Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:09,777 --> 00:00:13,047
STARRING ANDY GRIFFITH...
2
00:00:13,081 --> 00:00:15,183
WITH RONNY HOWARD...
3
00:00:15,216 --> 00:00:19,087
ALSO STARRING DON KNOTTS.
4
00:00:23,757 --> 00:00:26,227
WILL YOU HURRY UP?
5
00:00:26,260 --> 00:00:27,695
I'LL BE THROUGH
IN A MINUTE.
6
00:00:27,728 --> 00:00:30,364
I JUST GOT TO SEND THIS
TO THE STATE POLICE TONIGHT.
7
00:00:31,465 --> 00:00:33,234
WISH BARNEY AND THELMA LOU
WOULD GET HERE.
8
00:00:33,267 --> 00:00:34,602
WE'RE GONNA BE LATE
FOR THE MOVIE.
9
00:00:34,635 --> 00:00:36,137
YEAH.
10
00:00:36,170 --> 00:00:38,739
LOOKS LIKE A GOOD ONE, TOO.
YEAH?
11
00:00:38,772 --> 00:00:41,442
"MAYBERRY AFTER MIDNIGHT"
GIVES IT 3 1/2 CLOVERS.
12
00:00:41,475 --> 00:00:42,843
NO KIDDING.
13
00:00:42,876 --> 00:00:44,178
MM-HMM.
14
00:00:44,212 --> 00:00:45,546
"'THE HOUSE
WITHOUT WINDOWS'
15
00:00:45,579 --> 00:00:47,381
"IS THE SUSPENSE COMEDY
OF THE YEAR.
16
00:00:47,415 --> 00:00:48,816
YOUR REPORTER GUARANTEES
17
00:00:48,849 --> 00:00:50,751
THAT YOU'LL BE ROLLING
IN THE AISLE ONE MINUTE
18
00:00:50,784 --> 00:00:52,286
AND UNDER YOUR SEAT
THE NEXT.
19
00:00:52,320 --> 00:00:54,755
OH. MAYBE WE SHOULD'VE WORN
OUR OLD CLOTHES.
20
00:00:54,788 --> 00:00:57,258
MAYBE WE SHOULD'VE.
21
00:00:57,291 --> 00:00:58,326
WELL, HERE WE ARE. WE SHOULD'VE.
22
00:00:58,359 --> 00:00:59,593
HI, EVERYBODY.
23
00:00:59,627 --> 00:01:01,195
Andy:
HI, BARN.
24
00:01:01,229 --> 00:01:02,763
I HOPE WE DIDN'T
KEEP YOU WAITING.
25
00:01:02,796 --> 00:01:04,232
HEY, YOU READY
TO GO, ANGE?
26
00:01:04,265 --> 00:01:05,299
IN A MINUTE.
27
00:01:05,333 --> 00:01:06,567
IT'S A SCARY ONE
TONIGHT, HELEN.
28
00:01:06,600 --> 00:01:07,801
HOPE YOU
CAN TAKE IT.
29
00:01:07,835 --> 00:01:08,869
HER
30
00:01:08,902 --> 00:01:10,404
REMEMBER THE MUMMY PICTURE?
31
00:01:10,438 --> 00:01:12,573
YOU KIDDING?
I NEVER MOVED A MUSCLE.
32
00:01:12,606 --> 00:01:14,308
MAYBE THAT'S 'CAUSE YOU HAD
YOUR EYES CLOSED.
33
00:01:16,177 --> 00:01:17,578
HEY, BARN,
YOU SEEN THE STAMPS?
34
00:01:17,611 --> 00:01:19,647
THEY'RE RIGHT THERE
IN THE DRAWER, AIN'T THEY?
35
00:01:19,680 --> 00:01:21,282
COME ON.
I'LL FIX THAT FOR YOU.
36
00:01:21,315 --> 00:01:23,384
OH, WOULD YOU, HELEN?
UH, I CAN'T FIND THEM.
37
00:01:23,417 --> 00:01:25,253
WELL, IT'S RIGHT
HERE IN THE DRAWER.
38
00:01:25,286 --> 00:01:26,654
I KNOW
WHERE THE STAMPS ARE.
39
00:01:26,687 --> 00:01:28,889
LISTEN, AFTER THE PICTURE,
LET'S GO DOWN TO THE LAKE
40
00:01:28,922 --> 00:01:30,791
AND KIND OF GET LOST
DOWN THERE.
41
00:01:30,824 --> 00:01:32,126
LOST? YOU KNOW...
42
00:01:33,394 --> 00:01:34,495
YOU KNOW WHAT I MEAN.
43
00:01:34,528 --> 00:01:36,564
YOU AND THELMA LOU
AND ME AND HELEN,
44
00:01:36,597 --> 00:01:38,166
WE'LL KIND OF SEPARATE.
45
00:01:38,199 --> 00:01:40,334
TAKE IT EASY.
WE'LL HAVE TO PLAY IT BY EAR.
46
00:01:40,368 --> 00:01:41,502
THERE. IT'S FINE.
47
00:01:41,535 --> 00:01:43,171
THANKS.
BETTER HURRY, FELLAS.
48
00:01:43,204 --> 00:01:44,605
THE MOVIE'S
GOING TO START.
49
00:01:44,638 --> 00:01:45,639
RIGHT.
50
00:01:45,673 --> 00:01:47,175
OKAY, COME ON.
51
00:01:47,208 --> 00:01:50,411
I'M KIND OF ANXIOUS
TO SEE THIS ONE, AREN'T YOU?
52
00:01:50,444 --> 00:01:51,512
WELL, LET'S GO.
53
00:01:51,545 --> 00:01:52,613
HEY, EVERYBODY.
54
00:01:52,646 --> 00:01:53,714
OH. HI, GOOBER.
55
00:01:53,747 --> 00:01:54,782
HI, GOOBER.
56
00:01:54,815 --> 00:01:56,184
WHERE Y'ALL GOIN'?
57
00:01:56,217 --> 00:01:58,619
WELL, WE THOUGHT
WE'D GO TO THE MOVIES.
58
00:01:58,652 --> 00:02:00,421
NEWSPAPER SAYS
IT'S GONNA BE A GOOD 'UN --
59
00:02:00,454 --> 00:02:01,422
3 1/2 CLOVERS.
60
00:02:01,455 --> 00:02:04,192
YEAH.
WE READ THAT.
61
00:02:04,225 --> 00:02:06,527
WELL, HAVE A GOOD TIME.
62
00:02:06,560 --> 00:02:08,896
I MIGHT SEE YOU THERE.
63
00:02:08,929 --> 00:02:09,897
OKAY.
64
00:02:09,930 --> 00:02:12,132
YEAH, WELL,
LET'S GO.
65
00:02:16,470 --> 00:02:18,572
WOULD YOU LIKE TO GO
WITH US, GOOBER?
66
00:02:18,606 --> 00:02:20,508
OH, Y'ALL DON'T NEED ME.
67
00:02:20,541 --> 00:02:22,443
GOOBER, YOU CAN GO WITH US.
68
00:02:22,476 --> 00:02:23,811
OH, NO. Y'ALL GO AHEAD.
69
00:02:23,844 --> 00:02:25,513
IT'S ALL RIGHT, GOOBER.
70
00:02:25,546 --> 00:02:27,281
IF HE DON'T WANT
TO COME...
71
00:02:27,315 --> 00:02:28,316
I'LL COME.
72
00:02:29,883 --> 00:02:32,453
WELL, LET'S, UH...GO.
73
00:02:32,486 --> 00:02:35,856
HELEN, THELMA LOU...
GOOBER.
74
00:02:50,304 --> 00:02:51,572
MORNING, BARN.
75
00:02:51,605 --> 00:02:53,474
MORNING.
76
00:02:55,809 --> 00:02:58,246
DID YOU HAVE A GOOD TIME
LAST NIGHT, ANDY?
77
00:02:58,279 --> 00:02:59,547
I'VE HAD BETTER.
78
00:02:59,580 --> 00:03:01,715
WHY DON'T YOU ASK ME
WHAT KIND OF A TIME I HAD?
79
00:03:01,749 --> 00:03:03,517
I CAN GUESS.
GO AHEAD AND ASK.
80
00:03:03,551 --> 00:03:04,985
OH, BARN...
ASK, ASK, ASK.
81
00:03:05,018 --> 00:03:07,321
WHAT KIND OF TIME
DID YOU HAVE?
82
00:03:07,355 --> 00:03:08,456
ROTTEN.
83
00:03:08,489 --> 00:03:09,590
YOU ASKED, I TOLD YOU.
84
00:03:09,623 --> 00:03:11,325
ROTTEN, ROTTEN, ROTTEN.
85
00:03:11,359 --> 00:03:13,494
I HAD A ROTTEN TIME LAST NIGHT.
86
00:03:13,527 --> 00:03:16,330
WELL, I DIDN'T HAVE
TOO GOOD A TIME.
87
00:03:16,364 --> 00:03:17,998
HAD A NICE CANOE RIDE...
88
00:03:18,031 --> 00:03:19,933
ME AND HELEN AND GOOBER.
89
00:03:19,967 --> 00:03:20,934
I KNOW.
90
00:03:20,968 --> 00:03:22,403
HE TOLD ME
91
00:03:22,436 --> 00:03:24,338
WHEN HE WAS WALKING
ME AND THELMA LOU HOME.
92
00:03:24,372 --> 00:03:25,506
HE STAYED WITH US.
93
00:03:25,539 --> 00:03:27,875
WHEN I SAID GOOD NIGHT
TO THELMA LOU
94
00:03:27,908 --> 00:03:30,344
I HAD TO SHAKE HER HAND --
AND HIS!
95
00:03:30,378 --> 00:03:31,879
WELL, IT'S A PROBLEM.
96
00:03:31,912 --> 00:03:33,947
I DON'T KNOW WHAT'S THE MATTER
WITH THEM GIRLS.
97
00:03:33,981 --> 00:03:35,849
EVERY TIME HE COMES AROUND
LOOKING PATHETIC,
98
00:03:35,883 --> 00:03:37,551
WHY, THEY JUST
INVITE HIM ALONG
99
00:03:37,585 --> 00:03:41,455
AND THEN HE HANGS AROUND AND
HANGS AROUND AND HANGS AROUND.
100
00:03:41,489 --> 00:03:46,660
WELL, I JUST BEEN SITTING
HERE STUDYING ABOUT THAT.
101
00:03:46,694 --> 00:03:49,029
YOU KNOW, THERE
MIGHT BE A SOLUTION.
102
00:03:49,062 --> 00:03:50,498
WHAT?
103
00:03:50,531 --> 00:03:52,700
WELL, MAYBE IF GOOBER
GOT HIMSELF A GIRL...
104
00:03:52,733 --> 00:03:54,468
A GIRL
105
00:03:54,502 --> 00:03:56,003
YEAH.
106
00:03:56,036 --> 00:03:57,871
IF HE HAD A GIRL, HE WOULDN'T
HAVE TO BE TRAILING ALONG
107
00:03:57,905 --> 00:03:59,407
AFTER US ALL THE TIME.
108
00:03:59,440 --> 00:04:02,743
YOU KNOW, ANDY, THAT JUST
MIGHT BE THE SOLUTION.
109
00:04:02,776 --> 00:04:05,946
GOOBER'S GOT TO GET
HIMSELF A GIRL.
110
00:04:06,514 --> 00:04:08,449
GOOBER, ANDY AND ME
HAVE BEEN TALKING,
111
00:04:08,482 --> 00:04:10,584
AND WE'VE DECIDED
YOU'VE GOT TO GET A GIRL.
112
00:04:10,618 --> 00:04:12,052
WHAT BARNEY MEANS, GOOBER
113
00:04:12,085 --> 00:04:15,323
IS THAT YOU MIGHT ENJOY YOURSELF
MORE IF YOU HAD A GIRL.
114
00:04:15,356 --> 00:04:17,991
I MEAN, BARNEY'S GOT A GIRL.
I GOT A GIRL.
115
00:04:18,025 --> 00:04:20,294
ALL GOD'S CHILDREN
GOT A GIRL.
116
00:04:20,328 --> 00:04:21,295
THAT'S RIGHT.
117
00:04:21,329 --> 00:04:22,763
IT MIGHT BE NICE, GOOBER,
118
00:04:22,796 --> 00:04:24,732
IF YOU HAD A GIRL.
119
00:04:24,765 --> 00:04:28,436
WELL, AN ELIGIBLE BACHELOR
LIKE YOURSELF, GOOBER,
120
00:04:28,469 --> 00:04:31,071
THERE'S PROBABLY
SOMEBODY ALREADY.
121
00:04:31,104 --> 00:04:33,774
ISN'T THERE SOMEBODY
THAT YOU LIKE AND ADMIRE?
122
00:04:33,807 --> 00:04:35,909
YEAH.
WHO IS SHE?
123
00:04:35,943 --> 00:04:37,911
MAUREEN O'SULLIVAN.
124
00:04:37,945 --> 00:04:39,413
WHO?
125
00:04:39,447 --> 00:04:41,982
YOU KNOW THAT GIRL
THAT PLAYS JANE IN "TARZAN"?
126
00:04:42,015 --> 00:04:43,784
SHE SURE CAN SWIM.
127
00:04:45,853 --> 00:04:46,954
UH, NO, GOOBER.
128
00:04:46,987 --> 00:04:48,989
ACTUALLY, UH,
WHAT WE HAD IN MIND
129
00:04:49,022 --> 00:04:50,891
WAS SOMEBODY
FROM AROUND HERE.
130
00:04:50,924 --> 00:04:53,761
ISN'T THERE SOMEBODY
FROM AROUND HERE THAT YOU LIKE?
131
00:04:53,794 --> 00:04:54,762
YEAH.
132
00:04:54,795 --> 00:04:55,829
DO YOU EVER SEE HER?
133
00:04:55,863 --> 00:04:57,765
YEAH, WHEN SHE
BRINGS HER CAR IN.
134
00:04:57,798 --> 00:04:58,999
WHO IS SHE, GOOB?
135
00:04:59,032 --> 00:05:02,035
LYDIA CROSSWAITH.
136
00:05:02,069 --> 00:05:04,772
OH.
LYDIA CROSSWAITH.
137
00:05:04,805 --> 00:05:07,541
UH, YOU KNOW
LYDIA CROSSWAITH, BARN.
138
00:05:07,575 --> 00:05:10,077
SURE.
SHE'S FINE, GOOB.
139
00:05:10,110 --> 00:05:12,513
OH, YEAH,
SHE'S PROBABLY JUST DYING
140
00:05:12,546 --> 00:05:14,448
FOR YOU TO ASK HER
FOR A DATE.
141
00:05:14,482 --> 00:05:15,483
YOU THINK SO?
142
00:05:15,516 --> 00:05:17,017
OH, YEAH.
143
00:05:17,050 --> 00:05:19,720
I'D SURE LIKE TO, BUT I WOULDN'T
KNOW WHAT TO SAY TO HER.
144
00:05:19,753 --> 00:05:21,455
JUST ACT NATURAL.
145
00:05:21,489 --> 00:05:24,024
YOU TALK TO HER WHEN SHE BRINGS
HER CAR IN HERE, DON'T YOU?
146
00:05:24,057 --> 00:05:25,693
YEAH.
WHAT DO YOU TALK ABOUT?
147
00:05:25,726 --> 00:05:27,861
HER TIRES.
SHE'S GOT BAD TIRES.
148
00:05:27,895 --> 00:05:31,031
DON'T YOU TALK
ABOUT ANYTHING ELSE?
149
00:05:31,064 --> 00:05:32,866
WELL, SHE DOES HAVE
AN OIL PROBLEM.
150
00:05:32,900 --> 00:05:36,103
YOU NEVER TALKED ABOUT ANYTHING
BUT HER TIRES AND HER OIL?
151
00:05:36,136 --> 00:05:37,838
AIN'T NOTHING ELSE
WRONG WITH HER.
152
00:05:37,871 --> 00:05:40,474
IS THAT HOW YOU ACT
TOWARDS GIRLS, GOOBER?
153
00:05:40,508 --> 00:05:41,842
DON'T YOU KNOW ANYTHING?
154
00:05:41,875 --> 00:05:44,011
YOU DON'T START OFF
BY TALKING ABOUT CARS.
155
00:05:44,044 --> 00:05:45,045
BARNEY.
156
00:05:47,781 --> 00:05:52,119
NOW, GOOBER, YOU AGREE
THAT YOU'D LIKE TO HAVE A DATE.
157
00:05:52,152 --> 00:05:53,754
YEAH.
158
00:05:53,787 --> 00:05:57,491
AND YOU BELIEVE LYDIA CROSSWAITH
IS THE ONE, RIGHT?
159
00:05:57,525 --> 00:05:58,826
YEAH.
GOOD.
160
00:05:58,859 --> 00:06:01,429
CALL HER UP AND ASK HER
FOR A DATE FOR TONIGHT.
161
00:06:01,462 --> 00:06:02,496
TONIGHT?
162
00:06:02,530 --> 00:06:03,764
YEAH, GET RIGHT WITH IT.
163
00:06:03,797 --> 00:06:07,134
WELL, I WOULDN'T KNOW
WHAT TO SAY ON A DATE.
164
00:06:07,167 --> 00:06:09,002
OH, WELL, UH, UH...
165
00:06:09,036 --> 00:06:13,507
YOU GO UP TO HER HOUSE
AND YOU KNOCK ON THE DOOR,
166
00:06:13,541 --> 00:06:17,745
AND WHEN SHE COMES TO THE DOOR,
YOU SAY HELLO.
167
00:06:17,778 --> 00:06:19,480
HELLO?
168
00:06:19,513 --> 00:06:22,182
COULD I JUST SAY HEY?
'CAUSE I'M MORE USED TO THAT.
169
00:06:22,215 --> 00:06:23,183
HEY.
170
00:06:23,216 --> 00:06:24,618
BROTHER.
171
00:06:24,652 --> 00:06:26,720
AND THEN IF YOU WANT
TO TALK ABOUT HER CAR,
172
00:06:26,754 --> 00:06:28,155
TALK ABOUT HER CAR.
173
00:06:28,188 --> 00:06:30,591
AND MAYBE THAT'LL LEAD YOU
TO TALKING ABOUT TRAVELING.
174
00:06:30,624 --> 00:06:32,926
YOU KNOW, ASK HER
IF SHE'S BEEN UP TO RALEIGH.
175
00:06:32,960 --> 00:06:35,162
YOU KNOW, TALK ABOUT
HOW HOT IT IS UP THERE
176
00:06:35,195 --> 00:06:37,498
AND HOW COOL IT IS
DOWN HERE, HUH?
177
00:06:37,531 --> 00:06:40,033
ANDY, EVEN HIGH SCHOOL KIDS
DON'T TALK ABOUT THE WEATHER.
178
00:06:40,067 --> 00:06:41,669
BARNEY.
179
00:06:41,702 --> 00:06:44,137
AND THEN AFTER THAT,
TALK ABOUT ANYTHING YOU WANT TO.
180
00:06:44,171 --> 00:06:47,508
YOU KNOW, TALK ABOUT...
SAY HER HOUSE LOOKS NICE.
181
00:06:47,541 --> 00:06:49,042
SAY THAT SHE LOOKS NICE.
182
00:06:49,076 --> 00:06:51,545
AND THEN BY THE END
OF THE EVENING
183
00:06:51,579 --> 00:06:54,181
YOU OUGHT TO BE
FRIENDLY ENOUGH TO, UH...
184
00:06:54,214 --> 00:06:55,616
HOLD HER HAND.
185
00:06:55,649 --> 00:06:57,050
HALLELUJAH.
186
00:06:57,084 --> 00:06:58,519
HOLD HER HAND?
187
00:06:58,552 --> 00:07:00,220
YEAH, HOLD HER HAND.
188
00:07:00,253 --> 00:07:01,889
SHOW HER YOU LIKE HER.
189
00:07:01,922 --> 00:07:03,591
HOLD HER HAND.
190
00:07:03,624 --> 00:07:06,660
ANDY, I'M MUCH OBLIGED
TO YOU FOR THIS.
191
00:07:06,694 --> 00:07:08,596
AND I SURE HOPE
IT WORKS OUT.
192
00:07:08,629 --> 00:07:10,931
OH, SURE, IT WILL, GOOBER.
SURE, IT WILL.
193
00:07:10,964 --> 00:07:13,634
NOW GOOD LUCK
AND DON'T FORGET TO CALL HER.
194
00:07:13,667 --> 00:07:14,668
RIGHT.
195
00:07:14,702 --> 00:07:15,836
OKAY.
196
00:07:15,869 --> 00:07:17,971
PATHETIC.
197
00:07:21,141 --> 00:07:24,578
HEY...CAR...
198
00:07:24,612 --> 00:07:26,914
TRAVEL...RALEIGH.
199
00:07:30,984 --> 00:07:33,554
HEY...
200
00:07:33,587 --> 00:07:34,855
CAR...
201
00:07:34,888 --> 00:07:36,156
TRAVEL...
202
00:07:36,189 --> 00:07:38,158
RALEIGH.
203
00:07:55,543 --> 00:07:56,544
HEY, LYDIA.
204
00:07:56,577 --> 00:07:57,978
HELLO, GOOBER.
205
00:07:58,011 --> 00:07:59,947
WON'T YOU COME IN?
206
00:08:09,256 --> 00:08:11,825
WON'T YOU SIT DOWN?
207
00:08:32,279 --> 00:08:34,081
A LITTLE WINDY OUT,
ISN'T IT?
208
00:08:35,182 --> 00:08:36,149
YEAH.
209
00:08:36,183 --> 00:08:38,285
HOW'S YOUR CAR?
210
00:08:38,318 --> 00:08:40,721
IT'S--IT'S NICE
TO TRAVEL IN A CAR,
211
00:08:40,754 --> 00:08:42,155
ESPECIALLY UP TO RALEIGH,
212
00:08:42,189 --> 00:08:45,125
WHERE IT'S COOL UP THERE
AND HOT DOWN HERE.
213
00:08:52,032 --> 00:08:53,333
THAT'S A NICE-LOOKING DRESS.
214
00:08:53,366 --> 00:08:55,703
OH, THANK YOU.
215
00:09:02,676 --> 00:09:04,344
YOUR HOUSE LOOKS REAL NICE, TOO.
216
00:09:04,377 --> 00:09:06,279
OH, THANK YOU.
217
00:09:30,303 --> 00:09:33,273
WELL, NIGHT.
218
00:09:49,890 --> 00:09:51,291
OH. HI, GOOBER.
219
00:09:51,324 --> 00:09:52,926
HEY, BARN.
220
00:09:52,960 --> 00:09:57,330
HEY, YOU'D BETTER GET GOING
FOR YOUR DATE, HADN'T YOU?
221
00:09:57,364 --> 00:09:59,099
IT'S ALMOST 8:00.
222
00:09:59,132 --> 00:10:00,701
I ALREADY BEEN.
223
00:10:00,734 --> 00:10:03,871
YOU WERE ON YOUR
DATE ALREADY?
224
00:10:03,904 --> 00:10:05,272
YEAH, AND IT SURE WENT FAST.
225
00:10:05,305 --> 00:10:07,374
AND I FOLLOWED
ALL THE DIRECTIONS.
226
00:10:07,407 --> 00:10:09,376
GOOBER, YOU WERE ON A DATE.
227
00:10:09,409 --> 00:10:11,712
YOU WEREN'T TAKING MEDICINE.
228
00:10:11,745 --> 00:10:14,848
I RECKON
I DIDN'T DO IT RIGHT.
229
00:10:14,882 --> 00:10:18,385
MAYBE I OUGHT TO TALK
TO ANDY AGAIN.
230
00:10:18,418 --> 00:10:20,854
NO, THAT AIN'T GONNA HELP.
231
00:10:20,888 --> 00:10:23,857
I GUESS I JUST WASN'T CUT OUT
FOR DATING.
232
00:10:23,891 --> 00:10:25,759
NOW, DON'T PANIC.
233
00:10:25,793 --> 00:10:28,128
I'LL PULL YOU THROUGH.
234
00:10:31,098 --> 00:10:32,265
MUST BE SOME WAY
235
00:10:32,299 --> 00:10:34,702
OF GETTING THROUGH
TO YOU ON THIS THING.
236
00:10:34,735 --> 00:10:37,004
IF THERE WAS JUST SOME WAY
OF FIXING IT UP
237
00:10:37,037 --> 00:10:39,840
SO YOU COULD SEE HOW NORMAL
PEOPLE ACT WITH GIRLS.
238
00:10:39,873 --> 00:10:41,308
HEY!
HOW ABOUT YOU AND THELMA LOU?
239
00:10:41,341 --> 00:10:43,677
I COULD GO ALONG WITH Y'ALL
AND WATCH WHAT YOU DO.
240
00:10:43,711 --> 00:10:44,812
ARE YOU BATTY?!
241
00:10:44,845 --> 00:10:46,379
HOW ARE YOU GOING
TO LEARN ANYTHING
242
00:10:46,413 --> 00:10:48,215
IF I KNOW YOU'RE
STANDING RIGHT THERE?
243
00:10:48,248 --> 00:10:50,250
I WOULDN'T BE
ACTING NATURAL.
244
00:10:51,952 --> 00:10:53,286
HEY, WAIT A MINUTE.
245
00:10:53,320 --> 00:10:54,755
WAIT A MINUTE.
246
00:10:54,788 --> 00:10:57,825
ANDY'S OVER AT HELEN'S
RIGHT NOW WATCHING TV.
247
00:10:57,858 --> 00:11:00,728
NOW, HE WOULDN'T KNOW THAT...
248
00:11:00,761 --> 00:11:01,962
YEAH.
249
00:11:01,995 --> 00:11:04,765
YEAH. COME ON, GOOB.
250
00:11:16,076 --> 00:11:17,410
ALL RIGHT NOW, GOOBER.
251
00:11:17,444 --> 00:11:19,747
YOU JUST KEEP YOUR MOUTH
SHUT, YOUR EYES OPEN
252
00:11:19,780 --> 00:11:21,114
AND YOU'LL LEARN SOMETHING.
253
00:11:22,950 --> 00:11:23,917
BARN, BARN
254
00:11:23,951 --> 00:11:25,218
THEY'RE COMING.
255
00:11:25,252 --> 00:11:27,154
PIPE DOWN.
THIS AIN'T A BALLPARK.
256
00:11:27,187 --> 00:11:29,890
HOW ABOUT A LITTLE ADVENTURE?
257
00:11:29,923 --> 00:11:30,958
FINE.
258
00:11:39,232 --> 00:11:41,034
SEE HOW HE SITS
REAL CLOSE TO HER?
259
00:11:41,068 --> 00:11:43,170
YOU'D PROBABLY SIT WAY
OVER AT THE OTHER END.
260
00:11:43,203 --> 00:11:44,905
HAVE TO MOVE TWO
OR THREE FEET.
261
00:11:44,938 --> 00:11:46,740
MIGHT TAKE YOU
HALF THE NIGHT.
262
00:11:46,774 --> 00:11:48,876
HE SURE AIN'T GIVING HER
MUCH ROOM.
263
00:11:48,909 --> 00:11:51,111
HE'S NOT SUPPOSED TO.
264
00:11:53,914 --> 00:11:55,182
LOOK, BARN. LOOK.
265
00:11:55,215 --> 00:11:57,084
ALL RIGHT, QUIET, QUIET.
266
00:11:57,117 --> 00:11:59,987
SEE, HE'S MAKING HIS MOVE NOW.
267
00:12:00,020 --> 00:12:01,855
OH, THAT'S SMOOTH.
268
00:12:01,889 --> 00:12:03,824
THAT'S REAL SMOOTH.
269
00:12:03,857 --> 00:12:06,927
NOTICE HOW HE DON'T CALL
ATTENTION TO HIS ARM?
270
00:12:06,960 --> 00:12:10,297
JUST FLOATS IT OUT THERE.
271
00:12:10,330 --> 00:12:13,333
THERE'S YOUR
AUTOMATIC REFLEX.
272
00:12:13,366 --> 00:12:15,102
WHY, IT SURE IS SOMETHING.
273
00:12:15,135 --> 00:12:16,904
JUST FLOATS IT OUT THERE.
274
00:12:18,371 --> 00:12:20,941
NOTHING TO WORRY ABOUT.
275
00:12:20,974 --> 00:12:22,910
DIVERSIONARY TACTICS.
276
00:12:22,943 --> 00:12:24,845
NOW WHERE'S THE FOX?
277
00:12:29,416 --> 00:12:31,919
SAW IT, BARN--
FLOATER.
278
00:12:31,952 --> 00:12:33,520
YEAH.
279
00:12:33,553 --> 00:12:35,856
UNLESS I MISS MY GUESS,
280
00:12:35,889 --> 00:12:39,459
YOU'VE GOT YOURSELF A KISS
COMING UP ABOUT NOW.
281
00:12:40,493 --> 00:12:42,095
BARN, BARN.
282
00:12:42,129 --> 00:12:43,864
QUIET, QUIET.
283
00:12:43,897 --> 00:12:45,265
THEY'RE DOING IT!
THEY'RE DOING IT!
284
00:12:45,298 --> 00:12:46,399
BE QUIET.
285
00:12:46,433 --> 00:12:48,368
ATTABOY, ANDY!
ATTABOY, ANDY!
286
00:12:48,401 --> 00:12:49,469
COME ON, ANDY!
287
00:12:49,502 --> 00:12:51,104
WAY TO GO!
HEY! BOY HOWDY!
288
00:12:51,138 --> 00:12:52,272
HEY, WAY TO GO, ANDY.
289
00:12:52,305 --> 00:12:54,241
BEAUTIFUL.
YOU TOO, MISS HELEN.
290
00:12:54,274 --> 00:12:57,010
BARNEY, WHAT ARE YOU AND GOOBER
DOING OUT HERE?
291
00:12:57,044 --> 00:12:58,045
WE WAS JUST....
292
00:12:58,078 --> 00:12:59,880
WE WERE IN THE
NEIGHBORHOOD...
293
00:12:59,913 --> 00:13:02,149
NOW, IT'S NOT WHAT
YOU THINK, ANGE.
294
00:13:02,182 --> 00:13:03,483
SMOOTH, ANDY,
295
00:13:03,516 --> 00:13:05,018
THE WAY YOU FLOATED
THAT ARM OUT THERE.
296
00:13:05,052 --> 00:13:06,119
YOU, TOO, HELEN.
297
00:13:06,153 --> 00:13:07,855
COME ON.
298
00:13:18,265 --> 00:13:20,000
YOU SURE YOU'RE
NOT MAD ANYMORE?
299
00:13:20,033 --> 00:13:22,502
I'M NOT MAD.
300
00:13:22,535 --> 00:13:23,603
YOU POSITIVE?
301
00:13:23,636 --> 00:13:25,873
I'M POSITIVE.
302
00:13:27,941 --> 00:13:29,442
YOU'RE STILL MAD.
I CAN TELL.
303
00:13:29,476 --> 00:13:31,344
YOU KEEP IT UP
AND I'LL GET MAD.
304
00:13:35,883 --> 00:13:37,017
IS HELEN MAD?
305
00:13:37,050 --> 00:13:38,318
SHE GOT OVER IT.
306
00:13:38,351 --> 00:13:40,153
YOU POSITIVE?
307
00:13:40,187 --> 00:13:42,890
SHE DID ASK ME TO PICK UP
SOME BLACKOUT CURTAINS.
308
00:13:42,923 --> 00:13:44,257
OH, THAT'S VERY FUNNY.
309
00:13:44,291 --> 00:13:46,259
IT JUST SO HAPPENS THIS
WHOLE THING WAS YOUR IDEA.
310
00:13:46,293 --> 00:13:47,895
MY IDEA?!
YEAH, YOUR IDEA.
311
00:13:47,928 --> 00:13:49,930
YOU'RE THE ONE THAT WANTED
TO GET GOOBER A GIRL.
312
00:13:49,963 --> 00:13:51,331
WHAT'S THAT GOT TO DO
313
00:13:51,364 --> 00:13:53,600
WITH YOU SNEAKING AROUND
PEEPING INTO HELEN'S HOUSE?
314
00:13:53,633 --> 00:13:55,435
WELL, I DID THAT
FOR US!
315
00:13:55,468 --> 00:13:58,371
THANKS TO ME, HE'S GOING OUT
WITH LYDIA TONIGHT.
316
00:13:58,405 --> 00:13:59,506
HE IS?
317
00:13:59,539 --> 00:14:02,142
YEAH. HE LEARNED
SOMETHING AFTER ALL.
318
00:14:02,175 --> 00:14:03,410
OH.
319
00:14:03,443 --> 00:14:06,246
WELL, GOOD.
320
00:14:06,279 --> 00:14:08,381
AT LEAST WE CAN GET
TOGETHER WITH OUR GIRLS
321
00:14:08,415 --> 00:14:09,950
AND BE ALONE
FOR A CHANGE.
322
00:14:09,983 --> 00:14:11,885
SURE. I DON'T KNOW
WHY WE'RE ARGUING.
323
00:14:11,919 --> 00:14:13,987
ACTUALLY, EVERYTHING
TURNED OUT JUST FINE.
324
00:14:14,021 --> 00:14:16,223
IN A WAY, THE WHOLE THING'S
KIND OF GRATIFYING.
325
00:14:16,256 --> 00:14:17,224
GRATIFYING?
326
00:14:17,257 --> 00:14:18,959
WHEN YOU WORK WITH A MAN,
327
00:14:18,992 --> 00:14:21,995
YOU SHAPE HIM, YOU HELP HIM,
YOU MOLD HIM.
328
00:14:22,029 --> 00:14:26,033
THEN ONE DAY, IT ALL PAYS OFF--
WHEN HE GOES OUT THERE TO SOLO.
329
00:14:31,939 --> 00:14:34,674
NOW, REMEMBER, BARN --
NO GIVING SIGNALS.
330
00:14:34,707 --> 00:14:37,144
NO KICKING UNDER THE TABLE
OR MAKING FACES.
331
00:14:37,177 --> 00:14:38,578
KID,
WHEN IT COMES TO BRIDGE,
332
00:14:38,611 --> 00:14:40,413
I DON'T NEED TO RESORT
TO THEM ANTICS.
333
00:14:40,447 --> 00:14:42,983
LAST TIME, I SAW YOU TWITCHING
YOUR NOSE AT THELMA LOU.
334
00:14:44,151 --> 00:14:47,287
SURE, YOU DID.
SURE, YOU DID.
335
00:14:47,320 --> 00:14:51,124
WELL, WELL, WELL, WELL, WELL,
WELL, WELL, WELL, WELL...
336
00:14:55,228 --> 00:14:57,464
I BELIEVE YOU OPEN THE BIDDING,
ANGE.
337
00:14:57,497 --> 00:14:58,531
MM-HMM.
338
00:14:58,565 --> 00:15:00,934
HMM. HMM. HMM. HMM.
339
00:15:00,968 --> 00:15:03,403
PASS.
340
00:15:03,436 --> 00:15:05,005
OH, LET'S SEE.
341
00:15:11,511 --> 00:15:13,947
UM, UH, ONE HEART.
342
00:15:13,981 --> 00:15:15,448
WHAT'S THAT?
WHAT?
343
00:15:15,482 --> 00:15:17,450
YOU SCRATCH YOUR HEART, SHE SAYS
"ONE HEART." WHAT'S THAT?
344
00:15:17,484 --> 00:15:19,286
I WASN'T SCRATCHING MY HEART.
I WAS JUST SCRATCHING.
345
00:15:19,319 --> 00:15:20,988
JUST SCRATCHING? UH-HUH.
I DON'T WANT HEARTS.
346
00:15:21,021 --> 00:15:22,622
STOP THAT. STOP THAT.
STOP THAT. STOP THAT.
347
00:15:22,655 --> 00:15:24,557
HEARTS ISN'T EVEN WHAT I WANT.
GO AHEAD, HELEN.
348
00:15:24,591 --> 00:15:25,993
UH, PASS.
349
00:15:26,026 --> 00:15:27,060
TWO HEARTS.
350
00:15:27,094 --> 00:15:29,229
WHAT?
TWO HEARTS?
351
00:15:29,262 --> 00:15:30,363
WHAT'S THIS?
352
00:15:30,397 --> 00:15:31,965
THAT -- I WASN'T --
353
00:15:31,999 --> 00:15:33,733
I JUST DON'T WANT TO BE
THE DUMMY OR SOMETHING.
354
00:15:36,369 --> 00:15:38,505
OH, OH, WOULD YOU
GET THAT, PLEASE?
355
00:15:38,538 --> 00:15:39,539
OH, OKAY.
356
00:15:39,572 --> 00:15:41,408
THANK YOU, ANDY.
357
00:15:42,542 --> 00:15:44,477
BARNEY!
358
00:15:46,713 --> 00:15:48,315
HEY, ANDY.
HEY, GOOBER.
359
00:15:48,348 --> 00:15:49,382
THOUGHT YOU'D
BE OVER HERE.
360
00:15:49,416 --> 00:15:51,184
THOUGHT WE'D DROP BY
AND SEE YOU.
361
00:15:51,218 --> 00:15:52,219
SAY HEY TO LYDIA.
362
00:15:52,252 --> 00:15:53,620
HEY, LYDIA.
HELLO.
363
00:15:53,653 --> 00:15:55,989
COMING OVER,
SHE TOOK MY ARM.
364
00:15:56,023 --> 00:15:57,124
SWELL.
365
00:15:57,157 --> 00:15:58,691
WELL, UM,
WON'T YOU COME IN?
366
00:15:58,725 --> 00:16:02,329
UH, LYDIA, THIS IS HELEN
AND THELMA LOU.
367
00:16:02,362 --> 00:16:04,664
THELMA, HELEN,
THIS IS LYDIA.
368
00:16:04,697 --> 00:16:05,732
BARNEY.
369
00:16:05,765 --> 00:16:07,634
AND EVERYBODY
KNOWS GOOBER.
370
00:16:07,667 --> 00:16:08,768
HELLO, GOOBER.
371
00:16:08,801 --> 00:16:10,070
HEY.
372
00:16:10,103 --> 00:16:11,438
YOUR HOUSE LOOKS
REAL NICE, HELEN.
373
00:16:11,471 --> 00:16:12,539
Helen:
THANK YOU.
374
00:16:12,572 --> 00:16:14,441
SURE LOOKS DIFFERENT
ON THE INSIDE.
375
00:16:14,474 --> 00:16:16,443
GOOBER.
376
00:16:16,476 --> 00:16:18,545
YOU LOOK VERY...
VERY NICE, LYDIA.
377
00:16:18,578 --> 00:16:19,646
THANK YOU.
378
00:16:19,679 --> 00:16:22,282
YOU LOOK VERY NICE
TONIGHT, GOOBER.
379
00:16:22,315 --> 00:16:23,283
THANK YOU.
380
00:16:23,316 --> 00:16:25,052
YOUR HAIR
IS DRIPPING.
381
00:16:25,085 --> 00:16:27,154
LYDIA, WOULDN'T YOU
AND GOOBER LIKE
382
00:16:27,187 --> 00:16:28,655
TO SIT DOWN
ON THE COUCH?
383
00:16:28,688 --> 00:16:29,789
OH, NO, WE COULDN'T
SIT THERE.
384
00:16:29,822 --> 00:16:31,258
THAT'S FOR YOU
AND ANDY.
385
00:16:31,291 --> 00:16:33,393
THAT'S THE COUCH
I WAS TELLING YOU ABOUT.
386
00:16:33,426 --> 00:16:36,129
WELL, UH,
MAKE YOURSELF AT HOME.
387
00:16:36,163 --> 00:16:38,031
YEAH. SIT
SOMEWHERE.
388
00:16:38,065 --> 00:16:39,232
SIT, UH, HERE.
389
00:16:39,266 --> 00:16:40,233
THELMA LOU.
390
00:16:40,267 --> 00:16:41,234
THANK YOU.
391
00:16:41,268 --> 00:16:42,369
SIT, BARN.
392
00:16:42,402 --> 00:16:45,138
LYDIA, WOULD YOU CARE
FOR A PRETZEL?
393
00:16:45,172 --> 00:16:46,573
NO, THANK YOU.
394
00:16:46,606 --> 00:16:49,042
THEY LAY ON MY CHEST.
395
00:16:49,076 --> 00:16:50,443
I'M SORRY.
396
00:16:50,477 --> 00:16:51,744
GOOBER?
397
00:16:51,778 --> 00:16:53,546
YO.
398
00:16:53,580 --> 00:16:57,350
NOT MUCH LAYS
ON HI CHEST.
399
00:17:02,655 --> 00:17:05,192
WHAT Y'ALL
DOIN' TONIGHT?
400
00:17:06,459 --> 00:17:08,161
WE WERE
PLAYING BRIDGE.
401
00:17:08,195 --> 00:17:10,163
I ALWAYS DID WANT
TO LEARN THAT GAME.
402
00:17:10,197 --> 00:17:12,299
SIX CAN'T PLAY
BRIDGE, GOOBER.
403
00:17:12,332 --> 00:17:14,801
WELL, HOW ABOUT SET-BACK
OR GO FISH?
404
00:17:14,834 --> 00:17:17,137
WANT TO PLAY
GO FISH, LYDIA?
405
00:17:17,170 --> 00:17:18,271
I DON'T GAMBLE.
406
00:17:18,305 --> 00:17:19,606
SHE DON'T GAMBLE.
407
00:17:19,639 --> 00:17:21,408
THAT'S NICE.
408
00:17:21,441 --> 00:17:23,710
NEVER HAVE
TO ARREST YOU.
409
00:17:28,181 --> 00:17:31,118
WELL, WE DON'T
HAVE TO PLAY CARDS.
410
00:17:31,151 --> 00:17:32,385
NO.
411
00:17:32,419 --> 00:17:34,521
LYDIA,
HOW'S YOUR FAMILY?
412
00:17:34,554 --> 00:17:37,090
FINE.
413
00:17:39,159 --> 00:17:40,527
UH, IS, UH...
414
00:17:40,560 --> 00:17:42,862
IS YOUR FATHER STILL
WITH THE LUMBER PLANT?
415
00:17:42,895 --> 00:17:44,664
NO.
416
00:17:44,697 --> 00:17:46,533
WELL, WHAT'S HE DOING?
417
00:17:46,566 --> 00:17:47,734
WHO?
418
00:17:47,767 --> 00:17:49,336
YOUR FATHER.
419
00:17:49,369 --> 00:17:50,370
HE'S WORKING.
420
00:17:50,403 --> 00:17:51,771
OH.
421
00:17:51,804 --> 00:17:55,175
THAT'S GOOD.
422
00:17:56,309 --> 00:17:59,112
YEAH, WELL, THAT'S
ABSOLUTELY RIGHT.
423
00:17:59,146 --> 00:18:00,413
ABSOLUTELY RIGHT.
424
00:18:00,447 --> 00:18:01,448
WHAT'S THAT?
425
00:18:01,481 --> 00:18:03,283
OH, ABOUT A MAN WORKING.
426
00:18:03,316 --> 00:18:04,284
OH.
427
00:18:04,317 --> 00:18:06,219
IT'S GOOD FOR
A MAN TO WORK.
428
00:18:06,253 --> 00:18:07,687
I BELIEVE IN WORK.
429
00:18:07,720 --> 00:18:10,357
SOME PEOPLE
ARE AGAINST WORK,
430
00:18:10,390 --> 00:18:13,660
BUT I'VE ALWAYS FELT
THAT IF A MAN WORKS
431
00:18:13,693 --> 00:18:16,329
AND HE HAS PRIDE
IN HIS WORK
432
00:18:16,363 --> 00:18:19,399
WELL, THERE YOU'VE GOT
A MAN THAT...
433
00:18:19,432 --> 00:18:20,433
UH...
434
00:18:23,670 --> 00:18:25,305
MY FATHER HATES HIS JOB.
435
00:18:27,440 --> 00:18:29,242
WHY DON'T WE
JUST GO SOMEPLACE?
436
00:18:29,276 --> 00:18:30,810
SURE. WHERE DO
YOU WANT TO GO?
437
00:18:30,843 --> 00:18:32,879
THERE'S A GOOD MOVIE
OVER IN MT. PILOT
438
00:18:32,912 --> 00:18:34,414
"THE RAIDERS OF TRIPOLI."
439
00:18:34,447 --> 00:18:35,415
OH, YEAH.
440
00:18:35,448 --> 00:18:37,250
HOW ABOUT
THAT?
441
00:18:37,284 --> 00:18:38,285
I SAW IT.
442
00:18:38,318 --> 00:18:39,586
SHE SEEN IT.
443
00:18:50,630 --> 00:18:51,698
HEY, I GOT IT.
444
00:18:51,731 --> 00:18:52,899
I GOT IT.
445
00:18:52,932 --> 00:18:55,468
WE HAVEN'T BEEN
BOWLING IN A LONG TIME.
446
00:18:55,502 --> 00:18:56,703
LET'S GO BOWLING.
447
00:18:56,736 --> 00:18:57,704
I'D LOVE IT.
448
00:18:57,737 --> 00:18:58,705
GOOD IDEA.
449
00:18:58,738 --> 00:19:00,173
YOU BOWL, LYDIA?
450
00:19:00,207 --> 00:19:01,608
I'VE DONE IT.
451
00:19:01,641 --> 00:19:03,410
GOOD, GOOD, GOOD.
452
00:19:03,443 --> 00:19:05,545
CAN'T.
I HAVE A BAD BACK.
453
00:19:05,578 --> 00:19:08,281
IF I THREW A BALL,
I'D BE IN TRACTION FOR A MONTH.
454
00:19:11,851 --> 00:19:12,952
WELL, LISTEN,
EVERYBODY.
455
00:19:12,985 --> 00:19:14,221
WE'RE NOT
BEING FAIR.
456
00:19:14,254 --> 00:19:15,555
WHY DON'T WE LET
LYDIA CHOOSE
457
00:19:15,588 --> 00:19:16,689
WHAT WE'RE
GOING TO DO?
458
00:19:16,723 --> 00:19:17,824
YOU KNOW,
HELEN'S RIGHT.
459
00:19:17,857 --> 00:19:19,559
WHAT DO YOU WANT
TO DO, LYDIA?
460
00:19:19,592 --> 00:19:20,760
ANYTHING.
461
00:19:20,793 --> 00:19:22,762
ACTUALLY, WHY DO WE
HAVE TO GO ANYWHERE?
462
00:19:22,795 --> 00:19:24,864
CAN'T WE JUST
STAY HERE AND TALK,
463
00:19:24,897 --> 00:19:26,466
LIKE WE'VE BEEN DOING?
464
00:19:26,499 --> 00:19:27,467
UH...
465
00:19:27,500 --> 00:19:30,203
LET'S GO FOR A DRIVE.
466
00:19:30,237 --> 00:19:31,304
WHERE?
467
00:19:31,338 --> 00:19:33,640
ANYWHERE.
JUST A DRIVE AROUND.
468
00:19:33,673 --> 00:19:35,608
OH, I DON'T KNOW
ABOUT CAR RIDES.
469
00:19:35,642 --> 00:19:36,609
I GET CARSICK.
470
00:19:36,643 --> 00:19:38,978
YOU CAN SIT
BY THE WINDOW.
471
00:19:39,011 --> 00:19:40,913
WELL, YOU CAN SIT
BY THE WINDOW, LYDIA.
472
00:19:40,947 --> 00:19:42,415
ANDY SAID
IT'S ALL RIGHT.
473
00:19:53,793 --> 00:19:55,228
WHERE AM I
GOING TO SIT?
474
00:19:55,262 --> 00:19:56,663
I HAVE TO BE
NEAR THE WINDOW.
475
00:19:56,696 --> 00:19:58,898
COULD YOU MOVE OVER
A LITTLE BIT, BARN?
476
00:19:58,931 --> 00:20:00,800
THE DOOR HANDLE'S
ALREADY IN MY SIDE.
477
00:20:00,833 --> 00:20:02,402
THIS JUST AIN'T
GONNA WORK.
478
00:20:02,435 --> 00:20:04,271
ONE OF YOU GET
IN THE FRONT.
479
00:20:04,304 --> 00:20:05,272
GO ON, GOOB.
480
00:20:05,305 --> 00:20:06,506
YOU'RE NEXT
TO THE DOOR.
481
00:20:06,539 --> 00:20:08,508
I'D LIKE TO SIT
NEXT TO THELMA LOU.
482
00:20:08,541 --> 00:20:09,942
WHAT ABOUT
ME AND LYDIA?
483
00:20:09,976 --> 00:20:11,778
WHAT ABOUT
YOU AND LYDIA?
484
00:20:11,811 --> 00:20:13,413
ONE OF YOU GET
IN THE FRONT.
485
00:20:13,446 --> 00:20:15,582
A LOT YOU CARE.
YOU'RE UP THERE WITH HELEN.
486
00:20:15,615 --> 00:20:18,518
WE'RE NOT MOVING TILL ONE OF YOU
GETS IN THE FRONT.
487
00:20:20,019 --> 00:20:21,020
ARE WE ALL SET?
488
00:20:21,053 --> 00:20:22,889
YEAH. LET'S
START DRIVING.
489
00:20:22,922 --> 00:20:24,524
YOU ALL RIGHT,
LYDIA?
490
00:20:24,557 --> 00:20:27,594
YES. NOW THAT I'M
NEAR THE WINDOW.
491
00:20:36,569 --> 00:20:38,371
ANDY, IT SURE WAS NICE
OF YOU TO GO BACK
492
00:20:38,405 --> 00:20:39,672
AND GET LYDIA'S
HAIR RIBBON.
493
00:20:39,706 --> 00:20:41,374
GOOBER, WOULD
YOU TELL HER
494
00:20:41,408 --> 00:20:43,676
TO QUIT HANGING HER HEAD
OUT THE WINDOW LIKE A DOG?
495
00:20:45,545 --> 00:20:46,713
WE OUGHT TO TELL HIM.
496
00:20:46,746 --> 00:20:48,415
WE OUGHT TO COME
RIGHT OUT AND TELL HIM.
497
00:20:48,448 --> 00:20:49,849
BARNEY, HE'S STILL
A FRIEND OF OURS.
498
00:20:49,882 --> 00:20:51,418
NO SENSE IN HURTING
HIS FEELINGS.
499
00:20:51,451 --> 00:20:53,420
I'LL STRAIGHTEN HIM OUT.
DON'T JUMP ON HIM.
500
00:20:53,453 --> 00:20:55,021
IF WE START
PUSSYFOOTING AROUND,
501
00:20:55,054 --> 00:20:57,524
HE'LL WANT TO COME
TO THAT DANCE TONIGHT.
502
00:20:57,557 --> 00:21:00,360
HORN RIGHT IN, DRAGGING
THAT ALBATROSS WITH HIM.
503
00:21:00,393 --> 00:21:02,429
HE WON'T HORN IN.
I'LL TALK TO HIM.
504
00:21:02,462 --> 00:21:03,796
LET ME DO
THE TALKING.
505
00:21:03,830 --> 00:21:05,965
I'LL COME RIGHT OUT
AND TELL HIM.
506
00:21:05,998 --> 00:21:07,500
HEY, ANDY. BARN.
507
00:21:07,534 --> 00:21:08,501
HI, GOOBER.
508
00:21:08,535 --> 00:21:09,702
GOOBER,
FROM NOW ON...
509
00:21:09,736 --> 00:21:11,304
BARNEY.
510
00:21:12,672 --> 00:21:14,807
GOOBER, UH...
511
00:21:16,343 --> 00:21:18,044
ABOUT THE DANCE TONIGHT.
512
00:21:18,077 --> 00:21:19,812
SORRY, ANDY.
CAN'T MAKE IT.
513
00:21:19,846 --> 00:21:22,315
GOING OVER TO LYDIA'S.
WHAT?
514
00:21:22,349 --> 00:21:23,550
THAT'S RIGHT.
515
00:21:23,583 --> 00:21:24,917
ALL DATED UP.
516
00:21:24,951 --> 00:21:27,987
OH. WELL...WELL,
THAT'S GREAT, GOOBER.
517
00:21:28,020 --> 00:21:29,922
THAT'S GREAT.
ISN'T THAT WONDERFUL?
518
00:21:29,956 --> 00:21:31,358
IT IS WONDERFUL.
519
00:21:31,391 --> 00:21:32,792
AND I SURE WANT
TO THANK YOU TWO
520
00:21:32,825 --> 00:21:34,327
FOR ALL THE HELP
YOU GIVE ME.
521
00:21:34,361 --> 00:21:36,396
OH, IT WAS NOTHING.
NOTHING AT ALL.
522
00:21:36,429 --> 00:21:39,432
HEY, LISTEN, WANT
TO GET OFF TO A GOOD START?
523
00:21:39,466 --> 00:21:40,633
YO.
524
00:21:40,667 --> 00:21:42,835
TAKE HER A BOX OF CANDY.
NEVER FAILS.
525
00:21:42,869 --> 00:21:44,504
ANDY'S RIGHT
ABOUT THAT.
526
00:21:44,537 --> 00:21:46,939
SINCE WE GOT YOU STARTED
ON THIS IN THE FIRST PLACE,
527
00:21:46,973 --> 00:21:49,008
IT'S ONLY FAIR
THAT WE BUY THE FIRST BOX.
528
00:21:49,041 --> 00:21:50,610
YOU DON'T HAVE
TO DO THAT, ANDY.
529
00:21:50,643 --> 00:21:51,844
YOU GO OVER
TO DOWNEY'S.
530
00:21:51,878 --> 00:21:53,613
GET A BIG BOX
OF ASSORTED DELUXE.
531
00:21:53,646 --> 00:21:54,881
TAKE IT RIGHT TO HER.
532
00:21:54,914 --> 00:21:56,883
OH, YOU DON'T
HAVE TO...
533
00:21:56,916 --> 00:21:58,117
TAKE IT, TAKE IT.
534
00:21:58,150 --> 00:21:59,386
YEAH,
TAKE IT.
535
00:21:59,419 --> 00:22:00,787
I'LL SETTLE WITH
YOU LATER, ANGE.
536
00:22:00,820 --> 00:22:02,822
HOW CAN I EVER
THANK YOU?
537
00:22:02,855 --> 00:22:05,858
LISTEN, JUST HAVING
YOU AND LYDIA TOGETHER
538
00:22:05,892 --> 00:22:08,861
BY YOURSELVES
IS THANKS ENOUGH.
539
00:22:11,598 --> 00:22:12,932
WE'LL SEE YOU, GOOB.
540
00:22:15,735 --> 00:22:17,470
WELL?
WE DID IT.
541
00:22:17,504 --> 00:22:19,839
YEAH.
542
00:22:19,872 --> 00:22:21,107
COME ON.
543
00:22:22,174 --> 00:22:24,544
WELL, ISN'T IT NICE
THAT GOOBER IS OVER
544
00:22:24,577 --> 00:22:25,812
AT LYDIA'S HOUSE
TONIGHT.
545
00:22:25,845 --> 00:22:26,813
REAL NICE.
546
00:22:26,846 --> 00:22:28,448
LET'S GO.
547
00:22:28,481 --> 00:22:31,017
IT'S TIME FOR FREDDIE FLEET
AND HIS BAND WITH A BEAT.
548
00:22:31,050 --> 00:22:32,084
HEY, EVERYBODY.
549
00:22:32,118 --> 00:22:33,520
OH, HEY, GOOBER.
550
00:22:33,553 --> 00:22:35,655
LOOKED FOR YOU
AT THE COURTHOUSE.
551
00:22:35,688 --> 00:22:37,590
FIGURED YOU'D BE
OVER HERE.
552
00:22:37,624 --> 00:22:40,092
THEY'RE HERE ALL RIGHT, LYDIA.
COME ON IN.
553
00:22:40,126 --> 00:22:41,628
HEY, LYDIA.
HELLO.
554
00:22:41,661 --> 00:22:42,829
HELLO.
555
00:22:42,862 --> 00:22:45,031
THOUGHT YOU ALL WOULD BE
OVER AT LYDIA'S.
556
00:22:45,064 --> 00:22:46,032
WAS.
557
00:22:46,065 --> 00:22:47,099
ATE UP THAT BOX OF CANDY.
558
00:22:47,133 --> 00:22:48,968
WASN'T NOTHING ELSE
LEFT TO DO.
559
00:22:49,001 --> 00:22:50,837
Y'ALL GOIN'
TO THE DANCE?
560
00:22:50,870 --> 00:22:54,106
UH... WELL, WE, UH,
WE THOUGHT WE MIGHT.
561
00:22:54,140 --> 00:22:55,508
MIND IF WE
COME ALONG?
562
00:22:55,542 --> 00:22:56,643
LYDIA DON'T DANCE.
563
00:22:56,676 --> 00:22:57,844
BUT WE CAN ALL
SIT AROUND
564
00:22:57,877 --> 00:22:59,646
AND LISTEN TO MUSIC
AND TALK.
565
00:23:01,648 --> 00:23:04,651
UH, WELL, SHALL WE ALL
GO OUT TO THE CAR
566
00:23:04,684 --> 00:23:06,118
AND FIND OUR PLACES?
567
00:23:06,152 --> 00:23:07,587
DO YOU MIND
IF WE WALK?
568
00:23:07,620 --> 00:23:08,755
I FEEL A LITTLE NAUSEOUS
569
00:23:08,788 --> 00:23:10,790
FROM ALL THAT CANDY
WE'VE BEEN EATING.
570
00:23:15,862 --> 00:23:17,964
NICE GOING, ANDY.
571
00:23:23,903 --> 00:23:25,438
HOW OLD WERE YOU THERE?
8.
572
00:23:25,472 --> 00:23:27,940
SKINNY YOUNG'UN.
SKINNY YOUNG'UN.
573
00:23:27,974 --> 00:23:29,642
PHEW.
574
00:23:37,617 --> 00:23:40,086
HI, GANG.
575
00:23:40,119 --> 00:23:42,489
DROPPED THEL OFF.
576
00:23:42,522 --> 00:23:45,124
DECIDED TO MAKE KIND OF
AN EARLY EVENING OUT OF IT.
577
00:23:45,157 --> 00:23:47,193
AHH.
578
00:23:47,226 --> 00:23:49,061
YOU KNOW, THAT WASN'T
TOO BAD A DANCE,
579
00:23:49,095 --> 00:23:51,063
EVEN WITH GOOBER HANGING AROUND
LIKE THAT.
580
00:23:51,097 --> 00:23:52,732
HOW ABOUT THAT GOOBER,
ANYWAYS?
581
00:23:52,765 --> 00:23:54,601
WHAT ARE WE GONNA DO
ABOUT HIM, ANGE?
582
00:23:54,634 --> 00:23:56,736
NOW IS AS GOOD A TIME AS ANY
TO TALK ABOUT IT.
583
00:23:56,769 --> 00:23:58,538
I DON'T KNOW, BARN.
584
00:23:58,571 --> 00:24:01,674
YOU KNOW, HE'S REALLY TURNING
INTO A PROBLEM,
585
00:24:01,708 --> 00:24:05,011
THE WAY HE HANGS AROUND AND
HANGS AROUND AND HANGS AROUND.
586
00:24:06,513 --> 00:24:07,714
WHAT YOU KIDS BEEN DOING?
587
00:24:09,048 --> 00:24:10,850
UH, JUST SITTIN' AROUND.
588
00:24:14,621 --> 00:24:15,788
UH, HEY, BARNEY?
589
00:24:17,089 --> 00:24:20,627
HELEN AND I THOUGHT THAT WE
MIGHT GO OUT TO MORELLI'S
590
00:24:20,660 --> 00:24:22,028
AND -- AND GET A PIZZA.
591
00:24:22,061 --> 00:24:25,998
HEY, WHY DON'T WE DO THAT?
COME ON. LET'S GO.
592
00:24:26,032 --> 00:24:28,200
COME ON.
COME ON.
593
00:24:28,234 --> 00:24:29,869
YOU KNOW WHAT I'M GONNA DO,
ANDY?
594
00:24:29,902 --> 00:24:31,604
I'M GONNA TALK TO GOOBER.
595
00:24:31,638 --> 00:24:33,806
I MEAN, I'M GONNA LAY IT
RIGHT OUT FOR HIM AND TELL HIM,
596
00:24:33,840 --> 00:24:36,743
BECAUSE AFTER ALL,
A PEST IS A PEST IS A PEST...
39788
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
