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In this section, we will be discussing
different methods for establishing a scene
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and establishing shot can be a long shot,
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wide shot to a shot or a group shot.
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Essentially,
an establishing shot is any frame
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that provides a context for the action.
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That context can work
to set up the location, time
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or relationship between the characters
and their environment.
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This was a pleasant thing
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of scene to watch,
but do we have any idea what's going on?
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It is important to consider that although
you may be able to visualize the scene
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because you conceived it
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and understand the context,
your audience will not be able to.
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Let's take another look at the sequence.
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But we're done establishing shot.
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By using a variety of shot types,
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we are able to convey
much more information to the viewer.
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We now understand where the characters
are in relationship
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to the world as well as to each other.
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Perhaps the context is unnecessary
for your story, but for the most part,
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the audience expect scene to be anchored
in an established time and location.
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In conventional storytelling,
we will begin a sequence
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with an establishing shot
to position the action within the world
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we are creating and then approach
the action with a progression of shots.
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Let's check out that same sequence,
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but in reverse.
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In this sequence,
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every single shot except the first one
is functioning as an establishing shot
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because each shot provides
an additional layer of context.
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By reversing the order, we can withhold
information from the viewer
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to create suspense
and use the establishing shot as revealed
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by starting a sequence with closeups.
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We are essentially posing questions
while the establishing shot functions
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as an answer to them.
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