All language subtitles for supercar s01e23 1080p bluray x264-carved (1)_track3_[eng]

(engine roaring)

¢ Supercar f

¢ Supercar f

¢ With beauty and grace
as swift as can be f

£ Watch it flying through the air S

f It travels in space or under the sea

f And it can journey anywhere J

¢ Supercar f

¢ Supercar f

~ It travels on land or roams the skies J

~ Through the heaven's stormy rage I

f It's Mercury-manned and everyone cries f

f It's the marvel of the age I

¢ Supercar f

¢ Supercar f

¢ Supercar f

(bright upbeat music)

- To all at the laboratory.

Having a wonderful rest
and eating too many

of my sister's marvellous
Wiener schnitzel.

Take great care of Supercar,

signed, Professor Popkiss.

What's a Wiener schnitzel, Dr. Beaker?

- | think, Jimmy, what you
mean is Wiener schnitzel

which is a European dish.

Yes, | remember once
when | was in Austria-

- Now come on, Dr. Beaker,

let's keep on with this
routine test flight.

- All right, Mike, | should prove to you

that | can operate this console

just as efficiently as old Popkiss.

- Maybe you can, Doc.

All the same, I'll be glad when
he's back from his vacation.

- All right, Mike, charging one.

- Roger, charging one.

Five, 10,

13, 15,000.

- Interlock operating, charge two.

- Roger, charging two

Five, nine,

12, 15,000.

- Roger, Mike, interlock
operating on both engines.

Fire one.

- Roger, fire one.

(engine whooshing)

- Fire two.

- Roger, fire two.

(engine whooshing)

- There. Well, how was that Mike?

| think old Popkiss can enjoy his holiday

with the knowledge that the Supercar team

will carry on regardless.

Right, Mike, full boost vertical.

(engine whirring)

There, Jimmy, all perfect simple.

- Dr. Beaker, you haven't
opened the roof doors.

(doors crashing)

(debris clattering)

- Well, now who's a fool?

(dramatic music)

- Well, Dr. Beaker, that was some job

repairing those roof doors.

- Yeah, there was quite
a lot of painting to do

on Supercar as well.

- Well | must say,

it was very sporting the
way you took it, Mike.

- Well, Dr. Beaker, no one was hurt

and there's been no
serious damage to Supercar.

The whole thing strikes
me as kind of funny.

- Yeah, Dr. Beaker, wait till
the professor hears about it.

- Yes, Jimmy, | was coming to that point.

(throat clearing) | would
ask you both as old chums

not to mention this little
incident to old Popkiss.

| just couldn't bear it.

(dramatic music)

- | just don't get it, Mike.

It sounds as if he's
wrecking the laboratory.

And he won't let us in there.

- Oh, Jimmy, | think he's
just opening that big crate

that arrived this morning.

I've been trying to guess
what's inside, but it beats me.

- All right, gentlemen,
you can come in now.

(suspenseful music)

- Gee, Dr. Beaker, a real movie camera.

- So this is what all
the secrecy's been about?

- Yes, Mike, modern
scientists use movie equipment

to make permanent records
of their experiments

for reference purposes, you understand?

- | see, So you're gonna film

all your experiments, is that it?

- Precisely, exactly.

- Say, Dr. Beaker, now
we've got this equipment

couldn't we make a movie
about us and Supercar?

- Certainly not, this
equipment is to be used

for serious scientific work.

- But, Dr. Beaker-

- No, Jimmy, | said no
and | mean definitely no.

(dramatic music)

(Mitch hooting)

Oh, quiet please.

We are going for a take.

All right, Jimmy, here we go.

Okay for sound?

(Mitch hooting)

Roll 'em.

- One, take one.

- All right, Mike, now make it look

as if it's really happening.

- Okay, Dr. Zinnerman, | understand you.

- Action!

- I'm taking in Supercar now.

9,000, 10,000, 15,000.

Fire one!

- Cut!

Oh, that was a stupendous
performance, Mike.

But let's just take one more for luck.

Going again.

(dramatic music)

Roll 'em.

- Okay, Dr. Beaker.

Scene one. Take 104.

(engine roaring)

(engine puttering)

(upbeat playful music)

(engine roaring)

(engine puttering)

- Yes. Satisfactory.

Most, most satisfactory.

- How's it going, Dr. Beaker?

- Well, Mike, | have just got
our last lot of filming in.

| suggest we run it an
see how it's coming along.

- Okay, Dr. Beaker, I'll go
and lace up the projector.

- | can hardly wait, Jimmy.

| find this most exciting, most exciting.

- Before you know it, Dr. Beaker,

you'll be filming in Hollywood.

(suspenseful music)

- And now, folks, you're
about to see the latest epic

from Supercar Studios in Blackrock,

starring the one and only Mike Mercury.

- Alright Mike, shoot.

- Here we go then, lights out.

- Really quiet, Jimmy, this
is going to be very exciting.

(dramatic music)

- Hey, Doc, | don't
remember you filming that.

- Curious. Most curious.

- | don't get it, Dr. Beaker,

you were always pointing the camera at us.

How come you get ships at sea?

- | don't understand, Jimmy,
| just don't understand.

- Hey, hold on, there's
something on the soundtrack.

- [Narrator] Here we have the only drawing

that we have been able to obtain so far

of the latest American
Marine nuclear power unit.

Our agents are continuing their efforts

to get further information

and this will be sent to you
as soon as it is obtained.

- Hey, Dr. Beaker, this isn't
our film we've got here.

It's been delivered to us by mistake.

- Yes, Mike, and it's obviously
film made by foreign agents.

- You mean spies?

- We'll have to find out who
these people are, Beaker.

This information is top secret

and if it got into the wrong hands

it could mean disaster for the US Navy.

(dramatic music)

Satellite Film Productions,
34 East 25th Street, New York.

Why, Dr. Beaker, these are the people

who develop and print our film for us.

Looks like that's not the
only business they're in.

- Yes, Mike, a nice little sideline,

filming American top secrets

and selling them to foreign governments.

- Yeah, but why did they
send the film to us?

- That was obviously a mistake, Jimmy,

and a very serious one for them.

- Gee, Dr. Beaker, it's just like a movie.

(suspenseful music)

(machinery whirring)

Now what's he up to, Mike?

- | don't know, Jimmy,

says he's preparing for
his trip to New York.

- What's the plan, Mike?

- Well, Dr. Beaker is gonna take the film

back to Satellite Films Incorporated

and tell 'em it was
delivered to us by mistake.

- | get it, he'll make out
he hasn't looked at the film

and doesn't know anything about it.

- That's right, Jimmy, and
that way he might find out more

about the spy ring that's
operating from there.

- Mm-hmm, we are ready for takeoff.

- Say, Dr. Beaker,

do they all wear outfits
like that in England?

- lam correctly attired
for the city, Jimmy,

and for the occasion.

(dramatic playful music)

| think Supercar's engines are still warm

from the run-up this
morning, aren't they, Mike?

- Yes, Dr. Beaker.

- [Horatio] Right then, charging both.

- Roger, charging both.

Eight, 11,

13, 15,000.

Fire both!

(rocket roaring)

- Switching over to manual.

What is it, Mitch?

(Mitch hooting)

Oh, (laughs) yes, roof doors of course.

Not a word to Mike about this, Mitch.

(Mitch hooting)

(doors whirring)

(mysterious music)

- Full boost.

(engines hissing)

(dramatic music)

(bright playful music)

Dr. Beaker, when we get to New York

I'm gonna land on the roof
of Satellite office block.

- Well Mike, | suppose that's one way

of solving the parking problem.

- Yeah, but I've got other reasons.

| wanna be around when you take
that film into their office.

- You mean if they think
Dr. Beaker has seen the film

they might keep him prisoner?

- Yes, Jimmy, just that.

(mysterious music)

Must be getting close by now, Doc.

- Yes, | think I'll consult the plan.

(monitor crackling)

Let me see now.

With cross wind of four knots
and a course of 162 magnetic,

well | make it we should
be over the city now.

- Let's take a look then.

Right again, Doc, and
there's Satellite's building

over there at three o'clock.

Hold tight folks, here we go.

(engine whining)

- This is the first time
I've ever been to New York

and landing like this
too, right on top of it.

- Right, Dr. Beaker, off you go.

You'll find them on the 43rd floor.

If you're not back in half an
hour I'll come and get you.

- Oh don't worry, Mike, |
got everything organised.

Now where's my umbrella?

- Umbrella?

- But, Dr. Beaker, it isn't even raining.

- The trouble with you Americans
is you're too practical.

It's simply a question of
being correctly dressed.

(mysterious music)

- [Herman] Miss Debanic.

- Yes, Herman?

- They have just traced
the missing reel of film.

It has our label on

and | am hoping it will be returned to us.

- [Donwella] And if it is not?

- Then we will have to take
steps to make sure it is.

- | understand, Herman.

- Satellite Films | believe, madam?

- That is correct.

- Oh, | have a reel of
film belonging to you.

It was sent by mistake.

- How very kind of you
to return it, mister?

- Beaker, Dr. Beaker is the name.

- Did you enjoy watching it, Dr. Beaker?

- Oh my dear madam,

| wouldn't dream of looking
at somebody else's film.

When | saw the label on the
can | came straight here.

- How wise of you, Dr. Beaker.

Mr. Gredenski, our film has
been returned by a Dr. Beaker.

He says that he hasn't seen it.

- Good, that will save us the trouble

of having to collect it.

| would like to thank
Dr. Beaker personally.

I'll be with you in a moment.

Meanwhile, extend our usual hospitality.

- | understand, Mr. Gredenski.

Perhaps you would care to
take a seat, Dr. Beaker.

No, no, no, Dr. Beaker, not that one.

Over there, that one is
so much more comfortable.

- Oh thank you, madam, you are most kind.

(suspenseful music)

- Are you quite comfortable
there, Dr. Beaker?

- Oh quite, oh quite comfortable.

- lam so glad, Dr. Beaker.

- [Horatio] Help!

- (giggling) | just love doing that.

(floor whirring)

(Horatio clattering)
(dramatic music)

- Well, now who's a fool?

- Mike, I'm getting
worried about Dr. Beaker.

He's been gone a long time.

- Yeah, | make it 35 minutes.

(Mitch hooting)

Jimmy, you stay here,
I'm going to investigate.

- No, Mitch, you can't go with him.

| tell you what though,
you can get out of Supercar

and play around on the roof for
a while, but don't fall off.

(Mitch hooting)

(suspenseful music)

- Hm, interesting, most interesting.

It looks as if I'm at the headquarters

of an international spy ring.

Well now | better wait for Mike.

| expect he'll shoot down
at any moment. (laughs)

(door clicking)

- Good afternoon, ma'am,

I'm looking for a friend
of mine, Dr. Beaker.

- Dr. Beaker?

- Yeah, yeah, bowler hat,
rolled umbrella, all that jazz.

- Oh yes, you say he's a friend of yours?

- Yep, that's right.

- Oh yes, sir, he is just
talking with Mr. Gredenski.

Please sit down and make
yourself comfortable.

No, no, no, no please sir, not that one.

Over there, it is more comfortable.

- Gee, thanks a lot.

- (giggles) Two victims in one day,

this is too wonderful.

- | don't get it.

- You will.

- Oh, whoop!
(body thudding)

- You are late, Mike, | had estimated

that you would be here
exactly seven minutes ago.

- Hey, what goes on here, Dr. Beaker?

- We are in a room, Mike, with no window,

a strong door with a heavy lock on it.

In fact, Mike, we have
fallen into a perfect trap.

- So we have two now?

| will deal with them in the usual manner.

While | am doing this,

prepare the film to be
delivered to our agents.

- At once, Herman.

- Dr. Beaker, Gredenski speaks to you.

Do you see a valve on the
wall of the room you're in?

- Yes, | see it.

- Then watch closely, Dr. Beaker.

(dramatic music)

Your fix is about to
be settled, Dr. Beaker.

- Mike!

Mike, gas!

- Of all the fiendish things.

- | have a little scheme, Mike.

- I'm glad to hear it, Doc,
because for once | haven't.

- You are about to find out why
Englishmen wear bowler hats.

Beaker to Supercar, over.

Beaker to Supercar, over.

- Hello, Dr. Beaker, this
is Jimmy, | can hear you.

But it sounds like, | don't know,

it sounds like you're
talking through your hat.

- (laughs) Actually, Jimmy, | am.

Now listen carefully,

switch the radio to the emergency channel

and call the police.

Tell them to come straight
away to this building.

- Okay, Dr. Beaker, I'll do that.

Are you and Mike all right?

- Just do as | say, Jimmy,

we are in a little bit of a hurry.

- You can say that again, Doc.

| don't know about you, but
this gas is beginning to get me.

You reckon we can last out
until the police get here, Doc?

- (coughs) That | doubt, Mike.

Now where did | put my umbrella?

- Oh no, at a time like this

he's worried about his umbrella.

- Oh, oh, yes, most
valuable piece of equipment.

- What on Earth?

Oh, Doc, you'll never break
that lock with an umbrella.

- But this, my dear fellow, (coughing)

is a very special umbrella.

Watch.

(umbrella whirring)

- (laughs) Good for you, Doc.

Satisfactory, most satisfactory.

- Well, Donwella, they will see

that you are decorated for this.

Not that you need much more decoration.

- Thank you, Herman.

- And now | have one or
two things to attend to

and then we will leave and
deliver our secret film

to the foreign government

- Which pays us the most money.

- (laughs) And in a few moments,

our deadly gas will have done its job

on our meddling friends.

Dr. Beaker and Mike Mercury
will be no more. (laughing)

(dramatic music)
(umbrella whirring)

- Hurry, Doc, we can't last
out much longer. (coughs)

- All right, Mike, we are nearly through.

- Now then, when we get the money

it is going to present a serious problem.

| mean coat, or no, no, no, no, no.

Everyone has mink coats these days.

(Donwella screaming)
(Mitch screeching)

(umbrella whirring)

- After you, my dear chap.

- Don't come near me, go
away, | am so frightened.

(Mitch hooting)

Herman, come back quickly,
it's an escaped gorilla.

(door clicking)

You, how did you get out?

- Never mind that,

one thing for sure, you
won't, not where you're going.

- And furthermore, if you
want our friend to calm down,

please don't refer to him as a gorilla.

He is a chimpanzee, madam, and
a very intelligent chimpanzee

as you no doubt have already found out.

- Okay, now the hysterics are
over with, where's your boss?

- He is not here, he will be back soon.

- Okay, then we'll wait for him.

Do sit down and make yourself at home.

- | always make ita
practise, Mr. Mercury,

not to keep people waiting.

However, this time it is unavoidable.

In a little while our
agent will be arriving

and then you will be coming
with us for a little ride.

- Gee, | hope everything's all right.

Dr. Beaker hasn't called again

If only the police would arrive.

(sirens wailing)

That must be them now,

| must go down and show them the way.

- We called the police
and if I'm not mistaken,

| can hear their sirens now.

- It's a pity you did that, Mike Mercury,

because you have signed
your own death warrant.

- You see, Mike Mercury,

we have a secret exit from the building.

It's a pity that you
won't be alive much longer

because | would have liked
to have shown it to you.

- And now, goodbye, my friends.

(Mitch hooting)

(both screaming)
(gun firing)

- Good show, Mitch, that was bag on.

- You okay, Mike, Dr. Beaker?

- Yes, Jimmy, we're okay but just barely.

- The police are here, Mike.

They're on their way up now.

- Good boy, Jimmy.

They're just in time to
take our two friends away.

(bright music)

- And now that the excitement is over,

let us look at the work of
some professional filmmakers.

- | just can't wait to see the
film we've made, Dr. Beaker.

- Okay, Mike, roll 'em.

(light clicking)

And now, ladies a gentleman,

| would like to tell
you more about Supercar.

Well, now who's a fool?

(sad trombone music)

(engine roaring)

¢ Supercar f

¢ Supercar f

¢ With beauty and grace
as swift as can be f

£ Watch it flying through the air S

f It travels in space or under the sea

f And it can journey anywhere J

¢ Supercar f

¢ Supercar f

~ It travels on land or roams the skies J

~ Through the heavens' stormy rage I

f It's Mercury-manned and everyone cries f

f It's the marvel of the age I

¢ Supercar f

¢ Supercar f

¢ Supercar f

(engine roaring)