All language subtitles for Heller.in.Pink.Tights.1960.WEBRip.x264-RARBG

Go on, William!

Go it!
Yes, sir.

After them, sheriff!
After them!

Giddap!

Come on!

Giddap!

After them!

Giddap!

They're coming closer, William!

Let them out!

Whoa! Whoa!

What are you doing?
Keep after them.

They're getting away.

They got away.

That there writ ain't no good
west of Nebraska, Mr. Hodges.

"Speak the speech."

"Speak the speech, I pray you,

"as I pronounced it to you,

"trippingly on the tongue,

"but if you mouth it,
as many of your players do,

I hed as lief--"

Not "hed." "Had."

"I had."

Head, had.

"...Had as lief
the town crier
spoke my lines."

What are they up to now, baby?

They're just rehearsing, mama.

Huh! So he's
forgiven her.

This is the 3rd time
that she's gone off
on a buying spree,

picked herself out
a whole new wardrobe
and charged it to Healy.

So we have to skip town.

Doesn't he know
that if the law
ever catches up with us,

he'll lose his show?

My clothes can't stand
another horserace
with a sheriff.

It's Angie's fault.

She'll be
the ruination of us all.

She is fun, mama.

She's a flirt.

And a teaser.

What's a teaser, mama?

Never you mind, baby.
You're too innocent.

She just looks at a man,
and right away

he starts scraping sand
with both feet.

Look at Tom Healy.

He doesn't know
whether he's coming or going.

Thinking she'll
marry him. Huh!

Why should he marry her
when they already go to--

tut-tut.

He'll never have any peace
until he does marry her.

And he knows it.

And neither will she.

Do you think that
she'll give up her freedom?

No, sirree,

she won't give up her freedom.

She's too full of the dickens.

Well, one of these days
she's gonna be caught.

Just watch and see.

She is going to be caught,

and it'll be
the ruination of us all.

Hey, come on.

Ah, how do you do?
How do you do?

Mr. Montague.

When I was a young actor,
I used to worry about
my voice holding out.

Now it's my kidneys.

Oh, ladies?

Mrs. Hathaway.

Miss Southby.

Baby, pull your skirt down.

Yes, mama.

Miss Rossini.

Ah, Miss Rossini.

Oh, allow me.

Oh, uh, I'm Pierce.
You Healy?

At your service.

The great Healy dramatic
and concert company's arrived

to entertain, amaze, and amuse.

You'd better.

May I present our players?

Miss Della Southby.

Della, the unapproachable.

Our charming soubrette.

Known far and wide,
Mr. Pierce,

as the leading
child actress
on the stage.

And Mrs. Lorna Hathaway,
the divine.

What's her changes?

Flute-playing
and bird calls.

And Mr. Manfred Montague.

Master of villainy
and 26 dialects.

And last, but far from least,

direct from her performance
before the crowned
heads of Europe,

her native land,

and famed for her feats
of prestidigitation,
Miss Angela Rossini.

Well! Now you're
talking, Healy.

Well!

A well-dressed man
like you, Mr. Pierce,

you need a flower
for your buttonhole.

Very clever.
Now, little lady

if you'd like to
see the theater,

I have the best
theater in Cheyenne.

Our town has got 22 of them,
but my theater
is the very best.

Mr. Pierce, you have
someone to take our pictures.

How sweet of you.

Look, Tom, a photographer.

Places, everyone.

What are you doing?
I'm taking a picture.

You're in the way.

All right, boys, lift them up.

All together.

Get a good hold,
don't let them slip.

They're sure heavy, ain't they?

It's all that lead in them.

I've got to get this

before they stiffen up too much.

How were they killed?

Oh, killed in a gunfight.
This way, folks.

Mabry!

Mabry!

I'll take your gun now, Mabry.

For a minute there
I thought we were
gonna have a dead sheriff.

Professional killer.
All right, folks, follow me.

The theater's right up this way.

Lock him up, sheriff.

You got to lock him up.

I got no grounds, Santis.

He made them draw.

That ain't enough,
you know that.

You'll get this back
when you leave town, Mabry.

Who's paying you, Mabry?

Who wants the 3 of us dead?

De Leon?

That's who it is, ain't it?

Because we won't
sell out to him.

Well, it's our claim.

He ain't got no right
to our claim.

And he don't run Cheyenne
like he does bonanza.

We got the law on our side here.

Yes, sir, you sure have.

You got it right here
on your side.

Save the boards,
we might need them again.

Who tied these knots?

You better hope it does you
more good than it did them.

Got the latest equipment
straight from Chicago.

I've got this whole setup
for the people who
want action back here.

That is, if they ain't
getting it on the stage.

Fine bar you have here, too.

Oh, it's genuine mahogany.

I've got your contracts
up in my office.

They're all made out.

Yes, sir, a fine piece
of old mahogany.

You see, we consider
this engagement

as we would New York
or Philadelphia.

The Healy company,
Mr. Pierce,

has the same high
standards of performance.

Oh, my throat is so dry.

The stage is right out that way.

There you are, my dear.

Thank you, dearie.

It's this accursed dust.

Recovered,
Mrs. Hathaway?

Toute recovered,
Mr. Montague.

Ah.

Baby.

*

Miss Rossini.

Yes?

You can come up here, too.

I'd like to show you my office.

Thank you very much.

Oh, Mr. Pierce.

Now, uh, it ain't very big,
but, uh, it's cozy.
It's lovely.

Mr. Pierce--
nothing to read there, Healy.

Same deal I give all the shows.

I think that--
now.

Look right through this window

and you can see the actors.

You have a charming
proscenium, Mr. Pierce.

Over here.

Look this way
and I can see my dealers.

Keeps them on their toes,
knowing I can see them.

Yes, very clever.
Mr.--Mr. Pierce,

my understanding was
we were to split 70-30.

You have it 30-70.

Same numbers.

Yes, but in the wrong place.

Well, I'll fix it later.
Yes.

Uh, y-you said you have
some house scenery?

Sure. Loads of it.
Right through there.

I'd like to see it.

After you, Miss Rossini.

Um, I'll come along.

I want to look at
your lovely pictures.

I've got everything.

Everything from
center-door fancy

to kitchen and woods.

"Whether 'tis
nobler in the mind--"

All right, all right, all right.

Now folks,
there's no dressing rooms,
so you'll dress in the hotel.

It's right through
this door here.

It's the best hotel in Cheyenne.

Mabry.

Mabry, I wanna talk to you.

You back, Santis?

Mabry, how much you want
to leave me alone?

You got Jensen and Slote.

Me, I'm the only one
that's left.

And I ain't going up
for that claim.

You can tell de Leon
he can keep it all

like he wants.
Me, I'm running.

Ain't that enough?

What more does he want?
Ask him.

I'm asking you.
I'm begging you.

Don't beg.

You ain't no dog.

You're a man.

Don't beg. Don't beg.

Tom!

Tom!

Tom!

Yes, Angie?

Don't leave me.

Wait a minute.

Nobody's leaving you.

Is that for something you did
or something
you're going to do?

For nothing.

For you.

Angie.
Yes?

Now, Angie, now, you know
we're-- we're broke.

If we don't make it here,
I don't know what we'll do.
So, Angie...

Angie, please,
no--no tricks?

But what could I do?

Angie, no monkey business, huh?

Hmm.

Signed, Mabry.

Let me read this back to you,
Mr. Mabry.

It goes to Mr. De Leon,

miners exchange, bonanza.
Is that right?

That's right.

Mr. De Leon.

A wire from Cheyenne,
Mr. De Leon.

From Mabry.

Says he's filled 2 of the orders

and thinks he can
deliver the 3rd right quick.

Get ready the money
you're going to owe him
for the job.

I sure wouldn't mind
some of what he's gonna get.

You will never be
a businessman, goober.

You part with money
much too easily.

To owe is one thing,
to pay is quite another.

Giddap. Giddap

what's he mean by that?

I ain't sure,
but I'm glad
I ain't Mabry.

You look lovely, honey.

Lorna, aren't you two ready yet?

Yes, Tom.

You're holding up
the rehearsal, baby.

You know, you--you
still look pretty good.

Honey, get ready.

We're rehearsing.
Come on. Music. Music.

*

* Beware, oh, beware

* You must go, my love,
For danger is here *

* Beware, oh, beware

* Must you tarry
While I tremble with fear? *

* I care, yes, I care

* Time is fleet, beloved

* I beg you depart

* Despair, oh, despair

* Fly as quickly
As the beat of my heart *

I fear you not
and laugh at your anger.

For I have proved
my courage in battle.

A vile seducer outrages--

What's that?

What's what?

What did he just say?

"A vile seducer."

That's what I thought he said.

What kind of a show
are you giving here, anyway?

This is a comic opera,
Mr. Pierce.

La belle Helene.

You know, the story
of Helen of troy?

It's one of our big,
big successes.

You see, I-in this
I--I play Paris.

You know, he's a son
of the king of troy,
and he's--

the handsomest man in the world.

Him?

Yes.

Well, of course,
I wear heavy makeup.

What part do you play?

I play Helene.
The most beautiful woman.

That I can believe.

And this is my husband.

You married?

No. In the play.

But I'm not in love
with my husband. I am,

how do you say, flighty?

And besides,
he is much older than I am.

Always wanting me
to behave myself

and to do what he thinks
is good for me.

But I'm young
and very beautiful,
and do only what I enjoy.

Nope. It won't go
in Cheyenne.

No?

But this is a classic,
Mr. Pierce.

What's so classy about her
running around with you

instead of her husband?

But he is so much nicer,
and he lets me
do what I want.

Last month, the mayor's wife
started running around
with a young stud like him,

and the mayor
shot him stone dead.

There wasn't a man in town
that didn't shake his hand
for doing it,

even the sheriff.

No, sir, Healy,
you can't get away

with making fun out of
marriage in Cheyenne.

But it's all right to
kill people in Cheyenne, huh?

Mr. Pierce, why don't you wait
until you see the show

with the pretty costumes
and the orchestra playing--

and the customers leaving?
Chew up a little scenery,

that's what they
want around here:

blood and thunder.

If all you got is
this fiddle-faddle,

you can pack up and keep going.

I don't want you.

You're losing your charm, baby.

Well, doc?

All right, all right, uh,
we'll rehearse later.

*

Tom?

Hi, Angie. Look.

What?

That's what goes
here in Cheyenne:

cheap acrobats.

Since we can't do
La Belle Helene,
we should do, uh,

Mazeppa.

That has a lot of
blood and thunder,

and a man on a wild horse.

You mean a dummy
filled with straw.

Well, the--the horse
is real.

But they see
real horses out here
all the time.

We should do Mazeppa,

but I'll do the ride.

You play a man?
I play a man.

Come on, it's dangerous.
Why?

They'd have to tie
you on the horse,
he might throw you.

We would be a big success.

Not if you were hurt.

Oh, you worry too much.

About me, about the show...

somebody has to worry.

You know, the wolves
are at our door.

We don't satisfy Pierce,
we don't eat.

We'll eat the wolves.

Oh, Pierce is a big fool.

But he owns the theater.

He should own a stable.

You should own this theater.

It should be the Healy theater.

The Healy company
and the Healy theater.

That's a lot of Healy.

You'd put on all the best plays.

You'd be very successful.

And what would you be?

The star.

Well.

And people would
come all the way
from san Francisco

to see me do
the wild horse ride
from Mazeppa.

Oh, Tom.

I--I was just trying
to help, you know. I...

that helps.

Oh, Angie.

You know, Angie,

I've been knocking around
for a long time.

It'd be nice to settle down,

and maybe you and me...

Tom, you're getting
too serious now.

Well, now, you...

You come out here
and you say you want to help.

You know how I feel.

A little help here,
a little help there,

and right away
we--we are married.

Look, you haven't
been asked yet.

Well, Tom...

Tom.

Why are you so angry?

Because I tell you the truth?

Listen, you do so much for me.

No one has ever done so much.

And now that I
want to help you...

look, you want to help?

Of course I do.

Go--go and put on
a kimono.

You get me so mixed up,
I--I don't know
which one to put on.

The red one.

Sometimes I don't know
what you want.

I want everything.

You want too much.

Angie, why don't you
go and get some sleep?

We have a big day tomorrow,
trying to decide what to do.

You might have to
start practicing
on that horse.

Love and honor
unite around my wishes.

Still,
the extraordinary emotion
of Olinska haunt me,

her disturbed looks,
her eyes moist with tears.

For what is her hand
without her heart?

Who art thou?

Thy rival.

What is thy will,
thou brash intruder?

Thy death.

Coward.

If our arms were equal...

they are so.
Behold, I wear no armor.

Aim at my heart.

It has now
no defense but courage.

And this good sword.

Have at thee now.

I yield.

I am revenged.

Guard.

Guard!

Great heavens!
The palatine assassinated.

My rival.

Vengeance!

You shall obtain it,
and whoever
the murderer may prove,

it will be terrible.

That is my assassin.

Remove the mantle
that conceals the wretch.

No.

Mazeppa, prince of Tartary!

Kill him!

No!

Stand back!
Back, Olinska.

He shall suffer the penalty
inflicted on rebel slaves.

Bring forth the fiery,
untamed horse.

Tie that vile tartar
on his back
and turn him loose.

Strip him of his clothes.

Then, let the murderer
be borne through sands

and rocks and wilds

till thirst and hunger,
and scorching suns

kill him piecemeal!

Where is the fiery,
untamed steed?

Oh, my father!

Pardon for him who
loves your daughter!

Unworthy girl.

All the power on earth
cannot assuage my vengeance!

Dearest father.

Dearest child,
thou canst do nothing.

In mercy, hear me.

Plead not for me, Olinska.
Perish as I may,

it is sufficient glory
that I die for thee!

Now launch the traitor forth!

And let the story of his fate
strike terror
throughout Poland!

*

Down, down, down, down!

Angie!

Angie, Angie,
are--are you all right?

You were more scared than I was.

I was scared for the horse.

Oh, listen to them.
They like it.

Like it? They love it!
Come on, let's go!

*

Look, everybody.
Change quick.

We'll start the 2nd act
in 10 minutes.

There they are.
There they are.

It's Hodges.
Hodges!

Thought you got away,
didn't you?

Slap that plaster
on them, sheriff.

Stop that woman.

Sorry, I got a writ
of attachment.

It's not legal here.
It's legal, all right.

I got it right here in Cheyenne.

Will you please go and change?

No, you're not
getting out of my sight.

They're just going to
the hotel, Mr. Hodges.

Now, A-Angie.

Excuse me.
Excuse me.

A man claims you actors
ordered a load of dresses

and skipped without paying.

They ain't actors,
they're crooks.

What are you?

If I'd come to your room,
you would've given me
the dresses free.

Angie, now...

Oh, Mr. Pierce,
thank goodness
you are here.

What are you
standing around for?
You got a 2nd act.

Got to close
the show, Sam.
Man here's got a writ.

I don't care.
He can't close my show.

You want to start a riot?
Listen to the audience.
They'll tear the place down.

We've got to finish
our performance.

Don't pay them no mind, sheriff.

I know this bunch.

Where could we go?

We are helpless.

Here, here, little lady.

Oh, thank you, thank you.

You see what I mean?

See that look in her eye?

You'll get your money
in the morning.

Now wait a minute.
Wait just a minute.

You can come back
in the morning
with that paper, ed.

Can't, Sam.

You're running for election
again, ain't you?
Next month.

How many votes this
out-of-town fella got?

I'll be back
in the morning, Healy.

You be here.

They're gonna
finish the performance.

Better have that money
in the morning.

Upon my word, Mr. Pierce.
Oh, Angie.

Thank you, Mr. Pierce.

Now come on in, let's see
the show. You too, ed.

Fine show, Sam.

That's my policy.
Always the best.

Fine show, Sam.

Psst!

You are a kind man,
Mr. Pierce.

Thank you.

Well, I only try to help people.

You need any more help,
you know where to find me.

In your charming little office?

I'm there 24 hours a day.

You are kind.

Then the safe
fell off the elevator

and pat went up and down,
up and down.

And then he fell
kaplunk on the sidewalk.

Mike looked down and he said,
"Glory be, is it dead he is?"

Oh, doc.

And he says,
"Pat, speak to me, and--"

Doc, have you seen Angie?

No, I haven't seen her.

You got something figured out?

Not yet. Not yet.

And then he said,
"Why should I speak to you?"

Meet Miss Della Southby.

Della, the unapproachable.
For only 50 cents,
for one half of $1,

you can visit.
Oh, you fortunate man.

For 50 cents, you get
a picture of Miss Della.

Ha ha!

For only 50 cents apiece,
and the very special price
of $2--

Lorna.
What?

Whe--where's Angie?

Have you lost her again?

Why, we haven't seen her
anywhere, Mr. Healy.

Haven't you seen her
anywhere, baby?

You look at him
like that again,
I'll smack you.

I was only trying to be polite.

I'll take 3, miss.

Why don't you take Miss Della
right into your home?

She'll keep you so comfy

on those cold and lonely
nights on the range.

Good night.

You go back to the hotel now
and get your sleep.

Remember, you're not
a young man anymore.

I'm as young as I feel.

You look as charming
in that dress
as I knew you would.

Thanks to you.

Our troubles are gone.

What do you mean?

Mr. Pierce has taken over
the money we owed
that silly fat man.

Mr. Pierce is taking...

Angie.
Hmm?

Tell me, wh-what do you mean,
"Mr. Pierce has taken over"?

He took over what we
owe for the dresses.

Now we owe him the money.

Oh, he likes us, huh?

He does it for business.

Did you put up some security?

Well, what could I put up?

Well, I don't know.

Oh, we are a great success
and he wants to keep us here,
that's all.

How much time is he giving you?

In a week, 2 weeks,
we-we'll make enough--

didn't you promise to,
you know, meet him?

That's later tonight.

Oh, that's tonight?

Yes, but I'll put him off.

Oh, Angie.

Angie, Angie.

Oh, doc. Oh, Mr. Montague.

But he's easy to handle,
that type.

He's so sure of himself.

What's the do?
What's the do?

We're shooting the moon.

Get the other 2 started, huh?

Just when my kidneys
were settling down.

But we don't have to go.

We can pay him back in a week.

He won't wait a week.

This type doesn't wait at all.

These--these men
are wild out here.

They are?

Angie, you do
your pitch with doc.

I'll see you in your room later.

But I'll take care.
I--I promise you.
Mmm-hmm.

Tom.

Tom.

I--I did it so we could stay.

I know why you did it.

We are such a success here,
for the first time.

Well, we'll be a success
someplace else.

I make things bad for you.

No, not bad.
Not ever bad.

Impossible, sometimes,
but never bad.

I know why you're
doing this, too.

Why--why you give up
what you want.

I'm just trying to
hold the show together.

No, because
you watch out for me.

So? Is that bad?

No, never bad.

Wrong, sometimes,

but never bad.

You do your pitch with doc.

I'll see you in your room later.

Carte de visite.

We're shooting the moon.

Take the kid
and make your exit
and meet me at the hotel.

Oh, thank you.

50 cents, gentlemen.

Sam, do you still want me
to keep an eye on them?

Nah, they ain't skipping town.

Not tonight, they ain't.

You can't ever be sure
with actors.

Oh, I can be sure.

I'm real sure about tonight.

Artistic poses
by Miss Angela Rossini.

Nothing here, nothing there.
Allez-oop.

$1, please.

The same poses that
have stirred the hearts

of the red-blooded
American males

from the great Atlantic
to the blue pacific.

$1, please.

$1 for these lively,
spicy portraits.

Thank you. $1 to set the blood
tingling through your veins.

Thank you.
Who wants Angela Rossini?

Take her beauty
home with you tonight.

Thank you.
Who wants Angela Rossini?
Thank you.

I'm going out this way.

You follow in a little while.

We haven't made enough money.

I'm going to see if
I can make some more
so we can stay here.

Whatever you do,
don't lose what we got.

I don't know why I play
this darned game.

I can't win for losing.

Can anyone play in this game?

We don't have women, ma'am.

Oh, I would love to so much.

I've just learned it
and it is so amusing.

Oh, let her sit in, Tom.

Give us the best-looking
game in town.

How sweet of you.
Thank you.

May I sit down?

Yes, ma'am.

You sure had them
whooping and hollering.

Mighty slick ride
you made up there.

Jacks or better to open.

You know what that means, lady?

Well, I--I think so.

It's open.

Cards, lady.

3?

2.

3 for me.

Dealer takes 2.

Anybody here can't
afford to lose $10?

May I put in another $10?

You can put in
as much as you got
there on the table, lady.

Just $10 for now.

I'm out.

I'll call.

Not me.

I'm out.

Is this good? 3 tens?

That's good enough.

Oh, I like this game so much.

Hiya, doc. Where's Angie?
Is she coming?

She's right behind me.

Mama?

What, baby?

I can't put any more on.

Then carry them, darling.

It's more ladylike, anyway.

Now, remember,
we're just out for a stroll.

Parasol.

Mother first.

$100. And $100 more.

Too much for me.

$200. And $200 more.

But that's all I've got.
You are not allowed--

table stakes, Mabry.
You can't raise more
than she's got showing.

That's too bad.

Wait.

I would like to bet more,
if you would.

Well, there it is.

What're you gonna
put up against it?

Me.

You're mighty sure
you're gonna win.

Will you take the bet?

All I can lose is money.

What've you got?

4 sevens.

4 jacks.

I hate to leave, gentlemen,
but I really have to go.

I'll pay you tomorrow.

I generally collect
right after I win a pot.

Later. Not now.
Now.

Mabry!

Santis, he hasn't got a gun.

Turn around, Mabry.

Turn around, I ain't gonna
shoot you in the back.

You wait for me up in your room.

Sheriff! Sheriff!

All right, keep them back.

Stay back. Keep away.

All right, Mabry, this time
you're not gonna get--

he drawed on me, sheriff.

Ask any one of the boys.

That's right, sheriff.

I tried to stop him.

Are you gonna
let him get away
with shooting up my place?

You want to swear out
a complaint?

Sheriff, I got an engagement.

Wait a minute.

I've got an engagement.

I'll swear out a complaint:
disturbing the peace.

Come on, Mabry.

All you'll do
is march me down
to that judge

and he's got to let me go.

Come on, Mabry.

Honey, I'm sorry I'm late,
but that fool sheriff...

here I am, little lady.

What the dickens
is going on in here?

What's going on in there?

They've skipped.

They sure ain't here.

I knew I never should have
put them in that room.

Never give actors
a room with a balcony.

Don't even give them a window.

You mean they
went out over here?

They'll do it every time.

And after all I done
for that little lady.

I was just coming
about some alterations
on Miss Rossini's dress.

I know what you
was coming for,
but you're too late.

They've skipped.

Well, why don't you
go after them?

They're probably
headed for bonanza.
Why don't you go after them?

If I don't get them,
the Indians will.

Passel of them just
jumped the reservation.

Burning and killing
all over the place.

It's your money.

Oh, no, it's not.
Our deal is off.

You guaranteed
what they owed me.

Show it to me in writing.

I got witnesses.

Not in this town, you ain't.

I'll take you to court.

You'll have
a different tone before--

oh, I'm waiting, Hodges!

Is that so?
Well, you--

I have a job for you.

Mabry's on his way back.

If he gets here,
it will cost me
a great deal of money.

I don't want him to get here.

Now, there is no sense
looking all over
the country for him.

He has to come
over the ridge road.

So pick a good spot
and stay there

until he comes.

All of us?

I hope it will be enough.

Mabry's worth 6 of you.

So don't give him a chance.

Giddap!

Mama, did we get somewhere?

Well, how should I know?

Where's the rest of the wire?

Give me a hand with this pole.

How many more we gotta do today?

Keep it in line, now!
In line!

Uh, excuse me, sir.
Excuse me.
What's all this?

Oh, the Healy
dramatic company, sir.

Show people?

Yes, sir.

Gotta pay these men
double wages
to get them out here

and they can't even
set a pole straight.

Excuse me, sir,
is there any water
around here?

We're-- we're running
pretty dry.

Just over that ridge
there's a stream.

Thank you.

I see the storm
pulled your wire down.

Injuns pulled it down.

Come on, get your back into it!

Indians, around here?

Raiding up and down the line.

They say the cavalry's
driven them up north.

That's what they say.

You--you mean these are
dangerous Indians?

I ain't got
these bluecoats along
just for company.

Where are they going?

Howdy, ma'am.

Hey, lady,
where'd you come from?

Watch out.

What a surprise.

Gentlemen, gentlemen,
Miss Della Southby.

Come on, baby.

Gentlemen, how would you
like to take Miss Della
home with you?

For 50 cents,
for just one half of $1,

you may have a picture.

Mister, we're headed
for bonanza.

Surely that's safe?
That's to the south.

Safe as any place
in this country.

Mister, would you get
those females out of here?

It's hard enough
putting up this wire
with the injuns around.

Just trying to help you.

Carte de visite, anyone?

Goodbye, boys.

Come to see our show
the next time you're in town.

Mama, a man!

Where?

Over there.

Doc!

Yes, Lorna?

We got company.

Hey, Tom, Healy!

What?

Look what's coming.

Turn it on, Ted!
They're after us again.

Is it the sheriff?

Let's not stay to find out.

Give it all you've got.

Come on, you damn nags!

Hold on, baby.
We're off again.

Ted, let them out.

He's gaining!
He's gaining!

He's gaining, Ted!

Giddap, you nags!

He's gone, mama.

He's gone. I...
I think maybe we lost him.

Whoa!

See him?

No, I haven't seen him anywhere.

Whoa!

Anybody home?

Mabry.

Mabry.

What--what are you
doing out here?

Scared you, didn't I?

We thought you were the sheriff.

He's still back in Cheyenne,
figuring out where I got
that other gun.

What gun?
Never mind.

Where are you folks going?

Bonanza.

Ain't that a caution?
So am I.

No.

Mind if I ride along?

Well, uh...
gets kind of lonesome
riding all by yourself.

This is rough country,
you never know

when you can use an extra hand.

That might not be a--

Tom.

I--I would like to talk
with you for a moment.

Excuse me a moment.

I got nothing but time.
Yeah.

Pretty country, ain't it?

Don't it ever end?

Tom, why do we need him?

You have a map,
you know the way.

Just--just in case
we run into trouble.

What kind of trouble?

He's just going to
ride along with us,
just another hand--

he is a killer.

Shh.

He could kill us all
in our sleep.

Angie, this man kills for money.

You have money?

No.

Mabry.

You're welcome to come along.

Thank you kindly.

Ted! Let's move on.

Healy! Healy.

Whoa!

You can make camp over there.

There's plenty of water
for the horses.

I'm gonna scout around
a little bit.

I might not be back till sunup.

Mabry. Any, uh,
any special reason?

Don't build the fires too high.

Giddap!

Don't drag the costume, baby.

Yes, mama.

Mama has to wear it.

This rain certainly
didn't do us any good.

This armor's a soggy mess.

You're doing a good job, doc.

Mr. Healy,
I put your breakfast
over there.

Thank you, Della.

*

Is, uh, Mabry back yet?

No, not yet.

Good.

Oh, uh, listen, everybody.

Don't, uh, don't go
too far away, huh?

Uh, I'm gonna...
I'm gonna look around.

Where would I go?

*

*

Hello.

Who are they, mama?

They're Indians.

Maybe they live
around here someplace.

Do you live around here?

You speakee English?

Why, they're hungry.
Yeah.

I'll fix you something to eat.

Oh, Tom! Tom!

Oh, Tom!

We've got visitors.
Come on.

Hello.

Listen, everybody, uh,

will you all
start moving over
towards the wagons?

Tom, I think they're hungry.

Just--
why, Tom? Come on.

Just shut up and do as I say.

Why?

What did you do?

They just wanted food!

You killed them!

Maybe I ought to
let them kill you.

Like they killed some soldier
to get this.

We better move fast.

The one who got away
is gonna be back
with his friends.

I figure these 3
for a scouting party.

Ted and bill, where are they?

Our drivers.

Ted! Bill!

Bill!

Mama?

Don't look, baby.

Guess we'll have
to bury them, huh?

No time for that.
I'll get the horses.

But--but--but to leave them
like this, it...

they don't know the difference.

We'll have to leave the wagons.

Just--just take
what's important.

Come on, everybody.

Come, baby.

Doc, will you come on?
Come on.

Lorna, Lorna, come on.
Let's go.

Mama.

Hey, perk up, pop.

Hey, Healy.

Yeah?

Better get movin'.
I'll go on ahead.

Yeah, I'll send them along.

Ok.

Come on, mama.

Your costumes, baby.
All your best parts.

Little Eva,
and Fanchon the cricket,

and--and mother's helper.

Oh, mama, throw them away.
I'm 20 years old.

Well, I am.

Lorna, Lorna, come on, let's go.

No.

Oh, come on, baby.

Leave me here.
Let's not make a scene.

Leave me to the Indians.
Get on your horse.

What does it matter?

I'm dead already.
My child just killed me.

Come on,
get up there, Lorna.
Oh, baby.

After all I've done
for that girl.

After all I've done for you.

Get on!

Snoogie, you know I gave up
my career for her?

Yes, I know, baby.

And she's only 16.

16! That's all she is.
Everybody knows that.

I was a baby myself
when I had her.

I, I know, baby.
Hold on to the saddle, baby.

Della! Wait for me.

Oh, Angie, Angie,
can you please take this?

Well...

Let's rest up.

Over there.

Why do you stay with us?

Why don't you go when you can?

I got to protect
my property, ain't I?

How are your kidneys, doc?

Easy, easy, doc.

Thanks, Healy.

Snoogie. Snoogie.

Yes, dear.

I'll help you, mama.

If you would, please,
Mr. Healy.

Oh, of course,
Mrs. Hathaway.

Oh!

Stretch your pretty legs.

Thank you.

Mama, don't be mad.

Did you--
did you see anything,
Mabry?

No, no sign of them.

But that don't mean anything.
We just have to keep movin'.

Oh, Mabry, a-according
to my--my map, there's a...

there's a--
there's a mission,

there's a mission
on the-- on the way
to bonanza.

Oh, that's a long pull, Healy,
over rough country.

Right over that mountain.

You got snow, you got wind.

You got trails

where you take one wrong step
and you're over the edge.

Look, Mabry.

If you don't want
to come along,
you don't have to.

You've done a lot for us,
and I don't want you to feel
that you have to stay.

I don't mind.

I was raised to do good,

and I like to do it
whenever I can.

No, I'll stay with you.

You feel better, doc?

Ain't as strong
as I used to be, Tom.

Take it easy and rest.

He better be ready to move soon.

We can't sit here
too much longer.

They can't go on like this.
The women--

I'm thinking of the women.

Them injuns are riding
without their squaws.

You keep watch.

I'm going to nose around
a little bit.

And remember, if they come,

you're shooting downhill,
so aim at their knees.

Get me some branches
for a fire, will you?

What about the smoke?

We got to take that chance.
It's too cold without a fire.

Course, there's other ways
of keepin' warm,

but they ain't proper.

I wouldn't care
if it was proper or not,

with somebody like him.

Mama.

Baby, that's
a very attractive man.

Isn't he, Angie?

You look like
you didn't sleep so good
last night.

I slept fine, thank you.

Oh, uh, Mabry, uh,

Mabry, we're in the middle of
a lot of trouble out here.

You know, uh, snow and Indians,

a lot of trouble.

Don't make any more.

I'm here to help you, Healy.

Oh, we're--
we're very grateful.

But if I'm too much
trouble for you,

all you gotta do
is say "git."
I'll go.

We need you, you know that.

I ain't a man
to look for trouble,

but I don't run from it.

I usually run from it,
but not always.

I can't figure it.

He should have
been here long ago.

You know what
I've been thinkin'?

I think he's coming
over the mountain.
Through all that snow?

Well, there's Indians loose,
maybe he had to.

Well, he ain't
coming this way,
that's for sure.

Now, you 3 wait here
another couple of days,

then head on back.

I'm heading for the mountain.

You going up
against Mabry alone?

He ain't looking for me,
I'm looking for him.

Besides, I can spot
that horse of his a mile away.

Mr. Mabry ain't never
gonna know who shot him dead.

Hey, doc. That sun
feels good, huh?

Good on the old bones?

It feels good to be warm,
I can tell you that.

Lorna! No more snow.
We're almost there.

How about Indians?

No more Indians.

Thank you, Mabry.

The pleasure's mine, ma'am.

Here, Della, let me help you.

You know what?

You're as pretty as the morning.

Thank you, Mr. Healy.

Aren't you old enough
to call me Tom?

Why, y-yes, T-Tom.

You've done it again, Tom.

Yes, Angie, we've done it again.

If that mission's
where you say it is.

Maps don't lie, Mabry.

Yeah, but people do.
And they make the maps.

You'd better
start brushing up
on your lines, Angie.

We'll be on the stage
before you know it.

Come on.

Would you get me
some water, Angie?

I'm all dried out.

I'll bring you some champagne.

I'd be privileged
to help you with that, ma'am.

Tom will help me. Tom?

You scared to go
down there with me?

I'm frightened only of Indians.

Well, there ain't no Indians
around here, I told you that.

You scared
I might collect my bet?

What bet? What are you--
what are you talking about?

I played poker with him
and--and lost.

When did you
play poker with him?

I'll tell you later.

Right now, we are in danger.

Ain't no danger here.

Now, you stay out
of this, Mabry.

You'll get your money.

It ain't money that she lost.

What--what--what did you lose?

Tom, we are
in a country of wild--

what--what did you bet
that--that you lost?

Myself.

But I had 4 sevens.

Tom, I would have told you.

How much was in the pot?

$800, $900.

Against her, huh?

Well, you--you
got her cheap.

Tom.

What--what do you
want me to do,

win you back? I...

I'm a very poor poker player.

It was only a game with--

I'm too-- I'm too old
for games.

Oh, he'll get over it.
He always does.

Is it time, Mabry?
Have you stopped waiting?

You look so sure of yourself.

Why?

Because you know what I am.
You do, don't you?

Better than he does.

And I know you.

We're alike, the 2 of us.

All we care about
is what we want.

They could have found us.

Drop it!

Mabry?

You thought it was me.

Why? Why are you
doing this?

Who sent you, Gallagher?

Who sent you?

You wouldn't have
tried this yourself,
not on me.

Who's paying you?

Nobody!

Well, who are they after?
De Leon?

They're trying to get me
so they can get to him?

Who's dumb enough, Gallagher?

Who thinks they could take us?

Mabry, I'll help you.
Stay out of bonanza.

I'm taking you there.

No!

Tom!

No!

Oh, Tom, are you all right?

Yeah, I'm all right.

When I saw you
falling on the ground,
I thought you, you...

it's-- it's nothing.

Who sent you?

But you are hurt.
Let me help you.

I can-- I can
take care of it.

Who's paying you?

Mabry, I'll help you.

Who sent you?

De Leon sent me to kill you.

Ah, you're not
getting off that easy.

I'm telling you.

I did a job for him
and I'm gonna collect.

You'll never collect.
He owes you too much.

He don't wanna pay you, Mabry.

You know what he's like.

I'm telling you the truth.

Get out of here.

You mean that?

But not back to bonanza.

I can't go back, Mabry,
after missing you.

He'd string me up.

I don't want him to know
you missed me.

Oh, if he's hurt bad, you
better get him to the mission.

It's just over the hill.

Over the hill?
Oh, we're saved.

Tom, Tom, we're saved.

We're saved.

Mabry. Here.

I wouldn't know
how to use it anyway.

Get the agent.

Oh, my--my name is
Healy, sir,

manager of the Healy dramatic
and concert company.

We...

we've had a bit
of a hard going,
as you can see.

Now, if you'd be kind enough
to assist the ladies...

Tom!

He's dead.
I know it, he's dead.

Put him on the bed in my office.

Easy, boys.
He's hit in the leg.

Would you like me
to get you something?

Some water, something to eat?

No, thank you.

You slept a long time,
you were so tired.

You feeling better?

Oh, fine, fine.

The doctor said you would be
walking around in a week.

Tom.

You all comfortable
where they've put you?

Oh, yes, yes, I'm fine.

Better than sleeping
out on those rocks,

or all cramped up
in that wagon, huh?

Not better than the wagon.

Oh, the wagon wasn't much.

Every time it rained,
we all went swimming.

To tell you the truth,
when I saw them burning,

I was relieved.

Oh, I-I've been talking
to the agent.

He's, he's going
to buy the horses.

You're breaking up the company?

Well, it wasn't--
wasn't much of a company.

Kind of...

kind of foolish,

when you come right down to it.

Tom, listen to me.
I'm-- I'm sorry I--

there's nothing
to be sorry about.

I wish I--

there's nothing to wish for.

"Everything
happens for the best,"
that's my new motto.

We weren't getting anywhere.
We were just wasting time.

It's good thing we found it out.

Saves everybody a lot of time.

After a while,

time is the most
important thing.

Oh, Tom, Tom, you--

Angie, there's nothing to say.

Oh, he means nothing.

No lies.

No more lies.

It's easy for you to say that

because it's easy for you
to tell the truth.

It has never been easy for me.

What you want to do, you do.

I want to tell you the truth.

I--I don't think you know
what the truth is anymore.

I--I--I want to--
that...

that is what
the truth is to you:

what you want.

Tom.

You tell the doc
where you're going to be.

When we sell the horses,
I'll send you your share.

What are you gonna do now?

What I've always done:
get a job somewhere.

What you need is a stake,
not just a job.

Enough to get you
to san Francisco,

get you some pretty clothes.

I know where you
can get that stake.

Is there someone
even you can't kill?

You got no call
talkin' to me like that.

If I didn't kill
some of them Indians,

you wouldn't be here right now.

I'm sorry.
You're right, Mabry.

You did so much for us.

Then don't go
treating me like dirt.

You ain't no better than me.

Oh, I'm-- I'm worse,
Mabry. Much worse.

Uh, w-what do I do
to get this, uh...

what did you call it, stake?

Well, there's a fellow
named de Leon
who owes me $5,000.

For killing
those men in Cheyenne?

Yeah, he was...

he wanted them killed,
and he was paying good for it.

Now he wants you killed,
so he won't have to pay you.

That's right.

Well, I must admit,
it's a way to save money.

I want you to get
that $5,000 for me.

With a--a gun?

No, with a note from me,

tellin' him to give it to you.

Sure, and he will give it
to me just like that?

He's what they call
a respectable man,
Mr. De Leon.

Course, they'd run him
out of town

if they knew
he was going around
havin' people killed.

They might even hang him.

With what I know on him,
he'll give you that money.

And then?

Then he'll have you trailed.

To you.

But you ain't comin' to me.

You're stayin'
right there in bonanza.

I'm comin' to you.

When?

I don't know when,
but you'll hear from me.

There's $500 of it for you.

Just for holding it?

Just for you.

You--you said
you would give me a note.

Yeah, well, I ain't got
such a good hand.

Think maybe you could
write it out for me?

I mean I can't, uh,
write it out so good.

No, sir, I can't write at all.

I can't read
and I can't write none.

But that don't mean I'm dirt.

You--you are not dirt.

Maybe with all that money,
we could go to san Francisco.

On a train.

We'd have a high old time
with all that money.

W-what shall--shall I write?

We'll be in bonanza
in a couple of weeks.

Will you be there?

He's finished with me at last.

Oh, he'll get over it.

I've lived long enough
to know that much.

Whatever it is,
they always get over it.

Now, you wait for me
till I get in bonanza.

We'll persuade the natives there

to part with some of their gold.

And what a time we'll have,
just you and me.

Champagne all around.

You take care of yourself.

I'll miss you.

I'll miss you, too, Angie.

You'll be hearing from me.

I'll be there.

Now you be careful.
Real careful.

De Leon ain't no Sam Pierce.

He'd just as soon kill you
as look at you.

Uh-uh, not the way
he'll look at me.

Come on, go!

Come in.

I brought you
some hot soup, Tom.

Thank you.

Well, you must get
your strength back,
you know.

Why?

Oh, you!

Oh, let me do that.

You're still too weak,
you'll cut yourself.

Have you ever used
one of those before?

No, but I'll learn.

I'm a very fast learner.

Why, do you know

I learned the whole part
of Mazeppa in just one week?

You did, huh?
Uh-huh.

And la belle Helene.

I learned all of Helene
in no time at all.

You learned those parts?

Well, in case of emergency.

I knew how unreliable she was.

Let's be fair, Della.

She never missed a performance.

But the way she played them.

I mean,
there was simply
no excuse for it,

playing opposite
an actor like you.

Well... well, I've...

I've had a lot of experience.

I'd give anything

to play opposite
an actor like you.

You know, Della,

you've changed in
the last few weeks. You've...

you've kind of grown up.

Of course, you...
you are a little young
for those parts, but maybe--

oh, I'm not as young
as mama says I am.

Or as you think I am, Tom.

I'm 20 years old.

I'm 43.

Oh, you don't look it.

Well, I feel it.

Look, Della,

thank you for the soup
and--and the close shave.

Well, somebody has
to play those parts,

and she's not here.
Della, Della,

Della, there are no parts,
there are no plays,

and there's no Healy company.

Oh.

Hotel's right over there, ma'am.

Nice clean rooms.

Thank you.

I'm just in,
and I'd like to have
something very, very pretty.

No need to explain, dearie.

You need a dress,
we'll see that
you get a dress.

Here they are.

Come in the parlor
and we'll get you
all fitted up.

Take your spoon
out of your cup
while you drink, Gladys.

What'd you say you were, dearie?

An actress.

Yeah. We're all
actresses, ain't we?

I loan this
tête-à-tête chair

to the opera house
every time there's a show.

What a lovely room.

Oh, I try to keep it homey.

Let's see.
No, that's too big.

That's no good.

Oh, this--this
is a nice one.

I think a tuck here and there...

get me my sewing basket, Edna.

Yes, ma'am.

This is a beautiful dress.

I made this dress
for a dear, sweet girl.

Passed away from the pneumonia.

Never did know her right name.

And she said to me...

her very last words, she said:

"Mrs. Haddock, when I'm gone,

give this dress
to one of the other girls,
you hear?"

She was southern, poor child.

And you're the first girl
that's come along

that was the right size.

Oh, I--I won't be able
to pay you right away, but--

don't worry about that.

Just make some man pay,
that's all I ask.

For this purpose,
a furnace was added

with a capacity
of 30 tons a day,

using 2 blowers, one crusher,

and a steam engine
of 40 horsepower.

Additional profit
from this operation

is expected
to approach 20 percent
of the total investment.

It is also recommended

that the shipment of ore,
coke, and bullion

be entirely taken over

by the de Leon
transport company,

since this will ensure

a marked saving
in the transportation costs.

In my office.

Yes, sir.

The advantages are economic,

and not without
savings to the company.

Gentlemen.

We'll have to
continue the meeting
some other time, I'm sorry.

Perfectly all right.
An important matter.

I must give it
my immediate attention.

My apologies, mayor.

Goodbye.
Goodbye.

Goodbye, sir.

How do I know this is true?

You don't.

You've seen Mabry?
Mmm-hmm.

He's alive?

That man you sent,
what was his name, Gallagher?

It's a pity,

a young man like that
to have such bad eyesight.

Who are you?

Does it matter?

Is this your family?

How sweet. The boys
look just like you.

I could have you
arrested, you know.

Thrown into jail
for trying to blackmail me.

That's a serious crime.

So is murder.

In some places,
even more serious.

That depends on
who the murderer is,
miss, uh...

Rossini.

May I have the money,
Mr. De Leon?

You are very sure
I'll give it to you.

Mabry said you
were a clever man.

And a rich one.

For a clever and rich man
to save $5,000

and lose everything,

it's, um, how do you say,
a false saving?

You, too, are clever.

Yeah. But not rich.

You could be.
Yes, I know.

All I would have to do
is tell you where Mabry is

and what he plans to do.

He'll never be missed.

And whatever he's offered you,

I can offer
a girl like you more.

Much more.

But you don't know
the kind of girl I am.

But what does
a girl like you want,
Miss Rossini?

Money. Mabry's money.

You see, you don't know
the kind I am.

You think I'm clever,
but I'm really not.

The money,
Mr. De Leon, please.

It's in the other office.

I'll wait.

Goober.

There's a girl in my office.

She'll be leaving
in a few minutes.

Get downstairs with Joe
and follow her.

Don't let her out of your sight.

Just watch her, that's all?

That's enough.
She's going to meet Mabry.

Mabry?
I thought he was--

just do as I tell you.
Now, go on, go on.

Hmm, thank you.

Aren't you going to count it?

We trust you,
Mr. De Leon.

How did Mabry ever find
someone like you?

It must have been
his lucky day. Bye.

Oh, don't forget
your curlers, baby.

I won't be needing them
anymore, mama.

But, baby,
we're going to be
among people again.

I like my hair this way.

Oh, baby,
it makes you look so old.

Call me Della, mama,
that's what you named me.

I'm 20 years old.

Next month I'm going to be 21.

The end of next month.

Goodbye, pop.

The wagon's ready, doc.

Goodbye. And thanks
for everything.

Well, Mabry, I...

if you ever want
to see a show, look us up.

Whatever else happened,
you did save our lives.

I want to thank you for that.

Well, maybe sometime I'll be
in your neck of the woods,

and you can save my life.

You know, I probably would.

Well, folks, we're here.

Doc, you'll have your drink
in a few minutes.

Driver! Driver, stop! Stop!

Tom, look.

Well, I gotta give her credit.

Don't-- don't be
so quick about it.

She got you a theater, Snoogie.

Oh, come, Lorna,
I'm not the only Healy.

It's a common name.

Let's go inside, mama.

Yes, Della.

No, no, no, no,
that doesn't work. No.

Let's try something else.

Here. This carpet.
Just put it on.

Let's get ready.

Come on,

let's start with the first act.

You in the middle, over here.

Where's the other boy?
Come on, come on. There.

All right.

"My pretty girl

has left her nest
so early this morning."

Angela.

It sure is good
to see you again, Angie.

I didn't think
we'd ever see you.

You naughty thing, you.

Now, where are
the dressing rooms?

Oh, just back there.
You'll find it.

Thank you.

Where'd you get the money?

I stole it from Mabry.

Does--does he
know it yet?

Well, there is nothing
he can do.

It's your theater, in your name.

Did you, uh,

did you think
you could just give me this

and I, I would take it?

Even the way you think,

did--did you really think
I would take it?

No.

No, not really.

I just hoped.
I wanted...

I wanted to do
something for you.
Some-something nice.

So you...

I don't know,
you--you--you could
think of me as...

you see?

I only think of myself.

You're lucky to be rid of me.

But the theater is yours,

and I'll go whenever
you want me to.

What are you rehearsing?
I-i-is that Mazeppa?

Yeah.

It's staged all wrong.

Everything is wrong.

I'm trying to make costumes
from I don't know what,

old rags and carpets.

And these people
have no experience.

They can't act
and I don't know
how to tell them.

The horses didn't bring
as much as I'd hoped.

Oh, I don't want anything.

Doc and the girls
can't go to san Francisco
without a new wardrobe.

No manager
would look at them,
you know that.

Well, I'll stage Mazeppa
for you and play it,

until I can make enough money
to pay back what I owe.

You can play your part,
if you like.

Oh, I-I'd like to.

Now, that's the only reason
I'm staying.
You understand that?

I understand.
I know, I know.

Everybody take your places.

We'll pick up the rehearsal
where we left off.

Oh, ladies and gentlemen,
this is Mr. Healy.

"Why, how is it
my pretty bird--"

"Has left her nest
so early this morning?"

Ladies.

"And, oh! Those downcast eyes
and colorless cheeks assure me

she has passed
a sleepless night."

"I am deeply to be pitied."

"Pitied?"

"You to be pitied?

When there's news
of nothing else..."

...throughout the castle,

except the news
of your approaching marriage

to the young nobleman
so rich, so elegant.

Those nuptials
can never take place.

My heart, my soul,
each energy of my existence,

All, all is Casimir's.

Casimir's! Heavens!

That friendless youth.

Someone approaches.

'Tis he. 'tis Casimir.

Oh, good heavens, how agitated.

Noble lady.

Oh, speak without
reserve, Casimir.

My second mother here knows all.

Before her, then,
pronounce my fate.

Oh, your fate.

Yes.

On you and on this moment,

depend the destinies of my life.

Like the show?

It's too bad
you can't see the rest of it.

Gets mighty exciting later on.

...Seek with me that happiness
which is denied us here?

How? With barbarians,
sworn foes of my country?

Never, never.

Then let
his hated rival tremble.

Listen to me, Casimir.

I care not for life.

I am ready to sacrifice it,

but I will not perish alone.

Your father comes.

For both your sakes,
hide from him your tears.

Casimir, away.

Adieu, my love.

My Lord...

Hello.

I ain't got much time.

Old de Leon's got his boys
watching this place.

Did you get that money?
Uh-huh.

You're a real gooder.

I have something
to tell you. I--

just tell me
where that money is.

I spent it.

Oh, hello, Mabry.

How many times
do I have to tell you
not to move on my lines?

But you always told me--

on other actors',
Della, not on mother's.

Listen,
I--I was lucky to get it.

Everyone said it's worth
much more than $5,000.

And I'll pay you back
every cent.

Where do you think you're goin'?

I'm going onstage.

You ain't going nowhere.

What do you mean?

What are you
standing around for?
You're on in a minute.

You stay out of this, Healy.

You keep
your business with him
out of the theater.

You wanted to play your part,
then go and play your part.
I said stay out of it.

When my cue comes,
I will be onstage.

And we'll talk after the show.

You and me'll talk right now.

You tryin' to make
some kind of fool out of me.

I don't like that.

I'm only trying to explain.

There's your cue.
You'd better go. Go on.

Don't give me no trouble, Healy.

You come on over here.
I wanna talk.

You--you--you let her go.
She has to go on the stage.

Mabry. Please don't.

These amateurs
are the curse of my life.

You get on the stage. Run.

I'm gonna kill you, Healy.

I demand an...
Snoogie, I demand
an explanation.

There's a man
in our dressing room.

And he's drunk.

That your room?

Hold it, Joe.
Hold it, Joe. Hold it.

They got any other ways in here?

Who's after you?
De Leon.

He missed me once,
but he'll make sure this time.

Della, go lock the door
on the other side
of the stage.

You come with me.

To this festivity
your presence will add...

come here.

Can you see them out there?

Count, with the utmost joy
I shall attend thee.

They're out there.

All right.

Now, you stay here
and don't try anything.

I don't want you
spoiling my show.

My esteemed count castellan.

Only pressing matters of state

could have kept me
from your presence.

It was my wish, my fair Olinska,

to present to thee my homage,

but ancient custom
does not permit

a palatine of Poland
to offer his vows in person

till after a solemn ceremony.

The countess's coronet

must be presented
to the intended

and she returns
her ring in exchange.

From that moment,

she is his affianced bride.

My envoy,

this day will come on
this very important mission.

Good night, good night,
my sweet Olinska.

Who art thou?

Thy rival.

Have at thee.

That is my assassin.

Remove the mantle
that conceals the wretch.

Healy. Listen--

Now, take it easy.
Just enjoy the show.

Back, Olinska.

No!

He shall suffer
the punishments
inflicted on rebel slaves.

I'm gettin' out of here.
Now, you listen to me.

There's an old mine
just north of town.

I can wait there
for you till morning.

But I can't get
the money by then.

Mabry.
In a minute.

Look, you're in
my neck of the woods.

You want me to save your life?

Then come on.

I'll be waiting for you.

Now, launch the traitor forth!

It's Mabry!

Well, he made it. He got a...

Don't be too long, mama.

I won't, Della.

Snoogie,
come have supper with us.

Oh, later.

Snoogie, forget her
or don't forget her,

but we can settle down now.
We've got a theater.

All right, come on, mama.
Are you coming, Tom?

I'll meet you later.

Well, let's go, mama.

Well, you can't say
we didn't open with a bang.

I'm sorry I took so long.

First to find that silly man,

and then to get him
to open that silly bank.

And that ride.

I thought I would
never find Mabry.

But I had
to give him back
his $5,000.

He helped us so much.

I didn't want him to think
I would cheat him.

You got $5,000?

That was all I owed him.

In the middle of the night?

Some things
are easier to get at night.

And this time
I could put up real security.

What did you put up?

The Healy theater.

The theater?
This is in my name.

Oh, I signed your name.

Oh, Angie.

Mrs. Thomas Healy.

But the man said
it was all right.

He--he thinks we'll be
a big success in bonanza.

O-of course,
we-we'll have to
stay here for a...

I know.

I haven't been asked yet.

I ask you, Angie.

Thank you.

I--I--I--I have to
put out the lights.

But I-it was wrong of you
to hit Mabry.

He hit me first.

Oh, that's no excuse.

It's against your nature.

And I want a man of your nature,

not his.

Angie.

Also, you are much stronger
than he is.

You could have hurt him.

Mmm.