,065
COME ON.
1372
01:22:36,065 --> 01:22:39,068
[Delour on tape]
THIS IS FOR MALCOLM.
1373
01:22:39,068 --> 01:22:43,489
YOU'VE GOTTEN THIS FAR,
SO YOU KNOW WHO I AM.
1374
01:22:43,489 --> 01:22:46,993
IT WAS TIME.
1375
01:22:46,993 --> 01:22:50,964
I'M NOT SURE
WHAT TO DO NOW--
1376
01:22:50,964 --> 01:22:55,969
HOW TO WRAP IT ALL UP
SO IT MAKES SENSE.
1377
01:22:55,969 --> 01:22:59,422
I--I'M VERY SORRY
ABOUT YOUR GIRLFRIEND,
1378
01:22:59,422 --> 01:23:02,425
BUT YOU GOT SO MUCH
FROM ALL THIS.
1379
01:23:02,425 --> 01:23:04,427
YOU MUST HAVE KNOWN
THERE WOULD BE A PRICE.
1380
01:23:04,427 --> 01:23:07,363
??[Sad music]
1381
01:23:07,363 --> 01:23:12,268
WHEN I'VE MADE MY MIND UP
HOW IT ENDS, I'LL CALL.
1382
01:23:12,268 --> 01:23:14,270
OH, AND PLEASE SPELL
MY NAME RIGHT.
1383
01:23:14,270 --> 01:23:16,272
ALAN WITH ONE "L,"
1384
01:23:16,272 --> 01:23:22,245
DELOUR, D-E-L-O-U-R.
1385
01:23:22,245 --> 01:23:23,246
THANKS FOR EVERYTHING.
1386
01:23:44,267 --> 01:23:46,269
??[Dramatic music]
1387
01:24:14,047 --> 01:24:21,554
HEY, COULD I HAVE
SOME PRIVACY?
1388
01:24:21,554 --> 01:24:25,558
[Telephone rings]
1389
01:24:25,558 --> 01:24:28,061
[Telephone rings]
1390
01:24:28,561 --> 01:24:29,562
[Alan]
MALCOLM?
1391
01:24:29,562 --> 01:24:31,564
WHAT'S THE MATTER,
ALAN?
1392
01:24:31,564 --> 01:24:33,566
NOBODY ELSE
TO TALK TO?
1393
01:24:33,566 --> 01:24:38,071
WOULDN'T YOU LIKE
TO TALK TO CHRISTINE?
1394
01:24:38,071 --> 01:24:40,573
IS SHE ALIVE?
JUST TELL ME.
1395
01:24:40,573 --> 01:24:43,076
SHE'S RIGHT HERE
WITH ME.
1396
01:24:43,076 --> 01:24:45,078
S
WE'RE OUT IN THE GLADE
1397
01:24:45,078 --> 01:24:51,084
ELLIS HAMMOCK,
OUT NEAR COOPERTOWN.
1398
01:24:51,084 --> 01:24:55,004
I'LL TRADE HER
FOR YOU.
1399
01:24:55,004 --> 01:24:57,006
AND DON'T
BRING THE POLICE.
1400
01:24:57,006 --> 01:24:59,509
THEY'LL JUST RUIN IT
FOR ALL OF US.
1401
01:24:59,509 --> 01:25:04,630
BYE.
1402
01:25:04,630 --> 01:25:13,773
[Thunder]
1403
01:25:13,773 --> 01:25:15,274
??[Dramatic music]
1404
01:25:58,434 --> 01:26:02,438
GO!
1405
01:26:02,438 --> 01:26:08,444
[Policeman]
TAKE THE RIGHT FLANK!
1406
01:26:08,945 --> 01:26:09,445
OVER HERE.
WE FOUND A NAVY BOAT.
1407
01:26:36,222 --> 01:26:41,727
[Policeman] OVER HERE
HE'S RUNNING AWAY!
1408
01:26:42,228 --> 01:26:44,230
STRAIGHT AHEAD.
1409
01:26:44,230 --> 01:26:46,732
WE'VE MADE CONTACT
WITH THE SUSPECT.
1410
01:26:47,233 --> 01:26:48,734
YOU TWO,
CIRCLE THAT SIDE.
1411
01:26:48,734 --> 01:26:49,735
YOU, COME WITH ME.
1412
01:27:00,246 --> 01:27:01,247
[Gunshots]
1413
01:27:15,144 --> 01:27:22,652
[Ray]
NO SHOOTING.
HE HAS A HOSTAGE.
1414
01:27:22,652 --> 01:27:30,026
[Shouting over wind]
WHERE IS SHE, ALAN?
1415
01:27:30,026 --> 01:27:32,662
YOU COWARD, ANDERSON!
1416
01:27:32,662 --> 01:27:36,032
YOU COULDN'T DO
ONE THING RIGHT FOR ME!
1417
01:27:36,032 --> 01:27:39,418
I TOLD YOU NOT TO BRING
ANYONE WITH YOU!
1418
01:27:39,418 --> 01:27:42,538
IT'S OVER! YOU CAN'T
GET OUT OF HERE!
1419
01:27:42,538 --> 01:27:44,540
I DIDN'T WANT TO!
1420
01:27:44,540 --> 01:27:47,293
YOU AND ME, MALCOLM!
THAT'S WHAT I WANTED!
1421
01:27:47,793 --> 01:27:50,296
YOU CAN HAVE THAT!
1422
01:27:50,296 --> 01:27:52,682
!
JUST SEND HER OUT,
AND I'LL COME IN THERE
1423
01:27:52,682 --> 01:27:55,301
YOU RUINED EVERYTHING!
1424
01:27:55,301 --> 01:27:57,303
WHERE IS SHE, ALAN?
1425
01:27:57,303 --> 01:28:01,307
IT'S TOO LATE!
1426
01:28:01,807 --> 01:28:04,310
GODDAMN YOU,
ANDERSON!
1427
01:28:04,310 --> 01:28:05,311
GODDAMN YOU TO HELL!
1428
01:28:16,455 --> 01:28:18,457
ALAN!
1429
01:28:18,457 --> 01:28:18,958
[Gunshot]
1430
01:28:27,967 --> 01:28:31,971
ALAN!
1431
01:28:32,471 --> 01:28:35,474
CHRISTINE!
1432
01:28:35,474 --> 01:28:36,475
??[Dramatic music]
1433
01:28:59,999 --> 01:29:02,001
WHERE IS SHE?
1434
01:29:02,501 --> 01:29:03,502
MAL!
1435
01:29:04,003 --> 01:29:07,006
MAL, HE'S DEAD!
1436
01:29:07,006 --> 01:29:08,507
THEY FOUND HER!
THEY FOUND HER!
1437
01:29:08,507 --> 01:29:10,009
WHERE?
1438
01:29:10,009 --> 01:29:13,512
SHE'S O.K.
JUST STRAIGHT BACK.
STRAIGHT BACK.
1439
01:29:13,512 --> 01:29:17,016
GET HIM OUT OF THERE.
1440
01:29:17,016 --> 01:29:21,020
MOVE HIM!
1441
01:29:21,520 --> 01:29:26,525
STAY HERE. I DON'T WANT
ANYBODY TOUCHING HIM.
1442
01:29:26,525 --> 01:29:32,782
DAMN IT!
1443
01:29:32,782 --> 01:29:34,283
??[Soft music]
1444
01:30:34,593 --> 01:30:36,095
[Reporter] HEY, MAL!
DID HE RAPE HER?
1445
01:30:36,095 --> 01:30:37,596
[Reporters asking questions]
1446
01:31:06,492 --> 01:31:07,993
DID YOU LET HIM
GET AWAY, LIEUTENANT?
1447
01:31:07,993 --> 01:31:11,997
LISTEN, JERK!
STAND BACK!
1448
01:31:11,997 --> 01:31:12,498
IT'S OVER.
1449
01:31:22,758 --> 01:31:24,260
[Thunder]
1450
01:31:54,173 --> 01:31:56,675
THAT STUFF STINGS.
1451
01:31:56,675 --> 01:31:59,178
[Door blows open]
1452
01:31:59,178 --> 01:32:03,182
[Wind chime ringing]
1453
01:32:03,682 --> 01:32:10,189
.
I BETTER
TIE THE PLACE DOWN
1454
01:32:10,189 --> 01:32:11,190
I'M GOING TO GET
SOME ASPIRIN.
1455
01:32:36,465 --> 01:32:41,971
[Creaking]
1456
01:32:41,971 --> 01:32:42,972
[Creak]
1457
01:33:20,759 --> 01:33:23,262
??[Dramatic music]
1458
01:33:23,262 --> 01:33:25,764
[Glass shatters]
1459
01:33:25,764 --> 01:33:27,266
YOU ARE GOING
TO BE SORRY,
1460
01:33:27,266 --> 01:33:30,769
MY FRIEND.
1461
01:33:30,769 --> 01:33:31,770
WHOSE BODY WAS THAT?
1462
01:33:31,770 --> 01:33:33,772
NUMBER FIVE.
1463
01:33:33,772 --> 01:33:36,275
A GOOD LIKENESS,
DON'T YOU THINK?
1464
01:33:36,275 --> 01:33:37,276
I NEED YOU.
1465
01:33:37,276 --> 01:33:39,278
SHUT UP.
1466
01:33:39,278 --> 01:33:42,781
I CAN'T SHUT UP.
I STILL NEED A STORY.
1467
01:33:42,781 --> 01:33:45,784
.
YOU WERE THE STORY
. THAT'S THE PROBLEM
1468
01:33:45,784 --> 01:33:48,287
SOMEHOW, SOMEWHERE
ALONG THE LINE,
1469
01:33:48,287 --> 01:33:49,788
YOU STOLE IT
AWAY FROM ME.
1470
01:33:49,788 --> 01:33:51,290
[Christine]
MALCOLM?
1471
01:33:51,290 --> 01:33:54,293
[Malcolm]
DON'T COME IN!
1472
01:33:54,293 --> 01:33:55,794
HE'S IN HERE,
CHRISTINE.
1473
01:33:55,794 --> 01:34:01,800
COME ON.
1474
01:34:01,800 --> 01:34:04,303
AH!
1475
01:34:04,803 --> 01:34:05,804
JUST--JUST
KEEP ME, DELOUR,
1476
01:34:06,305 --> 01:34:14,563
.
BUT LET HER GO
1477
01:34:14,563 --> 01:34:17,066
WE HAD A GREAT THING
GOING, MALCOLM.
1478
01:34:17,066 --> 01:34:19,068
IT WAS REALLY WORKING
FOR BOTH OF US,
1479
01:34:19,068 --> 01:34:20,569
WASN'T IT?
1480
01:34:20,569 --> 01:34:22,571
IT STILL CAN, ALAN.
1481
01:34:22,571 --> 01:34:24,573
BUT THEN YOU
TURNED ON ME.
1482
01:34:25,074 --> 01:34:27,576
.
YOU WANTED
TO BE THE STAR
1483
01:34:27,576 --> 01:34:30,579
YOU BROUGHT IN
THE COPS.
1484
01:34:30,579 --> 01:34:32,081
I THOUGHT WE HAD
AN UNDERSTANDING.
1485
01:34:32,081 --> 01:34:33,582
YOU'RE STILL
THE STAR, ALAN.
1486
01:34:34,083 --> 01:34:35,584
YOU'RE JUST TALKING
TO STAY ALIVE!
1487
01:34:36,085 --> 01:34:39,088
GOD, THAT MAKES ME
HATE YOU.
1488
01:34:39,588 --> 01:34:42,591
YOU'RE TRYING
TO DISTRACT ME.
1489
01:34:42,591 --> 01:34:47,596
DON'T YOU THINK
I'VE THOUGHT
ABOUT THOSE THINGS?
1490
01:34:47,596 --> 01:34:49,598
T
I MEAN, AT LEAST
THE OTHERS WENT OU
1491
01:34:49,598 --> 01:34:52,601
WITH SOME DIGNITY.
1492
01:34:52,601 --> 01:34:55,087
THEY DIDN'T BEG
LIKE YOU'RE BEGGING.
1493
01:34:55,604 --> 01:34:59,108
MALCOLM...
1494
01:34:59,108 --> 01:35:04,613
THAT DOES
DISAPPOINT ME.
1495
01:35:04,613 --> 01:35:06,148
DON'T MOVE!
1496
01:35:06,649 --> 01:35:08,200
I'M NOT GOING ANYWHERE.
I'M RIGHT HERE, ALAN.
1497
01:35:08,200 --> 01:35:09,702
I'M NOT GOING ANYWHERE.
1498
01:35:09,702 --> 01:35:11,704
CHRISTINE.
1499
01:35:11,704 --> 01:35:14,206
[Hysterical]
WHAT? WHAT DO YOU WANT?
1500
01:35:14,323 --> 01:35:17,876
ALL RIGHT, ALAN.
ALL RIGHT.
1501
01:35:18,377 --> 01:35:19,878
SO, WHEN THEY COME
AND FIND THE BODIES,
1502
01:35:19,878 --> 01:35:22,464
WHO GETS TO TELL
THE STORY?
1503
01:35:22,464 --> 01:35:23,916
[Alan] THEY'LL FIND
SOMEBODY.
1504
01:35:24,416 --> 01:35:25,918
[Malcom] HE WON'T TELL IT
LIKE I CAN.
1505
01:35:26,418 --> 01:35:31,006
HE WON'T UNDERSTAND YOU
LIKE I DO.
1506
01:35:31,006 --> 01:35:34,009
WE'LL JUST WAIT UNTIL
THE POWER COMES BACK ON,
1507
01:35:34,009 --> 01:35:36,545
AND THEN WE'LL
RECORD IT ON VIDEOTAPE.
1508
01:35:36,545 --> 01:35:39,098
IT WILL BE ON EVERY
TV STATION IN THE COUNTRY.
1509
01:35:39,098 --> 01:35:40,599
I'LL TURN
THE MACHINE ON--
1510
01:35:40,599 --> 01:35:42,601
DON'T!
DON'T DO ANYTHING.
1511
01:35:42,601 --> 01:35:45,738
THIS IS GOOD FOR YOU,
AND IT'S GOOD FOR ME!
1512
01:35:45,738 --> 01:35:48,190
WE GOT THE CAMERA
RIGHT HERE.
1513
01:35:48,190 --> 01:35:50,693
WE GOT LIGHTS.
WE GOT THE EQUIPMENT.
1514
01:35:51,193 --> 01:35:52,644
DON'T MOVE!
1515
01:35:52,644 --> 01:35:56,281
I'M NOT MOVING.
I'M RIGHT HERE.
1516
01:35:56,281 --> 01:35:58,167
ALL WE HAVE
TO DO--
1517
01:35:58,167 --> 01:36:02,171
??[Dramatic music]
1518
01:36:02,171 --> 01:36:04,173
[Christine]
MALCOLM!
1519
01:36:04,173 --> 01:36:04,923
MALCOLM!
1520
01:36:15,434 --> 01:36:23,609
MALCOLM!
1521
01:36:23,609 --> 01:36:25,227
MALCOLM!
1522
01:36:25,227 --> 01:36:29,865
MALCOLM!
1523
01:36:29,865 --> 01:36:30,232
MALCOLM!
1524
01:36:58,093 --> 01:37:02,464
MALCOLM!
1525
01:37:02,464 --> 01:37:08,187
MALCOLM!
1526
01:37:08,187 --> 01:37:08,687
MALCOLM!
1527
01:37:24,203 --> 01:37:28,207
CALL THE POLICE.
1528
01:37:28,207 --> 01:37:31,710
[Clicking telephone]
1529
01:37:31,710 --> 01:37:39,351
THE LINE'S DEAD.
1530
01:37:39,351 --> 01:37:42,354
YOU CAN'T SHOOT ME,
MY FRIEND.
1531
01:37:42,855 --> 01:37:45,858
THIS IS
TOO GOOD A STORY.
1532
01:37:45,858 --> 01:37:48,861
YOU WOULDN'T PASS UP
THE 7:00 NEWS.
1533
01:37:48,861 --> 01:37:50,612
TELEVISION.
1534
01:37:51,113 --> 01:37:53,115
YOU NEED AN AUDIENCE.
1535
01:37:53,115 --> 01:37:56,118
HA! JUST LIKE ME.
1536
01:37:56,118 --> 01:37:57,619
THIS STORY IS TOO BIG.
1537
01:37:57,619 --> 01:38:00,622
SHOOT HIM!
1538
01:38:01,123 --> 01:38:04,126
YOU WON'T SHOOT ME,
MY FRIEND.
1539
01:38:04,126 --> 01:38:07,629
I'M SAFE.
1540
01:38:07,629 --> 01:38:09,131
DON'T TAKE ANOTHER--
1541
01:38:09,131 --> 01:38:10,132
[Gunshot]
1542
01:38:10,132 --> 01:38:11,133
[Thud]
1543
01:38:40,529 --> 01:38:45,284
[Crying]
1544
01:38:45,284 --> 01:38:46,285
[Typing]
1545
01:38:58,263 --> 01:39:02,768
YOU DIDN'T PUT
YOUR NAME ON IT.
1546
01:39:02,768 --> 01:39:03,268
[Typing]
1547
01:39:15,530 --> 01:39:17,032
??[Soft music]
1548
01:39:39,504 --> 01:39:43,508
I LOVE YOU.
94401
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