All language subtitles for God.Friended.Me.S02E17.Harlem.Cinema.House.1080p.AMZN.WEB-DL.DDP5.1.H.264-NTb_track4_[eng]

- Previously
on "God Friended Me"...

- And to those I'm meeting
for the first time,

thank you in
advance for the support.

- I'm afraid I don't share
your confidence.

- What, the council didn't like
your proposal?

- Actually, just one member
in particular.

- If you truly love
this church,

you'll consider stepping down.

- Reverend Elias, your services
are no longer needed.

- I'm Ali.
- Emily.

- I'd love to
get to know you more,

you know, outside
of a waiting room.

- I have breast cancer.
That's why I said no to a date.

- So how's 7:00 tomorrow?

- Oh.
- You okay?

- Emily and I were on our date.
I passed out.

- Can I see her?

- Actually, she wanted me
to come out and tell you

that she'll be
calling you later.

- She's not gonna call me,
is she?

[warm acoustic guitar music]

- ♪ Please just go easy
on me, baby ♪

- Did, um, your doctor say
anything else?

- I told you--just that
the treatment wasn't working.

- Hey, nothing
about the next step?

- No.

- Well, I'm sure that's

what she's gonna talk to us
about today.

♪ ♪

- Dr. Chang.
Hi.

I'm sure you remember
my entire family.

- Of course.
I assume Ali's filled you in.

- She has.

- Like we first discussed,

we need to shrink the tumor
before we can remove it

in order to give us
the best chance of success.

Unfortunately,
your current treatment

didn't give us
the results we were hoping for.

- So what's the next step?

- Well, we're gonna
have to get more aggressive.

- Aggressive how?

- Stronger medicine,
adding radiation.

- But if we opted
for surgery now

instead of waiting for
the tumor to possibly shrink...

- We can discuss it,

but the highest probability
of long-term success

is reducing its size.

The good news is,
the cancer is localized.

So, once we shrink it,

we're looking at very good odds
going into surgery.

Okay?
- Okay.

When do we start?

- I wish there was
different news today, Ali.

I'm sorry.

Um, but it's just
a bump in the road,

and we'll get through this.

- Let's stay hopeful,

because there is
a new treatment option,

and we are gonna be here
for you every step of the way.

- Thank you.
- Mm-hmm.

- [chuckles]

- I'll check on you later.
- Okay.

- See you.
- Okay.

- [sighs]
Want to talk about it?

- No.
Not really.

- You know what you need?

You need a day off.

- You want me to play hooky.
- I want us to play hooky.

Look, seeing that I have
a podcast and work from home,

I'm pretty sure
no one's gonna notice.

And you can call in sick.

- I can tell them
I have cancer.

Okay, I guess I can take
the afternoon shift.

What do you have in mind?
[cell phone chimes, buzzes]

- What is it?

- The God Account just liked
"The Maltese Falcon."

Maybe it wants us
to go to the movies.

- "Maltese Falcon"...

Wasn't that one
of Mom's favorite films?

- Yeah.

Yeah, she took us to see it
when we were kids.

It was one of the first films
we saw

at the Harlem Cinema House.

- I haven't been there
in years.

- You know what?

That changes today.
Come on.

[dramatic music]

♪ ♪

- What's going on
with the God Account?

Any lead on Corey Smith?

- Uh, yeah, we found out
he works for DARPA.

- What's that?

- It's a top-secret
government agency.

So, yeah,
walking in and saying "hello"

is definitely
out of the question.

But look, no more talk
about the God Account.

I just want this day
to be about you.

I've been meaning to ask you,
did you call Emily?

- I did...

after I got home from
the hospital the other night,

told her it was probably
for the best we didn't date.

Let me guess.
You think I'm making a mistake.

- No, no, no, no, no.
I think you're right.

Look, you have been going
through a lot lately.

You don't need
to overextend yourself.

Meeting Emily
was just bad timing.

[sighs, chuckles]

Man, this place
hasn't changed a bit.

It always made me feel like
I was ten years old again.

- Me too.
Other than Harlem Episcopal,

we spent more time here as kids
than any other place.

- Now, aren't you glad
we played hooky?

- Mm-hmm.

- Hey, Mr. Johnson, uh, I don't
know if you remember us--

- Miles and Ali Finer.

Of course I do.
[laughs]

You know,
I remember when Arthur and Ella

brought you in as kids.

You know, he and your mother
had their very first date here?

I told him, "Do not take Ella
to see 'Lady Sings the Blues.'"

It is not a first-date flick.

[laughs]
But he wanted to impress her.

So they both came
out of the movie weeping.

I can't blame them.
My wife and I did, too.

- We were sorry to hear
about her passing.

- Thank you.

[sentimental music]

- Hey, you kids are gonna be
late for the movie.

[chuckles]
Come on.

- Uh, Mr. Johnson,
how much for the tickets?

- [chuckles] You are my guests.
Come on in.

[cell phone chimes, buzzes]

[mysterious music]

- Everything okay?
- Yeah.

Yeah.

- Miles, Ali, this is Haley,
my star employee.

- There's only two of us,
so I had a pretty good shot.

[chuckles]
Nice to meet you.

- Enjoy the movie.

- So what can I get you?

- Two, uh, popcorns
with extra butter, please.

- And two boxes
of Reese's Pieces, please.

- So how do you two know Mr. J?

- We grew up
watching movies here.

Yeah, Harlem Cinema House
and Mr. Johnson

have always been a huge part
of this community.

- Mr. J's one of a kind.

If it wasn't for him,
I don't know where I'd be.

[chuckles]

[cell phone chimes, buzzes]

[dramatic music]

- What's going on?

♪ ♪

- Nothing.
It's just Rakesh. He's bored.

♪ ♪

- Welcome to
Harlem Cinema House.

Today we are presenting
"Krush Groove."

My name's Leo.
I'm your projectionist.

You're not gonna get
a better viewing experience

of classic movies
than here at HCH...

[cell phone buzzes]
where we still show our prints

on one of the last remaining
35-millimeter projectors

in the country.

Hope you enjoy it.

- [whispering] Okay, spill it.
I know that's not Rakesh.

What's really going on?

- [whispering]
It's the God Account.

- It sent a Friend Suggestion?
- Not one but three--

Mr. Johnson, Haley Chambers,
and Leo Rettke.

- It looks like the God Account
really did want us

to go to the movies.

♪ ♪

- That movie was amazing.
- Yeah.

Hey, what are you two
doing here?

- I texted them.

With three friend suggestions,
we need all hands on deck.

- Well, three different people
means three separate problems.

- Yeah, well, unless, you know,
they're all connected.

- Yeah, he's right.
I mean, it can't be

a coincidence
that they all work here.

- So why don't we, uh, split up

and see what we can find
from each one of them?

- Well, Miles and I know
Mr. Johnson,

so we'll talk to him.

- Okay, Rakesh, why don't you
talk to the projectionist, Leo?

And, Cara,
you can talk to Haley.

She runs the concession stand.
- Yeah, cool.

- Okay.

Hey, Haley, these are
my friends Rakesh and Cara.

- Hey, it's nice to meet you.

- You too.
- Whoa.

"2001" and "The Shining"
double feature?

Please tell me
that's not sold out.

- No.

- So why are you
taking it down?

- Sorry, I assumed since
you were Mr. J's friends,

you already knew.
- Knew what?

- Mr. Johnson is being forced
to close down the theater.

[dramatic music]

Come Monday,
this place is sold.

♪ ♪

- Lester.
Come in.

To what do I owe the pleasure?

- I wanted to come by
and thank you.

I just got word that shelter
at Harlem Episcopal

was approved for another year
of funding.

- And deservedly so.

It's been serving the community
for 15 years.

- Well, we appreciate it.

I know you had to make
some difficult decisions

about which programs to cut
in order to balance the budget.

- I did, but the shelter was
never going to be one of them.

[tense music]

♪ ♪

- By the way...
[sighs]

I heard from a friend
of the dioceses

that Reverend Elias' program
was not so fortunate.

- I wish I could keep them
all open, but as you said,

decisions had to be made.

- To say he was not pleased
would be an understatement.

I thought you should know.

- I appreciate
the heads-up, Lester.

♪ ♪

[knock at door]

- Uh, come on in.

- Hey, Mr. Johnson.
- Hey, guys.

- How was the movie?
- It was great.

- Yeah?
- Yeah.

- Mr. Johnson, we heard
about the theater being sold,

and we are so sorry.
- This must be so hard for you.

- It wasn't an easy decision
to make.

But the truth is,

I can't compete
with the big multiplexes.

You know, they got reclining
chairs, digital projectors,

surround sound.

- Well, have you thought
about renovating the theater,

updating it so you can show
new movies?

- I haven't turned a profit
in a while.

And without any collateral, no
bank is gonna give me a loan.

- Well, there must be a way
that we can help.

We've actually gotten
really good at fund-raising.

- [chuckles]

I appreciate it,
but we've done all that.

The only thing that I had that
I could've used as collateral,

was my wife's wedding ring.

It was a family heirloom.

- What happened to it?
- [sighs]

Our home was broken into
last year, and it was stolen.

[somber music]

I just hope that Haley and Leo
land on their feet.

They're like family.
[chuckles]

I did get Haley a job interview
for tomorrow.

I hope it works out.

- [sighs]
I'm going to miss this place.

- How long
have you worked here?

- Uh, six months,
but it feels much longer.

- Any idea where
you're gonna go next?

- No, not yet,
but Mr. J's trying to help me.

It's just not so easy.

- What do you mean?

♪ ♪

Let's just say employers

don't love hiring
people with a record.

- Oh.

- Hello?

- Uh, employees only.

- I heard you guys got

this old 35-millimeter
projector back here,

and I-I had to see it.

Hi.
- Hey.

- I'm Rakesh.
- Leo.

Fellow cinephile?

- Mm-hmm.
- Step right in.

- Okay, but full disclosure--
I'm a digital guy.

- Well, sit in this theater
for a few weeks,

and I promise you
I will change that.

- [laughs]

- If we only had a few weeks.

- Yeah, it's too bad they're
shutting this place down,

especially for a purist
like yourself.

- Yeah, uh, thanks.
Um, I'm actually a filmmaker.

Or I will be one day.

- Like, what are you
working on?

- I just completed
my first short film.

I'm hoping it'll get me into
the New York Film Institute.

Literally spent
every penny I have making it.

- [laughs]

- You know,
if it wasn't for Mr. Johnson

letting me crash
in the basement to save cash,

I probably wouldn't have been
able to complete it.

- Wait, you've been
living here?

What are you gonna do
once the theater closes down?

- Um, still working on that.

And I just got
the telecine file

for my short
from the lab today.

- Shot on film.
- Of course.

- Mm-hmm.

- Do you want to check it out?
- Yeah.

- I didn't always make
great decisions.

Ended up doing something stupid
and served a few months.

I have another year of parole.

It's why I owe everything
to Mr. J.

He looked past all that,

but not everyone's like him.

- Yeah.
[cell phone chimes]

[dramatic music]

♪ ♪

- Is everything okay?

- Uh, yeah, it's just, uh,

the job interview
Mr. J set up for me,

one of the conditions
of my parole is employment.

So I should probably get going.
I don't want to be late.

- Yeah.

♪ ♪

[computer beeps]

- No.

This cannot be happening.
- What?

My film--the file--
it's saying it's corrupted.

It--it won't open.

- Okay, uh, well, can't you
just transfer it again?

- Yeah, but it takes at least
a week, and the deadline

for the New York Film Institute
is today.

- Okay, look, maybe I can help.

- How?
- Well, I'm a coder.

I'm sure I can fix
whatever's wrong with it.

Okay, look, I know
we don't know each other,

but cinephile to cinephile,
I'm gonna ask you to trust me.

- Look, I appreciate
you guys caring,

but if I'm gonna turn over
the keys on Monday,

I've got a lot to do.

So if you excuse me.

Miles, Ali.
[chuckles]

Thanks, guys.

- What is it?
- Mr. J's ring.

What if that's what this is
about--tracking it down?

- Ali, the ring was stolen
a year ago.

That's more than a long shot.
- I get that.

But look, it's the God Account
we're talking about.

Plus, it would be kind of nice
to see a long shot pay off.

♪ ♪

- You know what?
You're right.

If we can locate the ring,

then he'll be able to get
a loan to renovate the theater.

See if we can bring people
back down here.

- Hey.
How'd it go with Mr. Johnson?

- Good. There may be a way
to save the theater.

- And everyone's job with it.

- Well, that's great. How?
[door opens]

- Nice meeting you guys.
- Yeah, yeah, you too.

Okay.
- What is it?

- She got this text
that seemed to rattle her.

She said it was about some job
interview Mr. Johnson set up

for her that she had to get to.

But I can't shake the fact
that I think she was lying.

- Maybe because she is.
- What are you talking about?

- Well, Mr. Johnson told us he
set up an interview for her,

but it's for tomorrow.

- But if she's not going
to the job interview,

then what was the text about?
- Yeah, that's a good question.

♪ ♪

I say we follow her.
Figure out where she's going.

You guys can tell me how
we're going to save the theater

on the way.
- Hmm.

You up for it?
- Try and stop me.

♪ ♪

- Reverend Elias.

- Bishop Finer.

Thank you for seeing me
on short notice.

- Of course.

Uh, I imagine that you're here

to talk about your program--
Fresh Start.

- I am.

Needless to say,
I was incredibly disappointed

to hear
that our funding had been cut.

- Mm.

- Fresh Start helps give
parolees the tools to find jobs

after being released
from prison.

It helps members
of our community

who have absolutely
nowhere else to turn.

- I understand.

If I could, I would keep
every program funded,

but hard decisions
had to be made

that are good
for the entire diocese.

- And you expect me
to believe that?

- Believe what you want.
It's the truth.

- No, the truth is that
not a single program was cut

from Harlem Episcopal,
while my program was.

And you're gonna sit there
and tell me

that that wasn't personal?
- It wasn't.

I gave all programs
careful consideration.

- Well, I know that isn't true.
- [scoffs]

- Because if that
were the case,

you would've closed the shelter
at Harlem Episcopal.

- That shelter
has served the community

for over 15 years.

- And during that time,

at least a dozen other shelters
have opened up just like it,

all serving the same community.

My program was the only one
of its kind.

- Your point?

- Was protecting your shelter

the best thing
for the diocese,

or was it the best thing
for you?

- [sighs]

[dramatic music]

I appreciate your concerns.

My decision is final.

We're done here.

♪ ♪

- But clearly she's waiting
on someone.

- Yeah, whoever it is
has her on edge.

- Considering her past,
the fact she served time,

I got a bad feeling about this.

- Hey, you know, being outside
can't be good for you.

And we don't know how long
we're gonna be waiting.

So why don't you just go home?

- Miles, I am cold because
it is 20 degrees outside,

not because I have cancer--
I'm fine.

- Okay.
Sorry.

- Hey, how did it go
at the doctor's this morning?

- Not really the news
we were hoping for.

- I'm so sorry, Ali.

- It's kind of bad timing.

Sort of met someone recently.
- Yeah?

- And as much as I like her,
it just--

it wouldn't be fair to put her
through something like this.

- Hey, check it out.

♪ ♪

- It's definitely not
a job interview.

♪ ♪

- Let's go.

♪ ♪

- What are you guys doing here?
Wait, uh--

Are you following me?
- Yeah.

I'm sorry.
Okay?

We're just worried about you.
- You don't know me.

- Well, we know the guy
you're talking to

wasn't for a job interview.

- Yeah,
from the looks of things,

probably someone
you shouldn't be talking to

while you're on parole.

- We're not here to judge.
We just want to help.

Now, what's going on?
Why were you meeting with him?

♪ ♪

- Because I'm trying to get
something back for Mr. J.

Uh, a ring that means
a lot to him.

- What does that guy
have to do with it?

- He's a fence.
[sighs]

He offloads stolen goods
around the city.

He was the last one to see
Mr. J's ring.

- Wait.
How do you know that?

- Because I'm the one
who stole it.

♪ ♪

- It was a year ago.
I was pretty much at my lowest.

I got busted for a different
burglary and went away.

When I got out,
Mr. Johnson gave me a job.

At the time, I had no idea the
ring I stole belonged to him.

- So how'd you figure it out?

[soft piano music]

- He invited me and Leo over
for dinner a few weeks ago

to tell us he was selling
the theater.

[sighs, chuckles]
When I walked into his place

I thought I was going
to have a heart attack.

- Because
you'd been there before.

- Yes.

During dinner, he told us
about his wife's ring.

When I stole it, I had no idea

just how valuable
it really was.

- What do you mean?

- It's an antique ruby--
incredibly rare.

He said the average jeweler

probably wouldn't realize
how much it's worth.

[sighs]
Ever since then,

I can't even look him
in the eye.

I need to make it right.

- Does your fence know
where it is?

- No.

Owen told me
there's dozens pawn shops

that deal in high-end jewelry
he might've sold it to.

And he's gonna ask around,
see if he can find it,

but who knows how long
that'll take?

- Well, then we need
to speed things up.

- How?

- We're kind of good
at finding things.

[investigative music]

- And you're done.
- You're kidding.

You fixed it?
- Yeah.

I just got to recompress
the file so you can email it.

And...
[keys clack]

You're all set.

- I don't know
how to thank you, Rakesh.

- Ah.

If I don't get
into film school...

[scoffs]
That's it.

- What are you talking about?

Even if you don't get into
film school, you can't quit.

This is your dream, right?
- Yeah.

- Then you got
to give yourself time.

- Believe me, I have.

This short film is gonna
determine my fate.

And thanks to you,
I have a fighting chance.

- The fact that
he questioned my decision,

accused me
of playing favorites,

and that I'm keeping
the shelter open

to protect some sort of legacy
at Harlem Episcopal?

- Well, you have to admit

that your ties
to Harlem Episcopal

and your history
with Elias--

it's easy to see
that he might think that way.

- Trish, I gave careful
consideration to all programs.

- Okay.
[door closes]

- Hey.
So what's going on with you?

You two seem to be having
a spirited conversation.

- Work problems.

- Do you remember
Reverend Elias?

- Ah, how can I forget?

- Well, I had to cut funding
to one of his programs,

and he's accused me
of playing favorites.

- He thought that your dad
should cut the shelter

at Harlem Episcopal.

- You mean our shelter?
- Hmm.

- Wait, what do you mean
"our shelter"?

- When I was eight years old,

we were coming home
from dinner,

and I was carrying
a box of leftovers.

We passed a homeless man,
and I handed him my food.

- Hmm.
- Afterwards, I asked my dad

if there was a place
where homeless people ate.

He told me about shelters,

and I asked if Harlem Episcopal
had one.

When he said no,
I said we should start one.

- I see.

- Anyway, I probably
should get to work today.

Dad, thank you for saving
our shelter.

- [chuckles]

[soft music]

I know what you're thinking.

It's a great program, and
that's why I'm not cutting it.

- I have no doubt about that.

♪ ♪

But you can't tell me that this
isn't a little bit about Ali

and wanting
to protect something

that was connected to her,
especially now.

♪ ♪

- So Rakesh was able
to help Leo.

Now he's gonna help you.

- I appreciate all this,
but how is this supposed

to help us find
Mr. Johnson's ring?

- Well, most of your high-end
pawn shops are online now,

so I scanned an image
of Mr. Johnson's ring,

entered a few parameters,

and now my software program's
just gonna do the rest.

- And hopefully it won't take
too long, right, Rakesh?

- Yeah, yeah, yeah, it should
scan 1,000 items a second.

So if it's out there,
we should know soon.

- What if it's not?
- Well, then we'll figure out

another way
to save the theater.

- [chuckles]

So do you guys usually
go around

helping strangers like this?

- You could say that.

[computer beeps]
- Oh, hey, we got a match.

[keys clacking]

Okay, looks like your ring
is at Al's Jewelry Depot

on 53rd and 9th--
or at least it was.

- What do you mean "was"?

- It sold for $2,000?

- Mr. Johnson said it
was worth almost $100,000.

♪ ♪

- Wait, that's weird.

The website just updated
its inventory.

Looks like someone bought it
less than an hour ago.

♪ ♪

- That's a hell
of a coincidence.

♪ ♪

- Did you tell your fence
how much the ring was worth?

- [sighs]
Yes.

I wasn't thinking.

I wanted him to know
how important it was to me.

I never thought--

♪ ♪

Now that he has it,
he's not gonna give it back

for anything less
than what it's worth.

[sighs]
It's over.

We're never gonna save
the theater now.

[dramatic music]

- I figured we could use
a little caffeine boost

to start the day.

- Thanks, Miles.
- Thank you.

- Yeah.
- Hey, it was really nice

having Ali working on the
God Account with us yesterday.

- Yeah, I'm sure it was
a welcome distraction.

- Yeah, for me too.

Oh, I heard back from Haley.

So she's gonna try
to talk to Owen,

but she said he's not
the kind of guy

that does anything out
of the goodness of his heart.

- Yeah.
So what's our next move?

- Honestly,
I don't know.

Mr. Johnson signs over
the theater tomorrow,

and we are out of options.

[cell phone chimes, buzzes]

- What is it?

- The God Account
just sent another like

for "The Maltese Falcon."

- Wait.
What do you mean "another"?

- Well, I got the same like
yesterday when I was with Ali.

It's what gave me the idea
to take her to the movies.

- Well, if it sent it again,
there has to be more to it.

- No, I get that,

and "The Maltese Falcon"
is a great movie,

but how's it supposed help us
save Harlem Cinema House?

- I don't know, but if
there's anyone who does,

it's Mr. Johnson.
- Mm.

- Uh, let me get this straight.

You get these likes,

and each one's a clue
of some kind?

- Basically.

- And this God Account
sent you my name.

- And Haley's and Leo's.

We think it's about
saving the theater.

Look, I know
it's a lot to take in,

but we've helped
a lot of people.

- And we're hoping we can add
you guys to the list.

- Mm-hmm, so any idea

how "The Maltese Falcon"
plays into all of this?

- Sorry.

I-I wish I did, but I don't.

Though it was one of my
grandfather's favorite movies.

He was a big Bogart fan.

He opened this theater.

I'm glad he's not around
to see the doors close.

- Hey, we are not
going to give up, okay?

We still have one more day.

- Look, I appreciate you guys
trying to help, I really do,

but it's too late.

Look, um, I'm having
one last screening tonight

to celebrate
the Harlem Cinema House.

I thought it'd be nice
to invite the community.

Let everybody
say good-bye together.

I hope you guys can come.

- "The Maltese Falcon"
has to be a clue.

We just have to
figure out what.

- Hey, Rakesh,
what did you do?

- Uh, what do you mean?

- I just got an email from
the New York Film Institute.

My film was disqualified.
My application was denied.

- Wait.
Why?

- Films have to have a minimum
runtime of six minutes.

Apparently mine
was a few seconds under.

- Okay, well, Leo,
how is that my fault?

- Because my film
was over six minutes

until whatever you did
somehow shortened it.

- Oh, something
must've happened

when I recompressed the file
that shaved down the runtime.

Leo, it's okay.

We'll call someone
at New York Film Institute

and tell them what happened--
I'm sure it will be fine.

- They're not gonna care.

What am I gonna do now?

I don't even have a job
or a place to stay.

I was kidding myself thinking
I was a real filmmaker.

It's over.

[somber music]

- Hey, Haley.
Were you able to talk to Owen?

- Yeah, he said
he won't sell us the ring back

unless we pay full value.

♪ ♪

- Wait.
What ring?

- Uh, nothing.
It's not important.

♪ ♪

Oh, hang on, are you talking
about Mr. J's ring?

- Uh...

- You know where it is?
How?

- It--it doesn't matter.

I-I thought I could get
it back, but I can't.

- You went to prison
right around the time

Mr. J's ring was stolen.

[dramatic music]

That night at his place
when he told us about it,

I remember you acting
kind of strange,

and at the time,
I didn't think anything of it.

♪ ♪

You stole it, didn't you?

♪ ♪

- Look, she's trying
to fix her mistake.

- I don't care.

Mr. J trusted you,
and this is how you repay him?

[door opens]

- Hey, hey.
What's going on here?

Repay me for what?

- Yeah, Haley.

Why don't you tell Mr. J what
we were just talking about?

Tell him why he doesn't have
his wife's ring anymore.

- What's he talking about?

♪ ♪

- I stole your ring.

It was before I ever knew you.

I'm so sorry.
I-I wanted to tell you.

- And you didn't.

Haley...

you looked me
straight in the eye

when I told you
about that ring...

And how it could've saved
this place.

And you said nothing.
- [crying] I'm so sorry.

♪ ♪

- That sounds terrible.
- Yeah.

I mean, things pretty much blew
up right in front of us.

- Usually this is the part
where I say

there's something we can do,
but there's nothing we can do.

[pop music playing]

- Okay, okay, okay.
Enough with the doom and gloom.

You guys help people.

That's what you do,
no matter how hard it is.

And you definitely
don't give up.

None of us do.

- Ali, I'm open to all ideas
on how we can save the theater.

- Forget about the theater.

[soft piano music]

It's about more than that.

It's about Mr. Johnson,
Haley, and Leo.

They are a family just like us,

and right now they are
the furthest thing from it.

We need to bring them
back together.

♪ ♪

- You know what?
You're right.

I'm gonna text Haley

and have her meet us down
at the Harlem Cinema House,

and we are gonna
remind them of that.

[cell phone clicking, beeps]

[cell phone buzzes]

- What'd she say?

- She said she's going
to fix things,

that she has to face her past
once and for all.

- Uh, okay, I don't like
the sound of that.

- Yeah, neither do I.

Rakesh, can you track
her phone?

- Yeah.
[keys clacking]

[dramatic music]

She's at the northwest corner
of St. Nicholas Avenue

and 123rd Street--
there's nothing over there,

except, uh...

a police station.

♪ ♪

[indistinct chatter,
telephones ringing]

- I'd like to report a crime.

♪ ♪

[dramatic music]

- Hey, Mr. J.
Thanks for meeting me.

- Of course. Uh, what's this
all about, Miles?

- Haley is at the police
station right now.

She's going to admit
to stealing your ring,

so the police'll be able to
get it back from her fence.

- And by admitting that,
she goes to prison.

- Yeah, now,
Ali, Rakesh, and Cara

are on their way there now
to stop her,

but there is only one person
that she'll listen to.

- [sighs]

I understand,
but I'm done helping her.

It's not just
that she stole the ring,

but the fact
that she lied to my face.

She's not the person
I thought she was.

- Yes, she is.

She is willing to go to jail
and save your theater

because she is exactly
who you think she is.

When I got
the Friend Suggestion

for the three of you,

I thought it was just
about saving the theater.

But it's not.

It's about saving a family,

a family that you created.

Don't turn your back
on her now,

when she needs you the most.

- [scoffs]

[indistinct chatter,
telephones ringing]

- We know why you're here.
You can't do this.

- I need to make this right.

- You don't need
to make anything right.

Not with me you don't.

- [sighs] If it wasn't for me,
you'd still have your ring.

- Yeah, and--
and if you hadn't stolen it,

then maybe you don't show up
at my theater needing a job.

And our worlds never cross.

You know, I'm...

I'm good with that trade,
are you?

♪ ♪

- What about the theater?

♪ ♪

- If the only way we can keep
the theater open

is for you to risk
going back to jail,

I'll close the doors right now.

We're family.

♪ ♪

- Which one of you is here
to report a crime?

♪ ♪

- That's okay.
I'm not pressing any charges.

- Okay.

- [exhales deeply]

- [mutters]

♪ ♪

- [sighs] Well, we still have
Leo to think about.

- What do you mean?

- Well, he didn't get
into film school.

- He took the rejection as a
sign to give up on his dreams.

- Then we need to find a way
to convince him otherwise.

- Hey, I have an idea--

a way to prove to Leo
that he can't give up.

- How?

♪ ♪

- Bishop Finer.

I must say, I'm surprised
that you called.

- That makes two of us.
Please, sit.

The reason I asked you
to come down here

is because I've been thinking
a lot about our conversation.

About your accusations that
this was somehow...

personal.

It was,
just not how you thought.

- I'm sorry.
I don't understand.

- I started the shelter
at Harlem Episcopal

with my daughter, Ali.

I think I've been wanting to
hold on to it because of her.

- [sighs]

Now, see...

that I do understand.

I started Fresh Start
because of my son.

- Hmm.

- He, uh...

he made some mistakes
when he was younger,

spent some time in prison.

When he got out, he, uh...

He had no real-world skills.

He had no path forward,

no--no way to turn
his life around.

And I...

I decided to do something
about that.

Not just for him,
but for...

so many others like him.

- I have no doubt that is why

Fresh Start has been
so successful

and will continue to be.

- I'm sorry,
I don't understand.

- When I started the shelter
15 years ago,

I hoped that it would pave the
way for others just like it,

and as you pointed out
yesterday, on that front,

it has been
tremendously successful.

I believe that Fresh Start can
do the same over the next 15.

- W-what are you saying?

- I'm gonna close the shelter
and fund your program.

[emotional music]

♪ ♪

- [laughs] I...
I don't know what to say.

Thank you.
- You're welcome.

There are still some real...

obstacles between us...

but today...

today I think was
a step in the right direction.

♪ ♪

- Good afternoon, Bishop Finer.
- Mm.

[uplifting music]

♪ ♪

- Hey, y'all, come on in.
- How you doing?

- Good to see you.

Whew, hey, it's a full house
in there, huh?

- Perfect send-off.
- Yeah.

[indistinct chatter]

Excuse me.
- Mm-hmm.

- Leo, I heard
about film school.

I'm not letting you
give up on your dream.

- Thanks, Mr. J,
but it's time I face reality.

- Hmm.

- Oh, looks like it's time
for the show.

- Look, why don't you
go in there

and grab a seat in the house?

I'm introducing this one.

Thanks for coming out,
everyone.

I can't tell you how gratifying
it is to see--

to feel so much love
for Harlem Cinema House.

Now, before
our main attraction,

I have the honor of introducing

the world premiere
of a comedy short

by a very gifted
young director.

If you like the film,

please, let him know.

Thank you!

[cheers and applause]

Thank you!

[light music]

♪ ♪

[cheers and applause]

♪ ♪

[laughter]

[laughter]

- [laughing]

[laughter, chatter]

♪ ♪

[cheers and applause]

♪ ♪

- Your film was amazing, Leo.

- Oh, uh...
thank you.

And hey, look,
I'm sorry about earlier.

I was--
- Don't worry about it.

Families fight.

- Hey, everybody.

I want you to meet my friend
Kenny Evans.

- Wait, are you Kenny Evans
the producer?

- Mr. J called and said
I had to see your film.

He was right.
You're talented.

Now, I heard you didn't get
into New York Film Institute.

You should apply again
next year.

In the meantime, why don't you
stop by my office on Monday?

We'll discuss an internship.
[Mr. J chuckles]

- Thank you.

- [chuckles]
- Mr. J.

- Oh, I guess we'll never know
why the God Account

sent you a like
for "The Maltese Falcon" again.

- Yeah, I guess not.

- It's a great movie.

You know, there's actually, uh,

an original marquee poster
for it in the basement.

Yeah, I saw it when
I was living down there.

♪ ♪

- I haven't been down here
in ages.

You know, my grandfather,

he used to store
all kinds of things down here.

- You think this is what the
God Account wanted us to see?

- I don't know.

- You know, maybe it wanted you
to have it.

It's the least I can do.

Uh, Leo, would you?
- Yeah.

There's a door here.

- Wait, that can't be
a coincidence.

What's inside?

- Wow.

- "Casablanca."

- "Gone with the Wind."
- [laughs]

"Citizen Kane."

- [scoffs]

My grandfather
must've saved all these.

The studios, they used to
let you keep the prints.

I had no idea
they were still down here.

- These are original
35-millimeter prints

of some of the most
famous movies in history.

In pristine condition,
a collection like this--

it's worth a fortune!

Enough to renovate the theater
and then some!

[laughter]

[uplifting music]

- All right,
looks like tonight's showing

won't be the theater's last.

- Think about the legacy
you just saved.

- We saved.
- Mm-hmm, she's right.

We couldn't have done it
without you, Ali.

- Thank you.

I needed a little magic
in my life this weekend.

- I couldn't agree more.

[Natalie Taylor's "Surrender"]

- ♪ We let the waters rise ♪

- What's Emily doing here?

- Look, I know I said that
meeting Emily was bad timing.

I was wrong.

These past couple of days
have reminded me

that when things get tough,

you need as many people
in your life as possible.

- Thanks, big bro.

- ♪ Whenever you're ready ♪

♪ ♪

Hey.
- Hey.

I hope it's okay I came.

- Are you sure
you're up for this?

- Ali, I've, um--
been to the movies before.

[both laugh]

- So what's your favorite
movie candy?

- Mm...Red Vines.

- No, no, no.
It's Reese's Pieces.

Reese's Pieces.
- [laughs]

- Can't believe I'm gonna date
somebody who likes Red Vines.

- [laughs]
- We'll work on it.

- You guys ready?
- Yeah.

- Let's go see a movie.

[all chuckling]

- ♪ Oh, oh, oh,
I surrender ♪

♪ ♪

- Greg, move your head.