All language subtitles for Ten.Days.in.the.Valley.S01E09.Day.9.Recast.WEBRip.x264-RARBG.en

Jane, this is Marcy Sykes
from Child Protective Services.

What

Ms. Sadler,
is there somewhere we can talk?

You're gonna run this story
one way or the other, right?

Probably.

This time tomorrow?
Okay.

What are you writing about?
You want me to read it?

Nope.
No, thank you.

Gomez called me into his office.
I'm on my way.

Just don't tell him
about the Casita Victim
Number One, all right?

I need to dig into this
a little more.

Personal effects
from your Jane Doe.

There's an address,
but not from Ms. Gonzalez.

Then who?

The original buyer --
Christopher Gomez.

This is not another story
about police corruption.

This is about one man,
heartbroken,

delusional, irrational.

Chris: What's the story
with this guy?

Who'd he kill
at this casita?

Tremblay!

Nobodies -- bangers.
It's nothing to worry about.

Look,
we're gonna get him.

**

Mama!
Oh, God!

Oh, my God! Lake!

Oh, my God.

**

Jane: Taraxacum
is a wildflower

native to Eurasia
and North America.

They are edible
in their entirety.

The common name, "dandelion,"
comes from French...

dant-de-lion,
meaning "lion's tooth."

Lake: Okay,
now do peanut butter.

Hey, you see Sadler
and the kid?

Jane:
Peanut butter...
All right.

...is a food paste

made from ground,
dry-roasted peanuts.

Marcellus Gilmore Edson
of Montreal, Quebec,

was the first person

to patent peanut butter
in 1884...

Pea-- hey.

They told us
we could relax in here,

get away
from the chaos.

Good.

Cookies and cream.

This was my son's favorite
at your age.

Oh, if a policeman
gives it to you,

you have to have it.

That's actually the law.

Okay.

Thank you.

Good?

You know, you're one
impressive little kid.

Think you're ready
to have a talk with me now,

let me
ask you some questions?

Can Mama be there?
And Daddy?

I'm going to have someone there
that works with children,

helps them through
this sort of stuff.

Is it all right if Mommy
and Daddy wait in the next room?

You'll be safe.

Maybe we can watch
on the video?

Yeah, you could stick
your tongue out at us.

Yeah?

Normally, we do this
without your parents,

but we can let them watch --
turn the sound off.

That way,
if you want to tell me a secret,

nobody else
will hear it.

What do you say?

Okay.
There you go.

[ Mid-tempo hip-hop music
plays ]
Ah.

* We can go 12 rounds

* First one to step be
the first one get knocked down *

* I'm in the ring
with my hands held high *

"I watched
these embattled parents

face their own powerlessness.

All that's left to do is wait."

* I'm a pit bull killer,
I was born to fight *

"And so, we wait."

* I'm the real...
that you talk about *

Yeah.

That's good.

Send that. Send that.

Yeah.

Yeah.

Yeah.

Ali: Tom.
Tom: Hey,
I-I sent it.

I had to -- had to plug my nose
and write all night.

Drank half a bottle of vodka
to stop from judging myself,

you know,
but I sent it.

It's two days late,
but I -- it's good.
Tom, listen.

Ali, um, I'm not used to
even writing that fast.

I-I think they're gonna
probably want a continuing story

'cause it's not...
Tom, listen, listen.

...'cause it's not
wrapped up.

They found her
alive and well.

W

They found her?

Yeah, she's here at the LAPD,
and she's fine.

Well, thank God.

I mean, that's...

That's amazing.

Yeah.

I can't believe that.

Hey, can you run by
the grocery store,

just pick up some stuff,
and meet us at Jane's?

Yeah.

I mean, I probably --
I probably shouldn't drive.

I-I smell like booze,
honey.

Grab a cab.

Yeah, okay.

* ...in the square with
my gloves on, ready to dance *

Ah!

Bird: Lake?

Can you tell me about the night
you were taken from Casey?

There was
a big light...

and a big,
loud bang...

and then,
I woke up in a car.

Did you see
who was driving the car?

Once,
I saw a hummingbird

that was the size
of a bumblebee.

Now that's
a pretty small bird.

I wanted
to catch it,

but my mom
wouldn't let me.

She saw
a rattlesnake,

and she picked me up
and ran before I got to see it.

She takes
good care of you.

**

So, you were
in the back seat of the car.

Did the driver
speak to you?

No.

He -- He took me
to his house,

**

If I show you
some pictures,

you think you'd be able
to tell me

which one was the man
that was driving the car?

**

**

I missed
hip-hop class,

and I bet Grace
knows all the moves and I don't.

Detective,
could I have a word?

**

You did real good.

I'll be right back,
okay?

**

**

Oh, look at her.
She's okay.

She's herself.

Jane: It's too much pressure.
She's tired.

Ali: We need
to get her home.

Hey, you guys finished
with her?

Marcy wanted
a few minutes with her.

Is there something
we should know?
Ah, it's standard.

She just wants
to make sure

she's processing
what happened.

Mate,
what can we do?

Well, make sure
her home environment

feels safe
and normal,

no reminders of this ordeal
lying around.

Like the "missing" posters
that are hanging

from every tree
in the neighborhood?

Yeah.

You might want to take
those down before she goes home.

Well, I'm going to do that
right now.

This is over,
right?

Nothing else
but paperwork.

But don't you worry
about that.

You need to put
all this behind you --

both of you.

**

**

What'd the little one
have to say?

She didn't see much.

Didn't want
to talk about it.

Ah, poor thing.
I don't suppose she does.

You at least got enough
to do your 314 report, right?

I'm working on it.

Good.
Let's wrap this up.

**

Well?
You heard him.

Heard what?
Get on that report.

Me?
He told you to do it.

And I'm telling you
to do it.

At least
the first draft.

You want to be a D3 one day,
you're going to have to learn

how to write a clean 314 report
for the D.A.'s office.

Be good practice
for you.

Uh, okay, but --

Hey, buddy -- remember when
you ratted me out to Gomez?

Yeah.
I forgive you.

Notes are in there.
I'll be back later.

Hey. Hi.

Where's Daddy?

Oh, he went to get the house
ready for you.

You want
to go home?

Yeah.
Yeah, okay.

Everything okay?

Lake, can I speak to your mom
for a moment?

Yeah.

Ali: Okay, here.
Come here, baby.

You did a good job
in there.

What's going on?

Lake is experiencing
signs of trauma --

disassociation,
memory loss...

Okay.

Would you
expect otherwise?

She needs to feel the adults
around her are in control.

She needs
to feel safe.

Of course she does.
I'm going to take her home.

I'm not going to
leave her side.

I'm not certain
your home

is the best place for her
right now.

Well, where would
you suggest

would be a better place
for her?

I've had sole custody of
my daughter for the last year.

No,
I'm sorry,

but I can't let you leave
until I bring in my supervisor.

Mama!

Yes?
What is it?

Baby,
I'm right here.

Mama, he was there.
I saw him.

**

**

Sorry. Okay?

Yeah, I'm taking her
to the bathroom.

I'd like
to continue talking.

Yeah,
I'll be right back.

She needs
to go to the bathroom.

Mama,
I don't need to pee.

I know, baby.
I know.

Careful, okay?
Yeah.

**

Okay,
let's hurry.

Come on.

**

Let's go this way.

You okay?

Yeah.

**

All right if I ask
a few questions?

Sure, I guess.

Do you spend much time
with your sister and niece?

Yeah, lots.

Have you ever had
any reason

to be concerned
about Jane's parenting?

God, no.

Do you know
of other times

she may have left her alone
in the past --

for work
or any other reason?

Okay, so,
what if she were gardening

while her daughter
took a nap,

and she had
the monitor with her.

Would that be weird?

Not necessarily.

Okay, so because
she was working for pay,

somehow that makes
this whole thing her fault?

I'm not saying that.
What are you saying?

Lake is scared.

I got
the impression

that she doesn't feel safe
with her mother right now,

so I'm looking into it
because it's my job.

**

Well, I'm going to
go check on them.

**

Gomez: Amira.

Who's taken over
at "Internal"?

The, uh,
the writing, I mean.

I think it's this guy,
Matt something?

Do you know him?

Mackenzie is friends
with him.

She likes him.

Good.
Go pay him a visit.

I want you
to gently feed him the details

of what went on here --

Tremblay behind
the casita shooting,

how we figured it out
and took him down.

Really

Because that show is
an everlasting pain
in my ass, Amira,

and if
it's going to exist,

they should at least
get the story straight, right?

Right.
Good.

**

You seen Jane?

No.

Okay.

**

Woman on P.A.: Please remember,
we are experience delays

at Civic Center/Grand Park.

Jane: Oh, I don't
have money.

Just stay here
for a sec.

Okay, come on.

Lake:
I-I can't.

Yes, yes, yes,
yes, yes, yes.

Come on, Lake,
let's go.

We didn't pay.
We need to pay.
We'll pay later.

No, we won't!
Yes, we will.
I promise.

Don't say you promise
if you don't mean it.

That's the same
as a lie.

It's not an lie,
it's an adventure.

**

Bird: Hey.

Hey!

Shouldn't you be celebrating
with your cohorts?

You guys
are all over the news.

Yeah, I'm tying up
a loose end.
Hmm.

Listen, talk me
through something, will you?

Sure. Can you walk me
to my office?

Yeah.

Listen,
victim of a shooting --

young woman,
no family.

I'm trying to find
a history on her,

but can't find nothing
past two years.

How old is she?

27. Was.
Now deceased.

But her social media,
rental records, job history --

all go back two years,
but then nothing.

This is part
of the Sadler case?

Hey, look, the only thing
I can think of --

she was
in witness protection.

Does that fit?

Ah, this is
one of those conversations

where you came with
the questions and the answers.

Just tell me
if it fits, Chantal.

Maybe.

Hey, it's sloppy work
on the marshal's part

to not set her up
with a history,

but I've
seen it before.

Who do you know
down there?

At the
Marshals Service?

Yeah.
No chance.

You're not going to
charm your way in there.

You need a warrant.
Come on.

I can't get a warrant,
not right now.

Okay, if you can corner
one of the young marshals,

you can probably
talk him into helping.

Just don't bother
trying to talk to

the old,
grizzly guys like you.

Thanks for your help.

The Sadler kid
is found, right?

The guy who took her,
he's dead?

Yeah.
So what
are you doing?

Told you --
loose end.

A loose end
named Jane Sadler?

What are
you talking about?

Maybe the case
is over,

whether you want it to be
or not.

**

Got it.

Security says they left
the building five minutes ago.

1st Street exit.
BOLOs on their cars,

patrols to their jobs
and their houses.

Find them
and bring them in!

Jane:
All right, okay.

We can make it.

Hurry.

**

Okay.

What are we doing?

We're good.

We're good.

We're good.

Amira: Gus was one of our best
narco detectives,

but sadly,
he was the one running the crew

that was robbing
drug dealers.

So, he was running
this dirty crew for years,

and no one on the force
tried to shut it down?

I mean, they were
looking into him -- IA was --

but all they had
were rumors,

nothing they could
act on.

That's a hell
of a story.

It's tragic,
is what it is.

Guy was
off the rails.

You know, there's this one thing
I'm confused about.

The case
is not closed,

so why
are you telling me?

Mackenzie said this inside stuff
is useful for you guys.

And as I said, Mackenzie won't
be here for another hour.

All right, sorry.

Didn't mean
to waste your time.

You know,
I can't help but notice

the minute you stepped
into Mackenzie's life,

suddenly the police
knew about

everything
we were doing --

every detail,
every script.

And now here you are,
unloading all of this.

Why do I feel like
I'm being handled?

It's the truth.

Isn't that
what you want?

You can go.

**

**

Man:
Matt Walker?

Yeah?

We're looking
for Jane Sadler.

Have you had any contact
with her in the last hour?

**

What scared you
at the police station?

That man.

You sure
you saw him?

Yes.

Was it just that man,
or was there anyone else?

Can we call Daddy?

Yeah. Soon.

**

First, you want
to go to the beach?

Okay.
I love the beach.

Yeah.

We could, um...

**

Oh, God.

**

Put your head down.

**

Oh, God.

Man on P.A.: Next stop,
Wilshire/Normandie.

Next stop, Wilshire/Normandie.
Let's go.

**

**

Excuse me.

Excuse me.

Tom: Where does she keep
the damn garbage bags?

Does she even
have any?

Oh, thanks.

How about beer?
She keep any beer in the house?

Uh, Tom, mate,

this really isn't the time
for you to let loose, you know?

I know you kind of messed things
up with Ali a little bit

and you're
in the doghouse,

but not today,
mate, huh?

Did she tell you
I cheated on her?

'Cause I didn't.

I've never been
anything but faithful.

She's just pissed off
about something

that happened
years before we met.

Guys.

Hey, did Jane
come home?

No, why?
She leave the station?

Yeah, with Lake.

Ah,
did you call her?

Yeah, well,
I have her phone.

The cops
are after her.

Hey.

I'm here
about a young woman

who went through
the WITSEC program.

Her name's
Rosita Gonzales.

I need
her prior identity.

Okay,
what's the warrant number?
I don't have one.

Then I'm afraid I can't release
that information.

How long has she been
in the system?

I can't
tell you that, either.

I don't even have
a warrant.

Is she from
out of state?

Detective, you get the basic
principle here, right?

That's all sealed
for her protection.

She's dead.
Nice work.

Well...

I'm sorry
to hear that,

but there's still rules,
so...

Get your supervisor
down here, Marshal.

Why?
'Cause you screwed up.

You just confirmed

that Rosita Gonzales
is in the system.

I didn't
confirm anything.

You must have,
or how else would I know?

How should I know?
You're guessing.

I was,
until you told me.

That's a federal offense.

What's your problem?

Give me two minutes with
that file, and you'll
never see me again.

**

Files are in back.
Give me a minute.

I'll wait.

**

**

You have two minutes.

**

Rosa Garcia.

Born in Sacramento,
1991...

No wonder she needed
WITSEC protection.

She testified against
Vince Medina.

This was authorized
by Christopher Gomez.

**

**

This isn't the beach.

Jane: I know.

You said
we were going to the beach.

Well, I did,
but --

You lied.

Look, Lake,
I didn't lie, okay?

It's complicated.

What are we doing?
Where are we going?

I don't know,
okay?

I'm trying
to figure it out.

Can we please
call Daddy?

No, Lake, stop.
Okay?

Can you just stop
for one second?

Okay, just -- just give me
a minute to just think.

**

I want
to go home.

Well, you can't
right now, okay?

I don't like
this place.

It's scary.

Look...
I'm right here.

I won't leave you.

You said that before.

You said that you'd stay
in bed with me all night,

but you didn't.

You left me.

You're right.

I'm sorry.

It's my fault.

It's all my fault.

I'm so sorry.

**

I'm so sorry.

Oh, God. Oh, God.

I'm tired.

I know you are,
honey.

I know.
I know.

I know a place,
okay?

Let's go.

**

Tom, I'm using
your computer.

I'll e-mail her.

She's got to check in
from a library or something

at some point.
Pete: I don't know
what she's thinking.

I mean, what is she doing?
Seriously?

Pete,
I don't know!

Tom: Come on, Jamie,
I literally got the news

seconds after
I hit send, so --

Jamie: Look, Tom,
we just can't run the story.

It's dead.
Okay,
I hear you.

Tell Ali
I'm sorry it didn't work out.

Wait, what?

Well, she's the one
who put us in touch again.

Look, Tom,
I'm sorry.

I got to go.

So, that was your friend Jamie
from Dash News.

She's not publishing
my article.

What are you doing
on my computer?

You're writing
about Lake?

**

Seriously?
This is what you wrote?

Did you read it?

'Cause I
handled it delicately.

Whoa,
you wrote about Lake?

Somebody had to
write about it.

Who better than me, okay,
and more to the point, Ali,

why didn't you tell me
you set this whole thing up?

I'm not sure
how that's more to the point,

but I suggested to Jamie
that she meet with you,

not about this story.

I didn't even
tell her about this.

I don't need you
to do my career any favors.

Someone had to!

If I had known
you'd stoop this low,

I never would have pushed her
to meet you.

Well,
it's all moot now.

**

Hey.

Can we come in?

Yeah, yeah, come in.

Any word on Jane?
No.

You haven't
heard from her?
No.

So, this is
parental abduction, right?

When you guys find her,
you're going to arrest her.

Pete, stop it.

No, Ali, it is.
And you know it.

Even if it is,

you need to calm down
and be the grown-up for once.

**

We can
catch our breath here.

I-I'll figure out
what to do next, okay?

**

**

PJ, your client's
showing up at my house.

What other surprises
have you got for me today?

Hey, Jane.

I could really
use a favor.

**

Come on,
let me in.

**

Jane: W-We, uh,
need a place

to lay low
for a little while, okay?

Lake is tired,
so she needs to rest.

Who are you hiding from?
The police?

Jane: I just -- I don't know
who to trust right now, okay?

You're grasping at straws
if you're turning to him.

You must be Lake.

The great Lake.

Have you ever been
to any of the Great Lakes?

I've been
to several,

but they're not
as great as you.

Okay, okay.

Seriously,
I like kids.

They lighten up
the place,

and this place could use
some lightening up, right, PJ?

How would you like
a grilled cheese sandwich?

Please, Mama,
I'm really hungry.

Coming right up.
I'm going to
head out of here.

Nope.

You are going to give me a hand
in the kitchen.

Okay,
let's have a seat, okay?

I want
to call Daddy.

Yeah, but first,
um...

I want
to play a game.

Okay?

Like the one
that we play

when we people-watch
at the Farmer's Market.

Where we write them
a story, okay?

So, um...
let's talk about

the man you said you saw
at the cabin.

Now, if we --

if we tell anyone
that you saw that man,

then we could
get in trouble.

And -- And right now
we just want to be safe,

more than anything else
in the whole world, right?

So we need
to rewrite the story, okay?

We can
leave bits out,

erase details,
change things.

So maybe instead of the man
having dark hair,

maybe he had
red hair.

Can you picture him
with red hair?

**

We need to get that kid
out of here by today.

**

He had dark hair,
and he wore a suit.

Okay,
but maybe instead of a suit,

he was wearing
a jean jacket.

A jean jacket,
o-okay,

can you --
can you picture it?

I'm trying.

I want to go
with Daddy, please.

PJ: Stop --

**

Stay here.
Stop it.

Stop it!

Jane: Stop.
Okay, stop it.

Sheldon: Sorry,
I have very little patience

for a self-entitled
millennial!

Oh, my God.
PJ, are you okay?
Yeah, I'm fine.

Bro, if I don't sell product,
I don't get commission.

So if
I give that back,

I don't know
how you see that as stealing.

Sheldon: I've accounted
for that money.

You didn't bring it to me.
You stole it.

Lakey?
It's called "bad."

I'll be out
in a minute, Mama.

Well, just don't count
your chickens in a row,

or whatever
the saying is.

Hey!
Keep your voices down.

Ducks in a row.
Eggs before they're hatched.

Chickens before
they hatch.
Okay,
Old MacDonald.

We've been working together
for two years, okay?

Cut me some slack.

I'll get you
your money.
Fine.

Then all of our problems
will be solved.

I need
someone's phone, okay?

**

Thanks.

Not since --
Not since

she went
to the bathroom.

Hello?

Lake:
Hi, Daddy.

There is just
no way --

Lakey, where are you,
baby girl?

With Mama in a place
with a big kitchen

and an elevator
with a gate.

Are you okay?
I want
to come home.

Yeah, well, Daddy's coming
to get you right now, all right?

You just stay exactly
where you are, Lake, all right?

Daddy loves you,
baby girl.

Okay, please hurry.

Lake -- ah.

She hung up.
Did she say
where she was?

I know exactly
where they are.

Okay, okay, okay.

Hello?
Jane:
Hey, Bird, it's me.

**

Sadler,
where the hell are you?

Everyone's looking
for you.

Lake said she saw Gomez
at the cabin.
She saw him?

I don't know,
she says she did,

but is that crazy?

No, no, no,
it's not crazy.

Jane, I've connected
Rosita Gonzales

to Christopher Gomez.

What does that mean?

Well,
I think it means...

that Gus was taking orders
from the Commander.

Oh, my God.

This is never
going to end.

This is too big.
We can't do this.

Look, I got to
hit up Forensics.

I'll call you back
on this number.

Just stay
where you are.

Don't talk to anyone.
You got me?

Jane: Hey, baby.
You okay?

I got to go.

Hey, wait!

**

You ready for
a grilled

**

Okay.

You got final forensics
on Gus Tremblay?

I need them
for my report.

Let's see...
Here you go.

Thanks a lot.

This report complete?

Pretty much.

Quite a piece of work,
this guy --

a thief,
murderer, kidnapper.

Any DNA samples
that match with Lake?

Nothing.

No blood,
no hair follicles,

no cutaneous-skin
or epidermis cells.

So Lake was never
in that cabin?

Or maybe
he was methodical as hell --

knew how to clean up
a crime scene.

After keeping her there
for five days? How is
that even possible?

If you know what you're doing,
which clearly, he did.

And when would he have time
to do that?

He was ambushed.

Maybe he kept the kid
in Saran wrap.

Thanks a lot.

All right,
all right.

There's usually a line
around the block for these.

Now, you're going to
want two,

so I made extra.

Good.

PJ: I hope my face
doesn't ruin your appetite.
It won't.

It looks like
it hurts,

but I'm punk,
so I can take it.

You're not punk.

I am so punk.
You're punk?

You can't be punk
until you're like 16, so...

You know, this will help
when I shop my scripts.

You think people are gonna be
more interested in you

with a black eye?

Well, no, not the bruises,
but the scars, right?

Yeah, everybody likes
writers with scars.

**

Do you want to be a writer
when you grow up?

I want to be
a hip-hop dancer.

That's great.

W-Who's your
favorite dancer?

I don't know.

Ah, I took
a lot of hip-hop classes.

Oh, my God,
this is torture.

Do we really
have to do this?

Yes.

She needs it,
and we need it.

Otherwise, she'll still be
in our bed

when she's
12 years old.

Oh, is that
so bad?

I mean, what if this is really
screwing her up?

What damage are we doing
that we don't even know?

Well, that's it,
right?

It's an experiment.

We just raise her
the best that we can,

and then we live with the
consequences of our mistakes.

That's the price
of parenthood.

Everybody grows up
a little damaged, don't they?

We know you did.

But you're perfect.

**

Someone's here.

**

**

Where are we going?

They can't search this place
without a warrant.

Well, maybe they have
a warrant.

Not this fast.
Don't worry about it.

This isn't
my first rodeo.

In here.

Okay.

Everyone stay cool.

This will all
be over soon, okay?

Okay.

Lakey, I need you
to listen to me, okay?

If they -- If they take you back
to the police station,

you need to tell the police
a different story.

Let's practice.

Tell me
what the man looked like.

He had dark hair,
and he wore a suit.

No, not -- not -- not --
not the real man.

You need to
make up a new one.

Please, Lake.
I-I'm trying!

I can't!
You need
to try harder, okay?

I can't do it,
Mom!

Lake, this is serious.
You need to focus.

I can't!
Focus.

We're looking
for Jane Sadler.

Who?

For God's sake,
Sheldon, this is serious!

I know she's here!

Mind if
we look around?
Uh, I do.

I'm going to have to ask you
go no further into my house.

Lake!
Hey, Ali.

Hi, uh...
what happened to your face?

Oh, it was an accident.
But it's all good.

I appreciate
the concern.

How

I-I'm -- I'm --
I'm fine.

Um...
She's here.

I know she's here.

Lake! Lakey!

Lake!
You in here?

**

Lakey,
can you hear me?

You in here?

You know what,
I have a better idea.

I have
a much better idea.

Why don't we
just pretend, okay?

Let's pretend that you didn't
see anyone or anything.

That's a good idea --

I don't want to!

That's not pretend!
That's a lie!

You lie
all the time,

and I don't want
to be a liar like you!

Daddy!

Help me, please!

Daddy!
Lake?

Open the door!
Lakey!

Daddy, help!
Lake,
you in here?

Lake!

Please,
open the door!
Lake,
Daddy's here!

I'm getting you out!
Baby, I'm taking you home!

It's over!

Okay,
I'll open it!

Sheldon,
open the door!

It's all right,
honey.

Daddy's here.

Daddy!

Lakey.

Are you
out of your mind?
Pete, please.

**

It's all right,
baby.

Jane, you can't
bring her here.

This is not good
for her.

It's not right.

After everything's
she's been through,

to lock her up?

I'm taking
my little girl home.

**

Al, please, wait.

Just for a second,
please.

I know
this looks really bad,

but I need you
to do something for me, okay?

N-Not for me,
for -- for her.

Please don't let anyone
talk to her.

Don't let anybody
interview her.

Promise me,
okay?

Okay.

Okay.

Okay.

**

I'm sorry,
Jane.

Sorry for what?

You ran off
with your kid

while under investigation
by Child Protective Services.

That's
parental kidnapping.

I have to
take you in.

**

**

Bird:
Can I come in?

Gomez: Yeah.

Hear Sadler took off
with the kid, right?

Well, they've been through
a lot.

Cut them some slack.

Well, clearly she doesn't
want the drama to end,

but we do.

They're bringing her in
right now.

Been thinking about
this Vince Medina case.

Why?

It was the proudest day
of my career,

when we got that guy.

Yeah, it was a good day
for this city.

And for
your brother.

What's on your mind,
John?

One of the victims of the
casita shooting, Rosa Garcia --

key witness whose testimony
brought down Vince Medina.

Got murdered
wearing a bracelet

that was bought
by your brother.

I'm only telling you
what the evidence is telling me.

It's delicate,
him being your brother.

Would you prefer
I keep you out of it?

I can remain objective.

Was he
sleeping with her?
No.

She was a witness, John.
He would never do that.

It happens.

He was grateful
for her testimony, okay?

It was
a gesture of thanks

to a young woman
of little means.

That's it.

Then why
did she end up dead?
Why?

Because she testified
against a gangster, John,

and that's what happens.
You know that.

Vince Medina hired Gus Tremblay
to kill Rosa Garcia.

You got proof?
Yeah, I do.

IA's been following Tremblay
for months now.

Did you know that
he visited Medina in prison

four times in the month
leading up to that hit?

Yeah, clearly,
he needed a cop for the job.

Someone who could find
Rosa Garcia

in witness protection.

Tremblay was his man.

Funny thing --

there's no trace
of Jane's kid in his cabin.

Really?

Woof.

That guy was good.

He fully intended on
getting away with it.

What a lunatic.

Clearly, he was wrapped up
in some warped hero fantasy.

I mean,
who calls himself "Red"?

He paid for his sins.
What about your brother?

What, the brac--
okay, the bracelet, John?

You want to file a complaint?
Be my guest.

It would tank
his campaign.

Yeah, it would,
and a hell of a lot more.

Every single scumbag
that he ever put away --

retrials across the board.
They'd all walk.

First one out the door --
Vince Medina.

So, what?
We just ignore it?

To keep Medina off the
streets, you're damn
straight we ignore it,

and better yet,
we feel good about it.

You know why?

Because a monster
is in jail,

his dirty-cop hit man
is dead,

and an 8-year-old little girl
who was kidnapped is home, safe.

We won.

Who is Red?

'Cause I don't think
it was Gus.

Why don't you use
some of that energy

to wrap up
your report, John?

It's a tight case.

You're only going to create
problems by going fishing.

Yeah, you know what,
I never did like fishing --

sitting on my ass
waiting for something to bite.

All the same,
whenever I do go,

I always
catch me a fish.

All right, guys,
I've had a breakthrough.

The cop that we have come
to love and trust --

the man Isabel fell for --
is...Red.

Ahh.

Nice.

See, you, Domenic, you were
the mastermind behind it all.

You are
the bad apple.

Domenic:
That's great, man.

I mean,
that's -- that's great.

I mean,
bad guys are more complex.

Ah, just like
in real life.

See, Jane thought
Gus Tremblay was an ally,

when in fact,
he was the enemy.

But she
couldn't see it

because she got
emotionally involved.

We're going to put Isabel
in the same spot.

The man
she's falling for

is the very man she's been
hunting all this time.

Okay, um, so...
do I put it together?

No.
Domenic dies first.

Isabel:
Oh, my God.

That's brilliant!

Back up a second.
What did you say?

Y-Your lies
catch up to you.

Your obsession with Isabel's
gotten out of control.

You take a bullet
to the head.

A clean bullet
to the head,

just like Gus did.

I love it,
Matt.

Don't worry -- your death scene
will be beautiful.

This is going to be
so good.

**

Pete: "She and the dragon
walked along the steep hillside,

the amber river
snaking below them.

'Is that not the top?"
asked the little girl."

That's you.

"'Not quite,'
answered the dragon."

"'You will know

that we have reached the top
when you see...'"

Oh.
Hi.

I'm wondering
if I can come in

and ask Lake
a few questions.

Are you serious?

Sorry, we're trying
to wrap up our report.

No, detective.
Absolutely not.

She's been through
enough today.

Yeah --
just five minutes.

**

Death, taxes,
and traffic --

you can't fight it,
especially in L.A.

**

I don't blame you.

For taking off
this morning.

After what
you've been through,

it's going to take time
to trust the world again.

Do you even
have kids?

No.

Then maybe you don't know
what you're talking about.

**

Mate, we just need
to be left alone.

No, I-I know.
I feel terrible,

but I just have to ask
a few more questions.

What do you want
to ask me?

Well,
we still need you

to identify the person
who took you.

Really,
that's all.

I know you don't want
to think about this right now,

but if we wait too long,
you might forget.

But I didn't
see anyone.

You didn't ever see
the person who took you?

No,
I didn't see anybody.

That enough?

**

Nickole: You know,
I don't have kids,

but my wife's sick.

She has MS.

We've been together
nine years now.

I'm sorry.

Half my life
I spent trying to protect her,

the other half
knowing that I can't.

If I could scoop her up
and run from it all,

I'd -- I'd do it.

But...it doesn't work
like that.

**

You going to
get that?

I'll get it later.

**

**

**

**

**

**