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Subtitles by explosiveskull
www.OpenSubtitles.org
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I love you.
3
00:01:33,432 --> 00:01:34,735
I know.
4
00:01:42,776 --> 00:01:44,178
I love you.
5
00:01:45,812 --> 00:01:47,280
I know.
6
00:01:54,854 --> 00:01:56,757
I love you.
7
00:01:57,824 --> 00:01:58,892
I know.
8
00:02:07,132 --> 00:02:08,034
I love you.
9
00:02:09,869 --> 00:02:11,170
I know.
10
00:02:43,836 --> 00:02:45,371
I love you so much.
11
00:02:49,508 --> 00:02:51,244
I know, bunny.
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00:02:56,348 --> 00:02:59,518
Geni.
Geni and Jaye.
13
00:02:59,551 --> 00:03:03,356
- Allô.
- Oh, do you comprenez?
14
00:03:03,388 --> 00:03:09,796
Oh, Geni, Geni...
is going on the subway.
15
00:03:26,946 --> 00:03:29,583
You know how it is.
You fall madly in love with somebody,
16
00:03:29,615 --> 00:03:32,452
hopefully,
at least once in your life.
17
00:03:32,484 --> 00:03:37,357
And there's this moment where you
just want to consume each other.
18
00:03:37,389 --> 00:03:40,893
You just, "Oh, God,
I just want to eat you up."
19
00:03:40,926 --> 00:03:44,430
I just want to just take you
and swallow you up.
20
00:03:44,464 --> 00:03:49,568
And just you and me just be one
fabulous moment of being in love.
21
00:03:49,602 --> 00:03:52,606
And not be individuals anymore.
22
00:03:52,638 --> 00:03:58,344
That sort of feeling. We had that so strongly
that we felt we wanted to pursue that.
23
00:03:58,377 --> 00:04:01,982
Not just talk about it
but live it.
24
00:04:02,014 --> 00:04:05,318
Hello.
25
00:04:08,454 --> 00:04:11,991
- Hello, sweetie. Hello.
- Hello.
26
00:04:12,025 --> 00:04:14,328
- Mmm.
- I got a funny tummy.
27
00:04:15,361 --> 00:04:18,365
- Hey!
- Hey. Are you all right?
28
00:04:18,398 --> 00:04:22,102
- Yeah. You know, always a little...
- Frazzled?
29
00:04:22,135 --> 00:04:23,637
- You know, when I come home.
- Yeah.
30
00:04:23,669 --> 00:04:27,206
Yeah, it takes me a little while
to decompress.
31
00:04:37,350 --> 00:04:40,320
I'm so hungry...
32
00:04:42,455 --> 00:04:45,625
Ooh, you found your
sock, big boy. Whoo-hoo.
33
00:04:45,657 --> 00:04:48,628
That's all right.
When I'm through eating, that's for...
34
00:04:48,660 --> 00:04:53,165
I was living in California,
Northern California, with my two children.
35
00:04:53,198 --> 00:04:55,001
Genesse and Caresse.
36
00:04:55,034 --> 00:05:00,273
Once in a while, for a break,
I would come to New York
37
00:05:00,306 --> 00:05:03,342
and stay with my friend,
Terence Sellers.
38
00:05:03,376 --> 00:05:07,313
And in order to finance
her life as a writer,
39
00:05:07,347 --> 00:05:10,049
she worked as a dominatrix.
40
00:05:10,083 --> 00:05:11,618
And she had her own dungeon.
41
00:05:12,617 --> 00:05:15,154
I went there for a long weekend.
42
00:05:15,188 --> 00:05:20,092
And I went out every night
to Jackie 60,
43
00:05:20,126 --> 00:05:24,097
this sort of performance art,
interesting nightclub in New York.
44
00:05:25,164 --> 00:05:28,034
Partying and dropping ecstasy
45
00:05:28,066 --> 00:05:30,302
and having a good time.
46
00:05:30,335 --> 00:05:32,571
And I finally decided
I needed to sleep,
47
00:05:32,604 --> 00:05:35,107
so I went to her place.
48
00:05:35,140 --> 00:05:37,977
And she said,
"You'll have to sleep in the dungeon."
49
00:05:38,677 --> 00:05:41,180
I said, "That's okay."
50
00:05:41,213 --> 00:05:45,684
So I was lying on the floor in the
death pose with a white sheet over me.
51
00:05:47,352 --> 00:05:50,723
And then I heard these noises
and I woke up.
52
00:05:50,756 --> 00:05:54,227
I could see through
the doorway of the room
53
00:05:54,260 --> 00:05:59,099
this incredibly tall, slim...
54
00:05:59,131 --> 00:06:03,335
to me, very beautiful... woman
walk across the doorway,
55
00:06:03,369 --> 00:06:07,039
dressed in all authentic
'60s clothing.
56
00:06:07,073 --> 00:06:10,310
And she was smoking a cigarette, of course, very elegantly.
57
00:06:10,342 --> 00:06:14,381
And she started walking backwards
and forwards across this doorway.
58
00:06:14,414 --> 00:06:17,417
And I was just entranced...
just great.
59
00:06:17,450 --> 00:06:19,452
What a nice way to wake up.
60
00:06:19,484 --> 00:06:25,191
And then she started to shed
her '60s clothing
61
00:06:25,224 --> 00:06:29,029
and she gradually got dressed in
all this incredible fetish clothing.
62
00:06:30,063 --> 00:06:32,032
And I just thought,
"Wow!
63
00:06:32,064 --> 00:06:36,435
My two favorites all-in-one, that's great.
Who's she?" You know?
64
00:06:36,469 --> 00:06:38,238
It was very unlike me.
65
00:06:38,270 --> 00:06:44,576
But I do remember very clearly
closing my eyes,
66
00:06:44,609 --> 00:06:47,381
and it was almost like a prayer.
67
00:06:48,280 --> 00:06:51,350
I... I basically said,
68
00:06:52,484 --> 00:06:54,554
"Dear Universe,
69
00:06:54,587 --> 00:06:59,292
If you find a way for me
to be with this woman...
70
00:06:59,325 --> 00:07:02,228
that's all I want;
I'll stay with her forever."
71
00:07:23,782 --> 00:07:26,251
- ♪ Be be you ♪
- ♪ Be be you ♪
72
00:07:26,285 --> 00:07:28,787
- ♪ Be be me ♪
- ♪ Be be me ♪
73
00:07:28,821 --> 00:07:32,758
♪ Be be what I ought to be ♪
74
00:07:34,126 --> 00:07:38,230
♪ Be be everything you see ♪
75
00:07:39,232 --> 00:07:41,768
♪ Be be special ♪
76
00:07:41,801 --> 00:07:44,137
♪ Be be free ♪
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00:07:44,169 --> 00:07:49,542
♪ Be the one revealing things ♪
78
00:07:49,575 --> 00:07:54,714
♪ Be the keeper of the rings ♪
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00:07:54,746 --> 00:07:57,449
♪ Ring the bell
And step outside ♪
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She became my best friend.
81
00:08:00,152 --> 00:08:03,256
And she was just a lot of fun.
We had a fun time, giggling.
82
00:08:03,289 --> 00:08:05,191
And she would buy champagne.
83
00:08:05,224 --> 00:08:08,527
And she loved to dress up
in wild clothes.
84
00:08:08,561 --> 00:08:10,830
So I just... when I would
go out with her...
85
00:08:10,862 --> 00:08:16,168
I felt really proud to have
this gorgeous woman on my arm
86
00:08:16,201 --> 00:08:18,304
that was almost half my age.
87
00:08:20,506 --> 00:08:24,844
♪ If you sit with fear
A star too far ♪
88
00:08:24,877 --> 00:08:29,149
♪ Almost lost
In this storm of life ♪
89
00:08:29,181 --> 00:08:33,186
♪ A blazing ghost
Can become the host ♪
90
00:08:33,219 --> 00:08:35,188
♪ And you breakthrough ♪
91
00:08:36,855 --> 00:08:38,725
♪ To the room of dreams ♪
92
00:08:56,875 --> 00:08:58,744
Oh, hey, come everybody.
93
00:08:58,777 --> 00:09:01,882
Luann! Stop.
Moment of tradition.
94
00:09:03,782 --> 00:09:06,885
It's the cake time.
95
00:09:06,918 --> 00:09:10,657
- Come on! Come on!
- There she is.
96
00:09:10,690 --> 00:09:14,727
♪ Happy birthday to you ♪
97
00:09:14,759 --> 00:09:18,830
♪ Happy birthday to you ♪
98
00:09:18,864 --> 00:09:21,633
♪ Happy birthday, dear Jackie ♪
99
00:09:21,667 --> 00:09:24,970
Jackie, Lady Jaye,
and everything!
100
00:09:25,003 --> 00:09:29,508
♪ Happy birthday to you ♪
101
00:09:36,249 --> 00:09:37,950
Speech, speech, speech.
102
00:09:37,984 --> 00:09:43,556
I wanna thank everyone for
coming and making it such a fun day for me.
103
00:09:43,589 --> 00:09:47,260
I wanna thank my beloved
dear friends, and new friends.
104
00:09:47,292 --> 00:09:51,330
- And I wanna thank Gen.
- Yay, Gen, Gen.
105
00:09:52,864 --> 00:09:56,735
Ta-te-ta, ta-te-ta.
106
00:09:56,768 --> 00:09:58,370
Ta-te-ta, ta-te-ta.
107
00:10:01,440 --> 00:10:06,813
Lady Jaye was really remarkable
in her ability to edit very quickly.
108
00:10:06,845 --> 00:10:09,715
And the very first day
that we met,
109
00:10:09,749 --> 00:10:15,754
she intuitively dressed me up in
several pieces of her clothing.
110
00:10:15,787 --> 00:10:18,657
A skintight bottle-green
velvet jumpsuit,
111
00:10:18,691 --> 00:10:22,494
and a leather miniskirt,
and Fluevog shoes.
112
00:10:22,527 --> 00:10:26,566
And she sort of braided
little trinkets into my hair.
113
00:10:26,599 --> 00:10:29,402
And then we went out.
114
00:10:29,435 --> 00:10:32,672
She said, "Now you're ready," and
took me out into the East Village.
115
00:10:32,705 --> 00:10:36,542
And so she really
picked up instantly, um,
116
00:10:36,575 --> 00:10:38,945
on that aspect
of my personality.
117
00:10:38,978 --> 00:10:41,748
And the Native American flute...
118
00:10:41,781 --> 00:10:44,584
God, you're cute.
Can I give you a kiss?
119
00:10:50,855 --> 00:10:54,393
I always dress up
for housework.
120
00:10:54,426 --> 00:10:59,499
Sometimes when I'm really tired and there's
lots to do, like vacuuming and things,
121
00:10:59,532 --> 00:11:03,402
that's when I dress up the most,
and I'll put on five-inch heels.
122
00:11:03,436 --> 00:11:07,974
Silk stockings with seems, perfectly straight,
123
00:11:08,007 --> 00:11:10,743
and really pretty lace lingerie,
124
00:11:10,776 --> 00:11:13,012
and a tiny little skirt.
125
00:11:13,045 --> 00:11:15,014
And then a really sexy top
126
00:11:15,047 --> 00:11:19,951
with a very,
very sort of stylized or lacy bra.
127
00:11:19,984 --> 00:11:22,854
And lots of makeup...
make myself perfect,
128
00:11:22,888 --> 00:11:29,027
as if I'm going to the most important opening
of a film that I could possibly go to.
129
00:11:29,061 --> 00:11:31,697
And then I do the housework.
130
00:11:31,730 --> 00:11:34,700
And I imagine that I'm...
131
00:11:34,734 --> 00:11:38,970
I have an audience of fetishists
everywhere in the house.
132
00:11:39,003 --> 00:11:41,907
And once you've done that
a few times,
133
00:11:41,941 --> 00:11:46,046
you'll discover that housework
becomes innately sexy.
134
00:11:51,649 --> 00:11:54,853
- Hello.
- Good morning, Jaye.
135
00:11:54,887 --> 00:11:57,422
- Hi, sweetie pie.
- Hello!
136
00:11:57,455 --> 00:11:59,624
I'm cooking for you.
137
00:11:59,657 --> 00:12:02,662
My name is Chef Abrahamson.
138
00:12:02,695 --> 00:12:05,064
I'm making Swedish meatballs.
139
00:12:05,096 --> 00:12:07,100
Let me make it up to you.
140
00:12:07,133 --> 00:12:11,037
Let me make it up to you. Let me barbecue
for you. I'm a maven at the grill.
141
00:12:14,806 --> 00:12:17,509
- How are you, hon?
- Your hair grew.
142
00:12:18,811 --> 00:12:20,879
- Huh?
- Your hair grew. You look amazing.
143
00:12:20,912 --> 00:12:24,750
- I'm hairy, yeah.
- You've grown a little hairier.
144
00:12:24,783 --> 00:12:26,385
Look at my hairy-air.
145
00:12:26,418 --> 00:12:27,986
- So, bunny.
- Yes, baby?
146
00:12:28,019 --> 00:12:31,758
- Would you like some ravioli? Little bit of ravioli?
- I'll have a few.
147
00:12:31,791 --> 00:12:36,561
- But give me a few minutes. I need to unwind a little bit.
- Of course.
148
00:12:36,595 --> 00:12:39,165
You need us to get out
of your hair?
149
00:12:39,197 --> 00:12:42,000
I could, uh...
Yeah, the kitchen's a little cramped.
150
00:12:42,033 --> 00:12:44,136
I gotta put this food away.
151
00:12:44,170 --> 00:12:47,874
Okay. I'll have a cigarette.
152
00:12:47,907 --> 00:12:50,442
Why don't you go up on the roof?
It's nice and cool.
153
00:12:50,475 --> 00:12:54,714
Don't... Let's go, Folly. Mwah.
154
00:12:56,715 --> 00:13:01,554
My love is a
beauty who never grows old.
155
00:13:04,056 --> 00:13:09,095
He flies over pastures
where shadows are sown.
156
00:13:11,596 --> 00:13:16,402
The heart of a tiger,
the lips of a whore.
157
00:13:18,571 --> 00:13:21,874
She's painting a picture
of time.
158
00:13:28,180 --> 00:13:33,453
Change can still
bite a heart of stone.
159
00:13:36,489 --> 00:13:42,896
Where shame is chiseled
in flesh and bone.
160
00:13:44,997 --> 00:13:46,766
But came to know...
161
00:13:48,133 --> 00:13:50,869
And are left alone.
162
00:13:54,672 --> 00:13:57,210
This house
is full of useless information.
163
00:13:57,243 --> 00:14:02,547
- Surprise!
- What?
164
00:14:02,580 --> 00:14:05,984
It is... It is ephemera.
165
00:14:06,018 --> 00:14:07,887
It's full of ephemera.
166
00:14:25,604 --> 00:14:28,874
Ah, we found a use for the archive.
Hide and seek.
167
00:14:30,676 --> 00:14:32,744
We can play hide and seek
with it.
168
00:14:32,777 --> 00:14:35,514
I was trying to think what can we
do with all this shit. That's it.
169
00:14:35,547 --> 00:14:36,950
Hide and seek.
170
00:14:41,954 --> 00:14:43,823
Where does it go?
171
00:14:59,071 --> 00:15:03,542
Look. Can't get those down.
That's "Heathen Earth" posters up there.
172
00:15:03,575 --> 00:15:06,546
There's all kinds of stuff
down here.
173
00:15:06,579 --> 00:15:11,084
There's actually the entire
story from beginning to end
174
00:15:11,917 --> 00:15:14,921
of industrial music,
175
00:15:14,954 --> 00:15:16,923
which is pretty remarkable.
176
00:15:16,955 --> 00:15:18,724
All the files
are still over there
177
00:15:18,757 --> 00:15:22,027
and all the press cuttings
and all the receipts...
178
00:15:22,061 --> 00:15:25,297
My first album. 1967.
179
00:15:27,832 --> 00:15:31,069
- That's you.
- But my favorite part of this is:
180
00:15:31,103 --> 00:15:33,840
"We have nothing to say
and we're saying it."
181
00:15:35,074 --> 00:15:38,011
Isn't that sophisticated
for 17 years old?
182
00:15:42,247 --> 00:15:45,818
So this is what happens
to an idea sometimes, you see?
183
00:15:52,056 --> 00:15:53,659
Lady smells good.
184
00:15:56,095 --> 00:15:57,129
Fall back!
185
00:15:58,229 --> 00:15:59,298
Fall back!
186
00:16:02,066 --> 00:16:06,605
Ladies. Ladies. Ladies.
Lady smells good.
187
00:16:09,975 --> 00:16:12,277
Lady smells good.
188
00:16:13,979 --> 00:16:15,882
Fall back!
189
00:16:18,117 --> 00:16:19,619
Fall back!
190
00:16:22,021 --> 00:16:23,690
Lady smells good.
191
00:16:25,724 --> 00:16:29,027
Fall back! Fall back!
192
00:16:40,104 --> 00:16:45,210
Lady. Lady. Lady.
Lady smells good.
193
00:16:45,244 --> 00:16:49,715
Lady. Lady. Lady.
Lady. Lady.
194
00:16:49,748 --> 00:16:51,751
We can remember
being really excited
195
00:16:51,783 --> 00:16:54,854
going into the Virgin Megastore
in Oxford street.
196
00:16:54,887 --> 00:16:57,123
And they'd finally put in
one of those little dividers
197
00:16:57,156 --> 00:17:01,260
with "Industrial Music"
for the first time.
198
00:17:01,292 --> 00:17:05,031
And I ran in and took a picture of it.
I was all excited and went out.
199
00:17:05,063 --> 00:17:09,869
"They've got... They've got an industrial
music section in Virgin! Can you believe it?"
200
00:17:09,901 --> 00:17:12,237
And there was Cabaret Voltaire and
Throbbing Gristle, that was it.
201
00:17:13,371 --> 00:17:16,175
And now look at it.
202
00:17:16,207 --> 00:17:18,878
September 3, 1975.
203
00:17:18,910 --> 00:17:23,015
London Fields Park in Hackney,
East 8,
204
00:17:24,082 --> 00:17:25,685
industrial music was named.
205
00:17:27,019 --> 00:17:28,121
♪ I want ♪
206
00:17:32,123 --> 00:17:33,692
♪ Discipline ♪
207
00:17:35,394 --> 00:17:37,363
♪ I want ♪
208
00:17:37,396 --> 00:17:39,197
♪ Discipline ♪
209
00:17:39,231 --> 00:17:42,134
♪ I want discipline ♪
210
00:17:42,167 --> 00:17:44,136
♪ Are you ready, boys? ♪
211
00:17:44,168 --> 00:17:46,237
♪ Are you ready, girls? ♪
212
00:17:46,271 --> 00:17:49,908
♪ Are you ready for
The discipline? ♪
213
00:17:49,942 --> 00:17:53,279
♪ I want discipline ♪
214
00:17:53,311 --> 00:17:56,881
♪ I want discipline ♪
215
00:17:56,915 --> 00:18:00,418
♪ I want discipline ♪
216
00:18:00,452 --> 00:18:03,423
♪ I want discipline ♪
217
00:18:04,388 --> 00:18:05,725
♪ I want ♪
218
00:18:05,757 --> 00:18:07,258
♪ Are you ready, boys? ♪
219
00:18:07,292 --> 00:18:09,261
♪ Are you ready, boys? ♪
220
00:18:09,293 --> 00:18:12,732
♪ Well, we won't go!
Well, we won't go! ♪
221
00:18:12,764 --> 00:18:14,432
♪ No discipline in here ♪
222
00:18:14,465 --> 00:18:16,167
♪ Are you ready, boys? ♪
223
00:18:16,201 --> 00:18:18,037
We started in '75.
224
00:18:18,070 --> 00:18:20,973
Every weekend, on Friday,
Saturday, and Sunday.
225
00:18:21,005 --> 00:18:26,077
Chris and Cosey and Sleaze and myself
would meet at my house in Hackney,
226
00:18:26,110 --> 00:18:30,315
and then go to the Death Factory and
jam with instruments... what we had.
227
00:18:30,349 --> 00:18:32,184
Originally, it's just
what we had lying around,
228
00:18:32,216 --> 00:18:35,487
which was a broken bass guitar
that Chris fixed.
229
00:18:35,521 --> 00:18:38,090
Chris made his own synthesizer
from scratch.
230
00:18:38,122 --> 00:18:41,292
This big, huge modular synth
that was amazing.
231
00:18:41,326 --> 00:18:43,796
Sleazy created
the "box of tricks,"
232
00:18:43,829 --> 00:18:47,767
which was six or eight
Walkman cassette recorders.
233
00:18:47,800 --> 00:18:51,537
And he converted them
so that they went to a keyboard.
234
00:18:51,570 --> 00:18:54,205
And by pressing the keys
you would cut it all up.
235
00:18:54,238 --> 00:18:58,443
So it was a sort of machine for
doing a Burroughs-Gysin cut-up.
236
00:18:58,476 --> 00:19:01,246
- Look at that picture.
- Good.
237
00:19:01,280 --> 00:19:03,949
- Good. Thank you.
- Seem to be persisting?
238
00:19:03,982 --> 00:19:06,318
- Does it seem to be persisting?
- Good. Thank you.
239
00:19:06,350 --> 00:19:08,186
- Good. Thank you.
- Where are we now?
240
00:19:08,219 --> 00:19:11,023
T.G., in my opinion,
241
00:19:11,055 --> 00:19:15,960
one reason it was so successful is because
it took the magical formula of the cut-ups
242
00:19:15,994 --> 00:19:18,129
and inserted it
into rock and roll.
243
00:19:18,163 --> 00:19:21,467
♪ I want ♪
244
00:19:21,500 --> 00:19:25,271
♪ I want ♪
245
00:19:25,303 --> 00:19:28,072
And it wasn't because of
anything we were doing per se.
246
00:19:28,106 --> 00:19:30,475
It was just that we opened up
a hole in reality...
247
00:19:31,609 --> 00:19:33,545
with the cut-ups that we used.
248
00:19:33,579 --> 00:19:37,383
We smashed a hole through rock
and roll expectations over here,
249
00:19:37,416 --> 00:19:40,852
but you led all these other people
through rivers, like Cabaret Voltaire,
250
00:19:40,886 --> 00:19:44,290
and, later on, Nine Inch Nails,
and whoever else.
251
00:19:44,322 --> 00:19:47,359
So that's where Burroughs
was so influential.
252
00:19:47,391 --> 00:19:50,128
But he also was so supportive.
253
00:19:50,161 --> 00:19:52,363
He was friends
with Lord Goodman,
254
00:19:52,397 --> 00:19:56,335
and Lord Goodman used to be very
important in the Arts Council.
255
00:19:56,368 --> 00:20:01,040
And so through Burroughs the Arts
Council got interested in COUM.
256
00:20:01,072 --> 00:20:03,975
And he wrote me references
to the Arts Council,
257
00:20:04,009 --> 00:20:06,412
and that's how we got grants
from them.
258
00:20:16,521 --> 00:20:18,090
And looking back,
259
00:20:18,122 --> 00:20:21,025
I mean, how amazing
that somebody like Burroughs
260
00:20:21,059 --> 00:20:26,599
would take time out to give
so much practical assistance
261
00:20:26,631 --> 00:20:30,468
to these avant-garde artists
from nowhere, you know,
262
00:20:30,502 --> 00:20:33,038
that dropped out of university
and never went to art college
263
00:20:33,071 --> 00:20:37,509
but had all these grandiose ideas about
changing the culture and cultural engineering.
264
00:20:37,542 --> 00:20:39,945
But he did.
He really supported it.
265
00:20:39,977 --> 00:20:42,047
And he deserves
a lot of credit for that.
266
00:20:56,628 --> 00:20:58,664
This is one of my favorites.
267
00:20:58,696 --> 00:21:01,600
"The Arts Council
which helped finance
268
00:21:01,632 --> 00:21:06,604
the controversial Genesis P-Orridge's
sex art exhibition admitted today:
269
00:21:06,638 --> 00:21:10,141
‘We made mistakes.'"
270
00:21:10,175 --> 00:21:15,414
"‘And top of the list: Mr. Orridge's
COUM Transmission Group.'"
271
00:21:15,446 --> 00:21:19,517
"These people are the wreckers
of civilization."
272
00:21:19,551 --> 00:21:22,186
Isn't it amazing? What?
273
00:21:22,219 --> 00:21:24,523
What a little bit of sex can do
in Great Britain?
274
00:21:26,324 --> 00:21:30,061
Oh, look, here's...
These ones are great.
275
00:21:30,094 --> 00:21:34,966
They used to have this thing in England
with the newspapers that during the day
276
00:21:35,000 --> 00:21:41,205
they'd put these silk screens up in
special frames all over the town,
277
00:21:41,238 --> 00:21:44,075
to let you know what was going
to be the main story that day.
278
00:21:44,109 --> 00:21:47,146
What was the exciting,
breaking news.
279
00:21:47,178 --> 00:21:50,448
And normally it's
"Prime Minister Says,
280
00:21:50,482 --> 00:21:54,119
‘We're Going to Drop the Bomb
on Afghanistan.'"
281
00:21:54,151 --> 00:21:57,523
Or "Bank Rate Falls"
or something like that.
282
00:21:57,555 --> 00:22:00,625
But we are very proud
to have our own
283
00:22:00,658 --> 00:22:03,462
that was all over Britain
one day.
284
00:22:05,097 --> 00:22:06,632
That's me.
285
00:22:11,602 --> 00:22:14,639
From the moment we met William Burroughs in 1971,
286
00:22:14,673 --> 00:22:18,144
we were asking him to let me
know how to meet Brion Gysin.
287
00:22:19,744 --> 00:22:24,750
It was seven years before he
gave me Brion Gysin's address.
288
00:22:24,782 --> 00:22:28,020
Once I met Brion, I got in touch
with William a lot less often.
289
00:22:29,186 --> 00:22:34,126
Brian was my mentor.
So intelligent.
290
00:22:34,158 --> 00:22:38,597
And it was incredible. He was a sort of
animated encyclopedia of alternative knowledge.
291
00:22:39,531 --> 00:22:42,634
He would smoke hash all day.
292
00:22:42,667 --> 00:22:46,605
So what would happen was I would save up
money until I could afford to get to Paris.
293
00:22:46,638 --> 00:22:49,608
I'd be there eleven o'clock, and go up
to his apartment, knock on the door,
294
00:22:49,640 --> 00:22:52,010
and he'd welcome me
and make me peppermint tea.
295
00:22:52,043 --> 00:22:55,147
He found out my favorite biscuits
were Cadbury's Chocolate Fingers.
296
00:22:56,348 --> 00:22:58,317
From the first time
I visited him...
297
00:22:58,350 --> 00:23:01,285
from then until his death
in 1986...
298
00:23:01,319 --> 00:23:07,026
he always had a least one packet of
Cadbury's Chocolate Fingers in his cupboard
299
00:23:07,059 --> 00:23:09,194
in case I came to visit.
300
00:23:09,226 --> 00:23:12,230
Isn't that incredible,
for somebody that well known,
301
00:23:12,263 --> 00:23:17,335
and that busy and preoccupied,
to take that much trouble?
302
00:23:17,369 --> 00:23:22,340
He would sit at one end of the table
with his pipe and go...
303
00:23:22,373 --> 00:23:26,077
"Well, of course,
when I was in Morocco in..."
304
00:23:26,110 --> 00:23:27,678
And he would start,
and that was it.
305
00:23:27,712 --> 00:23:30,616
And at eleven o'clock at night
he'd stop.
306
00:23:30,648 --> 00:23:36,554
Every day, 12 hours, bang, bang. With a little
break for an hour when he made a snack for lunch.
307
00:23:36,588 --> 00:23:40,359
And I never got bored,
never thought about the clock.
308
00:23:40,391 --> 00:23:43,728
Never wanted to be somewhere else.
It was just riveting.
309
00:24:08,386 --> 00:24:13,225
From the bottom of...
of the sea.
310
00:24:30,509 --> 00:24:32,611
Look all right?
There's one more verse, if you want.
311
00:24:32,644 --> 00:24:35,347
Oh!
Well, we got to do it, then.
312
00:24:35,379 --> 00:24:37,850
Do one more while we're here?
Then it's finished.
313
00:24:37,882 --> 00:24:40,619
- It's the cameraman that's got it.
- More trumpets and violins.
314
00:24:40,651 --> 00:24:43,688
Can't not have the trumpets
and violins.
315
00:24:43,722 --> 00:24:47,792
You're doing very well. It's almost
finished. It'll only take you two minutes.
316
00:24:47,826 --> 00:24:52,197
We recorded "Are You
Experienced?" the cover version,
317
00:24:52,230 --> 00:24:57,236
and then decided
to put a video with it.
318
00:24:57,269 --> 00:25:02,641
And we filmed in two places,
in Brighton at the Fun Fair.
319
00:25:02,674 --> 00:25:06,744
So that's where you see Caresse
going up and down on the big wheel,
320
00:25:06,778 --> 00:25:11,283
laughing and eating ice cream and so on,
and spinning around on the various rides.
321
00:25:11,315 --> 00:25:15,920
And then we went down to Derek
Jarman's cottage in Dungeness,
322
00:25:15,954 --> 00:25:20,658
and filmed her doing her improvised
dancing and smashing a guitar
323
00:25:20,692 --> 00:25:23,729
in his famous garden made
out of stones and driftwood.
324
00:25:23,762 --> 00:25:27,499
And Derek was watching from the side that day.
325
00:25:27,532 --> 00:25:31,470
- Maybe you can't hear this.
- And he was really thrilled: "Oh, it's so marvelous, Gen.
326
00:25:31,503 --> 00:25:36,308
It's so marvelous. Oh,
it's so wonderful, so marvelous."
327
00:25:36,340 --> 00:25:37,909
In that really queeny
way of his.
328
00:25:37,943 --> 00:25:43,581
- Take hold of my hand.
- And Genesse is hitting the gong.
329
00:25:43,615 --> 00:25:46,285
'Cause she insisted
on being in the film too.
330
00:25:46,318 --> 00:25:50,289
But that record actually went to
number one in the Italian charts
331
00:25:50,321 --> 00:25:54,392
and became the theme music for the
top pop program that they had at...
332
00:25:54,426 --> 00:25:57,862
The Top 20s... and it was theme
music every week for months.
333
00:26:03,667 --> 00:26:06,338
Good attempt. Good attempt.
334
00:26:07,738 --> 00:26:10,908
Are you experienced?
335
00:26:10,942 --> 00:26:14,947
Have you ever been
experienced?
336
00:26:14,980 --> 00:26:19,484
Have you ever been experienced?
337
00:26:19,516 --> 00:26:22,286
Well, I am.
338
00:26:22,320 --> 00:26:25,224
Well, I am.
339
00:26:30,427 --> 00:26:35,734
Everyone is
telling the truth all of the time.
340
00:26:38,802 --> 00:26:43,742
Everyone is telling the truth
all of the time.
341
00:26:45,443 --> 00:26:46,278
Well...
342
00:26:47,779 --> 00:26:50,549
it's just that times change.
343
00:26:58,923 --> 00:27:03,395
♪ Boys are
girls And girls are boys ♪
344
00:27:03,427 --> 00:27:08,332
♪ To E.G.V.
They're more than toys ♪
345
00:27:08,366 --> 00:27:13,038
♪ Boys are girls
And girls are boys ♪
346
00:27:13,071 --> 00:27:17,275
♪ To E.G.V.
They're more than toys ♪
347
00:27:20,544 --> 00:27:23,681
♪ Here is something
You've got to know ♪
348
00:27:25,317 --> 00:27:27,551
♪ Boys change to girls ♪
349
00:27:27,584 --> 00:27:29,821
♪ And girls are boys ♪
350
00:27:32,756 --> 00:27:38,696
♪ Boys are girls
Girls are boys, you know ♪
351
00:27:39,630 --> 00:27:40,733
♪ You know ♪
352
00:27:41,965 --> 00:27:44,003
♪ You know ♪
353
00:27:48,406 --> 00:27:52,043
This is me. That's me.
354
00:27:52,077 --> 00:27:55,314
This is me. That's me.
355
00:27:56,348 --> 00:28:00,351
This is Neil Andrew Megson.
356
00:28:01,418 --> 00:28:04,055
He's a boy.
357
00:28:04,089 --> 00:28:08,859
This is Genesis
Breyer P-Orridge.
358
00:28:08,892 --> 00:28:11,929
And she has no idea what she is.
359
00:28:15,600 --> 00:28:17,968
♪ Wisdom ♪
360
00:28:18,002 --> 00:28:22,474
When suddenly I was moved to Birmingham
to this really strict public school,
361
00:28:22,506 --> 00:28:25,376
you had to wear a woolen suit,
362
00:28:25,409 --> 00:28:29,547
and you had to have lace-up
Oxford shoes,
363
00:28:29,580 --> 00:28:32,917
and the same tie,
and these really tight shirts,
364
00:28:32,951 --> 00:28:34,953
and you hair had to be
right up here.
365
00:28:34,985 --> 00:28:37,522
It was pointless torture.
366
00:28:37,554 --> 00:28:42,093
The first day I got there, nobody told
me anything about the school rules.
367
00:28:42,127 --> 00:28:44,963
So I turned up
and I asked around.
368
00:28:44,995 --> 00:28:49,434
I was told to go to a particular classroom.
So I went there and sat down.
369
00:28:49,466 --> 00:28:51,969
And there was roll call,
and then a bell went off.
370
00:28:53,571 --> 00:28:57,475
And everyone vanished
without saying anything to me.
371
00:28:57,509 --> 00:29:00,145
So I looked around and thought,
372
00:29:00,177 --> 00:29:03,815
"Maybe it's a playground break or something?"
373
00:29:04,948 --> 00:29:06,784
So I got up and wandered out.
374
00:29:06,818 --> 00:29:09,687
And everyone had disappeared,
so I started to walk around the school.
375
00:29:09,721 --> 00:29:11,890
Nobody anywhere.
376
00:29:11,923 --> 00:29:17,462
And finally I found one of the teachers
and said, "Where is everybody, sir?"
377
00:29:17,494 --> 00:29:21,733
And he said, "Well, they're in the
chapel, of course, in the church."
378
00:29:21,765 --> 00:29:26,437
So he grabbed me and said,
"I'll show you where it is."
379
00:29:26,471 --> 00:29:31,844
And then burst into this church where
all the school and all the teachers were.
380
00:29:33,211 --> 00:29:37,649
And the whole place turned round
and went quiet.
381
00:29:37,682 --> 00:29:43,188
And this teacher dragged me physically down
the aisle of the church towards the altar.
382
00:29:43,221 --> 00:29:48,426
And then in front of the altar,
under this 50-foot-high painting of Jesus,
383
00:29:49,127 --> 00:29:51,562
he turned around
384
00:29:51,596 --> 00:29:54,733
and said to me
while everybody's watching,
385
00:29:54,765 --> 00:29:56,834
"What's your name?"
386
00:29:56,868 --> 00:30:00,605
So I said,
"Neil Andrew Megson, sir."
387
00:30:00,638 --> 00:30:03,507
And he goes,
"What class are you in?"
388
00:30:03,541 --> 00:30:04,842
"Lower 5-2, sir."
389
00:30:04,876 --> 00:30:07,212
And he says, "No, you're not.
390
00:30:07,244 --> 00:30:11,816
How could you possibly be in that class?
You're far too small and pathetic.
391
00:30:11,850 --> 00:30:14,619
You must be at least
seven years old."
392
00:30:14,651 --> 00:30:16,854
And the whole school
starts laughing.
393
00:30:16,888 --> 00:30:19,191
So the minute
I got out of the church
394
00:30:19,224 --> 00:30:22,627
all the other kids
started to attack, physically.
395
00:30:22,659 --> 00:30:25,964
The next time there was a break,
I got kicked unconscious,
396
00:30:25,996 --> 00:30:29,100
while they were all laughing at
me, going, "You're only seven."
397
00:30:29,132 --> 00:30:33,904
Thrown down concrete steps.
398
00:30:33,937 --> 00:30:37,542
And from then on I was beaten up
every single day for three years.
399
00:30:38,510 --> 00:30:39,711
So...
400
00:30:39,744 --> 00:30:43,615
one of those places
where you either submit
401
00:30:44,648 --> 00:30:47,084
or you decide that you'll fight.
402
00:30:48,119 --> 00:30:49,455
Guess what we chose.
403
00:30:51,622 --> 00:30:54,859
This is the final war.
404
00:30:54,892 --> 00:30:57,995
We have an absolute right...
405
00:30:59,696 --> 00:31:02,167
to be whoever we want to be!
406
00:31:05,102 --> 00:31:09,640
I am so sick and tired
of being told
407
00:31:09,674 --> 00:31:11,944
what I'm supposed to look like!
408
00:31:14,913 --> 00:31:17,749
This is not my body.
409
00:31:17,782 --> 00:31:20,150
This is not my name.
410
00:31:20,184 --> 00:31:24,923
This is not my personality!
411
00:31:26,757 --> 00:31:30,961
Someone said, "You're
supposed to look like this!"
412
00:31:33,898 --> 00:31:36,167
Someone told me,
413
00:31:36,199 --> 00:31:42,606
"I want you to be the same
as the one that went before."
414
00:31:42,639 --> 00:31:43,941
I am not!
415
00:31:47,011 --> 00:31:51,250
I refuse...
to be the same!
416
00:32:03,895 --> 00:32:09,801
We got married on
Friday the 13th in 1995.
417
00:32:09,833 --> 00:32:12,870
But we decided that I'd be the
bride and she'd be the groom.
418
00:32:12,904 --> 00:32:15,974
She got me a beautiful
white lace wedding dress.
419
00:32:17,609 --> 00:32:18,976
And I still had dreadlocks.
420
00:32:19,010 --> 00:32:24,349
And she wore tight
leather trousers
421
00:32:24,381 --> 00:32:26,951
with motorcycle boots,
422
00:32:26,984 --> 00:32:32,090
and a leather waistcoat,
or vest as they call them here.
423
00:32:32,122 --> 00:32:35,593
With nothing underneath, undone.
424
00:32:35,627 --> 00:32:38,930
And she drew on a mustache.
425
00:32:38,963 --> 00:32:42,267
♪ You know how much I love you ♪
426
00:32:42,300 --> 00:32:44,836
♪ I give you all my life ♪
427
00:32:47,237 --> 00:32:51,642
♪ No one may take my life
From me ♪
428
00:32:52,709 --> 00:32:55,679
We started to think about,
429
00:32:55,713 --> 00:32:58,617
instead of having children,
which is in a way...
430
00:32:58,649 --> 00:33:03,821
a child is the two people
combined to become a new person.
431
00:33:03,855 --> 00:33:07,759
What if we made ourselves
the new person instead?
432
00:33:07,792 --> 00:33:11,128
So it began as very romantic,
about love,
433
00:33:11,161 --> 00:33:14,365
and about wanting to be as much
like each other as we could.
434
00:33:14,398 --> 00:33:18,035
In a way
almost a physical orgasm.
435
00:33:18,069 --> 00:33:21,205
Because an orgasm is also a
moment when two people become one.
436
00:33:22,706 --> 00:33:24,141
So that was the beginning of it.
437
00:33:24,175 --> 00:33:26,845
But as we thought about it
and explored it more,
438
00:33:26,878 --> 00:33:29,013
we realized
that we were including
439
00:33:29,046 --> 00:33:33,417
some of the William Burroughs and
Brion Gysin ideas of the cut-up.
440
00:33:33,451 --> 00:33:39,424
And so we started to take and have cosmetic
surgeries to look more like each other.
441
00:33:39,456 --> 00:33:43,695
Burroughs and Gysin said that when
they cut up writing and remixed it,
442
00:33:43,727 --> 00:33:46,430
that they were no longer
the writer.
443
00:33:46,464 --> 00:33:50,135
It was the creation of what
they called "the third mind."
444
00:33:50,167 --> 00:33:53,838
So, with Lady Jaye and I
cutting up our bodies,
445
00:33:53,870 --> 00:33:57,074
we say that we're creating
a third being, a third entity,
446
00:33:57,108 --> 00:33:59,778
and we call that "pandrogyne."
447
00:33:59,811 --> 00:34:02,880
When we began to explore that,
we realized that, in fact,
448
00:34:02,913 --> 00:34:07,386
it was really about evolution and
the future of the human species.
449
00:34:08,853 --> 00:34:10,288
It's that straightforward.
450
00:34:10,321 --> 00:34:14,292
So pandrogeny in the end
is a cry for survival.
451
00:34:20,130 --> 00:34:24,002
So, we started dressing the same
and doing our hair the same,
452
00:34:24,034 --> 00:34:26,337
and then
getting little things done.
453
00:34:26,369 --> 00:34:31,909
She got her nose done like mine, and I got
little tattoos of her beauty marks and so on.
454
00:34:31,942 --> 00:34:35,212
And bit by bit,
the more we started to do that,
455
00:34:35,246 --> 00:34:39,150
the more we noticed
the philosophical side of it,
456
00:34:39,183 --> 00:34:44,789
which was that human beings are
trapped in this either/or universe.
457
00:34:44,822 --> 00:34:49,094
So we decided
to really push ourselves.
458
00:34:49,127 --> 00:34:53,898
And on Valentine's Day 2003,
459
00:34:53,931 --> 00:34:57,969
we both got breast implants
together
460
00:34:58,002 --> 00:35:00,839
and woke up next to each other
holding hands.
461
00:35:00,871 --> 00:35:03,841
It was a very,
very romantic moment.
462
00:35:03,875 --> 00:35:08,213
And the first thing that I said
when I woke up was...
463
00:35:08,246 --> 00:35:12,150
I looked down, I went, "Oh, look.
It's our angelic bodies."
464
00:35:17,889 --> 00:35:20,759
♪ This world, this world ♪
465
00:35:20,792 --> 00:35:23,962
♪ It's not our home
Stepping over ♪
466
00:35:23,994 --> 00:35:27,264
People tend to assume
that-that, uh, androgyny
467
00:35:27,297 --> 00:35:32,337
is something that's come from me
and she agreed to because of.
468
00:35:32,369 --> 00:35:36,875
But, in fact, it's far more
something that Lady Jaye computized
469
00:35:36,907 --> 00:35:40,043
through her combination
470
00:35:40,076 --> 00:35:46,116
of medical fascination...
of knowledge and fearlessness...
471
00:35:46,150 --> 00:35:48,386
took to a level that would
never have happened otherwise.
472
00:35:48,418 --> 00:35:52,290
Who else would you imagine
could sit with Genesis P-Orridge
473
00:35:52,322 --> 00:35:55,326
as well as before it was
Genesis Breyer P-Orridge,
474
00:35:55,359 --> 00:35:57,395
and go, "Yes," to everything.
475
00:35:57,427 --> 00:36:00,130
"Yes, let's do it. Yes,
let's jump off that cliff."
476
00:36:07,938 --> 00:36:11,942
♪ Santa Claus
Is checking his list ♪
477
00:36:11,976 --> 00:36:14,412
♪ Going over it twice ♪
478
00:36:14,444 --> 00:36:20,785
♪ Seeing who's naughty
And who is nice ♪
479
00:36:30,360 --> 00:36:34,165
♪ Well, don't you see ♪
480
00:36:34,197 --> 00:36:36,935
After we had
breast implant surgery,
481
00:36:36,967 --> 00:36:39,436
then came the question
that Jaye rose,
482
00:36:39,469 --> 00:36:42,607
"What are you gonna tell
Caresse and Genesse?"
483
00:36:42,639 --> 00:36:47,212
And that was one of the weirdest
e-mails I think I've ever had to write.
484
00:36:47,244 --> 00:36:52,282
But we wrote this long letter and tried
to explain that this was an art project.
485
00:36:52,315 --> 00:36:56,955
And it was about, um...
the same old stuff.
486
00:36:56,987 --> 00:37:00,090
Caresse, she basically said,
487
00:37:00,123 --> 00:37:05,429
"Oh, does that mean I've
got to call you ‘Mummy' now?"
488
00:37:05,462 --> 00:37:10,301
And the youngest one said, "You mean
you spent all that money on breasts
489
00:37:10,333 --> 00:37:12,971
when you could've bought me
a new car?"
490
00:37:13,003 --> 00:37:16,473
♪ Don't,
don't do What you want ♪
491
00:37:16,507 --> 00:37:18,877
♪ Do what I want ♪
492
00:37:18,909 --> 00:37:21,011
♪ 'Cause it's not your house ♪
493
00:37:21,045 --> 00:37:23,081
♪ It's my house ♪
494
00:37:27,685 --> 00:37:32,190
♪ Why today? ♪
495
00:37:32,223 --> 00:37:34,625
It was my birthday.
496
00:37:34,659 --> 00:37:37,962
I remember it all
quite clearly.
497
00:37:37,994 --> 00:37:39,397
Oh, wow!
498
00:37:39,429 --> 00:37:42,433
I was three.
499
00:37:42,465 --> 00:37:45,936
Such a beautiful baby I made.
500
00:37:45,969 --> 00:37:49,607
All dressed in the prettiest
white lace dress.
501
00:37:50,641 --> 00:37:54,177
White patent-leather shoes.
502
00:37:54,210 --> 00:37:58,448
And a satin bonnet
covered in ribbons.
503
00:37:58,482 --> 00:38:04,154
Pink roses
over my long blonde curls.
504
00:38:05,288 --> 00:38:08,525
Yes. A beautiful baby.
505
00:38:08,558 --> 00:38:10,227
And happy.
506
00:38:12,228 --> 00:38:16,533
Jaye left home when she
was 14 and ran away to Alphabet City,
507
00:38:16,567 --> 00:38:18,536
which, in the early '80s,
508
00:38:18,569 --> 00:38:22,706
was one of the most dangerous places
in America, if not in the world.
509
00:38:22,739 --> 00:38:26,710
And lived there as a
14-year-old cute girl in squat.
510
00:38:26,743 --> 00:38:30,380
And put herself through nursing
college at the same time,
511
00:38:30,413 --> 00:38:35,018
by working at night as a dom
and also in strange cabarets.
512
00:38:35,052 --> 00:38:37,155
She also had been doing
very intense,
513
00:38:37,188 --> 00:38:41,292
very physically-based
performance pieces too.
514
00:38:41,324 --> 00:38:46,563
Hers were very much about
denying female stereotypes.
515
00:38:48,031 --> 00:38:49,667
And so they would be violent
with each other,
516
00:38:49,699 --> 00:38:52,602
and they would again
switch characters
517
00:38:52,636 --> 00:38:55,540
and create new characters.
518
00:38:55,572 --> 00:39:01,078
She'd already immersed herself
in performance art
519
00:39:01,112 --> 00:39:05,616
and theatrical explorations
of identity,
520
00:39:05,648 --> 00:39:12,389
again, based in this very
strong, instinctual refusal
521
00:39:12,422 --> 00:39:16,694
to accept what you're supposed
to be because of your gender.
522
00:39:16,726 --> 00:39:20,331
And so she always called
the human body a flesh suitcase.
523
00:39:22,165 --> 00:39:27,138
I've never really felt
comfortable being in a body.
524
00:39:27,170 --> 00:39:29,473
I've always felt
quite trapped in my body.
525
00:39:29,507 --> 00:39:32,342
I feel as though
I found my soul mate.
526
00:39:32,375 --> 00:39:36,680
Uh, I never feel...
I never feel alone or lonely.
527
00:39:36,714 --> 00:39:39,049
That's just something
I don't experience,
528
00:39:39,083 --> 00:39:42,353
uh, any kind of feeling
of alienation.
529
00:39:42,386 --> 00:39:45,757
No matter how strange
the world outside gets,
530
00:39:45,790 --> 00:39:48,092
I know that there's someone
that understands me.
531
00:39:55,098 --> 00:39:56,167
Your music's shit.
532
00:40:17,253 --> 00:40:21,359
That's how you discover
interesting combinations.
533
00:40:23,194 --> 00:40:25,263
That you didn't expect.
534
00:40:58,228 --> 00:41:02,500
♪ Life is a vacuum pump ♪
535
00:41:04,435 --> 00:41:07,371
♪ Always sucking me dry ♪
536
00:41:09,406 --> 00:41:12,143
♪ Life is a vacuum pump ♪
537
00:41:14,444 --> 00:41:18,182
♪ Always sucking me dry ♪
538
00:41:21,752 --> 00:41:26,690
♪ "I love you anyway," you say ♪
539
00:41:38,536 --> 00:41:40,838
♪ And you lie on the bed ♪
540
00:41:40,871 --> 00:41:46,311
♪ The sheets are crumpled
Round your head ♪
541
00:41:47,545 --> 00:41:51,916
♪ Maybe that's how we meet ♪
542
00:41:51,949 --> 00:41:58,188
♪ We need to feel
That we're complete ♪
543
00:41:58,221 --> 00:42:02,893
♪ Communicate or die
Through it ♪
544
00:42:02,927 --> 00:42:07,732
♪ Sometimes
That's the lie of it ♪
545
00:42:07,764 --> 00:42:10,701
♪ These things
We shouldn't do ♪
546
00:42:12,536 --> 00:42:19,277
♪ Always end up destroying you
Anyway ♪
547
00:42:37,795 --> 00:42:39,897
We're gonna do it in the
beginning where people break-dance.
548
00:42:39,929 --> 00:42:42,433
I'm totally coming out there
and doing it.
549
00:42:42,465 --> 00:42:44,467
Eddie was making me
laugh so hard last night,
550
00:42:44,500 --> 00:42:46,803
I thought I was gonna throw up.
551
00:42:46,837 --> 00:42:49,440
It was amazing.
Gave me pure joy.
552
00:42:50,840 --> 00:42:52,676
Oh, yeah,
but what are we wearing tonight?
553
00:42:52,710 --> 00:42:55,580
- Are we wearing black or white?
- White.
554
00:42:55,612 --> 00:42:56,714
White.
555
00:43:02,652 --> 00:43:07,290
♪ Life rolls down the earth ♪
556
00:43:07,324 --> 00:43:10,328
Check, check, check, check.
Two, two, two, two.
557
00:43:13,429 --> 00:43:14,698
Two, two, two.
558
00:43:36,420 --> 00:43:38,990
- ♪ We can dance ♪
- Oh, yeah.
559
00:43:39,022 --> 00:43:42,492
It sounds good
out there, but here...
560
00:43:42,525 --> 00:43:45,596
Thank you.
561
00:43:53,069 --> 00:43:57,707
Bureaucracy is bizbos.
Bureaucracy is footprints.
562
00:44:02,880 --> 00:44:05,583
Can you hear Lady Jaye's
samples when she does them when we play?
563
00:44:05,616 --> 00:44:06,751
Yeah.
564
00:44:06,784 --> 00:44:07,952
Here's low.
565
00:44:16,393 --> 00:44:18,396
- Yeah?
- Yes!
566
00:45:15,518 --> 00:45:20,657
♪ Sharon lies
on A Hollywood beach ♪
567
00:45:22,860 --> 00:45:29,100
♪ Sharon sees all her hopes
Are in reach ♪
568
00:45:29,132 --> 00:45:33,770
Jaye said the last
thing she wanted on earth
569
00:45:33,804 --> 00:45:36,374
was to be in
a fucking rock band.
570
00:45:39,409 --> 00:45:42,779
Basically,
we sneaked her in by saying...
571
00:45:42,813 --> 00:45:44,815
when we were working
on Trip Reset...
572
00:45:44,848 --> 00:45:47,618
"We need a story on this track.
573
00:45:47,650 --> 00:45:49,853
Could you write some kind
of little story,
574
00:45:49,886 --> 00:45:51,888
one of your weird stories,
and read it?"
575
00:45:51,922 --> 00:45:53,557
And it's brilliant.
576
00:45:53,589 --> 00:45:55,959
So bit by bit,
we would encourage her
577
00:45:55,993 --> 00:45:58,496
to add these
little sound effects and so on.
578
00:45:58,529 --> 00:46:01,931
She didn't notice that we'd
sneaked her into the band.
579
00:46:01,964 --> 00:46:03,800
And then it got to touring time,
580
00:46:03,833 --> 00:46:07,971
and there was no question about her
wanting to be at home without me,
581
00:46:08,005 --> 00:46:10,641
and me wanting
to be away on tour without her.
582
00:46:10,674 --> 00:46:15,846
So the obvious solution was to say,
"Guess what? You're in the band."
583
00:46:15,878 --> 00:46:18,415
"Doing what?" she would say.
584
00:46:18,449 --> 00:46:21,018
"Samples" was the reply.
585
00:46:21,051 --> 00:46:23,154
And she couldn't really argue
because everyone knew
586
00:46:23,186 --> 00:46:25,656
that she was doing all
of the sound effects already.
587
00:46:25,688 --> 00:46:31,494
She would light a cigarette
and smoke it, do her makeup.
588
00:46:31,527 --> 00:46:33,897
And basically do everything
she could think of
589
00:46:33,931 --> 00:46:38,601
to make it look as nonchalant
and unimportant as possible,
590
00:46:38,634 --> 00:46:40,937
when, in fact,
she was running the show.
591
00:46:43,674 --> 00:46:47,777
♪ Oh, Roman ♪
592
00:46:47,810 --> 00:46:53,583
♪ Roman, Roman P.
Yeah ♪
593
00:46:54,650 --> 00:47:00,991
♪ Roman P. ♪
594
00:47:02,558 --> 00:47:06,730
♪ Roman P. ♪
595
00:47:13,536 --> 00:47:16,139
Hey, Mattski, can you turn my
vocals down a little bit in my monitor
596
00:47:16,172 --> 00:47:18,042
and Gen's up a little bit?
597
00:47:18,074 --> 00:47:19,643
That sounded pretty good though.
598
00:47:19,676 --> 00:47:23,147
There's no Gen in my monitor.
599
00:47:23,179 --> 00:47:25,715
- There we go.
- Check. That's good for me.
600
00:47:25,748 --> 00:47:27,517
Now I need more Gen.
601
00:47:27,551 --> 00:47:29,020
Sounds really great
outside.
602
00:47:36,226 --> 00:47:38,496
Allô?
603
00:47:39,196 --> 00:47:40,898
Hello.
604
00:47:40,931 --> 00:47:43,100
Correct.
605
00:47:46,002 --> 00:47:49,672
That's right. We...
After Amsterdam, uh,
606
00:47:49,706 --> 00:47:53,611
myself and Lady Jaye split off
from the rest of the band,
607
00:47:53,643 --> 00:47:57,614
and we go to Lausanne and then
straight after that we fly to Moscow
608
00:47:57,647 --> 00:48:00,283
and join up
with Psychic TV again, so...
609
00:48:00,317 --> 00:48:03,119
So, I get two days without sleep.
Lucky me.
610
00:48:05,255 --> 00:48:07,191
So we've done a new album.
611
00:48:07,223 --> 00:48:12,128
It features guest appearances by
Nick Zinner from the Yeah Yeah Yeahs.
612
00:48:12,161 --> 00:48:14,964
And Gibby Haynes
from the Butthole Surfers.
613
00:48:14,998 --> 00:48:17,201
And Peaches.
614
00:48:17,234 --> 00:48:21,170
So we're... We're, um,
expanding and stretching
615
00:48:21,203 --> 00:48:24,609
and experimenting in lots of
different ways with different people.
616
00:48:26,243 --> 00:48:30,781
I've always loved the Velvet
Underground or the Doors.
617
00:48:30,813 --> 00:48:35,985
And I decided that-that the most honest
thing to do at this point in my life
618
00:48:36,018 --> 00:48:42,959
is to immerse myself in the most
exciting and most fun situations.
619
00:48:42,993 --> 00:48:49,065
And that is to reclaim my happy memories
of the '60s and expand upon them.
620
00:48:49,098 --> 00:48:51,267
It still remains unique,
621
00:48:51,301 --> 00:48:56,139
but it has moments of, um,
recognition for the audience.
622
00:48:56,172 --> 00:48:58,741
Things they can hold onto
for a while,
623
00:48:58,775 --> 00:49:00,610
and then we lead them
somewhere new.
624
00:49:00,643 --> 00:49:03,813
So it's just... It's the same
idea in a different way, you know.
625
00:49:03,846 --> 00:49:06,649
Always processing
and changing things around
626
00:49:06,683 --> 00:49:09,820
so that people stay alert.
627
00:49:09,853 --> 00:49:11,789
People don't listen.
628
00:49:11,822 --> 00:49:17,061
I've been saying, "Change, change,
change, change, change" for all my life.
629
00:49:17,094 --> 00:49:19,663
And yet people
don't want me to change.
630
00:49:19,696 --> 00:49:22,299
But I will and I do,
and that's the whole point.
631
00:49:28,772 --> 00:49:30,708
That was actually me saying yes.
632
00:49:45,288 --> 00:49:46,690
Yes.
633
00:49:52,029 --> 00:49:55,264
Yeah, yeah, yeah, yeah. Yes.
634
00:49:55,297 --> 00:49:58,735
Yeah, yeah, yeah,
yeah. Yes.
635
00:49:58,768 --> 00:50:02,005
Yeah, yeah, yeah, yeah. Yes.
636
00:50:02,038 --> 00:50:05,408
Yeah, yeah, yeah,
yeah. Yes.
637
00:50:05,442 --> 00:50:09,279
Yeah, yeah, yeah, yeah. Yes.
638
00:50:09,311 --> 00:50:11,982
So...
639
00:50:12,014 --> 00:50:14,884
...reality is just stuff.
640
00:50:17,087 --> 00:50:20,157
And you perceive it based on
what's given to you, so...
641
00:50:20,190 --> 00:50:22,259
Yes.
642
00:50:28,230 --> 00:50:30,634
Yes!
643
00:50:32,902 --> 00:50:35,805
And...
644
00:50:39,909 --> 00:50:41,011
Yeah.
645
00:50:41,777 --> 00:50:44,247
Yeah. Yeah.
646
00:50:45,248 --> 00:50:46,884
Yeah.
647
00:50:46,917 --> 00:50:48,351
Yeah.
648
00:50:48,384 --> 00:50:49,853
Yeah.
649
00:50:50,821 --> 00:50:52,690
It's that simple.
650
00:50:52,723 --> 00:50:54,757
When you break it down,
with cut-ups,
651
00:50:54,790 --> 00:50:57,460
you realize that everything's
just raw material.
652
00:50:57,493 --> 00:51:00,997
And what we think is there isn't
really what's there at all.
653
00:51:12,808 --> 00:51:15,778
Well, my father was a drummer.
654
00:51:15,811 --> 00:51:19,817
Apparently, at the age
of about three, four years old,
655
00:51:19,850 --> 00:51:23,821
he played drums at a wedding reception...
probably quite badly.
656
00:51:23,853 --> 00:51:26,823
So we grew up very much
into rhythm.
657
00:51:26,857 --> 00:51:28,458
We'd listen to jazz records
658
00:51:28,491 --> 00:51:33,029
of Gene Krupa and Buddy Rich
doing long drum solos
659
00:51:33,063 --> 00:51:35,866
and then would practice,
copying them,
660
00:51:35,898 --> 00:51:38,768
memorize 20-minute drum solos.
661
00:51:38,802 --> 00:51:43,474
Probably from about the age of nine to
11, I took piano lessons.
662
00:51:43,507 --> 00:51:49,847
From the age of 11 to 14,
we were in the school choir.
663
00:51:49,880 --> 00:51:52,116
So we grew up reading music
really well
664
00:51:52,148 --> 00:51:54,451
and singing from music,
665
00:51:54,484 --> 00:51:58,455
doing all that
really complicated harmonies,
666
00:51:58,487 --> 00:52:01,090
which most people don't realize,
667
00:52:01,123 --> 00:52:04,261
that one of the reasons that we use
harmonies and different voices so much
668
00:52:04,293 --> 00:52:06,330
is because of that training.
669
00:52:06,362 --> 00:52:12,201
And then the '60s happened,
and that opened up a lot of possibilities.
670
00:52:12,235 --> 00:52:15,039
And having heard the first
Velvet Underground album,
671
00:52:16,272 --> 00:52:18,207
we really became obsessed
672
00:52:18,241 --> 00:52:22,012
with trying to find a way
to get the electric violin.
673
00:52:22,045 --> 00:52:26,850
My girlfriend was angel Jane Ray
and she was a concert violinist.
674
00:52:26,882 --> 00:52:29,485
She gave me one of her
old violins to mess with,
675
00:52:29,518 --> 00:52:33,189
and we'd stick tape recorder
microphones inside it,
676
00:52:33,223 --> 00:52:35,958
and plug it into an old
reel-to-reel tape recorder
677
00:52:35,991 --> 00:52:37,960
to use that
as the amplifier as well
678
00:52:37,993 --> 00:52:40,129
and started playing violin.
679
00:52:40,163 --> 00:52:42,866
And we've carried one with us
across the world ever since,
680
00:52:42,898 --> 00:52:46,170
which, again,
nobody seems to have noticed.
681
00:52:46,203 --> 00:52:48,938
With Throbbing Gristle,
even if we didn't play it,
682
00:52:48,971 --> 00:52:51,240
we took it
to every single concert.
683
00:52:51,273 --> 00:52:54,344
It was always there on the amp
in case we were inspired.
684
00:52:55,878 --> 00:52:57,980
We listened to jazz
more than anything else,
685
00:52:58,014 --> 00:53:01,018
up until the Rolling Stones
and the Velvet Underground,
686
00:53:01,051 --> 00:53:06,089
and then gradually moved across
into experimental rock music.
687
00:53:06,121 --> 00:53:10,060
In the '60s, obviously,
early Pink Floyd with Syd Barrett.
688
00:53:10,092 --> 00:53:12,596
And some Captain Beefheart.
689
00:53:12,628 --> 00:53:18,067
We were very lucky that the
music that we grew up with
690
00:53:18,101 --> 00:53:20,503
took for granted
the idea of improvisation.
691
00:59:12,487 --> 00:59:14,390
We were very, very aware
692
00:59:14,424 --> 00:59:17,393
of the idea that one day
that one would be lost.
693
00:59:17,427 --> 00:59:19,563
You know how you think:
What would people say?
694
00:59:19,596 --> 00:59:21,630
What would they say
at the funeral?
695
00:59:21,663 --> 00:59:26,735
What would they remember us for? And what
would they say in the obituaries, you know?
696
00:59:26,768 --> 00:59:28,604
Would they still call me
"The Tampon Man"?
697
00:59:29,906 --> 00:59:32,942
Or "the most evil man
in Britain"?
698
00:59:32,976 --> 00:59:35,445
"Sex monster"
and everything else.
699
00:59:36,311 --> 00:59:37,846
And, uh...
700
00:59:37,880 --> 00:59:40,817
Oh, God, I don't want to be
remembered as "The Tampon Man."
701
00:59:42,918 --> 00:59:47,389
So, Jaye said, "Well,
I don't care about any of that art shit.
702
00:59:47,422 --> 00:59:51,460
I just want to be remembered as one
of the great love affairs of all time.
703
00:59:51,493 --> 00:59:52,395
That's it."
704
00:59:53,929 --> 00:59:56,299
It was very weird.
705
00:59:56,331 --> 00:59:59,935
About a week before, we had this strange
feeling that something was wrong,
706
00:59:59,969 --> 01:00:04,641
and we went from the bedroom through
the apartment to the bathroom,
707
01:00:04,674 --> 01:00:07,344
and Jaye was having a seizure.
708
01:00:07,377 --> 01:00:09,645
As far as we could tell,
she died
709
01:00:09,679 --> 01:00:12,514
and somehow she came back.
710
01:00:12,547 --> 01:00:14,417
From that day, for a whole week,
711
01:00:14,449 --> 01:00:18,288
she devoted every second
of her waking time
712
01:00:18,321 --> 01:00:23,759
to being as loving
and emotional and sexual
713
01:00:23,793 --> 01:00:25,695
and kind as she could be.
714
01:00:25,728 --> 01:00:30,667
And then she, basically, did an exact copy in reverse
715
01:00:30,699 --> 01:00:32,701
of the first day we made love.
716
01:00:32,735 --> 01:00:36,606
Even down to going to the local
diner and sitting down and saying,
717
01:00:36,639 --> 01:00:39,776
"Remember how after we made love,
we went to the diner and sat down?
718
01:00:39,808 --> 01:00:42,878
Let's go and have breakfast
like we did that morning."
719
01:00:42,911 --> 01:00:45,514
And then we came back here
and made love.
720
01:00:45,547 --> 01:00:49,618
And she said, "I'm just going
to the bathroom to freshen up,
721
01:00:49,652 --> 01:00:52,289
and then I'm gonna come back
and suck you dry."
722
01:00:52,322 --> 01:00:55,492
And we must've dozed off.
723
01:00:55,525 --> 01:00:59,663
The minute we woke up, we knew
something was really, really wrong.
724
01:00:59,696 --> 01:01:01,464
Then we got up
and walked through,
725
01:01:01,496 --> 01:01:03,532
and we found her collapsed
in the bathroom again
726
01:01:03,565 --> 01:01:05,801
exactly the same as before.
727
01:01:05,835 --> 01:01:07,337
Only this time
we couldn't get her back.
728
01:01:08,938 --> 01:01:10,674
We were trying to do CPR,
729
01:01:10,706 --> 01:01:14,377
and she actually breathed
her last breath into my mouth.
730
01:01:19,715 --> 01:01:26,322
♪ And drying, a tree
Has no life ♪
731
01:01:28,491 --> 01:01:31,328
♪ Has no meaning ♪
732
01:01:36,632 --> 01:01:40,403
♪ Dying ♪
733
01:01:40,435 --> 01:01:42,938
♪ Is a message ♪
734
01:01:44,940 --> 01:01:47,643
♪ Kiss me ♪
735
01:01:48,844 --> 01:01:51,013
♪ Kiss me ♪
736
01:01:52,915 --> 01:01:54,951
♪ Kiss me ♪
737
01:01:56,918 --> 01:01:58,754
♪ Kiss me ♪
738
01:02:07,697 --> 01:02:11,401
When Lady Jaye
dropped her body in 2007,
739
01:02:11,433 --> 01:02:14,571
the whole band obviously
were traumatized.
740
01:02:14,603 --> 01:02:17,840
And no one quite knew
how to respond.
741
01:02:17,873 --> 01:02:22,578
Do you carry on as if
somebody could be replaced?
742
01:02:22,612 --> 01:02:24,481
How could you ever replace
Lady Jaye?
743
01:02:24,514 --> 01:02:26,583
That's not possible.
744
01:02:26,616 --> 01:02:30,652
Is there a way to carry on
without Lady Jaye that's valid?
745
01:02:30,685 --> 01:02:34,957
Um, and that was a really
difficult place for all of us.
746
01:02:34,991 --> 01:02:38,061
When we finally did play
together again after six months,
747
01:02:38,094 --> 01:02:41,498
it was what became
the last album,
748
01:02:41,531 --> 01:02:45,034
Mr. Alien Brain
vs. The Skinwalkers,
749
01:02:45,067 --> 01:02:47,871
which was made for National Public
Radio, originally,
750
01:02:47,904 --> 01:02:52,675
as a tribute live concert
to Lady Jaye.
751
01:02:52,708 --> 01:02:55,612
Everything was done in one take
and became basically a whole album,
752
01:02:55,645 --> 01:02:58,681
which, to me, is still
one of the best we've ever done.
753
01:02:58,714 --> 01:03:01,618
But, of course,
Jaye is on the album and is in the album.
754
01:03:01,650 --> 01:03:03,853
She's everywhere.
She was inside all of us.
755
01:03:03,886 --> 01:03:09,125
So we struggled on valiantly
for another tour or so.
756
01:03:09,157 --> 01:03:11,927
But, basically,
we stopped playing in Psychic TV
757
01:03:11,960 --> 01:03:14,096
because I was getting sick
all the time.
758
01:03:14,130 --> 01:03:16,633
Every time we'd play,
759
01:03:16,665 --> 01:03:19,601
we'd turn around and look in the
corner to see where Jaye was,
760
01:03:19,634 --> 01:03:22,205
and she wasn't there, physically.
761
01:03:22,237 --> 01:03:26,708
And it was just too painful
for me to keep doing that.
762
01:03:26,741 --> 01:03:30,746
And crying every night when we
sang "New York Story" and so on.
763
01:03:30,779 --> 01:03:35,051
There was a lot of joy and celebration
too, but it was very painful.
764
01:03:35,083 --> 01:03:37,553
And we're better off
if we stop on a high note.
765
01:03:37,587 --> 01:03:39,855
And also 'cause Lady Jaye
didn't want me to keep touring.
766
01:03:39,889 --> 01:03:40,957
She was always saying,
767
01:03:40,989 --> 01:03:43,091
"You've got to stop.
768
01:03:43,125 --> 01:03:45,195
We have all these projects
to finish.
769
01:03:45,228 --> 01:03:48,465
Being in a rock band...
You've done it.
770
01:03:48,498 --> 01:03:50,532
You can't really add
anymore to that.
771
01:03:50,565 --> 01:03:51,967
You've done more than enough.
772
01:03:52,000 --> 01:03:56,872
So let's focus our energy
on pandrogeny and art and books.
773
01:03:56,906 --> 01:04:00,610
Let's try and make sure that what
we've done and what we believed in
774
01:04:00,643 --> 01:04:03,045
is recorded and saved
775
01:04:03,078 --> 01:04:05,881
so that people can at least know
what we were trying to do."
776
01:04:26,701 --> 01:04:28,937
Ever since we decided
to stop touring...
777
01:04:28,971 --> 01:04:31,608
which isn't to say
we won't play, as you know.
778
01:04:31,641 --> 01:04:33,943
We've played with Tony Conrad.
779
01:04:33,976 --> 01:04:37,714
And playing the violin duets
with Tony Conrad
780
01:04:37,746 --> 01:04:43,953
is still my favorite musical
activity of the moment.
781
01:04:43,985 --> 01:04:47,123
That's something
we'd always say yes to.
782
01:04:47,156 --> 01:04:50,893
Something about the way that
the two violins work together
783
01:04:50,927 --> 01:04:54,864
is so satisfying for me
784
01:04:54,897 --> 01:04:58,101
that we forget everything
except the sound.
785
01:04:58,134 --> 01:05:01,838
And that's how we got drawn in
to sound when we were a teenager,
786
01:05:01,871 --> 01:05:04,107
was just the love of sound
itself,
787
01:05:04,139 --> 01:05:06,643
whether it be melodical or not.
788
01:05:06,676 --> 01:05:11,547
So Tony's given me this
whole new space to work in...
789
01:05:12,949 --> 01:05:16,619
where, because he has
no specific rules
790
01:05:16,652 --> 01:05:18,955
and we have no specific rules,
791
01:05:18,987 --> 01:05:23,792
then it truly is pure music
in the moment.
792
01:05:23,826 --> 01:05:26,730
Which is actually a very,
very rare and very precious thing.
793
01:06:05,167 --> 01:06:07,103
After that, Thee Majesty,
794
01:06:07,136 --> 01:06:13,109
which is a similar thing except with
the poetry and Bryin Dall on the guitar.
795
01:06:13,141 --> 01:06:18,281
But the bottom line is the word
and the sound and the ideas.
796
01:06:18,313 --> 01:06:23,118
And ideas are what we work with.
Ideas are what we try and bring to people.
797
01:06:23,152 --> 01:06:25,889
Jaye always felt that we
should move into the books.
798
01:06:27,422 --> 01:06:29,058
And she was right.
799
01:06:29,090 --> 01:06:31,194
It's quite obvious
that she's still manipulating
800
01:06:31,226 --> 01:06:33,228
every aspect of my life.
801
01:06:33,261 --> 01:06:35,964
Because the minute
she's dropped her body,
802
01:06:35,998 --> 01:06:38,167
we get the deal
to do Thee Psychick Bible.
803
01:06:38,199 --> 01:06:40,102
The minute it's done,
it sold out.
804
01:06:40,136 --> 01:06:43,773
We're already working on the edit
of the first volume of poetry,
805
01:06:43,806 --> 01:06:45,975
the first novel
that we wrote in '69,
806
01:06:46,007 --> 01:06:49,411
which was Jaye's favorite piece
of my writing, "Mrs. Asquith."
807
01:06:49,444 --> 01:06:51,747
We've been doing more
and more art exhibitions,
808
01:06:51,781 --> 01:06:54,918
more and more lectures at
universities about pandrogeny.
809
01:06:56,152 --> 01:07:00,156
Everything is...
is about creation.
810
01:07:08,464 --> 01:07:13,302
Poor
little Gen-Gen. It is Jackie calling.
811
01:07:13,335 --> 01:07:17,674
It might be a little early for
you and you might be sleeping.
812
01:07:17,706 --> 01:07:21,076
I hope you're dreaming,
and I love you.
813
01:07:21,110 --> 01:07:24,313
And tweet! I love you.
814
01:07:24,346 --> 01:07:27,884
Do you know what?
And I love you.
815
01:07:27,917 --> 01:07:30,219
You know what? I love you!
816
01:07:49,237 --> 01:07:52,074
♪ When all the figures
Sound retreat ♪
817
01:07:52,107 --> 01:07:53,975
♪ The soft skin
Starts to shrivel ♪
818
01:07:54,009 --> 01:07:56,378
♪ When dreams made real
Become less sweet ♪
819
01:07:56,411 --> 01:07:58,447
♪ The orchid and the metal ♪
820
01:07:58,480 --> 01:08:03,252
♪ My sex turns
And claws rush to spill them ♪
821
01:08:03,284 --> 01:08:05,922
♪ But in the morning
After the night ♪
822
01:08:05,955 --> 01:08:08,123
♪ I fall in love
With the light ♪
823
01:08:08,156 --> 01:08:10,793
♪ It is so pure I can arrive ♪
824
01:08:10,825 --> 01:08:14,730
♪ Without the fear
Of secret lies ♪
825
01:08:14,763 --> 01:08:17,900
♪ Na-na na-na-na-na ♪
826
01:08:17,932 --> 01:08:21,737
♪ Na-na na-na-na-na ♪
827
01:08:21,771 --> 01:08:23,973
♪ Na-na
Na-na-na-na ♪
828
01:08:25,775 --> 01:08:28,177
♪ When all the characters
Full-size ♪
829
01:08:28,209 --> 01:08:30,378
♪ And every moon is level ♪
830
01:08:30,411 --> 01:08:32,949
♪ When all the spirits
Burn in lies ♪
831
01:08:32,981 --> 01:08:35,083
♪ The center pierced by steel ♪
832
01:08:35,116 --> 01:08:38,288
♪ My eyes burn
And claws rush to fill them ♪
833
01:08:39,888 --> 01:08:42,225
♪ But in the morning
After the night ♪
834
01:08:42,258 --> 01:08:44,460
♪ I fall in love
With the light ♪
835
01:08:44,493 --> 01:08:46,995
♪ It is so clear I realize ♪
836
01:08:47,029 --> 01:08:49,298
♪ And now at last
I have my eyes ♪
837
01:08:49,330 --> 01:08:51,500
♪ And in the morning
After the night ♪
838
01:08:51,534 --> 01:08:54,203
♪ I fall in love
With the light ♪
839
01:08:54,236 --> 01:08:56,272
♪ And in the morning
After the night ♪
840
01:08:56,304 --> 01:08:58,842
♪ I fall in love
With the light ♪
841
01:09:00,942 --> 01:09:03,346
♪ I fall in love
With the light ♪
842
01:09:03,379 --> 01:09:05,515
♪ And in the morning
After the night ♪
843
01:09:05,548 --> 01:09:08,218
♪ I fall in love
With the light ♪
844
01:09:15,356 --> 01:09:17,893
♪ Na-na na-na-na-na ♪
845
01:09:17,927 --> 01:09:21,264
♪ Na-na na-na-na-na ♪
846
01:09:21,297 --> 01:09:23,933
♪ Na-na na-na-na-na ♪
847
01:09:23,965 --> 01:09:27,169
♪ Na-na na-na-na-na ♪
848
01:09:27,203 --> 01:09:30,205
♪ Na-na na-na-na-na ♪
849
01:09:31,973 --> 01:09:34,878
♪ Na-na na-na-na-na ♪
850
01:09:40,048 --> 01:09:42,417
♪ Na-na na-na-na-na ♪
851
01:09:44,186 --> 01:09:47,956
♪ I fall in love
With the light ♪
852
01:09:49,357 --> 01:09:53,428
♪ I fall in love
With the light ♪
853
01:09:53,504 --> 01:09:58,504
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