Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:13,179 --> 00:00:17,315
[Emma] I SPEND MY DAYS
LOOKING FOR REASONS...
2
00:00:17,384 --> 00:00:20,752
THE REASONS PEOPLE
DO WHAT THEY DO.
3
00:00:20,821 --> 00:00:23,054
IT'S MY JOB.
4
00:00:23,123 --> 00:00:25,557
IT'S MY WAY.
5
00:00:25,625 --> 00:00:30,562
I WANT TO KNOW
WHY... WHY IT'S LIKE THIS,
6
00:00:30,631 --> 00:00:32,631
WHY GOOD PEOPLE DIE.
7
00:00:37,103 --> 00:00:39,404
[Snoring]
8
00:00:42,008 --> 00:00:44,275
[Snoring Continues]
9
00:00:50,450 --> 00:00:52,434
[Snoring Continues]
10
00:01:13,791 --> 00:01:16,391
[TV: Man] YOU TAKE
OUR NEW AND IMPROVED,
11
00:01:16,460 --> 00:01:19,627
AND THEY ARE GONNA MAKE YOU THE FINEST
CAJUN CHEF ON YOUR BLOCK, I GUARAN...
12
00:01:19,696 --> 00:01:22,780
- HORN, WHAT'S UP?
- THAT.
13
00:01:22,849 --> 00:01:25,234
[Snoring Continues]
14
00:01:25,302 --> 00:01:27,502
[TV: Channels Changing]
15
00:01:27,571 --> 00:01:29,666
- [Man] AT THIS POINT...
- ♪♪ [Rock]
16
00:01:29,690 --> 00:01:31,690
[Snorer Snorts]
17
00:01:33,410 --> 00:01:37,962
LOW-DENSITY STUDIES IN PREPARATION
FOR THE INTERNATIONAL SPACE STATION...
18
00:01:42,903 --> 00:01:44,769
- WHEN THESE...
- [Channels Continue Changing]
19
00:01:44,838 --> 00:01:47,489
- THIS...
- [Snoring Continues]
20
00:01:59,052 --> 00:02:00,669
YOU OKAY?
21
00:02:02,873 --> 00:02:05,840
- JUST A LITTLE TIRED.
- YOU SURE?
22
00:02:07,127 --> 00:02:09,377
THANKS FOR ASKING, THOUGH.
23
00:02:09,446 --> 00:02:11,379
[Door Closes]
24
00:02:11,448 --> 00:02:13,614
[Snoring Continues] [Sighs]
25
00:02:13,683 --> 00:02:16,451
[Door Kicked Open] [Man]
HEY! WHO ARE YOU?
26
00:02:16,519 --> 00:02:18,519
[Gunshot]
27
00:02:19,522 --> 00:02:21,522
[Gunshot]
28
00:02:25,028 --> 00:02:27,028
[Door Slams Shut]
29
00:02:32,286 --> 00:02:34,419
HEY.
30
00:02:34,487 --> 00:02:36,471
CATCH.
31
00:02:37,741 --> 00:02:40,926
DAMN! [Laughing]
32
00:02:56,793 --> 00:02:59,627
SILENCE IS GOLDEN.
33
00:04:00,757 --> 00:04:03,624
MANAGER HEARD TWO
SHOTS JUST AFTER MIDNIGHT.
34
00:04:03,693 --> 00:04:06,627
ONE ROUND PASSED THROUGH THE
VICTIM, LODGED IN THE HEADBOARD,
35
00:04:06,696 --> 00:04:08,629
LEAVING A VERY NASTY EXIT WOUND.
36
00:04:08,698 --> 00:04:11,899
THE VICTIM HIMSELF GOT OFF A SHOT
WITH A .38 WE FOUND NEXT TO THE BED.
37
00:04:11,968 --> 00:04:16,138
WE WERE STILL LOOKING FOR THE SLUG
WHEN WE GOT WORD YOU WERE ON THE WAY.
38
00:04:18,091 --> 00:04:22,644
SOME REASON THE F.B.I. IS INTERESTED IN THE
DEATH OF AN UNEMPLOYED BAKER FROM MIAMI?
39
00:04:24,164 --> 00:04:27,065
MY GUYS ARE JUST WONDERING.
40
00:04:27,134 --> 00:04:29,751
ONE MYSTERY AT
A TIME, DETECTIVE.
41
00:04:29,820 --> 00:04:32,838
[Siren Wailing]
42
00:04:34,374 --> 00:04:37,375
WE'LL ORDER A G.S.R.
FROM THE CORONER.
43
00:04:42,983 --> 00:04:44,983
GENTLEMEN.
44
00:04:46,052 --> 00:04:48,052
IS THAT HIS I.D.?
45
00:04:50,557 --> 00:04:53,475
NAME'S DARYL NORCOTT. HAS
TWO DAUGHTERS IN NEWARK.
46
00:04:53,543 --> 00:04:57,695
ACCORDING TO THEM, HE WAS EN ROUTE FOR
A VISIT. STOPPED AT THE LINCOLN MEMORIAL.
47
00:04:57,764 --> 00:05:00,115
ARMED WITH A .38.
48
00:05:00,183 --> 00:05:04,202
[Chuckles] HOTEL LIKE
THIS? IT'S NOT UNUSUAL.
49
00:05:04,270 --> 00:05:06,905
SOMEBODY PULLED A JOHN
WAYNE BOBBITT... POSTMORTEM.
50
00:05:08,325 --> 00:05:10,826
[Shutter Clicks]
51
00:05:12,312 --> 00:05:14,879
WELL, IT'S NOT AN
UNCOMMON MUTILATION.
52
00:05:14,948 --> 00:05:16,897
WELL, THAT'S COMFORTING.
53
00:05:21,705 --> 00:05:24,906
M.E. SAYS IT LOOKS LIKE A BIG,
SHARP KNIFE, A HUNTING KNIFE.
54
00:05:24,975 --> 00:05:27,242
ONE CLEAN SLICE, NO TEARING.
55
00:05:27,311 --> 00:05:29,778
WE WERE THINKING MOB, MAYBE.
56
00:05:29,846 --> 00:05:31,780
BOLIVIAN NECKTIE SORT OF THING.
57
00:05:31,848 --> 00:05:34,243
IF IT WAS RITUALISTIC, THEY
WOULD HAVE LEFT IT AT THE SCENE.
58
00:05:34,267 --> 00:05:37,218
MAYBE HE STIFFED SOME CHIPPIE.
59
00:05:39,005 --> 00:05:42,205
WHOEVER IT IS, I WANT TO MAKE
SURE HE DOESN'T DO IT AGAIN.
60
00:05:42,258 --> 00:05:45,259
[People Shouting, Chattering]
61
00:05:45,328 --> 00:05:47,568
WHAT ABOUT THE NEIGHBORS?
62
00:05:53,236 --> 00:05:55,637
MR. LARKIN? SPECIAL
AGENT HOLLIS, F.B.I.
63
00:05:55,705 --> 00:05:57,722
MAY WE COME IN?
64
00:05:57,791 --> 00:06:01,526
[TV: Man Shouting] IT LANDED!
OVER ON THE MALL! IT LANDED!
65
00:06:01,595 --> 00:06:03,862
WOULD YOU MIND
TURNING THIS DOWN?
66
00:06:03,931 --> 00:06:06,197
[TV: Siren Wailing]
67
00:06:06,266 --> 00:06:08,449
[TV: Volume Decreases]
[Agent] F.B.I.'s INTERESTED?
68
00:06:08,518 --> 00:06:11,803
IT'S HER. SHE ASKED
FOR THIS CASE.
69
00:06:14,474 --> 00:06:16,457
[Volume Increases Slightly]
70
00:06:16,526 --> 00:06:19,110
WHERE'S YOUR ROOMMATE?
71
00:06:20,797 --> 00:06:22,992
[TV: Siren Continues
Wailing] WHAT'S HER NAME?
72
00:06:23,016 --> 00:06:24,994
I'M HAVING TROUBLE
READING IT HERE.
73
00:06:25,018 --> 00:06:28,770
YOU KNOW, TRUTH
IS, I FORGET HER NAME.
74
00:06:30,590 --> 00:06:32,757
TWO MEN WERE CHECKED IN HERE.
75
00:06:35,895 --> 00:06:37,879
CAN YOU HELP US OUT?
76
00:06:41,351 --> 00:06:44,152
OKAY.
77
00:06:44,221 --> 00:06:48,456
THESE TWO GUYS SAY THEY GOT
THREE MORE DAYS PAID IN ADVANCE,
78
00:06:48,525 --> 00:06:50,625
AND DO I WANT THEIR KEY?
79
00:06:50,693 --> 00:06:52,644
AND YOU DID.
80
00:06:52,712 --> 00:06:54,941
[TV: Man] AFTERNOON, LADIES AND
GENTLEMEN. THIS IS DREW PEARSON.
81
00:06:54,965 --> 00:06:57,849
WE BRING YOU THIS SPECIAL
RADIO-TELEVISION BROADCAST...
82
00:06:57,917 --> 00:07:00,896
IN ORDER TO GIVE YOU THE VERY LATEST
INFORMATION ON AN AMAZING PHENOMENON...
83
00:07:00,920 --> 00:07:04,338
THE ARRIVAL OF A
SPACESHIP IN WASHINGTON.
84
00:07:04,408 --> 00:07:07,341
[TV: Pearson Continues]
RIGHT AROUND A .38.
85
00:07:07,410 --> 00:07:09,861
WHAT'S IT DOING IN HERE?
86
00:07:11,564 --> 00:07:15,266
I BELIEVE WE'RE LOOKING
FOR TWO SUSPECTS, NOT ONE.
87
00:07:15,335 --> 00:07:17,964
[Girl] HURRY UP!
[Children Chattering]
88
00:07:17,988 --> 00:07:20,388
ALL RIGHT. THAT'S IT!
89
00:07:21,341 --> 00:07:25,310
MONTANA. MONTANA'S COOL.
90
00:07:25,378 --> 00:07:27,356
WE COULD BECOME CATTLE RANCHERS.
91
00:07:27,380 --> 00:07:29,647
TOO MANY CRAZIES.
92
00:07:29,716 --> 00:07:33,301
[Sighs] BOLIVIA.
93
00:07:34,387 --> 00:07:36,187
NOW, THERE'S A THOUGHT.
94
00:07:45,298 --> 00:07:48,115
IMAGINE HOW DIFFERENT A
DAY IN THE PARK WOULD BE...
95
00:07:48,184 --> 00:07:51,336
IF YOU KNEW YOU WERE
BEING WATCHED BY A 30.06.
96
00:08:13,960 --> 00:08:16,294
[Click] POW!
97
00:08:17,781 --> 00:08:20,715
[Laughs] YES, SIR.
98
00:08:20,783 --> 00:08:22,934
I WANT ME SOME OF THAT.
99
00:08:38,735 --> 00:08:40,668
YOU'RE WORKING HARD.
100
00:08:40,737 --> 00:08:42,904
YEAH.
101
00:08:49,830 --> 00:08:51,746
HOTEL SHOOTING.
102
00:08:51,815 --> 00:08:53,831
THE BAKER.
103
00:08:56,770 --> 00:08:58,236
HOW'S IT GOING?
104
00:08:58,304 --> 00:09:00,254
FINE.
105
00:09:01,775 --> 00:09:04,459
I, UM, I HAVE TWO SUSPECTS.
106
00:09:04,528 --> 00:09:06,794
THESE?
107
00:09:06,863 --> 00:09:09,263
COURTESY OF A LOCAL DERELICT.
108
00:09:09,332 --> 00:09:11,766
FORTIFIED WINE ISN'T
EXACTLY BRAIN FOOD.
109
00:09:13,437 --> 00:09:15,870
TWO SHOTS WERE FIRED,
110
00:09:15,939 --> 00:09:17,899
ONE APPARENTLY
AT THE PERPETRATOR,
111
00:09:17,941 --> 00:09:20,609
STOPPED BY A SPECTRA
SHIELD A-350 ASSAULT VEST.
112
00:09:20,677 --> 00:09:22,627
WHAT ELSE?
113
00:09:26,499 --> 00:09:30,335
THE KILLER WAS
ARMORED, PREPARED.
114
00:09:30,403 --> 00:09:33,053
BLADE WORK WAS HIGHLY EVOLVED.
115
00:09:33,122 --> 00:09:36,941
WE'RE LOOKING HERE AT AN
EXTREMELY ORGANIZED NIGHT STALKER,
116
00:09:37,010 --> 00:09:40,945
AND HE'S PROBABLY OUT THERE
NOW, PREPARING HIS NEXT ATTACK.
117
00:09:46,035 --> 00:09:47,986
WHAT? WHAT DO YOU THINK?
118
00:09:48,055 --> 00:09:51,239
I'D LIKE TO SEE THE CRIME
SCENE, IF THAT'S OKAY.
119
00:09:54,410 --> 00:09:57,512
♪♪ [Faint Rock]
120
00:10:02,719 --> 00:10:05,519
[Bartender] YOU WANT THAT
STRAIGHT UP? SURE. YEAH.
121
00:10:08,725 --> 00:10:10,892
DRINKING ALONE
AIN'T GOOD FOR YOU.
122
00:10:13,096 --> 00:10:15,429
WHO SAYS I'M ALONE? MMM.
123
00:10:16,432 --> 00:10:18,578
WE'VE GOT THE NEXT ROUND.
124
00:10:18,602 --> 00:10:20,534
I'M NOT INTERESTED.
125
00:10:20,604 --> 00:10:23,605
LEAVE HER ALONE.
126
00:10:24,874 --> 00:10:28,509
- YOU WANT SOME?
- YOU WANT SOME?
127
00:10:31,798 --> 00:10:33,948
YOU'RE TWO HOURS LATE.
128
00:10:58,074 --> 00:11:01,125
[Bedsprings Squeaking]
[Woman Moaning]
129
00:11:01,193 --> 00:11:03,061
[Frank] ANY PRINTS?
130
00:11:03,130 --> 00:11:05,964
THERE WERE HUNDREDS
OF ODD LATENTS.
131
00:11:06,032 --> 00:11:09,583
PROBABLY BEEN A YEAR SINCE
THIS PLACE WAS CLEANED LAST.
132
00:11:09,652 --> 00:11:12,486
OUR TRANSIENT CONTAMINATED
ANYTHING USEFUL.
133
00:11:12,555 --> 00:11:14,588
[Moaning Continues]
134
00:11:14,658 --> 00:11:16,658
[Moaning Stops]
135
00:11:19,245 --> 00:11:21,862
I KNOW. IT'S NATURAL.
136
00:11:22,883 --> 00:11:26,284
I FOUND THE SLUG... RIGHT HERE.
137
00:11:26,352 --> 00:11:28,620
RIGHT IN THE OPEN? UH-HUH.
138
00:11:28,688 --> 00:11:31,233
YEAH. I GUESS THEY DIDN'T
THINK ANYONE WOULD FIND IT.
139
00:11:31,257 --> 00:11:34,859
[Moaning Resumes]
MAYBE THEY DIDN'T CARE.
140
00:11:41,350 --> 00:11:43,401
ANNOYING.
141
00:11:43,470 --> 00:11:45,270
WHAT DO YOU MEAN?
142
00:11:50,193 --> 00:11:53,293
WHAT DO YOU MEAN,
THEY DIDN'T CARE?
143
00:11:55,198 --> 00:11:59,100
THESE TWO MEN USED A STOLEN
CREDIT CARD TO PAY FOR THE ROOM.
144
00:11:59,169 --> 00:12:02,248
THEY GAVE THEIR KEY TO AN
INDIGENT AFTER THE EVENT.
145
00:12:02,272 --> 00:12:04,205
THAT'S VERY RISKY.
146
00:12:04,274 --> 00:12:06,207
I'D EVEN CALL IT CAVALIER.
147
00:12:06,276 --> 00:12:08,710
THEY'D BE AWARE OF
THE CONSEQUENCES.
148
00:12:08,778 --> 00:12:11,257
KILLING IS A HUMAN IMPULSE
UNCHECKED. [Moaning Continues]
149
00:12:11,281 --> 00:12:14,282
THERE ARE KILLERS WHO OBEY THAT
IMPULSE AS NATURALLY AND AS CASUALLY...
150
00:12:14,351 --> 00:12:15,800
AS ANY HUMAN ACT.
151
00:12:15,868 --> 00:12:17,818
BUT THERE'S GOTTA BE A REASON.
152
00:12:26,529 --> 00:12:30,615
AN OUTLAW NAMED JOHN WESLEY
HARDIN ONCE KILLED A MAN FOR SNORING.
153
00:12:34,687 --> 00:12:36,621
THERE'D BE A STRESSOR,
154
00:12:36,689 --> 00:12:39,056
SOME KIND OF COMPELLING FACTOR.
155
00:12:39,125 --> 00:12:41,406
THERE'S GOTTA BE.
THERE ALWAYS IS.
156
00:12:45,681 --> 00:12:48,465
YOU WON'T SOLVE THIS CASE
LOOKING FOR A REASON, AGENT HOLLIS.
157
00:12:49,803 --> 00:12:51,802
EVERYONE HAS A REASON.
158
00:12:53,540 --> 00:12:55,540
WHAT'S YOURS?
159
00:13:24,421 --> 00:13:26,554
HONEY, LET'S GO SHOPPIN'.
160
00:14:01,491 --> 00:14:04,809
THIS ONE'S THE LEADER. HE'S
DIRECTING THE WHOLE SHOW FROM HERE.
161
00:14:04,878 --> 00:14:06,811
[Shutter Clicks]
162
00:14:06,880 --> 00:14:08,840
HERE? YOU'RE
TALKING TO THE OTHERS.
163
00:14:08,865 --> 00:14:13,985
I'VE GOT A CLEAR LINE
ON ALL THREE CASUALTIES,
164
00:14:15,538 --> 00:14:17,555
BUT I'M COMPLETELY EXPOSED.
165
00:14:21,127 --> 00:14:23,289
[Frank] THE SHOPPER'S DOWN.
IT'S NOT FROM YOUR SHOT THOUGH.
166
00:14:23,313 --> 00:14:25,930
THE OTHER MAN BROUGHT
HER DOWN. THE SECOND MAN.
167
00:14:25,999 --> 00:14:28,515
- WHAT AM I DOING?
- STANDING THERE.
168
00:14:28,584 --> 00:14:31,886
WITH AN OFF-DUTY
COP 20 FEET AWAY.
169
00:14:31,955 --> 00:14:36,424
WHAT IS THIS GUY DOING? HE CAN'T
JUST BE STANDING HERE TALKING.
170
00:14:36,492 --> 00:14:38,443
[Emma] THERE. HE SHOOTS.
171
00:14:38,511 --> 00:14:41,412
[Frank] NO, HE JUST
TOOK A HIT. THERE, AGAIN.
172
00:14:41,481 --> 00:14:43,481
SQUARE IN THE CHEST.
173
00:14:46,836 --> 00:14:49,687
[Frank] THERE. HE
SHOOTS THE COP.
174
00:14:49,756 --> 00:14:52,273
WHAT'S HE DOING NOW?
175
00:14:54,961 --> 00:14:56,961
EATING CANDY.
176
00:15:00,083 --> 00:15:02,516
[Shutter Continues Clicking]
177
00:15:03,819 --> 00:15:06,437
PRINTS.
178
00:15:16,682 --> 00:15:18,616
[Sighs]
179
00:15:18,685 --> 00:15:21,152
WE'LL HAVE A NAME, THAT'S ALL.
180
00:15:24,657 --> 00:15:27,091
THESE GUYS ARE ON A
HIGH AND MOVING FAST,
181
00:15:27,160 --> 00:15:29,460
LOOKING FOR THEIR NEXT HIGH.
182
00:15:29,529 --> 00:15:31,762
I'M NOTIFYING AREA SUPERMARKETS.
183
00:15:31,831 --> 00:15:35,265
IT WON'T BE A SUPERMARKET. IT'LL BE RANDOM.
SOMETHING THAT WON'T MAKE ANY SENSE.
184
00:15:35,334 --> 00:15:37,267
THANK YOU.
185
00:15:37,336 --> 00:15:39,770
I'M NOTIFYING AREA SUPERMARKETS.
186
00:15:39,839 --> 00:15:41,756
AGENT HOLLIS.
187
00:15:41,825 --> 00:15:43,958
YOU REQUESTED THIS CASE.
188
00:15:44,027 --> 00:15:46,410
- YES, I DID.
- WHY?
189
00:15:47,730 --> 00:15:50,898
THAT'S THE QUESTION, ISN'T
IT? SAME ONE I'M ASKING YOU.
190
00:16:30,106 --> 00:16:32,406
HEY, NEIGHBOR.
191
00:16:32,475 --> 00:16:35,142
- DEAD END.
- YEAH, YOU'RE NOT KIDDING.
192
00:16:35,211 --> 00:16:39,146
I THINK THE TRAIL
YOU'RE AFTER'S UP THERE.
193
00:16:39,215 --> 00:16:41,165
HEY, YOU WANT ANYTHING?
194
00:16:41,234 --> 00:16:43,134
FOOD? WATER?
195
00:16:43,203 --> 00:16:45,169
WE GOT PLENTY.
196
00:16:46,589 --> 00:16:48,690
NO, THANKS. I'LL BE OKAY.
197
00:16:48,758 --> 00:16:51,008
[Woman] YOU WANNA GET HIGH?
198
00:17:16,853 --> 00:17:18,853
[Beep]
199
00:21:19,812 --> 00:21:22,346
I KNEW I'D FIND YOU HERE.
200
00:21:24,467 --> 00:21:27,401
I'VE BEEN RUNNING THE PRINTS
OFF THE CANDY WRAPPER.
201
00:21:27,470 --> 00:21:30,337
AND? I GOT A NAME.
202
00:21:31,624 --> 00:21:33,791
RICK VAN HORN.
203
00:21:33,860 --> 00:21:37,161
AVERAGE I.Q. HIGH SCHOOL
EDUCATION, NOTHING PAST THAT.
204
00:21:37,230 --> 00:21:40,463
EIGHT YEARS MILITARY EDUCATION,
THREE YEARS SPECIAL FORCES.
205
00:21:40,532 --> 00:21:43,467
HIS STEPFATHER DID MANAGE
A SUPERMARKET FOR A WHILE.
206
00:21:43,536 --> 00:21:45,336
PRIORS?
207
00:21:45,404 --> 00:21:47,905
NONE.
208
00:21:47,974 --> 00:21:52,459
WHICH IS MEANINGFUL, SUGGESTING A
RELEASE OF OVERCONTROLLED ANGER.
209
00:21:53,846 --> 00:21:55,824
WE WANT TO DESCRIBE
MEN LIKE THIS...
210
00:21:55,848 --> 00:21:58,327
WITH WORDS THAT CAN MAKE
US FEEL WE CAN KNOW THEM.
211
00:21:58,351 --> 00:22:00,684
IF WE KNOW THEM,
WE CAN FIND THEM.
212
00:22:02,788 --> 00:22:06,374
TWENTY YEARS AGO, YOU WATCHED A MAN
NAMED MICHAEL WYNTER KILL YOUR SISTER.
213
00:22:09,762 --> 00:22:13,863
TWO DECADES LATER, YOU STILL
WONDER... COULD IT HAVE BEEN DIFFERENT?
214
00:22:13,932 --> 00:22:16,411
COULD SHE STILL BE ALIVE TODAY?
215
00:22:16,435 --> 00:22:18,602
WHY DID IT HAPPEN?
216
00:22:19,906 --> 00:22:22,956
YOU REQUEST CASES LIKE
THIS ON THAT ANNIVERSARY,
217
00:22:23,025 --> 00:22:26,627
HOPING FOR ANSWERS.
218
00:22:26,696 --> 00:22:30,614
BUT NO AMOUNT OF DETECTIVE WORK
CAN CLOSE YOUR SISTER'S MURDER...
219
00:22:33,352 --> 00:22:35,286
OR TELL YOU WHY.
220
00:22:35,354 --> 00:22:38,522
THAT ALL ENDED THE DAY THAT
MICHAEL WYNTER KILLED HIMSELF.
221
00:22:40,910 --> 00:22:43,844
I DON'T NEED YOU
TO PROFILE ME...
222
00:22:43,913 --> 00:22:46,247
OR TO TELL ME WHAT I HOPE FOR.
223
00:22:46,315 --> 00:22:48,666
YOU WANT REASONS.
224
00:22:49,702 --> 00:22:52,035
YOU WANT TO MAKE
SENSE OF THIS CASE,
225
00:22:52,104 --> 00:22:55,200
HOPING THAT THERE IS SENSE TO BE
MADE OF WHAT HAPPENED TO YOUR SISTER.
226
00:22:55,224 --> 00:22:58,008
YOU'RE LOOKING FOR
LOGIC THAT ISN'T HERE.
227
00:22:58,077 --> 00:23:00,411
SO ARE YOU.
228
00:23:00,479 --> 00:23:03,597
TAKE YOURSELF OFF THIS CASE.
I'VE BEEN THERE. WALK AWAY.
229
00:23:04,816 --> 00:23:07,817
IF YOU WANT TO APPLY
YOUR PSYCHIATRIC TALENTS,
230
00:23:09,522 --> 00:23:12,556
DO IT TO PSYCHOS
LIKE RICK VAN HORN.
231
00:23:12,625 --> 00:23:15,226
I DON'T NEED YOUR HELP.
232
00:23:27,806 --> 00:23:30,424
[Thunder Rumbling]
233
00:23:30,493 --> 00:23:33,928
NO, MAN, NO. BUNGEE
JUMPING IS NOT HARD-CORE.
234
00:23:33,996 --> 00:23:36,931
I MEAN, THAT'S A ROPE FREE
FALL WITH CLIMBING ROPE.
235
00:23:36,999 --> 00:23:38,966
SIXTY TO ZERO, .3 SECONDS.
236
00:23:39,035 --> 00:23:41,919
THAT'S WILD. IT'S FREEDOM.
237
00:23:41,988 --> 00:23:45,372
AND ONCE YOU ACCEPT THAT
FACING FALLING MEANS FACING DEATH,
238
00:23:45,440 --> 00:23:47,875
YOU CAN CLIMB UP,
JUMP OFF ANYTHING.
239
00:23:47,944 --> 00:23:52,262
CONTROL THE CONDITIONS THAT
MAKE YOU AFRAID, YOU'RE FREE, MAN.
240
00:23:52,331 --> 00:23:54,648
SO YOU'RE REALLY
HARD-CORE, HUH, KYLE?
241
00:24:01,390 --> 00:24:04,825
THREE GRAND IN YOUR POCKET,
YOU SHOOT THIS APPLE OFF MY HEAD.
242
00:24:04,894 --> 00:24:07,094
[Chuckling] YEAH, RIGHT.
243
00:24:32,271 --> 00:24:34,104
NO WAY.
244
00:24:34,172 --> 00:24:36,640
THREE GRAND.
245
00:24:48,870 --> 00:24:53,657
TAKE A SLOW, DEEP
BREATH... AND FIRE.
246
00:25:02,951 --> 00:25:04,902
[Splat]
247
00:25:06,872 --> 00:25:09,172
[Laughing]
248
00:25:09,241 --> 00:25:11,158
MAN, ARE YOU OKAY?
249
00:25:11,226 --> 00:25:14,895
THAT FELT GREAT, DIDN'T
IT? THE POWER, THE CONTROL.
250
00:25:14,963 --> 00:25:17,191
LIFE AND DEATH IN YOUR HANDS.
251
00:25:17,215 --> 00:25:20,517
YOU'RE A GOD.
[Chuckling Nervously]
252
00:25:20,586 --> 00:25:23,636
DOUBLE OR NOTHING.
253
00:25:23,705 --> 00:25:26,824
NO, MAN, I'M DONE. NO, I
MEANT IT'S YOUR TURN.
254
00:25:27,809 --> 00:25:30,160
NO, THANKS, MAN.
255
00:25:32,264 --> 00:25:35,099
YOU RUN, I'LL BLOW
YOUR STOMACH OPEN.
256
00:25:35,167 --> 00:25:37,334
AGAINST THE TREE.
257
00:25:41,724 --> 00:25:43,790
APPLE ON HEAD, KID.
258
00:25:43,859 --> 00:25:45,859
I DON'T WANNA DO THIS, MAN.
259
00:25:47,829 --> 00:25:49,679
ARE YOU SCARED, KYLE?
260
00:25:49,748 --> 00:25:52,582
- [Chamber Clicks]
- YES.
261
00:25:52,651 --> 00:25:54,551
THAT'S EXACTLY THE
WRONG ATTITUDE.
262
00:25:54,620 --> 00:25:56,476
CONTROL THE CONDITIONS
THAT MAKE YOU AFRAID,
263
00:25:56,500 --> 00:25:58,422
AND YOU'RE FREE. THAT'S
WHAT YOU SAID, RIGHT?
264
00:26:01,527 --> 00:26:05,345
YOU FACE DEATH, YOU'RE FREE.
265
00:26:14,490 --> 00:26:17,440
- [Gunshot]
- [Body Falls]
266
00:26:17,510 --> 00:26:19,442
YOU'RE FREE.
267
00:26:19,512 --> 00:26:21,512
[Chuckles]
268
00:26:29,688 --> 00:26:32,467
[Radio: Dispatcher] CHARLIE
91, DO YOU NEED BACKUP?
269
00:26:32,491 --> 00:26:35,825
KYLE RILEY. HE DIED
AROUND MIDNIGHT LAST NIGHT.
270
00:26:37,363 --> 00:26:40,097
WE FOUND HIS MOUNTAIN
BIKE OVER THERE.
271
00:26:40,165 --> 00:26:43,583
WE ASSUME HE TRANSPORTED IT,
BUT WE HAVEN'T FOUND THE CAR.
272
00:26:43,652 --> 00:26:46,086
[Paramedic] WATCH YOUR
STEP. MOVE THAT BACK.
273
00:26:46,155 --> 00:26:48,422
IT'S PROBABLY BEEN STOLEN.
274
00:26:48,490 --> 00:26:51,491
YOU SAY YOU KNOW
WHO DID THIS? YEAH.
275
00:27:05,641 --> 00:27:07,907
ANYBODY HAVE A TAPE MEASURE?
276
00:27:07,976 --> 00:27:10,144
GIVE ME A TAPE MEASURE.
277
00:27:11,897 --> 00:27:13,813
HERE. THANKS.
278
00:27:13,882 --> 00:27:16,316
HOW TALL WAS KYLE RILEY?
279
00:27:16,385 --> 00:27:18,385
JUST UNDER SIX FEET.
280
00:27:22,724 --> 00:27:25,164
I'M NOT SURE I KNOW
WHAT YOU'RE DOING.
281
00:27:25,227 --> 00:27:27,227
[Frank] AGENT HOLLIS.
282
00:27:35,604 --> 00:27:38,488
WHAT HAPPENED HERE?
283
00:27:38,557 --> 00:27:42,175
I THINK THEY WERE PLAYING SOME
SORT OF GAME. ONE MISS, ONE HIT.
284
00:27:44,096 --> 00:27:46,529
ONE GUESS WHO WAS
BEHIND THE TRIGGER.
285
00:27:50,469 --> 00:27:52,469
[Gunshot]
286
00:27:53,605 --> 00:27:55,522
VAN HORN IS AN EXPERT SHOT.
287
00:27:55,591 --> 00:27:58,841
HE WAS A MILITARY SNIPER.
FIRST SHOT WASN'T AT THE VICTIM.
288
00:27:58,910 --> 00:28:00,911
WILLIAM TELL, BUT
WITH TWO PLAYERS.
289
00:28:03,481 --> 00:28:05,999
FIRST UP WAS VAN HORN.
290
00:28:06,068 --> 00:28:07,667
I THINK YOU'RE RIGHT.
291
00:28:07,736 --> 00:28:12,205
HE STOOD HERE, EXCITED, LIKE WE SAW
ON THE VIDEOTAPE FROM THE SUPERMARKET.
292
00:28:12,274 --> 00:28:14,224
SHOOT, BE SHOT.
293
00:28:14,293 --> 00:28:17,343
RANDOM. WILD. CHANCE.
294
00:28:19,314 --> 00:28:21,248
ALL TO IMPRESS THE GIRL.
295
00:28:21,316 --> 00:28:23,950
[Shutter Clicks] SHE'S
NOTHING TO HIM. NOBODY IS.
296
00:28:24,019 --> 00:28:25,952
NO.
297
00:28:26,021 --> 00:28:28,755
THAT'S WHY THEY FOLLOW
HIM. THAT'S HIS POWER.
298
00:28:30,509 --> 00:28:33,510
AND HIS POWER IS THEIR DISEASE.
299
00:28:45,824 --> 00:28:48,458
[Chattering, Indistinct]
300
00:29:03,425 --> 00:29:05,904
[Whispering] WE'RE ON
TV. WE'RE EVERYWHERE.
301
00:29:05,928 --> 00:29:07,861
I THINK YOU SHOULD CALM DOWN.
302
00:29:07,930 --> 00:29:10,909
PETER WENT TO GET ICE CREAM. YOU
GO FIND HIM. I'LL GO GET THE TRUCK.
303
00:29:10,933 --> 00:29:12,933
COOL.
304
00:29:24,062 --> 00:29:26,329
WHAT ARE YOU
DOING? I NEED MY CAR!
305
00:29:26,398 --> 00:29:28,381
TELL IT TO IMPOUND.
306
00:29:39,995 --> 00:29:43,813
LOWER THE DAMN CAR!
NOW! NOW! OKAY, OKAY, OKAY.
307
00:29:43,882 --> 00:29:45,816
[Passersby Shouting]
308
00:29:45,884 --> 00:29:48,135
DROP THE GUN, LADY. DROP IT.
309
00:29:52,708 --> 00:29:56,009
TAKE IT EASY. JUST TAKE
IT EASY. [Woman Grunts]
310
00:29:56,077 --> 00:30:00,030
WHOA-WHOA-WHOA. WE GOT
NOTHIN'. IT'LL NEVER WORK.
311
00:30:00,882 --> 00:30:02,899
ALL RIGHT. AAH!
312
00:30:10,876 --> 00:30:12,876
LET'S GET THOSE OFF.
313
00:30:22,938 --> 00:30:26,356
THAT SHOULD MAKE IT EASIER
TO TALK. I HAVE NOTHING TO SAY.
314
00:30:26,425 --> 00:30:28,892
HERE'S THE PROBLEM
WITH THAT, JONI.
315
00:30:30,228 --> 00:30:34,047
YOU'RE THE ONE WITH THE
RECORD. NOT RICK, NOT PETER.
316
00:30:35,834 --> 00:30:37,968
YOU'VE DONE TIME TWICE.
317
00:30:38,036 --> 00:30:41,037
THAT MAKES THIS
THREE STRIKES FOR YOU.
318
00:30:42,140 --> 00:30:44,574
JUST SHOPLIFTING
AND A LITTLE DOPE.
319
00:30:44,643 --> 00:30:47,677
[Emma] I'M NOT
SAYING THE LAW'S FAIR.
320
00:30:47,746 --> 00:30:50,413
BUT THEY'LL COME AFTER
A REPEAT OFFENDER...
321
00:30:50,482 --> 00:30:53,083
HARDER THAN THEY'LL
COME AFTER RICK.
322
00:30:53,151 --> 00:30:55,085
THAT'S A FACT.
323
00:30:55,153 --> 00:30:58,254
SHE'S LUCKY YOU GUYS
ARE HANDLING THIS.
324
00:30:58,323 --> 00:31:01,257
MY RESPONSE WOULD BE
GO ONE-ON-ONE WITH THEM.
325
00:31:01,326 --> 00:31:03,192
YEAH.
326
00:31:03,261 --> 00:31:06,913
[Emma] RIGHT NOW, MY ONLY CONCERN
IS MAKING SURE NO ONE ELSE GETS HURT.
327
00:31:06,982 --> 00:31:10,950
IF YOU'LL HELP
ME, I'LL HELP YOU.
328
00:31:11,019 --> 00:31:13,353
I CAN'T.
329
00:31:13,422 --> 00:31:17,907
JONI, YOU COULD HAVE SHOT THAT
TOW TRUCK DRIVER, BUT YOU DIDN'T.
330
00:31:19,311 --> 00:31:21,561
YOU HAVEN'T KILLED ANYONE.
331
00:31:21,630 --> 00:31:24,514
THAT'S NOT WHO YOU ARE.
332
00:31:24,583 --> 00:31:29,169
WHEN THEY SHOT THAT MAN AT THE
HOTEL, YOU WEREN'T EVEN THERE.
333
00:31:33,058 --> 00:31:35,058
SOMETIMES THINGS HAPPEN.
334
00:31:36,595 --> 00:31:38,595
THEY GET OUT OF HAND.
335
00:31:39,965 --> 00:31:41,981
MAYBE SOMEONE PRESSURES YOU.
336
00:31:48,957 --> 00:31:50,890
[Sighs]
337
00:31:50,959 --> 00:31:54,144
HAVE YOU EVER HAD SOMEONE
THAT YOU'D DO ANYTHING FOR?
338
00:31:55,547 --> 00:31:57,480
[Joni] 'CAUSE THEY'RE
YOUR WHOLE WORLD,
339
00:31:57,549 --> 00:32:00,750
AND YOUR OWN LIFE
DOESN'T EVEN REALLY COUNT.
340
00:32:00,819 --> 00:32:02,919
ONLY YOUR LIFE WITH THEM.
341
00:32:05,173 --> 00:32:07,106
AND YOU'RE HAPPY.
342
00:32:07,175 --> 00:32:09,142
YOU'LL DO ANYTHING THEY SAY...
343
00:32:09,210 --> 00:32:12,395
'CAUSE ALL THAT MATTERS
IS BEING CLOSE WITH THEM.
344
00:32:15,584 --> 00:32:18,251
HAVE YOU EVER LOVED
SOMEBODY LIKE THAT?
345
00:32:19,821 --> 00:32:21,821
YES, I HAVE.
346
00:32:26,611 --> 00:32:28,611
SEE, I NEVER DID.
347
00:32:34,786 --> 00:32:37,971
HEY, HONEY, YOU'RE IN
THE WRONG LINE OF WORK.
348
00:32:38,039 --> 00:32:41,174
GET HER BACK TO HER CELL.
349
00:32:43,762 --> 00:32:46,129
HEY! I NEED A LAWYER IN HERE!
350
00:32:46,198 --> 00:32:49,148
YOU HEAR ME? LAWYER!
351
00:33:00,045 --> 00:33:01,978
LET IT GO, EMMA.
352
00:33:03,649 --> 00:33:05,582
YOU'RE RIGHT.
353
00:33:05,651 --> 00:33:07,584
I DON'T KNOW THEM.
354
00:33:07,653 --> 00:33:10,253
I'LL NEVER UNDERSTAND THEM.
355
00:33:11,306 --> 00:33:13,322
AGENT HOLLIS.
356
00:33:15,043 --> 00:33:18,094
YOU'RE NOT IN THE
WRONG LINE OF WORK.
357
00:33:20,114 --> 00:33:22,733
[Engine Starts]
358
00:33:52,514 --> 00:33:55,681
THANK YOU. THANK YOU.
359
00:33:55,750 --> 00:33:57,767
THANK YOU.
360
00:34:05,043 --> 00:34:07,005
THAT PHONE. DOES IT DO 911?
361
00:34:07,029 --> 00:34:08,961
YEAH. IS THERE AN EMERGENCY?
362
00:34:09,031 --> 00:34:10,746
[Weapon Cocks] [Woman Screams]
363
00:34:14,052 --> 00:34:17,537
WE GOT ANOTHER PASSENGER
TO PICK UP. CITY JAIL.
364
00:34:30,919 --> 00:34:33,898
THEY WANT THE GIRL ON THE STEPS
WAITING FOR THEM WHEN THEY GET HERE.
365
00:34:33,922 --> 00:34:35,900
WHAT DO WE DO?
CORDON OFF THE STREETS.
366
00:34:35,924 --> 00:34:39,025
CAPTAIN, THEY'RE BACK ON LINE
ASKING FOR YOU. KEEP 'EM TALKING.
367
00:34:39,094 --> 00:34:42,028
DON'T SAY YES OR NO. JUST
STALL. DON'T GIVE THEM ANYTHING.
368
00:34:42,097 --> 00:34:45,031
HOW LONG TILL STATE SWAT
ARRIVES? AT LEAST 30 MINUTES.
369
00:34:45,100 --> 00:34:47,383
WE'VE GOT TO STALL
THEM UNTIL THEN.
370
00:34:53,075 --> 00:34:54,874
COME ON, COME ON.
371
00:34:54,943 --> 00:34:57,227
[Van Horn] IS ANYONE THERE?
372
00:34:59,831 --> 00:35:02,449
- THIS IS CAPTAIN KEVIN MANN.
- CAPTAIN, MY CAPTAIN.
373
00:35:02,517 --> 00:35:04,517
TURN RIGHT HERE, RIGHT NOW.
374
00:35:06,922 --> 00:35:11,057
- IS EVERYONE THERE OKAY?
- I CAN'T SPEAK FOR THE OTHERS,
BUT I'VE BEEN BETTER.
375
00:35:11,126 --> 00:35:13,687
IT'S 'CAUSE I'M NOT SEEING
JONI OUTSIDE LIKE I SAID.
376
00:35:13,711 --> 00:35:15,445
STOP RIGHT UP THERE.
377
00:35:22,638 --> 00:35:26,156
- HOW CAN WE PUT AN END
TO THIS, RICK?
- I ALREADY TOLD YOU, KEVIN.
378
00:35:26,224 --> 00:35:29,425
BRING JONI OUT, OR I KILL
EVERYBODY ON BOARD!
379
00:35:29,494 --> 00:35:32,457
ALL OFFICERS ARE BACK FROM
PATROL. EVERYONE'S IN POSITION.
380
00:35:32,481 --> 00:35:34,692
HOW MANY? TWELVE.
COUNTING US, 14.
381
00:35:34,716 --> 00:35:37,550
- IS ANYONE THERE?
- I'M HERE.
382
00:35:37,619 --> 00:35:40,579
WELL, ARE YOU DEAF, OR ARE YOU
STUPID? WHAT'S YOUR DAMN PROBLEM?
383
00:35:42,073 --> 00:35:43,840
- WHAT'S GOING ON?
- AHH!
384
00:35:45,060 --> 00:35:47,376
HE JUST HUNG UP.
385
00:35:47,445 --> 00:35:49,445
YOU'LL HEAR FROM HIM AGAIN.
386
00:35:54,135 --> 00:35:55,969
[Peter Screaming]
387
00:35:57,138 --> 00:35:59,355
[Screaming Continues]
388
00:35:59,424 --> 00:36:02,642
- SNIPERS, PREPARE TO FIRE.
- NO. TELL THEM TO HOLD
THEIR FIRE, NOT TO SHOOT.
389
00:36:05,913 --> 00:36:08,265
YOU MAGGOTS!
390
00:36:27,469 --> 00:36:29,469
[Passengers Gasping, Whimpering]
391
00:36:31,506 --> 00:36:34,140
[Radio: Reporter] AUTHORITIES WERE
FIRST ALERTED TO THE THREAT...
392
00:36:34,209 --> 00:36:37,143
AS THE HIJACKED BUS DROVE
ERRATICALLY THROUGH RED LIGHTS,
393
00:36:37,212 --> 00:36:39,207
NEARLY HITTING
SEVERAL MOTORISTS.
394
00:36:39,231 --> 00:36:42,966
AVOID THE AREA OF THE POLICE STATION AT
THE INTERSECTION OF MADISON AND HIGHLAND,
395
00:36:43,035 --> 00:36:47,186
WHERE TWO HEAVILY ARMED WHITE
MALES HOLD 11 HOSTAGES IN AN F.R.D. BUS.
396
00:36:47,255 --> 00:36:50,016
STAY TUNED FOR STREET CLOSURES
AND OTHER BREAKING NEWS...
397
00:36:57,132 --> 00:36:59,632
[Mann] LET'S PUT THE
WOMAN ON THE PHONE.
398
00:36:59,701 --> 00:37:02,568
HAVE HER TALK TO HIM.
TRY AND BUY SOME TIME.
399
00:37:02,637 --> 00:37:04,570
THAT WON'T FIX IT.
400
00:37:04,639 --> 00:37:07,573
HE'S ON A SPREE. HE
WANTS A FIREFIGHT.
401
00:37:07,642 --> 00:37:11,644
HE'S NOT GONNA TRY AND BLAST HIS WAY INTO
A POLICE STATION. CAPTAIN, WE GOT MOVEMENT.
402
00:37:22,624 --> 00:37:24,624
[Gasps]
403
00:37:55,022 --> 00:37:58,023
- TELL YOUR MEN TO GET READY.
- FOR WHAT?
404
00:37:59,961 --> 00:38:02,562
THEY'RE NEVER GONNA LET HER GO.
405
00:38:02,630 --> 00:38:06,416
WE COULD KILL EVERY MORON ON
BOARD; THEY STILL WOULDN'T LET HER GO.
406
00:38:08,570 --> 00:38:11,437
SO, WHAT DO WE DO? WE
POWER IN THERE AND GRAB HER.
407
00:38:11,506 --> 00:38:14,824
[Laughing] I SAW
'EM. WE CAN DO IT.
408
00:38:14,892 --> 00:38:17,060
LOOK AT US.
409
00:38:17,128 --> 00:38:19,062
WE'RE UNSTOPPABLE.
410
00:38:19,130 --> 00:38:20,947
YOU AND ME.
411
00:38:21,015 --> 00:38:23,016
KING OF THE WORLD!
412
00:39:13,001 --> 00:39:16,281
SNIPERS, HOLD FIRE UNTIL THEY'RE
WELL CLEAR OF THE HOSTAGES.
413
00:39:26,565 --> 00:39:28,848
[Peter] DAMN IT.
414
00:39:28,917 --> 00:39:30,783
YOU AND ME, MAN.
415
00:39:38,626 --> 00:39:40,893
[Screams]
416
00:39:48,870 --> 00:39:51,571
SNIPERS, WHO'S
GOT A BEAD ON THEM?
417
00:40:01,982 --> 00:40:03,583
[Groans]
418
00:40:03,651 --> 00:40:05,935
[Officer On Bullhorn] MAN
DOWN. HOLD YOUR FIRE.
419
00:40:06,003 --> 00:40:07,520
SUSPECT DOWN. SUSPECT DOWN.
420
00:40:07,589 --> 00:40:09,555
HELP.
421
00:40:36,867 --> 00:40:39,452
STOP THE CAR! [Grunting]
422
00:40:45,727 --> 00:40:47,727
BACK UP.
423
00:40:56,904 --> 00:40:58,921
COME ON, MOVE IT, MOVE IT!
424
00:41:00,275 --> 00:41:03,187
LET'S GO! CHECK
UNDERNEATH THE VEHICLES!
425
00:41:03,211 --> 00:41:05,645
HERE. I GOT NOTHIN'!
426
00:41:05,713 --> 00:41:08,097
OKAY, SPREAD OUT.
CHECK EVERY VEHICLE!
427
00:41:17,575 --> 00:41:19,975
WELL, WELL.
428
00:41:21,513 --> 00:41:24,780
LOOKS LIKE FATE BROUGHT US
TOGETHER, DIDN'T IT, MISS F.B.I.?
429
00:41:34,325 --> 00:41:36,552
YOU MISSED ALL THE
EXCITEMENT, BUT MAYBE WE
430
00:41:36,576 --> 00:41:38,827
CAN FIGURE OUT SOMETHING
FOR THE TWO OF US.
431
00:41:44,202 --> 00:41:47,165
[Cell Phone Ringing] I WANT DOUBLE CARS
ON EACH OF THESE PERIMETER BRIDGES.
432
00:41:47,189 --> 00:41:50,139
I DON'T WANT ANYONE
MISSING THE INTERSTATE.
433
00:41:50,208 --> 00:41:53,009
YEAH. [Van Horn] PULL OVER.
434
00:41:53,078 --> 00:41:56,011
[Emma] KEEP AWAY FROM ME.
435
00:41:56,080 --> 00:41:58,013
HE'S WITH HOLLIS. GET ME A CAR.
436
00:41:58,083 --> 00:42:00,483
[Van Horn] I'M TRYIN',
BUT IT IS VERY HARD.
437
00:42:00,552 --> 00:42:04,837
ALL FUN AND GAMES,
HUH? YOU'LL WIND UP DEAD.
438
00:42:04,906 --> 00:42:07,507
THEY GAVE IT THEIR BEST SHOT.
439
00:42:07,575 --> 00:42:09,525
PULL OVER.
440
00:42:09,594 --> 00:42:13,512
TRIANGULATE THIS CALL. I NEED A CHOPPER
OVER THERE, AND AN E.M.T. CREW, NOW!
441
00:42:13,581 --> 00:42:15,898
YES, SIR! [Siren Blaring]
442
00:42:15,967 --> 00:42:17,566
PULL OVER!
443
00:42:33,467 --> 00:42:35,535
ARE YOU SCARED... EMMA?
444
00:42:35,603 --> 00:42:37,836
[Chamber Cocks]
445
00:42:39,240 --> 00:42:41,173
YES.
446
00:42:41,242 --> 00:42:43,376
THAT'S SMART NOT TO LIE.
447
00:42:43,444 --> 00:42:45,394
PEOPLE ARE DEAD.
448
00:42:45,463 --> 00:42:49,181
- I DON'T HAVE TIME
FOR YOUR GAMES.
- PULL OVER.
449
00:42:53,138 --> 00:42:55,220
OKAY.
450
00:42:55,290 --> 00:42:57,222
OKAY.
451
00:42:57,291 --> 00:43:00,042
BUT FIRST, TELL ME WHY.
452
00:43:01,262 --> 00:43:03,196
WHY?
453
00:43:10,020 --> 00:43:12,104
YOU TELL ME.
454
00:43:55,550 --> 00:43:57,549
HEL...
455
00:44:01,105 --> 00:44:03,039
HELP...
456
00:44:05,576 --> 00:44:07,660
HELP...
457
00:44:15,603 --> 00:44:17,936
[Sobbing]
458
00:44:27,682 --> 00:44:31,116
[Emma] WHAT IF THERE
IS NO "WHY," MEL?
459
00:44:31,185 --> 00:44:33,752
WHAT IF YOU CAN NEVER KNOW...
460
00:44:35,190 --> 00:44:37,389
IF THERE IS NO WHY?
461
00:45:25,823 --> 00:45:28,758
[Child] I MADE THIS!
34277
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.