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1
00:00:04,004 --> 00:00:06,171
[eerie music]
2
00:00:06,214 --> 00:00:08,465
(male presenter)
THERE IS A FIFTH DIMENSION
3
00:00:08,550 --> 00:00:10,676
BEYOND THAT WHICH
IS KNOWN TO MAN.
4
00:00:10,719 --> 00:00:13,679
IT IS A DIMENSION
AS VAST AS SPACE
5
00:00:13,722 --> 00:00:16,682
AND AS TIMELESS
AS INFINITY.
6
00:00:16,766 --> 00:00:20,227
IT IS THE MIDDLE GROUND
BETWEEN LIGHT AND SHADOW.
7
00:00:20,311 --> 00:00:22,604
BETWEEN SCIENCE
AND SUPERSTITION.
8
00:00:22,689 --> 00:00:25,607
AND IT LIES BETWEEN
THE PIT OF MAN'S FEARS
9
00:00:25,692 --> 00:00:28,527
AND THE SUMMIT
OF HIS KNOWLEDGE.
10
00:00:28,611 --> 00:00:31,405
THIS IS THE DIMENSION
OF IMAGINATION.
11
00:00:31,489 --> 00:00:35,284
IT IS AN AREA WHICH WE
CALL THE TWILIGHT ZONE.
12
00:01:03,271 --> 00:01:05,731
HIS NAME IS ARCH HAMMER.
13
00:01:05,815 --> 00:01:09,401
HE'S 36 YEARS OLD.
HE'S BEEN A SALESMAN, A DISPATCHER,
14
00:01:09,444 --> 00:01:12,446
A TRUCK DRIVER
A CON MAN, A BOOKIE AND A PART-TIME BARTENDER.
15
00:01:14,616 --> 00:01:17,826
THIS IS A CHEAP MAN,
A NICKEL-AND-DIME MAN
16
00:01:17,911 --> 00:01:21,622
WITH A CHEAPNESS THAT
GOES PAST THE SUIT AND THE SHIRT.
17
00:01:21,706 --> 00:01:25,501
A CHEAPNESS OF MIND,
A CHEAPNESS OF TASTE.
18
00:01:25,585 --> 00:01:28,587
A TAWDRY LITTLE
SHINE ON THE SEAT OF HIS CONSCIENCE
19
00:01:28,671 --> 00:01:31,298
AND A DARK, GROOMED SQUINT
IN A WORLD WHOSE SUNLIGHT
20
00:01:31,382 --> 00:01:33,634
HAS NEVER GOTTEN
THROUGH TO HIM.
21
00:01:33,718 --> 00:01:37,429
BUT MR. HAMMER HAS
A TALENT DISCOVERED AT A VERY EARLY AGE.
22
00:01:37,472 --> 00:01:39,932
THIS MUCH HE DOES HAVE.
23
00:01:40,016 --> 00:01:42,684
HE CAN MAKE
HIS FACE CHANGE.
24
00:01:42,769 --> 00:01:45,437
HE CAN TWITCH A MUSCLE.
25
00:01:45,480 --> 00:01:48,023
MOVE A JAW.
26
00:01:48,108 --> 00:01:52,319
CONCENTRATE ON
THE CAST OF HIS EYES.
27
00:01:52,403 --> 00:01:55,614
AND HE CAN
CHANGE HIS FACE.
28
00:01:55,698 --> 00:01:59,243
HE CAN CHANGE IT
INTO ANYTHING HE WANTS.
29
00:02:08,253 --> 00:02:11,130
MR. ARCHIE HAMMER,
JACK OF ALL TRADES,
30
00:02:11,214 --> 00:02:13,966
HAS JUST CHECKED IN
AT $3.80 A NIGHT
31
00:02:14,008 --> 00:02:16,802
WITH TWO BAGS, SOME
NEWSPAPER CLIPPINGS,
32
00:02:16,886 --> 00:02:18,804
A MOST ODD TALENT,
33
00:02:18,888 --> 00:02:22,432
AND A MASTER PLAN
TO DESTROY SOME LIVES.
34
00:03:34,380 --> 00:03:36,965
[playing jazz]
35
00:03:37,050 --> 00:03:41,386
♪ SO THANKS
FOR THE CHEER ♪
36
00:03:41,429 --> 00:03:44,556
♪ I HOPE YOU
DIDN'T M IND ♪
37
00:03:44,599 --> 00:03:48,518
♪ MY BENDING YOUR EAR ♪
38
00:03:53,399 --> 00:03:56,735
THIS TORCH
THAT I'VE FOUND
39
00:03:56,778 --> 00:03:58,612
MUST BE DROWNED
40
00:03:58,696 --> 00:04:00,447
OR JUST--
41
00:04:01,866 --> 00:04:03,992
IT JUST
MIGHT EXPLODE.
42
00:04:07,121 --> 00:04:12,000
♪ MAKE IT ONE
FOR MY BABY ♪
43
00:04:12,085 --> 00:04:14,419
♪ AND ONE MORE ♪
44
00:04:14,504 --> 00:04:18,340
♪ FOR THE ROAD ♪
45
00:04:23,513 --> 00:04:26,431
[applause]
46
00:04:29,435 --> 00:04:31,937
HEY, MAGGIE!
[Iaughs]
47
00:04:32,021 --> 00:04:34,189
HEY, SPORT,
UNRAVEL THE FLESH.
48
00:04:34,274 --> 00:04:36,441
COME ON, MAGGIE,
HAVE A LITTLE DRINK.
49
00:04:36,484 --> 00:04:38,485
I'D LOVE ONE.
50
00:04:38,569 --> 00:04:42,781
VERY, VERY SOLITARY.
ALL BY MY LONESOME IF YOU DON'T M IND.
51
00:04:42,865 --> 00:04:44,700
OH.
52
00:05:26,534 --> 00:05:28,910
IF YOU DON'T
DRINK WELL,
53
00:05:28,995 --> 00:05:31,496
DON'T DRINK.
54
00:05:31,581 --> 00:05:33,290
JOHNNY!
55
00:05:34,667 --> 00:05:36,835
JOHNNY, ARE
YOU A GHOST?
56
00:05:36,919 --> 00:05:39,671
SURE, A GHOST.
57
00:05:39,756 --> 00:05:43,967
I JUST CAME DOWN TO
CHECK THE MOURNERS, READ THE OBITUARIES.
58
00:05:45,636 --> 00:05:48,180
HOW DID THEY FEEL
ABOUT THE DECEASED, HUH?
59
00:05:48,264 --> 00:05:50,682
WHAT KIND OF TEARS?
60
00:05:50,767 --> 00:05:52,851
YOU CAME TO THE
RIGHT PLACE, JOHNNY.
61
00:05:55,188 --> 00:05:58,690
I HAVE A ROOMFUL
OF BUCKETS.
62
00:05:58,775 --> 00:06:02,277
I HEARD IT ON THE
RADIO ONE NIGHT. JUST LIKE THAT.
63
00:06:05,365 --> 00:06:07,032
"DEATH AS IT MUST
COME TO ALL MEN,
64
00:06:07,116 --> 00:06:11,203
"CAME TO TALENTED
MUSICIAN JOHNNY FOSTER.
65
00:06:13,873 --> 00:06:16,833
TRAGIC ACCIDENT,
TRAIN HITTING CAR."
66
00:06:18,836 --> 00:06:21,338
I JUST SAT THERE
AND I CRIED.
67
00:06:22,673 --> 00:06:24,758
AND THEN I--
68
00:06:28,388 --> 00:06:31,390
AND THEN I WASHED
MY FACE AND--
69
00:06:31,474 --> 00:06:33,892
PUT ON SOME MAKEUP
AND WENT TO WORK.
70
00:06:37,230 --> 00:06:40,315
BUT EVERYTHING
HAD CHANGED FOR ME.
71
00:06:40,400 --> 00:06:43,360
MY REPERTOIRE
BECAME VERY LIMITED.
72
00:06:45,363 --> 00:06:48,156
ONLY BOOZE.
73
00:06:48,241 --> 00:06:52,828
ONLY SAD SONGS
FOR PIANO OR BOURBON.
74
00:06:52,912 --> 00:06:55,080
OH, JOHNNY.
75
00:06:55,123 --> 00:06:57,499
I DON'T CARE
IF YOU AREA GHOST.
76
00:06:59,210 --> 00:07:01,336
NAH.
77
00:07:01,421 --> 00:07:03,338
IT WAS ANOTHER GUY.
78
00:07:03,423 --> 00:07:05,799
MY CAR, MY SUIT.
79
00:07:05,883 --> 00:07:08,510
MAYBE WE EVEN HAD
THE SAME DENTIST.
80
00:07:08,594 --> 00:07:10,345
WHY DIDN'T YOU
TELL PEOPLE THAT?
81
00:07:10,430 --> 00:07:12,347
NAH.
82
00:07:12,432 --> 00:07:15,058
I WANTED TO GET
WAY FROM THE WORLD.
83
00:07:16,436 --> 00:07:18,562
FROM THAT.
84
00:07:21,065 --> 00:07:24,443
I DECIDED
TO TRADE IN THE OLD NAME.
85
00:07:24,485 --> 00:07:27,279
TURN IT IN
FOR SOMETHING NEW, SOMETHING DIFFERENT.
86
00:07:28,906 --> 00:07:31,825
YOU WERE ALWAYS
A FUNNY GUY, JOHNNY.
87
00:07:31,909 --> 00:07:34,286
WAY-OUT JOHNNY FOSTER.
88
00:07:39,083 --> 00:07:41,835
WELL,
89
00:07:41,919 --> 00:07:44,337
ARE YOU SATISFIED
WITH THE REACTION?
90
00:07:45,965 --> 00:07:48,967
MOURNING BECOMES YOU, MAG.
91
00:07:50,386 --> 00:07:52,554
ME AND ELECTRA.
92
00:07:55,266 --> 00:07:57,559
SO HOW LONG
YOU WITH US?
93
00:07:57,643 --> 00:08:00,479
IS THIS A STOP
BETWEEN TRAINS, JOHNNY?
94
00:08:00,563 --> 00:08:03,315
IN A WAY,
FOR ME, IT IS.
95
00:08:03,399 --> 00:08:06,526
FOR YOU, IT'S
GET-OUT-OF-TOWN NIGHT.
96
00:08:06,611 --> 00:08:10,280
YOU'VE GOT TIME
FOR SIX CHORUSES AND A CHECK-OUT?
97
00:08:11,866 --> 00:08:14,826
YOU'RE GOING
WITH ME, MAG.
98
00:08:14,911 --> 00:08:18,330
WE'LL GO TO
CHICAGO OR DETROIT.
99
00:08:18,372 --> 00:08:21,082
WE'LL GO TO
SAN FRANCISCO, HUH?
100
00:08:21,167 --> 00:08:23,043
WE'LL HAVE
A BALL, MAGGIE.
101
00:08:23,127 --> 00:08:27,839
EVERYTHING BY EAR.
BUT GREAT, MAGGIE, I MEAN, GREAT.
102
00:08:27,882 --> 00:08:30,217
JUST THE TWO OF US.
103
00:08:30,301 --> 00:08:32,427
OH!
104
00:08:32,512 --> 00:08:35,722
OH, HEY, JOHNNY,
I LOVE YOU.
105
00:08:35,806 --> 00:08:39,100
YOU NAME IT, JOHNNY,
YOU'VE GOT IT.
106
00:08:39,185 --> 00:08:42,395
HEY, JOHNNY!
107
00:08:42,480 --> 00:08:45,941
YOU PUT ME BACK TOGETHER
AGAIN, JOHNNY. AND I LOVE YOU.
108
00:08:46,025 --> 00:08:47,943
I LOVE YOU.
109
00:09:01,415 --> 00:09:03,708
YOU FINISH UP HERE.
110
00:09:05,169 --> 00:09:08,380
YOU TELL HIM
YOU'RE CUTTING OUT.
111
00:09:08,464 --> 00:09:12,801
I'LL MEET YOU AT
THE RAILROAD STATION. I'LL GET THE TICKETS.
112
00:09:12,885 --> 00:09:18,181
1 2:06, MAGGIE,
WESTBOUND FOR CHICAGO.
113
00:09:19,850 --> 00:09:21,726
BE THERE.
114
00:09:24,897 --> 00:09:27,315
I'LL BE THERE, JOHNNY.
115
00:09:55,595 --> 00:09:58,847
JOHNNY!
HEY, JOHNNY!
116
00:09:58,931 --> 00:10:01,600
[inaudibIe]
117
00:10:01,684 --> 00:10:03,977
MAN, I THOUGHT YOU
WAS OUT OF THE WORLD.
118
00:10:09,400 --> 00:10:12,193
JOHNNY, WAIT.
WE ALL GOT THE WRONG WORD.
119
00:10:12,278 --> 00:10:15,447
THEY SAID YOU WERE
REMOVED BY A LOCOMOTIVE. [Iaughs]
120
00:10:15,489 --> 00:10:17,699
OH, JOHNNY, IT'S SO
GREAT TO SEE YOU. HERE.
121
00:10:17,783 --> 00:10:19,659
LET ME LIGHT YOU
A CIGARETTE.
122
00:10:21,621 --> 00:10:24,623
I'LL TAKE THE LIGHT BUT
YOU GOT THE WRONG GUY.
123
00:10:32,214 --> 00:10:34,341
I'M REALLY
SORRY, BUDDY, I--
124
00:10:35,760 --> 00:10:37,969
I THOUGHT YOU
WERE THE GUY
125
00:10:38,054 --> 00:10:40,388
I'D JUST SEEN
IN THE BAR.
126
00:10:42,016 --> 00:10:43,850
I'M REALLY SORRY.
127
00:10:45,853 --> 00:10:48,521
WHY NOT A
BEAUTIFUL DAME?
128
00:10:48,606 --> 00:10:51,149
WHY NOT?
129
00:10:51,192 --> 00:10:54,903
I NEVER HAD
A DISH LIKE THAT.
130
00:10:54,987 --> 00:10:57,822
I'VE NEVER BEEN
LOVED LIKE THAT.
131
00:10:57,865 --> 00:11:01,201
WHY SHOULDN'T I?
132
00:11:01,285 --> 00:11:04,829
(Maggie)
? IT'S ALL TOO WONDERFUL ?
133
00:11:04,872 --> 00:11:07,165
♪ I'LL NEVER
FIND THE WORDS ♪
134
00:11:07,208 --> 00:11:09,668
YEAH, MAGGIE.
135
00:11:09,752 --> 00:11:11,670
YEAH!
136
00:11:11,712 --> 00:11:13,338
WHY NOT?
137
00:11:51,419 --> 00:11:54,045
HOW WAS THE WATER,
BABY? WAS IT COLD?
138
00:11:54,088 --> 00:11:56,631
WHEN DID IT HURT?
WHEN YOU LAUGHED?
139
00:11:56,716 --> 00:11:59,843
[Iaughs]
140
00:12:31,375 --> 00:12:34,169
EXCUSE ME, SIR.
MR. PENELL IS NOT AT HOME THIS EVENING.
141
00:12:34,253 --> 00:12:36,337
[noise from TV]
142
00:12:36,422 --> 00:12:38,256
WHO IS IT, RAMON?
143
00:12:38,340 --> 00:12:40,759
IT'S ME, MR. PENELL.
144
00:12:46,307 --> 00:12:48,433
PICTURE TUBES
ARE EXPENSIVE.
145
00:12:48,476 --> 00:12:51,436
YOU CAN ALWAYS
GET YOURSELF ANOTHER BEER.
146
00:12:51,520 --> 00:12:53,146
IMPORTED, ISN'T IT?
147
00:12:53,230 --> 00:12:55,440
I ALWAYS LIKED YOUR
TASTE, MR. PENELL.
148
00:12:55,483 --> 00:12:58,276
YOU ALWAYS HAD
THE TASTE OF A VERY RICH MAN.
149
00:12:58,319 --> 00:13:00,361
NEAT BUT NOT GAUDY.
150
00:13:00,446 --> 00:13:04,783
PLEASE. DON'T.
151
00:13:04,867 --> 00:13:07,368
JUST SIT DOWN THERE
AND WE'LL TALK, HUH?
152
00:13:09,497 --> 00:13:11,873
WE'LL HAVE A BUSINESS
MEETING, YOU AND ME.
153
00:13:11,957 --> 00:13:14,167
VIRGIL.
154
00:13:14,251 --> 00:13:17,128
VIRGIL, THIS IS
THE HAPPIEST DAY OF MY LIFE!
155
00:13:17,213 --> 00:13:19,130
[laughs]
156
00:13:19,173 --> 00:13:21,674
IF THIS IS THE
HAPPIEST DAY OF YOUR LIFE,
157
00:13:21,759 --> 00:13:25,804
HOW COME YOU LOOK LIKE
SOMEBODY JUST STUCK LEMON JUICE IN YOUR BEER, HUH?
158
00:13:25,846 --> 00:13:29,724
NO, MR. PENELL,
YOU'RE NOT SO HAPPY.
159
00:13:29,809 --> 00:13:31,810
YOU GOT NO
REASON TO BE HAPPY.
160
00:13:31,894 --> 00:13:34,813
BELIEVE ME,
MR. PENELL, I KNOW.
161
00:13:34,855 --> 00:13:37,565
YOU'VE GOT NO
REASON TO BE HAPPY.
162
00:13:37,650 --> 00:13:40,735
NO REASON AT ALL.
163
00:13:40,820 --> 00:13:43,655
NOW, IF YOU COULD HAVE
KEPT ME IN THE RIVER,
164
00:13:43,739 --> 00:13:46,407
A COLD, CLAMMY LITTLE
ITEM WITHOUT A VOICE,
165
00:13:46,492 --> 00:13:48,451
THEN YOU COULD
HAVE BEEN HAPPY.
166
00:13:48,536 --> 00:13:51,704
BUT THIS IS ONE DOUBLE
CROSS THAT CAME BACK TO BITE YOU.
167
00:13:51,789 --> 00:13:53,665
VIRG, VIRG, YOU
GOT ME WRONG, VIRG.
168
00:13:53,707 --> 00:13:55,583
I HELD UP MY END
OF THE BARGAIN,
169
00:13:55,668 --> 00:13:59,045
AND INSTEAD OF THE PAYOFF,
ALL I GOT WAS THE RIVER.
170
00:13:59,129 --> 00:14:01,923
AND THAT RIVER
WAS COLD, MR. PENELL.
171
00:14:02,007 --> 00:14:04,759
FAR TOO COLD FOR
THIS TIME OF THE YEAR.
172
00:14:04,844 --> 00:14:07,345
LOUSY SWIMM ING,
MR. PENELL,
173
00:14:07,388 --> 00:14:10,181
ESPECIALLY WHEN YOU'RE
ALMOST OUT OF BLOOD.
174
00:14:10,224 --> 00:14:12,517
I BROUGHT BACK A SATCHEL
FOR YOU, MR. PENELL.
175
00:14:12,601 --> 00:14:15,603
THERE WAS A LOT
OF MONEY IN IT. IT WAS A REAL RISKY JOB.
176
00:14:15,688 --> 00:14:18,731
NOW, I FIGURE MY CUT
IS MORE THAN A COLD SWIM!
177
00:14:18,816 --> 00:14:20,942
VIRG, PLEASE,
LISTEN TO ME.
178
00:14:21,026 --> 00:14:23,194
VIRG, VIRG, I GOT
YOUR CUT, KID.
179
00:14:23,279 --> 00:14:25,280
IT'S RIGHT OVER
THERE IN THE DESK.
180
00:14:25,364 --> 00:14:29,576
I'LL TAKE CARE OF MY
OWN CUT, MR. PENELL. WHAT DRAWER?
181
00:14:29,660 --> 00:14:32,787
IT'S IN THE CENTER DRAWER.
THERE'S AN ENVELOPE FULL OF MONEY.
182
00:14:32,872 --> 00:14:34,622
WHY DON'T YOU LET ME
GET IT FOR YOU?
183
00:14:34,707 --> 00:14:36,791
WHY DON'T YOU SHUT UP?
184
00:14:45,217 --> 00:14:47,594
YOU SAID THIS WAS
FOR ME, DIDN'T YOU?
185
00:14:47,678 --> 00:14:50,054
TWENTY PER CENT
OF IT, VIRG.
186
00:14:50,097 --> 00:14:52,724
THE CUT IS STILL
THE SAME, MR. PENELL.
187
00:14:52,808 --> 00:14:56,477
I ALWAYS LIVE UP
TO MY CONTRACTS.
188
00:14:56,562 --> 00:14:58,438
ONLY NOW THERE'S INTEREST.
189
00:14:58,522 --> 00:15:01,232
FOR FLOATING
FACEDOWN IN THE RIVER I CHARGE INTEREST.
190
00:15:01,275 --> 00:15:05,069
FOR GETTING THREE
BULLETS IN MY BELLY I CHARGE INTEREST.
191
00:15:05,112 --> 00:15:06,988
I'LL TAKE IT ALL.
192
00:15:08,574 --> 00:15:10,575
VIRG.
193
00:15:10,618 --> 00:15:12,493
YEAH?
194
00:15:12,578 --> 00:15:15,079
DID-DID SOMEBODY--
195
00:15:15,122 --> 00:15:17,790
DID SOMEBODY FISH
YOU OUT BEFORE--
196
00:15:17,875 --> 00:15:20,251
DID SOMEBODY FISH ME
OUT BEFORE I'D HAD IT?
197
00:15:20,336 --> 00:15:22,587
IS THAT THE QUESTION?
198
00:15:22,630 --> 00:15:26,424
NO, MR. PENELL.
THAT'S NOT THE WAY IT HAPPENED AT ALL.
199
00:15:26,508 --> 00:15:29,218
I'M A GHOST.
200
00:15:31,513 --> 00:15:34,849
GET THAT GUY,
HE'S A FAKE! GET HIM!
201
00:16:05,297 --> 00:16:07,715
I'VE GOT TO MAKE IT.
202
00:16:07,800 --> 00:16:10,301
CHANGE MY FACE.
203
00:16:10,344 --> 00:16:12,887
GOTTA LOOK DIFFERENT.
204
00:16:12,972 --> 00:16:16,265
THINK OF A FACE!
THINK OF A FACE!
205
00:16:29,029 --> 00:16:30,822
WHAT THE--
206
00:16:33,075 --> 00:16:35,493
WHAT DID I DO?
207
00:16:35,536 --> 00:16:38,329
WHY ARE YOU
GUYS TRYING TO FINGER ME, HUH?
208
00:16:38,414 --> 00:16:39,998
I MEAN, WHAT GOES?
209
00:16:40,040 --> 00:16:42,750
I DIDN'T DO
NOTHING TO YOU GUYS.
210
00:16:43,836 --> 00:16:45,545
NOTHING, BUDDY.
211
00:16:45,629 --> 00:16:48,214
WE THOUGHT YOU
WERE SOMEBODY ELSE.
212
00:17:32,384 --> 00:17:34,093
ANDY.
213
00:17:35,512 --> 00:17:37,472
ANDY!
214
00:17:37,556 --> 00:17:40,058
WHO?
215
00:17:40,100 --> 00:17:44,479
ANDY! ANDY, WHAT'S
THE MATTER WITH YOU?
216
00:17:44,563 --> 00:17:49,150
OH, UH, ANDY, YEAH.
YEAH, I GET IT, YEAH.
217
00:17:49,234 --> 00:17:51,152
UH, WHAT'S NEW WITH YOU?
218
00:17:51,236 --> 00:17:54,405
HOW'S THE, UH,
JOURNALISM BUSINESS, HUH?
219
00:17:54,448 --> 00:17:56,324
WHAT'S THE MATTER
WITH YOU?
220
00:17:56,408 --> 00:17:59,660
SOMETHING WRONG
WITH YOUR M IND?
221
00:17:59,745 --> 00:18:01,996
YOU PUNCHY, ANDY?
222
00:18:03,749 --> 00:18:05,750
YEAH, I'M PUNCHY.
223
00:18:05,793 --> 00:18:08,503
WHY, AM I SUPPOSED
TO RECOGNIZE YOU?
224
00:18:08,587 --> 00:18:10,505
YEAH.
225
00:18:10,589 --> 00:18:13,257
I GUESS YOU WOULD.
226
00:18:13,300 --> 00:18:17,011
WE, UH, WE MET
SOMEPLACE BEFORE, HUH?
227
00:18:17,096 --> 00:18:19,430
THAT'S RIGHT.
228
00:18:19,515 --> 00:18:21,766
IT WAS A LONG
TIME AGO, THOUGH.
229
00:18:21,850 --> 00:18:25,228
I DON'T REMEMBER
YOU, OLD MAN. HOW DO I KNOW YOU?
230
00:18:27,106 --> 00:18:29,774
HOW DO YOU KNOW ME?
231
00:18:29,817 --> 00:18:32,026
AS A SON SHOULD
KNOW HIS FATHER.
232
00:18:33,779 --> 00:18:37,115
WHAT KIND OF A GAME
ARE YOU PLAYING, ANDY?
233
00:18:37,157 --> 00:18:39,617
I'M YOUR SON?
234
00:18:39,701 --> 00:18:41,953
YOU WERE.
235
00:18:42,037 --> 00:18:43,830
YOU WERE BEFORE
YOURAN OUT.
236
00:18:43,914 --> 00:18:47,625
YOU WERE BEFORE
YOU BROKE YOUR MOTHER'S HEART.
237
00:18:47,709 --> 00:18:50,378
BEFORE YOU DID
DIRT TO A SWEET, DECENT LITTLE GIRL
238
00:18:50,462 --> 00:18:52,797
WHO WOULD HAVE CUT
OFF AN ARM FOR YOU.
239
00:18:52,881 --> 00:18:55,550
BUT NOW YOU
AIN'T MY SON.
240
00:18:55,634 --> 00:18:57,969
NOW YOU AIN'T
NOTHING TO ME.
241
00:18:58,053 --> 00:19:00,221
YOU'RE NOTHING.
242
00:19:00,305 --> 00:19:02,974
I HATE YOUR GUTS.
243
00:19:03,016 --> 00:19:07,145
DO YOU HEAR ME?
I HATE YOUR GUTS.
244
00:19:09,565 --> 00:19:13,151
IF THINGS GO DOWN HARD,
YOU JUST WALK AWAY, HUH, ANDY?
245
00:19:13,235 --> 00:19:17,697
PEOPLE GET IN YOUR WAY
YOU JUST STEP ON THEM, JUST KICK THEM AWAY, HUH?
246
00:19:17,781 --> 00:19:21,409
HEY, EVERYBODY, LOOK,
LOOK WHAT WE GOT HERE.
247
00:19:21,493 --> 00:19:24,412
ANDY MARSHAK!
A DIRTY LITTLE PUNK!
248
00:19:24,496 --> 00:19:28,332
LOOK AT HIM, LOOK AT
THE DIRTY LITTLE PUNK! EVERYBODY, LOOK!
249
00:19:28,375 --> 00:19:30,710
SPIT IN HIS MOTHER'S
EYE, THIS ONE.
250
00:19:30,794 --> 00:19:32,587
RUINED A GIRL'S
LIFE, THIS ONE.
251
00:19:32,671 --> 00:19:35,339
HURT PEOPLE, ALL
THE TIME HURT PEOPLE.
252
00:19:35,382 --> 00:19:37,341
HEY, EVERYBODY, LOOK!
253
00:19:41,221 --> 00:19:42,847
LOOK AT HIM!
254
00:19:42,890 --> 00:19:45,516
LOOK AT THE PUNK.
255
00:19:45,559 --> 00:19:48,436
LOOK AT ANDY MARSHAK.
256
00:19:48,520 --> 00:19:51,022
LOOK AT THE MONSTER.
257
00:19:51,064 --> 00:19:55,026
LOOK AT...MY SON!
258
00:20:11,376 --> 00:20:13,878
[rattling of door handle]
259
00:20:34,733 --> 00:20:37,568
THAT WHERE YOU
GENERALLY STAND, BEHIND THE DOOR?
260
00:20:37,611 --> 00:20:41,447
WHEN SOMEBODY I DON'T KNOW
UNLOCKS MY DOOR, YEAH, THAT'S WHERE I STAND.
261
00:20:41,531 --> 00:20:43,824
ARCH HAMMER, HUH?
DETROIT, M ICHIGAN.
262
00:20:43,909 --> 00:20:45,576
I NEVER BEEN THERE.
263
00:20:45,661 --> 00:20:47,787
OF COURSE YOU HAVEN'T.
NEITHER WAS HENRY FORD.
264
00:20:47,871 --> 00:20:49,664
YOU'RE DOWN FOR
A BUNCO RAP, HAMMER.
265
00:20:49,748 --> 00:20:51,582
I GOTTA PUT YOU
ON THE BOOK.
266
00:20:51,667 --> 00:20:54,418
YOU CAN MAKE TWO
CALLS WHEN YOU GET TO THE STATION.
267
00:20:56,171 --> 00:20:58,589
CAN I GET MY COAT?
268
00:20:58,632 --> 00:21:01,008
BE MY GUEST.
269
00:21:04,846 --> 00:21:07,473
WHERE IS IT, HAMMER?
UP ON THE ROOF?
270
00:21:07,557 --> 00:21:10,559
IN THE CLOSET.
271
00:21:30,914 --> 00:21:32,623
LET'S GO.
272
00:21:52,686 --> 00:21:54,312
HEY, WAIT A M INUTE!
273
00:21:57,024 --> 00:21:59,191
WHAT DO YOU
THINK YOU'RE DO--
274
00:21:59,276 --> 00:22:02,653
I'M SORRY.
DID YOU SEE A GUY COME OUT OF THERE?
275
00:22:02,738 --> 00:22:04,655
NO.
276
00:22:21,214 --> 00:22:22,757
HEY, OLD MAN.
277
00:22:22,841 --> 00:22:25,551
YOU'VE GOT
SUCH A DEBT, ANDY.
278
00:22:25,635 --> 00:22:28,554
YOU OWE HER
FOR SO MANY YEARS.
279
00:22:28,638 --> 00:22:31,182
YOU OWE HER FOR
SO MANY THINGS.
280
00:22:32,517 --> 00:22:35,770
AND NOW, YOU
PAY OFF, SON.
281
00:22:35,854 --> 00:22:38,189
HEY, NOW,
WAIT A M INUTE. WAIT A M INUTE.
282
00:22:38,231 --> 00:22:41,400
YOU GOT THE WRONG GUY.
I SWEAR TO YOU, YOU GOT THE WRONG GUY!
283
00:22:41,485 --> 00:22:43,277
I GOT THE RIGHT GUY.
284
00:22:43,362 --> 00:22:46,364
NO, PLEASE.
PLEASE, WAIT.
285
00:22:46,448 --> 00:22:48,449
PUT THE-PUT THE
GUN DOWN NOW.
286
00:22:48,533 --> 00:22:51,786
I'LL SHOW YOU.
I'LL SHOW YOU, HONEST.
287
00:22:51,870 --> 00:22:55,456
BUT I GOTTA THINK!
I GOTTA CONCENTRATE!
288
00:22:55,540 --> 00:22:58,542
JUST PUT THE GUN
DOWN. YOU'LL SEE.
289
00:22:58,585 --> 00:23:00,628
I GOTTA CONCENTRATE!
290
00:23:15,936 --> 00:23:18,729
(male presenter)
IT WAS ARCH HAMMER, A CHEAP LITTLE MAN
291
00:23:18,814 --> 00:23:21,232
WHO HAD JUST CHECKED IN.
HE WAS JOHNNY FOSTER
292
00:23:21,316 --> 00:23:23,984
WHO PLAYED A TRUMPET AND
WAS LOVED BEYOND WORDS.
293
00:23:24,069 --> 00:23:26,821
HE WAS VIRGIL STERIG,
WITH MONEY IN HIS POCKET.
294
00:23:26,905 --> 00:23:29,407
HE WAS ANDY MARSHAK,
295
00:23:29,491 --> 00:23:33,327
WHO GOT SOME OF HIS
AGONY BACK ON A SIDEWALK IN FRONT OF A CHEAP HOTEL.
296
00:23:33,412 --> 00:23:37,164
HAMMER, FOSTER,
STERIG, MARSHAK.
297
00:23:37,249 --> 00:23:40,334
AND ALL FOUR OF
THEM WERE DYING.
298
00:24:14,327 --> 00:24:17,037
(maIe presenter, off)
ROD SERLING, THE CREATOR OFTWILIGHT ZONE
299
00:24:17,122 --> 00:24:21,083
WILL TELL YOU ABOUT NEXT
WEEK'S STORY AFTER THIS WORD FROM OUR ALTERNATE SPONSOR.
300
00:24:23,253 --> 00:24:25,504
AND NOW, MR. SERLING.
301
00:24:25,589 --> 00:24:28,841
NEXT WEEK WE'LL GIVE YOU
A LESSON IN ASTRONOMY.
302
00:24:28,925 --> 00:24:31,677
BUT A KIND OF LESSON
NOT TAUGHT IN SCHOOLS.
303
00:24:31,761 --> 00:24:36,724
FRITZ WEAVER, EDWARD ANDREWS
AND JOE MAROSS APPEAR IN THIRD FROM THE SUN.
304
00:24:36,808 --> 00:24:40,561
THIS IS A STORY
THAT TAKES PLACE ON THE EVE OF DOOMSDAY.
305
00:24:40,645 --> 00:24:42,980
WE HOPE YOU'LL JOIN US
ON THE TWILIGHT ZONE.
306
00:24:43,023 --> 00:24:45,274
THANK YOU, AND GOODNIGHT.
307
00:24:50,280 --> 00:24:53,449
[eerie music]
308
00:25:30,445 --> 00:25:33,614
(maIe presenter, off)
KIMBERLY CLARK INVITES YOU TO WATCH STEVE McQUEEN
309
00:25:33,698 --> 00:25:36,200
INWANTED DEAD OR ALIVE.
310
00:25:36,243 --> 00:25:39,245
SATURDAY NIGHTS OVER
MOST OF THE SAME STATIONS.
311
00:27:16,051 --> 00:27:19,219
TWILIGHT ZONE IS BEING
BROUGHT TO YOU TONIGHT
312
00:27:19,304 --> 00:27:22,473
BY KIMBERLY CLARK,
313
00:27:22,515 --> 00:27:24,558
WHOSE HANDY KLEENEX
PAPER PRODUCTS
314
00:27:24,643 --> 00:27:28,228
HELP YOU EVERY DAY
IN SO MANY WAYS.
315
00:27:32,025 --> 00:27:35,152
TODAY, A WOMAN'S
SUPPOSED TO BE A CHAUFFEUR,
316
00:27:35,236 --> 00:27:38,822
A MAID OF ALL WORK,
A CIVIC-MINDED CITIZEN
317
00:27:38,865 --> 00:27:43,160
AS WELL AS THE FRESH YOUNG
THING HER HUSBAND MARRIED,
318
00:27:43,203 --> 00:27:45,162
AND STILL GET
DINNER ON THE TABLE.
319
00:27:45,205 --> 00:27:46,747
HELP.
320
00:27:46,831 --> 00:27:49,875
YOU CALLED, MADAM?
THE NAME IS MANNERS.
321
00:27:49,959 --> 00:27:52,252
YOU LADIES DESERVE ALL
THE HELP YOU CAN GET,
322
00:27:52,337 --> 00:27:54,922
ESPECIALLY AT YOUR THREE
BUSIEST TIMES OF THE DAY.
323
00:27:55,006 --> 00:27:58,342
MEALTIMES HELP LIKE
KLEENEX TABLE NAPKINS.
324
00:27:58,385 --> 00:27:59,843
EVEN THE BOX
IS HELPFUL.
325
00:27:59,928 --> 00:28:01,679
JUST PRESS BACK
IN THE CENTER
326
00:28:01,763 --> 00:28:03,806
AND YOU GET TWO
NAPKIN SERVERS,
327
00:28:03,890 --> 00:28:07,184
WITH NAPKINS EASY
TO GET AT, FOLDED, READY TO USE.
328
00:28:07,268 --> 00:28:09,728
SOFT, AREN'T THEY?
329
00:28:09,813 --> 00:28:13,357
AND KLEENEX TABLE NAPKINS
HELP KEEP YOUR HUSBANDS HAPPIER, TOO.
330
00:28:13,400 --> 00:28:15,901
THEY WON'T SLIDE
OFF YOUR LAP.
331
00:28:15,985 --> 00:28:18,278
THEY CLING LIKE CLOTH.
332
00:28:18,363 --> 00:28:22,408
YET, THEY'RE SO STRONG
THEY'RE SPILL-PROOF. SEE?
333
00:28:22,492 --> 00:28:27,079
DO LET KLEENEX TABLE NAPKINS
GIVE YOU A HELPING HAND AT MEALTIMES.
334
00:28:27,163 --> 00:28:30,541
THEY'RE ANOTHER GOOD
VALUE FROM KLEENEX.
335
00:28:44,097 --> 00:28:47,307
PARDON ME, MADAM.
WE'RE INTERVIEWING YOUNG HOMEMAKERS
336
00:28:47,392 --> 00:28:49,977
AND I'D LIKE
TO ASK YOU A FEW QUESTIONS.
337
00:28:50,061 --> 00:28:54,314
FIST, IS YOUR FAMILY FUSSY
ABOUT LITTLE EVERYDAY THINGS AROUND THE HOUSE?
338
00:28:54,399 --> 00:28:56,358
BATHROOM TISSUE
FOR INSTANCE?
339
00:28:58,945 --> 00:29:03,407
MM-HM. WELL, WE'D LIKE
TO GIVE YOU THIS BOROUGH PACKAGE OF OUR PRODUCT,
340
00:29:03,491 --> 00:29:06,827
DELSEY BATHROOM TISSUE,
AND GET YOUR REACTIONS.
341
00:29:06,911 --> 00:29:09,621
NOTICE HOW EACH
ROLL IS WRAPPED
342
00:29:09,706 --> 00:29:12,082
TO KEEP IT
NICE AND CLEAN.
343
00:29:14,127 --> 00:29:16,253
I SEE YOU LIKE
THAT SHADE OF PINK.
344
00:29:16,337 --> 00:29:19,673
DELSEY ALSO COMES
IN AQUA, YELLOW AND WHITE, YOU KNOW.
345
00:29:19,758 --> 00:29:22,593
I KNEW YOU'D NOTICE
DELSEY'S SOFTNESS.
346
00:29:22,677 --> 00:29:25,596
YOU SEE, DELSEY IS SOFT
LIKE KLEENEX TISSUES.
347
00:29:25,638 --> 00:29:29,057
AND YOU'LL FIND DELSEY
TEARS EVENLY, TOO.
348
00:29:29,976 --> 00:29:32,436
SEE?
349
00:29:32,520 --> 00:29:36,523
WOULD YOU AGREE THEN
THAT DELSEY IS THE NICEST NECESSITY OF ITS KIND?
350
00:29:36,608 --> 00:29:39,109
THANK YOU FOR YOUR
COOPERATION, MADAM.
351
00:29:39,152 --> 00:29:40,736
GOOD DAY!
352
00:29:40,786 --> 00:29:45,336
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