All language subtitles for Blood and Treasure s01e12_English

Previously on
Blood & Treasure...

REECE:
The theft of Antony
wasn't even discovered

till the morning shift.
News hasn't been alerted yet.

SHAW:
I missed out on my slice

of the finder's fee for Antony,
and I'll be damned

if I get cut out of Cleo, too.

All right, you can come along.

And I...You won't regret it.

DANNY:
It's her.

[guns cock]

DANNY:
You're making a huge mistake.

Cleopatra's gone.

Whoever attacked me after
looking into Zara Farouk

is getting desperate.

DANNY:
Do you know anything
about who it is?

GWEN:
No, but I know
this belongs to him.

That's him.LEXI:
Yates? Yates is more

the kind to take orders

than give them.
Maybe...

the real bad guy
has been in front of us

all this time.

[bell clanging]

That's crazy.

LEXI:
Are you kidding?

Everything finally makes sense.

Have no idea
what you're talking about,

yet somehow I feel like
I haven't missed anything.

We found Cleopatra.

No way.

Yes, and she was taken,
along with Antony.

By who?

That's what we're
arguing about.

Ah, Father Chuck, hi,
so nice to meet you.
Hi.

I've heard so much about you.
I'm Dr. Ana Castillo.

I'm gonna make some coffee,
okay?
Uh, o-okay,

yeah, sure, uh,
make yourself at home.

Father.
Agent Karlsson.

At the moment,

I am acting outside
of proper channels.

Okay.

[indistinct chatter]

Hey, watch it.
Who are you?

I'm Shaw.
You got anything to eat?

CASTILLO:
Well, I'm making coffee
over here, and it looks

like he's got
a lovely antipasto...

We having, like, a, uh, treasure
hunt meeting or something?

Man, I am starving.
DANNY:
You know what?

Me, too.He's got some
candy hidden away

in the bottom
drawer on the left.

FATHER CHUCK:
Okay, everybody stop

what you're doing right now.

[grunting]

Okay.

First of all,

is anyone else
showing up at my home?Nope.

I think we're all here.I swear.

I just came home
for lunch.

I'm glad you're
here, Chuck.

We could use someone objective

to help us decide.Yeah.

Decide what?

We've known all along

that Farouk was planning to use
Antony and Cleopatra

somehow in an attack.

His crew is still out there,
and they have a bioweapon.

Some people

believe I have
a blind spot

that is preventing me
from seeing the truth.

But I think we're wasting time
we could be using

looking for the real bad guys.

So we'll make our case.

You tell us who's crazy.

Only one of
you is crazy?

[laughs]

Sorry.
Right, then.

May I?
I found the evidence

and I'm the actual
police officer here.

Plus, your, um...
pants are covered in candy.

Ready to tag in
as cocounsel if needed.

So, Fabi was running

a parallel investigation
into Karim Farouk.

After he died,
I obtained some evidence

and I found a check
written out to a Zara Farouk.

Huh, interesting.

I thought Karim Farouk
was a made-up name.

DANNY:
The man we know
as Karim Farouk's real name

is Rasheed Hegazi.

But he may have chosen
the nom de guerre

of Karim Farouk
for a reason.

GWEN:
I haven't been able
to find out much

about Zara Farouk,
but I know she was Egyptian

and she died
of a rare mycotoxin.

So she was a tomb raider.

How do you know?Mycotoxin
is a mutation

of the toxic mold
created by the breaking down

of mummified tissue.

Mummy cancer?

You said that couldn't hurt me.

No, generally it doesn't in
modern times. When did she die?

1990s.

That sounds pretty damn
modern to me.

GWEN:
The same toxin was found

in a lab in Russia...

alongside a body...
that it'd been tested on.

DANNY:
Farouk's men

have weaponized it.

That's not a
coincidence.

Who wrote the check
to Zara Farouk?

GWEN:
Well, I've been trying

to find that out.

But the bank stonewalled me.

I couldn't obtain a warrant
because the evidence was...

[inhales sharply]
you know, obtained illegally.

But the call

seemed to have sent up
some sort of flare

because, uh, later
I was attacked in my apartment.

Oh, my God. Are you okay?

She's fine, but
more importantly,

all the evidence was taken.
And Gwen, badass

that she is...Thank you.

You got it, sister.

...tracked the person
who attacked her

to Rick Yates, head of security
for Jacob Reece,

proving that he's
the most likely mastermind

behind Farouk.

Objection.
SHAW:
Dude.

We're not in court.Fine.

Then I call BS.On which part?

All of it.

This whole theory
makes no sense.

What does Reece
have to gain

by supporting a terrorist?LEXI:
Uh,

his family made
most its money in oil.

More instability,
the price goes up.

And as a bonus,
Farouk loots blood antiquities,

which then makes
its way to Reece,

who launders it
through his museum

to make it all legitimate.

Makes a lot of sense.

DANNY:
It's ridiculous.You're ridiculous.

You know when instability
doesn't help your company?

When your own pipeline
gets blown up.

The company took
a half-billion dollar hit

when Farouk attacked it.

It's not a great path to profit.Maybe

Reece lost control
of his attack dog.And maybe

you're the one
with the blind spot.

Farouk's dead, Lexi,
and now you want to redirect

your rage
towards someone new because

you still blame yourself
for your father's death.

So, I'm guessing

we don't get to rule on this.[Danny sighs]

I'll be,
I'll be right back.

I'm sorry.

I shouldn't
have said that.

Don't you think
that if you didn't suspect

something was wrong with Reece,
you wouldn't be so defensive?

If I am right,

and Reece was
behind Farouk,

maybe he's the
reason Farouk

was so hard to catch
all that time.

What if Farouk only needed
Antony and Cleopatra

because Reece wanted them
and that theft

was just his way
of keeping them for himself?Are you kidding?

He wants credit
for finding them.

This is about legacy for him.

About being
a part of history.

I do know a group that wants
Antony and Cleopatra

and doesn't want anyone
to know where they are.

Who, the Brotherhood of Serapis?

And how do they work?Oh, here we go.

They place agents,
people like Fabi,

into organizations
to manipulate them

from behind
the scenes.

Now, I don't
doubt that Yates

was behind the
attack on Gwen.

I just think he works
for the Brotherhood.

Oh, come on.
What?

Why is that crazier than Reece
being a terrorist mastermind?

[exhales]You don't think
the Brotherhood's

gonna keep tabs
on everybody

who has the interest and
means of finding Cleopatra?

Now they can frame Reece
for the disappearance.

To stay a secret society
for thousands of years,

you get real good at finding
people to take the fall for you.

I know who
the bad guy is.

It's Reece.

Everything runs through Reece.

You're just too blind
to see it.

Lexi, you're wrong.
I know it in my heart.

And while we're
fighting each other,

we're losing time.

What kind of relationship do
we have if you can't trust me?

I could ask you the same thing.

Look...

you do things your way
and I'll do it mine.

Good luck with your way.

♪

[phone buzzing]

Hello.DANNY: Simon.

This is Danny McNamara.

Uh,

it's usually Lexi who calls me.

Yeah.

Yeah, I wanted you
all to myself this time.

Right.

Hey, have you found
anything yet?

From the bug you have
inside Serapis?

Any indication of where

they've taken
Antony and Cleopatra?

No. No, I'm afraid not.

I've been plowing through
the audio.

Uh, it's just mostly

hours and hours of silence.

Which, I suppose,
isn't surprising,

uh, given that
the bug's in a crypt.

Okay, well, please let me know
the moment you hear anything.

Yeah, uh, Danny.

I'm still in Rome.

I-I don't know if you, uh,
needed a hand

in your adventures or...

I think we'll be fine. Thanks.

Hello?

He...

Where are you going?
Egypt.

To see Sharif Ghazal.From the
Cultural Ministry?

Oh, that. That's his cover job.
He's actually in intelligence.

And we thought he was
working for Farouk.

That file Fabi was working on is
one I took from Ghazal's safe.

So you're gonna go to Ghazal,
you're gonna talk to him

and find out who
he really works for?

Talk, hang him out a window
by a lamp cord, whatever works.

I will come with you.

Thanks but no thanks.

Lexi, we are on the...

[clears throat]
same side.

I also think

that Reece is responsible
and I can help you prove it.

Huh.

Team Lexi and Gwen?

If that is the order you prefer.

All right. I can work with that.

[door opens and closes]

[toilet flushing]

Wh-Where did all the ladies go?

Egypt.
Aw, man.

I wasn't in there that long.

Yo, man, the ladies
just teamed up.

Now we got to do our thing.

I have no idea
what you're talking about.

You think the Brotherhood
is behind this.

Let's find out where they
took Antony and Cleopatra.

You and me.

Simon Hardwick put a bug
in Serapis

to keep tabs on their hunt
for Antony and Cleopatra.

He's been going through
the recordings to see

if he can find out
where they were taken.Okay.

That's a good plan.
But... if Yates works for them,

don't you want to know
what he's up to?

I got eyes

in every country.

I can track him down for you.

Maybe he leads us
right to the proof we need.

That's...

that's actually a good idea.

Okay.

Predatorhandshake.

Let's do this.

LEXI:
So, the last time I was here,

I did a bump-lift
to take someone's badge

and used it to get
into the building.

But Ghazal's office
is a little trickier.

The door's secure, but
there's a glass divider

above his door
that's unlocked,

and I was able to get in...How about I use this?

LEXI:
Okay, I have to say,

being on this side
of law enforcement

definitely has its advantages.

So Ghazal hasn't
come back yet?

Not today, ma'am.

Is he, uh, ever late?

Not since I've worked here.
Eight years.

Can you give us a moment?

GWEN: Interpol business.
It's classified.

I'll get my superior.

Oh...

bloody fantastic.

Either Ghazal
is on the run

or he's already dead.

How can you be sure?

Someone cleaned out
the safe.

Or maybe he knows Reece
are cutting loose threads

and disappeared.

Or he didn't, and
Reece disappeared him.

Oh.

Someone took
the hard drive.

Not looking good
for Ghazal.

I'll find out
where he lives.

MAJOR REECE:
We've already laid 400 miles

of pipeline without
a single fatality.

Look, we both know that
this is a shakedown.

Just tell me what
it's gonna cost me.

Jacob, I'm on the phone,
you know better than that.

I'm sorry, sir.

Fine. Do it.

Just don't pay from the
Reece Corporate account.

[hangs up phone]

What are you doing over there,
Jacob, making a mess?

What is this?

Well, how about that?

That, my boy,
is Cleopatra,

the last queen of Egypt.

That's me when I
was in the army.

We'd captured this German
officer-- Krug was his name.

You see, Cleopatra's been lost
for a very long time,

but Krug told me
he knew where she was.

So you found her?
Nope.

But this picture,

it lit a fire in me.

Suddenly, finding
Cleopatra

was the most important
thing in the world.

So I went looking for her.

If she's out
there somewhere,

this lady doesn't
want to be found.

[grunting]

[grunts]

You shouldn't be down there.

[chuckles]
You speak English.

Did you not see
the signs back there?

Uh, yeah, yeah,
I saw the signs, but...

But you thought
they did not apply to you?

Look, you mind chastising me
after you help me up?

[grunting]

You must be my guardian angel.

[chuckles]

What were you doing
down there?

Uh, exploring.

I'm a student
backpacking around.

You are Jacob Reece III.

[chuckles]

You know who I am?

The Chalice of the Ptolemies
you're looking for is long gone,

taken by grave robbers like you.

[laughs]
Now hold on a minute.

I'm not a grave robber.

Okay? It belongs in a museum
for the whole world to see.

[scoffs]

Okay, look.

How about this?

[both sigh]

I need a guide
and interpreter,

clearly.

I'll pay you three times
what you're making right now,

and when I find
what I'm looking for,

you'll be right there
to make sure I keep my word.

Save your money.

I know you're trying to find
Antony and Cleopatra.

They are long gone
as well.

Well, if you're right,

then you stand to make a lot
of money while we keep looking.

[sighs]

I'm Zara. Zara Farouk.

It's very nice
to meet you, Zara.

Nice to met you, Jay.

FATHER CHUCK:
My friends in the Vatican Foreign Ministry

are figuring out
who Zara Farouk was.

Somebody has done
a very good job

of removing almost any trace
of her existence.

Almostany trace?

They found the same
thing that Gwen did:

her name on a hospital register

from when she checked herself in
with the mummy cancer.

Oh, for God's sakes, is that
what we're calling it now?

It's just easier
to remember.

Anyway, when she died,
an imam was requested.

That's the last info
we have on her.

Now, I know it's a shot
in the dark, but some mosques

use handwritten records.

That'd be pretty easy for anyone

trying to clean up
a paper trail to miss.

Well, it makes sense
that she would go to a hospital

near where she lives.

Gives you an area to search in.

Exactly. Now, I have
an imam friend in Egypt

who is looking into it.

He's gonna figure out
which mosque she went to,

and then he's gonna send us
whatever he finds.

What'd you find out?

Well, I've been reading up
about the body

that was found
in the lab.

He was a scientist who
apparently worked for Farouk.

He died from the same symptoms
that Zara did,

only massively accelerated.

So what killed her in months,
killed him in minutes.

Yeesh.

That is grim.

Yeah.

I'm just trying to figure out
why all the effort

into weaponizing something

when there are far greater
toxins already out there?

Yeah. It seems like Farouk
didn't just want to kill people,

he wanted to make sure
that they suffered like she did.

Yeah, well, whoever
we're dealing with

is some kind of awful,

so I would tell your friend
in Egypt to be careful.

SHAW:
So my guy tracked Yates
from the airport to here.

This is Yates' place?Didn't say.

How long ago did he get here?

Didn't say.

Did he come directly
to this house or make any stops?

Didn't say?I told my man

that Yates is a professional
and to keep his distance.

Didn't have much time
to dig into things.

Okay, but you're sure
we're not watching

an empty house right now?

Man, Yates
went in there

and hasn't come out yet.

Okay.

So, um, you and Lexi
broken up again,

or...?
No.

Good, good.

I wasn't trying to move in
on your territory or nothing.

I was just checking in
on the team morale.

Team morale's fine.

We all want the same thing.

Money.

To stop a terrorist attack.

Oh, yeah, of course,
but, you know...

I mean, heroes
got to eat, right?

[chuckles]

Where are they going?

You said they went
to question Ghazal.

Guess now we know
whose house this is.

[dog barking in distance]

Come on.

[whistles]

What are you doing here?

We're following Yates.

LEXI:
Yates?

Well, if Yates came
to Ghazal's house,

then Ghazal is definitely dead.

Oh, for sure, yeah.

Office was cleared out.

[engine starts]Yates is cleaning up.

It's Yates.

Yates!

LEXI:
Danny! Danny!

Danny!

Yates!

[grunting]

Buckle up.

[tires screeching]

[Shaw whoops]

[whoops]

[woman shouts]

[car horn honks]

Hold up, hold up,
you going the wrong way.

Oh, shut up, Shaw!
She's concentrating.

You do know where
we're going, right?

[sputters]

Hi.

[groaning]

[car horn honks]

[tires screech]

No!

Yates! No, no, no, no,
no, no, no, no, no.

Who are you working for?

LEXI:
Danny.
Aah!

Why do you have to go back?

[sighs] It's been noticed
that I haven't actually been

spending a lot of time
at the company.

I knew you would
leave one day.

[scoffs]

This was always
just play for you.

Zara, I...

You can come
to New York with me.

You think your father
would like that?

Wait, does he even
know about us?

No.

But he can't tell me what to do.

You said he threatened to cut
you off if you didn't return.

O-Okay, maybe he can
right now, but...

Look, it's not gonna be long
before I'm running the company

and no one can stop us
from being together.

[speaking indistinctly]

SHAW:
Should Igo talk to him?

I think he needs
someone right now.

My man's hurting. Him and Yates
went back a long way.

Yes, yes, I know, Shaw.

I'm the one who's in a
relationship with him.

I'm giving him some space.

I'm just saying, if you want
to stay in that relationship,

communication is key.

And I'm just saying: silence.

So Ghazal's body
was found inside.

It was meant to look
like a suicide.

And given his connections
in the Egyptian intelligence,

I wouldn't expect much
cooperation from there, either.

[sighs]
Naturally.

But I found
this cell phone.

Belonged to Yates.Agent Karlsson.

Taking evidence
from a crime scene?

I can't be a part of this.

What...?

I'm kidding, I can totally be
a part of this.

[chuckles softly]So you're gonna have Interpol
track where he's been,

retrace his steps?

Yeah. Exactly.

[clears throat]Well, since we're all admitting

to stealing evidence
from the crime scene,

I grabbed this from the bag
he was carrying.

Thought it might be useful.

The hard drive
from Ghazal's office.

Not bad.

Just doing my part.Okay.

I am going to finish up here
and have Interpol

trace the last location
Yates used his phone.

Thanks, Gwen.

Cell records show he was here
before he went to Ghazal's.

This must be
Yates's safe house.

Nice work, tiger.And voilà.

Not much of a safe house.

Unless he was trying
to save the '70s.

Gwen's intel says
he's been back and forth

to this place twice
since he's arrived.

Thought your guy was
following him the whole time.

Like I said, I told him to be
careful notto get caught.

[laughs] And being careful
not to get caught

means he lost track of Yates
multiple times?

Why is everybody coming for me?

LEXI:
And we still don't know
if Yates was working for Reece

or the Brotherhood.

SHAW:
Hey, we'll find something.

Lex?

Those paintings my dad stole
in the Fensgate Museum heist--

one of them was never recovered.

You remember which?Oh, my God.

The Death of Cleopatra.

Yates didn't work
for Reece back then.

This is Reece's apartment.

He's the one behind the heist
that sent my father to prison.

[clock chiming]

Mr. Reece?

Midge, you can call me Jay.

My dad is...

[clears throat]

I guess I am Mr. Reece now.

Uh, okay. Is that
more stuff for me to sign?

And, um... I thought
you should also have these.

What are they?

From Egypt,

over the past year.

Why did I never get these?

Your father didn't
want you throwing

your whole future away
because of her,

but I couldn't bear
throwing them out.

It's your company now. You can
decide what to do with them.

The most recent is on top.

If you need me,
I'm right outside.

Midge?

Yes, Mr. Reece?

I need you to write a check,
and not from my account

and not from the corporation.
Do you understand?

Yes, sir. I'll contact
Mr. Roberge.

He handled many things
for your father, discreetly.

DANNY:
Now, Reece had my father steal
those other paintings

to cover up the theft
of this one.

You were right.

If Reece is behind the heist,
he could be behind Farouk, too.

I keep replaying
my whole life in my head.

I mean, Reece is behind the
scholarships I got to college

and law school.

His contacts got me into the FBI

despite having a felon
as a father.

My whole life,
everything that I am, is a lie.

A payoff
for my father's silence.

Daniel... you're a good man.

Despite your father,
despite Reece,

that's who you are.

You mind if I just
have a minute?

Yeah, of course.

Of course.[phone buzzing]

LEXI:
Hello.
[sighs]

It's Simon Hardwick.

Yeah, yeah, okay, hold on.

Simon found something on the bug
he had in the Serapis crypt.

Go ahead, Simon.

HARDWICK:
I think I know where Antony
and Cleopatra are.

Alessandro LaLande's family has
been in banking for generations

and also, apparently,
the Brotherhood.

From what I can gather,
Antony and Cleopatra

are being held in a vault in the
Banque Saint Laurent in Paris.

[sighs]
Good work.

Yeah, well, better move quick.

You've got less than 24 hours.

I think they're being
transported tomorrow.

Where?

That part I can't make out

because of some interference--
you know,

I'm gonna send you the file,
and maybe you can.

LEXI:
Okay, yeah. We'll call you back.

Right. Uh...[click, beep]

Uh...

So you were right.

The Brotherhood did have
Antony and Cleopatra.

And you were right that I had
a blind spot about Reece.

SHAW:
You know, it's a sign
of a good relationship

that you both can
accept the middle ground

rather than trying
to win the argument.

[phone buzzing]

[crackling over recording]

MAN [over recording]:
Low profile.

We don't want to draw attention.

After the bank closes
tomorrow night,

we'll transfer them by truck.

There's some kind
of interference.

You know, I was on
an investigation once

where we had a recording
device in an office.

We heard the same kind
of interference.

When we tried to play it back,
it turned out

another agency
was also bugging it.

Two bugs in the same room

transmitting
on a similar frequency.

Exactly.

So who's the other bug from?

BOTH:
Farouk.

If his crew knows

where the Brotherhood is taking
Antony and Cleopatra,

they'll, they'll hit
them on the road.

Just like they did the convoy
of Egyptian relics in Geneva.

We got to beat them to it.

We need to rob that bank.

SHAW [cockney accent]:
Hands up, mate!

Don't you move.
Don't be a hero today.

LEXI [cockney accent]:
Everybody out from
behind the counter!

[people screaming]

Get on the ground!

SHAW:
We're not here
to hurt anybody

in the bank.

All we want
is what's in the vault.

You heard him.

We haven't got all day.

Keys to the vault.

[cries]

You also need the combination
to get you into the vault,

and I don't have it.

If you're looking
for something

untraceable, I can
give you all the cash

and the gold that you can carry.

I just don't want any trouble.

Well, that's too bad,
isn't it? 'Cause the vault

is what we want.
DANNY:
Oi!

[Australian accent]: You don't
know who you're messing with.

This ain't worth
dying over... mate.

Give me the combination.

I can't.

You'll need to shoot me.

[people whimpering]

LEXI: Okay, we're gonna
do this the hard way.

Cuff him to the table.Response time's

about eight minutes.
Starting the clock.

Move!Let's go.

Get down.

Let's go, let's go, let's go!

[regular accent]:
I thought we all agreed,

cockney bank robber accents.

Yeah, that was pure Statham.

I don't even know
what that means.
Just...

focus.

[exhales]:
Okay.

Wasn't sure what kind
of vault we'd be up against,

so I brought options.

[sirens wailing]

[tires screech]

♪

SHAW:
Hey, guys, we got cops outside.

Damn it, that was fast.

Okay, you keep at it.
I'll go up.

What's going on?

Well, they must have
heard the gunshot.

Nobody in here had
time to push a button.

Did you?!

Oh, oh, no, no, no, no, no,
no need for that.

We're all good here.
You're going to be fine.

[phone ringing]

Make no attempt
to enter the bank,

or I will murder
everyone in here.

[cries]

[shushes]
No, no, no, no,

we're not really going
to kill anybody.

We have demands.

Are you ready?

I want a 747 waiting
at De Gaulle,

fully fueled
with a crew on standby,

as well as a helicopter
to take us there.

And a monster truck.

That's a truck
with really big wheels.

You have one hour.

A monster truck?A monster truck.

[drill whirring]

All right.

[panting]

Yeah.

[grunting]

[chuckles]

SHAW:
Um, guys?

I don't think they bothered
with that monster truck.

Holy crap.

[woman screams]

[officer speaking French]

[speaks French]

Huh?

They're downstairs.

[footfalls approaching]

♪

Well, how about that?

So, the robbers

just accidentally discovered
Antony and Cleopatra

while they were trying
to break into the vault?

Yeah, it appears so.

They escaped in the chaos.

The bank manager-- he
disappeared as well.

The police cruiser taking him
to the station never arrived,

so no one knows or can
explain how they got here.

[chuckles]
LEXI:
Reece,

this is Simon Hardwick.

He's the one who spotted
the robbers

and alerted the authorities.

Without him,
Antony and Cleopatra

might have never
been recovered.

Oh...
HARDWICK:
Mr. Reece,

it means the world
to finally meet you.

Funny enough, I'm also in
the antique-dealing business.

Thank you so much,
Mr. Warwick.

I insist that you
accompany us

for the public unveiling.

I'll have my secretary
contact you.

She'll make
all the arrangements.

Uh, well, thank you.
Uh, that's a great honor.

Danny, can you believe this?

Lot of things
I can't believe today.

Can you and I talk?

Yeah. Excuse me.

[Danny sighs]

Um... [chuckles]

Kid, you're making me
nervous.

What's up, somebody die?Yeah. Rick Yates.

What?In Egypt.

After shooting
at me and Lexi.

Wait, I don't understand.

He stole evidence related
to the Farouk investigation.

I have no idea
about any of that.

You can't think I was
somehow in league with Farouk.

Yates was a traitor.

You know, I-I honestly--
I don't know

what to think anymore.

Danny, Farouk blew up
one of my pipelines.

My company had an office
in the tower that Farouk hit

in Malaysia.

The man has been at war
with my company for years.

Yates was working out of
your apartment in Egypt.

My apartment...Stop it, Jay.

The Death of Cleopatra
painting, I found it.

I know you're behind
the Fensgate Museum heist.

Only thing I don't know is
what else you're guilty of.

[chuckles]

Do you know that
for decades

I have dreaded...
probably on some level

hopedfor this moment?

The Fensgate Museum heist...

...was the biggest mistake
I ever made.

I was told

that it would be easy.

No one would get hurt.

I just wanted one painting.

Why was it so important to you?

Belonged to my father.

You know, he rescued
that painting

during the Second World War.

Then, decades later,
somebody shows up

out of nowhere
and says it's theirs.

And I don't even fight it.
I just give it to them.

Then they turn around
and sell it to the Fensgate.

That painting
would have been destroyed

if it hadn't been for my father.

In my heart, it was his.

Mine.

And so I took it.

You had my dad take it.

No, I have never
forgiven myself

for what happened
to your father.

To you.

That's why I've done
everything I could for you.

Don't-don't lie to me, Jay.

You did it to buy
my father's silence.

At the beginning,
yes, that's true.

But I am not lying to you
when I say that

I have loved you like a son.

You know I have two ex-wives,
three daughters.

None of them speak to me.

Danny, you're the only thing
in my life

that I am truly proud of.

Look, we...

Egypt has suffered
a tragedy.

We can bring healing
to this country.

We can bring the world together.

And that's what this
has been all about.

Look, once this is
all over...

...I will confess...

my part of what happened
at the Fensgate.

I will return the painting.

I would only ask
that you be my lawyer.

I don't think I can do that.

But I will walk with
you into the FBI

and make sure it
all gets done.

I'll give you a couple days
to make your arrangements.

Un pacco per Charles Donnelly.

Firmo io. Grazie.

Prego.

Ciao. Ciao.

[knock on door]

Come in, come in.

Look at these pictures.

We're building a replica
of the tomb,

and a brand-new wing
in my museum in Egypt.

Making it a rush job,
but the anniversary

of Cleopatra's death
is coming.

It's costing me a fortune,
but what better way

to unveil her to the world?

It's amazing, Jay.

You need to cancel it.

What? Absolutely not.

I've got people working
around the clock

ever since we discovered Antony.

Farouk is going
to attack it.

Farouk is dead.

Then his men will attack it.

A check was found
made to a Zara Farouk.

We didn't know who she was
until we looked into it.

This is a... record

from a mosque in Egypt.

It is a certificate
from a Sebou,

which is an Egyptian
custom that celebrates

the seventh day
of a baby's birth.

On it, it lists Karim Farouk's
mother as Zara Farouk,

and also his father.

[pouring drink]Jay, did you know

that you were
Karim Farouk's father?

I've known for years.

I was young, I met a girl...Oh,

I know how babies
are made, Jay.

I don't care that
you fathered someone

who became a terrorist.

I mean, you had no idea.

You couldn't help
what he would become.

That's not how the world
would see it, Ana.

Everything I've ever worked for
would be destroyed forever.

Farouk weaponized a toxin
that killed Zara.

This is obviously
very personal to him.

And the people who followed him,
they're gonna use this unveiling

to kill you and
so many more people.

I am tired of living,
looking over my shoulder.

Perhaps I can get rid
of all of them

once and for all.You know what?

I thought that I could
come here today

to reason with you, but...

if I can't do that, then...

[gasping]

...I'm gonna have to
go to the authorities.

[gasping]
I know, I know,
I know, I know, come here.

Come and sit down.
Sit down.

Sit down.[gasping]

Ana, why did you always
have to be so smart?

I was afraid it would
come to this.

But you have...

helped me sever
the one tie I have

to that maniac.

Maybe you're the last person
who has to die

in the name of Karim Farouk.

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