All language subtitles for The Buccaneers Part2 - Conquest

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,639 --> 00:00:07,939 Ms. Testvalley's voice: IT ALL BEGAN WHEN I TOOK UP MY POST 2 00:00:07,941 --> 00:00:09,674 AS THE ST. GEORGE FAMILY GOVERNESS 3 00:00:09,676 --> 00:00:12,510 IN NEWPORT, RHODE ISLAND IN 1873. 4 00:00:12,512 --> 00:00:14,245 ( classical music playing ) 5 00:00:14,247 --> 00:00:16,515 THE PHILANDERING LORD RICHARD 6 00:00:16,517 --> 00:00:19,884 FOUND THE BRAZILIAN BEAUTY CONCHITA CLOSSON BEWITCHING, 7 00:00:19,886 --> 00:00:22,053 AND PROMPTLY MARRIED HER, ONLY TO DISCOVER 8 00:00:22,055 --> 00:00:24,722 SHE WAS NOT THE HEIRESS HE ASSUMED. 9 00:00:24,724 --> 00:00:27,158 IT OCCURRED TO ME THAT MY OWN YOUNG CHARGE, 10 00:00:27,160 --> 00:00:29,628 ANNABEL ST. GEORGE, AND HER SISTER VIRGINIA 11 00:00:29,630 --> 00:00:31,729 MIGHT BENEFIT FROM AN ENGLISH SEASON. 12 00:00:31,731 --> 00:00:34,198 AND I DECIDED TO INTRODUCE THEM TO LORD RICHARD'S FAMILY. 13 00:00:34,200 --> 00:00:36,267 MISS ST. GEORGE... 14 00:00:36,269 --> 00:00:39,071 I SHOULD NEVER HAVE TAKEN YOU FOR AN AMERICAN. 15 00:00:41,041 --> 00:00:44,809 SURELY IN LORD SEADOWN'S CASE THAT WOULD BE ONLY TOO EASY. 16 00:00:44,811 --> 00:00:48,679 YOU'RE FORGETTING THIS RETCHED ENTANGLEMENT OF HIS WITH IDINA HATTON. 17 00:00:48,681 --> 00:00:50,548 MY LOVE... 18 00:00:50,550 --> 00:00:52,617 I AM OLDER AND WISER THAN YOU 19 00:00:52,619 --> 00:00:54,352 AND I KNOW NOTHING OF THE KIND. 20 00:00:54,354 --> 00:00:56,821 Ms. Testvalley's voice: ANNABEL, MY OWN SPECIAL FAVORITE, 21 00:00:56,823 --> 00:00:59,124 FELL IN LOVE WITH GUY THWAITE AT FIRST SIGHT. 22 00:00:59,126 --> 00:01:00,959 ENGLAND'S MOST ELIGIBLE BACHELOR, 23 00:01:00,961 --> 00:01:02,694 BUT FOR HIS LOST INHERITANCE. 24 00:01:02,696 --> 00:01:05,097 WITH THE HELP OF MY AMERICAN FRIEND JACKIE MARCH, 25 00:01:05,099 --> 00:01:08,667 WE INSTALLED OURSELVES IN IDINA'S IDYLLIC RUNNYMEAD COTTAGE, 26 00:01:08,669 --> 00:01:11,936 WHERE A SURPRISE VISIT FROM THE VIVACIOUS LIZZY ELMSWORTH, 27 00:01:11,938 --> 00:01:13,738 VIRGINIA'S ARCH RIVAL, 28 00:01:13,740 --> 00:01:15,740 MADE MY LITTLE BAND COMPLETE. 29 00:01:15,742 --> 00:01:18,043 OH, WELL, ANOTHER BUCCANEER. 30 00:01:18,045 --> 00:01:19,377 Lizzy: WHAT? 31 00:01:19,379 --> 00:01:20,678 OH, THAT'S WHAT MISS MARCH CALLS YOU-- 32 00:01:20,680 --> 00:01:22,547 - THE BUCCANEERS. - THE BUCCANEERS? 33 00:01:22,549 --> 00:01:24,215 - YES. - WHY? 34 00:01:24,217 --> 00:01:26,217 BECAUSE SHE SAYS, THE ENGLISH INVADED AMERICA, 35 00:01:26,219 --> 00:01:29,587 - NOW IT'S YOUR TURN. - DON'T YOU JUST LOVE IT?! 36 00:01:31,691 --> 00:01:33,291 CHEERS TO YOU. 37 00:01:48,575 --> 00:01:51,443 ( girls laughing ) 38 00:01:54,247 --> 00:01:56,381 ( chattering ) 39 00:01:59,519 --> 00:02:02,620 ( laughter ) 40 00:02:13,834 --> 00:02:15,533 ( Lizzy squeals ) 41 00:02:18,271 --> 00:02:20,572 LET ME HELP YOU, LIZZY. 42 00:02:20,574 --> 00:02:23,275 - A GIRL CAN JUMP, YOU KNOW. - I'M SURE YOU CAN. 43 00:02:28,782 --> 00:02:30,749 DON'T FORGET THE CHAMPAGNE, MILES. 44 00:02:35,455 --> 00:02:38,723 DARLING, I'M AFRAID YOU CAN'T LAND SEADOWN. 45 00:02:38,725 --> 00:02:41,092 I'M SORRY I EVER MENTIONED IT TO YOU, 46 00:02:41,094 --> 00:02:43,528 BUT THAT BOY CAN'T BE SERIOUS ABOUT ANYTHING. 47 00:02:43,530 --> 00:02:45,697 Virginia: DON'T WORRY, I DON'T WANT HIM. 48 00:02:45,699 --> 00:02:47,866 HE HAS FAR TOO HIGH OF OPINION OF HIMSELF. 49 00:02:47,868 --> 00:02:49,301 YOU'RE A TERRIBLE LIAR! 50 00:02:49,303 --> 00:02:51,336 YOU RATHER LIKE HIM, DON'T YOU? 51 00:02:51,338 --> 00:02:53,905 IT'S ONLY BECAUSE YOU THINK YOU CAN'T HAVE HIM. 52 00:02:55,508 --> 00:02:57,942 DID YOU SEE HOW YOUNG MILES COLORED UP 53 00:02:57,944 --> 00:03:00,311 WHEN I ASKED HIM TO COME BACK TO THE HOUSE? 54 00:03:00,313 --> 00:03:02,480 I KNOW HE HAS NO MONEY, BUT... 55 00:03:02,482 --> 00:03:06,250 HE'S RATHER A POPPET, DON'T YOU THINK? 56 00:03:06,252 --> 00:03:08,018 ( laughs ) 57 00:03:27,474 --> 00:03:29,607 Ms. Testvalley: LORD SEADOWN IS HERE. 58 00:03:29,609 --> 00:03:31,609 YOU'RE NOT SURPRISED, ARE YOU? 59 00:03:31,611 --> 00:03:33,678 NO, NOT AT ALL. 60 00:03:33,680 --> 00:03:36,080 ONLY, IDINA FORBADE HIM TO COME HERE. 61 00:03:36,082 --> 00:03:37,782 HMM. 62 00:03:37,784 --> 00:03:40,151 BUT ISN'T FORBIDDEN FRUIT ALWAYS THE SWEETEST? 63 00:03:40,153 --> 00:03:42,086 ( distant laughing ) 64 00:03:42,088 --> 00:03:45,322 LIZZY ELMSWORTH IS VERY STYLISH, ISN'T SHE? 65 00:03:45,324 --> 00:03:48,793 HAS IT OCCURRED TO YOU THAT SHE MIGHT BE MORE TO LORD SEADOWN'S TASTE? 66 00:03:50,430 --> 00:03:53,531 VIRGINIA, AFTER ALL, MIGHT AIM SOMEWHAT HIGHER. 67 00:03:53,533 --> 00:03:56,267 All: ONE, TWO, THREE... 68 00:03:56,269 --> 00:03:58,703 FOUR, FIVE, SIX... 69 00:03:58,705 --> 00:04:02,040 SEVEN, EIGHT, NINE, TEN! 70 00:04:02,042 --> 00:04:04,542 ( screaming, laughing ) 71 00:04:07,814 --> 00:04:10,348 YOUR GRACE, I'M SO GLAD YOU COULD COME. 72 00:04:11,751 --> 00:04:13,150 SEADOWN IS HERE-- 73 00:04:13,152 --> 00:04:15,453 ( screaming ) 74 00:04:17,457 --> 00:04:19,791 OH, AND DO YOU KNOW HECTOR ROBINSON? 75 00:04:19,793 --> 00:04:21,793 OH, YOUR GRACE. 76 00:04:21,795 --> 00:04:23,461 OH, CERTAINLY, LADY RICHARD. 77 00:04:27,500 --> 00:04:29,900 MR. ROBINSON... 78 00:04:29,902 --> 00:04:31,936 YOU ARE THE MAN WITH THE BUTTON, ARE YOU NOT? 79 00:04:31,938 --> 00:04:33,471 THAT IS SO, YOUR GRACE. 80 00:04:33,473 --> 00:04:34,973 WELL, PERHAPS YOU COULD EXPLAIN TO ME. 81 00:04:34,975 --> 00:04:37,208 YOU SEE, I CERTAINLY CAN'T MAKE ANY SENSE OF IT. 82 00:04:37,210 --> 00:04:40,011 WHAT EXACTLY IS A TORY DEMOCRAT? 83 00:04:40,013 --> 00:04:43,881 AH-HA. HE IS A DEMOCRAT, YOUR GRACE, 84 00:04:43,883 --> 00:04:46,584 BECAUSE HE BELIEVES IN THE WELFARE OF THE PEOPLE, 85 00:04:46,586 --> 00:04:49,220 AND A TORY, BECAUSE HE KNOWS 86 00:04:49,222 --> 00:04:51,656 THE ESTABLISHED INSTITUTIONS OF THE COUNTRY 87 00:04:51,658 --> 00:04:53,892 AND THE BEST MEANS BY WHICH TO ACHIEVE IT. 88 00:04:53,894 --> 00:04:57,128 OPPORTUNISM AND HYPOCRISY, MR. ROBINSON, 89 00:04:57,130 --> 00:04:58,796 THAT'S ALL THAT IS. 90 00:04:58,798 --> 00:05:00,131 Man: COME ON, COME ON... 91 00:05:00,133 --> 00:05:02,667 WELL-- WELL... 92 00:05:02,669 --> 00:05:04,402 I'VE JUST GOT TO... 93 00:05:04,404 --> 00:05:06,604 I'VE JUST... 94 00:05:06,606 --> 00:05:09,139 ( laughing ) 95 00:05:09,141 --> 00:05:11,308 Man: COME ON, COME ON, PUT HER THERE. 96 00:05:11,310 --> 00:05:14,212 FOLLOW ME, COME ON. COME ON. 97 00:05:14,214 --> 00:05:15,880 ( laughs ) 98 00:05:24,691 --> 00:05:26,357 YOUR GRACE. 99 00:05:26,359 --> 00:05:27,992 I DO APOLOGIZE. 100 00:05:27,994 --> 00:05:29,660 THIS MUST LOOK VERY SILLY. 101 00:05:29,662 --> 00:05:33,364 I HOPE YOU'LL JOIN US. IT'S GREAT FUN. 102 00:05:37,003 --> 00:05:38,803 Man: COME ON, GET A DRINK. 103 00:05:44,310 --> 00:05:46,144 THE RULES ARE, IF I PAWN YOU... 104 00:05:46,146 --> 00:05:47,679 BLINDFOLD JULIUS. 105 00:05:49,349 --> 00:05:51,449 YES, VERY GOOD. 106 00:05:51,451 --> 00:05:54,786 PLEASE, EVERYONE MUST EXCUSE ME. THANK YOU. 107 00:05:54,788 --> 00:05:57,488 BUT YOUR GRACE, YOU'RE MISSING ALL THE FUN, REALLY! 108 00:05:59,292 --> 00:06:01,292 OH, THAT'S A SHAME. 109 00:06:01,294 --> 00:06:02,893 - WELL, WHO'S NEXT THEN? - MILES, COME ON. 110 00:06:02,895 --> 00:06:04,763 ( overlapping dialogue ) 111 00:06:07,233 --> 00:06:09,534 ( clock gear winding ) 112 00:06:09,536 --> 00:06:11,269 ( clock ticking ) 113 00:06:11,271 --> 00:06:13,404 IT'S NOT A QUESTION OF BECOMING A RECLUSE, MOTHER. 114 00:06:13,406 --> 00:06:17,041 I SIMPLY DO NOT ENJOY THE SENSATION OF BEING HUNTED FOR MY TITLE. 115 00:06:17,043 --> 00:06:19,710 YES, DEAR, SO YOU HAVE ALWAYS SAID. 116 00:06:19,712 --> 00:06:22,313 ALWAYS? 117 00:06:22,315 --> 00:06:23,981 SINCE YOU WERE OF AN AGE. 118 00:06:26,753 --> 00:06:29,654 THE FIRST WORDS YOU EVER SPOKE 119 00:06:29,656 --> 00:06:31,823 WERE "TICK-TOCK." 120 00:06:31,825 --> 00:06:33,791 IS THAT SO? 121 00:06:33,793 --> 00:06:36,627 OR IT MIGHT HAVE BEEN "CLIP-CLOP." 122 00:06:36,629 --> 00:06:39,797 I DOUBT IT-- I'VE ALWAYS LIKED CLOCKS RATHER MORE THAN HORSES. 123 00:06:39,799 --> 00:06:44,201 I DO SOMETIMES FEEL, JULIUS, THAT YOU HAVE LIKED CLOCKS MORE THAN ANYTHING. 124 00:06:44,203 --> 00:06:47,438 MY DEAR, I AM SURE 125 00:06:47,440 --> 00:06:49,607 THAT NO ONE ON MY GUEST LIST 126 00:06:49,609 --> 00:06:53,043 IS HUNTING YOU DOWN FOR YOUR TITLE. 127 00:06:53,045 --> 00:06:54,878 MUST YOU GO? 128 00:06:54,880 --> 00:06:57,348 YOU SPEND FAR TOO MUCH TIME ALONE 129 00:06:57,350 --> 00:06:59,684 IN THAT GLOOMY OLD PLACE AS IT IS. 130 00:06:59,686 --> 00:07:01,853 AH, IT'S OUR ANCESTRAL PAST. 131 00:07:04,357 --> 00:07:07,091 ( clocks chiming ) 132 00:07:15,367 --> 00:07:17,168 NO... 133 00:07:17,170 --> 00:07:18,770 I SHALL GO DOWN TO TREVENICK TOMORROW. 134 00:07:18,772 --> 00:07:21,205 I HAVE THE PLANS TO GO OVER WITH CARTWRIGHT. 135 00:07:21,207 --> 00:07:24,309 I WILL NOT BE HUNTED. 136 00:07:40,593 --> 00:07:43,094 NAN, PLEASE STOP FIDGETING. 137 00:07:45,031 --> 00:07:47,732 VAL, YOU KNOW WHAT THE TROUBLE WITH GINNY IS, 138 00:07:47,734 --> 00:07:51,235 IS THAT ALL SHE'S INTERESTED IN IS THE RIGHT PEOPLE. 139 00:07:51,237 --> 00:07:54,304 AND THE CLOTHES THEY WEAR, AND THE CARRIAGES THEY DRIVE, 140 00:07:54,306 --> 00:07:56,207 AND THEN THE PEOPLE THEY KNOW, AND THE CLOTHES THEY WEAR. 141 00:07:56,209 --> 00:07:57,775 - WELL... - AND THE CARRIAGE-- 142 00:07:57,777 --> 00:07:59,510 AND WHAT ARE YOU INTERESTED IN? 143 00:08:00,913 --> 00:08:02,747 I DON'T KNOW. 144 00:08:02,749 --> 00:08:05,216 THE PAST, 145 00:08:05,218 --> 00:08:07,384 BUILDINGS MOSTLY. 146 00:08:07,386 --> 00:08:09,687 HOUSES, YEAH... 147 00:08:09,689 --> 00:08:11,455 I LOVE TO SEE HOUSES SO ANCIENT 148 00:08:11,457 --> 00:08:13,991 AND SO LOVELY THAT PEOPLE THAT LIVE IN THEM, 149 00:08:13,993 --> 00:08:15,960 THEY HAVE THEM IN THEIR BONES. 150 00:08:15,962 --> 00:08:17,495 THAT'S AN ODD EXPRESSION. 151 00:08:17,497 --> 00:08:19,363 DID YOU FIND IT IN A BOOK? 152 00:08:19,365 --> 00:08:21,766 NO. IF YOU REALLY MUST KNOW, 153 00:08:21,768 --> 00:08:24,602 GUY THWAITE SAID IT ABOUT HONORSLOVE. 154 00:08:27,407 --> 00:08:29,307 I HAVE A LITTLE PLAN. 155 00:08:30,610 --> 00:08:33,010 I THINK WE MIGHT GO AWAY FOR AWHILE. 156 00:08:33,012 --> 00:08:35,780 - WE? - YES, JUST YOU AND ME. 157 00:08:37,617 --> 00:08:40,017 I KNOW A LITTLE PLACE IN CORNWALL 158 00:08:40,019 --> 00:08:44,022 WHERE WE CAN GO SEABATHING AND LIVE LIKE GYPSIES. 159 00:08:44,024 --> 00:08:45,990 OH, VAL! 160 00:08:45,992 --> 00:08:48,293 I SHOULD LOVE THAT. 161 00:08:48,295 --> 00:08:51,462 GOOD. THEN I SHALL ARRANGE IT. 162 00:09:31,370 --> 00:09:33,137 ( insect buzzing ) 163 00:09:35,441 --> 00:09:37,775 ( bird calling ) 164 00:09:48,387 --> 00:09:50,421 VAL! 165 00:09:50,423 --> 00:09:52,823 - HERE! - NAN! 166 00:09:52,825 --> 00:09:56,160 - IT'S GLORIOUS! - GOOD! 167 00:09:56,162 --> 00:09:59,463 - NAN, BE CAREFUL! - I WILL! 168 00:09:59,465 --> 00:10:01,932 ( seagulls squawking ) 169 00:10:10,276 --> 00:10:12,543 ( loose rocks striking ground ) 170 00:10:14,380 --> 00:10:16,847 I'M SO SORRY. 171 00:10:16,849 --> 00:10:19,050 - DIDN'T MEAN TO STARTLE YOU. - YOU DIDN'T. 172 00:10:19,052 --> 00:10:21,552 I DIDN'T REALIZE THERE WAS ANYONE HERE. 173 00:10:23,222 --> 00:10:25,222 WELL, I DON'T WISH TO DISTURB YOU. 174 00:10:25,224 --> 00:10:26,857 IT'S ALL RIGHT. 175 00:10:26,859 --> 00:10:28,592 THE PLACE DOESN'T BELONG TO ME, YOU KNOW. 176 00:10:28,594 --> 00:10:29,927 INDEED. 177 00:10:29,929 --> 00:10:31,295 ( chuckles ) 178 00:10:33,666 --> 00:10:35,966 ( duck quacking ) 179 00:10:39,172 --> 00:10:42,239 I'VE SEEN YOU SOMEPLACE BEFORE. 180 00:10:42,241 --> 00:10:45,709 YES, I-- RUNNYMEAD. 181 00:10:45,711 --> 00:10:48,846 ( laughs ) I'M NAN ST. GEORGE. 182 00:10:48,848 --> 00:10:51,148 AND YOU ARE... 183 00:10:51,150 --> 00:10:53,250 I KNOW, UM... 184 00:10:53,252 --> 00:10:54,651 MR. ROBINSON. 185 00:10:55,855 --> 00:10:58,755 OH, DEAR... 186 00:10:58,757 --> 00:11:01,759 I CAN SEE YOU'RE NOT MR. ROBINSON. 187 00:11:03,596 --> 00:11:07,565 I'M SO SORRY, IT'S HATEFUL TO BE TAKEN FOR SOMEONE ELSE, 188 00:11:07,567 --> 00:11:09,666 ESPECIALLY MR. ROBINSON. 189 00:11:11,004 --> 00:11:12,937 ( both laughing ) 190 00:11:12,939 --> 00:11:15,072 I'M SORRY. 191 00:11:15,074 --> 00:11:16,841 WELL... 192 00:11:20,446 --> 00:11:23,414 ( both yelling out ) 193 00:11:26,052 --> 00:11:27,752 ( Annabelle laughing ) 194 00:11:32,759 --> 00:11:34,492 ( Annabelle screaming ) 195 00:11:35,795 --> 00:11:38,028 - ( laughing ) - Julius: OH! 196 00:11:41,801 --> 00:11:45,269 NO, I NEVER WOULD HAVE GUESSED YOU WERE ONE OF THOSE RUSTLING YOUNG WOMEN AT RUNNYMEAD. 197 00:11:47,339 --> 00:11:50,374 - THEY'RE ALWAYS SO NOISY. - THEY ARE RATHER. 198 00:11:50,376 --> 00:11:53,711 I CAN ONLY TAKE SO MUCH OF THAT SORT OF THING-- 199 00:11:53,713 --> 00:11:57,248 APPLE PIE, BILLARDS, MURDER AND PILLOW FIGHTS. 200 00:11:57,250 --> 00:12:00,584 AND THEY ALL DRINK AND SMOKE SO MUCH. 201 00:12:00,586 --> 00:12:03,187 OH, BUT THIS, 202 00:12:03,189 --> 00:12:05,589 THIS IS GLORIOUS. 203 00:12:05,591 --> 00:12:07,724 DIDN'T YOU SAY THE WOMEN SMOKE? 204 00:12:07,726 --> 00:12:10,828 CERTAINLY THEY DO, ALL OF THEM, 205 00:12:10,830 --> 00:12:12,963 LIKE FOREST FIRES. 206 00:12:12,965 --> 00:12:15,966 - I SMOKE LIKE A FOREST FIRE. - DO YOU? 207 00:12:15,968 --> 00:12:17,468 ( laughs ) 208 00:12:17,470 --> 00:12:20,203 - I'M SURE IT'S BAD FOR YOU. - DO YOU THINK? 209 00:12:20,205 --> 00:12:21,505 YES. 210 00:12:21,507 --> 00:12:24,007 Ms. Testvalley: ANNABEL! 211 00:12:24,009 --> 00:12:28,011 OH, THAT'S MY GOVERNESS. 212 00:12:28,013 --> 00:12:29,514 I REALLY MUST GO. 213 00:12:29,516 --> 00:12:31,481 - WILL SHE BE ANGRY? - DREADFULLY. 214 00:12:32,819 --> 00:12:35,286 - MAY I SEE YOU BACK? - IF YOU LIKE. 215 00:12:35,288 --> 00:12:36,454 WALK ME TO THE TOP. 216 00:12:37,723 --> 00:12:39,323 ( laughing ) 217 00:12:46,732 --> 00:12:49,500 NAN, HOW MANY TIMES MUST I TELL YOU, 218 00:12:49,502 --> 00:12:50,968 NOT TO TALK TO STRANGERS. 219 00:12:50,970 --> 00:12:53,503 HE'S NOT A STRANGER. HE'S BEEN TO RUNNYMEAD, 220 00:12:53,505 --> 00:12:56,040 AND HE SAYS HE LIVES SOMEWHERE AROUND HERE. 221 00:12:57,277 --> 00:12:59,576 THERE HE IS, STILL. 222 00:12:59,578 --> 00:13:02,146 GOOD GRACIOUS, THAT'S THE DUKE OF TREVENICK. 223 00:13:02,148 --> 00:13:04,215 - NO! - YES, OF COURSE IT IS. 224 00:13:04,217 --> 00:13:06,851 WELL, OF COURSE-- THIS IS ALL TREVENICK LAND. 225 00:13:06,853 --> 00:13:10,121 - NAN, DON'T STARE. - HE SEEMS SUCH A CHILD. 226 00:13:10,123 --> 00:13:12,122 LET'S HOPE HE THOUGHT NO WORSE OF YOU. 227 00:13:12,124 --> 00:13:14,925 HE THOUGHT I WAS WONDERFUL. 228 00:13:14,927 --> 00:13:17,828 AND HE'S SENDING HIS FLYOVER TOMORROW AT 4:00 229 00:13:17,830 --> 00:13:19,663 TO TAKE US BOTH TO TEA. ( giggles ) 230 00:13:29,508 --> 00:13:33,210 DID YOU INVESTIGATE CONNIE'S FINANCES AT ALL, DICK? 231 00:13:33,212 --> 00:13:35,345 BEFORE YOUR ENGAGEMENT, I MEAN. 232 00:13:35,347 --> 00:13:37,548 I WAS IN LOVE WITH CONNIE. 233 00:13:37,550 --> 00:13:39,951 SHE'S PREGNANT, BY THE WAY. 234 00:13:41,521 --> 00:13:43,421 AN IMMACULATE CONCEPTION. 235 00:13:43,423 --> 00:13:44,989 OH, YEAH. 236 00:13:44,991 --> 00:13:48,726 CONNIE AND I DO MEET UP FROM TIME TO TIME. 237 00:13:48,728 --> 00:13:50,861 YOU BETTER GET A MOVE ON. 238 00:13:50,863 --> 00:13:53,797 MAYBE THE NEXT LORD BRIGHTLINGSEA, SHE'S CARRYING. 239 00:13:57,503 --> 00:14:01,238 I'VE HAD BLAIR LOOK INTO THE ELMSWORTHS AND THE ST. GEORGES. 240 00:14:02,342 --> 00:14:03,674 AND...? 241 00:14:03,676 --> 00:14:06,910 THE ELMSWORTHS ARE SO-SO. 242 00:14:06,912 --> 00:14:10,914 BUT COLONEL ST. GEORGE REALLY IS THE THIRD RICHEST MAN ON WALL STREET. 243 00:14:10,916 --> 00:14:13,050 ( whistles ) 244 00:14:13,052 --> 00:14:15,652 IF A MAN MUST GRUB AROUND TO MAKE A LIVING, 245 00:14:15,654 --> 00:14:17,754 I SUPPOSE ONE DOES PREFER HIM TO DO IT SUCCESSFULLY. 246 00:14:17,756 --> 00:14:20,124 SO, WHAT ARE YOU WAITING FOR? 247 00:14:20,126 --> 00:14:22,426 I DON'T SEE YOU THRIVING ON MARRIAGE. 248 00:14:24,330 --> 00:14:28,465 BUT THEN, MAYBE THE TRICK IS NOT TO BE IN LOVE WITH ONE'S WIFE. 249 00:14:29,736 --> 00:14:31,769 ( chuckles ) 250 00:14:34,807 --> 00:14:36,840 Julius: AND THE HAWK LIFTED THE CHILD OUT OF THE CRADLE, 251 00:14:36,842 --> 00:14:39,743 - FLEW IT OUT OF THAT WINDOW. - ( gasps ) NO! 252 00:14:43,049 --> 00:14:46,250 YOU CAN STILL HEAR THE CRIES OF THE DISTRESSED MOTHER CARRIED BY THE WIND. 253 00:14:46,252 --> 00:14:47,885 - REALLY? - YEAH. 254 00:14:49,789 --> 00:14:52,022 YOU KNOW, MY FATHER WAS COMPLETE-- OH, PLEASE. 255 00:14:52,024 --> 00:14:54,392 - THAT ONE, PLEASE. - THIS ONE HERE? 256 00:14:54,394 --> 00:14:55,893 - THANK YOU. - YEAH. 257 00:14:58,497 --> 00:15:00,531 MY FATHER WAS COMPLETELY UNABLE TO FULFILL 258 00:15:00,533 --> 00:15:02,800 ANY OF MY GRANDFATHER'S AMBITIONS HERE. 259 00:15:02,802 --> 00:15:05,769 I'M DETERMINED TO RESTORE TREVENICK TO ITS FORMER GLORY. 260 00:15:05,771 --> 00:15:07,471 OH, WHAT A FINE AMBITION. 261 00:15:07,473 --> 00:15:09,173 - THANK YOU. - MMM. 262 00:15:09,175 --> 00:15:11,075 MY MOTHER DISAPPROVES OF THE RESTORATION PLANS. 263 00:15:11,077 --> 00:15:13,577 SHE FINDS THE WHOLE AREA RATHER GLOOMY. 264 00:15:13,579 --> 00:15:17,414 NO, I THINK IT'S WILD AND GRAND. 265 00:15:17,416 --> 00:15:19,950 YOU KNOW, I PREFER IT TO LIVING IN LONDON ANY DAY. 266 00:15:19,952 --> 00:15:21,318 ( chuckles ) 267 00:15:23,789 --> 00:15:26,256 YOU CERTAINLY HAVE QUITE AN APPETITE. 268 00:15:26,258 --> 00:15:28,058 YES. ( laughs ) 269 00:15:34,266 --> 00:15:35,832 Julius: IN SOME OF THE EARLY FAMILY STORIES, 270 00:15:35,834 --> 00:15:38,803 IT SAID ONE OF MY FORBEARERS MET HIS DEATH FALLING FROM THIS WINDOW. 271 00:15:42,208 --> 00:15:45,309 WHO KNOWS, IT IS A FEARFUL LONG WAY. 272 00:15:59,758 --> 00:16:02,826 ( Ms. Testvalley exhales ) 273 00:16:10,636 --> 00:16:12,403 THANK YOU SO MUCH, YOUR GRACE, 274 00:16:12,405 --> 00:16:13,971 FOR A MOST ENTERTAINING AFTERNOON. 275 00:16:13,973 --> 00:16:16,407 BUT IT WAS MOST DELIGHTFUL TO MEET YOU BOTH, MS. TESTVALLEY, 276 00:16:16,409 --> 00:16:18,108 MISS ST. GEORGE. 277 00:16:18,110 --> 00:16:19,810 THANK YOU, JULIUS. 278 00:16:21,046 --> 00:16:22,746 YOU'RE GOOD. 279 00:16:22,748 --> 00:16:24,381 WALK ON. 280 00:16:46,171 --> 00:16:49,204 ( birds chirping ) 281 00:17:08,325 --> 00:17:09,958 ( fly buzzes ) 282 00:17:52,636 --> 00:17:54,169 Lizzy: CONNIE... 283 00:17:55,606 --> 00:17:57,239 CONNIE, WHO IS THAT? 284 00:18:04,315 --> 00:18:07,349 I THINK IT MUST BE YOUR LANDLADY. 285 00:18:10,888 --> 00:18:12,888 GINNY, YOUR LANDLADY'S HERE. 286 00:18:18,495 --> 00:18:20,562 MILES, YOU'RE HERE. 287 00:18:23,901 --> 00:18:25,601 LADY RICHARD. 288 00:18:25,603 --> 00:18:27,569 YES, AND YOU MUST BE MISS HATTON. 289 00:18:27,571 --> 00:18:29,404 MY TENANTS, I SUPPOSE. 290 00:18:29,406 --> 00:18:30,739 - MISS ST. GEORGE... - HELLO. 291 00:18:30,741 --> 00:18:32,141 - AND MISS ELMSWORTH. - HELLO. 292 00:18:32,143 --> 00:18:34,009 I'M IDINA HATTON, YOUR LANDLADY. 293 00:18:34,011 --> 00:18:36,345 WHAT A BRILLIANT IDEA TO HAVE TEA OUT HERE... 294 00:18:36,347 --> 00:18:38,347 IN THE BREEZE. 295 00:18:38,349 --> 00:18:42,084 LORD PERCY, LIEUTENANT JAMES. 296 00:18:42,086 --> 00:18:45,888 OH, AND LORD SEADOWN... 297 00:18:45,890 --> 00:18:47,989 YOU'RE HERE TOO. 298 00:18:47,991 --> 00:18:49,858 NOW I SEE WHY YOU FORGOT 299 00:18:49,860 --> 00:18:52,795 YOU WERE HAVING LUNCH WITH ME IN TOWN TODAY. 300 00:18:52,797 --> 00:18:55,998 BUT I MUST SAY, YOU CHOSE THE BETTER PART. 301 00:18:56,000 --> 00:18:58,133 LONDON IS A FURNACE. 302 00:19:03,007 --> 00:19:06,375 WELL, AREN'T YOU GOING TO OFFER ME A CIGARETTE? 303 00:19:22,092 --> 00:19:23,259 ( lights match ) 304 00:19:26,531 --> 00:19:29,598 BUT YOU MUSTN'T LET ME INTERRUPT YOUR PLANS. 305 00:19:29,600 --> 00:19:33,101 I'VE HEARD WHAT AMUSING THINGS GO ON HERE. 306 00:19:34,205 --> 00:19:35,571 I MAY AS WELL CONFESS, 307 00:19:35,573 --> 00:19:37,506 I'M DREADFULLY KEEN TO LEARN YOUR SECRETS. 308 00:19:37,508 --> 00:19:39,908 Conchita: DARLING, SO MANY DELIGHTFUL PEOPLE 309 00:19:39,910 --> 00:19:42,711 ALREADY KNEW THEIR WAY TO THE COTTAGE THAT THERE WAS NOTHING FOR US TO DO 310 00:19:42,713 --> 00:19:45,981 BUT LEAVE THE DOOR UNLATCHED. THERE ARE NO SECRETS HERE. 311 00:19:45,983 --> 00:19:48,551 EXCEPT... 312 00:19:48,553 --> 00:19:50,319 PERHAPS... 313 00:19:50,321 --> 00:19:52,788 BUT YOU MUST REMEMBER THAT THIS IS A SECRET. 314 00:19:52,790 --> 00:19:55,657 ESPECIALLY FROM MAMA ST. GEORGE, 315 00:19:55,659 --> 00:19:58,127 TAKING HER SIESTA UPSTAIRS. 316 00:19:58,129 --> 00:20:01,830 WHAT ABOUT PUTTING THIS TABLE 317 00:20:01,832 --> 00:20:03,699 TO ITS PROPER USE? 318 00:20:03,701 --> 00:20:05,300 ( ducks quacking ) 319 00:20:09,540 --> 00:20:11,273 AH! 320 00:20:11,275 --> 00:20:13,675 CARDS! HOW JOLLY. 321 00:20:13,677 --> 00:20:17,379 NO WONDER MY POOR LITTLE COTTAGE HAS BECOME SO POPULAR. 322 00:20:17,381 --> 00:20:19,314 - POKER? - OH... 323 00:20:19,316 --> 00:20:22,351 HOW VERY WICKED. 324 00:20:22,353 --> 00:20:24,019 BY ALL MEANS, LET'S PLAY POKER. 325 00:20:24,021 --> 00:20:25,687 SEADOWN, YOU MUST COME TO MY RESCUE. 326 00:20:25,689 --> 00:20:27,623 LEND ME FIVE POUNDS, DARLING. 327 00:20:27,625 --> 00:20:30,692 I HOPE I WON'T LOSE MORE THAN THAT. 328 00:20:32,396 --> 00:20:35,931 AH! OH, HEAVENS, SEADOWN, WHAT WEALTH! 329 00:20:37,868 --> 00:20:40,970 HOW WILL I EVER BE ABLE TO PAY YOU BACK IF I LOSE? 330 00:20:40,972 --> 00:20:42,538 OR EVEN IF I WIN? 331 00:20:44,909 --> 00:20:46,708 AREN'T YOU GOING TO JOIN US? 332 00:20:46,710 --> 00:20:49,845 NO, THANK YOU. I PREFER TO WATCH. 333 00:20:49,847 --> 00:20:52,248 I KNOW YOU DON'T LIKE TO GET YOUR HANDS DIRTY, GINNY. 334 00:20:52,250 --> 00:20:54,050 Lizzy: I DON'T MIND IF I DO. 335 00:20:56,553 --> 00:20:58,854 THANK YOU. 336 00:20:58,856 --> 00:21:02,491 MAYBE WE'LL BE ABLE TO FLEECE ONE OR TWO OF THESE HARDENED GAMBLERS. 337 00:21:07,531 --> 00:21:10,733 AT EASE, IT'S ONLY HECTOR. ( laughs ) 338 00:21:42,266 --> 00:21:43,866 ( coins rattle ) 339 00:22:01,351 --> 00:22:03,284 BASTA. 340 00:22:11,528 --> 00:22:12,827 FIVE. 341 00:22:14,632 --> 00:22:15,864 I'M OUT. 342 00:22:17,201 --> 00:22:18,400 HERE'S FIVE. 343 00:22:20,070 --> 00:22:21,203 AND I'LL RAISE YOU FIVE. 344 00:22:33,851 --> 00:22:35,250 ( coins rattle ) 345 00:22:39,857 --> 00:22:41,490 I WILL SEE YOUR FIVE. 346 00:22:44,161 --> 00:22:46,595 FULL HOUSE. 347 00:22:55,205 --> 00:22:58,440 THAT'S IT, A STRAIGHT FLUSH! 348 00:22:58,442 --> 00:23:00,442 BAD LUCK, MY DEAR. 349 00:23:00,444 --> 00:23:02,677 OH, LIZZY, YOU LITTLE DEVIL! 350 00:23:02,679 --> 00:23:04,246 IT WAS LUCK, REALLY! 351 00:23:04,248 --> 00:23:06,514 ALL I HAD TO DO WAS PLAY THE CARDS. 352 00:23:06,516 --> 00:23:08,383 CERTAINLY TAUGHT ME A LESSON. 353 00:23:08,385 --> 00:23:10,886 SEADOWN'S LAST COPPER AS WELL AS MY OWN. 354 00:23:10,888 --> 00:23:12,654 YOU'RE TOO CLEVER FOR ME. 355 00:23:12,656 --> 00:23:14,456 SOMEBODY BETTER TAKE MY PLACE. 356 00:23:14,458 --> 00:23:15,891 COME NOW, IDINA, DON'T LOSE HEART. 357 00:23:15,893 --> 00:23:18,193 PARTING WITH MY HEART HAS NEVER BEEN A PROBLEM, CONCHITA. 358 00:23:18,195 --> 00:23:19,895 IT'S THE SHILLINGS AND PENCE I CAN'T AFFORD. 359 00:23:19,897 --> 00:23:23,097 COME, MISS ST. GEORGE, IF MISS HATTON REALLY IS GOING TO DESERT US... 360 00:23:23,099 --> 00:23:25,634 NO, REALLY, GIRLS DON'T PLAY CARDS FOR MONEY IN AMERICA. 361 00:23:25,636 --> 00:23:29,104 NO, I UNDERSTAND THE GAME YOU YOUNG LADIES PLAY-- 362 00:23:29,106 --> 00:23:32,107 IT HAS FEWER RISKS AND REQUIRES ONLY TWO PLAYERS. 363 00:23:32,109 --> 00:23:33,776 NOW, I'M SORRY TO BE SUCH A SPOILSPORT, 364 00:23:33,778 --> 00:23:36,578 BUT I REALLY MUST INSIST ON CARRYING SEADOWN OFF. 365 00:23:36,580 --> 00:23:38,814 THE FACT IS, SEADOWN, IT'S ABOUT TIME YOUR HOSTESSES 366 00:23:38,816 --> 00:23:40,315 FOUND OUT YOU DO NOT GO WITH THE HOUSE. 367 00:23:40,317 --> 00:23:41,816 IDINA! 368 00:23:41,818 --> 00:23:43,552 WE MUSTN'T ALLOW THESE YOUNG LADIES TO FEEL 369 00:23:43,554 --> 00:23:46,255 THAT YOUR VISITS ARE MADE ON THEIR ACCOUNT, MUST WE? 370 00:23:46,257 --> 00:23:48,524 EVERYONE KNOWS AMERICAN GIRLS LIKE TO FLIRT. 371 00:23:48,526 --> 00:23:50,392 PERHAPS THEY NEED A LESSON IN GOOD MANNERS. 372 00:23:50,394 --> 00:23:52,994 VIRGINIA, WHAT ARE YOU WAITING FOR? 373 00:23:52,996 --> 00:23:56,064 DON'T YOU SEE THAT LORD SEADOWN HAS NO RIGHT TO SPEAK UNTIL YOU DO? 374 00:23:56,066 --> 00:23:59,802 WHY DON'T YOU TELL HIM AT ONCE THAT HE HAS YOUR PERMISSION TO ANNOUNCE... 375 00:23:59,804 --> 00:24:02,871 I DON'T KNOW, THAT HE HAS YOUR PERMISSION TO ANNOUNCE YOUR ENGAGEMENT. 376 00:24:04,608 --> 00:24:07,109 ( laughing ) SEADOWN... 377 00:24:12,516 --> 00:24:15,583 ( ducks quacking ) 378 00:24:22,893 --> 00:24:26,161 Seadown: MISS HATTON IS SUCH AN OLD FRIEND OF MINE, VIRGINIA. 379 00:24:26,163 --> 00:24:28,730 I'M SURE SHE WILL BE THE FIRST TO CONGRATULATE ME, 380 00:24:28,732 --> 00:24:31,266 IF ONLY YOU WILL TELL HER THAT SHE MAY. 381 00:24:59,963 --> 00:25:02,330 OH! OH! 382 00:25:02,332 --> 00:25:05,667 WE MIGHT HAVE BETTER STAYED IN NEW YORK, MISS MARCH. 383 00:25:05,669 --> 00:25:08,804 OH, I DON'T KNOW WHAT IT ALL MEANS. 384 00:25:08,806 --> 00:25:10,806 IT MEANS, MY DEAR, 385 00:25:10,808 --> 00:25:14,343 THAT VIRGINIA IS GOING TO BE THE FIRST MARCHIONESS OF ENGLAND. 386 00:25:14,345 --> 00:25:16,478 ( groans ) 387 00:25:16,480 --> 00:25:17,546 OH! 388 00:25:18,682 --> 00:25:20,081 OH! 389 00:25:22,452 --> 00:25:25,287 YOU MEAN THAT LORD SEADOWN 390 00:25:25,289 --> 00:25:28,190 IS GOING TO BE THE "MAR-KEY" OF BRIGHTLINGSEA? 391 00:25:28,192 --> 00:25:30,692 MAR-QUIS. YES, MY DEAR. 392 00:25:30,694 --> 00:25:33,161 OH, THEY HAVE SO MANY NAMES! 393 00:25:33,163 --> 00:25:35,764 I GET THEM ALL MUDDLED. 394 00:25:35,766 --> 00:25:38,400 I THOUGHT THAT LORD PERCY 395 00:25:38,402 --> 00:25:42,104 WAS GOING TO BE THE MARQUIS OF BRIGHTLINGSEA. 396 00:25:42,106 --> 00:25:43,772 NO, MRS. ST. GEORGE. 397 00:25:43,774 --> 00:25:45,841 LORD PERCY IS NOT A BRIGHTLINGSEA, 398 00:25:45,843 --> 00:25:49,244 AND FORTUNATELY IS NOT GOING TO BE THE MARQUIS OF ANYTHING. 399 00:25:49,246 --> 00:25:52,848 BUT... OH, DEAR! OH, DEAR, LOOK AT POOR CONCHITA. 400 00:25:52,850 --> 00:25:56,518 LORD RICHARD, HE DRINKS. 401 00:25:56,520 --> 00:25:58,887 AND RUNS AROUND. 402 00:25:58,889 --> 00:26:01,856 AND, WELL, SHE NEVER SEEMS TO HAVE-- 403 00:26:01,858 --> 00:26:03,792 SHE NEVER SEEMS TO HAVE ENOUGH MONEY. 404 00:26:03,794 --> 00:26:07,763 OH, BUT SEADOWN IS THE GOOD SON, MRS. ST. GEORGE. 405 00:26:07,765 --> 00:26:10,199 HE'LL NEVER GIVE VIRGINIA ANY TROUBLE. 406 00:26:10,201 --> 00:26:13,635 OH! OH, MY GOODNESS! 407 00:26:13,637 --> 00:26:16,772 WE MUST SEND A TELEGRAM TO THE COLONEL IMMEDIATELY! 408 00:26:16,774 --> 00:26:18,740 OH, I WANT HIM TO TELL ALL OF THOSE PEOPLE 409 00:26:18,742 --> 00:26:21,110 HE KNOWS IN NEW YORK ALL ABOUT OUR VIRGINIA. 410 00:26:21,112 --> 00:26:22,878 I WANT THEM ALL TO KNOW! 411 00:26:22,880 --> 00:26:25,914 OH, I WANT MRS. PARMORE TO GO 412 00:26:25,916 --> 00:26:28,850 MAD WITH ENVY. ( giggles ) 413 00:26:33,290 --> 00:26:34,756 ( sighs ) 414 00:26:45,102 --> 00:26:46,534 WHOA! 415 00:26:48,338 --> 00:26:50,405 GOOD AFTERNOON, YOUR GRACE. 416 00:26:50,407 --> 00:26:53,274 - ELSE ANYONE ON HAND? - NO, SIR. 417 00:26:53,276 --> 00:26:55,510 THAT IS, YES. 418 00:26:55,512 --> 00:26:58,380 CAN YOU BE SO GOOD AS TO ANNOUNCE ME? 419 00:27:04,287 --> 00:27:07,489 NO, I'M SORRY, I DON'T GIVE A TOSS FOR YOUR REASONS! 420 00:27:07,491 --> 00:27:09,957 I'D HAVE SOONER DIED THAN SELL THE TITIAN. 421 00:27:09,959 --> 00:27:12,460 DAMN YOU, STANDING THERE WITH THAT SUPERIOR LOOK ON YOUR FACE. 422 00:27:12,462 --> 00:27:14,195 YOU WAITED TILL MY BACK WAS TURNED! 423 00:27:14,197 --> 00:27:15,396 RUBBISH! 424 00:27:15,398 --> 00:27:17,198 MR. PLEASANTS HAPPENED TO BE IN THE AREA. 425 00:27:17,200 --> 00:27:20,102 I DON'T BELIEVE A WORD OF IT! YOU EXPECTED ME TO BE WELL OUT OF IT! 426 00:27:20,104 --> 00:27:23,538 - MR. PLEASANTS, SUPPORT ME. - NOT A WORD, MR. PLEASANTS. 427 00:27:23,540 --> 00:27:25,841 YOU EXPECTED ME TO BE IN LONDON, SIR! 428 00:27:25,843 --> 00:27:27,943 AND I CALL THAT COWARDLY AND UNDERHANDED! 429 00:27:27,945 --> 00:27:30,178 IF YOU WOULD ONLY BE QUIET FOR ONE MINUTE! 430 00:27:30,180 --> 00:27:32,347 I WILL BE DAMNED IF I WILL BE QUIET, 431 00:27:32,349 --> 00:27:35,450 ONLY TO HAVE YOU TELL ME A PACK OF LIES! 432 00:27:48,765 --> 00:27:51,499 ( bird squawks ) 433 00:28:10,721 --> 00:28:13,287 WHATEVER IS THE MATTER, MAMA? 434 00:28:13,289 --> 00:28:15,924 SEADOWN IS TO MARRY AN AMERICAN. 435 00:28:17,027 --> 00:28:18,960 - SEADOWN? - YES. 436 00:28:18,962 --> 00:28:21,730 HE USED TO BE HERE SO OFTEN AT ONE TIME 437 00:28:21,732 --> 00:28:23,064 THAT I HAD HOPED... 438 00:28:23,066 --> 00:28:24,699 LET ME SEE. 439 00:28:24,701 --> 00:28:27,002 Lady Gertrude: YOU KNOW PERFECTLY WELL THAT SEADOWN HAS BEEN 440 00:28:27,004 --> 00:28:29,204 IDINA HATTON'S PROPERTY FOR YEARS. 441 00:28:29,206 --> 00:28:31,440 AND NOBODY'S HAD A CHANCE AGAINST HER. 442 00:28:31,442 --> 00:28:33,842 NOBODY BUT SOME ODIOUS AMERICAN GIRL. 443 00:28:33,844 --> 00:28:36,678 I DARE SAY THE AMERICANS USE MEANS 444 00:28:36,680 --> 00:28:40,148 THAT WELL-BRED ENGLISH GIRLS WOULDN'T STOOP TO. 445 00:28:40,150 --> 00:28:42,350 I WISH I KNEW WHAT THEY WERE. 446 00:28:42,352 --> 00:28:45,988 AS A MATTER OF FACT, I'VE MET MISS ST. GEORGE. 447 00:28:45,990 --> 00:28:48,090 SHE IS WONDERFULLY BEAUTIFUL. 448 00:28:48,092 --> 00:28:51,226 AND I DARE SAY, SHE HAS MONEY. 449 00:28:51,228 --> 00:28:53,828 I CAN NAME SEVERAL ENGLISH GIRLS WHOSE SETTLEMENTS WOULD MATCH 450 00:28:53,830 --> 00:28:55,163 THAT OF ANY LITTLE AMERICAN. 451 00:28:55,165 --> 00:28:58,700 WHY NOT JUST MARRY ME TO A ROTHSCHILD AND HAVE IT DONE? 452 00:28:58,702 --> 00:29:00,034 ( door opens ) 453 00:29:00,036 --> 00:29:02,137 MR. THWAITE, YOUR GRACE. 454 00:29:03,440 --> 00:29:06,107 GOOD MORNING, DUCHESS. LADY GERTRUDE. 455 00:29:06,109 --> 00:29:08,877 HAVE YOU HAD BREAKFAST? 456 00:29:08,879 --> 00:29:10,778 I HAVE, THANK YOU, YES. 457 00:29:15,652 --> 00:29:17,085 ( horse neighs ) 458 00:29:17,087 --> 00:29:19,788 I'D LIKE TO APOLOGIZE FOR YESTERDAY. 459 00:29:19,790 --> 00:29:23,592 MATTER OF FACT, I JUST NARROWLY AVOIDED A SIMILAR SCENE. 460 00:29:23,594 --> 00:29:26,194 I COULDN'T HAVE BORN ANOTHER MINUTE UNDER MY MOTHER'S ROOF. 461 00:29:26,196 --> 00:29:28,430 NOR I UNDER MY FATHER'S. 462 00:29:30,000 --> 00:29:31,399 Guy: PLAGUE ON BOTH THEM. 463 00:29:36,507 --> 00:29:39,407 Julius: WHAT SAY YOU WE CALL IN AT RUNNYMEAD, AND GO SEE MISS ST. GEORGE? 464 00:29:39,409 --> 00:29:41,009 THAT'S A SPLENDID IDEA. 465 00:29:44,948 --> 00:29:48,683 THE REASON I COULDN'T SEE YOU THE OTHER DAY, I'VE HAD SOME NEWS. 466 00:29:48,685 --> 00:29:50,351 POOR OLD MR. HORACE IS AS GOOD AS DEAD-- 467 00:29:50,353 --> 00:29:52,253 HIS DOCTORS GIVE HIM SIX MONTHS. 468 00:29:52,255 --> 00:29:54,789 NATURALLY, WE'VE AGREED, THE LOCAL MEMBERS AND MYSELF, 469 00:29:54,791 --> 00:29:57,859 TO CALL A BI-ELECTION AT THE FIRST POSSIBLE OPPORTUNITY. 470 00:30:00,330 --> 00:30:02,531 I'M ASKING YOU TO STAND, GUY! 471 00:30:03,600 --> 00:30:04,899 IT'S IMPOSSIBLE. 472 00:30:04,901 --> 00:30:06,834 ISN'T THAT WHAT WE'VE ALWAYS PLANNED? 473 00:30:06,836 --> 00:30:08,536 YES, IT IS. 474 00:30:08,538 --> 00:30:11,640 BUT YOU MUST KNOW, I CAN DO NOTHING FOR MYSELF NOW. 475 00:30:11,642 --> 00:30:14,275 FINANCIALLY, YOU MEAN? I WOULD SEE TO YOUR EXPENSES. 476 00:30:14,277 --> 00:30:16,477 IT'S IMPOSSIBLE, JULIUS. 477 00:30:16,479 --> 00:30:18,246 WELL, YOU MUST AT LEAST EXPLAIN YOURSELF. 478 00:30:19,949 --> 00:30:22,284 MY REASON FOR GOING UP TO LONDON NOW 479 00:30:22,286 --> 00:30:24,119 IS TO TALK TO THE RIALTO COMPANY 480 00:30:24,121 --> 00:30:27,155 ABOUT WORK ON THEIR RAILWAYS IN SOUTH AMERICA. 481 00:30:27,157 --> 00:30:28,856 OH... 482 00:30:31,227 --> 00:30:32,960 I SEE. 483 00:30:34,597 --> 00:30:36,598 WHY SOUTH AMERICA? 484 00:30:36,600 --> 00:30:40,268 I HAVE TO DO SOMETHING TO SECURE HONORSLOVE. 485 00:30:40,270 --> 00:30:42,971 THERE'S NO OTHER COURSE OPEN TO ME. 486 00:30:42,973 --> 00:30:44,506 SEADOWN FOUND A WAY. 487 00:30:44,508 --> 00:30:46,875 ( chuckles ) POOR OLD SEADY. 488 00:30:46,877 --> 00:30:48,576 BITTEN THE BULLET AT LAST. 489 00:30:48,578 --> 00:30:49,944 PRETTY BULLET. 490 00:30:52,115 --> 00:30:54,516 I MET THE YOUNGER MISS ST. GEORGE RECENTLY. 491 00:30:54,518 --> 00:30:56,651 - OH? - BY CHANCE, AT TREVENICK. 492 00:30:56,653 --> 00:30:59,988 I SHOWED HER OVER THE OLD PLACE, SHE SEEMED TO LIKE IT RATHER. 493 00:31:01,792 --> 00:31:04,492 I TOLD MYSELF I'D LOOK FOR AN ENGLISH GIRL EXACTLY LIKE HER. 494 00:31:06,429 --> 00:31:10,832 I'M SURE IF NOT MISTAKING THE COPYING, 495 00:31:10,834 --> 00:31:14,302 I BELIEVE I SPENT RATHER TOO LONG STUDYING THE ORIGINAL. 496 00:31:21,311 --> 00:31:24,112 I SHALL NOT CALL UP RUNNYMEAD WITH YOU. 497 00:31:24,114 --> 00:31:26,747 I'M IN NO MOOD FOR FLIRTING. 498 00:31:26,749 --> 00:31:30,618 BESIDES, SOMEONE IN MY FAMILY HAS TO BE ABLE TO RESIST A PRETTY FACE. 499 00:31:32,689 --> 00:31:35,723 BUT YOU KNOW I DON'T INTEND TO STAY IN SOUTH AMERICA FOREVER. 500 00:31:35,725 --> 00:31:37,925 I'M ONLY GOING AWAY THE BETTER TO COME HOME. 501 00:31:39,229 --> 00:31:40,762 I'LL DRINK TO THAT. 502 00:31:45,102 --> 00:31:46,802 TO YOU, SIR. 503 00:31:52,376 --> 00:31:54,109 OH, I'M SO SORRY, YOUR GRACE, 504 00:31:54,111 --> 00:31:56,243 BUT THERE'S NO ONE HERE TO GREET YOU. 505 00:31:56,245 --> 00:31:58,379 EVERYONE'S IN LONDON. 506 00:31:58,381 --> 00:32:00,214 YOU ARE HERE. 507 00:32:00,216 --> 00:32:02,116 YES, I... 508 00:32:07,157 --> 00:32:08,957 AND MISS ANNABEL, 509 00:32:08,959 --> 00:32:11,793 WILL SHE REMAIN IN LONDON AFTER THE WEDDING? 510 00:32:11,795 --> 00:32:13,528 OH, MISS ANNABEL WILL NATURALLY GO HOME 511 00:32:13,530 --> 00:32:15,697 TO AMERICA WITH HER PARENTS. 512 00:32:15,699 --> 00:32:18,366 SURELY, YOU KNOW, SHE'S OUT NOW, 513 00:32:18,368 --> 00:32:22,871 SO HER PARENTS ARE VERY ANXIOUS FOR HER TO HAVE A FIRST NEW YORK SEASON. 514 00:32:27,010 --> 00:32:29,510 HAS IT MATTER SUCH THINGS AS A NEW YORK SEASON. 515 00:32:35,151 --> 00:32:37,819 YOU MUST ASSUME, MS. TESTVALLEY-- 516 00:32:37,821 --> 00:32:39,821 THAT IS TO SAY... 517 00:32:39,823 --> 00:32:42,324 I HAVE DECIDED... 518 00:32:42,326 --> 00:32:44,192 YES? 519 00:32:44,194 --> 00:32:46,560 I INTEND TO ASK MISS ANNABEL TO MARRY ME. 520 00:32:53,303 --> 00:32:57,805 WELL, ARRANGING MARRIAGES IS NO PART OF MY DUTIES, YOUR GRACE. 521 00:32:57,807 --> 00:33:00,875 BUT IF YOU WISH TO SPEAK TO MRS. ST. GEORGE-- 522 00:33:00,877 --> 00:33:02,811 OH, NO, I DON'T. UH... 523 00:33:02,813 --> 00:33:05,179 I UNDERSTOOD THAT IN AMERICA, 524 00:33:05,181 --> 00:33:07,615 IN WAS THE CUSTOM TO SPEAK TO THE YOUNG LADY HERSELF. 525 00:33:07,617 --> 00:33:09,484 BUT KNOWING HOW CLOSE YOU ARE, 526 00:33:09,486 --> 00:33:11,820 HOW FOND YOU ARE OF MISS ANNABEL-- 527 00:33:11,822 --> 00:33:13,788 YES, I AM VERY FOND OF ANNABEL. 528 00:33:13,790 --> 00:33:17,158 I NEED TO KNOW IF HER FEELINGS 529 00:33:17,160 --> 00:33:18,860 CORRESPOND IN ANY DEGREE TO MINE. 530 00:33:20,263 --> 00:33:23,365 I REALLY CAN'T ANSWER THAT. 531 00:33:25,435 --> 00:33:27,134 YOU MEAN, SHE HASN'T SPOKEN TO YOU? 532 00:33:29,106 --> 00:33:32,807 ANNABEL IS IN SO MANY WAYS STILL A CHILD. 533 00:33:32,809 --> 00:33:35,844 SHE JUDGES A LOT OF THINGS AS A CHILD WOULD. 534 00:33:35,846 --> 00:33:37,979 YES. 535 00:33:37,981 --> 00:33:40,081 YES, IT'S... 536 00:33:40,083 --> 00:33:42,850 IT'S HER CHILDISH INNOCENCE, 537 00:33:42,852 --> 00:33:45,186 HER INDIFFERENCE TO MONEY, THAT SORT OF THING, 538 00:33:45,188 --> 00:33:46,654 THAT I VALUE SO IMMENSELY. 539 00:33:49,126 --> 00:33:51,192 YOUR GRACE... 540 00:33:51,194 --> 00:33:55,230 I ONLY WANT YOU TO UNDERSTAND THAT... 541 00:33:55,232 --> 00:33:58,366 NAN MAYBE ONE THING NOW, 542 00:33:58,368 --> 00:34:00,634 BUT IN A YEAR OR TWO, 543 00:34:00,636 --> 00:34:03,071 SHE MAYBE SOMETHING ALTOGETHER DIFFERENT. 544 00:34:03,073 --> 00:34:06,774 AND THAT IS WHY I SOLEMNLY ADVISE YOU TO WAIT. 545 00:34:08,444 --> 00:34:10,478 PLEASE GIVE NAN TIME TO GROW UP. 546 00:34:21,258 --> 00:34:23,892 Colonel St. George: SIX THOUSAND, YOU SAY? 547 00:34:23,894 --> 00:34:25,860 SIX THOUSAND A YEAR, 548 00:34:25,862 --> 00:34:31,299 AND VIRGINIA'S JOINTURE IS TO BE BUT 1,300. 549 00:34:33,203 --> 00:34:34,869 NO, SIR. 550 00:34:34,871 --> 00:34:38,773 IN THOSE VERY PARTICULARS, NO. 551 00:34:41,944 --> 00:34:43,378 Lord Brightlingsea: WRONG END. 552 00:34:49,352 --> 00:34:51,152 LEFT HAND BEHIND YOUR BACK. 553 00:35:05,035 --> 00:35:06,501 HMM... 554 00:35:06,503 --> 00:35:08,202 STILL, IN ALL, LORD BRIGHTLINGSEA, 555 00:35:08,204 --> 00:35:10,071 YOU ARE A MAN I COULD DO BUSINESS WITH. 556 00:35:10,073 --> 00:35:15,576 YES, SIR, I SAW THAT THE FIRST MOMENT I CLAPPED EYES ON YOU. 557 00:35:15,578 --> 00:35:18,646 ADDED TO WHICH... 558 00:35:18,648 --> 00:35:21,215 WE EACH HAVE SOMETHING THE OTHER ONE WANTS. 559 00:35:21,217 --> 00:35:24,852 AND IF THAT'S NOT A GOOD BEGINNING, I DON'T KNOW WHAT IS! 560 00:35:24,854 --> 00:35:26,954 FOR INSTANCE, LORD BRIGHTLINGSEA, 561 00:35:26,956 --> 00:35:29,190 I HAVE AN ELECTRIC COMPANY. 562 00:35:29,192 --> 00:35:31,426 YOU HAVE A TITLE. 563 00:35:53,550 --> 00:35:56,050 OH, I HAVE SOMETHING FOR YOU, DARLING. 564 00:36:07,931 --> 00:36:09,731 OH! 565 00:36:09,733 --> 00:36:11,599 OH, MAMA. 566 00:36:11,601 --> 00:36:13,434 ( chuckles ) 567 00:36:16,706 --> 00:36:22,777 ¶ ON WINGS OF SONG I'LL BATHE THEE ¶ 568 00:36:22,779 --> 00:36:29,416 ¶ ON WAY TO FAIRYLAND ¶ 569 00:36:29,418 --> 00:36:34,689 ¶ WHILE EYES MY SWEET SCENTED GARDEN ¶ 570 00:36:34,691 --> 00:36:40,561 ¶ ARE WAITING FOR THEM TO PASS ¶ 571 00:36:40,563 --> 00:36:46,701 ¶ THE MOONBEAMS ARE FILLING MY GARDEN... ¶ 572 00:36:46,703 --> 00:36:48,536 ( children chattering ) 573 00:37:00,950 --> 00:37:02,584 VERY NICE, THANK YOU. 574 00:37:04,588 --> 00:37:06,287 HELLO, NICE TO SEE YOU. 575 00:37:14,330 --> 00:37:22,036 ¶ YOU WELCOME THEE TONIGHT... ¶ 576 00:37:22,038 --> 00:37:23,571 VERY NICE, VERY GOOD. 577 00:37:23,573 --> 00:37:26,641 I GUESS THIS MUST BE CONNIE'S FRONT PARLOR. 578 00:37:26,643 --> 00:37:28,676 YES, YES. 579 00:37:30,680 --> 00:37:32,613 LORD RICHARD! 580 00:37:32,615 --> 00:37:35,149 WE MEET AGAIN! 581 00:37:35,151 --> 00:37:38,819 AND I AM HAPPY AND PROUD OF THE CIRCUMSTANCES. 582 00:37:38,821 --> 00:37:40,822 LADY RICHARD... 583 00:37:40,824 --> 00:37:43,358 - VERY NICE TO SEE YOU. - NICE TO SEE YOU TOO. 584 00:37:43,360 --> 00:37:44,859 ( clears throat ) 585 00:37:44,861 --> 00:37:47,161 WHO IS THAT COMMON-LOOKING MAN? 586 00:37:47,163 --> 00:37:49,064 THAT IS HECTOR ROBINSON, 587 00:37:49,066 --> 00:37:51,866 LIZZY ELMSWORTH'S FUTURE HUSBAND, I SHOULDN'T WONDER. 588 00:37:51,868 --> 00:37:53,334 OH, DEAR. 589 00:37:53,336 --> 00:37:56,438 ACTUALLY, HE'S RATHER GOOD NEWS. 590 00:37:58,475 --> 00:38:00,141 GOOD NEWS OR NOT, 591 00:38:00,143 --> 00:38:02,910 SOMEONE SHOULD EXPLAIN THE FORM TO HER. 592 00:38:02,912 --> 00:38:04,879 OH, I DON'T THINK LIZZY NEEDS ANYTHING EXPLAINED. 593 00:38:04,881 --> 00:38:07,215 I THINK SHE'S WAITING TO SEE HOW HE TURNS OUT. 594 00:38:11,954 --> 00:38:13,487 YOU! 595 00:38:13,489 --> 00:38:15,556 - LADY BRIGHTLINGSEA! - MY DEAR. 596 00:38:15,558 --> 00:38:18,126 AH, MR. ROBINSON. 597 00:38:18,128 --> 00:38:21,061 NO DOUBT YOU'LL DO VERY WELL, YOUNG MAN. 598 00:38:30,606 --> 00:38:32,206 YOUR GRACE. 599 00:38:34,911 --> 00:38:36,176 JULIUS. 600 00:39:24,727 --> 00:39:26,393 MR. THWAITE. 601 00:39:29,432 --> 00:39:31,332 I DID SO HOPE YOU'D BE HERE. 602 00:39:31,334 --> 00:39:33,734 OF COURSE I'M HERE. 603 00:39:36,306 --> 00:39:38,573 SEADOWN AND I WERE AT SCHOOL TOGETHER. 604 00:39:38,575 --> 00:39:40,408 OH, OF COURSE. 605 00:39:46,349 --> 00:39:48,049 EXCUSE ME, YOUR GRACE. 606 00:39:48,051 --> 00:39:49,751 LORD RICHARD. 607 00:39:55,758 --> 00:39:58,760 MS. TESTVALLEY, I'D LIKE TO INTRODUCE YOU TO SIR HELMSLEY THWAITE. 608 00:39:58,762 --> 00:40:01,229 SIR HELMSLEY, MY GOVERNESS MS. TESTVALLEY. 609 00:40:01,231 --> 00:40:03,363 OR VAL AS I CALL HER. 610 00:40:03,365 --> 00:40:07,001 I'M OUT, YOU KNOW, BUT I, I WON'T LET MS. TESTVALLEY GO. 611 00:40:08,305 --> 00:40:10,238 DELIGHTED, MS. TESTVALLEY. 612 00:40:11,975 --> 00:40:15,109 AND SIR HELMSLEY'S SON, MR. GUY THWAITE. 613 00:40:15,111 --> 00:40:17,111 - MS. TESTVALLEY. - PLEASURE. 614 00:40:17,113 --> 00:40:20,714 THERE, NOW YOU'VE BOTH MET MY MOST FAVORITE PERSON IN THE WORLD. 615 00:40:20,716 --> 00:40:22,683 OH, REALLY, ANNABEL. 616 00:40:22,685 --> 00:40:25,052 NO, WHAT A WONDERFUL COMPLIMENT. 617 00:40:25,054 --> 00:40:28,456 MS. TESTVALLEY ADORES THE PRE-RAPHAELITES, SIR HELMSLEY. 618 00:40:28,458 --> 00:40:30,924 I PROMISED HER A VISIT TO HONORSLOVE TO SEE YOUR ROSETTI. 619 00:40:30,926 --> 00:40:32,760 ANNABEL, YOU'VE DONE NO SUCH THING! 620 00:40:32,762 --> 00:40:36,197 NO, NO, A YOUNG LADY MUST ALWAYS KEEP HER PROMISES, 621 00:40:36,199 --> 00:40:38,566 ESPECIALLY THOSE SHE ONLY MAKES TO HERSELF. 622 00:40:43,573 --> 00:40:46,707 TO BE FRANK, MR. ROBINSON, 623 00:40:46,709 --> 00:40:49,043 YOU ARE THE FIRST ENGLISH GENTLEMAN 624 00:40:49,045 --> 00:40:52,113 THAT I HAVE COME ACROSS WHO SHOWS ANY SIGNS OF ANY GET-UP-AND-GO! 625 00:40:52,115 --> 00:40:54,548 DO I? ( laughs ) 626 00:40:54,550 --> 00:40:56,717 LORD BRIGHTLINGSEA HAS DONE ME THE IMMEASURABLE HONOR 627 00:40:56,719 --> 00:40:58,953 OF LENDING HIS TITLE TO MY COMPANY. 628 00:40:58,955 --> 00:41:01,722 - RIGHT. - I CAN'T TELL YOU WHAT THAT'S WORTH IN THE UNITED STATES. 629 00:41:01,724 --> 00:41:04,559 BUT HAVE I BEEN ABLE TO RAISE ANY CASH IN THIS COUNTRY? 630 00:41:04,561 --> 00:41:06,527 - NO, I HAVE NOT! - NO-- NO, I KNOW. 631 00:41:06,529 --> 00:41:08,729 CURIOUS THING. 632 00:41:08,731 --> 00:41:11,599 THE WHOLE WORLD KNOWS ENGLAND TO BE A GREAT COMMERCIAL SUCCESS 633 00:41:11,601 --> 00:41:14,869 BUT I'M WARNING YOU, LOOK TO YOUR LAURELS, 634 00:41:14,871 --> 00:41:16,871 OR THE GERMANS'LL HAVE 'EM, 635 00:41:16,873 --> 00:41:20,574 OR... YOUR COUSINS ACROSS THE ATLANTIC. 636 00:41:23,012 --> 00:41:25,579 - MY LORD. - AHH-- SIT. 637 00:41:33,423 --> 00:41:37,358 THE COLONEL BELIEVES ENGLAND IS IN DANGER OF LOSING THEIR GREATNESS. 638 00:41:37,360 --> 00:41:39,193 AH, DOES HE? 639 00:41:39,195 --> 00:41:42,096 WE CANNOT LET THAT PASS WITHOUT A FIGHT, CAN WE? 640 00:41:42,098 --> 00:41:45,466 AH, I BLAME THE YOUNGER GENERATION. 641 00:41:45,468 --> 00:41:47,168 - ( laughing ) - IT IS MORE LOST. 642 00:41:47,170 --> 00:41:50,338 AH, DAMN IT, THEY CAN'T EVEN CURSE! 643 00:41:50,340 --> 00:41:53,974 AND THERE'S THIS INDECENT CRAZE WITH DEMOCRACY. 644 00:41:53,976 --> 00:41:56,210 I'VE BEEN SAYING, COLONEL, 645 00:41:56,212 --> 00:41:59,179 OUR TROUBLE IS ALL BLAMED ON THE WEST. 646 00:41:59,181 --> 00:42:02,049 NOT THE LEAST, BAD WEATHER. 647 00:42:02,051 --> 00:42:05,219 WITH YOUR DAMNED AMERICAN DEMOCRACY. 648 00:42:05,221 --> 00:42:09,090 I DON'T SEE YOU BEING MUCH TROUBLED BY DEMOCRACY. 649 00:42:10,960 --> 00:42:14,095 ( operatic singing in Latin ) 650 00:42:17,233 --> 00:42:19,100 DAMNED ITALIANS. 651 00:42:20,903 --> 00:42:22,803 - ( song ends ) - ( laughter ) 652 00:42:22,805 --> 00:42:24,838 ( applause ) 653 00:42:27,877 --> 00:42:29,944 I CAN'T JUST LEAVE THE GUESTS. 654 00:42:29,946 --> 00:42:32,079 IT'S OUR PARTY, MY DEAR. 655 00:42:32,081 --> 00:42:33,847 FOLLOW ME. 656 00:42:36,252 --> 00:42:38,118 THERE'S A BOOK I WANTED TO SHOW YOU. 657 00:42:40,356 --> 00:42:42,189 LET ME SEE... 658 00:42:46,695 --> 00:42:48,629 ( laughter ) 659 00:42:48,631 --> 00:42:50,564 SECRET DOOR. 660 00:42:57,240 --> 00:42:59,273 ( Virginia gasps ) 661 00:42:59,275 --> 00:43:01,842 WHAT IS THIS? 662 00:43:01,844 --> 00:43:03,877 IT'S THE WEST WING. 663 00:43:06,015 --> 00:43:08,716 PROBABLY NOBODY'S BEEN UP HERE FOR 20 YEARS. 664 00:43:19,262 --> 00:43:21,529 ( both chuckle ) 665 00:43:21,531 --> 00:43:24,765 WE USED TO TERRIFY OURSELVES PLAYING HIDE AND SEEK IN HERE WHEN WE WERE LITTLE. 666 00:43:24,767 --> 00:43:27,268 I'M NOT SURPRISED. 667 00:43:27,270 --> 00:43:29,437 MY ANCESTORS SPENT SEVEN FORTUNES 668 00:43:29,439 --> 00:43:31,939 ON THE FURNISHING AND DECORATION OF THIS WING. 669 00:43:31,941 --> 00:43:34,876 THIS WAS ONCE THE MOST BEAUTIFUL BALLROOM IN THE LAND. 670 00:43:34,878 --> 00:43:37,044 LEFT TO MOLD. 671 00:43:38,248 --> 00:43:39,647 SO SAD. 672 00:43:39,649 --> 00:43:41,382 WHY IS IT LEFT LIKE THIS? 673 00:43:41,384 --> 00:43:43,918 BECAUSE, MY DEAR, WE CAN'T AFFORD TO DO IT UP. 674 00:43:43,920 --> 00:43:45,853 WHAT DO YOU MEAN, YOU CAN'T AFFORD IT? 675 00:43:45,855 --> 00:43:49,423 JUST THAT-- MONEY. 676 00:43:49,425 --> 00:43:51,058 DO YOU RECALL THE FILTHY STUFF? 677 00:43:51,060 --> 00:43:52,526 MM-HMM. 678 00:43:52,528 --> 00:43:54,528 I SCARCELY DO, FOR WE HAVEN'T HAD ANY FOR AGES. 679 00:43:54,530 --> 00:43:56,363 WHEREAS YOU... 680 00:43:58,301 --> 00:44:00,968 WHAT'S THAT QUAINT EXPRESSION YOU USE IN AMERICA? 681 00:44:00,970 --> 00:44:03,704 TIN-- ISN'T THAT WHAT YOU CALL IT? 682 00:44:03,706 --> 00:44:07,775 WHEN ALL THIS HAS BEEN RESTORED TO ITS FORMER GLORY, 683 00:44:07,777 --> 00:44:11,746 THEN PERHAPS WE MAY RENAME IT, HMM? 684 00:44:13,449 --> 00:44:15,616 THE ST. GEORGE WING. 685 00:44:15,618 --> 00:44:17,585 WHAT DO YOU SAY? 686 00:44:17,587 --> 00:44:21,055 OR DOES THAT SOUND RATHER TOO MUCH LIKE A HOSPITAL, HMM? 687 00:44:23,759 --> 00:44:25,626 YOU'RE AWFULLY QUIET, MY DEAR. 688 00:44:27,096 --> 00:44:28,596 IF YOU NEED MONEY, WHY DON'T YOU SELL 689 00:44:28,598 --> 00:44:30,398 SOME OF THE PAINTINGS YOU NEVER LOOK AT? 690 00:44:30,400 --> 00:44:33,901 BECAUSE MY GREAT-GRANDFATHER, WHO DISLIKED AND DISTRUSTED HIS CHILDREN-- 691 00:44:33,903 --> 00:44:36,037 QUITE RIGHTLY, AS IT TURNED OUT-- 692 00:44:36,039 --> 00:44:39,106 PLACED ALL THE BRIGHTLINGSEA TREASURES IN TRUST. 693 00:44:39,108 --> 00:44:41,308 IF... 694 00:44:41,310 --> 00:44:44,378 OH, IF THE FLOOR OF THIS BALLROOM WERE PAVED IN GOLD, 695 00:44:44,380 --> 00:44:46,814 I SHOULDN'T BE ABLE TO DISPOSE OF AN OUNCE OF IT. 696 00:44:55,691 --> 00:44:58,259 ARE YOU SAYING THAT YOU'VE MARRIED ME FOR MY MONEY? 697 00:44:58,261 --> 00:44:59,994 OH NOW, CALM DOWN. 698 00:44:59,996 --> 00:45:02,129 I THINK WE HAVE A FAIR EXCHANGE. 699 00:45:02,131 --> 00:45:04,131 WHAT ABOUT US? 700 00:45:18,381 --> 00:45:19,579 WHAT ABOUT ME? 701 00:45:19,581 --> 00:45:22,316 OH, YOU MEAN LOVE, I SUPPOSE. 702 00:45:24,854 --> 00:45:26,654 WHAT CAN I SAY? 703 00:45:29,091 --> 00:45:31,859 YOU'RE THE MOST BEAUTIFUL WOMAN I EVER SAW. 704 00:45:54,850 --> 00:45:56,817 BYE-BYE, GOOD LUCK. 705 00:46:07,997 --> 00:46:11,531 Colonel St. George: OH, IMMEASURABLY. 706 00:46:15,070 --> 00:46:19,039 LAURA, PUT IN A GOOD WORD FOR ME WITH CONNIE, WILL YOU? 707 00:46:19,041 --> 00:46:20,674 WHY SHOULD I DO THAT? 708 00:46:20,676 --> 00:46:24,245 BECAUSE, DAMN IT, SHE WON'T EVEN SPEAK TO ME. 709 00:46:24,247 --> 00:46:26,613 TWO YEARS AGO, YOU PROMISED ME 710 00:46:26,615 --> 00:46:29,817 THAT YOU WOULD RATHER DIE THAN HARM A HAIR ON THAT GIRL'S HEAD. 711 00:46:29,819 --> 00:46:32,519 BUT EVEN NOW, WHEN SHE'S EXPECTING YOUR FIRST CHILD, 712 00:46:32,521 --> 00:46:36,023 YOU DO NOTHING BUT HUMILIATE HER AND NEGLECT. 713 00:46:36,025 --> 00:46:37,991 IT'S NO WONDER SHE WON'T SPEAK TO YOU. 714 00:46:45,167 --> 00:46:46,967 PAPA. 715 00:46:49,305 --> 00:46:50,804 - Woman #1: BYE! - Woman #2: GOOD LUCK! 716 00:46:50,806 --> 00:46:52,339 Lord Brightlingsea: BYE-BYE, GOOD LUCK! 717 00:46:56,211 --> 00:46:59,346 OH, NAN, I WISH YOU WOULDN'T GO BACK HOME AND DESERT ME. 718 00:46:59,348 --> 00:47:00,915 GINNY! 719 00:47:00,917 --> 00:47:03,483 I JUST WISH YOU COULD COME WITH, THAT'S ALL. 720 00:47:03,485 --> 00:47:05,152 I LOVE YOU. 721 00:47:05,154 --> 00:47:08,522 - GOODBYE, DARLING. - YOU'LL BE HAPPY. 722 00:47:08,524 --> 00:47:10,424 PULL YOURSELF TOGETHER, RICHARD. 723 00:47:11,861 --> 00:47:14,461 Mrs. St. George: GOODBYE, DARLING! BON VOYAGE! 724 00:47:18,701 --> 00:47:20,334 GOODBYE, GINNY! 725 00:47:23,806 --> 00:47:25,739 ( excitedly screaming ) 726 00:47:28,444 --> 00:47:31,145 - BYE-BYE, GINNY! - GOODBYE! 727 00:48:00,243 --> 00:48:02,576 Ms. Testvalley: I'D FORGOTTEN HOW VERY BEAUTIFUL IT IS. 728 00:48:02,578 --> 00:48:04,644 Sir Helmsley: YES, ISN'T IT? 729 00:48:04,646 --> 00:48:06,947 AND HOW COME YOUR FATHER KNEW ROSETTI? 730 00:48:06,949 --> 00:48:09,984 BOTH OUR FAMILIES WERE ITALIAN EXILES. 731 00:48:11,253 --> 00:48:13,654 - AH, SO YOUR NAME...? - YES. 732 00:48:13,656 --> 00:48:15,756 ( exaggerated Italian accent ) LAURA TESTVALLIA. 733 00:48:15,758 --> 00:48:18,358 IT'S QUITE BEYOND THE SCOPE OF ENGLISH LIPS. 734 00:48:18,360 --> 00:48:21,661 IT'S GIVEN ME A VERY STRONG SENSE OF... 735 00:48:21,663 --> 00:48:24,665 FELLOW FEELING FOR OUTSIDERS. 736 00:48:24,667 --> 00:48:28,836 AND HENCE YOUR LOYALTY TO THIS LITTLE BAND OF AMERICAN EXILES? 737 00:48:28,838 --> 00:48:30,837 YES. 738 00:48:30,839 --> 00:48:32,706 I COULD ALMOST ENVY YOU, MS. TESTVALLEY. 739 00:48:32,708 --> 00:48:34,741 THE FREEDOM OF THE OUTSIDER, AS YOU PUT IT, 740 00:48:34,743 --> 00:48:36,710 IS NO DOUBT TOUGH, BUT REALLY... 741 00:48:36,712 --> 00:48:38,278 OH NO, YOU'RE QUITE WRONG. 742 00:48:40,282 --> 00:48:41,915 NO, OUTSIDERS HAVE EVEN LESS FREEDOM. 743 00:48:43,018 --> 00:48:44,685 WELL, ONE FALSE MOVE, 744 00:48:44,687 --> 00:48:47,521 PARTICULARLY AS A WOMAN, 745 00:48:47,523 --> 00:48:50,290 AND ONE IS CONSIGNED TO OBLIVION. 746 00:48:52,027 --> 00:48:53,694 WELL, I STAND CORRECTED. 747 00:48:59,802 --> 00:49:03,203 I'VE... I'VE SO ENJOYED BEING HERE AGAIN. 748 00:49:03,205 --> 00:49:04,838 ( chuckles ) 749 00:49:04,840 --> 00:49:06,173 ( chuckles ) 750 00:49:06,175 --> 00:49:08,108 I'M VERY HAPPY TO SEE YOU HERE, MISS. ST. GEORGE. 751 00:49:08,110 --> 00:49:09,943 THANK YOU. 752 00:49:09,945 --> 00:49:12,780 UNFORTUNATELY, I SHANT DO SO AGAIN FOR A LONG TIME. 753 00:49:14,049 --> 00:49:15,716 WHY DO YOU SAY THAT? 754 00:49:15,718 --> 00:49:18,018 BECAUSE TOMORROW I'M GOING AWAY. 755 00:49:18,020 --> 00:49:20,020 I'M GOING TO SOUTH AMERICA, 756 00:49:20,022 --> 00:49:22,889 TO BUILD A RAILWAY FROM RIO TO CORDOVA. 757 00:49:22,891 --> 00:49:24,624 IT'S VERY EXCITING, DON'T YOU THINK? 758 00:49:24,626 --> 00:49:27,227 SOMETHING A MAN CAN REALLY THROW HIMSELF INTO. 759 00:49:27,229 --> 00:49:30,630 HOW LONG DOES IT TAKE TO BUILD A RAILROAD FROM RIO TO CORDOVA? 760 00:49:30,632 --> 00:49:33,901 WELL, MY INITIAL CONTRACT IS FOR TWO YEARS. 761 00:49:37,073 --> 00:49:38,672 I SEE. 762 00:49:50,152 --> 00:49:52,453 OF COURSE, NOW THAT GINNY IS MARRIED, 763 00:49:52,455 --> 00:49:55,722 I SHALL BE RETURNING TO NEW YORK. 764 00:49:55,724 --> 00:49:58,092 YOU MUST BE LOOKING FORWARD TO THAT. 765 00:49:58,094 --> 00:50:00,460 NOT ONE LITTLE BIT. 766 00:50:00,462 --> 00:50:02,963 IT'S ALL VERY WELL FOR MEN, YOU SEE, BUT... 767 00:50:02,965 --> 00:50:04,798 MISS ST. GEORGE? 768 00:50:04,800 --> 00:50:08,068 WHAT IS A WOMAN TO THROW HERSELF INTO? 769 00:50:08,070 --> 00:50:10,437 WELL, MOST WOMEN THROW THEMSELVES INTO MARRIAGE, 770 00:50:10,439 --> 00:50:11,872 DO THEY NOT? 771 00:50:11,874 --> 00:50:14,441 YES, I SUPPOSE SO. 772 00:50:14,443 --> 00:50:19,079 BUT YOU ARE... A LITTLE YOUNG FOR THAT? 773 00:50:19,081 --> 00:50:21,415 I'M EIGHTEEN. 774 00:50:21,417 --> 00:50:24,451 MOTHER WAS EIGHTEEN WHEN SHE WAS MARRIED. 775 00:50:24,453 --> 00:50:26,119 WELL, DID SHE REGRET IT? 776 00:50:26,121 --> 00:50:27,954 OF COURSE NOT. 777 00:50:27,956 --> 00:50:30,324 SO IT'S NOT SOMETHING ONE CAN TAKE FOR GRANTED. 778 00:50:30,326 --> 00:50:33,960 JUST NOW YOU SEEM TO RECOMMEND IT. 779 00:50:33,962 --> 00:50:36,263 MARRIAGE... 780 00:50:36,265 --> 00:50:40,000 WELL, IT DOES RATHER DEPEND ON WHO ONE MARRIES. 781 00:50:41,837 --> 00:50:44,704 I CERTAINLY DO NOT RECOMMEND CHILD BRIDES. 782 00:50:44,706 --> 00:50:46,973 CHILD BRIDES GROW UP EVENTUALLY. 783 00:50:49,745 --> 00:50:51,345 I MEAN TO SAY... 784 00:50:51,347 --> 00:50:53,847 YOU KNOW, MY MOTHER, YES, SHE GREW UP. 785 00:51:00,823 --> 00:51:03,190 WHY DID YOU NEVER COME TO RUNNYMEAD? 786 00:51:03,192 --> 00:51:05,993 YOU MOVE IN CHARMED CIRCLES, MISS ST. GEORGE. 787 00:51:05,995 --> 00:51:09,396 MY FAMILY HAS NEITHER A LONDON HOUSE NOR A LONDON ALLOWANCE. 788 00:51:09,398 --> 00:51:11,765 - ( footsteps approaching ) - Ms. Testvalley: REALLY... 789 00:51:11,767 --> 00:51:14,334 YOU KNOW, I FIND THAT VERY HARD TO BELIEVE. 790 00:51:14,336 --> 00:51:17,371 GRACIOUS, HOW SOLEMN YOU BOTH LOOK. 791 00:51:18,674 --> 00:51:21,508 WE'VE BEEN TALKING ABOUT REGRETS, MS. TESTVALLEY. 792 00:51:21,510 --> 00:51:23,910 REGRETS? AT YOUR AGE? 793 00:51:23,912 --> 00:51:25,979 ( scoffs ) RIDICULOUS. 794 00:51:32,221 --> 00:51:35,422 ANNABEL. ANNABEL. 795 00:51:35,424 --> 00:51:36,923 HMM? 796 00:51:36,925 --> 00:51:39,359 WHAT ARE YOU THINKING, DARLING? 797 00:51:39,361 --> 00:51:43,096 I HOPE I CAN AT LEAST KEEP MY THOUGHTS TO MYSELF. 798 00:51:58,847 --> 00:52:01,047 ( carriage approaching ) 799 00:52:32,480 --> 00:52:35,582 - IT'S DARLING! - ( Julius laughs ) 800 00:52:35,584 --> 00:52:37,584 OH, LOOK AT HIS BIG FEET! 801 00:52:37,586 --> 00:52:39,186 LOOK AT THOSE BIG FEET! 802 00:52:39,188 --> 00:52:40,987 WHAT A TIGER YOU ARE! 803 00:52:40,989 --> 00:52:42,756 HE'S FOR YOU-- A PRESENT. 804 00:52:42,758 --> 00:52:45,425 FOR ME? ( chuckles ) WHY? 805 00:52:45,427 --> 00:52:47,027 HOW AM I GONNA TAKE YOU HOME? 806 00:52:47,029 --> 00:52:48,528 HOW AM I GONNA TAKE YOU HOME WITH ME? 807 00:52:48,530 --> 00:52:49,863 - I WANT YOU TO STAY. - ( dog barks ) 808 00:52:49,865 --> 00:52:51,665 - I WANT YOU TO MARRY ME. - YOU LIKE THIS? 809 00:52:51,667 --> 00:52:52,832 ( laughing ) 810 00:52:52,834 --> 00:52:54,301 IT'S TRUE. 811 00:52:54,303 --> 00:52:56,236 WHAT? I-I'M SORRY, WHAT DID YOU SAY? 812 00:52:56,238 --> 00:52:57,938 OH, UH... 813 00:52:57,940 --> 00:53:00,174 MA'AM. 814 00:53:01,243 --> 00:53:02,709 WHAT? 815 00:53:03,779 --> 00:53:05,512 MARRY ME, ANNABEL. 816 00:53:07,082 --> 00:53:09,649 PLEASE MARRY ME. 817 00:53:09,651 --> 00:53:12,953 YOU WERE BORN TO BE PRINCESS OF TREVENICK CASTLE. 818 00:53:15,824 --> 00:53:17,958 THERE'S NO OTHER WOMAN IN THE WORLD FOR ME. 819 00:53:21,196 --> 00:53:24,330 YOU KNOW THAT, DON'T YOU? 820 00:53:24,332 --> 00:53:26,367 PLEASE MARRY ME. 821 00:53:31,373 --> 00:53:36,410 ( orchestral theme music playing ) 77487

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