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1
00:00:35,469 --> 00:00:36,670
HEY, WARREN.
2
00:00:36,704 --> 00:00:37,605
HEY, GOOBER.
3
00:00:37,638 --> 00:00:39,673
JUST CHANGED ANOTHER TIRE.
4
00:00:39,707 --> 00:00:41,342
ANDY BEEN IN YET?
5
00:00:41,375 --> 00:00:42,543
NO, NOT YET.
6
00:00:42,576 --> 00:00:44,145
ANYTHING I CAN DO FOR YOU?
7
00:00:44,178 --> 00:00:45,579
OH, I JUST WANTED
TO TELL HIM
8
00:00:45,613 --> 00:00:47,615
I CAN GREASE HIS SQUAD
CAR AROUND 11:00
9
00:00:47,648 --> 00:00:49,150
IF HE WASN'T
GONNA USE IT.
10
00:00:49,183 --> 00:00:50,551
JUST LEAVE A NOTE
ON THE DESK.
11
00:00:50,584 --> 00:00:53,154
THAT WAY THERE WON'T BE
ANY CHANCE FOR A SLIPUP.
12
00:00:53,187 --> 00:00:55,589
COULDN'T YOU
JUST TELL HIM?
LEAVE A NOTE, GOOBER.
13
00:00:55,623 --> 00:00:58,626
YOU SURE BELIEVE IN DOING
THINGS RIGHT, DON'T YOU, WARREN?
14
00:00:58,659 --> 00:01:01,495
WHEN YOU'VE SPENT 16 WEEKS
IN THE SHERIFF'S ACADEMY,
15
00:01:01,529 --> 00:01:03,397
AS I HAVE, YOU'LL LEARN THINGS.
16
00:01:03,431 --> 00:01:06,600
YOU'LL LEARN WHAT IS IMPORTANT
AND WHAT IS NOT IMPORTANT.
17
00:01:06,634 --> 00:01:08,702
THEY TEACH YOU SUPPOSED
TO LEAVE NOTES.
18
00:01:08,736 --> 00:01:11,305
THEY TAUGHT ME THAT EFFICIENCY
IS A DEPUTY'S DUTY.
19
00:01:11,339 --> 00:01:12,440
OH.
20
00:01:12,473 --> 00:01:14,342
AND I HAPPEN
TO PRIDE MYSELF
21
00:01:14,375 --> 00:01:15,643
ON EFFICIENCY.
22
00:01:15,676 --> 00:01:17,378
I WAS FOURTH IN MY CLASS.
23
00:01:17,411 --> 00:01:19,713
THAT'S HOW I HAPPENED
TO GET THIS JOB
24
00:01:19,747 --> 00:01:21,315
RIGHT HERE
IN MAYBERRY.
25
00:01:21,349 --> 00:01:24,452
I GUESS BEING FLOYD LAWSON'S
NEPHEW DIDN'T HURT NONE.
26
00:01:24,485 --> 00:01:26,287
OH, I'VE BEEN WAITING
FOR THAT ONE.
27
00:01:26,320 --> 00:01:28,289
GOOBER, LET'S CLEAR
THE AIR RIGHT NOW.
28
00:01:28,322 --> 00:01:30,258
I HAVE NEVER, EVER USED
MY FAMILY TIES.
29
00:01:30,291 --> 00:01:33,494
A MAN WHO CAN'T GET AHEAD
ON HIS OWN ISN'T WORTH HIS SALT.
30
00:01:33,527 --> 00:01:35,463
THAT'S ANOTHER THING
THEY TAUGHT ME
31
00:01:35,496 --> 00:01:36,864
AT THE SHERIFF'S ACADEMY.
32
00:01:36,897 --> 00:01:38,332
"DEAR ANDY,
33
00:01:38,366 --> 00:01:40,534
"DO YOU WANT THE
SQUAD CAR GREASED?
34
00:01:40,568 --> 00:01:41,835
YOURS TRULY, GOOBER."
35
00:01:41,869 --> 00:01:43,304
IS THAT ALL RIGHT?
36
00:01:43,337 --> 00:01:44,605
THAT'S FINE, GOOBER.
37
00:01:44,638 --> 00:01:46,674
WELL, AIN'T
NO DATE ON IT.
38
00:01:46,707 --> 00:01:48,776
JUST SET IT DOWN
ON THE DESK, GOOBER.
39
00:01:50,678 --> 00:01:52,746
WONDER WHAT THEY
WANT WITH ANDY.
40
00:01:52,780 --> 00:01:54,315
WHO'S THAT?
41
00:01:54,348 --> 00:01:57,551
"BELMONT PICTURES STUDIO,
HOLLYWOOD, CALIFORNIA."
42
00:01:57,585 --> 00:01:59,620
WHAT ARE THEY WRITING HIM FOR?
43
00:01:59,653 --> 00:02:01,189
I HAVE NO IDEA
44
00:02:01,222 --> 00:02:03,591
AND, FRANKLY, GOOBER,
THAT IS NONE OF OUR BEESWAX.
45
00:02:05,593 --> 00:02:07,228
WHAT ARE YOU SMELLING IT FOR?
46
00:02:07,261 --> 00:02:09,563
THERE'S NO SCENT TO IT;
IT'S A BUSINESS LETTER.
47
00:02:09,597 --> 00:02:10,598
IT LOOKS IMPORTANT.
48
00:02:10,631 --> 00:02:11,832
WHEN'S HE COMING BACK?
49
00:02:11,865 --> 00:02:13,367
NO IDEA.
50
00:02:13,401 --> 00:02:15,369
KNOW WHAT MY GRANDMA
USED TO DO WITH LETTERS?
51
00:02:15,403 --> 00:02:17,238
STEAMED THEM OPEN
WITH A TEA KETTLE.
52
00:02:17,271 --> 00:02:18,506
BOY, SHE WAS SLICK.
53
00:02:18,539 --> 00:02:20,241
COULDN'T EVEN TELL
SHE'D DONE IT.
54
00:02:20,274 --> 00:02:21,742
WELL, THAT'S AN OLD TRICK.
55
00:02:21,775 --> 00:02:23,644
YOU KNOW WHAT YOUR SHARPIES DO
56
00:02:23,677 --> 00:02:27,181
WHEN THEY WANT TO SEE WHAT'S
INSIDE A LETTER, DON'T YOU?
57
00:02:27,215 --> 00:02:28,382
NO.
HUH?
58
00:02:28,416 --> 00:02:29,383
NO.
HUH?
59
00:02:29,417 --> 00:02:30,851
I'M GOING TO SHOW YOU.
60
00:02:30,884 --> 00:02:33,387
I'M GONNA GIVE YOU WHAT WE CALL
A VISUAL DEMONSTRATION.
61
00:02:33,421 --> 00:02:35,523
NOW, YOUR SHARPIES
HOLD IT UP TO THE LIGHT
62
00:02:35,556 --> 00:02:37,358
SO THEY CAN READ
RIGHT THROUGH IT.
63
00:02:37,391 --> 00:02:38,926
THIS IS VERY
ILLEGAL, GOOBER.
64
00:02:38,959 --> 00:02:40,728
THEY HOLD IT UP
THERE LIKE THIS.
65
00:02:40,761 --> 00:02:41,962
DO YOU SEE ANYTHING?
66
00:02:41,995 --> 00:02:43,431
Warren:
NOT YET.
67
00:02:43,464 --> 00:02:45,699
Goober:
SWITCH HER AROUND
A LITTLE BIT.
68
00:02:45,733 --> 00:02:46,767
OH, YEAH.
69
00:02:46,800 --> 00:02:48,369
SOMETHING'S
COMING THROUGH.
70
00:02:48,402 --> 00:02:49,637
WELL, WHAT IS IT?
71
00:02:49,670 --> 00:02:51,239
I CAN'T MAKE
IT OUT YET.
72
00:02:51,272 --> 00:02:52,506
MAYBE I CAN HELP.
73
00:02:52,540 --> 00:02:53,541
OH, HI, ANDY.
74
00:02:53,574 --> 00:02:55,409
I WAS JUST
SHOWING GOOBER HERE
75
00:02:55,443 --> 00:02:58,412
THE WAY THE SHARPIES LOOK
IN OTHER PEOPLE'S MAIL.
76
00:02:58,446 --> 00:03:00,681
TERRIBLE PRACTICE--
VERY COMMON, TOO.
77
00:03:00,714 --> 00:03:01,882
SO I SEE.
78
00:03:01,915 --> 00:03:04,285
WELL, THAT'S THE WAY
IT'S DONE, GOOBER.
79
00:03:04,318 --> 00:03:05,553
IT'S AGAINST THE LAW.
YOU MIGHT PASS THE INFORMATION.
80
00:03:05,586 --> 00:03:06,954
HOW ARE THINGS, ANDY?
81
00:03:06,987 --> 00:03:08,356
FINE.
82
00:03:08,389 --> 00:03:10,424
ANY PARTICULAR
LETTER YOU
WERE USING?
83
00:03:10,458 --> 00:03:12,393
UH, NO, I DIDN'T
EVEN NOTICE, ANDY.
84
00:03:12,426 --> 00:03:13,661
YOU DID, TOO.
85
00:03:13,694 --> 00:03:15,696
IT WAS THE ONE
FROM BELMONT
FILM STUDIOS,
86
00:03:15,729 --> 00:03:16,964
HOLLYWOOD,
CALIFORNIA.
87
00:03:22,403 --> 00:03:24,638
YOU GUYS WANNA FIND
SOMETHING TO DO?
88
00:03:24,672 --> 00:03:27,375
UH, YOU WANNA FIND SOMETHING
TO DO, GOOBER?
89
00:03:32,746 --> 00:03:33,847
HMPH.
90
00:03:35,883 --> 00:03:38,919
WELL, I'LL
BE DOGGED.
91
00:03:38,952 --> 00:03:41,889
WELL, I'LL BE DOGGED.
92
00:03:43,924 --> 00:03:46,360
THAT'S A CHECK
FOR $1 MILLION.
93
00:03:46,394 --> 00:03:47,628
$1 MILLION?
94
00:03:47,661 --> 00:03:48,996
IT'S $1,000.
95
00:03:49,029 --> 00:03:50,464
WITH ALL
THEM ZEROS?
96
00:03:50,498 --> 00:03:51,732
WELL, I'LL BE DOGGED.
97
00:03:51,765 --> 00:03:53,033
WHAT'S IT FOR, ANDY?
98
00:03:53,066 --> 00:03:55,603
SOMETIME BACK, THERE WAS
A PIECE WRITTEN ON ME
99
00:03:55,636 --> 00:03:57,871
IN A MAGAZINE CALLED
"SHERIFF WITHOUT A GUN"
100
00:03:57,905 --> 00:03:59,607
AND THIS BELMONT
PICTURE COMPANY
101
00:03:59,640 --> 00:04:01,442
IS GOING TO MAKE
A MOVIE OUT OF IT
102
00:04:01,475 --> 00:04:03,744
AND THEY'RE SENDING ME
$1,000 FOR THE RIGHTS.
103
00:04:03,777 --> 00:04:05,479
OOH, A PICTURE
ABOUT YOUR LIFE!
104
00:04:05,513 --> 00:04:07,281
THAT'S REALLY SOMETHING,
ISN'T IT?
105
00:04:07,315 --> 00:04:09,350
WHAT ARE YOU GOING
TO DO WITH THE MONEY?
106
00:04:09,383 --> 00:04:10,384
I DON'T KNOW.
107
00:04:10,418 --> 00:04:11,752
WANT YOUR
CAR GREASED?
108
00:04:11,785 --> 00:04:13,287
NO, THANK YOU.
109
00:04:13,321 --> 00:04:15,723
GOOBER, DON'T SAY ANYTHING
TO ANYBODY ABOUT THIS.
110
00:04:15,756 --> 00:04:16,857
GOTCHA.
111
00:04:16,890 --> 00:04:18,058
OKAY.
112
00:04:18,091 --> 00:04:20,361
I'M GOING TO GO HOME
AND TELL THE FAMILY.
113
00:04:20,394 --> 00:04:22,496
THEY'LL GET A BIG KICK
OUT OF IT, ANDY.
114
00:04:22,530 --> 00:04:23,631
YEAH.
115
00:04:23,664 --> 00:04:26,033
DON'T SPEND IT ALL
IN ONE PLACE!
116
00:04:26,066 --> 00:04:28,569
A CHECK FOR $1,000.
117
00:04:30,604 --> 00:04:32,306
PA, DOES THIS
MAKE US RICH?
118
00:04:32,340 --> 00:04:33,774
OH, NO, NOT RICH.
119
00:04:33,807 --> 00:04:36,377
BUT WE'RE CERTAINLY
BETTER OFF THAN
WE WERE BEFORE.
120
00:04:36,410 --> 00:04:37,945
OH, MY GOODNESS
SAKES ALIVE.
121
00:04:37,978 --> 00:04:39,613
MY, THOSE MOVIE COMPANIES
122
00:04:39,647 --> 00:04:41,682
MUST HAVE A LOT
OF MONEY TO SPEND.
123
00:04:41,715 --> 00:04:42,950
$1,000.
124
00:04:42,983 --> 00:04:44,518
I GUESS THEY'RE
NOT CHINTZY.
125
00:04:44,552 --> 00:04:46,420
ARE YOU GONNA
BE FAMOUS, PA?
126
00:04:46,454 --> 00:04:47,788
OH, NO, NO.
127
00:04:47,821 --> 00:04:50,057
THEY SENT THIS
'CAUSE THEY'RE
GONNA USE MY NAME
128
00:04:50,090 --> 00:04:52,092
AND THE FACT THAT
I DON'T WEAR A GUN.
129
00:04:52,125 --> 00:04:53,561
I'M GONNA CALL CLARA...
130
00:04:53,594 --> 00:04:54,628
I WISH
YOU WOULDN'T.
131
00:04:54,662 --> 00:04:56,397
WHAT'S THE FUN
OF HAVING MONEY
132
00:04:56,430 --> 00:04:58,532
IF YOU DON'T TELL
YOUR FRIENDS ABOUT IT?
133
00:04:58,566 --> 00:05:00,734
LET'S JUST KIND OF
KEEP IT TO OURSELVES.
134
00:05:00,768 --> 00:05:02,102
WELL, AS YOU SAY.
135
00:05:02,135 --> 00:05:03,437
OKAY.
136
00:05:03,471 --> 00:05:05,072
CAN I ASK YOU
A QUESTION, PA?
137
00:05:05,105 --> 00:05:07,541
WHAT ARE YOU GONNA
BUY WITH THE MONEY?
138
00:05:07,575 --> 00:05:10,378
WELL, I'D FIGURE WE PUT THIS
RIGHT IN THE BANK.
139
00:05:10,411 --> 00:05:11,479
AW, GEE.
140
00:05:11,512 --> 00:05:13,347
WELL, YOU KNOW
WHAT THEY SAY--
141
00:05:13,381 --> 00:05:15,416
A DOLLAR SAVED
IS A DOLLAR EARNED.
142
00:05:15,449 --> 00:05:17,585
OH, ANDY,
YOU SHOULD SPEND SOME OF IT.
143
00:05:17,618 --> 00:05:19,753
WELL, WHY?
WE DON'T NEED ANYTHING.
144
00:05:19,787 --> 00:05:22,022
WHAT'S THE FUN
OF BUYING THINGS YOU NEED?
145
00:05:22,055 --> 00:05:22,990
WHAT?
146
00:05:23,023 --> 00:05:24,124
NO.
147
00:05:24,157 --> 00:05:26,660
BUY SOMETHING
ABSOLUTELY UNNECESSARY
148
00:05:26,694 --> 00:05:28,996
AND THEN IT'S A...
WHAT DO THEY SAY?
149
00:05:29,029 --> 00:05:30,364
A BLAST!
150
00:05:30,398 --> 00:05:31,865
OH, NO.
151
00:05:31,899 --> 00:05:33,434
NO, NO.
152
00:05:33,467 --> 00:05:36,537
I THINK WE OUGHT TO PUT THIS
RIGHT IN THE BANK.
153
00:05:36,570 --> 00:05:38,506
THAT WAY WE KNOW WHERE IT IS.
154
00:05:38,539 --> 00:05:40,040
YEAH.
155
00:05:40,073 --> 00:05:43,110
'COURSE, I GUESS
WE OUGHT TO CELEBRATE.
156
00:05:43,143 --> 00:05:46,380
WHY DON'T WE HAVE HELEN
OVER TO SUPPER?
157
00:05:46,414 --> 00:05:47,648
FINE.
158
00:05:47,681 --> 00:05:49,917
COULD WE HAVE
CHOCOLATE ICE
CREAM, PA?
159
00:05:49,950 --> 00:05:51,419
SURE.
160
00:05:51,452 --> 00:05:54,054
AND LET'S START OFF
WITH A CRABMEAT COCKTAIL.
161
00:05:54,087 --> 00:05:56,490
AT LEAST LET'S DO
SOMETHING CRAZY.
162
00:05:56,524 --> 00:05:59,026
OHH...
163
00:05:59,059 --> 00:06:00,494
LOOK AT THAT.
164
00:06:00,528 --> 00:06:02,730
1-0-0-0.
165
00:06:02,763 --> 00:06:04,698
WHEW!
166
00:06:14,742 --> 00:06:15,676
WHAT'S HAPPENIN'?
167
00:06:15,709 --> 00:06:18,779
THEY WANNA SEE THE CHECK.
168
00:06:18,812 --> 00:06:19,780
GOOBER...
169
00:06:19,813 --> 00:06:21,148
ANDY, IT AIN'T MY FAULT.
170
00:06:21,181 --> 00:06:23,684
YOU TOLD ME NOT TO SPREAD
IT AROUND, AND I DIDN'T.
171
00:06:23,717 --> 00:06:25,819
I JUST TOLD FLOYD,
MR. SLUMMER AND GEORGE
172
00:06:25,853 --> 00:06:26,920
OVER AT THE TV STORE
173
00:06:26,954 --> 00:06:28,822
AND I WARNED THEM
IT WAS A SECRET
174
00:06:28,856 --> 00:06:31,058
BUT SOME PEOPLE
ARE JUST BLABBERMOUTHS.
175
00:06:31,091 --> 00:06:32,192
I SEE.
176
00:06:32,225 --> 00:06:33,794
CAN WE SEE IT, ANDY?
177
00:06:33,827 --> 00:06:35,062
All:
YEAH!
178
00:06:35,095 --> 00:06:36,664
WELL, ALL RIGHT.
179
00:06:36,697 --> 00:06:37,998
WELL...
180
00:06:38,031 --> 00:06:39,467
All:
OH!
181
00:06:39,500 --> 00:06:40,734
LET ME SEE.
182
00:06:40,768 --> 00:06:42,670
DON'T TOUCH IT.
183
00:06:42,703 --> 00:06:43,904
NOW, BOYS,
184
00:06:43,937 --> 00:06:46,073
THEM ZEROS IS THE KEY
TO THE WHOLE THING.
185
00:06:46,106 --> 00:06:49,076
AND THIS CAME ALL THE WAY
FROM HOLLYWOOD, DIDN'T IT?
186
00:06:49,109 --> 00:06:50,210
THAT'S RIGHT.
187
00:06:50,243 --> 00:06:51,745
OH, THAT'S AMAZING.
188
00:06:51,779 --> 00:06:54,448
AND I SUPPOSE THAT'S
THE PRESIDENT OF THE COMPANY
189
00:06:54,482 --> 00:06:55,816
THAT SIGNED IT RIGHT HERE.
190
00:06:55,849 --> 00:06:57,084
I SUPPOSE.
191
00:06:57,117 --> 00:06:58,218
UH-HUH. YEAH.
192
00:06:58,251 --> 00:06:59,687
ART SPIEGEL.
193
00:06:59,720 --> 00:07:02,022
IT'S TOO BAD YOU CAN'T
SAVE THAT SIGNATURE.
194
00:07:02,055 --> 00:07:04,057
IT MIGHT BE WORTH
SOMETHING SOMEDAY.
195
00:07:04,091 --> 00:07:05,593
YEAH, IT MIGHT.
196
00:07:05,626 --> 00:07:06,760
UH, GOOBER...
197
00:07:06,794 --> 00:07:08,095
OH. THAT'S RIGHT, BOYS.
198
00:07:08,128 --> 00:07:09,830
NOW, YOU'VE SEEN
THE CHECK.
199
00:07:09,863 --> 00:07:10,964
SO EVERYBODY OUT.
200
00:07:10,998 --> 00:07:12,566
I'LL SEE YOU, BOYS.
201
00:07:12,600 --> 00:07:13,867
THANKS FOR COMING.
202
00:07:13,901 --> 00:07:16,470
ME AND THE SHERIFF
SHOWED YOU THE CHECK.
203
00:07:16,504 --> 00:07:17,771
EVERYBODY OUT.
204
00:07:24,645 --> 00:07:25,913
PEOPLE JUST
GOT TO KNOW
205
00:07:25,946 --> 00:07:27,581
EVERYBODY
ELSE'S BUSINESS.
206
00:07:27,615 --> 00:07:28,916
WHAT ARE YOU
GOING TO DO
207
00:07:28,949 --> 00:07:30,183
WITH THE
CHECK, ANDY?
208
00:07:30,217 --> 00:07:31,785
I DON'T KNOW, GOOBER.
209
00:07:31,819 --> 00:07:33,821
I GOT A '58 CONVERTIBLE
AT THE STATION
210
00:07:33,854 --> 00:07:36,790
PERFECT SHAPE, JUST LIKE
IT'S OFF THE ASSEMBLY LINE.
211
00:07:36,824 --> 00:07:38,926
$600-- THAT'LL LEAVE
$400 FOR REPAIRS.
212
00:07:38,959 --> 00:07:39,760
NO, GOOBER.
213
00:07:39,793 --> 00:07:41,028
HE DON'T NEED IT.
214
00:07:41,061 --> 00:07:42,696
HE'S GOT THE SQUAD CAR.
215
00:07:42,730 --> 00:07:44,898
A MAN DOESN'T WANT
TO THROW HIS MONEY AWAY.
216
00:07:44,932 --> 00:07:45,933
RIGHT, ANDY?
217
00:07:45,966 --> 00:07:47,167
RIGHT, FLOYD.
218
00:07:47,200 --> 00:07:49,570
I JUST THOUGHT IT'D
BE A NICE CAR FOR YOU.
219
00:07:49,603 --> 00:07:50,971
I DIDN'T MEAN
NOTHING BY IT.
220
00:07:51,004 --> 00:07:52,205
THAT'S OKAY, GOOBER.
221
00:07:52,239 --> 00:07:54,742
WELL, I'LL SEE YOU.
222
00:07:54,775 --> 00:07:56,610
RIGHT.
223
00:08:03,751 --> 00:08:06,186
SAY, ANDY, WHILE
I'VE GOT YOU HERE...
224
00:08:06,219 --> 00:08:08,822
YOU KNOW THOSE TWO
ACRES THAT I'VE GOT
225
00:08:08,856 --> 00:08:10,290
OVER ON THE
NORTH SIDE?
226
00:08:10,323 --> 00:08:11,625
YES, FLOYD.
227
00:08:11,659 --> 00:08:13,727
WELL, IT'S A BEAUTIFUL SPOT.
228
00:08:13,761 --> 00:08:16,630
FILL IN THAT SWAMP,
IT'D BE A PARADISE.
229
00:08:16,664 --> 00:08:17,898
MM-HMM.
230
00:08:17,931 --> 00:08:20,233
WELL, I HAVEN'T MENTIONED THIS
TO A SOUL
231
00:08:20,267 --> 00:08:23,203
BUT I'VE BEEN THINKING
ABOUT LETTING THAT GO.
232
00:08:23,236 --> 00:08:24,137
NO, FLOYD.
233
00:08:24,171 --> 00:08:25,673
AT $200 AN ACRE.
234
00:08:25,706 --> 00:08:27,174
NO, FLOYD.
235
00:08:27,207 --> 00:08:30,611
OF COURSE, IF IT HAPPENED
TO BE A PERSONAL FRIEND OF MINE,
236
00:08:30,644 --> 00:08:32,179
OH, I'D SHAVE IT TO $150.
237
00:08:32,212 --> 00:08:33,113
NO, FLOYD.
238
00:08:33,146 --> 00:08:34,548
IF ANYBODY ELSE...
239
00:08:34,582 --> 00:08:35,983
FLOYD, I DON'T WANT IT.
240
00:08:36,016 --> 00:08:39,787
WELL, YOU DON'T HAVE
TO MAKE UP YOUR MIND NOW.
241
00:08:39,820 --> 00:08:43,724
JUST ONE OF THESE DAYS,
PUT YOUR WADING BOOTS ON
242
00:08:43,757 --> 00:08:46,560
AND GO OVER
AND HAVE A LOOK AT IT.
243
00:08:48,962 --> 00:08:50,631
BOY, I SURE
LIKE CRABMEAT.
244
00:08:50,664 --> 00:08:51,899
MMM. IT'S DELICIOUS.
245
00:08:51,932 --> 00:08:54,334
COULD WE HAVE THIS
EVERY NIGHT FOR SUPPER?
246
00:08:54,367 --> 00:08:57,204
WELL, THIS IS KIND OF
A SPECIAL OCCASION, OPE.
247
00:08:57,237 --> 00:09:00,641
BUT WE'LL HAVE IT
AGAIN SOMETIME,
WON'T WE, AUNT BEE?
248
00:09:00,674 --> 00:09:02,075
ANYTIME YOU SAY, ANDY.
249
00:09:02,109 --> 00:09:03,543
I JUST LOVE IT.
250
00:09:05,245 --> 00:09:07,715
OH, THIS HAS BEEN QUITE A DAY.
251
00:09:07,748 --> 00:09:09,082
OH, EXCITING.
252
00:09:09,116 --> 00:09:10,618
WHAT ARE YOU GONNA DO
253
00:09:10,651 --> 00:09:11,852
WITH THE MONEY?
254
00:09:11,885 --> 00:09:12,853
PUT IT IN THE BANK.
255
00:09:12,886 --> 00:09:14,888
PUT IT IN THE BANK?
256
00:09:14,922 --> 00:09:16,123
WHAT'S WRONG WITH THAT?
257
00:09:16,156 --> 00:09:19,092
WELL, WHY DON'T YOU HAVE
SOME FUN WITH IT?
258
00:09:19,126 --> 00:09:21,194
SPLURGE. DO SOMETHING CRAZY.
259
00:09:21,228 --> 00:09:22,830
WE HAD CRABMEAT TONIGHT.
260
00:09:22,863 --> 00:09:25,365
AND THAT'S ABOUT AS CRAZY
AS WE'LL GO.
261
00:09:25,398 --> 00:09:28,035
WELL, WHY DON'T YOU
LIVE IT UP A LITTLE?
262
00:09:28,068 --> 00:09:29,837
YEAH, PA, LET'S LIVE IT UP.
263
00:09:29,870 --> 00:09:31,772
WHAT ARE YOU TALKING ABOUT?
264
00:09:31,805 --> 00:09:35,208
WELL, WHEN WAS THE LAST TIME
YOU PEOPLE TOOK A TRIP?
265
00:09:35,242 --> 00:09:36,844
WELL, WE TAKE TRIPS.
266
00:09:36,877 --> 00:09:39,880
WE GO UP TO RALEIGH
EVERY NOW AND THEN.
267
00:09:39,913 --> 00:09:43,951
AND-AND WE DROVE UP TO ASHEVILLE
THAT TIME, 'MEMBER?
268
00:09:43,984 --> 00:09:46,687
WHEN YOUR COUSIN BECAME A MASON.
269
00:09:46,720 --> 00:09:47,955
CAN WE TAKE A TRIP, PA?
270
00:09:47,988 --> 00:09:49,222
CAN WE, AUNT BEE?
271
00:09:49,256 --> 00:09:51,725
WELL, IT'S ENTIRELY UP
TO YOUR FATHER, DEAR.
272
00:09:51,759 --> 00:09:54,862
WELL, I SUPPOSE WE COULD TAKE
A LITTLE OF THE MONEY
273
00:09:54,895 --> 00:09:56,196
AND TAKE A LITTLE TRIP.
274
00:09:56,229 --> 00:09:58,331
WANNA GO OVER
TO PARKINSON'S FALLS?
275
00:09:58,365 --> 00:10:00,133
IT'S NICE THIS TIME OF YEAR.
276
00:10:00,167 --> 00:10:03,103
AND OPIE HASN'T BEEN THERE
SINCE HE WAS A BABY.
277
00:10:03,136 --> 00:10:05,205
MM-HMM.
278
00:10:05,238 --> 00:10:08,008
WELL, YOU WANNA DRIVE UP
TO ASHEVILLE AGAIN,
279
00:10:08,041 --> 00:10:09,409
SEE COUSIN EDVIN MOORE?
280
00:10:09,442 --> 00:10:11,178
HE'S A GRAND MASTER NOW.
281
00:10:11,211 --> 00:10:13,413
WELL...
282
00:10:13,446 --> 00:10:15,115
WELL, DO YOU HAVE ANY IDEAS?
283
00:10:15,148 --> 00:10:18,118
WELL, LET ME THINK. UM...
284
00:10:18,151 --> 00:10:21,254
HOW ABOUT HOLLYWOOD, CALIFORNIA?
285
00:10:21,288 --> 00:10:22,923
HOLLYWOOD, CALIFORNIA?!
286
00:10:22,956 --> 00:10:24,324
THAT'S A WONDERFUL IDEA.
287
00:10:24,357 --> 00:10:26,994
WELL, THEY'RE MAKING
THAT MOVIE ABOUT YOU OUT THERE.
288
00:10:27,027 --> 00:10:28,729
WHY DON'T YOU GO TAKE A LOOK
AT THE PLACE?
289
00:10:28,762 --> 00:10:30,330
AND WE CAN SEE
ALL THE MOVIE STARS
290
00:10:30,363 --> 00:10:32,766
LIKE JOHN WAYNE,
ELVIS PRESLEY AND FABIAN.
291
00:10:32,800 --> 00:10:34,134
WAIT. WAIT. WAIT A MINUTE.
292
00:10:34,167 --> 00:10:35,402
WAIT. WAIT A MINUTE.
293
00:10:35,435 --> 00:10:36,770
HOLLYWOOD, CALIFORNIA.
294
00:10:36,804 --> 00:10:38,205
WOULDN'T THAT BE THRILLING?
295
00:10:38,238 --> 00:10:41,041
WELL, THAT'S 3,000 MILES AWAY.
296
00:10:41,074 --> 00:10:43,210
5 1/2 HOURS BY PLANE.
297
00:10:43,243 --> 00:10:45,012
AND THE MONEY.
298
00:10:45,045 --> 00:10:47,815
OH, WELL,
THAT $1,000 WAS FOUND MONEY.
299
00:10:47,848 --> 00:10:49,316
YEAH, PA, PLEASE, PLEASE?
300
00:10:49,349 --> 00:10:51,318
WAIT. WE'LL HAVE
TO THINK ABOUT THIS.
301
00:10:51,351 --> 00:10:53,320
WE'LL HAVE TO THINK
ABOUT THIS A LOT.
302
00:10:53,353 --> 00:10:54,955
YES, OF COURSE.
303
00:10:54,988 --> 00:10:57,057
I MEAN, WE JUST CAN'T GET
ON AN AIRPLANE
304
00:10:57,090 --> 00:10:59,326
AND GO TO HOLLYWOOD, CALIFORNIA.
305
00:10:59,359 --> 00:11:02,863
WHY, WE WOULDN'T KNOW WHERE
TO STAY OR WHERE OR ANYTHING.
306
00:11:04,832 --> 00:11:07,200
IT JUST OCCURRED TO ME.
307
00:11:07,234 --> 00:11:08,802
WHAT'S THAT?
308
00:11:08,836 --> 00:11:12,205
I JUST HAPPEN TO HAVE
SOME LITERATURE
309
00:11:12,239 --> 00:11:13,874
ABOUT HOLLYWOOD.
310
00:11:13,907 --> 00:11:15,142
RIGHT HERE.
311
00:11:15,175 --> 00:11:16,944
HERE'S ALL
OUR ANSWERS.
312
00:11:16,977 --> 00:11:18,045
THERE YOU ARE.
313
00:11:18,078 --> 00:11:20,347
OPIE, YOU WANT
TO LOOK AT THAT?
314
00:11:20,380 --> 00:11:22,349
LET ME SHOW
YOU SOMETHING.
315
00:11:22,382 --> 00:11:23,450
THERE YOU ARE.
316
00:11:23,483 --> 00:11:25,052
OH, THIS IS BEAUTIFUL.
317
00:11:25,085 --> 00:11:26,219
LOOK AT THIS.
318
00:11:26,253 --> 00:11:27,487
ISN'T THAT LOVELY?
319
00:11:27,520 --> 00:11:30,223
RIGHT HERE IS
WHERE WE COULD STAY.
320
00:11:30,257 --> 00:11:32,059
Helen:
OH, THAT'S MARVELOUS.
321
00:11:37,998 --> 00:11:39,900
OH, HI, AUNT BEE.
322
00:11:39,933 --> 00:11:41,401
OH, HELLO, ANDY.
323
00:11:43,837 --> 00:11:46,206
WELL, JUST BECAUSE
WE'RE GOING TO HOLLYWOOD,
324
00:11:46,239 --> 00:11:48,241
YOU DON'T HAVE TO
WEAR SUNGLASSES.
325
00:11:48,275 --> 00:11:49,743
HMM?
OH, OH.
326
00:11:49,777 --> 00:11:51,912
WELL, I FIND THEM
VERY RESTFUL.
327
00:11:51,945 --> 00:11:53,446
IN THE HOUSE?
328
00:11:53,480 --> 00:11:56,216
ANDY, DID YOU GET A CHANCE
TO LOOK AT THOSE FOLDERS?
329
00:11:56,249 --> 00:11:57,417
OH, YEAH.
330
00:11:57,450 --> 00:11:58,986
I WENT OVER THEM
PRETTY CAREFUL.
331
00:11:59,019 --> 00:12:00,954
BOY, THEY GOT SOME BEAUTIFUL
PLACES OUT THERE.
332
00:12:00,988 --> 00:12:02,355
PRICES TO MATCH.
333
00:12:02,389 --> 00:12:04,491
WE DON'T HAVE TO STAY
AT THE MOST EXPENSIVE.
334
00:12:04,524 --> 00:12:07,961
YEAH. I HOPE WE'RE NOT BITIN'
OFF MORE THAN WE CAN CHEW.
335
00:12:07,995 --> 00:12:09,496
I DON'T KNOW HOW SMART IT IS
336
00:12:09,529 --> 00:12:12,866
FOR US TO BE TAKING OPIE
OUT OF SCHOOL AND EVERYTHING.
337
00:12:12,900 --> 00:12:14,534
HELEN SAYS
HE'S DOING JUST FINE,
338
00:12:14,567 --> 00:12:16,837
AND SHE CAN OUTLINE THE WORK,
AND HE CAN KEEP UP.
339
00:12:16,870 --> 00:12:18,071
WELL, I GUESS.
340
00:12:18,105 --> 00:12:20,373
LEAVING WARREN
IN CHARGE OF THE OFFICE.
341
00:12:20,407 --> 00:12:23,777
WELL, HE SEEMS LIKE
A VERY CAPABLE YOUNG MAN.
342
00:12:23,811 --> 00:12:27,214
A MAN JUST OUT OF SHERIFF'S
ACADEMY, HE'S INEXPERIENCED.
343
00:12:27,247 --> 00:12:28,949
OH, BUT HE'S SO ANXIOUS
TO MAKE GOOD,
344
00:12:28,982 --> 00:12:30,884
AND, YOU KNOW,
THAT CAN BE VERY IMPORTANT.
345
00:12:30,918 --> 00:12:32,452
WELL, YEAH,
HE TRIES HARD.
346
00:12:32,485 --> 00:12:34,855
AND IF THERE'S ANYTHING
HE'S UNFAMILIAR WITH,
347
00:12:34,888 --> 00:12:37,190
HE HAS FLOYD AND GOOBER
RIGHT THERE TO HELP HIM.
348
00:12:37,224 --> 00:12:38,558
THANKS.
349
00:12:38,591 --> 00:12:40,393
OH, STOP WORRYING, ANDY.
350
00:12:40,427 --> 00:12:42,295
IT'LL WORK OUT JUST FINE.
351
00:12:42,329 --> 00:12:45,098
WELL, AND GETTING READY
FOR THE TRIP AND EVERYTHING.
352
00:12:45,132 --> 00:12:46,800
I JUST DON'T KNOW.
353
00:12:46,834 --> 00:12:48,869
I DON'T UNDERSTAND WHY YOU
MAKE SO MUCH OUT OF IT.
354
00:12:48,902 --> 00:12:51,872
ALL YOU DO IS THROW A FEW THINGS
IN A BAG, AND OFF WE GO.
355
00:12:51,905 --> 00:12:53,073
IT'S AS SIMPLE AS THAT.
356
00:12:53,106 --> 00:12:54,341
WELL, I HOPE SO.
357
00:12:54,374 --> 00:12:55,575
AND THE MINUTE
YOU GET ON THAT PLANE,
358
00:12:55,608 --> 00:12:57,177
YOU'LL BE ABLE TO RELAX.
YEAH.
359
00:12:57,210 --> 00:12:59,379
NOW, LET'S SEE.
WHAT DO I HAVE TO DO?
360
00:12:59,412 --> 00:13:01,214
STOP THE MILK
AND THE NEWSPAPERS.
361
00:13:01,248 --> 00:13:04,284
I THINK YOU BETTER STOP
AND GET A FEW MORE WHITE SHIRTS.
YEAH.
362
00:13:04,317 --> 00:13:07,187
AND YOU'LL GET THE PLANE TICKETS
AND THE FILM FOR THE CAMERA?
363
00:13:07,220 --> 00:13:09,022
YES, MA'AM.
MM-HMM.
364
00:13:09,056 --> 00:13:11,124
AND ASK JASON TO SEW BACK
THE HANDLE ON THE BROWN VALISE.
365
00:13:11,158 --> 00:13:13,827
AND JUDD -- JUDD BETTER WATER
THE LAWN WHILE WE'RE GONE.
366
00:13:15,963 --> 00:13:18,365
YOU'VE SEEN 'EM;
NOW LET ME HAVE 'EM.
367
00:13:18,398 --> 00:13:19,532
WHAT'S GOING ON?
368
00:13:19,566 --> 00:13:21,234
HEY, ANDY.
369
00:13:21,268 --> 00:13:23,971
THEY WANTED TO SEE
YOUR HOLLYWOOD TRAVEL FOLDERS.
370
00:13:25,372 --> 00:13:27,107
WELL...
371
00:13:30,143 --> 00:13:32,412
UH, MOST OF US FEEL
YOU OUGHT TO STAY
372
00:13:32,445 --> 00:13:34,047
AT THE STAR BRIGHT HOTEL.
373
00:13:36,016 --> 00:13:37,317
THEY GOT TV
IN EVERY ROOM
374
00:13:37,350 --> 00:13:39,319
AND YOU GET
THE MORNING NEWSPAPER FREE
375
00:13:39,352 --> 00:13:41,254
FROM THE COURTESY
OF THE MANAGEMENT.
376
00:13:41,288 --> 00:13:43,523
AND COMPLIMENTARY
SHOESHINE RAG...
377
00:13:43,556 --> 00:13:45,292
AND SHOWER CAP.
378
00:13:45,325 --> 00:13:48,128
WELL, WE'LL TAKE ALL OF THAT
INTO CONSIDERATION.
379
00:13:48,161 --> 00:13:49,930
NOW, BOYS, IF YOU'LL EXCUSE ME
380
00:13:49,963 --> 00:13:51,231
I GOT A LOT
OF WORK TO DO.
381
00:13:51,264 --> 00:13:53,566
THAT'S RIGHT.
COME ON, EVERYBODY OUT.
382
00:13:53,600 --> 00:13:55,502
EVERYBODY OUT.
383
00:13:58,972 --> 00:14:00,440
THEY'VE GOT
TO HAVE
384
00:14:00,473 --> 00:14:02,609
THEIR NOSE
IN EVERYTHING.
385
00:14:02,642 --> 00:14:04,111
YEAH.
386
00:14:04,144 --> 00:14:05,612
THEY SURE
GOT SOME
GREAT PLACES
387
00:14:05,645 --> 00:14:07,080
OUT THERE,
THOUGH.
388
00:14:07,114 --> 00:14:09,249
SAY, HERE'S ANOTHER
NICE PLACE OUT THERE.
389
00:14:09,282 --> 00:14:11,584
OOH. "DELIGHTFUL
GOURMET CUISINE
390
00:14:11,618 --> 00:14:13,353
"IN THE ZOMBIE ROOM
391
00:14:13,386 --> 00:14:15,388
AND LUXURIOUS
ORTHOPEDIC MATTRESSES."
392
00:14:15,422 --> 00:14:17,124
ORTHOPEDIC MATTRESSES...
393
00:14:17,157 --> 00:14:18,892
"AT NIGHT
394
00:14:18,926 --> 00:14:22,229
"SWAY TO THE MARACA RHYTHMS
OF JOSE GONZALEZ
395
00:14:22,262 --> 00:14:25,632
"WHILE THE WIND
WHISTLES SEDUCTIVELY
396
00:14:25,665 --> 00:14:27,667
"THROUGH THE COCOA PALM.
397
00:14:27,700 --> 00:14:32,139
COME TO LIFE UNDER THE
STAR-STUDDED CALIFORNIA SKY."
398
00:14:32,172 --> 00:14:34,474
THAT SOUNDS LIKE A GOOD ONE;
WHICH ONE IS THAT?
399
00:14:34,507 --> 00:14:36,676
UH...UH...
400
00:14:36,709 --> 00:14:39,246
SENIOR CITIZEN'S LODGE.
401
00:14:39,279 --> 00:14:41,181
ON ROUTE 66.
402
00:14:41,214 --> 00:14:42,415
OH.
403
00:14:43,951 --> 00:14:45,618
LISTEN, GUYS,
IF YOU'LL EXCUSE ME
404
00:14:45,652 --> 00:14:47,254
I GOT A LOT OF WORK TO DO.
405
00:14:47,287 --> 00:14:48,555
THAT'S ALL RIGHT, ANDY.
406
00:14:48,588 --> 00:14:50,157
YOU WON'T BOTHER US NONE.
407
00:14:55,628 --> 00:14:57,097
HI, UNCLE FLOYD.
408
00:14:57,130 --> 00:14:58,398
OH, WARREN.
409
00:14:58,431 --> 00:14:59,632
KEEPING BUSY?
410
00:14:59,666 --> 00:15:01,668
OH, SURE. THERE'S LOTS
TO DO IN THIS TOWN.
411
00:15:01,701 --> 00:15:03,636
YOU MIGHT GET EVEN BUSIER.
412
00:15:03,670 --> 00:15:06,373
THE SHERIFF'S GOING TO HOLLYWOOD
ON A VACATION.
413
00:15:06,406 --> 00:15:08,008
HOLLYWOOD?
414
00:15:09,676 --> 00:15:12,445
GUESS THAT MEANS YOU'LL BE
IN CHARGE OF THE OFFICE.
415
00:15:12,479 --> 00:15:14,281
I GUESS IT DOES.
416
00:15:14,314 --> 00:15:15,715
THINK YOU CAN
HANDLE IT, BOY?
417
00:15:15,748 --> 00:15:17,284
ARE YOU KIDDING ME?
418
00:15:17,317 --> 00:15:18,351
DON'T KID ME.
419
00:15:18,385 --> 00:15:20,220
THAT'S WHAT
I WAS TRAINED FOR.
420
00:15:20,253 --> 00:15:21,588
OH, THAT'S
THE SPIRIT.
421
00:15:21,621 --> 00:15:23,223
YOU'RE A LAWSON,
ALL RIGHT.
422
00:15:23,256 --> 00:15:25,158
WHEN DUTY CALLS,
WE'RE ALWAYS READY.
423
00:15:25,192 --> 00:15:26,493
I'D BETTER GET INSIDE.
424
00:15:26,526 --> 00:15:28,195
I'LL SEE YOU LATER,
UNCLE FLOYD.
425
00:15:31,431 --> 00:15:33,033
PROUD OF YOU, BOY!
426
00:15:33,066 --> 00:15:35,435
ANDY, JUST HEARD ABOUT IT.
427
00:15:35,468 --> 00:15:36,703
HOLLYWOOD, HUH?
428
00:15:36,736 --> 00:15:39,206
OH, THAT'S THE GARDEN SPOT
OF THE WORLD.
429
00:15:39,239 --> 00:15:41,074
YOU CAN TAKE MY
WORD ON THAT.
430
00:15:41,108 --> 00:15:42,575
OH, GOOD.
YOU BEEN OUT THERE?
431
00:15:42,609 --> 00:15:44,311
NO, BUT I HAD A
BROTHER-IN-LAW
432
00:15:44,344 --> 00:15:46,079
THAT WAS STATIONED
OUT THERE.
433
00:15:46,113 --> 00:15:48,415
THE THINGS HE USED TO TELL ME
THAT WENT ON OUT THERE.
434
00:15:48,448 --> 00:15:50,717
THAT WAS BEFORE HE WAS MARRIED
TO MY SISTER.
435
00:15:50,750 --> 00:15:53,186
WASN'T MARRIED
TO YOUR SISTER. GO ON.
436
00:15:53,220 --> 00:15:55,522
WELL, THERE'S...
WARREN?
WARREN, LISTEN.
437
00:15:55,555 --> 00:15:57,590
I WANT YOU TO TAKE
OVER WHILE I'M GONE.
438
00:15:57,624 --> 00:15:59,059
THERE ARE A FEW THINGS
439
00:15:59,092 --> 00:16:01,061
I'M GOING TO HAVE TO
GO OVER WITH YOU.
440
00:16:01,094 --> 00:16:03,096
YOU DON'T HAVE TO WORRY
ABOUT ANYTHING.
441
00:16:03,130 --> 00:16:04,564
THE WAY I'LL HANDLE THINGS
442
00:16:04,597 --> 00:16:07,534
THEY'LL NEVER EVEN KNOW
YOU'RE GONE, BUSINESS AS USUAL.
443
00:16:07,567 --> 00:16:08,601
TO START WITH...
444
00:16:08,635 --> 00:16:10,403
Goober:
GO ON.
445
00:16:10,437 --> 00:16:12,472
HE WAS A GOOD-LOOKING GUY
IN THOSE DAYS.
446
00:16:12,505 --> 00:16:14,341
SIX-FOOT-TWO,
SHOULDERS OUT TO HERE
447
00:16:14,374 --> 00:16:15,708
NO WAIST, BLACK, WAVY HAIR.
448
00:16:15,742 --> 00:16:17,344
WHEN HE WALKED
DOWN THE STREET
449
00:16:17,377 --> 00:16:19,246
THE GIRLS WOULD CRAWL
ALL OVER HIM.
450
00:16:19,279 --> 00:16:21,214
THEY WERE
ALL OV HIM.
WARREN?
451
00:16:21,248 --> 00:16:23,016
HOLD IT, ANDY;
GO ON, WARREN.
452
00:16:23,050 --> 00:16:26,086
THE THINGS THAT HAPPENED TO HIM
ARE THINGS WE JUST DREAM ABOUT.
453
00:16:26,119 --> 00:16:27,354
YOU KNOW WHAT I MEAN?
454
00:16:27,387 --> 00:16:28,588
YEAH. WHAT DO
YOU MEAN?
455
00:16:28,621 --> 00:16:30,757
NOW DON'T GET ME WRONG;
HE'S SETTLED DOWN.
456
00:16:30,790 --> 00:16:32,759
HE'S LIVING WITH MY SISTER
IN MOLINE.
457
00:16:32,792 --> 00:16:35,128
THEY HAVE FOUR KIDS,
THREE-BEDROOM HOUSE.
458
00:16:35,162 --> 00:16:36,529
HE'S A MEMBER OF THE LIONS,
SOLID AS A ROCK.
459
00:16:36,563 --> 00:16:39,132
HE'S PUT ON 20, 30 POUNDS,
LOST ALL HIS HAIR.
460
00:16:39,166 --> 00:16:41,168
BUT YOU KNOW
WHAT HE TOLD ME?
461
00:16:41,201 --> 00:16:45,038
WARREN, I'VE GOT TO TALK TO YOU
ABOUT THINGS YOU'VE GOT TO DO.
462
00:16:45,072 --> 00:16:46,573
SURE, ANDY.
SHOOT.
463
00:16:46,606 --> 00:16:49,776
WELL...THE AFTERNOON PATROL,
WARREN.
464
00:16:49,809 --> 00:16:52,579
I KNOW. COVER THE WHOLE NORTH
SECTION IN THE SQUAD CAR.
465
00:16:52,612 --> 00:16:54,314
RIGHT.
466
00:16:54,347 --> 00:16:55,415
THEY WERE CRAWLING
ALL OVER HIM.
467
00:16:55,448 --> 00:16:57,117
THEY WERE ALL OVER HIM.
468
00:16:57,150 --> 00:16:59,119
YOU SEE, THIS ONE TIME HE WAS
TELLING ME ABOUT THIS THING
469
00:16:59,152 --> 00:17:01,454
THAT WAS HAPPENING OUT THERE
IN HOLLYWOOD, CALIFORNIA.
470
00:17:01,488 --> 00:17:03,090
HE IS SITTING
IN A RESTAURANT.
471
00:17:03,123 --> 00:17:04,657
HE'S HAVING A CUP OF COFFEE,
MINDING HIS OWN BUSINESS.
472
00:17:04,691 --> 00:17:06,526
AND THIS BEAUTIFUL DOLLY
COMES UP TO HIM.
473
00:17:06,559 --> 00:17:08,495
SHE IS BEAUTIFUL.
SHE COMES RIGHT UP TO HIM.
474
00:17:08,528 --> 00:17:11,164
SHE WAS A STAR OR A WAITRESS.
STAR OR A WAITRESS -- I FORGET.
475
00:17:11,198 --> 00:17:13,166
DOESN'T MAKE ANY DIFFERENCE
'CAUSE SHE WAS SO BEAUTIFUL.
476
00:17:13,200 --> 00:17:14,467
SO SHE SAYS TO HIM --
477
00:17:14,501 --> 00:17:17,137
WARREN, COULD I TALK TO YOU
LATER IN THE DAY?
478
00:17:17,170 --> 00:17:19,239
SURE, ANDY,
MY TIME IS YOUR TIME.
479
00:17:19,272 --> 00:17:20,573
NOW, HE'S SITTING THERE.
480
00:17:20,607 --> 00:17:22,342
HE'S WASN'T SAYING
ANYTHING TO HER.
481
00:17:22,375 --> 00:17:23,743
HE'S PLAYING IT REAL CAGEY...
482
00:17:23,776 --> 00:17:26,546
ANDY, I WAS JUST
COMING IN TO SEE YOU.
483
00:17:26,579 --> 00:17:28,081
OH, HEY, MS. LARCH.
484
00:17:28,115 --> 00:17:31,384
ANDY, SINCE YOU'RE GOING
TO BE OUT IN CALIFORNIA
485
00:17:31,418 --> 00:17:35,155
I HAVE A VERY DEAR SECOND COUSIN
WHO LIVES IN COLORADO
486
00:17:35,188 --> 00:17:37,690
AND I WAS WONDERING--
COULD YOU GIVE HER A RING
487
00:17:37,724 --> 00:17:40,093
AND TELL HER
THAT WE'RE ALL JUST FINE?
488
00:17:40,127 --> 00:17:43,530
WELL, MS. LARCH,
COLORADO'S THREE
STATES AWAY.
489
00:17:43,563 --> 00:17:46,399
WELL, YOU'RE GOING TO BE
RIGHT OUT WEST THERE.
490
00:17:46,433 --> 00:17:47,667
WELL...
491
00:17:47,700 --> 00:17:49,869
WELL, OF COURSE,
IF YOU DON'T WANT TO.
492
00:17:49,902 --> 00:17:52,805
OH, NO, MRS. LARCH.
IF-- IF I GET A CHANCE...
493
00:17:52,839 --> 00:17:55,508
OH, WELL, I WOULDN'T WANT
TO PUT YOU OUT ANY.
494
00:17:55,542 --> 00:17:57,444
JUST FORGET
I EVER MENTIONED IT.
495
00:18:02,315 --> 00:18:03,883
OPIE, HAVE YOU
GOT IT ON YET?
496
00:18:03,916 --> 00:18:05,152
Opie:
YEAH.
497
00:18:05,185 --> 00:18:06,453
WELL, COME DOWN.
498
00:18:06,486 --> 00:18:08,588
I WANT YOUR FATHER
TO SEE IT.
499
00:18:08,621 --> 00:18:09,889
Opie:
OKAY.
500
00:18:09,922 --> 00:18:12,359
I GOT HIM THE CUTEST OUTFIT
AT WEAVER'S TODAY.
501
00:18:12,392 --> 00:18:15,562
JUST WHAT LITTLE BOYS
WEAR IN HOLLYWOOD.
OH, GOOD.
502
00:18:15,595 --> 00:18:18,531
HE'S A LITTLE SHY,
SO SAY IT'S NICE.
OKAY.
503
00:18:22,269 --> 00:18:25,472
NOW, DOESN'T
HE LOOK NICE?
504
00:18:25,505 --> 00:18:28,575
WELL, YEAH,
THAT'S NICE.
505
00:18:31,378 --> 00:18:33,280
IT'S AWFUL,
ISN'T IT, PA.
506
00:18:33,313 --> 00:18:36,149
OH, NO, THAT'LL
BE REAL NICE
IN HOLLYWOOD.
507
00:18:36,183 --> 00:18:37,850
I TOLD YOU YOUR
FATHER WOULD LIKE IT
508
00:18:37,884 --> 00:18:39,686
AND I'M SO HAPPY
BECAUSE, YOU KNOW,
509
00:18:39,719 --> 00:18:41,421
THAT COMES IN
MEN'S SIZES, TOO--
510
00:18:41,454 --> 00:18:42,689
FATHER AND SON SETS--
511
00:18:42,722 --> 00:18:44,391
AND I GOT YOU
THE SAME OUTFIT.
512
00:18:44,424 --> 00:18:46,659
YOU GOT ME ONE OF THOSE?
513
00:18:46,693 --> 00:18:47,927
HE DON'T LIKE IT EITHER.
514
00:18:47,960 --> 00:18:50,163
I'M TAKING THIS THING OFF.
IT'S SISSY.
515
00:18:50,197 --> 00:18:51,231
ANDY...
516
00:18:51,264 --> 00:18:52,732
NO, NO, LISTEN,
OPE, I LIKE IT.
517
00:18:52,765 --> 00:18:54,901
I REALLY, REALLY DO
LIKE IT BECAUSE...
518
00:18:54,934 --> 00:18:56,403
IT'S CLASSY.
519
00:18:56,436 --> 00:18:57,737
ANDY, WHY DON'T
YOU GO UP
520
00:18:57,770 --> 00:18:59,372
AND TRY ON
YOUR OUTFIT?
521
00:18:59,406 --> 00:19:01,174
WELL, IT'S SO LATE
AND EVERYTHING.
522
00:19:01,208 --> 00:19:02,675
IF PA DON'T HAVE
TO WEAR HIS
523
00:19:02,709 --> 00:19:04,211
DO I HAVE
TO WEAR MINE?
524
00:19:04,244 --> 00:19:05,345
ANDY?
525
00:19:13,753 --> 00:19:15,288
JUST BEAUTIFUL,
ANDY.
526
00:19:15,322 --> 00:19:16,589
YOU'LL MAKE
HOLLYWOOD
527
00:19:16,623 --> 00:19:18,525
SIT UP AND
TAKE NOTICE.
528
00:19:21,694 --> 00:19:23,396
YEAH,
THAT OUGHT TO HOLD.
529
00:19:23,430 --> 00:19:25,365
YEAH,
I GOT IT DOUBLE-STITCHED.
530
00:19:25,398 --> 00:19:27,567
THAT'LL GET YOU TO
HOLLYWOOD AND BACK.
531
00:19:27,600 --> 00:19:28,901
HOW MUCH DO I OWE YOU?
532
00:19:28,935 --> 00:19:30,203
OH, FORGET IT.
533
00:19:30,237 --> 00:19:31,704
JUST A LITTLE
GOING AWAY PRESENT.
534
00:19:31,738 --> 00:19:32,939
THANK YOU, MR. JASON.
535
00:19:32,972 --> 00:19:34,407
THAT'S VERY NICE OF YOU.
536
00:19:34,441 --> 00:19:35,608
LEAVING
TOMORROW, HUH?
537
00:19:35,642 --> 00:19:37,777
I'M GOING TO GET
THE 12:00 BUS TO RALEIGH
538
00:19:37,810 --> 00:19:39,746
AND THEN RIGHT OVER
TO THE AIRPORT.
539
00:19:39,779 --> 00:19:41,981
SAY, ANDY,
AS LONG AS YOU'RE GOING TO BE
540
00:19:42,014 --> 00:19:43,716
OUT THERE IN HOLLYWOOD...
541
00:19:43,750 --> 00:19:45,552
YES, MR. JASON?
542
00:19:45,585 --> 00:19:47,920
I GOT A LITTLE NIECE;
YOU'VE NEVER MET HER.
543
00:19:47,954 --> 00:19:49,289
UH-UH.
544
00:19:49,322 --> 00:19:50,957
SHE TAP DANCES,
PLAYS THE XYLOPHONE--
545
00:19:50,990 --> 00:19:53,826
JUST THE KIND OF TALENT
HOLLYWOOD'S BEEN WAITING FOR.
546
00:19:53,860 --> 00:19:55,528
NOW, IF YOU SHOULD JUST HAPPEN
547
00:19:55,562 --> 00:19:57,664
TO RUN INTO SOME
OF THEM MOVIE PEOPLE...
548
00:19:57,697 --> 00:19:59,499
OH, I'LL BRING HER NAME
RIGHT UP.
549
00:19:59,532 --> 00:20:00,733
I SURE WILL.
550
00:20:00,767 --> 00:20:01,968
THEN IF SHE CLICKS
551
00:20:02,001 --> 00:20:04,003
AND GETS TO BE A STAR
OR SOMETHING, WELL,
552
00:20:04,036 --> 00:20:05,972
MAYBE YOU COULD
BE HER MANAGER.
RIGHT.
553
00:20:06,005 --> 00:20:07,674
BE WELL WORTH YOUR WHILE.
554
00:20:07,707 --> 00:20:09,376
RIGHT. AND THANKS,
MR. JASON.
555
00:20:09,409 --> 00:20:10,643
AND THANKS FOR THE HELP.
556
00:20:12,645 --> 00:20:14,247
I'VE OUTLINED OPIE'S LESSONS
557
00:20:14,281 --> 00:20:16,516
BUT DON'T BE TOO STRICT
ABOUT HIS HOMEWORK.
558
00:20:16,549 --> 00:20:18,251
THE TRIP SHOULD
BE EDUCATIONAL--
559
00:20:18,285 --> 00:20:20,420
MEETING NEW PEOPLE
AND SEEING NEW THINGS.
560
00:20:20,453 --> 00:20:21,888
YEAH.
561
00:20:21,921 --> 00:20:23,690
IF I EVER GET BACK
FROM THIS TRIP
562
00:20:23,723 --> 00:20:26,025
I DON'T THINK I'M GOING
TO TAKE ANOTHER ONE.
563
00:20:26,058 --> 00:20:27,660
LOOK AT HERE.
WHAT'S THAT?
564
00:20:27,694 --> 00:20:29,862
STUFF I GOT TO DO
WHEN I GET TO HOLLYWOOD.
565
00:20:29,896 --> 00:20:32,299
"CALL MRS. LARCH'S COUSIN
IN COLORADO.
566
00:20:32,332 --> 00:20:33,900
"SAY HELLO FROM COUSIN EDNA.
567
00:20:33,933 --> 00:20:37,337
"GET AUTOGRAPH OF TONY CURTIS
FOR LITTLE EILEEN HOPKINS.
568
00:20:37,370 --> 00:20:39,572
"STAND ON THE CORNER
OF HOLLYWOOD AND VINE
569
00:20:39,606 --> 00:20:41,007
"AND SAY HELLO FROM FLOYD.
570
00:20:41,040 --> 00:20:43,876
TAKE A PICTURE OF THE
PACIFIC OCEAN FOR GOOBER."
571
00:20:43,910 --> 00:20:45,878
I GOT 30 THINGS LIKE THAT.
572
00:20:45,912 --> 00:20:47,447
MMM.
573
00:20:47,480 --> 00:20:48,915
UH...
574
00:20:48,948 --> 00:20:49,882
WHAT?
575
00:20:49,916 --> 00:20:51,751
WELL, I HATE TO ASK YOU, ANDY.
576
00:20:51,784 --> 00:20:52,652
WHAT IS IT?
577
00:20:52,685 --> 00:20:54,387
WELL, MY LANDLADY ASKED ME
578
00:20:54,421 --> 00:20:58,024
IF I'D GET YOU TO BRING HER BACK
A PICTURE OF DALE ROBERTSON.
579
00:21:01,027 --> 00:21:02,795
PICTURE...
580
00:21:02,829 --> 00:21:03,996
DALE...
581
00:21:04,030 --> 00:21:05,832
ROBERTSON.
582
00:21:05,865 --> 00:21:07,334
OKAY.
583
00:21:07,367 --> 00:21:08,668
THAT'S SWEET.
584
00:21:08,701 --> 00:21:10,036
AH, WHAT'S ONE MORE?
585
00:21:10,069 --> 00:21:12,705
OH, YOUR BUS LEAVES
AT NOON TOMORROW?
586
00:21:12,739 --> 00:21:14,641
YEAH.
587
00:21:14,674 --> 00:21:16,709
I HOPE WE CAN GET AWAY QUIETLY.
588
00:21:16,743 --> 00:21:20,480
[ PLAYING
"CALIFORNIA, HERE I COME" ]
589
00:21:39,666 --> 00:21:43,336
OH, MY, THIS IS
A NICE SURPRISE.
590
00:21:43,370 --> 00:21:45,605
WE WANTED TO GIVE YOU
A REAL SEND-OFF, ANDY.
591
00:21:45,638 --> 00:21:46,939
WELL, YOU SURE DID, GOOBER.
592
00:21:46,973 --> 00:21:48,441
THIS IS REALLY SOMETHING.
593
00:21:48,475 --> 00:21:50,477
REMEMBER YOU HAVE
TO DO SOME STUDYING.
594
00:21:50,510 --> 00:21:52,379
DON'T WORRY, MISS CRUMP.
I'LL STUDY.
595
00:21:52,412 --> 00:21:53,413
HEY, ANDY.
596
00:21:53,446 --> 00:21:54,781
WHEN'S THE BUS COMING,
PA?
597
00:21:54,814 --> 00:21:55,782
SOON, OPE, SOON.
598
00:21:55,815 --> 00:21:56,783
HEY, ANDY!
599
00:21:56,816 --> 00:21:57,884
HEY, FLOYD.
600
00:21:57,917 --> 00:21:59,919
DON'T TAKE ANY
WOODEN NICKELS.
601
00:22:01,087 --> 00:22:02,722
HERE COMES THE BUS.
602
00:22:06,493 --> 00:22:09,462
[ PLAYING
"CALIFORNIA, HERE I COME" ]
603
00:22:16,803 --> 00:22:17,904
WELL...
604
00:22:17,937 --> 00:22:19,706
WELL, I GUESS THAT'S IT.
605
00:22:19,739 --> 00:22:21,641
I GUESS.
606
00:22:21,674 --> 00:22:24,043
I'M GONNA...
I'M GONNA MISS YOU.
607
00:22:24,076 --> 00:22:26,112
OH, I'M GONNA MISS YOU.
608
00:22:26,145 --> 00:22:28,080
OH, ANDY,
HAVE A GOOD TIME.
609
00:22:28,114 --> 00:22:31,150
I WILL.
AND KEEP AWAY
FROM THOSE STARLETS.
610
00:22:31,183 --> 00:22:33,786
WELL, YEAH...
WELL, I'LL, UH...
611
00:22:33,820 --> 00:22:35,087
I GUESS I'LL GET THE BAGS.
612
00:22:35,121 --> 00:22:36,956
NO NEED TO GET
THE NEW MESSED UP.
613
00:22:36,989 --> 00:22:38,625
I'LL TAKE CARE
OF THE LUGGAGE.
614
00:22:38,658 --> 00:22:40,427
WELL, O-OKAY.
615
00:22:40,460 --> 00:22:41,561
WELL.
616
00:22:41,594 --> 00:22:42,895
UP WE GO.
617
00:22:46,098 --> 00:22:48,868
ANDY, I THINK IT WENT
OVER ON THE OTHER SIDE.
YEAH.
618
00:22:48,901 --> 00:22:50,603
I'LL GO GET IT.
YEAH.
619
00:22:50,637 --> 00:22:52,605
WELL, I'LL GET
THE REST OF IT.
620
00:22:55,107 --> 00:22:56,543
OH, FOR HEAVEN
SAKES.
621
00:22:56,576 --> 00:22:58,645
IF YOU GOT TIME,
I'LL SEW IT UP AGAIN.
622
00:22:58,678 --> 00:23:00,613
NO, NEVER MIND,
I'LL JUST...
623
00:23:00,647 --> 00:23:02,449
I'LL GET YOUR LUGGAGE.
624
00:23:02,482 --> 00:23:03,716
WELL, OKAY.
625
00:23:03,750 --> 00:23:05,585
AUNT BEE, OPIE,
COME ON.
626
00:23:05,618 --> 00:23:08,821
WE BETTER...
B-B-BYE.
627
00:23:08,855 --> 00:23:10,890
BYE. THANKS.
COME ON!
628
00:23:12,692 --> 00:23:14,160
I SURE HOPE
HE CAN RELAX.
629
00:23:14,193 --> 00:23:16,529
THE MINUTE
HE GETS ON THE PLANE.
630
00:23:16,563 --> 00:23:18,565
SURE.
BYE, AUNT BEE.
631
00:23:18,598 --> 00:23:19,799
I GOT YOUR
LUGGAGE!
632
00:23:19,832 --> 00:23:21,601
I PUT IT UNDER
THE BOTTOM!
633
00:23:21,634 --> 00:23:23,035
BYE, AUNT BEE.
634
00:23:45,492 --> 00:23:48,094
HEY, PA, ARE THOSE FARMS
DOWN THERE?
635
00:23:48,127 --> 00:23:51,163
Shh. OPIE, DON'T DISTURB
YOUR FATHER NOW.
636
00:23:51,197 --> 00:23:52,732
OKAY.
637
00:23:55,134 --> 00:23:57,604
ARE YOU RELAXING
A LITTLE?
638
00:23:57,637 --> 00:23:59,071
YEAH.
639
00:24:03,275 --> 00:24:06,846
SUDDENLY MAYBERRY SEEMS
FAR AWAY, DOESN'T IT?
640
00:24:06,879 --> 00:24:08,114
YEAH.
641
00:24:08,147 --> 00:24:11,584
MAIN STREET
AND THE PEOPLE AND...
642
00:24:11,618 --> 00:24:13,720
OUR HOUSE.
643
00:24:16,288 --> 00:24:17,590
ANDY?
644
00:24:17,624 --> 00:24:19,091
HMM?
645
00:24:19,125 --> 00:24:21,994
YOU TOOK CARE OF EVERYTHING
BACK AT THE HOUSE, DIDN'T YOU?
646
00:24:22,028 --> 00:24:23,095
YEAH.
647
00:24:23,129 --> 00:24:24,931
GOOD.
648
00:24:24,964 --> 00:24:26,232
WHAT'D YOU HAVE IN MIND?
649
00:24:26,265 --> 00:24:28,067
DID YOU TURN OFF THE GAS?
650
00:24:29,101 --> 00:24:30,870
STEWARDESS!
651
00:24:30,903 --> 00:24:33,105
STEWARDESS,
WHEN'S THE FIRST STOP?
44762
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