Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,619 --> 00:00:05,353
♪ WELL, I'M NOT THE
KIND TO KISS AND TELL ♪
2
00:00:05,422 --> 00:00:07,155
♪ BUT I'VE BEEN
SEEN WITH FARRAH ♪
3
00:00:07,241 --> 00:00:09,792
♪ I'VE NEVER BEEN
WITH ANYTHING LESS ♪
4
00:00:09,860 --> 00:00:11,543
♪ THAN A NINE SO FINE ♪
5
00:00:11,611 --> 00:00:14,395
♪ I'VE BEEN ON FIRE
WITH SALLY FIELD ♪
6
00:00:14,465 --> 00:00:17,699
♪ GONE FAST WITH
A GIRL NAMED BO ♪
7
00:00:17,768 --> 00:00:22,654
♪ BUT SOMEHOW THEY
JUST DON'T END UP AS MINE ♪
8
00:00:22,722 --> 00:00:25,691
♪ IT'S A DEATH-DEFYIN'
LIFE I LEAD ♪
9
00:00:25,759 --> 00:00:27,909
♪ I TAKE MY CHANCES ♪
10
00:00:27,978 --> 00:00:32,046
♪ I DIE FOR A LIVIN' IN
THE MOVIES AND TV ♪
11
00:00:33,833 --> 00:00:36,167
♪ BUT THE HARDEST
THING I EVER DO ♪
12
00:00:36,236 --> 00:00:38,770
♪ IS WATCH MY LEADING LADIES ♪
13
00:00:38,839 --> 00:00:43,375
♪ KISS SOME OTHER GUY
WHILE I'M BANDAGIN' MY KNEE ♪
14
00:00:43,444 --> 00:00:46,261
♪ I MIGHT FALL FROM
A TALL BUILDIN' ♪
15
00:00:46,330 --> 00:00:49,498
♪ I MIGHT ROLL A BRAND-NEW CAR ♪
16
00:00:49,567 --> 00:00:51,834
♪ 'CAUSE I'M THE
UNKNOWN STUNTMAN ♪
17
00:00:51,902 --> 00:00:55,870
♪ THAT MADE
REDFORD SUCH A STAR ♪
18
00:00:55,939 --> 00:00:59,975
♪♪
19
00:01:02,012 --> 00:01:05,280
♪ I'VE NEVER SPENT
MUCH TIME IN SCHOOL ♪
20
00:01:05,349 --> 00:01:07,582
♪ BUT I'VE TAUGHT
LADIES PLENTY ♪
21
00:01:07,651 --> 00:01:11,119
♪ IT'S TRUE I HIRE MY
BODY OUT FOR PAY ♪
22
00:01:11,188 --> 00:01:13,288
♪ HEY, HEY ♪
23
00:01:13,357 --> 00:01:15,257
♪ I'VE GOTTEN BURNED
OVER CHERYL TIEGS ♪
24
00:01:15,325 --> 00:01:17,559
♪ BLOWN UP FOR RAQUEL WELCH ♪
25
00:01:17,627 --> 00:01:21,897
♪ BUT WHEN I WIND UP IN
THE HAY, IT'S ONLY HAY ♪
26
00:01:21,966 --> 00:01:24,132
♪ HEY, HEY ♪
27
00:01:24,201 --> 00:01:26,601
♪ I MIGHT JUMP AN
OPEN DRAWBRIDGE ♪
28
00:01:26,670 --> 00:01:28,654
♪ OR TARZAN FROM A VINE ♪
29
00:01:28,722 --> 00:01:31,490
♪ 'CAUSE I'M THE
UNKNOWN STUNTMAN ♪
30
00:01:31,559 --> 00:01:34,843
♪ THAT MAKES EASTWOOD
LOOK SO FINE ♪♪
31
00:01:50,193 --> 00:01:53,461
THIS IS THE STORY OF ONE OF
AMERICA'S GREAT UNSUNG HEROES.
32
00:01:53,530 --> 00:01:57,231
I MEAN, YOU'VE SEEN HIM, BUT
YOU NEVER KNEW WHO HE WAS.
33
00:01:57,300 --> 00:01:59,584
YOU'VE CHEERED FOR
HIM AND CRIED FOR HIM,
34
00:01:59,653 --> 00:02:02,821
WOMEN HAVE WANTED
TO DIE FOR HIM.
35
00:02:02,889 --> 00:02:07,108
BUT DID HE EVER GET ANY
CREDIT? OR THE GIRL? NO.
36
00:02:07,177 --> 00:02:09,194
HE WAS WHAT WE CALL A STUNTMAN.
37
00:02:09,263 --> 00:02:11,947
AND THE REASON I'M TALKIN'
SO FONDLY ABOUT HIM IS...
38
00:02:12,016 --> 00:02:14,132
WELL, BECAUSE IT'S
ME, COLT SEAVERS.
39
00:02:14,200 --> 00:02:17,686
ANYWAY, PICTURE WORK ISN'T
WALL-TO-WALL EMPLOYMENT.
40
00:02:17,754 --> 00:02:21,423
SO MAYBE YOU WONDER HOW A
GUY KEEPS HIS HEAD TOGETHER.
41
00:02:21,491 --> 00:02:24,009
WELL, ONE WAY IS TO
WAIT BY THE PHONE...
42
00:02:24,078 --> 00:02:26,711
AND WAIT... AND WAIT.
43
00:02:26,780 --> 00:02:29,497
THE OTHER IS TO TAKE AN OCCASIONAL
JOB FOR THE COURT SYSTEM...
44
00:02:29,566 --> 00:02:31,666
OF THE UNITED STATES OF AMERICA,
45
00:02:31,735 --> 00:02:34,669
WHERE A MAN IS CONSIDERED
INNOCENT UNTIL PROVEN GUILTY.
46
00:02:34,738 --> 00:02:38,005
UNFORTUNATELY, SOMETIMES
A LOT OF THESE PEOPLE...
47
00:02:38,074 --> 00:02:41,293
GET OUT OF JAIL ON
WHAT WE CALL BAIL.
48
00:02:41,361 --> 00:02:43,995
AND THEY RUN LIKE HELL.
49
00:02:44,064 --> 00:02:48,383
THAT'S WHERE I COME IN. I SOMETIMES
PICK UP RENT MONEY TRYIN' TO FIND THEM...
50
00:02:48,452 --> 00:02:50,301
AND BRING THEM BACK TO JUSTICE.
51
00:02:50,370 --> 00:02:53,238
AND THAT REMINDS ME OF
A VERY INTERESTING CASE...
52
00:02:53,307 --> 00:02:57,075
WHERE SOME SKYDIVING
SKILLS CAME IN REAL HANDY.
53
00:03:03,567 --> 00:03:06,834
YEAH, THAT LOOKS GOOD.
HOLD HER NICE AND STEADY.
54
00:03:06,903 --> 00:03:09,705
WITH ALL DUE RESPECT TO
ROBERT WAGNER, COLT, PLEASE...
55
00:03:09,773 --> 00:03:12,574
ARE YOU SURE YOU WANNA
GO THROUGH WITH THIS?
56
00:03:12,643 --> 00:03:15,710
WELL, IT'S ONLY THE
FIRST STEP THAT'S TRICKY.
57
00:03:15,779 --> 00:03:19,231
I'LL BE SEEING YOU, I HOPE.
58
00:03:27,807 --> 00:03:29,658
HAVE YOU GOT HIM LINED UP?
59
00:03:29,726 --> 00:03:32,088
RELAX. JODY. I'VE BEEN FLYING
SINCE I WAS IN HIGH SCHOOL.
60
00:03:32,112 --> 00:03:34,491
HOW DO YOU THINK I GOT
INTO THE AIR FORCE ACADEMY?
61
00:03:34,515 --> 00:03:36,999
WHAT'S SUPPOSED TO HAPPEN?
I GOTTA GET BACK TO THE SET.
62
00:03:37,067 --> 00:03:39,479
YOU HAVEN'T SEEN
WHAT I'M GONNA SHOW YA.
63
00:03:39,503 --> 00:03:41,317
IT'S EXACTLY THE KIND
OF STUNT YOU NEED ON
64
00:03:41,341 --> 00:03:43,355
HART TO HART. EVERYONE'LL
BE TALKIN' ABOUT IT.
65
00:03:43,423 --> 00:03:47,292
COLT, I'D PREFER THAT THEY'D COME
AWAY TALKING ABOUT ME, NOT YOU.
66
00:03:47,361 --> 00:03:49,744
THAT'S THE WHOLE POINT.
THEY'LL THINK IT IS YOU.
67
00:03:49,813 --> 00:03:52,113
- THERE HE IS.
- WHERE?
68
00:03:52,182 --> 00:03:54,783
RIGHT THERE.
69
00:03:58,088 --> 00:04:00,588
YOU MADE ME TAKE FOUR
HOURS IN THE MIDDLE OF MY DAY...
70
00:04:00,657 --> 00:04:03,191
TO COME OUT HERE AND
WATCH COLT DO A SKYDIVE?
71
00:04:03,260 --> 00:04:05,259
THAT'S THE OLDEST
STUNT IN THE WORLD.
72
00:04:05,328 --> 00:04:08,095
HE ISN'T WEARING
A PARACHUTE, R.J.
73
00:04:08,164 --> 00:04:10,465
HE'S NOT WEARING A PARACHUTE?
74
00:04:11,835 --> 00:04:13,968
WHAT IS HE, SOME KIND
OF A BANANA OR SOME...
75
00:04:14,037 --> 00:04:17,939
HE MUST BE CRAZY. YOU'RE
RIGHT. HE'S NOT WEARING A CHUTE.
76
00:04:18,008 --> 00:04:21,309
R.J., THE ENDING OF YOUR NEXT
HART TO HART CALLS FOR YOU...
77
00:04:21,378 --> 00:04:24,579
TO BE FORCED OUT OF THE
AIRPLANE WITH A FAULTY PARACHUTE.
78
00:04:24,647 --> 00:04:26,665
THOUGHT I'D SHOW YOU
A BETTER WAY TO GO.
79
00:04:26,734 --> 00:04:29,101
WHAT BETTER WAY?
80
00:04:29,169 --> 00:04:33,922
YOU'RE GONNA SAVE YOURSELF BY
FREE-FALLING TO ANOTHER AIRPLANE.
81
00:04:33,991 --> 00:04:38,060
- COLT, HAVE YOU BEEN DRINKING?
- INCREASE YOUR SPEED
30 KNOTS, HOWIE.
82
00:04:38,128 --> 00:04:41,112
YOU SLOW DOWN ON ME, I COULD
WIND UP IN YOUR PROPELLER.
83
00:04:41,181 --> 00:04:44,567
YOU KNOW, THAT MAN IS OBVIOUSLY
A CARD-CARRYING LUNATIC.
84
00:04:44,591 --> 00:04:45,767
- YOU'RE COUNTING.
85
00:04:45,836 --> 00:04:50,138
FIVE, FOUR, THREE...
86
00:04:50,207 --> 00:04:53,257
BETTER SPEED HER UP A LITTLE,
HOWIE. I'M COMIN' IN TOO FAST.
87
00:04:53,326 --> 00:04:56,277
SPEED IT UP. SPEED IT UP.
88
00:04:56,346 --> 00:04:58,413
LOOK OUT! HE'S GONNA HIT!
89
00:04:59,582 --> 00:05:02,668
MY GOD! HE BOUNCED RIGHT OFF US!
90
00:05:02,736 --> 00:05:06,604
HE'S GOING IN! COLT! COLT!
91
00:05:06,673 --> 00:05:09,357
EVERYONE HANG ON.
92
00:05:17,017 --> 00:05:19,468
OH, GOD, COLT.
93
00:05:19,536 --> 00:05:21,881
KNOCK IT OFF, JODY. THAT'S NOT
HOW WE PLANNED THE BACKUP.
94
00:05:21,905 --> 00:05:24,639
BACKUP? HOWIE, HE'S UNCONSCIOUS.
95
00:05:24,707 --> 00:05:27,003
COLT TOLD US WHAT TO DO
IF SOMETHING WENT WRONG.
96
00:05:27,027 --> 00:05:30,562
YEAH, BUT HE'S PROBABLY DEAD.
PAY ATTENTION. YOU HAVE WORK TO DO.
97
00:05:30,630 --> 00:05:33,180
LISTEN TO HIM, JODY. IT'S
THE ONLY CHANCE COLT HAS.
98
00:05:37,754 --> 00:05:39,904
GET READY TO JUMP. OH, GOD.
99
00:05:43,376 --> 00:05:46,628
TEN, NINE, EIGHT...
100
00:05:49,783 --> 00:05:51,650
AND GO!
101
00:06:14,591 --> 00:06:16,891
COME ON. YOU CAN DO IT, JODY.
102
00:06:30,573 --> 00:06:33,024
COLT! COLT!
103
00:06:33,092 --> 00:06:36,360
CAN YOU HEAR ME? PLEASE HEAR ME.
104
00:06:36,429 --> 00:06:39,281
PLEASE SAY SOMETHING.
105
00:06:41,317 --> 00:06:43,401
PERFECT, JODY. PERFECT.
106
00:06:43,470 --> 00:06:47,906
YOU WERE CONSCIOUS
THE WHOLE TIME!
107
00:06:47,974 --> 00:06:51,876
AND YOU'RE WEARING A CHUTE!
WE HAD TO TEST THE BACKUP.
108
00:06:51,945 --> 00:06:54,145
AND YOU WERE IN ON IT TOO, R.J.
109
00:06:54,214 --> 00:06:57,932
DO YOU THINK I'D GO ALONG WITH IT IF I
DIDN'T THINK COLT KNEW WHAT HE WAS DOING?
110
00:06:58,001 --> 00:07:01,419
- I MEAN, I WOULDN'T DO THAT.
- YOU DIRTY, ROTTEN...
111
00:07:01,488 --> 00:07:03,387
HEY!
112
00:07:06,459 --> 00:07:08,493
STUPID MALES.
113
00:07:12,282 --> 00:07:14,966
I CAME AS SOON AS I
HEARD. ARE YOU ALL RIGHT?
114
00:07:15,034 --> 00:07:17,964
JACK, REALLY, YOU
SHOULDN'T HAVE.
115
00:07:17,988 --> 00:07:20,572
YOU KNOW HOW MUCH
I CARE ABOUT YOU.
116
00:07:20,640 --> 00:07:22,685
WELL, YOU SURE HIDE IT WELL.
117
00:07:22,709 --> 00:07:25,510
I'M EVEN HEARTBROKEN YOU'LL HAVE
TO LAY OFF STUNTS FOR EIGHT WEEKS.
118
00:07:25,579 --> 00:07:27,411
SAID WHO? THE DOCTOR.
119
00:07:27,481 --> 00:07:30,247
IT'LL BE TORTURE FOR YOU TO STAY
ON THE SIDELINES THAT LONG, BUT...
120
00:07:30,316 --> 00:07:32,316
BUT NOTHING. WHAT
DO DOCTORS KNOW?
121
00:07:32,385 --> 00:07:34,497
I'LL BE READY TO GO
BACK TO WORK IN A WEEK.
122
00:07:34,521 --> 00:07:38,306
BUT STILL, A WEEK IS A LONG TIME FOR A
MAN LIKE YOU TO LAY AROUND THE HOUSE.
123
00:07:38,375 --> 00:07:42,577
DR. PARKER, EMERGENCY ROOM.
DR. PARKER, EMERGENCY ROOM.
124
00:07:42,645 --> 00:07:47,448
- WHAT ARE YOU GETTING AT?
- WELL, I'M WILLING
TO DO YOU A FAVOR,
125
00:07:47,517 --> 00:07:51,786
AND GIVE YOU A VERY EASY CASE TO
KEEP YOUR MIND OFF YOUR INJURIES.
126
00:07:51,854 --> 00:07:53,917
OH, NO. FORGET IT, JACK.
127
00:07:53,941 --> 00:07:56,052
LOOK, I'M A STUNTMAN
FIRST, NOT A BOUNTY HUNTER.
128
00:07:56,076 --> 00:07:59,777
I SWEAR, COLT, THIS ONE'S A SNAP.
LOOK AT THIS HARMLESS LITTLE PUSSYCAT.
129
00:07:59,846 --> 00:08:02,864
HIS NAME IS MILTON BOX.
HE'S A COMPUTER EXPERT.
130
00:08:02,933 --> 00:08:07,768
HE MADE A LITTLE MISTAKE, AND HE RIPPED
OFF A BANK FOR FIVE MILLION DOLLARS.
131
00:08:07,837 --> 00:08:10,438
HE GOT CAUGHT
AND I BAILED HIM OUT.
132
00:08:10,506 --> 00:08:13,352
AND THEN HE MADE ANOTHER
LITTLE MISTAKE AND JUMPED BAIL.
133
00:08:13,376 --> 00:08:17,111
LOOK, DO YOU WANT TO EARN
AN EASY 10 GRAND OR NOT?
134
00:08:17,180 --> 00:08:20,281
YEAH, ABOUT AS EASY AS CATCHING
THAT SCHOOLTEACHER FROM PASADENA...
135
00:08:20,350 --> 00:08:22,817
THAT STOLE HER MOTHER'S CAT.
136
00:08:22,885 --> 00:08:25,932
DON'T BLAME ME FOR THAT. I
HAD NO IDEA IT WAS A CERAMIC CAT.
137
00:08:25,956 --> 00:08:28,022
YEAH, OR THAT IT WAS
FILLED WITH HEROIN.
138
00:08:28,091 --> 00:08:30,125
BUT YOU KNEW THE
SCHOOLTEACHER WAS A HOOKER.
139
00:08:30,193 --> 00:08:34,512
WELL, ONLY IN HER SPARE TIME. BUT I
HAD NO IDEA HER MOTHER WAS A MADAM.
140
00:08:34,580 --> 00:08:36,335
ALL I KNOW IS I GOT
CAUGHT UP IN A CROSS
141
00:08:36,359 --> 00:08:38,316
FIRE THAT WOULD HAVE
MADE CUSTER FEEL LUCKY.
142
00:08:38,385 --> 00:08:40,685
BUT THIS ONE WILL BE DIFFERENT.
143
00:08:40,754 --> 00:08:44,255
LOOK AT THIS MAN. CAN YOU
TELL ME YOU'RE SCARED OF HIM?
144
00:08:44,324 --> 00:08:47,676
COME ON, WHAT'S THE CATCH? WHAT DID
HE DO, MURDER HIS MOTHER OR SOMETHING?
145
00:08:47,744 --> 00:08:51,145
HE LOVES HIS MOTHER... AND
HE'S DEVOTED TO HIS WIFE.
146
00:08:51,214 --> 00:08:53,259
BUT HOW DID THE
POLICE LET HIM GET AWAY?
147
00:08:53,283 --> 00:08:56,884
ALL THEY HAD TO DO WAS LET HIM OUT
OF JAIL AND FOLLOW HIM TO THE MONEY.
148
00:08:56,953 --> 00:08:59,103
THEY TRIED THAT.
YEAH? AND THEN WHAT?
149
00:08:59,172 --> 00:09:02,173
HE GAVE THEM THE SLIP. UH-HUH.
150
00:09:02,242 --> 00:09:04,308
COLT.
151
00:09:10,784 --> 00:09:12,884
GOD BLESS YOU.
152
00:09:12,953 --> 00:09:14,935
THANK YOU.
153
00:09:15,004 --> 00:09:20,074
THE ONLY LEAD SO FAR IS THAT
MILTON'S WIFE IS MISSING TOO.
154
00:09:20,143 --> 00:09:23,294
WOW. RHONDA STARR IS HOT STUFF.
155
00:09:23,363 --> 00:09:25,696
WHAT DOES SHE SEE IN MILTON?
156
00:09:25,765 --> 00:09:28,032
RIGHT NOW, FIVE MILLION BUCKS.
157
00:09:28,101 --> 00:09:31,303
THAT COULD HELP CHANGE
A GUY'S IMAGE. YEAH.
158
00:09:31,355 --> 00:09:34,255
WELL, RHONDA'S A MOVIE EXTRA.
159
00:09:34,324 --> 00:09:36,924
THE POLICE QUESTIONED A
FRIEND OF HERS, ROSE DANTON.
160
00:09:36,994 --> 00:09:40,728
THEY DIDN'T GET MUCH, EXCEPT THAT
RHONDA WALKED OFF IN THE MIDDLE OF A JOB.
161
00:09:40,796 --> 00:09:44,733
FALL GUY, THIS IS JODY. COLT, I'VE
TALKED TO SCREEN EXTRAS GUILD.
162
00:09:44,801 --> 00:09:48,102
- ROSE DANTON'S WORKING
ON A MOVIE RIGHT NOW.
- YEAH? WHERE?
163
00:09:48,171 --> 00:09:50,538
SHE'S WORKING AT TWENTIETH
CENTURY FOX TODAY.
164
00:09:50,624 --> 00:09:53,641
RIGHT. WE GOT IT, JODY. THANKS.
165
00:09:53,710 --> 00:09:56,639
YOU THINK YOU CAN GET MORE
INFORMATION OUT OF THIS ROSE?
166
00:09:56,663 --> 00:09:58,964
WITH MY CHARM?
167
00:10:19,369 --> 00:10:21,469
ROSE?
168
00:10:22,539 --> 00:10:24,572
EXCUSE ME. ROSE DANTON?
169
00:10:24,640 --> 00:10:26,640
YEAH. I'M COLT SEAVERS.
170
00:10:26,709 --> 00:10:30,628
I UNDERSTAND YOU DO A LITTLE STUNT
WORK EVERY NOW AND THEN. YEAH.
171
00:10:30,696 --> 00:10:35,083
WELL, I'M COORDINATING STUNTS
FOR A BIG PICTURE COMING UP. YEAH?
172
00:10:35,151 --> 00:10:38,803
AND I'M GOING TO NEED SOME ESPECIALLY
ATTRACTIVE WOMEN WHO CAN DO STUNTS.
173
00:10:38,872 --> 00:10:40,922
ARE YOU INTERESTED? YEAH.
174
00:10:40,991 --> 00:10:43,091
WELL, THE FACT IS, I'M
GONNA NEED FOUR GIRLS,
175
00:10:43,159 --> 00:10:45,593
AND YOU CAME HIGHLY
RECOMMENDED ALONG WITH A GIRL...
176
00:10:45,661 --> 00:10:47,907
I THINK THAT'S A
FRIEND OF YOURS. YEAH?
177
00:10:47,931 --> 00:10:50,798
A RHONDA STARR. YEAH.
178
00:10:50,867 --> 00:10:54,485
YEAH. YOU, UH... COULD YOU
HELP PUT ME IN TOUCH WITH HER?
179
00:10:54,554 --> 00:10:56,821
NO.
180
00:10:56,889 --> 00:10:59,390
WELL, WHY NOT? SHE'S
OUT OF THE COUNTRY.
181
00:10:59,459 --> 00:11:01,526
WELL, HOW FAR OUT IS SHE?
182
00:11:01,594 --> 00:11:04,061
MEXICO. SHE'S NOT COMIN' BACK.
183
00:11:04,130 --> 00:11:06,275
WE'LL BE PAYING
AWFULLY BIG MONEY.
184
00:11:06,299 --> 00:11:08,533
HEY, COLT, TRUST ME.
185
00:11:08,601 --> 00:11:11,469
THIS TIME SHE THINKS SHE'S
HITCHED HER WAGON TO A STAR...
186
00:11:11,538 --> 00:11:14,605
I MEAN A REAL ONE... JERRY ROME.
187
00:11:16,309 --> 00:11:18,976
THANKS. YOU'RE A REAL GENTLEMAN.
188
00:11:19,045 --> 00:11:21,078
WOW.
189
00:11:22,932 --> 00:11:26,245
HOW DO YOU LIKE THAT? HER HUSBAND
HASN'T EVEN COME TO TRIAL YET,
190
00:11:26,269 --> 00:11:28,364
AND SHE'S RUN OFF
WITH SOME ACTOR.
191
00:11:28,388 --> 00:11:30,416
NOW HOW DO WE FIND HIM?
192
00:11:30,440 --> 00:11:34,241
OH, ACTORS ARE EASY, KID.
THEY ALWAYS LEAVE A NUMBER.
193
00:11:41,318 --> 00:11:43,351
HELLO?
194
00:11:43,420 --> 00:11:47,372
UH, JERRY? COLT SEAVERS.
195
00:11:47,440 --> 00:11:47,850
WHO?
196
00:11:47,874 --> 00:11:51,275
COLT SEAVERS. I'M A STUNTMAN.
197
00:11:51,344 --> 00:11:55,213
A FRIEND OF MINE DOUBLED
YOU IN DEVIL'S REVENGE.
198
00:11:55,281 --> 00:11:59,000
OH! WELL, UH, HOW'D
YOU TRACK ME DOWN?
199
00:11:59,068 --> 00:12:02,954
WELL, NEVER LEAVE YOUR NUMBER WITH
YOUR AGENT IF YOU DON'T WANT WORK.
200
00:12:03,023 --> 00:12:05,439
YOU GOT SOMETHING COMING UP?
201
00:12:05,508 --> 00:12:07,587
WELL, NO, IT'S NOT MY PICTURE.
202
00:12:07,611 --> 00:12:10,077
I'M JUST RIGGING THE
STUNTS FOR FRANCIS.
203
00:12:10,146 --> 00:12:12,213
OF COURSE, I DID TELL
HIM ABOUT THE BOOK.
204
00:12:12,281 --> 00:12:15,717
IT WAS ON THE BEST-SELLER
LIST FOR A YEAR.
205
00:12:15,785 --> 00:12:18,736
UH, WAIT A MINUTE, UH, COLT.
206
00:12:18,805 --> 00:12:20,905
ARE WE TALKING ABOUT
FRANCIS FORD COPPOLA?
207
00:12:20,974 --> 00:12:23,852
WELL, NOW, LOOK. I'M NOT
PROMISING ANYTHING SPECIFIC,
208
00:12:23,876 --> 00:12:26,688
BUT, OF COURSE, A LEAD IN ANY
ONE OF FRANCIS'S PICTURES...
209
00:12:26,712 --> 00:12:28,962
IS REALLY A-A BIG BREAK.
210
00:12:29,031 --> 00:12:31,315
LEAD? DID YOU SAY LEAD?
211
00:12:31,384 --> 00:12:33,512
WELL, LOOK, I'VE PROBABLY SAID
MORE THAN I SHOULD ALREADY.
212
00:12:33,536 --> 00:12:36,270
BUT I'LL BE COMING DOWN
AROUND THE WEEKEND...
213
00:12:36,339 --> 00:12:38,889
TO LOOK OVER THE
LOCAL AIRPLANE SITUATION.
214
00:12:38,958 --> 00:12:42,794
WELL, JERRY, THIS IS HARD FOR ME
TO SAY TO YOU, BUT I JUST CAN'T LIE.
215
00:12:42,862 --> 00:12:45,129
I'M JUST GONNA COME
RIGHT OUT WITH IT.
216
00:12:45,197 --> 00:12:48,483
HE DID ASK ME TO LOOK YOU OVER.
217
00:12:48,552 --> 00:12:51,463
LOOK ME OVER? WELL, JERRY, YOU
HAVEN'T HAD A PICTURE IN A WHILE,
218
00:12:51,487 --> 00:12:54,906
AND TALK IS AROUND
TOWN THAT YOU MIGHT BE...
219
00:12:54,974 --> 00:12:58,242
JUST A LITTLE OVERWEIGHT.
220
00:12:58,311 --> 00:13:01,023
OVERWEIGHT? ME?
WHO TOLD YOU THAT?
221
00:13:01,047 --> 00:13:03,431
WELL, I'D RATHER NOT
SAY. BUT I TELL YOU WHAT.
222
00:13:03,500 --> 00:13:06,212
WE'LL BE DOWN AROUND THE
WEEKEND. I LOOK FORWARD TO IT, PAL.
223
00:13:06,236 --> 00:13:09,470
SEE YOU THEN. WHEW.
224
00:13:09,539 --> 00:13:12,240
I'VE GOT TO LOSE 10
POUNDS BY SUNDAY.
225
00:13:14,344 --> 00:13:17,178
WELL, YOU KNOW WHAT THEY SAY.
226
00:13:17,247 --> 00:13:21,849
MAKING LOVE IS EQUAL
TO AN 11-MILE HIKE.
227
00:13:23,653 --> 00:13:25,686
HOW ABOUT A LITTLE RUN?
228
00:13:25,755 --> 00:13:27,822
WHY NOT?
229
00:13:27,891 --> 00:13:30,975
SO HOW DOES FINDING JERRY ROME
BRING US ANY CLOSER TO MILTON BOX?
230
00:13:31,043 --> 00:13:33,071
ACCORDING TO THE POLICE
REPORT, MILTON WAS PICKED UP...
231
00:13:33,095 --> 00:13:35,296
TRYING TO CROSS THE
BORDER INTO MEXICO.
232
00:13:35,364 --> 00:13:37,865
WHERE DO WE FIND
JERRY ROME AND MRS. BOX?
233
00:13:37,934 --> 00:13:40,034
MEXICO. PRETTY BIG COINCIDENCE.
234
00:13:40,102 --> 00:13:43,821
WHY WOULD MILTON GO THERE WITH THE MONEY
WHEN HIS WIFE RAN OFF WITH JERRY ROME?
235
00:13:43,890 --> 00:13:47,057
FOR ALL WE KNOW, THAT WAS PART OF
THE PLAN TO THROW HER FRIENDS OFF.
236
00:13:47,126 --> 00:13:49,338
JERRY ROME MAY HAVE EVEN
HELPED PULL OFF THE ROBBERY.
237
00:13:49,362 --> 00:13:51,907
IT'S BEEN A LONG TIME SINCE HIS
LAST PICTURE. ANYWAY, WHO CARES?
238
00:13:51,931 --> 00:13:53,965
WE'RE GOING INTO MEXICO...
239
00:13:54,033 --> 00:13:57,446
PUERTO VALLARTA... LAND OF MYSTERY,
ENCHANTMENT AND DARK-EYED WOMEN.
240
00:13:57,470 --> 00:13:59,871
YEAH, DOWN, BOY.
THIS IS BUSINESS.
241
00:13:59,939 --> 00:14:02,507
AT LEAST, IT BETTER BE IF I
HAVE TO STAY HOME, COLT.
242
00:14:02,575 --> 00:14:04,575
IT'S ALL BUSINESS,
JODY, AND YOU TOO, KID.
243
00:14:04,644 --> 00:14:06,677
ALL OF THESE CASES
ARE DANGEROUS,
244
00:14:06,746 --> 00:14:10,281
AND I GUARANTEE THERE'S MORE TO
MILTON THAN WE KNOW... THERE HAS TO BE.
245
00:14:34,574 --> 00:14:36,574
EXCUSE ME.
246
00:14:36,642 --> 00:14:39,177
EXCUSE ME. SÍ, MI AMIGO.
247
00:14:39,246 --> 00:14:42,330
UH, I'M LOOKING FOR A
PLACE TO STAY. UH-HUH.
248
00:14:42,398 --> 00:14:44,443
YEAH. SOMETHING...
SOMETHING SPECIAL.
249
00:14:44,467 --> 00:14:47,618
OH, MUCHO ESPECIAL, MUCHO
GRANDE, MUY CALUROSO.
250
00:14:47,687 --> 00:14:51,422
NO, NO. "WRONG-O." NO,
UH, MUCHO, UH, BARATO.
251
00:14:51,490 --> 00:14:53,524
OH, CHEAP. YEAH, CHEAPO.
252
00:14:53,593 --> 00:14:56,894
NO TURISTA. ¿COMPRENDE?
SURE, SLICK AMIGO.
253
00:14:56,963 --> 00:14:59,296
CHEAP YOU WANT,
CHEAP YOU GET, AMIGO.
254
00:15:46,996 --> 00:15:49,580
♪♪
255
00:16:13,155 --> 00:16:15,355
WHERE HAS THIS
COUNTRY BEEN ALL MY LIFE?
256
00:16:17,193 --> 00:16:21,445
LOOK AT THE LADIES, COLT. WE'RE
HERE TO WORK, KID, NOT PARTY.
257
00:16:22,515 --> 00:16:24,998
BUT ONE COULDN'T HURT.
258
00:16:25,067 --> 00:16:27,802
COLT?
259
00:16:27,871 --> 00:16:30,855
COLT SEAVERS. HEY,
JERRY. HOW ARE YOU?
260
00:16:30,923 --> 00:16:32,985
THIS IS MY YOUNG ASSOCIATE,
HOWIE MUNSON. JERRY ROME.
261
00:16:33,009 --> 00:16:35,126
HOWIE. HOW ARE YOU?
262
00:16:35,195 --> 00:16:37,728
YOU'RE A BIG ONE. I BET
YOU'RE A STUNTMAN TOO.
263
00:16:37,797 --> 00:16:41,366
GENTLEMEN, THIS IS
MY FIRST LADY, RHONDA.
264
00:16:41,434 --> 00:16:44,451
RHONDA, WHY DON'T YOU SHOW
COLT'S FRIEND THE LAYOUT?
265
00:16:44,520 --> 00:16:48,639
- WE HAVE SOME
BUSINESS TO DISCUSS.
- THAT WOULD BE MY PLEASURE.
266
00:16:50,643 --> 00:16:53,678
VERY PRETTY LADY. DID YOU MEET
HER HERE? HOLLYWOOD, ACTUALLY.
267
00:16:53,746 --> 00:16:55,791
NOW ABOUT THIS PICTURE
THEY WANT ME FOR...
268
00:16:55,815 --> 00:16:57,877
YOU KNOW, I MIGHT BE INTERESTED.
269
00:17:00,086 --> 00:17:02,931
MY GOD. WHEN WAS
THE LAST TIME YOU ATE?
270
00:17:02,955 --> 00:17:05,990
UH, WELL, I DID HAVE LUNCH,
BUT IT DIDN'T COMPARE TO THIS.
271
00:17:08,127 --> 00:17:10,327
♪♪
272
00:17:13,950 --> 00:17:17,017
♪♪ IS SOMETHING WRONG?
273
00:17:17,086 --> 00:17:19,887
NO, OF COURSE NOT.
274
00:17:19,956 --> 00:17:22,156
LOOK, HONEY, WHY
DON'T YOU JUST, UH,
275
00:17:22,224 --> 00:17:24,224
MAKE YOURSELF
AT HOME, ALL RIGHT?
276
00:17:24,293 --> 00:17:26,727
♪♪
277
00:17:39,058 --> 00:17:41,058
STOP IT!
278
00:17:41,126 --> 00:17:43,244
STOP IT, I SAID. ♪♪
279
00:17:43,313 --> 00:17:45,412
WHO TOLD YOU TO PLAY THAT SONG?
280
00:17:52,689 --> 00:17:55,422
♪♪
281
00:18:05,802 --> 00:18:09,703
MI... WHA... I MISSED
YOU SO MUCH.
282
00:18:09,772 --> 00:18:13,273
MILTON, ARE YOU OUT OF YOUR
MIND? WHAT ARE YOU DOING HERE?
283
00:18:13,342 --> 00:18:16,210
WHAT AM I DOING
HERE? YOU'RE MY WIFE.
284
00:18:16,278 --> 00:18:20,781
OH, MILTON, I... I DON'T
LOVE YOU ANYMORE.
285
00:18:20,850 --> 00:18:23,150
YOU GOTTA LEAVE ME ALONE.
286
00:18:23,219 --> 00:18:26,286
YOU DON'T LOVE ME?
AFTER ALL I DID FOR YOU?
287
00:18:26,355 --> 00:18:28,723
WELL, I DIDN'T ASK YOU TO DO IT.
288
00:18:28,791 --> 00:18:31,442
NOW, LOOK. YOU'VE GOTTA GET OUT
OF HERE. JERRY'S GONNA KILL YOU.
289
00:18:31,511 --> 00:18:34,345
I MEAN IT.
290
00:18:34,413 --> 00:18:37,264
YEAH, WELL, MAYBE... MAYBE I'M
THE ONE WHO'LL DO THE KILLING.
291
00:18:37,333 --> 00:18:39,850
YEAH. GOOD OLD MILTON, HUH?
292
00:18:39,919 --> 00:18:41,985
WOULDN'T HURT A FLY.
293
00:18:42,054 --> 00:18:44,121
YOU JUST TELL YOUR
FRIEND ONE THING...
294
00:18:44,190 --> 00:18:47,307
HE BETTER BE OUT OF HERE BY
MORNING, OR I'LL BE WAITING FOR HIM.
295
00:18:47,376 --> 00:18:49,960
WHAT?
296
00:18:50,029 --> 00:18:52,363
YOU JUST GIVE HIM THAT MESSAGE.
297
00:18:59,321 --> 00:19:01,499
FRANCIS ALSO THOUGHT THAT
YOUR HAVING BEEN A PILOT...
298
00:19:01,523 --> 00:19:04,658
MIGHT MAKE IT EASIER TO DO
ALL THE FLYING STUFF DOWN HERE.
299
00:19:04,727 --> 00:19:07,628
DO YOU STILL HAVE A LICENSE?
I EVEN HAVE A PRIVATE PLANE.
300
00:19:07,696 --> 00:19:10,542
BOY, YOU SURE
LIVE THE GOOD LIFE.
301
00:19:10,566 --> 00:19:13,367
COLT? COLT, CAN I SEE
YOU FOR A SECOND?
302
00:19:13,435 --> 00:19:15,502
IT'S URGENT.
303
00:19:15,571 --> 00:19:18,316
WE JUST GOT A CALL FROM
THE BIG GUY AT THE STUDIO.
304
00:19:18,340 --> 00:19:20,942
EXCUSE ME.
305
00:19:21,010 --> 00:19:23,227
WHAT BIG GUY?
306
00:19:23,296 --> 00:19:25,997
MILTON BOX... I
JUST SAW HIM. HERE?
307
00:19:26,065 --> 00:19:30,868
YEAH. NOT FOR LONG. HE'D BEEN TALKING
TO RHONDA, AND HE'S LEAVING. COME ON.
308
00:19:38,277 --> 00:19:41,557
GREAT. WE PARKED
OUR TRUCK OUT BACK.
309
00:19:43,916 --> 00:19:45,983
I'LL PARK IT FOR YOU, MA'AM.
310
00:19:47,720 --> 00:19:51,722
HEY! ARE YOU GUYS
PARKING ATTENDANTS?
311
00:20:03,636 --> 00:20:06,516
SEÑOR EL CHEAPO, I THINK
SOMEBODY IS FOLLOWING US.
312
00:20:09,959 --> 00:20:13,761
PEDRO, I'LL GIVE YOU DOUBLE
THE FARE IF YOU LOSE HIM.
313
00:20:13,830 --> 00:20:16,430
AH, SEÑOR, THIS ROAD
IS VERY DANGEROUS,
314
00:20:16,499 --> 00:20:19,850
AND FOR A FEW PESOS A
MAN SHOULD NOT RISK HIS LIFE.
315
00:20:24,106 --> 00:20:27,040
HOW ABOUT A FEW HUNDRED PESOS?
316
00:20:27,109 --> 00:20:29,226
HUNDRED?
317
00:20:29,295 --> 00:20:32,324
SEÑOR, YOU JUST BOUGHT
YOURSELF A RIDE WITH THE DEVIL.
318
00:20:32,348 --> 00:20:34,531
WELL, IT WON'T
BE THE FIRST TIME.
319
00:21:29,705 --> 00:21:31,967
YOU TAKE THE
WHEEL. I'M GETTIN' OUT.
320
00:21:31,991 --> 00:21:33,991
YOU'RE WHAT?
321
00:21:34,059 --> 00:21:36,376
THIS IS WHERE I GET OFF.
322
00:21:37,596 --> 00:21:40,014
GO BACK, AMIGO.
THIS TAXI'S TAKEN.
323
00:21:42,668 --> 00:21:45,836
I'M WARNING YOU.
I-I'M GONNA SHOOT.
324
00:21:58,401 --> 00:22:00,801
MILTON, CAN YOU HEAR ME?
325
00:22:00,870 --> 00:22:03,170
YEAH, I-I CAN HEAR YOU.
326
00:22:03,238 --> 00:22:05,906
IF I SEE YOU, I'M
GONNA SHOOT YOU.
327
00:22:07,944 --> 00:22:12,630
YEAH, WELL, IF YOU DON'T THROW THAT
GUN AWAY, I'M GONNA SHOOT YOUR DRIVER.
328
00:22:12,698 --> 00:22:16,116
- AY, MAMACITA.
- NO. NO, YOU WOULDN'T...
329
00:22:16,185 --> 00:22:19,053
B-BECAUSE YOU'D GET
KILLED RIGHT ALONG WITH ME.
330
00:22:19,122 --> 00:22:21,571
I'M A STUNTMAN. I
DO THIS FOR A LIVING.
331
00:22:21,640 --> 00:22:24,041
NOW, I'M GONNA COUNT TO FIVE.
332
00:22:24,110 --> 00:22:26,310
- ONE...
- PLEASE, SEÑOR!
333
00:22:26,379 --> 00:22:32,650
TWO, THREE...ALL
RIGHT, ALL RIGHT.
334
00:22:34,586 --> 00:22:38,255
NOW, MOVE OVER, MILTON, WILL YA?
335
00:22:47,049 --> 00:22:50,417
WELL, I KNOW THIS IS A HELL OF A
WAY TO GET TO KNOW ONE ANOTHER,
336
00:22:50,486 --> 00:22:53,053
BUT BEFORE WE'RE THROUGH WE
COULD BECOME REAL GOOD FRIENDS.
337
00:22:53,122 --> 00:22:56,590
IF YOU'RE A STUNTMAN,
WHY ARE YOU CHASING ME?
338
00:22:56,658 --> 00:22:59,693
OH, BETWEEN JOBS I DO A
LITTLE WORK FOR THE COURTS.
339
00:22:59,761 --> 00:23:04,064
I DON'T SUPPOSE YOU'D LIKE
TO HEAR MY SIDE OF THE STORY.
340
00:23:04,133 --> 00:23:07,217
WE GOT PLENTY OF TIME FOR THAT
ON THE WAY BACK TO LOS ANGELES,
341
00:23:07,286 --> 00:23:11,589
BUT RIGHT NOW LET'S JUST GET YOUR
STUFF PACKED UP AND GET STARTED, HUH?
342
00:23:11,657 --> 00:23:14,074
WHAT DO YOU MEAN,
MILTON IS HERE? HE'S IN JAIL.
343
00:23:14,143 --> 00:23:18,078
NO, HE'S NOT IN JAIL. HE'S
HERE, AND HE HAS A GUN.
344
00:23:18,147 --> 00:23:20,681
HE WOULDN'T DARE USE
A GUN. HE'S A LITTLE WIMP.
345
00:23:20,750 --> 00:23:22,894
WELL, DID YOU THINK
HE'D EVER DARE...
346
00:23:22,918 --> 00:23:26,419
RIP OFF A GOLD EXCHANGE
FOR FIVE MILLION DOLLARS?
347
00:23:30,760 --> 00:23:32,759
IT'S PERFECT.
348
00:23:34,797 --> 00:23:37,814
PERFECT? HE HAS A GUN.
349
00:23:37,883 --> 00:23:40,367
WHICH GIVES ME EVERY
RIGHT TO PROTECT YOU...
350
00:23:40,435 --> 00:23:43,904
FROM THIS CRAZED MANIAC ON THE
LOOSE FROM JAIL IN LOS ANGELES.
351
00:23:43,973 --> 00:23:45,973
HE'S A FELON.
352
00:23:46,041 --> 00:23:49,109
ONCE HE'S DEAD, OUR
TROUBLES ARE OVER.
353
00:24:02,992 --> 00:24:05,720
I TOLD YOU THERE WASN'T
ANY MONEY IN THE ROOM.
354
00:24:05,744 --> 00:24:07,811
I KNOW WHAT YOU TOLD ME.
355
00:24:07,880 --> 00:24:11,281
IF YOU'D JUST TELL ME WHERE IT IS,
IT MIGHT GO A LOT BETTER FOR YOU.
356
00:24:11,350 --> 00:24:13,995
OH, YEAH. YEAH, YOU'D
LIKE THAT, WOULDN'T YOU?
357
00:24:14,019 --> 00:24:16,653
EVERYBODY WOULD LIKE THAT.
358
00:24:16,722 --> 00:24:19,155
LOOK. ARE YOU A REASONABLE MAN?
359
00:24:19,224 --> 00:24:21,257
I LIKE TO THINK SO, YES.
360
00:24:21,326 --> 00:24:23,705
WELL, I HAVEN'T HAD ANYTHING
TO EAT SINCE EARLY THIS MORNING,
361
00:24:23,729 --> 00:24:25,874
AND COULDN'T WE HAVE
OUR SERIOUS DISCUSSION...
362
00:24:25,898 --> 00:24:28,765
OVER, SAY, STEAK AND SODA POP?
363
00:24:30,435 --> 00:24:32,503
ALL RIGHT... IF YOU
PROMISE TO REMEMBER...
364
00:24:32,571 --> 00:24:35,305
THAT YOU ARE MY
PRISONER, AND I AM ARMED.
365
00:24:35,374 --> 00:24:37,508
I PROMISE.
366
00:24:37,576 --> 00:24:39,643
SODA POP.
367
00:24:39,712 --> 00:24:42,713
♪♪
368
00:24:54,877 --> 00:24:56,877
OH, THIS IS COZY.
369
00:24:56,945 --> 00:25:00,847
I THOUGHT WE WERE DUCKING OUT
OF TOWN IN A HURRY? SIT DOWN, KID.
370
00:25:00,916 --> 00:25:02,810
MILTON HERE WAS JUST
ABOUT TO EXPLAIN THE
371
00:25:02,834 --> 00:25:04,985
WHEREABOUTS OF A
CERTAIN FIVE MILLION DOLLARS.
372
00:25:05,053 --> 00:25:08,005
- I DON'T RECALL SAYING THAT.
- YES, YOU DID...
373
00:25:08,073 --> 00:25:11,558
WHEN I AGREED TO BUY YOU THAT
NICE, BIG STEAK... AND THE SODA POP.
374
00:25:11,627 --> 00:25:15,562
NO. NO, I SAID I WANTED TO TALK
TO YOU ABOUT A PROPOSITION.
375
00:25:15,631 --> 00:25:19,199
H-HOW MUCH DO YOU GUYS
GET FOR BRINGING ME IN?
376
00:25:19,268 --> 00:25:21,735
$10,000.
377
00:25:21,804 --> 00:25:23,870
YOU MUST BE KIDDING.
378
00:25:23,939 --> 00:25:26,873
NO, THAT'S PRETTY
MUCH IT. $10,000.
379
00:25:31,079 --> 00:25:34,714
PLUS EXPENSES.
380
00:25:37,420 --> 00:25:39,987
- I DON'T SEE WHAT'S SO FUNNY.
- COME ON.
381
00:25:40,055 --> 00:25:44,224
A MAN STEALS FIVE MILLION
DOLLARS... U.S. CASH...
382
00:25:44,293 --> 00:25:47,344
AND ALL YOU GET
IS A PALTRY $10,000?
383
00:25:47,412 --> 00:25:51,415
- YOU MADE A BAD DEAL.
- IT'S MY BUSINESS, AND I'LL
RUN IT THE WAY I LIKE.
384
00:25:51,483 --> 00:25:54,545
BESIDES, I DON'T LIKE PUTTING
HIGH PRICES ON A MAN'S HEAD.
385
00:25:54,569 --> 00:25:57,354
I MEAN, I CONSIDER WHAT I
DO A FORM OF POLICE WORK.
386
00:25:57,423 --> 00:25:59,924
ALL I WANT IS AN HONEST
WAGE FOR AN HONEST JOB.
387
00:25:59,992 --> 00:26:03,344
THEN I GUESS YOU WOULDN'T BE
INTERESTED IN MY PROPOSITION.
388
00:26:05,631 --> 00:26:08,911
IF IT'S A FAIR-AND-SQUARE OFFER TO
RETURN THE MONEY FOR PLEA-BARGAINING,
389
00:26:08,935 --> 00:26:11,013
YEAH, I'D BE INTERESTED
IN LISTENING TO YOU.
390
00:26:11,037 --> 00:26:13,620
AW, FORGET PLEA-BARGAINING.
391
00:26:13,688 --> 00:26:17,725
I'M OFFERING YOU AND YOUR FRIEND
HERE A GOOD SHARE OF THE MONEY I STOLE.
392
00:26:17,793 --> 00:26:21,027
- ARE YOU TRYING TO BRIBE ME?
- ABSOLUTELY.
393
00:26:21,096 --> 00:26:23,825
ALL RIGHT, MILTON. DINNER'S
OVER. THAT'S IT. LET'S GO.
394
00:26:23,849 --> 00:26:26,766
FIVE PERCENT. NOT INTERESTED.
395
00:26:26,835 --> 00:26:30,203
TEN PERCENT? NOT INTERESTED.
396
00:26:30,272 --> 00:26:32,489
COLT, THAT'S A HALF
MILLION DOLLARS.
397
00:26:32,558 --> 00:26:35,875
I HEARD HIM. I'M
STILL NOT INTERESTED.
398
00:26:35,944 --> 00:26:37,944
GRACIAS, SEÑOR.
399
00:26:38,013 --> 00:26:41,064
WELL, THEN NEITHER AM I.
I'M JUST GONNA STAY HERE.
400
00:26:41,133 --> 00:26:44,295
MILTON, I'M ONLY SAYING
THIS ONCE. GET ON YOUR FEET.
401
00:26:44,319 --> 00:26:47,570
YEAH, I'M SURE YOU'D SHOOT ME RIGHT
HERE IN FRONT OF ALL THESE INNOCENT PEOPLE.
402
00:26:47,639 --> 00:26:50,524
SOME OF 'EM DON'T
LOOK SO INNOCENT.
403
00:26:52,294 --> 00:26:54,344
I'M ONLY TELLING
YOU ONE MORE TIME,
404
00:26:54,413 --> 00:26:56,958
THEN I'M GONNA PUT THIS GUN BEHIND
YOUR BACK AND MARCH YOU OUT OF HERE.
405
00:26:56,982 --> 00:27:02,186
- NOW, ON YOUR FEET. COME ON.
- OKAY. JUST DON'T SAY
I DIDN'T WARN YOU.
406
00:27:04,506 --> 00:27:06,607
UH, LADIES AND GENTLEMEN.
407
00:27:06,675 --> 00:27:08,975
SEÑORES, SEÑORITAS.
408
00:27:09,044 --> 00:27:11,380
ALTHOUGH I'M NEW TO
YOUR QUAINT LITTLE VILLAGE...
409
00:27:11,404 --> 00:27:12,746
MILTON, WHAT ARE YOU DOING?
410
00:27:12,814 --> 00:27:16,416
I THINK YOU OUGHT TO KNOW THAT
YOU HAVE A CROOK IN YOUR MIDST.
411
00:27:20,506 --> 00:27:23,656
I'M THAT CROOK.
412
00:27:26,178 --> 00:27:29,829
AND I JUST OFFERED THIS MAN
HERE A HALF A MILLION DOLLARS...
413
00:27:29,898 --> 00:27:32,532
NOT TO TAKE ME BACK TO
LOS ANGELES AS HIS PRISONER.
414
00:27:32,601 --> 00:27:35,969
- COLT, I DON'T LIKE THE SOUND
OF THIS.
- MILTON, WILL YOU SHUT UP?
415
00:27:36,037 --> 00:27:38,805
NOW, Y-YOU SHOULD KNOW
THAT HE'S A VERY BRAVE...
416
00:27:38,874 --> 00:27:41,674
AND COURAGEOUS AND HONEST
MAN, BECAUSE HE SAID NO.
417
00:27:41,743 --> 00:27:44,844
BUT ON THE OTHER HAND,
HE'S ALSO VERY STUPID.
418
00:27:44,913 --> 00:27:47,281
THAT'S IT.
419
00:27:47,349 --> 00:27:49,966
SO WHAT I'M DOING
IS, I'M OFFERING...
420
00:27:50,035 --> 00:27:54,220
I'M OFFERING ALL OF YOU THE
SAME HALF A MILLION U.S. DOLLARS...
421
00:27:54,290 --> 00:27:57,824
TO KEEP HIM FROM TAKING
ME ACROSS THE BORDER.
422
00:27:57,893 --> 00:28:00,710
THINK ABOUT IT... A
HALF A MILLION BIG ONES.
423
00:28:00,779 --> 00:28:02,891
MILTON, I DON'T BELIEVE
WHAT YOU JUST DID.
424
00:28:02,915 --> 00:28:05,835
WELL, ANY PORT IN A
STORM. COME ON, GET IN.
425
00:28:05,901 --> 00:28:08,168
COLT, WE ARE IN
SERIOUS TROUBLE HERE.
426
00:28:08,236 --> 00:28:10,821
YOU DON'T EXPECT ANYONE IN THERE
TO TAKE HIM SERIOUSLY, DO YOU?
427
00:28:15,444 --> 00:28:18,979
MILTON, YOU HAVE JUST MADE THE
SECOND-BIGGEST MISTAKE OF YOUR LIFE.
428
00:28:21,950 --> 00:28:24,651
¡MUCHACHOS!
429
00:28:30,725 --> 00:28:33,527
I DON'T SEE ANYONE. I
THINK WE GOT AWAY CLEAN.
430
00:28:33,595 --> 00:28:37,096
THAT'S A LITTLE TOO
GOOD TO BE TRUE.
431
00:28:37,165 --> 00:28:39,449
I WISH THEY'D TAKEN ME.
432
00:28:39,518 --> 00:28:42,686
MILTON, ISN'T A LITTLE JAIL
TIME BETTER THAN BEING DEAD?
433
00:28:42,754 --> 00:28:45,089
NOT WITHOUT RHONDA.
434
00:28:45,157 --> 00:28:48,375
I-I JUST DON'T WANT TO
LIVE IF I CAN'T HAVE HER.
435
00:28:48,444 --> 00:28:50,488
MILTON, I DON'T
LIKE TO SAY THIS,
436
00:28:50,512 --> 00:28:53,180
BUT I DON'T THINK RHONDA'S
BEEN ALTOGETHER LOYAL TO YOU.
437
00:28:53,248 --> 00:28:55,265
DON'T SAY THAT.
438
00:28:55,317 --> 00:28:58,035
DON'T SAY ANYTHING
AGAINST RHONDA.
439
00:29:00,639 --> 00:29:02,684
MILTON, I'M WARNING YOU.
440
00:29:02,708 --> 00:29:04,858
MILTON! MILTON...
441
00:29:04,926 --> 00:29:06,927
NO, YOU DON'T. NO, YOU DON'T.
442
00:29:06,995 --> 00:29:09,229
NOBODY'S EVER GONNA
TAKE ADVANTAGE OF ME AGAIN.
443
00:29:09,298 --> 00:29:12,565
NO. I'M NO MORE MR. PUSHOVER.
444
00:29:12,634 --> 00:29:14,668
I'M IN CHARGE NOW.
445
00:29:16,004 --> 00:29:18,622
MILTON, GIVE ME THE GUN.
446
00:29:18,690 --> 00:29:21,341
LAY ONE HAND ON
ME AND I'LL SHOOT.
447
00:29:25,231 --> 00:29:28,065
GO AHEAD.
448
00:29:28,133 --> 00:29:30,400
EVERYONE THINKS I'M WORTHLESS...
449
00:29:30,469 --> 00:29:32,469
EVEN TOTAL STRANGERS.
450
00:29:32,537 --> 00:29:35,606
I DON'T THINK YOU'RE WORTHLESS,
MILTON, JUST CROOKED.
451
00:29:35,674 --> 00:29:38,625
YOU DIDN'T EVEN
CARE IF I KILLED MYSELF.
452
00:29:38,694 --> 00:29:42,112
NO, I JUST WASN'T WORRIED ABOUT
YOU DOING IT WITH AN EMPTY GUN.
453
00:29:49,505 --> 00:29:52,689
IS-ISN'T SOMEBODY GONNA
GUARD ME? WHERE YOU GONNA GO?
454
00:29:54,526 --> 00:29:57,427
YOU REALLY THINK ANYONE'S GONNA
TRY AND TAKE HIM AWAY FROM US?
455
00:29:57,496 --> 00:29:59,574
FOR A HALF A MILLION
DOLLARS? GEEZ.
456
00:29:59,598 --> 00:30:03,082
WE GOTTA BE PREPARED FOR THE
WORST. EVER USE A SEMI-AUTOMATIC?
457
00:30:03,151 --> 00:30:06,003
COLT, MY TWO
YEARS AT WEST POINT.
458
00:30:06,071 --> 00:30:08,255
I KNOW. I SHOULDN'T HAVE ASKED.
459
00:30:08,323 --> 00:30:11,224
UH-OH.
460
00:30:18,116 --> 00:30:21,217
GET IN.
461
00:30:21,286 --> 00:30:24,821
MR. SEAVERS, I THINK THERE'S
SOMETHING I OUGHT TO TELL YOU.
462
00:30:24,890 --> 00:30:27,068
NOT NOW, MILTON. YOU'VE
ALREADY CREATED ONE MESS FOR US.
463
00:30:27,092 --> 00:30:31,061
YEAH, BUT I MIGHT HAVE CREATED
AN EVEN BIGGER MESS OVER THERE.
464
00:30:34,249 --> 00:30:36,283
MR. SEAVERS...
465
00:30:36,351 --> 00:30:39,403
- CAN YOU HEAR ME?
- THEY KNOW YOUR NAME.
466
00:30:39,471 --> 00:30:41,488
YEAH.
467
00:30:41,557 --> 00:30:44,357
YES, I CAN HEAR YOU.
WHAT DO YOU WANT?
468
00:30:44,426 --> 00:30:48,028
YOUR PRISONER... TURN HIM OVER.
469
00:30:48,096 --> 00:30:50,456
WE WILL LET YOU GO UNHARMED.
470
00:30:50,482 --> 00:30:53,678
I CAN'T DO THAT. I'M AN
OFFICER OF THE COURT.
471
00:30:53,702 --> 00:30:57,687
- NOT IN MEXICO.
- WELL, IT DOESN'T MATTER,
FRIEND.
472
00:30:57,756 --> 00:31:01,091
HE'S WANTED IN THE UNITED STATES.
HE CROSSED YOUR BORDERS ILLEGALLY.
473
00:31:01,159 --> 00:31:03,744
THAT IS A MATTER FOR OUR COURTS.
474
00:31:03,812 --> 00:31:06,496
I WILL GIVE YOU TWO MINUTES.
475
00:31:06,564 --> 00:31:10,100
- COLT, THERE MUST BE
40 OF THEM.
- I CAN COUNT.
476
00:31:10,168 --> 00:31:12,863
DO AS HE SAYS. I DON'T
WANNA SEE ANYONE GET KILLED.
477
00:31:12,887 --> 00:31:15,817
WE CAN'T TRUST THESE MEN NOT TO KILL
YOU ONCE YOU LEAD 'EM TO THE MONEY.
478
00:31:15,841 --> 00:31:17,890
WHERE IS THE MONEY, MILTON?
479
00:31:17,959 --> 00:31:19,959
I-I CAN'T TELL YOU.
480
00:31:21,813 --> 00:31:24,064
ONE MINUTE, MR. SEAVERS.
481
00:31:24,133 --> 00:31:26,566
YOU GUYS GET DOWN QUICK.
482
00:31:40,148 --> 00:31:42,132
HOLY...
483
00:31:43,768 --> 00:31:46,136
COLT, WE CAN'T BREAK THROUGH
WITHOUT KILLING SOMEONE.
484
00:31:46,205 --> 00:31:48,288
YEAH. US.
485
00:31:51,160 --> 00:31:53,476
YOUR TIME IS UP.
486
00:31:53,545 --> 00:31:56,105
RELEASE THE PRISONER
OR WE WILL TAKE HIM.
487
00:31:56,164 --> 00:31:58,265
DO IT. DO IT.
488
00:31:58,333 --> 00:32:01,568
MILTON, YOU MAY THINK YOU'RE GONNA BUY
'EM OFF WITH HALF THE MONEY. YOU'RE NOT.
489
00:32:01,637 --> 00:32:03,987
YEAH, BUT THAT-THAT'S
MY PROBLEM.
490
00:32:04,055 --> 00:32:06,256
YOU GUYS JUST GET OUT
OF HERE. SAVE YOURSELVES.
491
00:32:06,325 --> 00:32:10,059
- COLT, WE DON'T HAVE
ANY CHOICE.
- MILTON, YOU'LL BE KILLED.
492
00:32:10,128 --> 00:32:13,863
WITHOUT RHONDA, I DON'T CARE.
493
00:32:15,968 --> 00:32:19,403
LOOK, I DON'T LIKE HAVING A
PRISONER TAKEN FROM ME AT GUNPOINT.
494
00:32:19,471 --> 00:32:22,055
IF ANYTHING HAPPENS TO
HIM, I'M GONNA LOOK YOU UP.
495
00:32:22,124 --> 00:32:26,159
I DON'T THINK YOU ARE IN ANY
POSITION TO BE MAKING THREATS.
496
00:32:36,522 --> 00:32:38,588
GRACIAS, SEÑOR SEAVERS.
497
00:32:38,657 --> 00:32:41,641
AND I WOULDN'T RECOMMEND
GOING TO THE LOCAL AUTHORITIES.
498
00:32:41,710 --> 00:32:44,839
YOU DIDN'T CHOOSE TO WORK
WITH THEM IN THE FIRST PLACE.
499
00:32:44,863 --> 00:32:49,265
THEY'RE LIABLE TO PUT YOU IN JAIL
FOR CARRYING UNAUTHORIZED WEAPONS.
500
00:32:49,335 --> 00:32:51,317
VÁMONOS.
501
00:33:09,938 --> 00:33:12,806
KID. YEAH?
502
00:33:12,875 --> 00:33:15,115
I CAN'T LET 'EM TAKE HIM.
503
00:33:15,176 --> 00:33:17,310
I KNOW.
504
00:33:17,379 --> 00:33:19,739
CAN'T ASK YOU TO GO WITH ME.
505
00:33:19,782 --> 00:33:23,016
CAN'T STOP ME FROM
GOING ALONG EITHER.
506
00:33:23,084 --> 00:33:25,485
THERE'S AN AWFUL LOT OF 'EM.
507
00:33:25,554 --> 00:33:28,154
THE ELEMENT OF
SURPRISE IS ON OUR SIDE.
508
00:33:28,223 --> 00:33:30,323
THEY COULDN'T POSSIBLY
THINK WE'D BE STUPID ENOUGH...
509
00:33:30,392 --> 00:33:33,693
TO TRY AND SAVE
AN IDIOT LIKE MILTON.
510
00:33:36,031 --> 00:33:38,030
MAKES SENSE TO ME.
511
00:33:46,108 --> 00:33:48,741
THIS MUST BE THE PLACE.
THERE ARE THE TRUCKS.
512
00:34:03,258 --> 00:34:07,093
I'D HAVE TO BE CRAZY TO WALK AROUND
WITH FIVE MILLION DOLLARS ON ME.
513
00:34:07,162 --> 00:34:11,531
I-I JUST TOOK ENOUGH TO GET TO
MEXICO AND A LITTLE TO SURVIVE ON.
514
00:34:11,600 --> 00:34:15,118
HE'S DOIN' ALL RIGHT. AT LEAST
HE'S ALIVE. ...SEEM TO UNDERSTAND.
515
00:34:15,187 --> 00:34:18,121
COLT.
516
00:34:18,190 --> 00:34:21,340
SOMETHING JUST DOESN'T SMELL
RIGHT ABOUT THIS OPERATION.
517
00:34:21,409 --> 00:34:24,878
THEY'RE BEING TOO POLITE. THOSE
GUNS LOOKED DOWNRIGHT MEAN TO ME.
518
00:34:24,946 --> 00:34:26,991
IF WE'RE GONNA GET
MILTON OUT OF HERE,
519
00:34:27,015 --> 00:34:30,700
WE GOTTA CREATE A
DISTRACTION. COME ON.
520
00:34:30,769 --> 00:34:32,809
I ASK YOU FOR THE LAST TIME!
521
00:34:32,838 --> 00:34:35,205
WHERE IS THE REST OF THE MONEY?
522
00:34:35,273 --> 00:34:39,325
THE $500,000 YOU PROMISED
FOR YOUR FREEDOM.
523
00:34:42,547 --> 00:34:45,282
COLT, THAT'S AN AWFUL
LOT OF PLASTIQUE.
524
00:34:45,350 --> 00:34:47,918
YEAH, WELL, THERE'S
AN AWFUL LOT OF GUNS.
525
00:34:47,986 --> 00:34:50,265
WE'LL FIND OUT HOW MUCH I
KNOW ABOUT SPECIAL EFFECTS...
526
00:34:50,289 --> 00:34:52,455
IN ABOUT FIVE MINUTES.
527
00:37:08,527 --> 00:37:12,027
OKAY, PAL, NOW WE'RE EVEN.
528
00:37:12,096 --> 00:37:15,414
NOT EVEN, SEÑOR SEAVERS.
YOU ARE IN A LOT OF TROUBLE.
529
00:37:15,483 --> 00:37:18,584
I DON'T THINK SO. I DON'T THINK YOUR
FRIENDS WILL BE ABLE TO CATCH US.
530
00:37:18,653 --> 00:37:22,321
YOU ARE IN A LOT OF
TROUBLE. I AM A POLICE OFFICER.
531
00:37:26,478 --> 00:37:28,561
WHAT DID YOU SAY?
532
00:37:28,629 --> 00:37:32,966
IF YOU WILL CHECK THE WALLET IN
MY COAT, YOU WILL SEE FOR YOURSELF.
533
00:37:35,153 --> 00:37:37,553
OH, NO, MILTON.
534
00:37:37,622 --> 00:37:40,724
- NOW YOU'RE REALLY MADE ME MAD.
- HE NEVER SHOWED ME THAT.
535
00:37:40,792 --> 00:37:44,138
IT WAS OUR PURPOSE TO MAKE HIM
THINK WE WERE FELLOW CRIMINALS...
536
00:37:44,162 --> 00:37:46,307
SO HE WOULD LEAD US
TO THE STOLEN MONEY.
537
00:37:46,331 --> 00:37:49,815
ALL THIS IN COOPERATION WITH THE
LOS ANGELES POLICE DEPARTMENT.
538
00:37:49,884 --> 00:37:53,352
COLT, COME ON. THEY'RE
ALL HEADING THIS WAY.
539
00:37:59,744 --> 00:38:01,778
BOLT HIM TO THE FLOOR.
540
00:38:01,847 --> 00:38:04,463
YOU ARE TREATING
ME LIKE A CRIMINAL.
541
00:38:06,234 --> 00:38:08,801
FOR ALL I KNOW, YOU AND THAT
PACK ARE IN BUSINESS TOGETHER.
542
00:38:08,870 --> 00:38:12,789
I WARN YOU, SEÑOR. OBSTRUCTION
OF JUSTICE IS ONE THING,
543
00:38:12,857 --> 00:38:15,058
BUT KIDNAPPING IS QUITE ANOTHER.
544
00:38:16,678 --> 00:38:19,929
¡MUCHACHOS!
545
00:38:37,716 --> 00:38:39,761
ALL RIGHT, MILTON,
THERE'S ONLY ONE WAY...
546
00:38:39,785 --> 00:38:42,379
WE'RE ALL GONNA GET OUT
OF THIS WITHOUT GOING TO JAIL.
547
00:38:42,403 --> 00:38:45,872
YOU'RE GONNA TAKE US TO
THE MONEY. I CAN'T DO THAT.
548
00:38:45,941 --> 00:38:48,775
MILTON. IT'S THE
TRUTH. I DON'T HAVE IT.
549
00:38:48,843 --> 00:38:52,462
IF YOU DON'T, WHO DOES?
RHONDA HAS IT. I GAVE IT TO HER.
550
00:38:52,530 --> 00:38:54,531
YOU'VE GOTTA BE KIDDING.
551
00:38:54,599 --> 00:38:58,134
I ONLY TOOK IT TO WIN HER
BACK. IT WAS ALL PLANNED.
552
00:38:58,203 --> 00:39:00,370
WE WERE GONNA
MEET HERE IN MEXICO,
553
00:39:00,438 --> 00:39:03,189
LIVE HAPPILY EVER
AFTER. WHAT HAPPENED?
554
00:39:03,258 --> 00:39:07,910
RHONDA DECIDED SHE'D RATHER LIVE
HAPPILY EVER AFTER WITH JERRY ROME.
555
00:39:07,979 --> 00:39:10,529
I-I CAN'T STAND IT.
556
00:39:10,598 --> 00:39:13,983
IF HE DARES TO
LAY A HAND ON HER...
557
00:39:14,052 --> 00:39:16,235
IF THEY KNEW YOU WERE
PLANNING ON COMING TO MEXICO,
558
00:39:16,304 --> 00:39:18,871
WHY DIDN'T THEY
GO SOMEPLACE ELSE?
559
00:39:18,940 --> 00:39:21,257
BECAUSE JERRY ROME
KNEW HOW I'D GET TO MEXICO...
560
00:39:21,326 --> 00:39:23,526
AFTER I'D GIVEN
RHONDA THE MONEY.
561
00:39:23,595 --> 00:39:25,675
HE PHONED THE
POLICE. TIPPED 'EM OFF.
562
00:39:25,713 --> 00:39:28,748
HE FIGURED I'D BE STUCK IN JAIL
WITHOUT ENOUGH MONEY TO RAISE BAIL.
563
00:39:28,817 --> 00:39:32,318
WHAT MAKES YOU THINK IT WAS JERRY
THAT TURNED YOU IN AND NOT RHONDA?
564
00:39:32,387 --> 00:39:35,788
SHE WOULDN'T DO
THAT. OH, NOT RHONDA.
565
00:39:37,125 --> 00:39:39,406
SHE WAS THE ONLY ONE
THAT KNEW YOUR PLANS.
566
00:39:41,012 --> 00:39:43,162
THEN HE MUST HAVE
BEAT IT OUT OF HER.
567
00:39:55,109 --> 00:39:57,359
HELLO?
568
00:39:57,428 --> 00:39:59,546
THIS IS COLT SEAVERS.
CAN YOU TALK PRIVATELY?
569
00:39:59,614 --> 00:40:02,364
- YES. WHAT IS IT?
- IT'S ABOUT RHONDA'S HUSBAND,
MILTON.
570
00:40:02,433 --> 00:40:06,369
WHAT DO YOU KNOW ABOUT HER HUSBAND?
I THOUGHT YOU WERE HERE ON A PICTURE.
571
00:40:06,437 --> 00:40:09,205
WELL, JERRY, I MAY AS
WELL TELL YOU THE TRUTH.
572
00:40:09,274 --> 00:40:11,374
WE MAY BE ALL OUT
OF TIME IF I DON'T.
573
00:40:11,442 --> 00:40:13,643
WHO IS IT? IT'S COLT.
574
00:40:13,712 --> 00:40:17,363
IF THAT'S RHONDA YOU'RE TALKING TO,
THERE'S NO ROOM FOR HER IN THIS DEAL.
575
00:40:17,431 --> 00:40:20,250
WHAT DEAL? I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
576
00:40:20,318 --> 00:40:23,419
LOOK, JERRY, I KNOW WHAT
HAPPENED TO THE FIVE MILLION DOLLARS.
577
00:40:23,488 --> 00:40:26,156
NOW, I'M WILLING TO DEAL
IF YOU'RE WILLING TO LISTEN.
578
00:40:26,224 --> 00:40:29,459
- THEN THE MOVIE
WAS ALL A HOAX?
- FORGET THE PICTURE.
579
00:40:29,527 --> 00:40:32,161
LOOK, I'M NOT EXACTLY MAKING
MONEY AS A STUNTMAN, YOU KNOW.
580
00:40:32,229 --> 00:40:35,832
YOU'VE GOT A CHOICE. IT'S
HALF THE MONEY OR JAIL.
581
00:40:35,900 --> 00:40:38,251
THIS IS PREPOSTEROUS. I'M
GONNA CALL THE POLICE RIGHT NOW.
582
00:40:38,319 --> 00:40:41,032
GO AHEAD, WHILE I
IMPLICATE YOU IN A MURDER.
583
00:40:41,056 --> 00:40:43,923
MURDER?
584
00:40:43,992 --> 00:40:46,676
YEAH. CALL THE POLICE.
THERE'S A CAPTAIN DELGADO.
585
00:40:46,744 --> 00:40:49,073
THEY THINK HE'S
MISSING. I KNOW HE'S DEAD.
586
00:40:49,097 --> 00:40:50,113
WHAT DO YOU WANT?
587
00:40:50,181 --> 00:40:54,133
MY PARTNER WAS KILLED IN THE
SAME CROSS FIRE AS DELGADO.
588
00:40:54,202 --> 00:40:56,569
NOW THE ONLY PEOPLE WHO
KNOW WHERE THE MONEY IS...
589
00:40:56,637 --> 00:40:59,271
IS MILTON AND YOU
AND RHONDA AND ME.
590
00:40:59,340 --> 00:41:02,758
NOW, IF YOU WANNA CUT RHONDA OUT
OF ALL THIS WITHOUT MAKING A MESS,
591
00:41:02,827 --> 00:41:04,872
JUST TELL HER THAT I'M
DEMANDING ALL THE MONEY...
592
00:41:04,896 --> 00:41:07,040
IN RETURN FOR MY
SILENCE. THEN WHAT?
593
00:41:07,064 --> 00:41:10,250
THEN YOU GET THE MONEY AND GET YOUR
PLANE READY. I'LL MEET YOU AT THE AIRPORT.
594
00:41:10,318 --> 00:41:12,818
WHERE DO WE GO FROM THERE?
595
00:41:12,887 --> 00:41:15,187
AFTER YOU DROP ME
OFF, YOU'RE ON YOUR OWN.
596
00:41:15,256 --> 00:41:17,857
THAT SOUNDS NICE AND NEAT.
597
00:41:17,925 --> 00:41:20,826
BUT, UH, WHAT'S TO PREVENT ME...
598
00:41:20,895 --> 00:41:23,278
FROM TAKING OFF ON MY OWN?
599
00:41:23,347 --> 00:41:25,548
JERRY, I'M A
PROFESSIONAL HUNTER,
600
00:41:25,617 --> 00:41:28,384
AND FOR THAT KIND
OF MONEY, I'LL FIND YOU.
601
00:41:28,453 --> 00:41:32,522
- DO YOU UNDERSTAND?
- YES, I GUESS
I DO UNDERSTAND.
602
00:41:37,395 --> 00:41:41,231
WHAT WAS ALL THAT ABOUT?
COLT SEAVERS IS A BOUNTY HUNTER.
603
00:41:41,299 --> 00:41:45,635
- WHAT? HOW... HOW COULD HE KNOW?
- THAT IDIOT HUSBAND OF YOURS.
604
00:41:45,703 --> 00:41:48,115
NOW, LOOK. WE HAVEN'T A CHOICE.
605
00:41:48,139 --> 00:41:50,656
I HAVE TO GIVE HIM THE MONEY...
606
00:41:50,725 --> 00:41:53,576
IF YOU AND I ARE EVER
GOING TO HAVE ANY HAPPINESS.
607
00:41:58,733 --> 00:42:01,234
NOW GO GET THE MONEY.
608
00:42:13,547 --> 00:42:15,398
ARE YOU READY? READY.
609
00:42:15,466 --> 00:42:18,484
YOU TAKE THIS SEAT. I'M SURE
YOU'RE A BETTER PILOT THAN I.
610
00:42:18,553 --> 00:42:21,821
JUST LET ME SEE THE
COLOR OF YOUR MONEY.
611
00:42:25,243 --> 00:42:27,576
WELL, I THINK WE'RE GONNA...
612
00:42:27,645 --> 00:42:29,913
WHAT'S THAT FOR, JERRY?
613
00:42:29,981 --> 00:42:31,943
YOU DON'T THINK YOU'RE
GONNA FLY THIS THING...
614
00:42:31,967 --> 00:42:34,000
OUT OF THE COUNTRY
HOLDING ME AT GUNPOINT?
615
00:42:34,069 --> 00:42:37,787
NO, YOU ARE. I'LL TURN YOU LOOSE
ONCE WE'RE SAFELY OUT OF MEXICO...
616
00:42:37,855 --> 00:42:40,807
AND IN A NICE COMMUNITY
A LITTLE FARTHER SOUTH.
617
00:42:55,690 --> 00:42:59,025
YOU KNOW, IT REALLY ISN'T FAIR TO
MAKE YOU FLY THE ENTIRE DISTANCE.
618
00:42:59,093 --> 00:43:01,911
OH, I DON'T MIND.
WHERE ARE WE GOING?
619
00:43:01,980 --> 00:43:04,113
LITTLE SPOT SOUTH OF
THE DOMINICAN REPUBLIC,
620
00:43:04,182 --> 00:43:07,316
WHERE I CAN CATCH A COMMERCIAL
FLIGHT BACK TO LOS ANGELES.
621
00:43:07,385 --> 00:43:09,666
THAT SOUNDS LIKE
A REAL NICE PLAN.
622
00:43:09,704 --> 00:43:12,572
I WAS THINKIN' I'D HANG AROUND
THE BAHAMAS FOR A WHILE.
623
00:43:12,640 --> 00:43:16,942
SORRY, BUT I CAN'T LEAVE YOU AROUND
TO TELL ANYONE WHAT REALLY HAPPENED.
624
00:43:18,546 --> 00:43:21,114
JERRY, I WAS HOPING THAT
GUN WAS JUST A PRECAUTION...
625
00:43:21,182 --> 00:43:24,784
SO THAT I WOULDN'T TAKE THE MONEY AND
TURN YOU IN WHILE WE WERE ON THE GROUND.
626
00:43:24,853 --> 00:43:29,588
I'M SORRY. ONCE YOU'RE GONE, THERE'S
NO ONE TO KNOW I HAVE THE MONEY.
627
00:43:29,657 --> 00:43:33,142
THAT SHOULD GIVE ME A NICE, LONG
TIME TO GET MY CAREER STARTED AGAIN.
628
00:43:33,210 --> 00:43:35,227
THERE'S ALWAYS RHONDA.
629
00:43:35,296 --> 00:43:37,580
SHE THINKS I'M GIVING
ALL THE MONEY TO YOU.
630
00:43:37,649 --> 00:43:40,082
IT WAS YOUR PLAN, REMEMBER?
631
00:43:40,151 --> 00:43:43,252
IF I SHOULD EVER SEE HER
AGAIN, I'LL JUST PLEAD DESPAIR...
632
00:43:43,321 --> 00:43:46,088
AT THE WHOLE SORDID AFFAIR.
633
00:43:46,157 --> 00:43:48,202
IF YOU'RE THINKING OF
PUTTING A BULLET IN ME,
634
00:43:48,226 --> 00:43:51,505
I GOTTA WARN YOU THAT BODIES
DO HAVE A WAY OF SHOWING UP.
635
00:43:51,529 --> 00:43:54,931
OH, I DON'T THINK A BULLET IS
NECESSARY. THE FALL SHOULD DO NICELY.
636
00:43:54,999 --> 00:43:57,232
UNLATCH THE DOOR.
637
00:43:58,703 --> 00:44:00,736
AND OUT.
638
00:44:02,340 --> 00:44:04,340
LOOK, YOU, UH...
639
00:44:04,408 --> 00:44:07,137
YOU DON'T THINK THAT I'M GOING
TO DO THIS WILLINGLY, DO YOU?
640
00:44:07,161 --> 00:44:09,211
GET OUT.
641
00:44:22,276 --> 00:44:25,378
YOU ARE ALL GOING TO JAIL
FOR THE REST OF YOUR LIVES.
642
00:44:25,447 --> 00:44:27,567
IF THIS DOESN'T
WORK, I'LL BE GLAD TO.
643
00:44:30,685 --> 00:44:34,169
THERE! THERE HE IS.
644
00:44:34,238 --> 00:44:36,238
¡SANTA MARÍA!
645
00:44:36,307 --> 00:44:39,041
EVEN SEÑOR SEAVERS, I DO NOT
WANT TO SEE HIM DIE LIKE THIS.
646
00:44:39,110 --> 00:44:41,093
HOLD ON.
647
00:45:04,501 --> 00:45:06,552
LOOKING GOOD, HOWIE.
648
00:45:06,620 --> 00:45:10,172
HOLD HER NICE AND STEADY. HE'S
CONSCIOUS. WE'RE GONNA MAKE IT.
649
00:45:10,241 --> 00:45:13,392
COME ON. PICK UP SPEED, KID.
I'VE ONLY GOT ONE GOOD SHOT.
650
00:45:41,005 --> 00:45:43,455
HEY, MIND IF I DROP IN?
651
00:45:46,594 --> 00:45:48,627
INCREDIBLE, SEÑOR SEAVERS.
652
00:45:48,696 --> 00:45:52,130
GOOD. THEN THAT'S A PRINT.
653
00:46:21,128 --> 00:46:23,146
SEÑOR ROME.
654
00:46:23,214 --> 00:46:26,031
YES? THERE'S SOMEONE
HERE TO SEE YOU.
655
00:46:30,988 --> 00:46:34,223
YOU KNOW, THAT
REALLY WASN'T VERY NICE.
656
00:46:52,693 --> 00:46:55,160
YOU DID A GOOD JOB
ON THIS ONE, COLT.
657
00:46:55,229 --> 00:46:57,329
THERE'S ANOTHER WAY
TO LOOK AT IT, RHONDA.
658
00:46:57,398 --> 00:47:01,000
AT LEAST WE'LL BOTH BE
GETTING OUT ABOUT THE SAME TIME.
659
00:47:02,436 --> 00:47:04,937
OH, MILTON.
660
00:47:05,006 --> 00:47:07,639
I'LL BE AN OLD LADY.
661
00:47:07,708 --> 00:47:09,992
NOT TO ME, YOU WON'T.
662
00:47:10,061 --> 00:47:12,995
OH, MILTON, I'M SO SORRY.
663
00:47:13,063 --> 00:47:17,400
SOMEHOW IT'S... IT'S ALL
GONNA WORK OUT JUST FINE.
664
00:47:17,468 --> 00:47:19,535
RIGHT NOW,
665
00:47:21,039 --> 00:47:24,240
I'M THE HAPPIEST
GUY IN THE WORLD.
666
00:47:27,211 --> 00:47:30,996
UNBELIEVABLE. YOU KNOW, I
REALLY THINK HE BELIEVES IT.
667
00:47:31,065 --> 00:47:33,916
WELL, HE'S IN LOVE. HOW
MUCH TIME WILL THEY DO?
668
00:47:33,984 --> 00:47:36,552
OH, FIRST OFFENSE,
WHITE-COLLAR CRIME...
669
00:47:36,620 --> 00:47:38,654
MIGHT NOT BE TOO BAD.
670
00:47:38,722 --> 00:47:42,875
BUT JERRY ROME, ON THE OTHER
HAND, IS IN A LOT OF TROUBLE.
671
00:47:42,944 --> 00:47:46,078
BIG JACK, WOULD YOU
DO ME A FAVOR? SURE.
672
00:47:46,147 --> 00:47:48,363
MAKE SURE THAT MILTON
GETS A DECENT LAWYER.
673
00:47:48,432 --> 00:47:51,472
OH, DECENT LAWYERS COST
MONEY. HE DOESN'T HAVE ANY.
674
00:47:53,988 --> 00:47:57,005
WELL, LET'S JUST SAY
THIS ONE'S ON ME, HUH?
675
00:47:57,074 --> 00:47:59,374
WHAT? COLT.
676
00:47:59,443 --> 00:48:02,411
SPEAKING AS YOUR MANAGER,
YOU'RE GONNA DIE BROKE.
677
00:48:02,479 --> 00:48:06,264
HEY, BROKE OR BROKEN... WHAT DIFFERENCE
DOES IT MAKE? AT LEAST I'LL BE SMILING.
678
00:48:06,333 --> 00:48:10,035
RIGHT, JERRY? $100,000. WHERE
AM I GOING TO FIND SOMEONE...
679
00:48:10,103 --> 00:48:13,739
TO PUT UP $100,000 BAIL FOR ME?
680
00:48:13,808 --> 00:48:16,442
JERRY...
681
00:48:16,510 --> 00:48:19,979
OH, COME ON, GUYS.
THAT'S MY LIVING. COME ON.
682
00:48:59,152 --> 00:49:02,654
FALL GUY IS A GLEN
LARSON PRODUCTION.
55903
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
