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The wind in the woods, say the softly tune.
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Follow my voice where everyone leads.
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From mountains through valleys, to deep rolling seas.
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Go home, the winds of the breeze.
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November the 17th.
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It is better week ago that my life was changed forever.
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I see now that until it happened nothing that I had said or not or experienced had any meaning.
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But it began quite differently at Badger's.
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You have decided to be what?
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Now Badger, don't start, don't start.
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A film director.
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A film director, a film producer, a film camera man, a machine, a short film maker.
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It is not Stavard Nonsense, it is my destiny.
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Oh dear, that is that way.
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It does sound a little ambitious, Toad.
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They would sound ambitious to you, Lothwood.
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I mean, they say bottling runner beans ambitious to you.
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Told.
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Oh no, no, I'm sorry, I didn't mean to.
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I mean, no, I...
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But it is the only thing.
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Yet another only thing.
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The thing of the future, the moving image of our times.
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The drama.
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The joy.
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The sadness.
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The thrill and quiet ill.
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The lives of life captured forever.
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Forever, oh I captured forever with the excelsior cinematic camera.
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Yes, thank you, Rettie, but that happens to be mine.
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The brochure is not the word.
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Oh, Toady, to be awfully expensive.
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And it won't last.
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Oh.
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Oh, poo.
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My mind?
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But there is of it.
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My mind is me.
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I'm leaving for London today.
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Oh, Toad.
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You don't have to leave the river bank, do you?
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We will see you again.
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Oh no, I'm going to London to buy a camera.
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A fool and his money are so important.
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As your own father used to say, yes, thank you, Badger, thank you and good bye.
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It was in London then that my life changed.
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Having ordered the camera, I decided who fit for choice.
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To visit a musical.
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I love his up in the gallery.
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The boy I love is with the mallet me.
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There he is, come to see, waving his hand to cheer.
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As merry as the robin that sings on a tree.
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The boy I love is up in the gallery.
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The boy I love is looking now at me.
55
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There he is, come to see, waving his hand to cheer.
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As merry as the robin that sings on a tree.
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Mmm.
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Mmm.
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Cam, sir.
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Want a cab, sir?
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No.
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Mmm.
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Mmm.
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I say, are you anything to do with this place?
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Stage door keep us, sir.
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Miss Deberville, the East Sheep Nightingale.
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Yes, sir.
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Is she, is she, is she, is she, bad?
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Oh, bless you, sir.
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Oh, no, me as I go. How's it go?
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Oh. Oh, I see.
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Yes. Thank you.
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No, another of them.
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Oh, deary, deary me.
75
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So you reckon Toad doesn't look himself?
76
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No, he's very soft, quiet, almost dreamy.
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Perhaps he's thinking about his first motion picture.
78
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No, Ratty, he isn't. That's the funny thing.
79
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He seems to have lost interest in that before he's even started.
80
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Well, that's even quicker than usual.
81
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I think most of his crazies managed to see the week out.
82
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Yes. All the same. There's something wrong.
83
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I said, Toad, when did you get back?
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Mmm.
85
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Oh. Oh, sorry, Badger. Sorry.
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When? A thousand years ago?
87
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What?
88
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Was it about ten seconds?
89
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Um, Toad.
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Time has no meaning for me anymore.
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Look, I've had Toad and have a cream cake and tell me what's the matter.
92
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Cream cake. Oh, cream cake. No. Mmm.
93
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There's no room in this little life for cream cakes.
94
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My job was to mow for it.
95
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What I yearn for is food for the heart.
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Food for the...
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And... and... and... and... and Toad?
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I... I know this is a foolish sort of question, but you're not...
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You're not in love, are you?
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Uh...
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Oh, Badger. How did you know?
102
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Oh, no.
103
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In love?
104
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I'm afraid so, Ratty. With someone else.
105
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Sorry, Ratty.
106
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Well, I mean, he's been in love with himself for years.
107
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Oh, Ratty.
108
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No, no. No, I feel so sorry for him.
109
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So... who's the lucky girl?
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He hasn't said just that she's the most wonderful person in the world.
111
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Yes, well, she would be. Best car, best camera, best house, best brains, best sweetheart.
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I suppose so.
113
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Still, at least it's cheaper than cinematography, especially if he's cut out the cream cakes.
114
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No, no, no, no, no.
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That's not kind.
116
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No, no, I'm sorry.
117
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But... but... but... but... but... but...
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Poch.
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Oh, what words can I say about the lucky?
120
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Who's skiing me so totally?
121
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I'm spotty.
122
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Whose beauty is driving me, Pocky?
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Good lucky, oh, lucky, oh, lucky.
124
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I'm worried to hear from the gallery.
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And she sang a song that was just for me.
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How long was I wait again to sing?
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My lucky, my lucky, my lucky.
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Look out!
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Come singing up in Mr. Toads.
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Does she ever know just how I feel?
131
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Yeah, well off the road.
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My passage the song would milk on steel.
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Great!
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Whoa!
135
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Whoa!
136
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Oh, yeah, Mr. Toads, roses, must be we.
137
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And you were very lucky to get away with cuts and bruises.
138
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Oh, badge, I really doesn't matter.
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Doesn't?
140
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Well, your car's in a far worse state than you are.
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Only a car.
142
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And a very expensive car?
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That will need very expensive work doing on it.
144
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Because money, things, food.
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They're all part of my past, Badger.
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I don't care who to buy them now.
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I care only for one thing.
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Lottie Durbaville.
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Lottie Durbaville.
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So that's her name.
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Her name that nestles in the rose band.
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A name like...
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Whoops!
154
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Like red jocks in a crystal pool.
155
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And does the lady reciprocate?
156
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Oh, Badger.
157
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Well, well, what does that mean?
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Does she return your advances?
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Does she like you?
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Oh, dear.
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My dear, Badger, I haven't actually met her.
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You haven't met her?
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And my her.
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Love her from afar.
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Yeah, I see.
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But she doesn't know of your existence.
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I didn't say that, Badger.
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Of course she knows of my existence, I mean.
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Heaven's badger, she sang to me.
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She sang to you.
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Mm.
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And boy, I love is up in the gallery.
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What?
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Boy, I love is looking down at me.
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Told.
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Why am I getting this musical song?
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Badger, that's what she sang to me.
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You're the musical.
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I was the boy in the gallery.
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I weighed my hand-cutty at her.
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And how many other boys were in the gallery?
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How many others waved their hand-cutchis?
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I don't know how many boys.
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I don't know how many.
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I do know is that I have dedicated my life to her.
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That I am hers, forever.
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And that one day, one rapturous day, she will be mine.
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I see.
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And the lady's name again was...
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Oh, that name, it is Heaven to pronounce.
191
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And it is?
192
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Name like the Sparena Breeze in the Aspen Tree.
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Lottie.
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Whispers in the door.
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Ah!
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Lottie.
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Oh.
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Deberville, Deberville.
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Thank you.
200
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My goodness, what a splendid name.
201
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Yes, it would be a bit of a come-down if she married him, wouldn't it?
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Lottie Toad.
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Oh, dear.
204
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I say you don't think it'll come to that.
205
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Well, Badger says he's got it terribly bad.
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Oh, my word, I nearly forgot.
207
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He's gone to London with him.
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What?
209
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Gone to London with whom?
210
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Oh, yes.
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Sorry.
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Toad said he was off to get another glimpse of his beloved,
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and Badger's gone with him.
214
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Badger!
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He's in London.
216
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He hates the place.
217
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Yes, I know, but he said something about needs must when the devil drives.
218
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Oh, dear.
219
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I said Toad's driving was near enough, but he persuaded him to take him just the same.
220
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But whatever for?
221
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Well, I'd like to ask, but I think it might be something to do with Toad's romance.
222
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Oh.
223
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Yes.
224
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Yes, I see.
225
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Boy, I love the immagulary.
226
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Boy, I love hooking down at me.
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Oh, Lottie.
228
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Lottie.
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Boy, I love hooking down at me.
230
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Oh, my, my, my.
231
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You still waiting to see Miss Durbum, you know, sir?
232
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Hey.
233
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Oh, yes.
234
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Badger, I am.
235
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Oh, gone, sir.
236
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Cotton?
237
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The show's moved on to Oxford, sir.
238
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Dilembra.
239
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Oh, no.
240
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Right, sir.
241
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No.
242
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No.
243
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No.
244
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No.
245
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No.
246
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Of the journey?
247
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Of that journey?
248
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I will say little, except that I don't know which is worse.
249
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Toad in a frenzy?
250
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Well, Toad in a dream.
251
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Oh, dear.
252
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Still by some miracle we arrived in London in that wreck of a car of his.
253
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And while Toad went off to find his Lottie, I tried to discover something about her.
254
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It's just a very, very, very early days, but it brought its reward.
255
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Well, do go home, Badger.
256
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Do tell us?
257
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Yes, Badger.
258
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Do.
259
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Well, let me say, first of all, that Miss Lottie, Durbaville, is a thoroughly nice, thoroughly respectable woman.
260
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Oh.
261
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Ah.
262
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But there are things about her that Toad will have to be told.
263
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Badger, I am really not interested.
264
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Who full of the love I bear for my lottie, news?
265
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You better listen, Toad. Better be brave.
266
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Better...
267
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Brave?
268
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Well, I was in London, Toad.
269
00:15:07,000 --> 00:15:11,000
I discovered some interest in facts about Miss Lottie Derbaville.
270
00:15:11,000 --> 00:15:12,000
Oh.
271
00:15:12,000 --> 00:15:13,000
Oh, really?
272
00:15:13,000 --> 00:15:17,000
To begin with, she is not Lottie Derbaville.
273
00:15:17,000 --> 00:15:18,000
Yeah?
274
00:15:18,000 --> 00:15:19,000
She is Lettie's pomfort.
275
00:15:19,000 --> 00:15:22,000
Lettie's pomfort.
276
00:15:22,000 --> 00:15:26,000
She is nothing of a sort.
277
00:15:26,000 --> 00:15:30,000
Her real name, Toad, is Lettie's pomfort.
278
00:15:30,000 --> 00:15:35,000
But she's an artist not a side salad?
279
00:15:35,000 --> 00:15:36,000
Mmm.
280
00:15:36,000 --> 00:15:42,000
Be a pity, Toad. If having adored the singer, you despise the woman.
281
00:15:42,000 --> 00:15:44,000
No, no, no, I don't just...
282
00:15:44,000 --> 00:15:47,000
Because she's a perfectly nice individual.
283
00:15:47,000 --> 00:15:50,000
Heaven's badge. I know that.
284
00:15:50,000 --> 00:15:52,000
She's exquisite.
285
00:15:52,000 --> 00:15:56,000
She's a pearl of dew and the morning primrose.
286
00:15:56,000 --> 00:15:58,000
And a mother of four.
287
00:15:58,000 --> 00:16:00,000
And a mother of what?
288
00:16:00,000 --> 00:16:02,000
A mother of four.
289
00:16:02,000 --> 00:16:04,000
But she can't, I mean...
290
00:16:04,000 --> 00:16:06,000
A mother of four what?
291
00:16:06,000 --> 00:16:08,000
Children, I wouldn't be surprised.
292
00:16:08,000 --> 00:16:10,000
Very funny, right? Very, very...
293
00:16:10,000 --> 00:16:11,000
No, magic, can't be true.
294
00:16:11,000 --> 00:16:14,000
Perfectly true. I'm afraid, Toad.
295
00:16:14,000 --> 00:16:17,000
She is married to a tightrope walker.
296
00:16:17,000 --> 00:16:20,000
A tightrope walker.
297
00:16:20,000 --> 00:16:23,000
One up on you, Toad. What?
298
00:16:23,000 --> 00:16:24,000
Why?
299
00:16:24,000 --> 00:16:26,000
Well, he's got a double-barreled name.
300
00:16:26,000 --> 00:16:27,000
Oh, Rettie.
301
00:16:27,000 --> 00:16:29,000
Oh, yes, sir. Sorry.
302
00:16:29,000 --> 00:16:31,000
Sorry, Toad.
303
00:16:31,000 --> 00:16:34,000
Lottie.
304
00:16:34,000 --> 00:16:36,000
My lottie.
305
00:16:36,000 --> 00:16:39,000
The light of my life.
306
00:16:39,000 --> 00:16:41,000
Lottie.
307
00:16:41,000 --> 00:16:43,000
Lottie.
308
00:16:43,000 --> 00:16:45,000
Lottie.
309
00:16:45,000 --> 00:16:47,000
Lottie.
310
00:16:47,000 --> 00:16:50,000
Told you to a rope.
311
00:16:50,000 --> 00:16:52,000
Oh, Toadie. Don't be so upset.
312
00:16:52,000 --> 00:16:54,000
Don't be upset.
313
00:16:54,000 --> 00:16:55,000
Don't be upset.
314
00:16:55,000 --> 00:16:57,000
I'll take a look at all that running birds
315
00:16:57,000 --> 00:17:00,000
and spending money on flowers.
316
00:17:00,000 --> 00:17:03,000
You wouldn't understand, though.
317
00:17:03,000 --> 00:17:06,000
My life is no meaning anymore.
318
00:17:06,000 --> 00:17:09,000
I cannot live without her.
319
00:17:09,000 --> 00:17:13,000
Sir, I shall not live.
320
00:17:13,000 --> 00:17:15,000
Oh, dear.
321
00:17:15,000 --> 00:17:17,000
This is awful.
322
00:17:17,000 --> 00:17:19,000
Not one of his best performances.
323
00:17:19,000 --> 00:17:20,000
No.
324
00:17:20,000 --> 00:17:22,000
I shall leave this place.
325
00:17:22,000 --> 00:17:23,000
Toad?
326
00:17:23,000 --> 00:17:24,000
No.
327
00:17:24,000 --> 00:17:27,000
Leave it forever.
328
00:17:27,000 --> 00:17:32,000
I shall build myself a lonely heart on the remotest island.
329
00:17:32,000 --> 00:17:39,000
And there, for an altar to the love I thought I had won.
330
00:17:39,000 --> 00:17:43,000
I'll end my dish.
331
00:17:43,000 --> 00:17:45,000
Look here, Toad.
332
00:17:45,000 --> 00:17:46,000
No.
333
00:17:46,000 --> 00:17:48,000
They're ready.
334
00:17:48,000 --> 00:17:52,000
This way, Jen, will not change my mind.
335
00:17:52,000 --> 00:17:54,000
Changing in my love.
336
00:17:54,000 --> 00:17:57,000
And in my rhythm.
337
00:17:57,000 --> 00:18:00,000
Oh, Dradhose!
338
00:18:00,000 --> 00:18:04,000
Who comes to vex my sadness?
339
00:18:04,000 --> 00:18:06,000
I'll go and see, Toad.
340
00:18:06,000 --> 00:18:08,000
That's quite good.
341
00:18:08,000 --> 00:18:10,000
Who comes to vex my sadness
342
00:18:10,000 --> 00:18:13,000
that my lot is gone for, I.
343
00:18:13,000 --> 00:18:15,000
Who drives me near to madness.
344
00:18:15,000 --> 00:18:17,000
Yes, yes, good, good.
345
00:18:17,000 --> 00:18:20,000
From my bosom, tears, the cries.
346
00:18:20,000 --> 00:18:22,000
And some packages for you, Toad.
347
00:18:22,000 --> 00:18:25,000
It's some packages for you, Toad.
348
00:18:25,000 --> 00:18:28,000
What, really?
349
00:18:28,000 --> 00:18:30,000
They seem to be from the
350
00:18:30,000 --> 00:18:34,000
Excelsior Moving Picture Camera Company.
351
00:18:34,000 --> 00:18:35,000
The Excelsior...
352
00:18:35,000 --> 00:18:37,000
Oh, my camera!
353
00:18:37,000 --> 00:18:38,000
Hey, my camera!
354
00:18:38,000 --> 00:18:40,000
Come on, I'll tell you.
355
00:18:40,000 --> 00:18:41,000
Good.
356
00:18:41,000 --> 00:18:44,000
What happened to the remotest island?
357
00:18:44,000 --> 00:18:46,000
Look at the pie!
358
00:18:46,000 --> 00:18:48,000
No!
359
00:18:48,000 --> 00:18:50,000
Now I'll show you.
360
00:18:50,000 --> 00:18:52,000
But, Toady, what about Lottie?
361
00:18:52,000 --> 00:18:54,000
What? Oh, she'll get over it.
362
00:18:54,000 --> 00:18:57,000
Anyway, I can't waste time going to Blitting Theatre, can I?
363
00:18:57,000 --> 00:19:00,000
I mean, I should be a famous filmmaker.
364
00:19:00,000 --> 00:19:04,000
I mean, to say, oh, it's the only thing.
365
00:19:04,000 --> 00:19:09,000
The clever man that Oxford knew all this to be knew,
366
00:19:09,000 --> 00:19:14,000
but none of them knew half as much as intelligent Mr. Toad.
367
00:19:14,000 --> 00:19:20,000
The animals that hid in the arms and tears in torrents knew,
368
00:19:20,000 --> 00:19:25,000
who was it said there's land ahead, Mr. Toad?
369
00:19:25,000 --> 00:19:35,000
The land ahead, Mr. Toad!
370
00:19:56,000 --> 00:20:00,000
The world has held great heroes, as his people said to you.
371
00:20:00,000 --> 00:20:04,000
But never a name went down to fame compared with that of Toad.
372
00:20:04,000 --> 00:20:05,000
Intelligent Mr. Toad!
373
00:20:05,000 --> 00:20:26,000
I'm encouraging Mr. Toad.
23677
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