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These are the user uploaded subtitles that are being translated: 1 00:00:06,773 --> 00:00:08,172 Hello. 2 00:00:08,175 --> 00:00:10,309 This time, we passed the time 3 00:00:10,312 --> 00:00:18,685 Perform further debugging of the character design solution you are dealing with and complete a sketch adjustment and review before completing it. 4 00:00:19,652 --> 00:00:25,258 For my part, let's start by creating some of the character poems that I created earlier. 5 00:00:25,325 --> 00:00:31,064 using that illustration as a base, like a reference, while referring to it for this assignment. 6 00:00:31,097 --> 00:00:37,370 So, as you can see, except for taking off the time-consuming cloth, or releasing the shadows 7 00:00:37,637 --> 00:00:44,676 Try most processes, if the colors are distorted, or the structure 8 00:00:44,679 --> 00:00:51,051 Can't see clearly or career path or something like that has not become awkward, check in advance and then move to this job. 9 00:00:51,451 --> 00:00:57,123 In fact, the assignments are much less difficult than one might expect. 10 00:00:57,190 --> 00:01:01,159 In fact the work is subject to many unexpected problems. 11 00:01:01,160 --> 00:01:03,397 Subtitled by online-courses.club We compress knowledge for you! 12 00:01:03,399 --> 00:01:04,697 Before the part we saw, the 13 00:01:04,730 --> 00:01:12,404 In Xi'an, first trim the edge check to see how it should proceed when dealing with that part, and then go in and 14 00:01:12,407 --> 00:01:14,506 It helps to work more easily. 15 00:01:14,509 --> 00:01:19,345 Last time I simply caught Xian with a jellyfish character. 16 00:01:19,979 --> 00:01:25,752 What props did you add to this character, and what keywords did you use to make these 17 00:01:25,985 --> 00:01:29,989 Broadly speaking, there's a lot to be desired in this state of completion. 18 00:01:30,023 --> 00:01:33,193 This is how we get into the shadows above 19 00:01:33,226 --> 00:01:40,100 How the structure structure should behave, and these are a little more specific and also go directly into the process. 20 00:01:41,835 --> 00:01:44,804 Becoming an apprentice sales concept for painting and ghosting. 21 00:01:45,338 --> 00:01:51,377 You should make sure that this character has no more trustworthy deficiencies. 22 00:01:51,578 --> 00:01:54,547 So instead of having to redraw the clothes. 23 00:01:55,715 --> 00:01:59,219 with a base brush overlay. 24 00:01:59,486 --> 00:02:02,222 Still have to continue the comparison and carry on. 25 00:02:04,724 --> 00:02:09,662 So, now there's a lot of backwardness in comparison 26 00:02:10,096 --> 00:02:17,070 That kind of part also opens up a little bit, something like a doll, two goes in a lot, so remove it. 27 00:02:18,171 --> 00:02:25,545 Instead of slightly reducing those wide sections, why don't you have those performances increase a little bit or add a little bit of the sky street stuff. 28 00:02:27,547 --> 00:02:31,518 Give school therapy to fix everything 29 00:02:35,488 --> 00:02:36,156 Space. 30 00:02:37,157 --> 00:02:43,396 I personally concentrate the most on this process when I'm working, so I usually spend a little time 31 00:02:45,031 --> 00:02:48,868 Even if you don't put in much, but I'll concentrate and draw while 32 00:02:50,970 --> 00:02:54,407 Very little said, but the people you see 33 00:02:55,742 --> 00:02:57,877 In the process, you should have this in mind. 34 00:02:58,111 --> 00:03:02,715 To be able to relax a little bit, I'll bring Gina to life by explaining it in a shallow way. 35 00:03:04,951 --> 00:03:10,256 And I think the arrangement is too short, I'll give you some of these parties. 36 00:03:16,029 --> 00:03:19,531 Get them used to using traps and stuff like that 37 00:03:19,534 --> 00:03:24,837 Good. The default shortcuts are arranged tonight. 38 00:03:26,172 --> 00:03:32,912 It's a little bit further away from the keyboard than you'd think often, so like I do, move it over here. 39 00:03:35,415 --> 00:03:38,384 Let me go by the cast. 40 00:03:42,422 --> 00:03:50,296 It feels as if this part is Tenshi, but the feeling of that helper-specific fin seems a little weak that 41 00:03:50,697 --> 00:03:56,836 Give the design a little bit better, change the shape like below, and decorate with rubber 42 00:03:58,071 --> 00:03:59,105 It's hard. 43 00:04:07,046 --> 00:04:11,551 When these recur, you feel like organismic fins. 44 00:04:17,589 --> 00:04:20,391 When we see the colors. 45 00:04:20,394 --> 00:04:26,299 Because we won't use live objects, it's enough to look at the side to a certain extent, you can wrap the surface. 46 00:04:27,166 --> 00:04:30,737 Might as well bring the nearby color all the time and make use of it. 47 00:04:34,140 --> 00:04:36,476 and keep repeating the understanding that 48 00:04:47,820 --> 00:04:50,956 while everyone here is working. 49 00:04:50,959 --> 00:04:53,626 If you see this, don't think you're getting wet. 50 00:04:55,628 --> 00:05:02,302 If it's convenient later if you change it now, it will be changed more negatively than you think if you have to change it around. 51 00:05:02,802 --> 00:05:09,809 To avoid that part, the first head boldly covered with a brush, the process of moving 52 00:05:10,977 --> 00:05:14,580 It's better to do it now. 53 00:05:16,416 --> 00:05:18,718 I'll redesign the organism. 54 00:05:25,825 --> 00:05:31,330 Write a slightly darker color on the secreted part, if it's free or something. 55 00:05:31,333 --> 00:05:35,001 It's okay if this part is a little bit wrong or if it comes through inside. 56 00:05:35,868 --> 00:05:44,577 Because we want to live out the feeling of British sickness and weakness, so just expose it in the design, such as hands and guts. 57 00:05:46,679 --> 00:05:53,786 The topic is large is also ambiguous, and in cases like mine, no, if anything, at this stage of the restoration 58 00:05:54,787 --> 00:05:56,522 A little bit bigger. 59 00:05:57,290 --> 00:05:58,291 far 60 00:06:00,993 --> 00:06:08,334 The effect of using a thin to thick form will help to show a sense of dimensionality. 61 00:06:08,735 --> 00:06:15,541 It might be a good idea to see if your leader's stuff goes forward or backward first. 62 00:06:16,809 --> 00:06:21,748 If this part is too blurry to post, just drop it and don't think it's my drawing. 63 00:06:21,881 --> 00:06:27,553 Better make you think I'll fix it in the future. 64 00:06:28,020 --> 00:06:33,192 What does this mean? It's like retouching. 65 00:06:33,693 --> 00:06:37,630 Thinking about the newly drawn Doha, Hedon would walk carefully through 66 00:06:38,664 --> 00:06:40,700 Wouldn't that be better? 67 00:06:43,002 --> 00:06:46,239 It is better to boldly suggest to proceed. 68 00:06:53,012 --> 00:06:54,613 In this way, let go 69 00:06:54,616 --> 00:07:01,687 The cloth was glued a little bit, so in 11 cities, the screwed egg fell down, behind 70 00:07:03,589 --> 00:07:07,093 A little bit darker tide 71 00:07:08,227 --> 00:07:09,795 Please change it in order to have texture. 72 00:07:09,798 --> 00:07:19,738 And here the shawl part is me, the overtaking part is hit, deciding what hurts more in these parts, and that sets off. 73 00:07:19,741 --> 00:07:24,477 slightly dead a little bit a little bit, emphasizing that a little bit is not bad 74 00:07:27,013 --> 00:07:29,315 Portrayed by actions, unidentifiable parts 75 00:07:34,187 --> 00:07:37,223 Now, we can modify it a little bit more specifically that 76 00:07:44,697 --> 00:07:49,469 In the next lesson, I'll make you a little bit more specific to avoid confusion. 77 00:07:50,069 --> 00:07:52,271 Hair and stuff like that. 78 00:07:56,008 --> 00:07:57,510 This part is 79 00:07:58,945 --> 00:08:01,314 The outside is deep, and the back is 80 00:08:03,783 --> 00:08:04,349 All the time. 81 00:08:04,352 --> 00:08:10,056 If we distinguish in this way now, the middle xianbian will be able to confirm good information. 82 00:08:15,094 --> 00:08:17,163 Instead of narrowing down in space, the 83 00:08:19,832 --> 00:08:26,339 It's not good to end with a rounded head, and the whole thing kind of spreads out, so take that side inward and 84 00:08:27,340 --> 00:08:32,979 If you rush in in time, you'll have the result of gathering inward again before, right? 85 00:08:42,621 --> 00:08:45,625 If possible, it's better to concretize now while processing. 86 00:08:49,829 --> 00:08:54,133 The hair is different throughout the 11:00 a.m. 87 00:09:01,374 --> 00:09:02,974 5 of the corner candidates superficial 88 00:09:02,977 --> 00:09:09,181 Saving, coarse hair, sound almost concentrated in one part. 89 00:09:09,248 --> 00:09:14,387 These parts can be a little awkward when we're confronted with them when they fade. 90 00:09:15,121 --> 00:09:15,888 So 91 00:09:16,923 --> 00:09:21,527 Now how is it that the notebook is divided enough here again? 92 00:09:21,661 --> 00:09:25,798 It's better to adjust these ideas now and then very much go for it. 93 00:09:29,869 --> 00:09:32,003 Seeing only one eye. 94 00:09:32,006 --> 00:09:38,010 The secret's good, but there's too much obscuring, so it'll be slightly more visible. 95 00:09:39,011 --> 00:09:42,682 Let me give you some bruises. 96 00:09:43,849 --> 00:09:46,852 Five senses handed over last possible 97 00:09:50,856 --> 00:09:58,263 After the face was finished, the design was suddenly more finished than expected, so the other parts were slightly less hand-raising. 98 00:09:58,266 --> 00:10:00,789 So, the face becomes the hand, if possible 99 00:10:00,790 --> 00:10:03,501 Subtitled by online-courses.club We compress knowledge for you! 100 00:10:03,502 --> 00:10:06,906 When the other parts are supported on the design, it's more concrete. 101 00:10:09,442 --> 00:10:11,978 Now the hair kind of spreads out like this 102 00:10:13,012 --> 00:10:21,687 Spreading on the bangs, catching like a ghost, afraid to give force and romance for a long time, falling sideways then 103 00:10:23,723 --> 00:10:24,556 It should fit well. 104 00:10:24,559 --> 00:10:27,393 It's in the library downtown. 105 00:10:28,995 --> 00:10:34,733 The cold, ghostly crane dojo atmosphere, if you will, is like that of a jellyfish. 106 00:10:34,736 --> 00:10:38,571 You don't see anything in the design 107 00:10:39,205 --> 00:10:41,674 Keep working. 108 00:10:45,111 --> 00:10:50,583 Because the density of the neck is very good, it's better to start on the left side. 109 00:10:50,716 --> 00:10:56,489 So, if this part is possible, if we get into one, it's a very eye catching part. 110 00:11:05,097 --> 00:11:06,865 And this pre-sale that 111 00:11:06,868 --> 00:11:12,471 Doing this work is adopted or done in a vague way, in order to stop these parts 112 00:11:13,606 --> 00:11:15,808 These parts are up. 113 00:11:16,108 --> 00:11:21,013 When you press the severed head, you lose your options. 114 00:11:22,081 --> 00:11:25,951 Press the control egg tool so that the tap keeps going up. 115 00:11:26,052 --> 00:11:27,787 In that state, the 116 00:11:28,187 --> 00:11:32,391 Click on the lasso to publish, and the selected part is cleared in that way. 117 00:11:34,193 --> 00:11:37,530 It is not a bad idea to use these editing functions actively. 118 00:11:46,772 --> 00:11:49,241 15 pages are much longer than expected, too. 119 00:11:49,775 --> 00:11:52,044 Citizens who make the end of the gun look a little bit 120 00:12:00,419 --> 00:12:03,589 And round, white and white skin collide. 121 00:12:03,656 --> 00:12:11,530 Just like it's used here on the container, this part is also a little bit thinner, you can look at the cloth a little bit, and then it's better to give it a bake. 122 00:12:25,111 --> 00:12:26,945 Now, if you see 123 00:12:26,948 --> 00:12:33,352 This very long line collides with the long line, so it ends too boring. 124 00:12:33,753 --> 00:12:37,790 An important prop called Marionet was placed underneath 125 00:12:38,090 --> 00:12:44,697 Going up the design of increasing density, compared to that one, this one is partially high, unranked, and weak. 126 00:12:45,030 --> 00:12:47,399 So, I think this part 127 00:12:58,944 --> 00:13:02,181 similar structure when placed on the outside, sounds good. 128 00:13:02,581 --> 00:13:08,120 If you go down this way, it's also better to keep the fine hair shape down this way. 129 00:13:17,096 --> 00:13:21,566 Little Dolly is also piling up 130 00:13:21,569 --> 00:13:23,869 Putting a little shade in there. 131 00:13:28,808 --> 00:13:32,510 Let the song be behind the torso. 132 00:13:32,513 --> 00:13:34,680 You better get some rest. 133 00:13:39,752 --> 00:13:44,356 And if this part falls wrong, it'll be embarrassing if it's drawn awesome. 134 00:13:44,523 --> 00:13:49,862 At this point, it's best to specify exactly in advance, because it's a little drunk. 135 00:13:50,563 --> 00:13:51,764 For example 136 00:13:56,435 --> 00:13:57,603 There's something wrong with the wall. 137 00:13:59,038 --> 00:14:02,741 The arm does 138 00:14:02,975 --> 00:14:07,479 than the silhouette in front of the dress to wear a long knife. 139 00:14:13,819 --> 00:14:16,754 Then delete the unneeded lines, as per the ground 140 00:14:16,757 --> 00:14:20,125 You must continue to confirm in the newspaper. 141 00:14:34,874 --> 00:14:36,407 Like the faces of these dolls. 142 00:14:36,410 --> 00:14:42,748 It's not too late to sketch the finer parts, but it's very difficult to modify them after the newspaper 143 00:14:43,082 --> 00:14:46,385 If possible, it is better to set it in the early stages. 144 00:15:01,100 --> 00:15:03,435 A blue object 145 00:15:04,103 --> 00:15:08,874 If the dragon is used repeatedly, it will be associated with the character. 146 00:15:13,279 --> 00:15:15,446 Someone like this predecessor 147 00:15:15,449 --> 00:15:17,850 played the most important role in the painting. 148 00:15:18,517 --> 00:15:20,786 If you write clearly in the paper now. 149 00:15:22,054 --> 00:15:25,891 You can refer to it later when you're working, right? 150 00:15:35,567 --> 00:15:37,468 I personally think that 151 00:15:37,471 --> 00:15:43,208 I don't want a part of the poem to be blacked out, so if possible, what's the background 152 00:15:43,876 --> 00:15:48,681 I hope that the easy thread and the braided body look like the same individual. 153 00:15:56,355 --> 00:15:58,691 to make them look important. 154 00:16:00,392 --> 00:16:05,097 And the hair is spreading outward too much, gathering a little bit inward from the side of the face. 155 00:16:10,569 --> 00:16:12,805 Spreading again 156 00:16:13,339 --> 00:16:15,341 The shawl will stick to the body and 157 00:16:19,111 --> 00:16:21,814 Because the feeling of being isolated from a straight line might be a little bit unfortunate. 158 00:16:22,681 --> 00:16:25,617 The back needs a little bit of discomfort. 159 00:16:41,200 --> 00:16:43,969 And when this church and more footnotes go through like this 160 00:16:49,008 --> 00:16:55,747 There's no sense of grooming, and hair and hats and big parts will collide. 161 00:16:55,750 --> 00:16:58,049 The thickness of this part 162 00:16:58,052 --> 00:17:02,021 If you look at it, it works well as a connection part that should be satisfied. 163 00:17:02,054 --> 00:17:06,325 So, in particular, keep confirming the same thing and then drawing it. 164 00:17:06,358 --> 00:17:13,799 If it's too short, it's just playing with charm and it won't make much difference, and if it's too thick, the mass ratio will be overseas and 165 00:17:15,601 --> 00:17:19,471 Better keep checking the size and trim it now. 166 00:17:21,940 --> 00:17:25,577 And here also, because of the collision of the long and good hands of the noble 167 00:17:25,877 --> 00:17:31,316 The light custodial information better pop up, that hair can be fixed now, right? 168 00:17:32,584 --> 00:17:34,686 A little bit of negative silhouette retention. 169 00:17:48,100 --> 00:17:49,802 A little glance 170 00:17:50,135 --> 00:17:53,238 than looking slightly to my side. 171 00:17:54,840 --> 00:17:57,276 Looking at both ends 172 00:17:59,611 --> 00:18:00,912 Help me fix it. 173 00:18:00,915 --> 00:18:06,718 The eyebrows of Song Zhenqing with droopy eyes can be designed out. 174 00:18:25,104 --> 00:18:27,106 It's good to keep confirming if you're this far out. 175 00:18:27,206 --> 00:18:36,381 The John that was added only ends with this part 7', so if the cuckoo hair is also visible on this side, will it achieve a sense of balance. 176 00:18:37,182 --> 00:18:43,689 And now this bodice and parasitic, the size is too similar, although these friends are a bit of a pity, but decided to reduce 177 00:18:45,691 --> 00:18:48,426 There's some sort of design that will come to fruition when it does. 178 00:18:48,429 --> 00:18:51,130 Notice the stuff that ends at about the same time. 179 00:18:51,196 --> 00:18:54,733 So, let's shrink this piece of cloth. 180 00:18:57,102 --> 00:19:00,973 The most prominent part 181 00:19:01,073 --> 00:19:04,543 It's better to keep it far away. 182 00:19:14,419 --> 00:19:16,421 This part also adds some percentage of 183 00:19:30,802 --> 00:19:36,041 This synthesis has been touched to a certain extent, I will make each prop a little more detailed. 184 00:19:37,142 --> 00:19:39,478 You can zoom in a little bit from now on. 185 00:19:39,511 --> 00:19:41,980 Because when there are details 186 00:19:42,147 --> 00:19:48,487 doesn't change your first impression of the painting, so this part 187 00:19:48,754 --> 00:19:51,456 It's good to zoom in a little bit and then trim it a little bit. 188 00:20:00,999 --> 00:20:03,735 It's okay to brush a little bit from here on out. 189 00:20:06,271 --> 00:20:09,274 Keep turning the screen. 190 00:20:09,341 --> 00:20:12,277 It's nice to use a convenient angle adjustment when drawing 191 00:20:22,087 --> 00:20:25,757 This sign, for example. 192 00:20:28,327 --> 00:20:29,827 A slight modification of the shape. 193 00:20:29,830 --> 00:20:35,634 Personally, I often play a decorative role when I see these paintings of signs and such. 194 00:20:36,034 --> 00:20:36,535 So... 195 00:20:36,568 --> 00:20:40,839 and the concept is not associated with the sign that 196 00:20:41,773 --> 00:20:46,678 Write some jellyfish-inspired logos if you use jellyfish as a concept. 197 00:20:47,279 --> 00:20:49,414 Feels a little bit like Apprentice Magic. 198 00:20:49,915 --> 00:20:55,587 Use it to decorate it, like, if you're round here. 199 00:20:56,154 --> 00:21:00,292 Corrie kind of like that. Tentacles and stuff like that. 200 00:21:06,798 --> 00:21:11,570 I think the design point, the character support plays a very important role as well. 201 00:21:11,837 --> 00:21:17,509 So, it's not that there's no power, but this way, every single one of these flips over and looks 202 00:21:20,912 --> 00:21:23,382 There's a little bit of good that 203 00:21:27,552 --> 00:21:31,490 Makes the plane look like a jellyfish problem. Check again. 204 00:21:32,491 --> 00:21:35,193 If it looks fuzzy, do the design again. 205 00:21:40,599 --> 00:21:44,636 Pull this long. 206 00:21:47,105 --> 00:21:48,740 Do the test. 207 00:21:49,308 --> 00:21:51,476 Does it look like a lake? 208 00:21:52,311 --> 00:21:54,546 It's after this affliction. 209 00:22:02,487 --> 00:22:04,656 Radial propagation doesn't seem to be good. 210 00:22:05,957 --> 00:22:07,959 Just use a little bit. 211 00:22:27,546 --> 00:22:30,381 Growing outward 212 00:22:30,384 --> 00:22:33,452 Korean troops short one by one 213 00:22:34,686 --> 00:22:40,125 Looking outward at the vine gate inward, so in thinking about the rules 214 00:22:40,359 --> 00:22:42,361 I'll draw it for you again. 215 00:22:46,832 --> 00:22:48,066 This way too. 216 00:22:51,703 --> 00:22:54,406 There are some conditions, and then outward 217 00:22:55,240 --> 00:22:59,077 The outer side of the most closed bank is inward. 218 00:23:00,445 --> 00:23:03,048 And in order not to learn the paddy fields here alone. 219 00:23:04,916 --> 00:23:07,119 with a few more decorations. 220 00:23:08,453 --> 00:23:12,457 Now, since it's a conservative power, follow it down a little bit 221 00:23:13,959 --> 00:23:15,660 Leave it for me 222 00:23:17,596 --> 00:23:20,065 into this tape. 223 00:23:20,966 --> 00:23:23,267 Because it's wrapped in this form. 224 00:23:23,270 --> 00:23:26,671 The part wrapped like this 225 00:23:26,938 --> 00:23:29,474 There must be something like a button. 226 00:23:30,509 --> 00:23:32,610 It and it 227 00:23:32,613 --> 00:23:35,580 The inconsistency cannot be unrelated. 228 00:23:43,555 --> 00:23:46,357 Slightly across here. 229 00:23:46,360 --> 00:23:49,494 There's like a chain somewhere that works. 230 00:23:50,462 --> 00:23:53,964 The logo used here 231 00:23:53,967 --> 00:23:59,070 Because there is only one year of repeated use, so repeated use is good, so I think this one inside 232 00:24:00,372 --> 00:24:02,808 Make the green appear once? 233 00:24:06,978 --> 00:24:10,549 Hide the outermost layer outward 234 00:24:12,918 --> 00:24:18,824 Inside just a slight run of 10 million to the jellyfish, and then continue to emphasize this. 235 00:24:18,890 --> 00:24:22,828 referencing this structural design. 236 00:24:24,529 --> 00:24:26,932 There are also several methods like this. 237 00:24:27,466 --> 00:24:32,604 Don't struggle with the fact that you can't draw very much detail, but go through the stages of taking 238 00:24:32,971 --> 00:24:35,340 Please consider first what will see results. 239 00:24:49,955 --> 00:24:54,025 Inside, a little bit more specific, the 240 00:24:55,694 --> 00:24:59,531 Paul Shirley wouldn't just be Bailey. 241 00:25:04,703 --> 00:25:05,069 And Joe. 242 00:25:05,072 --> 00:25:07,471 But. 243 00:25:07,474 --> 00:25:10,642 Something like a key will materialize 244 00:25:14,646 --> 00:25:17,281 It's always plugged in there. 245 00:25:17,284 --> 00:25:20,017 You've been curious to show these things. 246 00:25:20,020 --> 00:25:29,294 If you think about it, you've slightly trimmed the overall divine defiance, and you'll continue to write out the elements that we've used in the details. 247 00:25:38,703 --> 00:25:42,207 And a rope like this can't just end there 248 00:25:42,674 --> 00:25:47,078 When it's obviously straw and you can't leave out the decoration 249 00:25:49,848 --> 00:25:52,651 00:25:52,652 putting the details in now, in advance 250 00:25:54,252 --> 00:25:56,888 Almost can't do my job later. 251 00:25:57,155 --> 00:26:00,258 Just put it in like you're experimenting ahead of time now. 252 00:26:00,759 --> 00:26:07,966 So it's wide, but it's better to go in, to the extent that you can confirm it right away. 253 00:26:28,620 --> 00:26:29,987 Window Raf like this 254 00:26:29,990 --> 00:26:32,490 And then it came out, let me be a little more specific, that 255 00:26:36,194 --> 00:26:41,866 And also, only wrinkles falling off on the taps inside will give early failure. 256 00:26:46,938 --> 00:26:48,974 And the double pottery 257 00:26:49,941 --> 00:26:52,043 Painting very specifically. 258 00:27:04,522 --> 00:27:07,325 There's a ribbon or something in the back. 259 00:27:23,341 --> 00:27:26,544 The whole thing ends with a pointy end. It can't end alone wide, I guess. 260 00:27:30,682 --> 00:27:34,785 Death, the motor thins and thickens, again 261 00:27:34,788 --> 00:27:40,525 correcting out a curve that makes me think of the pole kind of problem that 262 00:27:43,795 --> 00:27:52,236 A knife like this one, if it gets bigger, becomes too important a prop, so the design drops some common ground at both the top and bottom. 263 00:27:52,239 --> 00:27:52,704 So 264 00:27:54,172 --> 00:27:56,207 The knife is like a simple shape 265 00:27:58,543 --> 00:28:05,784 Slowly, the gist of making the parts look a little more accurate is the length coexistence 266 00:28:07,619 --> 00:28:10,155 Jellyfish attack on small business 267 00:28:11,389 --> 00:28:14,726 It is also better to show it with dangerous looking props. 268 00:28:29,908 --> 00:28:31,442 Gradually 269 00:28:31,445 --> 00:28:35,580 It's a rest book, indistinguishable, so no need to fix the computer. 270 00:28:37,682 --> 00:28:41,519 slightly lowered to the reaction that 271 00:28:45,423 --> 00:28:47,692 If the hand movement also decreases abnormally, the 272 00:28:48,393 --> 00:28:51,730 Waves of ice 273 00:28:55,366 --> 00:28:56,568 Bending 274 00:29:00,371 --> 00:29:04,075 If the last part is possible, it's better to handle it now, right? 275 00:29:04,375 --> 00:29:04,843 Then 276 00:29:11,983 --> 00:29:15,153 The outer leaves are irregularly 277 00:29:21,926 --> 00:29:25,530 You can see to what extent, you can check. 278 00:29:42,347 --> 00:29:45,784 I personally like the number 3. 279 00:29:46,384 --> 00:29:50,221 It doesn't seem good to add thickness, but yes. 280 00:29:52,624 --> 00:29:59,330 One, one. 281 00:30:01,199 --> 00:30:02,200 Made for you. 282 00:30:03,034 --> 00:30:06,704 And this position also ends on the same line as the body. 283 00:30:06,838 --> 00:30:08,840 because you have to be careful with these. 284 00:30:11,342 --> 00:30:14,913 It's best to keep thinking about the location and move over. 285 00:30:20,485 --> 00:30:26,491 This way, you can see not only the sides of the character, but also the front and the back. 286 00:30:28,893 --> 00:30:30,460 and here 287 00:30:30,463 --> 00:30:33,298 A long way apart 288 00:30:37,001 --> 00:30:39,871 to fill the frame. 289 00:30:40,305 --> 00:30:49,581 When crossing LI, be sure not to cross it in a complicated way, please cross it cleanly in a straight line at the endgame. 290 00:30:49,914 --> 00:30:52,317 Just draw on one side and hearts on the other. 291 00:30:52,483 --> 00:30:55,720 It's the same here, right? 292 00:30:58,923 --> 00:31:01,425 You're not supposed to bring it here. 293 00:31:01,428 --> 00:31:03,995 It's better to overlay it when you think it's blurry. 294 00:31:05,363 --> 00:31:09,334 Personally, it would be great if the workers, out of some sort of annoyance 295 00:31:11,736 --> 00:31:16,207 Sympathy is too complicated also from the standpoint of looking, so please be careful. 296 00:31:20,311 --> 00:31:23,581 I think it's possible to cross one. 297 00:31:37,228 --> 00:31:38,128 At first glance. 298 00:31:38,131 --> 00:31:42,901 If the design as a whole becomes bad, now only face-like that time to lose. 299 00:31:43,801 --> 00:31:50,942 The impression is the most important part of the character, so it's best to draw a little detail. 300 00:31:51,376 --> 00:32:00,350 Even if the drawing is not specific now, if the character is a sad impression, it will look sad, active impression and active level. 301 00:32:00,353 --> 00:32:05,123 Like that, the extent of the representative impression is best seen. 302 00:32:11,362 --> 00:32:13,464 Laughing at the compound machine that 303 00:32:30,214 --> 00:32:34,352 Seesaw is a little better as a quote. 304 00:32:38,523 --> 00:32:41,459 If the lashes were drawn longer. 305 00:32:47,398 --> 00:32:49,533 See how the feeling gets stronger underneath 306 00:32:49,536 --> 00:32:54,806 The overall blue color is dominant, and the eyes and full points around are subtly 307 00:32:56,140 --> 00:32:59,276 to increase the red color. 308 00:32:59,279 --> 00:33:02,413 instead of cultivating that which begs to be obtained by skin. 309 00:33:02,847 --> 00:33:04,148 again in the old days 310 00:33:17,261 --> 00:33:20,365 It's especially naughty when it's too far away 311 00:33:21,532 --> 00:33:24,002 A little thicker 312 00:33:24,335 --> 00:33:27,939 and the protruding eyebrows look sadder with the desire to 313 00:33:29,407 --> 00:33:31,442 It's easy to draw greed a little bit longer 314 00:33:33,444 --> 00:33:36,080 If you don't need to see too much forehead. 315 00:33:40,051 --> 00:33:43,388 is a little bit of information about the rest of the week for Homeland Football. 316 00:33:49,027 --> 00:33:50,427 That's the parts that 317 00:33:50,430 --> 00:33:56,734 From the outside, Yoon Jin can face the wonderful field of problems when he paints within a painting. 318 00:33:57,068 --> 00:34:01,973 We can deal with these parts as quickly as we do now 319 00:34:03,474 --> 00:34:06,376 Will sell 100 million hot in this job. 320 00:34:06,379 --> 00:34:08,012 This part is a little bit 321 00:34:10,748 --> 00:34:14,052 Need to add shading to the thickness of the shawl part. 322 00:34:14,851 --> 00:34:16,987 And then had to fall vertically here. 323 00:34:18,056 --> 00:34:18,889 The same 324 00:34:20,958 --> 00:34:23,560 is possible to advance the display of distress. 325 00:34:23,563 --> 00:34:27,331 drawing a little bit longer. 326 00:34:28,599 --> 00:34:30,600 Like a doll-like feeling 327 00:34:30,603 --> 00:34:33,271 Public with props 328 00:34:46,851 --> 00:34:50,455 Check the ratio again. 329 00:34:50,521 --> 00:34:56,994 This density is too scattered, compared to the density above 330 00:34:58,029 --> 00:35:02,266 Select quadrilateral, which is used to reduce the width of Yoo Hee Yeol after control. 331 00:35:03,000 --> 00:35:08,339 If you paste the lower part in that state, you can naturally adjust the size. 332 00:35:11,209 --> 00:35:13,444 Add a little more density to the bottom. 333 00:35:13,611 --> 00:35:19,717 This part, for example, is a little bit sparse compared to the large and small ones over here. 334 00:35:21,085 --> 00:35:27,425 a slightly frenzied species, with a little bit of a hole in the back that 335 00:35:29,026 --> 00:35:30,361 In this section, the 336 00:35:31,496 --> 00:35:35,533 Slowly, make the hyper policy more concerned. 337 00:35:39,704 --> 00:35:41,205 Ending 338 00:35:43,174 --> 00:35:47,712 The star minutes are added in depth, the 339 00:35:53,818 --> 00:35:55,820 Live like a tentacle 340 00:35:55,920 --> 00:35:57,989 Cut Good Shuhan 341 00:36:15,773 --> 00:36:17,875 Need to confirm from a distance all the time. 342 00:36:28,519 --> 00:36:33,858 And the shawl is too little decorated compared to the village of Union Point Chigon. 343 00:36:34,392 --> 00:36:37,695 that won't splash out in color later. 344 00:36:43,801 --> 00:36:46,270 plus one way. 345 00:36:47,972 --> 00:36:50,708 It's okay if you can make the height of the school uniform half a little bit higher. 346 00:37:13,231 --> 00:37:17,735 00:37:17,735 What CCP did would also emphasize the feeling of freedom. 347 00:37:53,971 --> 00:37:56,874 00:37:53,971 And finally, just a little bit of contouring, please. 348 00:37:59,043 --> 00:38:02,947 There are corners, but this can't just go here. 349 00:38:03,648 --> 00:38:07,818 This part also needs to be co-written. 350 00:38:15,259 --> 00:38:17,928 And then you made a couple of button buttons first. 351 00:38:25,469 --> 00:38:26,771 This part is 352 00:38:27,872 --> 00:38:30,408 A little bit of flexibility for a lighter touch 353 00:38:37,415 --> 00:38:40,084 But the puppet can see a little bit more clearly. 354 00:38:43,354 --> 00:38:46,290 The original old people with their crutches 355 00:38:46,524 --> 00:38:51,028 The doll has been given a lot of roles, so it won't be put in. 356 00:38:52,863 --> 00:38:55,466 Just the same thing. 357 00:38:55,499 --> 00:38:59,804 The part that goes in and doesn't have a blue trace either can all pay points, right? 358 00:39:01,772 --> 00:39:09,046 Finally, let's keep the background and the lighting of our plan simple. 359 00:39:09,447 --> 00:39:13,918 After adding the illustration, simply confirm that the cotton outline is clear. 360 00:39:17,088 --> 00:39:21,292 Dividing the cyan of the main dragon to the color 361 00:39:29,400 --> 00:39:31,736 Luckily the rope seems to be sticking well. 362 00:39:35,673 --> 00:39:39,143 and seeing blue lights. 363 00:39:56,761 --> 00:39:59,330 Designing fashionable reasons to 364 00:39:59,830 --> 00:40:02,699 Laying out shadows for each paragraph. 365 00:40:02,702 --> 00:40:05,736 It is more important at this point that the character is white well. 366 00:40:05,836 --> 00:40:11,509 So, when the shadow area gets narrower, overall the picture becomes too white. So 367 00:40:14,011 --> 00:40:16,679 Than the imaginary shadow area 368 00:40:16,682 --> 00:40:19,850 Needs a big catch. 369 00:40:23,687 --> 00:40:26,891 At first, I thought of the proportion of the door that 370 00:40:27,591 --> 00:40:30,528 which was laid out very wide. 371 00:40:35,866 --> 00:40:41,372 Joe let the Joe of the lights over there make the light a more dominant source of light. 372 00:40:42,473 --> 00:40:45,543 In this state, from a race perspective 373 00:40:48,479 --> 00:40:53,851 Some non-directional shadows are created when adding or removing some shadows. 374 00:41:09,333 --> 00:41:12,035 Save as half of the standard 375 00:41:12,038 --> 00:41:20,010 occupies the shaded area, which is coordinated in, and this part has no contact total that 376 00:41:23,314 --> 00:41:28,152 You might want to release it as soon as possible, but it doesn't make much sense at this stage. 377 00:41:28,586 --> 00:41:31,622 Overall please just look at the feel of the lighting 378 00:41:58,883 --> 00:42:02,720 Except for the mistakes to be made in sin. 379 00:42:15,332 --> 00:42:17,801 Overall, the shadows are focused on the top 380 00:42:17,935 --> 00:42:21,438 The bottom can definitely come back. 381 00:42:24,542 --> 00:42:27,511 And the contrast is too great. 382 00:42:29,613 --> 00:42:33,484 Need to add shadow color environment sword and convert it to multifilm. 383 00:42:42,493 --> 00:42:44,193 Feel free to use shadow color tidbits 384 00:42:44,196 --> 00:42:46,730 Also gives some control over the value of the euro adjustment. 385 00:42:56,073 --> 00:42:58,107 and this shading 386 00:42:58,110 --> 00:43:04,949 Click on an area while holding down the control key to select only the area. 387 00:43:05,049 --> 00:43:08,185 Pressing this key number, confirming with a blank Munske 388 00:43:08,652 --> 00:43:16,226 Like this only the shaded area is selected, and if you press the control eye in this state it will become the opposite selection. 389 00:43:16,627 --> 00:43:23,667 In this state, I unmasked the Quick Mouthpiece and created a new layer where I wanted to add some blue light, the 390 00:43:26,637 --> 00:43:28,872 Hanamichi except for the reason of discounting 391 00:43:29,707 --> 00:43:37,514 Need to cut and paste, do a little bit more, take a break, overall, the role of 392 00:43:39,450 --> 00:43:42,353 Need to give the shadows a win-win addition 393 00:43:49,927 --> 00:43:53,497 When you add blues to the screen or dirty colors 394 00:43:55,232 --> 00:43:57,601 I've come to confirm that the effect works. 395 00:44:02,840 --> 00:44:07,444 It's true that the addition of the blue light will be more ghostly. 396 00:44:07,811 --> 00:44:15,152 So, when we go in order, if the last three shades are over 397 00:44:15,285 --> 00:44:21,725 In this state, the shadows are laid on at the end of the glow, where the overall light arrives at once 398 00:44:22,359 --> 00:44:26,830 Just place the confetti once and you will see an advance check of this effect. 399 00:44:29,800 --> 00:44:32,202 Where these effects follow 400 00:44:33,971 --> 00:44:35,239 After entering 401 00:44:36,640 --> 00:44:43,647 There must be some kind of map for the whole process, so we can put it in now and confirm it. 402 00:44:43,981 --> 00:44:47,685 This is the light from the blue light, so in this section in particular a little bit 403 00:44:48,886 --> 00:44:52,322 Gathering of blue lights 404 00:44:54,591 --> 00:44:57,061 It's not randomly placed that 405 00:45:00,464 --> 00:45:06,870 Just go down like this now, and the easy secretary will naturally follow you. 406 00:45:07,004 --> 00:45:12,810 So, on this line, the density of light is going to be a little bit higher, the 407 00:45:20,084 --> 00:45:22,853 can naturally direct the flow of the line of sight. 408 00:45:25,923 --> 00:45:30,494 Personally, I like to be able to come outside the screen, so things like documentary 409 00:45:31,929 --> 00:45:39,636 I think it's nice to go across the screen, but it makes the drawing a little bit spirited and it's hard to focus on the illustration. 410 00:45:39,937 --> 00:45:41,972 Go ahead and confirm it when the time comes. 411 00:45:49,446 --> 00:45:51,482 Finally. 412 00:45:52,716 --> 00:45:59,389 You must use this couple's reason in the correction, so only this part applies. 413 00:45:59,656 --> 00:46:08,799 Press the non-control key outward to select, and after selecting the black fill color, the correction will now not affect other uses. 414 00:46:08,832 --> 00:46:11,235 In this state, lowering the cover a bit, the 415 00:46:13,003 --> 00:46:14,271 taller 416 00:46:15,205 --> 00:46:18,509 Can confirm the color that comes out when correcting this 1.5. 417 00:46:21,912 --> 00:46:24,982 Now, I see that this process that 418 00:46:25,449 --> 00:46:33,290 My illustration of Karen color this layout this structure this design can be confirmed ahead of time to complete. 419 00:46:33,724 --> 00:46:39,429 If you go ahead and look at this picture and then draw 420 00:46:39,463 --> 00:46:46,603 When you draw the picture, you have a clearer guide when you draw, so you can spend more time on the drawing. 421 00:46:46,870 --> 00:46:49,573 and whether it's going according to plan. 422 00:46:49,673 --> 00:46:57,046 So when I come to this career team, you will also be preparing together, if there is enough planning for the next 423 00:46:57,049 --> 00:47:03,954 I hope to start from time to time to enter the line of work finishing and the bottom and the rain direction and other small continuous for a little bit. 424 00:47:05,155 --> 00:47:07,290 So, the initial design was such that 425 00:47:07,293 --> 00:47:12,763 I'll modify the silhouette a little bit more specifically, and then add details that 426 00:47:12,963 --> 00:47:20,137 I can confirm the lighting and color of the illustration, and then check the directionality of the industry first, I guess. 427 00:47:20,170 --> 00:47:27,377 Of course, the detail parts or the layout may change slightly in this work, but probably not much. 428 00:47:28,212 --> 00:47:36,252 In the next time, we'll do a sketch round selection and refinement, which is the first step we've done. 429 00:47:36,255 --> 00:47:40,858 Listen to the long river of hard work. I'll see you next time. 38610

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