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1
00:00:05,284 --> 00:00:06,250
DID YOU SEE THE CONCERT?
2
00:00:06,250 --> 00:00:07,784
YEAH.
DIDN'T YOU GO?
3
00:00:07,784 --> 00:00:09,317
NO, I MISSED IT.
4
00:00:09,317 --> 00:00:10,650
HE WAS SO GOOD.
5
00:00:10,650 --> 00:00:12,984
HE WAS WEARING THESE
PURPLE SPANDEX PANTS.
6
00:00:12,984 --> 00:00:14,417
HE LOOKED SO GOOD.
7
00:00:14,417 --> 00:00:15,984
OH, MY GOD.
8
00:00:15,984 --> 00:00:17,250
OH, MY GOD.
9
00:00:22,084 --> 00:00:23,484
8:00?
10
00:00:23,484 --> 00:00:25,517
YEAH, SURE, JOHNNY.
11
00:00:25,517 --> 00:00:27,317
8:00 WILL BE FINE.
12
00:00:27,317 --> 00:00:29,617
YOU'LL PICK ME UP?
13
00:00:29,617 --> 00:00:32,384
YEAH, I'LL PICK YOU UP.
14
00:00:32,384 --> 00:00:35,384
LIKE HELL
YOU WILL, PAL.
15
00:00:35,384 --> 00:00:37,950
SOMETHING I CAN DO
FOR YOU, GENTLEMEN?
16
00:00:37,950 --> 00:00:39,150
YEAH, JOHNNY.
17
00:00:39,150 --> 00:00:41,117
YOU CAN GO BACK
TO NEW JERSEY.
18
00:00:41,117 --> 00:00:43,584
ACTUALLY, I KIND OF LIKE
THE SCENERY HERE.
19
00:00:43,584 --> 00:00:45,817
WELL, WE DON'T
LIKE YOU, HOTSHOT.
20
00:00:45,817 --> 00:00:48,950
DEREK,
GO BACK
TO CLASS.
21
00:00:48,950 --> 00:00:51,917
YEAH, WHY DON'T YOU
LISTEN TO YOUR SISTER?
22
00:00:51,917 --> 00:00:53,650
SHE'S A VERY SMART LADY.
23
00:00:53,650 --> 00:00:54,784
OH, YEAH?
24
00:00:54,784 --> 00:00:56,717
GOOD COME-BACK, DEREK.
25
00:00:56,717 --> 00:00:58,150
DEREK.
26
00:00:58,150 --> 00:00:59,450
DEREK!
27
00:01:02,017 --> 00:01:03,117
Man:
CUT!
28
00:01:03,117 --> 00:01:04,350
PRINT!
29
00:01:09,384 --> 00:01:12,350
HEY, HEY, CUT!
30
00:01:12,350 --> 00:01:13,350
I'M IMPRESSED.
31
00:01:13,350 --> 00:01:15,784
HE GETS $4 MILLION FOR THAT?
32
00:01:15,784 --> 00:01:16,850
THAT'S THE RUMOR.
33
00:01:16,850 --> 00:01:17,950
I DON'T GET IT.
34
00:01:17,950 --> 00:01:19,284
ANYBODY CAN DO THAT.
35
00:01:19,284 --> 00:01:20,284
JEREMY!
36
00:01:20,284 --> 00:01:21,284
BREAK IT UP!
37
00:01:21,284 --> 00:01:22,317
COME ON, GUYS.
38
00:01:22,317 --> 00:01:24,850
WHAT'S THE MATTER
WITH YOU, MAN?
39
00:01:24,850 --> 00:01:26,484
YOU HIT LIKE A GIRL--
40
00:01:26,484 --> 00:01:28,150
THAT'S WHAT'S
THE MATTER.
41
00:01:28,150 --> 00:01:31,217
YOU AND THE HORSE
YOU RODE IN ON, PAL.
42
00:01:31,217 --> 00:01:32,517
HE'S OUT OF HERE.
43
00:01:32,517 --> 00:01:34,217
JEREMY, IT'S
THE FIRST DAY.
44
00:01:34,217 --> 00:01:35,484
DO IT.
45
00:01:36,684 --> 00:01:38,217
WRAP IT UP,
JERRY.
46
00:01:38,217 --> 00:01:39,484
THAT'S IT.
47
00:01:39,484 --> 00:01:41,850
YOU GUYS
ARE MY BODYGUARDS?
48
00:01:41,850 --> 00:01:43,884
YEAH, I'M
TOMMY LITTLEFIELD.
49
00:01:43,884 --> 00:01:45,217
THIS IS DOUG SIMON.
50
00:01:45,217 --> 00:01:46,350
RENT-A-COPS.
51
00:01:46,350 --> 00:01:49,117
YOU GUYS LIKE DOING
THAT KIND OF WORK?
52
00:01:49,117 --> 00:01:50,084
PAYS THE BILLS.
53
00:01:50,084 --> 00:01:53,350
YEAH, AT LEAST YOU AIN'T
REAL COPS.
54
00:01:53,350 --> 00:01:54,484
I HATE COPS.
55
00:01:54,484 --> 00:01:57,084
THEY'RE ALL FAT AND STUPID.
56
00:01:57,084 --> 00:01:59,750
FAT AND STUPID?
57
00:01:59,750 --> 00:02:02,584
YEAH, FAT AND STUPID.
58
00:02:04,084 --> 00:02:05,784
WE BLOW AT 7:00.
59
00:02:05,784 --> 00:02:07,584
GET ME TO THE HOTEL
60
00:02:07,584 --> 00:02:09,984
WITHOUT A HUNDRED KIDS
IN MY HAIR
61
00:02:09,984 --> 00:02:11,750
AND I'LL BUY YOU DINNER.
62
00:02:13,650 --> 00:02:14,950
CHARMING GUY.
63
00:02:14,950 --> 00:02:18,417
YEAH, THIS IS GOING TO BE
A LOT OF LAUGHS.
64
00:02:19,884 --> 00:02:24,350
[Captioning made possible by
FX NETWORKS]
65
00:02:30,050 --> 00:02:32,550
♪ WE NEVER THOUGHT OF FINDING ♪
66
00:02:32,550 --> 00:02:35,317
♪ THE PLACE WHERE WE BELONG ♪
67
00:02:35,317 --> 00:02:38,450
♪ DON'T HAVE TO STAND ALONE ♪
68
00:02:38,450 --> 00:02:40,450
♪ WE'LL NEVER LET YOU FALL ♪
69
00:02:40,450 --> 00:02:42,617
♪ DON'T NEED PERMISSION ♪
70
00:02:42,617 --> 00:02:45,450
♪ TO DECIDE WHAT YOU BELIEVE ♪
71
00:02:46,584 --> 00:02:47,784
♪ WHOO! ♪
72
00:02:47,784 --> 00:02:49,817
♪ I SAID JUMP! ♪
73
00:02:49,817 --> 00:02:52,850
♪ DOWN ON JUMP STREET ♪
74
00:02:52,850 --> 00:02:54,650
♪ I SAID JUMP! ♪
75
00:02:54,650 --> 00:02:58,250
♪ DOWN ON JUMP STREET ♪
76
00:02:58,250 --> 00:02:59,650
♪ YOUR FRIENDS WILL BE THERE ♪
77
00:02:59,650 --> 00:03:02,750
♪WHEN YOUR BACK IS
TO THE WALL ♪
78
00:03:02,750 --> 00:03:04,317
♪ YOU'LL FIND YOU NEED US ♪
79
00:03:04,317 --> 00:03:07,884
♪'CAUSE THERE'S NO ONE ELSE
TO CALL ♪
80
00:03:07,884 --> 00:03:09,317
♪ WHEN IT LOOKS HOPELESS ♪
81
00:03:09,317 --> 00:03:12,317
♪ A DECISION'S WHAT YOU NEED ♪
82
00:03:12,317 --> 00:03:14,317
♪ YOU BETTER BE READY TO ♪
83
00:03:14,317 --> 00:03:15,917
♪ BE READY TO ♪
84
00:03:15,917 --> 00:03:17,384
♪ JUMP! ♪
85
00:03:17,384 --> 00:03:19,784
♪ 21 JUMP STREET! ♪
86
00:03:20,817 --> 00:03:22,517
Penhall:
WHAT A LOAD OF CRAP.
87
00:03:22,517 --> 00:03:23,984
THIS IS A BOGUS
ASSIGNMENT.
88
00:03:23,984 --> 00:03:25,117
BABY-SITTING THIS...
89
00:03:25,117 --> 00:03:26,217
CREEP.
90
00:03:26,217 --> 00:03:29,184
THAT'S JUST THE WORD
I WAS LOOKING FOR.
91
00:03:29,184 --> 00:03:31,784
JEREMY WOODS HAS RECEIVED
THREATENING LETTERS.
92
00:03:31,784 --> 00:03:34,450
WHERE DO I SEND MINE?
93
00:03:34,450 --> 00:03:38,417
MOVIE STARS GET CRANK MAIL
ALL THE TIME.
94
00:03:38,417 --> 00:03:42,817
I JUST DON'T WANT
ANY PART OF HIM.
95
00:03:42,817 --> 00:03:45,484
YEAH, HE'S A BIT OF A...
96
00:03:45,484 --> 00:03:46,150
DINK.
97
00:03:46,150 --> 00:03:47,884
THANKS, THAT'S THE WORD.
98
00:03:47,884 --> 00:03:50,184
WHY DOES THE CITY WANT TO SPEND
99
00:03:50,184 --> 00:03:54,450
THE PUBLIC'S HARD-EARNED CASH
BABY-SITTING A HOLLYWOOD FLAKE?
100
00:03:54,450 --> 00:03:56,884
THIS COMES
FROM THE MAYOR'S OFFICE
101
00:03:56,884 --> 00:03:58,250
THROUGH THE CHIEF.
102
00:03:58,250 --> 00:04:00,350
THESE FILM COMPANIES
ARE IMPORTANT.
103
00:04:00,350 --> 00:04:02,750
THEY SPEND MILLIONS OF DOLLARS
104
00:04:02,750 --> 00:04:04,717
ON OUR CITY'S
RESTAURANTS
105
00:04:04,717 --> 00:04:07,050
HOTELS, AND SERVICES.
106
00:04:07,050 --> 00:04:10,684
THE MOVIE THEY'RE MAKING
COSTS $15 MILLION.
107
00:04:10,684 --> 00:04:13,184
I SAW IT ON THE NEWS
LAST NIGHT.
108
00:04:13,184 --> 00:04:15,484
THE WHOLE MOVIE
BUSINESS IS BULL--
109
00:04:15,484 --> 00:04:18,984
A BUNCH OF OVERPAID PEOPLE
STANDING AROUND DOING NOTHING.
110
00:04:18,984 --> 00:04:22,017
WOULD YOU RATHER
CLEAR BUMS OFF THE STREET
111
00:04:22,017 --> 00:04:24,884
FOR THE POPE'S VISIT?
112
00:04:24,884 --> 00:04:26,650
WE'LL STICK WITH THE DINK.
113
00:04:26,650 --> 00:04:27,884
KEEP IN MIND
114
00:04:27,884 --> 00:04:31,450
JEREMY WOODS HAS A PENCHANT
FOR GETTING INTO TROUBLE.
115
00:04:31,450 --> 00:04:33,950
LAST YEAR
HE BUSTED UP
A MAITRE D'
116
00:04:33,950 --> 00:04:36,384
AND GOT CHARGED WITH ASSAULT.
117
00:04:36,384 --> 00:04:39,817
HE DROVE HIS FERRARI
INTO THE BEVERLY HILLS HOTEL
118
00:04:39,817 --> 00:04:40,750
SWIMMING POOL
119
00:04:40,750 --> 00:04:43,550
TO SEE IF THE LIGHTS
WORKED UNDERWATER.
120
00:04:43,550 --> 00:04:44,650
DID THEY?
121
00:04:44,650 --> 00:04:46,584
I DON'T KNOW.
122
00:04:46,584 --> 00:04:48,717
SO, TELL ME ABOUT HIM.
123
00:04:48,717 --> 00:04:50,917
HOW DOES HE LOOK UP CLOSE?
124
00:04:50,917 --> 00:04:52,217
NOBODY REALLY HAS
125
00:04:52,217 --> 00:04:54,250
CHEEKBONES
LIKE THAT.
126
00:04:54,250 --> 00:04:56,050
DID YOU EVEN MEET HIM?
127
00:04:56,050 --> 00:04:58,084
HE'S COMING BY FOR LUNCH.
128
00:04:58,084 --> 00:05:00,450
MORNING, CAPTAIN.
129
00:05:02,784 --> 00:05:05,317
SO WHAT'S THE MOVIE ABOUT?
130
00:05:05,317 --> 00:05:06,917
IT'S JUNK, JUDE.
131
00:05:06,917 --> 00:05:08,350
LOOK AT IT-- STREETWISE.
132
00:05:08,350 --> 00:05:11,017
THE STORY OF A TOUGH KID
FROM JERSEY
133
00:05:11,017 --> 00:05:13,584
WREAKING HAVOC
ON A NICE SUBURBAN SCHOOL.
134
00:05:13,584 --> 00:05:14,984
SOUNDS PRETTY GOOD.
135
00:05:14,984 --> 00:05:19,384
HE BEATS GUYS UP
AND CHICKS FALL AT HIS FEET.
136
00:05:19,384 --> 00:05:20,917
SOUNDS PRETTY GOOD.
137
00:05:22,217 --> 00:05:23,684
YOU DON'T LIKE MOVIES
138
00:05:23,684 --> 00:05:26,450
UNLESS SOME FOOL'S
BLOWING AWAY CRETINS
139
00:05:26,450 --> 00:05:29,184
FROM OUTER SPACE
WITH A FLAME-THROWER.
140
00:05:29,184 --> 00:05:30,684
GOT YOU THERE, DOUG.
141
00:05:30,684 --> 00:05:33,417
I GOT TO BELIEVE
WHAT I'M SEEING.
142
00:05:33,417 --> 00:05:35,484
I BELIEVE
JEREMY WOODS
143
00:05:35,484 --> 00:05:37,217
IS TOTALLY FINE-- HE'S HOT.
144
00:05:37,217 --> 00:05:39,684
I'D LET HIM EAT
CRACKERS IN MY BED.
145
00:05:39,684 --> 00:05:40,717
WHY DIDN'T I GET
THIS ASSIGNMENT?
146
00:05:40,717 --> 00:05:42,517
THAT IS WHY.
147
00:06:01,384 --> 00:06:02,984
( door buzzes )
148
00:06:52,150 --> 00:06:55,417
YOU GOT AN ALL-POINTS
OUT FOR ME, TEDDY?
149
00:06:56,717 --> 00:06:59,550
NAH, NOT ME.
150
00:06:59,550 --> 00:07:02,484
I HEARD YOU WERE OUT OF ROCKS.
151
00:07:02,484 --> 00:07:04,250
NO MORE INVENTORY.
152
00:07:04,250 --> 00:07:06,850
KIND OF PUTS YOU
OUT OF BUSINESS.
153
00:07:06,850 --> 00:07:08,550
THAT'S A SHAME.
154
00:07:10,484 --> 00:07:13,017
ONLY A TEMPORARY SETBACK.
155
00:07:13,017 --> 00:07:15,084
I COULD HELP YOU OUT...
156
00:07:15,084 --> 00:07:18,217
IF YOU'RE WILLING TO PAY RETAIL.
157
00:07:18,217 --> 00:07:23,950
SORRY, WAXER, I COULDN'T SELL
THAT BUNK YOU CALL ROCK.
158
00:07:25,617 --> 00:07:29,317
MY CUSTOMERS HATE RUNNING
TO THE CAN ALL THE TIME.
159
00:07:37,550 --> 00:07:39,217
HEY, GET THOSE COOKS OUT.
160
00:07:39,217 --> 00:07:40,817
I'M SORRY, MAN.
161
00:07:40,817 --> 00:07:44,617
MY NERVES ARE
KIND OF BAD RIGHT NOW.
162
00:07:57,217 --> 00:07:59,150
I'LL TELL YOU WHAT.
163
00:07:59,150 --> 00:08:04,384
WHY DON'T YOU STICK
WITH YOUR CUSTOMERS...
164
00:08:06,050 --> 00:08:09,150
AND I'LL DEAL WITH THE ONES
WHO CAN READ AND WRITE.
165
00:08:09,150 --> 00:08:11,984
YOU GOT A REAL GOOD SENSE
OF HUMOR
166
00:08:11,984 --> 00:08:15,950
FOR ONE OF THE STUPIDEST
GRAY BOYS I'VE EVER MET.
167
00:08:57,684 --> 00:09:00,650
HAVEN'T YOU
HAD ENOUGH, WAXER?
168
00:09:00,650 --> 00:09:02,384
NO, BUT HE HAS.
169
00:09:03,650 --> 00:09:05,450
WHAT ARE YOU LOOKING FOR?
170
00:09:05,450 --> 00:09:07,717
MAYBE I CAN HELP YOU
LOCATE IT.
171
00:09:07,717 --> 00:09:09,484
NOT ENOUGH TO BE SCUM.
172
00:09:09,484 --> 00:09:11,850
YOU'RE SCUM
WITH A BIG MOUTH.
173
00:09:11,850 --> 00:09:12,784
I'M NOT SCUM.
174
00:09:12,784 --> 00:09:15,050
I'M A VICTIM
OF MY ENVIRONMENT.
175
00:09:15,050 --> 00:09:17,217
JUST ASK
THE SOCIAL WORKER.
176
00:09:17,217 --> 00:09:19,650
SHE TOLD ME YESTERDAY.
177
00:09:19,650 --> 00:09:20,750
WHO YOU KIDDING?
178
00:09:20,750 --> 00:09:23,817
YOUR NEIGHBORHOOD'S BETTER
THAN WHERE I LIVE NOW.
179
00:09:23,817 --> 00:09:26,050
HE'S PRETTY BAD.
180
00:09:26,050 --> 00:09:28,650
GET HIM
TO THE DISPENSARY.
181
00:09:29,584 --> 00:09:32,817
THIS WILL COST YOU
EXTRA TIME, MISTER.
182
00:09:32,817 --> 00:09:37,217
I GOT 50 WITNESSES THAT
WILL SWEAR HE STARTED IT.
183
00:09:37,217 --> 00:09:39,184
( inmates cheer support )
184
00:09:39,184 --> 00:09:41,850
I KNOW, YOU WERE JUST
ENJOYING YOUR LUNCH.
185
00:09:41,850 --> 00:09:44,184
IF YOU'RE LOOKING
TO CHANGE NEIGHBORHOODS
186
00:09:44,184 --> 00:09:46,850
PERHAPS I COULD
ARRANGE SOME FINANCING.
187
00:09:46,850 --> 00:09:49,317
( inmates jeering )
188
00:09:58,250 --> 00:10:00,517
( fans screaming )
189
00:10:05,817 --> 00:10:06,817
YOU WERE IN THE
MOVIE YESTERDAY
190
00:10:06,817 --> 00:10:08,084
AND WE WERE WONDERING
IF YOU WOULD SIGN THIS.
191
00:10:08,084 --> 00:10:09,117
SORRY.
192
00:10:09,117 --> 00:10:11,417
( fans screaming )
193
00:10:14,850 --> 00:10:17,784
HAVE THEM BRING
THE LIMO AROUND.
194
00:10:17,784 --> 00:10:19,217
WHAT A MOOK.
195
00:10:19,217 --> 00:10:20,784
IF I KILLED HIM
196
00:10:20,784 --> 00:10:23,217
IS THERE A JURY THAT
WOULD CONVICT ME?
197
00:10:23,217 --> 00:10:25,417
ONLY IF THEY WERE SITTING
IN THE BOX.
198
00:10:25,417 --> 00:10:26,550
Girl:
EXCUSE ME.
199
00:10:27,450 --> 00:10:28,517
HI.
200
00:10:28,517 --> 00:10:30,017
HI.
201
00:10:30,017 --> 00:10:33,384
UM, I SAW YOU TALKING
TO JEREMY BEFORE
202
00:10:33,384 --> 00:10:34,984
AND I WAS WONDERING
203
00:10:34,984 --> 00:10:38,750
IF YOU COULD GIVE
THIS TO HIM FOR ME.
204
00:10:38,750 --> 00:10:40,317
I'M SORRY, MISS.
205
00:10:40,317 --> 00:10:42,084
I CAN'T ACCEPT THAT
ON HIS BEHALF.
206
00:10:42,084 --> 00:10:46,150
PLEASE, I'VE REALLY COME
A REALLY, REALLY LONG WAY.
207
00:10:48,284 --> 00:10:50,050
PLEASE.
208
00:10:52,617 --> 00:10:54,717
I'M SORRY.
209
00:11:02,884 --> 00:11:07,617
HEY, WHERE THE HELL
IS THE LIMO?
210
00:11:20,984 --> 00:11:23,984
IT'S ALL CLEAR, YOUR MAJESTY.
211
00:11:23,984 --> 00:11:26,084
THANKS FOR THE RIDE,
JEREMY.
212
00:11:26,084 --> 00:11:26,950
MY PLEASURE.
213
00:11:26,950 --> 00:11:28,450
CAN I ASK
A QUESTION?
214
00:11:28,450 --> 00:11:30,050
WHAT'S
THE BIG DEAL
215
00:11:30,050 --> 00:11:32,250
ABOUT SIGNING
AN AUTOGRAPH OR TWO?
216
00:11:32,250 --> 00:11:35,517
THERE'S NO SUCH THING
AS AN AUTOGRAPH OR TWO.
217
00:11:35,517 --> 00:11:36,884
I SIGN THOSE--
218
00:11:36,884 --> 00:11:40,984
IN TEN MINUTES 150 KIDS
WILL BE ALL OVER ME.
219
00:11:40,984 --> 00:11:43,250
COME ON, GUYS,
COCKTAIL HOUR.
220
00:11:44,417 --> 00:11:48,084
I COULD GO
HAVE A DRINK WITH HIM
221
00:11:48,084 --> 00:11:50,784
OR I COULD GO
DO MY LAUNDRY.
222
00:11:50,784 --> 00:11:52,684
HOW MANY QUARTERS
YOU GOT?
223
00:11:52,684 --> 00:11:53,884
EXACTLY.
224
00:11:55,717 --> 00:11:58,917
YOU SURE YOU DON'T WANT
TO HAVE SOME DINNER?
225
00:11:58,917 --> 00:12:01,150
I'VE GOT A 6:00 CALL.
226
00:12:01,150 --> 00:12:02,850
I SHOULD GET
SOME SLEEP.
227
00:12:02,850 --> 00:12:03,950
OKAY.
228
00:12:09,250 --> 00:12:12,217
JEREMY, JEREMY...
229
00:12:12,217 --> 00:12:14,717
( breaking glass )
230
00:12:16,917 --> 00:12:17,850
DON'T DO IT.
231
00:12:17,850 --> 00:12:19,284
YOU CAN'T DO THAT.
232
00:12:19,284 --> 00:12:22,617
YOU THINK I GOT A RIGHT
TO SMASH THIS CAMERA?
233
00:12:22,617 --> 00:12:23,984
EVERYTHING
OKAY HERE?
234
00:12:23,984 --> 00:12:25,084
YEAH.
235
00:12:25,084 --> 00:12:29,350
NEXT TIME, I'LL FEED YOU
THE LENS, I PROMISE.
236
00:12:29,350 --> 00:12:31,217
GOOD NIGHT,
JEREMY.
237
00:12:31,217 --> 00:12:33,784
TRY AND STAY
OUT OF TROUBLE.
238
00:12:33,784 --> 00:12:34,650
YOU OKAY?
239
00:12:34,650 --> 00:12:38,517
I'M FINE. JEREMY AND I
ARE OLD FRIENDS.
240
00:12:41,350 --> 00:12:43,117
I HATE THIS DWEEB.
241
00:12:44,317 --> 00:12:47,517
YOU MUST SPEND A FORTUNE
IN SMASHED CAMERAS.
242
00:12:47,517 --> 00:12:49,917
HE HAS THE RIGHT
TO PHOTOGRAPH ME
243
00:12:49,917 --> 00:12:51,617
AT A PUBLIC
GATHERING.
244
00:12:51,617 --> 00:12:53,950
SINCE I LIVE
IN THIS HOTEL
245
00:12:53,950 --> 00:12:56,350
HE HAS NO RIGHT
TO INVADE MY PRIVACY.
246
00:12:56,350 --> 00:12:57,684
IS THAT LEGAL?
247
00:12:57,684 --> 00:13:00,117
HE SELLS THAT PICTURE
TO SOME RAG.
248
00:13:00,117 --> 00:13:01,150
NEXT THING--
249
00:13:01,150 --> 00:13:04,084
IT'S A "SECRET AFFAIR"
WITH MELISSA MASON.
250
00:13:04,084 --> 00:13:06,417
I WOULDN'T MIND DOING THE BABE
251
00:13:06,417 --> 00:13:08,950
BUT MY GIRL MIGHT OBJECT.
252
00:13:10,284 --> 00:13:11,450
WOMEN...
253
00:13:11,450 --> 00:13:13,650
YOU CAN'T LIVE WITH THEM.
254
00:13:13,650 --> 00:13:15,617
YOU CAN'T SHOOT THEM.
255
00:13:19,584 --> 00:13:20,417
FUNNY LINE.
256
00:13:20,417 --> 00:13:21,884
STEVEN WRIGHT, HUH?
257
00:13:21,884 --> 00:13:23,184
SO I'M A THIEF.
258
00:13:23,184 --> 00:13:25,950
SEE WHAT THIS BUSINESS
DOES TO YOU?
259
00:13:38,084 --> 00:13:39,050
NICE.
260
00:13:39,050 --> 00:13:41,184
MAKE YOURSELVES
AT HOME.
261
00:13:41,184 --> 00:13:45,217
THIS PLACE MUST COST
$300 A NIGHT.
262
00:13:45,217 --> 00:13:46,417
TRY $1,500.
263
00:14:19,450 --> 00:14:22,450
OH, PLEASE, MR. WOODS,
GIVE ME YOUR AUTOGRAPH.
264
00:14:22,450 --> 00:14:25,617
I'LL LET YOU DO ANYTHING
YOU WANT TO ME.
265
00:14:25,617 --> 00:14:28,450
VERY FUNNY, JODY.
266
00:14:28,450 --> 00:14:30,984
JUST TRYING TO MAKE YOU FEEL
AT HOME, JEREMY.
267
00:14:30,984 --> 00:14:32,917
SWITCHING
TO BOYS?
268
00:14:32,917 --> 00:14:34,917
THAT WILL MAKE A GOOD STORY.
269
00:14:34,917 --> 00:14:38,150
JODY KLEINMAN, THIS IS
LITTLEFIELD AND... SOMEBODY.
270
00:14:38,150 --> 00:14:39,150
SIMON.
271
00:14:39,150 --> 00:14:40,150
RIGHT.
272
00:14:40,150 --> 00:14:41,484
JODY'S MY AGENT.
273
00:14:41,484 --> 00:14:42,917
NICE TO MEET YOU.
274
00:14:42,917 --> 00:14:44,184
PUT ON
SOMETHING DECENT.
275
00:14:44,184 --> 00:14:45,584
CHARITY BENEFIT AT 8:00.
276
00:14:45,584 --> 00:14:46,650
PASS.
277
00:14:46,650 --> 00:14:49,417
YOU CAN'T PASS,
JEREMY.
278
00:14:49,417 --> 00:14:50,950
IT'S A VERY GOOD CAUSE.
279
00:14:50,950 --> 00:14:52,617
YOU'RE ALREADY COMMITTED
280
00:14:52,617 --> 00:14:54,584
AND IT'S PART
OF YOUR PROBATION.
281
00:14:54,584 --> 00:14:55,650
ARE YOU MY DATE?
282
00:14:55,650 --> 00:14:56,817
DON'T GET EXCITED.
283
00:14:56,817 --> 00:14:58,750
WHAT WOULD
YOUR GIRLFRIEND SAY?
284
00:14:58,750 --> 00:15:00,084
THANK YOU
VERY MUCH.
285
00:15:00,084 --> 00:15:02,384
WE WON'T NEED YOU
ANYMORE TONIGHT.
286
00:15:02,384 --> 00:15:04,550
JEREMY IS
ON HIS BEST BEHAVIOR
287
00:15:04,550 --> 00:15:06,850
WHEN HE'S WITH ME.
288
00:15:06,850 --> 00:15:08,450
YOU GOT A LEASH?
289
00:15:09,584 --> 00:15:12,384
OOH, I LIKE
THIS GUY.
290
00:15:12,384 --> 00:15:13,784
ARE YOU AN ACTOR?
291
00:15:13,784 --> 00:15:16,150
NO, THANKS.
292
00:15:17,050 --> 00:15:19,250
THAT'S TOO BAD.
293
00:15:21,184 --> 00:15:23,250
YOU'RE VERY CUTE.
294
00:15:24,350 --> 00:15:25,750
(gulps)
295
00:15:29,350 --> 00:15:31,984
ACTING, WHAT A WAY
TO MAKE A LIVING.
296
00:15:31,984 --> 00:15:33,784
COULDN'T PAY ME ENOUGH
TO DO THAT CRAP.
297
00:15:33,784 --> 00:15:34,717
YEAH.
298
00:15:34,717 --> 00:15:36,517
YOU THINK SHE'D
GO OUT WITH ME?
299
00:15:36,517 --> 00:15:37,084
WHO?
300
00:15:37,084 --> 00:15:39,250
THAT LADY, JODY KLEINMAN
301
00:15:39,250 --> 00:15:40,717
TOO MUCH CAR FOR YOU, MAN.
302
00:15:45,017 --> 00:15:49,217
...SO I TOLD THE BOY
TO STAY OUT OF MY FACE.
303
00:15:49,217 --> 00:15:51,050
ARE YOU LISTENING TO ME?
304
00:15:51,050 --> 00:15:53,384
THERE WILL BE A TEST
ON THIS STUFF LATER.
305
00:15:53,384 --> 00:15:55,050
( door buzzes open )
306
00:16:02,317 --> 00:16:04,017
YOU WANT TO SEE ME?
307
00:16:04,017 --> 00:16:06,517
YEAH, I WANT TO SEE YOU.
308
00:16:06,517 --> 00:16:07,750
SIT DOWN.
309
00:16:12,817 --> 00:16:15,550
YOU'RE LEAVING
BAINTREE, WAXER.
310
00:16:15,550 --> 00:16:19,284
WE'RE SENDING YOU DOWN
TO THE CENTRAL JAIL.
311
00:16:19,284 --> 00:16:20,950
YOU CAN'T DO THAT.
312
00:16:20,950 --> 00:16:22,650
I'M UNDER 18.
313
00:16:22,650 --> 00:16:25,350
WE CAN DO WHATEVER WE LIKE.
314
00:16:25,350 --> 00:16:27,017
YOU'RE
TRANSFERRING ME
315
00:16:27,017 --> 00:16:29,750
TO A MAXIMUM SECURITY
ADULT LOCKUP
316
00:16:29,750 --> 00:16:32,017
FOR GETTING INTO A FIGHT?
317
00:16:34,550 --> 00:16:38,650
WE'RE TRANSFERRING YOU
BECAUSE YOU'RE BEING CHARGED
318
00:16:38,650 --> 00:16:40,950
WITH SECOND-DEGREE MURDER.
319
00:16:43,684 --> 00:16:46,317
TEDDY BAKER DIED LAST NIGHT.
320
00:16:46,317 --> 00:16:47,684
TOUGH BREAK.
321
00:16:47,684 --> 00:16:48,617
FOR YOU.
322
00:16:48,617 --> 00:16:51,217
SEE THAT'S SPECIAL
CIRCUMSTANCES.
323
00:16:51,217 --> 00:16:53,284
AND YOU'RE ALMOST 18.
324
00:16:53,284 --> 00:16:57,250
THAT MEANS YOU GET A NEW HOME
WITH THE BIG BOYS.
325
00:16:58,850 --> 00:17:00,950
I'M WORRIED. CAN YOU TELL?
326
00:17:00,950 --> 00:17:02,517
I THINK YOU ARE.
327
00:17:02,517 --> 00:17:05,250
YOU'LL DO SOME HARD TIME.
328
00:17:05,250 --> 00:17:08,150
YOU'RE IN FOR
SOME REAL FUN.
329
00:17:09,817 --> 00:17:13,917
YOU REALLY ENJOY YOUR JOB,
DON'T YOU, JACKSON?
330
00:17:13,917 --> 00:17:17,517
SOME DAYS ARE MORE SATISFYING
THAN OTHERS.
331
00:17:28,850 --> 00:17:31,684
ENJOY THE RIDE OVER,
WAXER.
332
00:17:31,684 --> 00:17:32,984
ONCE YOU'RE THERE
333
00:17:32,984 --> 00:17:36,117
YOU'LL BE BUNKING TWO
TO A CELL.
334
00:17:42,684 --> 00:17:46,184
( Stiffly: )
YOU GOT SOME I.D., PUNK?
335
00:17:46,184 --> 00:17:47,917
CUT.
336
00:17:49,484 --> 00:17:50,550
HE'S TERRIBLE.
337
00:17:50,550 --> 00:17:51,517
WHAT IS HE--
338
00:17:51,517 --> 00:17:53,284
YOUR RELATIVE
OR SOMETHING?
339
00:17:53,284 --> 00:17:54,584
JUST RELAX.
340
00:17:54,584 --> 00:17:56,917
WE'LL GET THE LINE
FROM HIM.
341
00:17:56,917 --> 00:17:59,284
GO SIT ON
THE MOTORCYCLE.
342
00:17:59,284 --> 00:18:01,117
YOU LOOK TERRIFIC.
343
00:18:02,650 --> 00:18:05,017
OKAY, GENTLEMAN
PLAYING THE OFFICER--
344
00:18:05,017 --> 00:18:06,350
RELAX, TAKE IT EASY.
345
00:18:06,350 --> 00:18:07,350
YOU'RE THE LAW.
346
00:18:07,350 --> 00:18:09,384
LOOK HIM RIGHT
IN THE EYE.
347
00:18:09,384 --> 00:18:10,717
SAY THE LINE.
348
00:18:10,717 --> 00:18:12,050
YOU HATE HIM.
349
00:18:12,050 --> 00:18:13,484
OKAY, LET'S GO AGAIN.
350
00:18:13,484 --> 00:18:15,317
Assistant:
SETTLE AND ROLL.
351
00:18:15,317 --> 00:18:17,117
49 BAKER,
TAKE 12.
MARKER.
352
00:18:19,284 --> 00:18:22,517
AND... ACTION.
353
00:18:22,517 --> 00:18:25,517
( hesitant: )
YOU GOT SOME
I.D., PUNK?
354
00:18:25,517 --> 00:18:26,684
CUT.
355
00:18:31,317 --> 00:18:32,917
LET'S DO ONE MORE.
356
00:18:32,917 --> 00:18:34,017
QUIET!
357
00:18:34,017 --> 00:18:37,017
Assistant:
SETTLE AND ROLL.
358
00:18:37,017 --> 00:18:40,217
49 BAKER, TAKE 13.
MARKER!
359
00:18:40,217 --> 00:18:42,650
ALL RIGHT, CONCENTRATE.
360
00:18:42,650 --> 00:18:43,584
ACTION.
361
00:18:43,584 --> 00:18:46,750
YOU GOT SOME I.D.,
PUNK?
362
00:18:46,750 --> 00:18:48,784
CUT.
363
00:18:49,884 --> 00:18:50,717
COME HERE.
364
00:18:50,717 --> 00:18:52,850
YEAH,
YOU, SIMON!
365
00:18:52,850 --> 00:18:54,050
COME HERE!
366
00:18:57,950 --> 00:18:59,284
DO THIS LINE.
367
00:18:59,284 --> 00:19:01,017
GO AHEAD, DO IT.
368
00:19:01,017 --> 00:19:02,017
DO WHAT?
369
00:19:02,017 --> 00:19:02,984
DO THIS LINE!
370
00:19:02,984 --> 00:19:05,017
HE'S PERFECT--
LOOKS LIKE A COP.
371
00:19:05,017 --> 00:19:06,617
LOOKS LIKE A COP.
372
00:19:06,617 --> 00:19:07,950
I'M NOT AN ACTOR.
373
00:19:07,950 --> 00:19:09,317
NEITHER IS HE.
374
00:19:09,317 --> 00:19:12,484
DON'T TRY AND ACT;
JUST SAY THE LINE.
375
00:19:12,484 --> 00:19:14,350
DON'T EVEN TRY AND ACT.
376
00:19:14,350 --> 00:19:17,017
YOU GOT SOME I.D., PUNK?
377
00:19:17,017 --> 00:19:19,384
SAY IT AGAIN
WITH ATTITUDE.
378
00:19:19,384 --> 00:19:20,684
SAY IT TO ME--
379
00:19:20,684 --> 00:19:22,550
LIKE YOU
REALLY HATE ME.
380
00:19:24,650 --> 00:19:27,450
YOU GOT SOME I.D., PUNK?
381
00:19:27,450 --> 00:19:28,784
HE'S GREAT.
382
00:19:28,784 --> 00:19:30,050
I'M IN HEAVEN.
383
00:19:30,050 --> 00:19:32,750
NO, I TOLD YOU,
I'M NOT AN ACTOR.
384
00:19:32,750 --> 00:19:34,250
HEY, YOU GET $380.
385
00:19:34,250 --> 00:19:38,184
YOU GOT SOME I.D., PUNK?
386
00:19:40,084 --> 00:19:41,317
HEY.
387
00:19:42,217 --> 00:19:43,350
Director:
CUT! PRINT!
388
00:19:43,350 --> 00:19:45,017
DON'T KILL THE STAR.
389
00:19:45,017 --> 00:19:46,917
OKAY, FOLKS,
WE'RE IN THE WRONG PLACE.
390
00:19:46,917 --> 00:19:48,484
LET'S GET MOVING...
391
00:19:53,284 --> 00:19:55,917
Penhall:
SO THEN EVERYONE IS
WATHCING, CAMERA'S ROLLING
392
00:19:55,917 --> 00:19:57,850
I'M STANDING
ACROSS FROM HIM--
393
00:19:57,850 --> 00:19:59,150
I GIVE HIM THE LINE.
394
00:19:59,150 --> 00:20:00,250
WHAT WAS IT?
395
00:20:00,250 --> 00:20:02,950
"GOT SOME I.D., PUNK?"
396
00:20:04,084 --> 00:20:05,884
SAID THE LINE LIKE THAT?
397
00:20:05,884 --> 00:20:06,984
NOT LIKE THAT.
398
00:20:06,984 --> 00:20:10,517
I WAS ACTING--
I SAID IT LIKE I MEANT IT.
399
00:20:10,517 --> 00:20:12,584
I WAS PRETTY GOOD, TOO.
400
00:20:15,650 --> 00:20:17,550
I GOT SOME APPLAUSE.
401
00:20:17,550 --> 00:20:19,650
BECAUSE THEY WANTED TO GO HOME.
402
00:20:19,650 --> 00:20:22,584
THE MAKEUP LADY SAID
I WAS A NATURAL.
403
00:20:22,584 --> 00:20:24,050
I THINK I KNOW WHY.
404
00:20:24,050 --> 00:20:26,817
I GOT THIS THEORY--
WANT TO HEAR IT?
405
00:20:26,817 --> 00:20:27,984
NO.
406
00:20:30,184 --> 00:20:31,684
SEE...
407
00:20:31,684 --> 00:20:35,084
I THINK WE'RE ALL ACTORS--
I MEAN ALL OF US.
408
00:20:35,084 --> 00:20:36,917
NO, LISTEN.
409
00:20:38,450 --> 00:20:40,450
WE GO UNDERCOVER
ALL THE TIME.
410
00:20:40,450 --> 00:20:41,217
WHAT'S THAT?
411
00:20:41,217 --> 00:20:43,050
THAT'S PLAYING
A CHARACTER.
412
00:20:43,050 --> 00:20:43,817
WHAT'S THAT?
413
00:20:43,817 --> 00:20:44,717
THAT'S ACTING.
414
00:20:44,717 --> 00:20:46,584
SOMETIMES WE'RE
THE McQUAIDS;
415
00:20:46,584 --> 00:20:47,884
SOMETIMES
WE'RE PREPPIES.
416
00:20:47,884 --> 00:20:49,484
SOMETIMES WE'RE EGO MANIACS.
417
00:20:49,484 --> 00:20:52,217
Hoffs:
NOT EXACTLY
THE SAME
418
00:20:52,217 --> 00:20:54,084
AS BEING IN THE MOVIES.
419
00:20:54,084 --> 00:20:55,884
BEING IN THE MOVIES IS EASIER.
420
00:20:55,884 --> 00:20:58,184
SOMETIMES WE'VE GOT GUNS
IN OUR FACES.
421
00:20:58,184 --> 00:21:00,484
ALL THEY'VE GOT
IS CAMERAS IN THEIRS.
422
00:21:00,484 --> 00:21:03,284
WHAT ABOUT THE MOVIE BUSINESS
BEING BULL?
423
00:21:04,517 --> 00:21:08,084
"JUST A LOT OF OVERPAID PEOPLE
STANDING AROUND ALL DAY."
424
00:21:08,084 --> 00:21:09,884
THAT'S BEHIND THE CAMERA.
425
00:21:09,884 --> 00:21:12,550
IT'S DIFFERENT
WHEN YOU'RE AN ACTOR.
426
00:21:12,550 --> 00:21:14,817
SO NOW YOU'RE AN ACTOR--
A THESPIAN.
427
00:21:18,284 --> 00:21:21,517
YOU'RE JUST JEALOUS
BECAUSE THEY DIDN'T ASK YOU.
428
00:21:21,517 --> 00:21:22,817
YOU'RE RIGHT.
429
00:21:22,817 --> 00:21:24,284
MY BIG SHOT--
430
00:21:24,284 --> 00:21:27,984
MAYBE I COULD HAVE
LET THEM GOOBER OVER ME.
431
00:21:27,984 --> 00:21:32,684
ALL I SAID WAS
I WAS PRETTY GOOD.
432
00:21:32,684 --> 00:21:34,850
SO WHAT'S HE LIKE?
433
00:21:34,850 --> 00:21:37,650
HE'S KIND OF GRUFF,
BUT HE'S A STAR
434
00:21:37,650 --> 00:21:41,050
SO PEOPLE BOTHER HIM
ALL THE TIME.
435
00:21:41,050 --> 00:21:42,217
HMM.
436
00:21:42,217 --> 00:21:43,217
HERE YOU GO.
437
00:21:43,217 --> 00:21:45,784
ALL RIGHT, SAL--
THANKS A LOT!
438
00:21:45,784 --> 00:21:47,650
DON'T WORRY
ABOUT IT.
439
00:21:47,650 --> 00:21:49,884
THIS IS A PICTURE
OF JEREMY WOODS
440
00:21:49,884 --> 00:21:51,084
WITH HIS SHIRT OFF?
441
00:21:51,084 --> 00:21:54,017
THAT'S JEREMY WOODS
IN HIS FIRST MOVIE--
442
00:21:55,117 --> 00:21:56,784
BLOOD ON THE BEACH.
443
00:21:56,784 --> 00:21:58,384
IT IS!
444
00:21:58,384 --> 00:22:00,850
I DIDN'T KNOW HE WAS
IN BLOOD ON THE BEACH.
445
00:22:00,850 --> 00:22:02,884
NOT A LOT OF PEOPLE DO.
446
00:22:02,884 --> 00:22:05,017
HE WAS, WHAT,
16 YEARS OLD?
447
00:22:05,017 --> 00:22:06,550
JUST STARTING OUT.
448
00:22:07,950 --> 00:22:10,117
I'M AN EXPERT IN THAT GENRE.
449
00:22:10,117 --> 00:22:11,150
WAS HE GOOD?
450
00:22:11,150 --> 00:22:15,517
GREAT-- CHOPPED UP
BY A PSYCHOTIC LIFEGUARD.
451
00:22:15,517 --> 00:22:17,117
I REMEMBER THAT.
452
00:22:17,117 --> 00:22:18,350
THAT WAS HIM?
453
00:22:18,350 --> 00:22:20,384
VICTIM NUMBER FOUR.
454
00:22:20,384 --> 00:22:23,850
Penhall:
YOU DIDN'T
EVEN KNOW
455
00:22:23,850 --> 00:22:26,050
IT WAS JEREMY WOODS.
456
00:22:26,050 --> 00:22:28,017
HE WAS UNDERCOVER.
457
00:22:28,017 --> 00:22:29,584
HE WAS ACTING.
458
00:22:29,584 --> 00:22:31,617
I REST MY CASE.
459
00:22:31,617 --> 00:22:34,117
HEY! I'M WALKING HERE.
460
00:22:40,750 --> 00:22:43,984
Tyrell:
WHY DON'T YOU SAVE IT,
MONTGOMERY?
461
00:22:43,984 --> 00:22:45,950
THIS IS MY LAST CHANCE
462
00:22:45,950 --> 00:22:48,850
TO TELL YOU
HOW I FEEL ABOUT YOU.
463
00:22:48,850 --> 00:22:51,317
SEE, I THINK
YOU'RE A WASTE.
464
00:22:51,317 --> 00:22:53,484
WHO CARES
WHAT YOU THINK?
465
00:22:53,484 --> 00:22:57,284
YOU TRIED TO KILL
SOME KID WITH A SPEED BALL
466
00:22:57,284 --> 00:22:59,517
SLUG IT OUT
WITH AN UNDERCOVER COP
467
00:22:59,517 --> 00:23:01,617
THEN YOU GET
SENT TO BAINTREE.
468
00:23:01,617 --> 00:23:03,417
WHAT ARE YOU, MY BIOGRAPHER?
469
00:23:03,417 --> 00:23:05,950
YOU WIND UP
KILLING SOME POOR SLOB
470
00:23:05,950 --> 00:23:06,984
OVER SOME FICTITIOUS TERRITORY.
471
00:23:06,984 --> 00:23:08,984
I'VE HEARD THIS BEFORE.
472
00:23:08,984 --> 00:23:10,850
WHY DON'T YOU LISTEN?
473
00:23:10,850 --> 00:23:11,817
KISS MY...
474
00:23:11,817 --> 00:23:13,384
HEY, KEEP IT DOWN
475
00:23:13,384 --> 00:23:15,017
BACK THERE!
476
00:23:15,017 --> 00:23:18,617
( honking horns )
477
00:24:17,317 --> 00:24:18,850
( woman gasps )
478
00:24:20,784 --> 00:24:22,284
JUST BE COOL, LADY.
479
00:24:35,917 --> 00:24:38,217
YEAH, YOU--
WHAT YOU DID SUCKS!
480
00:24:38,217 --> 00:24:39,350
YOU LISTENING?
481
00:24:39,350 --> 00:24:40,784
GIVE ME A BREAK.
482
00:24:40,784 --> 00:24:42,950
I'LL GIVE YOU A BREAK!
483
00:24:49,517 --> 00:24:51,650
WHAT THE HELL
IS THE MATTER?
484
00:24:54,250 --> 00:24:55,550
EXCUSE ME.
485
00:24:55,550 --> 00:24:59,350
I MUST ASK YOU NOT
TO USE THAT FOOTAGE.
486
00:24:59,350 --> 00:25:01,384
SORRY, I CAN'T DO THAT.
487
00:25:01,384 --> 00:25:03,950
LOOK, JEREMY JUST
GOT HOT-HEADED.
488
00:25:03,950 --> 00:25:05,184
IT HAPPENED
489
00:25:05,184 --> 00:25:07,884
WE SAW IT, AND WE
HAD PERMISSION TO BE HERE.
490
00:25:07,884 --> 00:25:10,517
I WANT THAT TAPE.
491
00:25:13,717 --> 00:25:17,750
MAYBE WE CAN
MAKE A DEAL HERE.
492
00:25:17,750 --> 00:25:21,017
ABSOLUTELY NOT.
493
00:25:24,650 --> 00:25:27,017
News anchorman:
Police are seeking an escapee
494
00:25:27,017 --> 00:25:28,650
from Baintree Juvenile Prison.
495
00:25:28,650 --> 00:25:32,450
Tyrell Thompson, accused in
the murder of a fellow inmate
496
00:25:32,450 --> 00:25:35,217
was being transported
to Central Jail
497
00:25:35,217 --> 00:25:37,884
when he apparently
overpowered two officers
498
00:25:37,884 --> 00:25:39,217
and made his escape.
499
00:25:39,217 --> 00:25:42,984
One officer, Vincent Montgomery,
died this afternoon...
500
00:25:42,984 --> 00:25:45,517
THEY'LL BE ALL OVER
LOOKING FOR YOU.
501
00:25:45,517 --> 00:25:50,417
We'll be back with entertainment
reporter Laurel Peterson
502
00:25:50,417 --> 00:25:53,250
who spent a interesting day
on a movie set.
503
00:25:53,250 --> 00:25:56,584
HE DIES IN AN ACCIDENT
AND THEY'RE BLAMING ME.
504
00:25:56,584 --> 00:25:59,184
THAT GRAY BOY PICKS
A FIGHT WITH ME.
505
00:25:59,184 --> 00:26:01,284
I'M PROTECTING
MY TERRITORY.
506
00:26:01,284 --> 00:26:03,117
I HIT HIM
AND HE CROAKS.
507
00:26:03,117 --> 00:26:05,084
THEY CHARGE ME
WITH MURDER.
508
00:26:05,084 --> 00:26:08,250
IDIOT DRIVER RUNS
HIS BUS INTO A DITCH
509
00:26:08,250 --> 00:26:11,117
HE'S HISTORY,
AND WHO'S TO BLAME?
510
00:26:11,117 --> 00:26:12,450
TYRELL THOMPSON.
511
00:26:12,450 --> 00:26:15,317
THEY'RE GOING
TO CHARGE ME AGAIN.
512
00:26:15,317 --> 00:26:20,184
Peterson:
Hollywood bad boy Jeremy Woods
was at it again today
513
00:26:20,184 --> 00:26:22,184
on the set of Streetwise...
514
00:26:22,184 --> 00:26:23,884
I'M SCREWED.
515
00:26:23,884 --> 00:26:26,150
...his new movie
filming in town.
516
00:26:26,150 --> 00:26:28,684
Nightside Entertainment crew
was on hand
517
00:26:28,684 --> 00:26:31,484
as the actor and director
went at it
518
00:26:31,484 --> 00:26:33,184
in what can only be described
519
00:26:33,184 --> 00:26:35,584
as an old-fashioned
Hollywood donnybrook.
520
00:26:35,584 --> 00:26:38,817
Bodyguards had
to restrain the two
521
00:26:38,817 --> 00:26:41,584
as filming was suspended
for the rest of the day.
522
00:26:41,584 --> 00:26:42,784
BODYGUARDS?
523
00:26:45,284 --> 00:26:47,817
THAT'S THAT COP, HANSON!
524
00:26:53,817 --> 00:26:56,017
Hoffs:
BOY, HARRY,
THESE MESSAGES FOR HANSON
525
00:26:56,017 --> 00:26:57,484
ARE REALLY STACKING UP.
526
00:26:57,484 --> 00:26:58,817
ANYTHING
IMPORTANT?
527
00:26:58,817 --> 00:27:01,617
LET'S SEE,
LET'S SEE HERE...
528
00:27:01,617 --> 00:27:03,284
THE CLEANERS CALLED.
529
00:27:03,284 --> 00:27:04,584
MM-HMM.
530
00:27:04,584 --> 00:27:07,284
HE'S GOT SOMETHING THERE
FOR OVER A MONTH.
531
00:27:07,284 --> 00:27:09,750
HIS MOTHER CALLED.
532
00:27:09,750 --> 00:27:12,784
AND HERE'S A MESSAGE
FROM PAYROLL.
533
00:27:12,784 --> 00:27:14,084
PAYROLL?
534
00:27:14,084 --> 00:27:17,084
NOW THAT SOUNDS LIKE
IT COULD BE IMPORTANT.
535
00:27:17,084 --> 00:27:19,617
I THINK WE SHOULD GET THIS
TO HANSON RIGHT AWAY.
536
00:27:19,617 --> 00:27:21,350
RIGHT AWAY.
537
00:27:21,350 --> 00:27:22,450
YOU WANT TO DRIVE?
538
00:27:22,450 --> 00:27:23,417
SURE.
539
00:27:23,417 --> 00:27:24,750
YOU KNOW WHERE
THEY'RE SHOOTING?
540
00:27:24,750 --> 00:27:26,884
I GOT IT
OFF HANSON'S REPORT.
541
00:27:37,150 --> 00:27:40,117
WHO LET YOU...
542
00:27:40,117 --> 00:27:42,217
COME ON, MISS,
OUT OF THE TRAILER.
543
00:27:42,217 --> 00:27:43,617
JOHNNY...
544
00:27:43,617 --> 00:27:45,084
WE NEED TO TALK.
545
00:27:45,084 --> 00:27:47,517
JOHNNY?
546
00:27:49,750 --> 00:27:51,650
WHAT'S YOUR NAME?
547
00:27:51,650 --> 00:27:54,550
IT'S ME, ANNIE.
548
00:27:54,550 --> 00:27:57,317
WHY HAVEN'T YOU
WRITTEN ME BACK?
549
00:27:57,317 --> 00:27:59,550
UM...
550
00:27:59,550 --> 00:28:03,484
I'VE BEEN REAL BUSY
WITH FILMING AND ALL.
551
00:28:03,484 --> 00:28:06,284
WHAT DO YOU WANT, ANNIE?
552
00:28:06,284 --> 00:28:08,850
YOU KNOW ALL YOUR MOVIES?
553
00:28:08,850 --> 00:28:12,717
I KNOW THEY'RE ABOUT ME.
554
00:28:12,717 --> 00:28:16,850
ABOUT WHEN WE WERE
IN HIGH SCHOOL AND STUFF.
555
00:28:16,850 --> 00:28:21,017
I JUST CAME ALL THIS WAY
TO SAY THANK YOU.
556
00:28:26,184 --> 00:28:29,017
I APPRECIATE THAT.
557
00:28:29,017 --> 00:28:31,250
WHY DON'T WE GO FOR A RIDE?
558
00:28:32,617 --> 00:28:36,684
NO, LET'S STAY IN TONIGHT.
559
00:28:41,417 --> 00:28:44,117
WE COULD GO TO THAT PLACE
WE ALWAYS GO.
560
00:28:44,117 --> 00:28:46,150
REMEMBER?
561
00:28:46,150 --> 00:28:49,284
THE CABIN
BY THE DUCK POND?
562
00:28:49,284 --> 00:28:51,450
FROM SUMMER DREAMS.
563
00:28:51,450 --> 00:28:53,950
WE CAN TAKE A LIMO.
564
00:28:53,950 --> 00:28:56,617
YES, JASON.
565
00:28:56,617 --> 00:28:58,050
BYE.
566
00:29:05,184 --> 00:29:06,817
TO THE HOSPITAL.
567
00:29:06,817 --> 00:29:08,784
GET AN A.D.
TO GO WITH YOU.
568
00:29:13,384 --> 00:29:16,017
PARANOID DELUSIONS.
569
00:29:16,017 --> 00:29:18,017
SHE THINKS WE'RE
STEALING HER LIFE
570
00:29:18,017 --> 00:29:19,684
AND MAKING IT
INTO MOVIES.
571
00:29:19,684 --> 00:29:22,684
SHE'S BEEN WRITING ME
LETTERS FOR MONTHS.
572
00:29:22,684 --> 00:29:24,684
HOW DID SHE
GET IN THERE?
573
00:29:24,684 --> 00:29:27,850
THAT'S YOUR JOB
TO KNOW, PAL.
574
00:29:27,850 --> 00:29:30,017
WHERE THE HELL
WERE YOU GUYS ANYWAY?
575
00:29:30,017 --> 00:29:32,717
I GOT PEOPLE WANDERING
IN AND OUT OF MY TRAILER--
576
00:29:32,717 --> 00:29:34,817
WHAT AM I PAYING YOU FOR?
577
00:29:36,217 --> 00:29:37,384
WHAT THE...
578
00:29:37,384 --> 00:29:38,350
SORRY, PAL.
579
00:29:38,350 --> 00:29:40,350
THIS IS ONE EMPLOYEE
YOU CAN'T PUSH AROUND.
580
00:29:40,350 --> 00:29:42,550
WHAT DO YOU THINK
YOU'RE DOING?
581
00:29:42,550 --> 00:29:44,384
I'M TRYING TO KEEP
THE GARBAGE OFF THE SET.
582
00:29:44,384 --> 00:29:45,584
WE'RE POLICE OFFICERS
583
00:29:45,584 --> 00:29:48,117
ASSIGNED TO KEEP YOU
OUT OF TROUBLE.
584
00:29:48,117 --> 00:29:52,917
YOU GUYS ARE COPS
PRETENDING TO BE BODYGUARDS?
585
00:29:52,917 --> 00:29:54,884
Penhall:
MAYOR'S ORDERS.
586
00:29:54,884 --> 00:29:57,917
THEY WANTED TO MAKE SURE
YOU DIDN'T BREAK ANYTHING.
587
00:29:57,917 --> 00:30:02,517
YOU GUYS ARE
PRETTY GOOD ACTORS.
588
00:30:04,417 --> 00:30:07,317
LOOK, WHAT I SAID
ABOUT COPS--
589
00:30:07,317 --> 00:30:08,717
I'M SORRY.
590
00:30:08,717 --> 00:30:10,050
NO, YOU'RE NOT.
591
00:30:10,050 --> 00:30:11,650
EXCUSE ME?
592
00:30:11,650 --> 00:30:13,117
YOU'RE NOT SORRY.
593
00:30:13,117 --> 00:30:14,484
YOU WALK ON PEOPLE
594
00:30:14,484 --> 00:30:16,284
THEN YOU THINK APOLOGIZING
595
00:30:16,284 --> 00:30:17,617
MAKES IT OKAY.
596
00:30:19,550 --> 00:30:22,684
CAN WE TAKE THE CUFFS OFF
AND TALK?
597
00:30:22,684 --> 00:30:24,450
YOU DON'T OWE US
AN EXPLANATION.
598
00:30:24,450 --> 00:30:28,317
HALF THE STUFF THEY SAY ABOUT ME
I DIDN'T EVEN DO.
599
00:30:28,317 --> 00:30:30,317
THE OTHER HALF
I WISH I HADN'T DONE.
600
00:30:30,317 --> 00:30:32,150
VERY CLEVER.
601
00:30:32,150 --> 00:30:35,784
I WORK HARD, I CATCH A BREAK
AND I WIND UP A STAR-- LUCK.
602
00:30:37,317 --> 00:30:38,650
WHAT DO THEY SAY?
603
00:30:38,650 --> 00:30:40,517
"DON'T WISH TOO HARD
FOR WHAT YOU WANT--
604
00:30:40,517 --> 00:30:41,650
YOU MAY GET IT"?
605
00:30:44,450 --> 00:30:47,217
YOU GUYS WANT
SOMETHING TO DRINK?
606
00:30:47,217 --> 00:30:48,350
SODA.
607
00:30:48,350 --> 00:30:50,450
ME TOO, PLEASE.
608
00:30:52,150 --> 00:30:54,017
THERE'S SOMETHING
YOU DON'T REALIZE
609
00:30:54,017 --> 00:30:56,017
WHEN YOU DREAM
ABOUT BEING NOTICED.
610
00:30:56,017 --> 00:31:00,384
THAT ONCE YOU ARE,
YOU'RE NEVER ALONE AGAIN.
611
00:31:05,250 --> 00:31:07,917
I DON'T KNOW WHY
I'M TELLING YOU ALL THIS.
612
00:31:07,917 --> 00:31:10,750
BUT WHAT THE HECK--
613
00:31:10,750 --> 00:31:13,184
WHY NOT TELL YOU
WHY I'M SUCH A CREEP.
614
00:31:13,184 --> 00:31:15,350
WE'RE LISTENING.
615
00:31:15,350 --> 00:31:17,617
THEY WERE GOING
THROUGH MY FAN MAIL
616
00:31:17,617 --> 00:31:18,584
A MONTH AGO.
617
00:31:18,584 --> 00:31:21,484
THERE WAS TONS OF IT
PILING UP FOR MONTHS.
618
00:31:21,484 --> 00:31:23,950
TURNS OUT THERE WERE
TWO LETTERS FROM KIDS
619
00:31:23,950 --> 00:31:25,984
GETTING READY TO DIE.
620
00:31:33,150 --> 00:31:34,684
LET ME ASK YOU SOMETHING.
621
00:31:34,684 --> 00:31:38,984
YOU KNOW WHEN YOU DROVE
THAT FERRARI INTO THE POOL?
622
00:31:42,117 --> 00:31:44,250
THE LIGHTS WORK?
623
00:31:44,250 --> 00:31:48,217
IT'S THE MOVIES, MAN--
THE LIGHTS ALWAYS WORK.
624
00:31:48,217 --> 00:31:50,017
( knocking )
625
00:31:50,017 --> 00:31:51,517
WHAT? WHAT?
626
00:31:54,217 --> 00:31:55,184
WHAT?
627
00:31:55,184 --> 00:31:57,717
WE'RE LOOKING FOR
TOMMY LITTLEFIELD.
628
00:31:57,717 --> 00:31:58,850
WHO?
629
00:31:58,850 --> 00:32:00,384
I DON'T KNOW WHO
LET YOU IN HERE
630
00:32:00,384 --> 00:32:02,150
BUT WHY DON'T YOU
JUST TURN AROUND...
631
00:32:02,150 --> 00:32:03,284
THEY'RE OKAY.
632
00:32:03,284 --> 00:32:04,817
WHAT ARE YOU GUYS
DOING HERE?
633
00:32:04,817 --> 00:32:07,917
WE THOUGHT YOU MIGHT
NEED THESE MESSAGES.
634
00:32:09,650 --> 00:32:11,017
FRIENDS OF YOURS?
635
00:32:11,017 --> 00:32:13,217
H.T. IOKI,
JUDY HOFFS...
636
00:32:13,217 --> 00:32:14,150
JEREMY WOODS.
637
00:32:14,150 --> 00:32:14,950
HI.
638
00:32:14,950 --> 00:32:16,817
IT'S A PLEASURE
TO MEET YOU.
639
00:32:16,817 --> 00:32:17,850
I LOVE YOUR MOVIES.
640
00:32:17,850 --> 00:32:19,150
THANKS.
641
00:32:19,150 --> 00:32:20,550
I'M SORRY I YELLED.
642
00:32:20,550 --> 00:32:21,884
YOU WANT TO STAY
643
00:32:21,884 --> 00:32:23,184
AND WATCH
THE SHOOTING?
644
00:32:23,184 --> 00:32:24,150
WE'D LOVE TO.
645
00:32:24,150 --> 00:32:26,517
THAT WOULD BE COOL.
646
00:32:26,517 --> 00:32:27,717
I'LL CATCH A NAP.
647
00:32:27,717 --> 00:32:29,017
SEE YOU ON THE SET.
648
00:32:29,017 --> 00:32:30,484
OKAY.
649
00:32:32,917 --> 00:32:35,050
HE'S SO NICE.
650
00:32:35,050 --> 00:32:36,717
I JUST WALK THROUGH,
THAT'S ALL?
651
00:32:36,717 --> 00:32:38,717
YEAH, JUST WALK
DOWN THIS WAY
652
00:32:38,717 --> 00:32:40,384
LIKE YOU'RE GOING
TO YOUR LOCKER.
653
00:32:40,384 --> 00:32:41,750
THIS IS
SO EXCITING!
654
00:32:41,750 --> 00:32:43,217
YEAH, THRILL A MINUTE.
655
00:32:43,217 --> 00:32:45,250
ALL RIGHT,
LADIES AND GENTLEMEN...
656
00:32:45,250 --> 00:32:48,217
( yelling out stage directions)
657
00:32:51,884 --> 00:32:53,350
QUIET!
658
00:32:55,084 --> 00:32:56,250
ALL RIGHT...
659
00:32:56,250 --> 00:32:59,417
AND ROLL!
660
00:32:59,417 --> 00:33:01,417
42 APPLE, TAKE 1.
MARKER!
661
00:33:02,450 --> 00:33:03,850
BACKGROUND ACTION!
662
00:33:08,084 --> 00:33:09,017
ACTION!
663
00:33:28,250 --> 00:33:29,250
Director:
CUT!
664
00:33:29,250 --> 00:33:30,450
PRINT!
MOVING ON!
665
00:33:30,450 --> 00:33:31,884
I NEED JEREMY...
666
00:33:46,984 --> 00:33:48,484
YOU WERE GREAT!
667
00:33:48,484 --> 00:33:50,117
WE BETTER CALL FULLER.
668
00:33:50,117 --> 00:33:51,950
I THINK I JUST SAW
SOMEBODY WE KNOW.
669
00:33:51,950 --> 00:33:53,517
FORGET IT, MAN.
670
00:33:53,517 --> 00:33:56,050
THERE'S TOO MANY
PEOPLE AROUND.
671
00:33:56,050 --> 00:33:58,017
I WON'T DO HIM HERE.
672
00:33:58,017 --> 00:34:00,884
I DON'T WANT
ANY PART OF THIS.
673
00:34:01,950 --> 00:34:03,884
THEN GET ON THEN.
674
00:34:07,450 --> 00:34:08,784
( knocking )
675
00:34:08,784 --> 00:34:10,717
COME IN!
676
00:34:12,450 --> 00:34:13,817
THEY'RE LOOKING FOR YOU.
677
00:34:13,817 --> 00:34:15,217
LET THEM WAIT.
678
00:34:20,550 --> 00:34:22,550
OFFICER HANSON...
679
00:34:23,917 --> 00:34:25,217
REMEMBER ME?
680
00:34:28,084 --> 00:34:29,150
TYRELL THOMPSON.
681
00:34:29,150 --> 00:34:30,717
VERY GOOD.
682
00:34:30,717 --> 00:34:32,650
UH-UH.
683
00:34:34,650 --> 00:34:36,350
Jeremy:
ALL RIGHT,
HANSON--
684
00:34:36,350 --> 00:34:38,017
THAT WAS VERY FUNNY.
685
00:34:38,017 --> 00:34:40,017
I GOT TO GET BACK
TO MY SCRIPT.
686
00:34:40,017 --> 00:34:42,784
EXCUSE ME, BUT DID I SAY
YOU COULD SPEAK?
687
00:34:42,784 --> 00:34:46,017
THIS ISN'T A JOKE,
MR. MOVIE STAR.
688
00:34:46,017 --> 00:34:47,417
THIS IS FOR REAL.
689
00:34:49,350 --> 00:34:50,750
COME ON, HANSON.
690
00:34:50,750 --> 00:34:53,784
YOU'RE COMING WITH ME.
691
00:34:53,784 --> 00:34:55,417
YOU, TOO,
PRETTY BOY.
692
00:34:55,417 --> 00:34:56,884
LEAVE HIM OUT OF THIS.
693
00:34:56,884 --> 00:34:59,384
THAT SOUNDS LIKE
A LINE IN A MOVIE.
694
00:34:59,384 --> 00:35:01,250
I'LL GO WHEREVER
YOU WANT--
695
00:35:01,250 --> 00:35:02,284
JUST LEAVE
HIM ALONE.
696
00:35:02,284 --> 00:35:04,150
Thompson:
COME ON, HANSON--
697
00:35:04,150 --> 00:35:06,884
I NEVER MET A REAL
MOVIE STAR BEFORE.
698
00:35:13,984 --> 00:35:15,817
42 apple, take one. Marker.
699
00:35:18,317 --> 00:35:19,684
Background...
700
00:35:19,684 --> 00:35:21,650
and action!
701
00:35:24,617 --> 00:35:28,384
THE GUY WALKED
RIGHT BY ME.
702
00:35:37,084 --> 00:35:39,084
THAT'S HIM
RIGHT THERE.
703
00:35:39,084 --> 00:35:40,550
Penhall:
FREEZE THAT.
704
00:35:40,550 --> 00:35:43,084
THAT'S WAXER THOMPSON,
ALL RIGHT.
705
00:35:43,084 --> 00:35:44,450
WHO IS THIS GUY?
706
00:35:44,450 --> 00:35:46,817
HE'S THE MAN
WHO'S GOT YOUR STAR.
707
00:35:46,817 --> 00:35:49,250
Penhall:
HE WAS HANSON'S
FIRST CASE.
708
00:35:49,250 --> 00:35:50,850
PUT THE GUY AWAY.
709
00:35:50,850 --> 00:35:54,984
YOU GUYS DID A HELL OF A JOB
PROTECTING MY CLIENT.
710
00:35:54,984 --> 00:35:56,817
HE'S GOT SOMEBODY
711
00:35:56,817 --> 00:35:58,350
WE LIKE TOO,
LADY.
712
00:35:58,350 --> 00:36:00,550
WHAT'S HE DOING OUT?
713
00:36:00,550 --> 00:36:02,450
HE KILLED A GUARD.
714
00:36:04,684 --> 00:36:06,017
ALL RIGHT--
715
00:36:06,017 --> 00:36:08,984
I WANT CURRENT ADDRESSES
ON EVERYONE HE KNOWS.
716
00:36:08,984 --> 00:36:11,484
I ALREADY KNOW WHO HE KNOWS.
717
00:36:14,384 --> 00:36:15,484
HEY, RAY.
718
00:36:15,484 --> 00:36:17,050
HOW YOU DOING?
719
00:36:18,717 --> 00:36:20,484
I DIDN'T DO NOTHING!
720
00:36:22,384 --> 00:36:24,484
WHERE IS WAXER?
721
00:36:26,050 --> 00:36:28,384
I DON'T KNOW WHO
YOU'RE TALKING ABOUT.
722
00:36:28,384 --> 00:36:30,517
I WAS HOPING
YOU'D SAY THAT.
723
00:36:32,717 --> 00:36:35,884
DOES THAT JOG
YOUR MEMORY?
724
00:36:35,884 --> 00:36:38,417
I DON'T KNOW
WHERE HE IS.
725
00:36:38,417 --> 00:36:40,784
IF MY PARTNER DIES
726
00:36:40,784 --> 00:36:44,417
I SWEAR I WILL
HUNT YOU DOWN
727
00:36:44,417 --> 00:36:47,817
AND I WILL CUT
SOMETHING OFF.
728
00:36:47,817 --> 00:36:51,150
( train whistle )
729
00:36:57,450 --> 00:37:00,150
WHAT ARE WE
GOING TO DO?
730
00:37:00,150 --> 00:37:02,750
WHAT DID YOU DO
IN YOUR LAST MOVIE?
731
00:37:02,750 --> 00:37:05,550
IT LOOKED PRETTY SIMPLE
WHEN I SAW IT.
732
00:37:05,550 --> 00:37:08,117
( toilet flushing )
733
00:37:08,117 --> 00:37:13,284
NOW, WHERE WERE WE?
734
00:37:13,284 --> 00:37:17,017
OH YEAH, FAST LANE, THAT WAS IT.
735
00:37:17,017 --> 00:37:18,584
THAT WAS THE ONE I SAW.
736
00:37:18,584 --> 00:37:20,884
YOU BEATING UP
ALL THOSE BAD GUYS
737
00:37:20,884 --> 00:37:22,650
UP THERE
ON THE SCREEN.
738
00:37:22,650 --> 00:37:25,650
MUST HAVE BEEN...
WHAT, TEN OF THEM?
739
00:37:25,650 --> 00:37:28,950
YOU MIGHT BE THE TOUGHEST GUY
I EVER MET.
740
00:37:34,650 --> 00:37:36,384
WHAT DO YOU THINK, HANSON?
741
00:37:36,384 --> 00:37:38,084
I THINK
YOU'RE PROBABLY
742
00:37:38,084 --> 00:37:40,917
THE TOUGHEST GUY
HE EVER MET, TYRELL.
743
00:37:40,917 --> 00:37:42,984
( chuckling )
744
00:37:42,984 --> 00:37:44,617
THAT'S A GOOD ANSWER.
745
00:37:49,550 --> 00:37:52,584
YEAH, BIG TOUGH GUY
ON THE SCREEN.
746
00:37:54,384 --> 00:37:57,017
BIG TOUGH UNDERCOVER MAN.
747
00:37:57,017 --> 00:37:58,917
WHAT DO YOU WANT?
748
00:37:58,917 --> 00:38:02,184
I WANT A LITTLE REVENGE.
749
00:38:02,184 --> 00:38:05,550
IT SOUNDS LIKE YOU
WANT TO GO AWAY AGAIN.
750
00:38:05,550 --> 00:38:07,617
YOU'RE GOING TO LOVE THIS.
751
00:38:07,617 --> 00:38:09,817
THIS IS WHERE
THE COP TELLS ME
752
00:38:09,817 --> 00:38:11,617
NOT TO THROW MY LIFE AWAY
753
00:38:11,617 --> 00:38:14,817
THAT I CAN BE
REHABILITATED--
754
00:38:14,817 --> 00:38:16,917
LEARN A TRADE.
755
00:38:16,917 --> 00:38:19,684
ISN'T THAT RIGHT,
OFFICER HANSON?
756
00:38:19,684 --> 00:38:21,284
YOU'RE STILL
A JUVENILE.
757
00:38:21,284 --> 00:38:23,384
NOT ACCORDING TO THE COURT.
758
00:38:23,384 --> 00:38:26,750
THEY GOT ME
FOR TWO SPECIAL CIRCUMSTANCES.
759
00:38:28,250 --> 00:38:31,250
BOTH GUYS ARE DEAD.
760
00:38:32,850 --> 00:38:36,017
THAT MEANS
I GOT NOTHING TO LOSE.
761
00:39:34,750 --> 00:39:38,417
( television playing faintly)
762
00:40:01,017 --> 00:40:03,850
YEAH, I GUESS
I BLEW IT SOMEWHERE.
763
00:40:05,117 --> 00:40:07,917
MAYBE I CAN START OVER.
764
00:40:07,917 --> 00:40:12,017
MAYBE I CAN BECOME
A MOVIE STAR.
765
00:40:12,017 --> 00:40:14,450
YOU'LL GIVE ME
A PART, WON'T YOU?
766
00:40:17,717 --> 00:40:19,084
WON'T YOU?
767
00:40:19,084 --> 00:40:21,250
YEAH.
768
00:40:21,250 --> 00:40:22,384
A BIG PART?
769
00:40:22,384 --> 00:40:24,250
MAYBE A LEADING PART?
770
00:40:24,250 --> 00:40:26,850
COULD I GET
A LEADING PART?
771
00:40:26,850 --> 00:40:29,150
SURE.
772
00:40:29,150 --> 00:40:31,317
I WANT TO PLAY
A GOOD GUY, THOUGH--
773
00:40:31,317 --> 00:40:33,584
YOU KNOW, AND GET
THE GIRL AND ALL.
774
00:40:33,584 --> 00:40:36,617
I DON'T THINK I'M RIGHT
FOR A BAD GUY.
775
00:40:36,617 --> 00:40:38,350
WHAT DO YOU THINK, JER?
776
00:40:42,017 --> 00:40:45,517
I THINK YOU SHOULD LET ME GO.
777
00:40:45,517 --> 00:40:49,984
WHOA, NOW THAT'S NOT
THE RIGHT LINE FOR A HERO.
778
00:40:52,784 --> 00:40:54,617
YOU'RE SUPPOSED TO SAY--
779
00:40:54,617 --> 00:40:57,050
"I THINK YOU SHOULD LET USGO."
780
00:40:57,050 --> 00:41:00,450
GO AHEAD.
781
00:41:00,450 --> 00:41:01,650
TRY IT.
782
00:41:01,650 --> 00:41:04,850
LET ME HEAR HOW THAT SOUNDS.
783
00:41:07,384 --> 00:41:08,284
COME ON!
784
00:41:10,717 --> 00:41:13,884
I THINK YOU SHOULD LET US GO.
785
00:41:16,817 --> 00:41:19,550
OKAY. IT'S TIME TO GO.
786
00:41:19,550 --> 00:41:22,384
WHO WANTS TO GO FIRST?
787
00:41:22,384 --> 00:41:24,850
DO YOU WANT TO GO?
788
00:41:27,050 --> 00:41:28,984
OR WATCH HIM GO?
789
00:41:28,984 --> 00:41:30,650
WHY NOT BACK OFF HIM?
790
00:41:30,650 --> 00:41:31,750
WHY?
791
00:41:31,750 --> 00:41:34,617
HE'S GOING TO DIE ANYWAY.
792
00:41:34,617 --> 00:41:37,884
( Tyrell laughs )
793
00:41:37,884 --> 00:41:40,684
JUST KNOW
HE GOT YOU INTO THIS.
794
00:41:40,684 --> 00:41:43,917
YEAH, AND HE
GOT ME INTO THIS...
795
00:41:43,917 --> 00:41:47,050
AND THEN GOT
YOU INTO THIS.
796
00:41:52,650 --> 00:41:55,617
LOOKS LIKE THE MOVIE STAR'S
GOING TO LEAVE THIS WORLD
797
00:41:55,617 --> 00:41:57,284
THE WAY HE CAME INTO IT--
798
00:41:57,284 --> 00:41:58,484
CRYING.
799
00:42:18,184 --> 00:42:19,917
WE DID IT!
800
00:42:26,217 --> 00:42:27,884
WHAT PART DID
JEREMY PLAY?
801
00:42:27,884 --> 00:42:29,750
HE WAS THERE ALL THE WAY.
802
00:42:29,750 --> 00:42:33,017
I DON'T THINK I'D HAVE
DONE IT WITHOUT HIM.
803
00:42:33,017 --> 00:42:36,050
IS THIS LIFE
IMITATING ART?
804
00:42:36,050 --> 00:42:37,250
YEAH, SURE.
805
00:42:37,250 --> 00:42:41,050
JEREMY WAS INSTRUMENTAL
IN SUBDUING THE SUSPECT.
806
00:42:41,050 --> 00:42:42,717
WHAT THE HECK.
807
00:42:42,717 --> 00:42:44,084
IT WAS
NO BIG DEAL.
808
00:42:44,084 --> 00:42:50,117
ACTUALLY, I THINK IT WAS
ALL OFFICER HANSON'S DOING.
809
00:42:50,117 --> 00:42:52,750
I'M JUST AN ACTOR;
HE DESERVES ALL THE CREDIT.
810
00:42:59,117 --> 00:43:04,317
WE TOLD YOU, NO PICTURES
OF THE UNDERCOVER OFFICER.
811
00:43:09,984 --> 00:43:11,750
I GOT TO GO.
812
00:43:11,750 --> 00:43:13,284
THANKS, MAN.
813
00:43:13,284 --> 00:43:15,584
WILL YOU MAKE
A PICTURE FROM THIS?
814
00:43:15,584 --> 00:43:16,717
I REALLY DON'T KNOW.
815
00:43:16,717 --> 00:43:18,384
IT'S BEEN
A TRAUMATIC THING.
816
00:43:18,384 --> 00:43:21,550
I JUST WANT TO GO HOME
AND TAKE IT EASY.
817
00:43:21,550 --> 00:43:24,417
IT'S NOT EVERY DAY
I ALMOST GET KILLED.
818
00:43:27,217 --> 00:43:29,917
GOT A PICTURE
WITH YOUR SHIRT OFF, HANSON?
819
00:43:29,917 --> 00:43:30,884
VERY FUNNY.
820
00:43:30,884 --> 00:43:32,917
THAT'S NOT HOW
IT WENT DOWN.
821
00:43:32,917 --> 00:43:33,884
SO WHAT?
822
00:43:33,884 --> 00:43:36,550
WHY DID YOU MAKE HIM
SUCH A HERO?
823
00:43:36,550 --> 00:43:39,617
HE PROMISED ME A PART
IN HIS NEXT MOVIE.
824
00:43:39,617 --> 00:43:41,584
EXCUSE ME.
825
00:43:41,584 --> 00:43:45,150
I'D JUST LIKE TO THANK YOU
FOR ALL YOUR HELP.
826
00:43:45,150 --> 00:43:48,817
WE'RE JUST DOING
OUR JOBS, MA'AM.
827
00:43:48,817 --> 00:43:51,184
THANK YOU,
SERGEANT FRIDAY.
828
00:43:51,184 --> 00:43:53,317
WELL, YOU DO IT VERY WELL.
829
00:43:55,584 --> 00:43:57,784
IF YOU'RE EVER IN L.A...
830
00:43:59,184 --> 00:44:02,550
I'D LIKE TO THANK YOU
PERSONALLY.
831
00:44:06,784 --> 00:44:08,417
EXCUSE ME, GUYS.
832
00:44:08,417 --> 00:44:11,217
I HAVE TO GO PHONE
THE AIRLINES.
54430
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