All language subtitles for 05. Ways of Expressing Different Characters

Hello.

This time, let's learn about the various impression expressions of character design.

When studying character design, you may have heard of Deformé, in addition to anatomy.

In this lecture, how should people approach this post-volume thing when doing character design.

Take your time with me and learn.

Instead of depicting the object realistically, Deformation is a way to transform or distort the shape under the auspices of the creator.

In a character depiction, Deformation is one of the ways to make a character glamorous.

When multiple characters need to appear, each character needs to be visually distinguished from each other.

At this point, we can further emphasize the appearance characteristics or personality aspects of a character by going backwards and

to make it easier for the viewer to distinguish and remember the character.

Later in the second half, the creator's subjectivity intervenes heavily, so it often leads to style and serialization.

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So good post-cybernetics and if not, I'll share what's out there.

Due to the existence of the process of subjectively interpreting the object, there is in fact no precise criterion for a good posterior cypher.

On the contrary, the effective use of postforensics can be distinguished to some extent as a good method, or a method that is not.

First of all, examples of good postforensics are

When multiple characters are side by side, the scale side images must be able to be clearly distinguished.

Instead of partially transforming the target, it is better to try the overall morphological difference first.

Also, the simpler and more intuitive the unique characteristics of each character.

In this way, the charm and characteristics of the character interpreted by the creator are convincingly represented to the viewer.

It can be said that the directionality of the good D forum. On the contrary, one can also recognize some examples that are unfortunately close.

If the target's features are emphasized or omitted beyond what is needed and the original shape is not preserved, the

may be a difficult design for the person looking at it to understand.

When multiple characters are side-by-side

If each design is difficult to distinguish simply, then they seem to have difficulty displaying the rear shadows effectively in this case.

and the way the back forum is drawn when using good examples

This will develop into a writer's body of painting or style, but it also tends to unify the characters.

Therefore, we need to expand the design range by practicing different methods of morphing.

Let's find out in what order these default emails will work.

The first thing to notice is the overall size and scale.

The easiest thing to do is to first set the size of the character's keypoints.

Later, when the upper body and lower body etc. divide the human body into large, there will be a difference in the resulting ratio, right?

When you modify the metaphor, you will also modify the ratio of the upper and lower body in size first, and later on the torso and arms in relation to the pelvis and legs, etc.

Perform partial scaling.

It is best to show the difference in the flat shape of the silhouette in the character before viewing the character in stereo later.

When simplifying the character to the extreme, use shapes such as squares and thin edges to differentiate so that the differences will be obvious

If you set the frame first, you can design it more freely when giving the character the differences in details later.

Therefore, after drawing the side image with faces, it is better to follow it with lines to add differences.

It is recommended to easily distinguish between lines in a drawing and also to show the difference between curves and lines.

First, let's start with an example to show how the difference between curved and straight is given in the human body.

and the song straight line of

If the differences are given first, it is better to clearly distinguish the partially complex parts from the simple ones.

If no distinction is made between the complex part and the simple part, the design may become a bit heavy-handed room-warming, if possible

It's better to separate these two.

The human anatomy has certain twists and turns due to differences in bones and muscles, so it is difficult to apply this process.

When adding clothing or equipment to a design, specifying and simplifying the separation is a process that must be gone through.

How to separate the details from the abbreviated parts of the material, while viewing the picture material.

Again, look at the difference between curves and lines as described earlier.

First, I prepared some photographic material.

In this way, between the curves and the straight tails and the simple

It's hard for us to visualize with lines, so let's start with the color of the lines to distinguish them.

The red color indicates the curve

Blue is a straight line

Remember that pink is the simple part and green is the complex part, first divide the hand thinking.

Instead of thinking that these four are drawn at the same time, let the difference between the curve and the straight line, first

Simple, complex, think of it as a planning stage, and it's okay to just mark it.

So only one line is written when using these two.

For example, instead of drawing mainly with curves, alternate curves and lines to give a sense of rhythm.

So, looking at the overall picture, it is better to draw a sketch to keep the red and blue in balance.

Instead of looking at the twists and turns of these details, if you have stripes

it's better to draw it as a line.

And, if the line gets longer as a whole and then becomes shorter and shorter as you draw it, then I think you're fine with good practice.

The line between a curve and a line is blurred, and it is possible to interpret them very subjectively.

For those who are just starting to practice, curves are slightly curved and straight lines can be accurately divided into straight lines, which will more accurately divide the lines.

You better think about it and draw me a picture.

I also tried to draw the curved straight line I was thinking of separately.

Plotting a straight line with a curved section.

If you write once with a curve, please write once with a straight line and use it back and forth on the line.

Just think of it.

Even if it's Jin Juren, it's better to cultivate it with a line if you can, rather than dragging it.

Also, if a curve is used, it is better to use a straight line on one side and distribute it on the other.

So overall, it's predominantly blue here now, so I've divided the border part into curves.

And is this part dominated by straight lines?

Instead of drawing this part with a straight line, why don't you draw this part as a curve?

And with the curve now, this part will be drawn with a straight line, and naturally this part is curved.

And again with this straight line.

Just give me rhythmic practice hands like this, think about it and draw it again.

The hands and that kind of part.

Don't let this short hand in here because it's so small.

Simple first with a curve, later straight lines are enough with only the outer count.

In blue, on the left.

The main path on one side is the symbols and surfaces ending with surfaces.

Lines ending in straight lines are better.

with mainly straight lines that become curved inside.

Overall the hair is predominantly curved, so this part can be changed to a straight line, and

It's important to be able to interpret the lines subjectively and then draw them.

Even though the lines are lined up side by side like this

Like now, in the initial stages of the second half, a clear distinction needs to be made.

Write a curve once and use a straight line, use a straight line once to take off the curve

Once you've used a curve, it comes off a straight line

Write a straight line, write me a curve once.

So, when you check the whole thing, it's good if the drawing doesn't favor one side of the color.

It's okay to end this part with a long line.

The case outside ends with a straight line, so you want to end it with a curve.

This part also starts with a curve and ends with a straight line, which is better to reduce the difference.

The reverse is also possible.

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So if, in some way, it becomes an exercise in separating curves and straight lines

After that, simple and complex parts can be drawn simply, and some can be drawn complexly, the

This part I can get past just by using the urine marker.

So, if you're not careful.

often draw some tiny wrinkles, or these outer corners wiggling

when they draw it as simple as possible, they think they're ignoring it.

Instead, I think if there's complexity, I would more obviously emphasize that little twist to portray it.

If I were to reinterpret it from the second half of

As explained earlier, triangles in the form of planar shapes will set the die first.

To be able to distinguish more clearly the ratios inside this, the top is placed short and the bottom is placed long.

It's helpful for the chart, right?

After that, we use curves and lines that

Again, stretching the lines and drawing the initial frame.

Connects points and dots when drawing a straight line.

Imagine drawing curves as if you were crossing any mountain between points and dots, and quickly sketching like it's day one.

Okay?

Here, first check the lines that can be drawn with long lines overall before going in.

If you draw too accurately, the post-cyan itself is a little stiff, so it often comes out.

Practice well and follow the symbols drawn by the guide next to you with ease

This part is for drawing curves, so please take it down with a long sketch that

Make this part straight and the other side emphasize the curve and go down better.

In the case of a tiny zigzag like this soup, don't focus too much on

It's better to look at it later at this stage.

So, if I sketch for the first time, as I'm doing now, in a way, the difference between a curve and a line appears that

Later on overall use this degree line as the shortest, but just use a line shorter than that to fix the sketch.

Then, we use the part marked in green to become the priority.

So, if we mark it with pink, we'd better just leave it at this stage instead of cutting it too tight.

Focusing the details on the parts that need to be nuanced, while sufficiently distinguishing the complex parts from the simple ones

Better dot.

When the line gets shorter, the difference between the curve and the line will be more blurred.

When drawing the frame for the first time, it is better to leave the difference between curves and straight lines clear, but when you hear the product structure

The effect of curved straight lines is less than expected.

The effect can be fully seen even if the drawing is comfortable.

Getting into the details.

In such a case, do not overemphasize the bend if the contour is possible.

Give it to me smoothly so that when you look at it from a distance, you can tie it into one big line.

Adjusting the side image.

Most of the details are emphasized above and to the left.

I'll split my hand a bit in this section as well and use it a bit.

It's okay for this line to just fall in if you simply enter, but if you go in a little bit of detail, you can see it here.

Small twists and turns are usually better marked with short lines all over.

If you look at it from a distance, please separate it clearly

Better.

So, we can represent the shape with lines that

If most of it is depicted, then after that the crease and the inner boundary

Or something like a direction line, drawing it with a line first will help in later stages.

I'll check it later, but having something to color over.

It's drawn flat, so there will be parts that are volumetrically difficult.

This part will be checked later.

It is completely modifiable, so when you start drawing the frame, it is better to draw a little more on the lines.

After that, if you want to describe it further, then partially retouch it and draw the sketch cleanly

It's good if you're done.

Similarly, if you split the line into a curve and a straight line

Instead of dividing the torso and the pelvis like a shape

As you can see in the picture, if there is something that can be tied into a big line, it is better to use a line like that.

Now as it is, the human body doesn't have a complex structure, so it might be possible to draw a line from the shoulder to the end of the foot.

If you're using an overall curve, use a straight line, and if there's a straight line

Naturally think that the next line will use a curve, please distinguish it.

Here it ends with a curve, so please use a straight line for the outer corner.

Details of the zigzag, I'll check again later when I share the simple and curved joins.

The outer perimeter ends in a straight line.

The inside is simple and can be divided into curves.

The line ends in a straight line, please divide into curves.

Do I need to explain to the subjective side where curves dominate and then use straight lines, etc.?

In this state, the

the complexity of what I want to express, I'll focus on the following.

The simple subtracted parts will not be confusing, the

Put a marker on it and go over.

So, when you start sketching at first, the

it's a little bit of a square shape in the plane.

If you want this upper body to be drawn a little longer, it's best to emphasize it a little more in the scale stage.

So, when drawing the whole

It is thought that it would be better if we do it in the order of 1000 points.

Look slowly, this line will emphasize the whole curve that

The outer line is straight down, the

We decided to turn the inside into a curve, the

There's a surface drawn there, too.

A relative straight line should be drawn on the outside.

In the complex part, use a slightly smaller line. Think about it

than the curvilinear difference

I need to dominate the density and separate it.

If I get a little more careful later on.

These internal folds of clothing, or small zigzags in the directional lines, can make a difference in life out, which will help later.

A little bit of polishing that

Finish the sketch and you're done.

If needed later, the anatomical structure or the representation of the clothing pattern can also be a little more detailed into it.

So, the process here is to write the lines subjectively, so it's best to repeat the exercise adequately.

In a way, when you're drawing randomly

If the difference between the curve and the line is large enough, it is recommended to give the difference in detail in the next step.

Finally, it is good to identify some more parts to emphasize according to personal preference.

If you emphasize certain parts of the body, the

It is recommended to look for detailed information in the section on objective causes such as anatomical structures and greed.

Personally, I try to give each character nuances on hands and ankles, like being a human body or diploma.

I remember there, in order to describe it in the bathroom, I looked up the parts of the joints or ligaments that change according to the body type.

So, on the forum, from the objective to the subjective

It is better to design in order with small and simple areas as complex parts.

If the later forum process is over, we can look at it from a distance and see if there is any additional structure in this design.

During the coloring process, I'll check to see if it's describable, and then I'll recommend that you go to the next step.

Then the sequence learned before

With reference, let's practice the way some representative visits to the post-quote forum.

In addition to the examples, in order to allow people to try out different character designs, why do they race which parts of each design?

Let's take that part as the center of the description.

First of all, the easiest way to reduce the differences in the basic human body is the differences between males and females.

Usually, the proportions drawn in the basic human body remain constant, in this state, how the differences between men and women mass series

We need to see.

Usually, the part with the biggest difference is

In the previous joint, we described the neck-shoulder part of the

And the pelvis and the legs.

So, there is a difference between these two parts when dropping from the opponent part to the leg.

In addition, when all these parts are expressed, there are usually many differences in the hands or the legs.

In general, when drawing males, it is best to consider drawing the length of the thin bones slightly wider.

When adding muscles, this clavicle is drawn in a nearly straight form when the shoulders are drawn slightly wider.

So, if women draw this part a little bit narrower, the shoulders will behave differently.

Males are best drawn a little further apart. If you want to make this part a little bit more different, the

When we consider the proportions

to reduce the scale of the head.

Women can grow a little more and change the ratio of their collarbones to their shoulders.

The landmark of the pelvis, in the male, this pelvis is narrow and long, while the opponent

Because the femoral neck is drawn very short, it's better to draw this part slightly thinner.

Therefore, this line that falls from the leg itself does not bend as a whole, but has a straight descending shape.

For women, on the contrary, the pelvic body is wide and the combatant

Slightly further away, so that the silhouette is gathered in shape from the outside to the inside when viewed as a whole

A little bit more emphasis.

For men

The most curved part of the pelvis can be seen on the upper body and most recently on the upper body.

Because the landmarks of the muscles are clear, the

curves usually bend, so when dividing long lines, the separated parts will be located around the waist.

For women

The line from the ribs through the pelvis is drawn long and

The tightness of this line is a little higher than the waist, and on the lower side of the rib cage is the ratio of the upper and lower body.

Distributed in a certain way.

Also, the parts that are very much on your mind when you're pumping the ball are the pelvis, and the shoulders too, I think.

For men, there's a phrase in the more English language used when expressing the shoulders, please stretch that part a little bit wider, the

Women on the contrary draw a little bit narrower, the

Overall, we can change the proportions a bit.

When proceeding in this state, the overall profile will be close to an inverted triangle, the opposite for women, with narrow upper sides

The lower bamboo is emphasized very wide, so it is usually drawn in the form of a triangle.

The difference between a straight line and a curve when drawing a graph

Men tend to have more prominent bones, and muscles emphasize larger muscles.

The difference between a curve and a straight line is obvious.

In the case of women, the part represented by the curve often appears because of the difference between long and short lines that

Even if the overall zigzag is not clear, it is better to distinguish that the difference appears on the long line.

From here into the arm, the male can space the torso and arm a little further apart.

The female's shoulder joint itself is drawn very close

Drawn closer to the torso compared to the male.

And the male's legs are just straight like this.

So, the pelvic knee and the ankle drop at almost the same rate that

For women, there is a lot of emphasis on the pelvis, and the thickness difference becomes more pronounced the further you get below the pelvic knee.

In contrast, men in the upper shoulder

The line of the elbow dropping tends to be drawn thinner and thinner, while the opposite is true for women, as it is for men when they commemorate the leg

The thickness of the elbow and wrist of the shoulder often decreases.

Same as we learned before, when the neck appears to be in shape

The male ignores the cervical spine and the neck descends in a cylindrical shape, and the steward is also more precisely

Drawing a gentle curve shows the difference in muscle mass, while women approach the cervical spine line on the contrary

Or let the curve drop steeply.

In the synthetic bulk of muscles, represented in the face, the

Rather than just emphasizing the end of this mass and painting a picture, the mass band is new

Then the muscles that are typically used when doing large pectoral exercises are 3.

And the deltoid, instead of just emphasizing the big chest money, the

when giving morphological differences, it is better to emphasize also the same muscles that are associated with the mass group.

So, when you say that the muscles emphasize the masseter group, you just draw that part a little bit bigger that

Often drawn a little bit unnaturally and raised together with the shoulder side

It's good to trim the lines on page 3 into a little bit of a curve to make the shapes a little bit more relevant.

Now look at the angle, this part is these two pounds, there's no need to draw like this.

The woman is likewise not muscular, but when the breasts are painted on

Instead of emphasizing the breasts in this way, it's better to draw them with this curve that

It is recommended to draw the surrounding associated parts so that they can connect the shapes in some way.

So the chest is big, but the arms are done.

Or the breasts were big, but the neck or the waist became too thin and

There are many cases of somewhat distorted form, so that part is best examined while turning.

If you emphasize this thorax, don't emphasize this lower curvature that

Take the part that you want to emphasize and complexly divide the lower curvature of the line of sight and show it a little bit simpler

Very good.

with which to share these.

Just keep it simple

It's better to add it later when you share the detailed structure.

When initially splitting into long lines, I don't really recommend that you split these outer radial muscles first.

The overall thinning of the lines in men towards the wrist compared to the shoulders

Let them see.

The female in turn, the hemisphere is emphasized a lot, the

from the knee of the thigh to the calf of the knee, and the sagging line, going in from the latter half of the

It's better to emphasize it a little bit more.

Instead, like the arm.

Unlike the legs, which are drawn thinner and thinner, the hands have become smaller and too back dead.

It may become strange, so please set the shape so that the length of the shoulders and elbows wrists must remain the same.

00:36:41,870 Please sort out the unwanted lines that

Just as we did when we studied Golborne.

For the male, because the pelvis is upright, the line that falls to the departing bone will be very close to the straight line that

For women, it is best to distinguish the angular difference between this part into the half sufficiently.

Therefore, the position of the belly button is also preferable to allow the male to go up a little more.

In the case of the male it is best to grasp upwards, in the case of the female the pelvis is slightly backwards.

The abdominal muscles are increased and the navel is just a little bit lower than the same position.

Also, the hands

There is a bone that can reduce the difference between men and women, as stated in the previous course content

The side of the thumb with the grasp bone is the main one, and the posterior half of the month is better going in.

And, if you feel that the fingertips are drawn a little bit square.

the bones will stand out more.

Women do the opposite, rounded and soft thumb line fingertips than creases that

Naturally

Is it possible to pluck?

In this state, when the tuba tone is distinguished

Details, foreign bacteria or other muscles

Or knees and other children that we don't have priority in the back forum can be trimmed out and given form.

If we emphasize a little bit more the back ball, the part that we emphasize is

A little bit longer, the omitted part, slightly changing the shape slightly

Able to enlarge the shape.

For example, changing the scale between the head and the collarbone

change to a gentler curve, or more dramatically use the morphological force deformation that has been applied in the deep ball room.

Just think about it.

But there's one important thing.

I did some post-forum that was accounting, rather than emphasizing certain parts of

Like I said earlier, if you emphasize the large pectoral muscles, those other muscles that are associated with it or nearby structures.

Often spread to most of the shoulder or pelvic center, don't neglect those parts, just develop the response, the triceps

and shoulders can be emphasized a little bit.

The same as emphasized here, here also gleefully enter the diploma this way now do not enter

Separating first the part to be emphasized and the part to be omitted, the

After that more descriptions need to be added as tools on the muscle expressions, as I said during the recovery.

More emphasis on the wrist thinning than the shoulder could be utilized as well.

These subjective differences accumulate to make my preference a little bit more that

If the character settings are exposed, the drawing may appear more original.

Note that if the alien zephyr is too distorted

I often feel a little strange when I see me, instead of just taking one painting and dashing it around, I'd like to draw a lot of

Better check it out.

Need to emphasize bear teeth.

Make a team that also draws the hand completely in square straight lines mainly.

but rather until the pad on the inside of the thumb.

It looks too lopsided.

And then the right side of the palm bends a little bit and goes in.

Better grab the root form and then mark that enemy in detail.

If a lot of characters appear while you're drawing.

Don't just grab the character, it's best to separate in the other characters that appear together, too.

So, if you let the ratio of the collarbone to the head get worse and worse

this part gradually decreases in the car, the

from the pelvic drape to the line of the legs.

Not the line that is based on the waist, but the line that descends from the top to the bottom

You can emphasize its shape so that it's a little bit more precise.

It looks too big.

And the lines that hang down from the body to the shoulders

There is a big difference between men and women, please make this part steeper

Again, when emphasizing the chest, it's a little weird when this part is just bigger and the arms are thinner.

to change this part.

The line on the outside of the shoulders and arms also has a certain curvature

The difference in straight lines is uniform.

In the U.S., the joint size of the elbow, Remy Jr. is about the same

It is necessary to apply the posterior semilunar to the lateral side to accentuate the curve of the line

So, like men, here more vertically down

Women are also horizontal in the air, and if this side is curved, use straight lines inside, etc.

There will be differences in recruitment.

After that when entering further

Using anatomical structures, the

The part that I want to emphasize is the depiction of the upper half of the upper body side, sharing out the details with smaller hands that

is part of this transition.

Now, on the contrary, the fondue play

It is better to differ in the amount of description.

So, even for those who prefer a specific gender or body type

Instead of just drawing that, I would draw the opposite body type, in the body type that I'm going to draw

What are the parts that really need to be different, study those parts, find the differences that

Individuals learn what seems like a lot when it comes to the various behind-the-scenes applications.

like me too, regardless of gender.

Try to draw various body types of genders, but there are a lot of places to discover every time you draw.

in millions

Regardless of the anatomical design of the hearing

There seems to be more and more places to connect.

So now there are only these two

It looks like, although there are some differences, if it looks more extreme, then when the various characters appear

the differences would be more pronounced.

If my hind limb conspiracy is over, my sketch is on steroids

It would be nice to show if the description is possible enough.

Personally, when I draw on some work like this

men will try to draw using a slightly worse structure of the upper body.

For women, on the contrary, they have subtle tonal differences that

Anatomical structure

A fine-grained description of the things that

When two characters appear, the

The highlight of the visual focus can also make a difference.

There are also many cases of representative drawing of large human bodies, and large things are also the time when size is divided

There's a huge anatomy of muscles that are flabby and

And like fat, there are many cases where curves are dominant and only landmarks are utilized to draw.

So, if the two are distinguished, the

Muscle is primarily muscle and fat.

The labeling landmarks are the same.

roughly one and a half body sizes.

and the position of the pelvic bones

and the knee

ankle

Then it will appear in the body

This is based on the amount of muscle that

Because it does not change, the fat type is maintained when drawing the human body.

Conversely, when you use your hand, the difference between a curve and a straight line

The more the distinction is made, the worse the muscle or the fat.

As an example, let me start by drawing a muscular human body.

For example

The part corresponding to the straight line, divided by the straight line

Sections presented as curves, divided by curves

The shoulders are rounded and the life is rounded, with these two straight lines, this is much clearer, this shows the muscles more.

The same with the large groups, the clavicles are straight lines, the large pectoral muscles are curved

the landmarks are straight curved ribs, the

From here the portion into the external radial muscle becomes curved again, the

descending in a straight line.

Or, the more pronounced the difference in the curves, the more prominent the muscular boundaries are, and when you make it fatty, the two

differences become subtle and

being wrapped in a thin epidermis.

Zigzagging and flowing.

Shoulders and cold head flow almost as well as these two positions.

Thoracic

In addition to the rib cage, the radial muscles also

The difference between the straight lines of the countries will gradually decrease.

Let me take this as a whole.

This will look a little more precise in the periphery where the sense of structure is particularly high.

When you get into the muscle, the deltoid and the muscle muscle

It's best to draw a little bit more of a difference between curves and straight lines.

When going into more detail, the

On the south side, the muscles make up most of it, but the lower part is bone.

When divided into two halves

The more prominent curve to the south, the

The lower part can plot the difference between the curve and the line so that the difference can be seen more clearly in the line.

The opposite is true for the fat body type of the light.

Just as it is now drawn above.

Its interior, top and bottom are similar to the overall line, forming a smoothly shaped form.

Especially the muscles

In the case where the same things are emphasized, these are clearer, on the contrary, like the hands

If most of the fat or muscle is not exposed and the bone is predominant, the difference between muscle and fat will be somewhat similar.

So, even though the differences in curvature are significant and do not follow the body type and draw about the same

it's no big deal.

Again, the part of the lower body where the bones are exposed is the knee.

The front part of the calf is mostly straight and forms a more accurate curve of the muscle.

So separate the curves so that they don't slow down, but are cut.

When you see the larger one on the immunity, when you say split inside and outside

You can distinguish the shape a little bit if the outside is drawn close to a straight line, right?

The part of the calf that has muscle, the curve is well defined, and the part inside has straight lines

Makes the curve straighter and more precise.

Instead, when you get into the fat, your knees and knees

The difference between the curves of bone and muscle curves is about the same, the

Let's go with the overall shape of the flattened form.

So, if we split the shape into a line, the

After that the representation of the muscle, which is the boundary muscle theory between the muscle and the muscle

Later on into the 7th century, the muscle

Each of these parts could be depicted as dark borders falling

Conversely, as these sections are crossed, the fat slowly appears to curl in a relative

The deltoid and triceps major middle groups and the portion of the superior band that is crossed will form a soft gradient.

Especially the part of the muscle that we are concerned about changing should be this abdominal part.

The abdomen.

There is a clear appearance of a distinct race in Greece, and conversely, when drawn as a fat type, even with the same abdominal muscles

Because the epidermis is covered very thickly, if you draw this part with a weaker contrast, the

it should be fine.

So, generally speaking, men are more muscular and

When men and women are differentiated in this way by the amount of body fat, there is also a slight modification difference indicating a gradient difference that

describing it in a different way.

Simply put.

The structural expression is smoky if it's like muscle, and the morphological expression would be more daily if it's like fat.

The knee joint.

Per muscular system

The structure would be more precise if clearly visible.

Although the boundary lines are more visible, even with the same muscles, the

into the fat, the development of these parts

Softly continued, the contrast appears weaker better.

Especially in the lower half of the body.

More intuitive performance in women compared to men

Later because it would be good to refer to the words later.

Able to smoothly cross the fine bones and other parts

May make a difference to the expression.

Draw the large body type, and look at the differences in the thin body type as well.

There is no significant difference in the lean body type part, generally just a slightly slimmer body type or a body type that looks a little painful this difference

Slightly such a case than the 具具旭, is the emphasis on the joints, that is, the stars, or the emphasis on English makes a difference.

Let's see.

If I wanted to paint Marche with a little bit of a healthy feeling.

stealing and then lightly pressing against the human body.

being able to capture the human body.

Painted slightly cooking experience when there are bones, so it's the part of the submerged bone bath, right?

The clavicle curve is the elbow.

This line between the joint and the

Usually, if you post it from a thin body type, no big deal, but if you want it to look a little bit sore

Using that part as a starting point, put the line inside the coming point

You can give the joint a more prominent drawing.

The rib cage, for example.

In the ordinary human body, lines that express adequately to the degree of folding, but pain

This part of the crease is more clearly defined, the

The shape of the line forming between the pelvis and the rib cage.

a little bit more painful than the basic human body looks.

In this case, although it's a robotic drawing, it will make a difference how clearly this structure is handled later when doing the least.

I personally like drawing this body type of human body the most.

Until you grab the body, you don't think about the basic inches that

After that the differences are reduced by emphasizing the bones or muscles according to the concept of the character.

When drawing the lean body, relative to the knees or ankles

If a little more line is added to emphasize the joint a little more, the

there should be this part.

to emphasize the feeling of illness.

can effectively distinguish recruitment differences inside the thin body type.

The bones of this part stand out and draw up well, which is a bit different gender

There is a difference that

Slowly, we move more boldly into the volume.

As I said, the

It's not related to body type, the joints are the prominent part.

There is no big problem to draw as it is.

So when you get into the later descriptions, in this common body type

description with landmarks or exact morphological shading that is critical to the muscle boundaries as the main focus.

When drawing slightly leaner body shapes, the gradients are more clearly separated relative to this part of the

Or, to draw the shape of the bones more precisely, draw the shading of each joint precisely.

You can highlight the bones a bit.

This is also a place where it will be slightly different depending on personal preference.

If you think this is a good body type, please draw it to look leaner as needed.

A little more rounded, the

Very soft, very natural body mapping.

That is, the human body is basically

Compared with the muscular human body, the painting is careful, so this kind of hand or face part appears many description differences.

So, if you like this human body type, the joints that I talked about last time

These expressions that draw the lines between the fingers and the fingers a little bit thinner, the

It's best to focus the description to make it look a little more intuitive.

as well as the one we usually suffer from

Even like the small body types, the differences between men and women are not so great that the same degree of growth that

Although the differences between men and women are not intuitive, this part should be interpreted more subjectively and give better differences.

My personal opinion is that

When drawing a boy-like series, set the emphasized part like a convention.

The most commonly used parts like muscles or the first used parts like joints should be emphasized first.

For example, in places where large joints like ankles and necks pass through, men and women like differences that

For example, if a boy's neck looks more intuitive and cylindrical, the

Different one-piece differences

Not much difference between boys and girls, but a little bit thicker to draw this wrist and ankle

Like to show that the bones themselves are a little different.

So instead of barely saving the torso from a bumpy

show the difference in the details even if there is not much difference in the body.

and the hands.

Now, if you're an adult.

thin fingers and the difference in the width of the back of the hand increases, like a child, this thickness must exceed a certain level.

The fingers themselves are drawn a little bit thicker, in that case, like a boy, showing the fingertips and things like that in a little bit of a square

the girl does the opposite of that.

Close-ups to make the differences look a little more precise.

When this part goes into the back cheek, my ankle gets a little thicker and

There is a difference in the basic skeleton that

There are also differences in the pelvis and such, the

If the difference is too big, the age may be different than we expect, so it's best to put some thought into drawing it.

Like in the case of teenage girls, if you feel that the part of the neck or wrist and ankle part of the marker is now thinning is good, give a tip, this chest pain and so on

Because the bone consists of several pieces, so this part to a little lock as a benchmark, start slightly smaller.

Thinking about it, Ryan will grow in the lower half of the

Naturally the lines can be removed.

Slightly thinner neck.

The whole shoulder

It doesn't sag too much, but it looks particularly thin on the wrist, the

Similarly, there is little difference in size between the back of the hand and the fingers, but it shows subtle differences in the fingertips that

more distinguishable from the back of the forme.

And don't emphasize the pelvis or anything like that

Even if it widens slightly, because the chest pain itself is shorter in width, the

The length itself decreases slowly with a large difference in age.

Your ankles are thinning out.

Removing the lines and adding the extra bend to indicate that

Overall body shape difference.

Also, please draw the pelvis as slightly upright, with the pelvis slightly backward in line, etc.

The pelvis is slightly shorter and very wide

And this part can be drawn a little bit higher, a little bit longer, to show the difference, I guess. Because the neck becomes longer

With a slightly shorter grip

So, in the case of young people like recruiting, it's often portrayed as an exam with a lot of behind-the-scenes problem solving called a super diploma.

So, like boys, they were invented, often with their thighs on the back of the almost uniformly falling super

Likewise, the wrists are often drawn consistently on the shoulders, so this joint part

makes this part uniform. Conversely, the

In those children, when drawing the girl.

Ankle part

The thinner the drawing on the wrist, the

The back is cloudy, giving where to make a difference.

How to emphasize it is enough to depict the different characters.

Also, there is a lot of confusion on the super forum that

drawing on these specific small body types, differences in details age, like beards, or like wrinkles

Many times the age difference is given by expression, but only when we go from Diffon Yin disability into a small child, we appear in the joints.

Just like I practiced before.

Depending on which part you emphasize, the

I'm thinking that there is a difference, and memorizing the specific direction of the super deep water is not a good way to draw it up.

So when drawing various body types, simply have big hair and a short torso.

Rather than just following the same Fancy feel, the

with large shapes of squares to place, the

This part of the lower body shortens the body shape to the extreme that

Then I drew the thick ankles that

and from there to the wrist it gets shorter and

The line from the neck to the shoulder drops in a circle.

Some of the muscular body type features we learned earlier are the first definitive model

Just like when drawing a child

The head first changes the larger proportions of the torso, treating the torso and lower body as a different 7 ratio than the sides.

3.

It's 5 to 5.

And

The wrist part is drawn a little bit thinner in the country that

This part of the hand is very large and

Partly short handed.

It is better to gradually refine the details in this way so that differences can be distinguished.

A large box to differentiate roles at first is a must.

After that, we start the retouching of the actors' facial impressions and proportions

Various approaches to the character can be tried.

So, again, I stress that

drawing only in the direction of the particular instinct that you like.

Instead, it is in the way of saving its physical characteristics, the

Try practicing extremely different body types, or transferring it to body color that

find any differences that

Exercise to clearly distinguish

This is exactly what we

Go ahead and design the first character.

Wear the same clothes when you draw costumes and stuff like that, later.

because if the big mold is different, the other characters of the apple will be designed that

We have to go through this practice phase.

In general, you love or much observation that

Or when you follow a familiar direction for character design, it's easy to draw, and when you draw in an unfamiliar direction

It is often a bit difficult or a bit awkward compared to before.

At this point, don't think it's important that it's drawn beautifully, handsomely, or gorgeously, like drawing these

Maybe there are places that need to be painted in a different order?

It would be a sufficiently helpful exercise to feel the difference in this variation, I think, if you try to listen to it.

So, I decided that

In the drawn character design, let's take a look at an example of the default extreme occurrence of this body type, the

Now, the character is a little bit thin, very young, and has a lot of caricature, so overall, the head and shoulders and pelvic joints

And the size of the feet and hands that we need to pay attention to when we draw small body types.

The details inside, now with added proportions, position, size, etc. of the eyes, nose and mouth.

Now when drawing the large body type, the overall proportion is super representative of the difference between the stomach, collarbone and head

There is a big difference between the lines from the head to the shoulders and the curves of these curves.

Compared to the upper body in this case, the proportions of the lower body are quite long, entering the posterior half of the lunar sea...

On the contrary, here the upper and lower halves of the body are almost similar in their immodesty, or instead the lower half is drawn shorter, etc., giving them a difference.

So both of these characters approach in advance completely different indicators that

In order to be able to distinguish between the two roles for the purpose of the second half of the month can be effectively entered.

In terms of detail, there is such a fingertip that has so all over the end of the place.

This part later we hand becomes shorter, or sketch later stage to give a little worse better.

When these roles appear simultaneously on the area

If the distinction were clearer, the charisma of each character could be shown more effectively.

So the overall human body Diforman when doing character design

is the first part that goes into the face and those details, and so I personally take it very seriously that

In the future, when you do xian work, this part will also be incorporated into the design field, so when people are doing character design

Start with the body type and trim it slowly

It is better to make the design more specific while adding later complexes so that the order is better.

Overall, if the post-Forza of the human body has been completed, i.e., the impression difference of the partially expressed character.

The part that can reveal the characterization

The wrist, or what I call

Like the hip joint, there's really a lot of them, but one of them is centered on the character depiction of the two faces coming together.

When giving the impression of dressing on the face like this, be sure to adjust the overall outline and form on the back frame and then turn it over better.

For example, the torso is the same, but as soon as the face changes, you will struggle with various character designs for the costume or something a little different.

On the contrary, this is rather more difficult in the post-design fix itself

If you want to design with a little more ease, the

It's best to start with the body type and then show the differences in details such as the face afterwards.

Instead, these are

These detailed parts can be very subjective and cause performance differences, and from here on, what we often call styles or painting bodies are retouched.

Even though the abstract expressions are diverse, please note that the figure design may be less diverse if I am similar to the big beef.

It's best to consider priorities when it comes to differences between these two bones before proceeding.

important content.

It is recommended to start with large and simple positions and gradually refine them into small and complex planar parts when generating role differences.

In brief

There are skeletal or muscular representations of the shoulder proportions of the head, with complex and flat parts such as eyes, pupils or eyebrows.

Usually, the flat parts of the characterization

You might think, in fact, that it would work much better to give the difference first and then go in in the previous big piece.

Therefore, there should be enough practice to draw the head-like morphological structure at different angles before drawing the beautiful and unique eyes.

While paying attention to this part, we will go through the exercises together to understand the posterior green.

In the next half, I'll show you an example

As explained at the beginning, it contains a lot of my subjective interpretations and preferences, so please refer to it while watching.

In both cases, the first thing that the first posterior cheek can represent when it starts working is the head and clavicle as the form crosses over from the human form

The ratio of the head and shoulders can be represented first the difference.

Clavicle usually has 5 times longer head

There are certain proportions from which to change in the later forums in order to show characterization.

For example

The whole body is a little bit bigger that

Hair got smaller

When we design the body type, this ratio can be increased by 1.5 times that

or as a whole, with proportional head, torso, legs, arms

Because the difference between torso and head is small, the length of clavicle and head is rather shorter than 1.5.

Also, if the muscle enters here when the muscle is also more knotted in the medicine a little bit, it is cylindrical.

And the shape of the monk's hair muscle that is thick can be drawn accurately in three dimensions, but slightly thinner.

The light water expression wrapped around the cotton neck is dominant, so there is relatively less of this sense of volume.

Let's take a look at these differences.

Even if you draw a face at the same angle, now that your hair is smaller

Instead, the shoulders occupy an immoderate amount of hair that's gotten bigger.

If you have extra muscles.

The shape of the neck itself will go down to a cylinder about as wide as the head.

Because the shoulders of the collarbone also become wider so it's drawn a little further in from the back of the forum

2 The form itself will be much larger than the head.

As the muscle increases, the age-declining curve flattens out, the

The part of the race that corresponds to muscle and

So, in the monk's hair muscle and in the thorax, between the flexor groups

This part of the notch will be more pronounced in the case of the

Trim it down a little bit.

The outline appears roughly like this, and it's important to draw this in three dimensions.

For example

When drawing the grid, the

just like a volcano.

The shape enters as an angle, in this case when we see at a low angle

it looks like the outline stays almost the same.

It's like taking the corner off the bottom.

After that, except for the shoulder.

would add some sequences close to the chest and back eyes

On the flip side, the

If your neck gets thinner and your shoulders get narrower

the thickness of the board in the middle of this thins out, too

The shape will be depicted as a thin column, not a shoulder.

Instead of drawing it flat like this, just the back slightly flattened and turned over

Just trim the shape.

So there's almost no way to produce dimensionality in wood combat that

If the ratio between the shoulders and the head is dominated by the head, generally in the expression

The five senses are dominant in the thick neck paired so that the five senses are expressed when it is difficult to enter the details, the front hair or

slightly emphasize the silhouette and rear ear end outside the five senses such as the ears.

Likewise, if you draw with angles

you can see into the clay from the silhouette because the wood body has thinned out.

Because the eye shade is thinner than the torso, it must be drawn shorter.

Instead, the silhouette of the hair or ears is abbreviated.

It would be better to save it again with the back.

From the side, when the muscle mass increases, the

The thickness of the wood body flattens out with the torso, the

drawn as a spherical nearside, the

If the head to shoulder ratio is dominated by the head, the

The neck in this is more concise, the

It is better to consider only a few connected parts and to abbreviate the shape.

As a result, the description of the inter-structure also becomes very fragile.

In this case, the sense of structure is instead emphasized.

By coloring, we need to see how the structure changes.

Because the color removal method is better than the coloring method to illustrate the unexplained sense of structure in the drawing.

It would be better to refer to it and graft it onto the drawing.

The raft itself must be simple and short, the

Like a thick neck, when the shadows enter

It's fully blended inside, this turns round. to explain these.

The shading on this border changes with the shape of the muscle.

Conversely, if this is simplified, the

Because each shape has a different shading and no tree shape, usually

Recently masked by the same thing, so many shapes are omitted.

And the structural tomb in this glossy surface that

We often focus our attention on the form of the body, making any structure invisible

When your neck is proportional to your head, the

Save these boundaries and it is also necessary to raise Li Myochin very high if needed.

Thus, the more circular the boundary surface is, the clearer the shape of

Like this, in the case of a slowly descending

Basically only the peripheral selection map of each shape is left, and most of the structure is omitted.

Even if the clavicle is saved, the

Positioning the ball control just right in this format, the

In this case, the front structure of the clavicle magnet works best, so please emphasize only that part and omit the rest as well.

So, our knowledge of anatomy

need a lot of this type.

On the contrary, because the latter half is put a lot, this shape will not be emphasized if it comes to the process here.

Generally speaking, the volume of drawing the hair and other things is very weak. Even if the style is from the same year, in this case

The top of the torso has to be described much less, so drawing the same hairstyle adds a little bit of fullness, using the shadows that are not shown here

It's common to express 100 degrees more.

Now I'm going to go ahead and put the head on the shoulder and get the crease behind the

Because the neck and the nape are not there, so when this is scaled enough

After that, the skeleton can be made to differ first according to the impression of the respective body size.

For example, the human skull is usually seen from the side when

where it enters the eye and into the eye, the above is emphasized.

The nasal bone coming out of the eye.

teeth clenching, the

chin protruding, again.

There is an angle when this leads to the noble.

to save the bones.

in and out of the difference, so the eye goes in and

There's bones that

and the difference between this chin.

It is best to distinguish the difference where it is marked in red.

For example, when we emphasize bones, the

the same skull.

At this point, the representation of entry and exit would be a bit more positive if the bones were emphasized.

forehead back, upper brow forward, eyes back.

Very quickly, most of the nostrils are more accurate, the

From the tip of the nose down to the lower jaw

This line expresses it a bit more accurately.

The protrusion of the chin.

You can touch the protrusions of the ears so that the angle is more intuitive, and conversely, if you change them slowly

the degree of going in is roughly the same as the degree of coming out, the

Plotting out a line that

will reduce a lot of bending differences.

And this ear line becomes curved instead of right-angled, too

The line can be fixed so that it transitions naturally.

In particular, we need to note that the

Now, if the sides are shown in red, then the angle of the view when viewed from above or below depends on the

is the part where the look varies a lot.

To explain briefly, if you have eyes, the

When you look at the face from the side, the

It's easy to divide where we go in, the top and bottom of

As it eases in, the

First, the degree of entry from the periphery appears to be weaker.

When I express this on the low angle and the lower muscle

the degree of looking downward will vary greatly.

So, if we plot the direction of the line of sight

is seen here.

But if it goes in that much, the

If less goes in, the

The difference between shortening and expansion when reducing

Relatively little, but going in more, the meetable shortening and expansion changes a lot.

So, with the emphasis on the skeleton, we need to save more than just the longevity of the part that

into this area.

This way.

The face from the direction of my sight is really far away

The other side is significantly shorter and

This distance difference should show this area difference more accurately.

If this becomes flat, instead the difference between incoming and outgoing decreases as the angle changes.

where the contour map

Reducing the bend that

With eyes in the same position

The distance between the eyes and the eyebrows is definitely reduced.

Same with the nose

If this is slow, the

When bones are highlighted, they are visible differently when seen at low or high angles.

Inferior Lateral Nasal Section

Upper Nose

The length has to be changed drastically, if a flat nose is drawn

From the front, the deflection is similar to the side, in a positive ratio.

The particularly prominent part is located at the tip of the nose.

When the tip of the nose is seen at the corner of the lo

Only a level close to the working straight line of the eye can indicate a greater sense of structure in the country

If this height difference is small, you can assume that the structure is omitted a lot, right?

Then, if this jaw part has such a little bit of bone, please draw the front of the jaw a little bit wider.

Where there is less bone, draw the weak foot on the undershirt, entering through the eye here

And then when you pick up from this cheekbone, here it comes down almost like a cliff in a straight line, but so narrow that

into it.

Depending on the fat, it also drops in a circular pattern.

Between and noble

If the line also becomes rounded, then it's okay to pull it out again gently.

Like this, we put the direction backwards, upwards, and completely separate

Emphasizing this shape, it definitely flips backwards and then rises at right angles.

Give give good.

So, when the bones are slightly highlighted, the

try to emphasize the structural parts, including the silhouette, the

It is better to divide all parts of the front side that can be folded by the skeleton into more precise angles, the

Among them, I think the chin part is important.

Caused by the sense of structure

The difference is particularly pronounced, with the spacing between the eyes and eyebrows clearly backwards, the

You can emphasize that it's backward.

Conversely, if drawn as a dead circle, the

smoothly into this curved body, reducing the difference between the forward

Because the back center has a sharp chin, the lines that fall to this side will be seen more clearly backwards inward.

The chin has softened as well

different angles, different

because of relative weakening.

Even if the spacing between the eye and the eyebrow is high angle, you can move away from it.

So, if you put the focus point at this angle, the

say it's existing here, I was very concerned on the big bones when I drew this part.

A lot of times when it's drawn very gently here, very softly

divided narrowly and steeply makes a big difference in this regard.

And here, when we emphasize the skeleton, in terms of body type as well, the

When bones and skeletons enter the lateral curve like this, each joint or bone is highlighted.

with the opposite curve of the flesh, and conversely, if the side curve is used to draw

can emphasize these points more, right?

Therefore, when drawing subbones, the bones are usually highlighted.

This tea area should be properly distinguished, the

The front of the chin is square and could live a little more.

When the skeleton enters slowly in the opposite direction

The government usually says that because there is little way to emphasize the existing self

Do eyes tend to emphasize more the curves that they have in themselves to draw them?

Same thing with the chin.

Like this, when you finish writing the inverse curve and then pointedly gather in front of

draws a circular curve.

Also, if you make a difference to the skeleton, you'll notice that

When I look at the proportions of this face, if I have a particular part that I care about

Between the eyes and the eyebrows have just been seen.

Also studied the structure of this nose.

Here there is a distance between the eyes and the ears, which deserves further exploration.

And the length from the nose to the chin.

What is the difference between these two parts, if the face itself is a large part of the injury

is an increasingly close ratio between the ear and the eye.

Compared to the head phase, if the proportion occupied by the face is flat or reduced, the

can be drawn away from the shape between the eyes and the ears.

Usually found mostly on juvenile body shapes, usually found mostly on adult body shapes with prominent bones.

So as I explained earlier, in the drawing phase where the sense of structure is weak, the

The ear and the eye are very close to each other

So, if your nose is a little bit farther away, the

compared to the two pairs, the face occupies an expanded weight and shows a better impression of youngness.

The eyes in this case are a little farther apart from each other than the line of sight playing alone like this

It is better to depict the line of sight correctly as if it were gathered forward like this.

So it is important to highlight how wide the interval is in this part.

Conversely, when you draw as an adult body type

emphasizing this skeleton.

with them when

Forehead receding from eyebrows.

Because there is a change, the bottom looks more

Both emphasizing the joint and using the inverted curve, soon seen from below again, so the nose is short and the lower side

so that the spacing between the eyes and ears is away from the eyes and ears.

as if the eyes were very close to the eyes.

In this case, the weight of the corresponding part of the side of the face will become larger.

So, if it slightly resembles a child, it's fine to cover the side hair or something like that with a simple clump and draw it, but

If you turn to adult scale, the sides are a bit unexplained if there is too much left in this part.

Gurleena's possession

Becoming very wide from the face.

What is the cause of the chin on the lower side? It's made up of cartilage like the nose

The part that grows before the bone grows. So, in the case of giving age differences, the nose or something like that, in the growth period will give differences that

A small child, for example.

To some extent

When depicting the weight of a slightly growing adolescent degree, differences are generally made first in the length of this nose.

But like this chin, because it's bone, the difference between male and female

is the age difference or the first part that matters in this regard.

Therefore, the clearer the length from the nose to the chin, the more valid

I can show Deformation in the face.

This is usually more visible than what you see in the ear.

For example

When drawing Heingold's face, the nose and

If the chin is drawn very narrowly between them, this part is not developed enough, so it is drawn very short.

If this part is developed, the chin will go flat and straight forward, even from the lower part of the article

The length from the gun to the torque would be drawn quite long.

These two parts are very fine, the

I personally think that this is the key point to distinguish the difference between the impressions of people that

Multiple pieces of people we know well above the size of a wooden bank, or a kayak short, a little bit say dinosaur matters

Differences between people of different skeletons

Distance between eyes and ears, the

The path between this nose and the deid seems more obvious here.

Still this part is very much subject to taste that

According to the performance, it is the part omitted by cartoonishness, so it would be better to apply it according to the need.

So, personally, when I'm drawing

now trying to produce a little bit of youthfulness, rather than using the front as the standard, I'd like to use the eyes and between the eyes as the benchmark.

A little bit of attention to the length between the eyes and the ears, a little bit closer, to bring the focus to my side of

usually drawn in the correct perspective and is additional that

very distant between the eyes and the eyebrows.

Length of nose and chin

If I use it, then a little bit of de-di-fluoride, in the desired direction, instead, I'm a little bit older, or have bones

going into type design.

In the same size, the chin is wide in front of the

There is a precise folding point that

There is a close proximity between the eye and the eyebrow, the

More pronounced between the eye and the ear than next to it

And it will fall down.

Adjusting the eye size itself burns some of the drawing body, but the proportions are the same

I often need to draw according to the three-dimensional, so I personally think that

It is recommended to draw mainly in proportion.

Even though the nose has become shorter, this one has also become shorter.

The distance should be enough to account for the size of the mandibular body.

In some cases, things like the mouth go down a little bit, and the mouth itself is made up of muscles

In that kind of impression expression, it's the part that changes a lot, so it's not determined to be in the right place, but it changes depending on the expression.

This is a little bit of a subtle difference because the back cheeks are very different

Let me show you the change in Steen.

It's a little bit round here, and it's very curvy.

Little and back this way, the part leading to the ear here is rounded and

Just the opposite is the recession of your forehead relative to your eyebrows, the

It's wide and narrow here, and it's based on the joint

Using side curves while making the front wider

It's narrow here, it's drawn wide here, and then it's backed up, and then it's divided up in each of the rising directions

In this state, the

The neck thins slightly and the fold becomes accurate, the

If the neck itself becomes thicker and the shoulders become slightly angular, the

My human body can begin to design a measured skeleton

You can see it from below, but you can draw it as if there's no difference that

The top can be drawn very short.

When drawing on the eyes, the eyes and ears are a little closer to each other

If you're right on point, you can adjust the position of the pupil closer to it.

Just the opposite, draw wide enough here that

If the distancing of the eyebrows and eyes can be accurately expressed, the

Good, but effective in expressing impression differences.

So in this case, the oyster on the side of the hair that

There are many cases of thin and softly drooping, and the design of the side of this eye tail needs a little more thought.

Since this is the most vertical extension in our eyes, it's best to focus on this part of the detail.

Conversely, in this design that emphasizes a sense of structure, this part itself is occupied by the hair, with a lot of weight of phosphorus

Although it is difficult to increase the density of

it is better to pay more attention to the details on the outer contour and paint.

I'll emphasize a bit when needed, in a caricature way

This comic expression of complete detachment between the eyes and the eyes, and the ears almost close to

You must have seen a lot of them.

Conversely, starting with the shape of the face itself, the chin is square

The eyes and the ears are very distant from each other, indeed

You could also use a completely different character for the back forum, I guess.

Conversely, when you have a different posterior lip contact

because it's going to turn into a very distorted human body, so to check this, am I coloring it enough?

Or structural expressibility.

So, instead of memorizing this to draw, I would refer to why this shape appears and slowly apply it to my own drawing body.

So finally I will look at my eyes and pupils, this is the part where each person really divides a lot of crystals.

Like me, in order to pay attention to my own body of painting, the eyes and pupils have been studied a lot since before.

So, I think these answers are yes

It's a little bit hard to say, but let me clarify that the effect when I express it is predominantly partial, especially more.

First, the angle of the eyebrows and the angle of the pupils.

I can start by noting these two.

For example, the drawing body where the eyebrows and eyes are rising.

Conversely, the difference between eyebrows and eyes that both descend.

Two drawn at opposite angles.

This is the part where the difference can first be fully noted before repairing the small part of the inner part of the eye.

In general, eyes that are elevated from the character side are somewhat ruthless and more pointed.

Droopy eyes are slightly more meek and

are calm in character, and these are the size of the pupils that will later bloom

This side of the same degree of cold, if given a little different, can be more varied design.

In expressing these eyes, don't think of it as a plane, but around the top of these eyes.

There is a difference between the couple and the lower couple, and it would be great if you knew that it is this angle on this meaning that appears as the difference.

When we see these basic eyes from the side, the curve changes to a skewed shape.

When drawing the eyes, don't feel that this is just upward and upward

If this height difference appears in front of the eye and behind the eye, just pay attention to it.

So, if you say it's snowing.

With this criteria

Keep the height difference and change is better.

So from the semi-lateral view, from the basic eye, it's the lower example, she lifts up and

like this into the curve.

Why do I emphasize this in particular, when drawing a profile of such a plane, there is probably nothing to bother with.

When drawing a round face like this, the face is along the surface, and the front side on this side is half-sided, as is often the case.

So, on a round face, the

On a half-sided face, the

The corresponding part here can be borrowed from these eyes, but the same eyes cannot be placed on this side either.

So add eyes that depend slightly on the angle, so note the height difference between the front ring and the back end of this height difference.

Better give me that.

For example

This side is the corner of the eye going up

Either the drugs are a little bit different or these are drawn differently from the intent that

relative to the back corner.

Because the curve looks outward, the

Not this one, to drop a few.

Here too, a little bit more than outward slightly in the middle, not this, to draw a little bit brighter upwards like this.

The same for the bottom.

Because it has to be tight, it can't come out backwards, it has to fall outwards from the curve.

You can slip backwards here.

When you draw the pupil on one side, the

To draw accurately, one eye knows the following like this.

One eye is so loaded that if it becomes a leaf like this, it will become very awkward unless it is drawn clearly.

If I drop here and position it dynamically, this side also drops down is symmetrical.

Normally, the

When the corner of the eye is this far up, it is best to draw the double eyelid line on the thin edge.

I tried to change the eyebrows in the opposite direction.

It will be opposite if you use a drooping eye angle.

In this case, the

more back than the immediate tail.

As long as you can think about it

Keep the eye curve towards the outhouse.

Not this one.

Loaded full just me, not this one, to see as soon as possible.

And because of the thickness of the eyelashes themselves, I draw thicker on my side.

The part that corresponds to the opposite side, a little closer to the front than this

Naturally, just align the opposite direction to me and drop it.

Because the eyes are so close to the ears, the seesaw has to fit correctly, the

The angle in the eye and the eye is different.

The protocol

Even if the angle of the back lip tone clip is less

If possible, the eye side will be a bit knotted together.

Therefore, if the anterior tail is down relative to the posterior tail of the eye, use the posterior hole up so that the angle

It is better to align each fold curve in the direction the eye is looking.

This side is moved up more than now, the degree of folding should be more intuitive

Draw lines in the direction of the back end upwards compared to in the immediate 9.

Even the rising eye varies slightly depending on how this curve is represented

If you're just drawing some cats, then the degree to which the curve on the ground rises

It's better if it's not going up like this, but mainly in front.

There is a difference between multiple lines and the lower side going down like this 100 million times towards the top of the night.

For example, I want to draw a picture with the cat's upper court figure, and then put the upper corner of the eye upward, and put the upper key on the front oblique

Usually in this case, this part gets thinner, so the back of the eyelashes are emphasized a lot.

Along the corner of the eye, the curve will naturally rise and

The eyes are drawn like this.

Painted with fierce eyes.

When you open the back of the eye like this, instead of putting the line this way, the whole thing goes up the middle

You can put the front down and draw it out from the back.

In this case, it's usually not thinning here, but emphasizing the lashes on this side.

If you want to create a sense of decadence in this state, the

Instead of naturally lifting this line, if you touch the curve of the arm a little bit downward to the

Although it is very thin, there will be a difference in the line.

Also, in such a case, the double eyelids tend to be produced in front, and in this case the double eyelids will be slightly further apart.

Also, when I open my eyes, through these eyes there is a very important

Take a closer look at the pupil, the place that receives light when there is sight, also the pupil that

The part of the pupil that we color is called the iris

This is the one that determines the eye, although it is important, and also the size of the iris, but it is important to make this pupil cover the eye more or less.

For example, if you want to produce such a smooth feeling, draw well with the pupil completely separated between the eyes.

If you make the iris using this as a standard, the eyes will be drawn cleanly.

Conversely, a slightly

If you want to draw very hard, or very specifically, then the pupil itself will burn into the eye with the precision that

Just draw half of the slightly obscured pupil, and draw the pupil with that sword as a reference.

The whole frame, the eyelashes as we know them.

Or you could go further and describe something like a black eye while emphasizing characterization.

So, depending on how the comic is expressed

pupil

Some large and precise drawings of

The painting was a little bit hard when I drew long and my eyes were completely closed and

The same eye angle makes a difference.

So, when we apply this to the same face, the surface difference is more than expected

which has a significant impact.

When you have a face like that.

Putting down your eyebrows.

Corner of the eye overall than the end of the upper ring back end

Painted five pictures

Drew the eyes big and accurate.

Like this gives the impression, but instead, we put the eyebrows up and

The corners of the eyes will be drawn upwards in the back, compared to the front

Slightly more eyes towards this direction

The tail folds outward toward the

line of sight

Your eyelids are obscured

Even if it's the same skeleton, it will produce a completely different impression piece.

But after going here to the eye to find the expression, it will go in.

But the mouth is often used to express emotion in the impression, as opposed to the other parts

muscles are given greater weight than bones, so they are not usually prioritized in the latter half.

Personally, I did not express the mouth in a flat way, but drew in a direction that would show the character's emotions well.

If the back frame is also applied to the mouth of the magical girl sector, the

It is recommended to show the structural parts such as the lips or the degree of protrusion of the mouth first, and then trim the rear lip.

For example, in my case, even if the mouth is a bit flat, in order to show the emotional expression well, pay attention only to the tail of the mouth.

If you want to add some thickness to the particle body, the

It's best to shape the shape mainly with the parts that reflect this sense of structure.

Up to here, two matters together to understand the important part of the back slope process.

This back forum omits a lot of true statements that many people do not know how to draw.

After that, when people are designing their characters, I will check the important parts again and hopefully apply the beauty scale No. 1.

So, here, let's take a look at the key drawing points that we need to understand for the sake of character design.

Many people are curious about the

There is a lot of content that contains a lot of content centered on what I must explain.

the deepening contents that are not elaborated in depth in the lecture or the parts that may be encountered in practice, followed by this work.

Let's go ahead and take a closer look at that.

Starting next time, I will study together the light that I have personally and happily studied as the basis of body color in light and color.

Listen to a personal lecture. Thanks for your hard work. So see you next time.