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These are the user uploaded subtitles that are being translated: 1 00:00:16,850 --> 00:00:19,085 ARE YOU GONNA SWITCH THE CARBURETOR BACK AFTER YOU PASS EMISSIONS? 2 00:00:19,119 --> 00:00:20,754 WASN�T PLANNING ON IT. 3 00:00:20,787 --> 00:00:22,923 I�D PLAN ON IT IF I WAS YOU. 4 00:00:22,956 --> 00:00:25,425 YOU�VE GOT A SERIOUS DEFICIENCY IN HORSEPOWER. 5 00:00:25,458 --> 00:00:27,060 HOW DO YOU KNOW? 6 00:00:27,093 --> 00:00:30,831 A CAR SHOULD RUN AT LEAST AS POWERFUL AS THE AUTOMAKERS INTENDED. 7 00:00:30,864 --> 00:00:32,065 MINIMUM. 8 00:00:32,098 --> 00:00:33,433 JOEY, IF I CHECK THE ODOMETER, 9 00:00:33,466 --> 00:00:35,536 IS IT GONNA READ 85,362? 10 00:00:35,569 --> 00:00:37,638 COULD BE 8 INSTEAD OF 2, THE LAST NUMBER. 11 00:00:39,105 --> 00:00:41,007 SO ME ASKIN� YOU DON�T DRIVE IT 12 00:00:41,041 --> 00:00:42,909 TILL WE�RE TOTALLY ROAD?WORTHY WAS WHAT?? 13 00:00:42,943 --> 00:00:44,511 JUST BREEZE IN YOUR FACE? 14 00:00:44,545 --> 00:00:45,912 I DRIVE A BUS, OK? 15 00:00:45,946 --> 00:00:47,948 I NEEDED TO FEEL SOMETHING WITH A LITTLE PUNCH. 16 00:00:47,981 --> 00:00:49,349 I�LL GIVE YOU A LITTLE PUNCH. 17 00:00:49,382 --> 00:00:51,752 I KNOW ABOUT YOU COPS AND YOUR STREET JUSTICE. 18 00:00:51,785 --> 00:00:53,587 YOU�RE STILL DRIVING HER UP TO CAMP SMITH THIS WEEKEND, RIGHT? 19 00:00:53,620 --> 00:00:55,589 MAYBE. 20 00:00:55,622 --> 00:00:56,757 WHAT THEY GOT YOU DOIN�? 21 00:00:56,790 --> 00:00:58,525 I GOTTA RUN AN M?16 RANGE 22 00:00:58,559 --> 00:01:00,126 FOR MPs TRYING TO QUALIFY. 23 00:01:00,160 --> 00:01:01,261 YOU? 24 00:01:01,294 --> 00:01:04,264 OIL CHANGES ON 40 HUMVEES. 25 00:01:06,099 --> 00:01:08,068 COME ON, JOEY, YOU GOTTA WORK. 26 00:01:08,101 --> 00:01:10,203 WHAT�S THE BIG DEAL? ONE GOOD PISS, AND I�M FINE. 27 00:01:10,236 --> 00:01:12,405 YOU KNOW, YOU�RE NOT GONNA BE SUCH A SMART?ASS 28 00:01:12,438 --> 00:01:14,575 IF YOUR DISPATCHER MAKES YOU DRUNK AND YOU LOSE YOUR JOB. 29 00:01:14,608 --> 00:01:16,643 I BEEN GETTIN� THIS GUY EVERY DAY FOR A WHILE. 30 00:01:16,677 --> 00:01:19,780 HE GETS ON AT AMSTERDAM AND 95th. 31 00:01:19,813 --> 00:01:21,381 HE STANDS IN THE MIDDLE OF THE AISLE. 32 00:01:21,414 --> 00:01:24,117 TWICE NOW, SOME LADY HAS SLAPPED HIM. 33 00:01:24,150 --> 00:01:27,287 THIS LAST TIME, I ASK IF ANYTHING IS WRONG. 34 00:01:27,320 --> 00:01:30,724 SHE SAYS THIS GUY JUST GROPED HER. 35 00:01:30,757 --> 00:01:32,893 HE GOES, "THE BUS LURCHED." 36 00:01:32,926 --> 00:01:34,728 AND HE BUMPED INTO HER. 37 00:01:34,761 --> 00:01:36,597 WELL, I KNOW A GUY IN TRANSIT DIVISION. 38 00:01:36,630 --> 00:01:38,732 YOU WANT ME TO TALK TO HIM? 39 00:01:38,765 --> 00:01:42,302 IF ANYBODY�S GONNA HANDLE THAT PERV, IT�S ME. 40 00:01:42,335 --> 00:01:43,770 OK, DANNY? 41 00:01:45,005 --> 00:01:46,973 OK, MR. LAW ENFORCEMENT?! 42 00:01:49,475 --> 00:01:52,746 JOEY, YOU GO GET YOURSELF A COUPLE OF SLICES AND A CUP OF COFFEE 43 00:01:52,779 --> 00:01:54,748 BEFORE YOU GO TO WORK. 44 00:01:54,781 --> 00:01:56,683 I�M SERIOUS, JOEY. 45 00:01:56,717 --> 00:01:58,251 THERE�S GONNA BE NO FIXIN� THIS CAR TOMORROW MORNING. 46 00:01:58,284 --> 00:01:59,986 THERE�S GONNA BE NO DRIVIN� IT UP THERE. 47 00:02:00,020 --> 00:02:01,187 THERE�S GONNA BE NO FUN, PERIOD. 48 00:02:05,491 --> 00:02:07,694 [TO "WIZARD OF OZ"] I�M OFF TO LENNY�S PIZZA 49 00:02:07,728 --> 00:02:09,963 TO GET MY 2 SLICES 50 00:02:09,996 --> 00:02:13,534 AND THE COFFEE WE BOTH KNOW HE MAKES THE NIGHT BEFORE 51 00:02:13,567 --> 00:02:16,169 AND WON�T THROW OUT, THE CHEAP BASTARD! 52 00:02:23,343 --> 00:02:25,378 SAME TIME TOMORROW MORNING? 53 00:02:25,411 --> 00:02:27,614 YEAH. 5 A. M. 54 00:02:27,648 --> 00:02:31,284 I�LL BRING YOU MY PIZZA CRUSTS FOR PROOF. 55 00:02:31,317 --> 00:02:35,188 UNCHAIN THESE GIRLS BEFORE YOU GO. PLEASE. 56 00:02:50,370 --> 00:02:51,772 [ELEVATOR BELL DINGS] 57 00:02:52,939 --> 00:02:54,407 WE�RE OFF THE ELEVATOR. 58 00:02:56,610 --> 00:02:58,979 THAT�S WHAT THAT DING WAS ABOUT. 59 00:02:59,012 --> 00:03:00,581 Woman: I HAVE NOTHING TO CONTRIBUTE. 60 00:03:00,614 --> 00:03:02,182 Russell: IF WE COULD JUST GET YOUR NAME? 61 00:03:02,215 --> 00:03:04,150 DORIS STEINMAN. 62 00:03:04,184 --> 00:03:08,589 I�M, UH, 37 YEARS OF AGE. 63 00:03:08,622 --> 00:03:10,591 D.O.A.�s FEMALE. ESTHER EARLE. 64 00:03:10,624 --> 00:03:11,758 LIVED IN 4A. 65 00:03:11,792 --> 00:03:14,027 THAT LADY FOUND HER. 66 00:03:14,060 --> 00:03:16,997 I TAKE THE ELEVATOR TO THE FIRST FLOOR EVERY MORNING, 67 00:03:17,030 --> 00:03:19,165 AND THEN I RUN UP THE STAIRS TO MY FLOOR. 68 00:03:19,199 --> 00:03:20,567 Martinez: YOU LIVE IN APARTMENT 12A? 69 00:03:20,601 --> 00:03:22,703 MORNING. YEAH, MORNING. 70 00:03:22,736 --> 00:03:24,037 HEY, GREG. 71 00:03:24,070 --> 00:03:26,439 I�M ON FLOOR 12. CORRECT. 72 00:03:26,472 --> 00:03:30,476 THE, UH, STAIRS IS THE AEROBIC COMPONENT OF MY EXERCISE REGIME. 73 00:03:34,581 --> 00:03:35,949 [SIGHS] 74 00:03:35,982 --> 00:03:37,884 CHOKED AND BEATEN. 75 00:03:37,918 --> 00:03:39,986 AND SHE WAS WRAPPED UP AND DUMPED HERE. 76 00:03:42,789 --> 00:03:44,457 I GUESS WE OUGHT TO CHECK HER APARTMENT. 77 00:03:49,295 --> 00:03:50,631 BEHIND YA. 78 00:03:53,266 --> 00:03:56,402 THAT AND A STRONG CUP OF COFFEE EVERY MORNING, 79 00:03:56,436 --> 00:03:58,672 YOU�D HIT THE FLOOR RUNNIN�. 80 00:05:21,254 --> 00:05:23,724 WHAT ARE YOU DOIN�? 81 00:05:23,757 --> 00:05:25,491 CATCHIN� MY BREATH. 82 00:05:32,198 --> 00:05:33,834 CAN I TALK TO YOU ABOUT SOMETHIN�? 83 00:05:36,002 --> 00:05:38,304 I�M NOT SO SURE I AIN�T GOT HALF A SITUATION BREWIN� UP 84 00:05:38,338 --> 00:05:39,873 WITH A FRIEND OF MINE FROM THE SERVICE. 85 00:05:39,906 --> 00:05:41,542 WHAT TYPE SITUATION? 86 00:05:41,575 --> 00:05:43,176 I�M WORRIED FOR HIM, YOU KNOW? 87 00:05:43,209 --> 00:05:44,377 FOR HIS EMOTIONAL WELL?BEING. 88 00:05:44,410 --> 00:05:46,012 WHAT�S HE DOING? 89 00:05:46,046 --> 00:05:48,214 HE�S GOT ANGER AND DIFFICULTY ADJUSTING?? 90 00:05:48,248 --> 00:05:50,483 IT�S HARD FOR HIM TO DEAL WITH. 91 00:05:50,517 --> 00:05:53,554 AND BEIN� THE GOOD GUY HE IS, HE LAUGHS IT OFF, 92 00:05:53,587 --> 00:05:55,388 HE TRIES MAKIN� A JOKE ABOUT EVERYTHING, 93 00:05:55,421 --> 00:05:57,157 BUT I CAN TELL IT�S SNEAKIN� IN ON HIM. 94 00:05:57,190 --> 00:06:00,561 YOU EVER SEEN HIM LOSE HIS TEMPER? 95 00:06:00,594 --> 00:06:03,730 UPSET, WHEN WE SAW SOME SAD THINGS IN THE SERVICE, 96 00:06:03,764 --> 00:06:05,098 BUT I�VE NEVER SEEN HIM BLOW. 97 00:06:07,568 --> 00:06:09,235 WE GOT RESERVE DUTY THIS WEEKEND. 98 00:06:09,269 --> 00:06:11,772 I�M GONNA HAVE A GOOD TALK WITH JOEY. 99 00:06:16,577 --> 00:06:18,244 THAT�S GOOD ADVICE, ANDY. 100 00:06:19,780 --> 00:06:22,215 ANY REASON TO LIKE THE WOMAN WHO FOUND THE D. O. A.? 101 00:06:22,248 --> 00:06:25,786 NAH. SHE FOUND HER �CAUSE SHE RUNS THE STAIRS INSIDE THE BUILDING 102 00:06:25,819 --> 00:06:27,120 6:15 EVERY MORNING. 103 00:06:27,153 --> 00:06:28,454 WHAT�D THE NEIGHBORS SAY? 104 00:06:28,488 --> 00:06:30,891 THEY DIDN�T SEE THE D.O.A. AROUND MUCH. 105 00:06:30,924 --> 00:06:33,627 FROM NOW ON, THEY AIN�T GONNA BE SEEIN� HER AROUND AT ALL. 106 00:06:33,660 --> 00:06:36,129 AS FAR AS THAT GOES, SHE WAS ON RESTRICTED INCOME. 107 00:06:36,162 --> 00:06:39,733 HER HUSBAND WAS KILLED A COUPLE OF YEARS AGO BY A GYPSY CAB DRIVER. 108 00:06:39,766 --> 00:06:41,702 YEAH, HE LET HIS LIFE INSURANCE LAPSE. 109 00:06:41,735 --> 00:06:44,938 SO WE�LL DO FOLLOW?UP CALLS ON THE NOT?AT?HOMES? 110 00:06:44,971 --> 00:06:49,710 I DON�T KNOW. THERE�S A LOT OF OTHER LIVE LEADS TO PURSUE. 111 00:06:49,743 --> 00:06:52,278 CRIME SCENE�S PROCESSING THE D. O. A.�s APARTMENT. 112 00:06:52,312 --> 00:06:53,814 WE�LL GO CHECK HOW THEY�RE DOIN� WITH THAT? 113 00:06:55,916 --> 00:06:58,118 WHY�D THEY CLOSE THE DOOR? 114 00:06:58,151 --> 00:07:01,454 YOU WANNA GET A SUBPOENA FROM THE D. A.�s OFFICE FOR THE D. O. A.�s PHONE? 115 00:07:01,487 --> 00:07:02,823 YEAH. 116 00:07:06,960 --> 00:07:08,829 [CLEARING THROAT] 117 00:07:13,700 --> 00:07:15,936 Sipowicz: THERE�S THAT FRIGHT WIG FROM THE CRIME SCENE. 118 00:07:15,969 --> 00:07:19,172 HAS SOMETHING FOR THE YOUNG DETECTIVE. 119 00:07:19,205 --> 00:07:21,575 OH, THE YOUNG DETECTIVE. 120 00:07:21,608 --> 00:07:24,845 THE HANDSOME YOUNG DETECTIVE WITH THE SHORT HAIR. 121 00:07:30,216 --> 00:07:31,317 [SOBS] 122 00:07:37,791 --> 00:07:40,293 I�M DETECTIVE SORENSON. 123 00:07:40,326 --> 00:07:42,162 DORIS STEINMAN. 124 00:07:42,195 --> 00:07:44,965 MY COLLEAGUES SAID YOU�VE GOT INFORMATION FOR ME. 125 00:07:44,998 --> 00:07:47,968 COULD WE TALK SOMEWHERE... SEQUESTERED? 126 00:07:48,001 --> 00:07:49,335 SURE. 127 00:07:59,479 --> 00:08:01,181 THANK YOU FOR TALKING TO ME PRIVATELY. 128 00:08:08,522 --> 00:08:09,389 THANK YOU. 129 00:08:15,361 --> 00:08:16,730 YOU HAVE LOVELY MANNERS. 130 00:08:16,763 --> 00:08:18,264 THANK YOU. 131 00:08:20,033 --> 00:08:22,002 CERTAIN MATTERS I�M MORE COMFORTABLE 132 00:08:22,035 --> 00:08:24,538 ADDRESSING WITH A YOUNG MAN LIKE YOURSELF, 133 00:08:24,571 --> 00:08:28,374 STILL CONNECTED TO HIS BODILY NEEDS AND DESIRES, 134 00:08:28,408 --> 00:08:31,344 WHICH PERHAPS AN OLDER MAN LIKE YOUR PARTNER ISN�T. 135 00:08:31,377 --> 00:08:33,346 ALL RIGHT, MRS. STEINMAN, 136 00:08:33,379 --> 00:08:35,716 WHY DON�T YOU TELL ME WHAT YOU NEED TO? 137 00:08:40,286 --> 00:08:42,689 [STIFLED SOB] 138 00:08:49,963 --> 00:08:54,200 THERE�S A TENANT IN 3B 139 00:08:54,234 --> 00:08:56,369 WHO�S BEEN ATTENDING TO THE NEEDS AND DESIRES 140 00:08:56,402 --> 00:08:58,204 OF SOME OF THE WOMEN IN THE BUILDING. 141 00:08:58,238 --> 00:09:01,708 WHEN HE SATISFIES THESE WOMEN�S NEEDS AND DESIRES, 142 00:09:01,742 --> 00:09:03,544 DOES HE CHARGE THEM MONEY? 143 00:09:03,577 --> 00:09:05,546 YES. 144 00:09:05,579 --> 00:09:07,113 BUT THAT DOESN�T KEEP HIM 145 00:09:07,147 --> 00:09:09,282 FROM SEEING YOU AS A PERSON. 146 00:09:09,315 --> 00:09:10,717 WHAT�S THIS TENANT�S NAME? 147 00:09:10,751 --> 00:09:12,553 RAUL. 148 00:09:12,586 --> 00:09:14,555 RAUL... 149 00:09:14,588 --> 00:09:17,891 RAUL MONTEZ OF 3B. 150 00:09:17,924 --> 00:09:22,462 DO YOU THINK RAUL MAY HAVE BEEN INVOLVED IN THE DEATH OF MRS. EARLE? 151 00:09:22,495 --> 00:09:24,397 WAS HE SERVICING HER, DO YOU KNOW? 152 00:09:24,430 --> 00:09:28,769 WELL, WHAT RAUL TOLD ME RECENTLY... 153 00:09:28,802 --> 00:09:32,973 HE??HE TOLD ME HE WAS ONLY SERVICING ME, 154 00:09:33,006 --> 00:09:35,208 BUT AFTER A CONVERSATION I HAD 155 00:09:35,241 --> 00:09:37,611 WITH CLAUDIA FILMET, IN 4F, 156 00:09:37,644 --> 00:09:40,647 I HAVE REASON TO DOUBT HIS VERACITY. 157 00:09:40,681 --> 00:09:44,217 SO, IF YOU WERE TO ASK ME TO GUESS THIS MORNING, 158 00:09:44,250 --> 00:09:47,988 I�D BET HE WAS STICKING IT TO EVERY WOMAN IN THE BUILDING. 159 00:09:48,021 --> 00:09:50,991 AND HE VERY WELL MAY BE YOUR KILLER. 160 00:09:51,024 --> 00:09:54,394 SO YOU GONNA ARREST HIM? 161 00:09:54,427 --> 00:09:58,331 UM, IT�S A GOOD LEAD, MRS. STEINMAN, 162 00:09:58,364 --> 00:10:00,433 BUT IT�S A LITTLE PRELIMINARY FOR THAT. 163 00:10:00,466 --> 00:10:02,769 WELL, IF YOU DO ARREST HIM, 164 00:10:02,803 --> 00:10:05,005 YOU MAKE SURE 165 00:10:05,038 --> 00:10:09,475 THAT YOU GIVE HIM A GOOD BEATING BEFORE YOU BRING HIM IN. 166 00:10:21,354 --> 00:10:22,856 YOU WANNA HEAR SOMETHING FRIGHTENING? 167 00:10:22,889 --> 00:10:25,325 WHEN I WAS DRINKIN�, 168 00:10:25,358 --> 00:10:27,928 MANY EVENINGS I�D HAVE THROWN A HUMP INTO HER. 169 00:10:27,961 --> 00:10:29,930 SHE SAYS A GIGOLO WAS LIVING IN THE BUILDING. 170 00:10:29,963 --> 00:10:31,765 MIGHT�VE BEEN BANGING THE D. O. A. 171 00:10:31,798 --> 00:10:35,101 SAYS HE WAS BANGING THE BUILDING�S WHOLE FEMALE POPULATION. 172 00:10:35,135 --> 00:10:36,136 IT�S A BIG BUILDING. 173 00:10:36,169 --> 00:10:37,638 3B. RAUL MONTEZ. 174 00:10:37,671 --> 00:10:40,106 [RING] 175 00:10:40,140 --> 00:10:41,241 15th SQUAD. 176 00:10:44,978 --> 00:10:46,112 SO YOU�RE AN ASSHOLE. 177 00:10:46,146 --> 00:10:48,248 WHAT ARE YOU TELLIN� ME FOR? 178 00:10:49,716 --> 00:10:51,952 OH, YOU�RE A GROPIST, TOO? 179 00:10:51,985 --> 00:10:53,954 WHAT IS THAT, A FARMERS� GROUP? 180 00:10:53,987 --> 00:10:55,188 YOU GOT SOMETHIN� ELSE FOR ME? 181 00:10:59,059 --> 00:11:00,460 PERV? 182 00:11:00,493 --> 00:11:02,262 SECOND THOUGHTS. CONFESSIN� HIS SINS. 183 00:11:04,264 --> 00:11:08,368 NO ANSWER IN 3B WHEN THEY CANVASSED. 184 00:11:08,401 --> 00:11:12,238 MAYBE, UH, RUN THIS GIGOLO THROUGH B. C. I.? 185 00:11:12,272 --> 00:11:15,175 YEAH, YEAH, LET ME FIND OUT RAUL�S STORY. 186 00:11:17,578 --> 00:11:20,480 [RING] 187 00:11:20,514 --> 00:11:22,448 15th SQUAD. 188 00:11:25,852 --> 00:11:27,487 OH, YEAH? 189 00:11:27,521 --> 00:11:31,391 YOU�RE HIS AIDE AND SPIRITUAL ADVISOR? 190 00:11:31,424 --> 00:11:32,726 HEY, THESE CALLS ARE RECORDED, 191 00:11:32,759 --> 00:11:34,427 AND THEY CAN BE TRACED, ALL RIGHT? 192 00:11:34,460 --> 00:11:36,162 YOU FOLLOW ME? 193 00:11:36,196 --> 00:11:38,832 NO, I DON�T EVEN WANT TO THINK WHAT STUPID?ASS STUNT YOU PULLED 194 00:11:38,865 --> 00:11:40,667 PUT YOU ISSUIN� THAT SICK TWITCH ORDERS, 195 00:11:40,701 --> 00:11:43,436 BUT YOU BETTER GET THE HELL OFF THE PHONE AND BEAT FEET, 196 00:11:43,469 --> 00:11:46,206 PUT SOME DISTANCE BETWEEN YOU AND HIM IMMEDIATELY. 197 00:11:48,809 --> 00:11:51,211 �CAUSE THE BOTH OF YOU ARE BOTH ASSHOLES, ALL RIGHT, PAL? 198 00:11:51,244 --> 00:11:53,446 AND YOU�RE A BIGGER ONE, �CAUSE YOU OUGHT TO KNOW BETTER, 199 00:11:53,479 --> 00:11:55,749 AND YOU�RE THE ONE WHO�S GONNA GET JAMMED. 200 00:11:59,419 --> 00:12:00,621 [EXASPERATED SIGH] 201 00:12:00,654 --> 00:12:02,556 JERK�S PLAYIN� PHONE GAMES. 202 00:12:02,589 --> 00:12:04,357 WELL, YOU GAVE HIM A THOROUGH TALKIN�?TO. 203 00:12:04,390 --> 00:12:07,794 YEAH, IT MAKES US WASTE OUR TIME. 204 00:12:07,828 --> 00:12:09,963 YOU WANNA CONTACT B. C. I.? 205 00:12:09,996 --> 00:12:11,798 YEAH. 206 00:12:11,832 --> 00:12:14,000 YEAH, I WOULD. 207 00:12:16,069 --> 00:12:18,404 YOU KNOW WHAT, ANDY? 208 00:12:18,438 --> 00:12:19,940 WOULD YOU MIND DOIN� IT? 209 00:12:19,973 --> 00:12:21,942 NO. 210 00:12:21,975 --> 00:12:24,077 YEAH, �CAUSE I WANNA... 211 00:12:24,110 --> 00:12:26,079 I�M GONNA TAKE SOME LOST TIME, YOU KNOW? 212 00:12:26,112 --> 00:12:29,482 I WAS GONNA SAY I WANNA WALK AROUND THE BLOCK AND CLEAR MY HEAD, 213 00:12:29,516 --> 00:12:33,720 BUT LET ME JUST GO AHEAD AND TAKE A COUPLE HOURS OF LOST TIME. 214 00:12:33,754 --> 00:12:36,422 YEAH, LET ME GO TELL THE BOSS THAT. 215 00:12:38,291 --> 00:12:41,628 HOW SPECIFIC DOES HE WANT YOU ON YOUR REASONS? 216 00:12:41,662 --> 00:12:44,430 WE�RE WORKIN� A MURDER. HE PROBABLY DON�T WANT YOU LEAVIN� OFF A HEAD COLD. 217 00:12:44,464 --> 00:12:46,499 ANDY, BELIEVE ME?? 218 00:12:46,533 --> 00:12:48,969 MAYBE EXPLAIN TO HIM YOUR ANTI?CRANK CALL COUNSELING 219 00:12:49,002 --> 00:12:50,336 NEEDS PERSONAL FOLLOW?UP. 220 00:12:54,374 --> 00:12:57,110 SAY YOU GOT AN URGENT SITUATION. 221 00:12:57,143 --> 00:12:59,613 HE DON�T MAKE YOU GIVE CHAPTER AND VERSE. 222 00:12:59,646 --> 00:13:01,314 YEAH? GOOD. 223 00:13:07,521 --> 00:13:08,689 YEAH? 224 00:13:08,722 --> 00:13:11,291 BOSS, I GOT A SITUATION I NEED LOST TIME FOR. 225 00:13:11,324 --> 00:13:13,159 AN URGENT SITUATION. 226 00:13:13,193 --> 00:13:14,460 ANYTHING I CAN DO? 227 00:13:14,494 --> 00:13:16,296 IT SHOULD JUST BE A COUPLE HOURS. 228 00:13:16,329 --> 00:13:18,464 ANDY�S GOT YOUR WORK? 229 00:13:18,498 --> 00:13:19,465 YEAH. 230 00:13:19,499 --> 00:13:22,435 THIS WON�T BE A HABIT. 231 00:13:22,468 --> 00:13:24,805 JUST AN URGENT THING CAME UP SUDDENLY THAT I GOT SOME CONCERN ABOUT. 232 00:13:29,843 --> 00:13:31,144 Sipowicz: HOLD ON A SECOND. 233 00:13:31,177 --> 00:13:32,646 DON�T GET OVER YOUR HEAD. 234 00:13:32,679 --> 00:13:33,714 NO. 235 00:13:33,747 --> 00:13:34,715 YOU HEAR ME? 236 00:13:34,748 --> 00:13:35,816 YEAH, I UNDERSTAND. 237 00:13:52,032 --> 00:13:53,667 NYPD! 238 00:13:53,700 --> 00:13:56,336 WHAT HAPPENED, JOEY? WHERE�S THE GUY? 239 00:13:56,369 --> 00:14:00,574 THE GROPIST TRIBUNAL SENTENCED PASSENGER X 240 00:14:00,607 --> 00:14:03,143 TO DO AN EMISSIONS TEST ON OUR CAR, 241 00:14:03,176 --> 00:14:04,645 AND HE PASSED US WITH FLYING COLORS. 242 00:14:04,678 --> 00:14:06,847 YOU GRABBED HIM OFF YOUR BUS, AND YOU BROUGHT HIM HERE? 243 00:14:06,880 --> 00:14:08,815 HE HAD EXITED MY BUS 244 00:14:08,849 --> 00:14:10,817 FOLLOWING ANOTHER EPISODE OF GRAB?ASS. 245 00:14:10,851 --> 00:14:13,153 THEN I BROUGHT HIM HERE TO DO THE EMISSIONS TEST. 246 00:14:13,186 --> 00:14:14,655 WHAT HAPPENS TO YOUR BUS? 247 00:14:14,688 --> 00:14:16,690 PASSENGER X AND I TAKE A CAB. 248 00:14:16,723 --> 00:14:18,992 WHAT HAPPENS TO YOUR BUS, JOEY, WHILE YOU�RE BRINGIN� HIM OVER HERE? 249 00:14:19,025 --> 00:14:21,695 MY BUS IS AT THE CURB, PARKED SAFELY. 250 00:14:21,728 --> 00:14:24,397 WITH THE PASSENGERS INSIDE WONDERIN� WHAT THE HELL IS GOIN� ON? 251 00:14:24,430 --> 00:14:26,633 THERE�S ALWAYS ANOTHER BUS. 252 00:14:29,035 --> 00:14:30,671 WHAT�S IN YOUR POCKET, JOEY? 253 00:14:30,704 --> 00:14:31,738 THAT... 254 00:14:31,772 --> 00:14:32,939 WOULD BE A WEAPON. 255 00:14:32,973 --> 00:14:36,677 FORMERLY IN PASSENGER X�s POSSESSION. 256 00:14:36,710 --> 00:14:38,378 GIVE IT TO ME. NO. 257 00:14:38,411 --> 00:14:42,448 JOEY, CAN WE ELIMINATE ONE OF THE JACKPOTS YOU GOT WORKIN�? 258 00:14:42,482 --> 00:14:44,885 IF THIS IDIOT YOU LET GO BRINGS THE COPS THROUGH THE DOOR, 259 00:14:44,918 --> 00:14:46,452 I DON�T WANT YOU HOLDIN� A GUN. 260 00:14:46,486 --> 00:14:48,188 HE�S NOT BRINGIN� THE COPS BACK. 261 00:14:48,221 --> 00:14:50,724 WHAT, THE GUN�S ILLEGAL? HE DON�T WANT THE COPS INVOLVED? 262 00:14:50,757 --> 00:14:51,892 DANNY... 263 00:14:51,925 --> 00:14:54,561 WHAT? 264 00:14:54,595 --> 00:14:57,430 STEP TO THE REAR OF THE VEHICLE, PLEASE. 265 00:15:04,337 --> 00:15:06,607 OPEN THE TRUNK, OFFICER. 266 00:15:10,343 --> 00:15:13,079 HERE...IS PASSENGER X. 267 00:15:13,113 --> 00:15:14,981 WHERE HE�S OVERCOME HIMSELF WITH REMORSE 268 00:15:15,015 --> 00:15:17,951 AND TRUSSED HIMSELF LIKE AN UGLY GROPIST PIG. 269 00:15:17,984 --> 00:15:19,720 WHAT IS THE MATTER WITH YOU? 270 00:15:19,753 --> 00:15:21,121 GIMME THE DAMN GUN, JOEY! 271 00:15:21,154 --> 00:15:23,223 NO! �CAUSE I GOTTA USE IT AS A STARTER�S PISTOL, 272 00:15:23,256 --> 00:15:25,291 �CAUSE I�M ABOUT READY TO BLOW MY HEAD OFF 273 00:15:25,325 --> 00:15:26,727 AND I NEED THE GUN TO MAKE THE PLAN WORK. 274 00:15:26,760 --> 00:15:28,294 ALL RIGHT. STOP. 275 00:15:28,328 --> 00:15:30,396 STOP. 276 00:15:30,430 --> 00:15:31,998 DON�T DO NOTHIN�. 277 00:15:32,032 --> 00:15:34,868 AND I�M NOT GONNA DO NOTHIN�. ALL RIGHT, JOEY? 278 00:15:36,503 --> 00:15:38,104 ALL RIGHT? 279 00:15:38,138 --> 00:15:38,839 ALL RIGHT. 280 00:15:38,872 --> 00:15:40,340 RELAX. 281 00:15:40,373 --> 00:15:43,510 I�M NOT GONNA DO NOTHIN� YET. 282 00:15:43,544 --> 00:15:45,612 NOW YOU, PASSENGER X, TALK AMONGST YOURSELF. 283 00:15:56,056 --> 00:15:57,323 [CLEARING THROAT] 284 00:16:00,527 --> 00:16:02,596 YOU KNOW WHERE THIS KID IS? 285 00:16:02,629 --> 00:16:03,830 YOU SAID HE TOOK LOST TIME. 286 00:16:03,864 --> 00:16:05,398 YEAH. 287 00:16:08,401 --> 00:16:09,570 PFFFT! 288 00:16:11,371 --> 00:16:12,973 [SIGHS] 289 00:16:13,006 --> 00:16:14,474 WHERE DO YOU THINK HE IS? 290 00:16:14,508 --> 00:16:17,878 INVOLVED IN SOME QUAGMIRE 291 00:16:17,911 --> 00:16:20,280 WITH AN IDIOT FRIEND HE�S GOT. 292 00:16:20,313 --> 00:16:21,915 [SIGHS] 293 00:16:25,218 --> 00:16:26,720 RAUL MONTEZ. 294 00:16:29,089 --> 00:16:32,058 RAUL, I�M DETECTIVE SIPOWICZ. 295 00:16:32,092 --> 00:16:34,227 I DIDN�T REALIZE YOU WERE COMING BY. 296 00:16:34,260 --> 00:16:38,665 A WOMAN WHERE I WORK OUT SAID YOU WERE LOOKING TO, UH, TALK TO ME? 297 00:16:38,699 --> 00:16:40,166 WHO WAS THAT? 298 00:16:40,200 --> 00:16:41,802 DORIS STEINMAN. 299 00:16:41,835 --> 00:16:44,705 COME ON. LET�S TALK IN HERE. 300 00:16:47,841 --> 00:16:49,876 Sipowicz: HEY. 301 00:16:49,910 --> 00:16:52,212 EYES FRONT BEFORE YOU FRACTURE YOUR SKULL. 302 00:16:59,052 --> 00:17:01,121 YOU SIT DOWN OVER THERE. 303 00:17:03,389 --> 00:17:06,226 MRS. STEINMAN TOLD YOU ABOUT YOUR NEIGHBOR GETTIN� MURDERED? 304 00:17:06,259 --> 00:17:08,595 [SIGHS] MRS. EARLE. 305 00:17:08,629 --> 00:17:10,731 SHE SAYS YOU WERE TALKING TO EVERYONE IN THE BUILDING. 306 00:17:10,764 --> 00:17:11,898 DID YOU KNOW MRS. EARLE? 307 00:17:11,932 --> 00:17:14,200 CASUALLY. 308 00:17:14,234 --> 00:17:16,069 CASUALLY, LIKE TO SAY HELLO TO? 309 00:17:16,102 --> 00:17:17,070 RIGHT. 310 00:17:17,103 --> 00:17:19,172 WHAT ABOUT MRS. STEINMAN? 311 00:17:19,205 --> 00:17:20,574 THE SAME. 312 00:17:20,607 --> 00:17:21,908 A LITTLE BETTER. 313 00:17:21,942 --> 00:17:23,877 BUT YOU�D STILL PUT HER UNDER "CASUAL." 314 00:17:23,910 --> 00:17:27,113 I MEAN... YEAH. 315 00:17:27,147 --> 00:17:32,285 HMM. MRS. STEINMAN SAYS YOU WERE BANGIN� HER SILLY. 316 00:17:32,318 --> 00:17:33,954 THAT�S EXACTLY WHY I CAME. 317 00:17:33,987 --> 00:17:35,889 SHE HAD THIS WACKY LOOK ON HER FACE. 318 00:17:35,922 --> 00:17:37,524 CAME UP TO ME ON THE TREADMILL. 319 00:17:37,558 --> 00:17:39,459 "THE POLICE ARE GONNA WANNA TALK TO YOU, RAUL." 320 00:17:39,492 --> 00:17:41,728 THIS MRS. STEINMAN HARBORS A GRIEVANCE TOWARDS YOU? 321 00:17:41,762 --> 00:17:42,729 OH, MAN. 322 00:17:42,763 --> 00:17:45,398 THE GREEN?EYED MONSTER. 323 00:17:45,431 --> 00:17:46,733 YOU KNOW WHAT THAT MEANS? 324 00:17:49,503 --> 00:17:52,739 RAUL, DID YOU EVER PUT YOUR LOVE WAND 325 00:17:52,773 --> 00:17:54,575 INTO MRS. EARLE WHO WOUND UP DEAD? 326 00:17:54,608 --> 00:17:56,076 WHOA, WHOA, WHOA, WHOA, WHOA. 327 00:17:56,109 --> 00:17:58,044 I DON�T COUNT THAT A CRIME. 328 00:17:58,078 --> 00:17:59,980 BUT I�D ALSO LIKE TO MAKE SURE YOU DIDN�T CROAK HER, 329 00:18:00,013 --> 00:18:04,050 AND YOU BEIN� CANDID GOES A WAYS TOWARD REASSURING ME. 330 00:18:04,084 --> 00:18:06,419 OK. 331 00:18:06,452 --> 00:18:07,954 LET ME BE HONEST WITH YOU. 332 00:18:07,988 --> 00:18:09,255 PLEASE. 333 00:18:09,289 --> 00:18:11,391 I DID HAVE SEX WITH WOMEN IN THAT BUILDING. 334 00:18:11,424 --> 00:18:12,659 INCLUDING MRS. EARLE? 335 00:18:12,693 --> 00:18:13,794 NEVER. 336 00:18:17,430 --> 00:18:20,300 ON WHAT BASIS DIDN�T YOU HAVE SEX WITH HER? 337 00:18:20,333 --> 00:18:21,467 WHAT DO YOU MEAN? 338 00:18:21,502 --> 00:18:23,269 WHY�D SHE GET EXCLUDED? 339 00:18:23,303 --> 00:18:26,139 MRS. STEINMAN SAYS YOU BANGED EVERY WOMAN IN THE BUILDING. 340 00:18:26,172 --> 00:18:28,074 DETECTIVE... 341 00:18:28,108 --> 00:18:29,743 THAT�S A BIG BUILDING. 342 00:18:29,776 --> 00:18:31,277 YOU�VE BEEN IN THAT BUILDING, RIGHT? 343 00:18:31,311 --> 00:18:33,413 YEAH, IT�S GOOD?SIZED. 344 00:18:33,446 --> 00:18:35,949 IT�S NOT REALISTIC. 345 00:18:35,982 --> 00:18:39,152 SO...YOU�RE SAYIN� 346 00:18:39,185 --> 00:18:43,757 MRS. EARLE WAS AMONG A LOT OF WOMEN THAT YOU DIDN�T HAVE RELATIONS WITH. 347 00:18:43,790 --> 00:18:46,092 THERE�S 10 WOMEN IN THAT BUILDING I HAD RELATIONS WITH... 348 00:18:46,126 --> 00:18:47,427 IT�S A LOT. 349 00:18:47,460 --> 00:18:50,363 I GOT IT. 350 00:18:50,396 --> 00:18:51,965 THAT�S THE WHOLE STORY. 351 00:18:51,998 --> 00:18:54,467 AND YOU COME IN HERE TO TELL ME THAT. 352 00:18:54,500 --> 00:18:57,170 �CAUSE I HAD A SNEAKING IDEA THAT THAT BITCH WOULD PUT ME WRONG. 353 00:18:57,203 --> 00:19:00,941 RAUL, THANK YOU VERY MUCH. 354 00:19:00,974 --> 00:19:02,709 HEY... BELIEVE ME. 355 00:19:05,478 --> 00:19:07,548 DETECTIVE. 356 00:19:07,581 --> 00:19:09,082 DO YOU LIKE COCKTAIL NUTS? 357 00:19:11,818 --> 00:19:13,920 YEAH, I�LL HAVE AN OCCASIONAL NUT. 358 00:19:15,756 --> 00:19:18,859 THIS IS FOR YOU... AND YOUR ENTIRE FORCE. 359 00:19:20,561 --> 00:19:21,528 EH? 360 00:19:24,931 --> 00:19:26,499 RAUL, 361 00:19:26,533 --> 00:19:29,169 THANK YOU FROM MY FORCE FOR THESE NUTS. 362 00:19:37,678 --> 00:19:40,346 OH. WHAT DID "RRRAUL" HAVE? 363 00:19:40,380 --> 00:19:42,516 THAT�S WHO THAT BATTLE?AX TOLD SORENSON ABOUT. 364 00:19:42,549 --> 00:19:44,050 THE CASANOVA? 365 00:19:44,084 --> 00:19:46,386 SAID HE DEFINITELY DIDN�T BANG THE D. O. A. 366 00:19:46,419 --> 00:19:48,755 CAME IN TO VOLUNTEER THAT. 367 00:19:48,789 --> 00:19:50,924 YOU GOTTA WONDER, IS THAT A GUILTY MIND? 368 00:19:50,957 --> 00:19:52,425 ALTHOUGH SHE WENT TO BREAK HIS SHOES AT THE GYM, 369 00:19:52,458 --> 00:19:54,027 THAT BATTLE?AX MRS. STEINMAN?? 370 00:19:54,060 --> 00:19:55,495 SAID THAT WE�D BE WANTIN� TO TALK TO HIM. 371 00:19:55,529 --> 00:19:57,363 SO HE MIGHT�VE COME IN OFF THAT. 372 00:19:57,397 --> 00:19:59,365 HUH. WHAT�S THE PACKAGE? 373 00:20:01,635 --> 00:20:04,971 HE GIVE ME A COCKTAIL PEANUT ASSORTMENT FOR THE SQUAD. 374 00:20:08,274 --> 00:20:10,744 UM...I�M LOOKING FOR DETECTIVE RUSSELL. 375 00:20:10,777 --> 00:20:12,212 I�M DIANE RUSSELL. 376 00:20:12,245 --> 00:20:12,946 I�M IRIS MONTEZ. 377 00:20:14,948 --> 00:20:17,350 YOU LEFT THIS UNDER MY DOOR. RIGHT. 378 00:20:17,383 --> 00:20:18,619 THANKS FOR COMING IN. 379 00:20:18,652 --> 00:20:21,187 THIS IS, UH, MY PARTNER JILL KIRKENDALL. 380 00:20:21,221 --> 00:20:22,856 HOW DO YOU DO? 381 00:20:22,889 --> 00:20:23,957 WHY DON�T WE TALK IN THE COFFEE ROOM? 382 00:20:23,990 --> 00:20:25,258 ALL RIGHT. 383 00:20:25,291 --> 00:20:26,727 UH, WAS ANYONE LEAVING, IRIS, 384 00:20:26,760 --> 00:20:28,862 WHEN YOU WERE COMING UP? 385 00:20:28,895 --> 00:20:30,631 Iris: UH, NO. I DIDN�T SEE ANYONE. 386 00:20:35,669 --> 00:20:39,540 YOU KNOW WHAT SORENSON�S LOST TIME IS ABOUT? 387 00:20:39,573 --> 00:20:40,774 NO. 388 00:20:47,180 --> 00:20:49,950 WHEN YOU LEFT THE CARD, I KNEW YOU WANTED TO SPEAK. 389 00:20:49,983 --> 00:20:52,118 WHEN WE WERE IN YOUR BUILDING THIS MORNING, 390 00:20:52,152 --> 00:20:53,554 WHERE WERE YOU? 391 00:20:53,587 --> 00:20:55,288 I MUST�VE BEEN OUT SOMEWHERE. 392 00:20:55,321 --> 00:20:57,123 I??I WAS SEEING MY MOTHER. 393 00:20:57,157 --> 00:20:59,325 OH. WHERE DOES SHE LIVE? THE BRONX. 394 00:20:59,359 --> 00:21:00,827 YOU WENT TO SEE HER EARLY. 395 00:21:00,861 --> 00:21:03,296 I DIDN�T SEE ANY STRANGE COMINGS OR GOINGS. 396 00:21:03,329 --> 00:21:06,332 SEVERAL NEIGHBORS, I KNOW YOU ASKED THEM THAT. 397 00:21:06,366 --> 00:21:07,901 NO STRANGE MEN AROUND THE BUILDING? 398 00:21:07,934 --> 00:21:08,935 NO. 399 00:21:08,969 --> 00:21:11,605 HOW WELL DID YOU KNOW MRS. EARLE? 400 00:21:11,638 --> 00:21:13,940 TO SAY HELLO IN THE LAUNDRY ROOM. 401 00:21:13,974 --> 00:21:15,942 DO YOU KNOW IF YOUR HUSBAND KNEW MRS. EARLE? 402 00:21:15,976 --> 00:21:18,444 HE�S VERY BUSY WITH HIS NUT BUSINESS, 403 00:21:18,478 --> 00:21:20,514 SELLING RETAIL VARIETY ASSORTMENTS. 404 00:21:20,547 --> 00:21:23,249 IN TERMS OF WHY WE HAVEN�T BEEN ABLE TO GET IN TOUCH WITH HIM? 405 00:21:23,283 --> 00:21:25,519 HOW HE MIGHT�VE KNOWN HER. 406 00:21:25,552 --> 00:21:28,555 HE WAS ACTIVE IN THE BUILDING, SELLING HIS NUTS. 407 00:21:30,356 --> 00:21:32,125 OH. 408 00:21:32,158 --> 00:21:34,961 BUT YOU DON�T KNOW FOR CERTAIN ONE WAY OR ANOTHER 409 00:21:34,995 --> 00:21:36,597 IF YOUR HUSBAND AND MRS. EARLE WERE ACQUAINTED? 410 00:21:36,630 --> 00:21:39,432 NO, NOT FOR CERTAIN IF RAUL KNEW HER. 411 00:21:39,465 --> 00:21:43,203 WELL, UM, THANKS FOR BEING SO COOPERATIVE, MRS. MONTEZ. 412 00:21:43,236 --> 00:21:45,338 AND I DON�T KNOW WHY I GET THIS FEELING, 413 00:21:45,371 --> 00:21:47,340 BUT IF YOU WERE IN YOUR APARTMENT 414 00:21:47,373 --> 00:21:48,675 WHEN WE WERE IN THE BUILDING EARLIER 415 00:21:48,709 --> 00:21:50,677 AND YOU WERE AFRAID TO TALK WITH US, 416 00:21:50,711 --> 00:21:52,513 DON�T BE EMBARRASSED ABOUT THAT. 417 00:21:52,546 --> 00:21:55,381 SOME PEOPLE ARE AFRAID TO HAVE TO DO WITH THE POLICE. 418 00:21:55,415 --> 00:21:57,450 OH, ONE REASON OR ANOTHER, 419 00:21:57,483 --> 00:22:00,621 SOME PEOPLE TAKE A LITTLE WHILE COMING FORWARD WITH WHAT THEY KNOW. 420 00:22:00,654 --> 00:22:03,289 AND WE NEVER HOLD THAT AGAINST THEM, AS LONG AS THEY WEREN�T INVOLVED. 421 00:22:03,323 --> 00:22:04,525 OK. 422 00:22:04,558 --> 00:22:05,659 THANK YOU. 423 00:22:16,402 --> 00:22:17,370 OK, IRIS. 424 00:22:17,403 --> 00:22:18,539 OK. 425 00:22:20,440 --> 00:22:22,843 THE ONLY THING I CAN THINK OF 426 00:22:22,876 --> 00:22:25,345 IS HE WAS USING THE DOWNSTAIRS JOHN WHEN SHE WAS WALKING IN. 427 00:22:25,378 --> 00:22:26,847 THAT�S EXACTLY THE SCENARIO. 428 00:22:26,880 --> 00:22:28,915 HE�S PISSIN� IN THE DOWNSTAIRS LAVATORY 429 00:22:28,949 --> 00:22:32,185 WHILE SHE�S MAKIN� HER WAY IN, AND THEIR PATHS NEVER CROSS. 430 00:22:32,218 --> 00:22:33,920 UNLESS THEY�RE RUNNIN� SOMETHIN� 431 00:22:33,954 --> 00:22:36,056 AND THEY�RE IN COMPLETE COLLUSION. 432 00:22:36,089 --> 00:22:37,691 HE�D BE THE ONE RUNNING IT. 433 00:22:37,724 --> 00:22:39,092 YEAH, SHE�S SCARED TO DEATH. 434 00:22:39,125 --> 00:22:40,727 IF HE�S RUNNIN� IT, 435 00:22:40,761 --> 00:22:43,096 HE�D BE A MORON WALKIN� HER IN AS HE�S LEAVIN� 436 00:22:43,129 --> 00:22:44,998 AND NOT MAKIN� NOTHIN� OUT OF IT. 437 00:22:45,031 --> 00:22:46,099 WELL, IF THEY CAME IN SEPARATE, 438 00:22:46,132 --> 00:22:47,367 HER BEING THAT AFRAID 439 00:22:47,400 --> 00:22:48,669 MEANS SHE THINKS HE�S INVOLVED. 440 00:22:48,702 --> 00:22:52,573 [TELEPHONE RINGS] 441 00:22:52,606 --> 00:22:54,374 15th SQUAD. 442 00:22:56,743 --> 00:22:59,880 YEAH. YEAH, WHAT CAN I DO FOR YA? 443 00:22:59,913 --> 00:23:02,082 [SIGHS] 444 00:23:02,115 --> 00:23:04,751 I�LL TELL YA, I�M SURPRISED AS HELL TO HEAR THAT. 445 00:23:04,785 --> 00:23:07,521 THAT�S A TURN OF EVENTS THAT WOULD BE TOTALLY OUT OF LEFT FIELD 446 00:23:07,554 --> 00:23:11,057 AS LONG AS YOU NEVER HAD A BRAIN IN YOUR HEAD TO EXPECT IT. 447 00:23:11,091 --> 00:23:12,926 [SIGHS] 448 00:23:12,959 --> 00:23:16,429 ALL RIGHT. WHERE WOULD YOU BE PRESENTLY? 449 00:23:18,498 --> 00:23:21,067 ALL RIGHT. LET ME TAKE A RIDE OVER THERE. 450 00:23:21,101 --> 00:23:23,103 THANKS. 451 00:23:23,136 --> 00:23:25,105 YEAH. 452 00:23:25,138 --> 00:23:27,273 I�LL BE ARRIVING AS A PRIVATE CITIZEN. 453 00:23:27,307 --> 00:23:28,975 MM?HMM. 454 00:23:48,995 --> 00:23:50,831 WOULD YOU PLEASE GET OUT OF THE CAR? 455 00:23:50,864 --> 00:23:53,133 I�M COMFORTABLE IN THE VEHICLE, 456 00:23:53,166 --> 00:23:55,068 AND I BELIEVE PASSENGER X 457 00:23:55,101 --> 00:23:58,505 IS COMFORTABLE WITH ME IN HERE, ISN�T THAT RIGHT? 458 00:23:58,539 --> 00:24:01,942 OH, NOW, THAT�S A NASTY, NASTY LOOK. 459 00:24:01,975 --> 00:24:04,310 YOU BETTER TURN THAT FROWN UPSIDE DOWN, 460 00:24:04,344 --> 00:24:05,912 OR YOU KNOW WHAT�S GONNA HAPPEN? 461 00:24:05,946 --> 00:24:07,781 IT COULD BE VISOR TIME. 462 00:24:10,016 --> 00:24:12,686 PASSENGER X IS ANGRY. HE FEELS PUT?UPON, 463 00:24:12,719 --> 00:24:15,155 BECAUSE HE WAS ENGAGED IN SUCH CONSTRUCTIVE ACTIVITY 464 00:24:15,188 --> 00:24:16,957 BEFORE I INTERRUPTED HIS DAY, 465 00:24:16,990 --> 00:24:20,260 EXECUTING FAKE LURCHES 466 00:24:20,293 --> 00:24:22,863 IN THE MIDDLE OF THE AISLE OF MY BUS 467 00:24:22,896 --> 00:24:26,466 SO HE COULD SLAP THE LEFT AND RIGHT TITS OF WORKING WOMEN. 468 00:24:28,068 --> 00:24:30,303 AND YOU KNOW SOMETHING, DANNY? 469 00:24:30,336 --> 00:24:34,274 UNTIL I ADORN MY BRAIN MATTER OUTSIDE MY SKULL, 470 00:24:34,307 --> 00:24:36,943 I HAVE EVERY EXPECTATION 471 00:24:36,977 --> 00:24:39,713 THAT I WILL SPEND THE REST OF MY WORKING LIFE 472 00:24:39,746 --> 00:24:42,382 TAKING ORDERS FROM A DILDO LIKE HIM 473 00:24:42,415 --> 00:24:44,484 OR SOME BOZO?NOSED COUSIN 474 00:24:44,518 --> 00:24:46,720 OF SOME ASSHOLE ACQUAINTANCE OF HIS! 475 00:24:46,753 --> 00:24:48,955 JOEY, THERE�S NOTHING HERE THAT CANNOT BE FIXED. 476 00:24:48,989 --> 00:24:51,558 THIS CAN�T BE FIXED! 477 00:24:51,592 --> 00:24:53,493 WELL, MAYBE IF IT WASN�T DRENCHED WITH SO MUCH ALCOHOL. 478 00:24:53,527 --> 00:24:55,696 DRENCHING WAS GOOD FOR IT. DRENCHING KEPT IT GREEN. 479 00:24:55,729 --> 00:24:56,462 [KNOCK ON DOOR] 480 00:24:56,496 --> 00:24:57,564 ANDY? 481 00:24:57,598 --> 00:24:58,999 YEAH. 482 00:24:59,032 --> 00:25:00,734 THIS IS MY PARTNER, JOEY. 483 00:25:00,767 --> 00:25:02,736 THIS IS MY PARTNER. 484 00:25:02,769 --> 00:25:04,337 ADMIT HIM. 485 00:25:05,706 --> 00:25:07,040 HI, ANDY. 486 00:25:08,208 --> 00:25:09,109 YEAH, HI. 487 00:25:16,683 --> 00:25:18,585 THIS IS MY BUDDY JOEY. 488 00:25:18,619 --> 00:25:20,320 JOE DWYER. 489 00:25:20,353 --> 00:25:22,322 LET�S NOT BE THROWING AROUND A LOT OF LAST NAMES. 490 00:25:22,355 --> 00:25:23,890 COME HERE. 491 00:25:23,924 --> 00:25:26,927 IS THIS GONNA BE SOMETHING THAT THE WHOLE CLASS CAN APPRECIATE? 492 00:25:26,960 --> 00:25:28,995 DO YOU THINK THIS IS FUNNY, HUH? 493 00:25:29,029 --> 00:25:31,397 YOU THINK WE�RE DOWN HERE PLAYING GAMES? 494 00:25:31,431 --> 00:25:32,766 JOEY�S UPSET. 495 00:25:32,799 --> 00:25:35,936 YEAH? JOEY THAT YOU WERE TELLING ME WAS STAND?UP 496 00:25:35,969 --> 00:25:38,371 AND IN THE MIDDLE OF THINGS WITH YOU OVERSEAS. 497 00:25:38,404 --> 00:25:40,406 HOW I ALWAYS THOUGHT ABOUT IT, PAL, 498 00:25:40,440 --> 00:25:42,576 IF I WAS LOOKIN� TO HURT MYSELF, 499 00:25:42,609 --> 00:25:46,012 IT WOULDN�T BE PUTTIN� MY FRIENDS LOSIN� THEIR JOBS WHILE I DID IT. 500 00:25:46,046 --> 00:25:49,115 BUT MAYBE YOU GOT DIFFERENT IDEAS ABOUT HOW TO TREAT YOUR BUDDIES. 501 00:25:49,149 --> 00:25:51,351 I�M NOT LOOKIN� TO PUT DANNY IN TROUBLE. 502 00:25:51,384 --> 00:25:52,953 OH, OH, YOU�RE ONE OF THOSE KIND OF MUTTS. 503 00:25:52,986 --> 00:25:56,557 "OH, WHAT HAPPENED? WHAT HAPPENED THAT I DIDN�T MEAN TO TAKE PLACE?" 504 00:25:56,590 --> 00:25:58,559 BELIEVE ME, ANDY, JOEY�S A RIGHT GUY. 505 00:25:58,592 --> 00:26:01,294 YEAH. YEAH, TAPING THIS GUY UP LIKE A MAFIA HIT MAN 506 00:26:01,327 --> 00:26:03,429 AND CARRYING ON LIKE THAT EXERCISE FRUIT. 507 00:26:03,463 --> 00:26:04,965 WHO? 508 00:26:04,998 --> 00:26:06,967 THAT EXERCISE FRUIT WITH THE CURLY HAIR 509 00:26:07,000 --> 00:26:08,368 AND THE SLEEVELESS T?SHIRTS 510 00:26:08,401 --> 00:26:10,571 GETS ALL EMOTIONAL ABOUT EVERYTHING, 511 00:26:10,604 --> 00:26:12,606 "OH, SHE LOST 80 POUNDS, BOO HOO HOO." 512 00:26:20,146 --> 00:26:22,482 YOU WANT TO TRY STRAIGHTENIN� THINGS OUT OR NOT? 513 00:26:22,516 --> 00:26:24,785 WHAT HAVE YOU GOT IN MIND? 514 00:26:27,020 --> 00:26:28,822 MMM. 515 00:26:32,759 --> 00:26:34,460 LET�S FIGURE SOMETHING OUT. 516 00:26:50,376 --> 00:26:52,478 Mrs. Steinman: HELLO. 517 00:26:55,315 --> 00:26:56,917 CAN I HELP YOU? 518 00:26:56,950 --> 00:26:59,285 I�M NOT CERTAIN. 519 00:26:59,319 --> 00:27:02,823 ARE YOU INVOLVED WITH THE DETECTIVE WORK? 520 00:27:02,856 --> 00:27:06,026 I�M ARTHUR FANCY, I�M THE LIEUTENANT IN CHARGE OF THE SQUAD. 521 00:27:06,059 --> 00:27:09,696 SO YOU WOULD BE THAT YOUNG DETECTIVE�S SUPERVISOR? 522 00:27:09,730 --> 00:27:12,666 DETECTIVE SORENSON. YES, I THINK THAT�S HIS NAME. 523 00:27:12,699 --> 00:27:14,601 WHERE WOULD I FIND HIM? 524 00:27:14,635 --> 00:27:16,970 DETECTIVE SORENSON�S NOT IN. 525 00:27:17,003 --> 00:27:19,172 OH, WELL, COULD YOU GET HIM TO COME BACK, PLEASE? 526 00:27:19,205 --> 00:27:20,807 WHAT�S YOUR NAME, PLEASE? 527 00:27:20,841 --> 00:27:22,208 DORIS STEINMAN. 528 00:27:22,242 --> 00:27:23,844 HE INTERVIEWED ME. 529 00:27:23,877 --> 00:27:27,447 YEAH, I�M NOT SURE WHEN DETECTIVE SORENSON WILL BE BACK, 530 00:27:27,480 --> 00:27:31,151 BUT, UH, YOU CAN TALK TO ONE OF THE OTHER DETECTIVES ON THAT CASE. 531 00:27:31,184 --> 00:27:33,854 NO. NO, NO, NO, I?? 532 00:27:33,887 --> 00:27:36,657 I DON�T THINK SO. 533 00:27:36,690 --> 00:27:38,291 WHAT IS IT? 534 00:27:38,324 --> 00:27:40,026 OH, MY GOD! 535 00:27:40,060 --> 00:27:42,195 DO YOU WANT SOME WATER? 536 00:27:44,665 --> 00:27:48,301 I WANT THAT IMAGE OUT OF MY HEAD, DO YOU UNDERSTAND? 537 00:27:48,334 --> 00:27:52,506 HIS TUSH, NAKED, PUMPING UP AND DOWN 538 00:27:52,539 --> 00:27:57,343 IN THE MIDDLE OF ALL THOSE NICKELS AND DIMES. 539 00:27:57,377 --> 00:28:00,180 WHERE DID THIS HAPPEN? 540 00:28:00,213 --> 00:28:02,749 HE WAS... 541 00:28:02,783 --> 00:28:04,851 SERVICING HER 542 00:28:04,885 --> 00:28:08,755 ON THE CHEAP SHAG CARPET IN HER LIVING ROOM. 543 00:28:08,789 --> 00:28:11,758 THE NICKELS AND DIMES FROM THE PIGGY BANK 544 00:28:11,792 --> 00:28:14,761 SHE BROKE TO PAY HIM 545 00:28:14,795 --> 00:28:18,098 WERE STICKING TO THE BACK OF HER LEGS, 546 00:28:18,131 --> 00:28:20,100 WHICH WERE FLAILING AROUND 547 00:28:20,133 --> 00:28:23,269 LIKE SHE WAS AN UPSIDE DOWN TURTLE. 548 00:28:23,303 --> 00:28:26,840 UM, THE WOMAN BEING SERVICED... 549 00:28:26,873 --> 00:28:27,941 WHAT ABOUT HER? 550 00:28:27,974 --> 00:28:31,011 UM, WHO WAS SHE? 551 00:28:31,044 --> 00:28:32,913 YOUR VICTIM, 552 00:28:32,946 --> 00:28:37,884 AND THE CALLOUS GREASEBALL HUMPING HER WAS RAUL MONTEZ, 553 00:28:37,918 --> 00:28:42,288 WHOM I PREVIOUSLY TOLD THE YOUNG DETECTIVE HE SHOULD ARREST, 554 00:28:42,322 --> 00:28:45,892 BUT I??I WASN�T COMPLETELY FORTHCOMING 555 00:28:45,926 --> 00:28:49,295 WITH ALL THE SUPPORTING DETAILS, 556 00:28:49,329 --> 00:28:52,298 INSOFAR AS... 557 00:28:52,332 --> 00:28:55,736 SEEING HIS NAKED ASS IN HER APARTMENT 558 00:28:55,769 --> 00:28:58,271 SHORTLY BEFORE SHE WAS KILLED. 559 00:29:01,174 --> 00:29:04,144 UM, DO YOU THINK HE KILLED HER? 560 00:29:04,177 --> 00:29:06,580 SHE SOUNDED LIKE SHE WAS NEAR DEATH 561 00:29:06,613 --> 00:29:09,983 WITH THE WAR WHOOPS SHE WAS LETTIN� OUT ON THE CARPET WHEN HE BANGED HER. 562 00:29:10,016 --> 00:29:12,485 MRS. STEINMAN, I�M GONNA SIT DOWN, 563 00:29:12,519 --> 00:29:14,154 I�M GONNA TAKE SOME INFORMATION, 564 00:29:14,187 --> 00:29:17,691 AND I NEED YOU TO SIT DOWN THERE, PLEASE. 565 00:29:24,765 --> 00:29:27,133 MRS. STEINMAN, THE FACT THIS RAUL 566 00:29:27,167 --> 00:29:29,836 WAS CARRYING ON AN AFFAIR WITH?? 567 00:29:29,870 --> 00:29:32,305 YOU HAD HIM IN CUSTODY IN THIS BUILDING, AND YOU LET HIM GO. 568 00:29:32,338 --> 00:29:34,975 RAUL CAME IN VOLUNTARILY TO BE INTERVIEWED, 569 00:29:35,008 --> 00:29:38,111 BUT WE ARE ABSOLUTELY GONNA HAVE A SECOND CONVERSATION. 570 00:29:38,144 --> 00:29:40,781 YOU�RE NOT GONNA ARREST HIM? 571 00:29:40,814 --> 00:29:42,415 NOT THIS MINUTE, 572 00:29:42,448 --> 00:29:44,150 BUT WE�RE DEFINITELY GONNA LOOK AT HIM HARD. 573 00:29:49,623 --> 00:29:51,424 YEAH. 574 00:29:51,457 --> 00:29:53,660 THAT�S WHAT GOT ME INTO TROUBLE. 575 00:30:22,255 --> 00:30:23,990 LET�S??LET�S GET YOU SITTING UP HERE. 576 00:30:24,024 --> 00:30:25,859 SIT UP STRAIGHT, WILL YOU? 577 00:30:25,892 --> 00:30:27,260 LET�S GO. 578 00:30:30,263 --> 00:30:33,499 WHAT HAPPENED ON THAT BUS?? 579 00:30:33,534 --> 00:30:36,503 YOU SHOWED HIM A GUN YOU FOUND UNDER YOUR SEAT 580 00:30:36,537 --> 00:30:39,973 THAT YOU REALIZED COULD GET YOU A YEAR IN JAIL MINIMUM, 581 00:30:40,006 --> 00:30:42,308 THAT YOU SIGNALED TO HIM FRANTICALLY ABOUT 582 00:30:42,342 --> 00:30:44,010 IN THE REARVIEW MIRROR 583 00:30:44,044 --> 00:30:46,079 TO WHERE HE PULLED OVER AND PARKED 584 00:30:46,112 --> 00:30:47,648 AND CAME BACK TO ASK YOU 585 00:30:47,681 --> 00:30:49,049 WHAT YOU WERE SIGNALING FOR. 586 00:30:49,082 --> 00:30:51,217 BUT, IN YOUR FRANTIC STATE, 587 00:30:51,251 --> 00:30:53,887 YOU, UH, YOU BOLTED OFF THE BUS 588 00:30:53,920 --> 00:30:55,656 WHEN HE COME TO YOU. 589 00:30:55,689 --> 00:30:57,891 SO HE DID HIS?? HIS CITIZEN�S DUTY, 590 00:30:57,924 --> 00:30:59,926 AND HE GOT OFF, TOO, 591 00:30:59,960 --> 00:31:03,730 AND HE FOLLOWED YOU TO REASSURE AND CALM YOU DOWN 592 00:31:03,764 --> 00:31:06,533 AND BROUGHT YOU HERE SO HE COULD CALL 593 00:31:06,567 --> 00:31:09,235 HIS FRIEND ON THE JOB TO ASK ADVICE, 594 00:31:09,269 --> 00:31:12,539 AND HIS FRIEND DANNY THEN CALLED ME. 595 00:31:16,643 --> 00:31:19,412 THE THREE OF US ARE GONNA BACK EACH OTHER ON THAT. 596 00:31:21,548 --> 00:31:23,917 WHAT DO YOU SAY? HMM? 597 00:31:23,950 --> 00:31:25,552 MAKE IT A FOURSOME, 598 00:31:25,586 --> 00:31:27,220 YOU DON�T GET CHARGED WITH FOR CONCEALING A WEAPON 599 00:31:27,253 --> 00:31:28,889 OR PINCHING TIT. 600 00:31:28,922 --> 00:31:30,456 AREN�T YOU GONNA BOIL ME AND EAT ME? 601 00:31:30,490 --> 00:31:32,292 ISN�T THAT WHAT THIS IS ABOUT, HUH? HEY, HEY, PAL, PAL, 602 00:31:32,325 --> 00:31:34,194 IF WE WERE CANNIBALS, THIS WHOLE SITUATION 603 00:31:34,227 --> 00:31:36,196 WOULD BE A LOT LESS COMPLICATED. 604 00:31:36,229 --> 00:31:37,631 WE�D JUST CUT YOU UP INTO STEAKS. 605 00:31:37,664 --> 00:31:39,299 NOBODY IS SAYING 606 00:31:39,332 --> 00:31:41,602 THAT YOU DIDN�T HAVE A ROUGH AFTERNOON. 607 00:31:47,340 --> 00:31:49,109 CLOSE THE TRUNK, DRIVE THE CAR OFF THE PIER. 608 00:31:49,142 --> 00:31:50,110 [MUMBLING] 609 00:31:57,450 --> 00:31:58,785 ALL RIGHT, 610 00:31:58,819 --> 00:32:02,422 I WON�T PRESS CHARGES. 611 00:32:02,455 --> 00:32:05,158 ALL RIGHT. NOW, LAY BACK DOWN THERE. COME ON. 612 00:32:05,191 --> 00:32:06,893 JOEY, YOU HEAR THAT? 613 00:32:06,927 --> 00:32:09,663 WE�RE GONNA BE ALL RIGHT. 614 00:32:09,696 --> 00:32:12,298 I GOT A CHORUS FULL OF VULTURES IN MY HEAD. 615 00:32:12,332 --> 00:32:14,300 GIVE YOUR GUN TO YOUR BUDDY, JOEY. 616 00:32:14,334 --> 00:32:16,236 THEN YOU COME OVER TO MY PLACE SOMETIME, 617 00:32:16,269 --> 00:32:19,573 AND WE�LL COMPARE BIRDCALLS. 618 00:32:19,606 --> 00:32:22,242 JOEY, BEING MY BEST MAN WHEN I GET MARRIED, 619 00:32:22,275 --> 00:32:25,278 HAVING OUR KIDS PLAY TOGETHER, 620 00:32:25,311 --> 00:32:28,682 WORKING ON THIS BUCKET OF BOLTS, TELLING JOKES?? 621 00:32:28,715 --> 00:32:31,184 YOU�RE NOT GONNA TAKE THAT AWAY FROM ME, ARE YOU? 622 00:32:36,857 --> 00:32:37,958 NO! 623 00:32:50,036 --> 00:32:52,138 I�M SORRY PUTTING EVERYONE OUT. 624 00:32:54,040 --> 00:32:55,609 IT�S ALL RIGHT, JOEY. 625 00:32:55,642 --> 00:32:56,710 IT�S ALL RIGHT. 626 00:33:16,229 --> 00:33:18,565 Russell: IRIS, YOU WERE UPSET WHEN WE TALKED BEFORE, 627 00:33:18,599 --> 00:33:21,367 AND WE PUT THAT OFF TO YOU HAVING TO DEAL WITH THE POLICE. 628 00:33:21,401 --> 00:33:23,737 I AM UPSET ABOUT EVERYTHING. 629 00:33:23,770 --> 00:33:26,507 NOW WE HAVE TO WONDER IF IT WASN�T FOR THIS OTHER REASON. 630 00:33:31,545 --> 00:33:34,648 THAT HE WAS WITH WOMEN 631 00:33:34,681 --> 00:33:37,417 DOESN�T MEAN HE DID MURDER. 632 00:33:37,450 --> 00:33:39,419 NO, IT DOESN�T. 633 00:33:39,452 --> 00:33:41,822 WAS RAUL WITH YOU ALL LAST NIGHT? 634 00:33:41,855 --> 00:33:44,691 AFTER HE DELIVERED HIS ORDERS. 635 00:33:44,725 --> 00:33:49,362 DO YOU THINK RAUL MIGHT HAVE BEEN WITH MRS. EARLE LAST NIGHT, 636 00:33:49,395 --> 00:33:51,131 NOT JUST DELIVERING AN ORDER? 637 00:33:54,234 --> 00:33:57,270 IF I DID THINK SO... 638 00:33:57,303 --> 00:33:58,872 THAT WOULDN�T MEAN HE DID MURDER. 639 00:33:58,905 --> 00:34:01,174 ABSOLUTELY NOT. 640 00:34:01,207 --> 00:34:03,276 BECAUSE HE MIGHT HAVE BEEN WITH HER. 641 00:34:05,612 --> 00:34:08,615 HE HAD $23 OF CHANGE IN HIS POCKET, 642 00:34:08,649 --> 00:34:12,252 AND HE WAS ANGRY ABOUT HIS WHOLE LIFE. 643 00:34:12,285 --> 00:34:14,888 HE SAID LOOK WHAT HE WAS DOING FOR NICKELS AND DIMES. 644 00:34:39,112 --> 00:34:40,647 MY KEEPING RADIO SILENCE, 645 00:34:40,681 --> 00:34:43,750 I HOPE YOU DON�T FEEL I�M UNGRATEFUL. 646 00:34:43,784 --> 00:34:46,152 AND I HOPE YOU�RE NOT EXPECTING EVERY TIME YOU TURN AROUND NOW 647 00:34:46,186 --> 00:34:48,088 IT�S GONNA BE, "ANDY, I�M JAMMED." 648 00:34:48,121 --> 00:34:50,256 NO, I DON�T. 649 00:34:50,290 --> 00:34:52,225 THANKS A LOT, ANDY. 650 00:34:52,258 --> 00:34:52,993 YOU�RE WELCOME. 651 00:35:01,668 --> 00:35:02,969 Raul: DO YOU BELIEVE THIS? 652 00:35:03,003 --> 00:35:04,137 WHAT�S GOING ON? 653 00:35:04,170 --> 00:35:06,239 THEY BROUGHT ME BACK FOR YOU TO TALK TO ME AGAIN, 654 00:35:06,272 --> 00:35:08,642 BUT THAT DORIS BITCH IS SPREADING THOSE FURTHER LIES. 655 00:35:08,675 --> 00:35:12,078 Sipowicz: GIVE US JUST A SECOND. 656 00:35:12,112 --> 00:35:15,816 YOU SEE WHO�S PEEKING OUT OF THE COFFEE ROOM? 657 00:35:15,849 --> 00:35:18,318 THE TWO OF YOU GOT A LATE DATE? 658 00:35:20,621 --> 00:35:21,955 GLAD YOU�RE BACK. 659 00:35:21,988 --> 00:35:23,489 WHAT�S THIS? 660 00:35:23,524 --> 00:35:25,792 WHAT�S THAT DINGBAT DOING PEEKING OUT OF THE COFFEE ROOM? 661 00:35:25,826 --> 00:35:27,160 SHE CAME BACK IN A FEW HOURS AGO, 662 00:35:27,193 --> 00:35:29,429 PUT RAUL IN THE D. O. A.�s APARTMENT. 663 00:35:29,462 --> 00:35:31,998 BOSS, ON THE SUBJECT OF RAUL, I DON�T MAKE THIS WOMAN THAT RELIABLE. 664 00:35:32,032 --> 00:35:34,500 DIANE AND JILL RE?INTERVIEWED RAUL�S WIFE, 665 00:35:34,535 --> 00:35:37,470 AND SHE VERIFIED THAT RAUL HAD HAD SEX WITH THE D. O. A. LAST NIGHT, 666 00:35:37,504 --> 00:35:40,841 PAID HIM $23, IN COINS. 667 00:35:40,874 --> 00:35:42,475 RAUL TOLD HIS WIFE THE D. O. A. PAID HIM? 668 00:35:42,509 --> 00:35:43,977 MM?HMM. 669 00:35:44,010 --> 00:35:45,979 HE HAPPEN TO TELL HER IF HE KILLED HER? 670 00:35:46,012 --> 00:35:47,881 HE�S GONNA TELL YOU THAT. 671 00:35:53,754 --> 00:35:56,823 YOU TALK AGAIN TO MRS. STEINMAN. 672 00:35:56,857 --> 00:36:01,294 BOSS, BONING THE D.O.A. DON�T GET THIS RAUL ACROSS THE GOAL LINE FOR KILLING HER, 673 00:36:01,327 --> 00:36:02,963 AND I THINK THERE�S PLENTY MORE THAN HALF A SHOT 674 00:36:02,996 --> 00:36:04,965 THIS LADY�S GOT A PERSONAL VENDETTA GOING. 675 00:36:04,998 --> 00:36:06,900 SHE�S GONNA TELL YOU THAT. 676 00:36:08,034 --> 00:36:11,037 I HAVE TO USE THE LITTLE GIRLS� ROOM. 677 00:36:23,850 --> 00:36:24,885 [SIGHS] 678 00:36:24,918 --> 00:36:27,588 WHERE WE ARE NOW, RAUL, 679 00:36:27,621 --> 00:36:30,924 YOU�RE CAUGHT LYIN� YOU WEREN�T BANGIN� THE DEAD WOMAN. 680 00:36:30,957 --> 00:36:33,359 THIS DORIS STEINMAN WANTS TO RUIN MY LIFE. 681 00:36:33,393 --> 00:36:36,062 YOUR WIFE CORROBORATES WHAT MRS. STEINMAN�S TELLING US. 682 00:36:36,096 --> 00:36:38,665 YOU BANGED THIS WOMAN FOR $23. 683 00:36:38,699 --> 00:36:40,667 23 IS THE AMOUNT OF COIN SHE HAD. 684 00:36:40,701 --> 00:36:42,703 23 IS NOT MY FEE. 685 00:36:42,736 --> 00:36:45,438 WE�RE NOT REAL INTERESTED IF THIS WAS A CUT?RATE HUMP. 686 00:36:45,471 --> 00:36:48,374 THE POINT IS, YOU NOW ADMIT YOU WERE IN HER APARTMENT 687 00:36:48,408 --> 00:36:51,377 BANGIN� THIS WOMAN A FEW HOURS BEFORE SHE WAS KILLED. 688 00:36:51,411 --> 00:36:53,279 SEX DON�T PUT ME KILLING HER. 689 00:36:53,313 --> 00:36:55,381 MAYBE NOW SHE�D EMPTIED HER PIGGY BANK, 690 00:36:55,415 --> 00:36:58,084 SHE KNOWS SHE�S OFF YOUR DELIVERY ROUTE. 691 00:36:58,118 --> 00:37:00,754 MAYBE SHE�S READY TO DO VIOLENCE WITH YOU, 692 00:37:00,787 --> 00:37:02,923 YOU CROAK HER IN SELF?DEFENSE. 693 00:37:02,956 --> 00:37:06,026 THAT WOMAN GOT SOCIAL SECURITY THE FIRST OF EVERY MONTH, OK? 694 00:37:06,059 --> 00:37:08,428 IT�S NOT LIKE SHE�S PERMANENTLY DESTITUTE. 695 00:37:08,461 --> 00:37:10,430 I DIDN�T DO IT, DETECTIVE. 696 00:37:10,463 --> 00:37:13,634 THIS IS A FRAME JOB I�M SITTING FOR A PORTRAIT OF. 697 00:37:13,667 --> 00:37:16,369 BY THIS JEALOUS MRS. STEINMAN? 698 00:37:16,402 --> 00:37:18,204 DORIS COMES PROWLING DOWN THE HALL 699 00:37:18,238 --> 00:37:20,473 �CAUSE I�M 10 MINUTES LATE GETTING TO HER APARTMENT, 700 00:37:20,507 --> 00:37:25,211 WHICH ESTHER DRAGGED ME INTO HER PLACE OFF SOME ELECTRICAL PRETEXT. 701 00:37:25,245 --> 00:37:29,215 WHY�D YOU LEAVE, UH, ESTHER�S DOOR OPEN FOR DORIS TO FIND YOU? 702 00:37:29,249 --> 00:37:31,451 I DIDN�T LEAVE THE DOOR OPEN FOR DORIS TO FIND ME. 703 00:37:31,484 --> 00:37:35,221 I LEFT THE DOOR OPEN TO PROTECT MYSELF FROM EXACTLY WHAT TRANSPIRED. 704 00:37:35,255 --> 00:37:37,390 ESTHER TEMPTING YOU WITH HER PIGGY BANK? 705 00:37:37,423 --> 00:37:39,125 YEAH. 706 00:37:39,159 --> 00:37:41,595 23 BUCKS IS 23 BUCKS. 707 00:37:41,628 --> 00:37:43,764 THAT MOMENT, DORIS HATCHED HER EVIL PLAN 708 00:37:43,797 --> 00:37:45,799 SEEING ESTHER AND ME ON THE CARPET. 709 00:37:52,973 --> 00:37:54,340 [NO?NONSENSE] SIT DOWN. 710 00:37:54,374 --> 00:37:55,375 [FLIRTATIOUSLY] YES, SIR. 711 00:38:01,982 --> 00:38:04,317 YOU WERE GONE BEFORE. 712 00:38:04,350 --> 00:38:06,286 YES, I WAS. 713 00:38:06,319 --> 00:38:09,823 I GAVE THE ADDED INFORMATION ABOUT RAUL TO YOUR LIEUTENANT, 714 00:38:09,856 --> 00:38:13,126 BUT I WANTED TO GIVE IT TO YOU SO YOU COULD GET THE CREDIT. 715 00:38:13,159 --> 00:38:15,361 OH, WELL, THAT�S VERY NICE OF YOU, MRS. STEINMAN. 716 00:38:15,395 --> 00:38:17,764 ALTHOUGH WHY IS IT WHEN YOU AND I FIRST SPOKE, 717 00:38:17,798 --> 00:38:20,634 YOU DIDN�T TELL ME ABOUT SEEING RAUL MAKING LOVE TO MRS. EARLE 718 00:38:20,667 --> 00:38:22,202 IN HER APARTMENT? 719 00:38:22,235 --> 00:38:25,138 I??I??I TOLD YOU TO ASSUME THE TWO OF THEM WERE INVOLVED. 720 00:38:25,171 --> 00:38:26,540 NO, WHAT YOU TOLD ME WAS 721 00:38:26,573 --> 00:38:27,941 I SHOULD ASSUME RAUL WAS INVOLVED 722 00:38:27,974 --> 00:38:29,375 WITH EVERY WOMAN IN MANHATTAN. 723 00:38:29,409 --> 00:38:32,679 WELL, IF YOU�RE ACCUSING ME OF RELUCTANCE TO RELIVE 724 00:38:32,713 --> 00:38:35,448 SEEING THE TWO OF THEM FLAILING AROUND ON THE CARPET, 725 00:38:35,481 --> 00:38:37,818 I??I??I PLEAD GUILTY. 726 00:38:37,851 --> 00:38:39,520 WHAT I�M ACCUSING YOU OF, MRS. STEINMAN, 727 00:38:39,553 --> 00:38:42,556 IS WHAT WE GET IN A LOT OF THIS CASES: YOUR HOLDING A GRUDGE. 728 00:38:42,589 --> 00:38:45,225 AND YOU WANT TO JACK UP RAUL AS BAD AS POSSIBLE 729 00:38:45,258 --> 00:38:48,629 OVER HIM NOT BANGING YOU EXCLUSIVELY LIKE YOU THOUGHT HE WAS DOING. 730 00:38:48,662 --> 00:38:50,997 SO THAT MAKES YOU COME WITH SOME GENERAL INFORMATION 731 00:38:51,031 --> 00:38:53,667 THAT HE�S THE BUILDING STICK?MAN, 732 00:38:53,700 --> 00:38:55,001 AND THEN SOME MORE INFORMATION 733 00:38:55,035 --> 00:38:56,670 THAT TURNED OUT TO BE A LITTLE MORE USEFUL: 734 00:38:56,703 --> 00:39:00,674 THAT HE�D HAD SEX WITH THE VICTIM, LIKE, 6 HOURS BEFORE SHE DIED. 735 00:39:00,707 --> 00:39:03,343 BUT, SEE, BY YOUR OWN ACCOUNT, MRS. STEINMAN, 736 00:39:03,376 --> 00:39:05,211 THAT SEX WAS CONSENSUAL. 737 00:39:05,245 --> 00:39:07,914 SO WE�VE GOT NO MOTIVE FOR WHY RAUL WOULD WANT TO KILL MRS. EARLE. 738 00:39:10,016 --> 00:39:12,586 AND YOU HAVING YOUR PERSONAL GRIEVANCE AGAINST HIM LIKE YOU DO, 739 00:39:12,619 --> 00:39:14,988 AT THIS POINT, I FORESEE YOU TURNING INTO 740 00:39:15,021 --> 00:39:17,824 WHAT WE DETECTIVES CONDUCTING THESE TYPES OF INVESTIGATIONS 741 00:39:17,858 --> 00:39:19,560 CALL ROYAL PAINS IN THE BALLS. 742 00:39:26,533 --> 00:39:28,234 YOU DON�T NEED ME FOR THE GASPING?FOR?AIR PERFORMANCE, 743 00:39:28,268 --> 00:39:29,670 DO YOU, MRS. STEINMAN? 744 00:39:29,703 --> 00:39:32,238 �CAUSE UNLESS YOU GOT SOMETHING ELSE FOR ME, 745 00:39:32,272 --> 00:39:34,608 YOU KNOW, HAVE A FEW GASPS AND LET YOURSELF OUT. 746 00:39:35,942 --> 00:39:38,779 I DID IT COMPLETELY IN SELF?DEFENSE. 747 00:39:38,812 --> 00:39:40,714 YOU DID IT? 748 00:39:40,747 --> 00:39:45,018 SHE??SHE THREATENED ME WITH SCISSORS WHEN I WENT BACK TO REBUKE HER. 749 00:39:45,051 --> 00:39:48,388 I STRANGLED HER TO PROTECT MYSELF, 750 00:39:48,421 --> 00:39:51,825 AND THEN I GAVE HER HEAD A FEW GOOD BANGS OFF THE WALL. 751 00:39:53,827 --> 00:39:56,930 I WANTED RAUL TO GET GOOD AND DEEP IN TROUBLE 752 00:39:56,963 --> 00:40:00,100 BEFORE I LET HIM OFF THE HOT SEAT. 753 00:40:22,956 --> 00:40:25,559 INVOLUNTARY MANSLAUGHTER, RIGHT? 754 00:40:25,592 --> 00:40:28,294 LET�S JUST GET IT DOWN. 755 00:40:28,328 --> 00:40:30,631 I WOULD SAY, LIKE... 756 00:40:30,664 --> 00:40:32,966 LIKE, 18 MONTHS, 757 00:40:32,999 --> 00:40:34,968 AND??AND BY THAT TIME, 758 00:40:35,001 --> 00:40:37,971 WHEN I GET OUT, HE�LL HAVE LEFT THAT LITTLE MOUSE, 759 00:40:38,004 --> 00:40:41,808 AND HE�LL REALIZE WHO IT WAS SAVED HIS LIFE. 760 00:41:08,368 --> 00:41:10,136 THE TWO OF YOU GONNA ELOPE? 761 00:41:10,170 --> 00:41:12,138 OH, MRS. STEINMAN WILL DO HER TIME, 762 00:41:12,172 --> 00:41:14,140 AND THEN ME AND RAUL WILL COMPETE FOR HER HAND. 763 00:41:17,477 --> 00:41:19,312 YOU GOT A MESSAGE THERE. 764 00:41:19,345 --> 00:41:20,313 I�M GONNA GO SEE JOEY OVER AT THE V. A. HOSPITAL, 765 00:41:20,346 --> 00:41:21,548 ALL RIGHT, ANDY? 766 00:41:21,582 --> 00:41:23,049 DANNY?? YOU KNOW, 767 00:41:23,083 --> 00:41:25,151 HE MAY NEED SOME DEPRESSION MEDICATION?? JOEY?? 768 00:41:25,185 --> 00:41:27,654 TO GET HIS THINKING GOIN� STRAIGHT AGAIN. 769 00:41:27,688 --> 00:41:29,389 JOEY IS WHO THE MESSAGE IS FROM. 770 00:41:34,060 --> 00:41:36,196 HE WOULDN�T TELL YOU WHERE HE WAS GOIN�? 771 00:41:36,229 --> 00:41:38,665 NO, I COULDN�T GET HIM TO TELL ME THAT. 772 00:41:40,601 --> 00:41:42,969 WELL, HOW AM I SUPPOSED TO FIND HIM, ANDY? 773 00:41:43,003 --> 00:41:47,173 SOMEONE LEAVIN� TOWN TENDS NOT TO WANT TO BE LOOKED FOR. 774 00:41:47,207 --> 00:41:50,043 HOW CAN THEM DOCTORS JUST LET HIM LEAVE LIKE THAT? 775 00:41:51,845 --> 00:41:53,914 HEY, MAYBE YOU GOT A MILLION FRIENDS. 776 00:41:53,947 --> 00:41:55,148 CONSERVATIVELY. 777 00:41:55,181 --> 00:41:57,718 YEAH, WELL, I DON�T, ALL RIGHT? 778 00:41:57,751 --> 00:41:59,485 SO THIS UPSETS ME, IT STIRS ME UP. 779 00:41:59,520 --> 00:42:01,588 WHO DO YOU TALK TO? 780 00:42:01,622 --> 00:42:03,423 HOW CAN I TALK TO HIM, ANDY, IF I DON�T KNOW WHERE HE IS? 781 00:42:03,456 --> 00:42:05,559 I�M SAYIN� WHO DO YOU TALK TO WHEN YOU GET STIRRED UP? 782 00:42:05,592 --> 00:42:06,893 I DON�T LIKE BEIN� STIRRED UP. 783 00:42:06,927 --> 00:42:08,729 WHAT, DO YOU GET STUPID AFTER WORKING HOURS? 784 00:42:15,969 --> 00:42:17,704 I APOLOGIZE. 785 00:42:21,908 --> 00:42:23,910 WANT SOME COMPANY LOOKIN� FOR YOUR FRIEND? 786 00:42:29,583 --> 00:42:30,884 WHAT I�M HOPIN� IS, 787 00:42:30,917 --> 00:42:33,620 MAYBE HE HEADED OFF EARLY TO PEEKSKILL. 788 00:42:33,654 --> 00:42:35,756 THAT�S WHERE YOU�RE DOIN� YOUR RESERVE DUTY? 789 00:42:35,789 --> 00:42:37,423 YEAH. 790 00:42:37,457 --> 00:42:39,726 SO LET ME LOOK AROUND OUR USUAL PLACES TONIGHT, 791 00:42:39,760 --> 00:42:42,262 SEE IF HE MAYBE CHANGED HIS MIND, 792 00:42:42,295 --> 00:42:43,864 OR OTHERWISE, I�LL HOPE WE FIND HIM 793 00:42:43,897 --> 00:42:45,632 UP AT RESERVE DUTY THIS WEEKEND. 794 00:42:47,233 --> 00:42:49,102 NO, HE�S GONE. HE�S GONE. 795 00:42:49,135 --> 00:42:50,937 HE�S NOT GONNA SHOW UP IN PEEKSKILL. 796 00:42:50,971 --> 00:42:52,539 HE�S GOTTEN ON A BUS TO CRAZY, 797 00:42:52,573 --> 00:42:54,808 AND HE�S PROBABLY GONNA HURT HIMSELF. 798 00:42:56,910 --> 00:43:00,213 SOMETIMES YOU LOSE PEOPLE YOU LOVE. 799 00:43:00,246 --> 00:43:01,948 YEAH. 800 00:43:05,185 --> 00:43:06,653 I UNDERSTAND THAT. 801 00:43:09,523 --> 00:43:11,925 I APOLOGIZE FOR BEIN� DISRESPECTFUL. 802 00:43:11,958 --> 00:43:14,628 DON�T WORRY ABOUT IT. 803 00:43:16,029 --> 00:43:17,764 ALL RIGHT, ANDY, I�LL SEE YOU TOMORROW. 804 00:43:17,798 --> 00:43:19,299 YEAH, I�LL SEE YOU. 805 00:43:35,782 --> 00:43:37,684 SEE YOU TOMORROW. 806 00:43:37,734 --> 00:43:42,284 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 60014

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