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1
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[dramatic orchestral music]
2
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It's just been a complete whirlwind.
3
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This story has such a global scale.
4
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It's an adventure.
We're shooting all over the world.
5
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[Ameen] We're not shooting
one city for another.
6
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We're actually shooting in Nairobi,
actually shooting in Mumbai,
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or Berlin, all these places.
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They're shooting it like it is one big,
long, amazing adventure.
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The jet lag. [laughs]
That's an adventure on its own.
10
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It was so exciting.
11
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I love Lana and Andy
because even if they say nothing,
12
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I can feel what they mean.
13
00:00:59,643 --> 00:01:02,521
Something in their head
seems really huge.
14
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They can create anything.
15
00:01:05,983 --> 00:01:07,568
[Desai] They have an answer
for everything,
16
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for why you said what your line is,
any other characters.
17
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As sensates, why all feel,
think, believe, do, function, whatever.
18
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They have all the answers. And I just love
that they've thought it through so much.
19
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And I think that's the best thing.
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I'm not really sure if there's ever been
anything that's been done like this.
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It's really taken a global perspective,
a totally international cast
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and then also shot
in all those different places, you know,
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rather than on a green screen.
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[Straczynski] The show looks like nothing
I've ever seen.
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Visually, it's got a panorama
and a scope and a scale to it
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that I've never seen in television before.
27
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It's shot on an epic scale all over
the world on six different continents.
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Sense8 set out to be very kind of gritty,
very based in real life places.
29
00:02:01,872 --> 00:02:05,125
And with that ambition,
are the massive challenges
30
00:02:05,208 --> 00:02:08,295
of traveling around
the world to nine cities.
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00:02:08,378 --> 00:02:10,881
You've got characters
in every corner of the globe.
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San Francisco, Chicago,
London, Iceland, Nairobi,
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Seoul, South Korea,
Mexico City, Berlin, Mumbai.
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[Silvestre] It's an amazing experience.
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I've been in San Francisco, Chicago,
Iceland, London, Berlin,
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Mexico, and Korea.
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[speaks Spanish]
38
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I don't know that many television shows
that have been filmed
39
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in all these different cities
and with different crews
40
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from all different countries.
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[Glass] Every scene takes place
in a different place.
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[laughs] Which had to be found
as a practical location
43
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that we then had
to figure out how to get to.
44
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- It's nice here.
- Good, cut.
45
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We decided to cast local actors, too.
46
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It's a vast supporting cast.
I think it was over 180 speaking parts.
47
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For example, in Seoul,
we reached out and we got some
48
00:03:00,179 --> 00:03:03,224
of the top film and TV actors from Korea.
49
00:03:03,308 --> 00:03:07,104
You also get sucked into the world
of these cities you're going into.
50
00:03:07,186 --> 00:03:10,607
Each city has its energy and it helps you
to understand the character.
51
00:03:10,691 --> 00:03:15,112
I know when I got to Iceland, I really
understood the world that Riley came from
52
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and being in Iceland was completely
different to being in Nairobi.
53
00:03:18,365 --> 00:03:19,908
Where am I?
54
00:03:19,992 --> 00:03:22,119
And being in Nairobi is completely
different to being in Berlin.
55
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[Riemelt] This is the best thing
you can give me as an actor.
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00:03:25,622 --> 00:03:29,001
Give me more info,
more input to work with.
57
00:03:29,084 --> 00:03:34,131
You cannot imagine the textures,
or the smell, the feeling, and the people.
58
00:03:34,213 --> 00:03:37,467
You can't imagine that. You have to
actually be there and experience it.
59
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- [upbeat music]
- [cheering]
60
00:03:46,476 --> 00:03:51,732
Filming in the middle of Gay Pride in San
Francisco was thrilling. That was far out.
61
00:03:51,815 --> 00:03:57,071
It was just a rush because we joined
the "Dykes on Bikes" march
62
00:03:57,154 --> 00:04:01,408
so our scene was integrated
into that section of the parade.
63
00:04:01,491 --> 00:04:04,369
[Clayton] Nomi starts experiencing
really bad headaches
64
00:04:04,452 --> 00:04:05,704
and she falls off the back
65
00:04:05,787 --> 00:04:08,582
of her girlfriend's motorcycle
during the Pride parade.
66
00:04:08,665 --> 00:04:11,376
We really filmed it
when there was the live event.
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00:04:11,459 --> 00:04:16,965
And that was very difficult to film that,
but that gave it a sense of reality.
68
00:04:17,049 --> 00:04:20,385
Usually, they will not let you film
in these type of situations.
69
00:04:20,468 --> 00:04:22,303
Just because they're difficult to control.
70
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Guys, you got to stay in tight here!
71
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Camera bike is trying
to film this as well. Guys?
72
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I'm gonna shoot Jamie's close-up.
73
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That'll be in the background anyway
'cause it's all compact.
74
00:04:32,480 --> 00:04:35,943
So we'll just get some extras
and you're gonna duck behind some extras
75
00:04:36,026 --> 00:04:37,778
and you're just gonna shoot a POV.
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[Clayton] My favorite scene
that we shot in San Francisco
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is when Nomi's on the run.
She steals a bike.
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00:04:47,079 --> 00:04:50,540
And so then I escape on the bike.
And then Nomi decides
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she's going to steal a car to get away,
but then as soon as she gets in the car...
80
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I don't know how to drive.
81
00:04:55,712 --> 00:04:58,339
...she realizes
she doesn't know how to drive.
82
00:04:58,423 --> 00:05:00,092
Which, I don't know how to drive.
83
00:05:00,175 --> 00:05:02,928
[laughs] So it was amazing, I mean,
like it was written for me.
84
00:05:04,846 --> 00:05:06,514
[screeching tires]
85
00:05:09,268 --> 00:05:10,435
Are you crazy?
86
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[cheering, clapping]
87
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No one has ever rolled a smart car.
Are you OK?
88
00:05:20,904 --> 00:05:22,656
- Yeah, I bumped my head.
- But we survived.
89
00:05:22,739 --> 00:05:24,283
- We did. We survived.
- We survived.
90
00:05:27,995 --> 00:05:32,499
Lana and Andy are amazing
at creating this sense of traveling
91
00:05:32,582 --> 00:05:36,461
and visiting this kind of
strange level of consciousness,
92
00:05:36,544 --> 00:05:37,879
and I think it's going to look great.
93
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They're not even stunts or tricks so much
as clever ways of using the camera.
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[Smith] You read these scripts like,
"How are they going to do this?"
95
00:05:45,846 --> 00:05:50,142
And every time we show up on set,
it's not any of the 15 possibilities
96
00:05:50,225 --> 00:05:52,311
that you had in your mind,
it's something completely different.
97
00:05:52,393 --> 00:05:56,439
- Three, two, one, action.
- Miguel.
98
00:05:56,523 --> 00:06:00,819
[Silvestre] The way they're doing
the connection is not by post-production.
99
00:06:00,902 --> 00:06:03,571
It's in the moment.
It's very choreographed.
100
00:06:03,655 --> 00:06:06,825
So normally, they use a piece of wall,
101
00:06:06,908 --> 00:06:09,452
they use a shadow,
102
00:06:09,536 --> 00:06:14,916
they use things to make us hide
and suddenly appear.
103
00:06:15,000 --> 00:06:18,170
We did a lot of cool things where,
as this character blocked the other one,
104
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this one would disappear.
105
00:06:20,588 --> 00:06:22,257
[Smith] Every time we do it,
it's different.
106
00:06:22,341 --> 00:06:26,220
We've done, like, actual physical swaps
where someone will slide in on a shot.
107
00:06:26,303 --> 00:06:29,556
We've done it so many different ways,
you know. It's kind of endless.
108
00:06:29,639 --> 00:06:31,016
[Sally] That's the in-camera stuff.
109
00:06:31,099 --> 00:06:34,811
What's cool about the in-camera stuff,
once you establish the single shot stuff,
110
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then when you go into the cutting,
111
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the editing becomes the transition.
112
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[crowd cheering]
113
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[Clayton] They're all there.
Then in the next take, they're gone.
114
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And so I'm matching--
It's amazing. I love it.
115
00:06:46,948 --> 00:06:50,202
It's like trying to work it out
in your mind, like, what's this--
116
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What am I doing? When you get here
and you start shooting you're like, "OK."
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[Clayton]
I'm like, "Oh, that's how it works."
118
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[Smith] That makes sense.
119
00:06:55,832 --> 00:06:58,960
[Clayton] I'm like, "Yeah, this makes
so much sense and it's so awesome."
120
00:06:59,044 --> 00:07:00,254
[Middleton] Classic Sense8.
121
00:07:00,337 --> 00:07:03,090
Yeah, it's just a standard switcheroo,
122
00:07:03,173 --> 00:07:06,843
flipping to another city for a second,
and then going back to your own reality.
123
00:07:09,637 --> 00:07:13,934
You gotta go through that door.
There's nowhere else for you to go.
124
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[church bell tolling]
125
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Now, walk with me.
126
00:07:25,237 --> 00:07:26,780
I sliced my finger open.
127
00:07:26,863 --> 00:07:30,825
I got this, I got this,
I got that.
128
00:07:30,909 --> 00:07:33,787
I tore my tricep in San Francisco.
129
00:07:33,870 --> 00:07:36,123
[grunting]
130
00:07:36,206 --> 00:07:39,709
I got a really bad internal bleeding
bruise in this tricep in Chicago.
131
00:07:39,793 --> 00:07:41,962
So this tricep started to atrophy.
132
00:07:42,045 --> 00:07:44,714
And then my shoulder got messed up.
133
00:07:44,798 --> 00:07:46,341
I was like,
"My body is falling apart."
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[Middleton] Quintessential Chicago:
sports bar, pizza, beers.
135
00:07:51,638 --> 00:07:54,099
- Batting cages.
- Inside of a bar.
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I've never seen that in my life.
137
00:07:56,935 --> 00:07:59,313
[Ameen] Working with some
of the greatest filmmakers on the planet,
138
00:07:59,396 --> 00:08:02,690
shooting Sense8. I'm about
to see some fireworks. It's beautiful.
139
00:08:02,774 --> 00:08:05,402
[fireworks exploding]
140
00:08:06,236 --> 00:08:09,406
[Smith] I feel like I'm seeing more
of Chicago out on a shoot like this
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00:08:09,489 --> 00:08:10,657
than I normally would.
142
00:08:10,740 --> 00:08:12,617
We shot at Millennium Park.
We shot, I believe,
143
00:08:12,700 --> 00:08:15,120
it was the Chicago Cultural Center,
which was amazing.
144
00:08:15,203 --> 00:08:19,166
There's been a lot of hospital shooting,
a lot of warehouse shooting, and here.
145
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- OK, here we go.
- Get your arm twisted.
146
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Just a little... [groans]
147
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[Sally] When we watch
Lana and Andy's footage,
148
00:08:31,345 --> 00:08:33,888
it's very clear what
they're trying to accomplish.
149
00:08:33,972 --> 00:08:36,475
There's a lot of thought
into how it's to be cut together.
150
00:08:36,557 --> 00:08:38,018
We send them cuts every night.
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They could really see what was working,
what wasn't working,
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then we could have a discussion
and they could make adjustments.
153
00:08:43,648 --> 00:08:48,111
I think the most important thing is all
of the performances were really strong.
154
00:08:48,195 --> 00:08:50,530
It made the cutting so much easier
155
00:08:50,613 --> 00:08:53,992
because we could focus
on the storytelling, the editing style.
156
00:08:54,075 --> 00:08:57,078
We didn't have to worry
about cutting off performances at all.
157
00:08:57,162 --> 00:09:00,957
Once all 12 episodes were together,
we screened all 12 in one day.
158
00:09:01,041 --> 00:09:03,084
- We did our binge.
- We did our binge screening.
159
00:09:03,168 --> 00:09:06,296
So we're really able to get a sense
of the thing as an entire piece,
160
00:09:06,380 --> 00:09:09,132
which is rare to be able to do that
before it airs.
161
00:09:09,216 --> 00:09:13,345
And then go back and hone things as one
piece, one 12-hour movie, essentially.
162
00:09:15,596 --> 00:09:17,724
[Straczynski]
Each actor gets their turn in the barrel,
163
00:09:17,807 --> 00:09:20,810
and now it's Tuppence as Riley
in every single shot.
164
00:09:20,894 --> 00:09:24,814
[Middleton] We're now in London.
This is my character's town,
165
00:09:24,898 --> 00:09:27,859
and we're currently on Primrose Hill.
It's very early in the morning.
166
00:09:27,942 --> 00:09:32,239
The sun's just come up. And this
is just a really cool area in London
167
00:09:32,322 --> 00:09:33,907
where people come to kind of hang out.
168
00:09:33,990 --> 00:09:37,118
In the summer it's always packed
with people drinking and smoking
169
00:09:37,202 --> 00:09:38,703
and chatting and having fun.
170
00:09:38,786 --> 00:09:40,997
And it has the most
beautiful view of London.
171
00:09:47,254 --> 00:09:50,798
[techno music plays]
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This is Koko.
Formerly the Camden Palace.
173
00:09:54,135 --> 00:09:56,763
In the early to mid-eighties
it was the Music Machine.
174
00:09:56,846 --> 00:09:58,557
It's got kind of an iconic status.
175
00:09:58,639 --> 00:10:03,144
The scenes in the first episode which
kind of set Riley up and her world up,
176
00:10:03,228 --> 00:10:05,105
it made sense that that took place here.
177
00:10:05,188 --> 00:10:08,024
What's quite different about tonight
is that for the first time
178
00:10:08,108 --> 00:10:11,694
Koko have allowed us to film
in and around a real event.
179
00:10:11,778 --> 00:10:16,991
We're putting Riley in to DJ
between an act called Barron
180
00:10:17,075 --> 00:10:18,368
and a very major act called Unkle.
181
00:10:18,452 --> 00:10:21,288
Before we started filming,
my hair was probably about here,
182
00:10:21,371 --> 00:10:23,540
and it was brown,
which is my natural color.
183
00:10:23,623 --> 00:10:27,252
And for Riley, from the start,
once I realized she was a DJ
184
00:10:27,335 --> 00:10:30,171
and she had this kind of edgy side,
I had always wanted to bleach my hair out.
185
00:10:30,255 --> 00:10:32,382
And me and Lana were looking at it
and she was like,
186
00:10:32,466 --> 00:10:33,841
"What about if we go
a bit shorter as well."
187
00:10:33,925 --> 00:10:36,386
And so it just kind of
got shorter and shorter.
188
00:10:36,470 --> 00:10:39,055
And then we bleached it,
and yeah, I was completely thrilled.
189
00:10:46,813 --> 00:10:51,651
We're on Northbound Airlines,
which is a fake airline.
190
00:10:51,734 --> 00:10:55,614
[man] They got done shooting in London,
but they had to fly to Iceland,
191
00:10:55,696 --> 00:11:01,161
and they shot on the plane while they
were flying so the landing is live.
192
00:11:01,244 --> 00:11:02,537
[plane tires screech]
193
00:11:02,621 --> 00:11:04,581
- Who does that?
- [both laugh]
194
00:11:07,875 --> 00:11:10,253
The first time we're
all together in one shot.
195
00:11:10,337 --> 00:11:13,173
It's going to be a very cool moment
for the audience when you pull back
196
00:11:13,256 --> 00:11:16,176
and you reveal and it's like,
wow, the eight people are together.
197
00:11:16,259 --> 00:11:18,803
It was kind of surreal and it was like,
OK, what does the future hold?
198
00:11:18,886 --> 00:11:20,514
It's the last moment of the season.
199
00:11:20,597 --> 00:11:24,100
It's the only time that it
happens through the season.
200
00:11:24,184 --> 00:11:27,854
And it's freezing cold
and it's in gorgeous Iceland.
201
00:11:27,937 --> 00:11:30,148
Iceland has been incredibly magical.
202
00:11:30,231 --> 00:11:34,277
I feel it's somewhere between a fairyland
and the moon. [laughs]
203
00:11:34,361 --> 00:11:38,281
It definitely feels enchanted.
It's just an incredible place.
204
00:11:38,365 --> 00:11:39,740
It's so pristine.
205
00:11:39,824 --> 00:11:43,453
Staggeringly beautiful places
that we've gotten to shoot.
206
00:11:43,537 --> 00:11:47,666
Very dramatic, in themselves,
without us having to do anything.
207
00:11:59,219 --> 00:12:01,804
[Middleton] We start in one location,
then we all move to the next.
208
00:12:01,971 --> 00:12:04,391
So that in itself
sort of screws with your mind
209
00:12:04,474 --> 00:12:07,602
because you film everything
based on where you are in the world
210
00:12:07,686 --> 00:12:10,397
as opposed to based on where you are
in the story, so that's very confusing.
211
00:12:10,480 --> 00:12:12,566
[Smith] Because we had to go to Nairobi,
212
00:12:12,649 --> 00:12:16,735
shoot every episode's worth of scenes,
and then go to Berlin.
213
00:12:16,819 --> 00:12:18,279
And then-- psh--
right back to the beginning
214
00:12:18,363 --> 00:12:21,366
of the story, you do it again.
It's like layers of paint.
215
00:12:21,449 --> 00:12:24,285
I would film something in San Francisco
and then go to Chicago,
216
00:12:24,369 --> 00:12:26,037
and then I'm like,
"What are we doing today?"
217
00:12:26,120 --> 00:12:28,331
And they're like, "That scene
we already shot in San Francisco,
218
00:12:28,415 --> 00:12:31,084
now we're going to do it in the
police station." And I'm like "Oh, OK."
219
00:12:31,167 --> 00:12:34,921
We would cut a full scene
in Chicago individually.
220
00:12:35,004 --> 00:12:38,216
We would cut a full scene
in San Francisco individually.
221
00:12:38,299 --> 00:12:40,677
So we'd get all of the good moments
from each location.
222
00:12:40,759 --> 00:12:42,512
And then we'd take those two scenes
and put them together
223
00:12:42,596 --> 00:12:45,181
and cut a third scene
with them integrated.
224
00:12:45,265 --> 00:12:49,686
Shoot the scene, two, three, sometimes
four times in different locations.
225
00:12:49,768 --> 00:12:53,565
So if they had already shot
in San Francisco and Chicago,
226
00:12:53,648 --> 00:12:55,900
it was important
for the directors and the actors
227
00:12:55,983 --> 00:12:58,737
to see in Iceland
what the scenes were looking like.
228
00:12:58,819 --> 00:13:01,281
This is the rare time we had
a second chance to shoot a scene.
229
00:13:01,364 --> 00:13:04,992
So if they had different ideas
about how the scene was playing,
230
00:13:05,076 --> 00:13:07,245
they could make adjustments,
and they did often, quite often.
231
00:13:07,328 --> 00:13:09,247
They'd make adjustments
to the performance,
232
00:13:09,330 --> 00:13:11,165
potentially, or even in the writing.
233
00:13:11,249 --> 00:13:14,001
[Smith] There's one scene that takes place
in four different locations,
234
00:13:14,085 --> 00:13:16,170
and that's amazing.
It's really, really great.
235
00:13:16,254 --> 00:13:18,005
It's so crazy I can't remember
the whole thing.
236
00:13:18,089 --> 00:13:20,049
I don't think anyone's ever done
anything like this before.
237
00:13:26,013 --> 00:13:27,014
[man shouts] Action!
238
00:13:30,143 --> 00:13:36,190
Exactly 24 hours ago, I was in a cave
freezing my ass off in Iceland.
239
00:13:36,274 --> 00:13:39,778
Now we're in Eastleigh, Nairobi, Kenya.
240
00:13:40,654 --> 00:13:41,696
[car honking]
241
00:13:41,780 --> 00:13:44,115
A lot of traffic. A lot of people.
242
00:13:45,199 --> 00:13:48,328
It's adventurous. Exciting.
It's dangerous.
243
00:13:55,042 --> 00:13:57,962
I drove 90 percent of the time,
the Van Damn.
244
00:13:58,045 --> 00:14:00,298
I drove around Nairobi.
245
00:14:00,381 --> 00:14:03,134
I even had the experience
of the police pulling me over
246
00:14:03,217 --> 00:14:05,844
and someone having to get
out of the car and speak to the police.
247
00:14:07,138 --> 00:14:10,849
Basically, there's no brakes.
There's no good clutch.
248
00:14:10,933 --> 00:14:13,770
And the gears, it's like... yank,
249
00:14:13,852 --> 00:14:15,854
so my arms are really
flipping strong now, man.
250
00:14:15,938 --> 00:14:18,399
It was tough, but it was fun, man.
251
00:14:20,276 --> 00:14:23,196
Call me a bitch one more time.
252
00:14:23,279 --> 00:14:25,239
And I will kill you.
253
00:14:25,323 --> 00:14:26,658
Say what?
254
00:14:27,784 --> 00:14:28,951
Bitch.
255
00:14:34,415 --> 00:14:35,583
[screams]
256
00:14:37,293 --> 00:14:39,045
[shouting]
257
00:14:39,128 --> 00:14:41,005
[Jawar] Today we do the warehouse fight,
258
00:14:41,088 --> 00:14:45,593
we're going to have some really nasty,
messed up, bloody scene.
259
00:14:45,677 --> 00:14:50,431
Really try to unload on him coming in.
260
00:14:50,515 --> 00:14:54,602
You know, set yourself,
because always you're too upright.
261
00:14:54,686 --> 00:14:57,230
You're too upright to deliver the kick.
262
00:14:59,691 --> 00:15:02,902
I'm really brutal and violent.
263
00:15:07,323 --> 00:15:10,744
I can't quite put into words
the experience I had in Nairobi.
264
00:15:10,827 --> 00:15:13,663
It was literally just like
an action movie at times,
265
00:15:13,747 --> 00:15:15,749
and it was just very real.
266
00:15:15,832 --> 00:15:16,957
I wasn't protected.
267
00:15:18,292 --> 00:15:20,086
Good guys here, man.
268
00:15:24,382 --> 00:15:28,344
[Andrews] Lana and Andy, there's
a certain telepathy on set with them.
269
00:15:28,428 --> 00:15:30,346
One is an extension of the other.
270
00:15:30,430 --> 00:15:32,557
You know, they're
almost like sensates with each other.
271
00:15:32,640 --> 00:15:35,435
They have this incredible
symbiotic relationship.
272
00:15:35,518 --> 00:15:38,312
[Andrews] And it's very charming
and very endearing to watch
273
00:15:38,396 --> 00:15:42,066
and great to be a part of,
very exciting because it informs the work.
274
00:15:42,149 --> 00:15:44,444
Because if that's
what the script is about,
275
00:15:44,527 --> 00:15:47,906
then if, as people,
they can bring some of that feel,
276
00:15:47,988 --> 00:15:51,451
some of that soul to the piece,
then it helps us all.
277
00:15:51,534 --> 00:15:53,119
[Smith] It's really incredible
to watch how they work.
278
00:15:53,202 --> 00:15:55,914
When they show up on a set,
they use everything.
279
00:15:55,996 --> 00:15:59,918
[Hannah] They are constantly
open to inspiration
280
00:16:00,000 --> 00:16:04,798
and taking inspiration
from wherever in the atmosphere,
281
00:16:04,881 --> 00:16:08,384
the soil, the universe, the people,
whatever that's there at the moment.
282
00:16:08,468 --> 00:16:11,721
They allow it to come to life
and be alive in that moment
283
00:16:11,805 --> 00:16:14,682
and take what they have on the page,
284
00:16:14,766 --> 00:16:16,935
which is what you're supposed to do,
as a blueprint.
285
00:16:17,017 --> 00:16:19,353
[Sally] They enjoy putting things
together. They enjoy trying things.
286
00:16:19,437 --> 00:16:22,857
We, often times,
we'll cut things one way, you know,
287
00:16:22,941 --> 00:16:25,485
it'll work, but let's try this way.
Let's try something like this.
288
00:16:25,568 --> 00:16:28,279
- Let's try it like that.
- That was the big thing.
289
00:16:28,362 --> 00:16:30,197
"Let's just try things
because that's what we do."
290
00:16:30,281 --> 00:16:33,075
Yeah, we do. "We try things.
Yeah. We try things. Let's try this."
291
00:16:33,159 --> 00:16:36,704
[Smith] They might have an idea for how
a shot is supposed to look or feel
292
00:16:36,788 --> 00:16:39,582
or how it's supposed to be lit,
but then they'll see something.
293
00:16:39,666 --> 00:16:44,003
They knew when I was doing the weights,
294
00:16:44,086 --> 00:16:49,759
they just got this idea it would be really
great if the weights keep wiping frame,
295
00:16:49,843 --> 00:16:54,806
and by the third time it comes up,
there's Lito just kissing your neck.
296
00:17:01,020 --> 00:17:05,733
It's very exciting for me to be in Seoul
and working at the same time.
297
00:17:07,777 --> 00:17:10,655
We are actually,
we are in the center of Seoul.
298
00:17:10,738 --> 00:17:13,825
It's called Cheonggyecheon.
This is a little canal.
299
00:17:13,908 --> 00:17:18,287
This is a quite famous spot for tourists
and local Korean people
300
00:17:18,371 --> 00:17:23,250
to just hang out around here,
chilling out, just very relaxing place.
301
00:17:24,836 --> 00:17:30,424
For me, Seoul is very modern
and very old-fashioned at the same time.
302
00:17:30,508 --> 00:17:32,760
So I think that's the point of Seoul.
303
00:17:34,888 --> 00:17:39,976
I actually live in Seoul, so it was
a really special experience for me
304
00:17:40,059 --> 00:17:43,938
to have all of the crew
and cast members in my city.
305
00:17:44,022 --> 00:17:46,983
I felt really responsible for some reason.
[laughs]
306
00:17:47,066 --> 00:17:49,694
I was too excited to have everyone,
307
00:17:49,777 --> 00:17:53,406
and I really wanted to show them around.
308
00:17:53,489 --> 00:17:58,452
After the shooting, I just drove my car
around with Tina and Max and everyone.
309
00:17:58,536 --> 00:18:01,539
Hey! It was really fun! Yeah!
310
00:18:01,622 --> 00:18:04,250
There's someone you need to meet.
311
00:18:07,670 --> 00:18:10,757
[Silvestre] It's amazing to be in Mexico.
312
00:18:10,840 --> 00:18:12,675
I'm having so much fun with the character.
313
00:18:12,759 --> 00:18:18,180
To be honest, I just started the series,
um... with a sex scene,
314
00:18:18,264 --> 00:18:23,728
with Brian, with Jamie and Amanita.
315
00:18:23,811 --> 00:18:26,105
That was my first day.
316
00:18:26,188 --> 00:18:29,025
[laughs] It was like, you know,
317
00:18:29,108 --> 00:18:32,486
like, OK, I cannot
start better than this.
318
00:18:32,570 --> 00:18:35,406
- [rock music plays]
- [crowd cheering]
319
00:18:40,912 --> 00:18:42,080
Lucha Libre!
320
00:18:42,162 --> 00:18:45,708
[Herrera] We are at the Lucha Libre arena.
321
00:18:45,792 --> 00:18:48,419
- We're going to watch a real fight.
- A real fight.
322
00:18:48,502 --> 00:18:50,797
So we're waiting for the people to enter,
323
00:18:50,880 --> 00:18:54,383
and afterwards we will have
the Lucha Libre and then the scene
324
00:18:54,467 --> 00:18:57,637
with the whole crowd
going mad, going nuts.
325
00:18:57,720 --> 00:19:01,348
We'll be rolling
the scene from back there.
326
00:19:01,432 --> 00:19:04,226
And then there's two
cameras around the ring
327
00:19:04,310 --> 00:19:07,438
so that they can see the fight up close.
328
00:19:07,521 --> 00:19:09,231
- The fight for justice.
- That's right.
329
00:19:09,315 --> 00:19:10,650
[crowd cheering]
330
00:19:17,907 --> 00:19:21,702
[Andrews] Traveling together and being
in all these different locations
331
00:19:21,786 --> 00:19:25,957
definitely helped bind us together
and bond as a cast.
332
00:19:26,040 --> 00:19:27,625
[Middleton] Although
we're not always together,
333
00:19:27,708 --> 00:19:29,293
we bonded really quickly, actually.
334
00:19:29,376 --> 00:19:32,713
I think within about a week of being
in San Francisco for rehearsals,
335
00:19:32,797 --> 00:19:34,674
we were like a family.
336
00:19:34,757 --> 00:19:37,885
We met and we were all
in San Francisco for a minute,
337
00:19:37,969 --> 00:19:42,306
and then we sort of all split off and then
we all got back together again in Iceland,
338
00:19:42,389 --> 00:19:44,767
which was so cool,
and then we split off again.
339
00:19:44,851 --> 00:19:46,602
And then now we're all here again.
340
00:19:46,686 --> 00:19:49,939
It's so electric,
like, when the eight of us come together.
341
00:19:50,023 --> 00:19:52,775
[Ameen] It's weird 'cause you kind of go
on your separate journeys,
342
00:19:52,859 --> 00:19:56,112
then when you meet each other again
you got all of this kind of pent up,
343
00:19:56,278 --> 00:19:58,739
"Let me tell you what I've
experienced and da-da-da-da."
344
00:19:58,823 --> 00:20:01,701
It feels like family.
When we meet again it's like really...
345
00:20:01,784 --> 00:20:04,871
- It feels really good.
- [Clayton] It's unexplainable.
346
00:20:04,954 --> 00:20:08,124
It's like these insane family reunions
that sort of happen
347
00:20:08,207 --> 00:20:10,376
when we call come together
and we can feel it.
348
00:20:10,459 --> 00:20:13,713
And we've got this Sense8 picture group
that we all subscribe to
349
00:20:13,796 --> 00:20:16,632
so we all can see
each other's lives unfold.
350
00:20:16,716 --> 00:20:19,301
So in that way,
you feel very much a part of it.
351
00:20:19,385 --> 00:20:20,887
[Middleton] It's kind
of a strange experience
352
00:20:20,970 --> 00:20:22,471
because if it wasn't for this show
353
00:20:22,555 --> 00:20:25,099
then I don't know when the eight of us
ever would have met,
354
00:20:25,183 --> 00:20:27,518
but it's been really amazing.
355
00:20:40,406 --> 00:20:44,410
Now, we're in Berlin and we're filming
in actually very beautiful weather.
356
00:20:44,493 --> 00:20:46,579
[gunshots]
357
00:20:48,789 --> 00:20:52,793
It's my home, hometown.
So a lot of people that I love live here.
358
00:20:52,877 --> 00:20:55,838
We've got lots of space,
good air, good weather.
359
00:20:57,339 --> 00:20:59,466
We are all together for the last time.
360
00:20:59,550 --> 00:21:04,055
[Riemelt] We get to know each other
and we see the person at their home city
361
00:21:04,138 --> 00:21:05,723
and show them to each other.
362
00:21:05,806 --> 00:21:09,227
For example, Doona showed me Seoul
like nobody can.
363
00:21:09,309 --> 00:21:14,190
In Berlin, I invited them for dinner and
showed them my world as much as I could.
364
00:21:14,232 --> 00:21:15,775
This is a nice thing to do.
365
00:21:17,735 --> 00:21:23,449
What we are going to do now
is blowing up a car with my RPG.
366
00:21:44,053 --> 00:21:47,473
I'm finally filming my stuff in my city,
367
00:21:47,556 --> 00:21:50,893
but they've saved the best for last
and I'm very happy to be finally shooting.
368
00:21:50,977 --> 00:21:53,980
I have another level
of energy only happening.
369
00:21:54,063 --> 00:21:55,940
It's now the level of excitement
and happiness,
370
00:21:56,023 --> 00:21:58,901
and also it's like good positive things
that I'm feeling.
371
00:21:58,985 --> 00:22:01,654
[bell ringing]
372
00:22:02,321 --> 00:22:05,283
We are at the Ganesh Temple.
373
00:22:05,365 --> 00:22:08,577
[bells ringing]
374
00:22:08,661 --> 00:22:11,455
It's kind of romantic here.
I like that.
375
00:22:11,538 --> 00:22:13,958
The view is brilliant
because you have the sea on one side
376
00:22:14,041 --> 00:22:16,002
and you have a million dollar house
on another side. [laughs]
377
00:22:16,085 --> 00:22:19,005
And we're at a temple,
which is very rare to shoot at.
378
00:22:19,088 --> 00:22:21,674
- [indistinct chatter]
- [laughs]
379
00:22:21,757 --> 00:22:24,468
- [Indian vocal music plays]
- [crowd cheering]
380
00:22:24,551 --> 00:22:27,180
[Kohli] The dancing was different from
how we shoot dance sequences in India
381
00:22:27,263 --> 00:22:31,058
because Lana wanted it to be all shot
in one go so we were dancing
382
00:22:31,142 --> 00:22:33,853
and the cameras were capturing all of it.
In India we shoot short
383
00:22:33,936 --> 00:22:36,105
sequences of the dance
and then put them all together.
384
00:22:36,189 --> 00:22:40,693
[Indian music plays]
385
00:22:40,776 --> 00:22:43,779
[Kohli] I think we did about ten or 15
runs of the dance last night.
386
00:22:43,863 --> 00:22:47,116
So by the end of it everybody's bodies
were like... ah... hurting.
387
00:22:47,200 --> 00:22:50,703
[Indian dance music plays]
388
00:22:50,870 --> 00:22:53,039
[Walpole] We're at the Renaissance Hotel,
389
00:22:53,122 --> 00:22:55,333
and we just set up for the wedding.
390
00:22:55,415 --> 00:22:58,336
As you can see by the amount of extras
that we have here,
391
00:22:58,418 --> 00:23:00,921
that's about the amount of guests
that you'd get probably
392
00:23:01,005 --> 00:23:03,716
in a medium to large
wedding here in India.
393
00:23:03,799 --> 00:23:07,803
[Desai] The wedding's location
was brilliant with the lake behind
394
00:23:07,887 --> 00:23:11,098
and the entire Powai skyline, the lights.
It's so pretty.
395
00:23:11,182 --> 00:23:14,392
The entire venue
was decorated very elaborately
396
00:23:14,476 --> 00:23:15,644
with the flowers and the tents.
397
00:23:15,728 --> 00:23:19,439
And I had this beautiful lehenga,
which I loved wearing
398
00:23:19,523 --> 00:23:22,609
and it was ridiculously heavy
and very hot.
399
00:23:22,693 --> 00:23:26,155
[Indian dance music plays]
400
00:23:26,239 --> 00:23:28,866
We're at the monuments circle.
We're shooting the Ganesh Festival.
401
00:23:28,949 --> 00:23:30,993
We've already shot some stuff
of the real thing,
402
00:23:31,077 --> 00:23:33,329
but with hidden cameras on rooftops
and stuff like that.
403
00:23:33,411 --> 00:23:35,789
So this is the cheat of being
in the actual festival,
404
00:23:35,873 --> 00:23:38,792
which would be impossible
to actually film like this in.
405
00:23:38,876 --> 00:23:42,046
It's a sea of humanity,
more than a million people.
406
00:23:47,385 --> 00:23:49,553
[Middleton] You know,
spending four months with people
407
00:23:49,636 --> 00:23:51,555
traveling around to different countries
408
00:23:51,638 --> 00:23:55,142
when you're not with your friends and
family, it's so important that you get on.
409
00:23:55,226 --> 00:23:58,271
And I think one thing
that the Wachowskis are great at doing
410
00:23:58,354 --> 00:24:00,856
is bringing together like-minded people.
411
00:24:00,940 --> 00:24:03,234
And I feel like we're all very similar
412
00:24:03,317 --> 00:24:05,111
and we're all going
through the same thing.
413
00:24:05,194 --> 00:24:06,946
I think it really helps.
It helps for the show.
414
00:24:07,029 --> 00:24:09,198
And I think it helps
having that support network
415
00:24:09,282 --> 00:24:11,617
when you're traveling around so much.
416
00:24:11,700 --> 00:24:14,328
[Desai] And you have company.
If you want mad, you want intense,
417
00:24:14,412 --> 00:24:16,372
you want conversation, it's all there.
418
00:24:16,454 --> 00:24:17,748
[Smith] We got really close
419
00:24:17,831 --> 00:24:19,708
and you get close with different people
in different cities.
420
00:24:19,792 --> 00:24:22,295
Every single person I can look
at the cast and go,
421
00:24:22,378 --> 00:24:25,423
there was a city where we really,
really connected
422
00:24:25,505 --> 00:24:26,799
and we really got to know each other
423
00:24:26,882 --> 00:24:30,261
and we really talked
about some really deep shit.
424
00:24:34,890 --> 00:24:36,976
I'm not ready to leave now.
425
00:24:37,059 --> 00:24:40,604
It's been completely life-changing,
physically, emotionally, spiritually.
426
00:24:40,687 --> 00:24:44,650
[Ameen] We've experienced many
different cultures, many different foods,
427
00:24:44,733 --> 00:24:45,859
gained weight, lost weight.
428
00:24:45,943 --> 00:24:48,279
It's been an amazing experience.
429
00:24:49,863 --> 00:24:51,031
Bye.
430
00:24:52,074 --> 00:24:54,160
Sun's leaving.
431
00:24:54,994 --> 00:24:56,120
Sun's gone.
38601
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