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[BISHOP] We are gathered together herein the sight of God
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and in the face of this congregation
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to join together this man and this woman
in holy matrimony.
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♪ Princess ♪
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[BISHOP] Instituted of Godin the time of man's innocency,
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signifying unto us
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the mystical union
that is betwixt Christ and his Church.
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Therefore, it is not by any
to be enterprised,
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nor taken in hand, unadvisedly,
lightly or wantonly,
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to satisfy men's carnal lusts
and appetites,
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like brute beasts
that understand nothing.
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But reverently, discreetly, advisedly,
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soberly and in the fear of God.
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Duly considering the causes
for which matrimony was ordained.
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♪ And now I've crowned you ♪
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♪ My princess ♪
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[CAMERA WINDING]
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♪ Though there's nothing in a name ♪
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[CAMERA SHUTTER CLICKING]
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♪ Others would've sounded ♪
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♪ Pretty tame ♪
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♪ If you were poorer... ♪
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♪ I could be no surer ♪
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[CAMERA SHUTTER CLICKS]
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♪ That you're a princess ♪
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♪ May I call you princess? ♪
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♪ If you say you love me ♪
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[BEATON] That's absolutely charming.
Thank you very much.
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Very, very fresh.
Full of vitality, thank you.
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And we're going to do another one
when we're ready, and...
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Colin, chin down a little bit.
Very much down a little bit.
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- Thank you. To me, everyone, and flash.
- [CAMERA SHUTTER CLICKS]
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- [ALL] The bride and groom!
- [MARGARET] The bride and groom.
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[GUESTS CLAPPING]
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[ORCHESTRA PLAYING]
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Bloody awful things, weddings.
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- Dreadfully upsetting.
- Unless it's one's own, of course.
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[BILLY] Mm. [EXHALES]
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Another couple off to build a castle.
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Lower the portcullis.
Pull up the drawbridge.
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- What? How do you mean?
- Couples do that, don't they?
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They turn to each other,
and all we see is their backs.
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So, what am I to do, Billy?
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No one wants to take me on, apparently.
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I'm too daunting a prospect.
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I could give it a go.
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Don't be silly, you're a friend.
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Yes, but isn't that the first quality
one should look for in a husband?
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In the olden days,
people weren't confused.
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People married for sensible reasons.
Marriage was a consolidation of assets.
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Also of other things.
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- Of friendship and values.
- [SCOFFS]
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Outlooks.
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We'd breed derby winners,
have an army of children...
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- Billy...
- Look, and I'd know the ropes.
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I know the rules. Your family all know
me, and I think are not averse.
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- Oh, they adore you.
- And I you.
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Always have.
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I'm your Old Faithful, after all.
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- [MUSIC CONCLUDES]
- [GUESTS CLAPPING]
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[CHUCKLES]
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[SIGHS]
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[ELIZABETH] Mummy said somethinginteresting the other day.
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- Oh?
- [SIGHS]
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She said that the first ten years
of marriage are just an overture.
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That there's often
a crisis at ten years,
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but then you work it
out and settle in...
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and it's only then
that it really gets into its stride.
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Oh.
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Do you suppose
that's what's happened to us?
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Possibly.
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I was thinking, perhaps we should have
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a big anniversary party this year.
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To celebrate hitting our stride.
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All right.
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[PHONE RINGS]
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Yes?
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All right. [MOUTHS] It's Margaret.
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[ELIZABETH ON PHONE] So how was it?
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It somehow managed to lift the spirits
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and make one want to kill oneself
in equal measure.
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Took forever to get there.
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- Mummy was a nightmare.
- Was she?
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Mercifully, they sent a helicopter
to bring us back. [CHUCKLES]
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Hmm.
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And I have this horrible
feeling that somewhere,
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in the middle of it all...
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I agreed to get married myself.
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What?
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- To whom?
- Billy Wallace.
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Goodness!
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Congratulations! [MOUTHS] Billy Wallace.
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Oh, Christ!
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So if I were to accept,
it would be a yes from you?
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Yes, of course.
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An emphatic yes.
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And Philip and I
were just discussing having a party
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for our tenth wedding anniversary,
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and you and Billy could use the occasion
to announce your engagement,
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if you wanted.
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That's a nice idea.
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Well, that's settled then. [INHALES]
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- Thank you.
- My pleasure. Goodnight, Margaret.
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[LINE CLICKS]
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[EXHALES DEEPLY]
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Synced & corrected by -robtor-
www.addic7ed.com
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[MAN ON TELEVISION]
...perhaps you'd explain why it is
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00:08:12,080 --> 00:08:14,480
that the satellite
keeps on circling the Earth
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instead of either flying off into space
or dropping to the ground.
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I'm not sure how I feel about
a Russian satellite circling the Earth...
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just above our heads.
What's it doing up there?
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Notionally, it's providing information
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about the density
of the Earth's upper atmosphere.
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Of course its darker purpose
is to demonstrate to everyone
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the extent of Russian military power
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- and technical capacity.
- Oh.
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The same rocket
that launched this satellite
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is capable of firing a nuclear warhead
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into enemy territory
with pinpoint accuracy.
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- Wow.
- [MACMILLAN] Imagine the effect
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this will have on the Americans.
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A great crisis of self-doubt,
if I'm not very much mistaken.
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We must seize this opportunity
to help the Americans
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and work together in a joint effort
to meet the Russian threat.
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That is the way to repair Anglo-American
relations, which, as you know,
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have deteriorated terribly
due to the Suez Crisis.
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Quite. You know,
after the war they said Eisen...
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[MACMILLAN] I am absolutely determined
to restore the special relationship
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that exists between our two countries.
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We're bound by so much more
than just language and shared history.
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It's a kind of marriage.
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As in any marriage,
there'll be ups and downs,
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but one must work
to get things back on track.
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They say that listening's important.
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In any marriage.
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[MAN ON TELEVISION] Does that meanthat we can learn just as much
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from this satellite as the Russians?
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[BIRDS CHIRPING]
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And how are we going to do this?
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00:10:00,040 --> 00:10:03,680
I think the driver should drop me first,
then take you on to the station.
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00:10:03,760 --> 00:10:05,120
Or I could wait.
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I don't think that would be wise.
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Why? How long do you need with him?
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A day. Maybe two.
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It's the last time, I promise.
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- Don't make promises you cannot keep.
- [DOROTHY] No.
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I'm determined to end it. It's time.
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- Now that you're Prime Minister.
- Yes, it is.
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[THUNDER CRASHING]
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- [BEATON] With a one, two, three, flash.
- [CAMERA SHUTTER CLICKS]
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Oh, quite magnificent.
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00:11:13,680 --> 00:11:15,360
Why does it always have to be
Cecil Beaton
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- taking my official birthday portrait?
- What's wrong with Cecil?
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When it came out last year,
everyone said how pretty you looked.
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00:11:22,305 --> 00:11:24,585
No, they said how much I looked like you.
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Well, quite.
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Cecil does just one thing: fairy tales.
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Yes, but he does it so well.
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And to me, Your Royal Highness.
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A little less chin, and..
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[CAMERA SHUTTER CLICKS]
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What do you think?
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I asked my new lady-in-waiting
here today...
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Your Majesty.
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...to offer her opinion...
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having at least one foot
in the real world.
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00:11:51,360 --> 00:11:55,240
I think birthday portraits
should evolve and mature with age.
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Like the subject. Show change
in the character. Complexity.
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00:12:00,560 --> 00:12:01,623
Reality.
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00:12:04,000 --> 00:12:07,120
No one wants complexity
and reality from us.
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00:12:07,200 --> 00:12:09,160
- [BEATON LAUGHS]
- Do sit down.
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00:12:10,440 --> 00:12:12,920
People have enough of that
in their own lives.
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00:12:13,880 --> 00:12:17,480
- They want us to help them escape.
- Indeed, Your Majesty.
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00:12:17,966 --> 00:12:19,886
Imagine this, if you will...
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a young woman, a commonplace creature.
She sits in her drab little scullery.
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So much work to do. So much washing-up.
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How she longs for comfort, for hope.
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- And again. One, two, three and flash.
- [CAMERA SHUTTER CLICKS]
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She wants to believe
her life has some meaning beyond chores.
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She opens a magazine and she sees
Her Royal Highness's photograph.
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For one glorious, transforming moment,
she becomes a princess, too.
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She is lifted out of her miserable,
pitiful reality into a fantasy.
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00:13:02,480 --> 00:13:05,840
Later, she will step out of her house
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in a new neckerchief, perhaps,
for which she has saved.
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Oh, she will hold her head up high.
She is renewed.
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00:13:16,120 --> 00:13:18,520
And all thanks to you,
Your Royal Highness...
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00:13:19,600 --> 00:13:23,200
and to the ideal which you represent.
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00:13:24,680 --> 00:13:27,440
And now,
with a one, two, three and flash.
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Quite marvelous.
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♪ Ding-dong, the bells are ringing ♪
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[CHATTERING]
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♪ Ding-dong, the bells are ringingFor you and I ♪
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[MAN] It's good news all round.
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♪ Ding-dong, the bells are ringing ♪
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[MAN LAUGHING]
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00:13:45,160 --> 00:13:47,160
[CHATTERING]
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In the 20 or so years we have known
the hapless, misshapen crane
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00:13:54,040 --> 00:13:55,920
that is Billy Wallace,
has any woman ever
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00:13:55,945 --> 00:13:58,024
looked at him as an object of desire?
200
00:13:58,080 --> 00:13:59,280
I mean, even remotely?
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00:13:59,360 --> 00:14:00,480
[SNICKERS]
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00:14:00,560 --> 00:14:01,800
Certainly not.
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00:14:02,420 --> 00:14:04,340
Then how can one begin to explain that?
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00:14:05,720 --> 00:14:10,560
- [WOMEN GIGGLING]
- [BILLY SPEAKING INDISTINCTLY]
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00:14:33,360 --> 00:14:35,760
Ma'am, Lord Blandford
just telephoned to apologize
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00:14:35,840 --> 00:14:38,480
and say that Mr. Wallace
may be indisposed this evening.
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00:14:38,560 --> 00:14:41,520
He can't be indisposed.
We're announcing our engagement.
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00:14:41,600 --> 00:14:44,800
Something about an injury.
Rather a serious injury.
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00:14:59,480 --> 00:15:00,680
- Where is he?
- [MAN] Your Highness.
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00:15:01,680 --> 00:15:02,520
Uh...
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00:15:07,120 --> 00:15:09,200
Her Royal Highness, Princess Margaret.
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00:15:09,280 --> 00:15:11,320
- [MARGARET] Out of my way.
- Oh, shit.
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00:15:11,400 --> 00:15:13,120
[DOCTOR] No, you must keep
your leg up, sir.
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00:15:13,200 --> 00:15:14,103
Billy?
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00:15:14,932 --> 00:15:16,132
It's all right, Simpson.
216
00:15:26,040 --> 00:15:28,800
Well, what's going on?
It's our announcement this evening.
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00:15:28,935 --> 00:15:29,775
[DOOR CLOSES]
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00:15:29,800 --> 00:15:31,528
Unforeseen circs, I'm afraid.
219
00:15:31,553 --> 00:15:33,787
Rather a dust-up in the early hours.
220
00:15:35,000 --> 00:15:36,040
Are you drunk?
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00:15:36,120 --> 00:15:39,280
Don't be like that.
I had to do something for the pain.
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00:15:40,000 --> 00:15:41,920
- Well, what happened?
- [BILLY] Wait till you hear.
223
00:15:42,406 --> 00:15:43,806
You'll laugh till you spit.
224
00:15:44,320 --> 00:15:46,960
Your friend Tennant rather took offense
at something I did.
225
00:15:47,040 --> 00:15:48,720
You came to blows with Colin?
226
00:15:48,800 --> 00:15:50,880
I believe the word "duel" was mentioned.
227
00:15:51,800 --> 00:15:52,680
A duel?
228
00:15:54,160 --> 00:15:56,120
[BILLY] Tennant issued the challenge.
229
00:15:56,200 --> 00:15:58,360
A little childish in this day and age
if you ask me,
230
00:15:58,385 --> 00:16:00,505
but a duel is a duel,
so I stepped up to the mark.
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00:16:00,640 --> 00:16:03,120
[BILLY WHIMPERING]
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00:16:03,200 --> 00:16:04,560
That's what a gentleman does.
233
00:16:05,240 --> 00:16:06,080
No!
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00:16:09,560 --> 00:16:10,400
[SIGHS]
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00:16:10,480 --> 00:16:11,670
[BILLY] If I'm completely honest,
236
00:16:11,695 --> 00:16:14,224
a little drink had
been taken during the night.
237
00:16:15,760 --> 00:16:18,760
But we faced the dawn
with clear heads and strong hearts.
238
00:16:19,440 --> 00:16:20,600
[SNIVELING]
239
00:16:20,680 --> 00:16:22,650
Now, Tennant wanted to motor up to Glen
240
00:16:22,675 --> 00:16:24,584
to get his father's old pistols.
241
00:16:24,640 --> 00:16:26,920
It would've been quite ridiculous.
Much too far away.
242
00:16:27,000 --> 00:16:28,400
So, Blandford offered his.
243
00:16:29,240 --> 00:16:31,280
[BILLY SNIVELING] It was a bloody
stupid mistake.
244
00:16:31,560 --> 00:16:34,240
A duel is not just
a test of marksmanship.
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00:16:35,160 --> 00:16:36,200
It's a test of character.
246
00:16:38,292 --> 00:16:39,532
Ten paces.
247
00:16:40,720 --> 00:16:43,320
One... two...
248
00:16:43,820 --> 00:16:45,940
three... four...
249
00:16:46,913 --> 00:16:49,313
five... six...
250
00:16:50,012 --> 00:16:54,692
seven... eight... nine...
251
00:16:54,717 --> 00:16:55,637
ten.
252
00:16:55,840 --> 00:16:57,080
[GUNS FIRE]
253
00:16:58,360 --> 00:17:01,160
Fucker shot me in the leg.
Bloody awful thing.
254
00:17:01,240 --> 00:17:04,280
Anyway, I survived
with a small flesh wound.
255
00:17:06,800 --> 00:17:08,320
And why was he angry with you?
256
00:17:09,400 --> 00:17:10,755
It's the strangest thing,
257
00:17:10,780 --> 00:17:12,944
but ever since word got
out about our engagement,
258
00:17:13,000 --> 00:17:15,840
I've found myself
quite the center of attention.
259
00:17:16,400 --> 00:17:18,400
It's as though
every good-looking girl on Earth
260
00:17:18,480 --> 00:17:21,040
[LAUGHS] has taken the news
as a personal challenge.
261
00:17:21,680 --> 00:17:25,640
I'm not used to the idea of being a beau,
much less a catch.
262
00:17:26,120 --> 00:17:28,560
Seems to have gone to my head rather.
263
00:17:29,800 --> 00:17:32,160
- Had a bit of a fumble at Blenheim.
- [SIGHS]
264
00:17:32,240 --> 00:17:35,760
She was rather a beauty.
She's in pictures, you know. An actress.
265
00:17:36,320 --> 00:17:40,160
Anyway, Tennant got wind of it
and got very cross.
266
00:17:46,720 --> 00:17:47,920
Yes, with reason.
267
00:17:50,960 --> 00:17:55,600
You pathetic, weak, contemptible fool.
268
00:17:57,640 --> 00:18:00,288
I never even wanted to marry you.
269
00:18:00,313 --> 00:18:02,664
You were only ever an act of charity.
270
00:18:03,106 --> 00:18:04,306
Or desperation.
271
00:18:05,960 --> 00:18:08,000
And now you insult me? You?
272
00:18:08,840 --> 00:18:10,637
People like you don't
get to insult people like me.
273
00:18:10,662 --> 00:18:12,184
You get to be
eternally grateful.
274
00:18:16,280 --> 00:18:17,800
You've quite the way with women.
275
00:18:19,280 --> 00:18:21,409
Take a look at this face.
276
00:18:21,434 --> 00:18:24,184
A picture of disappointment and disgust.
277
00:18:26,640 --> 00:18:29,280
This is the look that every woman
you ever know will come to share.
278
00:18:30,800 --> 00:18:33,760
This is what the next 40 years
of your life will look like.
279
00:18:42,680 --> 00:18:43,560
Margaret...
280
00:18:44,440 --> 00:18:45,400
- [DOOR OPENS]
- Margaret!
281
00:18:45,480 --> 00:18:47,120
- [FOOTSTEPS]
- Shit!
282
00:18:47,200 --> 00:18:49,840
[CHATTERING]
283
00:19:00,160 --> 00:19:01,680
Ma'am, I've been asked to tell you
284
00:19:01,760 --> 00:19:03,863
that Princess Margaret
will not be announcing
285
00:19:03,888 --> 00:19:05,584
the engagement this evening.
286
00:19:06,520 --> 00:19:08,680
Her Royal Highness said
she'll explain everything later.
287
00:19:08,760 --> 00:19:10,480
Yes, I'm sure she will.
Thank you, Michael.
288
00:19:10,560 --> 00:19:11,560
[ADEANE] Thank you, ma'am.
289
00:19:31,280 --> 00:19:32,920
[GUESTS LAUGHING]
290
00:19:33,000 --> 00:19:34,720
All right, all right, settle down.
291
00:19:35,080 --> 00:19:38,056
So on my recent tour of the Pacific,
292
00:19:38,081 --> 00:19:40,784
I was introduced
to a man who said to me,
293
00:19:41,480 --> 00:19:45,440
"My wife is a doctor of philosophy
and much more important than I am."
294
00:19:45,520 --> 00:19:46,880
[LAUGHS]
295
00:19:47,560 --> 00:19:49,720
To which I could only reply,
296
00:19:49,800 --> 00:19:52,160
"Ah, yes, sir, we have that trouble
in our family too."
297
00:19:52,240 --> 00:19:53,360
[ALL LAUGHING]
298
00:19:56,760 --> 00:19:59,480
You know, when I imagined our marriage
in the early days,
299
00:19:59,560 --> 00:20:01,328
I imagined two people
300
00:20:01,353 --> 00:20:04,944
welded together into some sort
of combined existence.
301
00:20:06,200 --> 00:20:13,120
Ten years. Ten years has taught me
the secret of a successful marriage
302
00:20:13,200 --> 00:20:15,680
is actually to have different interests.
303
00:20:15,760 --> 00:20:19,640
Well, different interests,
but not entirely different.
304
00:20:19,720 --> 00:20:21,760
[ALL LAUGHING]
305
00:20:25,120 --> 00:20:26,560
It's a funny business.
306
00:20:28,080 --> 00:20:31,240
One sees the whole of the other person,
you see even that part of them
307
00:20:31,265 --> 00:20:32,905
that they don't see themselves,
308
00:20:32,930 --> 00:20:36,983
and presumably...
they see that hidden part of you.
309
00:20:39,240 --> 00:20:41,753
One ends up knowing more
about one's partner
310
00:20:42,203 --> 00:20:44,024
than they know about themselves.
311
00:20:44,920 --> 00:20:46,587
And it can be pretty tough
312
00:20:46,612 --> 00:20:49,384
to keep quiet about it.
So you have to...
313
00:20:49,920 --> 00:20:52,040
You have to come to an accommodation,
314
00:20:52,320 --> 00:20:55,243
an arrangement, a deal...
315
00:20:56,533 --> 00:20:58,745
if you like, to take
the rough with the smooth.
316
00:21:02,840 --> 00:21:04,520
But the extraordinary thing is...
317
00:21:06,160 --> 00:21:07,560
down there in the rough...
318
00:21:08,520 --> 00:21:11,680
in the long reeds of difficulty
and pain...
319
00:21:14,640 --> 00:21:16,440
that is where you find the treasure.
320
00:21:19,600 --> 00:21:21,520
So I would like to propose a toast...
321
00:21:23,800 --> 00:21:25,000
in the name of love.
322
00:21:27,440 --> 00:21:29,400
In the name of our beloved country.
323
00:21:30,440 --> 00:21:32,200
In the name of steadfastness.
324
00:21:33,200 --> 00:21:36,560
In the name
of another ten marvelous years.
325
00:21:40,440 --> 00:21:44,040
I give you mon petit chou...
326
00:21:49,560 --> 00:21:50,440
Lilibet...
327
00:21:53,000 --> 00:21:53,880
Elizabeth...
328
00:21:56,400 --> 00:21:57,240
the Queen.
329
00:22:01,800 --> 00:22:04,640
[ALL] The Queen!
330
00:22:05,200 --> 00:22:06,480
[HANDS THUDDING]
331
00:22:06,560 --> 00:22:07,920
[CLAPPING]
332
00:22:19,600 --> 00:22:21,440
[ELLA FITZGERALD'S "ANGEL EYES"
PLAYING LOUDLY]
333
00:22:21,520 --> 00:22:22,840
[BANGING]
334
00:22:32,640 --> 00:22:34,000
[WOMAN LAUGHS]
335
00:22:44,600 --> 00:22:47,240
[BANGING]
336
00:23:05,160 --> 00:23:09,800
♪ You happy people ♪
337
00:23:10,240 --> 00:23:17,240
♪ The laugh's and the joke's on me ♪
338
00:23:19,520 --> 00:23:24,480
♪ Pardon me ♪
339
00:23:24,560 --> 00:23:28,360
♪ But I've got to run ♪
340
00:23:29,400 --> 00:23:36,280
♪ The fact's uncommonly clear ♪
341
00:23:36,360 --> 00:23:39,520
♪ Got to find... ♪
342
00:23:39,600 --> 00:23:40,960
[HUMMING]
343
00:23:41,080 --> 00:23:47,720
♪ Who's now number one ♪
344
00:23:49,200 --> 00:23:50,760
- [CRASHING]
- [MARGARET GRUNTS]
345
00:23:50,840 --> 00:23:54,720
♪ And why my angel eyes ♪
346
00:23:54,800 --> 00:23:57,040
[MARGARET GRUNTING]
347
00:23:59,400 --> 00:24:01,600
♪ Where ♪
348
00:24:01,680 --> 00:24:03,640
[SCREAMS]
349
00:24:04,560 --> 00:24:10,640
♪ Is my angel eyes? ♪
350
00:24:10,720 --> 00:24:13,800
[MOANING AND SOBBING]
351
00:24:13,880 --> 00:24:20,440
♪ Excuse me ♪
352
00:24:20,520 --> 00:24:27,480
♪ While I disappear ♪
353
00:24:31,800 --> 00:24:37,320
♪ Angel eyes ♪
354
00:24:38,240 --> 00:24:45,240
♪ Angel eyes ♪
355
00:24:49,760 --> 00:24:52,240
[RADIO TUNING]
356
00:24:52,320 --> 00:24:54,800
[MAN ON RADIO] We're sending youto the newsroom at Alexandra Palace.
357
00:24:55,320 --> 00:24:58,880
President Eisenhower has spoken warmly
of the special relationship
358
00:24:58,960 --> 00:25:01,560
that exists between Britain
and the United States.
359
00:25:01,640 --> 00:25:03,993
[EISENHOWER ON RADIO] Prime
Minister Macmillan and I will
360
00:25:04,018 --> 00:25:05,664
do everything we can
361
00:25:05,720 --> 00:25:11,680
to strengthen and repair the long-term
bonds which have bound together the...
362
00:25:14,680 --> 00:25:17,200
[DOROTHY WHISPERING]
But I can't. I can't.
363
00:25:18,000 --> 00:25:20,320
I want only you.
364
00:25:21,400 --> 00:25:26,400
I've tried again with Harold.
Tried and tried.
365
00:25:27,000 --> 00:25:29,160
I know, I know.
366
00:25:29,240 --> 00:25:34,080
I just can't.
I can't have him touch me, be near me.
367
00:25:35,000 --> 00:25:38,720
His weakness repels me.
368
00:25:39,160 --> 00:25:42,920
His love disgusts me.
369
00:25:57,560 --> 00:25:58,840
[EXHALES]
370
00:26:01,680 --> 00:26:02,960
Good morning!
371
00:26:03,440 --> 00:26:05,520
Oh, darling, what a mess. [LAUGHS]
372
00:26:06,160 --> 00:26:11,280
It is the most beautiful day.
373
00:26:14,200 --> 00:26:16,120
I've brought something to cheer you up.
374
00:26:17,160 --> 00:26:19,640
Cecil's magnificent work.
375
00:26:20,160 --> 00:26:22,480
He's quite outdone himself this time.
376
00:26:24,000 --> 00:26:26,220
I can tell you which one I would choose
377
00:26:26,245 --> 00:26:28,344
as the official birthday portrait,
378
00:26:28,840 --> 00:26:31,280
and Cecil immediately agreed.
379
00:26:31,960 --> 00:26:34,840
But of course, it's for you to decide.
380
00:27:06,800 --> 00:27:08,920
And with regards to Billy Wallace...
381
00:27:09,000 --> 00:27:10,880
Don't mention that name.
382
00:27:10,960 --> 00:27:13,240
I've had him
on the telephone to me all morning,
383
00:27:13,320 --> 00:27:14,680
quite distraught.
384
00:27:14,760 --> 00:27:16,267
Then his mother, then
his grandmother...
385
00:27:16,292 --> 00:27:18,264
I'm never speaking to him again.
386
00:27:18,760 --> 00:27:20,440
Then we will find you someone else.
387
00:27:23,960 --> 00:27:26,480
I don't want you to find me anyone.
388
00:27:26,560 --> 00:27:28,560
Maurice Landgrave of Hesse.
389
00:27:28,640 --> 00:27:30,720
- [MARGARET SIGHS]
- He's a distant cousin.
390
00:27:30,800 --> 00:27:34,680
Now his mother was a Catholic,
but their lands are still intact,
391
00:27:34,760 --> 00:27:37,480
and he gives a very good show of himself
on the polo field...
392
00:27:37,560 --> 00:27:38,600
No one!
393
00:27:38,680 --> 00:27:42,400
Someone suggested
Prince Christian of Hanover,
394
00:27:42,480 --> 00:27:44,480
a descendant of Queen Victoria.
395
00:27:45,280 --> 00:27:48,560
Served in the Luftwaffe,
but we won't hold that against him.
396
00:27:49,360 --> 00:27:52,120
I do know what the official duties
of a lady-in-waiting are.
397
00:27:52,200 --> 00:27:55,520
Accompanying me on foreign trips,
dealing with my mail.
398
00:27:57,440 --> 00:28:01,000
Do you suppose it might also include
helping me climb over the wall to escape?
399
00:28:01,920 --> 00:28:03,680
I just can't bear it anymore.
400
00:28:03,760 --> 00:28:06,520
I'm having some people
to dinner, tonight.
401
00:28:08,800 --> 00:28:10,040
What, normal people?
402
00:28:10,760 --> 00:28:12,160
[CAVENDISH] Yes, they're all normal.
403
00:28:13,200 --> 00:28:15,960
But in their own way,
they're all quite exceptional, too.
404
00:28:16,400 --> 00:28:17,320
[MARGARET] You can go.
405
00:28:17,400 --> 00:28:18,920
[CAVENDISH] And possibly not deferential.
406
00:28:21,400 --> 00:28:22,340
[MARGARET] That's fine.
407
00:28:22,365 --> 00:28:24,824
As long as they still meet the main
requirements.
408
00:28:25,440 --> 00:28:26,280
Which are?
409
00:28:28,000 --> 00:28:31,165
That none of them breeds
horses, owns land...
410
00:28:31,190 --> 00:28:33,664
or knows my mother.
411
00:28:33,720 --> 00:28:36,280
[GUESTS CHATTERING]
412
00:28:46,080 --> 00:28:48,640
[JAZZ MUSIC PLAYING]
413
00:28:54,880 --> 00:28:56,000
All right, all of you.
414
00:28:57,560 --> 00:28:59,280
- Hello.
- [TAPPING GLASS]
415
00:28:59,360 --> 00:29:00,360
Everyone.
416
00:29:00,920 --> 00:29:03,680
I'd like you to say hello
to our guest of honor,
417
00:29:03,760 --> 00:29:06,520
Her Royal Highness,
the Princess Margaret.
418
00:29:08,680 --> 00:29:10,520
[ALL] Hello.
419
00:29:12,240 --> 00:29:15,880
Are you ready, ma'am?
Here come the introductions.
420
00:29:15,960 --> 00:29:17,560
Here we have Dudley on the piano.
421
00:29:17,640 --> 00:29:20,480
- [DUDLEY PLAYS PIANO]
- [GUESTS LAUGHING]
422
00:29:20,560 --> 00:29:22,080
And this here is Shilpa.
423
00:29:22,160 --> 00:29:23,720
[GUESTS CHATTERING]
424
00:29:59,120 --> 00:30:01,146
[MAN] Feeling a little left out...
425
00:30:02,283 --> 00:30:05,464
and you're thinking to yourself, [SIGHS]
426
00:30:05,520 --> 00:30:08,280
"These dabblers and freaks
seem to know one another very well."
427
00:30:09,440 --> 00:30:10,280
Hmm?
428
00:30:15,320 --> 00:30:17,480
Then you'd be absolutely right.
429
00:30:19,240 --> 00:30:20,200
Now, be honest.
430
00:30:21,680 --> 00:30:24,600
Can you remember any of the names?
431
00:30:27,440 --> 00:30:28,600
No, not really.
432
00:30:28,680 --> 00:30:30,240
Can't remember me either?
433
00:30:30,880 --> 00:30:32,000
What, we've met?
434
00:30:32,080 --> 00:30:33,040
We have.
435
00:30:34,480 --> 00:30:36,120
Where have we met?
436
00:30:36,680 --> 00:30:38,000
Perhaps it'll come to you.
437
00:30:38,520 --> 00:30:40,360
Now, where to begin...
438
00:30:41,400 --> 00:30:43,040
Ah. Far corner.
439
00:30:43,640 --> 00:30:46,600
The irresistible so-and-so
with the mustard-colored polo neck.
440
00:30:46,680 --> 00:30:50,760
- Irresistible?
- Oh, come on, a nine, surely?
441
00:30:50,840 --> 00:30:51,880
Seven.
442
00:30:52,480 --> 00:30:54,760
He's called Jeremy,
he's heir to a chocolate fortune.
443
00:30:54,840 --> 00:30:58,080
Married to the blonde beauty opposite.
444
00:30:59,007 --> 00:31:01,247
- Oh, she's an eight.
- Isn't she?
445
00:31:02,080 --> 00:31:04,080
Yes, they dazzle in public, those two.
446
00:31:05,320 --> 00:31:09,160
They don't disappoint in private either.
More of that another time, I think.
447
00:31:09,240 --> 00:31:10,360
Who's next?
448
00:31:11,040 --> 00:31:14,120
Ah, yes.
Our flushed and fleshy friend in paisley.
449
00:31:14,800 --> 00:31:17,480
His name's Ken Russell,
makes documentaries for the BBC.
450
00:31:17,560 --> 00:31:19,320
Travels everywhere on a bus.
451
00:31:22,160 --> 00:31:25,640
You've probably never been on a bus,
have you?
452
00:31:27,280 --> 00:31:29,560
- No.
- Pity.
453
00:31:30,007 --> 00:31:31,447
You really do meet the best people.
454
00:31:34,760 --> 00:31:38,480
Tell me about the woman
with the... extraordinary eyes.
455
00:31:40,840 --> 00:31:42,200
Baroness Frankenstein.
456
00:31:43,600 --> 00:31:47,280
She played opposite Boris Karloff
in that movie, you know. Actress.
457
00:31:47,360 --> 00:31:48,840
- Oh.
- No one can quite make out
458
00:31:48,960 --> 00:31:51,200
why she left
a rather brilliant film producer
459
00:31:51,280 --> 00:31:53,000
for a dreary politician.
460
00:31:55,680 --> 00:31:57,600
- Oh.
- His name's John Profumo.
461
00:31:58,080 --> 00:31:59,800
- Fucking dull.
- [MARGARET LAUGHS]
462
00:31:59,880 --> 00:32:02,280
- It's true, it's true. But...
- [MARGARET LAUGHS]
463
00:32:02,960 --> 00:32:04,720
The older gentleman beside him...
464
00:32:04,745 --> 00:32:06,336
Oh, no, no, no. I know who that one is.
465
00:32:06,361 --> 00:32:07,889
That's John Betjeman, the poet.
466
00:32:08,640 --> 00:32:09,480
Um...
467
00:32:11,240 --> 00:32:15,600
"Books from Boots' and country lanes,
Free speech, free passes...
468
00:32:15,680 --> 00:32:17,360
- [BOTH] Class distinction.
- [MARGARET LAUGHS]
469
00:32:17,960 --> 00:32:18,800
Distinction.
470
00:32:21,040 --> 00:32:22,520
- Democracy...
- Democracy...
471
00:32:22,600 --> 00:32:25,280
[BOTH] and proper drains."
472
00:32:26,680 --> 00:32:27,520
Just so.
473
00:32:31,440 --> 00:32:34,880
Is it really true he has two wives?
[LAUGHS]
474
00:32:35,560 --> 00:32:36,560
I hope so.
475
00:32:37,600 --> 00:32:38,920
Better if he has three.
476
00:32:40,680 --> 00:32:42,880
We don't want
anyone conventional around here.
477
00:32:47,320 --> 00:32:49,520
[WOMEN LAUGHING AND CHATTERING]
478
00:32:50,200 --> 00:32:52,080
Now, tell me about you.
479
00:32:52,160 --> 00:32:54,280
- Oh, God, you really don't remember.
- No.
480
00:32:54,360 --> 00:32:56,520
Hm. I'm a photographer.
481
00:32:58,320 --> 00:32:59,920
Oh, the wedding photographer?
482
00:33:00,000 --> 00:33:02,440
Ah, that was a favor.
That's not my normal line of work.
483
00:33:03,440 --> 00:33:04,360
What is?
484
00:33:05,600 --> 00:33:06,440
This.
485
00:33:10,040 --> 00:33:10,880
Ah.
486
00:33:11,120 --> 00:33:14,960
- What, these are yours?
- Yes. [EXHALES]
487
00:33:15,040 --> 00:33:16,200
Portraits?
488
00:33:16,280 --> 00:33:20,200
Mm, I don't like that word.
It's so stuffy and traditional.
489
00:33:20,280 --> 00:33:23,200
Oh, sorry. What are they, then?
490
00:33:24,080 --> 00:33:26,006
Mm, people, faces.
491
00:33:26,031 --> 00:33:28,944
They're the most interesting
subject I've found so far.
492
00:33:30,840 --> 00:33:33,840
If you can think of anything
more interesting, do let me know.
493
00:33:35,840 --> 00:33:37,040
Oh, I like them.
494
00:33:38,760 --> 00:33:42,680
It's as if there's no camera at all.
You've caught them off guard.
495
00:33:42,760 --> 00:33:46,760
- Ah, it's all luck, really.
- You've made the ugliness beautiful.
496
00:33:47,160 --> 00:33:50,360
I despise posturing
and pretentiousness and humbug.
497
00:33:51,880 --> 00:33:52,760
Don't you?
498
00:33:54,680 --> 00:33:56,920
Is that why you took up photography?
499
00:33:58,120 --> 00:33:58,960
Maybe.
500
00:34:00,560 --> 00:34:02,760
Maybe it's just a good way
to get behind closed doors.
501
00:34:03,320 --> 00:34:04,549
[MARGARET] Somebody's door
in particular?
502
00:34:04,574 --> 00:34:05,944
Just doors generally.
503
00:34:06,000 --> 00:34:08,400
A facade is only useful as a marker
504
00:34:08,480 --> 00:34:10,640
for something one has to get behind
or beyond.
505
00:34:10,720 --> 00:34:12,902
The surface is so dreary,
don't you think?
506
00:34:12,927 --> 00:34:14,624
What people want to show of themselves,
507
00:34:14,680 --> 00:34:17,080
the idealized version,
is of no interest to me.
508
00:34:18,040 --> 00:34:21,960
What people hide... that interests me.
509
00:34:25,800 --> 00:34:27,560
But you get so close.
510
00:34:28,960 --> 00:34:30,640
Isn't it rather an intrusion?
511
00:34:31,520 --> 00:34:35,000
It's very much an intrusion, yes.
That's exactly what photography is.
512
00:34:36,200 --> 00:34:38,360
I use a small Leica, nothing fancy,
513
00:34:38,440 --> 00:34:41,400
and natural light,
which means that I can prowl around.
514
00:34:42,280 --> 00:34:44,320
All the while
I'm getting closer and closer,
515
00:34:44,400 --> 00:34:45,960
and in the end, it's kind of like...
516
00:34:46,680 --> 00:34:49,080
- Well, it's, uh...
- Intrusion.
517
00:34:52,560 --> 00:34:53,560
Intimacy.
518
00:35:03,280 --> 00:35:06,240
[JAZZ MUSIC PLAYING]
519
00:35:12,640 --> 00:35:14,680
[MARGARET] How would you feel
about taking my photograph?
520
00:35:14,760 --> 00:35:16,040
[TONY] Well, I'd consider it.
521
00:35:17,400 --> 00:35:18,640
On one condition.
522
00:35:20,760 --> 00:35:23,760
- Go on.
- When you come to my slum studio,
523
00:35:23,840 --> 00:35:26,320
you leave the titles
and princess outside.
524
00:35:26,400 --> 00:35:29,400
- [SCOFFS] I'd be happy to.
- And for the duration of the session,
525
00:35:30,240 --> 00:35:31,800
you do everything I say.
526
00:35:33,920 --> 00:35:35,160
Don't look like that.
527
00:35:36,200 --> 00:35:37,920
You're dying to, admit it.
528
00:35:39,920 --> 00:35:41,080
Dying to what?
529
00:35:42,240 --> 00:35:43,400
Be a supplicant.
530
00:35:46,600 --> 00:35:47,560
I can tell.
531
00:35:51,640 --> 00:35:54,600
[MARGARET] It was the first roomI've ever been to where nobody got up,
532
00:35:55,000 --> 00:35:56,920
bowed, curtsied.
533
00:35:57,440 --> 00:35:59,034
Some just carried
on having conversations,
534
00:35:59,059 --> 00:36:00,424
as if I wasn't there at all.
535
00:36:00,960 --> 00:36:04,200
Those that did talk to me
did with such indifference
536
00:36:04,280 --> 00:36:09,600
or nonchalance, it
verged on impertinence.
537
00:36:10,279 --> 00:36:12,303
There was this one in particular.
538
00:36:13,280 --> 00:36:14,920
- Tony.
- Anthony, surely?
539
00:36:15,000 --> 00:36:16,360
[MARGARET] No, he insisted.
540
00:36:16,440 --> 00:36:20,720
Tony. Armstrong-Jones.
He's this photographer.
541
00:36:20,800 --> 00:36:23,400
- Like Cecil?
- Oh, no, nothing like Cecil.
542
00:36:23,480 --> 00:36:25,040
Couldn't be less like Cecil.
543
00:36:25,600 --> 00:36:28,040
Well, maybe a bit like Cecil,
in that he's obviously queer.
544
00:36:28,760 --> 00:36:30,960
Though interestingly,
Elizabeth denies it.
545
00:36:31,040 --> 00:36:32,200
Elizabeth who?
546
00:36:32,640 --> 00:36:33,727
Cavendish.
547
00:36:33,752 --> 00:36:36,144
I called her when I got home
last night and interrogated her.
548
00:36:36,200 --> 00:36:38,013
"What are the five most important things
549
00:36:38,038 --> 00:36:39,704
I need to know about that man?"
550
00:36:39,760 --> 00:36:40,856
Why five?
551
00:36:40,881 --> 00:36:42,904
I don't know. Felt
like the right number.
552
00:36:42,960 --> 00:36:46,440
- [ELIZABETH] Why not three?
- He's more interesting than three.
553
00:36:47,480 --> 00:36:48,880
[ELIZABETH] So, what did she say?
554
00:36:49,520 --> 00:36:50,880
One, that he's Welsh.
555
00:36:50,960 --> 00:36:53,480
- Is that interesting?
- [MARGARET] No, not particularly.
556
00:36:54,680 --> 00:36:56,480
That he had polio as a child.
557
00:36:57,160 --> 00:36:59,800
That he has a passion
for inventing things.
558
00:37:00,320 --> 00:37:02,960
And he would never dream of being
anything as straightforward
559
00:37:03,040 --> 00:37:04,320
as "simply queer."
560
00:37:04,400 --> 00:37:05,880
What on earth does that mean?
561
00:37:06,360 --> 00:37:07,760
I'm not altogether sure.
562
00:37:08,680 --> 00:37:12,240
But I'm also not incurious to find out.
563
00:37:12,320 --> 00:37:14,000
[ELIZABETH] What was number five?
564
00:37:14,080 --> 00:37:14,960
[MARGARET] You can go.
565
00:37:14,985 --> 00:37:15,960
- That was five.
566
00:37:15,985 --> 00:37:17,769
- [ELIZABETH] No,
Margaret, that was four.
567
00:37:17,880 --> 00:37:19,320
[MARGARET] All right. Five is...
568
00:37:21,320 --> 00:37:22,440
I liked him.
569
00:37:23,000 --> 00:37:25,240
Yes, I can tell that.
570
00:37:26,760 --> 00:37:29,920
- There's a contempt in him.
- What for?
571
00:37:32,440 --> 00:37:34,880
For me. For us.
572
00:37:36,280 --> 00:37:38,440
For everything we represent.
573
00:37:41,960 --> 00:37:43,640
I actually think you'd like him.
574
00:37:45,040 --> 00:37:47,000
That's what's so dangerous about him.
575
00:37:48,400 --> 00:37:49,600
[TONY] Upstairs.
576
00:38:03,160 --> 00:38:05,480
[FOOTSTEPS APPROACHING]
577
00:38:22,720 --> 00:38:24,200
[EXHALES]
578
00:38:27,360 --> 00:38:28,360
[TONY] Right.
579
00:38:32,680 --> 00:38:33,600
Wait there.
580
00:38:34,720 --> 00:38:36,760
[TONY WHISTLING]
581
00:38:38,520 --> 00:38:39,520
Back in a minute.
582
00:38:52,600 --> 00:38:54,240
[BANGING]
583
00:39:02,000 --> 00:39:04,080
[FLOORBOARDS CREAKING]
584
00:39:07,840 --> 00:39:09,360
[BANGING]
585
00:39:13,360 --> 00:39:15,920
[FOOTSTEPS]
586
00:39:27,960 --> 00:39:29,080
[EXHALES]
587
00:39:36,640 --> 00:39:38,840
[WHEELS RATTLING]
588
00:39:52,480 --> 00:39:56,560
[LOUD BANGING]
589
00:40:20,480 --> 00:40:21,320
[SIGHS]
590
00:40:47,520 --> 00:40:49,160
[CAMERA WINDING]
591
00:40:51,000 --> 00:40:52,000
[MARGARET EXHALES]
592
00:40:55,160 --> 00:40:56,960
[CAMERA CLICKING, WINDING]
593
00:41:05,600 --> 00:41:06,600
[CAMERA SHUTTER CLICKS]
594
00:41:10,960 --> 00:41:12,200
Don't smile like that.
595
00:41:13,080 --> 00:41:15,000
It's lovely, but don't.
596
00:41:16,000 --> 00:41:17,960
- Too lovely?
- [CAMERA WINDING]
597
00:41:19,720 --> 00:41:22,240
- For my taste, yes.
- Oh, I see.
598
00:41:22,320 --> 00:41:25,320
- [CAMERA SHUTTER CLICKS]
- You'd prefer me to be unlovely?
599
00:41:25,400 --> 00:41:26,400
[CAMERA WINDING]
600
00:41:26,480 --> 00:41:28,240
I'd prefer you to be yourself.
601
00:41:28,265 --> 00:41:30,264
Though I realize that's asking the
impossible.
602
00:41:30,680 --> 00:41:31,760
Why?
603
00:41:32,920 --> 00:41:34,720
Because I'm uncooperative?
604
00:41:35,280 --> 00:41:37,280
- Because you have no idea who you are.
- [CAMERA SHUTTER CLICKS]
605
00:41:37,360 --> 00:41:38,840
- Look to the window.
- [CAMERA WINDING]
606
00:41:38,920 --> 00:41:41,960
- I know perfectly well.
- No, not the faintest idea.
607
00:41:43,640 --> 00:41:44,480
Window.
608
00:41:48,760 --> 00:41:49,600
[CAMERA SHUTTER CLICKS]
609
00:41:56,520 --> 00:41:57,840
We don't know who you are, either.
610
00:42:00,000 --> 00:42:02,160
The rest of us, outside the palace gates.
611
00:42:02,720 --> 00:42:05,480
That's because we keep feeding you
the fairy tale.
612
00:42:06,000 --> 00:42:06,840
[CAMERA SHUTTER CLICKS]
613
00:42:07,000 --> 00:42:08,240
[CAMERA WINDING]
614
00:42:12,800 --> 00:42:13,640
Like this.
615
00:42:20,680 --> 00:42:21,560
Ah.
616
00:42:24,840 --> 00:42:26,120
Jesus.
617
00:42:26,200 --> 00:42:27,760
I'm sorry, but, uh...
618
00:42:28,400 --> 00:42:29,240
[PHOTO FALLS]
619
00:42:29,760 --> 00:42:31,440
Cecil is a disgrace.
620
00:42:34,280 --> 00:42:36,120
Well, he's been good to the family.
621
00:42:37,400 --> 00:42:39,320
Why would you care about the family?
622
00:42:41,040 --> 00:42:42,800
Have they been good to you?
623
00:42:46,080 --> 00:42:47,200
They're my family.
624
00:42:49,080 --> 00:42:49,920
Yes.
625
00:42:53,400 --> 00:42:54,280
[CAMERA SHUTTER CLICKS]
626
00:42:54,920 --> 00:42:56,120
[CAMERA WINDING]
627
00:42:56,200 --> 00:42:58,320
But that business with Peter Townsend.
628
00:43:01,200 --> 00:43:02,200
Cruel.
629
00:43:08,680 --> 00:43:10,640
Was he really as dreary as he seemed?
630
00:43:12,120 --> 00:43:13,120
[CAMERA SHUTTER CLICKS]
631
00:43:14,880 --> 00:43:18,240
- [CAMERA WINDING]
- He was decent and old-fashioned.
632
00:43:21,840 --> 00:43:23,280
Easy qualities to mock.
633
00:43:23,360 --> 00:43:24,360
[CAMERA SHUTTER CLICKS]
634
00:43:26,920 --> 00:43:28,400
[CAMERA WINDING]
635
00:43:30,920 --> 00:43:32,520
Easy to miss, too.
636
00:44:13,920 --> 00:44:14,920
Do you miss him?
637
00:44:25,200 --> 00:44:26,080
Sometimes.
638
00:44:27,320 --> 00:44:28,160
[CAMERA SHUTTER CLICKS]
639
00:44:29,520 --> 00:44:33,320
[TONY] Got it. Right.
Back to my place for a drink?
640
00:44:33,400 --> 00:44:34,400
[MARGARET EXHALES]
641
00:44:35,040 --> 00:44:39,880
- Your place? Where's that?
- Well, get dressed and I'll show you.
642
00:44:44,120 --> 00:44:44,960
[SIGHS]
643
00:44:45,040 --> 00:44:46,880
[TONY WHISTLING]
644
00:44:53,880 --> 00:44:55,880
[FOOTSTEPS APPROACHING]
645
00:44:59,200 --> 00:45:03,200
So, this is... home.
646
00:45:05,400 --> 00:45:07,560
Oh, it's marvelous.
647
00:45:13,200 --> 00:45:17,520
- [TONY] Whiskey or Cinzano?
- Whiskey, please.
648
00:45:18,120 --> 00:45:19,400
[GLASSES CLINK]
649
00:45:22,200 --> 00:45:24,280
[WHISKEY POURING]
650
00:45:26,920 --> 00:45:27,880
Who's she?
651
00:45:30,960 --> 00:45:33,920
- [TONY] A friend.
- What kind of friend?
652
00:45:34,720 --> 00:45:35,560
A friend.
653
00:45:37,560 --> 00:45:40,920
And this one? Ooh. Couldn't you
have cheered her up a little?
654
00:45:41,000 --> 00:45:43,600
That's Sarah Macmillan,
the Prime Minister's daughter.
655
00:45:44,160 --> 00:45:45,120
Or is she?
656
00:45:46,040 --> 00:45:47,320
Word is not.
657
00:45:48,880 --> 00:45:51,720
- That she's Bob Boothby's love child.
- No.
658
00:45:51,800 --> 00:45:54,680
Mm. Thirty years they say
the affair's been going on,
659
00:45:54,760 --> 00:45:56,720
right under the PM's nose.
Can you imagine?
660
00:45:59,680 --> 00:46:01,720
I don't think I'm ever
going to get married.
661
00:46:03,240 --> 00:46:04,080
Quite right.
662
00:46:05,400 --> 00:46:06,560
Ghastly business.
663
00:46:08,520 --> 00:46:10,320
It makes being happy so very difficult.
664
00:46:16,760 --> 00:46:17,760
Oh, what's this?
665
00:46:18,920 --> 00:46:21,400
Oh, it's something I'm working on.
A design.
666
00:46:22,080 --> 00:46:23,600
It's fragile, get off.
667
00:46:25,680 --> 00:46:27,040
Mm, sorry.
668
00:46:28,320 --> 00:46:29,160
[TONY CHUCKLES]
669
00:46:29,800 --> 00:46:32,960
Here, come and have a look at this.
This might amuse you.
670
00:46:41,080 --> 00:46:43,033
What, people have signed their names?
671
00:46:43,058 --> 00:46:44,624
Well, their nicknames, yes.
672
00:46:45,360 --> 00:46:48,160
- Who's Tigger?
- Cleo Laine.
673
00:46:51,160 --> 00:46:53,600
- Snitch?
- Dirk Bogarde.
674
00:46:57,240 --> 00:46:59,200
[GASPS] Oh, look.
You already have a princess.
675
00:46:59,280 --> 00:47:00,120
[TONY] Mm.
676
00:47:00,400 --> 00:47:01,560
That's Tony Richardson.
677
00:47:03,200 --> 00:47:04,080
Will you sign?
678
00:47:05,640 --> 00:47:07,320
I keep a diamond for the purpose.
679
00:47:08,600 --> 00:47:09,440
Go on.
680
00:47:10,440 --> 00:47:12,480
I'm not sure I've ever had a nickname.
681
00:47:13,640 --> 00:47:14,600
What shall I put?
682
00:47:15,760 --> 00:47:17,960
Something that'll
throw them off the scent.
683
00:47:19,040 --> 00:47:19,880
Beryl.
684
00:47:21,200 --> 00:47:22,120
- Beryl?
- Mm.
685
00:47:23,720 --> 00:47:24,560
All right.
686
00:47:41,360 --> 00:47:42,560
It rhymes with peril.
687
00:47:48,960 --> 00:47:49,960
Put it back.
688
00:47:54,360 --> 00:47:55,200
Right.
689
00:47:56,840 --> 00:47:59,680
- Shall we look at the photograph?
- Yes.
690
00:48:45,000 --> 00:48:45,840
[CLICKS]
691
00:48:55,840 --> 00:48:56,680
Right.
692
00:49:10,920 --> 00:49:11,760
First...
693
00:49:14,280 --> 00:49:15,240
the chemicals.
694
00:49:28,120 --> 00:49:29,573
[MARGARET] You know,
when we first met...
695
00:49:29,598 --> 00:49:30,423
Mm?
696
00:49:31,960 --> 00:49:33,760
...I was sure you were queer.
697
00:49:41,840 --> 00:49:42,680
Why?
698
00:49:44,240 --> 00:49:45,960
Just the way you talked to women.
699
00:49:46,440 --> 00:49:47,760
Understood women.
700
00:49:59,760 --> 00:50:02,920
Then you put it into the water.
701
00:50:06,160 --> 00:50:07,840
- Here?
- Mm-hmm.
702
00:50:11,360 --> 00:50:15,920
Not to mention your tidy little hips,
your vanity and fastidiousness.
703
00:50:17,320 --> 00:50:18,280
I'm not vain.
704
00:50:20,400 --> 00:50:21,960
You're insufferably vain.
705
00:50:25,320 --> 00:50:26,840
But now I see you're not queer.
706
00:50:29,960 --> 00:50:33,040
Then you put it into the fixer.
707
00:50:38,960 --> 00:50:42,440
This whole routine
is far too practiced and well oiled.
708
00:50:44,320 --> 00:50:46,720
Woman after woman has been here
before me.
709
00:50:49,440 --> 00:50:50,880
Beautiful women.
710
00:50:52,040 --> 00:50:52,920
[TONY] Mm-hmm.
711
00:50:54,000 --> 00:50:54,840
Then...
712
00:51:01,520 --> 00:51:02,480
we hang her up.
713
00:51:14,760 --> 00:51:15,680
What do you think?
714
00:51:20,080 --> 00:51:22,040
It's a Margaret I've never seen before.
715
00:51:24,360 --> 00:51:27,960
- No one's ever seen before.
- No.
716
00:51:30,840 --> 00:51:33,160
Because in this photo,
you're not a princess anymore.
717
00:51:38,560 --> 00:51:40,440
There's someone
I would like you to send it to.
718
00:51:42,560 --> 00:51:43,880
Can I give you an address?
719
00:51:46,320 --> 00:51:47,160
Sure.
720
00:51:49,360 --> 00:51:51,120
- Then I must go.
- Mm.
721
00:51:54,640 --> 00:51:55,680
You, um...
722
00:51:57,280 --> 00:51:58,840
You won't stay a little longer?
723
00:52:00,360 --> 00:52:01,560
No.
724
00:52:02,280 --> 00:52:03,920
This is where the routine ends.
725
00:52:06,320 --> 00:52:07,160
For now.
726
00:52:09,120 --> 00:52:09,960
All right.
727
00:52:11,680 --> 00:52:12,800
Did you come with a driver?
728
00:52:13,720 --> 00:52:15,840
[MARGARET] Yes, he's waiting outside.
729
00:52:16,560 --> 00:52:17,960
Good. Then he can follow us.
730
00:52:30,440 --> 00:52:33,400
[SPEAKING MALAYSIAN]
731
00:52:36,640 --> 00:52:39,040
[INTERPRETER] We are most honored
to have been guests
732
00:52:39,120 --> 00:52:41,600
- in Your Majesty's beautiful home.
- Ah.
733
00:52:41,920 --> 00:52:45,000
[SPEAKING MALAYSIAN]
734
00:52:49,880 --> 00:52:52,720
[MOTORCYCLE REVVING]
735
00:52:53,320 --> 00:52:54,320
Hold tight.
736
00:52:56,360 --> 00:52:58,080
- [TIRES SCREECHING]
- [HORN HONKS]
737
00:53:10,800 --> 00:53:12,473
[ELIZABETH] Thank you
so much for coming.
738
00:53:12,498 --> 00:53:13,704
[PHILIP] It's been a pleasure.
739
00:53:14,480 --> 00:53:15,720
Thank you very much.
740
00:53:18,080 --> 00:53:21,200
- God, I thought that would never end.
- Yes, it did go on rather.
741
00:53:21,280 --> 00:53:25,440
- On and on and on and on.
- [ELIZABETH] Mm.
742
00:53:53,560 --> 00:53:55,120
Definitely not queer.
743
00:53:59,720 --> 00:54:00,703
Keep it.
744
00:54:14,720 --> 00:54:16,800
[THE FLAMINGOS'
"I ONLY HAVE EYES FOR YOU" PLAYING]
745
00:54:16,880 --> 00:54:17,880
[EXHALES]
746
00:54:20,320 --> 00:54:24,720
♪ My love must be a kind of blind love ♪
747
00:54:28,160 --> 00:54:32,040
♪ I can't see anyone but you ♪
748
00:54:34,760 --> 00:54:35,920
♪ Sha bop, sha bop ♪
749
00:54:38,880 --> 00:54:39,920
♪ Sha bop, sha bop ♪
750
00:54:42,840 --> 00:54:43,840
♪ Sha bop, sha bop ♪
751
00:54:47,000 --> 00:54:48,160
♪ Sha bop, sha bop ♪
752
00:54:48,240 --> 00:54:49,240
[EXHALES]
753
00:54:50,880 --> 00:54:51,720
♪ Sha bop, sha bop ♪
754
00:54:51,800 --> 00:54:56,480
- ♪ Are the stars out tonight? ♪
- ♪ Sha bop, sha bop ♪
755
00:54:58,560 --> 00:54:59,880
♪ Sha bop, sha bop ♪
756
00:55:00,240 --> 00:55:05,240
- ♪ I don't know if it's cloudy
or bright ♪ - ♪ Sha bop, sha bop ♪
757
00:55:05,960 --> 00:55:12,440
♪ I only have eyes ♪
758
00:55:13,440 --> 00:55:18,200
♪ For you ♪
759
00:55:19,080 --> 00:55:22,200
♪ Dear ♪
760
00:55:23,040 --> 00:55:24,000
♪ Sha bop, sha bop ♪
761
00:55:24,080 --> 00:55:30,440
- ♪ The moon may be high ♪- ♪ Sha bop, sha bop ♪
762
00:55:31,040 --> 00:55:32,080
[SIGHS DEEPLY]
763
00:55:32,160 --> 00:55:38,200
- ♪ But I can't see a thing in the sky ♪- ♪ Sha bop, sha bop ♪
764
00:55:38,280 --> 00:55:44,480
♪ I only have eyes ♪
765
00:55:45,080 --> 00:55:51,200
♪ For you ♪
766
00:55:57,080 --> 00:56:01,040
♪ I don't know if ♪
767
00:56:02,040 --> 00:56:08,240
♪ We're in a garden ♪
768
00:56:13,640 --> 00:56:19,000
♪ Or on a crowded ♪
769
00:56:19,720 --> 00:56:22,280
♪ Avenue ♪
770
00:56:28,440 --> 00:56:29,720
♪ Sha bop, sha bop ♪
771
00:56:29,800 --> 00:56:31,880
♪ You are here ♪
772
00:56:31,960 --> 00:56:32,800
Night.
773
00:56:33,360 --> 00:56:34,200
Goodnight.
774
00:56:34,280 --> 00:56:35,880
♪ And so am I ♪
775
00:56:36,680 --> 00:56:37,880
♪ Sha bop, sha bop ♪
776
00:56:38,360 --> 00:56:43,240
- ♪ Maybe millions of people go by ♪- ♪ Sha bop, sha bop ♪
777
00:56:43,960 --> 00:56:49,040
♪ But they all disappear ♪
778
00:56:51,200 --> 00:56:55,360
♪ From view ♪
779
00:56:59,840 --> 00:57:06,640
♪ And I only have eyes ♪
780
00:57:06,720 --> 00:57:07,720
[EXHALES]
781
00:57:07,800 --> 00:57:11,800
- ♪ For you ♪- ♪ Sha bop, sha bop ♪
782
00:57:11,880 --> 00:57:13,440
[MACMILLAN] Good gracious!
783
00:57:14,160 --> 00:57:15,160
♪ Sha bop, sha bop ♪
784
00:57:18,160 --> 00:57:19,360
♪ Sha bop, sha bop ♪
785
00:57:26,360 --> 00:57:28,000
Oh là là!
786
00:57:28,800 --> 00:57:29,960
[CHUCKLING]
787
00:57:30,560 --> 00:57:31,843
Mm-mm.
788
00:57:39,200 --> 00:57:40,120
[TYPEWRITER PINGS]
789
00:57:42,160 --> 00:57:44,200
[TYPEWRITER CLICKING]
790
00:57:45,800 --> 00:57:46,920
[GROANS]
791
00:57:48,960 --> 00:57:50,040
[CURTAINS OPENING]
792
00:57:59,960 --> 00:58:02,160
- There you are.
- Finally.
793
00:58:12,160 --> 00:58:14,080
- Oh, I say.
- What is it?
794
00:58:30,440 --> 00:58:31,280
It appears she's...
795
00:58:31,360 --> 00:58:32,200
Naked.
796
00:58:34,800 --> 00:58:35,640
Yes.
797
00:58:46,040 --> 00:58:47,040
[PHILIP CHUCKLES]
798
00:58:48,273 --> 00:58:56,374
Synced & corrected by -robtor-
www.addic7ed.com
58769
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