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Hello.
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This time, we passed the time
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Perform further debugging of the character design solution you are dealing with and complete a sketch adjustment and review before completing it.
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For my part, let's start by creating some of the character poems that I created earlier.
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using that illustration as a base, like a reference, while referring to it for this assignment.
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So, as you can see, except for taking off the time-consuming cloth, or releasing the shadows
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Try most processes, if the colors are distorted, or the structure
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Can't see clearly or career path or something like that has not become awkward, check in advance and then move to this job.
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In fact, the assignments are much less difficult than one might expect.
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In fact the work is subject to many unexpected problems.
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Before the part we saw, the
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In Xi'an, first trim the edge check to see how it should proceed when dealing with that part, and then go in and
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It helps to work more easily.
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Last time I simply caught Xian with a jellyfish character.
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What props did you add to this character, and what keywords did you use to make these
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Broadly speaking, there's a lot to be desired in this state of completion.
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This is how we get into the shadows above
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How the structure structure should behave, and these are a little more specific and also go directly into the process.
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Becoming an apprentice sales concept for painting and ghosting.
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You should make sure that this character has no more trustworthy deficiencies.
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So instead of having to redraw the clothes.
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with a base brush overlay.
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Still have to continue the comparison and carry on.
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So, now there's a lot of backwardness in comparison
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That kind of part also opens up a little bit, something like a doll, two goes in a lot, so remove it.
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Instead of slightly reducing those wide sections, why don't you have those performances increase a little bit or add a little bit of the sky street stuff.
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Give school therapy to fix everything
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Space.
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I personally concentrate the most on this process when I'm working, so I usually spend a little time
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Even if you don't put in much, but I'll concentrate and draw while
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Very little said, but the people you see
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In the process, you should have this in mind.
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To be able to relax a little bit, I'll bring Gina to life by explaining it in a shallow way.
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And I think the arrangement is too short, I'll give you some of these parties.
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Get them used to using traps and stuff like that
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Good. The default shortcuts are arranged tonight.
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It's a little bit further away from the keyboard than you'd think often, so like I do, move it over here.
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Let me go by the cast.
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It feels as if this part is Tenshi, but the feeling of that helper-specific fin seems a little weak that
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Give the design a little bit better, change the shape like below, and decorate with rubber
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It's hard.
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When these recur, you feel like organismic fins.
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When we see the colors.
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Because we won't use live objects, it's enough to look at the side to a certain extent, you can wrap the surface.
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Might as well bring the nearby color all the time and make use of it.
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and keep repeating the understanding that
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while everyone here is working.
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If you see this, don't think you're getting wet.
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If it's convenient later if you change it now, it will be changed more negatively than you think if you have to change it around.
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To avoid that part, the first head boldly covered with a brush, the process of moving
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It's better to do it now.
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I'll redesign the organism.
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Write a slightly darker color on the secreted part, if it's free or something.
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It's okay if this part is a little bit wrong or if it comes through inside.
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Because we want to live out the feeling of British sickness and weakness, so just expose it in the design, such as hands and guts.
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The topic is large is also ambiguous, and in cases like mine, no, if anything, at this stage of the restoration
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A little bit bigger.
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far
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The effect of using a thin to thick form will help to show a sense of dimensionality.
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It might be a good idea to see if your leader's stuff goes forward or backward first.
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If this part is too blurry to post, just drop it and don't think it's my drawing.
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Better make you think I'll fix it in the future.
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What does this mean? It's like retouching.
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Thinking about the newly drawn Doha, Hedon would walk carefully through
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Wouldn't that be better?
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It is better to boldly suggest to proceed.
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In this way, let go
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The cloth was glued a little bit, so in 11 cities, the screwed egg fell down, behind
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A little bit darker tide
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Please change it in order to have texture.
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And here the shawl part is me, the overtaking part is hit, deciding what hurts more in these parts, and that sets off.
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slightly dead a little bit a little bit, emphasizing that a little bit is not bad
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Portrayed by actions, unidentifiable parts
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Now, we can modify it a little bit more specifically that
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In the next lesson, I'll make you a little bit more specific to avoid confusion.
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Hair and stuff like that.
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This part is
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The outside is deep, and the back is
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All the time.
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If we distinguish in this way now, the middle xianbian will be able to confirm good information.
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Instead of narrowing down in space, the
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It's not good to end with a rounded head, and the whole thing kind of spreads out, so take that side inward and
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If you rush in in time, you'll have the result of gathering inward again before, right?
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If possible, it's better to concretize now while processing.
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The hair is different throughout the 11:00 a.m.
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5 of the corner candidates superficial
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Saving, coarse hair, sound almost concentrated in one part.
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These parts can be a little awkward when we're confronted with them when they fade.
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So
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Now how is it that the notebook is divided enough here again?
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It's better to adjust these ideas now and then very much go for it.
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Seeing only one eye.
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The secret's good, but there's too much obscuring, so it'll be slightly more visible.
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Let me give you some bruises.
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Five senses handed over last possible
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After the face was finished, the design was suddenly more finished than expected, so the other parts were slightly less hand-raising.
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So, the face becomes the hand, if possible
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When the other parts are supported on the design, it's more concrete.
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Now the hair kind of spreads out like this
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Spreading on the bangs, catching like a ghost, afraid to give force and romance for a long time, falling sideways then
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It should fit well.
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It's in the library downtown.
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The cold, ghostly crane dojo atmosphere, if you will, is like that of a jellyfish.
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You don't see anything in the design
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Keep working.
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Because the density of the neck is very good, it's better to start on the left side.
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So, if this part is possible, if we get into one, it's a very eye catching part.
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And this pre-sale that
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Doing this work is adopted or done in a vague way, in order to stop these parts
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These parts are up.
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When you press the severed head, you lose your options.
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Press the control egg tool so that the tap keeps going up.
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In that state, the
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Click on the lasso to publish, and the selected part is cleared in that way.
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It is not a bad idea to use these editing functions actively.
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15 pages are much longer than expected, too.
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Citizens who make the end of the gun look a little bit
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And round, white and white skin collide.
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Just like it's used here on the container, this part is also a little bit thinner, you can look at the cloth a little bit, and then it's better to give it a bake.
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Now, if you see
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This very long line collides with the long line, so it ends too boring.
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An important prop called Marionet was placed underneath
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Going up the design of increasing density, compared to that one, this one is partially high, unranked, and weak.
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So, I think this part
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similar structure when placed on the outside, sounds good.
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If you go down this way, it's also better to keep the fine hair shape down this way.
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Little Dolly is also piling up
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Putting a little shade in there.
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Let the song be behind the torso.
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You better get some rest.
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And if this part falls wrong, it'll be embarrassing if it's drawn awesome.
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At this point, it's best to specify exactly in advance, because it's a little drunk.
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For example
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There's something wrong with the wall.
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The arm does
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than the silhouette in front of the dress to wear a long knife.
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Then delete the unneeded lines, as per the ground
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You must continue to confirm in the newspaper.
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Like the faces of these dolls.
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It's not too late to sketch the finer parts, but it's very difficult to modify them after the newspaper
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If possible, it is better to set it in the early stages.
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A blue object
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If the dragon is used repeatedly, it will be associated with the character.
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Someone like this predecessor
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played the most important role in the painting.
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If you write clearly in the paper now.
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You can refer to it later when you're working, right?
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I personally think that
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I don't want a part of the poem to be blacked out, so if possible, what's the background
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I hope that the easy thread and the braided body look like the same individual.
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to make them look important.
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And the hair is spreading outward too much, gathering a little bit inward from the side of the face.
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Spreading again
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The shawl will stick to the body and
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Because the feeling of being isolated from a straight line might be a little bit unfortunate.
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The back needs a little bit of discomfort.
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And when this church and more footnotes go through like this
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There's no sense of grooming, and hair and hats and big parts will collide.
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The thickness of this part
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If you look at it, it works well as a connection part that should be satisfied.
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So, in particular, keep confirming the same thing and then drawing it.
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If it's too short, it's just playing with charm and it won't make much difference, and if it's too thick, the mass ratio will be overseas and
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Better keep checking the size and trim it now.
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And here also, because of the collision of the long and good hands of the noble
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The light custodial information better pop up, that hair can be fixed now, right?
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A little bit of negative silhouette retention.
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A little glance
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than looking slightly to my side.
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Looking at both ends
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Help me fix it.
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The eyebrows of Song Zhenqing with droopy eyes can be designed out.
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It's good to keep confirming if you're this far out.
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The John that was added only ends with this part 7', so if the cuckoo hair is also visible on this side, will it achieve a sense of balance.
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And now this bodice and parasitic, the size is too similar, although these friends are a bit of a pity, but decided to reduce
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There's some sort of design that will come to fruition when it does.
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Notice the stuff that ends at about the same time.
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So, let's shrink this piece of cloth.
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The most prominent part
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It's better to keep it far away.
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This part also adds some percentage of
183
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This synthesis has been touched to a certain extent, I will make each prop a little more detailed.
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You can zoom in a little bit from now on.
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Because when there are details
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doesn't change your first impression of the painting, so this part
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It's good to zoom in a little bit and then trim it a little bit.
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It's okay to brush a little bit from here on out.
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Keep turning the screen.
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00:20:09,341 --> 00:20:12,277
It's nice to use a convenient angle adjustment when drawing
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This sign, for example.
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A slight modification of the shape.
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Personally, I often play a decorative role when I see these paintings of signs and such.
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So...
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and the concept is not associated with the sign that
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Write some jellyfish-inspired logos if you use jellyfish as a concept.
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Feels a little bit like Apprentice Magic.
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Use it to decorate it, like, if you're round here.
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Corrie kind of like that. Tentacles and stuff like that.
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I think the design point, the character support plays a very important role as well.
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So, it's not that there's no power, but this way, every single one of these flips over and looks
202
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There's a little bit of good that
203
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Makes the plane look like a jellyfish problem. Check again.
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If it looks fuzzy, do the design again.
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Pull this long.
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Do the test.
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Does it look like a lake?
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It's after this affliction.
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Radial propagation doesn't seem to be good.
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Just use a little bit.
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Growing outward
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Korean troops short one by one
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Looking outward at the vine gate inward, so in thinking about the rules
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I'll draw it for you again.
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This way too.
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There are some conditions, and then outward
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The outer side of the most closed bank is inward.
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And in order not to learn the paddy fields here alone.
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with a few more decorations.
220
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Now, since it's a conservative power, follow it down a little bit
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Leave it for me
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into this tape.
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Because it's wrapped in this form.
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The part wrapped like this
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There must be something like a button.
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It and it
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The inconsistency cannot be unrelated.
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Slightly across here.
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There's like a chain somewhere that works.
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The logo used here
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Because there is only one year of repeated use, so repeated use is good, so I think this one inside
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Make the green appear once?
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Hide the outermost layer outward
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Inside just a slight run of 10 million to the jellyfish, and then continue to emphasize this.
235
00:24:18,890 --> 00:24:22,828
referencing this structural design.
236
00:24:24,529 --> 00:24:26,932
There are also several methods like this.
237
00:24:27,466 --> 00:24:32,604
Don't struggle with the fact that you can't draw very much detail, but go through the stages of taking
238
00:24:32,971 --> 00:24:35,340
Please consider first what will see results.
239
00:24:49,955 --> 00:24:54,025
Inside, a little bit more specific, the
240
00:24:55,694 --> 00:24:59,531
Paul Shirley wouldn't just be Bailey.
241
00:25:04,703 --> 00:25:05,069
And Joe.
242
00:25:05,072 --> 00:25:07,471
But.
243
00:25:07,474 --> 00:25:10,642
Something like a key will materialize
244
00:25:14,646 --> 00:25:17,281
It's always plugged in there.
245
00:25:17,284 --> 00:25:20,017
You've been curious to show these things.
246
00:25:20,020 --> 00:25:29,294
If you think about it, you've slightly trimmed the overall divine defiance, and you'll continue to write out the elements that we've used in the details.
247
00:25:38,703 --> 00:25:42,207
And a rope like this can't just end there
248
00:25:42,674 --> 00:25:47,078
When it's obviously straw and you can't leave out the decoration
249
00:25:49,848 --> 00:25:52,651
00:25:52,652 putting the details in now, in advance
250
00:25:54,252 --> 00:25:56,888
Almost can't do my job later.
251
00:25:57,155 --> 00:26:00,258
Just put it in like you're experimenting ahead of time now.
252
00:26:00,759 --> 00:26:07,966
So it's wide, but it's better to go in, to the extent that you can confirm it right away.
253
00:26:28,620 --> 00:26:29,987
Window Raf like this
254
00:26:29,990 --> 00:26:32,490
And then it came out, let me be a little more specific, that
255
00:26:36,194 --> 00:26:41,866
And also, only wrinkles falling off on the taps inside will give early failure.
256
00:26:46,938 --> 00:26:48,974
And the double pottery
257
00:26:49,941 --> 00:26:52,043
Painting very specifically.
258
00:27:04,522 --> 00:27:07,325
There's a ribbon or something in the back.
259
00:27:23,341 --> 00:27:26,544
The whole thing ends with a pointy end. It can't end alone wide, I guess.
260
00:27:30,682 --> 00:27:34,785
Death, the motor thins and thickens, again
261
00:27:34,788 --> 00:27:40,525
correcting out a curve that makes me think of the pole kind of problem that
262
00:27:43,795 --> 00:27:52,236
A knife like this one, if it gets bigger, becomes too important a prop, so the design drops some common ground at both the top and bottom.
263
00:27:52,239 --> 00:27:52,704
So
264
00:27:54,172 --> 00:27:56,207
The knife is like a simple shape
265
00:27:58,543 --> 00:28:05,784
Slowly, the gist of making the parts look a little more accurate is the length coexistence
266
00:28:07,619 --> 00:28:10,155
Jellyfish attack on small business
267
00:28:11,389 --> 00:28:14,726
It is also better to show it with dangerous looking props.
268
00:28:29,908 --> 00:28:31,442
Gradually
269
00:28:31,445 --> 00:28:35,580
It's a rest book, indistinguishable, so no need to fix the computer.
270
00:28:37,682 --> 00:28:41,519
slightly lowered to the reaction that
271
00:28:45,423 --> 00:28:47,692
If the hand movement also decreases abnormally, the
272
00:28:48,393 --> 00:28:51,730
Waves of ice
273
00:28:55,366 --> 00:28:56,568
Bending
274
00:29:00,371 --> 00:29:04,075
If the last part is possible, it's better to handle it now, right?
275
00:29:04,375 --> 00:29:04,843
Then
276
00:29:11,983 --> 00:29:15,153
The outer leaves are irregularly
277
00:29:21,926 --> 00:29:25,530
You can see to what extent, you can check.
278
00:29:42,347 --> 00:29:45,784
I personally like the number 3.
279
00:29:46,384 --> 00:29:50,221
It doesn't seem good to add thickness, but yes.
280
00:29:52,624 --> 00:29:59,330
One, one.
281
00:30:01,199 --> 00:30:02,200
Made for you.
282
00:30:03,034 --> 00:30:06,704
And this position also ends on the same line as the body.
283
00:30:06,838 --> 00:30:08,840
because you have to be careful with these.
284
00:30:11,342 --> 00:30:14,913
It's best to keep thinking about the location and move over.
285
00:30:20,485 --> 00:30:26,491
This way, you can see not only the sides of the character, but also the front and the back.
286
00:30:28,893 --> 00:30:30,460
and here
287
00:30:30,463 --> 00:30:33,298
A long way apart
288
00:30:37,001 --> 00:30:39,871
to fill the frame.
289
00:30:40,305 --> 00:30:49,581
When crossing LI, be sure not to cross it in a complicated way, please cross it cleanly in a straight line at the endgame.
290
00:30:49,914 --> 00:30:52,317
Just draw on one side and hearts on the other.
291
00:30:52,483 --> 00:30:55,720
It's the same here, right?
292
00:30:58,923 --> 00:31:01,425
You're not supposed to bring it here.
293
00:31:01,428 --> 00:31:03,995
It's better to overlay it when you think it's blurry.
294
00:31:05,363 --> 00:31:09,334
Personally, it would be great if the workers, out of some sort of annoyance
295
00:31:11,736 --> 00:31:16,207
Sympathy is too complicated also from the standpoint of looking, so please be careful.
296
00:31:20,311 --> 00:31:23,581
I think it's possible to cross one.
297
00:31:37,228 --> 00:31:38,128
At first glance.
298
00:31:38,131 --> 00:31:42,901
If the design as a whole becomes bad, now only face-like that time to lose.
299
00:31:43,801 --> 00:31:50,942
The impression is the most important part of the character, so it's best to draw a little detail.
300
00:31:51,376 --> 00:32:00,350
Even if the drawing is not specific now, if the character is a sad impression, it will look sad, active impression and active level.
301
00:32:00,353 --> 00:32:05,123
Like that, the extent of the representative impression is best seen.
302
00:32:11,362 --> 00:32:13,464
Laughing at the compound machine that
303
00:32:30,214 --> 00:32:34,352
Seesaw is a little better as a quote.
304
00:32:38,523 --> 00:32:41,459
If the lashes were drawn longer.
305
00:32:47,398 --> 00:32:49,533
See how the feeling gets stronger underneath
306
00:32:49,536 --> 00:32:54,806
The overall blue color is dominant, and the eyes and full points around are subtly
307
00:32:56,140 --> 00:32:59,276
to increase the red color.
308
00:32:59,279 --> 00:33:02,413
instead of cultivating that which begs to be obtained by skin.
309
00:33:02,847 --> 00:33:04,148
again in the old days
310
00:33:17,261 --> 00:33:20,365
It's especially naughty when it's too far away
311
00:33:21,532 --> 00:33:24,002
A little thicker
312
00:33:24,335 --> 00:33:27,939
and the protruding eyebrows look sadder with the desire to
313
00:33:29,407 --> 00:33:31,442
It's easy to draw greed a little bit longer
314
00:33:33,444 --> 00:33:36,080
If you don't need to see too much forehead.
315
00:33:40,051 --> 00:33:43,388
is a little bit of information about the rest of the week for Homeland Football.
316
00:33:49,027 --> 00:33:50,427
That's the parts that
317
00:33:50,430 --> 00:33:56,734
From the outside, Yoon Jin can face the wonderful field of problems when he paints within a painting.
318
00:33:57,068 --> 00:34:01,973
We can deal with these parts as quickly as we do now
319
00:34:03,474 --> 00:34:06,376
Will sell 100 million hot in this job.
320
00:34:06,379 --> 00:34:08,012
This part is a little bit
321
00:34:10,748 --> 00:34:14,052
Need to add shading to the thickness of the shawl part.
322
00:34:14,851 --> 00:34:16,987
And then had to fall vertically here.
323
00:34:18,056 --> 00:34:18,889
The same
324
00:34:20,958 --> 00:34:23,560
is possible to advance the display of distress.
325
00:34:23,563 --> 00:34:27,331
drawing a little bit longer.
326
00:34:28,599 --> 00:34:30,600
Like a doll-like feeling
327
00:34:30,603 --> 00:34:33,271
Public with props
328
00:34:46,851 --> 00:34:50,455
Check the ratio again.
329
00:34:50,521 --> 00:34:56,994
This density is too scattered, compared to the density above
330
00:34:58,029 --> 00:35:02,266
Select quadrilateral, which is used to reduce the width of Yoo Hee Yeol after control.
331
00:35:03,000 --> 00:35:08,339
If you paste the lower part in that state, you can naturally adjust the size.
332
00:35:11,209 --> 00:35:13,444
Add a little more density to the bottom.
333
00:35:13,611 --> 00:35:19,717
This part, for example, is a little bit sparse compared to the large and small ones over here.
334
00:35:21,085 --> 00:35:27,425
a slightly frenzied species, with a little bit of a hole in the back that
335
00:35:29,026 --> 00:35:30,361
In this section, the
336
00:35:31,496 --> 00:35:35,533
Slowly, make the hyper policy more concerned.
337
00:35:39,704 --> 00:35:41,205
Ending
338
00:35:43,174 --> 00:35:47,712
The star minutes are added in depth, the
339
00:35:53,818 --> 00:35:55,820
Live like a tentacle
340
00:35:55,920 --> 00:35:57,989
Cut Good Shuhan
341
00:36:15,773 --> 00:36:17,875
Need to confirm from a distance all the time.
342
00:36:28,519 --> 00:36:33,858
And the shawl is too little decorated compared to the village of Union Point Chigon.
343
00:36:34,392 --> 00:36:37,695
that won't splash out in color later.
344
00:36:43,801 --> 00:36:46,270
plus one way.
345
00:36:47,972 --> 00:36:50,708
It's okay if you can make the height of the school uniform half a little bit higher.
346
00:37:13,231 --> 00:37:17,735
00:37:17,735 What CCP did would also emphasize the feeling of freedom.
347
00:37:53,971 --> 00:37:56,874
00:37:53,971 And finally, just a little bit of contouring, please.
348
00:37:59,043 --> 00:38:02,947
There are corners, but this can't just go here.
349
00:38:03,648 --> 00:38:07,818
This part also needs to be co-written.
350
00:38:15,259 --> 00:38:17,928
And then you made a couple of button buttons first.
351
00:38:25,469 --> 00:38:26,771
This part is
352
00:38:27,872 --> 00:38:30,408
A little bit of flexibility for a lighter touch
353
00:38:37,415 --> 00:38:40,084
But the puppet can see a little bit more clearly.
354
00:38:43,354 --> 00:38:46,290
The original old people with their crutches
355
00:38:46,524 --> 00:38:51,028
The doll has been given a lot of roles, so it won't be put in.
356
00:38:52,863 --> 00:38:55,466
Just the same thing.
357
00:38:55,499 --> 00:38:59,804
The part that goes in and doesn't have a blue trace either can all pay points, right?
358
00:39:01,772 --> 00:39:09,046
Finally, let's keep the background and the lighting of our plan simple.
359
00:39:09,447 --> 00:39:13,918
After adding the illustration, simply confirm that the cotton outline is clear.
360
00:39:17,088 --> 00:39:21,292
Dividing the cyan of the main dragon to the color
361
00:39:29,400 --> 00:39:31,736
Luckily the rope seems to be sticking well.
362
00:39:35,673 --> 00:39:39,143
and seeing blue lights.
363
00:39:56,761 --> 00:39:59,330
Designing fashionable reasons to
364
00:39:59,830 --> 00:40:02,699
Laying out shadows for each paragraph.
365
00:40:02,702 --> 00:40:05,736
It is more important at this point that the character is white well.
366
00:40:05,836 --> 00:40:11,509
So, when the shadow area gets narrower, overall the picture becomes too white. So
367
00:40:14,011 --> 00:40:16,679
Than the imaginary shadow area
368
00:40:16,682 --> 00:40:19,850
Needs a big catch.
369
00:40:23,687 --> 00:40:26,891
At first, I thought of the proportion of the door that
370
00:40:27,591 --> 00:40:30,528
which was laid out very wide.
371
00:40:35,866 --> 00:40:41,372
Joe let the Joe of the lights over there make the light a more dominant source of light.
372
00:40:42,473 --> 00:40:45,543
In this state, from a race perspective
373
00:40:48,479 --> 00:40:53,851
Some non-directional shadows are created when adding or removing some shadows.
374
00:41:09,333 --> 00:41:12,035
Save as half of the standard
375
00:41:12,038 --> 00:41:20,010
occupies the shaded area, which is coordinated in, and this part has no contact total that
376
00:41:23,314 --> 00:41:28,152
You might want to release it as soon as possible, but it doesn't make much sense at this stage.
377
00:41:28,586 --> 00:41:31,622
Overall please just look at the feel of the lighting
378
00:41:58,883 --> 00:42:02,720
Except for the mistakes to be made in sin.
379
00:42:15,332 --> 00:42:17,801
Overall, the shadows are focused on the top
380
00:42:17,935 --> 00:42:21,438
The bottom can definitely come back.
381
00:42:24,542 --> 00:42:27,511
And the contrast is too great.
382
00:42:29,613 --> 00:42:33,484
Need to add shadow color environment sword and convert it to multifilm.
383
00:42:42,493 --> 00:42:44,193
Feel free to use shadow color tidbits
384
00:42:44,196 --> 00:42:46,730
Also gives some control over the value of the euro adjustment.
385
00:42:56,073 --> 00:42:58,107
and this shading
386
00:42:58,110 --> 00:43:04,949
Click on an area while holding down the control key to select only the area.
387
00:43:05,049 --> 00:43:08,185
Pressing this key number, confirming with a blank Munske
388
00:43:08,652 --> 00:43:16,226
Like this only the shaded area is selected, and if you press the control eye in this state it will become the opposite selection.
389
00:43:16,627 --> 00:43:23,667
In this state, I unmasked the Quick Mouthpiece and created a new layer where I wanted to add some blue light, the
390
00:43:26,637 --> 00:43:28,872
Hanamichi except for the reason of discounting
391
00:43:29,707 --> 00:43:37,514
Need to cut and paste, do a little bit more, take a break, overall, the role of
392
00:43:39,450 --> 00:43:42,353
Need to give the shadows a win-win addition
393
00:43:49,927 --> 00:43:53,497
When you add blues to the screen or dirty colors
394
00:43:55,232 --> 00:43:57,601
I've come to confirm that the effect works.
395
00:44:02,840 --> 00:44:07,444
It's true that the addition of the blue light will be more ghostly.
396
00:44:07,811 --> 00:44:15,152
So, when we go in order, if the last three shades are over
397
00:44:15,285 --> 00:44:21,725
In this state, the shadows are laid on at the end of the glow, where the overall light arrives at once
398
00:44:22,359 --> 00:44:26,830
Just place the confetti once and you will see an advance check of this effect.
399
00:44:29,800 --> 00:44:32,202
Where these effects follow
400
00:44:33,971 --> 00:44:35,239
After entering
401
00:44:36,640 --> 00:44:43,647
There must be some kind of map for the whole process, so we can put it in now and confirm it.
402
00:44:43,981 --> 00:44:47,685
This is the light from the blue light, so in this section in particular a little bit
403
00:44:48,886 --> 00:44:52,322
Gathering of blue lights
404
00:44:54,591 --> 00:44:57,061
It's not randomly placed that
405
00:45:00,464 --> 00:45:06,870
Just go down like this now, and the easy secretary will naturally follow you.
406
00:45:07,004 --> 00:45:12,810
So, on this line, the density of light is going to be a little bit higher, the
407
00:45:20,084 --> 00:45:22,853
can naturally direct the flow of the line of sight.
408
00:45:25,923 --> 00:45:30,494
Personally, I like to be able to come outside the screen, so things like documentary
409
00:45:31,929 --> 00:45:39,636
I think it's nice to go across the screen, but it makes the drawing a little bit spirited and it's hard to focus on the illustration.
410
00:45:39,937 --> 00:45:41,972
Go ahead and confirm it when the time comes.
411
00:45:49,446 --> 00:45:51,482
Finally.
412
00:45:52,716 --> 00:45:59,389
You must use this couple's reason in the correction, so only this part applies.
413
00:45:59,656 --> 00:46:08,799
Press the non-control key outward to select, and after selecting the black fill color, the correction will now not affect other uses.
414
00:46:08,832 --> 00:46:11,235
In this state, lowering the cover a bit, the
415
00:46:13,003 --> 00:46:14,271
taller
416
00:46:15,205 --> 00:46:18,509
Can confirm the color that comes out when correcting this 1.5.
417
00:46:21,912 --> 00:46:24,982
Now, I see that this process that
418
00:46:25,449 --> 00:46:33,290
My illustration of Karen color this layout this structure this design can be confirmed ahead of time to complete.
419
00:46:33,724 --> 00:46:39,429
If you go ahead and look at this picture and then draw
420
00:46:39,463 --> 00:46:46,603
When you draw the picture, you have a clearer guide when you draw, so you can spend more time on the drawing.
421
00:46:46,870 --> 00:46:49,573
and whether it's going according to plan.
422
00:46:49,673 --> 00:46:57,046
So when I come to this career team, you will also be preparing together, if there is enough planning for the next
423
00:46:57,049 --> 00:47:03,954
I hope to start from time to time to enter the line of work finishing and the bottom and the rain direction and other small continuous for a little bit.
424
00:47:05,155 --> 00:47:07,290
So, the initial design was such that
425
00:47:07,293 --> 00:47:12,763
I'll modify the silhouette a little bit more specifically, and then add details that
426
00:47:12,963 --> 00:47:20,137
I can confirm the lighting and color of the illustration, and then check the directionality of the industry first, I guess.
427
00:47:20,170 --> 00:47:27,377
Of course, the detail parts or the layout may change slightly in this work, but probably not much.
428
00:47:28,212 --> 00:47:36,252
In the next time, we'll do a sketch round selection and refinement, which is the first step we've done.
429
00:47:36,255 --> 00:47:40,858
Listen to the long river of hard work. I'll see you next time.
38610
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