All language subtitles for NYPD Blue s05e06 Dead Man Talking.eng

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek Download
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese Download
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:30,833 --> 00:00:31,800 HEY. 2 00:00:31,833 --> 00:00:33,200 WHAT DO WE GOT? 3 00:00:33,233 --> 00:00:35,566 2 D. O. A. s?? MOTHER AND A LITTLE BOY. 4 00:00:35,600 --> 00:00:37,666 NAME'S ANGELOS, BOTH SHOT IN THE HEAD. 5 00:00:37,700 --> 00:00:39,566 HUSBAND'S GUT?SHOT, BUT HE'S GONNA MAKE IT. 6 00:00:39,600 --> 00:00:43,200 THEY CUT THE GLASS AROUND THE INSIDE DOOR TO GAIN ACCESS. 7 00:00:43,233 --> 00:00:45,033 PRETTY FINE JOB FOR A HOME INVASION. 8 00:00:45,066 --> 00:00:46,466 MAKE A NOTE OF THAT. 9 00:00:46,500 --> 00:00:48,133 Paramedic: COMING THROUGH! 10 00:00:48,166 --> 00:00:50,066 MR. ANGELOS, DETECTIVES. CAN YOU TELL US WHAT HAPPENED, SIR? 11 00:00:50,100 --> 00:00:51,666 COULDN'T...STOP... 12 00:00:51,700 --> 00:00:53,000 HE'LL BE ALL RIGHT? 13 00:00:53,033 --> 00:00:54,133 HE'S IN SHOCK. HE SHOULD BE OK LATER. 14 00:00:54,166 --> 00:00:55,300 WE'RE TAKING HIM TO BELLEVUE. 15 00:00:55,333 --> 00:00:57,400 THAT'LL PUT HIM BACK IN SHOCK RIGHT THERE. 16 00:01:17,000 --> 00:01:18,233 THERE'S BLOOD ON THE SHEETS, 17 00:01:18,266 --> 00:01:20,233 BUT THE BLANKETS ARE PRETTY CLEAN. 18 00:01:20,266 --> 00:01:22,000 NOT TOO MUCH RANSACKING. 19 00:01:34,433 --> 00:01:36,566 NOTHING REALLY UNDER HER FINGERNAILS TO INDICATE A STRUGGLE, 20 00:01:36,600 --> 00:01:38,100 BUT I WANT TO BAG HER HANDS ANYWAY. 21 00:01:44,433 --> 00:01:46,366 AW, HELL. 22 00:01:55,266 --> 00:01:57,600 LOOK AT HIS LITTLE LEGS. 23 00:02:05,600 --> 00:02:08,000 WE NEED TO TALK TO THE FATHER AGAIN. 24 00:02:08,033 --> 00:02:10,600 HOW'S THIS GUY ALIVE WITH HIS KID DEAD? 25 00:03:44,366 --> 00:03:46,533 HOW YOU FEELING, MR. ANGELOS? 26 00:03:46,566 --> 00:03:48,666 WHAT AM I GONNA DO? 27 00:03:48,700 --> 00:03:50,900 WE'RE SORRY TO PRESS YOU ON THIS, 28 00:03:50,933 --> 00:03:53,900 BUT, YOU KNOW, ANY INFORMATION THAT YOU CAN GIVE US RIGHT NOW 29 00:03:53,933 --> 00:03:56,333 MIGHT HELP TO LEAD TO A QUICK ARREST. 30 00:03:56,366 --> 00:03:59,033 I WANT YOU TO FIND THE SON OF A BITCH. 31 00:04:01,733 --> 00:04:05,133 ABOUT 5:00 THIS MORNING, I HEARD SOUNDS... 32 00:04:05,166 --> 00:04:07,333 IN THE KITCHEN??RUSTLING. 33 00:04:07,366 --> 00:04:09,133 BUT JOSHIE CRIES AT NIGHT. 34 00:04:09,166 --> 00:04:11,166 I THOUGHT IT WAS JUST HIM RUSTLING THE CRIB. 35 00:04:11,200 --> 00:04:14,133 AND THIS GUY BUSTS IN. I GET SHOT. 36 00:04:14,166 --> 00:04:17,666 I LOSE CONSCIOUSNESS, THEN I REGAIN CONSCIOUSNESS. 37 00:04:17,700 --> 00:04:19,866 THEN I SAW THE SAME THING YOU DID. 38 00:04:22,033 --> 00:04:24,133 YOU GET ANY KIND OF LOOK AT THIS GUY? 39 00:04:24,166 --> 00:04:27,033 HE WORE A MASK. UH... 40 00:04:27,066 --> 00:04:30,900 THE NEIGHBORS, THEY MUST'VE HEARD OR SEEN SOMETHING. 41 00:04:30,933 --> 00:04:32,900 WE HAVEN'T GOT ANYTHING YET OFF OUR CANVASS. 42 00:04:32,933 --> 00:04:34,666 I DON'T KNOW WHAT TO TELL YOU. 43 00:04:36,333 --> 00:04:38,800 WELL, UH, OBVIOUSLY, IF YOU THINK OF ANYTHING... 44 00:04:38,833 --> 00:04:40,666 LET US KNOW. 45 00:04:45,100 --> 00:04:46,300 I COULDN'T SAVE 'EM. 46 00:04:46,333 --> 00:04:49,400 I TRIED... 47 00:04:49,433 --> 00:04:50,666 BUT I COULDN'T. 48 00:04:52,233 --> 00:04:53,666 YOU REST UP. 49 00:05:03,200 --> 00:05:04,400 Fancy: SO, WHAT'D YOU GET? 50 00:05:04,433 --> 00:05:05,666 Simone: HUSBAND'S GUT?SHOT. 51 00:05:05,700 --> 00:05:08,233 WIFE AND BABY, 2 BULLETS TO THE HEAD. 52 00:05:08,266 --> 00:05:10,566 ONLY NEIGHBOR HEARD ANYTHING THOUGHT IT WAS A WAR MOVIE. 53 00:05:10,600 --> 00:05:12,400 HUSBAND GONNA MAKE IT? 54 00:05:12,433 --> 00:05:14,900 HE'S ALL RIGHT. THEY'RE GONNA RELEASE HIM A LITTLE LATER ON. 55 00:05:14,933 --> 00:05:17,033 WE'RE GONNA LOOK INTO HIM A LITTLE BIT. 56 00:05:17,066 --> 00:05:18,733 THE D. O. A. WIFE'S MOTHER'S COMING IN. 57 00:05:18,766 --> 00:05:20,800 SEE WHAT SHE THOUGHT OF HER SON?IN?LAW. 58 00:05:20,833 --> 00:05:22,566 SOUNDS LIKE YOU LIKE HIM A LITTLE. 59 00:05:22,600 --> 00:05:24,400 YOU KNOW, WIFE AND CHILD GET KILLED, YOU WOULD'VE LIKED 60 00:05:24,433 --> 00:05:26,566 TO SEE HIM MAYBE TAKE 1 OR 2 MORE BULLETS. 61 00:05:26,600 --> 00:05:28,400 Naomi: LIEUTENANT? YEAH. 62 00:05:28,433 --> 00:05:31,400 THIS GENTLEMAN SAYS HE'S A FRIEND. 63 00:05:31,433 --> 00:05:33,066 HE'S NOT LYING. 64 00:05:33,100 --> 00:05:35,366 HARVEY! 65 00:05:35,400 --> 00:05:37,100 IT'S GREAT TO SEE YOU. 66 00:05:40,200 --> 00:05:41,233 IT'S GREAT BEING SEEN. 67 00:05:41,266 --> 00:05:43,000 HOW YOU BEEN? I'M DOING GOOD. 68 00:05:43,033 --> 00:05:45,500 LAST TIME I SAW YOU, FACE, YOU JUST GOT YOUR FIRST CHEST HAIR. 69 00:05:45,533 --> 00:05:48,033 AW, GET IN MY OFFICE AND STOP TELLING STORIES. 70 00:05:48,066 --> 00:05:50,333 HI. MORNING. 71 00:05:50,366 --> 00:05:51,633 HOW YOU DOING? 72 00:05:51,666 --> 00:05:53,966 I??I??I BROUGHT YOU SOMETHING. 73 00:05:54,000 --> 00:05:56,366 WELL, I CAN'T WAIT TO HEAR THIS. 74 00:05:56,400 --> 00:06:00,200 IT'S NOT MUCH MORE THAN A GARAGE TAPE. 75 00:06:00,233 --> 00:06:02,966 I SELL 'EM AT MY GIGS. 76 00:06:03,000 --> 00:06:05,200 I WANT TO BUY THIS FROM YOU. 77 00:06:05,233 --> 00:06:08,133 NAW, FACE... 78 00:06:08,166 --> 00:06:09,666 IT'S A GIFT. 79 00:06:14,400 --> 00:06:15,733 SO, HARVEY... 80 00:06:17,200 --> 00:06:18,633 EVERYTHING OK WITH YOU? 81 00:06:18,666 --> 00:06:21,733 YEAH, WELL, I GOT MY MISERIES, BUT I'M ALL RIGHT. 82 00:06:24,833 --> 00:06:26,533 OH. 83 00:06:26,566 --> 00:06:29,300 LILLIAN AND I HAVE BEEN MARRIED 15 YEARS. 84 00:06:29,333 --> 00:06:32,333 2 GIRLS AND A BOY. 85 00:06:32,366 --> 00:06:33,833 THAT'S GREAT. 86 00:06:33,866 --> 00:06:34,766 YEAH. 87 00:06:40,166 --> 00:06:43,233 PRETTY MUCH I GOT MY MUSIC. 88 00:06:43,266 --> 00:06:45,066 THAT'S GOOD. 89 00:06:45,100 --> 00:06:47,966 SO, HARVEY, HOW ABOUT I GET YOU A GLASS OF WATER 90 00:06:48,000 --> 00:06:49,333 OR SOMETHING ELSE TO DRINK? 91 00:06:49,366 --> 00:06:50,900 NAW, TO TELL THE TRUTH, FACE, 92 00:06:50,933 --> 00:06:53,733 I WAS JUST PRETTY MUCH ABOUT STOPPING TO SAY HI. 93 00:06:53,766 --> 00:06:54,966 HOW'D YOU FIND ME? 94 00:06:55,000 --> 00:06:58,833 I GUESS SOMEBODY MUST'VE JUST TOLD ME. 95 00:06:58,866 --> 00:07:00,866 I GOTTA SPLIT, ARTHUR. 96 00:07:00,900 --> 00:07:02,733 IT'S GOOD?? GOOD TO SEE YOU. 97 00:07:02,766 --> 00:07:04,233 YEAH, YEAH, ALL RIGHT, HARVEY. 98 00:07:04,266 --> 00:07:06,733 BUT I WANT YOU TO CALL ME WHEN IT'S A BETTER TIME, OK? 99 00:07:06,766 --> 00:07:08,966 I WILL DO THAT. I'LL DO THAT. 100 00:07:09,000 --> 00:07:10,533 [TELEPHONE RINGS] OK, LET ME WALK YOU OUT. 101 00:07:10,566 --> 00:07:11,633 NO, THANKS. THANKS A LOT. 102 00:07:11,666 --> 00:07:13,133 GOOD SEEING YOU 103 00:07:13,166 --> 00:07:14,566 DOING SO WELL, ARTHUR. 104 00:07:18,266 --> 00:07:20,000 YEAH. 15th SQUAD. 105 00:07:22,266 --> 00:07:24,200 YEAH, ALL RIGHT. 106 00:07:24,233 --> 00:07:26,666 WHAT'S THAT??THIRD? 107 00:07:29,333 --> 00:07:30,733 GOT IT. 108 00:07:33,666 --> 00:07:35,500 DIANE, YOU'RE UP. 109 00:07:35,533 --> 00:07:37,233 UM, ASSAULT ON THIRD AND BOWERY. 110 00:07:37,266 --> 00:07:38,466 GREG, JAMES... 111 00:07:38,500 --> 00:07:39,900 GIVE HER A HAND? 112 00:07:43,066 --> 00:07:45,000 I'LL BE BACK IN A LITTLE WHILE. 113 00:07:57,900 --> 00:07:58,733 HARVEY. 114 00:07:58,766 --> 00:07:59,733 [GASPING] 115 00:07:59,766 --> 00:08:00,800 HARVEY. 116 00:08:00,833 --> 00:08:02,233 WHAT IS IT, MAN? 117 00:08:02,266 --> 00:08:03,333 I GOTTA SIT DOWN. 118 00:08:03,366 --> 00:08:05,666 OHH, THE BUZZARD'S EATING AT ME. 119 00:08:05,700 --> 00:08:07,266 YOU NEED THE PARAMEDICS? 120 00:08:09,266 --> 00:08:11,066 IT'S OK. 121 00:08:11,100 --> 00:08:13,633 THE SKY'S CLEARING. 122 00:08:13,666 --> 00:08:15,166 SO WHAT'S WRONG WITH YOU, HARVEY? 123 00:08:15,200 --> 00:08:17,833 KIDNEYS ARE GONE. 124 00:08:17,866 --> 00:08:20,200 THEY GOT SOME FANCY INITIALS TO IT, 125 00:08:20,233 --> 00:08:21,733 BUT THAT'S WHAT IT IS. 126 00:08:21,766 --> 00:08:24,033 I'M DYING...FACE. 127 00:08:25,433 --> 00:08:26,900 HARVEY... 128 00:08:26,933 --> 00:08:31,066 ONE THING I HAVE LEARNED FROM MY JOB... 129 00:08:31,100 --> 00:08:34,700 IS WHEN SOMEONE'S CARRYING SOMETHING AROUND THAT THEY WANT TO SAY, 130 00:08:34,733 --> 00:08:37,000 BUT THEY'RE HAVING TROUBLE GETTING IT OUT. 131 00:08:39,866 --> 00:08:41,633 FIRST THING, I'M STRAIGHT NOW 10 YEARS. 132 00:08:41,666 --> 00:08:43,033 I AIN'T HERE RUNNING NO GAME. 133 00:08:43,066 --> 00:08:44,833 OK, I BELIEVE YOU. 134 00:08:44,866 --> 00:08:47,633 I KNOW ABOUT A MURDER HAPPENED 15 YEARS AGO. 135 00:08:47,666 --> 00:08:48,800 I DIDN'T SEE IT MYSELF, 136 00:08:48,833 --> 00:08:50,833 BUT I KNOW WHAT HAPPENED FOR A FACT. 137 00:08:50,866 --> 00:08:53,666 GUY THAT DID THE KILLING'S NAME IS ONUS PRICE. 138 00:08:53,700 --> 00:08:56,566 THE VICTIM WAS RAY GREEN, A MUSICIAN LIKE ME. 139 00:08:56,600 --> 00:08:58,866 PLAYED BASS AND FRENCH HORN. 140 00:08:58,900 --> 00:09:01,166 ONUS BROKE IN TO STEAL RAY'S HORN?? 141 00:09:01,200 --> 00:09:02,833 IT'S WORTH A LOT OF MONEY. 142 00:09:02,866 --> 00:09:04,700 HE STOLE THE HORN, HE SHOT RAY TO DEATH. 143 00:09:04,733 --> 00:09:06,833 HOW DO YOU KNOW ONUS DID IT? 144 00:09:06,866 --> 00:09:07,800 EVERYBODY KNEW. 145 00:09:07,833 --> 00:09:09,533 ONUS PLAYED A LITTLE, 146 00:09:09,566 --> 00:09:12,133 BUT HE WAS A STONE JUNKIE??PULLED STICKUPS WHEN HE WAS SHORT. 147 00:09:12,166 --> 00:09:15,400 RAY CAUGHT HIM ONCE BEFORE TRYING TO GET INTO HIS PLACE. 148 00:09:15,433 --> 00:09:17,166 THE DAY AFTER RAY DIED, 149 00:09:17,200 --> 00:09:20,333 ONUS IS IN THE BAR?? LOADED, SPENDING ON WOMEN. 150 00:09:20,366 --> 00:09:22,133 HE'S THE ONE DID IT. 151 00:09:22,166 --> 00:09:24,166 LOOK, HARVEY, 152 00:09:24,200 --> 00:09:25,900 SICK AS YOU ARE, 153 00:09:25,933 --> 00:09:28,033 COMING FORWARD AFTER 15 YEARS, 154 00:09:28,066 --> 00:09:30,733 SAYING EVERYONE KNEW THAT THIS ONUS DID THE KILLING, 155 00:09:30,766 --> 00:09:32,700 SOMETHING ABOUT THAT DOESN'T ADD UP. 156 00:09:32,733 --> 00:09:34,366 WELL, WHAT DO YOU MEAN? 157 00:09:34,400 --> 00:09:37,400 I MEAN, ESSENTIALLY YOU'RE COMING FORWARD WITH A RUMOR. 158 00:09:37,433 --> 00:09:39,200 EVERYBODY KNEW, ARTHUR?? 159 00:09:40,600 --> 00:09:41,733 DAMN. 160 00:09:41,766 --> 00:09:43,166 ONUS IS STILL OUT THERE. 161 00:09:43,200 --> 00:09:45,333 HE'S SELLING DRUGS. HE'S??HE'S BREAKING IN. 162 00:09:45,366 --> 00:09:47,066 LOOK, LOOK, HARVEY. 163 00:09:47,100 --> 00:09:49,400 IF WE'RE GONNA GO AFTER THIS GUY FOR THE HOMICIDE, 164 00:09:49,433 --> 00:09:51,700 I'D HAVE TO HAVE MORE THAN WHAT YOU TOLD ME. 165 00:09:51,733 --> 00:09:54,900 NOW, DID YOU HAVE SOMETHING TO DO WITH THIS? 166 00:09:54,933 --> 00:09:57,933 IS THAT WHY YOU'RE COMING FORWARD AFTER ALL THIS TIME? 167 00:10:01,900 --> 00:10:03,800 I DROVE HIM. 168 00:10:03,833 --> 00:10:05,533 ALL RIGHT. 169 00:10:05,566 --> 00:10:08,733 ONUS HAD HIS OWN PLACE IN THAT BUILDING. 170 00:10:08,766 --> 00:10:11,366 I DIDN'T REALIZE WHAT HE WENT UPSTAIRS TO DO. 171 00:10:11,400 --> 00:10:14,466 I DIDN'T REALIZE TILL THEY FOUND RAY. 172 00:10:14,500 --> 00:10:17,533 THEN I??I WAS TOO SCARED TO SAY ANYTHING. 173 00:10:22,000 --> 00:10:26,700 YOU GONNA HELP ME SQUARE THE BOOKS ON THAT, ARTHUR? 174 00:10:26,733 --> 00:10:28,700 YEAH, HARVEY. 175 00:10:28,733 --> 00:10:29,666 I'M GONNA TRY. 176 00:10:47,733 --> 00:10:48,666 HOW'S HE DOING? 177 00:10:48,700 --> 00:10:49,533 JFK. 178 00:10:58,033 --> 00:10:59,566 HEY. 179 00:10:59,600 --> 00:11:02,133 ERIK VOLPER. SOME KIND OF ROCK 'N' ROLL MANAGER. 180 00:11:02,166 --> 00:11:05,000 TEMP FOUND HIM IN THE JOHN WITH HIS SKULL CAVED IN. 181 00:11:05,033 --> 00:11:06,900 WE GOT HER. SHE CALLED 911. 182 00:11:06,933 --> 00:11:08,066 WHAT'S HER ACT? 183 00:11:08,100 --> 00:11:09,833 SOME KIND OF BUSINESS ASSOCIATE. 184 00:11:09,866 --> 00:11:12,966 TELLS US SOMEONE ALSO TOOK SOME KIND OF TOOL TO THIS GUY'S CAR. 185 00:11:13,000 --> 00:11:14,533 IT'S ALL VANDALIZED IN THE EMPLOYEE PARKING LOT. 186 00:11:14,566 --> 00:11:16,500 WE'LL CHECK OUT THE BATHROOM. 187 00:11:16,533 --> 00:11:17,500 GOT HER NAME? 188 00:11:17,533 --> 00:11:18,866 YEAH. PATRICIA BELL. 189 00:11:18,900 --> 00:11:19,666 THANKS. 190 00:11:23,500 --> 00:11:24,800 I'M DETECTIVE RUSSELL, MISS BELL. 191 00:11:24,833 --> 00:11:26,700 MISS BELL. 192 00:11:26,733 --> 00:11:28,200 YOU'RE THE ONE CALLED 911? 193 00:11:28,233 --> 00:11:30,833 JOHN CAME TO ME SAID ERIK'S BLEEDING IN THE BATHROOM. 194 00:11:30,866 --> 00:11:33,033 I WENT IN THERE, AND IT WAS JUST HORRIBLE. 195 00:11:33,066 --> 00:11:35,800 HE WAS LYING THERE TWITCHING WITH HIS HEAD ALL CRUSHED 196 00:11:35,833 --> 00:11:37,633 AND BLOOD ALL OVER THE FLOOR. 197 00:11:37,666 --> 00:11:39,800 I JUST FOUND HIM. I HAD ABSOLUTELY NOTHING TO DO WITH THIS. 198 00:11:39,833 --> 00:11:41,366 YOU'RE JOHN? 199 00:11:41,400 --> 00:11:42,200 I WENT IN THERE BECAUSE I'M MARGINALLY COMPULSIVE. 200 00:11:42,233 --> 00:11:43,233 I WASH MY HANDS A LOT. 201 00:11:43,266 --> 00:11:45,033 I NEVER EVEN MET MR. VOLPER, 202 00:11:45,066 --> 00:11:47,133 AND I ONLY STARTED WORK HERE 2 DAYS AGO. 203 00:11:47,166 --> 00:11:49,633 JOHN, YOU HAVE NO BLOOD ON YOU OR SHOW ANY SIGNS OF A STRUGGLE, 204 00:11:49,666 --> 00:11:51,400 AND I HAVE NO REASON TO THINK YOU'RE A SUSPECT. 205 00:11:51,433 --> 00:11:52,866 THANK YOU SO MUCH FOR SAYING THAT. 206 00:11:52,900 --> 00:11:54,900 WHY DON'T YOU WAIT OVER THERE? 207 00:11:54,933 --> 00:11:57,366 WOULD IT BE ALL RIGHT IF I WENT TO WASH MY HANDS REALLY QUICKLY DOWNSTAIRS 208 00:11:57,400 --> 00:11:58,366 AND COME RIGHT BACK UP? 209 00:11:58,400 --> 00:11:59,566 YEAH, ABSOLUTELY. 210 00:12:00,900 --> 00:12:03,733 DO YOU HAVE ANY IDEA WHO MIGHT HAVE DONE THIS? 211 00:12:03,766 --> 00:12:06,166 ACTUALLY DO IT? NO. 212 00:12:06,200 --> 00:12:07,800 MR. VOLPER WASN'T TOO POPULAR? 213 00:12:07,833 --> 00:12:09,800 EVEN IF HE WAS A NICE GUY, 214 00:12:09,833 --> 00:12:13,633 YOU'RE ALWAYS DISAPPOINTING PEOPLE, TURNING THEM DOWN FOR REPRESENTATION. 215 00:12:13,666 --> 00:12:17,000 PLUS, THE PEOPLE AREN'T THE MOST NORMAL, TEND TO ACT OUT. 216 00:12:17,033 --> 00:12:19,066 THE ROCK 'N' ROLL GROUPS? 217 00:12:19,100 --> 00:12:20,733 PLUS ERIK WAS AN ASSHOLE. 218 00:12:20,766 --> 00:12:22,366 ERIK'S MR. VOLPER. 219 00:12:22,400 --> 00:12:24,533 BUT THAT'S ALMOST LIKE AN OCCUPATIONAL REQUIREMENT. 220 00:12:24,566 --> 00:12:27,166 YOU KNOW, I'M GONNA NEED A LIST OF EVERYONE WHO WORKS HERE, PATTY. 221 00:12:27,200 --> 00:12:28,533 YOU WANT HIS ROLODEX? 222 00:12:28,566 --> 00:12:30,633 YEAH. I'M GONNA NEED ALL OF IT. 223 00:12:30,666 --> 00:12:33,333 OK. I'LL GET YOU ALL OF IT. 224 00:12:39,100 --> 00:12:41,900 LOOK AT THE AMOUNT OF BRAIN MATTER MIXED IN WITH HIS BLOOD. 225 00:12:41,933 --> 00:12:44,533 WELL, CSU MIGHT GET A LIFT OFF THIS DISPENSER. 226 00:12:44,566 --> 00:12:46,500 YEAH, WE SHOULD GET 'EM OVER HERE. 227 00:12:46,533 --> 00:12:48,366 CSU NEEDS TO GO OVER THIS GUY'S VANDALIZED CAR, TOO. 228 00:12:48,400 --> 00:12:49,800 SEE IF THEY GET LIFTS FROM THAT. 229 00:12:49,833 --> 00:12:52,200 YEAH, MIGHT GET A MATCH WITH THAT HERE. 230 00:12:52,233 --> 00:12:53,333 PRETTY GRUESOME, HUH, DIANE? 231 00:12:53,366 --> 00:12:55,166 OHH, IF YOU'RE A FAMILY MEMBER, 232 00:12:55,200 --> 00:12:57,466 YOU'D PROBABLY HOPE THE GUY DOES GO OUT OF THE PICTURE. 233 00:12:57,500 --> 00:12:59,300 YEAH, SURVIVE, YOU LIVE AS A BROCCOLI. 234 00:12:59,333 --> 00:13:01,333 LET'S GET THIS SEALED OFF. 235 00:13:17,200 --> 00:13:19,866 WE REALLY APPRECIATE YOU COMING IN. 236 00:13:19,900 --> 00:13:23,733 WE'RE VERY SORRY ABOUT YOUR DAUGHTER AND YOUR GRANDSON. 237 00:13:25,933 --> 00:13:28,133 THEY WERE TAKEN FROM ME BY MURDER. 238 00:13:28,166 --> 00:13:31,166 ANY IDEAS MIGHT HELP US LOOK FOR WHO DID THAT? 239 00:13:31,200 --> 00:13:33,166 ANY GRIEVANCES THAT ANYONE MIGHT HAVE HAD 240 00:13:33,200 --> 00:13:34,833 WITH YOUR DAUGHTER OR YOUR DAUGHTER'S HUSBAND? 241 00:13:34,866 --> 00:13:36,200 AGAINST HER HUSBAND, SURE. 242 00:13:37,833 --> 00:13:38,666 A BAD PERSON?? 243 00:13:38,700 --> 00:13:39,900 LAZY, 244 00:13:39,933 --> 00:13:40,900 DON'T WANT TO WORK, 245 00:13:40,933 --> 00:13:42,733 BORROWS MONEY. 246 00:13:42,766 --> 00:13:45,066 THAT PERSON'S ALWAYS GONNA HAVE ENEMIES. 247 00:13:45,100 --> 00:13:46,400 THIS IS YOUR SON?IN?LAW. 248 00:13:46,433 --> 00:13:49,133 BIG INSURANCE SETTLEMENT FROM THE BUS COMPANY, 249 00:13:49,166 --> 00:13:50,233 HE SAYS HE'S GONNA GET. 250 00:13:50,266 --> 00:13:53,500 FOR 3 YEARS HE DON'T DO NOTHING, 251 00:13:53,533 --> 00:13:55,900 JUST SO HE CAN PROVE HE'S GOT A BAD BACK. 252 00:13:55,933 --> 00:13:58,666 DON'T ASK ME IF HE'S REALLY HURT. 253 00:13:58,700 --> 00:14:01,833 HE SITS AND PLAYS QUICK?DRAW ON THE LOTTERY. 254 00:14:01,866 --> 00:14:06,233 DON'T MIND MY TINA WORKING 2 JOBS. 255 00:14:06,266 --> 00:14:08,133 SO DO YOU KNOW IF ANYONE SPECIFIC 256 00:14:08,166 --> 00:14:10,400 MIGHT HAVE HAD A DISAGREEMENT WITH YOUR SON?IN?LAW, 257 00:14:10,433 --> 00:14:13,333 MAYBE OVER A BAD DEBT, ANYTHING OF THAT SORT? 258 00:14:13,366 --> 00:14:16,300 MY LITTLE BOY HAD A HOLE IN HIS HEART. 259 00:14:16,333 --> 00:14:18,733 WHO? WHO'S THIS NOW? 260 00:14:18,766 --> 00:14:21,200 MY GRANDSON THAT THEY MURDERED. 261 00:14:21,233 --> 00:14:24,200 HE HAD A HOLE IN HIS HEART. 262 00:14:24,233 --> 00:14:26,633 MY TINA TOOK SUCH GOOD CARE, 263 00:14:26,666 --> 00:14:29,000 AND I WOULD TAKE CARE OF HIM. 264 00:14:29,033 --> 00:14:31,500 BUT THAT ONE... 265 00:14:31,533 --> 00:14:33,900 PLAYS QUICK?DRAW ON THE LOTTERY. 266 00:14:33,933 --> 00:14:36,300 YOUR SON?IN?LAW PAUL? 267 00:14:36,333 --> 00:14:37,833 AND NOW... 268 00:14:40,900 --> 00:14:43,133 SOMEONE MURDERED... 269 00:14:43,166 --> 00:14:44,366 MY DAUGHTER, 270 00:14:44,400 --> 00:14:45,966 MY LITTLE JOSH. 271 00:14:46,000 --> 00:14:49,033 AND THAT ONE DON'T GET MURDERED? 272 00:14:49,066 --> 00:14:51,233 I PRAYED TO GOD! 273 00:14:51,266 --> 00:14:53,433 PLEASE TAKE MY LIFE... 274 00:14:55,333 --> 00:14:58,266 SO MY LITTLE BOY'S HEART WOULD BE GOOD. 275 00:14:59,700 --> 00:15:03,566 OH, HE COULD HAVE TAKEN MY LIFE.... 276 00:15:03,600 --> 00:15:06,766 FOR MY DAUGHTER AND MY GRANDSON NOT TO BE MURDERED. 277 00:15:10,733 --> 00:15:11,900 [SOBBING] 278 00:15:11,933 --> 00:15:13,200 ALL RIGHT, MRS. VARGAS. 279 00:15:15,600 --> 00:15:17,700 I HAVE NOTHING NOW. 280 00:15:19,533 --> 00:15:22,166 I DON'T EVEN MIND COMING HERE. 281 00:15:22,200 --> 00:15:24,033 I HAVE NO PLACE TO GO... 282 00:15:24,066 --> 00:15:26,266 WITH HER AND HIM DEAD. 283 00:15:57,159 --> 00:15:58,758 LIEUTENANT, CORRECTIONS CALLED 284 00:15:58,792 --> 00:16:00,302 REGARDING AN ONUS PRICE. 285 00:16:00,335 --> 00:16:01,668 THANKS, NAOMI. 286 00:16:05,835 --> 00:16:08,035 IS THAT ONE BEHAVING HIMSELF? 287 00:16:08,068 --> 00:16:09,402 WELL, HE'S QUITE UNPLEASANT, 288 00:16:09,435 --> 00:16:11,368 BUT I JUST IMAGINE HE'S A HOLOGRAM. 289 00:16:11,402 --> 00:16:12,835 TAKE SEATS, AND WE'LL START THE INTERVIEWS 290 00:16:12,868 --> 00:16:14,368 IN JUST A LITTLE BIT. 291 00:16:14,402 --> 00:16:16,168 WOULD ANYONE LIKE A BEVERAGE? 292 00:16:16,202 --> 00:16:17,668 SO, WHERE DO YOU STAND, JAMES? 293 00:16:17,702 --> 00:16:19,568 D.O.A.'S A MUSICAL MANAGER. 294 00:16:19,602 --> 00:16:22,235 SOMEONE BOUNCED HIS HEAD OFF THE SINK AND WALLS IN THE OFFICE BATHROOM. 295 00:16:22,268 --> 00:16:23,402 NO WITNESSES. 296 00:16:23,435 --> 00:16:24,968 WE'LL INTERVIEW HIS COWORKERS. 297 00:16:25,002 --> 00:16:26,735 HE'S DIVORCED. EX?WIFE LIVES IN ASPEN. 298 00:16:26,768 --> 00:16:28,235 I'M GONNA CONTACT HER. 299 00:16:28,268 --> 00:16:30,235 YOU GOT A WALK?IN SAYS HE VANDALIZED THE D. O. A.'S CAR. 300 00:16:30,268 --> 00:16:32,002 I LIKE HIS ATTITUDE. 301 00:16:32,035 --> 00:16:33,302 YOU THINK HE MIGHT WANT TO THROW IN A HOMICIDE? 302 00:16:33,335 --> 00:16:34,435 I GOTTA TAKE A CALL. 303 00:16:36,068 --> 00:16:37,135 HEY. 304 00:16:37,168 --> 00:16:38,968 I'M DETECTIVE RUSSELL. 305 00:16:39,002 --> 00:16:40,068 THIS IS DETECTIVE MARTINEZ. 306 00:16:40,102 --> 00:16:41,235 YEAH? GREAT. 307 00:16:41,268 --> 00:16:43,002 WE WERE TOLD YOU HAVE INFORMATION 308 00:16:43,035 --> 00:16:44,168 ABOUT A CASE WE'RE WORKING. 309 00:16:44,202 --> 00:16:45,835 ERIK VOLPER. I MESSED UP HIS CAR. 310 00:16:45,868 --> 00:16:48,235 WHY DON'T WE TALK DOWN THE HALL HERE? 311 00:16:48,268 --> 00:16:49,102 GREG. 312 00:16:50,935 --> 00:16:53,735 I ARRIVED HERE VOLUNTARILY. 313 00:16:53,768 --> 00:16:55,902 ARE WE ALL ON THE SAME PAGE? 314 00:16:55,935 --> 00:16:57,468 OH, ABSOLUTELY, NILS. 315 00:16:57,502 --> 00:16:59,535 THAT'S UNDERSTOOD. 316 00:16:59,568 --> 00:17:02,368 I VANDALIZED THAT DILDO'S CAR, 317 00:17:02,402 --> 00:17:07,135 AND THERE WERE A LOT OF WITNESSES TO THAT PROBABLY. 318 00:17:07,168 --> 00:17:10,402 AND PROBABLY A SURVEILLANCE TAPE 319 00:17:10,435 --> 00:17:13,968 IN THEIR "JEW RECORD EXECUTIVE" PARKING LOT. 320 00:17:14,002 --> 00:17:16,502 SO YOU FIGURE YOU'RE A SUSPECT 321 00:17:16,535 --> 00:17:19,535 IN THIS OTHER UNFORTUNATE PART OF MR. VOLPER'S DAY. 322 00:17:19,568 --> 00:17:20,902 NOW LET ME TELL YOU SOMETHING. 323 00:17:20,935 --> 00:17:22,702 IF YOU KNEW THIS ASSHOLE, 324 00:17:22,735 --> 00:17:26,468 YOU WOULDN'T BE SURPRISED IF SOMEONE PUT HIM IN A VEG?O?MATIC. 325 00:17:26,502 --> 00:17:29,702 WHEREAS YOU JUST TOOK A SCREWDRIVER TO HIS MASERATI. 326 00:17:29,735 --> 00:17:31,968 YEAH, 'CAUSE HE'S A SICK MANIPULATOR. 327 00:17:32,002 --> 00:17:35,035 HE PRESSES YOUR NOSE UP AGAINST THE WINDOW 328 00:17:35,068 --> 00:17:36,335 AND THEN... 329 00:17:36,368 --> 00:17:38,635 HITS YOU IN THE BACK OF THE HEAD. 330 00:17:38,668 --> 00:17:40,568 THE POINT IS, 331 00:17:40,602 --> 00:17:43,168 WHILE WE HAD WORDS IN HIS OFFICE 332 00:17:43,202 --> 00:17:46,002 AND I DID SOME BODYWORK ON HIS CAR, 333 00:17:46,035 --> 00:17:48,902 I DID NOT CRACK HIS SKULL OPEN 334 00:17:48,935 --> 00:17:51,368 IN HIS LAVATORY. 335 00:17:51,402 --> 00:17:55,168 ARE YOU IN THE AID OF ANY MIND?ENHANCERS JUST NOW, NILS? 336 00:17:55,202 --> 00:17:56,402 STRAIGHTFORWARD QUESTION. 337 00:17:56,435 --> 00:17:57,735 OK. 338 00:17:57,768 --> 00:18:00,868 WOULD YOU MIND PUTTING IT OUT 339 00:18:00,902 --> 00:18:03,635 THAT I AM THE SUSPECT, 340 00:18:03,668 --> 00:18:05,402 EVEN ON THE PRELIMINARY LIST? 341 00:18:05,435 --> 00:18:07,335 IF WE DO ANY LEAKING TO THE PRESS, 342 00:18:07,368 --> 00:18:09,668 WE'LL DEFINITELY SAY YOU HAD A MOTIVE 343 00:18:09,702 --> 00:18:11,802 AND GET YOU A LITTLE PUBLICITY. 344 00:18:11,835 --> 00:18:14,602 AND SAY THAT I CONGRATULATE THE KILLER. 345 00:18:18,502 --> 00:18:22,468 DID I INCRIMINATE MYSELF WITH THE VANDALISM? 346 00:18:22,502 --> 00:18:24,302 Martinez: YOU COULD MAKE THAT ARGUMENT, 347 00:18:24,335 --> 00:18:26,302 BUT THAT'S NOT THE FOCUS OF OUR INVESTIGATING. 348 00:18:26,335 --> 00:18:27,635 OK? 349 00:18:27,668 --> 00:18:30,135 OK. 350 00:18:30,168 --> 00:18:31,302 GOOD. 351 00:18:31,335 --> 00:18:32,402 NILS. 352 00:18:39,402 --> 00:18:40,868 HMM. 353 00:18:41,957 --> 00:18:43,790 HYGIENE, DUDE. 354 00:18:45,557 --> 00:18:47,757 THIS ANGELOS' GOT A GOOD CREDIT RECORD. 355 00:18:47,790 --> 00:18:49,723 THAT'S 'CAUSE HIS WIFE WORKS 2 JOBS. 356 00:18:49,757 --> 00:18:51,123 HE'S CLEAN WITH BCI. 357 00:18:51,157 --> 00:18:52,857 HE HAD ALL HIS PHONE BILLS 358 00:18:52,890 --> 00:18:54,423 HIDDEN IN SOME HALF?ASS LOCKBOX. 359 00:18:54,457 --> 00:18:56,623 12 CALLS IN THE LAST 3 MONTHS TO THE COTTONTAIL CLUB. 360 00:18:56,657 --> 00:18:57,557 IT'S THIS GIRLIE BAR. 361 00:18:57,590 --> 00:18:59,223 AND 4 MORE CALLS 362 00:18:59,257 --> 00:19:01,423 TO THE DEDICATED LINE IN THE CLUB'S OFFICE. 363 00:19:01,457 --> 00:19:02,623 YOU WANT TO WAIT ON TALKING TO ANGELOS AGAIN 364 00:19:02,657 --> 00:19:04,090 UNTIL YOU SEE IF THAT'S A GIRLFRIEND. 365 00:19:04,123 --> 00:19:06,457 Simone: YEAH. WE'RE GONNA CHECK IT OUT. 366 00:19:06,490 --> 00:19:07,757 VINCE GOTELLI. 367 00:19:10,490 --> 00:19:11,957 HEY, GENTLEMEN. 368 00:19:11,990 --> 00:19:14,257 NO OFFENSE, VINCE. 369 00:19:14,290 --> 00:19:15,290 THIS MAN INTRODUCED HIMSELF 370 00:19:15,323 --> 00:19:17,123 AS RETIRED DETECTIVE VINCE GOTELLI. 371 00:19:17,157 --> 00:19:20,623 NO. VINCE GOTELLI WAS A LOT SHORTER. 372 00:19:20,657 --> 00:19:23,390 OH, ANDY, STILL WITH THE JOKES, HUH? 373 00:19:23,423 --> 00:19:24,857 Simone: YOU'RE LOOKING GOOD THERE, VINCE. 374 00:19:24,890 --> 00:19:26,957 FELLAS, I FINALLY WENT IN FOR THAT OPEN?HEART SURGERY. 375 00:19:26,990 --> 00:19:29,123 I'M A COMPLETELY NEW MAN. 376 00:19:29,157 --> 00:19:31,057 ALL THAT PRE?OPERATION AGONIZING 377 00:19:31,090 --> 00:19:32,090 AND SLEEPLESS NIGHTS... 378 00:19:32,123 --> 00:19:33,790 I GOTTA TELL YOU SOMETHING?? 379 00:19:33,823 --> 00:19:35,190 IF SOMEONE TOLD YOU THAT YOU NEED THIS OPERATION 380 00:19:35,223 --> 00:19:38,123 AND YOU'RE SITTING THERE PUTTING IT OFF, DON'T. 381 00:19:38,157 --> 00:19:41,757 YOU COME OUT WITH ALL YOUR MENTAL FACULTIES FUNCTIONING, HUH? 382 00:19:41,790 --> 00:19:42,757 YEAH, WELL, TRUTH IS, ANDY, 383 00:19:42,790 --> 00:19:44,257 I'M IN A BETTER FRAME OF MIND. 384 00:19:44,290 --> 00:19:46,357 SO, WHAT BRINGS YOU IN, VINCE? 385 00:19:46,390 --> 00:19:49,190 WELL, I'M WORKING CLAIMS INVESTIGATION FOR VIGILANCE LIFE. 386 00:19:49,223 --> 00:19:50,557 THEY GOT ME LOOKING INTO THE DEATH 387 00:19:50,590 --> 00:19:52,057 OF THIS TINO ANGELOS. 388 00:19:52,090 --> 00:19:53,590 THEY'LL FILL YOU IN. 389 00:19:53,623 --> 00:19:54,957 IT'S GOOD TO SEE YOU AGAIN. 390 00:19:54,990 --> 00:19:58,957 UH, THAT'S TINA ANGELOS, VINCE. 391 00:19:58,990 --> 00:20:00,690 D.O.A. WAS A WOMAN. 392 00:20:00,723 --> 00:20:02,423 OH. SO, WHAT ARE THE ODDS 393 00:20:02,457 --> 00:20:04,523 THAT IT WAS FOUL PLAY? 394 00:20:04,557 --> 00:20:06,723 DOUBLE HOMICIDE??ALWAYS A HIGH LIKELIHOOD. 395 00:20:06,757 --> 00:20:08,357 WELL, ANDY, I MEAN, 396 00:20:08,390 --> 00:20:10,590 DO YOU THINK THAT MAYBE IT WAS AN INSURANCE WHACK? 397 00:20:10,623 --> 00:20:13,590 WELL, WHAT KIND OF POLICY DID THE COMPANY WRITE THERE? 398 00:20:13,623 --> 00:20:15,090 THE GUY... 399 00:20:15,123 --> 00:20:18,790 CARRIED A 1.4 MILLION TERM ON HIMSELF 400 00:20:18,823 --> 00:20:20,057 AND A MILLION ON THE WIFE. 401 00:20:20,090 --> 00:20:21,523 ON HIM, WE COULD UNDERSTAND, 402 00:20:21,557 --> 00:20:23,423 BECAUSE HE HAS A BIG CLAIM OUT AGAINST THE CITY. 403 00:20:23,457 --> 00:20:25,690 BUT THE WIFE SEEMS POTENTIALLY STINKY. 404 00:20:25,723 --> 00:20:27,923 SO THIS GUY FIGHTS THROUGH HIS GRIEF FROM A HOSPITAL BED 405 00:20:27,957 --> 00:20:29,890 FILING FOR HIS WIFE'S BENEFITS. 406 00:20:29,923 --> 00:20:33,090 WELL, I DON'T KNOW THE POINT OF ORIGIN OF THE PHONE CALL. 407 00:20:33,123 --> 00:20:35,090 WE GOTTA GO CHECK OUT A GIRLIE BAR, VINCE. 408 00:20:35,123 --> 00:20:37,923 YOUR CLAIMANT MAY HAVE HAD A BACKDOOR SQUEEZE. 409 00:20:37,957 --> 00:20:39,790 GIVE HIM A MOTIVE TO TAKE OUT HIS WIFE. 410 00:20:39,823 --> 00:20:41,923 WELL, UH, WHICH GIRLIE BAR YOU GOING TO? 411 00:20:41,957 --> 00:20:43,457 THE COTTONTAIL CLUB. 412 00:20:43,490 --> 00:20:45,990 YOU EVER FREQUENT THAT HUTCH? 413 00:20:52,657 --> 00:20:54,590 [LOUD MUSIC PLAYING] 414 00:21:06,123 --> 00:21:08,357 WHERE'S THE OWNER? 415 00:21:08,390 --> 00:21:09,923 HUH? WHERE'S THE OWNER? 416 00:21:09,957 --> 00:21:11,623 LET ME TELL HER SOMEONE'S HERE. 417 00:21:13,957 --> 00:21:15,790 WHAT DID HE JUST ASK YOU? 418 00:21:20,757 --> 00:21:22,790 THANK YOU. 419 00:21:33,557 --> 00:21:35,023 NEW YORK CITY DETECTIVES. 420 00:21:35,057 --> 00:21:37,257 PLEASE. COME IN. 421 00:21:37,290 --> 00:21:40,123 SORRY I'M NOT COMMITTING ANY CRIME. 422 00:21:40,157 --> 00:21:41,623 WELL, IF WE APPLIED OURSELVES THERE, SHAUNA, 423 00:21:41,657 --> 00:21:43,290 I BET WE COULD DRUM SOMETHING UP. 424 00:21:45,123 --> 00:21:46,690 WHAT'S THAT ABOUT? 425 00:21:46,723 --> 00:21:48,023 LIVE VIDEO ON THE INTERNET. 426 00:21:48,057 --> 00:21:49,623 YOU GOT ANY EXPERIENCE? 427 00:21:49,657 --> 00:21:51,190 HEY, BE NICE. 428 00:21:51,223 --> 00:21:52,690 WHAT'S PAUL ANGELOS TALK ABOUT 429 00:21:52,723 --> 00:21:54,957 ALL THOSE TIMES HE CALLS YOU? 430 00:21:54,990 --> 00:21:56,890 WHAT HAPPENED? 431 00:21:56,923 --> 00:21:58,057 WHAT DO YOU THINK HAPPENED, SHAUNA? 432 00:21:58,090 --> 00:21:59,590 YOU ASSIST PAUL 433 00:21:59,623 --> 00:22:01,223 RUBBING UP HIS CHUBBY, SHAUNA? HMM? 434 00:22:01,257 --> 00:22:02,890 YOU COME INTO INFORMATION 435 00:22:02,923 --> 00:22:05,723 BUILDING UP A DEEP PERSONAL RELATIONSHIP 436 00:22:05,757 --> 00:22:07,057 WOUND UP USEFUL IN A HOME INVASION? 437 00:22:07,090 --> 00:22:10,457 HEY! YOU STOP POINTING THAT THING AT ME. 438 00:22:10,490 --> 00:22:13,290 I WASN'T INVOLVED IN NO HOME INVASION OR NOTHING ELSE. 439 00:22:13,323 --> 00:22:15,790 ANGELOS' WIFE AND SON ARE DEAD. 440 00:22:15,823 --> 00:22:19,057 AND WHAT'S GOING ON WITH HIM? 441 00:22:19,090 --> 00:22:21,257 ALL HIS HEROIC EFFORTS TO SAVE HIS FAMILY, 442 00:22:21,290 --> 00:22:23,757 MIRACULOUSLY, HE ONLY INCURRED NOT TOO BAD OF A BULLET WOUND. 443 00:22:23,790 --> 00:22:25,923 HEY! WHAT DID I TELL YOU? 444 00:22:25,957 --> 00:22:26,990 YOU KEEP TALKING. 445 00:22:31,990 --> 00:22:33,623 WASN'T INVOLVED. 446 00:22:33,657 --> 00:22:36,690 SHAUNA, YOU THINK YOUR PLACE OUTSIDE COULD STAND A TOSS, TOO? 447 00:22:36,723 --> 00:22:38,690 WHAT, AM I BEING UNCOOPERATIVE? 448 00:22:38,723 --> 00:22:41,257 I DON'T HEAR ANY BIG AMOUNT OF INFORMATION COMING OUT OF YOUR MOUTH. 449 00:22:41,290 --> 00:22:42,690 HE'S GOT AN INVOLVEMENT WITH ME, 450 00:22:42,723 --> 00:22:46,623 AND HE'S TALKED ABOUT, YOU KNOW, 451 00:22:46,657 --> 00:22:49,790 HE COULD POSSIBLY CHANGE HIS, UH...LIFESTYLE. 452 00:22:49,823 --> 00:22:51,390 THAT HIS FAMILY SITUATION MIGHT CHANGE? 453 00:22:51,423 --> 00:22:52,957 IN GENERAL TERMS. 454 00:22:52,990 --> 00:22:56,590 AND I NEVER PAID ATTENTION, ENCOURAGED IT. 455 00:22:56,623 --> 00:22:58,057 I HAD NOTHING TO DO WITH NO MURDERS. 456 00:22:59,457 --> 00:23:01,023 AT LEAST I GOT THEM TO SIT DOWN. 457 00:23:01,057 --> 00:23:04,590 DID ANGELOS EVER TALK TO ANY OF YOUR CLIENTELE 458 00:23:04,623 --> 00:23:05,457 YOU THINK WERE WRONG GUYS? 459 00:23:05,490 --> 00:23:07,623 GIVING UP A NAME, 460 00:23:07,657 --> 00:23:09,090 AM I ACCESSORIZING MYSELF? 461 00:23:09,123 --> 00:23:11,090 NO. 462 00:23:11,123 --> 00:23:13,057 FRAN WATKINS. 463 00:23:13,090 --> 00:23:14,957 I KNOW FOR A FACT HE'S GOT A RECORD, 464 00:23:14,990 --> 00:23:18,557 AND ABOUT 10 DAYS AGO, HE WAS SHOWING A GUN OFF 465 00:23:18,590 --> 00:23:19,957 WHICH I THREW HIM OUT FOR. 466 00:23:19,990 --> 00:23:21,757 HE'S STAYING AT THE WORTH. 467 00:23:21,790 --> 00:23:23,223 TWO OF THE GIRLS PARTIED WITH HIM THERE LAST WEEK. 468 00:23:23,257 --> 00:23:24,890 AND YOU SEEN HIM WITH PAUL? 469 00:23:24,923 --> 00:23:26,990 LAST COUPLE OF WEEKS, I SEEN PAUL WITH HIM A LOT. 470 00:23:30,657 --> 00:23:32,457 PAUL GOT SOME SPECIAL SCENE? 471 00:23:32,490 --> 00:23:33,857 YOU MEAN, LIKE, OTHERWISE, 472 00:23:33,890 --> 00:23:35,357 WHY WOULD HE BE HANGING OUT WITH ME? 473 00:23:35,390 --> 00:23:36,957 YEAH. 474 00:23:36,990 --> 00:23:38,623 HE'S GOT A SPECIALTY. 475 00:23:38,657 --> 00:23:40,257 WHICH IS WHAT? 476 00:23:40,290 --> 00:23:42,123 HE LIKES GETTING WET. 477 00:23:42,157 --> 00:23:43,723 GETTING URINATED ON. 478 00:23:43,757 --> 00:23:45,457 AND YOU DO THAT FOR HIM? 479 00:23:45,490 --> 00:23:47,590 WHY NOT, RIGHT? HUH? 480 00:23:47,623 --> 00:23:49,857 SAVES YOU A TRIP TO THE CAN. 481 00:23:49,890 --> 00:23:51,957 RESUME DANCING. 482 00:24:25,423 --> 00:24:27,057 I'M NOT ABOUT TO ARGUE 483 00:24:27,090 --> 00:24:28,923 THERE'S JUSTICE IN THE WORLD, HARVEY, 484 00:24:28,957 --> 00:24:31,123 BUT ONUS PRICE IS IN THE SYSTEM. 485 00:24:33,890 --> 00:24:36,857 WHAT DID THEY GET HIM FOR? 486 00:24:36,890 --> 00:24:38,623 HE WAS STOPPED IN AN UNREGISTERED CAR 487 00:24:38,657 --> 00:24:40,590 HOLDING 80 GRAMS OF HEROIN. 488 00:24:40,623 --> 00:24:42,457 HE ALSO HAD A .25 THAT WAS USED 489 00:24:42,490 --> 00:24:45,057 IN A LIQUOR STORE STICKUP IN QUEENS. 490 00:24:45,090 --> 00:24:47,723 THE D. A.'S NOT SURE THEY CAN GO TO BAT ON THE LIQUOR STORE, 491 00:24:47,757 --> 00:24:49,257 BUT THE 80 GRAMS IS FELONY WEIGHT. 492 00:24:49,290 --> 00:24:51,523 AND PRICE HAS 2 DRUG PRIORS, 493 00:24:51,557 --> 00:24:53,190 SO, BEHIND THE ROCKEFELLER LAW, 494 00:24:53,223 --> 00:24:55,557 HE'S LOOKING AT 15 YEARS IN JAIL. 495 00:24:55,590 --> 00:24:58,423 I WANT HIM TO ADMIT HE KILLED RAY. 496 00:24:58,457 --> 00:25:00,223 I DON'T KNOW WHY HE'D DO THAT, HARVEY. 497 00:25:00,257 --> 00:25:01,290 THEN I'LL KNOW FOR A FACT WHAT I DONE. 498 00:25:01,323 --> 00:25:03,257 I HELPED A MAN KILLED MY FRIEND 499 00:25:03,290 --> 00:25:04,957 GET AWAY FROM THE SCENE. 500 00:25:04,990 --> 00:25:07,623 DIDN'T HAVE NERVE TO CALL HIM TO ACCOUNT. 501 00:25:07,657 --> 00:25:08,957 I WANT TO KNOW WHAT I DONE 502 00:25:08,990 --> 00:25:12,290 SO I...KNOW WHAT I GOT TO ANSWER FOR. 503 00:25:12,323 --> 00:25:14,257 WE DON'T HAVE ANY LEVERAGE, HARVEY. 504 00:25:16,990 --> 00:25:18,590 LOOK... 505 00:25:18,623 --> 00:25:20,957 I JUST WANTED YOU TO UNDERSTAND THAT 506 00:25:20,990 --> 00:25:22,223 BEFORE I TALK TO HIM. 507 00:25:23,890 --> 00:25:25,857 THANKS, ARTHUR. 508 00:25:25,890 --> 00:25:26,790 YEAH. 509 00:25:30,057 --> 00:25:32,290 WHERE WERE YOU AT 5:00 THIS MORNING, HUH, FRAN? 510 00:25:32,323 --> 00:25:36,257 AT AN AFTER?HOURS CLUB UP ON AMSTERDAM. 511 00:25:36,290 --> 00:25:38,257 YEAH? WHICH ONE WAS THAT? 512 00:25:38,290 --> 00:25:39,723 TOO DRUNK TO REMEMBER. 513 00:25:39,757 --> 00:25:41,723 YOU WEREN'T ON RIVINGTON STREET AROUND THAT TIME? 514 00:25:41,757 --> 00:25:44,257 UPTOWN. AMSTERDAM AVENUE. 515 00:25:44,290 --> 00:25:46,257 THERE WAS A MULTIPLE HOMICIDE LAST NIGHT 516 00:25:46,290 --> 00:25:47,357 ON RIVINGTON STREET, 517 00:25:47,390 --> 00:25:48,923 A HOME INVASION. 518 00:25:48,957 --> 00:25:50,557 A MAN WAS SHOT, 519 00:25:50,590 --> 00:25:52,357 HIS WIFE AND HIS YEAR?OLD?BOY WERE KILLED. 520 00:25:52,390 --> 00:25:54,223 WOW. 521 00:26:00,757 --> 00:26:04,290 YOU FREQUENT THE COTTONTAIL CLUB, FRAN? 522 00:26:04,323 --> 00:26:06,223 PERIODICALLY. 523 00:26:06,257 --> 00:26:07,290 YOU KNOW A PAUL ANGELOS? 524 00:26:07,323 --> 00:26:09,223 WHY, HE DANCE THERE? 525 00:26:09,257 --> 00:26:11,657 HEY. A WOMAN AND A ONE?YEAR?OLD BOY. 526 00:26:12,990 --> 00:26:14,657 SORRY. 527 00:26:18,423 --> 00:26:20,057 WHAT WAS HIS NAME AGAIN? 528 00:26:20,090 --> 00:26:21,490 PAUL ANGELOS. 529 00:26:24,090 --> 00:26:25,990 YEAH, IT'S A POSSIBILITY. 530 00:26:27,590 --> 00:26:29,057 WHAT DOES HE LOOK LIKE? 531 00:26:29,090 --> 00:26:30,957 YOU NEVER DID NO BUSINESS WITH HIM? 532 00:26:30,990 --> 00:26:33,057 BUSINESS? 533 00:26:33,090 --> 00:26:34,290 NO. 534 00:26:34,323 --> 00:26:36,523 WHAT BUSINESS IS HE IN? 535 00:26:36,557 --> 00:26:39,290 YOU KNOW WHAT I LOVE WITH THESE MORONS? 536 00:26:39,323 --> 00:26:41,223 ONE STEP OUT OF THE TREES, 537 00:26:41,257 --> 00:26:43,257 THEY GOT A "WORLD BY THE BALLS" ATTITUDE. 538 00:26:43,290 --> 00:26:44,857 MEANWHILE, 25 FEET AWAY, 539 00:26:44,890 --> 00:26:46,457 THEY'RE GETTING SENT TO JAIL FOR LIFE. 540 00:26:46,490 --> 00:26:49,423 YOU STAY COCKY, YOU DOUCHE BAG. 541 00:26:49,457 --> 00:26:51,090 THIS ANGELOS THAT HIRED YOU, 542 00:26:51,123 --> 00:26:52,557 HE'S GIVING YOU UP. 543 00:26:52,590 --> 00:26:54,690 HEY. NOBODY HIRED ME TO DO NOTHIN'. 544 00:26:54,723 --> 00:26:56,357 HE'S PICKING YOU OUT OF MUG BOOKS. 545 00:26:56,390 --> 00:26:57,790 HE'S SAYING YOU BROKE IN, 546 00:26:57,823 --> 00:26:59,023 SHOT HIM. 547 00:26:59,057 --> 00:27:00,357 HE DID HIS BEST TO FIGHT YOU OFF. 548 00:27:00,390 --> 00:27:02,757 BUT YOU STICK WITH THAT WISENHEIMER LOOK 549 00:27:02,790 --> 00:27:04,557 AND "NOBODY HAD ME DO NOTHIN'." 550 00:27:04,590 --> 00:27:06,357 YOU WANT TO THINK ABOUT IT A LITTLE, FRAN? 551 00:27:06,390 --> 00:27:07,357 YEAH, GO ON, THINK ABOUT IT. 552 00:27:07,390 --> 00:27:08,857 WE'LL HAVE SOMEONE COME IN 553 00:27:08,890 --> 00:27:10,457 WITH A BUCKET OF WATER 554 00:27:10,490 --> 00:27:11,965 IN CASE YOU IGNITE FROM EXERTING YOUR BRAIN. 555 00:27:26,131 --> 00:27:27,231 YES, MA'AM. 556 00:27:28,565 --> 00:27:29,798 HEY, LIEU. 557 00:27:29,831 --> 00:27:31,331 YOU GETTING ANYWHERE? 558 00:27:31,365 --> 00:27:34,198 SO FAR, IT'S JUST DIFFERENT VERSIONS THE GUY WAS A CREEP, 559 00:27:34,231 --> 00:27:36,798 BUT WE GOT MORE INTERVIEWS COMING IN THE REST OF THE AFTERNOON. 560 00:27:36,831 --> 00:27:38,798 EX?WIFE SAYS SHE MOVED 2,000 MILES AWAY 561 00:27:38,831 --> 00:27:40,365 SO SHE WOULDN'T KILL HIM. 562 00:27:40,398 --> 00:27:41,365 COHEN. 563 00:27:41,398 --> 00:27:43,165 THANKS FOR COMING IN. 564 00:27:43,198 --> 00:27:45,698 FURTHER DEVELOPMENTS IN THAT RED?HOT GREEN CASE? 565 00:27:45,731 --> 00:27:47,031 I WANT YOU TO WATCH THIS INTERVIEW. 566 00:27:47,065 --> 00:27:48,465 IT'S A HOMICIDE FROM THE EARLY DAYS 567 00:27:48,498 --> 00:27:49,531 OF THE REAGAN ADMINISTRATION. 568 00:27:49,565 --> 00:27:51,131 20 YEARS FROM NOW, 569 00:27:51,165 --> 00:27:53,231 WE MAY STILL BE WORKING ON THIS ONE. 570 00:28:03,331 --> 00:28:04,631 SO, THIS ABOUT RUNS THE STRING OUT, 571 00:28:04,665 --> 00:28:05,998 HUH, ONUS? 572 00:28:06,031 --> 00:28:07,865 IS THAT SO? 573 00:28:12,031 --> 00:28:14,031 A?FELONY WEIGHT, 574 00:28:14,065 --> 00:28:15,198 YOUR SHEET. 575 00:28:15,231 --> 00:28:18,365 YOU TELL ME. 576 00:28:18,398 --> 00:28:19,998 STRANGE SYSTEM. 577 00:28:20,031 --> 00:28:22,131 YOU NEVER KNOW HOW THINGS FALL OUT. 578 00:28:22,165 --> 00:28:24,431 SO, ONUS, YOU'RE FRIENDS WITH HARVEY BOUTIER. 579 00:28:24,465 --> 00:28:25,998 WE AIN'T TIGHT. 580 00:28:26,031 --> 00:28:27,831 HIS NAME CAME UP ON A MURDER 581 00:28:27,865 --> 00:28:29,498 15 YEARS AGO. 582 00:28:29,531 --> 00:28:31,031 GUY NAMED RAY GREEN. 583 00:28:31,065 --> 00:28:32,765 YEAH, I DON'T KNOW ABOUT IT. 584 00:28:32,798 --> 00:28:34,165 YOU DON'T? 585 00:28:34,198 --> 00:28:36,831 15 YEARS IS A LONG TIME. 586 00:28:36,865 --> 00:28:39,631 YOU HELP US WITH THE GREEN HOMICIDE, 587 00:28:39,665 --> 00:28:42,165 MAYBE YOU GET HELP ON THIS WEIGHT YOU WERE HOLDING. 588 00:28:42,198 --> 00:28:44,265 WHAT YOU THINK BOUTIER DID? 589 00:28:44,298 --> 00:28:46,031 YOU TELL ME. 590 00:28:48,231 --> 00:28:49,831 THEY WAS MUSICIANS. 591 00:28:49,865 --> 00:28:50,998 HE HAD BUSINESS WITH GREEN. 592 00:28:51,031 --> 00:28:52,965 ASKED IF I'D DRIVE HIM TO GREEN'S PLACE. 593 00:28:52,998 --> 00:28:54,131 THAT'S ALL I KNOW WHAT HAPPENED. 594 00:28:54,165 --> 00:28:55,531 YOU DID DRIVE HIM? 595 00:28:55,565 --> 00:28:56,798 DROVE HIM THERE AND WAITED. 596 00:28:56,831 --> 00:28:58,365 DID YOU KNOW GREEN WAS MURDERED? 597 00:28:58,398 --> 00:29:01,498 I KNEW HE TURNED UP DEAD. 598 00:29:02,865 --> 00:29:06,098 THAT'S ALL I CAN TELL YOU ON THAT ONE. 599 00:29:06,131 --> 00:29:08,365 GET ME SOME RHYTHM BEHIND THIS TROUBLE HERE, 600 00:29:08,398 --> 00:29:10,865 I'LL PUT THAT ALL IN A STATEMENT. 601 00:29:10,898 --> 00:29:12,565 ALL RIGHT. 602 00:29:20,831 --> 00:29:22,098 CAN HE GO BACK TO THE TOMBS? 603 00:29:22,131 --> 00:29:22,998 YEAH. 604 00:29:26,498 --> 00:29:27,231 Detective: STAND UP. 605 00:29:29,198 --> 00:29:30,831 PUTTING HIMSELF AT THE SCENE 606 00:29:30,865 --> 00:29:32,165 IS AS MUCH AS YOU'RE GOING TO GET. 607 00:29:32,198 --> 00:29:35,598 IT'S HARD TO GET SOMEBODY TO DEAL UP TO A MURDER. 608 00:29:35,631 --> 00:29:37,698 I UNDERSTAND. 609 00:29:37,731 --> 00:29:40,331 I OUGHT TO GIVE MY STATEMENT NOW. 610 00:29:40,365 --> 00:29:42,198 ALL RIGHT. 611 00:29:50,698 --> 00:29:51,698 VINCE? 612 00:29:51,731 --> 00:29:53,831 I'LL BE A FEW MINUTES. 613 00:29:53,865 --> 00:29:55,498 A HEART PATIENT, YOU'RE NOT SUPPOSED TO STRAIN 614 00:29:55,531 --> 00:29:57,131 MOVING YOUR BOWELS. 615 00:29:57,165 --> 00:29:58,765 ARE WE OK WITH ANGELOS? 616 00:29:58,798 --> 00:29:59,998 HE AGREED TO TAKE THE POLYGRAPH. 617 00:30:00,031 --> 00:30:02,165 HE'S COMING RIGHT FROM THE HOSPITAL. 618 00:30:02,198 --> 00:30:03,831 WE BETTER MOVE THAT FRAN UP TO THE CRIB. 619 00:30:03,865 --> 00:30:07,098 TELL JILL SHE'S GOT TO IMPERSONATE AN EXAMINER. 620 00:30:07,131 --> 00:30:08,665 FEELS GOOD, 621 00:30:08,698 --> 00:30:11,698 US ALL PULLING TOGETHER AGAIN LIKE THIS. 622 00:30:22,631 --> 00:30:24,631 I'M VINCENT C. GOTELLI SPEAKING, 623 00:30:24,665 --> 00:30:26,431 CLAIMS ASSOCIATE FOR VIGILANCE LIFE, 624 00:30:26,465 --> 00:30:28,365 PRESENT WITH MR. PAUL ANGELOS, 625 00:30:28,398 --> 00:30:31,965 BENEFICIARY OF POLICY CG79485, 626 00:30:31,998 --> 00:30:36,298 WRITTEN ON THE LIFE OF MRS. TINA ANGELOS, DECEASED. 627 00:30:36,331 --> 00:30:38,531 MR. ANGELOS HAS REQUESTED EXPEDITED SETTLEMENT 628 00:30:38,565 --> 00:30:41,531 AND HAS AGREED TO A POLYGRAPH WHILE GIVING HIS ACCOUNT 629 00:30:41,565 --> 00:30:44,531 OF THE MURDER OF HIS WIFE AND SON. 630 00:30:44,565 --> 00:30:47,131 ALSO PRESENT ARE DETECTIVE BOBBY SIMONE 631 00:30:47,165 --> 00:30:48,698 AND ANDY SIPOWICZ, 632 00:30:48,731 --> 00:30:51,498 AND POLYGRAPH EXAMINER JILL HARDSTONE. 633 00:30:53,031 --> 00:30:54,931 OK... 634 00:30:54,965 --> 00:30:56,098 IS THAT TOO TIGHT? 635 00:30:56,131 --> 00:30:57,165 NO, IT'S FINE. 636 00:30:57,198 --> 00:30:58,798 SO EVERYONE'S ON THE SAME PAGE, 637 00:30:58,831 --> 00:31:01,331 I'M GOING TO TELL IN MY OWN WORDS WHAT HAPPENED. 638 00:31:01,365 --> 00:31:03,931 Gotelli: CORRECT. SHE'LL JUST ASK UNCONNECTED QUESTIONS 639 00:31:03,965 --> 00:31:05,165 TO ESTABLISH A BASELINE. 640 00:31:05,198 --> 00:31:07,431 ALL RIGHT. 641 00:31:07,465 --> 00:31:09,931 IS YOUR NAME PAUL ANGELOS? 642 00:31:09,965 --> 00:31:12,198 YES, IT IS. 643 00:31:12,231 --> 00:31:14,531 ARE YOU A CITIZEN OF THE UNITED STATES OF AMERICA? 644 00:31:14,565 --> 00:31:15,531 NATURALIZED. 645 00:31:15,565 --> 00:31:16,598 YES, 646 00:31:16,631 --> 00:31:18,465 I AM. 647 00:31:22,565 --> 00:31:24,665 I WAS SLEEPING IN OUR APARTMENT 648 00:31:24,698 --> 00:31:26,265 WHEN I, UH, HEARD RUSTLING SOUNDS, 649 00:31:26,298 --> 00:31:28,798 WHICH I ASSUMED WAS MY SON, 650 00:31:28,831 --> 00:31:31,531 WHO'S AN INVALID WITH HEART PROBLEMS. HE DOESN'T SLEEP WELL. 651 00:31:31,565 --> 00:31:34,798 AT A CERTAIN POINT, I BECAME AWARE OF A FLASHLIGHT. 652 00:31:34,831 --> 00:31:36,798 I REALIZED THERE WAS AN INTRUDER. 653 00:31:36,831 --> 00:31:38,298 I GOT UP FROM THE BED TO INTERVENE, 654 00:31:38,331 --> 00:31:40,098 I WAS STRUCK ON THE HEAD, 655 00:31:40,131 --> 00:31:42,131 AND I RECALL VAGUELY A SHARP PAIN IN THE STOMACH, 656 00:31:42,165 --> 00:31:44,731 WHICH I ASSUMED SUBSEQUENTLY IS WHEN I WAS SHOT. 657 00:31:49,998 --> 00:31:51,698 WHEN I REGAINED CONSCIOUSNESS, 658 00:31:51,731 --> 00:31:55,765 I SAW THAT MY WIFE AND SON HAD BEEN EXECUTED 659 00:31:55,798 --> 00:31:57,631 AND I'D BEEN SHOT IN THE STOMACH. 660 00:31:57,665 --> 00:31:59,631 I THINK I LAPSED INTO UNCONSCIOUSNESS ONE MORE TIME 661 00:31:59,665 --> 00:32:01,531 WHEN I WAS ON THE PHONE WITH 911. 662 00:32:01,565 --> 00:32:03,531 I DON'T KNOW IF THAT'S ON THE RECORDING. 663 00:32:03,565 --> 00:32:06,498 THAT'S MY FULL RECOLLECTION. 664 00:32:20,798 --> 00:32:23,698 ALL RIGHT, LET HER GET ANOTHER BASELINE. 665 00:32:28,698 --> 00:32:31,965 DO YOU SOLICIT AND PAY FOR BEING URINATED ON? 666 00:32:35,131 --> 00:32:38,698 SHE'S ASKING, DID YOU PAY SHAUNA MILLS TO PISS ON YOU? 667 00:32:40,031 --> 00:32:42,165 ALL RIGHT, TAKE THESE OFF. THIS STATEMENT IS OVER. 668 00:32:42,198 --> 00:32:45,298 I NEVER UNDERSTOOD THE PLEASURE IN SOMETHING LIKE THAT. 669 00:32:45,331 --> 00:32:46,931 FRAN WATKINS PISS ON YOU, TOO? 670 00:32:46,965 --> 00:32:48,531 NONE OF THIS IS ENFORCEABLE IN A COURT OF LAW. 671 00:32:48,565 --> 00:32:51,098 THE POLYGRAPH IS INADMISSIBLE. 672 00:32:51,131 --> 00:32:53,331 ABSOLUTELY, PAUL. POLYGRAPHS ARE DEFINITELY INADMISSIBLE. 673 00:32:53,365 --> 00:32:55,831 OF COURSE, WE DO GOT FRAN WATKINS IN THE NEXT ROOM, 674 00:32:55,865 --> 00:32:59,465 AND HE ALREADY GIVE YOU UP HIRING HIM TO DO THE MURDERS. 675 00:32:59,498 --> 00:33:02,965 I WAS JUST ASKING FOR PERSONAL INFORMATION ABOUT THE PISSIN'. 676 00:33:02,998 --> 00:33:05,431 WE NEVER GOT AROUND TO ASKING HIM THAT. 677 00:33:05,465 --> 00:33:06,865 I ATTEMPTED TO STOP THOSE MURDERS. 678 00:33:06,898 --> 00:33:08,431 SURE YOU DID, PAUL. 679 00:33:08,465 --> 00:33:10,431 YOU HIRED HIM TO DO THOSE KILLINGS 680 00:33:10,465 --> 00:33:12,365 AND THEN YOU TRIED TO STOP IT. 681 00:33:12,398 --> 00:33:13,631 THAT'S RIGHT. 682 00:33:13,665 --> 00:33:16,165 AND IF HE SAYS ANYTHING ELSE, HE'S LYING. 683 00:33:16,198 --> 00:33:18,265 TINA WAS SCREAMING. MY BOY WAS SCREAMING. 684 00:33:18,298 --> 00:33:19,665 I TRIED TO STOP HIM. 685 00:33:21,398 --> 00:33:23,231 I SWEAR THAT'S WHAT HAPPENED. 686 00:33:29,165 --> 00:33:30,998 THEN THAT'S WHAT YOU'D BETTER WRITE. 687 00:33:42,198 --> 00:33:43,498 I WANT TO TELL 688 00:33:43,531 --> 00:33:45,965 MY PART IN KILLING 689 00:33:45,998 --> 00:33:47,998 RAY GREEN. 690 00:33:48,031 --> 00:33:50,031 I THINK RATHER THAN IDENTIFYING YOURSELF AS A PARTICIPANT, 691 00:33:50,065 --> 00:33:52,765 WHAT YOU MEAN TO DESCRIBE ARE YOUR ACTIVITIES 692 00:33:52,798 --> 00:33:55,031 AT THE TIME, LEADING UP TO AND FOLLOWING 693 00:33:55,065 --> 00:33:56,365 RAY GREEN'S DEATH. 694 00:33:56,398 --> 00:33:57,698 [CLEARS THROAT] 695 00:33:57,731 --> 00:34:00,165 DESCRIBE IT THE WAY YOU WANT, MR. BOUTIER. 696 00:34:02,731 --> 00:34:04,498 ONUS PRICE ASKED ME TO DRIVE THE CAR 697 00:34:04,531 --> 00:34:06,198 AFTER HE TOOK RAY OFF, 698 00:34:06,231 --> 00:34:11,931 AND I DIDN'T ASK HIM WHAT WAS IN THE DUFFEL BAG... 699 00:34:11,965 --> 00:34:14,165 WHICH WAS RAY'S HORN. 700 00:34:14,198 --> 00:34:17,131 JUST TO BE CLEAR, DID YOU ACTUALLY SEE MR. GREEN'S TRUMPET? 701 00:34:17,165 --> 00:34:18,698 I KNEW WHAT WAS IN THE BAG. 702 00:34:18,731 --> 00:34:21,031 AND AFTER I GOT OUT OF THE CAR 703 00:34:21,065 --> 00:34:22,831 AND WALKED AROUND, 704 00:34:22,865 --> 00:34:24,831 I KNEW WHAT MUST HAVE HAPPENED. 705 00:34:24,865 --> 00:34:26,798 AT LEAST RAY MUST HAVE BEEN HURT, 706 00:34:26,831 --> 00:34:28,931 'CAUSE THERE WAS NO WAY RAY WOULD GIVE UP HIS HORN. 707 00:34:28,965 --> 00:34:30,531 YOU'RE DESCRIBING A TIME NOW 708 00:34:30,565 --> 00:34:32,998 AFTER YOU'D GOTTEN OUT OF ONUS PRICE'S CAR 709 00:34:33,031 --> 00:34:35,265 AND FOLLOWING WHAT YOU INFER WAS PRICE 710 00:34:35,298 --> 00:34:37,198 HAVING ROBBED RAY GREEN? 711 00:34:37,231 --> 00:34:39,698 YEAH, WHEN THEY FOUND RAY... 712 00:34:39,731 --> 00:34:41,098 THE NEXT DAY, 713 00:34:41,131 --> 00:34:43,698 I WAS SICK TO HEART. 714 00:34:45,231 --> 00:34:47,498 AND ONUS FOUND ME THAT NIGHT AT THE PINE. 715 00:34:47,531 --> 00:34:49,798 THIS IS THE PINE GRILL. 716 00:34:49,831 --> 00:34:53,098 AND ONUS SAID IT WAS BAD WHAT HAPPENED TO RAY. 717 00:34:53,131 --> 00:34:55,498 IT WAS A BAD THING AND AWFUL, 718 00:34:55,531 --> 00:34:57,598 AND I KNEW WHAT HE WAS SAYING TO ME, 719 00:34:57,631 --> 00:35:00,131 AND I HAD NO NERVE TO GO UP AGAINST HIM, 720 00:35:00,165 --> 00:35:03,698 TO...OPEN MY MOUTH... 721 00:35:03,731 --> 00:35:07,398 WHAT ONUS...DONE. 722 00:35:10,565 --> 00:35:12,131 AND THAT'S THE FULL EXTENT OF YOUR KNOWLEDGE 723 00:35:12,165 --> 00:35:13,198 OF THE INCIDENT? 724 00:35:13,231 --> 00:35:15,365 AND 'CAUSE I NEVER SAID, 725 00:35:15,398 --> 00:35:18,431 4 YEARS LATER RAY'S SISTER CAME UP FROM GEORGIA, 726 00:35:18,465 --> 00:35:22,465 AND I...AVOIDED BEING FRIENDS WITH HER. 727 00:35:22,498 --> 00:35:26,265 AND BEHIND NOT SAYING, I SEE RAY'S NEPHEW, 728 00:35:26,298 --> 00:35:30,031 AND...I COULDN'T BE FRIENDS WITH HIM. 729 00:35:30,065 --> 00:35:33,031 AND I'D SEE THAT DAMN 730 00:35:33,065 --> 00:35:36,098 SON OF A BITCH ONUS 731 00:35:36,131 --> 00:35:37,465 RUNNING A GAME 732 00:35:37,498 --> 00:35:39,131 OR LOOKING TO TAKE SOMEBODY OFF, 733 00:35:39,165 --> 00:35:43,031 AND SOMETIMES HE'D LAY EYES ON ME... 734 00:35:43,065 --> 00:35:44,831 AND I'D... 735 00:35:44,865 --> 00:35:47,598 TURN AWAY. 736 00:35:47,631 --> 00:35:51,998 SO IT WASN'T DRIVING NO CAR FOR ONUS 15 YEARS AGO 737 00:35:52,031 --> 00:35:54,498 OR NOT KNOWING FOR SURE 738 00:35:54,531 --> 00:35:57,831 WHAT WAS IN THAT DUFFEL BAG. 739 00:35:57,865 --> 00:36:00,831 DIFFERENT WAYS I STAYED ON 740 00:36:00,865 --> 00:36:03,165 KILLING RAY... 741 00:36:03,198 --> 00:36:05,365 ALL THIS TIME. 742 00:36:09,131 --> 00:36:11,665 DO YOU WANT TO SAY ANYTHING FURTHER, MR. BOUTIER? 743 00:36:11,698 --> 00:36:14,198 NO, THAT'S IT. 744 00:36:17,965 --> 00:36:20,831 I'LL MAKE SURE PRICE IS CHARGED FOR THE HOMICIDE. 745 00:36:20,865 --> 00:36:22,665 I DON'T KNOW THAT THEY'LL GO TO BAT, 746 00:36:22,698 --> 00:36:24,165 BECAUSE HE'S A REPEAT OFFENDER, 747 00:36:24,198 --> 00:36:27,031 AND HE'S DEAD TO RIGHTS ON THESE DRUG FELONIES. 748 00:36:27,065 --> 00:36:28,831 BUT, UH, I PROMISE HE'LL BE CHARGED. 749 00:36:28,865 --> 00:36:31,965 AND IF THEY HAVE TO CHARGE ME, I'M READY FOR THAT. 750 00:36:31,998 --> 00:36:33,965 UNDER THE CIRCUMSTANCES, THAT'S NOT LIKELY, MR. BOUTIER. 751 00:36:33,998 --> 00:36:36,498 WE APPRECIATE YOUR COOPERATION. 752 00:36:37,898 --> 00:36:40,198 I WISH IT DIDN'T TAKE DYING 753 00:36:40,231 --> 00:36:41,898 TO GIVE ME NERVE. 754 00:36:48,565 --> 00:36:52,031 SO, UH, YOU HAVE TO BE AT THE DIALYSIS UNIT BY 4:00? 755 00:36:52,065 --> 00:36:54,165 I'M GONNA PLAY HOOKY. 756 00:36:55,998 --> 00:36:57,898 GIVE ME A RIDE HOME? 757 00:36:59,065 --> 00:37:00,498 YEAH, SURE. 758 00:37:27,631 --> 00:37:28,998 APPRECIATE YOU COMING IN. 759 00:37:29,031 --> 00:37:30,265 THAT'S ALL RIGHT. 760 00:37:30,298 --> 00:37:31,298 DANA IS YOUR FIRST NAME? 761 00:37:31,331 --> 00:37:32,931 UH??UH??DANA LENNIX. 762 00:37:32,965 --> 00:37:36,098 I KNOW IT SOUNDS MORE LIKE A WOMAN'S NAME. 763 00:37:36,131 --> 00:37:37,665 OH, NO, NOT NECESSARILY. 764 00:37:37,698 --> 00:37:40,165 ANYWAY, DANA, WITH THE INCIDENT THIS MORNING, 765 00:37:40,198 --> 00:37:42,198 WE'RE TALKING TO ANYONE IN THE BUILDING 766 00:37:42,231 --> 00:37:43,998 WHO MIGHT BE ABLE TO GIVE US INFORMATION. 767 00:37:44,031 --> 00:37:46,665 UH...I MAINTAINED THAT BATHROOM AT 6:25 THIS MORNING. 768 00:37:46,698 --> 00:37:49,531 THAT'S MY SCHEDULED TIME, AND TODAY I WAS ON TIME. 769 00:37:49,565 --> 00:37:51,465 SOME DAYS I'LL BE A FEW MINUTES BEHIND, 770 00:37:51,498 --> 00:37:53,631 BUT TODAY I WAS RIGHT ON TIME. 771 00:37:53,665 --> 00:37:56,131 YOU DIDN'T NOTICE ANYTHING OUT OF THE ORDINARY? 772 00:37:56,165 --> 00:37:57,131 NO. 773 00:37:57,165 --> 00:37:59,865 DID YOU KNOW MR. VOLPER AT ALL? 774 00:37:59,898 --> 00:38:01,265 WELL, JUST AS A PERSON. 775 00:38:01,298 --> 00:38:03,698 HE...HE WORKED ON THAT FLOOR. 776 00:38:03,731 --> 00:38:05,098 WELL, BEING CANDID, DANA, 777 00:38:05,131 --> 00:38:07,131 UH, PEOPLE WE'RE TALKING TO, 778 00:38:07,165 --> 00:38:11,331 THIS MR. VOLPER'S NOT COMING OUT WINNING ANY POPULARITY CONTESTS. 779 00:38:11,365 --> 00:38:13,365 I DON'T KNOW WHAT TO SAY TO THAT. 780 00:38:13,398 --> 00:38:16,465 AS FAR AS YOUR DEALINGS WITH HIM, ANY UNPLEASANT CONVERSATION? 781 00:38:16,498 --> 00:38:17,631 NOTHING OF THAT SORT? 782 00:38:17,665 --> 00:38:19,165 I JUST KNEW HIM AS A PERSON. 783 00:38:19,198 --> 00:38:21,465 DID HE EVER COME EARLY TO WORK? 784 00:38:21,498 --> 00:38:23,131 OH, HE'D COME IN EARLY. 785 00:38:23,165 --> 00:38:26,265 HE'D BE IN ALL HOURS, YOU KNOW, IN AND OUT. 786 00:38:26,298 --> 00:38:29,731 WHEN'S THE LAST TIME YOU WERE IN A HOSPITAL, DANA? 787 00:38:33,231 --> 00:38:34,998 14 MONTHS. 788 00:38:35,031 --> 00:38:37,931 AND WHAT WAS THAT FOR? 789 00:38:37,965 --> 00:38:40,298 UH...IT WAS A MEDICAL PROBLEM. 790 00:38:40,331 --> 00:38:41,931 WHAT KIND? DO YOU REMEMBER? 791 00:38:41,965 --> 00:38:43,831 UH...IT WAS A MEDICAL DIFFICULTY. 792 00:38:43,865 --> 00:38:46,131 WERE YOU GIVEN MEDICATION FOR THAT? 793 00:38:46,165 --> 00:38:47,498 TURNED OUT IT WASN'T NECESSARY. 794 00:38:47,531 --> 00:38:49,165 THEY DIDN'T GIVE YOU MEDICATION, 795 00:38:49,198 --> 00:38:50,865 OR IT TURNED OUT YOU DIDN'T TAKE IT? 796 00:38:50,898 --> 00:38:52,631 UH, TH?THE SECOND. 797 00:38:52,665 --> 00:38:55,931 HOW LONG SINCE YOU DIDN'T TAKE YOUR MEDICATION, DANA? 798 00:38:55,965 --> 00:38:58,631 SAY, UH, 4 MONTHS. 799 00:39:02,131 --> 00:39:03,998 SO, THAT'S ABOUT IT. 800 00:39:04,031 --> 00:39:05,598 WHAT DO YOU MEAN? 801 00:39:05,631 --> 00:39:07,831 THAT'S ABOUT IT, SO I'M READY TO GO. 802 00:39:07,865 --> 00:39:09,665 WELL, WE GOTTA COMPLETE OUR INTERVIEW, DANA, 803 00:39:09,698 --> 00:39:11,631 COMPLETE OUR INFORMATION. 804 00:39:11,665 --> 00:39:15,298 WELL, WHAT YOU DON'T WANT IS ME LOSING MY TEMPER. 805 00:39:15,331 --> 00:39:16,965 WELL, NO ONE WANTS THAT, 806 00:39:16,998 --> 00:39:19,031 BUT WE NEED TO COMPLETE OUR INTERVIEW. 807 00:39:19,065 --> 00:39:21,231 UH...DON'T GET UNDER MY SKIN. 808 00:39:22,898 --> 00:39:25,531 YOU HAVE PROBLEMS WITH YOUR TEMPER, DANA? 809 00:39:25,565 --> 00:39:27,665 I DIDN'T HURT ANYBODY. 810 00:39:27,698 --> 00:39:30,231 DID YOU HURT ERIK VOLPER THIS MORNING? 811 00:39:32,398 --> 00:39:36,798 DANA, IF THAT'S YOUR BLOODY FINGERPRINT ON THE BATHROOM WALL, 812 00:39:36,831 --> 00:39:40,365 ONCE THOSE LAB REPORTS GET BACK, I DON'T KNOW IF I CAN HELP YOU. 813 00:39:40,398 --> 00:39:42,231 I CAN'T HELP YOU, EITHER. 814 00:39:44,031 --> 00:39:47,498 DO YOU WANT TO HOLD MY HAND WHILE WE TALK ABOUT THIS? 815 00:39:56,331 --> 00:39:59,098 SOMEONE PULLED OUT THE TOWEL TOO HARD, 816 00:39:59,131 --> 00:40:00,931 BROKE THAT WHOLE THING AGAIN. 817 00:40:00,965 --> 00:40:02,665 THIS HAPPENED IN FRONT OF YOU? 818 00:40:02,698 --> 00:40:03,998 RIGHT IN FRONT OF ME. 819 00:40:04,031 --> 00:40:07,765 I EXPLAINED HOW TO CORRECTLY REMOVE THE TOWEL, 820 00:40:07,798 --> 00:40:11,531 HE CALLED ME AN IDIOT AND A MORON 821 00:40:11,565 --> 00:40:14,265 AND A TOILET JOCKEY. 822 00:40:14,298 --> 00:40:17,265 I NEVER RAISED MY VOICE TO LOSE MY TEMPER, 823 00:40:17,298 --> 00:40:18,665 AND PROVING THAT IS 824 00:40:18,698 --> 00:40:20,331 NO ONE HEARD NOTHING, 825 00:40:20,365 --> 00:40:22,598 AND THIS IS 8:14 WHEN THERE WAS SEVERAL PEOPLE 826 00:40:22,631 --> 00:40:23,798 ALREADY TO WORK. 827 00:40:27,631 --> 00:40:30,031 I BROKE HIS HEAD AGAINST THAT SINK. 828 00:40:31,531 --> 00:40:35,765 MIGHT HAVE BEEN INVISIBLE EXITING THAT STATION 4. 829 00:40:35,798 --> 00:40:38,098 THAT'S THAT LAVATORY, STATION 4? 830 00:40:38,131 --> 00:40:40,098 MIGHT AS WELL HAVE BEEN INVISIBLE. 831 00:40:40,131 --> 00:40:43,531 DON'T GET UNDER MY SKIN. 832 00:40:43,565 --> 00:40:46,831 AND DON'T DIS?? I'LL BREAK YOUR HANDS OFF YOUR WRISTS! 833 00:40:46,865 --> 00:40:48,031 I?? 834 00:40:48,065 --> 00:40:49,465 I'M SORRY. I'M SORRY! 835 00:40:49,498 --> 00:40:51,298 IT'S ALL RIGHT. 836 00:40:51,331 --> 00:40:52,565 IT'S ALL RIGHT. 837 00:41:20,365 --> 00:41:22,331 [OUT OF BREATH] 838 00:41:22,365 --> 00:41:25,631 GET YOURSELF SOMETHING FROM THE ICEBOX, ARTHUR. 839 00:41:25,665 --> 00:41:29,765 I GOT VEGETABLE JUICES IN THERE MAKE A HEALTHY MAN SICK. 840 00:41:29,798 --> 00:41:31,998 I'M ALL RIGHT. 841 00:41:32,031 --> 00:41:35,098 WISH I HAD SOME BEER TO OFFER YOU OR SOMETHING. 842 00:41:35,131 --> 00:41:36,465 DON'T WORRY ABOUT IT, HARVEY. 843 00:41:37,865 --> 00:41:40,598 IF I HAD IT, I'D DRINK IT. 844 00:41:40,631 --> 00:41:42,765 [CHUCKLES] 845 00:41:42,798 --> 00:41:46,131 SO, IS THIS LIKE A SNAPSHOT? 846 00:41:48,531 --> 00:41:51,365 I'M SORRY OUR LIVES DIDN'T CROSS MORE, HARVEY. 847 00:41:51,398 --> 00:41:54,131 I ALWAYS LIKED YOU. 848 00:41:54,165 --> 00:41:57,031 ADMIRED HOW MUCH YOU LOVED YOUR MUSIC. 849 00:41:57,065 --> 00:41:59,631 I WISH IT HAD COME TO MORE. 850 00:42:01,031 --> 00:42:02,998 YOU HATE THINKING THAT... 851 00:42:03,031 --> 00:42:06,431 MAYBE YOU WERE JUST A FOOL FOR IT. 852 00:42:06,465 --> 00:42:09,065 BEING A FOOL FOR SOMETHING'S NOT ALL BAD. 853 00:42:11,465 --> 00:42:14,565 YOU FEEL LIKE YOU AIN'T BEEN FOOLISH ENOUGH, ARTHUR? 854 00:42:16,398 --> 00:42:18,231 I FEEL THAT WAY SOMETIMES. 855 00:42:20,798 --> 00:42:22,965 I LOVE MY FAMILY. 856 00:42:22,998 --> 00:42:25,298 I THINK I'M A GOOD FATHER, 857 00:42:25,331 --> 00:42:26,931 A GOOD HUSBAND. 858 00:42:26,965 --> 00:42:29,665 I'M PROUD I'VE MADE SOME PROGRESS ON MY JOB. 859 00:42:29,698 --> 00:42:31,331 AND KNOWING YOU, 860 00:42:31,365 --> 00:42:34,298 THAT COMES MORE FROM PICKIN' IN THE FIELD 861 00:42:34,331 --> 00:42:37,965 THAN DUSTING OFF THE PLANTATION HOUSE PIANO. 862 00:42:37,998 --> 00:42:40,598 SOMETIMES AT NIGHT I LAY UP, 863 00:42:40,631 --> 00:42:43,831 AND IF THERE'S A WIND, IT SOUNDS LIKE MY LIFE RUSHING BY. 864 00:42:45,565 --> 00:42:48,431 I WONDER IF THERE WAS A FIGHT I WAS SUPPOSED TO FIGHT 865 00:42:48,465 --> 00:42:50,831 BUT DIDN'T LOOK RIGHT TO SEE IT, 866 00:42:50,865 --> 00:42:53,665 OR...IF THERE WAS A WAY 867 00:42:53,698 --> 00:42:56,998 I SHOULD HAVE LET LILLIAN AND MY KIDS KNOW I LOVED THEM 868 00:42:57,031 --> 00:42:59,331 WOULD HAVE WARMED THEM IN THEIR HEARTS 869 00:42:59,365 --> 00:43:01,131 NO MATTER WHAT COLD CAME. 870 00:43:03,631 --> 00:43:07,131 I WONDER IF I JUST WASN'T FOOL ENOUGH TO TRY. 871 00:43:07,165 --> 00:43:09,865 YOU TRIED FOR ME TODAY, ARTHUR. 872 00:43:10,965 --> 00:43:12,631 AND I KNEW 873 00:43:12,665 --> 00:43:14,765 YOU WERE WHO I... 874 00:43:14,798 --> 00:43:17,998 SHOULD COME TO. 875 00:43:18,031 --> 00:43:21,598 I DON'T KNOW HOW MUCH GOOD I DID. 876 00:43:21,631 --> 00:43:24,365 SEEMS THEY DON'T LET YOU BE SURE OF THAT, EITHER. 877 00:43:27,531 --> 00:43:28,998 WELL... 878 00:43:35,565 --> 00:43:36,865 IF YOU WANT COMPANY, HARVEY, 879 00:43:36,898 --> 00:43:38,931 YOU KNOW WHERE TO FIND ME 880 00:43:38,965 --> 00:43:40,298 AND HOW TO CALL. 881 00:43:40,331 --> 00:43:41,498 YEAH. 882 00:43:41,531 --> 00:43:43,565 I DO KNOW THAT MUCH. 883 00:43:44,665 --> 00:43:47,065 COUNTS FOR A LOT. 884 00:43:47,115 --> 00:43:51,665 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 62964

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.