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1
00:00:03,878 --> 00:00:08,717
[***]
2
00:00:17,392 --> 00:00:19,561
HEY! HOLD ON!
3
00:00:21,229 --> 00:00:22,647
WHOA. JUST IN TIME, HUH?
4
00:00:22,689 --> 00:00:24,441
JUST IN TIME.
5
00:00:24,482 --> 00:00:26,693
WAIT!
6
00:00:26,735 --> 00:00:27,569
I'M SORRY,
I'M JUST...
7
00:00:28,820 --> 00:00:30,071
YOU KNOW THAT FEELING
8
00:00:30,113 --> 00:00:31,573
WHEN YOU'RE ABOUT TO
DROP A LETTER IN THE BOX,
9
00:00:31,614 --> 00:00:33,158
AND THEN YOU FREEZE,
10
00:00:33,199 --> 00:00:35,702
AND THEN THAT WEIRD VOICE
IN YOUR HEAD YELLS "WAIT!"
11
00:00:35,744 --> 00:00:36,578
BUT WHAT AM I WAITING FOR?
12
00:00:37,912 --> 00:00:39,914
I DON'T KNOW.
13
00:00:39,956 --> 00:00:41,541
I MEAN, I'M NOT A KID
ANYMORE, RIGHT?
14
00:00:41,583 --> 00:00:42,709
AND I CAN'T WAIT FOREVER.
15
00:00:42,751 --> 00:00:44,002
NEITHER CAN I.
16
00:00:44,044 --> 00:00:45,211
SORRY.
17
00:00:45,253 --> 00:00:47,589
I JUST DON'T WRITE
A LOT OF LETTERS.
18
00:00:49,007 --> 00:00:51,343
SEE, IT'S LIKE
RIPPING OFF A BANDAGE,
19
00:00:51,384 --> 00:00:53,678
YOU JUST GOTTA DO IT FAST
AND SCREAM, RIGHT?
20
00:00:53,720 --> 00:00:54,846
DON'T SCREAM.
21
00:00:54,888 --> 00:00:56,723
[LIGHT CHUCKLE]
22
00:00:56,765 --> 00:00:58,391
OKAY.
23
00:00:58,433 --> 00:01:02,145
WHAT GOOD IS A LETTER
IF YOU DON'T MAIL IT?
24
00:01:08,943 --> 00:01:09,986
OKAY.
25
00:01:10,028 --> 00:01:12,489
HERE GOES!
26
00:01:14,449 --> 00:01:16,242
OKAY. BYE.
27
00:01:20,872 --> 00:01:23,458
[***]
28
00:01:56,032 --> 00:01:56,950
[SERVER, GRAHAM]:
ARE NOT.
29
00:01:56,991 --> 00:01:57,867
[SERVER, NIKKI]:
ARE TOO.
30
00:01:57,909 --> 00:01:58,952
ARE NOT.
31
00:01:58,993 --> 00:02:00,495
WANNA BET?
JUST LOOK AT THEM.
32
00:02:00,537 --> 00:02:01,955
THEY DANCE LIKE
THEY KNOW THE STEPS,
33
00:02:01,996 --> 00:02:03,373
BUT THEY CAN'T
FIND THEIR RHYTHM.
34
00:02:03,415 --> 00:02:05,125
MAYBE THEY
KNOW THE STEPS
35
00:02:05,166 --> 00:02:06,418
BUT THEY'VE LOST
THEIR RHYTHM?
36
00:02:07,544 --> 00:02:09,879
SOMETIMES THINGS
CHANGE, I GUESS.
37
00:02:09,921 --> 00:02:12,173
BUT THAT WON'T
HAPPEN WITH US.
38
00:02:12,215 --> 00:02:13,425
"NIKKI AND GRAHAM
FOREVER," RIGHT?
39
00:02:13,466 --> 00:02:15,010
[CHUCKLES
AS CELL PHONE RINGS]
40
00:02:15,051 --> 00:02:16,720
AH, I GOTTA GET THIS.
41
00:02:16,761 --> 00:02:18,013
I'LL DO
THE APPETIZERS.
42
00:02:18,054 --> 00:02:19,764
THANKS.
43
00:02:19,806 --> 00:02:20,765
LOVE YOU.
44
00:02:20,807 --> 00:02:21,850
[PHONE BEEPS ON]
45
00:02:21,891 --> 00:02:24,477
HEY.
46
00:02:24,519 --> 00:02:26,438
NO. NOT YET.
47
00:02:26,479 --> 00:02:29,065
I NEED TO FIGURE OUT
THE BEST WAY TO DO THIS.
48
00:02:29,107 --> 00:02:30,608
I KNOW. I KNOW.
49
00:02:30,650 --> 00:02:32,694
BUT I'VE GOT THIS HANDLED.
JUST TRUST ME.
50
00:02:34,195 --> 00:02:36,072
I LOVE YOU, TOO.
51
00:02:36,114 --> 00:02:37,365
[BEEPS PHONE OFF]
52
00:02:43,621 --> 00:02:45,915
[***]
53
00:02:51,963 --> 00:02:53,715
[SOBBING]
54
00:03:00,638 --> 00:03:02,807
[TELEVISION PROGRAM
PLAYS FAINTLY]
55
00:03:08,730 --> 00:03:10,440
NOW, HERE WE GO!
56
00:03:13,735 --> 00:03:15,528
NO...
57
00:03:15,570 --> 00:03:18,531
NO. NO.
58
00:03:18,573 --> 00:03:19,908
AHH!
59
00:03:21,785 --> 00:03:24,871
* OH, YEAH, BABY
60
00:03:24,913 --> 00:03:29,459
* LIKE A FOOL I WENT
AND STAYED TOO LONG *
61
00:03:29,501 --> 00:03:32,796
* NOW I'M WONDERING
IF YOUR LOVE'S STILL STRONG *
62
00:03:32,837 --> 00:03:34,798
* OOH, BABY
63
00:03:34,839 --> 00:03:37,550
* HERE I AM
SIGNED, SEALED, DELIVERED *
64
00:03:37,592 --> 00:03:39,719
* I'M YOURS
65
00:03:39,761 --> 00:03:42,681
* MM
66
00:03:42,722 --> 00:03:46,851
* THEN THAT TIME I WENT
AND SAID GOODBYE *
67
00:03:46,893 --> 00:03:50,730
* NOW I'M BACK
AND NOT ASHAMED TO CRY *
68
00:03:50,772 --> 00:03:51,856
* OOH, BABY
69
00:03:51,898 --> 00:03:52,982
* HERE I AM
70
00:03:53,024 --> 00:03:55,110
* SIGNED, SEALED, DELIVERED
71
00:03:55,151 --> 00:03:57,112
* I'M YOURS
72
00:03:57,153 --> 00:03:58,113
* AHH!
73
00:03:58,154 --> 00:04:00,031
* HERE I AM
74
00:04:00,073 --> 00:04:01,074
GOOD MORNING, EVERYONE.
75
00:04:01,116 --> 00:04:03,118
NORMAN, RITA, SHA--
76
00:04:03,159 --> 00:04:04,536
MS. McINERNEY.
77
00:04:06,121 --> 00:04:07,497
HAPPY MONDAY, OLIVER.
78
00:04:07,539 --> 00:04:10,041
[OLIVER]:
ANYTHING PRESSING?
79
00:04:10,083 --> 00:04:11,251
UH, NO. JUST THE USUAL.
80
00:04:11,292 --> 00:04:12,711
EXCEPT FOR THIS.
81
00:04:12,752 --> 00:04:14,004
OH...
82
00:04:14,045 --> 00:04:15,505
[SNIFFING]
83
00:04:15,547 --> 00:04:16,965
HMM.
84
00:04:17,007 --> 00:04:18,717
PINE TAR...
85
00:04:18,758 --> 00:04:20,593
AND EVERGREEN.
86
00:04:20,635 --> 00:04:22,929
THE FLORIDA YEW, I BELIEVE?
87
00:04:22,971 --> 00:04:23,972
OH! THE FLORIDA YEW
88
00:04:24,014 --> 00:04:25,557
ONLY GROWS IN
NORTHERN FLORIDA,
89
00:04:25,598 --> 00:04:27,183
ON THE EASTERN SIDE OF
THE APALACHICOLA RIVER.
90
00:04:27,225 --> 00:04:29,728
SADLY, WE WILL NEVER KNOW
THAT STORY.
91
00:04:29,769 --> 00:04:33,106
NORMAN, WILL YOU DISPATCH
TO THE MIAMI BRANCH?
92
00:04:33,148 --> 00:04:34,274
YOU GOT IT.
93
00:04:34,315 --> 00:04:35,900
OH! I MIGHT STOP BY PASSPORTS.
94
00:04:35,942 --> 00:04:37,360
ELEANOR GOT
A NEW BLENDER
95
00:04:37,402 --> 00:04:38,778
AND SHE'S MAKING
SMOOTHIES.
96
00:04:38,820 --> 00:04:40,030
-DOES ANYBODY WANT ONE?
-OOH. YES, PLEASE.
97
00:04:40,071 --> 00:04:42,115
I'M IN.
98
00:04:42,157 --> 00:04:46,494
I'M A YOO-HOO MAN, USUALLY,
BUT I MIGHT TRY BRANCHING OUT.
99
00:04:48,121 --> 00:04:49,622
[NORMAN]: OH...
100
00:04:49,664 --> 00:04:53,335
'KAY.
101
00:04:55,337 --> 00:04:58,214
PERHAPS WE SHOULD USE THIS TIME
TO, UM, GET A JUMP
102
00:04:58,256 --> 00:05:00,675
ON OUR "IMPOSSIBLY RIPPED
AND MANGLED" BOX.
103
00:05:01,843 --> 00:05:04,512
[***]
104
00:05:05,680 --> 00:05:08,725
WE USUALLY DO THOSE
AT THE END OF THE MONTH.
105
00:05:08,767 --> 00:05:10,518
UNLESS YOU WANT TO
106
00:05:10,560 --> 00:05:12,395
BRANCH OUT
WITH THAT, TOO?
107
00:05:12,437 --> 00:05:14,606
[ANNOUNCEMENT BLARES]:
OLIVER O'TOOLE, PLEASE REPORT
108
00:05:14,647 --> 00:05:16,775
IMMEDIATELY TO THE OFFICE
OF POSTAL SECURITY.
109
00:05:16,816 --> 00:05:18,026
O'TOOLE TO O.P.S.
110
00:05:19,944 --> 00:05:22,030
WE SHALL SEE.
111
00:05:28,703 --> 00:05:31,164
SO, WHAT HAPPENED WITH
YOUR DATE SATURDAY NIGHT?
112
00:05:31,206 --> 00:05:32,123
DID YOU WEAR THE PINK DRESS?
113
00:05:32,165 --> 00:05:33,667
YES.
114
00:05:33,708 --> 00:05:35,627
AND?WHAT HAPPENED AT THE END?
DID HE KISS YOU?
115
00:05:36,753 --> 00:05:38,421
WELL...
116
00:05:38,463 --> 00:05:39,589
WELL, SOMETHING HAPPENED,
117
00:05:39,631 --> 00:05:42,050
'CAUSE HE IS
DRINKING SMOOTHIES,
118
00:05:42,092 --> 00:05:43,343
AND HE ALMOST
CALLED YOU SHANE.
119
00:05:43,385 --> 00:05:45,011
NO, HE DIDN'T.
120
00:05:45,053 --> 00:05:46,262
YES, HE DID.
HE SAID, AHEM--
121
00:05:46,304 --> 00:05:49,265
[AS OLIVER]:
"GOOD MORNING, UH, SH--
122
00:05:49,307 --> 00:05:50,767
MS. McINERNEY."
123
00:05:52,227 --> 00:05:53,436
THERE WAS NO "SH--"
124
00:05:53,478 --> 00:05:55,021
I DIDN'T HEAR A "SH."
125
00:05:55,063 --> 00:05:57,941
[ANNOUNCEMENT]: SHANE McINERNEY
TO THE FRONT DESK.
126
00:05:57,982 --> 00:05:59,567
SHANE McINERNEY.
127
00:06:00,568 --> 00:06:02,612
WHAT IS GOING ON TODAY?
128
00:06:09,869 --> 00:06:10,787
SHANE!
129
00:06:12,914 --> 00:06:14,082
DO I--?
130
00:06:14,124 --> 00:06:16,459
IT'S NIKKI.
YOUR SERVER FROM SATURDAY NIGHT.
131
00:06:18,670 --> 00:06:20,171
UH-HUH.
132
00:06:20,213 --> 00:06:21,381
UH-HUH.
133
00:06:21,423 --> 00:06:23,341
THAT'S RIGHT. A DUCK.
134
00:06:23,383 --> 00:06:25,051
AND A CAN OF BEANS!
135
00:06:25,093 --> 00:06:26,511
BEANS.
136
00:06:26,553 --> 00:06:28,722
NEVER SEEN
ANYTHING LIKE IT.
137
00:06:28,763 --> 00:06:30,140
UH-HUH. YEAH.
138
00:06:30,181 --> 00:06:32,892
YEAH. HE JUST ARRIVED.
139
00:06:32,934 --> 00:06:34,352
GOT IT.
140
00:06:34,394 --> 00:06:35,937
[HANGS UP]
141
00:06:35,979 --> 00:06:37,272
O'TOOLE.
142
00:06:37,313 --> 00:06:38,314
MR.KIMSICLE.
143
00:06:38,356 --> 00:06:40,275
GLAD TO
HAVE YOU ABOARD.
144
00:06:40,316 --> 00:06:42,277
WE NEED A MAN
WHO KNOWS THE ROPES--
145
00:06:42,318 --> 00:06:44,612
THE SAILS,
THE LAY OF THE LAND,
146
00:06:44,654 --> 00:06:47,157
THE WHOLE ENCHILADA,
FROM STEM TO STERN.
147
00:06:47,198 --> 00:06:48,616
COULD YOU...
ELABORATE?
148
00:06:48,658 --> 00:06:51,578
NOW, THAT IS WHAT I MEAN.
149
00:06:51,619 --> 00:06:54,247
WE NEED A SMART GUY AROUND HERE
WHO KNOWS ABOUT ELABORATING.
150
00:06:54,289 --> 00:06:55,415
OH.
151
00:06:55,457 --> 00:06:57,083
FOUR DAYS AGO,
152
00:06:57,125 --> 00:06:58,585
AN UNIDENTIFIED PERPETRATOR
153
00:06:58,626 --> 00:07:01,212
REMOVED THE MAIL
FROM THIS MAILBOX
154
00:07:01,254 --> 00:07:03,590
AND REPLACED IT
WITH A DUCK.
155
00:07:03,631 --> 00:07:06,009
UH, I BELIEVE
THAT MAY BE A GOOSE.
156
00:07:06,051 --> 00:07:07,260
YOU'RE THINKING
ALREADY.
157
00:07:07,302 --> 00:07:09,012
I LIKE THAT.
158
00:07:09,054 --> 00:07:10,472
[SNIFFS]
THREE DAYS AGO,
159
00:07:10,513 --> 00:07:12,390
THE MAIL
WAS TAKEN FROM HERE
160
00:07:12,432 --> 00:07:15,101
AND REPLACED WITH
TWO TINY PEOPLE IN A TENT.
161
00:07:15,143 --> 00:07:16,186
SO, A WEDDING
CAKE TOPPER,
162
00:07:16,227 --> 00:07:17,479
A GOOSE,
163
00:07:17,520 --> 00:07:19,606
AND MAY I ASSUME
A THIRD MAILBOX
164
00:07:19,647 --> 00:07:21,483
YIELDED A CAN
OF KIDNEY BEANS?
165
00:07:21,524 --> 00:07:22,692
AH, YES, YOU MAY.
166
00:07:22,734 --> 00:07:24,861
AND YOU MAY
ALSO ASSUME
167
00:07:24,903 --> 00:07:25,945
THAT YOU
168
00:07:25,987 --> 00:07:27,655
AND THAT WEIRD LITTLE TASK FORCE
OF YOURS
169
00:07:27,697 --> 00:07:28,865
ARE GOING TO FIND THIS GUY.
170
00:07:28,907 --> 00:07:30,283
I'M NOT QUITE SURE
171
00:07:30,325 --> 00:07:32,702
THIS FALLS UNDER THE AEGIS
OF THE DEAD LETTER OFFICE.
172
00:07:32,744 --> 00:07:34,079
PERHAPS THE POLICE OR F.B.I.--
173
00:07:34,120 --> 00:07:35,455
O'TOOLE!
174
00:07:35,497 --> 00:07:36,790
IF WORD GETS OUT
175
00:07:36,831 --> 00:07:38,333
BEFORE WE KNOW
WHAT WE'RE DEALING WITH,
176
00:07:38,375 --> 00:07:41,169
WE COULD HAVE RAMPANT HYSTERIA
RUNNING ALL OVER THE PLACE.
177
00:07:41,211 --> 00:07:44,047
WE NEED TO KEEP THIS IN-HOUSE
AS LONG AS WE CAN.
178
00:07:44,089 --> 00:07:47,884
HAS ANYONE DUSTED THE BEANS
FOR FINGERPRINTS?
179
00:07:47,926 --> 00:07:50,178
THAT LITTLE GUY IN YOUR OFFICE,
WITH THE SUITCASE,
180
00:07:50,220 --> 00:07:51,971
DOESN'T HE USUALLY DO THAT?
181
00:07:52,013 --> 00:07:53,014
YES, BUT--
182
00:07:53,056 --> 00:07:54,099
AND THE OTHER TWO,
183
00:07:54,140 --> 00:07:57,310
THE SKINNY ONE
AND THAT "SHANE" GAL.
184
00:07:57,352 --> 00:07:59,979
MS. McINERNEY.
185
00:08:00,021 --> 00:08:01,481
OH, SHE IS A LIVE-WIRE.
186
00:08:01,523 --> 00:08:03,108
NOTHIN' GETS PAST HER, HUH?
187
00:08:03,149 --> 00:08:05,819
NOT THAT I'M AWARE OF.
188
00:08:05,860 --> 00:08:08,196
SO THERE ARE NO OTHER LEADS?
189
00:08:08,238 --> 00:08:10,490
OH, JUST ONE.
190
00:08:10,532 --> 00:08:13,618
YEAH, THIS WAS FOUND SATURDAY
IN BOX 458.
191
00:08:13,660 --> 00:08:16,996
IT'S SOME KIND
OF FANCY LANGUAGE,
192
00:08:17,038 --> 00:08:19,332
LIKE GREEK OR PERUVIAN.
193
00:08:19,374 --> 00:08:21,167
IT'S LATIN.
194
00:08:21,209 --> 00:08:22,460
OR LATIN.
195
00:08:22,502 --> 00:08:24,671
I'M GUESSING
196
00:08:24,713 --> 00:08:27,966
THAT IS A CLUE
OF MASSIVE PROPORTIONS.
197
00:08:28,008 --> 00:08:29,634
YES.
198
00:08:29,676 --> 00:08:32,345
YES, IT'S DEFINITELY A CLUE.
199
00:08:32,387 --> 00:08:33,346
[CHUCKLES]
200
00:08:33,388 --> 00:08:34,597
I LOVE THIS GUY!
201
00:08:36,307 --> 00:08:37,517
ONE MORE DAY.
202
00:08:37,559 --> 00:08:39,436
IF I HAD JUST WAITED
ONE MORE DAY
203
00:08:39,477 --> 00:08:40,520
AND THOUGHT IT THROUGH,
204
00:08:40,562 --> 00:08:42,897
BUT NO, I HAD TO SEND IT.
205
00:08:42,939 --> 00:08:44,649
I HAD TO SAY IT--
206
00:08:44,691 --> 00:08:46,234
"LET'S GET MARRIED."
207
00:08:46,276 --> 00:08:49,487
THEN I GIVE IT TO THE MAILMAN
AND, FOR A FEW HOURS,
208
00:08:49,529 --> 00:08:51,364
I ACTUALLY FEEL,
YOU KNOW... HOPE.
209
00:08:51,406 --> 00:08:53,491
UNTIL...
210
00:08:53,533 --> 00:08:55,952
OH, GOD, IF HE GETS IT NOW,
211
00:08:55,994 --> 00:08:58,204
I'LL BE UTTERLY
HUMILIATED,
212
00:08:58,246 --> 00:09:00,165
OR WORSE--
MORTIFIED.
213
00:09:00,206 --> 00:09:01,416
OR...
214
00:09:01,458 --> 00:09:03,918
WHAT'S WORSE--
MORTIFIED OR PITIED?
215
00:09:03,960 --> 00:09:05,337
NIKKI,
216
00:09:05,378 --> 00:09:07,255
GETTING A LETTER BACK
ONCE IT'S MAILED
217
00:09:07,297 --> 00:09:08,256
IS ALMOST IMPOSSIBLE.
218
00:09:09,632 --> 00:09:10,967
THEN THAT'S IT.
219
00:09:12,927 --> 00:09:14,679
LISTEN.
220
00:09:14,721 --> 00:09:16,222
FILL THIS OUT,
221
00:09:16,264 --> 00:09:17,766
THEN HAVE THEM COME GET ME.
222
00:09:17,807 --> 00:09:20,977
I'LL WALK THIS ONTO THE FLOOR
AND I'LL LOOK FOR IT MYSELF.
223
00:09:25,774 --> 00:09:27,567
HEY! EVERYTHING OKAY?
224
00:09:27,609 --> 00:09:30,028
YEAH.
STRANGE, THOUGH.
225
00:09:30,070 --> 00:09:32,572
IT WAS OUR WAITRESS
FROM MONTALDO'S.
226
00:09:32,614 --> 00:09:34,699
SHE NEEDED
A FORM 10-67E.
227
00:09:35,992 --> 00:09:38,078
SO TELL ME
ABOUT THAT DINNER!
228
00:09:38,119 --> 00:09:39,371
WELL, LET'S SEE.
229
00:09:39,412 --> 00:09:41,331
START FROM
THE BEGINNING.
230
00:09:41,373 --> 00:09:45,919
HE WAS REALLY NERVOUS AT FIRST.
231
00:09:45,960 --> 00:09:50,382
AND THEN WE STARTED DANCING
AND THINGS GOT BETTER, UNTIL...
232
00:09:50,423 --> 00:09:51,841
UNTIL...?
233
00:09:51,883 --> 00:09:54,260
UNTIL WE STOPPED DANCING.
234
00:09:54,302 --> 00:09:57,681
[ROMANTIC INSTRUMENTAL PLAYS
AS PATRONS QUIETLY CHAT]
235
00:09:59,307 --> 00:10:00,475
[OLIVER]:
"THE WATER IS WIDE,
236
00:10:00,517 --> 00:10:02,811
"I CANNOT CROSS O'ER,
237
00:10:02,852 --> 00:10:06,022
AND NEITHER HAVE I
THE WINGS TO FLY..."
238
00:10:07,399 --> 00:10:09,693
"GIVE US A BOAT
THAT CAN CARRY TWO
239
00:10:09,734 --> 00:10:12,320
"AND BOTH SHALL ROW
240
00:10:12,362 --> 00:10:13,863
TO YONDER SIDE."
241
00:10:18,952 --> 00:10:22,247
I'VE NEVER HEARD
"TO YONDER SIDE."
242
00:10:22,288 --> 00:10:27,168
ISN'T IT "AND BOTH SHALL ROW,
MY LOVE AND I"?
243
00:10:28,336 --> 00:10:30,296
IT'S, UH, AN ARCHAIC TUNE.
244
00:10:30,338 --> 00:10:33,299
TRADITIONAL LYRICS
245
00:10:33,341 --> 00:10:34,968
OFTEN EVOLVE OVER TIME.
246
00:10:35,010 --> 00:10:38,179
I JUST CHOSE
AN ALTERNATE TRANSLATION.
247
00:10:38,221 --> 00:10:40,181
HUH.
248
00:10:41,641 --> 00:10:43,560
[DINERS APPLAUDING AS SONG ENDS]
249
00:10:43,601 --> 00:10:45,729
SHALL WE?
250
00:10:49,482 --> 00:10:50,400
THANK YOU.
251
00:10:54,988 --> 00:10:56,489
I SEE YOU'RE ENJOYING
THE CHAMPAGNE?
252
00:10:56,531 --> 00:10:57,782
OH, YES,
IT'S AMAZING.
253
00:10:57,824 --> 00:10:59,868
THE SERVICE HERE
IS EXCELLENT.
254
00:10:59,909 --> 00:11:02,829
YOU HAVEN'T SEEN ANYTHING YET.
JUST WAIT FOR THE SHOW.
255
00:11:02,871 --> 00:11:04,664
BY THE WAY, DO EITHER OF YOU
HAVE ANY FOOD SENSITIVITIES?
256
00:11:04,706 --> 00:11:06,166
NO, WE DON'T.
257
00:11:06,207 --> 00:11:08,001
GOOD.
258
00:11:08,043 --> 00:11:10,545
WE HAVE AN AMUSE BOUCHE
FOR YOU THIS EVENING--
259
00:11:10,587 --> 00:11:11,921
A SHRIMP-AND-SASHIMI CROUTON,
260
00:11:11,963 --> 00:11:13,757
COMPLIMENTS OF THE CHEF.
261
00:11:14,758 --> 00:11:16,301
"AMUSE BOUCHE."
262
00:11:16,343 --> 00:11:18,511
A MILLENNIAL PHENOMENON.
263
00:11:18,553 --> 00:11:19,679
[CHUCKLING]
264
00:11:19,721 --> 00:11:21,056
A WHAT?
265
00:11:21,097 --> 00:11:22,182
OH, HE JUST MEANS
266
00:11:22,223 --> 00:11:23,641
THAT PEOPLE WEREN'T
HAVING THEIR...
267
00:11:23,683 --> 00:11:26,561
"BOUCHES" AMUSED
BACK IN THE 20th CENTURY.
268
00:11:26,603 --> 00:11:28,855
[BOTH CHUCKLING]
269
00:11:29,773 --> 00:11:31,316
I KNEW IT.
270
00:11:31,358 --> 00:11:32,859
I'M SORRY?
271
00:11:32,901 --> 00:11:35,028
MY BOYFRIEND WORKS HERE, TOO,
272
00:11:35,070 --> 00:11:36,529
AND HE WAS SURE YOU GUYS
WERE ON YOUR FIRST DATE,
273
00:11:36,571 --> 00:11:38,907
BUT I SAID NO WAY.
274
00:11:38,948 --> 00:11:40,909
I MEAN, WITH THE CHAMPAGNE,
THE WAY YOU DANCE,
275
00:11:40,950 --> 00:11:42,202
AND TALK ABOUT EACH OTHER,
276
00:11:42,243 --> 00:11:43,578
THE WAY YOU EVEN KNOW
EACH OTHER'S ALLERGIES,
277
00:11:43,620 --> 00:11:45,997
IT'S GOT TO BE
YOUR ANNIVERSARY, RIGHT?
278
00:11:46,039 --> 00:11:47,916
NO, ACTUALLY,
WE'RE JUST FRIENDS.
279
00:11:54,339 --> 00:11:55,423
UH, OF COURSE,
280
00:11:55,465 --> 00:11:57,634
"JUST" IS A RATHER
IMPRECISE QUALIFIER.
281
00:11:57,676 --> 00:11:58,760
PERHAPS A MORE ACCURATE--
282
00:11:58,802 --> 00:12:00,970
DID YOU SAY SOMETHING
ABOUT A SHOW?
283
00:12:01,012 --> 00:12:03,306
AH, RIGHT! WHAT'S MONTALDO'S
WITHOUT THE SINGING WAITERS?
284
00:12:03,348 --> 00:12:05,016
ANY REQUESTS?
285
00:12:05,058 --> 00:12:08,728
YES, UH...
HOW SOON CAN YOU START SINGING?
286
00:12:08,770 --> 00:12:11,815
OH, WHAT DO KNOW?
THAT'S OUR CUE!
287
00:12:16,194 --> 00:12:17,779
[CRUNCHING LOUDLY]
288
00:12:19,489 --> 00:12:21,491
HE REALLY SAID THAT?
"JUST FRIENDS"?
289
00:12:21,533 --> 00:12:22,742
YEP! ROLLED RIGHT
OFF HIS TONGUE,
290
00:12:22,784 --> 00:12:24,160
LIKE HE WAS ASKING
FOR MORE BUTTER.
291
00:12:24,202 --> 00:12:25,245
OUCH.
292
00:12:25,286 --> 00:12:26,162
OH, IT GETS WORSE.
293
00:12:30,792 --> 00:12:32,836
YOU KNOW, UH, AHEM,
294
00:12:32,877 --> 00:12:35,088
I ACTUALLY DO
HAVE AN ALLERGY--
295
00:12:35,130 --> 00:12:37,924
A SLIGHT SENSITIVITY
TO ROSEHIP TEA,
296
00:12:37,966 --> 00:12:41,261
BUT I DON'T EXPECT YOU
TO KNOW THAT.
297
00:12:41,302 --> 00:12:43,179
I'LL KEEP THAT IN MIND.
298
00:12:43,221 --> 00:12:45,265
NO ROSEHIPS.
299
00:12:45,306 --> 00:12:49,811
IT'S ALWAYS GOOD TO LEARN
SOMETHING NEW ABOUT A FRIEND.
300
00:12:51,312 --> 00:12:53,356
SPEAKING OF ROSES,
301
00:12:53,398 --> 00:12:57,235
DID YOU EVER PLANT THAT CUTTING
FROM YOUR MOTHER'S ROSEBUSH?
302
00:12:57,277 --> 00:12:58,862
OH, YOU MEAN THE ONE THAT
YOU SO THOUGHTFULLY GAVE ME
303
00:12:58,903 --> 00:13:00,280
WHEN WE ALL WENT BACK EAST?
304
00:13:00,321 --> 00:13:01,948
YES.
305
00:13:01,990 --> 00:13:04,242
IT NEVER REALLY TOOK.
306
00:13:04,284 --> 00:13:06,161
I THINK IT DIED.
307
00:13:07,495 --> 00:13:08,830
OH, THAT'S A SHAME.
308
00:13:08,872 --> 00:13:11,082
I KNOW. I KNOW. I--
309
00:13:11,124 --> 00:13:12,959
I TRIED EVERYTHING
TO KEEP IT ALIVE.
310
00:13:13,001 --> 00:13:15,587
I WATERED IT, I FED IT,
311
00:13:15,628 --> 00:13:17,380
I TALKED TO IT.
312
00:13:17,422 --> 00:13:18,590
[SHARPLY]: I FERTILIZED IT.
313
00:13:18,631 --> 00:13:19,841
OH.
314
00:13:19,883 --> 00:13:22,427
YOU KNOW THEY SAY
THE BEST FERTILIZER--
315
00:13:23,803 --> 00:13:27,140
WHAT?
316
00:13:27,182 --> 00:13:30,393
UH, SOME BOTANISTS HAVE NOTED
THAT ROSES TEND TO THRIVE
317
00:13:30,435 --> 00:13:32,145
WHEN LOCATED NEAR
THE FINAL RESTING PLACE
318
00:13:32,187 --> 00:13:34,439
OF A FAMILY PET...
[TRAILS OFF]
319
00:13:34,481 --> 00:13:36,983
YOU THINK I SHOULD PLANT
320
00:13:37,025 --> 00:13:39,361
A DEAD ANIMAL
UNDER MY ROSEBUSH?
321
00:13:39,402 --> 00:13:42,238
WELL, ONLY IF YOU HAD ONE.
322
00:13:44,282 --> 00:13:46,117
[ASTONISHED CHUCKLE]
323
00:13:46,159 --> 00:13:49,371
A PET SOUNDS
PRETTY GOOD RIGHT NOW.
324
00:13:49,412 --> 00:13:52,207
[PIANO MUSIC RISES]
325
00:13:52,248 --> 00:13:54,084
[HOST]: LADIES AND GENTLEMEN,
326
00:13:54,125 --> 00:13:56,211
MONTALDO'S SUPPER CLUB
PROUDLY PRESENTS
327
00:13:56,252 --> 00:13:58,254
AN EVENING OF MUSIC
WITH YOUR TALENTED SERVERS.
328
00:13:58,296 --> 00:14:01,675
OPENING OUR SHOW,
PLEASE WELCOME NIKKI AND GRAHAM.
329
00:14:01,716 --> 00:14:03,426
[SINGLE NOTE STRIKES]
330
00:14:03,468 --> 00:14:04,886
[AUDIENCE LAUGHS]
331
00:14:04,928 --> 00:14:07,764
* YOU'RE SO GOOD
332
00:14:07,806 --> 00:14:10,850
* YOU'RE TOO GOOD
FOR ME, YOU ARE *
333
00:14:10,892 --> 00:14:12,519
* YOU'RE THE BEST
DARNED PERSON *
334
00:14:12,560 --> 00:14:15,605
* I HAVE KNOWN BY FAR
335
00:14:15,647 --> 00:14:17,816
* IF I COULD
336
00:14:17,857 --> 00:14:20,276
* YOU KNOW I'D NEVER
THROW THIS CURVE *
337
00:14:20,318 --> 00:14:22,028
* YOU'RE A GODDESS
338
00:14:22,070 --> 00:14:25,657
* AND I'M NOT
WHAT YOU DESERVE *
339
00:14:26,866 --> 00:14:29,411
* WHAT I AM SAYING
340
00:14:29,452 --> 00:14:32,747
* IS OUR THING MUST END
341
00:14:32,789 --> 00:14:35,083
* AND THOUGH IT MUST
342
00:14:35,125 --> 00:14:39,462
* I WANT TO BE YOUR FRIEND
343
00:14:39,504 --> 00:14:40,880
[AUDIENCE LAUGHING]
344
00:14:40,922 --> 00:14:43,299
[NIKKI, POINTEDLY]:
"FRIEND." FRIEND!
345
00:14:46,761 --> 00:14:47,637
* YOU WANT TO BE MY FRIEND?
346
00:14:47,679 --> 00:14:48,763
* SURE
347
00:14:48,805 --> 00:14:50,432
* YOU WANT TO
BE MY FRIEND? *
348
00:14:50,473 --> 00:14:51,599
* OH, THAT'S NICE!
349
00:14:51,641 --> 00:14:54,894
* YOU WANT TO BE MY FRIEND?
350
00:14:54,936 --> 00:14:57,063
* I WANT A FATHER
FOR MY UNBORN CHILDREN *
351
00:14:57,105 --> 00:14:59,399
* SOMEONE WHO'S IN TUNE
352
00:14:59,441 --> 00:15:01,443
* AND SINCE
I'LL BE 29 NEXT MONTH *
353
00:15:01,484 --> 00:15:04,529
* I WANT HIM RATHER SOON
354
00:15:04,571 --> 00:15:05,905
* I WANT SOMEONE
TO BUY RUGS AND LAMPS WITH *
355
00:15:05,947 --> 00:15:07,365
* AND SOMEONE
WHO'LL CO-SIGN... *
356
00:15:07,407 --> 00:15:09,617
WOW! THE WHOLE SONG
WAS LIKE THAT?
357
00:15:09,659 --> 00:15:14,122
YEP. FRIENDS, COMMITMENT,
DESPERATION, INFERTILITY...
358
00:15:14,164 --> 00:15:16,750
IT WAS LIKE GROUP THERAPY
WITH SEAFOOD.
359
00:15:16,791 --> 00:15:17,876
OHH...
360
00:15:17,917 --> 00:15:19,836
IT TOOK A LITTLE TIME.
361
00:15:19,878 --> 00:15:22,297
ELEANOR'S BLENDER
GOT STUCK ON "FRAPPE,"
362
00:15:22,339 --> 00:15:24,799
AND I PICKED UP YOUR MAIL
FOR YOU FROM THE P.O. BOX.
363
00:15:24,841 --> 00:15:26,926
OH, YOU ARE SO SWEET.
364
00:15:26,968 --> 00:15:28,887
"$50 A MONTH
CAN SAVE
365
00:15:28,928 --> 00:15:30,013
"THE BOUVET ISLAND
366
00:15:30,055 --> 00:15:31,723
BURROWING
YELLOWTAIL OWL"?
367
00:15:31,765 --> 00:15:33,767
$50. WOW.
368
00:15:33,808 --> 00:15:35,310
OH, IT'S
A VERY WORTHY CAUSE.
369
00:15:39,064 --> 00:15:41,983
HEY. UH, STRAWBERRY, MANGO,
AND BLUEBERRY?
370
00:15:50,408 --> 00:15:51,493
[YOO-HOO LID POPS]
371
00:15:52,827 --> 00:15:55,580
[***]
372
00:15:59,084 --> 00:16:00,960
[SHANE]: OLIVER...
373
00:16:01,002 --> 00:16:02,629
WHAT'S GOING ON?
374
00:16:15,225 --> 00:16:17,435
WE HAVE BEEN CHARGED
375
00:16:17,477 --> 00:16:20,897
WITH THE GRIM TASK
OF INVESTIGATING
376
00:16:20,939 --> 00:16:23,274
THE SYSTEMATIC
AND, FRANKLY,
377
00:16:23,316 --> 00:16:25,819
BIZARRE PLUNDERING
OF THE UNITED STATES MAIL
378
00:16:25,860 --> 00:16:27,529
FROM OFFICIAL RECEPTACLES
IN SOUTH DENVER.
379
00:16:27,570 --> 00:16:28,780
WOW.
380
00:16:28,822 --> 00:16:30,824
WHO WOULD DO
SOMETHING LIKE THAT?
381
00:16:30,865 --> 00:16:32,867
IT DOES HAPPEN,
I'M AFRAID.
382
00:16:32,909 --> 00:16:35,078
NOT LIKE THIS.
383
00:16:36,121 --> 00:16:38,289
THIS TIME IT'S PERSONAL.
384
00:16:43,211 --> 00:16:45,171
IT'S ONE OF OUR OWN.
385
00:16:48,550 --> 00:16:52,012
"FORSAN ET HAEC
OLIM MEMINISSE JUVABIT"
386
00:16:52,053 --> 00:16:54,472
HAS BEEN ENGRAVED
ON EVERY "DARK OF NIGHT" AWARD
387
00:16:54,514 --> 00:16:56,766
FOR OVER A HUNDRED YEARS--
YOURS, MINE, MY GRANDFATHER'S.
388
00:16:56,808 --> 00:16:58,059
[RITA]:
WHAT DOES IT MEAN?
389
00:16:58,101 --> 00:17:00,478
[OLIVER]: WELL,
IT'S FROM VIRGIL'S EPIC POEM
390
00:17:00,520 --> 00:17:02,230
OF LOVE AND WAR.
391
00:17:02,272 --> 00:17:04,733
THEY ARE WORDS OF ENCOURAGEMENT
TO A SHIPWRECKED ARMY.
392
00:17:04,774 --> 00:17:05,900
WHAT DOES
BEING SHIPWRECKED
393
00:17:05,942 --> 00:17:08,403
HAVE TO DO
WITH THE POST OFFICE?
394
00:17:08,445 --> 00:17:11,906
AH. COURAGE
AND PERSEVERANCE, NORMAN.
395
00:17:11,948 --> 00:17:14,868
HALLMARKS
OF EVERY POSTAL WORKER
396
00:17:14,909 --> 00:17:17,871
WHO'S PERFORMED HIS OR HER DUTY
IN THE FACE OF GREAT ODDS
397
00:17:17,912 --> 00:17:19,706
AND RECEIVED ONE OF THESE.
398
00:17:19,748 --> 00:17:24,252
"PERHAPS ONE DAY IT WILL BE GOOD
TO REMEMBER THIS."
399
00:17:24,294 --> 00:17:25,420
[SHANE]:
REMEMBER WHAT?
400
00:17:25,462 --> 00:17:29,049
BEANS, WEDDING CAKES,
AND A... DUCK?
401
00:17:29,090 --> 00:17:30,800
IT'S A GOOSE.
402
00:17:30,842 --> 00:17:32,427
REALLY?
403
00:17:32,469 --> 00:17:33,928
MM-HMM.
404
00:17:33,970 --> 00:17:35,221
WELL, ALL WE NEED
IS A PARTIAL PRINT,
405
00:17:35,263 --> 00:17:37,015
AND THAT MIGHT BE ENOUGH
TO RUN THROUGH A DATABASE.
406
00:17:37,057 --> 00:17:39,225
TOO BAD WE DON'T HAVE ONE.
407
00:17:40,435 --> 00:17:41,519
MS. McINERNEY?
408
00:17:41,561 --> 00:17:44,064
WELL, IT'S NOT IMPOSSIBLE
TO BREAK INTO
409
00:17:44,105 --> 00:17:45,315
THE FBI FINGERPRINT SYSTEM,
410
00:17:45,357 --> 00:17:48,151
BUT IT COULD TAKE SOME TIME--
411
00:17:48,193 --> 00:17:50,070
LIKE 30 YEARS TO LIFE.
412
00:17:50,111 --> 00:17:52,155
ARE YOU SURE
WE CAN'T JUST CALL THE POLICE?
413
00:17:52,197 --> 00:17:53,406
WELL, LESTER WAS ADAMANT.
414
00:17:53,448 --> 00:17:54,741
HE ISN'T EASY
TO SAY NO TO.
415
00:17:55,867 --> 00:17:57,285
NOTHING.
416
00:17:57,327 --> 00:17:58,495
THIS HAS BEEN WIPED CLEAN.
417
00:17:58,536 --> 00:18:00,080
THIS GUY KNOWS WHAT HE'S DOING.
418
00:18:00,121 --> 00:18:01,414
WE NEED SOMEONE
FROM LAW ENFORCEMENT
419
00:18:01,456 --> 00:18:03,833
WHO CAN GIVE US
A PSYCHOLOGICAL PROFILE
420
00:18:03,875 --> 00:18:05,794
OF THE SORT OF PERSON
WE'RE DEALING WITH HERE.
421
00:18:05,835 --> 00:18:07,837
WE NEED, UH, WELL, WE NEED--
422
00:18:07,879 --> 00:18:09,506
A "FRIEND"? LIKE DALE?
423
00:18:09,547 --> 00:18:10,715
YES.
424
00:18:10,757 --> 00:18:12,092
OH, WHO'S HE?
425
00:18:12,133 --> 00:18:13,718
DALE IS A SHE.
426
00:18:13,760 --> 00:18:16,596
DALE SINGS IN A CHOIR
AT OLIVER'S CHURCH.
427
00:18:16,638 --> 00:18:17,847
DALE IS LOVELY.
428
00:18:19,432 --> 00:18:21,768
WAIT. YOU WENT
TO OLIVER'S CHURCH?
429
00:18:21,810 --> 00:18:23,019
MM-HMM. JUST
TO DROP SOMETHING OFF.
430
00:18:23,061 --> 00:18:24,104
HE INTRODUCED ME.
431
00:18:24,145 --> 00:18:25,313
SHE'S A SOPRANO.
432
00:18:25,355 --> 00:18:27,148
AND A POLICE
OFFICER.
433
00:18:27,190 --> 00:18:30,235
WELL, TO BE ACCURATE,
SHE WAS A POLICE OFFICER.
434
00:18:30,276 --> 00:18:32,612
SHE'S NOW A SPECIAL AGENT
435
00:18:32,654 --> 00:18:34,823
FOR THE STATE DIVISION
OF INVESTIGATIONS.
436
00:18:34,864 --> 00:18:36,116
WELL, SHE SOUNDS PERFECT.
437
00:18:36,157 --> 00:18:37,909
YES, SHE DOES.
438
00:18:40,662 --> 00:18:42,622
RITA...
439
00:18:42,664 --> 00:18:45,959
COULD YOU PACK UP THE BEANS
AND THE CAKE TOPPER,
440
00:18:46,001 --> 00:18:47,335
AND THAT PIECE
OF PAPER?
441
00:18:47,377 --> 00:18:49,295
AND MS. McINERNEY,
BRING YOUR COMPUTER
442
00:18:49,337 --> 00:18:50,422
AND THE MAP OF
VIOLATED MAILBOXES.
443
00:18:50,463 --> 00:18:51,965
IT'S NOT MUCH TO GO ON, BUT--
444
00:18:52,007 --> 00:18:53,800
OH, MY GOSH.
445
00:18:53,842 --> 00:18:55,093
OLIVER?
446
00:18:55,135 --> 00:18:56,803
I THINK WE HAVE A WITNESS.
447
00:18:59,264 --> 00:19:01,558
[***]
448
00:19:06,438 --> 00:19:08,231
AND YOU'RE CERTAIN
YOU SAW HIM
449
00:19:08,273 --> 00:19:09,733
TAKE THE MAIL
FROM THAT BOX?
450
00:19:09,774 --> 00:19:10,817
POSITIVE!
451
00:19:10,859 --> 00:19:12,152
HE LOCKED UP
AND STARTED WALKING AWAY,
452
00:19:12,193 --> 00:19:13,153
AND THAT'S WHEN
I CAUGHT UP WITH HIM.
453
00:19:13,194 --> 00:19:15,155
WOULD YOU BE ABLE
TO RECOGNIZE HIM?
454
00:19:15,196 --> 00:19:18,867
PROBABLY.
HE SEEMED SORT OF... SAD.
455
00:19:18,908 --> 00:19:21,494
WHAT'S THIS ABOUT?
456
00:19:21,536 --> 00:19:22,746
WELL, THE GOOD NEWS IS,
457
00:19:22,787 --> 00:19:24,456
THE MAIL
YOU'RE TRYING TO RETRIEVE
458
00:19:24,497 --> 00:19:26,583
HAS NOT YET BEEN DELIVERED,
459
00:19:26,624 --> 00:19:28,335
BECAUSE IT'S NOT YET
ENTERED THE SYSTEM.
460
00:19:28,376 --> 00:19:30,253
THE UNFORTUNATE NEWS IS
461
00:19:30,295 --> 00:19:32,172
WE BELIEVE THAT MAIL
HAS BEEN INVOLVED
462
00:19:32,213 --> 00:19:34,174
IN A SERIES
OF UNAUTHORIZED TRANSFERS.
463
00:19:34,215 --> 00:19:36,134
WHAT?
464
00:19:36,176 --> 00:19:38,053
SOMEBODY STOLE
A BUNCH OF MAIL.
465
00:19:38,094 --> 00:19:39,596
WELL, YOU'VE GOTTA
GET MINE BACK!
466
00:19:39,637 --> 00:19:41,514
WE ARE MAKING EVERY EFF--
467
00:19:41,556 --> 00:19:43,058
I HAVE TO GET IT BACK.
IT'S REALLY IMPORTANT.
468
00:19:43,099 --> 00:19:45,685
THAT MAN HAS STOLEN HUNDREDS,
IF NOT THOUSANDS OF LETTERS.
469
00:19:45,727 --> 00:19:47,854
I ASSURE YOU THAT EVERY ONE
OF THEM MATTERS TO SOMEONE.
470
00:19:47,896 --> 00:19:50,231
THEY ALL
MATTER TO US.
471
00:19:50,273 --> 00:19:53,651
NIKKI, THINK OF IT LIKE THIS,
IF THE LETTER'S REALLY LOST,
472
00:19:53,693 --> 00:19:55,695
THEN AT LEAST GRAHAM
WON'T READ IT NOW, RIGHT?
473
00:19:55,737 --> 00:19:57,238
BUT WHAT IF THE MAIL GUY DOES?
474
00:19:57,280 --> 00:19:58,823
[NIKKI SIGHS]
475
00:19:58,865 --> 00:20:01,451
I SHOULD NEVER
HAVE MAILED THAT LETTER.
476
00:20:01,493 --> 00:20:03,161
AND I WOULDN'T HAVE,
IF IT WEREN'T FOR HIM!
477
00:20:03,203 --> 00:20:04,204
WHAT DO YOU MEAN?
478
00:20:04,245 --> 00:20:06,373
OH, HE SAID SOMETHING ABOUT
479
00:20:06,414 --> 00:20:08,041
"WHAT GOOD IS A LETTER
IF YOU NEVER MAIL IT?"
480
00:20:08,083 --> 00:20:09,417
[SHANE]:
HE'S GOT A POINT.
481
00:20:11,002 --> 00:20:15,799
LOOK, YOU WERE IN LOVE
AND YOU TOOK A RISK TO SAY SO.
482
00:20:18,677 --> 00:20:20,261
YOU PUT YOURSELF OUT THERE.
483
00:20:20,303 --> 00:20:22,263
BUT NOW THE LETTER
IS OUT THERE...
484
00:20:22,305 --> 00:20:25,058
I HAVE TO GET IT BACK.
485
00:20:25,100 --> 00:20:26,726
I HAVE TO!
486
00:20:26,768 --> 00:20:30,438
WELL, SEEING AS YOU'VE
COMPLETED FORM 67E,
487
00:20:30,480 --> 00:20:31,981
AS SOON AS
THE MAIL IS RECOVERED,
488
00:20:32,023 --> 00:20:33,024
WE WILL BE CERTAIN
TO RETURN IT TO YOU.
489
00:20:33,066 --> 00:20:34,401
IN THE MEANTIME,
490
00:20:34,442 --> 00:20:35,735
I'D LIKE YOU TO GO WITH NORMAN
491
00:20:35,777 --> 00:20:37,737
TO ASSIST IN CREATING
A SKETCH OF OUR SUSPECT.
492
00:20:37,779 --> 00:20:38,905
SURE.
493
00:20:38,947 --> 00:20:39,948
DO YOU LIKE SMOOTHIES?
494
00:20:49,541 --> 00:20:51,251
I THINK THERE'S SOMETHING
SHE'S NOT TELLING US.
495
00:20:51,292 --> 00:20:53,086
SO DO I.
496
00:20:56,089 --> 00:20:56,965
HI, RITA!
497
00:20:57,007 --> 00:20:58,049
OH--
498
00:20:58,091 --> 00:20:59,050
THIS IS NIKKI.
499
00:20:59,092 --> 00:21:00,802
OH! HELLO!
500
00:21:00,844 --> 00:21:02,012
HI.
501
00:21:02,053 --> 00:21:03,680
THAT LETTER SHE WANTS BACK,
502
00:21:03,722 --> 00:21:05,682
SHE THINKS SHE MAY HAVE
GIVEN IT TO OUR PERP.
503
00:21:05,724 --> 00:21:08,268
[GASPS] WHOA.
YOU MET THE PERP?
504
00:21:08,309 --> 00:21:10,603
HE DIDN'T SEEM LIKE A PERP.
505
00:21:10,645 --> 00:21:14,274
BUT THEN AGAIN, YOU NEVER REALLY
KNOW SOMEBODY, DO YOU?
506
00:21:14,315 --> 00:21:15,525
I REALLY KNOW RITA.
507
00:21:18,903 --> 00:21:20,447
[***]
508
00:21:20,488 --> 00:21:23,366
OH. I-- I REALLY LOVE
YOUR BLOUSE.
509
00:21:23,408 --> 00:21:25,076
IT'S A BEAUTIFUL COLOR.
510
00:21:25,118 --> 00:21:26,536
THANK YOU.
511
00:21:26,578 --> 00:21:28,163
I NEVER USED TO WEAR BLUE,
BUT I STARTED TO BECAUSE...
512
00:21:29,789 --> 00:21:32,083
BLUE IS MY BOYFRIEND'S
FAVORITE COLOR.
513
00:21:32,125 --> 00:21:33,960
OH...
514
00:21:34,002 --> 00:21:35,337
MY EX-BOYFRIEND.
515
00:21:35,378 --> 00:21:37,088
OH...
516
00:21:37,130 --> 00:21:38,256
[SOBS]
517
00:21:38,298 --> 00:21:40,383
SMOOTHIE?
518
00:21:40,425 --> 00:21:42,177
STRAWBERRY, MANGO, BLUE--
519
00:21:42,218 --> 00:21:43,511
SHH!
520
00:21:43,553 --> 00:21:46,014
UH ...BERRY?
521
00:21:50,393 --> 00:21:53,396
[SHANE]:
WOW. KIDNAPPING, EXTORTION,
522
00:21:53,438 --> 00:21:54,814
COUNTERFEITING...
523
00:21:54,856 --> 00:21:57,108
OH, WHEN YOU SAID
SHE WAS A POLICE OFFICER,
524
00:21:57,150 --> 00:21:59,027
I WAS THINKING
PARKING TICKETS.
525
00:21:59,069 --> 00:22:00,904
[AWKWARD CHUCKLE]
526
00:22:03,740 --> 00:22:06,284
DESSERT THE OTHER NIGHT
WAS OUT OF THIS WORLD.
527
00:22:06,326 --> 00:22:07,786
YOU SHOULD
HAVE TRIED IT.
528
00:22:07,827 --> 00:22:09,996
YES. IT LOOKED
QUITE APPETIZING.
529
00:22:10,038 --> 00:22:11,164
TRUST ME.
530
00:22:11,206 --> 00:22:12,415
IT WAS INCREDIBLE.
531
00:22:12,457 --> 00:22:14,000
MAYBE NEXT TIME IF WE--
UH...
532
00:22:15,210 --> 00:22:16,419
OH, LOOK!
533
00:22:16,461 --> 00:22:18,171
DOESN'T THAT WOMAN
LOOK A LITTLE
534
00:22:18,213 --> 00:22:20,256
LIKE ELEANOR
IN PASSPORTS?
535
00:22:20,298 --> 00:22:22,467
[JAZZY BAND MUSIC RISES]
536
00:22:22,509 --> 00:22:24,928
[***]
537
00:22:31,559 --> 00:22:33,770
[BOTH]: OOH!
538
00:22:36,064 --> 00:22:38,233
[***]
539
00:22:40,568 --> 00:22:42,237
[ALL APPLAUDING]
540
00:22:42,278 --> 00:22:43,321
THAT WAS MICHAEL AND SOPHIA,
LADIES AND GENTLEMEN.
541
00:22:43,363 --> 00:22:44,948
THEY'LL BE BACK LATER.
542
00:22:44,989 --> 00:22:46,950
MY GOODNESS!
543
00:22:46,991 --> 00:22:48,493
THAT WAS VIGOROUS.
544
00:22:48,535 --> 00:22:49,744
I THOUGHT
THEY WERE GREAT.
545
00:22:49,786 --> 00:22:51,830
I ALWAYS ENJOY
A SPIRITED PERFORMANCE,
546
00:22:51,871 --> 00:22:53,873
BUT I GUESS I THOUGHT
THE ATMOSPHERE HERE
547
00:22:53,915 --> 00:22:56,918
WOULD BE A BIT MORE, UH,
INTIMATE.
548
00:22:56,960 --> 00:22:59,170
WELL, THE LAST TIME
I WAS HERE--
549
00:22:59,212 --> 00:23:00,672
OH, YOU'VE BEEN HERE?
550
00:23:00,714 --> 00:23:02,549
WELL, UH... AHEM.
551
00:23:02,590 --> 00:23:04,592
I THINK THERE WAS
A SUNDAY BRUNCH
552
00:23:04,634 --> 00:23:06,720
I MAY HAVE ATTENDED.
553
00:23:06,761 --> 00:23:11,224
OR MAYBE IT WAS A LATE
LATE-AFTERNOON TEA-SLASH-DINNER.
554
00:23:11,266 --> 00:23:12,392
OH.
555
00:23:12,434 --> 00:23:15,311
YEAH, THE CHIEF
OF POSTAL SECURITY,
556
00:23:15,353 --> 00:23:16,479
THAT MAN LESTER
557
00:23:16,521 --> 00:23:17,564
IN INTERNAL AFFAIRS,
558
00:23:17,605 --> 00:23:20,025
HE ASKED ME OUT.
559
00:23:20,066 --> 00:23:21,693
YOU CAME HERE
WITH LESTER KIMSICLE?
560
00:23:21,735 --> 00:23:24,362
HE WANTED TO
GET TO KNOW ME BETTER...
561
00:23:24,404 --> 00:23:27,657
FOR SECURITY REASONS,
HE SAID.
562
00:23:28,783 --> 00:23:30,243
OH, YOU WERE
ON OFFICIAL BUSINESS?
563
00:23:30,285 --> 00:23:32,620
RIGHT.
564
00:23:32,662 --> 00:23:34,080
[RELIEVED SIGH]
565
00:23:34,122 --> 00:23:37,417
AND, IN THE INTEREST
OF FULL DISCLOSURE,
566
00:23:37,459 --> 00:23:39,127
I WAS HERE ONCE WITH STEVE.
567
00:23:40,503 --> 00:23:41,755
STEVE?
568
00:23:41,796 --> 00:23:43,590
YOUR OLD FLAME
FROM WASHINGTON?
569
00:23:43,631 --> 00:23:44,799
HE WAS HERE?
570
00:23:46,134 --> 00:23:48,970
THIS IS WHERE
WE OFFICIALLY BROKE UP.
571
00:23:49,012 --> 00:23:50,013
[AWKWARD CHUCKLE]
572
00:23:50,055 --> 00:23:52,057
RIGHT THERE.
573
00:23:52,098 --> 00:23:54,351
THAT TABLE WITH
THE LADY AND THE LOBSTER.
574
00:23:54,392 --> 00:23:56,436
I SEE.
575
00:23:56,478 --> 00:23:58,813
IT WAS WHEN I FIRST
MOVED TO DENVER,
576
00:23:58,855 --> 00:24:01,024
AND HE HAD FLOWN IN
TO CHANGE MY MIND,
577
00:24:01,066 --> 00:24:04,110
BUT BY THEN,
I HAD MET YOU-- GUYS,
578
00:24:04,152 --> 00:24:05,278
AND...
579
00:24:05,320 --> 00:24:06,738
I TOLD HIM
IT WAS OVER
580
00:24:06,780 --> 00:24:09,282
AND HE SHOULD GO BACK TO D.C.
581
00:24:09,324 --> 00:24:10,992
I'M SORRY
582
00:24:11,034 --> 00:24:12,619
I...
583
00:24:12,660 --> 00:24:13,953
CHOSE A PLACE
584
00:24:13,995 --> 00:24:17,957
FRAUGHT WITH SO MANY MEMORIES
FOR OUR FIRST...
585
00:24:17,999 --> 00:24:19,918
UH...
586
00:24:19,959 --> 00:24:22,253
OUR FIRST...
587
00:24:22,295 --> 00:24:24,422
OUR FIRST...?
588
00:24:24,464 --> 00:24:28,176
I WONDER WHERE THE GENTLEMEN'S
CONVENIENCE MIGHT BE.
589
00:24:28,218 --> 00:24:29,719
OH, IT'S
RIGHT OVER THERE.
590
00:24:30,970 --> 00:24:32,639
PROBABLY.
591
00:24:32,681 --> 00:24:34,307
[NIKKI]:
* THE MAN LEAVES
592
00:24:34,349 --> 00:24:35,392
THANK YOU.
593
00:24:35,433 --> 00:24:38,395
* AND I'M ON MY OWN
594
00:24:39,854 --> 00:24:47,237
* I JUST SIT
AND SIMPLY WATCH THE DOOR *
595
00:24:47,278 --> 00:24:48,988
* AND TELL MYSELF...
596
00:24:49,030 --> 00:24:52,659
WAS IT, UH, CUSTARD,
CURD, OR MERINGUE?
597
00:24:52,701 --> 00:24:54,744
I'M SORRY?
598
00:24:55,662 --> 00:24:57,247
THE DESSERT.
599
00:24:57,288 --> 00:25:01,835
SEE, I PREFER A FILLING
WITH CUSTARD OR A GOOD CURD.
600
00:25:01,876 --> 00:25:04,170
MERINGUE ALWAYS SEEMS
A WASTE OF A GOOD EGG.
601
00:25:05,547 --> 00:25:07,215
IT WAS A CUSTARD
602
00:25:07,257 --> 00:25:09,050
WITH A CURD GLAZE.
603
00:25:10,176 --> 00:25:11,469
AH.
604
00:25:11,511 --> 00:25:12,429
OLIVER!
605
00:25:13,555 --> 00:25:15,015
HELLO!
606
00:25:15,056 --> 00:25:16,808
HI!
607
00:25:18,643 --> 00:25:20,061
YOU REMEMBER SHANE.
608
00:25:20,103 --> 00:25:22,856
YES, OF COURSE!
COME ON IN.
609
00:25:22,897 --> 00:25:24,983
-PLEASE.
-THANK YOU.
610
00:25:30,071 --> 00:25:32,741
[DALE]:
WELL, HE'S EDUCATED.
611
00:25:32,782 --> 00:25:34,868
YOU DON'T GET A LOT OF
RANSOM NOTES IN LATIN.
612
00:25:34,909 --> 00:25:37,162
BUT YOU DON'T WANT TO
MAKE A FORMAL REPORT?
613
00:25:37,203 --> 00:25:38,246
WELL, FOR NOW,
614
00:25:38,288 --> 00:25:39,539
I WAS HOPING
WE MIGHT HAVE
615
00:25:39,581 --> 00:25:41,374
A RHETORICAL CONVERSATION
ABOUT THE SORT OF PERSON
616
00:25:41,416 --> 00:25:43,126
WHO MIGHT DO THIS.
617
00:25:43,168 --> 00:25:44,544
OKAY,
618
00:25:44,586 --> 00:25:45,879
WELL, FROM WHAT I CAN TELL,
619
00:25:45,920 --> 00:25:47,130
THIS RHETORICAL PERSON
620
00:25:47,172 --> 00:25:48,965
PROBABLY WORKS
FOR THE POST OFFICE.
621
00:25:49,007 --> 00:25:50,759
OLIVER FIGURED THAT OUT
RIGHT AWAY,
622
00:25:50,800 --> 00:25:53,053
AND WE HAVE A DESCRIPTION
FROM SOMEONE
623
00:25:53,094 --> 00:25:54,929
WHO HANDED OUR SUSPECT
THE LETTER ON SATURDAY NIGHT.
624
00:25:54,971 --> 00:25:57,515
MALE, GRAY HAIR,
PROBABLY OVER 60 YEARS OLD,
625
00:25:57,557 --> 00:25:59,392
AND HE SAID SOMETHING
TO OUR WITNESS
626
00:25:59,434 --> 00:26:01,144
LIKE, UH,
627
00:26:01,186 --> 00:26:02,687
"WHAT GOOD IS A LETTER
IF YOU DON'T MAIL IT?"
628
00:26:02,729 --> 00:26:04,481
[CHUCKLES]
629
00:26:04,522 --> 00:26:06,316
WELL, THAT SOUNDS
LIKE A PHILOSOPHER
630
00:26:06,358 --> 00:26:08,985
WHO'S TIRED OF DREAMING.
631
00:26:09,027 --> 00:26:10,862
HE WANTS SOMETHING,
HE KNOWS YOU WANT THE MAIL BACK,
632
00:26:10,904 --> 00:26:11,905
SO HE'S KEEPING IT HOSTAGE.
633
00:26:11,946 --> 00:26:13,490
YOU THINK
HE MIGHT BE DANGEROUS?
634
00:26:13,531 --> 00:26:15,742
IT'S POSSIBLE.
635
00:26:15,784 --> 00:26:17,077
OH, DEAR.
636
00:26:17,118 --> 00:26:18,787
SO WE'RE LOOKING
FOR POSTAL CARRIERS
637
00:26:18,828 --> 00:26:20,955
THAT ARE OVER 60
AND DEPRESSED?
638
00:26:20,997 --> 00:26:22,957
[CHUCKLES] WELL,
THAT SHOULD NARROW IT DOWN.
639
00:26:22,999 --> 00:26:25,043
YOU'VE GOT A LITTLE MORE
TO GO ON THAN THAT.
640
00:26:25,085 --> 00:26:27,379
YOU HAVE A CAKE-TOPPER,
SOME BEANS, AND...
641
00:26:27,420 --> 00:26:29,714
WHAT IS THIS? A GOOSE?
642
00:26:29,756 --> 00:26:31,341
YES.
643
00:26:31,383 --> 00:26:34,594
HMM. REMEMBER,
THIS ISN'T ABOUT THE MAIL.
644
00:26:34,636 --> 00:26:37,347
HE'S PLAYING A GAME.
645
00:26:37,389 --> 00:26:39,557
HE'S NOT JUST SENDING THIS
TO ANYBODY AT THE POST OFFICE.
646
00:26:39,599 --> 00:26:42,268
HE WANTS SOMEBODY IN PARTICULAR
TO FIGURE THIS OUT,
647
00:26:42,310 --> 00:26:45,146
AND HE WANTS TO PROVE THAT
HE'S JUST AS SMART AS THEY ARE.
648
00:26:45,188 --> 00:26:47,857
SO, HE KNOWS THEM?
649
00:26:47,899 --> 00:26:50,902
OH, YES.
AND HE HATES THEM.
650
00:26:50,944 --> 00:26:53,947
SO, IF WE DON'T
FIGURE OUT THE GAME,
651
00:26:53,988 --> 00:26:55,490
HE'S JUST GONNA
KEEP STEALING MAIL
652
00:26:55,532 --> 00:26:56,825
AND LEAVING
WEIRD STUFF BEHIND?
653
00:26:56,866 --> 00:26:58,118
I DON'T THINK SO.
654
00:26:58,159 --> 00:27:00,412
YOU SEE, THE LATIN QUOTATION
IS DIFFERENT
655
00:27:00,453 --> 00:27:01,871
FROM THE OTHER CLUES.
656
00:27:01,913 --> 00:27:04,124
THIS LITERALLY SAYS
"REMEMBER THIS,"BUT--
657
00:27:04,165 --> 00:27:05,625
BUT...
658
00:27:05,667 --> 00:27:06,626
THERE'S
AN ALTERNATE TRANSLATION.
659
00:27:06,668 --> 00:27:08,712
YES!
660
00:27:08,753 --> 00:27:10,755
"PERHAPS SOMEDAY
IT WILL BE GOOD
661
00:27:10,797 --> 00:27:12,382
TO REMEMBER THESE THINGS."
662
00:27:12,424 --> 00:27:14,634
THESE THINGS!
663
00:27:14,676 --> 00:27:16,553
RIGHT.
664
00:27:16,594 --> 00:27:17,971
DOES THE POST OFFICE
KEEP A RECORD
665
00:27:18,013 --> 00:27:19,556
OF THE PEOPLE THAT HAVE WON
THE DARK OF NIGHT AWARD?
666
00:27:19,597 --> 00:27:20,682
I RAN A SEARCH
OF THE LIST
667
00:27:20,724 --> 00:27:21,766
ON THE WAY OVER HERE,
668
00:27:21,808 --> 00:27:22,976
AND I FILTERED FOR
669
00:27:23,018 --> 00:27:24,894
DUCKS, GEESE,
CAKE DECORATIONS,
670
00:27:24,936 --> 00:27:26,104
KIDNEY BEANS, BEANS,
671
00:27:26,146 --> 00:27:27,772
YOU NAME IT,
AND ALL I GOT
672
00:27:27,814 --> 00:27:30,233
WAS A HUNDRED YEARS
OF RECIPIENTS AND DATES.
673
00:27:30,275 --> 00:27:33,194
OH, AND A VERY NICE ARTICLE
ABOUT US HERE, OLIVER,
674
00:27:33,236 --> 00:27:34,154
WHEN WE GOT OURS.
675
00:27:34,195 --> 00:27:35,739
OH.
676
00:27:35,780 --> 00:27:38,116
YOU NEVER MENTIONED THAT.
677
00:27:38,158 --> 00:27:40,869
OH, WELL, IT WAS A BIT OF
A MIRACLE, FRANKLY.
678
00:27:40,910 --> 00:27:42,454
[OLIVER AND DALE CHUCKLE]
679
00:27:42,495 --> 00:27:43,872
OLIVER...
680
00:27:43,913 --> 00:27:45,081
WHAT DID YOUR GRANDFATHER
681
00:27:45,123 --> 00:27:47,292
RECEIVE HIS DARK OF NIGHT AWARD
FOR?
682
00:27:47,334 --> 00:27:49,669
HE GAVE UP CHRISTMAS EVE
WITH HIS FAMILY
683
00:27:49,711 --> 00:27:50,879
TO STAY
IN THE TERMINAL ANNEX
684
00:27:50,920 --> 00:27:52,964
TO HELP A DAMAGED
SHIPMENT OF...
685
00:27:53,006 --> 00:27:55,508
OF GOOSE EGGS
HATCH OVERNIGHT!
686
00:27:55,550 --> 00:27:57,677
AND THE KIDNEY BEANS?
687
00:27:57,719 --> 00:28:01,139
WHY KIDNEY BEANS,
WHY NOT PINTO OR LIMA?
688
00:28:01,181 --> 00:28:04,142
BECAUSE YOU AND I
AND NORMAN AND RITA
689
00:28:04,184 --> 00:28:05,352
HELPED A GIRL WHO NEEDED--
690
00:28:05,393 --> 00:28:07,354
[OVERLAPPING]:
...A KIDNEY TRANSPLANT!
691
00:28:08,521 --> 00:28:10,231
OLIVER,
692
00:28:10,273 --> 00:28:11,816
WHAT DID YOUR FATHER
GET HIS FOR?
693
00:28:11,858 --> 00:28:13,818
OH, HE NEVER RECEIVED ONE.
694
00:28:13,860 --> 00:28:16,029
WELL, YES, HE DID.
695
00:28:16,071 --> 00:28:18,865
I MEAN, IT'S RIGHT HERE--
696
00:28:18,907 --> 00:28:21,576
"JOSEPH HENRY O'TOOLE".
THAT'S HIM, RIGHT?
697
00:28:21,618 --> 00:28:22,577
YES, BUT...
698
00:28:24,287 --> 00:28:26,289
THAT'S IT.
HE'S TARGETING O'TOOLES.
699
00:28:28,625 --> 00:28:30,919
I NEED TO FIND MY FATHER.
700
00:28:39,844 --> 00:28:41,805
[***]
701
00:28:41,846 --> 00:28:43,682
[SLURPING]
702
00:28:45,433 --> 00:28:47,227
I THINK HIS EYES
WERE FURTHER APART.
703
00:28:47,268 --> 00:28:48,937
OKAY.
704
00:28:53,900 --> 00:28:55,735
WHAT ABOUT THE SH--
705
00:28:55,777 --> 00:28:57,737
[SLURPING]
706
00:28:57,779 --> 00:28:59,948
[***]
707
00:29:09,416 --> 00:29:11,710
THAT'S HER FOURTH
BLUEBERRY SMOOTHIE.
708
00:29:13,253 --> 00:29:16,506
I THOUGHT BLUE
MADE HER SAD.
709
00:29:16,548 --> 00:29:18,341
[RITA]: YEAH, WELL...
710
00:29:18,383 --> 00:29:19,551
THAT'S WHAT WE DO
711
00:29:19,592 --> 00:29:22,345
WHEN WE'RE GRIEVING
A RELATIONSHIP, NORMAN.
712
00:29:22,387 --> 00:29:24,264
WE REREAD
ALL THE OLD LOVE LETTERS,
713
00:29:24,305 --> 00:29:26,850
WE REVISIT ALL THE OLD PLACES.
714
00:29:26,891 --> 00:29:29,269
WE SEE SOMETHING
LIKE THE COLOR BLUE
715
00:29:29,310 --> 00:29:32,814
OR WE HEAR A CERTAIN SONG
AND...
716
00:29:32,856 --> 00:29:35,608
WE CRY.
717
00:29:37,360 --> 00:29:38,570
"WE"?
718
00:29:40,613 --> 00:29:44,367
DID YOU BREAK UP
WITH SOMEBODY BEFORE ME?
719
00:29:44,409 --> 00:29:45,994
YEAH. YEAH.
720
00:29:46,036 --> 00:29:47,996
BOB.
721
00:29:49,581 --> 00:29:52,000
YOU DATED A GUY NAMED BOB?
722
00:29:52,042 --> 00:29:54,669
UH...
723
00:29:54,711 --> 00:29:55,879
YEAH.
724
00:29:57,297 --> 00:29:59,174
WHY DIDN'T YOU
TELL ME THIS BEFORE?
725
00:30:00,925 --> 00:30:03,511
'CAUSE I'M TELLING
YOU NOW! [CHUCKLES]
726
00:30:03,553 --> 00:30:06,139
I DATED
A GUY NAMED BOB.
727
00:30:06,181 --> 00:30:07,807
UH, HE USED TO
WORK AT THE ZOO,
728
00:30:07,849 --> 00:30:09,726
AND THEN HE GOT
A JOB OFFER
729
00:30:09,768 --> 00:30:11,311
AT THE BOUVET ISLAND
ANIMAL RESERVE,
730
00:30:11,353 --> 00:30:13,063
AND HE SAID THAT
731
00:30:13,104 --> 00:30:15,523
ANTARCTICA WASN'T A PLACE
FOR A GIRL LIKE ME,
732
00:30:15,565 --> 00:30:18,568
AND-- AND THAT WE SHOULD
BREAK UP, YEAH.
733
00:30:18,610 --> 00:30:23,281
OH, SO, YOU WENT OUT, UH,
A COUPLE OF TIMES?
734
00:30:23,323 --> 00:30:24,657
WELL, HE LIKED TO TALK.
735
00:30:24,699 --> 00:30:25,784
UH, HE HAD A LOT TO SAY.
736
00:30:25,825 --> 00:30:26,701
[CHUCKLING]
737
00:30:26,743 --> 00:30:28,203
WELL, HOW LONG DID HE TALK FOR?
738
00:30:28,244 --> 00:30:29,829
A MONTH? A YEAR?
739
00:30:29,871 --> 00:30:31,539
NORMAN...
740
00:30:33,041 --> 00:30:35,669
FORGET IT.
741
00:30:35,710 --> 00:30:38,129
HE'S OLD NEWS ANYWAYS,
RIGHT?
742
00:30:38,171 --> 00:30:39,923
YEAH.
743
00:30:39,964 --> 00:30:42,008
PRETTY MUCH.
744
00:30:42,050 --> 00:30:44,135
HE'S THE GUY THAT
I SEND MONEY TO EVERY MONTH,
745
00:30:44,177 --> 00:30:47,013
TO HELP SAVE THE BOUVET ISLAND
BURROWING YELLOWTAIL OWL.
746
00:30:48,598 --> 00:30:51,351
YOU SEND YOUR OLD BOYFRIEND
$50 A MONTH?
747
00:30:51,393 --> 00:30:54,187
I DON'T LOOK AT IT
LIKE THAT ANYMORE,
748
00:30:54,229 --> 00:30:55,438
BUT HE'S DOING
GOOD WORK,
749
00:30:55,480 --> 00:30:57,315
AND YOU KNOW HOW
I FEEL ABOUT OWLS.
750
00:30:58,441 --> 00:30:59,359
YES, BUT--
751
00:30:59,401 --> 00:31:01,152
NIKKI?
752
00:31:02,612 --> 00:31:06,074
DID YOU NEED
ANOTHER SMOOTHIE?
753
00:31:06,116 --> 00:31:07,534
[THUD]
754
00:31:07,575 --> 00:31:09,828
THERE AREN'T ENOUGH SMOOTHIES
IN THE WORLD.
755
00:31:11,329 --> 00:31:12,872
HERE.
756
00:31:12,914 --> 00:31:15,291
WOULD YOU LIKE
TO TALK ABOUT IT?
757
00:31:19,838 --> 00:31:22,340
WE WERE CLOSING UP
AND HE SAID HE WANTED TO TALK.
758
00:31:25,218 --> 00:31:26,594
ARE YOU OKAY?
759
00:31:26,636 --> 00:31:28,221
NIKKI, I, UH...
760
00:31:28,263 --> 00:31:29,597
WHAT IS IT?
761
00:31:30,932 --> 00:31:32,892
YOU ARE THE BEST FRIEND
I'VE EVER HAD.
762
00:31:32,934 --> 00:31:35,729
AND WHEN
WE SING TOGETHER,
763
00:31:35,770 --> 00:31:38,231
IT'S LIKE WE WERE BORN
TO BE A TEAM.
764
00:31:38,273 --> 00:31:39,899
I KNOW.
765
00:31:39,941 --> 00:31:42,152
NOW WE'VE BEEN DATING
FOR, I DON'T KNOW--
766
00:31:42,193 --> 00:31:44,487
A YEAR NEXT TUESDAY.
BUT?
767
00:31:44,529 --> 00:31:47,240
THERE'S A "BUT" COMING,
I CAN FEEL IT.
768
00:31:47,282 --> 00:31:49,451
IT'S JUST THAT...
769
00:31:49,492 --> 00:31:52,078
[SIGHS]
770
00:31:53,455 --> 00:31:55,081
THINGS HAVE CHANGED.
771
00:31:58,126 --> 00:32:00,003
OH, GOD.
772
00:32:01,212 --> 00:32:02,630
YOU'RE GONNA BREAK MY HEART,
AREN'T YOU?
773
00:32:02,672 --> 00:32:04,382
LET ME EXPLAIN.
774
00:32:04,424 --> 00:32:06,092
I COULDN'T STAND THERE
AND LISTEN
775
00:32:06,134 --> 00:32:07,344
TO ANOTHER GUY TELL ME
776
00:32:07,385 --> 00:32:08,845
"IT'S ALL MOVING TOO FAST,"
777
00:32:08,887 --> 00:32:11,264
OR HE'S MET SOMEBODY ELSE...
778
00:32:13,224 --> 00:32:15,810
OR HE NEEDS TO BE FREE.
779
00:32:16,978 --> 00:32:19,272
SO I RAN AWAY.
780
00:32:19,314 --> 00:32:22,275
AND HE DIDN'T EVEN FOLLOW ME.
781
00:32:22,317 --> 00:32:24,402
SO I JUST KEPT GOING.
782
00:32:24,444 --> 00:32:25,987
[SIGHING HEAVILY]
783
00:32:27,322 --> 00:32:29,282
WE'RE SUPPOSED TO FOLLOW?
784
00:32:29,324 --> 00:32:31,076
YES!
785
00:32:31,117 --> 00:32:32,786
LIKE IN THE MOVIES.
786
00:32:32,827 --> 00:32:34,954
I'VE BEEN WATCHING
THE WRONG MOVIES.
787
00:32:34,996 --> 00:32:36,456
-[DOOR OPENS] YEAH.
-[SHANE]: WE'RE BACK!
788
00:32:36,498 --> 00:32:37,749
HI!
789
00:32:37,791 --> 00:32:39,209
HOW DID IT GO
WITH YOUR FRIEND?
790
00:32:39,250 --> 00:32:40,669
IT WAS VERY ENLIGHTENING.
791
00:32:40,710 --> 00:32:44,381
YES, IT WAS.
792
00:32:44,422 --> 00:32:46,091
NORMAN,
HOW GOES THE SKETCH?
793
00:32:46,132 --> 00:32:47,926
OH! WELL...
794
00:32:47,967 --> 00:32:50,220
IT'S TAKING LONGER
THAN I THOUGHT.
795
00:32:50,261 --> 00:32:51,429
WHATEVER YOU DO,
796
00:32:51,471 --> 00:32:53,056
DON'T MENTION
THE COLOR BLUE.
797
00:32:54,349 --> 00:32:55,684
UH, MISS BERGENS.
798
00:32:55,725 --> 00:32:58,937
UH, I HEAR YOU'RE DEALING
WITH A BROKEN HEART TODAY.
799
00:32:58,978 --> 00:33:01,815
SORRY THAT
YOU'RE HURTING.
800
00:33:01,856 --> 00:33:03,566
I DO KNOW HOW THAT FEELS.
801
00:33:03,608 --> 00:33:05,151
HOWEVER--
802
00:33:05,193 --> 00:33:07,028
[PHONE RINGS]
803
00:33:10,073 --> 00:33:11,658
OLIVER O'TOOLE.
804
00:33:11,700 --> 00:33:12,826
IT'S HIM!
805
00:33:12,867 --> 00:33:14,828
[GASPING COLLECTIVELY]
806
00:33:14,869 --> 00:33:16,996
YOU FIGURED IT
OUT YET, SONNY?
807
00:33:17,038 --> 00:33:19,249
SIR, WHOEVER YOU ARE,
YOU ARE IN VIOLATION OF--
808
00:33:19,290 --> 00:33:22,127
YOU'D BETTER GET ON THE BALL
AND WISE UP, JUNIOR,
809
00:33:22,168 --> 00:33:23,837
OR YOU'RE NEVER GONNA
SEE THAT MAIL AGAIN!
810
00:33:23,878 --> 00:33:25,171
NOW, SEE HERE. YOU--
811
00:33:25,213 --> 00:33:27,424
NO, YOU SEE!
IF YOU CAN.
812
00:33:27,465 --> 00:33:29,426
I'LL BE WAITING
FOR YOU. [CLICK]
813
00:33:29,467 --> 00:33:31,344
HELLO?
814
00:33:31,386 --> 00:33:32,679
I DIDN'T
HEAR IT ALL.
815
00:33:32,721 --> 00:33:34,180
HE CALLED HIM
"JUNIOR".
816
00:33:34,222 --> 00:33:35,348
[RITA GASPS]
817
00:33:35,390 --> 00:33:37,559
HE SAID THAT IF WE DIDN'T
KEEP UP WITH HIM,
818
00:33:37,600 --> 00:33:39,185
WE'D NEVER
SEE THE MAIL AGAIN.
819
00:33:39,227 --> 00:33:41,396
NO! YOU CAN'T LET HIM
HAVE THOSE LETTERS!
820
00:33:41,438 --> 00:33:43,565
YOU'VE GOT TO
GET MINE BACK.
821
00:33:43,606 --> 00:33:44,899
YOU HAVE TO.
822
00:33:44,941 --> 00:33:46,484
MISS BERGENS, I UNDERSTAND
823
00:33:46,526 --> 00:33:48,028
THE PERSONAL NATURE
OF YOUR LETTER,
824
00:33:48,069 --> 00:33:50,572
BUT IT'S UNLIKELY THAT HE'S READ
EVERY LETTER HE'S PURLOINED.
825
00:33:50,613 --> 00:33:52,907
FACT IS, HE'S MUCH MORE LIKELY
TO DESTROY THEM, I'M AFRAID.
826
00:33:52,949 --> 00:33:55,493
IT'S NOT
JUST WHAT I SAID,
827
00:33:55,535 --> 00:33:57,412
IT'S WHAT'S IN IT.
828
00:33:57,454 --> 00:33:59,205
WHAT'S IN THE LETTER?
829
00:34:03,293 --> 00:34:05,337
$50,000.
830
00:34:06,629 --> 00:34:07,881
[OLIVER]: FORGIVE ME.
831
00:34:07,922 --> 00:34:09,758
YOU SAID THE CARD
YOU MAILED TO YOUR BOYFRIEND
832
00:34:09,799 --> 00:34:11,593
CONTAINED $50,000?
833
00:34:11,634 --> 00:34:13,303
OH,
EX-BOYFRIEND.
834
00:34:13,345 --> 00:34:14,471
BUT I MAILED IT
835
00:34:14,512 --> 00:34:17,766
SIX HOURS BEFORE
HE TURNED INTO MY EX.
836
00:34:17,807 --> 00:34:19,642
WELL, IT'S A NICE
WAY TO SAY GOODBYE.
837
00:34:19,684 --> 00:34:20,685
CAN'T YOU JUST
838
00:34:20,727 --> 00:34:21,770
STOP PAYMENT
ON THE CHECK?
839
00:34:21,811 --> 00:34:22,896
IT'S NOT A CHECK.
840
00:34:22,937 --> 00:34:24,564
OUR ONE-YEAR ANNIVERSARY
WAS COMING UP
841
00:34:24,606 --> 00:34:26,566
AND HE LOVES GETTING MAIL,
842
00:34:26,608 --> 00:34:28,943
SO I MADE HIM A CARD
AND I WROTE,
843
00:34:28,985 --> 00:34:30,779
"WHEN I MET YOU, IT WAS
LIKE WINNING THE LOTTERY."
844
00:34:30,820 --> 00:34:33,073
AND ON
THE INSIDE I PUT--
845
00:34:33,114 --> 00:34:34,240
UH-OH.
846
00:34:34,282 --> 00:34:36,785
YEAH. A LOTTERY TICKET.
847
00:34:36,826 --> 00:34:40,789
THEN WE BROKE UP,
AND I WAS WALKING HOME AND...
848
00:34:42,290 --> 00:34:45,669
YOU KNOW THE WEATHERMAN
WHO DOES THE LOTTERY NUMBERS?
849
00:34:45,710 --> 00:34:46,628
RAMON RODRIGUEZ!
850
00:34:46,670 --> 00:34:48,129
WE KNOW RAMON.
851
00:34:49,547 --> 00:34:51,716
[RAMON]: THAT'S RIGHT, SARAH,
THERE MAY BE RAIN,
852
00:34:51,758 --> 00:34:54,177
BUT IT COULD STILL
BE A BEAUTIFUL DAY
853
00:34:54,219 --> 00:34:56,304
FOR ONE LUCKY MEGAPOWER
SWEEPSTAKES PLAYER!
854
00:34:58,431 --> 00:35:00,266
THREE.
855
00:35:00,308 --> 00:35:01,726
SEVEN.
856
00:35:01,768 --> 00:35:03,395
12.
857
00:35:03,436 --> 00:35:04,688
15...
858
00:35:04,729 --> 00:35:07,273
[SHRIEKING]: AHH!
859
00:35:07,315 --> 00:35:09,275
[***]
860
00:35:09,317 --> 00:35:10,276
THE NUMBERS ON THE TICKET
861
00:35:10,318 --> 00:35:12,654
WERE THE DAY, YEAR,
AND TIME WE MET.
862
00:35:12,696 --> 00:35:15,323
IT WON
FIVE OUT OF SIX.
863
00:35:15,365 --> 00:35:17,367
AND NOW IT'S
WORTH $50,000.
864
00:35:17,409 --> 00:35:18,702
MY GOODNESS.
865
00:35:18,743 --> 00:35:21,496
I WORE BLUE FOR HIM.
866
00:35:21,538 --> 00:35:23,373
I LEARNED TO COOK
TROUT FOR HIM.
867
00:35:23,415 --> 00:35:24,624
HE REALLY LIKES TROUT.
868
00:35:24,666 --> 00:35:26,209
OH.
869
00:35:26,251 --> 00:35:28,378
WE WERE BOTH SAVING UP
TO MOVE TO NEW YORK
870
00:35:28,420 --> 00:35:31,506
TO AUDITION FOR CLUBS
AND CABARETS TOGETHER.
871
00:35:31,548 --> 00:35:32,966
WE HAD ALL THESE PLANS
872
00:35:33,008 --> 00:35:34,467
AND I THOUGHT
MAYBE THIS TIME
873
00:35:34,509 --> 00:35:36,845
I'D FOUND SOMEBODY
DIFFERENT.
874
00:35:36,886 --> 00:35:39,639
BUT HE'S JUST LIKE
ALL THE REST, EXCEPT...
875
00:35:39,681 --> 00:35:41,349
IF HE GETS
THAT LETTER NOW,
876
00:35:41,391 --> 00:35:43,601
HE'LL BE RICH, TOO.
877
00:35:43,643 --> 00:35:44,686
AND HE'LL GO
TO NEW YORK
878
00:35:44,728 --> 00:35:47,313
AND I'LL JUST BE HERE...
879
00:35:47,355 --> 00:35:49,524
COOKING TROUT.
880
00:35:49,566 --> 00:35:53,486
ONE MUST NEVER REGRET
AN ACT OF LOVE, MISS BERGENS.
881
00:35:54,696 --> 00:35:56,614
NEVER.
882
00:35:58,033 --> 00:35:59,659
NORMAN, RITA,
WILL YOU PLEASE
883
00:35:59,701 --> 00:36:01,411
COMPLETE THE SKETCH
WITH MISS BERGENS?
884
00:36:01,453 --> 00:36:02,996
IF I'M NEEDED,
885
00:36:03,038 --> 00:36:05,081
I'LL BE IN THE MAILBOX GRILLE.
EXCUSE ME.
886
00:36:06,541 --> 00:36:08,543
[***]
887
00:36:09,794 --> 00:36:10,837
OH!
888
00:36:10,879 --> 00:36:12,547
[SHANE SIGHS]
889
00:36:22,599 --> 00:36:26,394
HIS NOSE WAS KIND OF
BIG AND POINTY.
890
00:36:26,436 --> 00:36:29,147
OKAY.
891
00:36:30,815 --> 00:36:32,484
SORRY.
892
00:36:32,525 --> 00:36:34,402
IT'S OKAY.
893
00:36:36,196 --> 00:36:40,408
UH, YOU CAN PUT THAT
OVER THERE IN THE "OUT" BOX.
894
00:36:41,576 --> 00:36:44,037
[***]
895
00:36:44,079 --> 00:36:45,538
TO "BOB."
896
00:36:54,673 --> 00:36:56,925
[***]
897
00:37:09,354 --> 00:37:10,355
HEY.
898
00:37:10,397 --> 00:37:11,481
DAD.
899
00:37:11,523 --> 00:37:12,732
YOU LOOK GOOD.
900
00:37:12,774 --> 00:37:14,651
OH. THANKS. PLEASE.
901
00:37:16,778 --> 00:37:18,822
BEEN A WHILE.
902
00:37:18,863 --> 00:37:19,823
YES, WELL,
I CALLED.
903
00:37:19,864 --> 00:37:22,283
YOU'VE BEEN BUSY.
904
00:37:23,493 --> 00:37:26,204
YEAH, I'VE TAKEN UP
HIKING AGAIN.
905
00:37:26,246 --> 00:37:27,372
LIVE IN COLORADO,
906
00:37:27,414 --> 00:37:28,665
YOU GOTTA GET OUT THERE
AND HIKE, RIGHT?
907
00:37:28,707 --> 00:37:30,583
YOU DO?
908
00:37:30,625 --> 00:37:32,377
WELL, I DO.
909
00:37:32,419 --> 00:37:33,920
YOU SHOULD COME SOME TIME.
910
00:37:33,962 --> 00:37:37,090
OH. I HAVE
A GREAT LOVE OF NATURE.
911
00:37:37,132 --> 00:37:39,968
I WOULDN'T MIND
EXPANDING IT TO THE...
912
00:37:40,010 --> 00:37:40,969
OUTDOORS.
913
00:37:42,846 --> 00:37:44,180
OKAY.
914
00:37:44,222 --> 00:37:45,181
[CHUCKLES]
915
00:37:45,223 --> 00:37:46,474
IN THE MEANTIME,
916
00:37:46,516 --> 00:37:48,268
SOUNDS LIKE
YOU'VE GOT A PROBLEM.
917
00:37:48,309 --> 00:37:49,853
YES. SOMEONE'S BEEN
918
00:37:49,894 --> 00:37:52,355
STEALING MAIL FROM THE BOXES
IN THE BONNIE BRAE AREA,
919
00:37:52,397 --> 00:37:53,732
I WAS HOPING
YOU MIGHT HELP US OUT.
920
00:37:55,233 --> 00:37:56,526
WELL, I DON'T KNOW.
921
00:37:56,568 --> 00:37:58,528
I'M NOT SURE THEY'VE EVER
FORGIVEN ME OVER THERE
922
00:37:58,570 --> 00:37:59,571
FOR DEFECTING
923
00:37:59,612 --> 00:38:00,739
TO FEDEX.
924
00:38:00,780 --> 00:38:02,240
I'M NOT EVEN
SURE YOU HAVE.
925
00:38:02,282 --> 00:38:03,533
OH, OF COURSE, I HAVE.
YOU HAD YOUR REASONS.
926
00:38:03,575 --> 00:38:05,744
SOMEDAY, YOU'LL TELL ME
WHAT THEY WERE.
927
00:38:07,120 --> 00:38:08,455
MAYBE ON A HIKE.
928
00:38:08,496 --> 00:38:11,541
PERHAPS YOU MIGHT TELL ME
929
00:38:11,583 --> 00:38:13,335
ABOUT THAT DARK OF NIGHT AWARD
YOU WON, TOO.
930
00:38:14,711 --> 00:38:16,129
AH.
931
00:38:16,171 --> 00:38:17,547
WELL, IT WAS A WHILE AGO.
932
00:38:17,589 --> 00:38:19,174
I CAN'T BELIEVE
I NEVER KNEW ABOUT THAT.
933
00:38:19,215 --> 00:38:22,218
I DIDN'T SPREAD IT AROUND,
934
00:38:22,260 --> 00:38:25,722
AND IT HAPPENED
AFTER YOU LEFT HOME.
935
00:38:25,764 --> 00:38:26,973
AH.
936
00:38:27,015 --> 00:38:28,725
IT WAS NOTHING LIKE
WHAT YOU GUYS DID.
937
00:38:28,767 --> 00:38:30,185
I JUST DELIVERED
938
00:38:30,226 --> 00:38:32,354
A MISROUTED WEDDING DRESS
IN TIME FOR A WEDDING.
939
00:38:33,813 --> 00:38:35,899
A WEDDING?
940
00:38:35,940 --> 00:38:37,567
OLIVER!
941
00:38:37,609 --> 00:38:39,277
IT'S FINISHED.
942
00:38:39,319 --> 00:38:41,446
UH, NIKKI SAYS
IT'S REALLY CLOSE,
943
00:38:41,488 --> 00:38:44,324
BUT WE CAN BRING HER BACK IN
IF WE NEED TO.
944
00:38:45,450 --> 00:38:47,535
DO YOU KNOW
WHO THIS COULD BE?
945
00:38:51,623 --> 00:38:53,667
YEAH. I DO.
946
00:38:55,794 --> 00:38:57,212
WHO?
947
00:38:57,253 --> 00:38:58,588
DUDLEY CURLY.
948
00:38:58,630 --> 00:38:59,839
HE RESEMBLES
THE SKETCH WE HAD MADE
949
00:38:59,881 --> 00:39:00,799
WITH THE HELP
OF A WITNESS,
950
00:39:00,840 --> 00:39:02,092
AND HE MATCHES
THE PROFILE.
951
00:39:02,133 --> 00:39:04,260
GOOD WORK.
952
00:39:04,302 --> 00:39:05,929
SO, IT'S DUDLEY, HUH?
953
00:39:05,970 --> 00:39:07,097
YES.
954
00:39:07,138 --> 00:39:07,931
NEVER HEARD OF HIM.
955
00:39:09,891 --> 00:39:11,935
HE WAS A MAIL CARRIER
FOR THE POSTAL SERVICE
956
00:39:11,976 --> 00:39:13,520
FOR 45 YEARS.
957
00:39:13,561 --> 00:39:15,105
AND IT'S PROBABLY
NO COINCIDENCE
958
00:39:15,146 --> 00:39:16,815
THAT HE RETIRES TODAY.
959
00:39:18,692 --> 00:39:20,610
THIS ISN'T LIKE
TAKING HOME PAPER CLIPS
960
00:39:20,652 --> 00:39:22,278
AND STAPLERS
FROM THE OFFICE.
961
00:39:22,320 --> 00:39:23,530
THIS IS THE U.S. MAIL,
DARN IT!
962
00:39:23,571 --> 00:39:25,031
I WANT THIS MAN FIRED.
963
00:39:27,033 --> 00:39:28,910
HE'S RETIRING.
964
00:39:30,453 --> 00:39:33,289
WHAT'S THIS GOT
TO DO WITH YOU, ANYWAY?
965
00:39:33,331 --> 00:39:36,501
DIDN'T YOU MUSTER OUT
AND SIGN UP FOR THE ENEMY?
966
00:39:36,543 --> 00:39:37,877
I ASKED MY FATHER
TO HELP US
967
00:39:37,919 --> 00:39:40,296
BECAUSE EVERY CLUE
THE SUSPECT LEFT SO FAR
968
00:39:40,338 --> 00:39:41,464
HAS SOMETHING
TO DO WITH US--
969
00:39:41,506 --> 00:39:43,591
MY GRANDFATHER,
MY FATHER, AND I
970
00:39:43,633 --> 00:39:45,051
ALL WON DARK OF
NIGHT AWARDS.
971
00:39:45,093 --> 00:39:46,970
I KNEW CURLY.
972
00:39:47,012 --> 00:39:48,388
WE WERE FRIENDS ONCE.
973
00:39:48,430 --> 00:39:50,473
THOUGHT IT WAS DUDLEY.
974
00:39:50,515 --> 00:39:52,308
WE CALLED HIM CURLY.
HE DOESN'T LIKE DUDLEY.
975
00:39:52,350 --> 00:39:54,185
NEITHER DO I.
976
00:39:54,227 --> 00:39:56,146
GO ON.
977
00:39:56,187 --> 00:39:57,647
CURLY AND I, UH,
978
00:39:57,689 --> 00:39:59,524
HUNG OUT AND WATCHED
THE BIG GAME ON SUNDAYS,
979
00:39:59,566 --> 00:40:01,234
WE WERE IN
THE BOWLING LEAGUE,
980
00:40:01,276 --> 00:40:02,318
AND THEN
I WON THAT AWARD
981
00:40:02,360 --> 00:40:03,611
AND GOT A NICE PROMOTION
982
00:40:03,653 --> 00:40:05,739
AND HE JUST STOPPED
COMING AROUND.
983
00:40:05,780 --> 00:40:06,656
WHAT DOES HE WANT?
984
00:40:06,698 --> 00:40:08,658
WE DON'T KNOW.
985
00:40:08,700 --> 00:40:10,326
HE SAYS HE'S GOING TO
HOLD THE MAIL RANSOM
986
00:40:10,368 --> 00:40:12,245
UNTIL WE MEET HIS DEMANDS...
987
00:40:12,287 --> 00:40:14,456
THAT HAVE NOT YET BEEN
SET FORTH.
988
00:40:14,497 --> 00:40:17,000
I'M THINKING MAYBE I SHOULD JUST
GO OVER THERE AND TALK--
989
00:40:17,042 --> 00:40:18,126
FORGET IT, O'TOOLE!
990
00:40:18,168 --> 00:40:19,836
YOU DON'T QUIT
THE POSTAL SERVICE
991
00:40:19,878 --> 00:40:22,797
THEN WALTZ BACK IN HERE
JUST BECAUSE WE NEED YOU.
992
00:40:22,839 --> 00:40:24,507
ARE WE CLEAR?
993
00:40:25,884 --> 00:40:26,760
CRYSTAL.
994
00:40:28,803 --> 00:40:31,014
SECURITY!
995
00:40:31,056 --> 00:40:32,640
WE ARE MOVING OUT!
996
00:40:33,725 --> 00:40:36,436
[***]
997
00:40:50,158 --> 00:40:52,869
[***]
998
00:40:59,000 --> 00:41:01,294
DISPERSE! DEPLOY!
999
00:41:01,336 --> 00:41:02,337
LOCK THAT DOWN!
1000
00:41:02,379 --> 00:41:03,421
WHAT ON EARTH...?
1001
00:41:03,463 --> 00:41:05,757
SET UP A PERIMETER
AND--
1002
00:41:05,799 --> 00:41:06,966
SHANE.
1003
00:41:07,008 --> 00:41:09,969
GOOD TO HAVE YOU
ONBOARD.
1004
00:41:10,011 --> 00:41:12,472
FEDEX!
STAY IN THE TRUCK.
1005
00:41:12,514 --> 00:41:13,598
THIS IS GOVERNMENT
BUSINESS.
1006
00:41:13,640 --> 00:41:14,974
RIGHT.
1007
00:41:15,016 --> 00:41:15,934
[RADIO CRACKLES]
1008
00:41:15,975 --> 00:41:17,060
HEADS UP, MEN!
1009
00:41:17,102 --> 00:41:19,062
KEEP YOUR NOSE
TO THE GRINDSTONE.
1010
00:41:19,104 --> 00:41:20,563
[RADIOS CRACKLING]
1011
00:41:22,190 --> 00:41:25,527
HERE WE COME, DUDLEY.
1012
00:41:29,739 --> 00:41:31,032
[MEGAPHONE SQUEALS]:
CURLY DUDLEY!
1013
00:41:31,074 --> 00:41:34,411
THIS IS LESTER KIMSICLE,
CHIEF OF POSTAL SECURITY.
1014
00:41:34,452 --> 00:41:36,246
WE HAVE
YOUR HOUSE SURROUNDED.
1015
00:41:36,287 --> 00:41:37,706
COME OUT
WITH YOUR HANDS UP.
1016
00:41:37,747 --> 00:41:39,916
UH, MR. KIMSICLE,
UH, WE BELIEVE--
1017
00:41:39,958 --> 00:41:42,002
STAND DOWN, O'TOOLE.
1018
00:41:42,043 --> 00:41:44,087
YOU'RE IN MY WHEELHOUSE NOW.
1019
00:41:46,047 --> 00:41:47,590
CURLY DUDLEY!
1020
00:41:47,632 --> 00:41:50,969
CAN... YOU... HEAR ME?
1021
00:41:51,011 --> 00:41:54,723
IT'S "DUDLEY CURLY".
1022
00:41:54,764 --> 00:41:56,307
CURLY DUDLEY,
DUDLEY CURLY,
1023
00:41:56,349 --> 00:41:58,393
I'M GONNA CALL YA "DUD," OKAY?
1024
00:41:58,435 --> 00:42:01,229
NO! IT'S NOT OKAY.
1025
00:42:01,271 --> 00:42:02,939
[MEGAPHONE SQUEALS]
1026
00:42:02,981 --> 00:42:05,108
WE'RE GONNA NEED
SOME PROOF OF LIFE HERE.
1027
00:42:05,150 --> 00:42:06,109
[DUDLEY]: WHAT?
1028
00:42:06,151 --> 00:42:08,695
PROOF OF LIFE.
1029
00:42:08,737 --> 00:42:11,823
WELL, I'M TALKING TO YOU,
AREN'T I?
1030
00:42:11,865 --> 00:42:13,408
YA MORON.
1031
00:42:13,450 --> 00:42:15,243
WELL, WE KNOW
YOU'RE ALIVE.
1032
00:42:15,285 --> 00:42:17,370
WE NEED TO KNOW
THE MAIL'S OKAY.
1033
00:42:17,412 --> 00:42:18,872
JUST SHOW US
YOU GOT IT.
1034
00:42:18,913 --> 00:42:20,832
[SLAM]
1035
00:42:22,042 --> 00:42:24,878
[RADIOS CRACKLING]
1036
00:42:26,338 --> 00:42:28,757
STEALING THE MAIL
IS A FEDERAL OFFENSE!
1037
00:42:28,798 --> 00:42:33,136
YEAH, WELL, I'M STILL EMPLOYED
UNTIL 5:00!
1038
00:42:33,178 --> 00:42:35,138
HOLD ON A MINUTE.
1039
00:42:35,180 --> 00:42:37,474
WHAT'S HE TALKING ABOUT?
1040
00:42:37,515 --> 00:42:38,725
UH, TECHNICALLY,
1041
00:42:38,767 --> 00:42:40,310
THE MAIL
IS STILL IN THE POSSESSION
1042
00:42:40,352 --> 00:42:42,354
OF AN AUTHORIZED POSTAL CARRIER.
1043
00:42:42,395 --> 00:42:45,231
UNAUTHORIZED REMOVAL
IS, UM, A VIOLATION OF--
1044
00:42:45,273 --> 00:42:46,316
NORMAN?
1045
00:42:46,358 --> 00:42:48,568
EMPLOYEE
REGULATION 67K.
1046
00:42:48,610 --> 00:42:49,861
[OLIVER]:
BUT IT IS NOT A CRIME.
1047
00:42:49,903 --> 00:42:51,112
WELL, AT LEAST,
1048
00:42:51,154 --> 00:42:53,156
NOT UNTIL 5:00,
WHEN HE OFFICIALLY RETIRES.
1049
00:42:55,450 --> 00:42:56,868
[GRUMBLING SIGH]
FINE.
1050
00:42:56,910 --> 00:42:58,661
[CLICK]
1051
00:42:58,703 --> 00:43:00,163
WE'LL WAIT UNTIL 5:00,
1052
00:43:00,205 --> 00:43:01,915
AND THEN WE'RE COMING IN!
1053
00:43:01,956 --> 00:43:04,042
[DUDLEY]: I WOULDN'T DO THAT,
IF I WERE YOU.
1054
00:43:04,084 --> 00:43:07,128
I GET WHAT I WANT OR ELSE.
1055
00:43:07,170 --> 00:43:08,672
OR ELSE, WHAT?
1056
00:43:08,713 --> 00:43:11,841
DUD! OR ELSE WHAT?
1057
00:43:11,883 --> 00:43:13,259
OLIVER. LOOK.
1058
00:43:13,301 --> 00:43:15,220
[***]
1059
00:43:18,431 --> 00:43:20,934
[RITA]: OH, NO!
HE'S STARTED A FIRE.
1060
00:43:20,975 --> 00:43:22,060
UH, DUD?
1061
00:43:22,102 --> 00:43:24,437
NOW'S NOT THE TIME
TO HAVE A WEENIE-ROAST.
1062
00:43:24,479 --> 00:43:26,606
I DON'T THINK
HE'S MAKING LUNCH, MR. KIMSICLE.
1063
00:43:26,648 --> 00:43:28,316
HE'S GOING TO BURN THEM ALL.
1064
00:43:31,569 --> 00:43:34,072
[***]
1065
00:43:42,288 --> 00:43:45,208
HE SAYS HE'LL BURN THE LETTERS
IF HE DOESN'T GET WHAT HE WANTS,
1066
00:43:45,250 --> 00:43:46,876
BUT WHAT IS THAT?
1067
00:43:46,918 --> 00:43:48,878
HE GOT WHAT HE WANTED--
ATTENTION.
1068
00:43:48,920 --> 00:43:50,755
NOW HE DOESN'T KNOW
WHAT TO DO WITH IT.
1069
00:43:50,797 --> 00:43:53,008
HE WAS ALWAYS PUTTING
THE CART BEFORE THE HORSE.
1070
00:43:53,049 --> 00:43:56,219
HE GOT THAT STICK-SHIFT BEFORE
HE LEARNED TO DRIVE BECAUSE--
1071
00:43:56,261 --> 00:43:57,387
OH, WOW.
1072
00:43:57,429 --> 00:43:58,972
WHAT?
1073
00:43:59,014 --> 00:44:00,932
BECAUSE I HAD ONE.
1074
00:44:03,101 --> 00:44:05,186
WHAT DO YOU SEE,
NORMAN?
1075
00:44:05,228 --> 00:44:07,689
DOESN'T LOOK LIKE
HE'S BURNED ANYTHING YET.
1076
00:44:07,731 --> 00:44:09,816
BUT HE'S THINKING ABOUT IT.
1077
00:44:11,234 --> 00:44:12,736
SO WHAT DO YOU THINK?
1078
00:44:13,987 --> 00:44:16,072
I THINK LESTER COULD
ESCALATE THIS INTO A DISASTER
1079
00:44:16,114 --> 00:44:17,032
IF WE DON'T DO SOMETHING.
1080
00:44:17,073 --> 00:44:18,533
MS. McINERNEY,
1081
00:44:18,575 --> 00:44:20,368
IT MAY BE TIME
TO GIVE HER A CALL.
1082
00:44:20,410 --> 00:44:22,412
I KNOW.
I ALREADY CALLED HER.
1083
00:44:22,454 --> 00:44:23,997
DALE IS ON HER WAY.
1084
00:44:26,041 --> 00:44:28,001
[***]
1085
00:44:33,965 --> 00:44:36,676
DALE SHOULD BE HERE
IN ABOUT 20 MINUTES.
1086
00:44:36,718 --> 00:44:39,512
I DON'T KNOW ABOUT YOU,
BUT I AM GETTING HUNGRY.
1087
00:44:39,554 --> 00:44:41,097
THAT'S
A GOOD IDEA.
1088
00:44:41,139 --> 00:44:43,141
I BET DUDLEY'S
GETTING HUNGRY, TOO.
1089
00:44:46,394 --> 00:44:48,188
SHANE.
1090
00:44:48,229 --> 00:44:49,606
YOU'VE CHANGED
YOUR HAIR.
1091
00:44:49,647 --> 00:44:51,066
NO.
1092
00:44:51,107 --> 00:44:52,817
YOU KNOW,
AFTER THIS IS ALL OVER,
1093
00:44:52,859 --> 00:44:54,486
WE SHOULD...
1094
00:44:54,527 --> 00:44:55,612
NO.
1095
00:44:55,653 --> 00:44:56,446
MAY I HAVE THAT, PLEASE?
1096
00:44:59,824 --> 00:45:00,909
MR. CURLY!
1097
00:45:00,950 --> 00:45:02,035
I'M GOING OUT
FOR SANDWICHES.
1098
00:45:02,077 --> 00:45:04,579
CAN I GET YOU
ANYTHING?
1099
00:45:05,997 --> 00:45:07,540
PASTRAMI?
1100
00:45:07,582 --> 00:45:08,667
TURKEY?
1101
00:45:08,708 --> 00:45:12,379
CORNED BEEF AND CHICKEN SALAD
ON WHITE.
1102
00:45:12,420 --> 00:45:14,839
MY GOD,
THE MAN'S A SAVAGE.
1103
00:45:14,881 --> 00:45:16,758
DO YOU WANT
ANYTHING ON THAT?
1104
00:45:16,800 --> 00:45:19,552
JUST MAYO.
OH! AND SOME COLESLAW.
1105
00:45:19,594 --> 00:45:20,553
GOT IT.
1106
00:45:20,595 --> 00:45:21,805
NOW, PLEASE...
1107
00:45:21,846 --> 00:45:24,599
TRY NOT TO BURN ANYTHING
UNTIL I GET BACK, OKAY?
1108
00:45:24,641 --> 00:45:27,060
OKAY.
1109
00:45:27,102 --> 00:45:28,687
IF I GIVE THIS BACK TO YOU,
1110
00:45:28,728 --> 00:45:30,980
DO YOU PROMISE NOT TO USE IT
BEFORE I GET BACK?
1111
00:45:31,022 --> 00:45:32,774
WILL YOU LET ME
TAKE YOU TO DINNER AGAIN?
1112
00:45:34,067 --> 00:45:35,318
LESTER...
1113
00:45:35,360 --> 00:45:36,986
SO FAR
THE ONLY ONE HERE
1114
00:45:37,028 --> 00:45:39,114
BREAKING A FEDERAL LAW
IS YOU.
1115
00:45:40,115 --> 00:45:42,534
OKAY! OKAY.
1116
00:45:42,575 --> 00:45:45,161
[FOOTSTEPS RECEDING]
1117
00:45:48,790 --> 00:45:51,376
[***]
1118
00:45:57,424 --> 00:45:59,259
HEY. I'VE GOT
EVERYBODY'S LUNCH ORDER,
1119
00:45:59,300 --> 00:46:00,343
AND THERE'S A DINER
AROUND THE CORNER.
1120
00:46:00,385 --> 00:46:02,053
I'LL TAKE HAM ON RYE.
1121
00:46:02,095 --> 00:46:04,889
OKAY. I'LL GET YOU
YOUR USUAL.
1122
00:46:04,931 --> 00:46:07,475
UH, PERHAPS
A CUP OF HERBAL TEA.
1123
00:46:08,643 --> 00:46:10,270
NO ROSEHIPS.
1124
00:46:11,563 --> 00:46:14,274
I'LL GRAB SOMETHING
FOR DALE, TOO.
1125
00:46:14,315 --> 00:46:15,442
ANY IDEA WHAT SHE'D LIKE?
1126
00:46:15,483 --> 00:46:16,735
UH, NO.
1127
00:46:16,776 --> 00:46:18,820
GOOD.
1128
00:46:23,116 --> 00:46:24,868
[RADIOS CRACKLING]
1129
00:46:24,909 --> 00:46:26,077
SO...
1130
00:46:26,119 --> 00:46:27,620
SHANE?
1131
00:46:27,662 --> 00:46:28,705
I'M SORRY?
1132
00:46:28,747 --> 00:46:29,789
YOU AND SHANE.
1133
00:46:29,831 --> 00:46:31,750
SOMETHING HAPPENED.
1134
00:46:31,791 --> 00:46:34,127
I MEAN,
YOU GUYS AREN'T--
1135
00:46:34,169 --> 00:46:35,337
I DON'T KNOW.
1136
00:46:35,378 --> 00:46:37,422
YOU'RE NOT CLICKING,
LIKE YOU USUALLY DO.
1137
00:46:37,464 --> 00:46:41,634
OH, WELL, I'D LIKE TO THINK
WE CLICKED A FEW TIMES THERE.
1138
00:46:41,676 --> 00:46:43,303
DID YOU EVER TAKE HER OUT,
LIKE I TOLD YOU TO?
1139
00:46:43,345 --> 00:46:45,180
YES.
1140
00:46:45,221 --> 00:46:46,348
BUT NOT BECAUSE
YOU SUGGESTED IT.
1141
00:46:46,389 --> 00:46:47,932
IT WAS SOMETHING I WANTED TO DO.
1142
00:46:47,974 --> 00:46:51,770
WE ACTUALLY WENT TO DINNER
AT MONTALDO'S ON SATURDAY.
1143
00:46:51,811 --> 00:46:53,813
TWO DAYS AGO?
1144
00:46:53,855 --> 00:46:55,148
GEE, IT TOOK YOU LONG ENOUGH!
1145
00:46:55,190 --> 00:46:58,651
WELL, I'D LIKE TO THINK
I'VE LEARNED TO...
1146
00:46:58,693 --> 00:46:59,694
WELL, NOT TO--
1147
00:46:59,736 --> 00:47:00,695
RUSH INTO THINGS.
1148
00:47:00,737 --> 00:47:01,654
OF COURSE. I GET IT.
1149
00:47:01,696 --> 00:47:03,323
SO, HOW'D IT GO?
1150
00:47:05,700 --> 00:47:07,911
[RADIOS CRACKLING]
1151
00:47:11,206 --> 00:47:13,458
I ORDERED YOU
A DOUBLE-PASTRAMI ON RYE.
1152
00:47:15,210 --> 00:47:17,796
THANK YOU
FOR TELLING ME THAT, RITA.
1153
00:47:19,297 --> 00:47:22,717
YOU'RE WELCOME.
OF COURSE.
1154
00:47:25,095 --> 00:47:27,597
[***]
1155
00:47:30,892 --> 00:47:32,018
YOU'RE KIDDING.
1156
00:47:32,060 --> 00:47:33,853
YOU ACTUALLY SAID
"WE'RE JUST FRIENDS"?
1157
00:47:34,938 --> 00:47:36,022
YES.
1158
00:47:36,064 --> 00:47:37,148
[LAUGHING]
1159
00:47:37,190 --> 00:47:38,525
WELL, NO WONDER SHE MENTIONED
1160
00:47:38,566 --> 00:47:39,859
ALL THOSE OTHER GUYS
SHE'D BEEN THERE WITH.
1161
00:47:39,901 --> 00:47:41,277
IT WAS SELF-DEFENSE.
1162
00:47:42,904 --> 00:47:45,198
SO? HOW DID IT ALL END?
1163
00:47:45,240 --> 00:47:48,034
WELL, I ACTUALLY LEFT,
FOR AWHILE.
1164
00:47:48,076 --> 00:47:50,370
I ACTUALLY
ALMOST CALLED YOU.
1165
00:47:50,412 --> 00:47:54,290
[NIKKI]:
* ...WATCH THE DOOR
1166
00:47:54,332 --> 00:47:57,711
* AND TELL MYSELF...
1167
00:47:57,752 --> 00:48:01,047
* I'M FINE ALONE
1168
00:48:01,089 --> 00:48:02,882
* OH, YES
1169
00:48:02,924 --> 00:48:06,594
* I'VE BEEN HERE BEFORE
1170
00:48:12,267 --> 00:48:14,185
OVILEAR!
1171
00:48:14,227 --> 00:48:15,478
RAMON!
1172
00:48:15,520 --> 00:48:17,230
WHAT ARE YOU DOING HERE?
1173
00:48:17,272 --> 00:48:21,067
WELL, I AM DINING WITH
THE MOST REMARKABLE WOMAN.
1174
00:48:21,109 --> 00:48:23,319
A MESMERIZING METEOROLOGIST.
1175
00:48:23,361 --> 00:48:25,739
I SEE THAT YOU
AND THE LOVELY SHANE
1176
00:48:25,780 --> 00:48:29,451
ARE GETTING...
WELL, DEEP IN CONVERSATION.
1177
00:48:29,492 --> 00:48:33,872
YES, WELL,
WE ARE DEEP INTO SOMETHING.
1178
00:48:33,913 --> 00:48:36,750
AHH! I ALWAYS KNEW
YOU TWO WOULD GET TOGETHER.
1179
00:48:36,791 --> 00:48:38,251
OH, NO, WE'RE NOT DATING,
1180
00:48:38,293 --> 00:48:40,754
WE'RE JUST ON A D...
1181
00:48:40,795 --> 00:48:41,796
WE'RE--
1182
00:48:41,838 --> 00:48:42,881
OVILEAR!
1183
00:48:42,922 --> 00:48:45,091
STOP THINKING.
1184
00:48:45,133 --> 00:48:48,386
YOU STARE
INTO EACH OTHER'S EYES,
1185
00:48:48,428 --> 00:48:51,014
YOU DRINK CHAMPAGNE,
YOU DANCE--
1186
00:48:53,308 --> 00:48:56,311
DANCE IS LIKE LOVE, MY FRIEND--
1187
00:48:57,312 --> 00:48:58,646
DON'T LOOK DOWN.
1188
00:49:00,440 --> 00:49:02,108
DON'T YOU MEAN
1189
00:49:02,150 --> 00:49:04,819
"LOVE IS LIKE DANCING,
DON'T LOOK DOWN."
1190
00:49:05,987 --> 00:49:07,447
MM, YES.
1191
00:49:07,489 --> 00:49:09,324
BUT IN THE END,
WHAT IS THE DIFFERENCE, HMM?
1192
00:49:09,366 --> 00:49:11,493
NOW, I MUST GET
BACK TO WORK.
1193
00:49:11,534 --> 00:49:13,495
IT'S LOTTERY NIGHT!
1194
00:49:13,536 --> 00:49:15,955
NOW, BE BOLD,
GO OUT,
1195
00:49:15,997 --> 00:49:17,707
FACE THE MUSIC.
1196
00:49:17,749 --> 00:49:21,002
AND STOP THINKING.
1197
00:49:23,171 --> 00:49:26,007
I SEE YOU.
STOP IT.
1198
00:49:28,385 --> 00:49:30,595
MA CHERIE!
1199
00:49:31,805 --> 00:49:35,558
[NIKKI]:
* WHY SHOULD I RUSH TO PROVE
1200
00:49:35,600 --> 00:49:43,316
* THAT I CAN BREAK MY HEART
ALL OVER? *
1201
00:49:43,358 --> 00:49:45,193
[JOE]:
SO HOW DID THE NIGHT END?
1202
00:49:45,235 --> 00:49:47,862
NOT WELL.
1203
00:49:49,781 --> 00:49:53,493
YOU KNOW,
I WAS NEVER PROUDER OF YOU
1204
00:49:53,535 --> 00:49:55,453
THAN THE DAY THAT I HEARD
ABOUT WHAT YOU DID
1205
00:49:55,495 --> 00:49:57,497
TO GET YOUR
DARK OF NIGHT AWARD.
1206
00:49:57,539 --> 00:50:00,041
YOU ACTUALLY
SAVED SOMEONE'S LIFE.
1207
00:50:00,083 --> 00:50:02,502
WELL, I-I HAD A LOT OF HELP.
1208
00:50:07,007 --> 00:50:09,509
"PERHAPS SOMEDAY
1209
00:50:09,551 --> 00:50:12,137
IT WILL BE GOOD
TO REMEMBER THESE THINGS."
1210
00:50:12,178 --> 00:50:13,513
SMART MAN, VIRGIL.
1211
00:50:13,555 --> 00:50:15,932
YOUR GRANDFATHER
WAS ALWAYS QUOTING HIM,
1212
00:50:15,974 --> 00:50:19,394
OR SHAKESPEARE OR THE BIBLE.
1213
00:50:19,436 --> 00:50:22,689
WHAT WAS THAT ONE
ABOUT LOVE AND POWER AND...?
1214
00:50:22,731 --> 00:50:26,568
"GOD HASN'T GIVEN US
A SPIRIT OF FEAR,
1215
00:50:26,609 --> 00:50:30,030
BUT OF POWER AND LOVE
AND A SOUND MIND."
1216
00:50:36,077 --> 00:50:37,537
AFTER WHAT
YOU'VE BEEN THROUGH,
1217
00:50:37,579 --> 00:50:40,373
I DON'T BLAME YOU
FOR BEING AFRAID, SON.
1218
00:50:40,415 --> 00:50:43,043
BUT... AT YOUR CORE,
1219
00:50:43,084 --> 00:50:44,669
THAT'S NOT WHO YOU ARE.
1220
00:50:44,711 --> 00:50:47,172
YOU DON'T GET AN AWARD LIKE THAT
1221
00:50:47,213 --> 00:50:50,717
WITHOUT LOVE, POWER,
AND SOUND MIND,
1222
00:50:50,759 --> 00:50:52,927
AND YOU DON'T GET MUCH ELSE
THAT MATTERS IN LIFE
1223
00:50:52,969 --> 00:50:54,179
WITHOUT THAT, EITHER.
1224
00:50:56,181 --> 00:50:59,893
I KNOW, YOU'VE BEEN
HURT IN THE PAST.
1225
00:51:01,603 --> 00:51:04,189
AND I'M GUESSING,
SOMEBODY'S HURT SHANE, TOO.
1226
00:51:05,857 --> 00:51:07,108
BUT IT SEEMS TO ME
1227
00:51:07,150 --> 00:51:10,236
THAT YOU'VE EACH GOT
WHAT IT TAKES TO TRY AGAIN
1228
00:51:10,278 --> 00:51:13,073
IF YOU'LL JUST... TRY AGAIN.
1229
00:51:17,369 --> 00:51:18,787
THERE YOU ARE!
HEY, YOU.
1230
00:51:18,828 --> 00:51:20,205
HI.
1231
00:51:20,246 --> 00:51:22,082
WELL, HELLO!
1232
00:51:24,334 --> 00:51:27,128
HI. SPECIAL AGENT DALE TRAVERS.
1233
00:51:27,170 --> 00:51:29,714
STATE DIVISION
OF INVESTIGATIONS.
1234
00:51:34,469 --> 00:51:37,263
[CHUCKLING]
1235
00:51:37,305 --> 00:51:38,139
[MEGAPHONE SQUEALS]
1236
00:51:38,181 --> 00:51:39,599
DUD!
1237
00:51:39,641 --> 00:51:42,102
THIS IS LESTER KIMSICLE,
CHIEF OF POSTAL SECURITY.
1238
00:51:42,143 --> 00:51:43,603
[DOOR OPENS]
I KNOW THAT!
1239
00:51:43,645 --> 00:51:46,106
YOU DON'T HAVE TO
SAY IT EVERY TIME.
1240
00:51:46,147 --> 00:51:48,608
AND STOP CALLING ME "DUD".
1241
00:51:48,650 --> 00:51:50,235
DUD, THERE IS
A GOOD-LOOKIN' FILLY HERE
1242
00:51:50,276 --> 00:51:53,113
FROM THE COLORADO STATE
DIVISION OF INVESTIGATIONS
1243
00:51:53,154 --> 00:51:55,156
OF... COLORADO.
1244
00:51:55,198 --> 00:51:56,950
IF YOU DON'T GIVE UP
BEFORE 5:00,
1245
00:51:56,991 --> 00:51:57,867
SHE'S GONNA TAKE YOU IN,
1246
00:51:57,909 --> 00:52:00,120
AND WE WOULD HATE
TO SEE THAT.
1247
00:52:00,161 --> 00:52:02,288
THEN GIVE ME WHAT I WANT!
1248
00:52:02,330 --> 00:52:04,207
I DON'T CARE WHAT YOU WANT!
1249
00:52:04,249 --> 00:52:06,543
PLEASE. WE'RE
RUNNING OUT OF TIME.
1250
00:52:06,584 --> 00:52:08,086
[LESTER SIGHS]
1251
00:52:08,128 --> 00:52:09,921
DARN IT.
1252
00:52:09,963 --> 00:52:12,799
OKAY, WHAT DO YA WANT?
GIVE ME SOME DEMANDS.
1253
00:52:12,841 --> 00:52:15,260
I WANT MY LUNCH!
1254
00:52:15,301 --> 00:52:16,469
IT'S HERE.
IT'S HERE.
1255
00:52:16,511 --> 00:52:19,556
WE GOT YOUR GOD-AWFUL
CORNED BEEF
1256
00:52:19,597 --> 00:52:21,141
AND CHICKEN SALAD RIGHT HERE.
1257
00:52:21,182 --> 00:52:23,059
WELL, BRING IT
TO THE DOOR,
1258
00:52:23,101 --> 00:52:25,478
NICE AND SLOW,
1259
00:52:25,520 --> 00:52:26,980
AND I'LL GIVE YOU
MY LIST OF DEMANDS.
1260
00:52:27,022 --> 00:52:29,024
AND COME ALONE!
1261
00:52:36,072 --> 00:52:38,908
[***]
1262
00:53:03,224 --> 00:53:05,935
[***]
1263
00:53:17,822 --> 00:53:20,700
[DALE]: "FIND JOSEPH O'TOOLE
AND BRING HIM HERE.
1264
00:53:20,742 --> 00:53:22,369
"AND TELL HIM TO BRING
HIS DARK OF NIGHT AWARD.
1265
00:53:22,410 --> 00:53:23,536
IT BELONGS TO ME."
1266
00:53:23,578 --> 00:53:24,704
[OLIVER]:
I DON'T LIKE THIS.
1267
00:53:24,746 --> 00:53:26,706
I DON'T LIKE YOU GOING
IN THERE ALONE,
1268
00:53:26,748 --> 00:53:29,542
I DON'T LIKE
YOU GOING WITHOUT YOUR AWARD.
1269
00:53:29,584 --> 00:53:31,544
IT'S BACK HOME,
PACKED AWAY IN A MOVING BOX.
1270
00:53:31,586 --> 00:53:33,880
IT'S AN HOUR THERE
AND AN HOUR BACK.
1271
00:53:33,922 --> 00:53:36,132
THERE'S NOT ENOUGH TIME
TO GET IT BEFORE 5:00.
1272
00:53:36,174 --> 00:53:39,552
I CAN'T HOLD THE FEDS ONCE
DUDLEY'S OFFICIALLY RETIRED.
1273
00:53:39,594 --> 00:53:40,887
I'VE GOT AN IDEA.
1274
00:53:40,929 --> 00:53:42,430
BUT I'M GONNA NEED YOUR HELP.
1275
00:53:42,472 --> 00:53:45,350
NAME IT.
1276
00:53:45,392 --> 00:53:47,352
LET'S GO.
1277
00:53:58,697 --> 00:54:01,366
YOU SURE ABOUT THIS?
1278
00:54:01,408 --> 00:54:03,368
ONCE UPON A TIME,
1279
00:54:03,410 --> 00:54:06,121
A LOT OF LETTERS NEVER MADE IT
TO THEIR DESTINATION
1280
00:54:06,162 --> 00:54:07,831
BECAUSE I DIDN'T DO MY JOB.
1281
00:54:07,872 --> 00:54:10,583
I NEVER WANT TO
FEEL THAT WAY AGAIN.
1282
00:54:10,625 --> 00:54:12,085
IT'S STILL A LOT TO GIVE UP.
1283
00:54:14,379 --> 00:54:18,133
THAT'S WHAT
I LOVE ABOUT YOU, OLIVER.
1284
00:54:19,926 --> 00:54:22,429
THANK YOU.
1285
00:54:24,639 --> 00:54:25,557
IT'S TIME TO GO.
1286
00:54:28,393 --> 00:54:31,312
[***]
1287
00:54:32,564 --> 00:54:35,358
[RADIO CRACKLING]
1288
00:54:35,400 --> 00:54:38,695
IS NORMAN EVER GOING TO
COME OUT OF THE TREE?
1289
00:54:38,737 --> 00:54:39,779
I DON'T KNOW!
I THINK HE'S MAD
1290
00:54:39,821 --> 00:54:41,322
BECAUSE I DIDN'T
TELL HIM ABOUT BOB.
1291
00:54:41,364 --> 00:54:43,908
BOB?
YOU DIDN'T TELL ME ABOUT BOB.
1292
00:54:43,950 --> 00:54:45,493
-WHO'S BOB?
-OH--
1293
00:54:45,535 --> 00:54:47,120
[HORN HONKING]
1294
00:54:48,413 --> 00:54:49,456
[BRAKES SCREECH]
1295
00:54:53,335 --> 00:54:55,754
[LESTER]: HEADS UP, MEN!
1296
00:54:57,422 --> 00:54:59,466
OKAY, DUDLEY,
YOU GOT YOUR O'TOOLE.
1297
00:55:01,092 --> 00:55:02,510
I'LL TAKE IT.
1298
00:55:02,552 --> 00:55:04,220
I'M NOT LETTING YOU
GO IN ALONE.
1299
00:55:06,139 --> 00:55:07,474
YOU GET INTO ANY TROUBLE,
1300
00:55:07,515 --> 00:55:09,225
YOU SAY THE MAGIC WORD
AND WE'LL HEAR YOU.
1301
00:55:10,268 --> 00:55:11,895
WHAT IS THE MAGIC WORD?
1302
00:55:11,936 --> 00:55:14,856
I DON'T KNOW.
HOW ABOUT, UH...
1303
00:55:14,898 --> 00:55:16,358
"HELP"?
1304
00:55:18,068 --> 00:55:20,362
[***]
1305
00:55:45,679 --> 00:55:46,638
[KNOCKING]
1306
00:55:46,680 --> 00:55:47,764
IT'S OPEN!
1307
00:55:59,818 --> 00:56:01,653
HEY, JOE.
1308
00:56:01,695 --> 00:56:03,238
LONG TIME, NO SEE.
1309
00:56:03,279 --> 00:56:05,281
HOW YOU DOIN', CURLY?
1310
00:56:05,323 --> 00:56:06,908
I'LL BE DOING BETTER
WHEN I GET WHAT I WANT.
1311
00:56:09,744 --> 00:56:11,287
TOSS IT OVER
1312
00:56:11,329 --> 00:56:12,914
AND THE MAIL'S YOURS.
1313
00:56:12,956 --> 00:56:14,374
[JOE]: NOT YET.
I WANT TO KNOW
1314
00:56:14,416 --> 00:56:17,127
WHAT ALL THIS HAD
TO DO WITH MY FAMILY.
1315
00:56:17,168 --> 00:56:18,336
YOU STILL DON'T GET IT.
1316
00:56:18,378 --> 00:56:19,337
MAYBE.
1317
00:56:19,379 --> 00:56:21,548
BUT I WANT TO
HEAR YOU SAY IT.
1318
00:56:21,589 --> 00:56:22,590
WELL, JOE,
1319
00:56:22,632 --> 00:56:24,426
WHEN I STARTED
AT THE POST OFFICE,
1320
00:56:24,467 --> 00:56:26,511
I WAS THE YOUNGEST PERSON EVER
1321
00:56:26,553 --> 00:56:28,888
TO BE NOMINATED
FOR ONE OF THOSE,
1322
00:56:28,930 --> 00:56:30,390
AND THEN THEY GAVE IT
TO YOUR DAD
1323
00:56:30,432 --> 00:56:32,350
FOR BABYSITTING SOME DUCKS.
1324
00:56:32,392 --> 00:56:34,102
ACTUALLY,
THEY WERE--
1325
00:56:34,144 --> 00:56:35,145
AND MY LAST CHANCE
1326
00:56:35,186 --> 00:56:36,855
AT GETTING ONE
1327
00:56:36,896 --> 00:56:39,190
WENT TO YOU
AND YOUR BUNCH.
1328
00:56:39,232 --> 00:56:42,318
YEAH, SURE,
YOU GOT SOME GIRL A KIDNEY,
1329
00:56:42,360 --> 00:56:44,654
BUT YOU'VE GOT OTHER CHANCES
TO WIN,
1330
00:56:44,696 --> 00:56:45,947
AND THIS WAS MY LAST.
1331
00:56:45,989 --> 00:56:47,824
AND WHAT ABOUT ME?
1332
00:56:47,866 --> 00:56:50,452
THAT ONE CUT THE DEEPEST.
1333
00:56:50,493 --> 00:56:53,329
I WAS THIS CLOSE TO THE DEADLINE
FOR NOMINATIONS.
1334
00:56:53,371 --> 00:56:54,706
I MEAN, NOBODY WAS GONNA
1335
00:56:54,748 --> 00:56:56,958
TOP ME
DROPPING THAT KID'S PROM DRESS
1336
00:56:57,000 --> 00:56:59,461
AT HER HIGH SCHOOL
AT THE LAST MINUTE
1337
00:56:59,502 --> 00:57:01,129
DURING THE PLATTE RIVER FLOOD.
1338
00:57:01,171 --> 00:57:03,923
I EVEN THREW IN A CORSAGE.
1339
00:57:03,965 --> 00:57:06,343
BUT MY PAL, JOE,
1340
00:57:06,384 --> 00:57:09,179
DELIVERS SOME GAL'S
WEDDING DRESS.
1341
00:57:09,220 --> 00:57:11,973
UM, THERE WAS
MORE TO IT THAN THAT.
1342
00:57:13,099 --> 00:57:14,100
RITA DID
1343
00:57:14,142 --> 00:57:15,268
SOME RESEARCH.
1344
00:57:15,310 --> 00:57:17,437
MY FATHER
DROVE HIS TRUCK
1345
00:57:17,479 --> 00:57:20,023
50 MILES
THROUGH A BLIZZARD.
1346
00:57:20,065 --> 00:57:21,274
IT BROKE DOWN.
1347
00:57:21,316 --> 00:57:23,568
HE WALKED
FIVE MORE MILES.
1348
00:57:23,610 --> 00:57:26,029
UPHILL. ON ICE.
1349
00:57:26,071 --> 00:57:29,240
WELL, I DROVE THROUGH
HAIL AND SLEET.
1350
00:57:30,325 --> 00:57:31,826
THE LODGE
CAUGHT ON FIRE.
1351
00:57:31,868 --> 00:57:33,536
MY FATHER PUT IT OUT.
1352
00:57:33,578 --> 00:57:36,039
WELL, MY PROM GIRL
MARRIED THE PROM BOY, OKAY?
1353
00:57:36,081 --> 00:57:37,665
AND THEY HAD SIX KIDS.
1354
00:57:37,707 --> 00:57:38,708
SIR, MY FATHER--
1355
00:57:38,750 --> 00:57:39,709
WHAT ARE
WE DOING HERE?
1356
00:57:39,751 --> 00:57:41,211
WHAT DOES IT MATTER?
1357
00:57:41,252 --> 00:57:43,380
YOU CAN GO AHEAD
AND KEEP THE CUP.
1358
00:57:43,421 --> 00:57:45,256
WE DON'T NEED IT
TO KNOW WHAT WE DID.
1359
00:57:45,298 --> 00:57:46,966
AND NEITHER DO YOU!
1360
00:57:47,008 --> 00:57:49,219
AND SOME DAY,
1361
00:57:49,260 --> 00:57:52,889
WHEN YOU LOOK BACK ON
HOW YOU GOT THIS CUP,
1362
00:57:52,931 --> 00:57:54,432
IT'S GONNA LOOK
PRETTY EMPTY.
1363
00:57:58,937 --> 00:58:02,273
COME ON. COME ON!
1364
00:58:17,122 --> 00:58:19,457
THIS SAYS
"OLIVER O'TOOLE."
1365
00:58:19,499 --> 00:58:21,960
I DIDN'T HAVE ENOUGH TIME
TO GET MY DAD'S.
1366
00:58:25,296 --> 00:58:27,632
YOU GAVE THIS UP
FOR YOUR DAD?
1367
00:58:32,387 --> 00:58:35,557
[***]
1368
00:58:37,308 --> 00:58:39,185
[SIGHING]
1369
00:58:39,227 --> 00:58:41,396
YOU KNOW,
WHEN A MAN RETIRES,
1370
00:58:41,438 --> 00:58:45,191
HE LOOKS BACK ACROSS THE YEARS
AND HE ASKS HIMSELF
1371
00:58:45,233 --> 00:58:48,611
WHAT DOES HE GOT TO SHOW
FOR HIS LIFE?
1372
00:58:48,653 --> 00:58:51,197
I GAVE MY HEART AND SOUL
TO THE POST OFFICE,
1373
00:58:51,239 --> 00:58:54,117
BUT NOBODY KNOWS MY NAME.
1374
00:58:54,159 --> 00:58:57,579
DUDLEY, CURLY--
NOBODY CARES!
1375
00:58:57,620 --> 00:59:00,999
I JUST WANT TO FEEL
LIKE I MATTERED IN THIS WORLD
1376
00:59:01,041 --> 00:59:02,667
BEFORE IT'S ALL OVER.
1377
00:59:05,337 --> 00:59:08,506
BUT NOBODY'S EVEN GONNA MISS ME.
1378
00:59:08,548 --> 00:59:10,800
[THUD]
1379
00:59:12,344 --> 00:59:15,722
I MISSED YOU...
FOR 13 YEARS.
1380
00:59:17,682 --> 00:59:18,808
WHAT GOOD...
1381
00:59:20,143 --> 00:59:21,895
...IS A LETTER,
1382
00:59:21,936 --> 00:59:24,606
IF WE DON'T MAIL IT?
1383
00:59:25,774 --> 00:59:26,858
WHAT?
1384
00:59:26,900 --> 00:59:30,195
SOMEWHERE IN THESE BAGS
IS A LOVE LETTER
1385
00:59:30,236 --> 00:59:33,156
A LADY NAMED NIKKI
MAILED LAST SATURDAY
1386
00:59:33,198 --> 00:59:35,158
BECAUSE OF THESE WORDS
YOU SPOKE TO HER,
1387
00:59:35,200 --> 00:59:36,493
YOU UNDERSTOOD
1388
00:59:36,534 --> 00:59:38,036
THAT WRITING A LETTER
1389
00:59:38,078 --> 00:59:40,663
AND PUTTING IT IN A MAILBOX
1390
00:59:40,705 --> 00:59:44,793
IS LIKE HANDING YOUR HEART
OVER TO A STRANGER.
1391
00:59:44,834 --> 00:59:46,169
JUST LIKE...
1392
00:59:46,211 --> 00:59:48,838
ASKING FOR LOVE
IS A RISK,
1393
00:59:48,880 --> 00:59:52,509
OR ASKING FOR ATTENTION
OR FORGIVENESS--
1394
00:59:52,550 --> 00:59:55,428
YOU HAVE TO MAIL THE LETTER
AND RISK WHATEVER HAPPENS NEXT,
1395
00:59:55,470 --> 00:59:58,556
OTHERWISE NOTHING HAPPENS.
1396
00:59:59,557 --> 01:00:00,934
SO WHETHER ANYONE
1397
01:00:00,975 --> 01:00:04,521
EVER APPRECIATES US
OR KNOWS WHO WE ARE, MR. CURLY,
1398
01:00:04,562 --> 01:00:07,232
THEY WILL KNOW
WHAT WE STAND FOR--
1399
01:00:07,273 --> 01:00:08,358
AND THAT MATTERS
1400
01:00:08,400 --> 01:00:09,693
TO EVERY SINGLE PERSON
1401
01:00:09,734 --> 01:00:12,404
WHO WROTE
EVERY ONE OF THESE LETTERS.
1402
01:00:16,074 --> 01:00:17,033
MY GOODNESS.
1403
01:00:17,075 --> 01:00:19,494
SIR.
1404
01:00:19,536 --> 01:00:21,788
THERE'S ONE HERE
FOR YOU.
1405
01:00:31,047 --> 01:00:34,050
[***]
1406
01:00:34,092 --> 01:00:34,926
THANK YOU.
1407
01:00:42,976 --> 01:00:44,728
"DEAR MR. CURLY--"
1408
01:00:44,769 --> 01:00:47,897
WELL, AT LEAST
SOMEBODY GOT IT RIGHT.
1409
01:00:47,939 --> 01:00:50,400
"MY MOMMY SAYS
YOU'RE GOING TO STOP WORKING
1410
01:00:50,442 --> 01:00:51,443
"AND YOU AREN'T GOING TO
1411
01:00:51,484 --> 01:00:53,820
BRING ANY MAIL TO US ANYMORE."
1412
01:00:55,989 --> 01:00:57,991
[BREATH TREMBLING]
1413
01:00:58,033 --> 01:01:00,076
"THAT IS...
1414
01:01:00,118 --> 01:01:03,163
THAT... THAT IS VERY SAD."
1415
01:01:03,204 --> 01:01:04,456
[BREATH SHAKING]
1416
01:01:04,497 --> 01:01:07,584
"I WILL MISS YOU.
1417
01:01:07,625 --> 01:01:09,252
"YOU BRING
ALL MY BIRTHDAY CARDS
1418
01:01:09,294 --> 01:01:11,463
AND LETTERS FROM GRANDMA."
1419
01:01:11,504 --> 01:01:13,465
[PAGE CRINKLES]
1420
01:01:13,506 --> 01:01:16,593
"AND YOU ALWAYS SMILE
WHEN I GIVE YOU COOKIES.
1421
01:01:16,634 --> 01:01:18,928
"I WISH
WE COULD GIVE YOU A PARTY,
1422
01:01:18,970 --> 01:01:20,138
"BUT OUR PLACE
1423
01:01:20,180 --> 01:01:22,599
IS TOO SMALL."
1424
01:01:23,725 --> 01:01:25,477
"BUT YOU ALREADY KNOW THAT."
1425
01:01:27,687 --> 01:01:29,939
"LOVE...
1426
01:01:29,981 --> 01:01:32,233
BETSY."
1427
01:01:32,275 --> 01:01:33,860
ONE OF THOSE...
1428
01:01:36,237 --> 01:01:39,657
...IS WORTH
ONE THOUSAND OF THESE.
1429
01:01:44,496 --> 01:01:46,456
I FEEL LIKE A FOOL.
1430
01:01:46,498 --> 01:01:48,500
DON'T BOTHER.
1431
01:01:48,541 --> 01:01:50,543
WE'VE ALREADY GOT
ONE OF THOSE OUTSIDE.
1432
01:01:50,585 --> 01:01:53,254
[***]
1433
01:02:24,411 --> 01:02:26,079
SHANE!
1434
01:02:26,121 --> 01:02:28,998
THAT LETTER IS PROPERTY
OF THE U.S. POSTAL SERVICE.
1435
01:02:29,040 --> 01:02:32,919
OH, WELL, SHE FILLED OUT
A 10-67E AT THE D.L.O., LESTER.
1436
01:02:32,961 --> 01:02:34,921
WELL, THEN SHE GETS IT
FROM THE D.L.O.
1437
01:02:34,963 --> 01:02:37,465
OH, FOR HEAVEN'S
SAKE. REALLY?
1438
01:02:37,507 --> 01:02:39,426
REGULATIONS ARE LIKE
1439
01:02:39,467 --> 01:02:43,722
THE LIFEJACKETS
ON THE GANGPLANK OF LIFE, MISSY.
1440
01:02:43,763 --> 01:02:45,223
GREAT WORK TODAY, THOUGH.
1441
01:02:45,265 --> 01:02:47,392
KEEP THAT UP,
I'LL BUY YOU DINNER.
1442
01:02:47,434 --> 01:02:49,602
OH. PLEASE... DON'T.
1443
01:02:49,644 --> 01:02:51,604
HAPPY TO DO IT.
1444
01:02:51,646 --> 01:02:52,939
HAPPY TO DO IT.
1445
01:02:52,981 --> 01:02:55,191
[FORCED CHUCKLE]
1446
01:02:57,485 --> 01:02:58,945
[SIGHS HEAVILY]
1447
01:02:58,987 --> 01:03:00,113
[JOE]: I'LL SEE YOU
AT THE PARTY?
1448
01:03:00,155 --> 01:03:02,157
SHOULD BE
INTERESTING.
1449
01:03:02,198 --> 01:03:04,284
[CHUCKLES]
CURLY'S A GOOD GUY.
1450
01:03:04,325 --> 01:03:07,829
HE JUST LOST HIS WAY
FOR A WHILE.
1451
01:03:07,871 --> 01:03:10,123
THINGS COULD'VE TURNED
OUT TERRIBLY FOR HIM
1452
01:03:10,165 --> 01:03:12,292
IF YOU HADN'T
HANDLED IT SO WELL.
1453
01:03:12,334 --> 01:03:13,335
THANK YOU.
1454
01:03:13,376 --> 01:03:15,337
THANK YOU.
1455
01:03:20,675 --> 01:03:23,053
[***]
1456
01:03:30,101 --> 01:03:32,479
DUDLEY INVITED ME
TO HIS RETIREMENT PARTY.
1457
01:03:32,520 --> 01:03:34,272
YOU SHOULD COME.
1458
01:03:35,607 --> 01:03:37,609
MAYBE I WILL.
1459
01:03:39,027 --> 01:03:40,653
ARE YOU COMING
TO CHOIR PRACTICE TOMORROW?
1460
01:03:40,695 --> 01:03:42,197
I WOULDN'T MISS IT.
1461
01:03:42,238 --> 01:03:44,157
GOOD.
1462
01:03:47,994 --> 01:03:51,039
[***]
1463
01:04:01,299 --> 01:04:04,427
IT'S BLUE
WITH A BIG HEART STICKER.
1464
01:04:07,055 --> 01:04:08,765
NORMAN?
1465
01:04:10,392 --> 01:04:12,811
YOU KNOW
THAT "BURROWING YELLOWTAIL OWL"
1466
01:04:12,852 --> 01:04:13,895
THAT RITA SENDS MONEY TO?
1467
01:04:13,937 --> 01:04:16,481
YEAH.
1468
01:04:16,523 --> 01:04:20,235
WELL, BEFORE I STARTED SINGING,
I WORKED AT THE ZOO.
1469
01:04:20,276 --> 01:04:23,446
WOW. THAT IS
A COMPLETE CAREER 180.
1470
01:04:23,488 --> 01:04:24,656
YEAH.
1471
01:04:24,698 --> 01:04:26,157
WELL, I LEARNED A LOT.
1472
01:04:26,199 --> 01:04:30,120
AND THERE'S SOMETHING
YOU SHOULD KNOW ABOUT BOB.
1473
01:04:32,997 --> 01:04:34,249
WHAT DO THEY SAY?
1474
01:04:34,290 --> 01:04:35,875
CAST YOUR
DARK OF NIGHT AWARD
1475
01:04:35,917 --> 01:04:37,335
UPON THE WATERS
1476
01:04:37,377 --> 01:04:40,046
AND IT SHALL BE
RETURNED UNTO YOU?
1477
01:04:40,088 --> 01:04:41,715
LOOK AT YOU,
QUOTING SCRIPTURE.
1478
01:04:41,756 --> 01:04:43,591
[CHUCKLES]
1479
01:04:43,633 --> 01:04:46,052
I KNOW HOW HARD IT WAS FOR YOU
TO GIVE THAT UP.
1480
01:04:46,094 --> 01:04:49,305
WELL, IT WAS EASIER
THAN I THOUGHT IT WOULD BE.
1481
01:04:49,347 --> 01:04:53,560
IT'S ACTUALLY JUST
A SYMBOL, LIKE A--
1482
01:04:53,601 --> 01:04:55,145
LIKE...
1483
01:04:55,186 --> 01:04:57,147
LIKE THE ROSE CUTTING
THAT YOU GAVE ME.
1484
01:04:58,648 --> 01:05:01,651
YOU KNOW, JUST BECAUSE
IT DIDN'T TAKE,
1485
01:05:01,693 --> 01:05:05,739
IT DOESN'T DIMINISH
THE THOUGHT THAT WAS BEHIND IT.
1486
01:05:07,073 --> 01:05:08,366
"NEVER REGRET AN ACT OF--"
1487
01:05:08,408 --> 01:05:09,367
[NORMAN]:
OH! FOUND IT!
1488
01:05:09,409 --> 01:05:10,702
GREAT!
1489
01:05:13,955 --> 01:05:15,915
I CAN'T BELIEVE
1490
01:05:15,957 --> 01:05:17,625
I'M HOLDING
$50,000 IN MY HANDS.
1491
01:05:19,711 --> 01:05:21,963
SO... WHY AM I SO SAD?
1492
01:05:22,005 --> 01:05:25,050
BECAUSE NO MATTER
HOW MUCH YOU'VE WON,
1493
01:05:25,091 --> 01:05:26,801
IT CAN'T FIX
WHAT YOU'VE LOST.
1494
01:05:29,137 --> 01:05:31,931
UH, SATURDAY NIGHT
AT THE RESTAURANT,
1495
01:05:31,973 --> 01:05:33,808
I WAS SINGING THIS LOVE SONG,
REMEMBER?
1496
01:05:33,850 --> 01:05:37,604
AND I'D SUNG IT A MILLION TIMES,
BUT, FOR SOME REASON,
1497
01:05:37,645 --> 01:05:39,689
THAT NIGHT IT FELT LIKE I WAS
SINGING IT JUST FOR GRAHAM.
1498
01:05:39,731 --> 01:05:42,025
AND THEN IT HIT ME,
1499
01:05:42,067 --> 01:05:45,320
BEING SOME BROADWAY STAR
REALLY ISN'T MY DREAM.
1500
01:05:46,613 --> 01:05:48,615
BEING WITH GRAHAM...
1501
01:05:48,656 --> 01:05:51,493
BEING TOGETHER, ANYWHERE,
1502
01:05:51,534 --> 01:05:53,286
THAT'S THE DREAM.
1503
01:05:54,871 --> 01:05:56,956
THAT WASTHE DREAM.
1504
01:05:56,998 --> 01:05:59,793
AT LEAST, IT WAS MINE.
1505
01:06:01,086 --> 01:06:02,796
YOU KNOW, WHEN
I BROKE UP WITH BOB,
1506
01:06:02,837 --> 01:06:04,506
I WAS SO SAD.
1507
01:06:04,547 --> 01:06:07,050
I THOUGHT I WOULD NEVER
FIND THE RIGHT MAN FOR ME.
1508
01:06:07,092 --> 01:06:08,510
[QUIETLY]: "BOB"?
1509
01:06:08,551 --> 01:06:12,305
BUT THEN MY MOM SAID "RITA,
DON'T BE IN SUCH A HURRY.
1510
01:06:12,347 --> 01:06:14,057
"THE PERFECT MAN IS OUT THERE,
1511
01:06:14,099 --> 01:06:16,059
"BUT HE'S STILL
IN THE OVEN, BAKING.
1512
01:06:16,101 --> 01:06:17,644
"AND IF YOU KEEP RUNNING
INTO THE KITCHEN
1513
01:06:17,686 --> 01:06:18,728
"AND OPENING THE DOOR,
1514
01:06:18,770 --> 01:06:19,562
HE'LL NEVER BE READY."
1515
01:06:20,939 --> 01:06:24,317
SO, I WAITED,
AND IT WASN'T EASY,
1516
01:06:24,359 --> 01:06:28,113
BUT THEN ALL OF A SUDDEN,
I SMELLED SOMETHING REALLY GOOD,
1517
01:06:28,154 --> 01:06:30,281
AND WHEN I OPENED THE DOOR...
1518
01:06:30,323 --> 01:06:31,991
THERE WAS NORMAN.
1519
01:06:32,033 --> 01:06:32,992
ALL DONE!
1520
01:06:33,034 --> 01:06:34,452
DING!
1521
01:06:34,494 --> 01:06:35,995
[LAUGHTER]
1522
01:06:36,037 --> 01:06:37,455
HE WAS
WORTH THE WAIT.
1523
01:06:38,581 --> 01:06:41,334
[NIKKI]:
I THOUGHT GRAHAM WAS, TOO.
1524
01:06:41,376 --> 01:06:44,963
HE SEEMED LIKE
SUCH A GOOD GUY, BUT...
1525
01:06:47,132 --> 01:06:49,718
WRONG OVEN, I GUESS.
1526
01:06:49,759 --> 01:06:51,261
LOOK AT IT THIS WAY.
1527
01:06:51,302 --> 01:06:54,472
NOW YOU CAN LIVE
A TROUT-FREE LIFE
1528
01:06:54,514 --> 01:06:56,016
AND YOU DON'T HAVE TO
WEAR BLUE ANYMORE.
1529
01:06:56,057 --> 01:06:57,642
GOOD POINT.
1530
01:06:57,684 --> 01:06:59,394
MISS BERGENS,
THERE'S A VAST DIFFERENCE
1531
01:06:59,436 --> 01:07:02,147
BETWEEN CHOOSING A GOOD MAN
1532
01:07:02,188 --> 01:07:04,524
AND FINDING THE RIGHT MAN.
1533
01:07:04,566 --> 01:07:07,569
I HOPE YOU DON'T GIVE UP
UNTIL YOU FIND BOTH.
1534
01:07:09,112 --> 01:07:11,197
OKAY.
1535
01:07:11,239 --> 01:07:13,908
WELL...
THANKS FOR EVERYTHING.
1536
01:07:13,950 --> 01:07:15,368
OUR PLEASURE.
1537
01:07:16,703 --> 01:07:18,621
BACK TO WORK!
1538
01:07:18,663 --> 01:07:19,914
RIGHT!
1539
01:07:19,956 --> 01:07:22,792
OR I COULD JUST QUIT.
1540
01:07:22,834 --> 01:07:24,669
DON'T THINK ABOUT IT.
1541
01:07:24,711 --> 01:07:26,713
GO BACK TO WORK,
FACE THE MUSIC.
1542
01:07:26,755 --> 01:07:27,756
YOU'LL KNOW WHAT TO DO.
1543
01:07:30,759 --> 01:07:32,385
[OLIVER]: MISS BERGENS,
WE'LL SEE YOU OUT.
1544
01:07:33,678 --> 01:07:34,637
BYE.
1545
01:07:40,935 --> 01:07:42,354
RITA?
1546
01:07:43,897 --> 01:07:46,024
WE HAVE TO TALK.
1547
01:07:48,151 --> 01:07:51,029
NORMAN, I KNOW WHAT
YOU'RE GOING TO SAY.
1548
01:07:51,071 --> 01:07:53,490
I SHOULD HAVE TOLD YOU
BEFORE ABOUT BOB,
1549
01:07:53,531 --> 01:07:57,243
BUT I DON'T FEEL ABOUT HIM
THE WAY I FEEL ABOUT YOU,
1550
01:07:57,285 --> 01:07:59,662
AND I NEVER DID.
1551
01:07:59,704 --> 01:08:02,123
YOU'RE JUST GOING TO
HAVE TO TRUST ME.
1552
01:08:02,165 --> 01:08:03,875
OH, I TRUST YOU
COMPLETELY.
1553
01:08:03,917 --> 01:08:06,169
BUT I DON'T TRUST BOB.
1554
01:08:06,211 --> 01:08:07,545
I KNOW YOU WANTED
TO BELIEVE IT, BUT...
1555
01:08:08,797 --> 01:08:11,424
BOUVET ISLAND
DOESN'T HAVE ANY OWLS.
1556
01:08:11,466 --> 01:08:14,636
AND THERE'S NO SUCH THING
AS THE BURROWING YELLOWTAIL.
1557
01:08:14,678 --> 01:08:16,388
BOB SCAMMED YOU.
1558
01:08:20,767 --> 01:08:22,519
OH.
1559
01:08:22,560 --> 01:08:24,521
I'M SORRY.
1560
01:08:26,189 --> 01:08:28,900
[SIGHS]
1561
01:08:28,942 --> 01:08:31,277
POOR BOB.
1562
01:08:31,319 --> 01:08:33,655
HE MUST HAVE
REALLY NEEDED THE MONEY.
1563
01:08:36,241 --> 01:08:37,575
YOU'RE AMAZING.
1564
01:08:39,244 --> 01:08:42,038
[CHUCKLES]
1565
01:08:48,753 --> 01:08:52,007
BUT I'M NOT GIVING HIM
ANY MORE MONEY!
1566
01:08:52,048 --> 01:08:53,383
HEY! DO YOU WANNA
GO GET DINNER?
1567
01:08:53,425 --> 01:08:54,968
I'VE GOT
AN EXTRA 50 BUCKS!
1568
01:08:55,010 --> 01:08:56,636
YEAH!
1569
01:08:56,678 --> 01:08:58,138
I'M STARVING.
1570
01:08:58,179 --> 01:09:00,724
[***]
1571
01:09:07,188 --> 01:09:08,606
NIKKI!
1572
01:09:08,648 --> 01:09:11,192
PLEASE HOLD ON.
I NEED TO TELL YOU SOMETHING.
1573
01:09:11,234 --> 01:09:12,861
I TRIED CALLING YOU
AFTER YOU RAN OFF,
1574
01:09:12,902 --> 01:09:14,154
BUT YOUR VOICEMAIL
WAS FULL
1575
01:09:14,195 --> 01:09:15,238
AND YOU DIDN'T
PICK UP.
1576
01:09:15,280 --> 01:09:17,407
WE DON'T HAVE TO
PRETEND ANYMORE, GRAHAM.
1577
01:09:17,449 --> 01:09:18,408
WE DON'T
HAVE TO TALK,
1578
01:09:18,450 --> 01:09:20,160
WE JUST
HAVE TO SING
1579
01:09:20,201 --> 01:09:22,245
AND SERVE BETTER-
THAN-AVERAGE FOOD
1580
01:09:22,287 --> 01:09:23,413
AT INFLATED PRICES
1581
01:09:23,455 --> 01:09:24,497
TO PEOPLE WHO THINK
1582
01:09:24,539 --> 01:09:25,540
GOING TO
A ROMANTIC RESTAURANT
1583
01:09:25,582 --> 01:09:27,500
ACTUALLY HAS ANYTHING
TO DO WITH LOVE.
1584
01:09:27,542 --> 01:09:29,127
NIKKI, PLEASE,
JUST LISTEN TO ME FOR ONCE.
1585
01:09:30,420 --> 01:09:31,671
ACTUALLY WHAT
I TRIED TO SAY,
1586
01:09:31,713 --> 01:09:35,050
BUT YOU WOULDN'T LET ME
IS I--
1587
01:09:35,091 --> 01:09:36,885
I LOVE YOU.
1588
01:09:36,926 --> 01:09:38,928
AND MORE THAN THAT,
1589
01:09:38,970 --> 01:09:40,847
I AM IN LOVE YOU,
AND MORE THAN THAT, EVEN.
1590
01:09:40,889 --> 01:09:42,349
WHAT'S MORE THAN THAT?
1591
01:09:42,390 --> 01:09:44,017
I DON'T KNOW,
1592
01:09:44,059 --> 01:09:46,061
"I LOVE YOU FOREVER" LOVE?
1593
01:09:47,854 --> 01:09:50,648
IF THERE'S A "BUT" COMING,
I'M GONNA KILL YOU.
1594
01:09:50,690 --> 01:09:53,526
I WAS GOING TO BREAK UP,
BUT ONLY BECAUSE I--
1595
01:09:53,568 --> 01:09:55,111
I HAVE NO BUSINESS
GIVING YOU HOPE
1596
01:09:55,153 --> 01:09:56,529
THAT I CAN GO WITH YOU
TO NEW YORK.
1597
01:09:56,571 --> 01:09:58,031
BUT YOU'VE BEEN SAVING UP
FOR SO LONG.
1598
01:09:58,073 --> 01:10:00,033
I WAS,
BUT MY MOM--
1599
01:10:00,075 --> 01:10:01,409
MY MOM LOST HER JOB
1600
01:10:01,451 --> 01:10:03,661
AND FELL BEHIND
ON HER MORTGAGE PAYMENTS.
1601
01:10:03,703 --> 01:10:05,705
SHE DIDN'T WANT ME TO FIND OUT,
BUT I DID,
1602
01:10:05,747 --> 01:10:07,957
AND I HAD TO HELP HER OUT
BECAUSE SHE'S MY MOM
1603
01:10:07,999 --> 01:10:10,085
AND NOBODY ELSE BELIEVES IN ME
LIKE SHE DOES.
1604
01:10:10,126 --> 01:10:12,671
EXCEPT YOU.
1605
01:10:16,925 --> 01:10:18,718
WHY DIDN'T YOU TELL ME?
1606
01:10:18,760 --> 01:10:20,261
I COULDN'T LET YOU
PUT YOUR DREAMS ON HOLD
1607
01:10:20,303 --> 01:10:21,638
WHILE YOU WAITED FOR ME.
1608
01:10:21,680 --> 01:10:24,808
BUT AFTER YOU RAN OFF,
I KNEW I'D MADE A MISTAKE.
1609
01:10:24,849 --> 01:10:28,186
I JUST DON'T KNOW
HOW TO FIX IT.
1610
01:10:30,063 --> 01:10:32,315
OKAY.
1611
01:10:32,357 --> 01:10:34,442
FIRST OF ALL...
1612
01:10:36,194 --> 01:10:39,197
I "LOVE YOU FOREVER"
LOVE YOU, TOO.
1613
01:10:39,239 --> 01:10:40,740
AND SECOND,
1614
01:10:40,782 --> 01:10:41,700
I'M SORRY--
1615
01:10:41,741 --> 01:10:44,744
REALLY SORRY--
THAT I RAN OFF.
1616
01:10:44,786 --> 01:10:47,455
YOU WERE OBVIOUSLY IN THE OVEN
1617
01:10:47,497 --> 01:10:48,957
AND I DIDN'T REALIZE
YOU WERE DONE--
1618
01:10:50,125 --> 01:10:52,252
DON'T ASK.
1619
01:10:52,293 --> 01:10:54,087
BUT THIRD...
1620
01:10:54,129 --> 01:10:55,964
YOU ARE SO STUPID!
1621
01:10:56,006 --> 01:10:57,173
THANK YOU.
1622
01:10:57,215 --> 01:10:59,592
I MEAN, YOU'RE MY DREAM,
NOT NEW YORK!
1623
01:10:59,634 --> 01:11:01,886
AND WHAT MAKES YOU HAPPY
MAKES ME HAPPY,
1624
01:11:01,928 --> 01:11:03,013
AND I LOVE YOUR MOM,
1625
01:11:03,054 --> 01:11:04,305
AND IF WE'RE GONNA
BE TOGETHER FOREVER,
1626
01:11:04,347 --> 01:11:05,473
THEN WE CAN'T LET HER
LOSE HER HOUSE,
1627
01:11:05,515 --> 01:11:07,475
OTHERWISE WHERE WILL WE GO
FOR CHRISTMAS,
1628
01:11:07,517 --> 01:11:09,269
WHICH BRINGS ME TO--
WHAT ARE WE ON?
1629
01:11:09,310 --> 01:11:10,395
FOUR.
1630
01:11:10,437 --> 01:11:11,479
FOURTH...
1631
01:11:11,521 --> 01:11:13,773
WILL YOU MARRY ME?
1632
01:11:13,815 --> 01:11:15,400
IN A MINUTE!
1633
01:11:15,442 --> 01:11:17,444
GOOD. UM...
1634
01:11:17,485 --> 01:11:20,530
BY THE WAY,
WE WON THE LOTTERY.
1635
01:11:20,572 --> 01:11:22,615
I KNOW, THAT'S EXACTLY
WHAT IT FEELS LIKE.
1636
01:11:22,657 --> 01:11:25,660
NO, WE WON THE LOTTERY.
1637
01:11:27,370 --> 01:11:29,289
OH. [CHUCKLES]
1638
01:11:29,330 --> 01:11:31,041
DON'T OPEN IT.
1639
01:11:31,082 --> 01:11:32,751
JUST KISS ME.
1640
01:11:34,002 --> 01:11:36,963
[***]
1641
01:11:37,005 --> 01:11:40,175
[STAFF APPLAUDING]
1642
01:11:59,903 --> 01:12:02,238
[***]
1643
01:12:03,740 --> 01:12:05,950
* MY HEART IS ON FIRE
1644
01:12:05,992 --> 01:12:08,036
* I'M RUNNING OUT OF TIME
1645
01:12:08,078 --> 01:12:11,331
* GOTTA FIND OUT
IF YOU'RE STILL MINE *
1646
01:12:11,373 --> 01:12:14,209
[FOOTBALL GAME
PLAYS ON TELEVISION]
1647
01:12:14,250 --> 01:12:15,502
PLAY ANY SPORTS
IN HIGH SCHOOL, NORM?
1648
01:12:15,543 --> 01:12:19,881
I WAS A FOSTER KID,
SO I MOVED AROUND A LOT.
1649
01:12:21,633 --> 01:12:24,511
SPORTS ARE
THE FOUNDATION OF WAR.
1650
01:12:26,096 --> 01:12:27,847
LIKE PLAYING CHECKERS
WITH REAL PEOPLE,
1651
01:12:27,889 --> 01:12:30,558
ONLY YOU DON'T
GET HURT.
1652
01:12:32,018 --> 01:12:34,187
WHAT POSITION
DID YOU PLAY?
1653
01:12:35,689 --> 01:12:37,148
I WAS A FOSTER KID.
I MOVED AROUND A LOT.
1654
01:12:37,190 --> 01:12:38,149
I DIDN'T--
1655
01:12:38,191 --> 01:12:40,652
SHORT-STOP...
1656
01:12:40,694 --> 01:12:42,195
GOOD FOR YOU.
1657
01:12:44,280 --> 01:12:47,283
OH, YEAH, I LOVE TO DANCE.
1658
01:12:47,325 --> 01:12:49,327
IT'S VERY HARD WORK, THOUGH.
1659
01:12:49,369 --> 01:12:51,663
WELL, AT LEAST THE WAY
THAT I DO IT, ANYWAYS.
1660
01:12:51,705 --> 01:12:52,872
[GIGGLES]
1661
01:12:52,914 --> 01:12:54,165
HOW ABOUT YOU?
1662
01:12:54,207 --> 01:12:56,167
OH, I HAVEN'T
DANCED IN YEARS.
1663
01:12:56,209 --> 01:12:59,170
SHANE AND OLIVER
TOOK DANCE LESSONS ONCE.
1664
01:12:59,212 --> 01:13:01,172
WHERE IS SHANE?
1665
01:13:01,214 --> 01:13:03,883
I DON'T KNOW.
1666
01:13:08,054 --> 01:13:09,347
[SPEAKING QUIETLY]
1667
01:13:13,268 --> 01:13:14,853
I'VE HEARD OF COP BARS
AND I'VE HEARD OF SPORTS BARS,
1668
01:13:14,894 --> 01:13:17,355
BUT I'VE NEVER
HEARD OF...
1669
01:13:22,068 --> 01:13:23,486
WOULD YOU EXCUSE ME?
1670
01:13:23,528 --> 01:13:24,446
SURE.
1671
01:13:26,406 --> 01:13:27,574
WELL, EVERYONE NEEDS
A PLACE TO--
1672
01:13:27,615 --> 01:13:28,658
OLIVER.
1673
01:13:28,700 --> 01:13:29,659
HAVE SOME CAKE.
1674
01:13:29,701 --> 01:13:30,785
OH, THANK YOU.
1675
01:13:30,827 --> 01:13:32,537
SHANE HAD IT
SPECIAL-ORDERED.
1676
01:13:32,579 --> 01:13:33,705
FROM MONTALDO'S.
1677
01:13:34,914 --> 01:13:36,374
OH.
1678
01:13:36,416 --> 01:13:38,710
DALE, COULD YOU HELP ME
MIX SOME MORE PUNCH?
1679
01:13:38,752 --> 01:13:39,753
SURE.
1680
01:13:41,004 --> 01:13:42,047
LATER?
1681
01:13:42,088 --> 01:13:43,631
YES.
1682
01:13:45,008 --> 01:13:47,844
[***]
1683
01:13:53,600 --> 01:13:55,143
* KISSES...
1684
01:13:55,185 --> 01:13:58,396
* ARE SO DELICIOUS
1685
01:13:58,438 --> 01:14:02,734
* DISTRACT ME
ALL MY WISHES *
1686
01:14:02,776 --> 01:14:06,404
* AND MAKE THIS DAY
IN MY HEART... *
1687
01:14:06,446 --> 01:14:09,074
[NIKKI]:
* ...BEFORE *
1688
01:14:09,115 --> 01:14:11,284
[DINERS APPLAUDING]
1689
01:14:15,789 --> 01:14:17,123
I, UH,
1690
01:14:17,165 --> 01:14:18,708
TOOK THE LIBERTY
OF ORDERING DESSERT.
1691
01:14:18,750 --> 01:14:21,002
OH, THANK YOU.
1692
01:14:21,044 --> 01:14:22,170
WAS THAT RAMON
THAT I SAW LEAVING?
1693
01:14:22,212 --> 01:14:23,338
YES.
1694
01:14:23,380 --> 01:14:25,298
HE SENDS HIS REGARDS.
1695
01:14:25,340 --> 01:14:26,591
[CHUCKLES]
1696
01:14:26,633 --> 01:14:28,551
THAT GUY ALWAYS SHOWS UP
AT THE WEIRDEST TIMES.
1697
01:14:29,886 --> 01:14:31,471
YOU THINK THIS IS WEIRD?
1698
01:14:34,140 --> 01:14:35,809
ARE YOU GOING TO
TRY YOUR DESSERT?
1699
01:14:37,310 --> 01:14:40,689
UM, I'M NOT QUITE READY YET.
1700
01:14:40,730 --> 01:14:41,940
AHEM.
1701
01:14:41,981 --> 01:14:43,400
FORGIVE ME.
1702
01:14:43,441 --> 01:14:46,528
UH, IT GETS
A BIT HOT IN HERE.
1703
01:14:48,196 --> 01:14:51,491
BUT, UM,
I SUPPOSE YOU KNOW THAT,
1704
01:14:51,533 --> 01:14:53,410
BEING SO FAMILIAR
WITH THE PLACE.
1705
01:14:58,540 --> 01:15:01,751
OLIVER, LESTER IS AN IDIOT.
1706
01:15:01,793 --> 01:15:03,920
AND STEVE...
1707
01:15:03,962 --> 01:15:07,465
I HAVE BEEN OVER HIM
FOR A VERY LONG TIME.
1708
01:15:08,883 --> 01:15:11,219
YOU OWE ME
NO EXPLANATIONS, MS. McINERNEY.
1709
01:15:11,261 --> 01:15:14,639
BECAUSE YOU AND I
ARE JUST... FRIENDS?
1710
01:15:14,681 --> 01:15:18,351
THAT WAS AN UNFORTUNATE
TURN OF PHRASE, I'M AFRAID.
1711
01:15:25,191 --> 01:15:27,110
SO-- [SIGHS]
1712
01:15:27,152 --> 01:15:29,487
SO WHAT WAS TONIGHT?
1713
01:15:30,488 --> 01:15:31,865
WAS IT A DATE?
1714
01:15:31,906 --> 01:15:35,076
OR WAS IT JUST
OUR "LONG-PROMISED DINNER"?
1715
01:15:37,203 --> 01:15:38,580
I DON'T KNOW.
1716
01:15:39,789 --> 01:15:42,667
IT WAS SUPPOSED TO BE
A QUIET DINNER
1717
01:15:42,709 --> 01:15:45,837
WITH GOOD COMPANY
AND GOOD CONVERSATION,
1718
01:15:45,879 --> 01:15:48,631
AND I DID WANT IT
TO BE SOMEPLACE SPECIAL...
1719
01:15:50,133 --> 01:15:52,594
AND I WANTED TO DANCE.
1720
01:15:57,140 --> 01:15:59,309
OLIVER,
1721
01:15:59,351 --> 01:16:01,895
I NEVER DANCED
WITH ANY OF THE OTHERS HERE.
1722
01:16:03,355 --> 01:16:05,523
I ONLY--
1723
01:16:08,151 --> 01:16:11,071
I ONLY DANCE WITH YOU.
1724
01:16:16,409 --> 01:16:18,787
WE COULD USE MORE PRACTICE.
1725
01:16:20,914 --> 01:16:23,249
I-I KNOW.
1726
01:16:23,291 --> 01:16:26,294
IF WE WE'RE GONNA GET
ANY GOOD AT IT.
1727
01:16:26,336 --> 01:16:30,382
I IMAGINE
WE COULD BE VERY GOOD.
1728
01:16:30,423 --> 01:16:33,635
I IMAGINE WE WOULD BE.
1729
01:16:33,677 --> 01:16:35,762
IF WE PRACTICED EVERY WEEK.
1730
01:16:36,930 --> 01:16:38,556
EVERY WEEK?
1731
01:16:40,225 --> 01:16:43,228
OH, I ONLY MEANT
IF YOU WERE SERIOUS...
1732
01:16:43,269 --> 01:16:44,145
I-I MEAN--
1733
01:16:45,397 --> 01:16:47,148
RIGHT.
1734
01:16:48,608 --> 01:16:50,360
[PIANO BEGINS TO PLAY]
1735
01:16:50,402 --> 01:16:51,861
RIGHT.
1736
01:16:51,903 --> 01:16:54,739
[HOST]: AND NOW,
RETURNING TO THE STAGE
1737
01:16:54,781 --> 01:16:57,325
WITH A VERY SPECIAL GOODNIGHT
FROM MONTALDO'S...
1738
01:16:57,367 --> 01:17:00,537
PLEASE WELCOME
MICHAEL AND SOPHIA.
1739
01:17:08,253 --> 01:17:14,092
* IF I LOVED YOU
1740
01:17:14,134 --> 01:17:16,428
* TIME AND AGAIN
1741
01:17:16,469 --> 01:17:19,681
* I WOULD TRY TO SAY
1742
01:17:19,723 --> 01:17:26,813
* ALL I'D WANT YOU TO KNOW
1743
01:17:28,898 --> 01:17:33,611
* IF I LOVED YOU
1744
01:17:33,653 --> 01:17:39,200
* WORDS WOULDN'T COME
IN AN EASY WAY *
1745
01:17:39,242 --> 01:17:45,623
* ROUND IN CIRCLES
I'D GO *
1746
01:17:47,667 --> 01:17:52,797
* LONGING TO TELL YOU
BUT AFRAID AND SHY *
1747
01:17:52,839 --> 01:17:55,467
* I'D LET MY GOLDEN CHANCES
1748
01:17:55,508 --> 01:17:58,636
* PASS ME BY
1749
01:18:00,180 --> 01:18:04,017
* SOON YOU'D LEAVE ME
1750
01:18:04,059 --> 01:18:06,978
* OFF YOU WOULD GO
1751
01:18:07,020 --> 01:18:09,689
* IN THE MIST OF DAY
1752
01:18:09,731 --> 01:18:16,946
* NEVER, NEVER TO KNOW
1753
01:18:16,988 --> 01:18:21,743
* HOW I LOVED YOU
1754
01:18:23,078 --> 01:18:28,208
* IF I LOVED YOU
1755
01:18:34,422 --> 01:18:37,634
[***]
1756
01:18:39,219 --> 01:18:43,348
* SOON YOU'D LEAVE ME
1757
01:18:43,390 --> 01:18:45,767
* OFF YOU WOULD GO
1758
01:18:45,809 --> 01:18:48,520
* IN THE MIST OF DAY
1759
01:18:48,561 --> 01:18:56,528
* NEVER, NEVER TO KNOW
1760
01:18:56,569 --> 01:19:02,325
* HOW I LOVED YOU
1761
01:19:03,493 --> 01:19:06,162
[SILENCE FALLS]
1762
01:19:10,333 --> 01:19:12,669
* IF
1763
01:19:14,629 --> 01:19:20,093
* I LOVED YOU *
1764
01:19:23,596 --> 01:19:26,057
[DINERS APPLAUDING]
1765
01:19:45,076 --> 01:19:47,454
[***]
1766
01:20:16,816 --> 01:20:18,693
[POP DANCE MUSIC PLAYS]
1767
01:20:32,165 --> 01:20:33,708
OLIVER,
ARE WE DANCING?
1768
01:20:36,044 --> 01:20:39,381
NO, MS. McINERNEY.
WE ARE NOT.
1769
01:20:41,341 --> 01:20:43,426
OKAY.
1770
01:20:43,468 --> 01:20:45,845
[OLIVER]:
I NEED TO ASK YOU SOMETHING.
1771
01:20:45,887 --> 01:20:48,014
I LIKED THAT DESSERT.
1772
01:20:48,056 --> 01:20:50,058
IT WAS VERY GOOD.
1773
01:20:50,100 --> 01:20:51,559
I'M GLAD TO HEAR IT.
1774
01:20:51,601 --> 01:20:53,186
IT'S HARD TO FIND
A GOOD CURD THESE DAYS.
1775
01:20:53,228 --> 01:20:55,397
YES. TIMES HAVE CHANGED.
1776
01:20:55,438 --> 01:20:57,440
AND I'M VERY
OLD-FASHIONED, YOU KNOW.
1777
01:20:57,482 --> 01:20:59,025
I'M AWARE OF THAT.
1778
01:20:59,067 --> 01:21:01,027
AND WHEN LIFE
BECOMES COMPLICATED,
1779
01:21:01,069 --> 01:21:02,779
ONE FINDS ONESELF FALLING BACK
1780
01:21:02,821 --> 01:21:04,864
UPON THE TRADITIONAL
AND FAMILIAR.
1781
01:21:04,906 --> 01:21:08,201
ONE TAKES ONE'S TIME TO AVOID
THE RISK OF PRECIPITOUSNESS.
1782
01:21:08,243 --> 01:21:10,537
DOES ONE GET TO THE QUESTION?
1783
01:21:10,578 --> 01:21:11,788
AND YET...
1784
01:21:11,830 --> 01:21:13,039
WHAT GOOD
1785
01:21:13,081 --> 01:21:15,667
IS A LETTER
IF ONE NEVER MAILS IT?
1786
01:21:16,918 --> 01:21:18,795
IS THAT THE QUESTION?
1787
01:21:18,837 --> 01:21:21,339
NO. WHY DID YOU ORDER
LEMON CAKE FOR THE PARTY TODAY?
1788
01:21:22,966 --> 01:21:25,427
UM...
1789
01:21:25,468 --> 01:21:27,595
I THOUGHT YOU SHOULD HAVE
A SECOND CHANCE TO TRY IT.
1790
01:21:28,847 --> 01:21:31,016
AND YOU COULDN'T WAIT
1791
01:21:31,057 --> 01:21:33,018
UNTIL THE NEXT TIME
WE WENT TO MONTALDO'S?
1792
01:21:33,059 --> 01:21:35,478
OR DID YOU ASSUME
THERE WOULD BE NO "NEXT TIME"?
1793
01:21:36,730 --> 01:21:37,814
WELL, I...
1794
01:21:37,856 --> 01:21:39,566
WELL...
1795
01:21:39,607 --> 01:21:41,026
IT MAY SURPRISE YOU,
1796
01:21:41,067 --> 01:21:44,487
BUT I BELIEVE
IN SECOND CHANCES, TOO.
1797
01:21:45,780 --> 01:21:48,116
OKAY.
1798
01:21:48,158 --> 01:21:50,910
SHALL I SHOULD PUT IT
ON THE CALENDAR, THEN,
1799
01:21:50,952 --> 01:21:52,954
FOR SOMETIME THIS YEAR?
1800
01:21:52,996 --> 01:21:55,498
YES. HOW DOES
NEXT SATURDAY SOUND?
1801
01:21:55,540 --> 01:21:56,583
GREAT.
1802
01:21:56,624 --> 01:21:57,667
IT'S A DATE.
1803
01:21:57,709 --> 01:21:59,085
I MEAN, IT'S A--
1804
01:21:59,127 --> 01:22:01,629
IT IS A DATE.
1805
01:22:06,843 --> 01:22:09,304
SPEAKING OF
SECOND CHANCES--
1806
01:22:09,346 --> 01:22:10,930
MM-HMM?
1807
01:22:10,972 --> 01:22:12,599
HOW DO YOU LIKE MY HAIR?
1808
01:22:12,640 --> 01:22:14,392
WHAT?
1809
01:22:15,643 --> 01:22:18,438
DO YOU LIKE MY HAIR?
1810
01:22:18,480 --> 01:22:21,274
IT'S FINE.
UH, IT'S, UH, VERY...
1811
01:22:23,068 --> 01:22:24,778
I LIKE THE FLOWER.
1812
01:22:24,819 --> 01:22:27,072
GOOD.
1813
01:22:27,113 --> 01:22:28,448
AHEM.
1814
01:22:28,490 --> 01:22:30,867
IT'S THE FIRST
ROSE OF SUMMER.
1815
01:22:32,702 --> 01:22:33,953
NO!
1816
01:22:33,995 --> 01:22:36,623
IT TOOK AFTER ALL.
1817
01:22:36,664 --> 01:22:40,543
AND NO ANIMALS WERE HARMED
IN THE BLOOMING OF THIS ROSE.
1818
01:22:40,585 --> 01:22:42,087
[LAUGHING]
1819
01:22:42,128 --> 01:22:43,755
AND-- AND
YOU'D GIVEN UP.
1820
01:22:43,797 --> 01:22:45,632
I KNOW.
1821
01:22:45,674 --> 01:22:47,550
OH, ME OF LITTLE FAITH.
1822
01:22:49,177 --> 01:22:51,513
ALL IT TAKES IS A LITTLE.
1823
01:22:55,684 --> 01:22:56,768
COME ON!
1824
01:22:56,810 --> 01:23:00,689
[***]
1825
01:23:07,112 --> 01:23:08,071
* IT'S ALL GOOD
1826
01:23:08,113 --> 01:23:09,656
* IT GETS EVEN BETTER
1827
01:23:09,698 --> 01:23:10,782
* UP IN THE SKY
1828
01:23:10,824 --> 01:23:11,741
* THERE'S ALWAYS SUNNY WEATHER
1829
01:23:11,783 --> 01:23:13,243
* IT'S A PERFECT DAY
1830
01:23:13,284 --> 01:23:16,246
* AIN'T NOTHING WRONG
'CAUSE EVERYTHING'S ALL RIGHT *
1831
01:23:16,287 --> 01:23:19,416
* IT'S ALL GOOD
WHEN WE GET TOGETHER *
1832
01:23:19,457 --> 01:23:22,002
* WELL, NOW IT GETS BETTER
1833
01:23:22,043 --> 01:23:23,962
* WHEN YOU GOT WHAT MATTERS
1834
01:23:24,004 --> 01:23:24,963
* IT'S ALL GOOD
1835
01:23:25,005 --> 01:23:26,423
* IT GETS EVEN BETTER
1836
01:23:26,464 --> 01:23:28,341
* DOO, DOO-DOO
DOO-DOO-DOO-DOO *
1837
01:23:28,383 --> 01:23:30,885
* DOO, DOO-DOO
DOO-DOO-DOO-DOO-DOO *
1838
01:23:30,927 --> 01:23:33,096
* DOO, DOO-DOO
DOO-DOO-DOO-DOO *
1839
01:23:33,138 --> 01:23:33,930
* IT'S ALL GOOD
1840
01:23:42,063 --> 01:23:45,900
[***]
121643
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