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WWW.MY-SUBS.COM
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[♪♪♪]
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[WIND WHISTLING]
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[SAMWELL SHIVERING]
4
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NORTHMAN 1:
Oi!
5
00:02:00,967 --> 00:02:02,009
NORTHMAN 2:
Mind out.
6
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Move!
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[♪♪♪]
8
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[MEN CHATTERING
INDISTINCTLY]
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00:02:20,301 --> 00:02:22,801
NORTHMAN:
Look, on the west wall!
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SOLDIER:
Get down to the crypt!
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00:02:24,884 --> 00:02:26,509
[BABY CRYING]
12
00:02:27,843 --> 00:02:29,050
SOLDIER:
Just hold.
13
00:02:30,134 --> 00:02:31,342
MAN:
We'll take him.
14
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-Come on, help the lads!
SOLDIER 1: Yes, my lady.
15
00:02:38,134 --> 00:02:41,301
LYANNA:
Quickly, now! Quickly!
Get those in position.
16
00:02:41,384 --> 00:02:44,467
SOLDIER 1: Come on.
SOLDIER 2: Close the gate!
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00:02:44,551 --> 00:02:46,175
SOLDIER 3:
That's it.
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[♪♪♪]
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00:03:02,092 --> 00:03:03,384
[GRUNTS]
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[WIND WHISTLING]
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[EXHALES HEAVILY]
22
00:04:07,843 --> 00:04:09,050
[GASPS SOFTLY]
23
00:04:09,134 --> 00:04:11,134
[DRAGON ROARING]
24
00:04:15,092 --> 00:04:17,134
[SOLDIERS SHOUTING
INDISTINCTLY]
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00:04:42,301 --> 00:04:44,301
[HORSES SNORTING]
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[CLEARS THROAT]
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00:05:25,384 --> 00:05:28,925
Oh, for fuck's sake.
You took your time.
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00:05:30,259 --> 00:05:31,884
[HORSE NEIGHS]
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00:05:37,634 --> 00:05:39,551
[SNORTING]
30
00:06:00,551 --> 00:06:02,467
[WIND WHISTLING]
31
00:06:13,175 --> 00:06:15,134
[DRAGONS GROWLING]
32
00:06:52,634 --> 00:06:55,634
[♪♪♪]
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00:07:32,551 --> 00:07:34,509
Do you speak their tongue?
34
00:07:38,092 --> 00:07:40,509
Tell them to lift their swords.
35
00:07:45,175 --> 00:07:47,134
[WIND WHISTLING]
36
00:07:53,467 --> 00:07:55,426
[SPEAKS IN DOTHRAKI]
37
00:07:56,925 --> 00:07:58,884
[WEAPONS CLINKING]
38
00:08:13,134 --> 00:08:16,092
[♪♪♪]
39
00:08:17,259 --> 00:08:19,259
[SPEAKING IN HIGH VALYRIAN]
40
00:08:34,884 --> 00:08:36,801
[SOLDIERS EXCLAIMING]
41
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[♪♪♪]
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00:09:18,384 --> 00:09:20,801
[♪♪♪]
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00:09:24,217 --> 00:09:25,843
Valar morghulis.
44
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Valar dohaeris.
45
00:09:42,634 --> 00:09:43,759
Open the gate!
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SOLDIER 1:
Open the gate!
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00:09:45,342 --> 00:09:47,342
SOLDIER 2:
Open the gate!
48
00:10:02,342 --> 00:10:04,134
MAN 1:
Come. Come on.
49
00:10:05,509 --> 00:10:06,509
Easy.
50
00:10:10,050 --> 00:10:13,009
[♪♪♪]
51
00:10:33,092 --> 00:10:35,884
There's no need to execute me,
Ser Davos.
52
00:10:35,967 --> 00:10:38,551
I'll be dead before the dawn.
53
00:10:40,718 --> 00:10:43,718
[♪♪♪]
54
00:10:59,050 --> 00:11:01,217
[SOLDIER SHOUTING
INDISTINCTLY]
55
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[DOTHRAKI ULULATING]
56
00:12:38,301 --> 00:12:41,676
SOLDIER [IN DOTHRAKI]:
57
00:12:50,467 --> 00:12:52,384
[WIND WHISTLING]
58
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[HOOFBEATS POUNDING]
59
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[NEIGHS HOARSELY]
60
00:13:47,634 --> 00:13:50,593
[♪♪♪]
61
00:13:51,884 --> 00:13:53,884
[HORSES NEIGHING]
62
00:14:19,134 --> 00:14:20,426
[GASPS]
63
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The Night King is coming.
64
00:14:25,384 --> 00:14:27,384
The dead are already here.
65
00:14:30,801 --> 00:14:33,134
[DRAGON ROARS]
66
00:14:56,967 --> 00:14:59,967
[♪♪♪]
67
00:15:04,342 --> 00:15:06,301
[WIND WHISTLING]
68
00:15:23,676 --> 00:15:25,384
[GREY WORM SPEAKS
IN VALYRIAN]
69
00:15:25,467 --> 00:15:26,634
[UNSULLIED GRUNT]
70
00:15:32,009 --> 00:15:34,009
[SOLDIERS GRUNTING]
71
00:15:37,593 --> 00:15:39,551
[WIGHTS SNARLING]
72
00:15:47,551 --> 00:15:49,175
[YELLS]
73
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Stand your ground!
74
00:15:53,801 --> 00:15:55,801
[SOLDIERS CLAMORING]
75
00:16:07,593 --> 00:16:08,593
[SCREAMS]
76
00:16:08,676 --> 00:16:09,718
[GRUNTS]
77
00:16:11,301 --> 00:16:12,884
[SCREAMS]
78
00:16:13,884 --> 00:16:16,884
[♪♪♪]
79
00:17:13,259 --> 00:17:15,217
[WIND WHISTLING]
80
00:17:38,718 --> 00:17:41,467
[♪♪♪]
81
00:17:43,092 --> 00:17:44,843
ARYA:
Get down to the crypt.
82
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SANSA:
I'm not abandoning my people.
83
00:17:48,134 --> 00:17:49,634
ARYA:
Take this and go.
84
00:17:53,175 --> 00:17:54,801
I don't know how to use it.
85
00:17:56,009 --> 00:17:57,801
Stick them with the pointy end.
86
00:18:04,384 --> 00:18:07,301
[♪♪♪]
87
00:18:07,384 --> 00:18:09,342
[SOLDIERS GRUNTING]
88
00:19:15,509 --> 00:19:17,217
[SOLDIER SHOUTS INDISTINCTLY]
89
00:19:24,509 --> 00:19:25,884
SAMWELL:
Edd!
90
00:19:27,050 --> 00:19:28,342
Edd!
91
00:19:29,509 --> 00:19:31,050
[WHIMPERING]
92
00:19:47,259 --> 00:19:48,551
EDD:
Sam, get up!
93
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[GASPING]
94
00:19:53,509 --> 00:19:55,759
Oh, God. Sam.
95
00:19:57,426 --> 00:19:59,050
[SNARLS]
96
00:19:59,925 --> 00:20:01,301
WOMAN [SCREAMS]:
Edd!
97
00:20:03,925 --> 00:20:06,259
[DOOR CLOSES, THEN LOCKS]
98
00:20:11,259 --> 00:20:13,301
[PEOPLE WHISPERING
INDISTINCTLY]
99
00:20:52,467 --> 00:20:54,467
[WIND WHISTLING]
100
00:21:02,551 --> 00:21:03,676
[JON GRUNTS]
101
00:21:15,426 --> 00:21:16,593
[DAENERYS GRUNTS]
102
00:21:16,676 --> 00:21:18,843
[JON GRUNTS]
103
00:21:36,843 --> 00:21:39,843
[♪♪♪]
104
00:21:42,884 --> 00:21:45,551
Fall back! Fall back!
105
00:21:47,843 --> 00:21:49,925
Fall back!
106
00:21:50,009 --> 00:21:51,092
SOLDIER:
Come on!
107
00:21:52,801 --> 00:21:53,759
Open the gate!
108
00:21:53,843 --> 00:21:55,759
SOLDIER 1:
Open the gate!
109
00:21:55,843 --> 00:21:57,050
SOLDIER 2:
Let us in!
110
00:21:59,259 --> 00:22:00,759
SOLDIER 1:
Open the gate!
111
00:22:00,843 --> 00:22:02,217
SOLDIER 3:
Open the gate!
112
00:22:05,050 --> 00:22:06,217
SOLDIER 4:
Keep moving!
113
00:22:10,009 --> 00:22:11,342
SOLDIER 5:
Come on!
114
00:22:14,551 --> 00:22:17,134
LYANNA: Keep moving, fast.
SOLDIER 5: To your posts.
115
00:22:17,217 --> 00:22:19,217
SOLDIER 6: Go!
SOLDIER 7: Keep moving!
116
00:22:21,050 --> 00:22:22,801
SOLDIER 1:
Come on, run!
117
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Keep moving!
118
00:22:30,676 --> 00:22:32,718
[IN VALYRIAN]
119
00:22:38,759 --> 00:22:39,967
[UNSULLIED GRUNT]
120
00:22:55,092 --> 00:22:57,092
[SOLDIERS CLAMORING]
121
00:23:15,175 --> 00:23:17,134
[♪♪♪]
122
00:23:19,426 --> 00:23:20,801
Dany!
123
00:23:33,259 --> 00:23:35,175
[WIND WHISTLING]
124
00:23:47,593 --> 00:23:49,509
SOLDIER 1:
Grab your weapon now!
125
00:23:49,593 --> 00:23:51,175
SOLDIER 2:
Guard the barricades!
126
00:23:51,259 --> 00:23:53,509
SOLDIER 3:
Through that pass!
127
00:23:53,593 --> 00:23:55,092
BRIENNE:
Hey! Hey! Hey!
128
00:23:55,175 --> 00:23:56,593
SOLDIER 4:
Close up the gaps!
129
00:23:56,676 --> 00:23:59,593
Go! Hey! Go! Go!
130
00:23:59,676 --> 00:24:01,593
Get in! Get in!
131
00:24:01,676 --> 00:24:03,342
Get in! Come on!
132
00:24:06,175 --> 00:24:07,759
[GREY WORM SHOUTING
INDISTINCTLY]
133
00:24:07,843 --> 00:24:09,050
[UNSULLIED GRUNTING]
134
00:24:24,301 --> 00:24:27,301
[♪♪♪]
135
00:24:38,134 --> 00:24:39,759
SOLDIER 1:
Move!
136
00:24:53,217 --> 00:24:55,175
[SNARLING]
137
00:25:04,884 --> 00:25:06,217
[SOLDIER WHIMPERING]
138
00:25:09,551 --> 00:25:13,092
SOLDIER 1 [IN VALYRIAN]:
139
00:25:13,175 --> 00:25:14,676
SOLDIER 2 [IN VALYRIAN]:
140
00:25:14,759 --> 00:25:16,801
SOLDIER 1 [IN ENGLISH]: Come on!
SOLDIER 2 [IN ENGLISH]: Come on!
141
00:25:16,884 --> 00:25:18,426
SOLDIER 1: Come on!
SOLDIER 3: Come on!
142
00:25:19,884 --> 00:25:21,217
LYANNA:
Protect the gate!
143
00:25:21,301 --> 00:25:23,342
SOLDIER 1:
Protect the gate!
144
00:25:23,426 --> 00:25:25,925
They're coming! Come on!
145
00:25:26,009 --> 00:25:27,593
Fall back!
146
00:25:33,551 --> 00:25:35,426
[PANTING]
147
00:25:47,509 --> 00:25:48,551
Light the trench!
148
00:25:49,342 --> 00:25:50,759
Light the trench!
149
00:25:52,050 --> 00:25:54,467
SOLDIER 2: Wait!
SOLDIER 3: Light the trench!
150
00:26:07,634 --> 00:26:08,467
[GRUNTS]
151
00:26:08,551 --> 00:26:11,509
[♪♪♪]
152
00:26:23,801 --> 00:26:25,009
She can't see us.
153
00:26:26,759 --> 00:26:27,801
Light the trenches!
154
00:26:42,301 --> 00:26:44,426
SOLDIER 1:
With a torch,
light the trenches!
155
00:26:44,509 --> 00:26:46,967
-Right there.
SOLDIER 2: Torch it!
156
00:26:48,593 --> 00:26:49,676
Light the trenches!
157
00:27:09,925 --> 00:27:11,509
[GRUNTING]
158
00:27:14,634 --> 00:27:16,634
[SNARLING]
159
00:27:16,718 --> 00:27:18,509
[SHOUTS INDISTINCTLY]
160
00:27:20,718 --> 00:27:22,718
[SHOUTING INDISTINCTLY]
161
00:27:28,342 --> 00:27:30,467
[UNSULLIED GRUNT]
162
00:27:30,551 --> 00:27:32,759
[MAN SHOUTING INDISTINCTLY]
163
00:27:42,009 --> 00:27:43,342
[SPEAKS IN VALYRIAN]
164
00:27:43,426 --> 00:27:44,509
[UNSULLIED GRUNT]
165
00:27:54,384 --> 00:27:56,384
[SPEAKING IN HIGH VALYRIAN]
166
00:28:41,092 --> 00:28:43,092
[♪♪♪]
167
00:29:12,843 --> 00:29:15,050
[SCREECHING]
168
00:29:15,134 --> 00:29:17,676
[SOLDIERS SHOUTING
INDISTINCTLY]
169
00:29:34,551 --> 00:29:35,509
Clegane.
170
00:29:37,843 --> 00:29:39,801
[BABY CRYING]
171
00:29:41,676 --> 00:29:44,676
WOMAN [SOFTLY]:
You must try
not to worry yourself.
172
00:29:56,676 --> 00:29:59,843
[SIGHS]
At least we're already
in a crypt.
173
00:30:04,551 --> 00:30:06,509
If we were up there,
174
00:30:06,593 --> 00:30:10,092
we might see something
everyone else is missing.
175
00:30:11,551 --> 00:30:13,175
Something that makes
a difference.
176
00:30:13,259 --> 00:30:15,967
-[SCOFFS]
-What?
177
00:30:16,050 --> 00:30:17,676
Remember the Battle
of Blackwater?
178
00:30:17,759 --> 00:30:19,092
I brought us
through the Mud Gate.
179
00:30:19,175 --> 00:30:20,593
And got your face cut in half.
180
00:30:20,676 --> 00:30:22,384
And it made a difference.
181
00:30:24,884 --> 00:30:26,467
If I was out there right now...
182
00:30:26,551 --> 00:30:27,925
You'd die.
183
00:30:30,259 --> 00:30:32,259
There's nothing you can do.
184
00:30:35,843 --> 00:30:38,134
You might be surprised
at the lengths I'd go
185
00:30:38,217 --> 00:30:40,634
to avoid joining
the Army of the Dead.
186
00:30:40,718 --> 00:30:43,925
I could think of no organization
less suited to my talents.
187
00:30:44,009 --> 00:30:46,426
Witty remarks
won't make a difference.
188
00:30:48,801 --> 00:30:51,967
That's why we're down here,
none of us can do anything.
189
00:30:53,801 --> 00:30:54,884
It's the truth.
190
00:30:56,134 --> 00:30:58,925
It's the most heroic thing
we can do now...
191
00:31:00,384 --> 00:31:02,426
look the truth in the face.
192
00:31:07,259 --> 00:31:09,676
Maybe we should have
stayed married.
193
00:31:09,759 --> 00:31:11,593
You were the best of them.
194
00:31:12,801 --> 00:31:14,967
What a terrifying thought.
195
00:31:21,925 --> 00:31:23,426
It wouldn't work between us.
196
00:31:24,759 --> 00:31:26,426
Why not?
197
00:31:26,509 --> 00:31:27,925
The Dragon Queen.
198
00:31:29,925 --> 00:31:33,301
Your divided loyalties
would become a problem.
199
00:31:34,301 --> 00:31:36,050
MISSANDEI:
Yes.
200
00:31:36,134 --> 00:31:38,967
Without the Dragon Queen,
there'd be no problem at all.
201
00:31:40,092 --> 00:31:41,676
We'd all be dead already.
202
00:31:50,843 --> 00:31:52,801
[WIND WHISTLING]
203
00:32:03,426 --> 00:32:05,301
They lit the trench.
204
00:32:19,009 --> 00:32:20,009
Bran...
205
00:32:25,426 --> 00:32:27,342
I just want you to know...
206
00:32:31,509 --> 00:32:32,467
I wish--
207
00:32:33,718 --> 00:32:35,050
The things I did--
208
00:32:35,134 --> 00:32:38,050
Everything you did
brought you where you are now.
209
00:32:40,342 --> 00:32:41,718
Where you belong.
210
00:32:43,843 --> 00:32:45,009
Home.
211
00:32:55,718 --> 00:32:57,884
I'm going to go now.
212
00:33:00,551 --> 00:33:01,551
Go where?
213
00:33:03,884 --> 00:33:06,884
[♪♪♪]
214
00:33:08,718 --> 00:33:10,718
[RAVENS CAWING]
215
00:33:32,509 --> 00:33:34,467
[♪♪♪]
216
00:34:32,801 --> 00:34:34,801
[♪♪♪]
217
00:34:50,301 --> 00:34:51,634
Man the walls!
218
00:34:52,676 --> 00:34:54,301
SOLDIER 1:
Man the walls!
219
00:35:02,509 --> 00:35:04,676
SOLDIER 2:
Man the wall!
220
00:35:04,759 --> 00:35:06,342
Man the walls!
221
00:35:08,175 --> 00:35:09,925
Come on!
222
00:35:10,009 --> 00:35:12,801
Get out there! Get moving!
223
00:35:12,884 --> 00:35:15,009
Come on. Come on! Come on!
224
00:35:18,467 --> 00:35:20,843
Go, go, go!
225
00:35:20,925 --> 00:35:22,384
BRIENNE:
Come on!
226
00:35:49,884 --> 00:35:52,217
[ROARS]
227
00:36:01,884 --> 00:36:03,759
SOLDIER 1:
They're against the wall!
228
00:36:07,884 --> 00:36:10,092
Get more men up here!
229
00:36:14,259 --> 00:36:16,342
-Fill the gaps, quickly!
-Get in there!
230
00:36:16,426 --> 00:36:17,967
SOLDIER 2:
They're climbing the walls!
231
00:36:18,050 --> 00:36:20,593
-Relieve the archers!
SOLDIER 2: Relieve the archers!
232
00:36:22,467 --> 00:36:23,843
Archers on top!
233
00:36:23,925 --> 00:36:26,676
SOLDIER 1: Move up!
SOLDIER 2: Go, go! Come here!
234
00:36:26,759 --> 00:36:28,301
-Come on!
SOLDIER 3: Move back!
235
00:36:28,384 --> 00:36:30,301
SOLDIER 4: Stand away!
SOLDIER 2: Go on, go on. Go! Go.
236
00:36:30,384 --> 00:36:32,718
SOLDIER 3: Step back.
SOLDIER 4: All the way, archers!
237
00:36:36,092 --> 00:36:37,467
[SPEAKS IN VALYRIAN]
238
00:36:42,884 --> 00:36:44,467
[SNARLING]
239
00:36:48,426 --> 00:36:49,676
SOLDIER 1:
Hold the wall!
240
00:36:49,759 --> 00:36:51,301
SOLDIER 2:
The wall, they're coming up!
241
00:36:51,384 --> 00:36:54,843
SOLDIER 3: Hold the wall!
SOLDIER 4: Hold the wall!
242
00:36:54,925 --> 00:36:56,092
Draw!
243
00:37:20,801 --> 00:37:21,967
Come on!
244
00:37:55,967 --> 00:37:58,967
[♪♪♪]
245
00:38:05,050 --> 00:38:06,134
[YELLS]
246
00:38:12,843 --> 00:38:14,175
SOLDIER:
They're coming up!
247
00:38:26,384 --> 00:38:27,551
Look out!
248
00:38:31,843 --> 00:38:33,217
[WHIMPERING]
249
00:39:27,259 --> 00:39:29,217
[SHUDDERING]
250
00:39:42,634 --> 00:39:44,925
[♪♪♪]
251
00:39:53,467 --> 00:39:54,634
[YELLS]
252
00:39:55,967 --> 00:39:57,967
[GRUNTING]
253
00:40:06,551 --> 00:40:07,676
Clegane!
254
00:40:09,134 --> 00:40:10,259
Clegane!
255
00:40:42,009 --> 00:40:43,384
[SCREAMS]
256
00:40:48,259 --> 00:40:49,342
[GRUNTS]
257
00:41:20,759 --> 00:41:22,676
BERIC:
Clegane!
258
00:41:22,759 --> 00:41:24,967
Clegane, we need you!
259
00:41:25,050 --> 00:41:26,301
You can't give up on us.
260
00:41:26,384 --> 00:41:28,593
Fuck off! We can't beat them.
261
00:41:28,676 --> 00:41:31,175
Don't you see that,
you stupid whore?
262
00:41:31,259 --> 00:41:32,967
We're fighting Death!
263
00:41:33,050 --> 00:41:34,384
They can't beat Death.
264
00:41:39,301 --> 00:41:40,551
Tell her that.
265
00:41:50,718 --> 00:41:52,301
[PANTING]
266
00:41:52,384 --> 00:41:53,925
[SCREAMING]
267
00:42:04,175 --> 00:42:06,092
[GASPING]
268
00:42:15,676 --> 00:42:16,967
[YELLS]
269
00:42:37,843 --> 00:42:40,009
[ROARS]
270
00:42:52,217 --> 00:42:55,175
[♪♪♪]
271
00:43:09,009 --> 00:43:11,967
[♪♪♪]
272
00:43:24,175 --> 00:43:26,342
[DAENERYS WHIMPERING]
273
00:43:39,843 --> 00:43:41,676
[GRUNTING]
274
00:43:43,551 --> 00:43:46,509
[♪♪♪]
275
00:44:43,342 --> 00:44:45,259
[PANTING]
276
00:44:46,259 --> 00:44:48,301
[FOOTSTEPS]
277
00:46:06,217 --> 00:46:09,175
[♪♪♪]
278
00:46:47,467 --> 00:46:49,426
[WIGHT CROAKS]
279
00:47:00,843 --> 00:47:02,426
[SNARLING]
280
00:47:18,593 --> 00:47:19,843
[GASPS SOFTLY]
281
00:47:31,467 --> 00:47:33,426
[WIND WHISTLING]
282
00:47:42,759 --> 00:47:44,759
[SNARLING IN DISTANCE]
283
00:47:46,342 --> 00:47:48,301
[BREATHING SHAKILY]
284
00:47:58,384 --> 00:48:00,301
[SNARLING]
285
00:48:03,092 --> 00:48:04,593
[PANTING]
286
00:48:32,718 --> 00:48:35,925
[WIGHTS SNARLING IN DISTANCE]
[MEN YELLING IN DISTANCE]
287
00:49:11,634 --> 00:49:13,092
[DOOR THUDS]
288
00:49:13,175 --> 00:49:14,967
[ALL GASPING]
289
00:49:15,050 --> 00:49:16,342
SOLDIER 1:
Open the door!
290
00:49:18,967 --> 00:49:20,301
SOLDIER 2:
Open the door!
291
00:49:20,384 --> 00:49:22,134
SOLDIER 3: Come on!
SOLDIER 4: Open the door!
292
00:49:22,217 --> 00:49:23,634
Open the door!
293
00:49:28,426 --> 00:49:30,259
Please!
294
00:49:30,342 --> 00:49:31,509
Open it!
295
00:49:31,593 --> 00:49:33,718
[SOLDIERS SCREAMING
INDISTINCTLY]
296
00:49:35,676 --> 00:49:37,676
[SCREAMING FADES]
297
00:49:46,426 --> 00:49:48,384
[WIND WHISTLING]
298
00:50:04,551 --> 00:50:06,509
[OBJECT CLATTERS
IN DISTANCE]
299
00:50:21,925 --> 00:50:23,593
-[OBJECT THUDS]
-[GASPS]
300
00:50:24,801 --> 00:50:26,884
[WIGHTS SNARLING
IN DISTANCE]
301
00:50:44,925 --> 00:50:46,884
[SCREAMING]
302
00:50:48,593 --> 00:50:50,259
Rah!
303
00:50:57,009 --> 00:50:58,092
Aah!
304
00:51:00,467 --> 00:51:02,426
[GRUNTING]
305
00:51:06,301 --> 00:51:08,884
Come on! Go!
306
00:51:08,967 --> 00:51:11,843
-Come on!
BERIC: Run!
307
00:51:38,050 --> 00:51:39,342
We've gotta go!
308
00:51:41,676 --> 00:51:44,676
[♪♪♪]
309
00:52:16,175 --> 00:52:18,175
[PANTING]
310
00:52:25,884 --> 00:52:27,384
[SPEAKS INDISTINCTLY]
311
00:52:40,759 --> 00:52:43,843
MELISANDRE:
The Lord brought him back
for a purpose.
312
00:52:48,217 --> 00:52:50,426
Now that purpose
has been served.
313
00:52:52,843 --> 00:52:55,801
[♪♪♪]
314
00:52:55,884 --> 00:52:56,884
I know you.
315
00:53:02,593 --> 00:53:03,759
And I know you.
316
00:53:11,551 --> 00:53:13,843
You said we'd meet again.
317
00:53:13,925 --> 00:53:15,134
And here we are.
318
00:53:16,175 --> 00:53:17,467
At the end of the world.
319
00:53:19,593 --> 00:53:21,551
You said I'd shut
many eyes forever.
320
00:53:23,217 --> 00:53:24,759
You were right about that too.
321
00:53:25,843 --> 00:53:27,676
Brown eyes...
322
00:53:27,759 --> 00:53:28,967
green eyes...
323
00:53:31,301 --> 00:53:32,634
and blue eyes.
324
00:53:38,259 --> 00:53:40,301
[WIGHTS SNARLING
AND THUDDING ON DOOR]
325
00:53:52,092 --> 00:53:54,801
What do we say
to the God of Death?
326
00:53:59,050 --> 00:54:00,134
Not today.
327
00:54:01,759 --> 00:54:04,759
[♪♪♪]
328
00:54:15,009 --> 00:54:16,967
[WIND WHISTLING]
329
00:54:18,259 --> 00:54:19,801
[WIGHTS SNARLING]
330
00:54:19,884 --> 00:54:21,259
[GASPS SOFTLY]
331
00:54:25,634 --> 00:54:26,676
Here they come!
332
00:54:30,426 --> 00:54:31,509
Steady, lads.
333
00:54:32,884 --> 00:54:33,967
Steady now.
334
00:54:36,801 --> 00:54:38,175
Make every shot count.
335
00:54:39,217 --> 00:54:41,676
[♪♪♪]
336
00:54:47,593 --> 00:54:48,676
MAN 1:
Over there!
337
00:54:51,925 --> 00:54:52,967
MAN 2:
There!
338
00:54:54,843 --> 00:54:57,843
[♪♪♪]
339
00:55:33,426 --> 00:55:34,718
JON:
Get off.
340
00:55:49,050 --> 00:55:50,634
[GRUNTING]
341
00:56:22,718 --> 00:56:23,801
[JON GRUNTS]
342
00:56:27,676 --> 00:56:29,050
[GROANS]
343
00:56:29,134 --> 00:56:31,134
[PANTING]
344
00:56:33,801 --> 00:56:35,509
[ROARS]
345
00:56:40,801 --> 00:56:43,134
[DRAGON ROARING]
346
00:56:56,092 --> 00:56:59,092
[♪♪♪]
347
00:57:11,925 --> 00:57:13,009
Dracarys.
348
00:57:17,467 --> 00:57:20,467
[♪♪♪]
349
00:58:04,134 --> 00:58:07,092
[♪♪♪]
350
00:58:14,259 --> 00:58:15,676
[DAENERYS GRUNTS]
351
00:59:08,843 --> 00:59:10,801
[♪♪♪]
352
00:59:12,217 --> 00:59:14,134
[PANTING]
353
00:59:43,467 --> 00:59:45,426
[WIND WHISTLING]
354
00:59:53,509 --> 00:59:56,134
[ALL GRUNTING]
355
01:00:39,426 --> 01:00:41,384
[♪♪♪]
356
01:00:55,259 --> 01:00:56,676
[JON YELLS]
357
01:01:21,551 --> 01:01:23,551
[WIGHTS RUSTLING]
358
01:01:27,134 --> 01:01:28,259
[GASPS]
359
01:01:29,884 --> 01:01:31,801
[SNARLING]
360
01:01:39,593 --> 01:01:41,593
[BABY CRYING]
361
01:01:49,718 --> 01:01:51,718
[PEOPLE SCREAMING]
362
01:01:56,884 --> 01:01:58,426
Come on! Come on!
363
01:02:00,593 --> 01:02:02,925
No! No, no, no!
364
01:02:21,551 --> 01:02:22,925
[GRUNTING]
365
01:02:39,050 --> 01:02:41,967
[♪♪♪]
366
01:02:52,801 --> 01:02:55,175
-Bran!
DAENERYS: Go!
367
01:03:00,301 --> 01:03:02,342
[WIGHTS SNARLING]
[DROGON ROARING]
368
01:03:27,467 --> 01:03:29,426
[DROGON SCREECHES]
369
01:03:44,634 --> 01:03:45,718
[GRUNTS]
370
01:04:03,551 --> 01:04:04,509
[WHIMPERS]
371
01:04:17,634 --> 01:04:20,593
[♪♪♪]
372
01:04:37,593 --> 01:04:39,718
[YELLING INDISTINCTLY]
373
01:04:40,593 --> 01:04:41,593
[GRUNTS]
374
01:04:42,426 --> 01:04:44,259
[SAMWELL SCREAMING]
375
01:05:22,301 --> 01:05:24,301
[HISSING AND SNARLING]
376
01:05:53,009 --> 01:05:54,342
[YELLS]
377
01:06:19,551 --> 01:06:21,259
[SCREAMING]
378
01:06:37,884 --> 01:06:39,884
[PANTING]
379
01:07:02,092 --> 01:07:04,092
[♪♪♪]
380
01:07:28,467 --> 01:07:29,593
[EXHALES SHARPLY]
381
01:07:34,967 --> 01:07:36,426
[DRAGON ROARS]
382
01:07:46,967 --> 01:07:48,134
[GRUNTS]
383
01:08:13,134 --> 01:08:14,175
Jorah!
384
01:08:48,426 --> 01:08:50,342
[ROARING]
385
01:08:53,676 --> 01:08:54,843
[GRUNTS]
386
01:09:45,259 --> 01:09:46,509
[YELLS]
387
01:09:46,593 --> 01:09:48,551
[SNIFFLING]
388
01:10:13,342 --> 01:10:14,259
[GASPS]
389
01:10:59,759 --> 01:11:00,925
BRAN:
Theon.
390
01:11:12,759 --> 01:11:14,301
You're a good man.
391
01:11:20,342 --> 01:11:21,342
Thank you.
392
01:11:56,384 --> 01:11:58,718
[YELLING]
393
01:12:15,050 --> 01:12:16,175
[GRUNTING]
394
01:13:34,551 --> 01:13:35,634
[GRUNTS]
395
01:14:12,676 --> 01:14:14,509
[VISERION ROARS]
396
01:15:25,092 --> 01:15:26,801
[YELLS]
397
01:15:38,801 --> 01:15:40,050
[YELLS]
398
01:15:46,843 --> 01:15:47,967
[GRUNTS]
399
01:15:53,593 --> 01:15:55,050
[GASPS]
400
01:16:09,175 --> 01:16:12,801
[♪♪♪]
401
01:16:45,175 --> 01:16:46,843
I'm hurt.
402
01:17:22,050 --> 01:17:25,050
[♪♪♪]
403
01:17:41,551 --> 01:17:42,884
[SOBBING]
404
01:18:13,259 --> 01:18:15,259
[GROWLING SOFTLY]
405
01:20:04,509 --> 01:20:07,551
[♪♪♪]
406
01:21:16,259 --> 01:21:18,551
(FIRE CRACKLING)
407
01:21:21,884 --> 01:21:24,092
♪ (DRAMATIC MUSIC PLAYS) ♪
408
01:21:25,217 --> 01:21:27,301
DAENERYS TARGARYEN:
We have won the Great War.
409
01:21:29,134 --> 01:21:30,718
Now, we will win the last war.
410
01:21:30,801 --> 01:21:31,718
(CHEERING)
411
01:21:31,801 --> 01:21:34,426
♪ (MUSIC INTENSIFIES) ♪
412
01:21:38,718 --> 01:21:40,801
DAENERYS: We'll rip her out
root and stem.
413
01:21:46,509 --> 01:21:49,134
-(WHIMPERS)
-MAN: Mind out!
414
01:21:51,467 --> 01:21:52,384
Move.
415
01:21:52,718 --> 01:21:54,967
We've been building
towards this for so long now.
416
01:21:55,050 --> 01:21:56,884
You think back
to the very beginning
417
01:21:56,967 --> 01:21:58,175
of the very first episode,
418
01:21:58,467 --> 01:22:01,718
and it's beyond the Wall where
the White Walkers are stalking.
419
01:22:01,801 --> 01:22:02,801
They're a group of rangers.
420
01:22:03,217 --> 01:22:05,426
So, this is the culmination of
one of the key storylines
421
01:22:05,509 --> 01:22:06,801
in-- in the whole show.
422
01:22:07,718 --> 01:22:09,259
And this is for everything.
423
01:22:09,593 --> 01:22:11,259
We've been talking for
a long time,
424
01:22:11,342 --> 01:22:13,759
how Night King's forces
have been growing in power,
425
01:22:13,843 --> 01:22:15,217
and most of the living
have been kind of
426
01:22:15,301 --> 01:22:18,175
openly disdainful of the threat,
and now there's no choice
427
01:22:18,259 --> 01:22:19,050
but to fight it.
428
01:22:19,134 --> 01:22:21,884
♪ (DRAMATIC MUSIC PLAYING) ♪
429
01:22:24,759 --> 01:22:25,843
DAVID BENIOFF:
I really love the way
430
01:22:25,925 --> 01:22:27,718
the first ten minutes or so
plays out,
431
01:22:27,801 --> 01:22:29,050
because there's so much tension
432
01:22:29,134 --> 01:22:31,593
before there's any encounter
with the enemy.
433
01:22:31,676 --> 01:22:32,759
BOY: Come on!
434
01:22:32,843 --> 01:22:34,092
(INDISTINCT SHOUTING)
435
01:22:34,301 --> 01:22:36,259
BENIOFF: You know, as much as
they try to conceal it,
436
01:22:36,342 --> 01:22:38,759
people are terrified,
because this is...
437
01:22:38,843 --> 01:22:40,467
this is death coming for them.
438
01:22:40,551 --> 01:22:42,718
You know, so much of it is just
kind of, on one hand,
439
01:22:42,801 --> 01:22:44,426
setting the mood
for the episode,
440
01:22:44,509 --> 01:22:46,759
and the other hand, showing us
where these characters
are gonna be.
441
01:22:46,843 --> 01:22:49,050
The entire episode takes place
in Winterfell.
442
01:22:49,134 --> 01:22:52,259
And you have 19 or 20 characters
all involved
443
01:22:52,342 --> 01:22:54,217
in a very chaotic situation,
444
01:22:54,301 --> 01:22:57,884
that needs many, many locations
to service it.
445
01:23:01,551 --> 01:23:03,967
BENIOFF: Because it's such
a long battle in this episode,
446
01:23:04,050 --> 01:23:06,301
it's important that we feel
the ebb and flow.
447
01:23:06,384 --> 01:23:07,884
And so, there are moments
when you think things
448
01:23:07,967 --> 01:23:09,551
are going a little bit better
for the living.
449
01:23:09,634 --> 01:23:10,843
Tell them to lift their swords.
450
01:23:11,384 --> 01:23:15,676
We felt like it was important
to have that moment of hope,
451
01:23:15,759 --> 01:23:18,426
when Mel comes in and lights up
their arakh,
452
01:23:18,884 --> 01:23:20,759
and they all ride off
into battle.
453
01:23:20,843 --> 01:23:23,050
(SPEAKS VALYRIAN)
454
01:23:26,175 --> 01:23:27,342
(SOLDIERS GASP)
455
01:23:27,718 --> 01:23:29,467
(INDISTINCT SHOUTING)
456
01:23:29,551 --> 01:23:31,217
D.B. WEISS: We wanted
our characters to feel, like,
457
01:23:31,301 --> 01:23:33,050
that this-- maybe this is
all gonna work out,
458
01:23:33,134 --> 01:23:34,426
maybe things are all gonna
be okay.
459
01:23:34,967 --> 01:23:38,967
We've seen how devastating
a Dothraki charge can be
just with their regular swords,
460
01:23:39,050 --> 01:23:40,843
and now when they're galloping
into combat
461
01:23:40,925 --> 01:23:42,967
with, uh, flaming arakhs,
it's-- it's--
462
01:23:43,050 --> 01:23:45,342
Uh... What could possibly
stand against that?
463
01:23:45,426 --> 01:23:47,259
(HORSE WHINNIES)
464
01:23:48,718 --> 01:23:50,050
BENIOFF:
What they see is just
465
01:23:50,134 --> 01:23:52,134
the end of the Dothraki,
essentially.
466
01:23:53,009 --> 01:23:54,801
WEISS: They have a plan,
and it's important
467
01:23:54,884 --> 01:23:57,092
to wait for the Night King
to reveal himself,
468
01:23:57,175 --> 01:23:59,426
and then have two dragons
against one dragon,
469
01:23:59,509 --> 01:24:01,925
and a really good chance
of-- of defeating him.
470
01:24:02,009 --> 01:24:03,467
One thing that
they couldn't have foreseen
471
01:24:03,551 --> 01:24:07,342
was Daeny's reaction to seeing
the Dothraki decimated.
472
01:24:07,426 --> 01:24:10,426
Jon is the person who
wants to stick to the plan,
473
01:24:10,509 --> 01:24:11,843
but the Dothraki are not Jon's;
474
01:24:11,925 --> 01:24:13,801
they're not loyal to Jon,
they're loyal to Daeny,
475
01:24:13,884 --> 01:24:18,009
and I think that Daeny
can't bring herself
to just watch them die,
476
01:24:18,092 --> 01:24:20,925
and so the plan starts
to fall apart
477
01:24:21,009 --> 01:24:23,426
the second she gets
on her dragon,
478
01:24:23,509 --> 01:24:26,676
so he does too,
and then we take it from there.
479
01:24:26,759 --> 01:24:29,843
♪ (TENSE MUSIC PLAYING) ♪
480
01:24:38,217 --> 01:24:40,175
(SNARLING)
481
01:24:40,384 --> 01:24:43,384
BENIOFF: We knew
this episode was gonna be
almost entirely battle,
482
01:24:43,467 --> 01:24:45,843
and that can get really boring
really quickly.
483
01:24:45,925 --> 01:24:48,925
You can watch it
for a certain number of minutes
484
01:24:49,009 --> 01:24:51,384
before the effect starts
to dampen.
485
01:24:51,467 --> 01:24:54,050
Part of it was making sure
that we really stayed focused
on the characters,
486
01:24:54,134 --> 01:24:56,925
and so whether it's Arya's
storyline,
487
01:24:57,009 --> 01:24:59,426
or Sansa and Tyrion
down the crypt,
488
01:24:59,509 --> 01:25:02,759
or Jon Snow and Daeny
up on the dragons.
489
01:25:02,843 --> 01:25:05,384
Kinda like all these separate
little battles within the...
490
01:25:05,467 --> 01:25:06,718
within the greater battle.
491
01:25:07,342 --> 01:25:09,634
-(SWORDS CLANKING)
-(SNARLING)
492
01:25:10,593 --> 01:25:13,718
Lyanna Mormont was supposed
to be a one-scene character,
493
01:25:13,801 --> 01:25:15,301
and then we met
Bella Ramsay,
494
01:25:15,384 --> 01:25:19,009
and we realized that we would
not be doing our jobs
495
01:25:19,092 --> 01:25:21,342
if we kept her as
a one-scene character.
496
01:25:21,551 --> 01:25:24,593
My mother wasn't a great beauty
or any other kind of beauty.
497
01:25:24,843 --> 01:25:26,259
She was a great warrior, though.
498
01:25:26,342 --> 01:25:28,509
She died fighting
for your brother, Robb.
499
01:25:29,092 --> 01:25:30,925
WEISS: We knew that
you can't give a--
500
01:25:31,009 --> 01:25:34,009
a big death to everybody
who dies in this battle,
501
01:25:34,092 --> 01:25:36,759
'cause it would've--
It just would've been too much,
502
01:25:36,843 --> 01:25:38,342
but there--
Also, if she were to die,
503
01:25:38,426 --> 01:25:42,050
there was no way to--
to not make a moment of it,
so...
504
01:25:42,301 --> 01:25:44,884
that's where the zombie giant
comes in.
505
01:25:46,301 --> 01:25:49,843
It just did add a whole level
of complexity
506
01:25:49,925 --> 01:25:52,467
to that moment,
that I'm sure a lot of people
507
01:25:52,551 --> 01:25:55,634
would've been okay with
not having there,
508
01:25:55,718 --> 01:25:57,509
if we had demanded to cut it,
509
01:25:57,593 --> 01:26:00,092
but I think they also
understood why we needed
510
01:26:00,175 --> 01:26:03,884
to give one of the strongest
smaller people in the show
511
01:26:03,967 --> 01:26:06,050
a chance to go out
taking down
512
01:26:06,134 --> 01:26:08,759
one of the strongest
larger things we've, uh,
513
01:26:08,843 --> 01:26:10,050
we've ever seen in the show.
514
01:26:10,134 --> 01:26:13,676
-(LYANNA SCREAMS)
-(ZOMBIE GIANT GROWLS)
515
01:26:20,718 --> 01:26:21,634
(ARYA SHRIEKS)
516
01:26:23,342 --> 01:26:26,009
WEISS: In any situation
where people are fighting,
517
01:26:26,092 --> 01:26:27,759
Arya needs to play
a central role,
518
01:26:27,843 --> 01:26:29,050
'cause she's one of
the best at it,
519
01:26:29,134 --> 01:26:31,384
and she's one of the most fun
to watch doing it.
520
01:26:31,467 --> 01:26:32,676
-(ARYA GRUNTS)
-BENIOFF: Even for Arya,
521
01:26:32,759 --> 01:26:35,551
she can't take on a horde
of wights by herself,
522
01:26:35,634 --> 01:26:37,676
and especially when her head
gets smacked,
523
01:26:37,759 --> 01:26:39,009
she's no longer at 100 percent.
524
01:26:39,217 --> 01:26:41,467
It's just about survival
at that point.
525
01:26:41,551 --> 01:26:44,175
WEISS: Otherwise,
she's completely unstoppable,
526
01:26:44,259 --> 01:26:45,467
and she never loses her cool,
527
01:26:45,551 --> 01:26:47,843
and it's amazing, and it's
a lot of fun to watch,
528
01:26:47,925 --> 01:26:49,718
but it's also-- it's one note,
529
01:26:49,801 --> 01:26:54,551
so we decided that almost
rewinding the clock
on who Arya Stark is
530
01:26:54,634 --> 01:26:58,925
to back before she became
this sort of magical figure
that she's become
531
01:26:59,009 --> 01:27:00,467
would really be interesting,
532
01:27:00,551 --> 01:27:02,509
and would also give us a chance
to change up
533
01:27:02,593 --> 01:27:05,426
the nature of the story
we were telling.
534
01:27:07,467 --> 01:27:09,676
We talked about
Winterfell as kind of
the home for the show,
535
01:27:09,759 --> 01:27:11,718
and, uh, one of the things
that always struck us
536
01:27:11,801 --> 01:27:14,342
as a horrific aspect of this
is that these hallways
537
01:27:14,426 --> 01:27:16,551
and rooms where we spent
a lot of good times
538
01:27:16,634 --> 01:27:19,175
and-- and quiet times
with characters
that we care about,
539
01:27:19,259 --> 01:27:20,884
has now become a horror set,
540
01:27:20,967 --> 01:27:23,759
because it's been invaded by
undead soldiers.
541
01:27:24,676 --> 01:27:25,925
(SNARLS)
542
01:27:26,009 --> 01:27:27,217
WEISS: Before that point,
543
01:27:27,301 --> 01:27:29,426
there's sort of an agoraphobia
to the whole thing
544
01:27:29,509 --> 01:27:32,175
where you have
this giant wide-open space
545
01:27:32,259 --> 01:27:36,009
and everywhere you look
you-- there's something
546
01:27:36,092 --> 01:27:37,467
that could be coming
to kill you.
547
01:27:37,551 --> 01:27:39,884
Once you get inside Winterfell,
everything contracts,
548
01:27:39,967 --> 01:27:43,342
and the-- the walls literally
start to close in around you,
549
01:27:43,426 --> 01:27:45,259
and something is there
in the dark with you,
550
01:27:45,342 --> 01:27:47,259
but you don't know exactly
where it is.
551
01:27:47,342 --> 01:27:49,092
And we thought that
the pace change
552
01:27:49,175 --> 01:27:51,050
and the tonal change
was really important
553
01:27:51,342 --> 01:27:54,009
to have that in this episode,
554
01:27:54,092 --> 01:27:56,175
otherwise the episode
would start to feel...
555
01:27:56,509 --> 01:27:58,342
would start to feel monotonous.
556
01:28:01,551 --> 01:28:02,801
Dracarys.
557
01:28:03,009 --> 01:28:04,259
WEISS: We thought it was
important that,
558
01:28:04,342 --> 01:28:07,384
whatever the plan was,
that it not just work out,
559
01:28:07,467 --> 01:28:09,259
'cause that would be
kind of dull.
560
01:28:09,342 --> 01:28:11,634
While there's no reason to know
for certain that
561
01:28:11,718 --> 01:28:14,884
the fire wouldn't kill
or destroy the Night King,
562
01:28:14,967 --> 01:28:17,801
there's also no particular
reason to believe
that it would.
563
01:28:18,009 --> 01:28:20,342
And then, a few moments after
this happens,
564
01:28:20,509 --> 01:28:22,467
the Night King brings them
a whole new,
565
01:28:22,551 --> 01:28:26,134
larger undead problem
by taking all of their own
566
01:28:26,217 --> 01:28:28,967
who have been killed
in the course of this battle,
567
01:28:29,050 --> 01:28:30,676
and turning them into the enemy.
568
01:28:36,009 --> 01:28:38,301
BENIOFF: I mean, we talked about
various endings for Jorah
569
01:28:38,384 --> 01:28:40,551
for a long time, but, you know,
you think about Jorah,
570
01:28:40,634 --> 01:28:43,217
from the very first time
we met him, he was with Daeny,
571
01:28:43,301 --> 01:28:46,050
and from that time,
he's been mostly by her side.
572
01:28:46,134 --> 01:28:47,467
Part of Jorah's tragedy is
573
01:28:47,551 --> 01:28:50,175
that he was in love with a woman
who couldn't love him back,
574
01:28:50,259 --> 01:28:52,259
but he's accepted that
for quite a long time,
575
01:28:52,342 --> 01:28:54,342
at the same time he was
going to fight for her
576
01:28:54,426 --> 01:28:56,634
as long as he could
and as well as he could.
577
01:28:56,718 --> 01:29:00,509
There'd never been a moment
where she more needed someone
578
01:29:00,593 --> 01:29:02,634
to fight to protect her
than this moment.
579
01:29:02,718 --> 01:29:05,634
And if he could've chosen
a way to die,
580
01:29:05,718 --> 01:29:07,634
this is how he would've chosen
to die.
581
01:29:07,718 --> 01:29:12,634
So, it was something
we thought would be
powerful to give him.
582
01:29:13,175 --> 01:29:16,759
-(DAENERYS SOBS)
-(DRAGON EXHALES)
583
01:29:19,676 --> 01:29:21,217
BENIOFF: The reason
the Godswood was chosen
584
01:29:21,301 --> 01:29:22,967
is because it's such
a source of power
585
01:29:23,050 --> 01:29:26,551
for those who believe
in the old gods,
and for Bran in particular,
586
01:29:26,634 --> 01:29:28,843
so we know the weirwood tree
and the three-eyed raven
587
01:29:28,925 --> 01:29:30,342
have a very deep connection.
588
01:29:30,426 --> 01:29:32,843
That was always the location
where Bran was going
589
01:29:32,925 --> 01:29:34,676
to be waiting
for the Night King.
590
01:29:35,009 --> 01:29:36,259
I just want you to know...
591
01:29:38,092 --> 01:29:40,092
-the things I did--
-Everything you did
592
01:29:40,175 --> 01:29:41,634
brought you where you are now.
593
01:29:43,759 --> 01:29:44,801
Where you belong.
594
01:29:47,426 --> 01:29:48,259
Home.
595
01:29:48,593 --> 01:29:50,634
WEISS: It's not like the show
is entirely about
596
01:29:50,718 --> 01:29:53,718
people redeeming themselves
and then it's all over,
597
01:29:53,801 --> 01:29:55,884
but if you-- if the canvas
is big enough,
598
01:29:55,967 --> 01:29:59,384
there are spaces for those
redemptive moments.
599
01:29:59,467 --> 01:30:01,384
I think what was
really important for Theon
600
01:30:01,467 --> 01:30:03,759
at the end was hearing
that thank you from Bran,
601
01:30:03,843 --> 01:30:05,551
because Bran knows
what's gonna happen.
602
01:30:05,634 --> 01:30:06,467
BRAN: Theon.
603
01:30:11,217 --> 01:30:12,593
You're a good man.
604
01:30:13,551 --> 01:30:14,342
Thank you.
605
01:30:14,801 --> 01:30:16,593
He knows he's dead,
he knows he's not gonna be able
606
01:30:16,676 --> 01:30:19,342
to kill the Night King,
but I think what's really heroic
607
01:30:19,426 --> 01:30:21,384
about his action is that
we're all gonna die,
608
01:30:21,467 --> 01:30:23,384
and we know we're not gonna
be able to defeat death
at the end,
609
01:30:23,467 --> 01:30:25,967
but, you know, it's-- it's how
you face those final moments,
610
01:30:26,050 --> 01:30:27,718
and he chooses to run
straight at it,
611
01:30:27,801 --> 01:30:31,384
and I think he dies in a way
that, um, makes us
612
01:30:31,467 --> 01:30:34,676
really proud of him and
the journey he's gone through.
613
01:30:39,175 --> 01:30:41,593
-(ARYA SCREAMS)
-BENIOFF: For--
614
01:30:41,676 --> 01:30:43,634
God, I think it's probably
three years now or something,
615
01:30:43,718 --> 01:30:46,092
we've known that it was
gonna be Arya
616
01:30:46,175 --> 01:30:48,259
who delivers that--
that fatal blow.
617
01:30:48,342 --> 01:30:49,925
WEISS: She seemed like
the best candidate,
618
01:30:50,009 --> 01:30:52,843
provided we weren't
thinking about her
in that moment.
619
01:30:52,925 --> 01:30:54,593
One of the great things
about having this many people
620
01:30:54,676 --> 01:30:57,259
you care about
in a sequence together
621
01:30:57,342 --> 01:30:59,301
is that it can kind of
pull people's attention
622
01:30:59,384 --> 01:31:01,593
and focus to people that
they care about a lot,
623
01:31:01,676 --> 01:31:04,593
like Jon, like Daeny,
Theon, and Bran,
624
01:31:04,676 --> 01:31:06,634
not to mention Tyrion
and Sansa in the crypt,
625
01:31:06,718 --> 01:31:07,843
so you're going
all over the place
626
01:31:07,925 --> 01:31:09,759
with people who you're
desperately worried for,
627
01:31:09,843 --> 01:31:13,426
and, uh, hopefully
you forget about the fact that
628
01:31:13,509 --> 01:31:15,593
Arya Stark ran out of
that castle
629
01:31:15,676 --> 01:31:16,884
with the battle drums playing,
630
01:31:16,967 --> 01:31:18,676
going towards some purpose,
631
01:31:18,759 --> 01:31:20,718
and we don't know what
until it happens.
632
01:31:20,801 --> 01:31:22,634
BENIOFF: We hoped to kind of
avoid the expected,
633
01:31:22,718 --> 01:31:24,467
and Jon Snow has
always been the hero,
634
01:31:24,551 --> 01:31:25,967
the one who's been the savior,
635
01:31:26,050 --> 01:31:29,301
but it just didn't seem right
to us, for this--
636
01:31:29,384 --> 01:31:30,342
for this moment.
637
01:31:31,050 --> 01:31:33,301
We knew it had to be
Valyrian steel,
to the exact spot where
638
01:31:33,384 --> 01:31:37,301
the child of the forest
put the dragonglass blade
to create the Night King,
639
01:31:37,384 --> 01:31:40,967
and he is uncreated
by the Valyrian steel.
640
01:31:41,050 --> 01:31:42,634
At the end of it, it's still--
641
01:31:42,718 --> 01:31:45,718
It's a victory for the living,
but at great cost,
642
01:31:45,801 --> 01:31:48,925
because some of our
favorite characters fall
along the way.
643
01:31:50,217 --> 01:31:51,467
WEISS: We knew from
the beginning,
644
01:31:51,551 --> 01:31:54,634
once we'd handed the outline in,
what we were in for.
645
01:31:54,718 --> 01:31:58,092
The director, Miguel Sapochnik,
took what we were doing
646
01:31:58,175 --> 01:32:00,092
and defined this episode.
647
01:32:00,175 --> 01:32:02,467
Miguel did
a tremendous amount of
648
01:32:02,551 --> 01:32:04,509
heroic heavy lifting
on this front.
649
01:32:04,593 --> 01:32:06,509
He knew that if the planning
wasn't there,
650
01:32:06,593 --> 01:32:10,009
we never would've ended up
with the consistent excellence
651
01:32:10,092 --> 01:32:11,134
that he delivered.
652
01:32:11,217 --> 01:32:13,050
It is to their immense credit
that--
653
01:32:13,134 --> 01:32:14,967
not only that they endured it,
um,
654
01:32:15,050 --> 01:32:18,467
but that they did
such a great job
the whole time they were there.
655
01:32:18,551 --> 01:32:21,718
WEISS: It's a real testament
to the entire Belfast crew
656
01:32:21,801 --> 01:32:24,884
who gave us something that
no amount of money
could ever buy.
44561
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