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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,878 --> 00:00:08,717 [***] 2 00:00:17,392 --> 00:00:19,561 HEY! HOLD ON! 3 00:00:21,229 --> 00:00:22,647 WHOA. JUST IN TIME, HUH? 4 00:00:22,689 --> 00:00:24,441 JUST IN TIME. 5 00:00:24,482 --> 00:00:26,693 WAIT! 6 00:00:26,735 --> 00:00:27,569 I'M SORRY, I'M JUST... 7 00:00:28,820 --> 00:00:30,071 YOU KNOW THAT FEELING 8 00:00:30,113 --> 00:00:31,573 WHEN YOU'RE ABOUT TO DROP A LETTER IN THE BOX, 9 00:00:31,614 --> 00:00:33,158 AND THEN YOU FREEZE, 10 00:00:33,199 --> 00:00:35,702 AND THEN THAT WEIRD VOICE IN YOUR HEAD YELLS "WAIT!" 11 00:00:35,744 --> 00:00:36,578 BUT WHAT AM I WAITING FOR? 12 00:00:37,912 --> 00:00:39,914 I DON'T KNOW. 13 00:00:39,956 --> 00:00:41,541 I MEAN, I'M NOT A KID ANYMORE, RIGHT? 14 00:00:41,583 --> 00:00:42,709 AND I CAN'T WAIT FOREVER. 15 00:00:42,751 --> 00:00:44,002 NEITHER CAN I. 16 00:00:44,044 --> 00:00:45,211 SORRY. 17 00:00:45,253 --> 00:00:47,589 I JUST DON'T WRITE A LOT OF LETTERS. 18 00:00:49,007 --> 00:00:51,343 SEE, IT'S LIKE RIPPING OFF A BANDAGE, 19 00:00:51,384 --> 00:00:53,678 YOU JUST GOTTA DO IT FAST AND SCREAM, RIGHT? 20 00:00:53,720 --> 00:00:54,846 DON'T SCREAM. 21 00:00:54,888 --> 00:00:56,723 [LIGHT CHUCKLE] 22 00:00:56,765 --> 00:00:58,391 OKAY. 23 00:00:58,433 --> 00:01:02,145 WHAT GOOD IS A LETTER IF YOU DON'T MAIL IT? 24 00:01:08,943 --> 00:01:09,986 OKAY. 25 00:01:10,028 --> 00:01:12,489 HERE GOES! 26 00:01:14,449 --> 00:01:16,242 OKAY. BYE. 27 00:01:20,872 --> 00:01:23,458 [***] 28 00:01:56,032 --> 00:01:56,950 [SERVER, GRAHAM]: ARE NOT. 29 00:01:56,991 --> 00:01:57,867 [SERVER, NIKKI]: ARE TOO. 30 00:01:57,909 --> 00:01:58,952 ARE NOT. 31 00:01:58,993 --> 00:02:00,495 WANNA BET? JUST LOOK AT THEM. 32 00:02:00,537 --> 00:02:01,955 THEY DANCE LIKE THEY KNOW THE STEPS, 33 00:02:01,996 --> 00:02:03,373 BUT THEY CAN'T FIND THEIR RHYTHM. 34 00:02:03,415 --> 00:02:05,125 MAYBE THEY KNOW THE STEPS 35 00:02:05,166 --> 00:02:06,418 BUT THEY'VE LOST THEIR RHYTHM? 36 00:02:07,544 --> 00:02:09,879 SOMETIMES THINGS CHANGE, I GUESS. 37 00:02:09,921 --> 00:02:12,173 BUT THAT WON'T HAPPEN WITH US. 38 00:02:12,215 --> 00:02:13,425 "NIKKI AND GRAHAM FOREVER," RIGHT? 39 00:02:13,466 --> 00:02:15,010 [CHUCKLES AS CELL PHONE RINGS] 40 00:02:15,051 --> 00:02:16,720 AH, I GOTTA GET THIS. 41 00:02:16,761 --> 00:02:18,013 I'LL DO THE APPETIZERS. 42 00:02:18,054 --> 00:02:19,764 THANKS. 43 00:02:19,806 --> 00:02:20,765 LOVE YOU. 44 00:02:20,807 --> 00:02:21,850 [PHONE BEEPS ON] 45 00:02:21,891 --> 00:02:24,477 HEY. 46 00:02:24,519 --> 00:02:26,438 NO. NOT YET. 47 00:02:26,479 --> 00:02:29,065 I NEED TO FIGURE OUT THE BEST WAY TO DO THIS. 48 00:02:29,107 --> 00:02:30,608 I KNOW. I KNOW. 49 00:02:30,650 --> 00:02:32,694 BUT I'VE GOT THIS HANDLED. JUST TRUST ME. 50 00:02:34,195 --> 00:02:36,072 I LOVE YOU, TOO. 51 00:02:36,114 --> 00:02:37,365 [BEEPS PHONE OFF] 52 00:02:43,621 --> 00:02:45,915 [***] 53 00:02:51,963 --> 00:02:53,715 [SOBBING] 54 00:03:00,638 --> 00:03:02,807 [TELEVISION PROGRAM PLAYS FAINTLY] 55 00:03:08,730 --> 00:03:10,440 NOW, HERE WE GO! 56 00:03:13,735 --> 00:03:15,528 NO... 57 00:03:15,570 --> 00:03:18,531 NO. NO. 58 00:03:18,573 --> 00:03:19,908 AHH! 59 00:03:21,785 --> 00:03:24,871 * OH, YEAH, BABY 60 00:03:24,913 --> 00:03:29,459 * LIKE A FOOL I WENT AND STAYED TOO LONG * 61 00:03:29,501 --> 00:03:32,796 * NOW I'M WONDERING IF YOUR LOVE'S STILL STRONG * 62 00:03:32,837 --> 00:03:34,798 * OOH, BABY 63 00:03:34,839 --> 00:03:37,550 * HERE I AM SIGNED, SEALED, DELIVERED * 64 00:03:37,592 --> 00:03:39,719 * I'M YOURS 65 00:03:39,761 --> 00:03:42,681 * MM 66 00:03:42,722 --> 00:03:46,851 * THEN THAT TIME I WENT AND SAID GOODBYE * 67 00:03:46,893 --> 00:03:50,730 * NOW I'M BACK AND NOT ASHAMED TO CRY * 68 00:03:50,772 --> 00:03:51,856 * OOH, BABY 69 00:03:51,898 --> 00:03:52,982 * HERE I AM 70 00:03:53,024 --> 00:03:55,110 * SIGNED, SEALED, DELIVERED 71 00:03:55,151 --> 00:03:57,112 * I'M YOURS 72 00:03:57,153 --> 00:03:58,113 * AHH! 73 00:03:58,154 --> 00:04:00,031 * HERE I AM 74 00:04:00,073 --> 00:04:01,074 GOOD MORNING, EVERYONE. 75 00:04:01,116 --> 00:04:03,118 NORMAN, RITA, SHA-- 76 00:04:03,159 --> 00:04:04,536 MS. McINERNEY. 77 00:04:06,121 --> 00:04:07,497 HAPPY MONDAY, OLIVER. 78 00:04:07,539 --> 00:04:10,041 [OLIVER]: ANYTHING PRESSING? 79 00:04:10,083 --> 00:04:11,251 UH, NO. JUST THE USUAL. 80 00:04:11,292 --> 00:04:12,711 EXCEPT FOR THIS. 81 00:04:12,752 --> 00:04:14,004 OH... 82 00:04:14,045 --> 00:04:15,505 [SNIFFING] 83 00:04:15,547 --> 00:04:16,965 HMM. 84 00:04:17,007 --> 00:04:18,717 PINE TAR... 85 00:04:18,758 --> 00:04:20,593 AND EVERGREEN. 86 00:04:20,635 --> 00:04:22,929 THE FLORIDA YEW, I BELIEVE? 87 00:04:22,971 --> 00:04:23,972 OH! THE FLORIDA YEW 88 00:04:24,014 --> 00:04:25,557 ONLY GROWS IN NORTHERN FLORIDA, 89 00:04:25,598 --> 00:04:27,183 ON THE EASTERN SIDE OF THE APALACHICOLA RIVER. 90 00:04:27,225 --> 00:04:29,728 SADLY, WE WILL NEVER KNOW THAT STORY. 91 00:04:29,769 --> 00:04:33,106 NORMAN, WILL YOU DISPATCH TO THE MIAMI BRANCH? 92 00:04:33,148 --> 00:04:34,274 YOU GOT IT. 93 00:04:34,315 --> 00:04:35,900 OH! I MIGHT STOP BY PASSPORTS. 94 00:04:35,942 --> 00:04:37,360 ELEANOR GOT A NEW BLENDER 95 00:04:37,402 --> 00:04:38,778 AND SHE'S MAKING SMOOTHIES. 96 00:04:38,820 --> 00:04:40,030 -DOES ANYBODY WANT ONE? -OOH. YES, PLEASE. 97 00:04:40,071 --> 00:04:42,115 I'M IN. 98 00:04:42,157 --> 00:04:46,494 I'M A YOO-HOO MAN, USUALLY, BUT I MIGHT TRY BRANCHING OUT. 99 00:04:48,121 --> 00:04:49,622 [NORMAN]: OH... 100 00:04:49,664 --> 00:04:53,335 'KAY. 101 00:04:55,337 --> 00:04:58,214 PERHAPS WE SHOULD USE THIS TIME TO, UM, GET A JUMP 102 00:04:58,256 --> 00:05:00,675 ON OUR "IMPOSSIBLY RIPPED AND MANGLED" BOX. 103 00:05:01,843 --> 00:05:04,512 [***] 104 00:05:05,680 --> 00:05:08,725 WE USUALLY DO THOSE AT THE END OF THE MONTH. 105 00:05:08,767 --> 00:05:10,518 UNLESS YOU WANT TO 106 00:05:10,560 --> 00:05:12,395 BRANCH OUT WITH THAT, TOO? 107 00:05:12,437 --> 00:05:14,606 [ANNOUNCEMENT BLARES]: OLIVER O'TOOLE, PLEASE REPORT 108 00:05:14,647 --> 00:05:16,775 IMMEDIATELY TO THE OFFICE OF POSTAL SECURITY. 109 00:05:16,816 --> 00:05:18,026 O'TOOLE TO O.P.S. 110 00:05:19,944 --> 00:05:22,030 WE SHALL SEE. 111 00:05:28,703 --> 00:05:31,164 SO, WHAT HAPPENED WITH YOUR DATE SATURDAY NIGHT? 112 00:05:31,206 --> 00:05:32,123 DID YOU WEAR THE PINK DRESS? 113 00:05:32,165 --> 00:05:33,667 YES. 114 00:05:33,708 --> 00:05:35,627 AND?WHAT HAPPENED AT THE END? DID HE KISS YOU? 115 00:05:36,753 --> 00:05:38,421 WELL... 116 00:05:38,463 --> 00:05:39,589 WELL, SOMETHING HAPPENED, 117 00:05:39,631 --> 00:05:42,050 'CAUSE HE IS DRINKING SMOOTHIES, 118 00:05:42,092 --> 00:05:43,343 AND HE ALMOST CALLED YOU SHANE. 119 00:05:43,385 --> 00:05:45,011 NO, HE DIDN'T. 120 00:05:45,053 --> 00:05:46,262 YES, HE DID. HE SAID, AHEM-- 121 00:05:46,304 --> 00:05:49,265 [AS OLIVER]: "GOOD MORNING, UH, SH-- 122 00:05:49,307 --> 00:05:50,767 MS. McINERNEY." 123 00:05:52,227 --> 00:05:53,436 THERE WAS NO "SH--" 124 00:05:53,478 --> 00:05:55,021 I DIDN'T HEAR A "SH." 125 00:05:55,063 --> 00:05:57,941 [ANNOUNCEMENT]: SHANE McINERNEY TO THE FRONT DESK. 126 00:05:57,982 --> 00:05:59,567 SHANE McINERNEY. 127 00:06:00,568 --> 00:06:02,612 WHAT IS GOING ON TODAY? 128 00:06:09,869 --> 00:06:10,787 SHANE! 129 00:06:12,914 --> 00:06:14,082 DO I--? 130 00:06:14,124 --> 00:06:16,459 IT'S NIKKI. YOUR SERVER FROM SATURDAY NIGHT. 131 00:06:18,670 --> 00:06:20,171 UH-HUH. 132 00:06:20,213 --> 00:06:21,381 UH-HUH. 133 00:06:21,423 --> 00:06:23,341 THAT'S RIGHT. A DUCK. 134 00:06:23,383 --> 00:06:25,051 AND A CAN OF BEANS! 135 00:06:25,093 --> 00:06:26,511 BEANS. 136 00:06:26,553 --> 00:06:28,722 NEVER SEEN ANYTHING LIKE IT. 137 00:06:28,763 --> 00:06:30,140 UH-HUH. YEAH. 138 00:06:30,181 --> 00:06:32,892 YEAH. HE JUST ARRIVED. 139 00:06:32,934 --> 00:06:34,352 GOT IT. 140 00:06:34,394 --> 00:06:35,937 [HANGS UP] 141 00:06:35,979 --> 00:06:37,272 O'TOOLE. 142 00:06:37,313 --> 00:06:38,314 MR.KIMSICLE. 143 00:06:38,356 --> 00:06:40,275 GLAD TO HAVE YOU ABOARD. 144 00:06:40,316 --> 00:06:42,277 WE NEED A MAN WHO KNOWS THE ROPES-- 145 00:06:42,318 --> 00:06:44,612 THE SAILS, THE LAY OF THE LAND, 146 00:06:44,654 --> 00:06:47,157 THE WHOLE ENCHILADA, FROM STEM TO STERN. 147 00:06:47,198 --> 00:06:48,616 COULD YOU... ELABORATE? 148 00:06:48,658 --> 00:06:51,578 NOW, THAT IS WHAT I MEAN. 149 00:06:51,619 --> 00:06:54,247 WE NEED A SMART GUY AROUND HERE WHO KNOWS ABOUT ELABORATING. 150 00:06:54,289 --> 00:06:55,415 OH. 151 00:06:55,457 --> 00:06:57,083 FOUR DAYS AGO, 152 00:06:57,125 --> 00:06:58,585 AN UNIDENTIFIED PERPETRATOR 153 00:06:58,626 --> 00:07:01,212 REMOVED THE MAIL FROM THIS MAILBOX 154 00:07:01,254 --> 00:07:03,590 AND REPLACED IT WITH A DUCK. 155 00:07:03,631 --> 00:07:06,009 UH, I BELIEVE THAT MAY BE A GOOSE. 156 00:07:06,051 --> 00:07:07,260 YOU'RE THINKING ALREADY. 157 00:07:07,302 --> 00:07:09,012 I LIKE THAT. 158 00:07:09,054 --> 00:07:10,472 [SNIFFS] THREE DAYS AGO, 159 00:07:10,513 --> 00:07:12,390 THE MAIL WAS TAKEN FROM HERE 160 00:07:12,432 --> 00:07:15,101 AND REPLACED WITH TWO TINY PEOPLE IN A TENT. 161 00:07:15,143 --> 00:07:16,186 SO, A WEDDING CAKE TOPPER, 162 00:07:16,227 --> 00:07:17,479 A GOOSE, 163 00:07:17,520 --> 00:07:19,606 AND MAY I ASSUME A THIRD MAILBOX 164 00:07:19,647 --> 00:07:21,483 YIELDED A CAN OF KIDNEY BEANS? 165 00:07:21,524 --> 00:07:22,692 AH, YES, YOU MAY. 166 00:07:22,734 --> 00:07:24,861 AND YOU MAY ALSO ASSUME 167 00:07:24,903 --> 00:07:25,945 THAT YOU 168 00:07:25,987 --> 00:07:27,655 AND THAT WEIRD LITTLE TASK FORCE OF YOURS 169 00:07:27,697 --> 00:07:28,865 ARE GOING TO FIND THIS GUY. 170 00:07:28,907 --> 00:07:30,283 I'M NOT QUITE SURE 171 00:07:30,325 --> 00:07:32,702 THIS FALLS UNDER THE AEGIS OF THE DEAD LETTER OFFICE. 172 00:07:32,744 --> 00:07:34,079 PERHAPS THE POLICE OR F.B.I.-- 173 00:07:34,120 --> 00:07:35,455 O'TOOLE! 174 00:07:35,497 --> 00:07:36,790 IF WORD GETS OUT 175 00:07:36,831 --> 00:07:38,333 BEFORE WE KNOW WHAT WE'RE DEALING WITH, 176 00:07:38,375 --> 00:07:41,169 WE COULD HAVE RAMPANT HYSTERIA RUNNING ALL OVER THE PLACE. 177 00:07:41,211 --> 00:07:44,047 WE NEED TO KEEP THIS IN-HOUSE AS LONG AS WE CAN. 178 00:07:44,089 --> 00:07:47,884 HAS ANYONE DUSTED THE BEANS FOR FINGERPRINTS? 179 00:07:47,926 --> 00:07:50,178 THAT LITTLE GUY IN YOUR OFFICE, WITH THE SUITCASE, 180 00:07:50,220 --> 00:07:51,971 DOESN'T HE USUALLY DO THAT? 181 00:07:52,013 --> 00:07:53,014 YES, BUT-- 182 00:07:53,056 --> 00:07:54,099 AND THE OTHER TWO, 183 00:07:54,140 --> 00:07:57,310 THE SKINNY ONE AND THAT "SHANE" GAL. 184 00:07:57,352 --> 00:07:59,979 MS. McINERNEY. 185 00:08:00,021 --> 00:08:01,481 OH, SHE IS A LIVE-WIRE. 186 00:08:01,523 --> 00:08:03,108 NOTHIN' GETS PAST HER, HUH? 187 00:08:03,149 --> 00:08:05,819 NOT THAT I'M AWARE OF. 188 00:08:05,860 --> 00:08:08,196 SO THERE ARE NO OTHER LEADS? 189 00:08:08,238 --> 00:08:10,490 OH, JUST ONE. 190 00:08:10,532 --> 00:08:13,618 YEAH, THIS WAS FOUND SATURDAY IN BOX 458. 191 00:08:13,660 --> 00:08:16,996 IT'S SOME KIND OF FANCY LANGUAGE, 192 00:08:17,038 --> 00:08:19,332 LIKE GREEK OR PERUVIAN. 193 00:08:19,374 --> 00:08:21,167 IT'S LATIN. 194 00:08:21,209 --> 00:08:22,460 OR LATIN. 195 00:08:22,502 --> 00:08:24,671 I'M GUESSING 196 00:08:24,713 --> 00:08:27,966 THAT IS A CLUE OF MASSIVE PROPORTIONS. 197 00:08:28,008 --> 00:08:29,634 YES. 198 00:08:29,676 --> 00:08:32,345 YES, IT'S DEFINITELY A CLUE. 199 00:08:32,387 --> 00:08:33,346 [CHUCKLES] 200 00:08:33,388 --> 00:08:34,597 I LOVE THIS GUY! 201 00:08:36,307 --> 00:08:37,517 ONE MORE DAY. 202 00:08:37,559 --> 00:08:39,436 IF I HAD JUST WAITED ONE MORE DAY 203 00:08:39,477 --> 00:08:40,520 AND THOUGHT IT THROUGH, 204 00:08:40,562 --> 00:08:42,897 BUT NO, I HAD TO SEND IT. 205 00:08:42,939 --> 00:08:44,649 I HAD TO SAY IT-- 206 00:08:44,691 --> 00:08:46,234 "LET'S GET MARRIED." 207 00:08:46,276 --> 00:08:49,487 THEN I GIVE IT TO THE MAILMAN AND, FOR A FEW HOURS, 208 00:08:49,529 --> 00:08:51,364 I ACTUALLY FEEL, YOU KNOW... HOPE. 209 00:08:51,406 --> 00:08:53,491 UNTIL... 210 00:08:53,533 --> 00:08:55,952 OH, GOD, IF HE GETS IT NOW, 211 00:08:55,994 --> 00:08:58,204 I'LL BE UTTERLY HUMILIATED, 212 00:08:58,246 --> 00:09:00,165 OR WORSE-- MORTIFIED. 213 00:09:00,206 --> 00:09:01,416 OR... 214 00:09:01,458 --> 00:09:03,918 WHAT'S WORSE-- MORTIFIED OR PITIED? 215 00:09:03,960 --> 00:09:05,337 NIKKI, 216 00:09:05,378 --> 00:09:07,255 GETTING A LETTER BACK ONCE IT'S MAILED 217 00:09:07,297 --> 00:09:08,256 IS ALMOST IMPOSSIBLE. 218 00:09:09,632 --> 00:09:10,967 THEN THAT'S IT. 219 00:09:12,927 --> 00:09:14,679 LISTEN. 220 00:09:14,721 --> 00:09:16,222 FILL THIS OUT, 221 00:09:16,264 --> 00:09:17,766 THEN HAVE THEM COME GET ME. 222 00:09:17,807 --> 00:09:20,977 I'LL WALK THIS ONTO THE FLOOR AND I'LL LOOK FOR IT MYSELF. 223 00:09:25,774 --> 00:09:27,567 HEY! EVERYTHING OKAY? 224 00:09:27,609 --> 00:09:30,028 YEAH. STRANGE, THOUGH. 225 00:09:30,070 --> 00:09:32,572 IT WAS OUR WAITRESS FROM MONTALDO'S. 226 00:09:32,614 --> 00:09:34,699 SHE NEEDED A FORM 10-67E. 227 00:09:35,992 --> 00:09:38,078 SO TELL ME ABOUT THAT DINNER! 228 00:09:38,119 --> 00:09:39,371 WELL, LET'S SEE. 229 00:09:39,412 --> 00:09:41,331 START FROM THE BEGINNING. 230 00:09:41,373 --> 00:09:45,919 HE WAS REALLY NERVOUS AT FIRST. 231 00:09:45,960 --> 00:09:50,382 AND THEN WE STARTED DANCING AND THINGS GOT BETTER, UNTIL... 232 00:09:50,423 --> 00:09:51,841 UNTIL...? 233 00:09:51,883 --> 00:09:54,260 UNTIL WE STOPPED DANCING. 234 00:09:54,302 --> 00:09:57,681 [ROMANTIC INSTRUMENTAL PLAYS AS PATRONS QUIETLY CHAT] 235 00:09:59,307 --> 00:10:00,475 [OLIVER]: "THE WATER IS WIDE, 236 00:10:00,517 --> 00:10:02,811 "I CANNOT CROSS O'ER, 237 00:10:02,852 --> 00:10:06,022 AND NEITHER HAVE I THE WINGS TO FLY..." 238 00:10:07,399 --> 00:10:09,693 "GIVE US A BOAT THAT CAN CARRY TWO 239 00:10:09,734 --> 00:10:12,320 "AND BOTH SHALL ROW 240 00:10:12,362 --> 00:10:13,863 TO YONDER SIDE." 241 00:10:18,952 --> 00:10:22,247 I'VE NEVER HEARD "TO YONDER SIDE." 242 00:10:22,288 --> 00:10:27,168 ISN'T IT "AND BOTH SHALL ROW, MY LOVE AND I"? 243 00:10:28,336 --> 00:10:30,296 IT'S, UH, AN ARCHAIC TUNE. 244 00:10:30,338 --> 00:10:33,299 TRADITIONAL LYRICS 245 00:10:33,341 --> 00:10:34,968 OFTEN EVOLVE OVER TIME. 246 00:10:35,010 --> 00:10:38,179 I JUST CHOSE AN ALTERNATE TRANSLATION. 247 00:10:38,221 --> 00:10:40,181 HUH. 248 00:10:41,641 --> 00:10:43,560 [DINERS APPLAUDING AS SONG ENDS] 249 00:10:43,601 --> 00:10:45,729 SHALL WE? 250 00:10:49,482 --> 00:10:50,400 THANK YOU. 251 00:10:54,988 --> 00:10:56,489 I SEE YOU'RE ENJOYING THE CHAMPAGNE? 252 00:10:56,531 --> 00:10:57,782 OH, YES, IT'S AMAZING. 253 00:10:57,824 --> 00:10:59,868 THE SERVICE HERE IS EXCELLENT. 254 00:10:59,909 --> 00:11:02,829 YOU HAVEN'T SEEN ANYTHING YET. JUST WAIT FOR THE SHOW. 255 00:11:02,871 --> 00:11:04,664 BY THE WAY, DO EITHER OF YOU HAVE ANY FOOD SENSITIVITIES? 256 00:11:04,706 --> 00:11:06,166 NO, WE DON'T. 257 00:11:06,207 --> 00:11:08,001 GOOD. 258 00:11:08,043 --> 00:11:10,545 WE HAVE AN AMUSE BOUCHE FOR YOU THIS EVENING-- 259 00:11:10,587 --> 00:11:11,921 A SHRIMP-AND-SASHIMI CROUTON, 260 00:11:11,963 --> 00:11:13,757 COMPLIMENTS OF THE CHEF. 261 00:11:14,758 --> 00:11:16,301 "AMUSE BOUCHE." 262 00:11:16,343 --> 00:11:18,511 A MILLENNIAL PHENOMENON. 263 00:11:18,553 --> 00:11:19,679 [CHUCKLING] 264 00:11:19,721 --> 00:11:21,056 A WHAT? 265 00:11:21,097 --> 00:11:22,182 OH, HE JUST MEANS 266 00:11:22,223 --> 00:11:23,641 THAT PEOPLE WEREN'T HAVING THEIR... 267 00:11:23,683 --> 00:11:26,561 "BOUCHES" AMUSED BACK IN THE 20th CENTURY. 268 00:11:26,603 --> 00:11:28,855 [BOTH CHUCKLING] 269 00:11:29,773 --> 00:11:31,316 I KNEW IT. 270 00:11:31,358 --> 00:11:32,859 I'M SORRY? 271 00:11:32,901 --> 00:11:35,028 MY BOYFRIEND WORKS HERE, TOO, 272 00:11:35,070 --> 00:11:36,529 AND HE WAS SURE YOU GUYS WERE ON YOUR FIRST DATE, 273 00:11:36,571 --> 00:11:38,907 BUT I SAID NO WAY. 274 00:11:38,948 --> 00:11:40,909 I MEAN, WITH THE CHAMPAGNE, THE WAY YOU DANCE, 275 00:11:40,950 --> 00:11:42,202 AND TALK ABOUT EACH OTHER, 276 00:11:42,243 --> 00:11:43,578 THE WAY YOU EVEN KNOW EACH OTHER'S ALLERGIES, 277 00:11:43,620 --> 00:11:45,997 IT'S GOT TO BE YOUR ANNIVERSARY, RIGHT? 278 00:11:46,039 --> 00:11:47,916 NO, ACTUALLY, WE'RE JUST FRIENDS. 279 00:11:54,339 --> 00:11:55,423 UH, OF COURSE, 280 00:11:55,465 --> 00:11:57,634 "JUST" IS A RATHER IMPRECISE QUALIFIER. 281 00:11:57,676 --> 00:11:58,760 PERHAPS A MORE ACCURATE-- 282 00:11:58,802 --> 00:12:00,970 DID YOU SAY SOMETHING ABOUT A SHOW? 283 00:12:01,012 --> 00:12:03,306 AH, RIGHT! WHAT'S MONTALDO'S WITHOUT THE SINGING WAITERS? 284 00:12:03,348 --> 00:12:05,016 ANY REQUESTS? 285 00:12:05,058 --> 00:12:08,728 YES, UH... HOW SOON CAN YOU START SINGING? 286 00:12:08,770 --> 00:12:11,815 OH, WHAT DO KNOW? THAT'S OUR CUE! 287 00:12:16,194 --> 00:12:17,779 [CRUNCHING LOUDLY] 288 00:12:19,489 --> 00:12:21,491 HE REALLY SAID THAT? "JUST FRIENDS"? 289 00:12:21,533 --> 00:12:22,742 YEP! ROLLED RIGHT OFF HIS TONGUE, 290 00:12:22,784 --> 00:12:24,160 LIKE HE WAS ASKING FOR MORE BUTTER. 291 00:12:24,202 --> 00:12:25,245 OUCH. 292 00:12:25,286 --> 00:12:26,162 OH, IT GETS WORSE. 293 00:12:30,792 --> 00:12:32,836 YOU KNOW, UH, AHEM, 294 00:12:32,877 --> 00:12:35,088 I ACTUALLY DO HAVE AN ALLERGY-- 295 00:12:35,130 --> 00:12:37,924 A SLIGHT SENSITIVITY TO ROSEHIP TEA, 296 00:12:37,966 --> 00:12:41,261 BUT I DON'T EXPECT YOU TO KNOW THAT. 297 00:12:41,302 --> 00:12:43,179 I'LL KEEP THAT IN MIND. 298 00:12:43,221 --> 00:12:45,265 NO ROSEHIPS. 299 00:12:45,306 --> 00:12:49,811 IT'S ALWAYS GOOD TO LEARN SOMETHING NEW ABOUT A FRIEND. 300 00:12:51,312 --> 00:12:53,356 SPEAKING OF ROSES, 301 00:12:53,398 --> 00:12:57,235 DID YOU EVER PLANT THAT CUTTING FROM YOUR MOTHER'S ROSEBUSH? 302 00:12:57,277 --> 00:12:58,862 OH, YOU MEAN THE ONE THAT YOU SO THOUGHTFULLY GAVE ME 303 00:12:58,903 --> 00:13:00,280 WHEN WE ALL WENT BACK EAST? 304 00:13:00,321 --> 00:13:01,948 YES. 305 00:13:01,990 --> 00:13:04,242 IT NEVER REALLY TOOK. 306 00:13:04,284 --> 00:13:06,161 I THINK IT DIED. 307 00:13:07,495 --> 00:13:08,830 OH, THAT'S A SHAME. 308 00:13:08,872 --> 00:13:11,082 I KNOW. I KNOW. I-- 309 00:13:11,124 --> 00:13:12,959 I TRIED EVERYTHING TO KEEP IT ALIVE. 310 00:13:13,001 --> 00:13:15,587 I WATERED IT, I FED IT, 311 00:13:15,628 --> 00:13:17,380 I TALKED TO IT. 312 00:13:17,422 --> 00:13:18,590 [SHARPLY]: I FERTILIZED IT. 313 00:13:18,631 --> 00:13:19,841 OH. 314 00:13:19,883 --> 00:13:22,427 YOU KNOW THEY SAY THE BEST FERTILIZER-- 315 00:13:23,803 --> 00:13:27,140 WHAT? 316 00:13:27,182 --> 00:13:30,393 UH, SOME BOTANISTS HAVE NOTED THAT ROSES TEND TO THRIVE 317 00:13:30,435 --> 00:13:32,145 WHEN LOCATED NEAR THE FINAL RESTING PLACE 318 00:13:32,187 --> 00:13:34,439 OF A FAMILY PET... [TRAILS OFF] 319 00:13:34,481 --> 00:13:36,983 YOU THINK I SHOULD PLANT 320 00:13:37,025 --> 00:13:39,361 A DEAD ANIMAL UNDER MY ROSEBUSH? 321 00:13:39,402 --> 00:13:42,238 WELL, ONLY IF YOU HAD ONE. 322 00:13:44,282 --> 00:13:46,117 [ASTONISHED CHUCKLE] 323 00:13:46,159 --> 00:13:49,371 A PET SOUNDS PRETTY GOOD RIGHT NOW. 324 00:13:49,412 --> 00:13:52,207 [PIANO MUSIC RISES] 325 00:13:52,248 --> 00:13:54,084 [HOST]: LADIES AND GENTLEMEN, 326 00:13:54,125 --> 00:13:56,211 MONTALDO'S SUPPER CLUB PROUDLY PRESENTS 327 00:13:56,252 --> 00:13:58,254 AN EVENING OF MUSIC WITH YOUR TALENTED SERVERS. 328 00:13:58,296 --> 00:14:01,675 OPENING OUR SHOW, PLEASE WELCOME NIKKI AND GRAHAM. 329 00:14:01,716 --> 00:14:03,426 [SINGLE NOTE STRIKES] 330 00:14:03,468 --> 00:14:04,886 [AUDIENCE LAUGHS] 331 00:14:04,928 --> 00:14:07,764 * YOU'RE SO GOOD 332 00:14:07,806 --> 00:14:10,850 * YOU'RE TOO GOOD FOR ME, YOU ARE * 333 00:14:10,892 --> 00:14:12,519 * YOU'RE THE BEST DARNED PERSON * 334 00:14:12,560 --> 00:14:15,605 * I HAVE KNOWN BY FAR 335 00:14:15,647 --> 00:14:17,816 * IF I COULD 336 00:14:17,857 --> 00:14:20,276 * YOU KNOW I'D NEVER THROW THIS CURVE * 337 00:14:20,318 --> 00:14:22,028 * YOU'RE A GODDESS 338 00:14:22,070 --> 00:14:25,657 * AND I'M NOT WHAT YOU DESERVE * 339 00:14:26,866 --> 00:14:29,411 * WHAT I AM SAYING 340 00:14:29,452 --> 00:14:32,747 * IS OUR THING MUST END 341 00:14:32,789 --> 00:14:35,083 * AND THOUGH IT MUST 342 00:14:35,125 --> 00:14:39,462 * I WANT TO BE YOUR FRIEND 343 00:14:39,504 --> 00:14:40,880 [AUDIENCE LAUGHING] 344 00:14:40,922 --> 00:14:43,299 [NIKKI, POINTEDLY]: "FRIEND." FRIEND! 345 00:14:46,761 --> 00:14:47,637 * YOU WANT TO BE MY FRIEND? 346 00:14:47,679 --> 00:14:48,763 * SURE 347 00:14:48,805 --> 00:14:50,432 * YOU WANT TO BE MY FRIEND? * 348 00:14:50,473 --> 00:14:51,599 * OH, THAT'S NICE! 349 00:14:51,641 --> 00:14:54,894 * YOU WANT TO BE MY FRIEND? 350 00:14:54,936 --> 00:14:57,063 * I WANT A FATHER FOR MY UNBORN CHILDREN * 351 00:14:57,105 --> 00:14:59,399 * SOMEONE WHO'S IN TUNE 352 00:14:59,441 --> 00:15:01,443 * AND SINCE I'LL BE 29 NEXT MONTH * 353 00:15:01,484 --> 00:15:04,529 * I WANT HIM RATHER SOON 354 00:15:04,571 --> 00:15:05,905 * I WANT SOMEONE TO BUY RUGS AND LAMPS WITH * 355 00:15:05,947 --> 00:15:07,365 * AND SOMEONE WHO'LL CO-SIGN... * 356 00:15:07,407 --> 00:15:09,617 WOW! THE WHOLE SONG WAS LIKE THAT? 357 00:15:09,659 --> 00:15:14,122 YEP. FRIENDS, COMMITMENT, DESPERATION, INFERTILITY... 358 00:15:14,164 --> 00:15:16,750 IT WAS LIKE GROUP THERAPY WITH SEAFOOD. 359 00:15:16,791 --> 00:15:17,876 OHH... 360 00:15:17,917 --> 00:15:19,836 IT TOOK A LITTLE TIME. 361 00:15:19,878 --> 00:15:22,297 ELEANOR'S BLENDER GOT STUCK ON "FRAPPE," 362 00:15:22,339 --> 00:15:24,799 AND I PICKED UP YOUR MAIL FOR YOU FROM THE P.O. BOX. 363 00:15:24,841 --> 00:15:26,926 OH, YOU ARE SO SWEET. 364 00:15:26,968 --> 00:15:28,887 "$50 A MONTH CAN SAVE 365 00:15:28,928 --> 00:15:30,013 "THE BOUVET ISLAND 366 00:15:30,055 --> 00:15:31,723 BURROWING YELLOWTAIL OWL"? 367 00:15:31,765 --> 00:15:33,767 $50. WOW. 368 00:15:33,808 --> 00:15:35,310 OH, IT'S A VERY WORTHY CAUSE. 369 00:15:39,064 --> 00:15:41,983 HEY. UH, STRAWBERRY, MANGO, AND BLUEBERRY? 370 00:15:50,408 --> 00:15:51,493 [YOO-HOO LID POPS] 371 00:15:52,827 --> 00:15:55,580 [***] 372 00:15:59,084 --> 00:16:00,960 [SHANE]: OLIVER... 373 00:16:01,002 --> 00:16:02,629 WHAT'S GOING ON? 374 00:16:15,225 --> 00:16:17,435 WE HAVE BEEN CHARGED 375 00:16:17,477 --> 00:16:20,897 WITH THE GRIM TASK OF INVESTIGATING 376 00:16:20,939 --> 00:16:23,274 THE SYSTEMATIC AND, FRANKLY, 377 00:16:23,316 --> 00:16:25,819 BIZARRE PLUNDERING OF THE UNITED STATES MAIL 378 00:16:25,860 --> 00:16:27,529 FROM OFFICIAL RECEPTACLES IN SOUTH DENVER. 379 00:16:27,570 --> 00:16:28,780 WOW. 380 00:16:28,822 --> 00:16:30,824 WHO WOULD DO SOMETHING LIKE THAT? 381 00:16:30,865 --> 00:16:32,867 IT DOES HAPPEN, I'M AFRAID. 382 00:16:32,909 --> 00:16:35,078 NOT LIKE THIS. 383 00:16:36,121 --> 00:16:38,289 THIS TIME IT'S PERSONAL. 384 00:16:43,211 --> 00:16:45,171 IT'S ONE OF OUR OWN. 385 00:16:48,550 --> 00:16:52,012 "FORSAN ET HAEC OLIM MEMINISSE JUVABIT" 386 00:16:52,053 --> 00:16:54,472 HAS BEEN ENGRAVED ON EVERY "DARK OF NIGHT" AWARD 387 00:16:54,514 --> 00:16:56,766 FOR OVER A HUNDRED YEARS-- YOURS, MINE, MY GRANDFATHER'S. 388 00:16:56,808 --> 00:16:58,059 [RITA]: WHAT DOES IT MEAN? 389 00:16:58,101 --> 00:17:00,478 [OLIVER]: WELL, IT'S FROM VIRGIL'S EPIC POEM 390 00:17:00,520 --> 00:17:02,230 OF LOVE AND WAR. 391 00:17:02,272 --> 00:17:04,733 THEY ARE WORDS OF ENCOURAGEMENT TO A SHIPWRECKED ARMY. 392 00:17:04,774 --> 00:17:05,900 WHAT DOES BEING SHIPWRECKED 393 00:17:05,942 --> 00:17:08,403 HAVE TO DO WITH THE POST OFFICE? 394 00:17:08,445 --> 00:17:11,906 AH. COURAGE AND PERSEVERANCE, NORMAN. 395 00:17:11,948 --> 00:17:14,868 HALLMARKS OF EVERY POSTAL WORKER 396 00:17:14,909 --> 00:17:17,871 WHO'S PERFORMED HIS OR HER DUTY IN THE FACE OF GREAT ODDS 397 00:17:17,912 --> 00:17:19,706 AND RECEIVED ONE OF THESE. 398 00:17:19,748 --> 00:17:24,252 "PERHAPS ONE DAY IT WILL BE GOOD TO REMEMBER THIS." 399 00:17:24,294 --> 00:17:25,420 [SHANE]: REMEMBER WHAT? 400 00:17:25,462 --> 00:17:29,049 BEANS, WEDDING CAKES, AND A... DUCK? 401 00:17:29,090 --> 00:17:30,800 IT'S A GOOSE. 402 00:17:30,842 --> 00:17:32,427 REALLY? 403 00:17:32,469 --> 00:17:33,928 MM-HMM. 404 00:17:33,970 --> 00:17:35,221 WELL, ALL WE NEED IS A PARTIAL PRINT, 405 00:17:35,263 --> 00:17:37,015 AND THAT MIGHT BE ENOUGH TO RUN THROUGH A DATABASE. 406 00:17:37,057 --> 00:17:39,225 TOO BAD WE DON'T HAVE ONE. 407 00:17:40,435 --> 00:17:41,519 MS. McINERNEY? 408 00:17:41,561 --> 00:17:44,064 WELL, IT'S NOT IMPOSSIBLE TO BREAK INTO 409 00:17:44,105 --> 00:17:45,315 THE FBI FINGERPRINT SYSTEM, 410 00:17:45,357 --> 00:17:48,151 BUT IT COULD TAKE SOME TIME-- 411 00:17:48,193 --> 00:17:50,070 LIKE 30 YEARS TO LIFE. 412 00:17:50,111 --> 00:17:52,155 ARE YOU SURE WE CAN'T JUST CALL THE POLICE? 413 00:17:52,197 --> 00:17:53,406 WELL, LESTER WAS ADAMANT. 414 00:17:53,448 --> 00:17:54,741 HE ISN'T EASY TO SAY NO TO. 415 00:17:55,867 --> 00:17:57,285 NOTHING. 416 00:17:57,327 --> 00:17:58,495 THIS HAS BEEN WIPED CLEAN. 417 00:17:58,536 --> 00:18:00,080 THIS GUY KNOWS WHAT HE'S DOING. 418 00:18:00,121 --> 00:18:01,414 WE NEED SOMEONE FROM LAW ENFORCEMENT 419 00:18:01,456 --> 00:18:03,833 WHO CAN GIVE US A PSYCHOLOGICAL PROFILE 420 00:18:03,875 --> 00:18:05,794 OF THE SORT OF PERSON WE'RE DEALING WITH HERE. 421 00:18:05,835 --> 00:18:07,837 WE NEED, UH, WELL, WE NEED-- 422 00:18:07,879 --> 00:18:09,506 A "FRIEND"? LIKE DALE? 423 00:18:09,547 --> 00:18:10,715 YES. 424 00:18:10,757 --> 00:18:12,092 OH, WHO'S HE? 425 00:18:12,133 --> 00:18:13,718 DALE IS A SHE. 426 00:18:13,760 --> 00:18:16,596 DALE SINGS IN A CHOIR AT OLIVER'S CHURCH. 427 00:18:16,638 --> 00:18:17,847 DALE IS LOVELY. 428 00:18:19,432 --> 00:18:21,768 WAIT. YOU WENT TO OLIVER'S CHURCH? 429 00:18:21,810 --> 00:18:23,019 MM-HMM. JUST TO DROP SOMETHING OFF. 430 00:18:23,061 --> 00:18:24,104 HE INTRODUCED ME. 431 00:18:24,145 --> 00:18:25,313 SHE'S A SOPRANO. 432 00:18:25,355 --> 00:18:27,148 AND A POLICE OFFICER. 433 00:18:27,190 --> 00:18:30,235 WELL, TO BE ACCURATE, SHE WAS A POLICE OFFICER. 434 00:18:30,276 --> 00:18:32,612 SHE'S NOW A SPECIAL AGENT 435 00:18:32,654 --> 00:18:34,823 FOR THE STATE DIVISION OF INVESTIGATIONS. 436 00:18:34,864 --> 00:18:36,116 WELL, SHE SOUNDS PERFECT. 437 00:18:36,157 --> 00:18:37,909 YES, SHE DOES. 438 00:18:40,662 --> 00:18:42,622 RITA... 439 00:18:42,664 --> 00:18:45,959 COULD YOU PACK UP THE BEANS AND THE CAKE TOPPER, 440 00:18:46,001 --> 00:18:47,335 AND THAT PIECE OF PAPER? 441 00:18:47,377 --> 00:18:49,295 AND MS. McINERNEY, BRING YOUR COMPUTER 442 00:18:49,337 --> 00:18:50,422 AND THE MAP OF VIOLATED MAILBOXES. 443 00:18:50,463 --> 00:18:51,965 IT'S NOT MUCH TO GO ON, BUT-- 444 00:18:52,007 --> 00:18:53,800 OH, MY GOSH. 445 00:18:53,842 --> 00:18:55,093 OLIVER? 446 00:18:55,135 --> 00:18:56,803 I THINK WE HAVE A WITNESS. 447 00:18:59,264 --> 00:19:01,558 [***] 448 00:19:06,438 --> 00:19:08,231 AND YOU'RE CERTAIN YOU SAW HIM 449 00:19:08,273 --> 00:19:09,733 TAKE THE MAIL FROM THAT BOX? 450 00:19:09,774 --> 00:19:10,817 POSITIVE! 451 00:19:10,859 --> 00:19:12,152 HE LOCKED UP AND STARTED WALKING AWAY, 452 00:19:12,193 --> 00:19:13,153 AND THAT'S WHEN I CAUGHT UP WITH HIM. 453 00:19:13,194 --> 00:19:15,155 WOULD YOU BE ABLE TO RECOGNIZE HIM? 454 00:19:15,196 --> 00:19:18,867 PROBABLY. HE SEEMED SORT OF... SAD. 455 00:19:18,908 --> 00:19:21,494 WHAT'S THIS ABOUT? 456 00:19:21,536 --> 00:19:22,746 WELL, THE GOOD NEWS IS, 457 00:19:22,787 --> 00:19:24,456 THE MAIL YOU'RE TRYING TO RETRIEVE 458 00:19:24,497 --> 00:19:26,583 HAS NOT YET BEEN DELIVERED, 459 00:19:26,624 --> 00:19:28,335 BECAUSE IT'S NOT YET ENTERED THE SYSTEM. 460 00:19:28,376 --> 00:19:30,253 THE UNFORTUNATE NEWS IS 461 00:19:30,295 --> 00:19:32,172 WE BELIEVE THAT MAIL HAS BEEN INVOLVED 462 00:19:32,213 --> 00:19:34,174 IN A SERIES OF UNAUTHORIZED TRANSFERS. 463 00:19:34,215 --> 00:19:36,134 WHAT? 464 00:19:36,176 --> 00:19:38,053 SOMEBODY STOLE A BUNCH OF MAIL. 465 00:19:38,094 --> 00:19:39,596 WELL, YOU'VE GOTTA GET MINE BACK! 466 00:19:39,637 --> 00:19:41,514 WE ARE MAKING EVERY EFF-- 467 00:19:41,556 --> 00:19:43,058 I HAVE TO GET IT BACK. IT'S REALLY IMPORTANT. 468 00:19:43,099 --> 00:19:45,685 THAT MAN HAS STOLEN HUNDREDS, IF NOT THOUSANDS OF LETTERS. 469 00:19:45,727 --> 00:19:47,854 I ASSURE YOU THAT EVERY ONE OF THEM MATTERS TO SOMEONE. 470 00:19:47,896 --> 00:19:50,231 THEY ALL MATTER TO US. 471 00:19:50,273 --> 00:19:53,651 NIKKI, THINK OF IT LIKE THIS, IF THE LETTER'S REALLY LOST, 472 00:19:53,693 --> 00:19:55,695 THEN AT LEAST GRAHAM WON'T READ IT NOW, RIGHT? 473 00:19:55,737 --> 00:19:57,238 BUT WHAT IF THE MAIL GUY DOES? 474 00:19:57,280 --> 00:19:58,823 [NIKKI SIGHS] 475 00:19:58,865 --> 00:20:01,451 I SHOULD NEVER HAVE MAILED THAT LETTER. 476 00:20:01,493 --> 00:20:03,161 AND I WOULDN'T HAVE, IF IT WEREN'T FOR HIM! 477 00:20:03,203 --> 00:20:04,204 WHAT DO YOU MEAN? 478 00:20:04,245 --> 00:20:06,373 OH, HE SAID SOMETHING ABOUT 479 00:20:06,414 --> 00:20:08,041 "WHAT GOOD IS A LETTER IF YOU NEVER MAIL IT?" 480 00:20:08,083 --> 00:20:09,417 [SHANE]: HE'S GOT A POINT. 481 00:20:11,002 --> 00:20:15,799 LOOK, YOU WERE IN LOVE AND YOU TOOK A RISK TO SAY SO. 482 00:20:18,677 --> 00:20:20,261 YOU PUT YOURSELF OUT THERE. 483 00:20:20,303 --> 00:20:22,263 BUT NOW THE LETTER IS OUT THERE... 484 00:20:22,305 --> 00:20:25,058 I HAVE TO GET IT BACK. 485 00:20:25,100 --> 00:20:26,726 I HAVE TO! 486 00:20:26,768 --> 00:20:30,438 WELL, SEEING AS YOU'VE COMPLETED FORM 67E, 487 00:20:30,480 --> 00:20:31,981 AS SOON AS THE MAIL IS RECOVERED, 488 00:20:32,023 --> 00:20:33,024 WE WILL BE CERTAIN TO RETURN IT TO YOU. 489 00:20:33,066 --> 00:20:34,401 IN THE MEANTIME, 490 00:20:34,442 --> 00:20:35,735 I'D LIKE YOU TO GO WITH NORMAN 491 00:20:35,777 --> 00:20:37,737 TO ASSIST IN CREATING A SKETCH OF OUR SUSPECT. 492 00:20:37,779 --> 00:20:38,905 SURE. 493 00:20:38,947 --> 00:20:39,948 DO YOU LIKE SMOOTHIES? 494 00:20:49,541 --> 00:20:51,251 I THINK THERE'S SOMETHING SHE'S NOT TELLING US. 495 00:20:51,292 --> 00:20:53,086 SO DO I. 496 00:20:56,089 --> 00:20:56,965 HI, RITA! 497 00:20:57,007 --> 00:20:58,049 OH-- 498 00:20:58,091 --> 00:20:59,050 THIS IS NIKKI. 499 00:20:59,092 --> 00:21:00,802 OH! HELLO! 500 00:21:00,844 --> 00:21:02,012 HI. 501 00:21:02,053 --> 00:21:03,680 THAT LETTER SHE WANTS BACK, 502 00:21:03,722 --> 00:21:05,682 SHE THINKS SHE MAY HAVE GIVEN IT TO OUR PERP. 503 00:21:05,724 --> 00:21:08,268 [GASPS] WHOA. YOU MET THE PERP? 504 00:21:08,309 --> 00:21:10,603 HE DIDN'T SEEM LIKE A PERP. 505 00:21:10,645 --> 00:21:14,274 BUT THEN AGAIN, YOU NEVER REALLY KNOW SOMEBODY, DO YOU? 506 00:21:14,315 --> 00:21:15,525 I REALLY KNOW RITA. 507 00:21:18,903 --> 00:21:20,447 [***] 508 00:21:20,488 --> 00:21:23,366 OH. I-- I REALLY LOVE YOUR BLOUSE. 509 00:21:23,408 --> 00:21:25,076 IT'S A BEAUTIFUL COLOR. 510 00:21:25,118 --> 00:21:26,536 THANK YOU. 511 00:21:26,578 --> 00:21:28,163 I NEVER USED TO WEAR BLUE, BUT I STARTED TO BECAUSE... 512 00:21:29,789 --> 00:21:32,083 BLUE IS MY BOYFRIEND'S FAVORITE COLOR. 513 00:21:32,125 --> 00:21:33,960 OH... 514 00:21:34,002 --> 00:21:35,337 MY EX-BOYFRIEND. 515 00:21:35,378 --> 00:21:37,088 OH... 516 00:21:37,130 --> 00:21:38,256 [SOBS] 517 00:21:38,298 --> 00:21:40,383 SMOOTHIE? 518 00:21:40,425 --> 00:21:42,177 STRAWBERRY, MANGO, BLUE-- 519 00:21:42,218 --> 00:21:43,511 SHH! 520 00:21:43,553 --> 00:21:46,014 UH ...BERRY? 521 00:21:50,393 --> 00:21:53,396 [SHANE]: WOW. KIDNAPPING, EXTORTION, 522 00:21:53,438 --> 00:21:54,814 COUNTERFEITING... 523 00:21:54,856 --> 00:21:57,108 OH, WHEN YOU SAID SHE WAS A POLICE OFFICER, 524 00:21:57,150 --> 00:21:59,027 I WAS THINKING PARKING TICKETS. 525 00:21:59,069 --> 00:22:00,904 [AWKWARD CHUCKLE] 526 00:22:03,740 --> 00:22:06,284 DESSERT THE OTHER NIGHT WAS OUT OF THIS WORLD. 527 00:22:06,326 --> 00:22:07,786 YOU SHOULD HAVE TRIED IT. 528 00:22:07,827 --> 00:22:09,996 YES. IT LOOKED QUITE APPETIZING. 529 00:22:10,038 --> 00:22:11,164 TRUST ME. 530 00:22:11,206 --> 00:22:12,415 IT WAS INCREDIBLE. 531 00:22:12,457 --> 00:22:14,000 MAYBE NEXT TIME IF WE-- UH... 532 00:22:15,210 --> 00:22:16,419 OH, LOOK! 533 00:22:16,461 --> 00:22:18,171 DOESN'T THAT WOMAN LOOK A LITTLE 534 00:22:18,213 --> 00:22:20,256 LIKE ELEANOR IN PASSPORTS? 535 00:22:20,298 --> 00:22:22,467 [JAZZY BAND MUSIC RISES] 536 00:22:22,509 --> 00:22:24,928 [***] 537 00:22:31,559 --> 00:22:33,770 [BOTH]: OOH! 538 00:22:36,064 --> 00:22:38,233 [***] 539 00:22:40,568 --> 00:22:42,237 [ALL APPLAUDING] 540 00:22:42,278 --> 00:22:43,321 THAT WAS MICHAEL AND SOPHIA, LADIES AND GENTLEMEN. 541 00:22:43,363 --> 00:22:44,948 THEY'LL BE BACK LATER. 542 00:22:44,989 --> 00:22:46,950 MY GOODNESS! 543 00:22:46,991 --> 00:22:48,493 THAT WAS VIGOROUS. 544 00:22:48,535 --> 00:22:49,744 I THOUGHT THEY WERE GREAT. 545 00:22:49,786 --> 00:22:51,830 I ALWAYS ENJOY A SPIRITED PERFORMANCE, 546 00:22:51,871 --> 00:22:53,873 BUT I GUESS I THOUGHT THE ATMOSPHERE HERE 547 00:22:53,915 --> 00:22:56,918 WOULD BE A BIT MORE, UH, INTIMATE. 548 00:22:56,960 --> 00:22:59,170 WELL, THE LAST TIME I WAS HERE-- 549 00:22:59,212 --> 00:23:00,672 OH, YOU'VE BEEN HERE? 550 00:23:00,714 --> 00:23:02,549 WELL, UH... AHEM. 551 00:23:02,590 --> 00:23:04,592 I THINK THERE WAS A SUNDAY BRUNCH 552 00:23:04,634 --> 00:23:06,720 I MAY HAVE ATTENDED. 553 00:23:06,761 --> 00:23:11,224 OR MAYBE IT WAS A LATE LATE-AFTERNOON TEA-SLASH-DINNER. 554 00:23:11,266 --> 00:23:12,392 OH. 555 00:23:12,434 --> 00:23:15,311 YEAH, THE CHIEF OF POSTAL SECURITY, 556 00:23:15,353 --> 00:23:16,479 THAT MAN LESTER 557 00:23:16,521 --> 00:23:17,564 IN INTERNAL AFFAIRS, 558 00:23:17,605 --> 00:23:20,025 HE ASKED ME OUT. 559 00:23:20,066 --> 00:23:21,693 YOU CAME HERE WITH LESTER KIMSICLE? 560 00:23:21,735 --> 00:23:24,362 HE WANTED TO GET TO KNOW ME BETTER... 561 00:23:24,404 --> 00:23:27,657 FOR SECURITY REASONS, HE SAID. 562 00:23:28,783 --> 00:23:30,243 OH, YOU WERE ON OFFICIAL BUSINESS? 563 00:23:30,285 --> 00:23:32,620 RIGHT. 564 00:23:32,662 --> 00:23:34,080 [RELIEVED SIGH] 565 00:23:34,122 --> 00:23:37,417 AND, IN THE INTEREST OF FULL DISCLOSURE, 566 00:23:37,459 --> 00:23:39,127 I WAS HERE ONCE WITH STEVE. 567 00:23:40,503 --> 00:23:41,755 STEVE? 568 00:23:41,796 --> 00:23:43,590 YOUR OLD FLAME FROM WASHINGTON? 569 00:23:43,631 --> 00:23:44,799 HE WAS HERE? 570 00:23:46,134 --> 00:23:48,970 THIS IS WHERE WE OFFICIALLY BROKE UP. 571 00:23:49,012 --> 00:23:50,013 [AWKWARD CHUCKLE] 572 00:23:50,055 --> 00:23:52,057 RIGHT THERE. 573 00:23:52,098 --> 00:23:54,351 THAT TABLE WITH THE LADY AND THE LOBSTER. 574 00:23:54,392 --> 00:23:56,436 I SEE. 575 00:23:56,478 --> 00:23:58,813 IT WAS WHEN I FIRST MOVED TO DENVER, 576 00:23:58,855 --> 00:24:01,024 AND HE HAD FLOWN IN TO CHANGE MY MIND, 577 00:24:01,066 --> 00:24:04,110 BUT BY THEN, I HAD MET YOU-- GUYS, 578 00:24:04,152 --> 00:24:05,278 AND... 579 00:24:05,320 --> 00:24:06,738 I TOLD HIM IT WAS OVER 580 00:24:06,780 --> 00:24:09,282 AND HE SHOULD GO BACK TO D.C. 581 00:24:09,324 --> 00:24:10,992 I'M SORRY 582 00:24:11,034 --> 00:24:12,619 I... 583 00:24:12,660 --> 00:24:13,953 CHOSE A PLACE 584 00:24:13,995 --> 00:24:17,957 FRAUGHT WITH SO MANY MEMORIES FOR OUR FIRST... 585 00:24:17,999 --> 00:24:19,918 UH... 586 00:24:19,959 --> 00:24:22,253 OUR FIRST... 587 00:24:22,295 --> 00:24:24,422 OUR FIRST...? 588 00:24:24,464 --> 00:24:28,176 I WONDER WHERE THE GENTLEMEN'S CONVENIENCE MIGHT BE. 589 00:24:28,218 --> 00:24:29,719 OH, IT'S RIGHT OVER THERE. 590 00:24:30,970 --> 00:24:32,639 PROBABLY. 591 00:24:32,681 --> 00:24:34,307 [NIKKI]: * THE MAN LEAVES 592 00:24:34,349 --> 00:24:35,392 THANK YOU. 593 00:24:35,433 --> 00:24:38,395 * AND I'M ON MY OWN 594 00:24:39,854 --> 00:24:47,237 * I JUST SIT AND SIMPLY WATCH THE DOOR * 595 00:24:47,278 --> 00:24:48,988 * AND TELL MYSELF... 596 00:24:49,030 --> 00:24:52,659 WAS IT, UH, CUSTARD, CURD, OR MERINGUE? 597 00:24:52,701 --> 00:24:54,744 I'M SORRY? 598 00:24:55,662 --> 00:24:57,247 THE DESSERT. 599 00:24:57,288 --> 00:25:01,835 SEE, I PREFER A FILLING WITH CUSTARD OR A GOOD CURD. 600 00:25:01,876 --> 00:25:04,170 MERINGUE ALWAYS SEEMS A WASTE OF A GOOD EGG. 601 00:25:05,547 --> 00:25:07,215 IT WAS A CUSTARD 602 00:25:07,257 --> 00:25:09,050 WITH A CURD GLAZE. 603 00:25:10,176 --> 00:25:11,469 AH. 604 00:25:11,511 --> 00:25:12,429 OLIVER! 605 00:25:13,555 --> 00:25:15,015 HELLO! 606 00:25:15,056 --> 00:25:16,808 HI! 607 00:25:18,643 --> 00:25:20,061 YOU REMEMBER SHANE. 608 00:25:20,103 --> 00:25:22,856 YES, OF COURSE! COME ON IN. 609 00:25:22,897 --> 00:25:24,983 -PLEASE. -THANK YOU. 610 00:25:30,071 --> 00:25:32,741 [DALE]: WELL, HE'S EDUCATED. 611 00:25:32,782 --> 00:25:34,868 YOU DON'T GET A LOT OF RANSOM NOTES IN LATIN. 612 00:25:34,909 --> 00:25:37,162 BUT YOU DON'T WANT TO MAKE A FORMAL REPORT? 613 00:25:37,203 --> 00:25:38,246 WELL, FOR NOW, 614 00:25:38,288 --> 00:25:39,539 I WAS HOPING WE MIGHT HAVE 615 00:25:39,581 --> 00:25:41,374 A RHETORICAL CONVERSATION ABOUT THE SORT OF PERSON 616 00:25:41,416 --> 00:25:43,126 WHO MIGHT DO THIS. 617 00:25:43,168 --> 00:25:44,544 OKAY, 618 00:25:44,586 --> 00:25:45,879 WELL, FROM WHAT I CAN TELL, 619 00:25:45,920 --> 00:25:47,130 THIS RHETORICAL PERSON 620 00:25:47,172 --> 00:25:48,965 PROBABLY WORKS FOR THE POST OFFICE. 621 00:25:49,007 --> 00:25:50,759 OLIVER FIGURED THAT OUT RIGHT AWAY, 622 00:25:50,800 --> 00:25:53,053 AND WE HAVE A DESCRIPTION FROM SOMEONE 623 00:25:53,094 --> 00:25:54,929 WHO HANDED OUR SUSPECT THE LETTER ON SATURDAY NIGHT. 624 00:25:54,971 --> 00:25:57,515 MALE, GRAY HAIR, PROBABLY OVER 60 YEARS OLD, 625 00:25:57,557 --> 00:25:59,392 AND HE SAID SOMETHING TO OUR WITNESS 626 00:25:59,434 --> 00:26:01,144 LIKE, UH, 627 00:26:01,186 --> 00:26:02,687 "WHAT GOOD IS A LETTER IF YOU DON'T MAIL IT?" 628 00:26:02,729 --> 00:26:04,481 [CHUCKLES] 629 00:26:04,522 --> 00:26:06,316 WELL, THAT SOUNDS LIKE A PHILOSOPHER 630 00:26:06,358 --> 00:26:08,985 WHO'S TIRED OF DREAMING. 631 00:26:09,027 --> 00:26:10,862 HE WANTS SOMETHING, HE KNOWS YOU WANT THE MAIL BACK, 632 00:26:10,904 --> 00:26:11,905 SO HE'S KEEPING IT HOSTAGE. 633 00:26:11,946 --> 00:26:13,490 YOU THINK HE MIGHT BE DANGEROUS? 634 00:26:13,531 --> 00:26:15,742 IT'S POSSIBLE. 635 00:26:15,784 --> 00:26:17,077 OH, DEAR. 636 00:26:17,118 --> 00:26:18,787 SO WE'RE LOOKING FOR POSTAL CARRIERS 637 00:26:18,828 --> 00:26:20,955 THAT ARE OVER 60 AND DEPRESSED? 638 00:26:20,997 --> 00:26:22,957 [CHUCKLES] WELL, THAT SHOULD NARROW IT DOWN. 639 00:26:22,999 --> 00:26:25,043 YOU'VE GOT A LITTLE MORE TO GO ON THAN THAT. 640 00:26:25,085 --> 00:26:27,379 YOU HAVE A CAKE-TOPPER, SOME BEANS, AND... 641 00:26:27,420 --> 00:26:29,714 WHAT IS THIS? A GOOSE? 642 00:26:29,756 --> 00:26:31,341 YES. 643 00:26:31,383 --> 00:26:34,594 HMM. REMEMBER, THIS ISN'T ABOUT THE MAIL. 644 00:26:34,636 --> 00:26:37,347 HE'S PLAYING A GAME. 645 00:26:37,389 --> 00:26:39,557 HE'S NOT JUST SENDING THIS TO ANYBODY AT THE POST OFFICE. 646 00:26:39,599 --> 00:26:42,268 HE WANTS SOMEBODY IN PARTICULAR TO FIGURE THIS OUT, 647 00:26:42,310 --> 00:26:45,146 AND HE WANTS TO PROVE THAT HE'S JUST AS SMART AS THEY ARE. 648 00:26:45,188 --> 00:26:47,857 SO, HE KNOWS THEM? 649 00:26:47,899 --> 00:26:50,902 OH, YES. AND HE HATES THEM. 650 00:26:50,944 --> 00:26:53,947 SO, IF WE DON'T FIGURE OUT THE GAME, 651 00:26:53,988 --> 00:26:55,490 HE'S JUST GONNA KEEP STEALING MAIL 652 00:26:55,532 --> 00:26:56,825 AND LEAVING WEIRD STUFF BEHIND? 653 00:26:56,866 --> 00:26:58,118 I DON'T THINK SO. 654 00:26:58,159 --> 00:27:00,412 YOU SEE, THE LATIN QUOTATION IS DIFFERENT 655 00:27:00,453 --> 00:27:01,871 FROM THE OTHER CLUES. 656 00:27:01,913 --> 00:27:04,124 THIS LITERALLY SAYS "REMEMBER THIS,"BUT-- 657 00:27:04,165 --> 00:27:05,625 BUT... 658 00:27:05,667 --> 00:27:06,626 THERE'S AN ALTERNATE TRANSLATION. 659 00:27:06,668 --> 00:27:08,712 YES! 660 00:27:08,753 --> 00:27:10,755 "PERHAPS SOMEDAY IT WILL BE GOOD 661 00:27:10,797 --> 00:27:12,382 TO REMEMBER THESE THINGS." 662 00:27:12,424 --> 00:27:14,634 THESE THINGS! 663 00:27:14,676 --> 00:27:16,553 RIGHT. 664 00:27:16,594 --> 00:27:17,971 DOES THE POST OFFICE KEEP A RECORD 665 00:27:18,013 --> 00:27:19,556 OF THE PEOPLE THAT HAVE WON THE DARK OF NIGHT AWARD? 666 00:27:19,597 --> 00:27:20,682 I RAN A SEARCH OF THE LIST 667 00:27:20,724 --> 00:27:21,766 ON THE WAY OVER HERE, 668 00:27:21,808 --> 00:27:22,976 AND I FILTERED FOR 669 00:27:23,018 --> 00:27:24,894 DUCKS, GEESE, CAKE DECORATIONS, 670 00:27:24,936 --> 00:27:26,104 KIDNEY BEANS, BEANS, 671 00:27:26,146 --> 00:27:27,772 YOU NAME IT, AND ALL I GOT 672 00:27:27,814 --> 00:27:30,233 WAS A HUNDRED YEARS OF RECIPIENTS AND DATES. 673 00:27:30,275 --> 00:27:33,194 OH, AND A VERY NICE ARTICLE ABOUT US HERE, OLIVER, 674 00:27:33,236 --> 00:27:34,154 WHEN WE GOT OURS. 675 00:27:34,195 --> 00:27:35,739 OH. 676 00:27:35,780 --> 00:27:38,116 YOU NEVER MENTIONED THAT. 677 00:27:38,158 --> 00:27:40,869 OH, WELL, IT WAS A BIT OF A MIRACLE, FRANKLY. 678 00:27:40,910 --> 00:27:42,454 [OLIVER AND DALE CHUCKLE] 679 00:27:42,495 --> 00:27:43,872 OLIVER... 680 00:27:43,913 --> 00:27:45,081 WHAT DID YOUR GRANDFATHER 681 00:27:45,123 --> 00:27:47,292 RECEIVE HIS DARK OF NIGHT AWARD FOR? 682 00:27:47,334 --> 00:27:49,669 HE GAVE UP CHRISTMAS EVE WITH HIS FAMILY 683 00:27:49,711 --> 00:27:50,879 TO STAY IN THE TERMINAL ANNEX 684 00:27:50,920 --> 00:27:52,964 TO HELP A DAMAGED SHIPMENT OF... 685 00:27:53,006 --> 00:27:55,508 OF GOOSE EGGS HATCH OVERNIGHT! 686 00:27:55,550 --> 00:27:57,677 AND THE KIDNEY BEANS? 687 00:27:57,719 --> 00:28:01,139 WHY KIDNEY BEANS, WHY NOT PINTO OR LIMA? 688 00:28:01,181 --> 00:28:04,142 BECAUSE YOU AND I AND NORMAN AND RITA 689 00:28:04,184 --> 00:28:05,352 HELPED A GIRL WHO NEEDED-- 690 00:28:05,393 --> 00:28:07,354 [OVERLAPPING]: ...A KIDNEY TRANSPLANT! 691 00:28:08,521 --> 00:28:10,231 OLIVER, 692 00:28:10,273 --> 00:28:11,816 WHAT DID YOUR FATHER GET HIS FOR? 693 00:28:11,858 --> 00:28:13,818 OH, HE NEVER RECEIVED ONE. 694 00:28:13,860 --> 00:28:16,029 WELL, YES, HE DID. 695 00:28:16,071 --> 00:28:18,865 I MEAN, IT'S RIGHT HERE-- 696 00:28:18,907 --> 00:28:21,576 "JOSEPH HENRY O'TOOLE". THAT'S HIM, RIGHT? 697 00:28:21,618 --> 00:28:22,577 YES, BUT... 698 00:28:24,287 --> 00:28:26,289 THAT'S IT. HE'S TARGETING O'TOOLES. 699 00:28:28,625 --> 00:28:30,919 I NEED TO FIND MY FATHER. 700 00:28:39,844 --> 00:28:41,805 [***] 701 00:28:41,846 --> 00:28:43,682 [SLURPING] 702 00:28:45,433 --> 00:28:47,227 I THINK HIS EYES WERE FURTHER APART. 703 00:28:47,268 --> 00:28:48,937 OKAY. 704 00:28:53,900 --> 00:28:55,735 WHAT ABOUT THE SH-- 705 00:28:55,777 --> 00:28:57,737 [SLURPING] 706 00:28:57,779 --> 00:28:59,948 [***] 707 00:29:09,416 --> 00:29:11,710 THAT'S HER FOURTH BLUEBERRY SMOOTHIE. 708 00:29:13,253 --> 00:29:16,506 I THOUGHT BLUE MADE HER SAD. 709 00:29:16,548 --> 00:29:18,341 [RITA]: YEAH, WELL... 710 00:29:18,383 --> 00:29:19,551 THAT'S WHAT WE DO 711 00:29:19,592 --> 00:29:22,345 WHEN WE'RE GRIEVING A RELATIONSHIP, NORMAN. 712 00:29:22,387 --> 00:29:24,264 WE REREAD ALL THE OLD LOVE LETTERS, 713 00:29:24,305 --> 00:29:26,850 WE REVISIT ALL THE OLD PLACES. 714 00:29:26,891 --> 00:29:29,269 WE SEE SOMETHING LIKE THE COLOR BLUE 715 00:29:29,310 --> 00:29:32,814 OR WE HEAR A CERTAIN SONG AND... 716 00:29:32,856 --> 00:29:35,608 WE CRY. 717 00:29:37,360 --> 00:29:38,570 "WE"? 718 00:29:40,613 --> 00:29:44,367 DID YOU BREAK UP WITH SOMEBODY BEFORE ME? 719 00:29:44,409 --> 00:29:45,994 YEAH. YEAH. 720 00:29:46,036 --> 00:29:47,996 BOB. 721 00:29:49,581 --> 00:29:52,000 YOU DATED A GUY NAMED BOB? 722 00:29:52,042 --> 00:29:54,669 UH... 723 00:29:54,711 --> 00:29:55,879 YEAH. 724 00:29:57,297 --> 00:29:59,174 WHY DIDN'T YOU TELL ME THIS BEFORE? 725 00:30:00,925 --> 00:30:03,511 'CAUSE I'M TELLING YOU NOW! [CHUCKLES] 726 00:30:03,553 --> 00:30:06,139 I DATED A GUY NAMED BOB. 727 00:30:06,181 --> 00:30:07,807 UH, HE USED TO WORK AT THE ZOO, 728 00:30:07,849 --> 00:30:09,726 AND THEN HE GOT A JOB OFFER 729 00:30:09,768 --> 00:30:11,311 AT THE BOUVET ISLAND ANIMAL RESERVE, 730 00:30:11,353 --> 00:30:13,063 AND HE SAID THAT 731 00:30:13,104 --> 00:30:15,523 ANTARCTICA WASN'T A PLACE FOR A GIRL LIKE ME, 732 00:30:15,565 --> 00:30:18,568 AND-- AND THAT WE SHOULD BREAK UP, YEAH. 733 00:30:18,610 --> 00:30:23,281 OH, SO, YOU WENT OUT, UH, A COUPLE OF TIMES? 734 00:30:23,323 --> 00:30:24,657 WELL, HE LIKED TO TALK. 735 00:30:24,699 --> 00:30:25,784 UH, HE HAD A LOT TO SAY. 736 00:30:25,825 --> 00:30:26,701 [CHUCKLING] 737 00:30:26,743 --> 00:30:28,203 WELL, HOW LONG DID HE TALK FOR? 738 00:30:28,244 --> 00:30:29,829 A MONTH? A YEAR? 739 00:30:29,871 --> 00:30:31,539 NORMAN... 740 00:30:33,041 --> 00:30:35,669 FORGET IT. 741 00:30:35,710 --> 00:30:38,129 HE'S OLD NEWS ANYWAYS, RIGHT? 742 00:30:38,171 --> 00:30:39,923 YEAH. 743 00:30:39,964 --> 00:30:42,008 PRETTY MUCH. 744 00:30:42,050 --> 00:30:44,135 HE'S THE GUY THAT I SEND MONEY TO EVERY MONTH, 745 00:30:44,177 --> 00:30:47,013 TO HELP SAVE THE BOUVET ISLAND BURROWING YELLOWTAIL OWL. 746 00:30:48,598 --> 00:30:51,351 YOU SEND YOUR OLD BOYFRIEND $50 A MONTH? 747 00:30:51,393 --> 00:30:54,187 I DON'T LOOK AT IT LIKE THAT ANYMORE, 748 00:30:54,229 --> 00:30:55,438 BUT HE'S DOING GOOD WORK, 749 00:30:55,480 --> 00:30:57,315 AND YOU KNOW HOW I FEEL ABOUT OWLS. 750 00:30:58,441 --> 00:30:59,359 YES, BUT-- 751 00:30:59,401 --> 00:31:01,152 NIKKI? 752 00:31:02,612 --> 00:31:06,074 DID YOU NEED ANOTHER SMOOTHIE? 753 00:31:06,116 --> 00:31:07,534 [THUD] 754 00:31:07,575 --> 00:31:09,828 THERE AREN'T ENOUGH SMOOTHIES IN THE WORLD. 755 00:31:11,329 --> 00:31:12,872 HERE. 756 00:31:12,914 --> 00:31:15,291 WOULD YOU LIKE TO TALK ABOUT IT? 757 00:31:19,838 --> 00:31:22,340 WE WERE CLOSING UP AND HE SAID HE WANTED TO TALK. 758 00:31:25,218 --> 00:31:26,594 ARE YOU OKAY? 759 00:31:26,636 --> 00:31:28,221 NIKKI, I, UH... 760 00:31:28,263 --> 00:31:29,597 WHAT IS IT? 761 00:31:30,932 --> 00:31:32,892 YOU ARE THE BEST FRIEND I'VE EVER HAD. 762 00:31:32,934 --> 00:31:35,729 AND WHEN WE SING TOGETHER, 763 00:31:35,770 --> 00:31:38,231 IT'S LIKE WE WERE BORN TO BE A TEAM. 764 00:31:38,273 --> 00:31:39,899 I KNOW. 765 00:31:39,941 --> 00:31:42,152 NOW WE'VE BEEN DATING FOR, I DON'T KNOW-- 766 00:31:42,193 --> 00:31:44,487 A YEAR NEXT TUESDAY. BUT? 767 00:31:44,529 --> 00:31:47,240 THERE'S A "BUT" COMING, I CAN FEEL IT. 768 00:31:47,282 --> 00:31:49,451 IT'S JUST THAT... 769 00:31:49,492 --> 00:31:52,078 [SIGHS] 770 00:31:53,455 --> 00:31:55,081 THINGS HAVE CHANGED. 771 00:31:58,126 --> 00:32:00,003 OH, GOD. 772 00:32:01,212 --> 00:32:02,630 YOU'RE GONNA BREAK MY HEART, AREN'T YOU? 773 00:32:02,672 --> 00:32:04,382 LET ME EXPLAIN. 774 00:32:04,424 --> 00:32:06,092 I COULDN'T STAND THERE AND LISTEN 775 00:32:06,134 --> 00:32:07,344 TO ANOTHER GUY TELL ME 776 00:32:07,385 --> 00:32:08,845 "IT'S ALL MOVING TOO FAST," 777 00:32:08,887 --> 00:32:11,264 OR HE'S MET SOMEBODY ELSE... 778 00:32:13,224 --> 00:32:15,810 OR HE NEEDS TO BE FREE. 779 00:32:16,978 --> 00:32:19,272 SO I RAN AWAY. 780 00:32:19,314 --> 00:32:22,275 AND HE DIDN'T EVEN FOLLOW ME. 781 00:32:22,317 --> 00:32:24,402 SO I JUST KEPT GOING. 782 00:32:24,444 --> 00:32:25,987 [SIGHING HEAVILY] 783 00:32:27,322 --> 00:32:29,282 WE'RE SUPPOSED TO FOLLOW? 784 00:32:29,324 --> 00:32:31,076 YES! 785 00:32:31,117 --> 00:32:32,786 LIKE IN THE MOVIES. 786 00:32:32,827 --> 00:32:34,954 I'VE BEEN WATCHING THE WRONG MOVIES. 787 00:32:34,996 --> 00:32:36,456 -[DOOR OPENS] YEAH. -[SHANE]: WE'RE BACK! 788 00:32:36,498 --> 00:32:37,749 HI! 789 00:32:37,791 --> 00:32:39,209 HOW DID IT GO WITH YOUR FRIEND? 790 00:32:39,250 --> 00:32:40,669 IT WAS VERY ENLIGHTENING. 791 00:32:40,710 --> 00:32:44,381 YES, IT WAS. 792 00:32:44,422 --> 00:32:46,091 NORMAN, HOW GOES THE SKETCH? 793 00:32:46,132 --> 00:32:47,926 OH! WELL... 794 00:32:47,967 --> 00:32:50,220 IT'S TAKING LONGER THAN I THOUGHT. 795 00:32:50,261 --> 00:32:51,429 WHATEVER YOU DO, 796 00:32:51,471 --> 00:32:53,056 DON'T MENTION THE COLOR BLUE. 797 00:32:54,349 --> 00:32:55,684 UH, MISS BERGENS. 798 00:32:55,725 --> 00:32:58,937 UH, I HEAR YOU'RE DEALING WITH A BROKEN HEART TODAY. 799 00:32:58,978 --> 00:33:01,815 SORRY THAT YOU'RE HURTING. 800 00:33:01,856 --> 00:33:03,566 I DO KNOW HOW THAT FEELS. 801 00:33:03,608 --> 00:33:05,151 HOWEVER-- 802 00:33:05,193 --> 00:33:07,028 [PHONE RINGS] 803 00:33:10,073 --> 00:33:11,658 OLIVER O'TOOLE. 804 00:33:11,700 --> 00:33:12,826 IT'S HIM! 805 00:33:12,867 --> 00:33:14,828 [GASPING COLLECTIVELY] 806 00:33:14,869 --> 00:33:16,996 YOU FIGURED IT OUT YET, SONNY? 807 00:33:17,038 --> 00:33:19,249 SIR, WHOEVER YOU ARE, YOU ARE IN VIOLATION OF-- 808 00:33:19,290 --> 00:33:22,127 YOU'D BETTER GET ON THE BALL AND WISE UP, JUNIOR, 809 00:33:22,168 --> 00:33:23,837 OR YOU'RE NEVER GONNA SEE THAT MAIL AGAIN! 810 00:33:23,878 --> 00:33:25,171 NOW, SEE HERE. YOU-- 811 00:33:25,213 --> 00:33:27,424 NO, YOU SEE! IF YOU CAN. 812 00:33:27,465 --> 00:33:29,426 I'LL BE WAITING FOR YOU. [CLICK] 813 00:33:29,467 --> 00:33:31,344 HELLO? 814 00:33:31,386 --> 00:33:32,679 I DIDN'T HEAR IT ALL. 815 00:33:32,721 --> 00:33:34,180 HE CALLED HIM "JUNIOR". 816 00:33:34,222 --> 00:33:35,348 [RITA GASPS] 817 00:33:35,390 --> 00:33:37,559 HE SAID THAT IF WE DIDN'T KEEP UP WITH HIM, 818 00:33:37,600 --> 00:33:39,185 WE'D NEVER SEE THE MAIL AGAIN. 819 00:33:39,227 --> 00:33:41,396 NO! YOU CAN'T LET HIM HAVE THOSE LETTERS! 820 00:33:41,438 --> 00:33:43,565 YOU'VE GOT TO GET MINE BACK. 821 00:33:43,606 --> 00:33:44,899 YOU HAVE TO. 822 00:33:44,941 --> 00:33:46,484 MISS BERGENS, I UNDERSTAND 823 00:33:46,526 --> 00:33:48,028 THE PERSONAL NATURE OF YOUR LETTER, 824 00:33:48,069 --> 00:33:50,572 BUT IT'S UNLIKELY THAT HE'S READ EVERY LETTER HE'S PURLOINED. 825 00:33:50,613 --> 00:33:52,907 FACT IS, HE'S MUCH MORE LIKELY TO DESTROY THEM, I'M AFRAID. 826 00:33:52,949 --> 00:33:55,493 IT'S NOT JUST WHAT I SAID, 827 00:33:55,535 --> 00:33:57,412 IT'S WHAT'S IN IT. 828 00:33:57,454 --> 00:33:59,205 WHAT'S IN THE LETTER? 829 00:34:03,293 --> 00:34:05,337 $50,000. 830 00:34:06,629 --> 00:34:07,881 [OLIVER]: FORGIVE ME. 831 00:34:07,922 --> 00:34:09,758 YOU SAID THE CARD YOU MAILED TO YOUR BOYFRIEND 832 00:34:09,799 --> 00:34:11,593 CONTAINED $50,000? 833 00:34:11,634 --> 00:34:13,303 OH, EX-BOYFRIEND. 834 00:34:13,345 --> 00:34:14,471 BUT I MAILED IT 835 00:34:14,512 --> 00:34:17,766 SIX HOURS BEFORE HE TURNED INTO MY EX. 836 00:34:17,807 --> 00:34:19,642 WELL, IT'S A NICE WAY TO SAY GOODBYE. 837 00:34:19,684 --> 00:34:20,685 CAN'T YOU JUST 838 00:34:20,727 --> 00:34:21,770 STOP PAYMENT ON THE CHECK? 839 00:34:21,811 --> 00:34:22,896 IT'S NOT A CHECK. 840 00:34:22,937 --> 00:34:24,564 OUR ONE-YEAR ANNIVERSARY WAS COMING UP 841 00:34:24,606 --> 00:34:26,566 AND HE LOVES GETTING MAIL, 842 00:34:26,608 --> 00:34:28,943 SO I MADE HIM A CARD AND I WROTE, 843 00:34:28,985 --> 00:34:30,779 "WHEN I MET YOU, IT WAS LIKE WINNING THE LOTTERY." 844 00:34:30,820 --> 00:34:33,073 AND ON THE INSIDE I PUT-- 845 00:34:33,114 --> 00:34:34,240 UH-OH. 846 00:34:34,282 --> 00:34:36,785 YEAH. A LOTTERY TICKET. 847 00:34:36,826 --> 00:34:40,789 THEN WE BROKE UP, AND I WAS WALKING HOME AND... 848 00:34:42,290 --> 00:34:45,669 YOU KNOW THE WEATHERMAN WHO DOES THE LOTTERY NUMBERS? 849 00:34:45,710 --> 00:34:46,628 RAMON RODRIGUEZ! 850 00:34:46,670 --> 00:34:48,129 WE KNOW RAMON. 851 00:34:49,547 --> 00:34:51,716 [RAMON]: THAT'S RIGHT, SARAH, THERE MAY BE RAIN, 852 00:34:51,758 --> 00:34:54,177 BUT IT COULD STILL BE A BEAUTIFUL DAY 853 00:34:54,219 --> 00:34:56,304 FOR ONE LUCKY MEGAPOWER SWEEPSTAKES PLAYER! 854 00:34:58,431 --> 00:35:00,266 THREE. 855 00:35:00,308 --> 00:35:01,726 SEVEN. 856 00:35:01,768 --> 00:35:03,395 12. 857 00:35:03,436 --> 00:35:04,688 15... 858 00:35:04,729 --> 00:35:07,273 [SHRIEKING]: AHH! 859 00:35:07,315 --> 00:35:09,275 [***] 860 00:35:09,317 --> 00:35:10,276 THE NUMBERS ON THE TICKET 861 00:35:10,318 --> 00:35:12,654 WERE THE DAY, YEAR, AND TIME WE MET. 862 00:35:12,696 --> 00:35:15,323 IT WON FIVE OUT OF SIX. 863 00:35:15,365 --> 00:35:17,367 AND NOW IT'S WORTH $50,000. 864 00:35:17,409 --> 00:35:18,702 MY GOODNESS. 865 00:35:18,743 --> 00:35:21,496 I WORE BLUE FOR HIM. 866 00:35:21,538 --> 00:35:23,373 I LEARNED TO COOK TROUT FOR HIM. 867 00:35:23,415 --> 00:35:24,624 HE REALLY LIKES TROUT. 868 00:35:24,666 --> 00:35:26,209 OH. 869 00:35:26,251 --> 00:35:28,378 WE WERE BOTH SAVING UP TO MOVE TO NEW YORK 870 00:35:28,420 --> 00:35:31,506 TO AUDITION FOR CLUBS AND CABARETS TOGETHER. 871 00:35:31,548 --> 00:35:32,966 WE HAD ALL THESE PLANS 872 00:35:33,008 --> 00:35:34,467 AND I THOUGHT MAYBE THIS TIME 873 00:35:34,509 --> 00:35:36,845 I'D FOUND SOMEBODY DIFFERENT. 874 00:35:36,886 --> 00:35:39,639 BUT HE'S JUST LIKE ALL THE REST, EXCEPT... 875 00:35:39,681 --> 00:35:41,349 IF HE GETS THAT LETTER NOW, 876 00:35:41,391 --> 00:35:43,601 HE'LL BE RICH, TOO. 877 00:35:43,643 --> 00:35:44,686 AND HE'LL GO TO NEW YORK 878 00:35:44,728 --> 00:35:47,313 AND I'LL JUST BE HERE... 879 00:35:47,355 --> 00:35:49,524 COOKING TROUT. 880 00:35:49,566 --> 00:35:53,486 ONE MUST NEVER REGRET AN ACT OF LOVE, MISS BERGENS. 881 00:35:54,696 --> 00:35:56,614 NEVER. 882 00:35:58,033 --> 00:35:59,659 NORMAN, RITA, WILL YOU PLEASE 883 00:35:59,701 --> 00:36:01,411 COMPLETE THE SKETCH WITH MISS BERGENS? 884 00:36:01,453 --> 00:36:02,996 IF I'M NEEDED, 885 00:36:03,038 --> 00:36:05,081 I'LL BE IN THE MAILBOX GRILLE. EXCUSE ME. 886 00:36:06,541 --> 00:36:08,543 [***] 887 00:36:09,794 --> 00:36:10,837 OH! 888 00:36:10,879 --> 00:36:12,547 [SHANE SIGHS] 889 00:36:22,599 --> 00:36:26,394 HIS NOSE WAS KIND OF BIG AND POINTY. 890 00:36:26,436 --> 00:36:29,147 OKAY. 891 00:36:30,815 --> 00:36:32,484 SORRY. 892 00:36:32,525 --> 00:36:34,402 IT'S OKAY. 893 00:36:36,196 --> 00:36:40,408 UH, YOU CAN PUT THAT OVER THERE IN THE "OUT" BOX. 894 00:36:41,576 --> 00:36:44,037 [***] 895 00:36:44,079 --> 00:36:45,538 TO "BOB." 896 00:36:54,673 --> 00:36:56,925 [***] 897 00:37:09,354 --> 00:37:10,355 HEY. 898 00:37:10,397 --> 00:37:11,481 DAD. 899 00:37:11,523 --> 00:37:12,732 YOU LOOK GOOD. 900 00:37:12,774 --> 00:37:14,651 OH. THANKS. PLEASE. 901 00:37:16,778 --> 00:37:18,822 BEEN A WHILE. 902 00:37:18,863 --> 00:37:19,823 YES, WELL, I CALLED. 903 00:37:19,864 --> 00:37:22,283 YOU'VE BEEN BUSY. 904 00:37:23,493 --> 00:37:26,204 YEAH, I'VE TAKEN UP HIKING AGAIN. 905 00:37:26,246 --> 00:37:27,372 LIVE IN COLORADO, 906 00:37:27,414 --> 00:37:28,665 YOU GOTTA GET OUT THERE AND HIKE, RIGHT? 907 00:37:28,707 --> 00:37:30,583 YOU DO? 908 00:37:30,625 --> 00:37:32,377 WELL, I DO. 909 00:37:32,419 --> 00:37:33,920 YOU SHOULD COME SOME TIME. 910 00:37:33,962 --> 00:37:37,090 OH. I HAVE A GREAT LOVE OF NATURE. 911 00:37:37,132 --> 00:37:39,968 I WOULDN'T MIND EXPANDING IT TO THE... 912 00:37:40,010 --> 00:37:40,969 OUTDOORS. 913 00:37:42,846 --> 00:37:44,180 OKAY. 914 00:37:44,222 --> 00:37:45,181 [CHUCKLES] 915 00:37:45,223 --> 00:37:46,474 IN THE MEANTIME, 916 00:37:46,516 --> 00:37:48,268 SOUNDS LIKE YOU'VE GOT A PROBLEM. 917 00:37:48,309 --> 00:37:49,853 YES. SOMEONE'S BEEN 918 00:37:49,894 --> 00:37:52,355 STEALING MAIL FROM THE BOXES IN THE BONNIE BRAE AREA, 919 00:37:52,397 --> 00:37:53,732 I WAS HOPING YOU MIGHT HELP US OUT. 920 00:37:55,233 --> 00:37:56,526 WELL, I DON'T KNOW. 921 00:37:56,568 --> 00:37:58,528 I'M NOT SURE THEY'VE EVER FORGIVEN ME OVER THERE 922 00:37:58,570 --> 00:37:59,571 FOR DEFECTING 923 00:37:59,612 --> 00:38:00,739 TO FEDEX. 924 00:38:00,780 --> 00:38:02,240 I'M NOT EVEN SURE YOU HAVE. 925 00:38:02,282 --> 00:38:03,533 OH, OF COURSE, I HAVE. YOU HAD YOUR REASONS. 926 00:38:03,575 --> 00:38:05,744 SOMEDAY, YOU'LL TELL ME WHAT THEY WERE. 927 00:38:07,120 --> 00:38:08,455 MAYBE ON A HIKE. 928 00:38:08,496 --> 00:38:11,541 PERHAPS YOU MIGHT TELL ME 929 00:38:11,583 --> 00:38:13,335 ABOUT THAT DARK OF NIGHT AWARD YOU WON, TOO. 930 00:38:14,711 --> 00:38:16,129 AH. 931 00:38:16,171 --> 00:38:17,547 WELL, IT WAS A WHILE AGO. 932 00:38:17,589 --> 00:38:19,174 I CAN'T BELIEVE I NEVER KNEW ABOUT THAT. 933 00:38:19,215 --> 00:38:22,218 I DIDN'T SPREAD IT AROUND, 934 00:38:22,260 --> 00:38:25,722 AND IT HAPPENED AFTER YOU LEFT HOME. 935 00:38:25,764 --> 00:38:26,973 AH. 936 00:38:27,015 --> 00:38:28,725 IT WAS NOTHING LIKE WHAT YOU GUYS DID. 937 00:38:28,767 --> 00:38:30,185 I JUST DELIVERED 938 00:38:30,226 --> 00:38:32,354 A MISROUTED WEDDING DRESS IN TIME FOR A WEDDING. 939 00:38:33,813 --> 00:38:35,899 A WEDDING? 940 00:38:35,940 --> 00:38:37,567 OLIVER! 941 00:38:37,609 --> 00:38:39,277 IT'S FINISHED. 942 00:38:39,319 --> 00:38:41,446 UH, NIKKI SAYS IT'S REALLY CLOSE, 943 00:38:41,488 --> 00:38:44,324 BUT WE CAN BRING HER BACK IN IF WE NEED TO. 944 00:38:45,450 --> 00:38:47,535 DO YOU KNOW WHO THIS COULD BE? 945 00:38:51,623 --> 00:38:53,667 YEAH. I DO. 946 00:38:55,794 --> 00:38:57,212 WHO? 947 00:38:57,253 --> 00:38:58,588 DUDLEY CURLY. 948 00:38:58,630 --> 00:38:59,839 HE RESEMBLES THE SKETCH WE HAD MADE 949 00:38:59,881 --> 00:39:00,799 WITH THE HELP OF A WITNESS, 950 00:39:00,840 --> 00:39:02,092 AND HE MATCHES THE PROFILE. 951 00:39:02,133 --> 00:39:04,260 GOOD WORK. 952 00:39:04,302 --> 00:39:05,929 SO, IT'S DUDLEY, HUH? 953 00:39:05,970 --> 00:39:07,097 YES. 954 00:39:07,138 --> 00:39:07,931 NEVER HEARD OF HIM. 955 00:39:09,891 --> 00:39:11,935 HE WAS A MAIL CARRIER FOR THE POSTAL SERVICE 956 00:39:11,976 --> 00:39:13,520 FOR 45 YEARS. 957 00:39:13,561 --> 00:39:15,105 AND IT'S PROBABLY NO COINCIDENCE 958 00:39:15,146 --> 00:39:16,815 THAT HE RETIRES TODAY. 959 00:39:18,692 --> 00:39:20,610 THIS ISN'T LIKE TAKING HOME PAPER CLIPS 960 00:39:20,652 --> 00:39:22,278 AND STAPLERS FROM THE OFFICE. 961 00:39:22,320 --> 00:39:23,530 THIS IS THE U.S. MAIL, DARN IT! 962 00:39:23,571 --> 00:39:25,031 I WANT THIS MAN FIRED. 963 00:39:27,033 --> 00:39:28,910 HE'S RETIRING. 964 00:39:30,453 --> 00:39:33,289 WHAT'S THIS GOT TO DO WITH YOU, ANYWAY? 965 00:39:33,331 --> 00:39:36,501 DIDN'T YOU MUSTER OUT AND SIGN UP FOR THE ENEMY? 966 00:39:36,543 --> 00:39:37,877 I ASKED MY FATHER TO HELP US 967 00:39:37,919 --> 00:39:40,296 BECAUSE EVERY CLUE THE SUSPECT LEFT SO FAR 968 00:39:40,338 --> 00:39:41,464 HAS SOMETHING TO DO WITH US-- 969 00:39:41,506 --> 00:39:43,591 MY GRANDFATHER, MY FATHER, AND I 970 00:39:43,633 --> 00:39:45,051 ALL WON DARK OF NIGHT AWARDS. 971 00:39:45,093 --> 00:39:46,970 I KNEW CURLY. 972 00:39:47,012 --> 00:39:48,388 WE WERE FRIENDS ONCE. 973 00:39:48,430 --> 00:39:50,473 THOUGHT IT WAS DUDLEY. 974 00:39:50,515 --> 00:39:52,308 WE CALLED HIM CURLY. HE DOESN'T LIKE DUDLEY. 975 00:39:52,350 --> 00:39:54,185 NEITHER DO I. 976 00:39:54,227 --> 00:39:56,146 GO ON. 977 00:39:56,187 --> 00:39:57,647 CURLY AND I, UH, 978 00:39:57,689 --> 00:39:59,524 HUNG OUT AND WATCHED THE BIG GAME ON SUNDAYS, 979 00:39:59,566 --> 00:40:01,234 WE WERE IN THE BOWLING LEAGUE, 980 00:40:01,276 --> 00:40:02,318 AND THEN I WON THAT AWARD 981 00:40:02,360 --> 00:40:03,611 AND GOT A NICE PROMOTION 982 00:40:03,653 --> 00:40:05,739 AND HE JUST STOPPED COMING AROUND. 983 00:40:05,780 --> 00:40:06,656 WHAT DOES HE WANT? 984 00:40:06,698 --> 00:40:08,658 WE DON'T KNOW. 985 00:40:08,700 --> 00:40:10,326 HE SAYS HE'S GOING TO HOLD THE MAIL RANSOM 986 00:40:10,368 --> 00:40:12,245 UNTIL WE MEET HIS DEMANDS... 987 00:40:12,287 --> 00:40:14,456 THAT HAVE NOT YET BEEN SET FORTH. 988 00:40:14,497 --> 00:40:17,000 I'M THINKING MAYBE I SHOULD JUST GO OVER THERE AND TALK-- 989 00:40:17,042 --> 00:40:18,126 FORGET IT, O'TOOLE! 990 00:40:18,168 --> 00:40:19,836 YOU DON'T QUIT THE POSTAL SERVICE 991 00:40:19,878 --> 00:40:22,797 THEN WALTZ BACK IN HERE JUST BECAUSE WE NEED YOU. 992 00:40:22,839 --> 00:40:24,507 ARE WE CLEAR? 993 00:40:25,884 --> 00:40:26,760 CRYSTAL. 994 00:40:28,803 --> 00:40:31,014 SECURITY! 995 00:40:31,056 --> 00:40:32,640 WE ARE MOVING OUT! 996 00:40:33,725 --> 00:40:36,436 [***] 997 00:40:50,158 --> 00:40:52,869 [***] 998 00:40:59,000 --> 00:41:01,294 DISPERSE! DEPLOY! 999 00:41:01,336 --> 00:41:02,337 LOCK THAT DOWN! 1000 00:41:02,379 --> 00:41:03,421 WHAT ON EARTH...? 1001 00:41:03,463 --> 00:41:05,757 SET UP A PERIMETER AND-- 1002 00:41:05,799 --> 00:41:06,966 SHANE. 1003 00:41:07,008 --> 00:41:09,969 GOOD TO HAVE YOU ONBOARD. 1004 00:41:10,011 --> 00:41:12,472 FEDEX! STAY IN THE TRUCK. 1005 00:41:12,514 --> 00:41:13,598 THIS IS GOVERNMENT BUSINESS. 1006 00:41:13,640 --> 00:41:14,974 RIGHT. 1007 00:41:15,016 --> 00:41:15,934 [RADIO CRACKLES] 1008 00:41:15,975 --> 00:41:17,060 HEADS UP, MEN! 1009 00:41:17,102 --> 00:41:19,062 KEEP YOUR NOSE TO THE GRINDSTONE. 1010 00:41:19,104 --> 00:41:20,563 [RADIOS CRACKLING] 1011 00:41:22,190 --> 00:41:25,527 HERE WE COME, DUDLEY. 1012 00:41:29,739 --> 00:41:31,032 [MEGAPHONE SQUEALS]: CURLY DUDLEY! 1013 00:41:31,074 --> 00:41:34,411 THIS IS LESTER KIMSICLE, CHIEF OF POSTAL SECURITY. 1014 00:41:34,452 --> 00:41:36,246 WE HAVE YOUR HOUSE SURROUNDED. 1015 00:41:36,287 --> 00:41:37,706 COME OUT WITH YOUR HANDS UP. 1016 00:41:37,747 --> 00:41:39,916 UH, MR. KIMSICLE, UH, WE BELIEVE-- 1017 00:41:39,958 --> 00:41:42,002 STAND DOWN, O'TOOLE. 1018 00:41:42,043 --> 00:41:44,087 YOU'RE IN MY WHEELHOUSE NOW. 1019 00:41:46,047 --> 00:41:47,590 CURLY DUDLEY! 1020 00:41:47,632 --> 00:41:50,969 CAN... YOU... HEAR ME? 1021 00:41:51,011 --> 00:41:54,723 IT'S "DUDLEY CURLY". 1022 00:41:54,764 --> 00:41:56,307 CURLY DUDLEY, DUDLEY CURLY, 1023 00:41:56,349 --> 00:41:58,393 I'M GONNA CALL YA "DUD," OKAY? 1024 00:41:58,435 --> 00:42:01,229 NO! IT'S NOT OKAY. 1025 00:42:01,271 --> 00:42:02,939 [MEGAPHONE SQUEALS] 1026 00:42:02,981 --> 00:42:05,108 WE'RE GONNA NEED SOME PROOF OF LIFE HERE. 1027 00:42:05,150 --> 00:42:06,109 [DUDLEY]: WHAT? 1028 00:42:06,151 --> 00:42:08,695 PROOF OF LIFE. 1029 00:42:08,737 --> 00:42:11,823 WELL, I'M TALKING TO YOU, AREN'T I? 1030 00:42:11,865 --> 00:42:13,408 YA MORON. 1031 00:42:13,450 --> 00:42:15,243 WELL, WE KNOW YOU'RE ALIVE. 1032 00:42:15,285 --> 00:42:17,370 WE NEED TO KNOW THE MAIL'S OKAY. 1033 00:42:17,412 --> 00:42:18,872 JUST SHOW US YOU GOT IT. 1034 00:42:18,913 --> 00:42:20,832 [SLAM] 1035 00:42:22,042 --> 00:42:24,878 [RADIOS CRACKLING] 1036 00:42:26,338 --> 00:42:28,757 STEALING THE MAIL IS A FEDERAL OFFENSE! 1037 00:42:28,798 --> 00:42:33,136 YEAH, WELL, I'M STILL EMPLOYED UNTIL 5:00! 1038 00:42:33,178 --> 00:42:35,138 HOLD ON A MINUTE. 1039 00:42:35,180 --> 00:42:37,474 WHAT'S HE TALKING ABOUT? 1040 00:42:37,515 --> 00:42:38,725 UH, TECHNICALLY, 1041 00:42:38,767 --> 00:42:40,310 THE MAIL IS STILL IN THE POSSESSION 1042 00:42:40,352 --> 00:42:42,354 OF AN AUTHORIZED POSTAL CARRIER. 1043 00:42:42,395 --> 00:42:45,231 UNAUTHORIZED REMOVAL IS, UM, A VIOLATION OF-- 1044 00:42:45,273 --> 00:42:46,316 NORMAN? 1045 00:42:46,358 --> 00:42:48,568 EMPLOYEE REGULATION 67K. 1046 00:42:48,610 --> 00:42:49,861 [OLIVER]: BUT IT IS NOT A CRIME. 1047 00:42:49,903 --> 00:42:51,112 WELL, AT LEAST, 1048 00:42:51,154 --> 00:42:53,156 NOT UNTIL 5:00, WHEN HE OFFICIALLY RETIRES. 1049 00:42:55,450 --> 00:42:56,868 [GRUMBLING SIGH] FINE. 1050 00:42:56,910 --> 00:42:58,661 [CLICK] 1051 00:42:58,703 --> 00:43:00,163 WE'LL WAIT UNTIL 5:00, 1052 00:43:00,205 --> 00:43:01,915 AND THEN WE'RE COMING IN! 1053 00:43:01,956 --> 00:43:04,042 [DUDLEY]: I WOULDN'T DO THAT, IF I WERE YOU. 1054 00:43:04,084 --> 00:43:07,128 I GET WHAT I WANT OR ELSE. 1055 00:43:07,170 --> 00:43:08,672 OR ELSE, WHAT? 1056 00:43:08,713 --> 00:43:11,841 DUD! OR ELSE WHAT? 1057 00:43:11,883 --> 00:43:13,259 OLIVER. LOOK. 1058 00:43:13,301 --> 00:43:15,220 [***] 1059 00:43:18,431 --> 00:43:20,934 [RITA]: OH, NO! HE'S STARTED A FIRE. 1060 00:43:20,975 --> 00:43:22,060 UH, DUD? 1061 00:43:22,102 --> 00:43:24,437 NOW'S NOT THE TIME TO HAVE A WEENIE-ROAST. 1062 00:43:24,479 --> 00:43:26,606 I DON'T THINK HE'S MAKING LUNCH, MR. KIMSICLE. 1063 00:43:26,648 --> 00:43:28,316 HE'S GOING TO BURN THEM ALL. 1064 00:43:31,569 --> 00:43:34,072 [***] 1065 00:43:42,288 --> 00:43:45,208 HE SAYS HE'LL BURN THE LETTERS IF HE DOESN'T GET WHAT HE WANTS, 1066 00:43:45,250 --> 00:43:46,876 BUT WHAT IS THAT? 1067 00:43:46,918 --> 00:43:48,878 HE GOT WHAT HE WANTED-- ATTENTION. 1068 00:43:48,920 --> 00:43:50,755 NOW HE DOESN'T KNOW WHAT TO DO WITH IT. 1069 00:43:50,797 --> 00:43:53,008 HE WAS ALWAYS PUTTING THE CART BEFORE THE HORSE. 1070 00:43:53,049 --> 00:43:56,219 HE GOT THAT STICK-SHIFT BEFORE HE LEARNED TO DRIVE BECAUSE-- 1071 00:43:56,261 --> 00:43:57,387 OH, WOW. 1072 00:43:57,429 --> 00:43:58,972 WHAT? 1073 00:43:59,014 --> 00:44:00,932 BECAUSE I HAD ONE. 1074 00:44:03,101 --> 00:44:05,186 WHAT DO YOU SEE, NORMAN? 1075 00:44:05,228 --> 00:44:07,689 DOESN'T LOOK LIKE HE'S BURNED ANYTHING YET. 1076 00:44:07,731 --> 00:44:09,816 BUT HE'S THINKING ABOUT IT. 1077 00:44:11,234 --> 00:44:12,736 SO WHAT DO YOU THINK? 1078 00:44:13,987 --> 00:44:16,072 I THINK LESTER COULD ESCALATE THIS INTO A DISASTER 1079 00:44:16,114 --> 00:44:17,032 IF WE DON'T DO SOMETHING. 1080 00:44:17,073 --> 00:44:18,533 MS. McINERNEY, 1081 00:44:18,575 --> 00:44:20,368 IT MAY BE TIME TO GIVE HER A CALL. 1082 00:44:20,410 --> 00:44:22,412 I KNOW. I ALREADY CALLED HER. 1083 00:44:22,454 --> 00:44:23,997 DALE IS ON HER WAY. 1084 00:44:26,041 --> 00:44:28,001 [***] 1085 00:44:33,965 --> 00:44:36,676 DALE SHOULD BE HERE IN ABOUT 20 MINUTES. 1086 00:44:36,718 --> 00:44:39,512 I DON'T KNOW ABOUT YOU, BUT I AM GETTING HUNGRY. 1087 00:44:39,554 --> 00:44:41,097 THAT'S A GOOD IDEA. 1088 00:44:41,139 --> 00:44:43,141 I BET DUDLEY'S GETTING HUNGRY, TOO. 1089 00:44:46,394 --> 00:44:48,188 SHANE. 1090 00:44:48,229 --> 00:44:49,606 YOU'VE CHANGED YOUR HAIR. 1091 00:44:49,647 --> 00:44:51,066 NO. 1092 00:44:51,107 --> 00:44:52,817 YOU KNOW, AFTER THIS IS ALL OVER, 1093 00:44:52,859 --> 00:44:54,486 WE SHOULD... 1094 00:44:54,527 --> 00:44:55,612 NO. 1095 00:44:55,653 --> 00:44:56,446 MAY I HAVE THAT, PLEASE? 1096 00:44:59,824 --> 00:45:00,909 MR. CURLY! 1097 00:45:00,950 --> 00:45:02,035 I'M GOING OUT FOR SANDWICHES. 1098 00:45:02,077 --> 00:45:04,579 CAN I GET YOU ANYTHING? 1099 00:45:05,997 --> 00:45:07,540 PASTRAMI? 1100 00:45:07,582 --> 00:45:08,667 TURKEY? 1101 00:45:08,708 --> 00:45:12,379 CORNED BEEF AND CHICKEN SALAD ON WHITE. 1102 00:45:12,420 --> 00:45:14,839 MY GOD, THE MAN'S A SAVAGE. 1103 00:45:14,881 --> 00:45:16,758 DO YOU WANT ANYTHING ON THAT? 1104 00:45:16,800 --> 00:45:19,552 JUST MAYO. OH! AND SOME COLESLAW. 1105 00:45:19,594 --> 00:45:20,553 GOT IT. 1106 00:45:20,595 --> 00:45:21,805 NOW, PLEASE... 1107 00:45:21,846 --> 00:45:24,599 TRY NOT TO BURN ANYTHING UNTIL I GET BACK, OKAY? 1108 00:45:24,641 --> 00:45:27,060 OKAY. 1109 00:45:27,102 --> 00:45:28,687 IF I GIVE THIS BACK TO YOU, 1110 00:45:28,728 --> 00:45:30,980 DO YOU PROMISE NOT TO USE IT BEFORE I GET BACK? 1111 00:45:31,022 --> 00:45:32,774 WILL YOU LET ME TAKE YOU TO DINNER AGAIN? 1112 00:45:34,067 --> 00:45:35,318 LESTER... 1113 00:45:35,360 --> 00:45:36,986 SO FAR THE ONLY ONE HERE 1114 00:45:37,028 --> 00:45:39,114 BREAKING A FEDERAL LAW IS YOU. 1115 00:45:40,115 --> 00:45:42,534 OKAY! OKAY. 1116 00:45:42,575 --> 00:45:45,161 [FOOTSTEPS RECEDING] 1117 00:45:48,790 --> 00:45:51,376 [***] 1118 00:45:57,424 --> 00:45:59,259 HEY. I'VE GOT EVERYBODY'S LUNCH ORDER, 1119 00:45:59,300 --> 00:46:00,343 AND THERE'S A DINER AROUND THE CORNER. 1120 00:46:00,385 --> 00:46:02,053 I'LL TAKE HAM ON RYE. 1121 00:46:02,095 --> 00:46:04,889 OKAY. I'LL GET YOU YOUR USUAL. 1122 00:46:04,931 --> 00:46:07,475 UH, PERHAPS A CUP OF HERBAL TEA. 1123 00:46:08,643 --> 00:46:10,270 NO ROSEHIPS. 1124 00:46:11,563 --> 00:46:14,274 I'LL GRAB SOMETHING FOR DALE, TOO. 1125 00:46:14,315 --> 00:46:15,442 ANY IDEA WHAT SHE'D LIKE? 1126 00:46:15,483 --> 00:46:16,735 UH, NO. 1127 00:46:16,776 --> 00:46:18,820 GOOD. 1128 00:46:23,116 --> 00:46:24,868 [RADIOS CRACKLING] 1129 00:46:24,909 --> 00:46:26,077 SO... 1130 00:46:26,119 --> 00:46:27,620 SHANE? 1131 00:46:27,662 --> 00:46:28,705 I'M SORRY? 1132 00:46:28,747 --> 00:46:29,789 YOU AND SHANE. 1133 00:46:29,831 --> 00:46:31,750 SOMETHING HAPPENED. 1134 00:46:31,791 --> 00:46:34,127 I MEAN, YOU GUYS AREN'T-- 1135 00:46:34,169 --> 00:46:35,337 I DON'T KNOW. 1136 00:46:35,378 --> 00:46:37,422 YOU'RE NOT CLICKING, LIKE YOU USUALLY DO. 1137 00:46:37,464 --> 00:46:41,634 OH, WELL, I'D LIKE TO THINK WE CLICKED A FEW TIMES THERE. 1138 00:46:41,676 --> 00:46:43,303 DID YOU EVER TAKE HER OUT, LIKE I TOLD YOU TO? 1139 00:46:43,345 --> 00:46:45,180 YES. 1140 00:46:45,221 --> 00:46:46,348 BUT NOT BECAUSE YOU SUGGESTED IT. 1141 00:46:46,389 --> 00:46:47,932 IT WAS SOMETHING I WANTED TO DO. 1142 00:46:47,974 --> 00:46:51,770 WE ACTUALLY WENT TO DINNER AT MONTALDO'S ON SATURDAY. 1143 00:46:51,811 --> 00:46:53,813 TWO DAYS AGO? 1144 00:46:53,855 --> 00:46:55,148 GEE, IT TOOK YOU LONG ENOUGH! 1145 00:46:55,190 --> 00:46:58,651 WELL, I'D LIKE TO THINK I'VE LEARNED TO... 1146 00:46:58,693 --> 00:46:59,694 WELL, NOT TO-- 1147 00:46:59,736 --> 00:47:00,695 RUSH INTO THINGS. 1148 00:47:00,737 --> 00:47:01,654 OF COURSE. I GET IT. 1149 00:47:01,696 --> 00:47:03,323 SO, HOW'D IT GO? 1150 00:47:05,700 --> 00:47:07,911 [RADIOS CRACKLING] 1151 00:47:11,206 --> 00:47:13,458 I ORDERED YOU A DOUBLE-PASTRAMI ON RYE. 1152 00:47:15,210 --> 00:47:17,796 THANK YOU FOR TELLING ME THAT, RITA. 1153 00:47:19,297 --> 00:47:22,717 YOU'RE WELCOME. OF COURSE. 1154 00:47:25,095 --> 00:47:27,597 [***] 1155 00:47:30,892 --> 00:47:32,018 YOU'RE KIDDING. 1156 00:47:32,060 --> 00:47:33,853 YOU ACTUALLY SAID "WE'RE JUST FRIENDS"? 1157 00:47:34,938 --> 00:47:36,022 YES. 1158 00:47:36,064 --> 00:47:37,148 [LAUGHING] 1159 00:47:37,190 --> 00:47:38,525 WELL, NO WONDER SHE MENTIONED 1160 00:47:38,566 --> 00:47:39,859 ALL THOSE OTHER GUYS SHE'D BEEN THERE WITH. 1161 00:47:39,901 --> 00:47:41,277 IT WAS SELF-DEFENSE. 1162 00:47:42,904 --> 00:47:45,198 SO? HOW DID IT ALL END? 1163 00:47:45,240 --> 00:47:48,034 WELL, I ACTUALLY LEFT, FOR AWHILE. 1164 00:47:48,076 --> 00:47:50,370 I ACTUALLY ALMOST CALLED YOU. 1165 00:47:50,412 --> 00:47:54,290 [NIKKI]: * ...WATCH THE DOOR 1166 00:47:54,332 --> 00:47:57,711 * AND TELL MYSELF... 1167 00:47:57,752 --> 00:48:01,047 * I'M FINE ALONE 1168 00:48:01,089 --> 00:48:02,882 * OH, YES 1169 00:48:02,924 --> 00:48:06,594 * I'VE BEEN HERE BEFORE 1170 00:48:12,267 --> 00:48:14,185 OVILEAR! 1171 00:48:14,227 --> 00:48:15,478 RAMON! 1172 00:48:15,520 --> 00:48:17,230 WHAT ARE YOU DOING HERE? 1173 00:48:17,272 --> 00:48:21,067 WELL, I AM DINING WITH THE MOST REMARKABLE WOMAN. 1174 00:48:21,109 --> 00:48:23,319 A MESMERIZING METEOROLOGIST. 1175 00:48:23,361 --> 00:48:25,739 I SEE THAT YOU AND THE LOVELY SHANE 1176 00:48:25,780 --> 00:48:29,451 ARE GETTING... WELL, DEEP IN CONVERSATION. 1177 00:48:29,492 --> 00:48:33,872 YES, WELL, WE ARE DEEP INTO SOMETHING. 1178 00:48:33,913 --> 00:48:36,750 AHH! I ALWAYS KNEW YOU TWO WOULD GET TOGETHER. 1179 00:48:36,791 --> 00:48:38,251 OH, NO, WE'RE NOT DATING, 1180 00:48:38,293 --> 00:48:40,754 WE'RE JUST ON A D... 1181 00:48:40,795 --> 00:48:41,796 WE'RE-- 1182 00:48:41,838 --> 00:48:42,881 OVILEAR! 1183 00:48:42,922 --> 00:48:45,091 STOP THINKING. 1184 00:48:45,133 --> 00:48:48,386 YOU STARE INTO EACH OTHER'S EYES, 1185 00:48:48,428 --> 00:48:51,014 YOU DRINK CHAMPAGNE, YOU DANCE-- 1186 00:48:53,308 --> 00:48:56,311 DANCE IS LIKE LOVE, MY FRIEND-- 1187 00:48:57,312 --> 00:48:58,646 DON'T LOOK DOWN. 1188 00:49:00,440 --> 00:49:02,108 DON'T YOU MEAN 1189 00:49:02,150 --> 00:49:04,819 "LOVE IS LIKE DANCING, DON'T LOOK DOWN." 1190 00:49:05,987 --> 00:49:07,447 MM, YES. 1191 00:49:07,489 --> 00:49:09,324 BUT IN THE END, WHAT IS THE DIFFERENCE, HMM? 1192 00:49:09,366 --> 00:49:11,493 NOW, I MUST GET BACK TO WORK. 1193 00:49:11,534 --> 00:49:13,495 IT'S LOTTERY NIGHT! 1194 00:49:13,536 --> 00:49:15,955 NOW, BE BOLD, GO OUT, 1195 00:49:15,997 --> 00:49:17,707 FACE THE MUSIC. 1196 00:49:17,749 --> 00:49:21,002 AND STOP THINKING. 1197 00:49:23,171 --> 00:49:26,007 I SEE YOU. STOP IT. 1198 00:49:28,385 --> 00:49:30,595 MA CHERIE! 1199 00:49:31,805 --> 00:49:35,558 [NIKKI]: * WHY SHOULD I RUSH TO PROVE 1200 00:49:35,600 --> 00:49:43,316 * THAT I CAN BREAK MY HEART ALL OVER? * 1201 00:49:43,358 --> 00:49:45,193 [JOE]: SO HOW DID THE NIGHT END? 1202 00:49:45,235 --> 00:49:47,862 NOT WELL. 1203 00:49:49,781 --> 00:49:53,493 YOU KNOW, I WAS NEVER PROUDER OF YOU 1204 00:49:53,535 --> 00:49:55,453 THAN THE DAY THAT I HEARD ABOUT WHAT YOU DID 1205 00:49:55,495 --> 00:49:57,497 TO GET YOUR DARK OF NIGHT AWARD. 1206 00:49:57,539 --> 00:50:00,041 YOU ACTUALLY SAVED SOMEONE'S LIFE. 1207 00:50:00,083 --> 00:50:02,502 WELL, I-I HAD A LOT OF HELP. 1208 00:50:07,007 --> 00:50:09,509 "PERHAPS SOMEDAY 1209 00:50:09,551 --> 00:50:12,137 IT WILL BE GOOD TO REMEMBER THESE THINGS." 1210 00:50:12,178 --> 00:50:13,513 SMART MAN, VIRGIL. 1211 00:50:13,555 --> 00:50:15,932 YOUR GRANDFATHER WAS ALWAYS QUOTING HIM, 1212 00:50:15,974 --> 00:50:19,394 OR SHAKESPEARE OR THE BIBLE. 1213 00:50:19,436 --> 00:50:22,689 WHAT WAS THAT ONE ABOUT LOVE AND POWER AND...? 1214 00:50:22,731 --> 00:50:26,568 "GOD HASN'T GIVEN US A SPIRIT OF FEAR, 1215 00:50:26,609 --> 00:50:30,030 BUT OF POWER AND LOVE AND A SOUND MIND." 1216 00:50:36,077 --> 00:50:37,537 AFTER WHAT YOU'VE BEEN THROUGH, 1217 00:50:37,579 --> 00:50:40,373 I DON'T BLAME YOU FOR BEING AFRAID, SON. 1218 00:50:40,415 --> 00:50:43,043 BUT... AT YOUR CORE, 1219 00:50:43,084 --> 00:50:44,669 THAT'S NOT WHO YOU ARE. 1220 00:50:44,711 --> 00:50:47,172 YOU DON'T GET AN AWARD LIKE THAT 1221 00:50:47,213 --> 00:50:50,717 WITHOUT LOVE, POWER, AND SOUND MIND, 1222 00:50:50,759 --> 00:50:52,927 AND YOU DON'T GET MUCH ELSE THAT MATTERS IN LIFE 1223 00:50:52,969 --> 00:50:54,179 WITHOUT THAT, EITHER. 1224 00:50:56,181 --> 00:50:59,893 I KNOW, YOU'VE BEEN HURT IN THE PAST. 1225 00:51:01,603 --> 00:51:04,189 AND I'M GUESSING, SOMEBODY'S HURT SHANE, TOO. 1226 00:51:05,857 --> 00:51:07,108 BUT IT SEEMS TO ME 1227 00:51:07,150 --> 00:51:10,236 THAT YOU'VE EACH GOT WHAT IT TAKES TO TRY AGAIN 1228 00:51:10,278 --> 00:51:13,073 IF YOU'LL JUST... TRY AGAIN. 1229 00:51:17,369 --> 00:51:18,787 THERE YOU ARE! HEY, YOU. 1230 00:51:18,828 --> 00:51:20,205 HI. 1231 00:51:20,246 --> 00:51:22,082 WELL, HELLO! 1232 00:51:24,334 --> 00:51:27,128 HI. SPECIAL AGENT DALE TRAVERS. 1233 00:51:27,170 --> 00:51:29,714 STATE DIVISION OF INVESTIGATIONS. 1234 00:51:34,469 --> 00:51:37,263 [CHUCKLING] 1235 00:51:37,305 --> 00:51:38,139 [MEGAPHONE SQUEALS] 1236 00:51:38,181 --> 00:51:39,599 DUD! 1237 00:51:39,641 --> 00:51:42,102 THIS IS LESTER KIMSICLE, CHIEF OF POSTAL SECURITY. 1238 00:51:42,143 --> 00:51:43,603 [DOOR OPENS] I KNOW THAT! 1239 00:51:43,645 --> 00:51:46,106 YOU DON'T HAVE TO SAY IT EVERY TIME. 1240 00:51:46,147 --> 00:51:48,608 AND STOP CALLING ME "DUD". 1241 00:51:48,650 --> 00:51:50,235 DUD, THERE IS A GOOD-LOOKIN' FILLY HERE 1242 00:51:50,276 --> 00:51:53,113 FROM THE COLORADO STATE DIVISION OF INVESTIGATIONS 1243 00:51:53,154 --> 00:51:55,156 OF... COLORADO. 1244 00:51:55,198 --> 00:51:56,950 IF YOU DON'T GIVE UP BEFORE 5:00, 1245 00:51:56,991 --> 00:51:57,867 SHE'S GONNA TAKE YOU IN, 1246 00:51:57,909 --> 00:52:00,120 AND WE WOULD HATE TO SEE THAT. 1247 00:52:00,161 --> 00:52:02,288 THEN GIVE ME WHAT I WANT! 1248 00:52:02,330 --> 00:52:04,207 I DON'T CARE WHAT YOU WANT! 1249 00:52:04,249 --> 00:52:06,543 PLEASE. WE'RE RUNNING OUT OF TIME. 1250 00:52:06,584 --> 00:52:08,086 [LESTER SIGHS] 1251 00:52:08,128 --> 00:52:09,921 DARN IT. 1252 00:52:09,963 --> 00:52:12,799 OKAY, WHAT DO YA WANT? GIVE ME SOME DEMANDS. 1253 00:52:12,841 --> 00:52:15,260 I WANT MY LUNCH! 1254 00:52:15,301 --> 00:52:16,469 IT'S HERE. IT'S HERE. 1255 00:52:16,511 --> 00:52:19,556 WE GOT YOUR GOD-AWFUL CORNED BEEF 1256 00:52:19,597 --> 00:52:21,141 AND CHICKEN SALAD RIGHT HERE. 1257 00:52:21,182 --> 00:52:23,059 WELL, BRING IT TO THE DOOR, 1258 00:52:23,101 --> 00:52:25,478 NICE AND SLOW, 1259 00:52:25,520 --> 00:52:26,980 AND I'LL GIVE YOU MY LIST OF DEMANDS. 1260 00:52:27,022 --> 00:52:29,024 AND COME ALONE! 1261 00:52:36,072 --> 00:52:38,908 [***] 1262 00:53:03,224 --> 00:53:05,935 [***] 1263 00:53:17,822 --> 00:53:20,700 [DALE]: "FIND JOSEPH O'TOOLE AND BRING HIM HERE. 1264 00:53:20,742 --> 00:53:22,369 "AND TELL HIM TO BRING HIS DARK OF NIGHT AWARD. 1265 00:53:22,410 --> 00:53:23,536 IT BELONGS TO ME." 1266 00:53:23,578 --> 00:53:24,704 [OLIVER]: I DON'T LIKE THIS. 1267 00:53:24,746 --> 00:53:26,706 I DON'T LIKE YOU GOING IN THERE ALONE, 1268 00:53:26,748 --> 00:53:29,542 I DON'T LIKE YOU GOING WITHOUT YOUR AWARD. 1269 00:53:29,584 --> 00:53:31,544 IT'S BACK HOME, PACKED AWAY IN A MOVING BOX. 1270 00:53:31,586 --> 00:53:33,880 IT'S AN HOUR THERE AND AN HOUR BACK. 1271 00:53:33,922 --> 00:53:36,132 THERE'S NOT ENOUGH TIME TO GET IT BEFORE 5:00. 1272 00:53:36,174 --> 00:53:39,552 I CAN'T HOLD THE FEDS ONCE DUDLEY'S OFFICIALLY RETIRED. 1273 00:53:39,594 --> 00:53:40,887 I'VE GOT AN IDEA. 1274 00:53:40,929 --> 00:53:42,430 BUT I'M GONNA NEED YOUR HELP. 1275 00:53:42,472 --> 00:53:45,350 NAME IT. 1276 00:53:45,392 --> 00:53:47,352 LET'S GO. 1277 00:53:58,697 --> 00:54:01,366 YOU SURE ABOUT THIS? 1278 00:54:01,408 --> 00:54:03,368 ONCE UPON A TIME, 1279 00:54:03,410 --> 00:54:06,121 A LOT OF LETTERS NEVER MADE IT TO THEIR DESTINATION 1280 00:54:06,162 --> 00:54:07,831 BECAUSE I DIDN'T DO MY JOB. 1281 00:54:07,872 --> 00:54:10,583 I NEVER WANT TO FEEL THAT WAY AGAIN. 1282 00:54:10,625 --> 00:54:12,085 IT'S STILL A LOT TO GIVE UP. 1283 00:54:14,379 --> 00:54:18,133 THAT'S WHAT I LOVE ABOUT YOU, OLIVER. 1284 00:54:19,926 --> 00:54:22,429 THANK YOU. 1285 00:54:24,639 --> 00:54:25,557 IT'S TIME TO GO. 1286 00:54:28,393 --> 00:54:31,312 [***] 1287 00:54:32,564 --> 00:54:35,358 [RADIO CRACKLING] 1288 00:54:35,400 --> 00:54:38,695 IS NORMAN EVER GOING TO COME OUT OF THE TREE? 1289 00:54:38,737 --> 00:54:39,779 I DON'T KNOW! I THINK HE'S MAD 1290 00:54:39,821 --> 00:54:41,322 BECAUSE I DIDN'T TELL HIM ABOUT BOB. 1291 00:54:41,364 --> 00:54:43,908 BOB? YOU DIDN'T TELL ME ABOUT BOB. 1292 00:54:43,950 --> 00:54:45,493 -WHO'S BOB? -OH-- 1293 00:54:45,535 --> 00:54:47,120 [HORN HONKING] 1294 00:54:48,413 --> 00:54:49,456 [BRAKES SCREECH] 1295 00:54:53,335 --> 00:54:55,754 [LESTER]: HEADS UP, MEN! 1296 00:54:57,422 --> 00:54:59,466 OKAY, DUDLEY, YOU GOT YOUR O'TOOLE. 1297 00:55:01,092 --> 00:55:02,510 I'LL TAKE IT. 1298 00:55:02,552 --> 00:55:04,220 I'M NOT LETTING YOU GO IN ALONE. 1299 00:55:06,139 --> 00:55:07,474 YOU GET INTO ANY TROUBLE, 1300 00:55:07,515 --> 00:55:09,225 YOU SAY THE MAGIC WORD AND WE'LL HEAR YOU. 1301 00:55:10,268 --> 00:55:11,895 WHAT IS THE MAGIC WORD? 1302 00:55:11,936 --> 00:55:14,856 I DON'T KNOW. HOW ABOUT, UH... 1303 00:55:14,898 --> 00:55:16,358 "HELP"? 1304 00:55:18,068 --> 00:55:20,362 [***] 1305 00:55:45,679 --> 00:55:46,638 [KNOCKING] 1306 00:55:46,680 --> 00:55:47,764 IT'S OPEN! 1307 00:55:59,818 --> 00:56:01,653 HEY, JOE. 1308 00:56:01,695 --> 00:56:03,238 LONG TIME, NO SEE. 1309 00:56:03,279 --> 00:56:05,281 HOW YOU DOIN', CURLY? 1310 00:56:05,323 --> 00:56:06,908 I'LL BE DOING BETTER WHEN I GET WHAT I WANT. 1311 00:56:09,744 --> 00:56:11,287 TOSS IT OVER 1312 00:56:11,329 --> 00:56:12,914 AND THE MAIL'S YOURS. 1313 00:56:12,956 --> 00:56:14,374 [JOE]: NOT YET. I WANT TO KNOW 1314 00:56:14,416 --> 00:56:17,127 WHAT ALL THIS HAD TO DO WITH MY FAMILY. 1315 00:56:17,168 --> 00:56:18,336 YOU STILL DON'T GET IT. 1316 00:56:18,378 --> 00:56:19,337 MAYBE. 1317 00:56:19,379 --> 00:56:21,548 BUT I WANT TO HEAR YOU SAY IT. 1318 00:56:21,589 --> 00:56:22,590 WELL, JOE, 1319 00:56:22,632 --> 00:56:24,426 WHEN I STARTED AT THE POST OFFICE, 1320 00:56:24,467 --> 00:56:26,511 I WAS THE YOUNGEST PERSON EVER 1321 00:56:26,553 --> 00:56:28,888 TO BE NOMINATED FOR ONE OF THOSE, 1322 00:56:28,930 --> 00:56:30,390 AND THEN THEY GAVE IT TO YOUR DAD 1323 00:56:30,432 --> 00:56:32,350 FOR BABYSITTING SOME DUCKS. 1324 00:56:32,392 --> 00:56:34,102 ACTUALLY, THEY WERE-- 1325 00:56:34,144 --> 00:56:35,145 AND MY LAST CHANCE 1326 00:56:35,186 --> 00:56:36,855 AT GETTING ONE 1327 00:56:36,896 --> 00:56:39,190 WENT TO YOU AND YOUR BUNCH. 1328 00:56:39,232 --> 00:56:42,318 YEAH, SURE, YOU GOT SOME GIRL A KIDNEY, 1329 00:56:42,360 --> 00:56:44,654 BUT YOU'VE GOT OTHER CHANCES TO WIN, 1330 00:56:44,696 --> 00:56:45,947 AND THIS WAS MY LAST. 1331 00:56:45,989 --> 00:56:47,824 AND WHAT ABOUT ME? 1332 00:56:47,866 --> 00:56:50,452 THAT ONE CUT THE DEEPEST. 1333 00:56:50,493 --> 00:56:53,329 I WAS THIS CLOSE TO THE DEADLINE FOR NOMINATIONS. 1334 00:56:53,371 --> 00:56:54,706 I MEAN, NOBODY WAS GONNA 1335 00:56:54,748 --> 00:56:56,958 TOP ME DROPPING THAT KID'S PROM DRESS 1336 00:56:57,000 --> 00:56:59,461 AT HER HIGH SCHOOL AT THE LAST MINUTE 1337 00:56:59,502 --> 00:57:01,129 DURING THE PLATTE RIVER FLOOD. 1338 00:57:01,171 --> 00:57:03,923 I EVEN THREW IN A CORSAGE. 1339 00:57:03,965 --> 00:57:06,343 BUT MY PAL, JOE, 1340 00:57:06,384 --> 00:57:09,179 DELIVERS SOME GAL'S WEDDING DRESS. 1341 00:57:09,220 --> 00:57:11,973 UM, THERE WAS MORE TO IT THAN THAT. 1342 00:57:13,099 --> 00:57:14,100 RITA DID 1343 00:57:14,142 --> 00:57:15,268 SOME RESEARCH. 1344 00:57:15,310 --> 00:57:17,437 MY FATHER DROVE HIS TRUCK 1345 00:57:17,479 --> 00:57:20,023 50 MILES THROUGH A BLIZZARD. 1346 00:57:20,065 --> 00:57:21,274 IT BROKE DOWN. 1347 00:57:21,316 --> 00:57:23,568 HE WALKED FIVE MORE MILES. 1348 00:57:23,610 --> 00:57:26,029 UPHILL. ON ICE. 1349 00:57:26,071 --> 00:57:29,240 WELL, I DROVE THROUGH HAIL AND SLEET. 1350 00:57:30,325 --> 00:57:31,826 THE LODGE CAUGHT ON FIRE. 1351 00:57:31,868 --> 00:57:33,536 MY FATHER PUT IT OUT. 1352 00:57:33,578 --> 00:57:36,039 WELL, MY PROM GIRL MARRIED THE PROM BOY, OKAY? 1353 00:57:36,081 --> 00:57:37,665 AND THEY HAD SIX KIDS. 1354 00:57:37,707 --> 00:57:38,708 SIR, MY FATHER-- 1355 00:57:38,750 --> 00:57:39,709 WHAT ARE WE DOING HERE? 1356 00:57:39,751 --> 00:57:41,211 WHAT DOES IT MATTER? 1357 00:57:41,252 --> 00:57:43,380 YOU CAN GO AHEAD AND KEEP THE CUP. 1358 00:57:43,421 --> 00:57:45,256 WE DON'T NEED IT TO KNOW WHAT WE DID. 1359 00:57:45,298 --> 00:57:46,966 AND NEITHER DO YOU! 1360 00:57:47,008 --> 00:57:49,219 AND SOME DAY, 1361 00:57:49,260 --> 00:57:52,889 WHEN YOU LOOK BACK ON HOW YOU GOT THIS CUP, 1362 00:57:52,931 --> 00:57:54,432 IT'S GONNA LOOK PRETTY EMPTY. 1363 00:57:58,937 --> 00:58:02,273 COME ON. COME ON! 1364 00:58:17,122 --> 00:58:19,457 THIS SAYS "OLIVER O'TOOLE." 1365 00:58:19,499 --> 00:58:21,960 I DIDN'T HAVE ENOUGH TIME TO GET MY DAD'S. 1366 00:58:25,296 --> 00:58:27,632 YOU GAVE THIS UP FOR YOUR DAD? 1367 00:58:32,387 --> 00:58:35,557 [***] 1368 00:58:37,308 --> 00:58:39,185 [SIGHING] 1369 00:58:39,227 --> 00:58:41,396 YOU KNOW, WHEN A MAN RETIRES, 1370 00:58:41,438 --> 00:58:45,191 HE LOOKS BACK ACROSS THE YEARS AND HE ASKS HIMSELF 1371 00:58:45,233 --> 00:58:48,611 WHAT DOES HE GOT TO SHOW FOR HIS LIFE? 1372 00:58:48,653 --> 00:58:51,197 I GAVE MY HEART AND SOUL TO THE POST OFFICE, 1373 00:58:51,239 --> 00:58:54,117 BUT NOBODY KNOWS MY NAME. 1374 00:58:54,159 --> 00:58:57,579 DUDLEY, CURLY-- NOBODY CARES! 1375 00:58:57,620 --> 00:59:00,999 I JUST WANT TO FEEL LIKE I MATTERED IN THIS WORLD 1376 00:59:01,041 --> 00:59:02,667 BEFORE IT'S ALL OVER. 1377 00:59:05,337 --> 00:59:08,506 BUT NOBODY'S EVEN GONNA MISS ME. 1378 00:59:08,548 --> 00:59:10,800 [THUD] 1379 00:59:12,344 --> 00:59:15,722 I MISSED YOU... FOR 13 YEARS. 1380 00:59:17,682 --> 00:59:18,808 WHAT GOOD... 1381 00:59:20,143 --> 00:59:21,895 ...IS A LETTER, 1382 00:59:21,936 --> 00:59:24,606 IF WE DON'T MAIL IT? 1383 00:59:25,774 --> 00:59:26,858 WHAT? 1384 00:59:26,900 --> 00:59:30,195 SOMEWHERE IN THESE BAGS IS A LOVE LETTER 1385 00:59:30,236 --> 00:59:33,156 A LADY NAMED NIKKI MAILED LAST SATURDAY 1386 00:59:33,198 --> 00:59:35,158 BECAUSE OF THESE WORDS YOU SPOKE TO HER, 1387 00:59:35,200 --> 00:59:36,493 YOU UNDERSTOOD 1388 00:59:36,534 --> 00:59:38,036 THAT WRITING A LETTER 1389 00:59:38,078 --> 00:59:40,663 AND PUTTING IT IN A MAILBOX 1390 00:59:40,705 --> 00:59:44,793 IS LIKE HANDING YOUR HEART OVER TO A STRANGER. 1391 00:59:44,834 --> 00:59:46,169 JUST LIKE... 1392 00:59:46,211 --> 00:59:48,838 ASKING FOR LOVE IS A RISK, 1393 00:59:48,880 --> 00:59:52,509 OR ASKING FOR ATTENTION OR FORGIVENESS-- 1394 00:59:52,550 --> 00:59:55,428 YOU HAVE TO MAIL THE LETTER AND RISK WHATEVER HAPPENS NEXT, 1395 00:59:55,470 --> 00:59:58,556 OTHERWISE NOTHING HAPPENS. 1396 00:59:59,557 --> 01:00:00,934 SO WHETHER ANYONE 1397 01:00:00,975 --> 01:00:04,521 EVER APPRECIATES US OR KNOWS WHO WE ARE, MR. CURLY, 1398 01:00:04,562 --> 01:00:07,232 THEY WILL KNOW WHAT WE STAND FOR-- 1399 01:00:07,273 --> 01:00:08,358 AND THAT MATTERS 1400 01:00:08,400 --> 01:00:09,693 TO EVERY SINGLE PERSON 1401 01:00:09,734 --> 01:00:12,404 WHO WROTE EVERY ONE OF THESE LETTERS. 1402 01:00:16,074 --> 01:00:17,033 MY GOODNESS. 1403 01:00:17,075 --> 01:00:19,494 SIR. 1404 01:00:19,536 --> 01:00:21,788 THERE'S ONE HERE FOR YOU. 1405 01:00:31,047 --> 01:00:34,050 [***] 1406 01:00:34,092 --> 01:00:34,926 THANK YOU. 1407 01:00:42,976 --> 01:00:44,728 "DEAR MR. CURLY--" 1408 01:00:44,769 --> 01:00:47,897 WELL, AT LEAST SOMEBODY GOT IT RIGHT. 1409 01:00:47,939 --> 01:00:50,400 "MY MOMMY SAYS YOU'RE GOING TO STOP WORKING 1410 01:00:50,442 --> 01:00:51,443 "AND YOU AREN'T GOING TO 1411 01:00:51,484 --> 01:00:53,820 BRING ANY MAIL TO US ANYMORE." 1412 01:00:55,989 --> 01:00:57,991 [BREATH TREMBLING] 1413 01:00:58,033 --> 01:01:00,076 "THAT IS... 1414 01:01:00,118 --> 01:01:03,163 THAT... THAT IS VERY SAD." 1415 01:01:03,204 --> 01:01:04,456 [BREATH SHAKING] 1416 01:01:04,497 --> 01:01:07,584 "I WILL MISS YOU. 1417 01:01:07,625 --> 01:01:09,252 "YOU BRING ALL MY BIRTHDAY CARDS 1418 01:01:09,294 --> 01:01:11,463 AND LETTERS FROM GRANDMA." 1419 01:01:11,504 --> 01:01:13,465 [PAGE CRINKLES] 1420 01:01:13,506 --> 01:01:16,593 "AND YOU ALWAYS SMILE WHEN I GIVE YOU COOKIES. 1421 01:01:16,634 --> 01:01:18,928 "I WISH WE COULD GIVE YOU A PARTY, 1422 01:01:18,970 --> 01:01:20,138 "BUT OUR PLACE 1423 01:01:20,180 --> 01:01:22,599 IS TOO SMALL." 1424 01:01:23,725 --> 01:01:25,477 "BUT YOU ALREADY KNOW THAT." 1425 01:01:27,687 --> 01:01:29,939 "LOVE... 1426 01:01:29,981 --> 01:01:32,233 BETSY." 1427 01:01:32,275 --> 01:01:33,860 ONE OF THOSE... 1428 01:01:36,237 --> 01:01:39,657 ...IS WORTH ONE THOUSAND OF THESE. 1429 01:01:44,496 --> 01:01:46,456 I FEEL LIKE A FOOL. 1430 01:01:46,498 --> 01:01:48,500 DON'T BOTHER. 1431 01:01:48,541 --> 01:01:50,543 WE'VE ALREADY GOT ONE OF THOSE OUTSIDE. 1432 01:01:50,585 --> 01:01:53,254 [***] 1433 01:02:24,411 --> 01:02:26,079 SHANE! 1434 01:02:26,121 --> 01:02:28,998 THAT LETTER IS PROPERTY OF THE U.S. POSTAL SERVICE. 1435 01:02:29,040 --> 01:02:32,919 OH, WELL, SHE FILLED OUT A 10-67E AT THE D.L.O., LESTER. 1436 01:02:32,961 --> 01:02:34,921 WELL, THEN SHE GETS IT FROM THE D.L.O. 1437 01:02:34,963 --> 01:02:37,465 OH, FOR HEAVEN'S SAKE. REALLY? 1438 01:02:37,507 --> 01:02:39,426 REGULATIONS ARE LIKE 1439 01:02:39,467 --> 01:02:43,722 THE LIFEJACKETS ON THE GANGPLANK OF LIFE, MISSY. 1440 01:02:43,763 --> 01:02:45,223 GREAT WORK TODAY, THOUGH. 1441 01:02:45,265 --> 01:02:47,392 KEEP THAT UP, I'LL BUY YOU DINNER. 1442 01:02:47,434 --> 01:02:49,602 OH. PLEASE... DON'T. 1443 01:02:49,644 --> 01:02:51,604 HAPPY TO DO IT. 1444 01:02:51,646 --> 01:02:52,939 HAPPY TO DO IT. 1445 01:02:52,981 --> 01:02:55,191 [FORCED CHUCKLE] 1446 01:02:57,485 --> 01:02:58,945 [SIGHS HEAVILY] 1447 01:02:58,987 --> 01:03:00,113 [JOE]: I'LL SEE YOU AT THE PARTY? 1448 01:03:00,155 --> 01:03:02,157 SHOULD BE INTERESTING. 1449 01:03:02,198 --> 01:03:04,284 [CHUCKLES] CURLY'S A GOOD GUY. 1450 01:03:04,325 --> 01:03:07,829 HE JUST LOST HIS WAY FOR A WHILE. 1451 01:03:07,871 --> 01:03:10,123 THINGS COULD'VE TURNED OUT TERRIBLY FOR HIM 1452 01:03:10,165 --> 01:03:12,292 IF YOU HADN'T HANDLED IT SO WELL. 1453 01:03:12,334 --> 01:03:13,335 THANK YOU. 1454 01:03:13,376 --> 01:03:15,337 THANK YOU. 1455 01:03:20,675 --> 01:03:23,053 [***] 1456 01:03:30,101 --> 01:03:32,479 DUDLEY INVITED ME TO HIS RETIREMENT PARTY. 1457 01:03:32,520 --> 01:03:34,272 YOU SHOULD COME. 1458 01:03:35,607 --> 01:03:37,609 MAYBE I WILL. 1459 01:03:39,027 --> 01:03:40,653 ARE YOU COMING TO CHOIR PRACTICE TOMORROW? 1460 01:03:40,695 --> 01:03:42,197 I WOULDN'T MISS IT. 1461 01:03:42,238 --> 01:03:44,157 GOOD. 1462 01:03:47,994 --> 01:03:51,039 [***] 1463 01:04:01,299 --> 01:04:04,427 IT'S BLUE WITH A BIG HEART STICKER. 1464 01:04:07,055 --> 01:04:08,765 NORMAN? 1465 01:04:10,392 --> 01:04:12,811 YOU KNOW THAT "BURROWING YELLOWTAIL OWL" 1466 01:04:12,852 --> 01:04:13,895 THAT RITA SENDS MONEY TO? 1467 01:04:13,937 --> 01:04:16,481 YEAH. 1468 01:04:16,523 --> 01:04:20,235 WELL, BEFORE I STARTED SINGING, I WORKED AT THE ZOO. 1469 01:04:20,276 --> 01:04:23,446 WOW. THAT IS A COMPLETE CAREER 180. 1470 01:04:23,488 --> 01:04:24,656 YEAH. 1471 01:04:24,698 --> 01:04:26,157 WELL, I LEARNED A LOT. 1472 01:04:26,199 --> 01:04:30,120 AND THERE'S SOMETHING YOU SHOULD KNOW ABOUT BOB. 1473 01:04:32,997 --> 01:04:34,249 WHAT DO THEY SAY? 1474 01:04:34,290 --> 01:04:35,875 CAST YOUR DARK OF NIGHT AWARD 1475 01:04:35,917 --> 01:04:37,335 UPON THE WATERS 1476 01:04:37,377 --> 01:04:40,046 AND IT SHALL BE RETURNED UNTO YOU? 1477 01:04:40,088 --> 01:04:41,715 LOOK AT YOU, QUOTING SCRIPTURE. 1478 01:04:41,756 --> 01:04:43,591 [CHUCKLES] 1479 01:04:43,633 --> 01:04:46,052 I KNOW HOW HARD IT WAS FOR YOU TO GIVE THAT UP. 1480 01:04:46,094 --> 01:04:49,305 WELL, IT WAS EASIER THAN I THOUGHT IT WOULD BE. 1481 01:04:49,347 --> 01:04:53,560 IT'S ACTUALLY JUST A SYMBOL, LIKE A-- 1482 01:04:53,601 --> 01:04:55,145 LIKE... 1483 01:04:55,186 --> 01:04:57,147 LIKE THE ROSE CUTTING THAT YOU GAVE ME. 1484 01:04:58,648 --> 01:05:01,651 YOU KNOW, JUST BECAUSE IT DIDN'T TAKE, 1485 01:05:01,693 --> 01:05:05,739 IT DOESN'T DIMINISH THE THOUGHT THAT WAS BEHIND IT. 1486 01:05:07,073 --> 01:05:08,366 "NEVER REGRET AN ACT OF--" 1487 01:05:08,408 --> 01:05:09,367 [NORMAN]: OH! FOUND IT! 1488 01:05:09,409 --> 01:05:10,702 GREAT! 1489 01:05:13,955 --> 01:05:15,915 I CAN'T BELIEVE 1490 01:05:15,957 --> 01:05:17,625 I'M HOLDING $50,000 IN MY HANDS. 1491 01:05:19,711 --> 01:05:21,963 SO... WHY AM I SO SAD? 1492 01:05:22,005 --> 01:05:25,050 BECAUSE NO MATTER HOW MUCH YOU'VE WON, 1493 01:05:25,091 --> 01:05:26,801 IT CAN'T FIX WHAT YOU'VE LOST. 1494 01:05:29,137 --> 01:05:31,931 UH, SATURDAY NIGHT AT THE RESTAURANT, 1495 01:05:31,973 --> 01:05:33,808 I WAS SINGING THIS LOVE SONG, REMEMBER? 1496 01:05:33,850 --> 01:05:37,604 AND I'D SUNG IT A MILLION TIMES, BUT, FOR SOME REASON, 1497 01:05:37,645 --> 01:05:39,689 THAT NIGHT IT FELT LIKE I WAS SINGING IT JUST FOR GRAHAM. 1498 01:05:39,731 --> 01:05:42,025 AND THEN IT HIT ME, 1499 01:05:42,067 --> 01:05:45,320 BEING SOME BROADWAY STAR REALLY ISN'T MY DREAM. 1500 01:05:46,613 --> 01:05:48,615 BEING WITH GRAHAM... 1501 01:05:48,656 --> 01:05:51,493 BEING TOGETHER, ANYWHERE, 1502 01:05:51,534 --> 01:05:53,286 THAT'S THE DREAM. 1503 01:05:54,871 --> 01:05:56,956 THAT WASTHE DREAM. 1504 01:05:56,998 --> 01:05:59,793 AT LEAST, IT WAS MINE. 1505 01:06:01,086 --> 01:06:02,796 YOU KNOW, WHEN I BROKE UP WITH BOB, 1506 01:06:02,837 --> 01:06:04,506 I WAS SO SAD. 1507 01:06:04,547 --> 01:06:07,050 I THOUGHT I WOULD NEVER FIND THE RIGHT MAN FOR ME. 1508 01:06:07,092 --> 01:06:08,510 [QUIETLY]: "BOB"? 1509 01:06:08,551 --> 01:06:12,305 BUT THEN MY MOM SAID "RITA, DON'T BE IN SUCH A HURRY. 1510 01:06:12,347 --> 01:06:14,057 "THE PERFECT MAN IS OUT THERE, 1511 01:06:14,099 --> 01:06:16,059 "BUT HE'S STILL IN THE OVEN, BAKING. 1512 01:06:16,101 --> 01:06:17,644 "AND IF YOU KEEP RUNNING INTO THE KITCHEN 1513 01:06:17,686 --> 01:06:18,728 "AND OPENING THE DOOR, 1514 01:06:18,770 --> 01:06:19,562 HE'LL NEVER BE READY." 1515 01:06:20,939 --> 01:06:24,317 SO, I WAITED, AND IT WASN'T EASY, 1516 01:06:24,359 --> 01:06:28,113 BUT THEN ALL OF A SUDDEN, I SMELLED SOMETHING REALLY GOOD, 1517 01:06:28,154 --> 01:06:30,281 AND WHEN I OPENED THE DOOR... 1518 01:06:30,323 --> 01:06:31,991 THERE WAS NORMAN. 1519 01:06:32,033 --> 01:06:32,992 ALL DONE! 1520 01:06:33,034 --> 01:06:34,452 DING! 1521 01:06:34,494 --> 01:06:35,995 [LAUGHTER] 1522 01:06:36,037 --> 01:06:37,455 HE WAS WORTH THE WAIT. 1523 01:06:38,581 --> 01:06:41,334 [NIKKI]: I THOUGHT GRAHAM WAS, TOO. 1524 01:06:41,376 --> 01:06:44,963 HE SEEMED LIKE SUCH A GOOD GUY, BUT... 1525 01:06:47,132 --> 01:06:49,718 WRONG OVEN, I GUESS. 1526 01:06:49,759 --> 01:06:51,261 LOOK AT IT THIS WAY. 1527 01:06:51,302 --> 01:06:54,472 NOW YOU CAN LIVE A TROUT-FREE LIFE 1528 01:06:54,514 --> 01:06:56,016 AND YOU DON'T HAVE TO WEAR BLUE ANYMORE. 1529 01:06:56,057 --> 01:06:57,642 GOOD POINT. 1530 01:06:57,684 --> 01:06:59,394 MISS BERGENS, THERE'S A VAST DIFFERENCE 1531 01:06:59,436 --> 01:07:02,147 BETWEEN CHOOSING A GOOD MAN 1532 01:07:02,188 --> 01:07:04,524 AND FINDING THE RIGHT MAN. 1533 01:07:04,566 --> 01:07:07,569 I HOPE YOU DON'T GIVE UP UNTIL YOU FIND BOTH. 1534 01:07:09,112 --> 01:07:11,197 OKAY. 1535 01:07:11,239 --> 01:07:13,908 WELL... THANKS FOR EVERYTHING. 1536 01:07:13,950 --> 01:07:15,368 OUR PLEASURE. 1537 01:07:16,703 --> 01:07:18,621 BACK TO WORK! 1538 01:07:18,663 --> 01:07:19,914 RIGHT! 1539 01:07:19,956 --> 01:07:22,792 OR I COULD JUST QUIT. 1540 01:07:22,834 --> 01:07:24,669 DON'T THINK ABOUT IT. 1541 01:07:24,711 --> 01:07:26,713 GO BACK TO WORK, FACE THE MUSIC. 1542 01:07:26,755 --> 01:07:27,756 YOU'LL KNOW WHAT TO DO. 1543 01:07:30,759 --> 01:07:32,385 [OLIVER]: MISS BERGENS, WE'LL SEE YOU OUT. 1544 01:07:33,678 --> 01:07:34,637 BYE. 1545 01:07:40,935 --> 01:07:42,354 RITA? 1546 01:07:43,897 --> 01:07:46,024 WE HAVE TO TALK. 1547 01:07:48,151 --> 01:07:51,029 NORMAN, I KNOW WHAT YOU'RE GOING TO SAY. 1548 01:07:51,071 --> 01:07:53,490 I SHOULD HAVE TOLD YOU BEFORE ABOUT BOB, 1549 01:07:53,531 --> 01:07:57,243 BUT I DON'T FEEL ABOUT HIM THE WAY I FEEL ABOUT YOU, 1550 01:07:57,285 --> 01:07:59,662 AND I NEVER DID. 1551 01:07:59,704 --> 01:08:02,123 YOU'RE JUST GOING TO HAVE TO TRUST ME. 1552 01:08:02,165 --> 01:08:03,875 OH, I TRUST YOU COMPLETELY. 1553 01:08:03,917 --> 01:08:06,169 BUT I DON'T TRUST BOB. 1554 01:08:06,211 --> 01:08:07,545 I KNOW YOU WANTED TO BELIEVE IT, BUT... 1555 01:08:08,797 --> 01:08:11,424 BOUVET ISLAND DOESN'T HAVE ANY OWLS. 1556 01:08:11,466 --> 01:08:14,636 AND THERE'S NO SUCH THING AS THE BURROWING YELLOWTAIL. 1557 01:08:14,678 --> 01:08:16,388 BOB SCAMMED YOU. 1558 01:08:20,767 --> 01:08:22,519 OH. 1559 01:08:22,560 --> 01:08:24,521 I'M SORRY. 1560 01:08:26,189 --> 01:08:28,900 [SIGHS] 1561 01:08:28,942 --> 01:08:31,277 POOR BOB. 1562 01:08:31,319 --> 01:08:33,655 HE MUST HAVE REALLY NEEDED THE MONEY. 1563 01:08:36,241 --> 01:08:37,575 YOU'RE AMAZING. 1564 01:08:39,244 --> 01:08:42,038 [CHUCKLES] 1565 01:08:48,753 --> 01:08:52,007 BUT I'M NOT GIVING HIM ANY MORE MONEY! 1566 01:08:52,048 --> 01:08:53,383 HEY! DO YOU WANNA GO GET DINNER? 1567 01:08:53,425 --> 01:08:54,968 I'VE GOT AN EXTRA 50 BUCKS! 1568 01:08:55,010 --> 01:08:56,636 YEAH! 1569 01:08:56,678 --> 01:08:58,138 I'M STARVING. 1570 01:08:58,179 --> 01:09:00,724 [***] 1571 01:09:07,188 --> 01:09:08,606 NIKKI! 1572 01:09:08,648 --> 01:09:11,192 PLEASE HOLD ON. I NEED TO TELL YOU SOMETHING. 1573 01:09:11,234 --> 01:09:12,861 I TRIED CALLING YOU AFTER YOU RAN OFF, 1574 01:09:12,902 --> 01:09:14,154 BUT YOUR VOICEMAIL WAS FULL 1575 01:09:14,195 --> 01:09:15,238 AND YOU DIDN'T PICK UP. 1576 01:09:15,280 --> 01:09:17,407 WE DON'T HAVE TO PRETEND ANYMORE, GRAHAM. 1577 01:09:17,449 --> 01:09:18,408 WE DON'T HAVE TO TALK, 1578 01:09:18,450 --> 01:09:20,160 WE JUST HAVE TO SING 1579 01:09:20,201 --> 01:09:22,245 AND SERVE BETTER- THAN-AVERAGE FOOD 1580 01:09:22,287 --> 01:09:23,413 AT INFLATED PRICES 1581 01:09:23,455 --> 01:09:24,497 TO PEOPLE WHO THINK 1582 01:09:24,539 --> 01:09:25,540 GOING TO A ROMANTIC RESTAURANT 1583 01:09:25,582 --> 01:09:27,500 ACTUALLY HAS ANYTHING TO DO WITH LOVE. 1584 01:09:27,542 --> 01:09:29,127 NIKKI, PLEASE, JUST LISTEN TO ME FOR ONCE. 1585 01:09:30,420 --> 01:09:31,671 ACTUALLY WHAT I TRIED TO SAY, 1586 01:09:31,713 --> 01:09:35,050 BUT YOU WOULDN'T LET ME IS I-- 1587 01:09:35,091 --> 01:09:36,885 I LOVE YOU. 1588 01:09:36,926 --> 01:09:38,928 AND MORE THAN THAT, 1589 01:09:38,970 --> 01:09:40,847 I AM IN LOVE YOU, AND MORE THAN THAT, EVEN. 1590 01:09:40,889 --> 01:09:42,349 WHAT'S MORE THAN THAT? 1591 01:09:42,390 --> 01:09:44,017 I DON'T KNOW, 1592 01:09:44,059 --> 01:09:46,061 "I LOVE YOU FOREVER" LOVE? 1593 01:09:47,854 --> 01:09:50,648 IF THERE'S A "BUT" COMING, I'M GONNA KILL YOU. 1594 01:09:50,690 --> 01:09:53,526 I WAS GOING TO BREAK UP, BUT ONLY BECAUSE I-- 1595 01:09:53,568 --> 01:09:55,111 I HAVE NO BUSINESS GIVING YOU HOPE 1596 01:09:55,153 --> 01:09:56,529 THAT I CAN GO WITH YOU TO NEW YORK. 1597 01:09:56,571 --> 01:09:58,031 BUT YOU'VE BEEN SAVING UP FOR SO LONG. 1598 01:09:58,073 --> 01:10:00,033 I WAS, BUT MY MOM-- 1599 01:10:00,075 --> 01:10:01,409 MY MOM LOST HER JOB 1600 01:10:01,451 --> 01:10:03,661 AND FELL BEHIND ON HER MORTGAGE PAYMENTS. 1601 01:10:03,703 --> 01:10:05,705 SHE DIDN'T WANT ME TO FIND OUT, BUT I DID, 1602 01:10:05,747 --> 01:10:07,957 AND I HAD TO HELP HER OUT BECAUSE SHE'S MY MOM 1603 01:10:07,999 --> 01:10:10,085 AND NOBODY ELSE BELIEVES IN ME LIKE SHE DOES. 1604 01:10:10,126 --> 01:10:12,671 EXCEPT YOU. 1605 01:10:16,925 --> 01:10:18,718 WHY DIDN'T YOU TELL ME? 1606 01:10:18,760 --> 01:10:20,261 I COULDN'T LET YOU PUT YOUR DREAMS ON HOLD 1607 01:10:20,303 --> 01:10:21,638 WHILE YOU WAITED FOR ME. 1608 01:10:21,680 --> 01:10:24,808 BUT AFTER YOU RAN OFF, I KNEW I'D MADE A MISTAKE. 1609 01:10:24,849 --> 01:10:28,186 I JUST DON'T KNOW HOW TO FIX IT. 1610 01:10:30,063 --> 01:10:32,315 OKAY. 1611 01:10:32,357 --> 01:10:34,442 FIRST OF ALL... 1612 01:10:36,194 --> 01:10:39,197 I "LOVE YOU FOREVER" LOVE YOU, TOO. 1613 01:10:39,239 --> 01:10:40,740 AND SECOND, 1614 01:10:40,782 --> 01:10:41,700 I'M SORRY-- 1615 01:10:41,741 --> 01:10:44,744 REALLY SORRY-- THAT I RAN OFF. 1616 01:10:44,786 --> 01:10:47,455 YOU WERE OBVIOUSLY IN THE OVEN 1617 01:10:47,497 --> 01:10:48,957 AND I DIDN'T REALIZE YOU WERE DONE-- 1618 01:10:50,125 --> 01:10:52,252 DON'T ASK. 1619 01:10:52,293 --> 01:10:54,087 BUT THIRD... 1620 01:10:54,129 --> 01:10:55,964 YOU ARE SO STUPID! 1621 01:10:56,006 --> 01:10:57,173 THANK YOU. 1622 01:10:57,215 --> 01:10:59,592 I MEAN, YOU'RE MY DREAM, NOT NEW YORK! 1623 01:10:59,634 --> 01:11:01,886 AND WHAT MAKES YOU HAPPY MAKES ME HAPPY, 1624 01:11:01,928 --> 01:11:03,013 AND I LOVE YOUR MOM, 1625 01:11:03,054 --> 01:11:04,305 AND IF WE'RE GONNA BE TOGETHER FOREVER, 1626 01:11:04,347 --> 01:11:05,473 THEN WE CAN'T LET HER LOSE HER HOUSE, 1627 01:11:05,515 --> 01:11:07,475 OTHERWISE WHERE WILL WE GO FOR CHRISTMAS, 1628 01:11:07,517 --> 01:11:09,269 WHICH BRINGS ME TO-- WHAT ARE WE ON? 1629 01:11:09,310 --> 01:11:10,395 FOUR. 1630 01:11:10,437 --> 01:11:11,479 FOURTH... 1631 01:11:11,521 --> 01:11:13,773 WILL YOU MARRY ME? 1632 01:11:13,815 --> 01:11:15,400 IN A MINUTE! 1633 01:11:15,442 --> 01:11:17,444 GOOD. UM... 1634 01:11:17,485 --> 01:11:20,530 BY THE WAY, WE WON THE LOTTERY. 1635 01:11:20,572 --> 01:11:22,615 I KNOW, THAT'S EXACTLY WHAT IT FEELS LIKE. 1636 01:11:22,657 --> 01:11:25,660 NO, WE WON THE LOTTERY. 1637 01:11:27,370 --> 01:11:29,289 OH. [CHUCKLES] 1638 01:11:29,330 --> 01:11:31,041 DON'T OPEN IT. 1639 01:11:31,082 --> 01:11:32,751 JUST KISS ME. 1640 01:11:34,002 --> 01:11:36,963 [***] 1641 01:11:37,005 --> 01:11:40,175 [STAFF APPLAUDING] 1642 01:11:59,903 --> 01:12:02,238 [***] 1643 01:12:03,740 --> 01:12:05,950 * MY HEART IS ON FIRE 1644 01:12:05,992 --> 01:12:08,036 * I'M RUNNING OUT OF TIME 1645 01:12:08,078 --> 01:12:11,331 * GOTTA FIND OUT IF YOU'RE STILL MINE * 1646 01:12:11,373 --> 01:12:14,209 [FOOTBALL GAME PLAYS ON TELEVISION] 1647 01:12:14,250 --> 01:12:15,502 PLAY ANY SPORTS IN HIGH SCHOOL, NORM? 1648 01:12:15,543 --> 01:12:19,881 I WAS A FOSTER KID, SO I MOVED AROUND A LOT. 1649 01:12:21,633 --> 01:12:24,511 SPORTS ARE THE FOUNDATION OF WAR. 1650 01:12:26,096 --> 01:12:27,847 LIKE PLAYING CHECKERS WITH REAL PEOPLE, 1651 01:12:27,889 --> 01:12:30,558 ONLY YOU DON'T GET HURT. 1652 01:12:32,018 --> 01:12:34,187 WHAT POSITION DID YOU PLAY? 1653 01:12:35,689 --> 01:12:37,148 I WAS A FOSTER KID. I MOVED AROUND A LOT. 1654 01:12:37,190 --> 01:12:38,149 I DIDN'T-- 1655 01:12:38,191 --> 01:12:40,652 SHORT-STOP... 1656 01:12:40,694 --> 01:12:42,195 GOOD FOR YOU. 1657 01:12:44,280 --> 01:12:47,283 OH, YEAH, I LOVE TO DANCE. 1658 01:12:47,325 --> 01:12:49,327 IT'S VERY HARD WORK, THOUGH. 1659 01:12:49,369 --> 01:12:51,663 WELL, AT LEAST THE WAY THAT I DO IT, ANYWAYS. 1660 01:12:51,705 --> 01:12:52,872 [GIGGLES] 1661 01:12:52,914 --> 01:12:54,165 HOW ABOUT YOU? 1662 01:12:54,207 --> 01:12:56,167 OH, I HAVEN'T DANCED IN YEARS. 1663 01:12:56,209 --> 01:12:59,170 SHANE AND OLIVER TOOK DANCE LESSONS ONCE. 1664 01:12:59,212 --> 01:13:01,172 WHERE IS SHANE? 1665 01:13:01,214 --> 01:13:03,883 I DON'T KNOW. 1666 01:13:08,054 --> 01:13:09,347 [SPEAKING QUIETLY] 1667 01:13:13,268 --> 01:13:14,853 I'VE HEARD OF COP BARS AND I'VE HEARD OF SPORTS BARS, 1668 01:13:14,894 --> 01:13:17,355 BUT I'VE NEVER HEARD OF... 1669 01:13:22,068 --> 01:13:23,486 WOULD YOU EXCUSE ME? 1670 01:13:23,528 --> 01:13:24,446 SURE. 1671 01:13:26,406 --> 01:13:27,574 WELL, EVERYONE NEEDS A PLACE TO-- 1672 01:13:27,615 --> 01:13:28,658 OLIVER. 1673 01:13:28,700 --> 01:13:29,659 HAVE SOME CAKE. 1674 01:13:29,701 --> 01:13:30,785 OH, THANK YOU. 1675 01:13:30,827 --> 01:13:32,537 SHANE HAD IT SPECIAL-ORDERED. 1676 01:13:32,579 --> 01:13:33,705 FROM MONTALDO'S. 1677 01:13:34,914 --> 01:13:36,374 OH. 1678 01:13:36,416 --> 01:13:38,710 DALE, COULD YOU HELP ME MIX SOME MORE PUNCH? 1679 01:13:38,752 --> 01:13:39,753 SURE. 1680 01:13:41,004 --> 01:13:42,047 LATER? 1681 01:13:42,088 --> 01:13:43,631 YES. 1682 01:13:45,008 --> 01:13:47,844 [***] 1683 01:13:53,600 --> 01:13:55,143 * KISSES... 1684 01:13:55,185 --> 01:13:58,396 * ARE SO DELICIOUS 1685 01:13:58,438 --> 01:14:02,734 * DISTRACT ME ALL MY WISHES * 1686 01:14:02,776 --> 01:14:06,404 * AND MAKE THIS DAY IN MY HEART... * 1687 01:14:06,446 --> 01:14:09,074 [NIKKI]: * ...BEFORE * 1688 01:14:09,115 --> 01:14:11,284 [DINERS APPLAUDING] 1689 01:14:15,789 --> 01:14:17,123 I, UH, 1690 01:14:17,165 --> 01:14:18,708 TOOK THE LIBERTY OF ORDERING DESSERT. 1691 01:14:18,750 --> 01:14:21,002 OH, THANK YOU. 1692 01:14:21,044 --> 01:14:22,170 WAS THAT RAMON THAT I SAW LEAVING? 1693 01:14:22,212 --> 01:14:23,338 YES. 1694 01:14:23,380 --> 01:14:25,298 HE SENDS HIS REGARDS. 1695 01:14:25,340 --> 01:14:26,591 [CHUCKLES] 1696 01:14:26,633 --> 01:14:28,551 THAT GUY ALWAYS SHOWS UP AT THE WEIRDEST TIMES. 1697 01:14:29,886 --> 01:14:31,471 YOU THINK THIS IS WEIRD? 1698 01:14:34,140 --> 01:14:35,809 ARE YOU GOING TO TRY YOUR DESSERT? 1699 01:14:37,310 --> 01:14:40,689 UM, I'M NOT QUITE READY YET. 1700 01:14:40,730 --> 01:14:41,940 AHEM. 1701 01:14:41,981 --> 01:14:43,400 FORGIVE ME. 1702 01:14:43,441 --> 01:14:46,528 UH, IT GETS A BIT HOT IN HERE. 1703 01:14:48,196 --> 01:14:51,491 BUT, UM, I SUPPOSE YOU KNOW THAT, 1704 01:14:51,533 --> 01:14:53,410 BEING SO FAMILIAR WITH THE PLACE. 1705 01:14:58,540 --> 01:15:01,751 OLIVER, LESTER IS AN IDIOT. 1706 01:15:01,793 --> 01:15:03,920 AND STEVE... 1707 01:15:03,962 --> 01:15:07,465 I HAVE BEEN OVER HIM FOR A VERY LONG TIME. 1708 01:15:08,883 --> 01:15:11,219 YOU OWE ME NO EXPLANATIONS, MS. McINERNEY. 1709 01:15:11,261 --> 01:15:14,639 BECAUSE YOU AND I ARE JUST... FRIENDS? 1710 01:15:14,681 --> 01:15:18,351 THAT WAS AN UNFORTUNATE TURN OF PHRASE, I'M AFRAID. 1711 01:15:25,191 --> 01:15:27,110 SO-- [SIGHS] 1712 01:15:27,152 --> 01:15:29,487 SO WHAT WAS TONIGHT? 1713 01:15:30,488 --> 01:15:31,865 WAS IT A DATE? 1714 01:15:31,906 --> 01:15:35,076 OR WAS IT JUST OUR "LONG-PROMISED DINNER"? 1715 01:15:37,203 --> 01:15:38,580 I DON'T KNOW. 1716 01:15:39,789 --> 01:15:42,667 IT WAS SUPPOSED TO BE A QUIET DINNER 1717 01:15:42,709 --> 01:15:45,837 WITH GOOD COMPANY AND GOOD CONVERSATION, 1718 01:15:45,879 --> 01:15:48,631 AND I DID WANT IT TO BE SOMEPLACE SPECIAL... 1719 01:15:50,133 --> 01:15:52,594 AND I WANTED TO DANCE. 1720 01:15:57,140 --> 01:15:59,309 OLIVER, 1721 01:15:59,351 --> 01:16:01,895 I NEVER DANCED WITH ANY OF THE OTHERS HERE. 1722 01:16:03,355 --> 01:16:05,523 I ONLY-- 1723 01:16:08,151 --> 01:16:11,071 I ONLY DANCE WITH YOU. 1724 01:16:16,409 --> 01:16:18,787 WE COULD USE MORE PRACTICE. 1725 01:16:20,914 --> 01:16:23,249 I-I KNOW. 1726 01:16:23,291 --> 01:16:26,294 IF WE WE'RE GONNA GET ANY GOOD AT IT. 1727 01:16:26,336 --> 01:16:30,382 I IMAGINE WE COULD BE VERY GOOD. 1728 01:16:30,423 --> 01:16:33,635 I IMAGINE WE WOULD BE. 1729 01:16:33,677 --> 01:16:35,762 IF WE PRACTICED EVERY WEEK. 1730 01:16:36,930 --> 01:16:38,556 EVERY WEEK? 1731 01:16:40,225 --> 01:16:43,228 OH, I ONLY MEANT IF YOU WERE SERIOUS... 1732 01:16:43,269 --> 01:16:44,145 I-I MEAN-- 1733 01:16:45,397 --> 01:16:47,148 RIGHT. 1734 01:16:48,608 --> 01:16:50,360 [PIANO BEGINS TO PLAY] 1735 01:16:50,402 --> 01:16:51,861 RIGHT. 1736 01:16:51,903 --> 01:16:54,739 [HOST]: AND NOW, RETURNING TO THE STAGE 1737 01:16:54,781 --> 01:16:57,325 WITH A VERY SPECIAL GOODNIGHT FROM MONTALDO'S... 1738 01:16:57,367 --> 01:17:00,537 PLEASE WELCOME MICHAEL AND SOPHIA. 1739 01:17:08,253 --> 01:17:14,092 * IF I LOVED YOU 1740 01:17:14,134 --> 01:17:16,428 * TIME AND AGAIN 1741 01:17:16,469 --> 01:17:19,681 * I WOULD TRY TO SAY 1742 01:17:19,723 --> 01:17:26,813 * ALL I'D WANT YOU TO KNOW 1743 01:17:28,898 --> 01:17:33,611 * IF I LOVED YOU 1744 01:17:33,653 --> 01:17:39,200 * WORDS WOULDN'T COME IN AN EASY WAY * 1745 01:17:39,242 --> 01:17:45,623 * ROUND IN CIRCLES I'D GO * 1746 01:17:47,667 --> 01:17:52,797 * LONGING TO TELL YOU BUT AFRAID AND SHY * 1747 01:17:52,839 --> 01:17:55,467 * I'D LET MY GOLDEN CHANCES 1748 01:17:55,508 --> 01:17:58,636 * PASS ME BY 1749 01:18:00,180 --> 01:18:04,017 * SOON YOU'D LEAVE ME 1750 01:18:04,059 --> 01:18:06,978 * OFF YOU WOULD GO 1751 01:18:07,020 --> 01:18:09,689 * IN THE MIST OF DAY 1752 01:18:09,731 --> 01:18:16,946 * NEVER, NEVER TO KNOW 1753 01:18:16,988 --> 01:18:21,743 * HOW I LOVED YOU 1754 01:18:23,078 --> 01:18:28,208 * IF I LOVED YOU 1755 01:18:34,422 --> 01:18:37,634 [***] 1756 01:18:39,219 --> 01:18:43,348 * SOON YOU'D LEAVE ME 1757 01:18:43,390 --> 01:18:45,767 * OFF YOU WOULD GO 1758 01:18:45,809 --> 01:18:48,520 * IN THE MIST OF DAY 1759 01:18:48,561 --> 01:18:56,528 * NEVER, NEVER TO KNOW 1760 01:18:56,569 --> 01:19:02,325 * HOW I LOVED YOU 1761 01:19:03,493 --> 01:19:06,162 [SILENCE FALLS] 1762 01:19:10,333 --> 01:19:12,669 * IF 1763 01:19:14,629 --> 01:19:20,093 * I LOVED YOU * 1764 01:19:23,596 --> 01:19:26,057 [DINERS APPLAUDING] 1765 01:19:45,076 --> 01:19:47,454 [***] 1766 01:20:16,816 --> 01:20:18,693 [POP DANCE MUSIC PLAYS] 1767 01:20:32,165 --> 01:20:33,708 OLIVER, ARE WE DANCING? 1768 01:20:36,044 --> 01:20:39,381 NO, MS. McINERNEY. WE ARE NOT. 1769 01:20:41,341 --> 01:20:43,426 OKAY. 1770 01:20:43,468 --> 01:20:45,845 [OLIVER]: I NEED TO ASK YOU SOMETHING. 1771 01:20:45,887 --> 01:20:48,014 I LIKED THAT DESSERT. 1772 01:20:48,056 --> 01:20:50,058 IT WAS VERY GOOD. 1773 01:20:50,100 --> 01:20:51,559 I'M GLAD TO HEAR IT. 1774 01:20:51,601 --> 01:20:53,186 IT'S HARD TO FIND A GOOD CURD THESE DAYS. 1775 01:20:53,228 --> 01:20:55,397 YES. TIMES HAVE CHANGED. 1776 01:20:55,438 --> 01:20:57,440 AND I'M VERY OLD-FASHIONED, YOU KNOW. 1777 01:20:57,482 --> 01:20:59,025 I'M AWARE OF THAT. 1778 01:20:59,067 --> 01:21:01,027 AND WHEN LIFE BECOMES COMPLICATED, 1779 01:21:01,069 --> 01:21:02,779 ONE FINDS ONESELF FALLING BACK 1780 01:21:02,821 --> 01:21:04,864 UPON THE TRADITIONAL AND FAMILIAR. 1781 01:21:04,906 --> 01:21:08,201 ONE TAKES ONE'S TIME TO AVOID THE RISK OF PRECIPITOUSNESS. 1782 01:21:08,243 --> 01:21:10,537 DOES ONE GET TO THE QUESTION? 1783 01:21:10,578 --> 01:21:11,788 AND YET... 1784 01:21:11,830 --> 01:21:13,039 WHAT GOOD 1785 01:21:13,081 --> 01:21:15,667 IS A LETTER IF ONE NEVER MAILS IT? 1786 01:21:16,918 --> 01:21:18,795 IS THAT THE QUESTION? 1787 01:21:18,837 --> 01:21:21,339 NO. WHY DID YOU ORDER LEMON CAKE FOR THE PARTY TODAY? 1788 01:21:22,966 --> 01:21:25,427 UM... 1789 01:21:25,468 --> 01:21:27,595 I THOUGHT YOU SHOULD HAVE A SECOND CHANCE TO TRY IT. 1790 01:21:28,847 --> 01:21:31,016 AND YOU COULDN'T WAIT 1791 01:21:31,057 --> 01:21:33,018 UNTIL THE NEXT TIME WE WENT TO MONTALDO'S? 1792 01:21:33,059 --> 01:21:35,478 OR DID YOU ASSUME THERE WOULD BE NO "NEXT TIME"? 1793 01:21:36,730 --> 01:21:37,814 WELL, I... 1794 01:21:37,856 --> 01:21:39,566 WELL... 1795 01:21:39,607 --> 01:21:41,026 IT MAY SURPRISE YOU, 1796 01:21:41,067 --> 01:21:44,487 BUT I BELIEVE IN SECOND CHANCES, TOO. 1797 01:21:45,780 --> 01:21:48,116 OKAY. 1798 01:21:48,158 --> 01:21:50,910 SHALL I SHOULD PUT IT ON THE CALENDAR, THEN, 1799 01:21:50,952 --> 01:21:52,954 FOR SOMETIME THIS YEAR? 1800 01:21:52,996 --> 01:21:55,498 YES. HOW DOES NEXT SATURDAY SOUND? 1801 01:21:55,540 --> 01:21:56,583 GREAT. 1802 01:21:56,624 --> 01:21:57,667 IT'S A DATE. 1803 01:21:57,709 --> 01:21:59,085 I MEAN, IT'S A-- 1804 01:21:59,127 --> 01:22:01,629 IT IS A DATE. 1805 01:22:06,843 --> 01:22:09,304 SPEAKING OF SECOND CHANCES-- 1806 01:22:09,346 --> 01:22:10,930 MM-HMM? 1807 01:22:10,972 --> 01:22:12,599 HOW DO YOU LIKE MY HAIR? 1808 01:22:12,640 --> 01:22:14,392 WHAT? 1809 01:22:15,643 --> 01:22:18,438 DO YOU LIKE MY HAIR? 1810 01:22:18,480 --> 01:22:21,274 IT'S FINE. UH, IT'S, UH, VERY... 1811 01:22:23,068 --> 01:22:24,778 I LIKE THE FLOWER. 1812 01:22:24,819 --> 01:22:27,072 GOOD. 1813 01:22:27,113 --> 01:22:28,448 AHEM. 1814 01:22:28,490 --> 01:22:30,867 IT'S THE FIRST ROSE OF SUMMER. 1815 01:22:32,702 --> 01:22:33,953 NO! 1816 01:22:33,995 --> 01:22:36,623 IT TOOK AFTER ALL. 1817 01:22:36,664 --> 01:22:40,543 AND NO ANIMALS WERE HARMED IN THE BLOOMING OF THIS ROSE. 1818 01:22:40,585 --> 01:22:42,087 [LAUGHING] 1819 01:22:42,128 --> 01:22:43,755 AND-- AND YOU'D GIVEN UP. 1820 01:22:43,797 --> 01:22:45,632 I KNOW. 1821 01:22:45,674 --> 01:22:47,550 OH, ME OF LITTLE FAITH. 1822 01:22:49,177 --> 01:22:51,513 ALL IT TAKES IS A LITTLE. 1823 01:22:55,684 --> 01:22:56,768 COME ON! 1824 01:22:56,810 --> 01:23:00,689 [***] 1825 01:23:07,112 --> 01:23:08,071 * IT'S ALL GOOD 1826 01:23:08,113 --> 01:23:09,656 * IT GETS EVEN BETTER 1827 01:23:09,698 --> 01:23:10,782 * UP IN THE SKY 1828 01:23:10,824 --> 01:23:11,741 * THERE'S ALWAYS SUNNY WEATHER 1829 01:23:11,783 --> 01:23:13,243 * IT'S A PERFECT DAY 1830 01:23:13,284 --> 01:23:16,246 * AIN'T NOTHING WRONG 'CAUSE EVERYTHING'S ALL RIGHT * 1831 01:23:16,287 --> 01:23:19,416 * IT'S ALL GOOD WHEN WE GET TOGETHER * 1832 01:23:19,457 --> 01:23:22,002 * WELL, NOW IT GETS BETTER 1833 01:23:22,043 --> 01:23:23,962 * WHEN YOU GOT WHAT MATTERS 1834 01:23:24,004 --> 01:23:24,963 * IT'S ALL GOOD 1835 01:23:25,005 --> 01:23:26,423 * IT GETS EVEN BETTER 1836 01:23:26,464 --> 01:23:28,341 * DOO, DOO-DOO DOO-DOO-DOO-DOO * 1837 01:23:28,383 --> 01:23:30,885 * DOO, DOO-DOO DOO-DOO-DOO-DOO-DOO * 1838 01:23:30,927 --> 01:23:33,096 * DOO, DOO-DOO DOO-DOO-DOO-DOO * 1839 01:23:33,138 --> 01:23:33,930 * IT'S ALL GOOD 1840 01:23:42,063 --> 01:23:45,900 [***] 121643

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