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1
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Hello, my name is
Marty Di Bergi.
I'm a filmmaker.
2
00:00:25,609 --> 00:00:27,485
I make a lot of commercials.
3
00:00:27,569 --> 00:00:31,030
That little dog that
chases the covered wagon
underneath the sink?
4
00:00:31,115 --> 00:00:32,115
That was mine.
5
00:00:33,534 --> 00:00:37,995
In 1966, I went down
to Greenwich Village,
New York City,
6
00:00:38,080 --> 00:00:40,998
to a rock club called
The Electric Banana.
7
00:00:41,083 --> 00:00:43,376
Don't look for it,
it's not there anymore.
8
00:00:43,460 --> 00:00:48,965
But that night, I heard a band
that for me redefined the word
"rock 'n' roll."
9
00:00:49,883 --> 00:00:55,430
I remember being
knocked out by their
exuberance, their raw power
10
00:00:55,514 --> 00:00:57,432
and their punctuality.
11
00:00:58,100 --> 00:01:01,436
That band was Britain's
now legendary Spinal Tap.
12
00:01:02,688 --> 00:01:05,940
Seventeen years
and 15 albums later,
13
00:01:06,024 --> 00:01:08,818
Spinal Tap is
still going strong.
14
00:01:09,194 --> 00:01:11,571
And they've earned
a distinguished place
in rock history
15
00:01:11,655 --> 00:01:14,198
as one of
England's loudest bands.
16
00:01:15,117 --> 00:01:17,577
So, in the late fall of 1982,
17
00:01:17,661 --> 00:01:21,831
when I heard that Tap was
releasing a new album
called Smell the Glove,
18
00:01:21,915 --> 00:01:25,126
and was planning their first
tour of the United States
in almost six years
19
00:01:25,210 --> 00:01:26,586
to promote that album,
20
00:01:26,670 --> 00:01:30,423
well, needless to say,
I jumped at the chance
to make the documentary,
21
00:01:30,507 --> 00:01:34,510
the, if you will,
rockumentary that
you are about to see.
22
00:01:35,304 --> 00:01:40,057
I wanted to capture
the sights, the sounds,
the smells
23
00:01:40,809 --> 00:01:43,519
of a hard-working
rock band on the road.
24
00:01:44,021 --> 00:01:45,521
And I got that.
25
00:01:46,190 --> 00:01:47,732
But I got more.
26
00:01:48,192 --> 00:01:49,609
A lot more.
27
00:01:50,360 --> 00:01:52,403
But, hey,
enough of my yakking.
28
00:01:52,488 --> 00:01:54,197
What do you say?
Let's boogie.
29
00:02:04,124 --> 00:02:06,209
Gives me a lot of energy,
makes me happy.
30
00:02:06,293 --> 00:02:08,252
Heavy metal is deep.
You can get stuff out of it.
31
00:02:08,337 --> 00:02:10,296
The way they dress.
The leather.
32
00:02:10,380 --> 00:02:12,131
Which one is this?
Is this LaGuardia...
33
00:02:12,216 --> 00:02:13,966
No, this is JFK.
34
00:02:14,051 --> 00:02:15,593
Oh, yes.
New York, New York.
35
00:02:20,224 --> 00:02:21,766
Watch it now.
Watch it now!
36
00:02:29,525 --> 00:02:31,275
(PEOPLE CHATTERING)
37
00:02:33,487 --> 00:02:36,072
It's like you become one
with the guys in the band.
38
00:02:36,156 --> 00:02:39,867
I mean, there's no division,
you just...
39
00:02:40,619 --> 00:02:45,957
The music just unites
people with the players.
40
00:02:46,041 --> 00:02:50,461
Come on and ride,
direct from hell,
Spinal Tap!
41
00:02:50,921 --> 00:02:52,964
(SINGING) You're hot
You take all we got
42
00:02:53,048 --> 00:02:55,591
Not a dry seat in the house
43
00:02:56,385 --> 00:02:58,469
Next day
We'll be on our way
44
00:02:58,554 --> 00:03:00,721
But tonight I'm gonna rock you
Tonight I'm gonna rock you
45
00:03:00,806 --> 00:03:03,516
Yes, tonight
I'm gonna rock you
Tonight I'm gonna rock you
46
00:03:03,600 --> 00:03:04,809
Tonight!
47
00:03:04,893 --> 00:03:06,644
(AUDIENCE CHEERING)
48
00:03:09,940 --> 00:03:12,149
We are Spinal Tap
from the UK!
49
00:03:12,234 --> 00:03:14,402
You must be the USA!
50
00:03:42,723 --> 00:03:44,849
Little girl,
it's a great big world
51
00:03:44,933 --> 00:03:46,809
But there's only one of
52
00:03:48,270 --> 00:03:53,399
Me!
53
00:04:03,452 --> 00:04:05,202
(AUDIENCE CHEERING)
54
00:04:10,834 --> 00:04:13,210
Let's talk a little bit about
the history of the group.
55
00:04:13,295 --> 00:04:17,173
I understand, Nigel,
you and David originally
started the band
56
00:04:17,257 --> 00:04:19,759
back in, when was it, 1964?
57
00:04:19,843 --> 00:04:21,469
Before that, we were
in different groups.
58
00:04:21,553 --> 00:04:23,930
I was in a group
called The Creatures,
which was a skiffle group.
59
00:04:24,014 --> 00:04:25,056
I was in Lovely Lads.
60
00:04:25,140 --> 00:04:27,266
And then we
looked at each other
61
00:04:27,351 --> 00:04:30,561
and said, well,
we might as well join up.
62
00:04:31,313 --> 00:04:33,481
So we became
The Originals.
Right.
63
00:04:33,565 --> 00:04:36,192
And we had to change
our name, actually.
64
00:04:36,318 --> 00:04:39,028
Well, there was another
group in the East End
called The Originals.
65
00:04:39,196 --> 00:04:41,447
You know, we had to
rename ourselves.
66
00:04:41,531 --> 00:04:43,074
New Originals.
New Originals.
67
00:04:43,158 --> 00:04:45,368
And then they became...
The Regulars.
68
00:04:45,452 --> 00:04:46,953
They changed their name
back to The Regulars.
69
00:04:47,037 --> 00:04:50,539
We thought, well, we could
go back to The Originals,
but what's the point?
70
00:04:50,624 --> 00:04:53,000
Then we became
The Thamesmen
at that point.
71
00:04:55,253 --> 00:04:56,796
(SINGING) Stop wasting my time
72
00:04:58,757 --> 00:05:00,549
You know what I want
73
00:05:02,219 --> 00:05:03,886
You know what I need
74
00:05:05,681 --> 00:05:07,431
Or maybe you don't
75
00:05:09,059 --> 00:05:13,729
Do I have to
come right flat out
and tell you everything?
76
00:05:13,814 --> 00:05:16,565
Gimme some money
77
00:05:17,150 --> 00:05:20,319
Gimme some money
78
00:05:26,576 --> 00:05:28,244
Your first drummer was...
79
00:05:28,328 --> 00:05:30,538
The Peeper.
John "Stumpy" Pepys.
80
00:05:30,622 --> 00:05:35,543
Great, great tall,
blonde geek with glasses.
81
00:05:36,712 --> 00:05:38,170
Good drummer.
Great look,
good drummer, yeah.
82
00:05:38,255 --> 00:05:39,338
Good, good drummer.
Fine drummer.
83
00:05:39,423 --> 00:05:41,090
MARTY: What happened to him?
84
00:05:41,174 --> 00:05:45,928
He died. He died in
a bizarre gardening
accident some years back.
85
00:05:46,263 --> 00:05:48,681
It's really one of
those things. It was...
86
00:05:48,765 --> 00:05:54,145
The authorities said
best leave it unsolved,
really.
87
00:05:54,604 --> 00:05:56,355
And he was replaced by...
88
00:05:56,440 --> 00:05:57,523
DAVID: Stumpy Joe.
89
00:05:57,607 --> 00:05:59,275
Eric "Stumpy Joe" Childs.
90
00:05:59,359 --> 00:06:01,027
MARTY: And what happened
to Stumpy Joe?
91
00:06:01,111 --> 00:06:04,613
DEREK: Well, it's not
a very pleasant story.
92
00:06:05,282 --> 00:06:07,199
He's passed on.
He died...
93
00:06:07,284 --> 00:06:09,035
He choked on...
94
00:06:09,119 --> 00:06:13,289
The official explanation
was he choked on vomit.
95
00:06:14,207 --> 00:06:15,291
He passed away.
96
00:06:15,375 --> 00:06:18,127
It was actually
someone else's vomit.
97
00:06:18,211 --> 00:06:19,253
It was ugly.
98
00:06:19,337 --> 00:06:20,921
NIGEL: You know,
there's no real...
99
00:06:21,006 --> 00:06:24,175
They can't prove
whose vomit it was.
They don't have...
100
00:06:24,259 --> 00:06:25,217
There's no prints.
101
00:06:25,302 --> 00:06:26,385
...facilities
in Scotland Yard.
102
00:06:26,470 --> 00:06:28,095
There's no way to print
a spectra-photograph.
103
00:06:28,180 --> 00:06:29,221
You can't really
dust for vomit.
104
00:06:30,474 --> 00:06:32,266
Here we go.
Hello.
105
00:06:32,809 --> 00:06:34,727
SoHo, they call this. SoHo.
106
00:06:34,811 --> 00:06:36,479
"So" what?
SoHo.
107
00:06:36,605 --> 00:06:38,189
(ALL CHATTERING)
108
00:06:42,652 --> 00:06:44,904
How are you?
Good to see you.
109
00:06:45,739 --> 00:06:50,367
Ian. Hi, fellas!
How are you doing?
110
00:06:50,494 --> 00:06:51,744
Come over here.
111
00:06:51,828 --> 00:06:52,912
(MOUTHING)
I want you
to meet everybody.
112
00:06:52,996 --> 00:06:54,580
Bobbi Flekman.
113
00:06:54,664 --> 00:06:56,082
Who's that?
Bobbi Flekman.
114
00:06:56,166 --> 00:06:58,959
Viv! Come over here,
everybody.
With the record company?
115
00:06:59,044 --> 00:07:00,628
So... Yes, Bobbi Flekman.
116
00:07:00,712 --> 00:07:02,004
Bobbi, of course,
how are you?
117
00:07:02,089 --> 00:07:03,172
The hostess with
the mostess.
118
00:07:03,256 --> 00:07:04,256
DEREK: We know, we know.
119
00:07:04,341 --> 00:07:05,508
You know, you know.
120
00:07:06,051 --> 00:07:08,594
Hi, handsome,
how are you doing?
121
00:07:08,678 --> 00:07:11,555
All right, listen,
I want you to all meet
Sir Denis Eton-Hogg.
122
00:07:11,681 --> 00:07:13,390
Now, he's
the head of Polymer.
We know.
123
00:07:13,475 --> 00:07:15,601
You, don't talk so much,
just smile a little. Smile.
124
00:07:15,685 --> 00:07:16,727
Oh,
she knows...
125
00:07:16,812 --> 00:07:19,230
Denis, come here!
Come here.
126
00:07:19,314 --> 00:07:22,149
I want you to meet Spinal Tap.
They're our guests of honor.
127
00:07:22,234 --> 00:07:23,275
How very nice to meet you.
128
00:07:23,360 --> 00:07:25,111
Kids, this is
Sir Denis Eton-Hogg.
129
00:07:25,195 --> 00:07:26,320
This is Nigel.
130
00:07:26,404 --> 00:07:27,404
Yeah, this is Nigel.
Hi.
131
00:07:27,489 --> 00:07:29,740
Thanks a lot
for letting us...
132
00:07:30,408 --> 00:07:33,202
Let's go over here,
and we'll all take
a picture together.
133
00:07:33,286 --> 00:07:35,830
Where's Christine?
Where's my photographer?
134
00:07:35,914 --> 00:07:38,457
Come over here, honey.
What's your name? Christine?
135
00:07:39,167 --> 00:07:41,043
BOBBI: Okay, right over here.
136
00:07:41,670 --> 00:07:43,504
Good. Good!
137
00:07:43,588 --> 00:07:44,839
He's not into negro music.
138
00:07:44,923 --> 00:07:47,216
No, no, I don't
eat that shit.
139
00:07:47,592 --> 00:07:50,261
Guys, you look great.
I mean, you look fantastic.
140
00:07:50,345 --> 00:07:52,012
You would never know
you were almost 40.
141
00:07:52,097 --> 00:07:53,305
I mean,
if I looked this good...
142
00:07:53,390 --> 00:07:55,391
And from the stage, too,
it's amazing.
143
00:07:55,475 --> 00:07:57,226
I did the Bird.
Do the Dead Bird.
144
00:07:57,310 --> 00:07:58,936
Change this, get
the dwarf cannolis,
the little ones.
145
00:07:59,020 --> 00:08:01,313
All right. I did the Bird.
Come on! Don't talk back.
146
00:08:01,398 --> 00:08:03,107
Mime is money. Let's go!
Come on, move it!
147
00:08:03,525 --> 00:08:05,985
Now, we here at Polymer,
we're all looking forward
148
00:08:06,069 --> 00:08:10,364
to a long and
fruitful relationship
with Spinal Tap.
149
00:08:10,615 --> 00:08:14,702
We wish them great success
on their North American tour.
150
00:08:14,786 --> 00:08:19,665
And so say all of us,
"Tap into America!"
151
00:08:19,749 --> 00:08:21,250
(ALL CHEERING)
152
00:08:25,130 --> 00:08:28,090
ARNIE: Excuse me,
are you reading Yes I Can?
153
00:08:28,758 --> 00:08:30,009
Yeah, have you read it?
154
00:08:30,093 --> 00:08:31,510
Yeah, by Sammy Davis Jr.?
155
00:08:31,595 --> 00:08:32,595
WOMAN: Yeah.
156
00:08:32,679 --> 00:08:35,431
You know what the title
of that book should be?
157
00:08:35,515 --> 00:08:38,350
Yes, I Can, if Frank
Sinatra Says It's Okay.
158
00:08:38,435 --> 00:08:39,476
(MARTY LAUGHING)
159
00:08:39,561 --> 00:08:42,354
'Cause Frank calls
the shots
for all those guys.
160
00:08:42,439 --> 00:08:46,192
Did you get to the part
yet where Sammy's
coming out of the Copa,
161
00:08:46,276 --> 00:08:50,446
and it's about
3:00 in the morning,
and he sees Frank?
162
00:08:50,530 --> 00:08:53,365
Frank's walking down
Broadway by himself...
163
00:08:55,952 --> 00:08:57,494
Fucking limeys.
164
00:08:58,288 --> 00:08:59,872
Well, they're not
used to that world.
165
00:08:59,956 --> 00:09:01,165
Yeah, yeah.
Yeah, I know.
166
00:09:01,249 --> 00:09:03,918
Frank Sinatra.
It's a different
world that they're in.
167
00:09:04,002 --> 00:09:06,754
It's just,
people like this,
168
00:09:08,089 --> 00:09:09,173
they get all they want,
169
00:09:09,257 --> 00:09:12,676
so they don't really
understand about
a life like Frank's.
170
00:09:12,761 --> 00:09:16,305
I mean, when you've
loved and lost
the way Frank has,
171
00:09:16,431 --> 00:09:18,515
then you know
what life's about.
172
00:09:18,642 --> 00:09:20,559
The Times may
even do something.
NIGEL: Really?
173
00:09:20,644 --> 00:09:22,728
DAVID: The New York Times?
The New York Times.
174
00:09:22,812 --> 00:09:25,606
The bump we've got to
iron out here is when do
we get the album released?
175
00:09:25,690 --> 00:09:28,108
I mean, it doesn't matter
how good the press is
or what the stringers...
176
00:09:28,193 --> 00:09:29,902
IAN: As I explained
last night,
177
00:09:29,986 --> 00:09:33,072
we're not gonna saturate
the New York market.
178
00:09:33,156 --> 00:09:35,324
Now, Philly, now
that's a real
rock 'n' roll town.
179
00:09:35,408 --> 00:09:36,575
DAVID: Oh,
Philly's a great town.
180
00:09:36,660 --> 00:09:38,869
Be assured that
the album
will be available
181
00:09:38,954 --> 00:09:41,413
all through
the Philadelphia
metropolitan area.
182
00:09:41,498 --> 00:09:42,915
DAVID: So you are
hitting that market.
183
00:09:42,999 --> 00:09:45,918
We're certainly doing...
184
00:09:46,002 --> 00:09:48,254
I'm doing everything I can.
185
00:09:48,338 --> 00:09:49,588
You know that
we're not blaming you.
186
00:09:49,673 --> 00:09:52,091
But you don't feel that
these guys have an effect
on an audience.
187
00:09:52,175 --> 00:09:55,010
I mean,
kids go to their concert,
they have a great time...
188
00:09:55,095 --> 00:09:58,389
But it's a passing thing.
It's...
189
00:09:59,683 --> 00:10:04,687
I mean, I would never
tell them this,
but this is a fad.
190
00:10:05,021 --> 00:10:06,855
(PLAYING BIG BOTTOM)
191
00:10:09,359 --> 00:10:11,110
(AUDIENCE CHEERING)
192
00:10:26,668 --> 00:10:30,546
(SINGING)
The bigger the cushion,
the sweeter the pushin'
193
00:10:31,047 --> 00:10:33,048
That's what I said
194
00:10:35,093 --> 00:10:38,971
The looser the waistband,
the deeper the quicksand
195
00:10:39,055 --> 00:10:41,307
Or so I have read
196
00:10:43,685 --> 00:10:48,147
My baby fits me
like a flesh tuxedo
197
00:10:48,231 --> 00:10:51,734
I like to sink her
with my pink torpedo
198
00:10:52,777 --> 00:10:56,280
Big bottom, big bottom
199
00:10:56,364 --> 00:11:00,367
Talk about bum cakes,
my girl's got 'em
200
00:11:01,077 --> 00:11:04,413
Big bottom,
drive me out of my mind
201
00:11:04,831 --> 00:11:08,292
How could I leave this behind?
202
00:11:15,300 --> 00:11:17,343
I met her on Monday
203
00:11:17,427 --> 00:11:19,511
It was my lucky bun day
204
00:11:19,596 --> 00:11:21,930
You know what I mean
205
00:11:23,725 --> 00:11:25,684
I love her each weekday
206
00:11:25,769 --> 00:11:28,145
Each velvety cheek day
207
00:11:28,271 --> 00:11:30,647
You know what I mean
208
00:11:32,692 --> 00:11:36,487
My love gun's loaded
and she's in my sights
209
00:11:36,946 --> 00:11:40,908
Big game is waiting there
inside her tights, yeah!
210
00:11:41,284 --> 00:11:44,870
Big bottom, big bottom
211
00:11:45,121 --> 00:11:49,041
Talk about mud flaps,
my girl's got 'em
212
00:11:49,834 --> 00:11:52,920
Big bottom,
drive me out of my mind
213
00:11:53,463 --> 00:11:57,132
How could I leave this behind?
214
00:12:05,433 --> 00:12:07,976
Let's talk about your
reviews a little bit.
215
00:12:08,061 --> 00:12:09,603
Regarding
Intravenus de Milo,
216
00:12:09,687 --> 00:12:12,189
"This tasteless cover
is a good indication
217
00:12:12,273 --> 00:12:14,775
"of the lack of
musical invention within.
218
00:12:14,859 --> 00:12:18,320
"The musical growth rate
of this band
cannot even be charted.
219
00:12:18,405 --> 00:12:22,408
"They're treading water
in a sea of retarded
sexuality and bad poetry."
220
00:12:22,492 --> 00:12:23,951
That's nitpicking,
isn't it?
221
00:12:24,035 --> 00:12:26,370
MARTY: The Gospel
According To Spinal Tap.
222
00:12:26,454 --> 00:12:29,748
"This pretentious,
ponderous collection
of religious rock psalms
223
00:12:29,833 --> 00:12:32,126
"is enough to prompt
the question,
224
00:12:32,210 --> 00:12:35,170
"'What day did
the Lord create Spinal Tap,
225
00:12:35,255 --> 00:12:38,173
"'and couldn't he have
rested on that day, too?"'
226
00:12:38,258 --> 00:12:41,218
I never heard that one.
That's a good one.
That's a good one.
227
00:12:41,302 --> 00:12:42,636
The review you had
on Shark Sandwich,
228
00:12:42,720 --> 00:12:45,764
which was merely
a two-word review,
229
00:12:45,890 --> 00:12:48,225
it just said,
"Shit sandwich."
230
00:12:48,309 --> 00:12:49,726
(CHUCKLING)
231
00:12:49,811 --> 00:12:51,437
DEREK: Where'd
they print that?
Who printed that?
232
00:12:51,521 --> 00:12:53,188
That's not real, is it?
DEREK: You can't print that.
233
00:12:54,732 --> 00:12:57,317
DAVID: You know,
all those arguments about
touring or not touring,
234
00:12:57,402 --> 00:12:59,778
and all that, I mean,
it's obvious,
we belong on tour.
235
00:12:59,863 --> 00:13:01,864
You know, it's a great idea.
MARTY: I couldn't agree more.
236
00:13:01,948 --> 00:13:03,115
You know all that stuff
about you being too old
237
00:13:03,199 --> 00:13:04,324
and you being too white...
DEREK: Yeah.
238
00:13:04,409 --> 00:13:06,618
But what about
the album, Ian?
239
00:13:06,703 --> 00:13:07,744
Well, that's
the real problem...
240
00:13:07,829 --> 00:13:09,246
There's beginning
to be a refrain here.
241
00:13:09,330 --> 00:13:11,623
You know, there's no way
to promote something that
doesn't exist,
242
00:13:11,708 --> 00:13:13,083
you know?
243
00:13:13,168 --> 00:13:14,626
It's a very
unimportant reason.
244
00:13:14,711 --> 00:13:17,546
It's just that they're just
experimenting with a...
245
00:13:17,630 --> 00:13:19,381
With some new
packaging materials.
246
00:13:19,549 --> 00:13:20,757
(KNOCKING ON DOOR)
Right, let me get the door.
247
00:13:20,842 --> 00:13:22,801
What kind of experimenting?
They got monkeys opening it
or what?
248
00:13:22,886 --> 00:13:25,971
The other thing is
that the Boston gig
has been canceled.
249
00:13:26,055 --> 00:13:27,055
DAVID: What?
Yeah.
250
00:13:27,140 --> 00:13:29,641
I wouldn't worry
about it, though, it's
not a big college town.
251
00:13:32,562 --> 00:13:35,439
Hey, I heard you boys
had an album coming
out right now?
252
00:13:35,523 --> 00:13:37,941
DAVID: Yeah,
it's Smell the Glove.
It should be out now...
253
00:13:38,026 --> 00:13:40,194
Smell the Glove?
Smell the Glove, yeah.
254
00:13:40,278 --> 00:13:42,696
It's a provocative title.
I love it.
255
00:13:42,780 --> 00:13:44,364
Wait till you see the cover,
wait till you see the cover.
256
00:13:44,449 --> 00:13:45,908
Very provocative indeed.
257
00:13:45,992 --> 00:13:48,869
IAN: Bobbi, can I tear
you away from all this?
258
00:13:50,497 --> 00:13:51,497
Do you have a drink?
259
00:13:51,581 --> 00:13:53,373
No, I don't...
I don't really need one.
260
00:13:53,458 --> 00:13:56,001
But, listen,
I really do have to
talk to you a bit
261
00:13:56,085 --> 00:13:57,336
about this whole
issue of the...
262
00:13:57,420 --> 00:13:59,505
Ian, just tell me
whatever's on your mind.
263
00:13:59,589 --> 00:14:01,131
The issue of the cover.
264
00:14:01,216 --> 00:14:02,966
Yeah?
Um...
265
00:14:03,134 --> 00:14:07,137
We... I mean, we feel,
and it seems to be facts,
266
00:14:07,472 --> 00:14:09,640
that the company is
rather down on the cover.
Is that the case?
267
00:14:09,766 --> 00:14:11,725
Yes.
You can give it to me
straight, you know.
268
00:14:11,809 --> 00:14:13,852
Listen, they don't
like the cover.
269
00:14:13,937 --> 00:14:15,437
They don't like the cover.
That's certainly straight.
270
00:14:15,522 --> 00:14:18,106
They find it very offensive
and very sexist.
271
00:14:18,191 --> 00:14:19,733
Well, what exactly
do you find offensive?
272
00:14:19,859 --> 00:14:24,029
Ian, you put a greased,
naked woman...
I mean, what's offensive?
273
00:14:24,155 --> 00:14:25,447
...on all fours...
Yes.
274
00:14:25,573 --> 00:14:27,533
...with a dog collar
around her neck...
With a dog collar.
275
00:14:27,617 --> 00:14:29,117
...and a leash...
And a leash.
276
00:14:29,202 --> 00:14:31,119
...and a man's arm,
extended out,
277
00:14:31,204 --> 00:14:33,455
up to here,
holding on to the leash
278
00:14:33,540 --> 00:14:37,292
and pushing a black glove
in her face to sniff it.
279
00:14:37,418 --> 00:14:39,044
You don't find
that offensive?
No, I don't.
280
00:14:39,128 --> 00:14:40,212
You don't find that sexist?
281
00:14:40,296 --> 00:14:41,672
This is 1982, Bobbi,
come on.
282
00:14:41,756 --> 00:14:44,049
That's right, it's 1982.
Get out of the '60s.
283
00:14:44,133 --> 00:14:46,426
We don't have this
mentality anymore.
Listen to me.
284
00:14:46,511 --> 00:14:47,928
Well, you should've
seen the cover
they wanted to do.
285
00:14:47,971 --> 00:14:49,388
I don't care...
It wasn't a glove,
believe me.
286
00:14:49,472 --> 00:14:50,472
See, now this is
something, Ian,
287
00:14:50,557 --> 00:14:52,182
that you're going to have
to talk to your boys about.
288
00:14:52,267 --> 00:14:53,767
We're certainly
not laying down
any conditions.
289
00:14:53,851 --> 00:14:55,394
And I don't think
a sexy cover is the answer
290
00:14:55,478 --> 00:14:57,062
for why an album sells
or doesn't sell.
291
00:14:57,146 --> 00:15:00,399
Because, you tell me,
The White Album,
what was that?
292
00:15:00,483 --> 00:15:01,984
There was nothing on
that goddamn cover.
293
00:15:02,068 --> 00:15:03,110
(PHONE RINGING)
294
00:15:03,152 --> 00:15:04,653
Excuse me,
the phone's ringing.
Sure.
295
00:15:04,737 --> 00:15:05,904
Ian, we'll talk
about this after.
296
00:15:05,989 --> 00:15:07,072
Okay, right, love.
297
00:15:07,156 --> 00:15:08,448
Hello?
298
00:15:08,575 --> 00:15:09,950
Hi, Denis.
299
00:15:11,160 --> 00:15:12,202
Uh-oh.
300
00:15:12,287 --> 00:15:14,621
Okay. Why don't you tell him?
301
00:15:14,998 --> 00:15:16,540
Okay, hold on one minute.
302
00:15:16,624 --> 00:15:17,708
Ian?
303
00:15:17,875 --> 00:15:19,751
It's Eaton-Hogg.
He wants to talk to you.
304
00:15:19,836 --> 00:15:20,836
Okay. Thank you, darling.
305
00:15:20,920 --> 00:15:22,713
You're welcome, dear.
306
00:15:24,132 --> 00:15:25,966
Hello, Sir Denis?
307
00:15:26,301 --> 00:15:27,843
Hi, how are you?
308
00:15:30,888 --> 00:15:32,014
Oh!
309
00:15:33,433 --> 00:15:35,183
Fucking old poofter!
310
00:15:36,269 --> 00:15:39,771
But it's really
not that offensive,
Sir Denis, come on.
311
00:15:41,190 --> 00:15:44,526
Okay. I'll call you
absolutely first thing
in the morning.
312
00:15:46,571 --> 00:15:47,904
Oh, shit!
313
00:15:48,281 --> 00:15:50,616
They're not going
to release the album,
314
00:15:50,700 --> 00:15:53,869
because they have decided
that the cover is sexist.
315
00:15:54,537 --> 00:15:55,912
NIGEL: Well, so what?
DEREK: Yeah.
316
00:15:55,997 --> 00:15:57,956
What's wrong with being sexy?
I mean, there's no...
317
00:15:58,041 --> 00:15:59,625
Sexist!
"Ist."
318
00:15:59,751 --> 00:16:01,627
They wanted sexy.
Okay, listen,
I wanted to tell you this,
319
00:16:01,711 --> 00:16:03,211
and I was holding back,
320
00:16:03,296 --> 00:16:05,797
because I didn't know
what Denis' decision
was going to be.
321
00:16:05,882 --> 00:16:08,634
But, at this point,
both Sears and
Kmart stores have
322
00:16:08,718 --> 00:16:10,218
refused to
handle the album.
323
00:16:10,303 --> 00:16:12,929
They're boycotting the album
only because of the cover.
324
00:16:13,014 --> 00:16:14,014
If the first album
was a hit...
325
00:16:14,098 --> 00:16:15,098
If a company's
behind an album,
326
00:16:15,183 --> 00:16:17,225
it can shove it
right down their throats.
327
00:16:17,310 --> 00:16:19,728
Money talks and
bullshit walks.
328
00:16:19,812 --> 00:16:21,605
And if the first
album was a hit,
329
00:16:21,689 --> 00:16:22,981
then we could've
pressed on them,
330
00:16:23,066 --> 00:16:24,316
then we could've told them,
331
00:16:24,400 --> 00:16:25,776
"Yes, let's..."
The music, every cut,
332
00:16:25,902 --> 00:16:27,819
on this album is a hit.
I don't give a shit
what the album...
333
00:16:27,904 --> 00:16:29,863
It's a matter
of compromise.
It was a joke.
334
00:16:29,947 --> 00:16:32,074
And they're
making it a big deal.
Yeah, that's it. That's true.
335
00:16:32,158 --> 00:16:33,367
You know, if we were
serious, and we said,
336
00:16:33,451 --> 00:16:36,328
"Yes, she should be forced
to smell the glove,"
337
00:16:36,412 --> 00:16:38,997
then you'd have a point,
you know, but it's all
a joke, isn't it?
338
00:16:39,082 --> 00:16:40,999
I mean, it's making fun...
Well, it is and it isn't.
339
00:16:41,084 --> 00:16:42,167
We're making fun of
that sort of thing.
340
00:16:42,251 --> 00:16:43,669
She should be made
to smell it, you know?
341
00:16:43,753 --> 00:16:45,671
DAVID: Not, you know,
over and over again,
of course.
342
00:16:45,755 --> 00:16:47,506
Listen, the thing is,
we can probably
work something out.
343
00:16:47,590 --> 00:16:50,342
I'll talk to Denis and
maybe we can come up
with a compromise.
344
00:16:50,426 --> 00:16:52,844
A new design concept
that we can all live with.
345
00:16:53,262 --> 00:16:54,221
You guys were schoolmates?
346
00:16:54,305 --> 00:16:58,225
We don't... We're not
university material.
347
00:16:58,309 --> 00:17:00,143
What's that on your finger?
It's my gum.
348
00:17:00,228 --> 00:17:01,478
What are you doing
with it on your finger?
349
00:17:01,562 --> 00:17:03,355
I might need it later.
350
00:17:03,439 --> 00:17:05,941
Put it on the table,
that's terrible.
351
00:17:06,025 --> 00:17:07,651
I might forget
it on the table.
352
00:17:07,777 --> 00:17:10,445
How old were you
guys when you met?
I can't take him anywhere.
353
00:17:11,531 --> 00:17:13,865
NIGEL: About eight years old.
Eight or nine.
354
00:17:13,950 --> 00:17:16,618
DAVID: You were eight
and I was seven.
355
00:17:16,703 --> 00:17:17,786
That's right, yeah.
356
00:17:17,870 --> 00:17:21,790
MARTY: Do you remember
the first song that you
guys ever wrote together?
357
00:17:21,874 --> 00:17:23,709
All The Way Home,
probably.
358
00:17:23,793 --> 00:17:24,751
Yeah.
All The Way Home?
359
00:17:24,836 --> 00:17:27,546
Yeah.
Can you remember
a little bit of it?
360
00:17:27,630 --> 00:17:29,965
I'd love to hear it.
Christ.
361
00:17:30,049 --> 00:17:31,550
With some black coffee
maybe we could do it.
362
00:17:31,634 --> 00:17:32,884
How does it go?
363
00:17:32,969 --> 00:17:34,261
(HUMMING)
364
00:17:34,637 --> 00:17:37,514
BOTH: (SINGING)
I was standing there
beside the railroad track
365
00:17:37,598 --> 00:17:38,724
(HUMMING)
366
00:17:38,808 --> 00:17:41,977
And I'm waiting for that
train to bring you back
367
00:17:42,186 --> 00:17:43,645
Bring you back
368
00:17:43,730 --> 00:17:45,564
(BOTH MUMBLING)
369
00:17:45,648 --> 00:17:51,486
If she's not on the 5:19,
then I'm gonna know what
sorrow means
370
00:17:51,821 --> 00:17:55,282
And I'm gonna cry, cry, cry
All the way home
371
00:17:56,159 --> 00:17:57,451
All the way home
372
00:17:57,535 --> 00:17:58,535
All the way home
373
00:17:58,619 --> 00:18:00,996
All the way home
All the way home
374
00:18:01,164 --> 00:18:02,539
(CLEARING THROAT)
375
00:18:02,623 --> 00:18:04,916
Cry, cry, cry
all the way home...
376
00:18:05,334 --> 00:18:08,128
It's fairly simple.
It's about six words
in the whole song, you know.
377
00:18:08,254 --> 00:18:09,921
We just repeat them
over and over again.
Yeah.
378
00:18:10,006 --> 00:18:11,965
Let's talk about
your music today.
379
00:18:12,049 --> 00:18:17,137
One thing that puzzles me is
the make-up of your audience
380
00:18:17,221 --> 00:18:21,433
seems to be, predominantly,
young boys.
381
00:18:22,226 --> 00:18:23,935
Well, it's
a sexual thing, really.
382
00:18:24,020 --> 00:18:26,772
Aside from the identifying
that boys do with us,
383
00:18:26,856 --> 00:18:29,900
there's also like
a reaction to the female...
384
00:18:29,984 --> 00:18:31,651
Of the female to our music.
385
00:18:31,736 --> 00:18:32,819
What was the way... Yeah.
386
00:18:32,904 --> 00:18:34,237
Really, they're
quite fearful.
387
00:18:34,322 --> 00:18:35,322
That's my theory.
388
00:18:35,406 --> 00:18:38,158
They see us on stage,
with tight trousers.
389
00:18:38,242 --> 00:18:40,869
We've got, you know,
armadillos in our trousers.
390
00:18:40,953 --> 00:18:43,121
I mean, it's really quite
frightening, the size.
391
00:18:43,206 --> 00:18:44,581
Yeah.
392
00:18:44,665 --> 00:18:45,957
And they run screaming.
393
00:18:46,334 --> 00:18:48,084
(PEOPLE CHATTERING)
394
00:18:51,088 --> 00:18:53,173
Ian, can I have a word
with you for a minute?
395
00:18:53,257 --> 00:18:54,466
Yes, of course.
396
00:18:54,550 --> 00:18:57,469
Listen, we have problems...
397
00:18:57,553 --> 00:18:58,678
What?
398
00:18:58,763 --> 00:19:00,806
...with the arrangements
backstage.
399
00:19:00,890 --> 00:19:03,141
What exactly?
What, I mean...
400
00:19:03,226 --> 00:19:04,893
Well, no, there's
some problems here.
401
00:19:04,977 --> 00:19:06,144
I don't even know
where to start.
402
00:19:06,229 --> 00:19:09,022
All right, this...
No, no, no.
Sound check? What?
403
00:19:09,106 --> 00:19:12,400
This, this... Look,
there's a little
problem with the...
404
00:19:12,485 --> 00:19:14,319
Look, this miniature bread,
405
00:19:14,403 --> 00:19:18,448
it's, like, I've been
working with this now
for about half an hour.
406
00:19:18,533 --> 00:19:21,827
I can't figure out...
Let's say I want
a bite, right?
407
00:19:21,911 --> 00:19:23,328
I got this...
You'd like bigger bread?
408
00:19:23,412 --> 00:19:24,955
Exactly. I don't
understand how...
409
00:19:25,039 --> 00:19:26,456
You could just
fold this, though.
410
00:19:26,582 --> 00:19:28,625
Well, no, then
it's half the size.
I mean, you could fold it.
411
00:19:28,709 --> 00:19:30,502
No, not the bread.
You just fold the meat.
412
00:19:30,586 --> 00:19:32,337
Yeah, but then
it breaks apart.
413
00:19:32,421 --> 00:19:33,421
No, no, no.
414
00:19:33,506 --> 00:19:35,048
You put it on the bread
like this, see?
415
00:19:35,132 --> 00:19:37,467
But then if you
keep folding it,
it keeps breaking...
416
00:19:37,552 --> 00:19:39,052
But why would you
keep folding it?
417
00:19:39,136 --> 00:19:42,514
...and everything
has to be folded,
and then it's this.
418
00:19:42,598 --> 00:19:45,433
And I don't want this,
I want large bread,
419
00:19:45,518 --> 00:19:47,310
so that I can put this...
420
00:19:47,395 --> 00:19:48,520
Right.
421
00:19:48,604 --> 00:19:51,147
...so then it's like this.
But this doesn't work,
422
00:19:51,232 --> 00:19:52,649
because then it's all...
423
00:19:52,733 --> 00:19:54,067
Because it hangs out
like that.
424
00:19:54,151 --> 00:19:56,194
Look, would you be
holding this?
425
00:19:56,279 --> 00:19:58,029
No, I wouldn't want to
put that in my mouth.
426
00:19:58,114 --> 00:20:00,240
All right, A. Exhibit A.
No, you're right.
427
00:20:00,324 --> 00:20:03,827
And then we move
onto this. Look.
Who's in here? No one.
428
00:20:03,911 --> 00:20:06,538
And then in here,
there's a little guy. Look.
429
00:20:06,622 --> 00:20:08,123
So it's a complete
catastrophe!
430
00:20:08,207 --> 00:20:09,332
No, you're right.
Nigel, Nigel...
431
00:20:09,417 --> 00:20:11,001
But calm down. Calm down.
432
00:20:11,085 --> 00:20:12,210
Calm... No, it's no big deal.
433
00:20:12,295 --> 00:20:13,795
It's a joke, really.
I'm sorry.
434
00:20:13,880 --> 00:20:16,214
It's just some
cracker university,
you know?
435
00:20:16,299 --> 00:20:17,591
No, it's a joke.
No, I really...
436
00:20:17,675 --> 00:20:19,217
I don't want it to affect
your performance. All right?
437
00:20:19,302 --> 00:20:21,094
It's not going to
affect my performance.
438
00:20:21,178 --> 00:20:22,929
Don't worry about it,
all right?
439
00:20:23,014 --> 00:20:24,055
I just hate it, really.
440
00:20:24,140 --> 00:20:25,307
It does disturb me.
It won't happen again.
441
00:20:25,391 --> 00:20:27,475
But I'll rise above it,
I'm a professional.
442
00:20:27,852 --> 00:20:29,644
(PLAYING HELL HOLE)
443
00:20:32,815 --> 00:20:35,692
(SINGING)
It's better in a hell hole
444
00:20:35,776 --> 00:20:39,821
You know where you
stand in a hell hole
445
00:20:39,906 --> 00:20:44,117
Folks lend a hand
in a hell hole
446
00:20:44,201 --> 00:20:48,580
Girl, get me back
to my hell hole
447
00:21:39,423 --> 00:21:41,216
(AUDIENCE CHEERING)
448
00:21:42,218 --> 00:21:44,260
MAN: Do Stonehenge!
449
00:21:44,762 --> 00:21:47,430
Do you actually
play all these, or...
450
00:21:48,349 --> 00:21:50,642
Well, I play them
and I cherish them.
451
00:21:50,726 --> 00:21:53,478
This is at the top of
the heap, right here.
There's no question about it.
452
00:21:53,562 --> 00:21:56,940
Look at the flame
on that one.
I mean, it's just...
453
00:21:57,024 --> 00:21:58,817
It's quite unbelievable.
454
00:21:58,901 --> 00:22:04,864
This one is just perfect.
1959, you cannot...
455
00:22:04,949 --> 00:22:07,701
How much...
Listen, just listen
for a minute.
456
00:22:07,785 --> 00:22:09,077
The sustain, listen to it.
457
00:22:09,161 --> 00:22:10,745
I'm not hearing anything.
458
00:22:11,539 --> 00:22:13,164
You would, though,
if it were playing,
459
00:22:13,249 --> 00:22:16,084
because it really is
famous for its sustain.
460
00:22:16,168 --> 00:22:17,335
You can just hold it...
461
00:22:17,420 --> 00:22:18,586
So you'd have to play...
462
00:22:18,671 --> 00:22:19,713
(VOCALIZING)
463
00:22:19,797 --> 00:22:21,214
You can go and
have a bite and...
464
00:22:21,298 --> 00:22:22,507
(VOCALIZING)
465
00:22:22,591 --> 00:22:23,800
You'd still be
hearing that one.
466
00:22:23,884 --> 00:22:25,510
Can you hold this a sec?
Sure.
467
00:22:25,594 --> 00:22:29,639
This one... This,
of course, is a custom
three-pickup Paul.
468
00:22:29,932 --> 00:22:31,891
This is my radio unit.
469
00:22:31,976 --> 00:22:36,896
So I strap this piece on,
right down in here
when I'm on stage.
470
00:22:36,981 --> 00:22:39,149
It's a wireless.
Wireless, exactly.
471
00:22:39,567 --> 00:22:41,776
And I can play without
all the mucky-muck.
472
00:22:41,902 --> 00:22:43,528
You can run anywhere
on stage with that.
Exactly.
473
00:22:43,612 --> 00:22:46,698
Now, this is special, too.
Look. See?
474
00:22:46,782 --> 00:22:49,868
Still got the old
tagger on it, see?
Never even played it.
475
00:22:49,952 --> 00:22:51,286
You just bought it?
Don't touch it!
476
00:22:51,370 --> 00:22:53,329
Don't touch it. No one...
I wasn't gonna touch it.
477
00:22:53,414 --> 00:22:55,206
No. Don't touch it.
I was just pointing at it.
478
00:22:55,291 --> 00:22:57,292
Well, don't point, even.
Don't even point?
479
00:22:57,376 --> 00:22:59,794
No. It can't be
played. Never.
480
00:22:59,879 --> 00:23:01,171
Can I look at it?
481
00:23:01,255 --> 00:23:02,714
No, you've seen
enough of that one.
482
00:23:02,798 --> 00:23:06,760
This is a top to
what we use on stage,
but it's very special,
483
00:23:06,844 --> 00:23:09,054
because if you can see...
Yeah.
484
00:23:09,138 --> 00:23:12,182
...the numbers all go to 11.
485
00:23:12,266 --> 00:23:15,643
Look, right across
the board, 11, 11, 11...
486
00:23:15,728 --> 00:23:17,854
And most of these
amps go up to 10.
487
00:23:17,938 --> 00:23:18,938
Exactly.
488
00:23:19,023 --> 00:23:21,399
Does that mean it's louder?
Is it any louder?
489
00:23:21,484 --> 00:23:24,652
Well, it's one louder,
isn't it? It's not 10.
490
00:23:25,071 --> 00:23:27,697
You see, most blokes
will be playing at 10.
491
00:23:27,782 --> 00:23:30,950
You're on 10 here,
all the way up,
all the way up,
492
00:23:31,035 --> 00:23:34,996
you're on 10 on your guitar,
where can you go from there?
Where?
493
00:23:35,206 --> 00:23:36,831
I don't know.
Nowhere. Exactly!
494
00:23:36,916 --> 00:23:38,833
What we do is,
if we need that
495
00:23:38,918 --> 00:23:41,711
extra push over the cliff,
you know what we do?
496
00:23:41,796 --> 00:23:44,172
Put it up to 11.
11! Exactly. One louder.
497
00:23:44,256 --> 00:23:47,926
Why don't you just make
10 louder, and make 10
be the top number,
498
00:23:48,010 --> 00:23:50,220
and make that
a little louder?
499
00:23:52,681 --> 00:23:53,807
These go to 11.
500
00:23:54,517 --> 00:23:56,142
Are you Spinal Tap?
501
00:23:56,227 --> 00:23:57,268
Spinal Tap?
This is Spinal Tap.
502
00:23:57,353 --> 00:23:58,937
Tap, tap, tap, tap.
Welcome to Memphis, gentlemen.
503
00:23:59,021 --> 00:24:01,815
We have a slight problem
with your reservation.
Nothing serious, I'm afraid.
504
00:24:01,899 --> 00:24:02,899
How slight?
505
00:24:02,983 --> 00:24:04,609
You wanted
seven suites, yes.
506
00:24:04,693 --> 00:24:05,693
Seven suites.
507
00:24:05,778 --> 00:24:08,947
He mistakenly put you
on the seventh floor,
with one suite.
508
00:24:09,031 --> 00:24:11,282
That's considerably
more than minor.
509
00:24:11,367 --> 00:24:15,286
But it's a good size room,
sir, it's a King Leisure.
We can get you...
510
00:24:15,371 --> 00:24:18,790
How are we gonna get
14 people in a King
Leisure bed, Tucker?
511
00:24:18,874 --> 00:24:20,792
Don't tempt me, sir.
Have a good time,
will you? Take care.
512
00:24:20,876 --> 00:24:21,918
I'll take care of it.
513
00:24:22,002 --> 00:24:24,295
You're welcome, gentlemen.
And very attractive,
they are, too.
514
00:24:24,380 --> 00:24:25,839
Listen to me!
Yes, sir.
515
00:24:25,923 --> 00:24:27,841
We want these suites,
and we want them now,
okay?
516
00:24:27,925 --> 00:24:29,259
These people are tired.
Yes, we can help you.
517
00:24:29,385 --> 00:24:31,302
We have sound
check in an hour.
Reba! Perhaps you can help us.
518
00:24:31,387 --> 00:24:32,720
What's the problem, sir?
Give me a hand, please.
519
00:24:32,805 --> 00:24:34,389
What's the matter?
I'll tell you
what's wrong, okay?
520
00:24:34,473 --> 00:24:37,350
This twisted old
fruit here tells me
521
00:24:37,434 --> 00:24:38,977
that you have not
got my reservations.
522
00:24:39,061 --> 00:24:40,145
I'm just as God made me, sir.
523
00:24:40,229 --> 00:24:42,438
What's the difference
between golf and
miniature golf?
524
00:24:42,523 --> 00:24:44,232
I think the balls...
The holes are smaller.
525
00:24:44,316 --> 00:24:46,484
Uh-oh! Look out,
here they come.
526
00:24:46,569 --> 00:24:47,986
Duke, Duke!
527
00:24:48,070 --> 00:24:49,737
(GIGGLING)
528
00:24:49,822 --> 00:24:50,822
Can I have your autograph?
529
00:24:50,906 --> 00:24:51,990
DAVID: It's Duke Fame!
It's Duke Fame.
530
00:24:52,074 --> 00:24:53,992
Duke! Duke.
531
00:24:54,076 --> 00:24:55,702
It's okay, we know him.
Spinal Tap.
532
00:24:55,786 --> 00:24:58,163
David St. Hubbins,
Spinal Tap.
533
00:24:58,247 --> 00:25:00,123
Derek Smalls, Spinal Tap.
Nigel...
534
00:25:00,207 --> 00:25:01,207
We gotta get going...
535
00:25:01,292 --> 00:25:02,625
Listen, where are
you playing in town?
536
00:25:02,710 --> 00:25:04,627
You playing here?
We're doing the...
537
00:25:04,712 --> 00:25:06,504
Enormodome, whatever
it is, it's terrific.
538
00:25:06,630 --> 00:25:08,298
Yeah, big place,
outside of town.
Sold it out. Very nice.
539
00:25:08,382 --> 00:25:09,674
That's a big place.
You sold it out?
540
00:25:09,758 --> 00:25:10,967
What's that?
20,000 seats?
541
00:25:11,051 --> 00:25:12,844
We really should run,
you know...
542
00:25:12,928 --> 00:25:15,555
Good heavens!
How are you, Laddy?
543
00:25:15,639 --> 00:25:17,307
Great to see you, Ter.
544
00:25:17,391 --> 00:25:19,058
Terrific to see you.
Liam!
545
00:25:19,143 --> 00:25:20,935
Ian. Ian.
Ian, yeah.
546
00:25:21,312 --> 00:25:23,104
Listen, we'd love to
stand around and chat,
547
00:25:23,189 --> 00:25:25,690
but we gotta sit down
in the lobby
and wait for the limo.
548
00:25:25,774 --> 00:25:27,817
Okay. Duke, great to see you.
Catch up with you
on the road.
549
00:25:27,943 --> 00:25:29,569
Great to see
you again, Terry.
Yeah, cheers!
550
00:25:29,653 --> 00:25:30,653
Best of luck.
NIGEL: Duke!
551
00:25:30,738 --> 00:25:31,738
DEREK: We'll catch up
at your house, maybe.
552
00:25:31,822 --> 00:25:33,781
NIGEL: Great! Great!
Great to see you.
553
00:25:33,866 --> 00:25:35,658
See you. See you, Duke.
Good days, good days.
554
00:25:37,077 --> 00:25:38,703
Wanker.
NIGEL: What a wanker.
555
00:25:38,787 --> 00:25:39,913
What a wanker.
DEREK: No-talent sod.
556
00:25:39,997 --> 00:25:42,290
He's got this much talent.
This much, if he's lucky.
557
00:25:42,374 --> 00:25:43,416
DEREK: We carried him.
558
00:25:43,500 --> 00:25:45,043
We had to apologize
for him with our set.
559
00:25:45,127 --> 00:25:46,169
That's right.
560
00:25:46,253 --> 00:25:48,254
People were still
booing him when we went on.
561
00:25:48,339 --> 00:25:50,048
It's all bull.
It's all hype.
562
00:25:50,132 --> 00:25:52,342
We got our rooms.
Big fat suites.
563
00:25:52,426 --> 00:25:53,551
Can I ask you something?
564
00:25:53,636 --> 00:25:56,429
Have you seen Duke Fame's
current album?
565
00:25:57,223 --> 00:25:58,598
Um... Yes, yes.
566
00:25:58,682 --> 00:26:00,266
Have you seen the cover?
567
00:26:00,351 --> 00:26:01,559
No, I don't think I have.
568
00:26:01,644 --> 00:26:02,727
It's a rather lurid cover.
569
00:26:02,811 --> 00:26:05,313
I mean, it's like
naked women, and...
570
00:26:05,397 --> 00:26:08,858
He's tied down to this table,
and they've got these whips,
571
00:26:08,984 --> 00:26:11,319
and they're all
semi-nude...
Knocking on him.
572
00:26:11,403 --> 00:26:12,904
And it's like...
It's much worse...
What's the point?
573
00:26:12,988 --> 00:26:14,906
Well, the point is
that it's much worse
than Smell the Glove.
574
00:26:14,990 --> 00:26:17,450
He releases that,
and he's number three!
575
00:26:17,534 --> 00:26:18,826
Because he's the victim.
576
00:26:18,911 --> 00:26:21,204
Their objections were
that she was the victim,
you see.
577
00:26:21,288 --> 00:26:22,288
Oh.
Oh.
578
00:26:22,373 --> 00:26:25,083
That's all right. If the
singer's the victim, it's
different. It's not sexist.
579
00:26:25,167 --> 00:26:26,209
He did a twist on it.
580
00:26:26,293 --> 00:26:27,460
DEREK: He did,
he turned it around.
581
00:26:27,586 --> 00:26:29,170
We should have
thought of that.
We were so close.
582
00:26:29,255 --> 00:26:32,215
If we had all you guys
tied up, that probably
would have been fine.
583
00:26:32,299 --> 00:26:33,716
DEREK: But it's still
a stupid cover.
584
00:26:33,801 --> 00:26:36,636
It's such a fine line
between stupid and clever.
585
00:26:36,720 --> 00:26:38,471
Yeah, just that
little turnabout.
586
00:26:38,555 --> 00:26:40,723
I have a small
piece of bad news.
587
00:26:40,849 --> 00:26:42,308
Although, it may
not be that bad.
DAVID: For a change.
588
00:26:42,393 --> 00:26:44,352
We're canceled here.
589
00:26:45,187 --> 00:26:46,187
DAVID: At the hotel?
590
00:26:46,272 --> 00:26:48,690
No, we're canceled.
The gig is canceled.
591
00:26:48,857 --> 00:26:49,983
DAVID: Fuck.
592
00:26:50,609 --> 00:26:54,821
It says, "Memphis show
canceled due to lack of
advertising funds."
593
00:26:55,406 --> 00:26:58,116
The last time
Tap toured America,
594
00:26:58,951 --> 00:27:03,413
they were booked
into 10,000-seat arenas
and 15,000-seat venues.
595
00:27:03,998 --> 00:27:06,582
And it seems that now,
on the current tour,
596
00:27:06,667 --> 00:27:11,462
they're being booked
into 1,200-seat arenas,
1,500-seat arenas,
597
00:27:11,714 --> 00:27:15,591
and I was just wondering,
does this mean the popularity
of the group is waning?
598
00:27:15,676 --> 00:27:17,802
Oh, no!
No, no, no, no, no.
599
00:27:18,554 --> 00:27:21,597
No, not at all.
I just think that
600
00:27:21,682 --> 00:27:24,017
their appeal is
becoming more selective.
601
00:27:24,101 --> 00:27:25,101
Ah.
602
00:27:25,561 --> 00:27:28,021
Now, I notice this here,
you got this
cricket bat here.
603
00:27:28,147 --> 00:27:29,397
Yes.
Do you play?
604
00:27:29,481 --> 00:27:32,066
No, I carry this
partly out of...
605
00:27:32,151 --> 00:27:34,193
I don't know, sort of...
606
00:27:36,488 --> 00:27:37,697
I suppose,
what's the word?
607
00:27:37,781 --> 00:27:38,823
Affectation?
608
00:27:38,907 --> 00:27:42,493
Yes, I mean, it's a kind of
totemistic thing, you know?
609
00:27:42,578 --> 00:27:44,495
But, to be quite frank
with you,
610
00:27:44,580 --> 00:27:46,331
it's come in useful
on a couple situations.
611
00:27:46,498 --> 00:27:49,667
Certainly,
in the topsy-turvy
world of heavy rock,
612
00:27:49,752 --> 00:27:53,921
having a good solid piece
of wood in your hand is
quite often useful.
613
00:27:54,798 --> 00:27:56,799
I miss you, too, darling.
614
00:27:56,967 --> 00:27:59,510
Um... Not too well,
actually.
615
00:27:59,595 --> 00:28:01,262
Well, we've got
some cancellations,
that's all.
616
00:28:01,347 --> 00:28:03,514
We got to Memphis
and there's no
gig in Memphis,
617
00:28:03,599 --> 00:28:06,309
and we find out
this promoter
in the Midwest
618
00:28:06,393 --> 00:28:09,771
has pulled out
St. Louis and Kansas City
619
00:28:10,272 --> 00:28:13,733
and Des Moines.
620
00:28:14,693 --> 00:28:17,612
I don't know,
it's in Indiana
or something.
621
00:28:19,114 --> 00:28:20,490
I thought...
622
00:28:21,533 --> 00:28:23,201
Don't tease me.
623
00:28:23,285 --> 00:28:25,495
That's not until
April. Great!
624
00:28:25,788 --> 00:28:28,414
We'll do it!
Oh, fucking great.
625
00:28:29,792 --> 00:28:32,126
Milwaukee.
Milwaukee, Wisconsin.
626
00:28:32,711 --> 00:28:35,463
I have no idea.
You might have to take
a plane to New York,
627
00:28:35,547 --> 00:28:38,299
and then go to
Milwaukee from there.
628
00:28:39,968 --> 00:28:43,054
Oh, God, I love you, too.
Okay, bye.
629
00:28:44,848 --> 00:28:46,099
(SIGHING IN RELIEF)
630
00:28:46,183 --> 00:28:47,475
Well, my problems
are solved, mate.
631
00:28:47,559 --> 00:28:48,559
Who's that?
632
00:28:48,644 --> 00:28:50,728
Was Jeanine, she's
gonna come meet us.
633
00:28:50,813 --> 00:28:55,400
She was supposed to do
this window layout for
Neil Kite's boutique.
634
00:28:55,818 --> 00:28:56,901
But it's not
until April!
635
00:28:56,985 --> 00:28:59,362
Is she coming to drop
some stuff off? You know,
and going right back?
636
00:28:59,446 --> 00:29:01,906
No, no. She's coming
on her own. She's
gonna travel with us.
637
00:29:02,032 --> 00:29:03,408
She's gonna go on
the road with us.
638
00:29:03,492 --> 00:29:04,575
MAN: Turn it up.
Turn it up!
639
00:29:04,660 --> 00:29:07,036
She says she can hear
that I'm eating too much
sugar on the phone.
640
00:29:07,121 --> 00:29:09,163
She says my larynx is fat.
641
00:29:10,124 --> 00:29:11,666
You might want
to come next door.
642
00:29:11,750 --> 00:29:14,627
The radio is playing
a bit of your past.
643
00:29:16,213 --> 00:29:17,672
You happy for me?
644
00:29:17,756 --> 00:29:19,173
(EXCLAIMING HAPPILY)
645
00:29:22,219 --> 00:29:23,469
I don't believe it!
646
00:29:23,554 --> 00:29:25,263
DAVID: (SINGING ON RADIO)
...cups and cakes
647
00:29:25,347 --> 00:29:29,100
I'm so full my tummy aches
648
00:29:29,184 --> 00:29:33,563
How sad it must end
But I'm glad I have a friend
649
00:29:33,647 --> 00:29:36,732
Sharing cups
and cakes with me
650
00:29:36,817 --> 00:29:40,445
And cakes with me
651
00:29:40,529 --> 00:29:42,113
MAN 1: Sounds good.
MAN 2: Yeah?
652
00:29:42,197 --> 00:29:43,281
MAN ON RADIO: Oh, yeah!
653
00:29:43,365 --> 00:29:46,284
Going all the way
back to 1965, that one.
654
00:29:46,368 --> 00:29:47,910
Doesn't it feel good?
655
00:29:47,995 --> 00:29:50,455
With The Thamesmen
and Cups and Cakes.
656
00:29:50,539 --> 00:29:51,539
DEREK: You're an oldie!
657
00:29:51,623 --> 00:29:54,333
Of course, The Thamesmen
later changed their name
to Spinal Tap.
658
00:29:54,418 --> 00:29:55,793
They had a couple
of nice size hits.
659
00:29:55,878 --> 00:29:58,629
They're currently residing in
the "Where Are They Now" file.
660
00:29:58,714 --> 00:30:01,215
Johnny Q with you
on Golden 106,
and right after we...
661
00:30:01,300 --> 00:30:02,550
DEREK: Fuck you.
662
00:30:04,219 --> 00:30:05,845
DAVID: I'm not really sure
this was such a great idea.
663
00:30:05,929 --> 00:30:09,765
I mean, I don't feel
any better than I did
at the hotel.
664
00:30:10,559 --> 00:30:13,978
He was going to do
a TV special from here,
before he died.
665
00:30:14,062 --> 00:30:17,648
Yeah, that's right,
the musical version of
Somebody Up There Likes Me.
666
00:30:17,733 --> 00:30:19,233
(DAVID SIGHS)
667
00:30:20,569 --> 00:30:23,571
DAVID: (SINGING)
Well, since my baby left me
668
00:30:23,655 --> 00:30:26,574
I found a new place to dwell
669
00:30:26,658 --> 00:30:29,410
Well, it's down at
the end of Lonely Street
670
00:30:29,495 --> 00:30:32,246
At Heartbreak Hotel
671
00:30:32,331 --> 00:30:33,956
Do it with the
harmony parts.
672
00:30:34,041 --> 00:30:35,082
All right.
673
00:30:35,167 --> 00:30:36,918
Well, since my baby left me...
Since my baby...
674
00:30:37,002 --> 00:30:38,836
The same key,
though, I think.
675
00:30:38,921 --> 00:30:41,756
Well, since my baby left me
Since my baby left me
676
00:30:41,840 --> 00:30:42,840
If I'm going...
677
00:30:42,925 --> 00:30:44,342
Since my baby left me
678
00:30:44,426 --> 00:30:45,801
Left me
679
00:30:45,886 --> 00:30:46,844
Me
680
00:30:46,929 --> 00:30:47,929
No, you can't
hit that note.
681
00:30:48,013 --> 00:30:49,514
Since my...
682
00:30:49,598 --> 00:30:52,725
Since my baby left me
Since my baby left me
683
00:30:52,809 --> 00:30:54,477
Well, I found
a new place to dwell
684
00:30:54,561 --> 00:30:56,187
Well, I found
a new place to dwell
685
00:30:56,271 --> 00:30:58,356
That's all right.
Not really, not really.
686
00:30:58,440 --> 00:31:00,107
Voice down.
Well, it sounds raga.
687
00:31:00,192 --> 00:31:01,234
You don't want to
go raga on this.
688
00:31:01,318 --> 00:31:02,610
No, not with this,
it don't.
It does.
689
00:31:02,694 --> 00:31:03,945
Well, since my baby left me
690
00:31:03,987 --> 00:31:05,905
It sounds fucking
barbershop.
Don't... Hey.
691
00:31:05,989 --> 00:31:07,198
Barbershop raga.
692
00:31:07,282 --> 00:31:08,449
Watch the...
Watch the language.
693
00:31:08,492 --> 00:31:11,202
You're paying
homage to the King.
A new hybrid.
694
00:31:11,286 --> 00:31:12,453
Sorry.
695
00:31:12,579 --> 00:31:15,706
DAVID: (SIGHING) This is
thoroughly depressing.
696
00:31:16,124 --> 00:31:18,292
It really puts
perspective on things,
though, doesn't it?
697
00:31:18,377 --> 00:31:21,796
Too much. There's
too much fucking
perspective now.
698
00:31:22,923 --> 00:31:24,840
In 1967, you...
699
00:31:24,925 --> 00:31:27,927
That was the first time
Spinal Tap came
into existence.
700
00:31:28,011 --> 00:31:30,388
Well, the whole
world was changing
in those days.
701
00:31:30,472 --> 00:31:31,681
And also we had
the world's ear...
702
00:31:31,765 --> 00:31:32,890
We were changing
the world.
703
00:31:32,975 --> 00:31:35,268
...because
we had just released an
enormous-selling single.
704
00:31:35,394 --> 00:31:37,728
(Listen to the)
Flower People.
Flower People.
705
00:31:37,813 --> 00:31:40,064
We toured the world,
we toured the States...
706
00:31:40,148 --> 00:31:41,691
DEREK: We toured the world
and elsewhere.
707
00:31:41,775 --> 00:31:42,984
It was a dream come true.
708
00:31:43,068 --> 00:31:44,694
(SINGING) Listen
709
00:31:44,778 --> 00:31:48,030
To what the flower people say
710
00:31:49,324 --> 00:31:51,284
(ALL VOCALIZING)
711
00:31:52,160 --> 00:31:58,082
Listen, it's getting
louder every day
712
00:32:01,169 --> 00:32:05,673
(SHUSHING)
Listen, it's like
a bolt out of the blue
713
00:32:07,342 --> 00:32:09,510
(ALL VOCALIZING)
714
00:32:10,137 --> 00:32:15,182
Listen, it could be
calling now for you
715
00:32:18,937 --> 00:32:21,689
(MUSIC PLAYING)
716
00:32:27,154 --> 00:32:28,571
(MOUTHING)
717
00:32:34,703 --> 00:32:37,538
MARTY: Now during the
Flower People period,
who was your drummer?
718
00:32:37,623 --> 00:32:39,957
Stumpy's replacement,
Peter "James" Bond,
719
00:32:40,042 --> 00:32:42,960
he also died
in mysterious
circumstances.
720
00:32:43,045 --> 00:32:44,086
We were playing a...
721
00:32:44,171 --> 00:32:45,129
Festival.
722
00:32:45,213 --> 00:32:46,756
...jazz-blues festival.
Where was that?
723
00:32:46,840 --> 00:32:48,716
NIGEL: Blues-jazz, really.
DEREK: Blues-jazz festival.
724
00:32:48,800 --> 00:32:51,302
It was the Isle...
It was in the Isle of...
725
00:32:51,386 --> 00:32:52,386
Isle of Lucy.
Isle of Lucy.
726
00:32:52,471 --> 00:32:54,305
The Isle of Lucy
Jazz-Blues Festival.
Isle of Lucy.
727
00:32:54,389 --> 00:32:58,184
And it was tragic,
really. He exploded
on stage.
728
00:32:59,478 --> 00:33:00,478
(DAVID SNAPS FINGERS)
DAVID: Just like that.
729
00:33:00,562 --> 00:33:01,604
DEREK: He just went up.
730
00:33:01,688 --> 00:33:04,315
He just was like
a flash of green
light,
731
00:33:05,275 --> 00:33:07,109
and that was it.
Nothing was left.
732
00:33:07,194 --> 00:33:08,694
DAVID: Look at his face.
Well, there was.
733
00:33:08,820 --> 00:33:09,820
It's true, this
really did happen.
It's true.
734
00:33:09,905 --> 00:33:12,823
There was a little
green globule on
his drum seat.
735
00:33:12,908 --> 00:33:13,908
DAVID: Like a
stain, really.
736
00:33:13,992 --> 00:33:15,785
NIGEL: It was more of
a stain than a globule,
actually, and...
737
00:33:15,869 --> 00:33:18,120
You know, several...
You know, dozens
of people
738
00:33:18,205 --> 00:33:20,539
spontaneously
combust each year.
739
00:33:20,624 --> 00:33:22,333
It's just not
really widely
reported.
740
00:33:22,417 --> 00:33:23,668
Right.
741
00:33:24,169 --> 00:33:25,878
(PLAYING)
742
00:33:25,962 --> 00:33:28,214
Testing.
Hello, hello.
743
00:33:28,298 --> 00:33:31,384
Test, test, test.
This is mic number one.
This is mic number one.
744
00:33:31,468 --> 00:33:32,510
Isn't this
a lot of fun?
745
00:33:32,594 --> 00:33:34,428
Two, two.
Okay, got the mics.
746
00:33:34,513 --> 00:33:37,807
Let's do GSM,
all right? GSM.
747
00:33:40,727 --> 00:33:42,937
DAVID: (SINGING)
Stop wasting my time
748
00:33:44,523 --> 00:33:47,400
You know what I want
749
00:33:48,568 --> 00:33:51,445
You know what I need
750
00:33:52,239 --> 00:33:54,782
Or maybe you don't
751
00:33:56,952 --> 00:34:01,747
Do I have to come
right smack damn out
and tell you everything?
752
00:34:01,832 --> 00:34:04,750
Gimme some money
753
00:34:05,877 --> 00:34:09,130
Gimme some money
754
00:34:09,214 --> 00:34:10,464
Oh, yeah!
755
00:34:16,138 --> 00:34:17,763
JEANINE: Hello, darling.
756
00:34:18,849 --> 00:34:21,434
Hello, I've got a
surprise for you.
757
00:34:21,518 --> 00:34:23,227
DAVID: Hey! Where'd
you come from?
758
00:34:23,311 --> 00:34:25,563
Where do you
think I came from?
759
00:34:25,647 --> 00:34:27,940
Bloody airplane,
didn't I? Right?
760
00:34:29,651 --> 00:34:30,901
(LAUGHS)
761
00:34:30,986 --> 00:34:35,406
DEREK: David. David.
David. David.
762
00:34:38,034 --> 00:34:42,246
JEANINE: Feels good.
I've been wanting to do
that for the longest time.
763
00:34:44,166 --> 00:34:45,666
Want me to carry
you about with me?
764
00:34:45,751 --> 00:34:47,918
What's all this?
What? Tell me.
765
00:34:48,003 --> 00:34:49,044
That's the film crew.
766
00:34:49,129 --> 00:34:52,047
I told you about
this. It's the
film crew. Martin?
767
00:34:52,132 --> 00:34:53,215
Hi, Martin.
This is Jeanine.
768
00:34:53,300 --> 00:34:54,759
Hello.
MARTY: Hello.
769
00:34:55,719 --> 00:34:57,428
Here it is!
It's Visitors' Day,
isn't it?
770
00:34:57,512 --> 00:34:58,596
Here it is, lads!
771
00:34:58,680 --> 00:34:59,722
We better turn to...
772
00:34:59,806 --> 00:35:01,140
Smell the Glove,
me old beauties!
773
00:35:01,224 --> 00:35:02,266
MAN: Oh, really?
774
00:35:02,350 --> 00:35:03,392
Gather around.
Where's David?
775
00:35:03,477 --> 00:35:04,477
Come on, Ian,
you're kidding.
776
00:35:04,561 --> 00:35:06,771
David. David,
get up here!
777
00:35:06,855 --> 00:35:10,524
DEREK ON PA: David,
Smell the Glove is
here. Hello, Jeanine.
778
00:35:10,609 --> 00:35:12,276
IAN: The moment we've all
been waiting for.
779
00:35:12,360 --> 00:35:13,944
I thought
I'd never see it.
780
00:35:14,029 --> 00:35:15,946
IAN: Here we go.
I never thought I'd
live to see the day.
781
00:35:16,031 --> 00:35:17,656
Plenty for everybody.
782
00:35:17,741 --> 00:35:18,824
Wait a minute.
A little fanfare.
783
00:35:18,909 --> 00:35:19,950
What do you think?
784
00:35:20,035 --> 00:35:21,327
Is this the
test pressing?
785
00:35:21,411 --> 00:35:22,912
No, this is it.
Yes, that's right.
786
00:35:22,996 --> 00:35:24,580
This is Smell the Glove
by Spinal Tap?
787
00:35:24,664 --> 00:35:26,165
When you go to the store...
That's Smell the Glove.
788
00:35:26,249 --> 00:35:29,919
That's the jacket cover
that's going out across
the country in every store.
789
00:35:30,045 --> 00:35:31,670
Is this the compromise
you made?
Yes.
790
00:35:31,755 --> 00:35:33,172
Is it going to
say anything here
or along the spine?
791
00:35:33,215 --> 00:35:34,924
It doesn't even
say anything?
It's not going
to say anything.
792
00:35:35,050 --> 00:35:36,634
It's just going
to be all black?
It's going to be that,
793
00:35:36,718 --> 00:35:39,261
simple, beautiful,
classic.
794
00:35:39,346 --> 00:35:41,055
Does look
like, you know,
black leather.
795
00:35:41,139 --> 00:35:43,182
You can see yourself
in both sides.
796
00:35:43,266 --> 00:35:44,809
DAVID: I wouldn't
feel so bad...
797
00:35:44,893 --> 00:35:46,644
DEREK: It's like
a black mirror.
Yeah, it is.
798
00:35:46,728 --> 00:35:48,437
Well, I think it
looks like death.
799
00:35:48,522 --> 00:35:50,439
It looks like mourning.
I mean, it looks...
800
00:35:50,524 --> 00:35:53,317
David, David, every
movie in every cinema
is about death.
801
00:35:53,401 --> 00:35:54,985
Death sells!
802
00:35:55,070 --> 00:35:56,779
I think he's right,
there's something
about this
803
00:35:56,863 --> 00:36:00,658
that's so black, it's
like, "How much more
black could this be?"
804
00:36:00,742 --> 00:36:04,328
And the answer is,
"None, none more
black."
805
00:36:04,412 --> 00:36:06,664
I think you're, like,
rationalizing this
whole thing
806
00:36:06,748 --> 00:36:09,750
into something that
you did on purpose.
807
00:36:09,835 --> 00:36:12,127
I think we're stuck
with a very,
very stupid
808
00:36:12,212 --> 00:36:14,255
and a very
dismal-looking album.
809
00:36:14,339 --> 00:36:15,506
This is depressing!
810
00:36:15,590 --> 00:36:16,841
This is something
you wear around
your arm,
811
00:36:16,925 --> 00:36:18,092
you don't put this
on your fucking
turntable.
812
00:36:18,176 --> 00:36:19,260
NIGEL: David, it's a choice.
813
00:36:19,344 --> 00:36:21,679
I frankly think that
this is the turning
point, okay?
814
00:36:21,763 --> 00:36:24,181
I think this is...
We're on our way now.
815
00:36:24,266 --> 00:36:26,600
It's time to kick ass!
DAVID: I agree, I agree.
816
00:36:36,945 --> 00:36:38,612
(GUITAR PLAYING)
817
00:36:38,697 --> 00:36:40,447
(AUDIENCE CHEERING)
818
00:36:42,409 --> 00:36:43,576
(DRUMS PLAYING)
819
00:36:43,660 --> 00:36:44,952
(SHOUTS)
820
00:36:59,634 --> 00:37:01,302
(SINGING) When there
was darkness
821
00:37:01,386 --> 00:37:06,473
And the void was king
and ruled the elements
822
00:37:07,142 --> 00:37:12,897
When there was silence
and the hush was
almost deafening
823
00:37:17,152 --> 00:37:18,861
Out of the emptiness
824
00:37:18,945 --> 00:37:20,863
NIGEL: Salvation
825
00:37:20,947 --> 00:37:22,364
Salvation
826
00:37:23,992 --> 00:37:26,452
Rhythm and light and sound
827
00:37:27,746 --> 00:37:31,248
'Twas the rock 'n' roll
creation
828
00:37:31,333 --> 00:37:34,293
'Twas a terrible big bang
829
00:37:34,377 --> 00:37:38,047
'Twas the ultimate mutation
830
00:37:38,131 --> 00:37:41,258
Yin was searching
for his yang
831
00:37:41,343 --> 00:37:45,638
And he looked and he
saw that it was good
832
00:37:46,389 --> 00:37:47,681
(LAUGHS)
833
00:37:56,816 --> 00:38:03,364
I look to the stars
and the answer is clear
834
00:38:04,115 --> 00:38:10,537
I look in the mirror
and see what I fear
835
00:38:16,628 --> 00:38:18,003
(INAUDIBLE)
836
00:38:26,346 --> 00:38:29,932
'Tis the rock 'n' roll
creation
837
00:38:30,016 --> 00:38:33,602
'Tis the absolute rebirth
838
00:38:33,687 --> 00:38:37,106
'Tis the rolling of the ocean
839
00:38:37,190 --> 00:38:40,275
And the rocking
of the earth
840
00:38:40,360 --> 00:38:44,196
And I looked and I
saw that it was good
841
00:38:58,753 --> 00:39:00,629
(AUDIENCE CHEERING)
842
00:39:08,930 --> 00:39:12,808
Given the history of
Spinal Tap drummers
in the past,
843
00:39:12,892 --> 00:39:16,478
do you have any
fears for your life?
844
00:39:16,563 --> 00:39:18,689
When I did join, you know,
they did tell me.
845
00:39:18,773 --> 00:39:20,649
They kind of took
me aside and said,
846
00:39:20,734 --> 00:39:23,277
"Well, Mick, you know,
it's like this."
847
00:39:23,945 --> 00:39:26,321
And it did kind of
freak me out a bit,
848
00:39:26,406 --> 00:39:29,575
but it can't always
happen to... Can it?
849
00:39:29,659 --> 00:39:31,368
Right. Right.
850
00:39:31,453 --> 00:39:32,619
I mean, really.
The law of averages says...
851
00:39:32,704 --> 00:39:33,704
The law of averages.
852
00:39:33,788 --> 00:39:34,872
It says you
will survive.
Yeah.
853
00:39:38,752 --> 00:39:39,835
VIV: Whoa.
854
00:39:39,919 --> 00:39:44,339
Quite exciting.
Quite exciting,
this computer magic.
855
00:39:45,300 --> 00:39:46,341
Whee!
856
00:39:46,426 --> 00:39:48,552
IAN: How many planets
have you destroyed, Viv?
857
00:39:48,636 --> 00:39:52,347
Well, fourth or fifth
time round, I think.
We're doing really five.
858
00:39:52,432 --> 00:39:53,849
Few galaxies gone,
you know...
859
00:39:56,478 --> 00:39:57,478
Don't.
860
00:39:57,562 --> 00:39:58,645
This is Cindy's
first mustache.
861
00:39:58,730 --> 00:39:59,730
DAVID: Is it?
862
00:39:59,814 --> 00:40:01,607
(GROUP EXCLAIMING)
863
00:40:01,691 --> 00:40:02,941
Can I take it off now?
864
00:40:03,026 --> 00:40:04,359
Why? Too hot in it?
865
00:40:04,444 --> 00:40:05,819
No, it's...
866
00:40:06,154 --> 00:40:07,362
I thought I might
go back to see
867
00:40:07,447 --> 00:40:09,239
what they were up to
back there, you know.
868
00:40:09,324 --> 00:40:10,741
Don't think they really
need to see this
869
00:40:10,825 --> 00:40:12,159
until you're finished
with it, you know.
870
00:40:12,243 --> 00:40:15,079
Well, you were reading.
You can read here.
871
00:40:15,497 --> 00:40:19,500
Yeah, but they got the
new game back there.
Thought I'd maybe...
872
00:40:20,085 --> 00:40:22,211
Thought I'd have
a look at the
new game.
873
00:40:22,295 --> 00:40:23,670
It's like
a submarine thing.
874
00:40:23,755 --> 00:40:25,798
You've got
all this stuff
all over you again.
875
00:40:26,007 --> 00:40:29,676
DAVID: Before I met
Jeanine, my life was
cosmically in shambles.
876
00:40:29,761 --> 00:40:31,929
It was... I was using
bits and pieces
877
00:40:32,013 --> 00:40:33,597
of whatever
Eastern philosophies
878
00:40:33,681 --> 00:40:35,808
happened to drift
through my transom.
879
00:40:35,892 --> 00:40:39,269
And she sort of
sorted it out for me,
straightened it out for me.
880
00:40:39,354 --> 00:40:41,438
Gave me a path, you know,
a path to follow.
881
00:40:41,523 --> 00:40:45,275
MARTY: I wonder if you
have as much influence
over his musical expression.
882
00:40:45,360 --> 00:40:47,444
Oh, yeah. I mean,
I listen to him
883
00:40:47,529 --> 00:40:49,613
when he's experimenting
and things like that.
884
00:40:49,697 --> 00:40:50,823
Don't I, doll?
885
00:40:50,907 --> 00:40:53,951
He plays things
to me sometimes
886
00:40:54,035 --> 00:40:58,247
when he's got a new bit
that he wants to tell
me about, you know,
887
00:40:58,331 --> 00:41:00,249
and I say, "Yeah,
that's good," or,
"That's bad,"
888
00:41:00,333 --> 00:41:01,792
or, "That's shit,"
or whatever.
889
00:41:01,876 --> 00:41:03,127
DAVID: (LAUGHING) Yeah.
JEANINE: You know.
890
00:41:03,211 --> 00:41:06,004
Yes, she's very honest,
she's brutally frank.
891
00:41:06,089 --> 00:41:07,965
MARTY: Well, how does
that go over with the
other band members?
892
00:41:08,049 --> 00:41:09,633
I mean, you...
893
00:41:09,717 --> 00:41:12,553
Well, what happens
is, she gives me the
brutally frank version,
894
00:41:12,637 --> 00:41:13,679
and I sort of tart
it up for them.
895
00:41:13,763 --> 00:41:14,763
Yeah.
896
00:41:14,848 --> 00:41:18,809
And of course it's
so strange because
Nigel and Jeanine
897
00:41:18,893 --> 00:41:23,147
are so similar
in so many ways,
but they just can't...
898
00:41:23,815 --> 00:41:25,649
They don't dislike
each other at all.
No.
899
00:41:25,733 --> 00:41:27,025
There's a great love
between the two of them.
900
00:41:27,110 --> 00:41:28,318
Oh, yes.
901
00:41:28,403 --> 00:41:29,945
But there's
some sort of
communication
902
00:41:30,029 --> 00:41:32,865
that's just not...
It's just blocked
or something.
903
00:41:33,199 --> 00:41:34,950
(PLAYING MELLOW TUNE)
904
00:41:48,506 --> 00:41:50,007
It's pretty.
905
00:41:50,091 --> 00:41:51,300
Yeah, I like it.
906
00:41:51,384 --> 00:41:54,678
Just been
fooling about with it
for a few months now.
907
00:41:54,762 --> 00:41:56,346
Very delicate.
908
00:41:56,431 --> 00:41:58,682
It's a bit of
a departure
909
00:41:58,766 --> 00:42:01,143
from the kind
of thing you
normally play.
910
00:42:01,477 --> 00:42:04,229
Yeah, well, it's part
of a trilogy, really,
911
00:42:04,314 --> 00:42:06,231
a musical trilogy
that I'm doing,
912
00:42:07,150 --> 00:42:10,444
in D minor,
which I always find
913
00:42:10,528 --> 00:42:12,529
is really the saddest
of all keys.
914
00:42:12,614 --> 00:42:15,866
Really. I don't know why,
but it makes people weep
instantly, to play a...
915
00:42:15,950 --> 00:42:17,367
(PLAYING MELANCHOLY TUNE)
916
00:42:17,452 --> 00:42:19,036
(IMITATES HORN BLOWING)
917
00:42:19,120 --> 00:42:20,787
It's a horn part.
918
00:42:21,039 --> 00:42:22,706
It's very pretty.
919
00:42:24,792 --> 00:42:27,961
You know, just simple
lines intertwining.
920
00:42:28,046 --> 00:42:31,506
You know, very much like...
I'm really influenced
by Mozart and Bach,
921
00:42:31,591 --> 00:42:32,883
and it's sort of in
between, though,
922
00:42:32,967 --> 00:42:34,801
it's like a Mach
piece, really.
923
00:42:34,886 --> 00:42:36,803
What do you
call this?
924
00:42:36,888 --> 00:42:39,848
Well, this
piece is called
Lick My Love Pump.
925
00:42:41,267 --> 00:42:45,062
MAN ON PA:
Midwest Airlines,
Flight 406...
926
00:42:45,146 --> 00:42:46,230
(METAL DETECTOR BEEPING)
927
00:42:46,314 --> 00:42:48,398
Excuse me, sir. Do you
have any metal objects
in your pockets?
928
00:42:48,483 --> 00:42:49,691
Yeah.
Take them out
and put them
929
00:42:49,776 --> 00:42:51,610
in the bucket.
Right.
930
00:42:52,111 --> 00:42:53,820
Coins, keys.
931
00:42:57,825 --> 00:42:59,243
Tuning fork.
932
00:42:59,744 --> 00:43:02,955
Musician.
I like to stay in tune,
you know? There you go.
933
00:43:04,165 --> 00:43:05,499
Be a moment.
934
00:43:05,583 --> 00:43:06,667
(METAL DETECTOR BEEPS)
935
00:43:06,751 --> 00:43:10,254
Okay. Could you
take this jacket
off, please?
936
00:43:10,338 --> 00:43:13,298
Oh, it's the zipper
setting off the machine.
937
00:43:13,383 --> 00:43:15,926
DAVID: Let's go, then.
Let's go, hurry up.
938
00:43:17,637 --> 00:43:19,179
(METAL DETECTOR BEEPS)
939
00:43:19,264 --> 00:43:21,223
Step over here,
please.
940
00:43:21,307 --> 00:43:22,266
DAVID: Troublemaker.
941
00:43:22,350 --> 00:43:23,934
Raise your arms.
942
00:43:24,018 --> 00:43:25,936
MAN ON PA:...scheduled
for departure at Gate 12
943
00:43:26,020 --> 00:43:28,855
has been delayed
approximately
20 minutes.
944
00:43:32,402 --> 00:43:33,944
(BEEPING)
945
00:43:35,697 --> 00:43:37,322
(BEEPING CONTINUES)
946
00:43:43,538 --> 00:43:46,206
Do you have any
artificial plates
or limbs?
947
00:43:46,291 --> 00:43:47,874
Not really, no.
948
00:43:49,210 --> 00:43:50,419
Would you...
949
00:43:50,503 --> 00:43:51,670
MICK: Yeah, do it.
950
00:43:51,754 --> 00:43:53,880
(GROUP LAUGHING)
951
00:43:59,429 --> 00:44:00,554
Nice!
952
00:44:01,681 --> 00:44:03,890
(DRUMS PLAYING)
953
00:44:04,225 --> 00:44:05,892
(AUDIENCE CHEERING)
954
00:44:07,228 --> 00:44:08,687
(GUITAR PLAYING)
955
00:44:08,771 --> 00:44:13,817
(SINGING)
I don't need a woman
I won't take me no wife
956
00:44:15,403 --> 00:44:20,282
I got the rock 'n' roll
And that'll be my life
957
00:44:23,494 --> 00:44:28,915
No page in history, baby
That, I don't need
958
00:44:30,043 --> 00:44:34,588
I just wanna make
some eardrums bleed
959
00:44:35,923 --> 00:44:37,507
Heavy
Heavy
960
00:44:37,592 --> 00:44:39,426
Duty
Duty
961
00:44:39,927 --> 00:44:43,180
Heavy duty rock 'n' roll
962
00:44:48,519 --> 00:44:50,312
Heavy
Heavy
963
00:44:50,396 --> 00:44:52,189
Duty
Duty
964
00:44:52,273 --> 00:44:56,985
Brings out the
duty in my soul
965
00:45:02,784 --> 00:45:05,786
(PLAYING CLASSICALLY-INSPIRED
MUSIC)
966
00:45:29,644 --> 00:45:31,144
Hi. Artie Fufkin.
967
00:45:31,270 --> 00:45:33,146
NIGEL: Hey, Artie.
ARTIE: Polymer Records.
How are you?
968
00:45:33,231 --> 00:45:35,023
Hey, how you doing?
You are...
969
00:45:35,108 --> 00:45:36,149
Derek.
Derek.
970
00:45:36,234 --> 00:45:37,651
Artie Fufkin,
Polymer Records.
971
00:45:37,777 --> 00:45:39,111
Hello, Artie.
How are you?
I'm your promo man
972
00:45:39,153 --> 00:45:40,695
here in Chicago.
Nice to meet you.
Well, that's great.
973
00:45:40,780 --> 00:45:42,239
I love you guys.
And of course, Nigel.
974
00:45:42,323 --> 00:45:43,448
Nigel.
975
00:45:43,491 --> 00:45:45,534
I love you.
Nigel Tufnel.
Right.
976
00:45:45,618 --> 00:45:47,452
I love your stuff.
I go back with
you guys.
977
00:45:47,537 --> 00:45:49,746
Boy, do I...
Artie Fufkin,
Polymer Records.
978
00:45:49,831 --> 00:45:51,039
I love you.
And who are
you, darling?
979
00:45:51,124 --> 00:45:52,749
Oh, this is
my special new
friend, Cindy.
980
00:45:52,834 --> 00:45:53,875
Hello, Cindy.
981
00:45:53,960 --> 00:45:55,627
And this is Belinda.
Hello, Belinda.
982
00:45:55,711 --> 00:45:56,795
Hi, nice to meet you.
983
00:45:56,879 --> 00:45:58,088
Artie Fufkin,
Polymer Records,
promo.
984
00:45:58,172 --> 00:46:00,549
And I... Oh, what's
going on here? Hi.
985
00:46:00,633 --> 00:46:01,716
NIGEL: Oh, they're
making a...
986
00:46:01,801 --> 00:46:03,009
Hi, guys. Artie Fufkin,
Polymer Records.
987
00:46:03,094 --> 00:46:04,052
Nice to see you.
988
00:46:04,137 --> 00:46:05,512
And where is David?
989
00:46:05,596 --> 00:46:06,888
(KNOCKING ON DOOR)
Oh, David, hi.
990
00:46:06,973 --> 00:46:08,682
Artie Fufkin. How are you?
991
00:46:08,766 --> 00:46:09,766
It's nice to see you.
992
00:46:09,851 --> 00:46:11,268
We've got something
exciting happening
tomorrow.
993
00:46:11,352 --> 00:46:13,687
All right, the food.
The food.
994
00:46:13,771 --> 00:46:18,024
Oh, thank God.
Civilization!
Where do I put this?
995
00:46:22,530 --> 00:46:24,114
(DEREK SIGHING)
996
00:46:26,325 --> 00:46:27,993
(DEREK SNIFFING)
997
00:46:28,286 --> 00:46:29,828
(DEREK COUGHS)
998
00:46:44,635 --> 00:46:45,886
What are you
doing to me here?
999
00:46:46,012 --> 00:46:47,929
I'm not doing anything.
I thought we had
a relationship here.
1000
00:46:48,014 --> 00:46:49,181
I don't know
what happened.
1001
00:46:49,265 --> 00:46:50,474
Business is terrible,
Artie.
1002
00:46:50,558 --> 00:46:51,892
What can I tell you?
This is the truth.
1003
00:46:51,976 --> 00:46:52,976
I know business
is terrible,
1004
00:46:53,060 --> 00:46:54,519
but what happens
with the record store
1005
00:46:54,604 --> 00:46:55,979
with a promotion
and nobody shows up?
1006
00:46:56,063 --> 00:46:57,397
This isn't a personal
thing, Artie.
1007
00:46:57,440 --> 00:46:58,940
Nobody's coming
to the store...
Forget personal thing.
1008
00:46:59,025 --> 00:47:02,527
We had a relationship
here. Forget about personal,
what about our relationship?
1009
00:47:04,405 --> 00:47:07,699
I feel like a schlub,
and I don't know
what's happening.
1010
00:47:07,783 --> 00:47:09,493
It's me. That's
what's happening.
1011
00:47:09,577 --> 00:47:12,120
It's me. I did it.
It's my fault.
1012
00:47:12,205 --> 00:47:13,205
I know.
1013
00:47:13,289 --> 00:47:14,581
We were told
"massive radio
support."
1014
00:47:14,624 --> 00:47:16,666
We did. We did massive,
we did massive.
Sponsoring, vast...
1015
00:47:16,751 --> 00:47:17,876
We saturated.
We oversaturated.
1016
00:47:17,960 --> 00:47:19,336
DAVID: They said
vast radio support.
1017
00:47:19,420 --> 00:47:21,838
That's what it is.
It's me. I did it.
I fucked up.
1018
00:47:21,923 --> 00:47:23,924
I fucked up the
timing, that's all.
I fucked up the timing.
1019
00:47:24,008 --> 00:47:26,176
I got no timing,
I got no timing.
I got no timing.
1020
00:47:26,260 --> 00:47:28,345
You know what I want
you to do? Will you
do something for me?
1021
00:47:28,429 --> 00:47:30,180
What?
Do me a favor.
1022
00:47:30,264 --> 00:47:32,265
Just kick my
ass, okay?
1023
00:47:32,350 --> 00:47:34,100
Kick this ass for
a man, that's all.
1024
00:47:34,185 --> 00:47:35,310
Kick my ass!
No.
1025
00:47:35,394 --> 00:47:37,395
Enjoy! Come on.
I'm not asking,
1026
00:47:37,480 --> 00:47:39,147
I'm telling with this.
Kick my ass.
1027
00:47:39,565 --> 00:47:41,274
(ALL CHEERING)
1028
00:47:46,447 --> 00:47:47,822
(STRUMMING)
1029
00:47:52,119 --> 00:47:55,121
DEREK: Well, we've kept
them waiting long enough.
Let's do it to them.
1030
00:47:55,206 --> 00:47:56,206
DAVID: Come on, Mick!
1031
00:47:56,290 --> 00:47:57,582
(DAVID KNOCKING ON DOOR)
1032
00:47:57,667 --> 00:47:59,209
Let's go, Mr. Shrimpton.
1033
00:47:59,293 --> 00:48:01,127
Rock 'n' roll!
1034
00:48:01,212 --> 00:48:02,629
Rock 'n' roll!
1035
00:48:05,424 --> 00:48:07,467
MAN: Let's hear some
rock 'n' roll!
1036
00:48:07,552 --> 00:48:09,803
Rock 'n' roll!
Let's go, then.
1037
00:48:11,472 --> 00:48:12,847
Yeah, mate.
1038
00:48:14,308 --> 00:48:15,600
It's gonna be
a hot one,
isn't it?
1039
00:48:15,685 --> 00:48:16,726
DAVID: It's gonna
be a great show.
1040
00:48:16,811 --> 00:48:18,770
No, it's not an exit.
It's not an exit.
1041
00:48:18,854 --> 00:48:20,355
Don't want an exit.
No, that's true.
1042
00:48:20,439 --> 00:48:22,274
Oh, this way.
Hope so.
1043
00:48:22,400 --> 00:48:24,651
Yeah, this way,
let's go.
Probably this way.
1044
00:48:25,736 --> 00:48:27,320
(HUMMING)
1045
00:48:29,907 --> 00:48:31,533
Wait.
DEREK: This looks
familiar, though.
1046
00:48:31,617 --> 00:48:33,410
Listen.
Really does.
1047
00:48:33,661 --> 00:48:35,287
(ALL CHANTING)
1048
00:48:37,832 --> 00:48:38,873
DAVID: Shit.
1049
00:48:39,000 --> 00:48:40,083
That way.
1050
00:48:41,335 --> 00:48:43,336
Let's not lose it, now.
Let's not lose it.
1051
00:48:43,421 --> 00:48:45,797
Where the fuck is Ian?
You know, he should be here.
1052
00:48:45,881 --> 00:48:47,882
(CHANTING CONTINUES)
1053
00:48:48,843 --> 00:48:50,677
We gotta get to it
some way.
1054
00:48:50,761 --> 00:48:52,804
We've been on stage, right?
1055
00:48:54,181 --> 00:48:55,974
We're in the group.
1056
00:48:56,100 --> 00:48:57,851
DAVID: We're in the group
that's playing tonight.
1057
00:48:58,060 --> 00:49:00,228
You go right straight
through this door here,
1058
00:49:00,354 --> 00:49:02,522
down the hall,
turn right,
1059
00:49:03,190 --> 00:49:06,443
and then there's
a little jog there,
about 30 feet.
1060
00:49:06,527 --> 00:49:08,403
Jog to the...
We don't have
time for that.
1061
00:49:08,529 --> 00:49:10,697
Go straight ahead.
We'll trust you,
we'll trust you.
1062
00:49:10,781 --> 00:49:14,492
Turn right
the next two corners,
and first door, a sign,
1063
00:49:14,577 --> 00:49:16,620
"Authorized
Personnel Only,"
1064
00:49:16,704 --> 00:49:18,622
open that door.
That's the stage.
1065
00:49:18,706 --> 00:49:20,332
You think so?
You're authorized.
1066
00:49:20,458 --> 00:49:21,833
You're musicians,
aren't you?
We've got the guitars.
1067
00:49:21,959 --> 00:49:23,835
Exactly.
Thank you,
thank you very much.
1068
00:49:23,919 --> 00:49:25,420
Rock 'n' roll!
1069
00:49:26,047 --> 00:49:27,631
Rock 'n' roll!
Yeah!
1070
00:49:27,715 --> 00:49:30,300
Let's get it,
let's get it!
1071
00:49:30,384 --> 00:49:32,302
No, he said this way.
1072
00:49:32,386 --> 00:49:34,429
Straight here.
Rock 'n' roll! Here we go!
Rock 'n' roll!
1073
00:49:34,513 --> 00:49:38,016
Hello, Cleveland!
Hello, Cleveland!
1074
00:49:38,100 --> 00:49:39,684
NIGEL: Let's go in.
1075
00:49:39,769 --> 00:49:40,935
Fuck!
1076
00:49:41,979 --> 00:49:43,521
You must have
made a wrong turn.
1077
00:49:43,648 --> 00:49:45,190
We've got to
go another way.
1078
00:49:45,274 --> 00:49:48,818
Other way.
Other way. Other way.
1079
00:49:49,320 --> 00:49:50,654
DAVID: I hate to keep
harping on this,
1080
00:49:50,738 --> 00:49:53,865
but I think that
the notion of a black album
has really cursed us.
1081
00:49:53,949 --> 00:49:56,493
IAN: Believe me, we're
getting some very substantial
reports of air play.
1082
00:49:56,577 --> 00:49:58,244
I don't think we have
to worry about that.
1083
00:49:58,329 --> 00:50:00,622
You know, it might
have been better
1084
00:50:00,748 --> 00:50:03,041
if the album had
been mixed right.
1085
00:50:03,125 --> 00:50:04,793
Well, there's no use
crying over that.
1086
00:50:04,919 --> 00:50:06,628
Of course, that's true.
I mean...
1087
00:50:06,712 --> 00:50:08,129
Well, it
just wasn't...
1088
00:50:08,214 --> 00:50:09,547
It was mixed all wrong,
wasn't it?
1089
00:50:09,632 --> 00:50:10,632
It was mixed wrong?
Yeah.
1090
00:50:10,716 --> 00:50:12,217
Were you there?
How do you know...
You couldn't hear...
1091
00:50:12,343 --> 00:50:14,302
DAVID: She's heard the record.
No, but I've
heard the album.
1092
00:50:14,387 --> 00:50:16,846
So your judgment is
it was mixed wrong.
1093
00:50:16,931 --> 00:50:18,682
You couldn't hear
the lyrics on all of it.
1094
00:50:18,766 --> 00:50:20,225
DAVID: You don't agree
that you can't
hear the vocals?
1095
00:50:20,309 --> 00:50:22,143
NIGEL: No,
I do not agree. No.
1096
00:50:22,228 --> 00:50:25,188
Well, I think
maybe it's interesting
that she's bringing it up.
1097
00:50:25,272 --> 00:50:26,898
Well, she'd like
to hear vocals.
1098
00:50:26,982 --> 00:50:28,441
It's like me saying,
you know,
1099
00:50:28,526 --> 00:50:31,194
"You're using
the wrong conditioner
for your hair."
1100
00:50:31,278 --> 00:50:32,570
DAVID: Don't be
stupid now.
1101
00:50:32,655 --> 00:50:33,780
It looks sort of frizzy.
1102
00:50:33,864 --> 00:50:36,282
JEANINE: You don't do
heavy metal in Doubly,
you know. You mix it.
1103
00:50:36,367 --> 00:50:38,118
In what? In what?
1104
00:50:38,911 --> 00:50:40,453
What?
IAN: (LAUGHING) Dolby.
1105
00:50:40,913 --> 00:50:42,122
In Doubly.
I mean, you can't...
1106
00:50:42,164 --> 00:50:44,290
NIGEL: In Dublin? What's that?
DAVID: She means Dolby,
all right?
1107
00:50:44,375 --> 00:50:46,626
She means Dolby.
You know perfectly
well what she means.
1108
00:50:47,336 --> 00:50:48,712
DAVID: We shan't
recover from this one.
1109
00:50:48,796 --> 00:50:50,088
We shan't recover
from this one.
1110
00:50:50,172 --> 00:50:51,297
Come on.
1111
00:50:51,382 --> 00:50:52,507
Can I have the floor
for just one moment?
1112
00:50:52,591 --> 00:50:55,635
Because I've got something
I'd like to show you.
1113
00:50:56,137 --> 00:50:58,888
Jeanine's been
working on these
very hard.
1114
00:50:58,973 --> 00:51:00,640
These are
a new direction...
1115
00:51:00,725 --> 00:51:02,350
JEANINE: Got a new idea
for a new presentation.
1116
00:51:02,435 --> 00:51:04,018
DAVID:...for the stage
look of the band.
1117
00:51:04,103 --> 00:51:05,603
The signs of
the zodiac
for everyone.
1118
00:51:05,730 --> 00:51:08,064
I thought we needed
a new presentation.
It's the signs of the zodiac.
1119
00:51:08,149 --> 00:51:09,816
This is a look for Viv.
He's a Libra.
1120
00:51:09,984 --> 00:51:11,693
There's the yin-yang...
1121
00:51:11,777 --> 00:51:13,903
JEANINE: Yin and the yang.
DAVID:...sort of look.
1122
00:51:13,988 --> 00:51:17,115
This is Nigel.
He's a Capricorn.
1123
00:51:17,658 --> 00:51:19,409
Sort of a goat look.
JEANINE: We've given
you a little beard.
1124
00:51:19,493 --> 00:51:20,702
Is this a joke?
1125
00:51:20,786 --> 00:51:21,911
DAVID: This is...
1126
00:51:21,996 --> 00:51:23,747
Excuse me, is this a joke?
1127
00:51:23,873 --> 00:51:25,665
DAVID: Just bear with us
for one moment, please.
1128
00:51:25,750 --> 00:51:28,418
This, I love this.
I wish I were the Cancer.
1129
00:51:28,586 --> 00:51:29,711
That's attractive.
1130
00:51:29,795 --> 00:51:30,837
This is your crab face.
1131
00:51:30,921 --> 00:51:32,213
Your brainchild, now.
1132
00:51:32,298 --> 00:51:33,506
Give it a chance,
give it a chance.
1133
00:51:33,591 --> 00:51:35,550
And this is David...
David's the lion.
1134
00:51:35,634 --> 00:51:40,221
Please wait a minute.
Have you any idea
what it will cost
1135
00:51:41,515 --> 00:51:43,475
to dress up
the band as animals?
1136
00:51:43,559 --> 00:51:44,726
Well, they're
not animals.
1137
00:51:44,810 --> 00:51:45,894
They're signs of the zodiac.
1138
00:51:45,978 --> 00:51:47,771
It's a way
to fight the drabs.
1139
00:51:47,855 --> 00:51:49,606
You know,
we've got the drabs.
1140
00:51:49,690 --> 00:51:52,734
That's true.
I think mine will
look better in Doubly,
1141
00:51:52,860 --> 00:51:54,527
if it was done in Doubly.
1142
00:51:56,781 --> 00:51:57,989
I'm quite open-minded enough.
1143
00:51:58,073 --> 00:51:59,282
DEREK: David.
No, no, David.
1144
00:51:59,366 --> 00:52:02,118
You know,
there are solutions
to our problems.
1145
00:52:02,203 --> 00:52:03,203
I think we know
what they are.
1146
00:52:03,287 --> 00:52:05,371
DAVID: I've yet to hear them.
I've yet to hear them.
1147
00:52:05,456 --> 00:52:06,956
JEANINE: Since you're all
such geniuses...
1148
00:52:07,041 --> 00:52:09,209
We take a rational approach,
we can say...
1149
00:52:09,293 --> 00:52:11,211
May I make a suggestion?
I've got one other
suggestion.
1150
00:52:11,295 --> 00:52:12,754
DAVID: Let's hear yours.
Let's hear your suggestion.
1151
00:52:12,838 --> 00:52:14,964
Stonehenge. Stonehenge.
1152
00:52:15,883 --> 00:52:18,092
What about it?
Best production value
we've ever had on stage.
1153
00:52:18,177 --> 00:52:19,344
But we haven't
got the equipment.
1154
00:52:19,470 --> 00:52:21,054
We haven't
got Stonehenge.
Not yet we don't.
1155
00:52:21,138 --> 00:52:23,473
Let's... Please,
please, just a moment.
1156
00:52:23,557 --> 00:52:25,642
IAN: We know it works.
NIGEL: Musically,
we all know it.
1157
00:52:25,726 --> 00:52:26,810
IAN: I don't think
it's a bad idea.
1158
00:52:26,894 --> 00:52:27,852
NIGEL: Musically,
we all know it, right?
1159
00:52:27,937 --> 00:52:30,688
No problems musically.
We go right on stage,
1160
00:52:30,773 --> 00:52:32,482
and it's quite simple.
1161
00:52:32,566 --> 00:52:34,776
Ian can take care of this.
1162
00:52:35,110 --> 00:52:36,736
DAVID: I know what
the Stonehenge monument
looks like.
1163
00:52:36,821 --> 00:52:38,571
We don't have that piece
of scenery anymore.
1164
00:52:38,656 --> 00:52:40,907
NIGEL: I know,
so we build a new one.
1165
00:52:42,243 --> 00:52:43,743
And this it.
1166
00:52:43,911 --> 00:52:45,411
Consider it done.
1167
00:52:46,372 --> 00:52:47,872
So, you're just
gonna take care of it
like that?
1168
00:52:47,957 --> 00:52:50,166
You're gonna find
someone to design it,
using that as a plan?
1169
00:52:50,251 --> 00:52:51,251
Let's try.
Let's try.
1170
00:52:51,335 --> 00:52:52,418
If you can do it,
I'll do the number.
1171
00:52:52,920 --> 00:52:56,172
Do you feel that,
in collaboration with David,
1172
00:52:56,257 --> 00:53:00,718
that you are afforded
the opportunity to express
yourself musically
1173
00:53:00,803 --> 00:53:01,970
the way you would like to?
1174
00:53:02,054 --> 00:53:04,305
Well, I think I do,
in my solos.
1175
00:53:04,390 --> 00:53:05,974
My solos are
my trademark.
1176
00:53:23,576 --> 00:53:25,410
(PLAYING SINGLE NOTE)
1177
00:53:27,621 --> 00:53:29,247
(SOUND INTENSIFIES)
1178
00:53:30,416 --> 00:53:32,125
(AUDIENCE CHEERING)
1179
00:53:51,979 --> 00:53:54,314
This looks
absolutely perfect.
I mean, it's...
1180
00:53:54,398 --> 00:53:56,399
It's the right proportions.
It'll be this color, eh?
1181
00:53:56,859 --> 00:53:59,110
Yeah.
That's just terrific.
1182
00:53:59,236 --> 00:54:02,071
I mean, it almost
looks like the real thing.
You got it.
1183
00:54:02,156 --> 00:54:05,116
Yeah. When we get
the actual set, when
we get the piece,
1184
00:54:05,200 --> 00:54:06,993
it'll follow exactly
these specifications,
1185
00:54:07,119 --> 00:54:08,912
even these contours
and everything?
1186
00:54:08,996 --> 00:54:12,749
I don't understand, Ian.
The actual piece?
1187
00:54:12,833 --> 00:54:15,043
When you build
the actual piece.
1188
00:54:15,169 --> 00:54:17,378
But this is what you
asked for, isn't it?
1189
00:54:17,713 --> 00:54:18,838
What?
1190
00:54:19,423 --> 00:54:20,506
Well, this is the piece.
1191
00:54:20,591 --> 00:54:21,674
This is the piece?
1192
00:54:22,134 --> 00:54:23,009
Yes.
1193
00:54:23,093 --> 00:54:24,844
Are you telling
me that this is it?
1194
00:54:25,846 --> 00:54:27,430
This is scenery?
1195
00:54:27,765 --> 00:54:29,390
Have you ever
been to Stonehenge?
1196
00:54:29,475 --> 00:54:30,683
No, I've never
been to Stonehenge.
1197
00:54:30,809 --> 00:54:32,685
The triptychs
are 20-feet high!
1198
00:54:32,811 --> 00:54:34,604
You can stand
four men up them.
Ian!
1199
00:54:34,688 --> 00:54:36,648
I was asked to build it...
This is insane!
1200
00:54:36,774 --> 00:54:38,816
This isn't a piece of scenery.
...18 inches high.
Look, look.
1201
00:54:38,901 --> 00:54:40,818
Look, this is what I
was asked to build.
1202
00:54:40,903 --> 00:54:44,197
Eighteen inches.
Right here,
it specified 18 inches.
1203
00:54:44,865 --> 00:54:46,115
I was given this napkin.
I mean...
1204
00:54:46,200 --> 00:54:47,200
Forget this!
1205
00:54:47,284 --> 00:54:48,284
Fuck the napkin!
1206
00:54:48,535 --> 00:54:50,328
(PLAYING STONEHENGE)
1207
00:54:53,165 --> 00:54:55,625
(SINGING) In ancient times
1208
00:54:57,336 --> 00:55:01,297
Hundreds of years
before the dawn of history
1209
00:55:03,008 --> 00:55:05,718
Lived an ancient
race of people
1210
00:55:08,722 --> 00:55:10,223
The Druids
1211
00:55:19,817 --> 00:55:22,902
No one knows who they were
1212
00:55:24,446 --> 00:55:28,116
Or what they were doing
1213
00:55:30,327 --> 00:55:32,912
But their legacy remains
1214
00:55:34,039 --> 00:55:40,962
Hewn into the living rock
of Stonehenge
1215
00:55:53,392 --> 00:55:56,853
(SINGING) Stonehenge,
where the demons dwell
1216
00:55:56,937 --> 00:56:00,523
Where the banshees live
and they do live well
1217
00:56:00,983 --> 00:56:04,193
Stonehenge,
where a man's a man
1218
00:56:04,278 --> 00:56:08,197
And the children
dance to the pipes of Pan
1219
00:56:12,619 --> 00:56:17,540
And you, my love,
won't you take my hand?
1220
00:56:19,168 --> 00:56:24,881
We'll go back in time
to that mystic land
1221
00:56:27,051 --> 00:56:31,888
Where the dewdrops cry
and the cats meow
1222
00:56:33,474 --> 00:56:35,975
I will take you there
1223
00:56:36,602 --> 00:56:39,562
I will show you how
1224
00:56:41,231 --> 00:56:42,982
(SCREAMING)
1225
00:56:56,538 --> 00:57:02,376
And, oh, how they danced
The little children
of Stonehenge
1226
00:57:03,337 --> 00:57:06,714
Beneath the haunted moon
1227
00:57:07,424 --> 00:57:14,013
For fear that daybreak
might come too soon
1228
00:57:36,036 --> 00:57:38,955
DAVID: I do not, for one,
think that the problem was
that the band was down.
1229
00:57:39,039 --> 00:57:40,623
I think that
the problem may have been
1230
00:57:40,707 --> 00:57:42,250
that there was
a Stonehenge monument
1231
00:57:42,334 --> 00:57:46,129
on the stage that was
in danger of being
crushed by a dwarf.
1232
00:57:46,588 --> 00:57:50,550
All right? That tended
to understate the hugeness
of the object.
1233
00:57:50,634 --> 00:57:53,052
I really think you're
just making much too big
a thing out of it.
1234
00:57:53,137 --> 00:57:55,638
Making a big thing out of it
would have been a good idea.
1235
00:57:55,722 --> 00:57:58,558
Nigel gave me
a drawing that said
18 inches, all right?
1236
00:57:58,642 --> 00:58:00,017
I know he did,
and that's what
I'm talking about.
1237
00:58:00,102 --> 00:58:02,645
Whether he knows
the difference between feet
and inches is not my problem.
1238
00:58:02,729 --> 00:58:03,771
I do what I'm told.
1239
00:58:03,856 --> 00:58:05,982
But you're not
as confused as him,
are you?
1240
00:58:06,066 --> 00:58:08,651
I mean, it's not your job
to be as confused
as Nigel is.
1241
00:58:08,735 --> 00:58:10,153
It's my job to do
what I'm asked to do
1242
00:58:10,237 --> 00:58:12,029
by the creative
element of this band.
1243
00:58:12,114 --> 00:58:13,281
And that's what I did.
1244
00:58:13,365 --> 00:58:14,866
The audience were laughing.
1245
00:58:14,992 --> 00:58:17,034
So it became
a comedy number.
Yes, it did.
1246
00:58:17,119 --> 00:58:19,162
Yes, it fucking well did,
and it was not pleasant
1247
00:58:19,246 --> 00:58:20,997
to be part of
the comedy on stage.
1248
00:58:21,081 --> 00:58:23,374
Backstage, perhaps
it was very amusing.
1249
00:58:23,458 --> 00:58:27,086
Maybe we just fix
the choreography,
keep the dwarf clear.
1250
00:58:27,629 --> 00:58:30,173
DAVID: What do you mean?
So he won't trod upon it.
1251
00:58:30,257 --> 00:58:31,716
I don't think
that's the issue.
1252
00:58:31,800 --> 00:58:37,054
I think it's symptomatic
that maybe you're taking on
more than you can handle.
1253
00:58:37,806 --> 00:58:40,808
It's not exactly
the first time you've
messed things up, is it?
1254
00:58:40,893 --> 00:58:43,352
DAVID: I mean, there have
been some gaping holes
1255
00:58:43,437 --> 00:58:44,437
in the business
end of this...
1256
00:58:44,521 --> 00:58:45,688
IAN: Excuse me
for a minute, David.
1257
00:58:45,772 --> 00:58:48,608
Excuse me, this is
a band meeting, right?
1258
00:58:48,734 --> 00:58:50,568
Are you here
for some reason?
DAVID: Don't worry about it.
1259
00:58:50,652 --> 00:58:51,819
DAVID: She's with me.
JEANINE: Yeah.
1260
00:58:51,904 --> 00:58:53,946
Is she now in the band?
Is she singing backup?
1261
00:58:54,031 --> 00:58:56,407
JEANINE: I care what
happens to the band.
1262
00:58:56,491 --> 00:58:59,869
David, whenever a single bump
or a ruffle comes into
this little fantasy,
1263
00:58:59,953 --> 00:59:03,164
adolescent fantasy world
you guys have built
around yourself,
1264
00:59:03,248 --> 00:59:06,709
you start screaming
like a bunch of
poncey hairdressers.
1265
00:59:06,793 --> 00:59:10,213
I mean, it's just
a problem, you know?
It gets solved.
1266
00:59:10,297 --> 00:59:12,381
JEANINE: It doesn't.
You can't live in a bubble.
1267
00:59:12,466 --> 00:59:14,383
If it got solved,
that would be all right.
1268
00:59:14,468 --> 00:59:15,760
But it doesn't get solved.
1269
00:59:15,844 --> 00:59:18,221
What do you think
happened out there?
What got solved tonight?
1270
00:59:18,305 --> 00:59:21,724
The one thing that goes wrong,
one single thing goes wrong,
1271
00:59:21,808 --> 00:59:23,184
100 things go right.
1272
00:59:23,268 --> 00:59:25,228
Do you know what
I spend my time doing?
What?
1273
00:59:25,312 --> 00:59:27,313
I sleep two or
three hours a night.
1274
00:59:27,439 --> 00:59:29,398
There's no sex and
drugs for Ian, David.
1275
00:59:29,483 --> 00:59:31,776
You know what I do?
I find lost luggage.
1276
00:59:31,860 --> 00:59:34,737
I locate mandolin strings
in the middle of Austin!
1277
00:59:34,821 --> 00:59:37,740
I pries the rent
out of the local Hebrews.
That's what I do.
1278
00:59:37,824 --> 00:59:39,992
JEANINE: Maybe you
should get someone else
to find the lost luggage,
1279
00:59:40,077 --> 00:59:42,161
and you should concentrate
on what's going on onstage.
1280
00:59:42,246 --> 00:59:43,621
DAVID: Yes! That's
what we're talking about.
1281
00:59:43,664 --> 00:59:45,164
You'd like me to
be the road manager?
All bad... No!
1282
00:59:45,249 --> 00:59:47,208
All bad... Could we...
1283
00:59:47,292 --> 00:59:51,337
What David's trying to say,
if you'll let him
get a word through,
1284
00:59:52,339 --> 00:59:54,966
is you could maybe
do with some help.
1285
00:59:55,884 --> 00:59:58,219
Some help?
It's very simple,
it's very simple.
1286
00:59:58,303 --> 00:59:59,262
It's that clear.
1287
00:59:59,346 --> 01:00:01,722
Maybe there's
someone already
in the organization.
1288
01:00:01,807 --> 01:00:02,974
We don't have
to pay insurance.
1289
01:00:03,058 --> 01:00:04,809
We don't have to
pay extra room, et cetera.
1290
01:00:04,893 --> 01:00:07,103
Since she's already here,
she's already among us,
1291
01:00:07,187 --> 01:00:08,521
and she can...
IAN: She?
1292
01:00:08,647 --> 01:00:10,773
She's perfectly
capable to taking over.
She?
1293
01:00:10,899 --> 01:00:12,692
Wait a minute!
Well, who do you think
I'm talking about?
1294
01:00:12,818 --> 01:00:14,777
Who do you think
I'm talking about?
I would never have dreamed
1295
01:00:14,861 --> 01:00:16,612
in a million years,
that it was her
you were talking about.
1296
01:00:16,697 --> 01:00:17,780
Why not?
1297
01:00:17,864 --> 01:00:19,824
I am offering to help out.
1298
01:00:19,908 --> 01:00:21,033
No, you're not
offering to help out.
1299
01:00:21,118 --> 01:00:22,994
You're offering
to co-manage the band
with me, is that it?
1300
01:00:23,078 --> 01:00:24,120
Yes.
Let's get it straight...
1301
01:00:24,204 --> 01:00:25,288
DAVID: In so many words,
that is exactly it.
1302
01:00:25,372 --> 01:00:26,372
JEANINE: Exactly.
1303
01:00:26,456 --> 01:00:28,457
Well, I'm certainly
not going to co-manage
with some girl
1304
01:00:28,542 --> 01:00:29,625
just because
she's your girlfriend.
1305
01:00:29,710 --> 01:00:30,960
His girlfriend, is it?
Don't call her my girlfriend.
1306
01:00:31,044 --> 01:00:32,545
IAN: All right, she's
not your girlfriend.
I don't know.
1307
01:00:32,629 --> 01:00:33,963
You couldn't manage
a classroom full of kids.
1308
01:00:34,047 --> 01:00:35,214
I don't know what you're
doing managing the band.
1309
01:00:35,299 --> 01:00:36,757
DAVID: Why don't we just...
Shut up!
1310
01:00:36,842 --> 01:00:39,510
Look, look. I...
This is my position, okay?
1311
01:00:39,594 --> 01:00:41,053
I am not
managing it with you...
1312
01:00:41,179 --> 01:00:43,264
Good.
...or any other woman,
especially one who dresses
1313
01:00:43,348 --> 01:00:45,641
like an Australian's
nightmare. So, fuck you.
1314
01:00:45,726 --> 01:00:46,809
Well, fuck you, too.
Fuck all of you,
1315
01:00:46,893 --> 01:00:48,644
because I quit.
All right?
1316
01:00:48,729 --> 01:00:50,229
That's it.
Good night.
1317
01:00:53,608 --> 01:00:54,734
(DOOR SLAMMING)
1318
01:00:58,238 --> 01:00:59,488
(SIGHING)
1319
01:01:00,032 --> 01:01:02,408
DEREK: Can I raise
a practical question
at this point?
1320
01:01:02,492 --> 01:01:03,909
DAVID: Yeah.
1321
01:01:04,036 --> 01:01:05,453
Are we gonna do
Stonehenge tomorrow?
1322
01:01:05,912 --> 01:01:08,706
No, we're not gonna
fucking do Stonehenge!
1323
01:01:09,624 --> 01:01:11,917
Okay, we're all set.
Thank you.
1324
01:01:12,502 --> 01:01:14,295
All right, fellas,
I've got the tickets.
1325
01:01:14,379 --> 01:01:17,715
We're on the 3:10 flight
at Gate 24.
1326
01:01:17,799 --> 01:01:20,676
All right?
And this arrives
at 4:00 in Colorado.
1327
01:01:20,761 --> 01:01:23,346
Then we got a limo
to take us to the lodge.
1328
01:01:23,430 --> 01:01:26,349
DAVID: It's about 100 yards
from Rainbow Trout Studio.
1329
01:01:26,433 --> 01:01:30,686
What I've done
is to arrange
a whole load of charts.
1330
01:01:30,771 --> 01:01:32,355
Wait till you see this.
This is so great.
1331
01:01:32,439 --> 01:01:35,775
Now, I know that
the band's sign is Virgo
1332
01:01:35,859 --> 01:01:38,861
and, you see it,
Saturn's in the third house,
1333
01:01:38,945 --> 01:01:40,988
all right,
and it's a bit rocky.
1334
01:01:41,073 --> 01:01:46,994
But because Virgo is one of
the most highly intelligent
signs of the zodiac,
1335
01:01:47,079 --> 01:01:49,538
we're gonna
pull through this
with great aplomb.
1336
01:01:49,623 --> 01:01:51,248
Yeah.
And has someone
not got one?
1337
01:01:51,291 --> 01:01:53,042
It's so clear. Really is.
Nigel hasn't got one.
Here you go.
1338
01:01:53,126 --> 01:01:54,377
It's so clear.
Nigel.
1339
01:01:54,461 --> 01:01:57,755
Nigel! I've got
pages for you.
I think Nigel has one.
1340
01:01:57,839 --> 01:01:59,465
DAVID: He's got one.
He's got it.
1341
01:01:59,549 --> 01:02:00,549
JEANINE: If you have
a look at this...
1342
01:02:00,634 --> 01:02:03,177
If you think about the jumble
the tour book usually is...
1343
01:02:03,261 --> 01:02:04,345
No, he's got one.
He's got one.
1344
01:02:04,429 --> 01:02:05,471
He's got one?
All right.
1345
01:02:05,555 --> 01:02:06,680
DAVID: And what's all this
on the...
1346
01:02:06,765 --> 01:02:08,766
JEANINE: Now, what I
want to explain to you here,
is that Denver...
1347
01:02:09,226 --> 01:02:13,729
How would you characterize
your relationship
with David over the years?
1348
01:02:13,814 --> 01:02:15,856
Has it changed in any way?
1349
01:02:15,982 --> 01:02:18,025
Not really.
I mean, you know,
they go...
1350
01:02:18,110 --> 01:02:19,819
We've grown up.
1351
01:02:20,695 --> 01:02:23,656
But, really, it's not...
No, not really.
1352
01:02:24,366 --> 01:02:28,327
We feel like children
much of the time,
even when we're playing.
1353
01:02:28,912 --> 01:02:30,996
We're closer than brothers.
1354
01:02:32,374 --> 01:02:34,250
Brothers always fight.
1355
01:02:34,376 --> 01:02:36,293
Sort of disagreements
and all that.
1356
01:02:37,671 --> 01:02:41,841
We really have a relationship
that's way, way past that.
1357
01:02:44,302 --> 01:02:46,053
(SCREAMING)
1358
01:02:47,848 --> 01:02:49,056
He can't play
the fucking guitar anymore.
1359
01:02:49,141 --> 01:02:50,182
DEREK ON MIC:
You know the parts.
1360
01:02:50,267 --> 01:02:51,559
You did it this morning.
No, he doesn't know the...
1361
01:02:51,643 --> 01:02:54,103
If he knew the fucking part,
he'd play it, wouldn't he?
1362
01:02:54,187 --> 01:02:55,563
That's it.
DAVID: Are you walking out?
1363
01:02:55,647 --> 01:02:57,064
Fuck.
I'm not planning
on walking out.
1364
01:02:57,149 --> 01:02:58,315
Great.
Just tell me
1365
01:02:58,400 --> 01:02:59,525
what I'm supposed to do,
all right?
1366
01:02:59,609 --> 01:03:01,819
Well, we're supposed
to play the fucking thing,
aren't we?
1367
01:03:01,903 --> 01:03:03,696
We have no choice.
We spent an hour and half...
1368
01:03:03,780 --> 01:03:05,114
Well, I'm doing my part.
...setting up this...
1369
01:03:05,198 --> 01:03:06,615
You know what would
make this a lot simpler?
1370
01:03:06,700 --> 01:03:08,909
I mean, I hate to
cut right to it here.
1371
01:03:09,035 --> 01:03:10,578
Why don't you
play this alone,
1372
01:03:10,662 --> 01:03:12,496
without some
fucking angel hanging
over your head,
1373
01:03:12,581 --> 01:03:13,956
you know what I mean?
1374
01:03:14,040 --> 01:03:16,584
DEREK: Jesus Christ.
This is fucking all we need.
1375
01:03:16,835 --> 01:03:19,628
You can't fucking concentrate
because of your fucking wife.
1376
01:03:19,713 --> 01:03:20,838
Simple as that, all right?
1377
01:03:20,922 --> 01:03:22,006
It's your fucking wife.
1378
01:03:22,090 --> 01:03:23,132
She's not my wife.
1379
01:03:23,216 --> 01:03:24,633
Well, whatever
the fuck she is,
all right?
1380
01:03:24,718 --> 01:03:26,093
You can't concentrate.
1381
01:03:26,178 --> 01:03:27,928
We can't fucking
do that track.
This is unbelievable.
1382
01:03:28,054 --> 01:03:30,014
This is unbelievable.
No, it's not
unbelievable at all.
1383
01:03:30,098 --> 01:03:31,474
Will you check me on this?
It all leads up to this.
1384
01:03:31,558 --> 01:03:33,309
Am I losing
my fucking mind?
It all leads up to this.
1385
01:03:33,393 --> 01:03:35,186
Can you check me on this?
Am I losing my mind?
1386
01:03:35,270 --> 01:03:38,189
I don't understand
what this has to
do with anything.
1387
01:03:38,482 --> 01:03:40,399
We're very lucky
in the sense that
1388
01:03:40,484 --> 01:03:42,985
we've got two visionaries
in the band.
1389
01:03:43,487 --> 01:03:46,489
You know,
David and Nigel are both...
MARTY: Right.
1390
01:03:47,240 --> 01:03:48,324
...like poets, you know.
1391
01:03:48,408 --> 01:03:50,534
Like Shelley or Byron
or people like that.
1392
01:03:50,619 --> 01:03:53,662
They're two
totally distinct
types of visionaries.
1393
01:03:53,747 --> 01:03:56,165
It's like fire and ice,
basically, you see,
1394
01:03:56,249 --> 01:03:58,167
and I feel my role
is to, in the band,
1395
01:03:58,251 --> 01:03:59,752
is to be kind of
in the middle of that.
1396
01:03:59,836 --> 01:04:01,754
Kind of like
lukewarm water,
in a sense.
1397
01:04:10,013 --> 01:04:12,181
Listen, I don't think
we've got time
to go to the hotel.
1398
01:04:12,265 --> 01:04:13,849
I think you better go
straight to the base.
1399
01:04:13,934 --> 01:04:14,975
DEREK: To the what?
1400
01:04:15,060 --> 01:04:16,393
VIV: Base?
The gig.
1401
01:04:16,520 --> 01:04:18,187
Yeah, to the base.
DEREK: To the Civic
Arena, right?
1402
01:04:18,271 --> 01:04:19,271
NIGEL: Yeah.
No!
1403
01:04:19,356 --> 01:04:20,481
No, that fell through.
1404
01:04:20,565 --> 01:04:21,732
DEREK: We had it.
What do you mean?
1405
01:04:21,816 --> 01:04:23,150
Wait a second.
Hold it, hold it.
1406
01:04:23,235 --> 01:04:25,611
What do you...
Do you know about this
and we don't know about this?
1407
01:04:25,695 --> 01:04:26,820
What are you talking about?
1408
01:04:26,905 --> 01:04:28,197
JEANINE: We're going
to the Air Force base.
1409
01:04:28,281 --> 01:04:29,949
Why are we going
to an Air Force base?
1410
01:04:30,033 --> 01:04:32,451
'Cause the original gig
fell through.
1411
01:04:33,036 --> 01:04:35,120
(MELLOW MUSIC PLAYING)
1412
01:04:37,749 --> 01:04:39,708
Lieutenant Hookstratten?
Hookstratten.
1413
01:04:39,793 --> 01:04:41,043
You are Spinal Tarp?
1414
01:04:41,127 --> 01:04:43,712
I'm Jeanine Pettibone
and this is Spinal Tap.
1415
01:04:43,797 --> 01:04:45,214
Spinal Tap, my mistake.
1416
01:04:45,298 --> 01:04:46,799
I'm Lieutenant
Bob Hookstratten.
1417
01:04:46,883 --> 01:04:48,884
Welcome to Lindberg
Air Force Base.
1418
01:04:48,969 --> 01:04:51,428
Is this your
gentlemen's first visit
to a military facility?
1419
01:04:51,513 --> 01:04:53,305
ALL: Yeah.
Fine, may I start by saying
1420
01:04:53,390 --> 01:04:55,057
how thrilled we are
to have you here?
1421
01:04:55,141 --> 01:04:56,809
We are such
fans of your music
1422
01:04:56,935 --> 01:04:58,602
and all of your records.
DAVID: That's great.
1423
01:04:58,687 --> 01:05:00,271
I'm not speaking
of yours personally,
1424
01:05:00,355 --> 01:05:01,897
but the whole genre
of the rock 'n' roll.
1425
01:05:01,982 --> 01:05:03,023
DAVID: I understand that.
JEANINE: Yeah.
1426
01:05:03,108 --> 01:05:04,233
And so many of
the exciting things
1427
01:05:04,317 --> 01:05:05,359
that are happening
in music today.
1428
01:05:05,443 --> 01:05:06,527
And let me explain a bit
about what's going on.
1429
01:05:06,611 --> 01:05:09,488
This is our monthly
"at-ease weekend."
1430
01:05:09,739 --> 01:05:11,532
It gives us a chance
to kind of let down our hair.
1431
01:05:11,658 --> 01:05:14,243
(LAUGHING) Although,
I see you all have
a head start on that.
1432
01:05:14,327 --> 01:05:16,787
These haircuts wouldn't
pass military muster,
believe me.
1433
01:05:16,871 --> 01:05:18,163
Although,
I shouldn't talk.
1434
01:05:18,248 --> 01:05:19,498
My hair's getting
a little shaggy, too.
1435
01:05:19,583 --> 01:05:20,749
Better not get
too close to you.
1436
01:05:20,834 --> 01:05:21,917
They'll think I'm
part of the band.
1437
01:05:22,002 --> 01:05:23,210
I'm joking, of course.
1438
01:05:23,295 --> 01:05:24,461
Shall we go in,
and I'll show you around?
1439
01:05:25,213 --> 01:05:27,881
HOOKSTRATTEN:
Walk this way, please.
Right through here.
1440
01:05:27,966 --> 01:05:30,426
Did you ever run
into a musical group,
works out of Kansas City,
1441
01:05:30,510 --> 01:05:32,386
calls himself Four
Jacks and a Jill?
1442
01:05:32,512 --> 01:05:34,388
They've been at
a Ramada Inn there
for about 18 months.
1443
01:05:34,472 --> 01:05:37,308
If you're ever in Kansas City
and you want to
hear some good music,
1444
01:05:37,392 --> 01:05:39,435
you might want
to drop by.
1445
01:05:40,020 --> 01:05:42,646
I would like to
get the playing on
1446
01:05:42,731 --> 01:05:45,357
about 19:00 hours if
that's satisfactory.
1447
01:05:45,609 --> 01:05:46,859
When will that be?
1448
01:05:46,943 --> 01:05:49,445
I make it now,
it's about 18:30 hours.
1449
01:05:49,529 --> 01:05:50,821
So, that's what?
50 hours?
1450
01:05:50,905 --> 01:05:52,197
120 hours?
1451
01:05:52,490 --> 01:05:54,158
That's actually
about 30 minutes.
1452
01:05:54,242 --> 01:05:55,534
About a half hour,
give or take just
1453
01:05:55,619 --> 01:05:56,869
a few minutes.
I don't want to rush you.
1454
01:05:56,953 --> 01:05:59,955
The idea is if
we can get it on,
then we get it over with.
1455
01:06:00,040 --> 01:06:01,040
And I have
just one request.
1456
01:06:01,124 --> 01:06:03,334
Would you play
a couple of slow numbers
so I can dance?
1457
01:06:03,752 --> 01:06:06,211
(SINGING)
Working on a sex farm
1458
01:06:08,048 --> 01:06:11,133
Plowing through
your bean field
1459
01:06:12,302 --> 01:06:14,511
Getting out my pitchfork
1460
01:06:16,556 --> 01:06:18,724
Poking your hay
1461
01:06:20,852 --> 01:06:24,980
Sex farm woman
I'm gonna mow you down
1462
01:06:25,065 --> 01:06:28,984
Sex farm woman
I'll rake and hoe you down
1463
01:06:29,110 --> 01:06:31,070
Sex farm woman
1464
01:06:31,154 --> 01:06:37,201
Don't you see my
silo rising high?
High, high
1465
01:06:48,963 --> 01:06:50,631
WOMAN ON RADIO:
All units,
re-bay at the airport.
1466
01:06:50,715 --> 01:06:52,341
We need to know
your vicinity.
1467
01:06:52,676 --> 01:06:54,385
(RADIO INTERFERENCE)
1468
01:06:54,469 --> 01:06:56,178
MAN ON RADIO:
...light speed...
1469
01:06:56,262 --> 01:06:58,681
...just hitting the bend.
52-49...
1470
01:06:58,765 --> 01:07:01,392
Working on a sex farm
1471
01:07:02,435 --> 01:07:03,602
WOMAN ON RADIO: But today...
1472
01:07:03,687 --> 01:07:05,813
Trying to raise
some hard love
1473
01:07:07,691 --> 01:07:10,109
Getting out
my pitchfork
1474
01:07:10,193 --> 01:07:12,027
WOMAN ON RADIO:
And you talk to
one guy for like...
1475
01:07:12,112 --> 01:07:14,113
Poking your hay
1476
01:07:14,864 --> 01:07:16,657
WOMAN ON RADIO:
Annie and I are crying
about the wire line
1477
01:07:16,741 --> 01:07:18,659
on our story, you know...
1478
01:07:19,160 --> 01:07:21,203
He totally
ruined the gig, there.
1479
01:07:21,287 --> 01:07:22,830
And he walks off
and then, you know...
1480
01:07:22,956 --> 01:07:25,874
I mean, he can't be expected
to sit at home
and get monies.
1481
01:07:25,959 --> 01:07:27,501
We've got to get
someone else in there.
1482
01:07:27,585 --> 01:07:28,961
MARTY: Has he ever done
this before? Has he ever...
1483
01:07:29,045 --> 01:07:30,379
Well, no, but...
...quit the band
before?
1484
01:07:30,463 --> 01:07:32,047
Well, no, but it's...
1485
01:07:32,132 --> 01:07:33,590
You've got to
understand that, like,
1486
01:07:33,675 --> 01:07:35,551
in the world of
rock 'n' roll there are
1487
01:07:35,635 --> 01:07:37,928
certain changes
that sometimes occur,
1488
01:07:38,972 --> 01:07:40,347
and you've just
got to, sort of,
1489
01:07:40,432 --> 01:07:41,724
roll with them, you know.
I mean, this...
1490
01:07:41,808 --> 01:07:43,684
You've read...
You read that... You know,
1491
01:07:43,768 --> 01:07:45,102
you saw exactly
how many people
1492
01:07:45,186 --> 01:07:46,520
have been in this
band over the years.
1493
01:07:46,604 --> 01:07:49,398
Thirty-seven people
have been in this band
over the years.
1494
01:07:49,482 --> 01:07:51,567
I mean, it's like, you know,
six months from now,
1495
01:07:51,651 --> 01:07:55,487
I can't see myself
missing Nige any more
than I might miss
1496
01:07:55,780 --> 01:07:57,906
Ross MacLochness
or Ronnie Pudding
1497
01:07:58,032 --> 01:08:00,159
or Denny Upham or
Little Danny Schindler,
1498
01:08:00,243 --> 01:08:01,410
any of those, you know.
1499
01:08:01,494 --> 01:08:02,661
(STAMMERING)
I can't believe that.
1500
01:08:02,746 --> 01:08:05,038
I can't believe that,
you know,
1501
01:08:05,623 --> 01:08:07,499
you're lumping Nigel in with
1502
01:08:08,418 --> 01:08:11,086
these people you played with
for short periods of time.
1503
01:08:11,171 --> 01:08:12,421
Well, I'm sure I'd feel
much worse
1504
01:08:12,505 --> 01:08:14,339
if I weren't under
such heavy sedation,
1505
01:08:14,424 --> 01:08:16,133
but still, in all, I mean,
1506
01:08:16,217 --> 01:08:19,428
you've got to be realistic
about this sort
of thing, you know.
1507
01:08:19,512 --> 01:08:21,847
So what happens
to the band now?
1508
01:08:22,515 --> 01:08:23,599
What do you mean?
1509
01:08:23,683 --> 01:08:24,641
Well, this is...
He's not coming back? Or...
1510
01:08:24,726 --> 01:08:27,186
No, we shan't
work together again.
1511
01:08:29,606 --> 01:08:30,814
(PEOPLE CLAMORING)
1512
01:08:36,321 --> 01:08:37,946
JEANINE: Oh, no.
DAVID: Great.
1513
01:08:38,031 --> 01:08:41,575
If I told them once,
I told them
a hundred times,
1514
01:08:41,826 --> 01:08:45,120
put Spinal Tap first
and puppet show last.
1515
01:08:45,205 --> 01:08:47,539
It's a morale builder,
isn't it?
1516
01:08:47,665 --> 01:08:49,374
You've got a big
dressing room, though.
What?
1517
01:08:49,459 --> 01:08:51,251
It's all right. You know,
you've got the big
dressing room.
1518
01:08:51,336 --> 01:08:52,920
We got a bigger
dressing room
than the puppets?
1519
01:08:53,004 --> 01:08:54,296
DEREK: The Muppet Show.
That's refreshing.
1520
01:08:54,672 --> 01:08:56,882
I've got some of this
Mendocino Rocket Fuel
1521
01:08:56,966 --> 01:08:58,175
that's supposed
to be really nice.
1522
01:08:58,259 --> 01:08:59,468
Can you play...
1523
01:08:59,552 --> 01:09:02,638
Excuse me, Viv.
Can you play a bass line
1524
01:09:02,722 --> 01:09:04,765
like Nigel used
to on Big Bottom?
1525
01:09:04,849 --> 01:09:06,016
Can you double that?
Yeah.
1526
01:09:06,100 --> 01:09:07,601
You might recall the line,
it's in fifths.
1527
01:09:07,685 --> 01:09:10,145
Oh yeah, I've got
two hands here.
I can do it.
1528
01:09:10,230 --> 01:09:11,647
DEREK: Great.
So that's good.
We can play that one.
1529
01:09:11,731 --> 01:09:12,898
DEREK: All right, that's it.
Hole is out.
1530
01:09:12,982 --> 01:09:14,066
Heavy is out.
1531
01:09:14,192 --> 01:09:16,068
DAVID: Heavy, Hole,
Heavy, Hole...
Right, right, right. We know.
1532
01:09:16,152 --> 01:09:17,903
America we know is out.
America we can't do.
1533
01:09:17,987 --> 01:09:18,987
That's Nigel's tune.
That's not my tune.
1534
01:09:19,072 --> 01:09:19,988
We know, we know.
1535
01:09:20,073 --> 01:09:21,156
That's a nice
little set, isn't it?
1536
01:09:21,241 --> 01:09:23,158
That's a cozy 10 minutes.
1537
01:09:23,243 --> 01:09:24,660
DAVID: What we gonna do?
We got nothing to play here.
1538
01:09:24,744 --> 01:09:25,828
We got nothing.
1539
01:09:25,912 --> 01:09:27,079
DEREK: I'll tell you what
we're gonna have to do.
1540
01:09:27,163 --> 01:09:28,288
What?
1541
01:09:28,414 --> 01:09:29,581
Jazz Odyssey.
1542
01:09:29,999 --> 01:09:34,503
We're not going about to do
a free-form jazz exploration
1543
01:09:34,587 --> 01:09:36,296
in front of a festival crowd.
1544
01:09:37,423 --> 01:09:42,928
You are witnesses
at the new birth
of Spinal Tap Mark ll.
1545
01:09:45,640 --> 01:09:48,058
Hope you enjoy
our new direction.
1546
01:09:50,061 --> 01:09:52,104
(JAZZ ROCK MUSIC PLAYING)
1547
01:10:08,705 --> 01:10:12,499
On the bass, Derek Smalls.
He wrote this.
1548
01:10:21,843 --> 01:10:23,218
JOURNALIST: So, tonight's
the last show of the tour.
1549
01:10:23,303 --> 01:10:24,386
How's that feel?
1550
01:10:24,470 --> 01:10:26,054
You know, is this,
like, your last waltz?
1551
01:10:26,139 --> 01:10:27,764
Are we talking
the end of Spinal Tap?
1552
01:10:27,849 --> 01:10:29,433
Or are you going to
try to milk it for
1553
01:10:29,517 --> 01:10:31,059
a few more years
in Europe? I mean...
1554
01:10:31,144 --> 01:10:36,064
Well, I don't, I don't
really think that the end
can be assessed,
1555
01:10:36,649 --> 01:10:39,484
as of itself,
as being the end,
1556
01:10:39,569 --> 01:10:41,153
because what does
the end feel like?
1557
01:10:41,237 --> 01:10:44,948
It's like saying when you try
and extrapolate the end
of the universe.
1558
01:10:45,033 --> 01:10:48,285
If you say the end...
If the universe
is indeed infinite,
1559
01:10:48,369 --> 01:10:49,661
then how...
What does that mean?
1560
01:10:49,746 --> 01:10:51,747
How far is all the way?
1561
01:10:51,831 --> 01:10:53,457
And then if it stops,
what's stopping it,
1562
01:10:53,541 --> 01:10:55,125
and what's behind
what's stopping it?
1563
01:10:55,168 --> 01:10:57,669
So, "What's the end,"
you know...
Mmm-hmm.
1564
01:10:57,754 --> 01:10:59,087
...is my question
to you.
1565
01:10:59,547 --> 01:11:00,714
It's a good crowd.
Good crowd.
1566
01:11:00,798 --> 01:11:01,924
It is, isn't it?
1567
01:11:02,008 --> 01:11:04,343
Yeah, it really is.
I mean, you know,
some of these things just...
1568
01:11:04,427 --> 01:11:06,637
Well, it's hard to
get at the last minute,
you know?
1569
01:11:06,721 --> 01:11:09,765
You can't arrange
it all overnight.
1570
01:11:09,849 --> 01:11:12,267
DEREK: David, we had
a 15-year ride, mate.
1571
01:11:12,352 --> 01:11:15,062
I mean, who wants to be
a fucking 45-year-old
rock 'n' roller
1572
01:11:15,146 --> 01:11:17,648
farting around
in front of people
less than half their age?
1573
01:11:17,732 --> 01:11:18,774
That is so true, yeah.
1574
01:11:18,858 --> 01:11:22,027
Cranking out some
kind of mediocre
head-banging bullshit,
1575
01:11:22,111 --> 01:11:23,111
you know,
that we forgot...
1576
01:11:23,196 --> 01:11:24,196
Yeah, well,
it's beneath us.
1577
01:11:24,280 --> 01:11:25,238
That's right.
1578
01:11:25,323 --> 01:11:26,782
Who wants to see it?
Absolutely right.
1579
01:11:26,866 --> 01:11:28,241
Not me.
I mean, you can
take all those projects
1580
01:11:28,326 --> 01:11:29,660
that we thought,
you know, we didn't...
1581
01:11:29,744 --> 01:11:31,119
Oh, there's dozens,
they're so...
1582
01:11:31,204 --> 01:11:33,664
You know,
we didn't have time
for them because of Tap,
1583
01:11:33,748 --> 01:11:35,374
and bring them
back to life, maybe.
1584
01:11:35,458 --> 01:11:36,917
Do you remember
what we were...
Do you remember...
1585
01:11:37,001 --> 01:11:40,963
At the Luton Palace,
we were talking
about a rock musical
1586
01:11:41,047 --> 01:11:42,297
based on the life
of Jack the Ripper.
1587
01:11:42,382 --> 01:11:44,383
Yeah, Saucy Jack.
Right, Saucy Jack.
1588
01:11:44,467 --> 01:11:45,467
Saucy Jack.
Now's the time to do that.
1589
01:11:45,551 --> 01:11:47,970
BOTH: (SINGING)
You're a naughty one,
Saucy Jack
1590
01:11:48,054 --> 01:11:50,430
You're a haughty one,
Saucy Jack
1591
01:11:50,556 --> 01:11:52,265
Right.
Bit of freeing up,
isn't it?
1592
01:11:52,350 --> 01:11:54,309
It's all this free time is...
Suddenly, time is so elastic.
1593
01:11:54,394 --> 01:11:56,645
It's a gift.
It's a gift of freedom.
1594
01:11:56,729 --> 01:12:00,607
I've always wanted
to do a collection
of my acoustic numbers
1595
01:12:00,692 --> 01:12:03,485
with the London Philharmonic,
as you know.
1596
01:12:03,569 --> 01:12:04,695
We're lucky.
Yeah.
1597
01:12:04,779 --> 01:12:07,406
I mean, people should be,
people should be
envying us, you know.
1598
01:12:07,490 --> 01:12:08,782
I envy us.
Yeah.
1599
01:12:08,866 --> 01:12:09,992
I do.
Me, too.
1600
01:12:13,913 --> 01:12:15,122
(SIGHS)
1601
01:12:18,084 --> 01:12:20,127
It's gonna be fine,
right?
1602
01:12:21,713 --> 01:12:23,005
We'll make them
miss us.
1603
01:12:23,089 --> 01:12:24,464
DAVID: Nice thought.
1604
01:12:26,926 --> 01:12:28,135
I'm in.
1605
01:12:28,469 --> 01:12:29,928
I'm in tune.
1606
01:12:30,263 --> 01:12:31,722
Come on, The last tuning.
let's go in.
1607
01:12:31,848 --> 01:12:33,682
I think we should
go in, huh?
The last tuning.
1608
01:12:33,808 --> 01:12:35,642
I think it's
time to go, right?
1609
01:12:36,477 --> 01:12:37,561
Can we go?
1610
01:12:37,854 --> 01:12:38,770
Yeah.
1611
01:12:39,397 --> 01:12:43,066
DAVID: All right, we're
going to do a good show,
a dynamite show.
1612
01:12:58,791 --> 01:13:00,625
Come to see the show?
1613
01:13:01,461 --> 01:13:02,586
Yeah.
1614
01:13:02,962 --> 01:13:04,629
Hi, Mick.
Nige.
1615
01:13:09,343 --> 01:13:11,511
So, did you just come here
to hang around backstage,
1616
01:13:11,596 --> 01:13:12,679
like a real
rock 'n' roller?
1617
01:13:12,764 --> 01:13:14,056
Is that what
you're doing?
1618
01:13:14,140 --> 01:13:16,099
I'm really a messenger.
1619
01:13:16,225 --> 01:13:17,726
DAVID: Oh,
a messenger?
Yeah.
1620
01:13:17,810 --> 01:13:19,311
I bumped into Ian, and...
1621
01:13:19,395 --> 01:13:20,687
Ian? Ian?
1622
01:13:21,439 --> 01:13:23,648
(LAUGHS)
Oh, the other
dead man, yeah.
1623
01:13:23,775 --> 01:13:28,236
Seems that Sex Farm
is on the charts in Japan.
1624
01:13:29,072 --> 01:13:30,989
DEREK: Spinal Tap's
recording, Sex Farm?
1625
01:13:31,074 --> 01:13:34,284
NIGEL: It's number five
last week, actually, and...
1626
01:13:34,368 --> 01:13:36,328
So, he...
1627
01:13:36,954 --> 01:13:41,500
He asked me
to ask you, Tap,
1628
01:13:42,710 --> 01:13:48,924
if you'd be
interested in reforming
and doing a tour, Japan.
1629
01:13:49,675 --> 01:13:51,384
So you've come
back to re-plug
1630
01:13:51,469 --> 01:13:53,095
our life-support
systems in, is that it?
1631
01:13:53,179 --> 01:13:55,430
By the grace
of your...
1632
01:13:55,515 --> 01:13:57,265
By the stroke of your hand,
you're going to set us...
1633
01:13:57,350 --> 01:13:58,475
Is that what
you're going to do?
1634
01:13:58,559 --> 01:13:59,684
You gonna bring
us back to life?
1635
01:13:59,727 --> 01:14:01,186
That what
you've come here for?
No, I've come...
1636
01:14:01,270 --> 01:14:02,270
I mean, it's...
Don't you...
1637
01:14:02,355 --> 01:14:06,358
The fucking nerve
that you display
in coming...
1638
01:14:06,442 --> 01:14:08,193
No, that's...
1639
01:14:08,319 --> 01:14:10,362
I'm just passing on
the information, really.
1640
01:14:11,364 --> 01:14:13,281
Yeah, well,
I think it's time
to go in.
1641
01:14:13,366 --> 01:14:15,200
We haven't got time
to discuss this now.
1642
01:14:15,284 --> 01:14:16,535
Come on.
1643
01:14:20,039 --> 01:14:21,414
All right?
1644
01:14:43,271 --> 01:14:44,563
David...
1645
01:14:45,898 --> 01:14:47,983
Do a good show,
all right?
1646
01:14:49,193 --> 01:14:50,569
Yeah, okay.
1647
01:15:00,705 --> 01:15:02,414
(HEAVY METAL MUSIC PLAYING)
1648
01:15:17,263 --> 01:15:19,222
(SINGING) Little girl,
it's a great big world
1649
01:15:19,307 --> 01:15:21,725
But there's only one of me
1650
01:15:22,685 --> 01:15:24,728
You can't touch
'cause I cost too much
1651
01:15:24,812 --> 01:15:26,396
But, tonight,
I'm gonna rock you
1652
01:15:26,480 --> 01:15:27,731
DEREK: Tonight,
I'm gonna rock you
1653
01:15:27,815 --> 01:15:29,065
Tonight, I'm gonna rock you
1654
01:15:29,150 --> 01:15:30,192
Tonight, I'm gonna rock you
1655
01:15:30,276 --> 01:15:31,443
Tonight!
1656
01:15:41,537 --> 01:15:43,580
You're sweet,
but you're just 4 feet
1657
01:15:43,664 --> 01:15:46,124
And you still
got your baby teeth
1658
01:15:47,001 --> 01:15:49,002
You're too young
and I'm too well-hung
1659
01:15:49,086 --> 01:15:50,712
But, tonight,
I'm gonna rock you
1660
01:15:50,796 --> 01:15:51,963
DEREK: Tonight,
I'm gonna rock you
1661
01:15:52,048 --> 01:15:53,173
Tonight,
I'm gonna rock you
1662
01:15:53,257 --> 01:15:54,716
Tonight,
I'm gonna rock you
1663
01:15:54,800 --> 01:15:56,009
Tonight!
1664
01:15:57,595 --> 01:15:58,887
Oh, yeah!
1665
01:16:12,360 --> 01:16:14,319
(AUDIENCE CHEERING)
1666
01:16:21,244 --> 01:16:23,828
Nigel Tufnel,
lead guitar!
1667
01:16:30,378 --> 01:16:31,962
(RADIO INTERFERENCE)
1668
01:16:32,046 --> 01:16:34,047
(MAN CHATTERING ON RADIO)
1669
01:16:47,228 --> 01:16:49,104
You're hot,
you take all we got
1670
01:16:49,272 --> 01:16:51,398
Not a dry seat in the house
1671
01:16:52,483 --> 01:16:54,526
Next day,
we'll be on our way
1672
01:16:54,610 --> 01:16:55,986
But, tonight,
I'm gonna rock you
1673
01:16:57,154 --> 01:16:58,571
Yeah, tonight,
we're gonna rock you
1674
01:16:58,656 --> 01:16:59,781
DEREK AND NIGEL:
Tonight, I'm gonna rock you
1675
01:16:59,865 --> 01:17:01,074
Tonight!
1676
01:17:10,418 --> 01:17:12,377
Little girl,
it's a great big world
1677
01:17:12,461 --> 01:17:14,379
But there's only one of
1678
01:17:16,090 --> 01:17:19,301
Me!
1679
01:17:35,151 --> 01:17:39,654
MARTY: Do you feel that
playing rock 'n' roll music
keeps you a child?
1680
01:17:40,239 --> 01:17:43,491
That is, keeps you in a state
of arrested development?
1681
01:17:43,576 --> 01:17:45,952
No, no.
No, I feel it's like...
1682
01:17:46,037 --> 01:17:49,622
It's more like
going to a national park
or something,
1683
01:17:49,707 --> 01:17:52,167
and there's, you know,
they preserve the moose.
1684
01:17:52,251 --> 01:17:54,252
And that's my
childhood up there
1685
01:17:54,337 --> 01:17:56,338
on stage,
is that moose, you know?
1686
01:17:56,422 --> 01:17:58,673
So, when you're playing,
you feel like a preserved
moose on stage?
1687
01:17:58,758 --> 01:17:59,758
Yeah.
1688
01:17:59,842 --> 01:18:01,009
I've been listening
to the classics.
1689
01:18:01,093 --> 01:18:03,595
I belong to a
great series.
1690
01:18:04,430 --> 01:18:06,973
It's called
the Namesake Series,
of cassettes.
1691
01:18:07,058 --> 01:18:09,184
And they send you the works
of famous authors
1692
01:18:09,268 --> 01:18:11,978
done by actors with
the same last name.
1693
01:18:12,313 --> 01:18:15,815
So I've got
Denholm Elliott reading
T.S. Eliot on this one.
1694
01:18:15,941 --> 01:18:17,484
Well, that's
interesting.
Yes.
1695
01:18:17,568 --> 01:18:19,527
I've got Danny Thomas
doing A Child's
1696
01:18:19,612 --> 01:18:21,529
Christmas in
Wales by Dylan Thomas.
1697
01:18:21,614 --> 01:18:26,785
And next month,
it's McLean Stevenson reads
Robert Louis Stevenson.
1698
01:18:27,411 --> 01:18:28,495
Treasure Island,
I believe.
1699
01:18:28,621 --> 01:18:30,455
That's interesting.
That's fascinating.
Yeah.
1700
01:18:30,539 --> 01:18:31,790
There's also something...
1701
01:18:31,874 --> 01:18:34,209
There's a shorter works
of Washington Irving
1702
01:18:34,293 --> 01:18:36,544
read by someone
called Dr. J.
1703
01:18:36,629 --> 01:18:38,338
Oh, that's
Julius Erving.
1704
01:18:38,464 --> 01:18:40,173
There you go.
Julius Erving,
the basketball player.
1705
01:18:40,257 --> 01:18:41,383
In keeping with
the series, yeah.
1706
01:18:41,467 --> 01:18:42,550
I didn't know that.
1707
01:18:42,635 --> 01:18:43,635
You like this?
1708
01:18:43,719 --> 01:18:44,886
MARTY: It's very nice.
It looks like Halloween.
1709
01:18:44,970 --> 01:18:49,140
This is my exact
inner structure,
done in a T-shirt.
1710
01:18:49,892 --> 01:18:52,268
Exactly medically accurate.
See?
1711
01:18:52,812 --> 01:18:54,312
So, in other words,
if we were to
1712
01:18:54,397 --> 01:18:56,022
take all your
flesh and blood...
1713
01:18:56,107 --> 01:18:57,565
Take them off.
And you'd see...
1714
01:18:57,650 --> 01:18:58,983
This is what you'd see.
1715
01:18:59,068 --> 01:19:00,360
It wouldn't be
green, though.
1716
01:19:00,444 --> 01:19:01,820
It is green.
1717
01:19:01,904 --> 01:19:04,406
You know, see how
your blood looks blue?
1718
01:19:04,490 --> 01:19:05,782
Yeah, well,
that's just the vein,
1719
01:19:05,866 --> 01:19:07,242
I mean, the color
of the vein, I mean.
1720
01:19:07,326 --> 01:19:08,618
The blood is actually red.
1721
01:19:08,702 --> 01:19:10,328
Oh, maybe
it's not green, then.
1722
01:19:10,371 --> 01:19:12,455
Anyway, this is what
I sleep in sometimes.
Yeah.
1723
01:19:12,706 --> 01:19:14,707
MARTY: Denis Eton-Hogg,
the president
1724
01:19:14,792 --> 01:19:17,710
of Polymer Records,
was recently knighted.
1725
01:19:18,045 --> 01:19:21,256
What were the circumstances
surrounding his knighthood?
1726
01:19:21,340 --> 01:19:23,091
The specific reason
why he was knighted
1727
01:19:23,175 --> 01:19:25,510
was for the founding
of Hoggwood,
1728
01:19:26,220 --> 01:19:29,514
which is a summer camp
for pale young boys.
1729
01:19:32,143 --> 01:19:33,560
MARTY: David St. Hubbins,
1730
01:19:33,644 --> 01:19:36,062
I must admit, I've never
heard of anybody
with that name.
1731
01:19:36,147 --> 01:19:37,313
It's an unusual name.
1732
01:19:37,398 --> 01:19:38,773
Well, he was
an unusual saint.
1733
01:19:38,858 --> 01:19:40,400
He's not a very
well-known saint.
1734
01:19:40,484 --> 01:19:41,985
Oh, there actually is...
There was a St. Hubbins?
1735
01:19:42,069 --> 01:19:43,445
Oh, yes.
That's right, yes.
1736
01:19:43,529 --> 01:19:45,029
Yeah.
What was he
the saint of?
1737
01:19:45,114 --> 01:19:48,032
He was the patron saint
of quality footwear.
1738
01:19:48,117 --> 01:19:52,871
You play to predominantly
a white audience.
1739
01:19:53,038 --> 01:19:55,457
Do you feel your music
is racist in any way?
1740
01:19:55,541 --> 01:19:57,792
No, not at all.
No, of course not.
1741
01:19:57,877 --> 01:20:00,295
You know, we say,
"Love your brother."
1742
01:20:00,379 --> 01:20:01,671
We don't say it,
really, but...
1743
01:20:01,714 --> 01:20:03,423
We don't
literally say it.
No, we don't say it.
1744
01:20:03,549 --> 01:20:05,508
We don't really
literally mean it.
We don't believe it either.
1745
01:20:05,593 --> 01:20:07,719
But we're not racists.
But...
1746
01:20:07,803 --> 01:20:09,220
That message
should be clear, anyway.
1747
01:20:09,305 --> 01:20:10,680
We're anything
but racists.
1748
01:20:10,764 --> 01:20:11,806
You know,
we've grown musically.
1749
01:20:11,891 --> 01:20:13,183
I mean, you listen
to some of the rubbish
1750
01:20:13,267 --> 01:20:15,477
we did early on,
it was stupid.
MARTY: Yeah.
1751
01:20:15,561 --> 01:20:18,104
You know, now, I mean,
a song like Sex Farm,
1752
01:20:18,189 --> 01:20:21,107
we're taking
a sophisticated
1753
01:20:21,192 --> 01:20:24,569
view of the idea of sex,
you know, and...
1754
01:20:24,987 --> 01:20:26,738
Putting it on a farm.
Yeah.
1755
01:20:26,822 --> 01:20:29,282
MARTY: If I were to ask you
what your philosophy
1756
01:20:29,366 --> 01:20:31,910
of life or your creed,
what would that be?
1757
01:20:32,953 --> 01:20:38,166
Have a good time
all the time.
1758
01:20:39,960 --> 01:20:42,128
That's my philosophy, Marty.
1759
01:20:42,254 --> 01:20:44,339
I believe virtually
everything I read,
1760
01:20:44,423 --> 01:20:48,843
and I think that
is what makes me
more of a selective human
1761
01:20:48,928 --> 01:20:51,012
than someone who doesn't
believe anything.
1762
01:20:51,096 --> 01:20:54,390
Do you have
a philosophy or creed
that you live by?
1763
01:20:54,642 --> 01:20:57,602
Well, you know, personally,
I like to think about
1764
01:20:57,686 --> 01:20:59,604
sex and drugs and
rock 'n' roll, you know.
1765
01:20:59,688 --> 01:21:00,688
That's my life.
Yeah.
1766
01:21:00,773 --> 01:21:04,317
MARTY: If you were to
have something written
as your epitaph...
1767
01:21:05,277 --> 01:21:07,946
"Here lies David St. Hubbins,
1768
01:21:10,449 --> 01:21:11,908
"and why not?"
1769
01:21:14,245 --> 01:21:15,995
You feel that
sums up your...
1770
01:21:16,121 --> 01:21:18,164
No, it's the first
thing I could think of.
Oh, I see.
1771
01:21:18,249 --> 01:21:19,582
It doesn't sum up
anything, really.
1772
01:21:19,667 --> 01:21:20,959
Yeah.
1773
01:21:21,043 --> 01:21:23,795
I'm a real fish nut.
I really like fish.
1774
01:21:23,921 --> 01:21:25,630
MARTY: What kind of fish?
1775
01:21:26,048 --> 01:21:28,341
Well, in the United States,
you have cod.
1776
01:21:28,592 --> 01:21:29,926
I like cod.
1777
01:21:30,010 --> 01:21:32,720
And I love tuna,
those little cans
you've got here.
1778
01:21:32,805 --> 01:21:34,472
Tuna fish.
Yeah.
1779
01:21:34,848 --> 01:21:36,349
No bones.
Yeah.
1780
01:21:36,433 --> 01:21:37,433
(CHUCKLES)
1781
01:21:38,686 --> 01:21:41,896
MARTY: If you could not
play rock 'n' roll,
what would you do?
1782
01:21:41,981 --> 01:21:44,065
I'd be a full-time dreamer.
1783
01:21:44,149 --> 01:21:46,150
I'd probably get
a bit stupid and start
1784
01:21:46,277 --> 01:21:48,236
to make a fool of
myself in public,
1785
01:21:48,320 --> 01:21:50,655
'cause there wouldn't
be a stage to go on.
1786
01:21:50,739 --> 01:21:52,907
Probably work with children.
1787
01:21:53,534 --> 01:21:56,494
As long as there's, you know,
sex and drugs,
1788
01:21:56,579 --> 01:21:58,204
I can do without
the rock 'n' roll.
1789
01:21:59,665 --> 01:22:02,875
I suppose I
could work in a shop
of some kind,
1790
01:22:02,960 --> 01:22:08,047
or do freelance selling
of some sort of product.
1791
01:22:09,091 --> 01:22:10,174
A salesman?
You think...
1792
01:22:10,259 --> 01:22:12,885
A salesman.
Maybe in a haberdasher.
1793
01:22:12,970 --> 01:22:17,765
Or maybe like a
chapeau shop or something.
1794
01:22:18,601 --> 01:22:22,270
You know, like, "Would you...
What size do you wear, sir?"
1795
01:22:22,354 --> 01:22:23,354
And then you answer me.
1796
01:22:23,439 --> 01:22:24,939
Seven and a quarter.
1797
01:22:25,024 --> 01:22:26,899
"I think we have that."
1798
01:22:27,026 --> 01:22:29,068
See, something
like that, I could do.
Yeah.
1799
01:22:29,153 --> 01:22:30,486
Do you think you'd be happy
doing something...
1800
01:22:30,571 --> 01:22:33,281
"No, we're all out.
Do you wear black?"
1801
01:22:33,365 --> 01:22:36,200
See, that sort of thing
I think I could
probably muster up.
1802
01:22:36,285 --> 01:22:39,245
Yeah. Do you think
you'd be happy doing that?
1803
01:22:39,455 --> 01:22:41,706
Well, I don't know.
What are the hours?
131158
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