All language subtitles for The Adored (2012) BR

af Afrikaans
sq Albanian
am Amharic
ar Arabic Download
hy Armenian
az Azerbaijani Download
eu Basque
be Belarusian
bn Bengali
bs Bosnian Download
bg Bulgarian Download
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech Download
da Danish
nl Dutch Download
en English Download
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French Download
fy Frisian
gl Galician
ka Georgian
de German
el Greek Download
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian Download
is Icelandic
ig Igbo
id Indonesian Download
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin Download
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian Download
mg Malagasy
ms Malay Download
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian Download
pl Polish
pt Portuguese Download
pa Punjabi
ro Romanian Download
ru Russian Download
sm Samoan
gd Scots Gaelic
sr Serbian Download
st Sesotho
sn Shona
sd Sindhi
si Sinhala Download
sk Slovak
sl Slovenian
so Somali
es Spanish Download
su Sundanese
sw Swahili Download
sv Swedish
tg Tajik
ta Tamil Download
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:34,370 --> 00:00:36,780 SO, MAIA, WHAT DO YOU THINK OF THE SCENERY? 2 00:00:36,780 --> 00:00:40,490 THE LANDSCAPE, I MEAN. NOT THE WOMAN PISSING IN A FIELD. 3 00:00:40,490 --> 00:00:43,240 IT’S LOVELY. 4 00:00:43,240 --> 00:00:47,070 IT’S ALL RIGHT. A BIT OF SUNSHINE WOULDN’T GO AMISS. 5 00:00:54,950 --> 00:00:57,120 [MUSIC PLAYS] 6 00:01:57,620 --> 00:01:58,700 YOU KNOW, MISS ALLMAN-- 7 00:01:58,700 --> 00:02:00,530 OH, CALL ME FRANKIE. 8 00:02:00,530 --> 00:02:04,070 FRANCESCA AND MISS ALLMAN MAKES ME FEEL REALLY OLD. 9 00:02:04,070 --> 00:02:05,620 FRANKIE. I JUST WANTED TO SAY THANK YOU 10 00:02:05,620 --> 00:02:08,370 FOR AGREEING TO THIS AT SUCH SHORT NOTICE. 11 00:02:08,370 --> 00:02:11,070 IT’S NOT A PROBLEM. IT’S AN ABSOLUTE PLEASURE. 12 00:02:11,070 --> 00:02:15,660 BARBARA SHOWED ME THE PHOTOS OF THE SHOOT YOU DID IN 2009. 13 00:02:15,660 --> 00:02:17,280 I WAS THOROUGHLY IMPRESSED. 14 00:02:17,280 --> 00:02:18,820 THANK YOU. 15 00:02:18,820 --> 00:02:23,700 SHE SAID THAT WAS THE LAST TIME YOU MODELED. 16 00:02:26,820 --> 00:02:29,530 THIS LAKE. IT’S BEAUTIFUL. 17 00:02:31,780 --> 00:02:34,120 INDEED. 18 00:04:02,410 --> 00:04:03,490 LET ME TAKE THAT. 19 00:04:03,490 --> 00:04:04,870 DON’T BE SILLY! 20 00:04:04,870 --> 00:04:08,160 YOU’RE MY GUEST. RELAX. ENJOY. 21 00:04:08,160 --> 00:04:10,950 I DON’T THINK THERE’LL BE ANY TROUBLE THERE. 22 00:04:16,950 --> 00:04:18,870 SO, DO YOU LIVE HERE ALONE? 23 00:04:18,870 --> 00:04:20,410 MMM-HMM. 24 00:04:25,240 --> 00:04:28,370 AND DO YOU DO ALL OF YOUR WORK FROM HERE? 25 00:04:28,370 --> 00:04:30,990 MOST OF THE TIME. 26 00:04:49,700 --> 00:04:53,410 SO, DO YOU HAVE A PARTNER? 27 00:04:53,410 --> 00:04:56,700 PARTNER? HOW POLITICALLY CORRECT OF YOU. 28 00:04:56,700 --> 00:04:58,070 SORRY, I-- 29 00:04:58,070 --> 00:05:00,870 DON’T WORRY. I’M ONLY TEASING. 30 00:05:00,870 --> 00:05:02,570 TO BE HONEST, 31 00:05:02,570 --> 00:05:05,950 IT’S A LITTLE BIT COMPLICATED AT THE MOMENT. 32 00:05:05,950 --> 00:05:08,280 BUT WHEN ISN’T IT? 33 00:05:32,700 --> 00:05:35,530 I HEAR YOU’RE MARRIED. 34 00:05:58,820 --> 00:06:01,120 MAIA? 35 00:06:01,120 --> 00:06:02,990 HMM? 36 00:06:04,410 --> 00:06:06,820 MARRIED? 37 00:06:07,820 --> 00:06:11,450 OH. YEAH. 38 00:06:13,570 --> 00:06:15,820 YOU HAVE TO CHECK? 39 00:06:17,660 --> 00:06:19,990 IT’S AN AMAZING HOUSE. 40 00:06:22,530 --> 00:06:24,120 LET’S GO INTO THE DRAWING ROOM. 41 00:06:53,950 --> 00:06:56,620 YOUR PHOTOS PAY FOR ALL OF THIS? 42 00:06:56,620 --> 00:06:59,410 HA HA. WOULDN’T THAT BE NICE? 43 00:06:59,410 --> 00:07:02,280 NO. THE HOUSE KIND OF PAYS FOR ITSELF. 44 00:07:02,280 --> 00:07:04,620 WHAT DO YOU MEAN? 45 00:07:04,620 --> 00:07:08,620 WELL, I LIVE HERE ALONE OUT OF SEASON, 46 00:07:08,620 --> 00:07:10,530 AND THE REST OF THE YEAR I HAVE COMPANY. 47 00:07:10,530 --> 00:07:12,570 I RENT IT AS A HOLIDAY HOME. 48 00:07:12,570 --> 00:07:15,160 I’VE HAD A FEW NAMES. 49 00:07:15,160 --> 00:07:17,410 EVEN ROYALTY. 50 00:07:17,410 --> 00:07:18,570 REALLY? 51 00:07:18,570 --> 00:07:22,570 MM-HMM. I WON’T NAME NAMES, 52 00:07:22,570 --> 00:07:27,160 BUT LET’S JUST SAY THIS HOUSE HAS SEEN A FEW THINGS. 53 00:07:27,160 --> 00:07:29,410 IT GIVES THEM THE PRIVACY THEY NEED, 54 00:07:29,410 --> 00:07:32,700 WHICH GIVES ME AN EXCUSE TO KEEP THE HOUSE LOOKING GREAT. 55 00:07:59,700 --> 00:08:04,570 IT’S SO QUIET. THERE’S SO MUCH SPACE. 56 00:08:04,570 --> 00:08:09,450 [FRANCESCA] NOBODY AROUND FOR MILES. 57 00:08:23,700 --> 00:08:25,530 [FRANCESCA] YOU LIKE READING? 58 00:08:25,530 --> 00:08:28,280 WELL, I TRY. THERE’S JUST SO MUCH OUT THERE. 59 00:08:28,280 --> 00:08:29,620 [FRANCESCA] HMM. 60 00:09:04,030 --> 00:09:06,200 ALL OF THESE YOUR PHOTOS? 61 00:09:09,280 --> 00:09:10,910 MMM-HMM. 62 00:09:19,030 --> 00:09:21,450 LOTS OF PEOPLE ARE DRAWN TO THAT ONE. 63 00:09:21,450 --> 00:09:26,490 IT’S FUNNY HOW IT HAPPENED. SHE WAS A FRIEND OF MINE. 64 00:09:26,490 --> 00:09:30,490 CAME TO ME STRAIGHT AFTER HER BROTHER’S FUNERAL. 65 00:09:30,490 --> 00:09:32,570 SHE WAS ABSOLUTELY DISTRAUGHT. 66 00:09:32,570 --> 00:09:38,320 SHE WAS SO VULNERABLE, AND YET SO ELEGANT, 67 00:09:38,320 --> 00:09:41,490 SO I ASKED IF I COULD TAKE A PHOTO. 68 00:09:41,490 --> 00:09:43,160 WHAT DID SHE SAY? 69 00:09:43,160 --> 00:09:46,740 SHE STARED AT ME FOR A FEW MOMENTS 70 00:09:46,740 --> 00:09:48,570 AND THEN SAID, 71 00:09:48,570 --> 00:09:53,320 "I DON’T GIVE A FUCK." 72 00:09:55,450 --> 00:09:56,740 SO RAW. 73 00:10:00,410 --> 00:10:03,450 IT’S BEAUTIFUL. 74 00:10:03,450 --> 00:10:05,910 I COULDN’T AGREE MORE. 75 00:10:07,990 --> 00:10:10,160 USE THIS AS YOUR DRESSING ROOM. 76 00:10:14,320 --> 00:10:16,160 STUNNING. 77 00:10:20,570 --> 00:10:22,070 AND IF YOU WANT TO FRESHEN UP-- 78 00:10:22,070 --> 00:10:23,780 THANK YOU. 79 00:10:27,160 --> 00:10:29,200 I’LL MAKE US SOME LUNCH 80 00:10:29,200 --> 00:10:30,780 AND THEN WE CAN TAKE SOME PHOTOS AFTERWARDS. 81 00:10:30,780 --> 00:10:31,910 DO YOU NEED A HAND? 82 00:10:31,910 --> 00:10:35,070 NO. YOU’VE HAD A LONG JOURNEY. 83 00:10:35,070 --> 00:10:38,410 RELAX, UNPACK YOUR OUTFITS. 84 00:10:40,700 --> 00:10:42,280 THANK YOU. 85 00:10:42,280 --> 00:10:45,160 TREAT THIS PLACE LIKE YOUR OWN. 86 00:10:48,200 --> 00:10:51,030 I’LL CALL YOU WHEN IT’S READY. 87 00:12:25,740 --> 00:12:27,910 ARE YOU HAPPY WITH YOUR TIMELINE, ADRIAN? 88 00:12:29,370 --> 00:12:31,450 YES. 89 00:12:33,490 --> 00:12:36,200 DO YOU REALIZE THAT THIS TIMELINE IS COMPLETELY DIFFERENT 90 00:12:36,200 --> 00:12:37,660 FROM THE ONE YOU DID THE FIRST TIME? 91 00:12:37,660 --> 00:12:39,030 WHAT DO YOU MEAN? 92 00:12:39,030 --> 00:12:41,660 WHEN YOU CAME IN FOR YOUR FIRST SESSION 93 00:12:41,660 --> 00:12:45,450 I ASKED YOU FOR YOUR FIRST HAPPY MEMORY. 94 00:12:45,450 --> 00:12:48,780 TODAY, YOU WROTE YOUR FIRST HAPPY MEMORY 95 00:12:48,780 --> 00:12:51,490 WAS THE DAY YOU PASSED YOUR DRIVING TEST, 96 00:12:51,490 --> 00:12:54,490 WHICH OCCURRED AT THE AGE OF 18. 97 00:12:54,490 --> 00:12:56,870 YES. 98 00:12:58,740 --> 00:13:01,740 DO YOU REMEMBER WHAT YOU WROTE LAST TIME? 99 00:13:01,740 --> 00:13:04,200 IT’S DIFFERENT? 100 00:13:04,200 --> 00:13:05,490 YES. 101 00:13:05,490 --> 00:13:08,740 UH-- 102 00:13:12,200 --> 00:13:14,370 I DON’T UNDERSTAND. 103 00:13:17,030 --> 00:13:22,950 SO, HOW DO YOU FEEL ABOUT BEING HERE? 104 00:13:22,950 --> 00:13:26,030 STUPID. 105 00:13:28,620 --> 00:13:32,370 EMBARRASSED. ASHAMED. 106 00:13:32,370 --> 00:13:33,910 YOU FEEL ALL THOSE THINGS? 107 00:13:33,910 --> 00:13:35,910 YES. 108 00:13:35,910 --> 00:13:38,320 WHY? 109 00:13:38,320 --> 00:13:40,780 BECAUSE NOW I CAN SEE WHAT I DID WRONG. 110 00:13:42,780 --> 00:13:47,490 I CAN SEE THINGS SO CLEARLY WHEN I’M IN THE RIGHT FRAME OF MIND, 111 00:13:47,490 --> 00:13:50,740 BUT WHEN I’M WOUND UP, I-- 112 00:13:54,200 --> 00:13:56,490 WHAT DO YOU STRUGGLE WITH? 113 00:13:59,030 --> 00:14:03,320 WHAT DOES ANYBODY STRUGGLE WITH WHEN THEY’RE WOUND UP? 114 00:14:09,450 --> 00:14:12,780 WHAT DO YOU WANT FROM ME? 115 00:14:12,780 --> 00:14:15,870 WHY DO YOU HAVE TO QUESTION EVERYTHING? 116 00:14:18,450 --> 00:14:23,070 I SEE RED. I FEEL PISSED OFF. ANGRY. 117 00:14:24,160 --> 00:14:25,950 AND YOU’RE ANGRY NOW? 118 00:14:25,950 --> 00:14:29,740 OF COURSE I’M FUCKING ANGRY. YOU CAN SEE I’M FUCKING ANGRY. 119 00:14:32,910 --> 00:14:36,780 AND WHAT DID WE SAY TO DO WHEN YOU’RE ANGRY? 120 00:14:36,780 --> 00:14:40,780 DON’T TELL ME. 121 00:14:40,780 --> 00:14:43,820 RELAX. 122 00:14:43,820 --> 00:14:48,910 STAY CALM. 123 00:14:48,910 --> 00:14:51,370 DEEP BREATHS. 124 00:15:02,950 --> 00:15:05,160 IT MIGHT WORK WHEN I’M IN THE OFFICE, 125 00:15:05,160 --> 00:15:07,530 BUT WHAT ABOUT OUTSIDE? WHAT ABOUT IN THE REAL WORLD? 126 00:15:07,530 --> 00:15:10,320 I’M NOT IN HERE FOR PUNCHING A PSYCHIATRIST. 127 00:15:17,620 --> 00:15:19,910 THAT’S GOOD, ADRIAN. 128 00:15:19,910 --> 00:15:22,780 WHAT IS? 129 00:15:22,780 --> 00:15:28,320 THIS IS THE FIRST TIME YOU HAVE BEEN SO HONEST ABOUT YOUR VULNERABILITY. 130 00:15:33,780 --> 00:15:38,200 OF COURSE, IT DOES MEAN THAT I WON’T BE ABLE TO SIGN YOU OFF TODAY. 131 00:16:07,820 --> 00:16:11,030 OKAY. WHAT’S THE MAIN PURPOSE OF THE VISIT? 132 00:16:12,240 --> 00:16:13,370 WHAT DO YOU MEAN? 133 00:16:13,370 --> 00:16:14,660 WHAT DO YOU WANT ME TO DO? 134 00:16:14,660 --> 00:16:17,070 WELL, YOU KNOW, 135 00:16:17,070 --> 00:16:19,320 IT’S JUST IT’S BEEN A LONG TIME, YOU KNOW? 136 00:16:22,660 --> 00:16:26,410 MAIA, 137 00:16:26,410 --> 00:16:29,950 IF YOU WANT ME TO DO SOMETHING SPECIFIC FOR YOU, 138 00:16:29,950 --> 00:16:33,950 THEN YOU HAVE TO LET ME KNOW WHAT WE’RE AIMING FOR. 139 00:16:36,370 --> 00:16:39,240 OTHERWISE, YOU WILL LEAVE UNHAPPY, 140 00:16:39,240 --> 00:16:43,370 AND NONE OF MY CLIENTS EVER LEAVE UNHAPPY. 141 00:16:45,660 --> 00:16:47,910 THAT’S QUITE A STATEMENT. 142 00:16:47,910 --> 00:16:49,370 I NEED AN ANSWER. 143 00:16:54,910 --> 00:16:59,240 WHEN I SEE THOSE PHOTOS, I DON’T RECOGNIZE MYSELF. 144 00:16:59,240 --> 00:17:01,120 THAT WAS A DIFFERENT TIME. 145 00:17:01,120 --> 00:17:04,070 THAT WOMAN IS NOT ME ANYMORE. 146 00:17:07,030 --> 00:17:10,530 SO, WHAT WE’RE TALKING ABOUT 147 00:17:10,530 --> 00:17:13,660 IS REINVENTING YOURSELF. 148 00:17:13,660 --> 00:17:16,320 I GUESS SO, YEAH. 149 00:17:17,950 --> 00:17:20,620 WELL IN THAT CASE, 150 00:17:20,620 --> 00:17:23,530 IT WAS FATE THAT BROUGHT YOU HERE. 151 00:17:48,700 --> 00:17:51,240 THE THINNESS OF THIS MATERIAL 152 00:17:51,240 --> 00:17:56,370 WILL REALLY PICK UP YOUR BEAUTIFUL CONTOURS, 153 00:17:56,370 --> 00:18:00,820 MAKE REALLY BEAUTIFUL SILHOUETTES. 154 00:18:00,820 --> 00:18:04,370 DO YOU THINK MY HIPS LOOK TOO BIG IN THIS? 155 00:18:12,240 --> 00:18:14,530 IT’S PERFECT. 156 00:18:22,240 --> 00:18:24,820 DO YOU WANT ME TO GET CHANGED NOW? 157 00:18:24,820 --> 00:18:26,660 YEAH. 158 00:19:23,070 --> 00:19:24,820 OKAY. 159 00:20:03,700 --> 00:20:05,160 OKAY. 160 00:20:05,160 --> 00:20:09,410 UM, LET’S CHANGE POSITION. 161 00:20:10,950 --> 00:20:12,410 LOOK AT ME. 162 00:20:15,120 --> 00:20:16,950 HEAD DOWN SLIGHTLY. 163 00:20:20,700 --> 00:20:22,780 MORE. 164 00:20:30,780 --> 00:20:31,820 LOOK INTO THE MIRROR. 165 00:20:39,160 --> 00:20:42,240 LOOK AT YOURSELF. 166 00:20:42,240 --> 00:20:45,990 WHAT ARE YOU THINKING ABOUT, MAIA? 167 00:20:47,070 --> 00:20:49,370 DO YOU LIKE WHAT YOU SEE? 168 00:20:50,990 --> 00:20:52,700 [CAMERA CLICKS] 169 00:20:56,820 --> 00:20:58,990 WHAT ABOUT YOUR HUSBAND? 170 00:20:58,990 --> 00:21:00,280 WHAT? 171 00:21:02,410 --> 00:21:06,120 WHEN’S THE LAST TIME HE HELD YOU? MADE LOVE TO YOU? 172 00:21:06,120 --> 00:21:08,370 WHAT DOES THAT HAVE TO DO WITH ANYTHING? 173 00:21:08,370 --> 00:21:12,990 NOTHING. YOU’RE NOT ANSWERING THESE QUESTIONS, REMEMBER. 174 00:21:12,990 --> 00:21:15,120 STILL, I’D RATHER NOT TALK ABOUT IT. 175 00:21:16,120 --> 00:21:17,870 THAT BAD, HUH? 176 00:21:17,870 --> 00:21:19,780 PLEASE CHANGE THE SUBJECT. 177 00:21:22,660 --> 00:21:23,990 WHAT HAPPENED? 178 00:21:23,990 --> 00:21:25,660 I SAID STOP. 179 00:21:25,660 --> 00:21:27,870 WHOSE FAULT WAS IT? YOURS OR HIS? 180 00:21:27,870 --> 00:21:29,240 FRANKIE, PLEASE! 181 00:21:32,700 --> 00:21:34,700 EXCELLENT. 182 00:21:34,700 --> 00:21:38,120 YOU’RE GONNA LOVE THOSE. 183 00:21:38,120 --> 00:21:40,160 GET CHANGED INTO YOUR NEXT OUTFIT 184 00:21:40,160 --> 00:21:42,120 AND I’LL GET US SOME WATER. 185 00:21:43,530 --> 00:21:45,120 NICE. 186 00:21:45,120 --> 00:21:47,410 CARRY ON. 187 00:21:52,280 --> 00:21:54,120 WHERE DID YOU DO IT? 188 00:21:56,570 --> 00:21:59,120 THAT’S IT. DON’T LAUGH. BE SERIOUS. 189 00:21:59,120 --> 00:22:01,530 SCARY. 190 00:22:01,530 --> 00:22:03,070 NO! 191 00:22:04,990 --> 00:22:06,700 CARRY ON. 192 00:22:10,240 --> 00:22:12,570 NICE. 193 00:22:14,410 --> 00:22:16,030 BIT MORE OF THE VIXEN. 194 00:22:16,030 --> 00:22:17,450 VIXEN? VIXEN. 195 00:22:17,450 --> 00:22:19,120 LOVELY. 196 00:22:37,700 --> 00:22:40,370 DON’T YOU THINK THEY’RE BEAUTIFUL? 197 00:22:40,370 --> 00:22:41,740 THE DAFFODILS. 198 00:22:42,990 --> 00:22:44,570 NEW LIFE. 199 00:22:55,030 --> 00:22:57,120 NICE. CARRY ON. 200 00:23:01,990 --> 00:23:04,950 AS IF YOU WISH SOMEONE WERE KISSING YOU. 201 00:23:22,870 --> 00:23:24,700 IS EVERYTHING ALL RIGHT? 202 00:23:28,030 --> 00:23:29,530 ON THE BED. 203 00:23:31,160 --> 00:23:33,570 GOOD. 204 00:23:36,410 --> 00:23:41,240 AND-- TAKE YOUR SHIRT OFF. 205 00:23:42,950 --> 00:23:43,990 WHAT? 206 00:23:43,990 --> 00:23:46,410 TAKE YOUR SHIRT OFF. 207 00:23:49,160 --> 00:23:50,990 WHAT’S THE BIG DEAL? 208 00:23:50,990 --> 00:23:53,570 IT’S JUST-- I’VE NEVER DONE TOPLESS BEFORE. 209 00:23:53,570 --> 00:23:57,620 IT’S NOT REALLY GOING TO BE TOPLESS. 210 00:23:59,820 --> 00:24:01,700 TRUST ME. 211 00:24:05,740 --> 00:24:08,280 MMM-HMM. RIGHT. 212 00:24:08,280 --> 00:24:09,870 WHAT ARE YOU DOING? 213 00:24:09,870 --> 00:24:12,410 IF THIS IS THE ONLY WAY 214 00:24:12,410 --> 00:24:13,990 TO MAKE YOU FEEL COMFORTABLE, 215 00:24:13,990 --> 00:24:16,240 THEN SO BE IT. 216 00:24:16,240 --> 00:24:18,870 [MAIA] I’M NOT ENTIRELY SURE THAT IT WILL. 217 00:24:19,740 --> 00:24:24,450 THIS IS THE HUMAN BODY! 218 00:24:24,450 --> 00:24:25,910 THIS IS MY HUMAN BODY. 219 00:24:25,910 --> 00:24:27,450 YOU MAY NOT FIND IT ON A MAGAZINE, 220 00:24:27,450 --> 00:24:33,450 BUT IT’S MINE, AND IT’S ALL I HAVE. 221 00:24:33,450 --> 00:24:38,160 AND IN THIS WORLD, IF SOMEBODY LIKE ME ISN’T SHY, 222 00:24:38,160 --> 00:24:41,120 THEN SOMEBODY LIKE YOU REALLY SHOULDN’T BE. 223 00:24:49,570 --> 00:24:51,870 [FRANCESCA] I SEE VULNERABLE. 224 00:24:57,740 --> 00:24:59,530 I SEE A REAL WOMAN. 225 00:25:03,450 --> 00:25:06,530 I SEE YOU. 226 00:25:16,450 --> 00:25:18,990 ARE YOU ALL RIGHT NOW? 227 00:25:23,570 --> 00:25:26,450 ADRIAN, WHEN YOU FIRST CAME HERE, 228 00:25:26,450 --> 00:25:28,740 I ASKED YOU FOR YOUR EARLIEST HAPPY MEMORY. 229 00:25:28,740 --> 00:25:31,120 YOU SAID IT WAS WHEN YOU MET YOUR PARTNER. 230 00:25:32,820 --> 00:25:35,120 TODAY, YOUR HAPPY MEMORY IS YEARS EARLIER, 231 00:25:35,120 --> 00:25:37,320 WHEN YOU PASSED YOUR DRIVING TEST. 232 00:25:39,410 --> 00:25:44,570 ALREADY, YOUR MIND HAS CHANGED. YOU’VE CHANGED. 233 00:25:47,200 --> 00:25:49,740 NOTHING IS PRE-DESTINED. 234 00:25:49,740 --> 00:25:54,450 YOU CAN CHOOSE TO BE WHATEVER YOU WANT TO BE. 235 00:26:00,870 --> 00:26:04,030 NOW, IF YOU HAD TO CHOOSE A WORD TO DESCRIBE HOW YOU FEEL, 236 00:26:04,030 --> 00:26:06,160 NOT NECESSARILY RIGHT NOW, 237 00:26:06,160 --> 00:26:10,280 BUT GENERALLY, RECENTLY, 238 00:26:10,280 --> 00:26:12,740 WHAT WOULD IT BE? 239 00:26:14,620 --> 00:26:17,570 ISOLATION. 240 00:26:25,450 --> 00:26:27,030 GO ON. 241 00:26:31,620 --> 00:26:37,120 QUITE OFTEN. VERY OFTEN, 242 00:26:38,990 --> 00:26:43,870 I DON’T WANT IT TO BE, BUT-- 243 00:26:43,870 --> 00:26:49,990 AT TIMES I FEEL THAT SECLUSION IS THE BEST THING FOR ME, YOU KNOW? 244 00:26:49,990 --> 00:26:55,910 I TRY SO HARD WITH THE THE DAY-TO-DAY THINGS. 245 00:26:57,570 --> 00:27:01,070 I GO TO WORK. I COMMUNICATE WITH PEOPLE, 246 00:27:01,070 --> 00:27:04,570 I EVEN FORCE A SMILE IF I HAVE TO. 247 00:27:06,160 --> 00:27:09,160 BUT EVEN THEN, 248 00:27:09,160 --> 00:27:12,030 I’M NOT THERE. NOT REALLY. 249 00:27:15,700 --> 00:27:19,320 SO WHY DO YOU DO IT? 250 00:27:19,320 --> 00:27:22,870 GO THROUGH THE MOTIONS, I MEAN. 251 00:27:22,870 --> 00:27:25,740 WELL, WHAT ELSE IS THERE? 252 00:27:32,030 --> 00:27:35,200 ADRIAN, WHAT IS IT THAT YOU FEEL THAT YOU’RE MISSING? 253 00:27:40,700 --> 00:27:43,450 LOVE. 254 00:27:43,450 --> 00:27:45,200 LOVE? 255 00:27:47,200 --> 00:27:50,570 WHAT DOES LOVE MEAN TO YOU? 256 00:27:51,620 --> 00:27:54,370 I THINK ABOUT THE WOMAN I LOVE. 257 00:28:21,910 --> 00:28:23,450 TA-DA. 258 00:28:23,450 --> 00:28:26,320 OOH. THANKS. 259 00:28:27,910 --> 00:28:29,780 YOU KNOW, I CAN’T BELIEVE THAT IN A DAY 260 00:28:29,780 --> 00:28:31,370 I FEEL SO MUCH BETTER. 261 00:28:31,370 --> 00:28:35,030 IT’S LIKE I CAN REALLY BREATHE HERE. 262 00:28:35,030 --> 00:28:37,320 CHEERS. CHEERS. 263 00:28:40,660 --> 00:28:44,490 LISTEN. I’M NOT DOING ANYTHING THIS WEEKEND. 264 00:28:44,490 --> 00:28:47,870 WHY DON’T YOU STAY AND I CAN SHOW YOU THE COASTLINE? 265 00:28:47,870 --> 00:28:50,570 IT’S REALLY STUNNING. 266 00:28:52,070 --> 00:28:53,370 SORRY. 267 00:28:53,370 --> 00:28:55,200 NO. IT’S NOT THAT. I’D LOVE TO STAY. 268 00:28:55,200 --> 00:28:58,160 IT’S JUST, MY HUSBAND AND I HAVE PLANS THIS-- 269 00:28:58,160 --> 00:29:00,280 WELL, LOOK, THE OFFER’S THERE. 270 00:29:00,280 --> 00:29:02,200 I’M JUST GOING TO RELAX, 271 00:29:02,200 --> 00:29:04,490 GET SOME FRESH AIR, 272 00:29:04,490 --> 00:29:07,200 AND IT WOULD BE REALLY LOVELY HAVING YOU YOU. 273 00:29:07,200 --> 00:29:08,950 THAT’S ALL. 274 00:29:35,320 --> 00:29:39,740 HI, HONEY. UM, NO. 275 00:29:39,740 --> 00:29:41,780 UMM, NO, ACTUALLY. 276 00:29:41,780 --> 00:29:43,570 I-- THAT’S WHAT I WAS CALLING FOR. 277 00:29:43,570 --> 00:29:45,240 I JUST WANTED TO SPEAK TO YOU. 278 00:29:45,240 --> 00:29:47,030 UM-- 279 00:29:47,030 --> 00:29:48,910 IT’S ABSOLUTELY BEAUTIFUL HERE 280 00:29:48,910 --> 00:29:52,030 AND THE PHOTOGRAPHER THAT I’VE BEEN WORKING WITH 281 00:29:52,030 --> 00:29:55,490 ASKED IF I WANTED TO STAY FOR THE WEEKEND, AND I SAID-- 282 00:29:58,490 --> 00:30:03,240 NO. I SAID YES, BECAUSE-- 283 00:30:07,030 --> 00:30:09,570 IF YOU COULD JUST SEE IT HERE, 284 00:30:09,570 --> 00:30:12,240 IT IS SO BEAUTIFUL, AND-- 285 00:30:16,370 --> 00:30:19,030 OH, MY GOD. I’M NOT-- 286 00:30:19,030 --> 00:30:21,240 I’M NOT COMING HOME TONIGHT. 287 00:30:21,240 --> 00:30:23,070 I’M STAYING FOR THE WEEKEND. 288 00:30:26,910 --> 00:30:28,200 IT’S NOT ABOUT THE SHOOT ANYMORE. 289 00:30:28,200 --> 00:30:30,370 I JUST WANT TO STAY FOR THE WEEKEND. 290 00:30:30,370 --> 00:30:32,490 I’M GOING TO STAY. 291 00:30:32,490 --> 00:30:36,070 IT’S ABOUT ME NEEDING THE SPACE! 292 00:30:42,320 --> 00:30:44,910 I’M STAYING AND I’LL SEE YOU ON SUNDAY. 293 00:30:58,200 --> 00:31:00,450 [LAUGHING] 294 00:31:00,450 --> 00:31:02,660 IS THERE SOMETHING WRONG WITH YOUR FOOD? 295 00:31:02,660 --> 00:31:05,910 NO, IT’S LOVELY, THERE WAS JUST SO MUCH! 296 00:31:05,910 --> 00:31:09,370 I THOUGHT YOU MIGHT HAVE WORKED UP AN APPETITE. 297 00:31:10,450 --> 00:31:13,370 OH, TREAT YOURSELF. 298 00:31:13,370 --> 00:31:16,200 I SUPPOSE YOU’RE RIGHT. 299 00:31:16,200 --> 00:31:19,160 YOU KNOW, I’VE HAD SUCH A GOOD DAY. THANK YOU, FRANKIE. 300 00:31:19,160 --> 00:31:23,910 DON’T BE SILLY. YOU WERE FANTASTIC. 301 00:31:23,910 --> 00:31:25,370 THAT WASN’T ME. 302 00:31:25,370 --> 00:31:27,620 I’VE NEVER BEEN DIRECTED LIKE THAT BEFORE. 303 00:31:27,620 --> 00:31:30,620 BARBARA DIDN’T WARN ME YOU WERE QUITE SO-- 304 00:31:30,620 --> 00:31:31,740 DIRECT. 305 00:31:31,740 --> 00:31:34,030 THAT’S AS GOOD A WORD AS ANY. 306 00:31:34,030 --> 00:31:36,620 I ALWAYS TELL HER NOT TO. 307 00:31:36,620 --> 00:31:39,740 THE ELEMENT OF SURPRISE IS CRUCIAL TO MY WORK. 308 00:31:39,740 --> 00:31:41,450 I WAS DEFINITELY SURPRISED. 309 00:31:41,450 --> 00:31:43,450 ESPECIALLY WHEN WE BOTH ENDED UP HALF NAKED. 310 00:31:43,450 --> 00:31:44,910 I DID NOT SEE THAT COMING. 311 00:31:44,910 --> 00:31:47,490 [BOTH LAUGHING] 312 00:31:47,490 --> 00:31:48,620 I DID. 313 00:31:50,950 --> 00:31:53,070 LET ME SEE THE PHOTOS? 314 00:31:54,450 --> 00:31:56,740 I NEVER SHOW MY WORK UNTIL IT’S READY. 315 00:32:03,070 --> 00:32:05,490 I’M GOING TO GET ANOTHER BOTTLE OF WINE, 316 00:32:05,490 --> 00:32:10,240 AND YOU GO INTO THE DRAWING ROOM AND MAKE YOURSELF COZY. 317 00:32:18,070 --> 00:32:20,120 DRAWING ROOM? 318 00:33:10,700 --> 00:33:12,660 WHAT? 319 00:33:14,660 --> 00:33:17,240 I THOUGHT I JUST SAW SOMETHING OUTSIDE. 320 00:33:21,070 --> 00:33:25,780 MAYBE IT WAS A CRAZED FARMER. 321 00:33:25,780 --> 00:33:28,200 WHAT CRAZED FARMER? 322 00:33:28,200 --> 00:33:33,120 YOU KNOW PERCY BYSSHE SHELLEY USED TO LIVE HERE? 323 00:33:33,120 --> 00:33:35,370 THE POET? 324 00:33:35,370 --> 00:33:36,950 YOU KNOW HIM? 325 00:33:36,950 --> 00:33:39,200 BY NAME. 326 00:33:39,200 --> 00:33:44,950 WELL, YOU KNOW HE WAS THE HUSBAND OF MARY SHELLEY? 327 00:33:44,950 --> 00:33:48,950 AS IN, THE CREATOR OF "FRANKENSTEIN"? 328 00:33:48,950 --> 00:33:52,370 THE VERY SAME. 329 00:33:52,370 --> 00:33:54,530 AND THIS IS THE VERY SAME HOUSE 330 00:33:54,530 --> 00:33:59,200 WHERE THE STORY OF "FRANKENSTEIN" WAS CONCEIVED. 331 00:34:00,780 --> 00:34:03,990 AND YOU DECIDE TO TELL ME THIS STORY NOW? 332 00:34:05,530 --> 00:34:08,950 ONE NIGHT, A CRAZED FARMER WITH A SHOTGUN 333 00:34:08,950 --> 00:34:13,780 CAME TO THE HOUSE AND SHOT AT PERCY THREE TIMES. 334 00:34:13,780 --> 00:34:15,950 REALLY? 335 00:34:15,950 --> 00:34:17,990 WHY? 336 00:34:17,990 --> 00:34:21,070 NOBODY KNOWS, 337 00:34:21,070 --> 00:34:24,370 AND THAT’S PRECISELY WHAT LED MARY SHELLEY 338 00:34:24,370 --> 00:34:26,950 TO WONDER THE SAME THING. 339 00:34:26,950 --> 00:34:32,070 WHAT MOTIVATES A MONSTER TO DO SUCH THINGS? 340 00:34:33,370 --> 00:34:39,070 ALAS, THE IDEA OF FRANKENSTEIN WAS BORN. 341 00:34:41,490 --> 00:34:43,070 HERE? 342 00:34:43,070 --> 00:34:47,200 RIGHT THROUGH THAT WINDOW. 343 00:34:55,240 --> 00:34:57,990 SO, DID IT KILL HIM? 344 00:34:58,990 --> 00:35:04,120 NO. HE DROWNED IN ITALY. 345 00:35:09,950 --> 00:35:12,950 NOT THE LUCKIEST MAN TO HAVE LIVED, WAS HE? 346 00:35:19,700 --> 00:35:22,370 DESCRIBE HER TO ME. 347 00:35:22,370 --> 00:35:24,660 WHAT DO YOU MEAN? 348 00:35:24,660 --> 00:35:27,370 WELL, DO YOU FIND HER ATTRACTIVE? 349 00:35:27,370 --> 00:35:31,490 OF COURSE. IF ANYTHING, SHE’S TOO ATTRACTIVE. 350 00:35:31,490 --> 00:35:33,910 TOO ATTRACTIVE? 351 00:35:33,910 --> 00:35:35,700 YEAH. 352 00:35:35,700 --> 00:35:36,780 HOW SO? 353 00:35:43,240 --> 00:35:45,530 SOMETIMES SHE GETS LOOKS 354 00:35:45,530 --> 00:35:48,700 AND REMARKS OFF SCUMBAG STRANGERS. 355 00:35:50,120 --> 00:35:53,530 PEOPLE HAVE EVEN COME ON TO HER IN FRONT OF ME. 356 00:35:53,530 --> 00:35:54,870 AND DOES THAT MAKE YOU ANGRY? 357 00:35:54,870 --> 00:35:57,370 WELL WHAT DO YOU THINK? 358 00:35:57,370 --> 00:36:00,240 IT’S JUST SO GODDAMN FUCKING RUDE 359 00:36:00,240 --> 00:36:02,780 AND PEOPLE SHOULD HAVE MORE RESPECT! 360 00:36:02,780 --> 00:36:04,280 CALM DOWN. 361 00:36:50,240 --> 00:36:52,410 DO YOU TRUST HER? 362 00:36:56,410 --> 00:36:58,530 I DON’T TRUST ANYONE. 363 00:37:00,530 --> 00:37:01,870 [KNOCK ON DOOR] 364 00:37:01,870 --> 00:37:03,370 JUST A MINUTE. 365 00:37:07,410 --> 00:37:08,530 COME IN. 366 00:37:09,950 --> 00:37:11,950 JUST CHECKING EVERYTHING’S ALL RIGHT. 367 00:37:11,950 --> 00:37:15,370 EVERYTHING’S PERFECT, FRANKIE. THANK YOU. 368 00:37:16,700 --> 00:37:18,120 RIGHT. 369 00:37:18,120 --> 00:37:21,410 WELL, I’M JUST DOWN THE HALL IF YOU WANT ANYTHING. 370 00:37:21,410 --> 00:37:22,990 OKAY. 371 00:37:22,990 --> 00:37:26,570 GIVE ME A SHOUT IF YOU NEED ME. 372 00:37:26,570 --> 00:37:28,070 WILL DO. 373 00:37:41,530 --> 00:37:45,700 SHE’S SO INDEPENDENT, 374 00:37:47,450 --> 00:37:50,870 AND ALTHOUGH THAT’S ONE OF THE THINGS I LOVE ABOUT HER, 375 00:37:50,870 --> 00:37:53,240 I ALSO HATE IT. 376 00:37:56,660 --> 00:38:00,120 THERE ARE MOMENTS 377 00:38:00,120 --> 00:38:03,950 WHEN I WANT HER TO NEED ME. 378 00:38:05,450 --> 00:38:08,280 WHAT, YOU NEED TO FEEL VALUED? 379 00:38:08,280 --> 00:38:11,280 YOU WANT ATTENTION AND AFFECTION? 380 00:38:11,280 --> 00:38:12,990 YES. 381 00:38:12,990 --> 00:38:16,370 WELL, THAT’S LIKE ANYBODY. THAT’S NOT UNCOMMON. 382 00:38:16,370 --> 00:38:17,530 IT’S NOT? 383 00:38:17,530 --> 00:38:19,070 ABSOLUTELY NOT. 384 00:38:19,070 --> 00:38:20,990 IT’S PERFECTLY NATURAL. 385 00:38:26,370 --> 00:38:32,070 SOMETIMES I JUST WATCH HER. 386 00:38:32,070 --> 00:38:35,700 AND TO LOOK AT HER WHEN SHE DOESN’T KNOW, 387 00:38:39,410 --> 00:38:42,990 I CAN REALLY SEE HER VULNERABILITY. 388 00:38:52,990 --> 00:38:54,820 [KNOCK ON DOOR] 389 00:39:13,820 --> 00:39:16,410 FRANKIE? 390 00:39:16,410 --> 00:39:19,990 FRANKIE, IS THAT YOU? 391 00:39:42,410 --> 00:39:44,700 THEY’RE THE MOMENTS I ENJOY THE MOST. 392 00:39:44,700 --> 00:39:48,410 I’M NOT SURE OF YOUR MEANING. 393 00:39:48,410 --> 00:39:51,410 WHAT MEANING? 394 00:39:51,410 --> 00:39:55,030 ARE YOU TELLING ME THAT YOU’VE NEVER LOOKED OR WATCHED 395 00:39:55,030 --> 00:39:58,990 A LOVED ONE WHEN THEY’RE BUSY 396 00:39:58,990 --> 00:40:02,120 OR WHEN THEY’RE ASLEEP? 397 00:40:04,030 --> 00:40:08,240 IT’S SO PEACEFUL. 398 00:40:08,240 --> 00:40:10,280 AND IN THESE MOMENTS, 399 00:40:10,280 --> 00:40:14,410 THEY DON’T EVEN KNOW 400 00:40:14,410 --> 00:40:17,700 THEY’RE YOUR WHOLE WORLD. 401 00:41:50,620 --> 00:41:52,990 I’M GOING TO BREAK ONE OF MY RULES. 402 00:41:52,990 --> 00:41:54,910 OKAY. 403 00:41:55,870 --> 00:41:57,740 SERIOUSLY? 404 00:41:57,740 --> 00:41:59,280 I THINK YOU NEED TO SEE SOME OF THESE. 405 00:41:59,280 --> 00:42:00,160 OOH! 406 00:42:00,160 --> 00:42:01,910 ONLY A FEW, MIND. 407 00:42:01,910 --> 00:42:03,280 OKAY. 408 00:42:04,820 --> 00:42:05,990 CLICK LEFT TO SCROLL. 409 00:42:05,990 --> 00:42:07,320 MMM-HMM. 410 00:42:12,450 --> 00:42:15,030 WHAT IS THIS? 411 00:42:15,030 --> 00:42:18,700 IT’S YOU AND A LITTLE GIRL CALLED CHLOE. 412 00:42:18,700 --> 00:42:21,200 DON’T SAY THAT NAME. 413 00:42:25,160 --> 00:42:26,700 WHO’S CHLOE? 414 00:42:26,700 --> 00:42:28,320 I SAID DON’T! 415 00:42:28,320 --> 00:42:30,740 YOU DON’T HAVE THE RIGHT TO DO THIS! 416 00:42:31,990 --> 00:42:35,490 I’M SORRY, MAIA. 417 00:42:35,490 --> 00:42:39,030 IT’S JUST I’VE NEVER SEEN ANYTHING LIKE THAT. 418 00:42:39,030 --> 00:42:41,030 I DIDN’T MEAN TO HURT YOU. 419 00:42:41,030 --> 00:42:45,160 I JUST SAW SUCH BEAUTY IN THAT MOMENT. 420 00:42:48,450 --> 00:42:51,780 ANYWAY, IT’S YOUR PRIVATE BUSINESS, 421 00:42:51,780 --> 00:42:53,160 SO YOU SHOULDN’T HAVE TO TALK ABOUT IT 422 00:42:53,160 --> 00:42:54,740 IF YOU DON’T WANT TO. 423 00:42:56,320 --> 00:42:59,740 I PROMISED TO SHOW YOU AROUND. 424 00:42:59,740 --> 00:43:02,410 IT’S REALLY PEACEFUL HERE. 425 00:43:02,410 --> 00:43:04,570 IT COULD BE JUST WHAT YOU NEED. 426 00:43:25,780 --> 00:43:28,450 I REMEMBER THE FIRST TIME I CAME OUT HERE. 427 00:43:28,450 --> 00:43:32,320 I WAS ABSOLUTELY PETRIFIED. 428 00:43:32,320 --> 00:43:35,160 THE BOAT ROCKS SO BLOODY MUCH, DOESN’T IT? 429 00:43:39,450 --> 00:43:42,990 I’M TAKING YOU TO A REALLY SECLUDED BEACH. 430 00:43:42,990 --> 00:43:46,030 IT’S SO QUIET. 431 00:43:46,030 --> 00:43:49,780 I COULD GO AND COME BACK WITHOUT SEEING ANYBODY. 432 00:43:49,780 --> 00:43:53,870 ONE OR TWO PEOPLE-- THAT IS A BUSY DAY. 433 00:43:55,870 --> 00:43:59,160 IT’S THE CLOSEST THING WE’VE GOT ROUND HERE TO PARADISE. 434 00:44:01,870 --> 00:44:04,740 FREEZING, ISN’T IT? 435 00:44:12,450 --> 00:44:17,030 [MAIA] ISN’T IT STRANGE HOW SOMETIMES YOU CAN FORGET TO FEEL? 436 00:44:19,200 --> 00:44:22,870 WE TRIED SO HARD, MY HUSBAND AND I. 437 00:44:24,910 --> 00:44:29,160 FOR YEARS WE DID EVERYTHING BY THE BOOK. 438 00:44:31,620 --> 00:44:33,780 WE WERE DESPERATE TO START A FAMILY, 439 00:44:33,780 --> 00:44:39,160 AND THE DAY I FELT PREGNANT, I KNEW. I JUST KNEW. 440 00:44:42,200 --> 00:44:45,070 AND THE TEST CAME BACK POSITIVE, 441 00:44:45,070 --> 00:44:48,780 OH, YOU SHOULD HAVE SEEN THE LOOK ON HIS FACE. 442 00:44:48,780 --> 00:44:53,740 HE PICKED ME UP IN HIS ARMS AND WE MADE LOVE FOR HOURS. 443 00:44:53,740 --> 00:44:57,200 I’D NEVER KNOWN HIM TO BE SO TENDER. 444 00:44:58,780 --> 00:45:01,910 HE INSISTED WE GO OUT FOR DINNER TO CELEBRATE 445 00:45:01,910 --> 00:45:06,320 AND ANNOUNCED THE PREGNANCY TO THE WHOLE RESTAURANT, 446 00:45:06,320 --> 00:45:10,200 AND THEY CHEERED AND CONGRATULATED US. 447 00:45:11,660 --> 00:45:14,620 IT WAS SURREAL, 448 00:45:14,620 --> 00:45:15,910 TO FEEL SO IMPORTANT, 449 00:45:15,910 --> 00:45:20,620 LIKE SOMETHING OUT OF A MOVIE. 450 00:45:22,740 --> 00:45:25,490 IT WAS THE BEST NIGHT OF MY LIFE. 451 00:45:30,370 --> 00:45:33,200 HOW DO YOU FEEL RIGHT NOW? 452 00:45:34,620 --> 00:45:36,200 IF YOU HAD TO CHOOSE ONE WORD, 453 00:45:36,200 --> 00:45:39,070 ONE OVERRIDING EMOTION, WHAT WOULD IT BE? 454 00:45:40,620 --> 00:45:43,070 LOSS. 455 00:45:43,070 --> 00:45:45,570 UNBEARABLE LOSS. 456 00:45:50,740 --> 00:45:52,620 WE’VE LOST QUITE A LOT. 457 00:45:55,870 --> 00:45:58,370 WE’VE LOST OUR WORLD, 458 00:45:58,370 --> 00:46:02,200 AND I’M SO DESPERATELY TRYING TO GET IT BACK. 459 00:46:04,200 --> 00:46:06,950 I’VE JUST NO IDEA WHAT TO DO, 460 00:46:06,950 --> 00:46:08,910 AND EVERYTHING I DO DO 461 00:46:08,910 --> 00:46:11,450 JUST PUSHES HER FURTHER AWAY, 462 00:46:15,200 --> 00:46:17,490 AND I DON’T KNOW WHAT TO DO. 463 00:46:19,490 --> 00:46:23,660 WHEN I ASKED YOU ABOUT YOUR HAPPIEST MEMORY TOGETHER, 464 00:46:23,660 --> 00:46:26,910 DO YOU REMEMBER WHAT YOU SAID? 465 00:46:28,370 --> 00:46:30,660 YES. 466 00:46:30,660 --> 00:46:34,370 I SPOKE ABOUT WHEN WE FIRST MET. 467 00:46:34,370 --> 00:46:38,620 IT WAS SO NATURAL, SO EXCITING. 468 00:46:38,620 --> 00:46:41,660 THE FIRST TOUCH. OUR FIRST KISS. 469 00:46:46,570 --> 00:46:50,370 MY STOMACH WAS IN KNOTS, 470 00:46:50,370 --> 00:46:55,200 BUT THEN WHEN I FELT HER HEART BEAT SO WILDLY, 471 00:46:55,200 --> 00:46:58,620 I KNEW SHE FELT THE SAME AND-- 472 00:46:58,620 --> 00:47:01,490 I KNEW EVERYTHING WOULD BE OKAY. 473 00:47:05,070 --> 00:47:10,240 EVERYTHING WAS FINE UNTIL MY BODY STARTED TO CHANGE. 474 00:47:10,240 --> 00:47:12,910 I PANICKED. 475 00:47:12,910 --> 00:47:16,450 ALL THOSE YEARS OF DIETING AND EXERCISE, 476 00:47:16,450 --> 00:47:18,160 AND THEN SUDDENLY I HAD NO REGIME. 477 00:47:21,030 --> 00:47:23,240 EVEN WHEN I TRIED, 478 00:47:23,240 --> 00:47:26,910 I COULDN’T KEEP THE WEIGHT OFF. 479 00:47:26,910 --> 00:47:31,200 I WORRIED THAT MY BODY WOULD NEVER BE THE SAME AGAIN. 480 00:47:33,620 --> 00:47:37,950 I STARTED TO IGNORE ALL THE ADVICE THAT OUR DOCTOR GAVE ME 481 00:47:37,950 --> 00:47:43,370 AND SUDDENLY, I JUST HATED THE PREGNANCY 482 00:47:43,370 --> 00:47:46,370 AND I WISHED THAT THE BABY WOULD COME OUT OF ME. 483 00:47:48,370 --> 00:47:50,910 IN THE END, SHE DID. 484 00:47:53,070 --> 00:47:55,160 IT WAS ME THAT KILLED HER, 485 00:47:55,160 --> 00:47:59,490 AND MY HUSBAND KNOWS IT, AND NOW I HAVE NOTHING. 486 00:47:59,490 --> 00:48:04,910 HEY, HEY, HEY. 487 00:48:04,910 --> 00:48:08,490 ME AND MY HUSBAND, WE’RE GOOD PEOPLE. 488 00:48:08,490 --> 00:48:11,240 WE WANTED NOTHING MORE THAN TO HAVE THAT BABY. 489 00:48:11,240 --> 00:48:16,780 AND YOU’RE ANGRY BECAUSE YOU FEEL CHEATED? 490 00:48:16,780 --> 00:48:18,910 CHEATED? 491 00:48:18,910 --> 00:48:24,320 NO. THAT DOESN’T EVEN BEGIN TO COVER IT. 492 00:48:26,370 --> 00:48:27,660 TO LOSE A BABY IS ONE THING, 493 00:48:27,660 --> 00:48:30,370 BUT TO COMPLETE A PREGNANCY, 494 00:48:30,370 --> 00:48:33,320 AND THEY TELL YOU THAT THERE’S NOTHING THEY CAN DO-- 495 00:48:35,240 --> 00:48:38,530 WHEN YOU HAVE TO GIVE BIRTH TO YOUR BABY 496 00:48:38,530 --> 00:48:40,950 AND THERE’S NOTHING BUT SILENCE, 497 00:48:43,660 --> 00:48:47,070 AND YOUR CHILD’S THERE TO LOOK AT, 498 00:48:47,070 --> 00:48:50,950 AND SHE’S THERE FOR YOU TO HOLD 499 00:48:50,950 --> 00:48:52,370 BUT YOU KNOW YOU CAN’T TAKE HER HOME. 500 00:48:52,370 --> 00:48:56,370 TO KNOW THAT YOU’VE GONE THAT FAR, 501 00:48:56,370 --> 00:48:59,410 AND YOU’LL NEVER GET TO KNOW HER, IS JUST-- 502 00:48:59,410 --> 00:49:03,320 HEY. 503 00:49:10,240 --> 00:49:14,780 WHAT YOU HAD TO GO THROUGH, IT’S NOT FAIR, 504 00:49:16,780 --> 00:49:19,740 BUT COME ON. 505 00:49:19,740 --> 00:49:21,370 YOU THINK YOU’RE THE ONLY WOMAN 506 00:49:21,370 --> 00:49:25,320 THAT TRIES TO KEEP IN SHAPE WHILE SHE’S PREGNANT? 507 00:49:25,320 --> 00:49:28,070 I’VE BEEN AROUND MODELS ALL MY LIFE, 508 00:49:28,070 --> 00:49:32,780 AND BELIEVE ME MAIA, YOU’RE NOT THE ONE WITH PROBLEMS. 509 00:49:32,780 --> 00:49:35,120 IT WASN’T YOU FAULT. 510 00:49:35,120 --> 00:49:37,740 MY HUSBAND DOESN’T EVEN LOOK AT ME IN THE SAME WAY ANYMORE. 511 00:49:37,740 --> 00:49:42,120 I THINK WE’RE OVER. 512 00:49:42,120 --> 00:49:47,370 WELL, SHAME ON HIM. 513 00:49:47,370 --> 00:49:51,950 AND IF WHAT YOU SAY IS TRUE THEN DARE I SAY IT, 514 00:49:51,950 --> 00:49:53,490 MAYBE IT WASN’T SUCH A BAD THING. 515 00:49:53,490 --> 00:49:57,530 NO, HE’S A GOOD MAN. 516 00:49:57,530 --> 00:50:00,070 NO MEN ARE GOOD, MAIA. 517 00:50:00,070 --> 00:50:03,200 WHY DO YOU THINK I’M THE WAY I AM? 518 00:50:05,660 --> 00:50:07,410 TRUST ME, 519 00:50:07,410 --> 00:50:12,490 YOU HAVE ABSOLUTELY NOTHING TO WORRY ABOUT. 520 00:50:12,490 --> 00:50:17,490 EVERYTHING WILL FALL INTO PLACE, YOU’LL SEE. 521 00:50:20,370 --> 00:50:22,950 I WISH I COULD-- 522 00:50:22,950 --> 00:50:23,990 WHAT? 523 00:50:23,990 --> 00:50:27,530 I DON’T KNOW, BE MORE FREE, 524 00:50:27,530 --> 00:50:32,490 SELF-ASSURED, COMFORTABLE WITH WHO I AM, LIKE YOU. 525 00:50:34,700 --> 00:50:36,660 LIKE ME? 526 00:50:36,660 --> 00:50:37,950 YEAH. 527 00:50:37,950 --> 00:50:42,490 YOU’RE SO TOGETHER AND HAPPY. 528 00:50:42,490 --> 00:50:45,070 YOU KNOW WHAT YOU WANT AND DON’T CARE WHAT YOU SAY, 529 00:50:45,070 --> 00:50:46,820 YOU JUST DO IT ANYWAY. 530 00:50:46,820 --> 00:50:50,780 YOU’RE IN COMPLETE CONTROL OF YOU LIFE AND IT’S ADMIRABLE. 531 00:50:53,070 --> 00:50:55,240 IS THAT WHAT YOU THINK OF ME? 532 00:50:55,240 --> 00:50:57,370 OF COURSE. 533 00:51:04,660 --> 00:51:06,950 THE BEACH IS JUST OVER THERE. 534 00:51:08,820 --> 00:51:10,660 LET’S BRING HER IN. 535 00:51:41,700 --> 00:51:44,070 DO YOU HAVE ANY FAMILY? 536 00:51:44,070 --> 00:51:46,780 UMM, JUST MY PARENTS. 537 00:51:46,780 --> 00:51:48,530 NO BROTHERS OR SISTERS. 538 00:51:48,530 --> 00:51:50,370 ONE AUNT. 539 00:51:50,370 --> 00:51:52,820 MY LAST REMAINING GRANDPARENT DIED LAST YEAR. 540 00:51:52,820 --> 00:51:55,530 MY GRANDMA WAS ONE OF THE FEW PEOPLE I COULD TALK TO, 541 00:51:55,530 --> 00:52:00,240 SO LAST YEAR WAS DEFINITELY ONE TO FORGET. 542 00:52:00,240 --> 00:52:01,780 WHAT ABOUT HOBBIES? 543 00:52:01,780 --> 00:52:03,370 WHAT ABOUT THEM? 544 00:52:03,370 --> 00:52:05,200 DO YOU HAVE ANY? 545 00:52:05,200 --> 00:52:07,530 UMM, NO. 546 00:52:07,530 --> 00:52:09,200 THERE MUST BE SOMETHING. 547 00:52:09,200 --> 00:52:11,950 DOES WALLOWING IN SELF-PITY COUNT? 548 00:52:11,950 --> 00:52:14,490 [LAUGHS] 549 00:52:14,490 --> 00:52:16,780 I’M GLAD THAT AMUSES YOU. 550 00:52:33,820 --> 00:52:38,200 I NEVER REALIZED THIS PLACE WAS SO VAST. 551 00:52:38,200 --> 00:52:40,240 I WISH I LIVED HERE. 552 00:52:40,240 --> 00:52:41,870 WHAT’S WRONG WITH LONDON? 553 00:52:41,870 --> 00:52:45,780 IT’S TOO CROWDED. TOO CLAUSTROPHOBIC. 554 00:52:45,780 --> 00:52:49,530 SOMETIMES IT GETS SO MUCH I FEEL LIKE I CAN’T BREATHE. 555 00:53:09,410 --> 00:53:14,410 [FRANCESCA] NAME YOUR FAVORITE ANIMAL AND THREE REASONS WHY. 556 00:53:14,410 --> 00:53:16,070 [MAIA] WHAT IS THIS? 557 00:53:16,070 --> 00:53:17,820 [FRANCESCA] I’M ANALYZING YOU. 558 00:53:17,820 --> 00:53:19,160 [MAIA] OH. 559 00:53:19,160 --> 00:53:20,660 [FRANCESCA] AND, ONLY ONE-WORD ANSWERS. 560 00:53:20,660 --> 00:53:21,700 [MAIA] REALLY? 561 00:53:21,700 --> 00:53:23,160 [FRANCESCA] REALLY. 562 00:53:23,160 --> 00:53:24,530 [MAIA] UM, A CAT, 563 00:53:24,530 --> 00:53:28,120 BECAUSE THEY ARE LOVING, LOYAL AND PRETTY. 564 00:53:28,120 --> 00:53:29,990 MMM, OKAY. 565 00:53:29,990 --> 00:53:34,160 NOW YOUR FAVORITE WILD ANIMAL, AND THREE REASONS WHY. 566 00:53:34,160 --> 00:53:35,870 OOH. WILD ANIMAL? 567 00:53:35,870 --> 00:53:39,530 UM, A TIGER, BECAUSE THEY ARE DANGEROUS, 568 00:53:39,530 --> 00:53:42,950 POWERFUL AND FEROCIOUSLY STUNNING. 569 00:53:42,950 --> 00:53:46,570 OKAY. THAT MAKES SENSE. 570 00:53:46,570 --> 00:53:49,370 OH GOD, IS THIS WHERE YOU TELL ME I’M IN DENIAL 571 00:53:49,370 --> 00:53:51,950 BECAUSE ON BOTH OCCASIONS I CHOSE A PUSSY? 572 00:53:51,950 --> 00:53:54,120 [LAUGHS] 573 00:53:54,120 --> 00:53:56,660 NO! 574 00:53:56,660 --> 00:54:00,700 THE DOMESTIC ANIMAL IS HOW PEOPLE SEE YOU. 575 00:54:00,700 --> 00:54:04,700 THE WILD ANIMAL IS HOW YOU WISH TO BE SEEN. 576 00:54:04,700 --> 00:54:07,160 AH. 577 00:54:26,570 --> 00:54:31,820 SO, DOES NOTHING ELSE EXCITE YOU 578 00:54:31,820 --> 00:54:34,450 OTHER THAN MODELING? 579 00:54:34,450 --> 00:54:38,240 HONESTLY? NO. 580 00:54:38,240 --> 00:54:40,070 IT SOUNDS SO DESPERATE WHEN I SAY IT, 581 00:54:40,070 --> 00:54:42,700 BUT IT’S TRULY THE ONLY THING I’M GOOD AT. 582 00:54:44,450 --> 00:54:47,370 THERE’S REALLY NOTHING ELSE TO ME. 583 00:54:50,660 --> 00:54:52,990 I WOULDN’T SAY THAT. 584 00:55:07,370 --> 00:55:09,370 [GURGLING] 585 00:55:11,370 --> 00:55:14,120 IT’S OKAY. YOU’RE OKAY. 586 00:55:36,700 --> 00:55:38,820 [BAR PATRONS LAUGHING] 587 00:55:42,740 --> 00:55:46,530 ♪ ...I’M TOUCHED BY AN ANGEL ♪ 588 00:56:00,870 --> 00:56:05,280 ♪ SO BE IT, I’M HERE ♪ 589 00:56:05,280 --> 00:56:08,240 ♪ I’M YOURS NOW ♪ 590 00:56:08,240 --> 00:56:10,120 ♪ TO KEEP ♪ 591 00:56:11,660 --> 00:56:15,870 ♪ ’CAUSE WITHOUT YOU I STUMBLE, I FALL ♪ 592 00:56:15,870 --> 00:56:21,120 ♪ AND TONIGHT YOU’RE IN MY DREAMS ♪ 593 00:56:21,120 --> 00:56:26,120 ♪ WHEN I SLEEP ♪ 594 00:56:28,450 --> 00:56:32,570 ♪ WITHOUT YOU I AM WEAK ♪ 595 00:56:32,570 --> 00:56:37,570 ♪ I AM WEAK ♪ 596 00:56:39,700 --> 00:56:43,240 ♪ WITHOUT YOU I AM WEAK ♪ 597 00:56:44,740 --> 00:56:49,990 ♪ SO COME BACK TO ME TODAY ♪ 598 00:56:51,410 --> 00:56:56,570 ♪ I’M WITH YOU, MY DEAR. ♪ 599 00:57:07,530 --> 00:57:09,570 [APPLAUSE] 600 00:57:16,910 --> 00:57:18,700 WHAT? 601 00:57:18,700 --> 00:57:21,030 YOU’VE ONLY BEEN HERE ONE DAY 602 00:57:21,030 --> 00:57:25,280 AND ALREADY PROVIDED ME WITH THE MOST INCREDIBLE STORY. 603 00:57:26,990 --> 00:57:29,160 YOU SAVED A LIFE TODAY. 604 00:57:29,160 --> 00:57:31,990 OH, MY GOD. I HADN’T THOUGHT ABOUT IT LIKE THAT. 605 00:57:31,990 --> 00:57:34,870 [LAUGHS] WHAT OTHER WAY IS THERE TO THINK ABOUT IT? 606 00:57:34,870 --> 00:57:37,240 I DON’T KNOW. I JUST PULLED A MAN OUT OF THE WATER, I GUESS. 607 00:57:37,240 --> 00:57:38,450 BOLLOCKS. 608 00:57:38,450 --> 00:57:39,700 OH, DON’T BE SILLY. 609 00:57:39,700 --> 00:57:42,570 ANYONE WOULD HAVE DONE THE SAME THING. 610 00:57:42,570 --> 00:57:43,820 CHEERS. 611 00:57:48,570 --> 00:57:50,450 [LAUGHING] 612 00:57:59,410 --> 00:58:02,570 HEY, LOVE? LOVE? KNOW ANY K.D. LANG? 613 00:58:11,870 --> 00:58:13,450 I NEED A PISS. 614 00:58:13,450 --> 00:58:15,700 THANKS FOR THAT. 615 00:58:15,700 --> 00:58:17,570 GET THEM IN, BOYS. 616 00:58:17,570 --> 00:58:22,320 ♪ SHE ONLY GOT AWAY FROM IT ALL ♪ 617 00:58:22,320 --> 00:58:27,450 ♪ FOR JUST ONE DAY TO FEEL FREE ♪ 618 00:58:27,450 --> 00:58:29,570 ♪ TO OPEN UP AND MOVE ♪ 619 00:58:29,570 --> 00:58:32,820 ♪ IN HER OWN WAY... ♪ 620 00:58:46,320 --> 00:58:48,280 YOU ALL RIGHT, SEXY? 621 00:58:49,870 --> 00:58:53,160 GONNA PUT ON A BIT OF A SHOW FOR US LATER? 622 00:58:53,160 --> 00:58:55,820 KEEP YOUR KNICKERS ON, LOVE. 623 00:59:20,740 --> 00:59:25,740 ONE MORE COMMENT AND I WILL SLICE YOUR FUCKING BALLS. 624 00:59:45,280 --> 00:59:47,160 WE’RE GOING HOME. 625 00:59:57,120 --> 00:59:58,910 FRANKIE. FRANKIE, HANG ON A SECOND. 626 00:59:58,910 --> 01:00:00,160 ARE YOU ALL RIGHT? 627 01:00:00,160 --> 01:00:02,910 WHAT HAPPENED IN THERE? 628 01:00:02,910 --> 01:00:05,870 FRANKIE-- 629 01:00:12,200 --> 01:00:15,450 I CAN’T STAND OBNOXIOUS PEOPLE. 630 01:00:15,450 --> 01:00:17,910 I JUST TOLD HIM TO STOP BEING SUCH A PIG. 631 01:00:17,910 --> 01:00:20,450 OH, YEAH, AND I’M SURE HE LISTENED TO THAT. 632 01:00:20,450 --> 01:00:24,160 COME ON, TELL ME. WHAT HAPPENED IN THERE? 633 01:00:24,160 --> 01:00:28,200 LET’S JUST SAY HE WON’T HAVE THE BALLS TO SAY ANYTHING LIKE THAT TO YOU AGAIN. 634 01:00:28,200 --> 01:00:32,160 REALLY? YOU STOOD UP FOR ME. 635 01:00:34,030 --> 01:00:37,490 I NEVER LET ANYBODY SHAKE UP MY GIRL. 636 01:00:37,490 --> 01:00:38,910 LET’S GO HOME. 637 01:00:58,450 --> 01:01:00,740 [SIGHING] 638 01:01:07,870 --> 01:01:09,320 MM-HMM. 639 01:04:15,450 --> 01:04:17,240 COME IN. 640 01:04:21,320 --> 01:04:24,820 I BROUGHT YOU SOME FRESH TOWELS. 641 01:04:24,820 --> 01:04:26,620 WHICH I’VE ALREADY DONE. 642 01:04:28,160 --> 01:04:31,160 I COMPLETELY FORGOT. SORRY. 643 01:04:31,160 --> 01:04:34,490 FRANKIE, WAIT. 644 01:04:34,490 --> 01:04:38,950 THANK YOU. YOU KNOW, FOR WHAT YOU DID FOR ME TONIGHT. 645 01:04:40,490 --> 01:04:42,070 THAT’S ALL RIGHT. 646 01:04:47,490 --> 01:04:52,450 I JUST FEEL THE NEED TO PROTECT YOU, THAT’S ALL. 647 01:06:03,200 --> 01:06:06,320 AND WHEN YOU PICTURE HER WITH SOMEONE ELSE? 648 01:06:09,490 --> 01:06:11,820 WHY WOULD YOU SAY THAT? 649 01:06:13,490 --> 01:06:15,620 WHY WOULD YOU PUT THAT VIVID, 650 01:06:15,620 --> 01:06:18,240 SICK IMAGE IN MY HEAD? 651 01:06:18,240 --> 01:06:20,490 STAY CALM. 652 01:06:20,490 --> 01:06:23,530 I AM CALM. 653 01:06:25,620 --> 01:06:27,490 I’M SIMPLY ASKING. 654 01:06:27,490 --> 01:06:31,780 YOU SAID YOU DIDN’T TRUST ANYONE, 655 01:06:31,780 --> 01:06:35,780 SO PRESUMABLY YOU’VE PICTURED HER WITH OTHER PEOPLE. 656 01:06:39,200 --> 01:06:41,070 YES. 657 01:06:41,070 --> 01:06:44,200 AND HOW DOES IT MAKE YOU FEEL? 658 01:06:44,200 --> 01:06:46,200 JEALOUS. 659 01:06:48,120 --> 01:06:53,070 I SEE RED. I HAVE THOUGHTS OF HURTING THAT PERSON. 660 01:06:53,070 --> 01:06:55,950 YOU HAVE VIOLENT THOUGHTS? 661 01:06:55,950 --> 01:06:57,530 YES. 662 01:06:57,530 --> 01:06:59,780 WOULD YOU SAY THAT YOU’RE A VIOLENT PERSON? 663 01:06:59,780 --> 01:07:01,700 COME ON! YOU’VE SEEN WHAT I’VE DONE. 664 01:07:01,700 --> 01:07:04,240 YES, BUT I’M NOT HERE TO JUDGE YOU. 665 01:07:04,240 --> 01:07:07,990 THIS IS JUST A PIECE OF PAPER, WHEREAS YOU ARE A PERSON. 666 01:07:10,120 --> 01:07:13,410 I WANT TO KNOW IF YOU SEE YOURSELF AS VIOLENT. 667 01:07:25,240 --> 01:07:27,200 NO. 668 01:08:21,820 --> 01:08:24,240 [GASPS] 669 01:08:24,240 --> 01:08:25,660 WHAT IS IT? 670 01:08:25,660 --> 01:08:27,280 THERE’S SOMEONE THERE. 671 01:08:27,280 --> 01:08:29,410 THERE’S NO ONE AROUND FOR MILES. 672 01:08:29,410 --> 01:08:31,120 NO. THERE’S SOMEONE THERE 673 01:08:31,120 --> 01:08:32,200 AND I SAW THE SAME THING LAST NIGHT 674 01:08:32,200 --> 01:08:33,660 OUTSIDE MY ROOM. 675 01:08:33,660 --> 01:08:35,120 LAST NIGHT? YOU DIDN’T SAY ANYTHING. 676 01:08:35,120 --> 01:08:36,370 I THOUGHT IT WAS YOU, 677 01:08:36,370 --> 01:08:37,660 AND THEN I WOKE UP AND I FORGOT. 678 01:08:37,660 --> 01:08:39,820 LOOK, THERE’S SOMEONE OUT THERE. 679 01:08:39,820 --> 01:08:43,660 HELLO? IS THERE ANYBODY ANYBODY THERE? 680 01:08:43,660 --> 01:08:45,370 THEY MUST HAVE MOVED. 681 01:09:02,950 --> 01:09:05,530 I JUST WANT TO CHECK OUTSIDE. 682 01:09:25,660 --> 01:09:30,410 SO, THERE’S NOBODY INSIDE THE HOUSE, 683 01:09:30,410 --> 01:09:33,490 AND-- 684 01:09:33,490 --> 01:09:36,530 THERE’S NOBODY OUTSIDE THE HOUSE. 685 01:09:36,530 --> 01:09:38,120 I SAW SOMEONE. 686 01:09:38,120 --> 01:09:39,870 I DON’T KNOW WHAT TO TELL YA, BABE. 687 01:09:39,870 --> 01:09:42,410 I’VE LIVED HERE EIGHT YEARS AND NEVER HAD ANY PROBLEMS. 688 01:09:42,410 --> 01:09:44,700 BUT THAT’S THE SECOND TIME NOW. 689 01:09:44,700 --> 01:09:47,870 SO YOU SAY-- 690 01:09:47,870 --> 01:09:52,240 BUT THE ONLY PERSON I FOUND WALKING AROUND THE HOUSE LAST NIGHT WAS YOU. 691 01:09:52,240 --> 01:09:54,070 WHAT ARE YOU SAYING? 692 01:09:54,070 --> 01:09:58,780 NOTHING. IT’S JUST BEEN A LONG WEEKEND. YOU’RE TIRED-- 693 01:09:58,780 --> 01:10:00,870 ARE YOU SAYING I’M MAKING THIS UP? 694 01:10:00,870 --> 01:10:02,950 NOT ON PURPOSE. BUT, THAT’S TWICE-- 695 01:10:02,950 --> 01:10:06,820 MAIA, WHERE IS THE EVIDENCE 696 01:10:06,820 --> 01:10:10,780 THAT THERE’S BEEN ANYBODY ELSE IN THIS HOUSE OTHER THAN US? 697 01:10:22,990 --> 01:10:26,990 WHY DON’T WE GO AND LOCK UP 698 01:10:26,990 --> 01:10:30,410 EVERY SINGLE DOOR AND WINDOW 699 01:10:30,410 --> 01:10:32,700 AND CARRY ON FROM WHERE WE LEFT OFF? 700 01:10:32,700 --> 01:10:34,530 NO. IT JUST DOESN’T FEEL RIGHT. 701 01:10:34,530 --> 01:10:37,950 ALL RIGHT. THEN I’LL COME AND TUCK YOU UP 702 01:10:37,950 --> 01:10:39,870 AND MAKE SURE THE BOOGEYMAN DOESN’T COME AND GET YOU. 703 01:10:39,870 --> 01:10:43,160 NO. NOT ABOUT THAT. ABOUT US. 704 01:10:47,530 --> 01:10:49,160 OH. 705 01:10:57,660 --> 01:10:59,240 NOT TO WORRY. 706 01:11:06,160 --> 01:11:08,700 YOU GO UP AND-- 707 01:11:08,700 --> 01:11:12,950 I’LL LOCK UP DOWN HERE AND I WILL CALL YOU IN THE MORNING. 708 01:11:14,570 --> 01:11:17,120 I’M REALLY S- GO TO BED, MAIA. 709 01:12:54,570 --> 01:12:56,950 ARE YOU THINKING OF HER? 710 01:12:59,410 --> 01:13:01,530 ALWAYS. 711 01:13:02,950 --> 01:13:05,030 I ADORE HER. 712 01:13:06,870 --> 01:13:09,160 AND WHAT IS IT YOU MOST MISS? 713 01:13:10,990 --> 01:13:13,700 I MISS-- 714 01:13:14,700 --> 01:13:16,450 LAYING NEXT TO HER. 715 01:13:23,570 --> 01:13:27,160 [ADRIAN] I MISS THE TOUCH OF HER SKIN. 716 01:13:31,160 --> 01:13:33,620 THE SMELL OF HER HAIR. 717 01:13:40,320 --> 01:13:42,120 SHE KEEPS ME WARM. 718 01:13:42,120 --> 01:13:44,870 SHE MAKES ME FEEL WARM. 719 01:13:50,820 --> 01:13:54,280 THAT’S WHAT ALLOWS ME TO REMEMBER. 720 01:14:02,820 --> 01:14:04,820 NO, STOP IT! GET OFF! 721 01:14:04,820 --> 01:14:07,240 WHAT’S WRONG? 722 01:14:08,870 --> 01:14:11,120 MAIA, WHAT THE FUCK IS WRONG? 723 01:14:11,120 --> 01:14:13,570 WHAT ARE YOU DOING? 724 01:14:13,570 --> 01:14:15,700 I THOUGHT THAT’D BE PRETTY OBVIOUS. 725 01:14:15,700 --> 01:14:17,320 I WAS ASLEEP! 726 01:14:18,870 --> 01:14:24,160 MAIA, YOU’RE THE ONE THAT CAME IN HERE. 727 01:14:26,570 --> 01:14:29,740 YOU KNOW WHAT? 728 01:14:29,740 --> 01:14:31,410 JUST GO BACK TO YOUR ROOM. 729 01:14:31,410 --> 01:14:32,990 BUT FRANKIE, I-- 730 01:14:32,990 --> 01:14:35,160 SHHH. I HONESTLY THOUGHT 731 01:14:35,160 --> 01:14:39,870 THAT I’D HAD MY FAIR SHARE OF WHACK JOBS RECENTLY, BUT YOU-- 732 01:14:42,120 --> 01:14:43,530 FRANKIE, LET ME EXPLAIN. 733 01:14:43,530 --> 01:14:47,820 NO! I’VE HAD ENOUGH OF THIS! 734 01:14:49,870 --> 01:14:54,030 I GUESS WE CAN RULE OUT AN INTRUDER IN THE HOUSE 735 01:14:54,030 --> 01:14:58,280 BECAUSE YOU ARE FUCKING CRAZY! 736 01:14:59,570 --> 01:15:01,450 JUST GET OUT! 737 01:15:16,570 --> 01:15:19,160 AND WHAT DO YOU REMEMBER? 738 01:15:21,280 --> 01:15:23,490 THAT WE’LL SURVIVE. 739 01:15:26,120 --> 01:15:28,820 THAT WE’LL BE OKAY. 740 01:15:35,870 --> 01:15:38,700 BUT THERE’S JUST ONE PROBLEM. 741 01:15:42,700 --> 01:15:44,200 WHICH IS? 742 01:15:45,570 --> 01:15:49,200 I THINK SHE’S HAVING AN AFFAIR. 743 01:17:49,450 --> 01:17:51,740 [CLANGING] 744 01:18:05,370 --> 01:18:07,870 [CLANGING] 745 01:18:07,870 --> 01:18:10,160 [CLANGING] 746 01:18:53,910 --> 01:18:56,160 OH, FOR GOD’S SAKE, MAIA. PUT SOME CLOTHES ON. 747 01:18:57,320 --> 01:18:58,910 I’M SORRY. I JUST LITERALLY-- 748 01:18:58,910 --> 01:19:00,200 WHAT DO YOU WANT FOR BREAKFAST? 749 01:19:00,200 --> 01:19:01,910 UM-- 750 01:19:03,070 --> 01:19:05,320 ARE YOU REALLY NOT GOING BACK TO BED? 751 01:19:07,660 --> 01:19:09,160 I CAN’T SLEEP. 752 01:19:09,160 --> 01:19:11,620 BUT IT’S SO EARLY. 753 01:19:13,620 --> 01:19:16,240 WELL, I THOUGHT IF WE GOT UP EARLY 754 01:19:16,240 --> 01:19:17,660 THEN WE COULD DO WHAT WE PLANNED 755 01:19:17,660 --> 01:19:20,160 AND YOU CAN GET AN EARLY TRAIN BACK. 756 01:19:20,160 --> 01:19:24,950 MAYBE I SHOULD JUST GO STRAIGHT TO THE STATION NOW. 757 01:19:27,780 --> 01:19:32,780 NO, NO. WE MADE PLANS. 758 01:19:32,780 --> 01:19:34,950 IT WON’T TAKE US LONG TO DO THEM. 759 01:19:36,490 --> 01:19:38,620 EGGS, BACON AND TOAST. 760 01:19:40,780 --> 01:19:42,620 YEAH. THAT SOUNDS GREAT. THANKS. 761 01:19:44,320 --> 01:19:46,370 GET YOURSELF WASHED. 762 01:19:46,370 --> 01:19:48,320 BE READY IN 20 MINUTES. 763 01:21:51,950 --> 01:21:53,620 I WANT TO SHOW YOU SOMETHING. 764 01:22:28,240 --> 01:22:29,740 FRANKIE. 765 01:22:29,740 --> 01:22:33,240 FRANKIE. OH, WHAT IS IT NOW? 766 01:22:36,740 --> 01:22:38,370 ARE YOU STUCK? 767 01:22:38,370 --> 01:22:41,370 SOMEHOW, YES I AM. 768 01:22:45,820 --> 01:22:48,950 FRANKIE, WHAT ARE YOU DOING? HELP ME UP. 769 01:22:48,950 --> 01:22:52,530 YOU KNOW, I WAS ABOUT TO, 770 01:22:52,530 --> 01:22:54,030 BUT MAYBE THIS IS THE PERFECT TIME 771 01:22:54,030 --> 01:22:55,240 TO GET A FEW THINGS OFF MY CHEST. 772 01:22:55,240 --> 01:22:57,370 YOU’RE KIDDING ME, RIGHT? 773 01:22:57,370 --> 01:23:02,370 NO, MAIA. NO, I’M NOT. 774 01:23:04,530 --> 01:23:10,120 WHAT DOES IT FEEL LIKE, MAIA, TO KNOW WHAT YOU WANT? 775 01:23:10,120 --> 01:23:12,410 TO BE SO CLOSE TO ACHIEVING IT, 776 01:23:12,410 --> 01:23:15,530 TO PHYSICALLY SEE WHAT IT IS THAT YOU WANT, 777 01:23:15,530 --> 01:23:20,240 AND THEN TO BE TOLD NO RIGHT AT THE LAST SECOND? 778 01:23:20,240 --> 01:23:23,030 PRETTY FRUSTRATING, HUH? 779 01:23:24,780 --> 01:23:28,370 WELL, I GUESS THIS IS WHAT HAPPENS 780 01:23:28,370 --> 01:23:31,780 WHEN YOU START LETTING YOURSELF GO. 781 01:23:31,780 --> 01:23:35,660 THE LAST COUPLE OF DAYS EATING LIKE A LITTLE FAT PIG 782 01:23:35,660 --> 01:23:37,780 SEEM TO HAVE CAUGHT UP WITH YOU. 783 01:23:37,780 --> 01:23:40,370 STOP IT, FRANKIE! 784 01:23:40,370 --> 01:23:44,910 IT’S A SHAME YOU DIDN’T EAT LIKE THAT WHEN YOU WERE CARRYING CHLOE. 785 01:23:46,990 --> 01:23:49,780 HOW COULD YOU BE SO SPITEFUL? 786 01:23:49,780 --> 01:23:51,070 HELP ME UP! 787 01:23:51,070 --> 01:23:54,990 DID YOU JUST TELL ME WHAT TO DO? 788 01:23:57,240 --> 01:23:59,780 HAVE YOU EVEN GRASPED THE SITUATION? 789 01:23:59,780 --> 01:24:03,370 I MEAN, I KNOW YOU ARE NOT THE SHARPEST TOOL IN THE SHED, 790 01:24:03,370 --> 01:24:06,240 BUT YOU DO REALIZE THAT YOU ARE IN NO POSITION 791 01:24:06,240 --> 01:24:07,780 TO BE MAKING DEMANDS RIGHT NOW? 792 01:24:07,780 --> 01:24:09,820 I’M NOT KIDDING. I-- 793 01:24:09,820 --> 01:24:12,820 I DON’T THINK I CAN BREATHE. 794 01:24:14,990 --> 01:24:20,660 OH, BUT YOU CAN, YOU SEE? 795 01:24:20,660 --> 01:24:22,370 THAT’S THE BEAUTY OF IT. 796 01:24:22,370 --> 01:24:24,780 THERE’S ABSOLUTELY NOTHING WRONG WITH YOU. 797 01:24:24,780 --> 01:24:27,370 IT’S JUST THAT YOU’VE LOST CONTROL, A LITTLE BIT, 798 01:24:27,370 --> 01:24:32,240 LIKE LAST NIGHT. MAYBE IT’S A MENTAL, PSYCHOTIC TICK THAT YOU HAVE. 799 01:24:32,240 --> 01:24:36,240 [SOBBING] 800 01:24:42,410 --> 01:24:44,070 SHHH! 801 01:24:45,070 --> 01:24:47,660 CAN YOU HEAR THAT? 802 01:24:47,660 --> 01:24:51,200 MAIA, CAN YOU HEAR THAT? 803 01:24:51,200 --> 01:24:55,280 THAT IS THE SOUND OF NOBODY CARING. 804 01:24:55,280 --> 01:24:58,700 SOUND FAMILIAR? BITCH! 805 01:24:58,700 --> 01:25:02,910 YOUR FUCKING HUSBAND HAD A LUCKY ESCAPE. 806 01:25:02,910 --> 01:25:04,990 HE’S BEEN DISCOVERING ALL WEEKEND 807 01:25:04,990 --> 01:25:07,820 HOW FUCKING BETTER HIS LIFE IS WITHOUT YOU. 808 01:25:07,820 --> 01:25:11,780 HE’S PROBABLY BEEN FUCKING SOME LITTLE WHORE EVERY NIGHT, 809 01:25:11,780 --> 01:25:15,280 WHILE YOU’VE BEEN HERE TRYING TO FUCK WITH MY HEAD! 810 01:25:15,280 --> 01:25:19,120 [SCREAMING, SOBBING] 811 01:25:31,780 --> 01:25:34,530 [MAIA SOBBING] 812 01:25:38,240 --> 01:25:40,820 OH, ARE YOU SAD, PRINCESS? 813 01:25:40,820 --> 01:25:43,530 HAS SOMETHING HAPPENED TO UPSET YOU? 814 01:25:43,530 --> 01:25:45,780 WELL, GOOD. 815 01:25:45,780 --> 01:25:48,820 MAYBE NOW YOU’LL UNDERSTAND. 816 01:25:48,820 --> 01:25:53,570 COMING HERE, TREATING ME LIKE AN EXPERIMENT 817 01:25:53,570 --> 01:25:55,240 FOR A CONFIDENCE BOOST. 818 01:25:55,240 --> 01:25:57,950 AND DID YOU EVER THINK ABOUT ME? 819 01:25:57,950 --> 01:26:01,780 ASK ABOUT MY LIFE? MY PROBLEMS? NO! 820 01:26:01,780 --> 01:26:05,120 BECAUSE YOUR LIFE IS SO FUCKING IMPORTANT! 821 01:26:05,120 --> 01:26:07,530 WELL, NEVER MIND. 822 01:26:07,530 --> 01:26:10,410 LOOKS AS THOUGH YOU’RE GETTING YOUR COMEUPPANCE NOW, DOESN’T IT? 823 01:26:10,410 --> 01:26:13,700 YOU SELF-OBSESSED, 824 01:26:13,700 --> 01:26:15,240 MIND-GAME PLAYING, 825 01:26:15,240 --> 01:26:18,820 ATTENTION-SEEKING LITTLE CUNT! 826 01:26:37,240 --> 01:26:38,950 STOP IT! 827 01:26:41,410 --> 01:26:43,950 STOP IT, FRANKIE! 828 01:26:46,660 --> 01:26:49,070 STOP IT, FRANKIE! 829 01:26:50,410 --> 01:26:51,450 STOP IT! 830 01:26:51,450 --> 01:26:53,990 OOP. 831 01:26:53,990 --> 01:26:56,280 STOP IT! STOP IT! 832 01:26:56,280 --> 01:26:58,660 OOH. 833 01:27:04,820 --> 01:27:10,120 OOH. THAT IS NOT A GOOD LOOK. 834 01:27:10,120 --> 01:27:14,120 I SEE UGLY. 835 01:27:21,410 --> 01:27:23,700 JUST SAY PLEASE, MAIA. 836 01:27:23,700 --> 01:27:29,160 PLEASE. PLEASE. 837 01:27:30,700 --> 01:27:32,280 I COULDN’T HEAR THAT. 838 01:27:33,410 --> 01:27:35,410 PLEASE! 839 01:27:36,740 --> 01:27:39,070 JUST A LITTLE LOUDER. 840 01:27:39,070 --> 01:27:41,370 PLEASE! 841 01:27:43,950 --> 01:27:45,820 ALL RIGHT. 842 01:27:45,820 --> 01:27:48,570 SEEING AS YOU ASKED SO NICELY. 843 01:28:20,870 --> 01:28:24,240 [FRANCESCA] I’M SORRY. MAIA. 844 01:28:24,240 --> 01:28:26,950 I JUST WANT TO GO HOME! 845 01:28:26,950 --> 01:28:28,570 NO, NOT LIKE THIS. 846 01:28:28,570 --> 01:28:31,160 YOU CAN STAY ANOTHER NIGHT, AND I’LL TAKE YOU HOME TOMORROW. 847 01:28:31,160 --> 01:28:33,990 I WANT TO GO HOME. 848 01:28:33,990 --> 01:28:36,450 WELL, YOU CAN’T, SO WHY DON’T YOU STOP BEING SO SELFISH 849 01:28:36,450 --> 01:28:38,990 AND TRY AND REPAIR SOME OF THE DAMAGE THAT YOU’VE JUST DONE? 850 01:28:38,990 --> 01:28:41,990 THE DAMAGE THAT I’VE DONE? 851 01:28:41,990 --> 01:28:44,410 WHAT THE FUCK IS WRONG WITH YOU? 852 01:28:44,410 --> 01:28:46,450 WHAT DO YOU MEAN? 853 01:28:46,450 --> 01:28:51,030 YOU CAN’T MAKE SOMEONE LOVE YOU. 854 01:28:51,030 --> 01:28:52,530 YOU’RE FUCKING CRAZY. 855 01:28:52,530 --> 01:28:54,740 LIKE, WHY WOULD I WANT TO SPEND ANY MORE TIME 856 01:28:54,740 --> 01:28:57,120 WITH YOU EVER AGAIN? HOW COULD I? 857 01:28:57,120 --> 01:28:58,990 WE HAVE SOMETHING SPECIAL. 858 01:28:58,990 --> 01:29:00,570 SPECIAL? I HATE YOU! 859 01:29:00,570 --> 01:29:02,700 THE WAY YOU MADE ME FEEL LAST NIGHT. 860 01:29:02,700 --> 01:29:04,740 YOU SAID THAT YOU LOVED IT. 861 01:29:04,740 --> 01:29:06,570 THE WAY YOU MADE ME FEEL IN THERE? 862 01:29:06,570 --> 01:29:08,820 WHEN I WAS TRAPPED AND SCARED, 863 01:29:08,820 --> 01:29:10,570 AND THE THINGS THAT YOU SAID, 864 01:29:10,570 --> 01:29:13,700 THAT’S THE WORST THAT I’VE EVER FELT! 865 01:29:13,700 --> 01:29:16,240 DO YOU UNDERSTAND? 866 01:29:22,700 --> 01:29:25,120 FINE. 867 01:29:37,410 --> 01:29:40,990 NOW TRY GETTING HOME, YOU LITTLE FUCKING TEASE. 868 01:29:40,990 --> 01:29:44,530 PLEASE MAIA. PLEASE DON’T. PLEASE STAY STAY STAY, PLEASE! 869 01:29:44,530 --> 01:29:47,820 GET OFF ME! I’M SO SORRY! PLEASE STAY! 870 01:29:47,820 --> 01:29:48,990 NO!!! 871 01:30:01,870 --> 01:30:03,620 [SCREAMS] 872 01:30:57,280 --> 01:30:59,530 [END MUSIC PLAYING] 873 01:34:03,030 --> 01:34:05,320 [MUSIC FADES] 60211

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.