Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:13,560 --> 00:00:14,880
How are we doing?
2
00:00:14,960 --> 00:00:16,280
Uh, yeah.
3
00:00:16,360 --> 00:00:18,120
- All okay?
- Mm-hmm.
4
00:00:18,200 --> 00:00:23,120
- Am I in the right ballpark?
- Yeah. Uh, just come a bit...
5
00:00:23,640 --> 00:00:25,240
Is that?
6
00:00:25,320 --> 00:00:26,320
Yeah.
7
00:00:26,360 --> 00:00:29,240
- How about that?
- Mm-hmm.
8
00:00:38,200 --> 00:00:41,040
- And now?
- Yeah. A... a little to the left.
9
00:00:41,560 --> 00:00:44,000
- But my left or stage left?
- My left.
10
00:00:44,520 --> 00:00:45,520
So, stage right.
11
00:01:19,200 --> 00:01:22,480
Fuck!
12
00:01:22,560 --> 00:01:23,560
Fuck.
13
00:01:24,040 --> 00:01:25,400
You missed breakfast.
14
00:01:25,480 --> 00:01:28,000
Mrs. Thomas wanted you to have these.
15
00:01:28,520 --> 00:01:31,400
And... this.
16
00:01:31,480 --> 00:01:33,200
♪ Outside there's a box car waiting... ♪
17
00:01:33,280 --> 00:01:34,440
What is it?
18
00:01:35,280 --> 00:01:37,080
Some kind of... curd.
19
00:01:39,640 --> 00:01:41,800
Okay, guys. In we go.
20
00:01:42,320 --> 00:01:43,840
- Morning.
- Morning.
21
00:01:43,920 --> 00:01:45,120
Good morning.
22
00:01:48,680 --> 00:01:49,720
Okay, are we in?
23
00:01:53,760 --> 00:01:55,160
To be continued.
24
00:01:56,160 --> 00:01:59,000
- Okay. Morning, folk.
- Morning.
25
00:01:59,080 --> 00:02:01,320
- Good morning, guys.
- Morning.
26
00:02:01,400 --> 00:02:03,240
♪ There is a wait so long ♪
27
00:02:03,320 --> 00:02:05,280
♪ So long, so long ♪
28
00:02:05,360 --> 00:02:06,600
♪ You'll never wait... ♪
29
00:02:06,680 --> 00:02:09,056
- Okay. Come on. Let's do this.
- All right.
30
00:02:11,000 --> 00:02:12,280
Where are we today, Em?
31
00:02:12,360 --> 00:02:15,240
Uh, Heartwood Community Primary
at Wolverhampton.
32
00:02:15,320 --> 00:02:17,760
Last show of the tour, comrades.
Let's make it a good 'un.
33
00:02:19,840 --> 00:02:22,440
Or at least, no worse
than the low bar we set yesterday.
34
00:02:22,520 --> 00:02:24,040
What's that stink?
35
00:02:24,120 --> 00:02:25,840
Your attitude.
36
00:02:25,920 --> 00:02:27,480
That's the remains of the clutch.
37
00:02:27,560 --> 00:02:31,080
No, it's not.
It's bloody petrol. I'm ringing Equity.
38
00:02:31,160 --> 00:02:32,960
Bye, Mrs. T!
39
00:02:33,040 --> 00:02:34,680
Thanks for the bedbugs.
40
00:02:34,760 --> 00:02:37,880
♪ Stone fall and break my crown... ♪
41
00:02:37,960 --> 00:02:39,240
Mind if I just...
42
00:02:39,320 --> 00:02:40,320
Sorry.
43
00:02:40,360 --> 00:02:41,720
♪ So long, so long ♪
44
00:02:41,800 --> 00:02:46,200
♪ You'll never wait so long ♪
45
00:02:46,280 --> 00:02:48,760
♪ Here comes your man ♪
46
00:03:08,960 --> 00:03:09,960
"Where were we?"
47
00:03:14,440 --> 00:03:16,440
"Shaf-tes-bury Avenue."
48
00:03:17,040 --> 00:03:18,560
Two syllables.
49
00:03:18,640 --> 00:03:20,040
"Shaftes-bury."
50
00:03:20,720 --> 00:03:22,800
Why not "Shaf-tes-bury"?
51
00:03:25,480 --> 00:03:26,520
No idea.
52
00:03:27,040 --> 00:03:29,360
But you are meant to be my teacher.
53
00:03:29,440 --> 00:03:30,760
You are meant to know.
54
00:03:31,360 --> 00:03:32,360
Sorry.
55
00:03:33,560 --> 00:03:36,040
Hmm. Let's put this aside.
56
00:03:38,000 --> 00:03:41,360
And revise again
what we were just revising.
57
00:03:42,600 --> 00:03:46,240
Dear Dex.
Or should I say, "Ciao, bella"?
58
00:03:46,760 --> 00:03:48,280
Are you in Rome yet?
59
00:03:48,360 --> 00:03:50,280
Your pretend teaching job must start soon,
60
00:03:50,360 --> 00:03:52,560
and I think you said
your parents were coming to visit.
61
00:03:52,640 --> 00:03:54,440
If so, please send them my regards.
62
00:03:54,520 --> 00:03:57,480
I'm sure they remember me fondly
as the girl who came to stay,
63
00:03:57,560 --> 00:04:01,520
drank all their wine, and lectured them
about the founding of the welfare state.
64
00:04:02,240 --> 00:04:03,360
Oh God.
65
00:04:06,720 --> 00:04:11,560
I write from the dazzlingly
picturesque A4123 to Wolverhampton.
66
00:04:12,240 --> 00:04:13,920
It's the last show of the tour today.
67
00:04:14,000 --> 00:04:19,000
The Royal Shakespeare Company we are not,
but it's fun and important, maybe.
68
00:04:19,080 --> 00:04:21,040
We've been round here.
69
00:04:21,120 --> 00:04:24,400
If I have to see that cunting Pizza Hut
one more time!
70
00:04:24,480 --> 00:04:27,240
Then close your eyes,
you miserable bastard.
71
00:04:27,320 --> 00:04:29,200
How dare you speak
to me like that?
72
00:04:29,280 --> 00:04:31,480
There's been a lovely camaraderie
in the company.
73
00:04:31,520 --> 00:04:32,880
I'll report you to Equity.
74
00:04:32,960 --> 00:04:34,560
But acting's not for me.
75
00:04:34,640 --> 00:04:37,600
The only emotion I can convey convincingly
is embarrassment,
76
00:04:37,680 --> 00:04:40,320
and I still don't know
what to do with my hands.
77
00:04:45,440 --> 00:04:48,640
No time in the dressing room.
We'll be straight in and then straight on.
78
00:04:48,720 --> 00:04:51,400
So while you're poncing around
eating gelato,
79
00:04:51,480 --> 00:04:54,680
I'm sat here pondering, "What next?"
80
00:04:55,680 --> 00:04:58,840
What am I doing with my life?
Where do I go from here?
81
00:05:01,280 --> 00:05:02,600
Who is he, then?
82
00:05:03,360 --> 00:05:04,640
Who's who?
83
00:05:04,720 --> 00:05:06,200
"Dear Dex."
84
00:05:06,280 --> 00:05:08,640
Oh. Uh, he's a friend from university.
85
00:05:08,720 --> 00:05:10,920
What friend
sends that many postcards?
86
00:05:11,000 --> 00:05:13,000
One who's too idle
to write a letter.
87
00:05:13,760 --> 00:05:16,840
Dexter Mayhew, I take it.
Is that who you're talking about?
88
00:05:16,920 --> 00:05:20,160
Yeah, I cast him once
at a play in Edinburgh.
89
00:05:20,240 --> 00:05:21,720
Was he any good?
90
00:05:21,800 --> 00:05:23,880
Diabolical accent. Couldn't sing.
91
00:05:23,960 --> 00:05:26,400
Made no effort to learn his lines.
92
00:05:26,480 --> 00:05:28,560
So I would say no.
93
00:05:28,640 --> 00:05:31,480
Just twatted about
in the costume, smoking.
94
00:05:32,080 --> 00:05:34,080
Yeah. Yeah, that does sound like Dexter.
95
00:05:34,160 --> 00:05:36,920
He's a profoundly unserious person.
96
00:05:37,000 --> 00:05:38,320
Yeah.
97
00:05:38,400 --> 00:05:39,800
Oh. And Gary sends his love.
98
00:05:44,000 --> 00:05:46,520
- I think you should do it this afternoon.
- Mom?
99
00:05:47,600 --> 00:05:50,440
Dexter, where have you been?
100
00:05:50,520 --> 00:05:51,520
Oh, you know.
101
00:05:51,560 --> 00:05:54,800
Just over there,
watching you chat up young men.
102
00:05:54,880 --> 00:05:56,240
Oh, how dare you?
103
00:05:58,000 --> 00:05:59,640
You're such a flirt.
104
00:05:59,720 --> 00:06:02,480
Where do you think you got it from?
It wasn't Dad.
105
00:06:04,600 --> 00:06:06,560
Look at you. You're all tanned.
106
00:06:06,640 --> 00:06:09,760
- Are you drunk already?
- No, I'm just pleased to see you.
107
00:06:10,720 --> 00:06:13,840
Where were you last night?
We waited at the restaurant for ages.
108
00:06:13,920 --> 00:06:15,000
The college disco.
109
00:06:16,520 --> 00:06:18,840
What? They're all over 18.
110
00:06:20,160 --> 00:06:21,520
Well, we missed you.
111
00:06:22,320 --> 00:06:23,320
Here.
112
00:06:25,120 --> 00:06:26,800
Can't finish this by myself.
113
00:06:32,000 --> 00:06:33,200
Thank you.
114
00:06:34,120 --> 00:06:36,520
- Cheers.
- Cheers.
115
00:06:43,160 --> 00:06:44,480
You look well.
116
00:06:46,360 --> 00:06:47,400
So do you.
117
00:06:51,880 --> 00:06:55,800
I know you think they make you look
like a film star, but they don't.
118
00:06:55,880 --> 00:06:56,800
It looks awful.
119
00:06:56,880 --> 00:06:58,640
Well, why do you do it, then?
120
00:06:58,720 --> 00:07:01,280
'Cause it makes me look sensational.
121
00:07:03,280 --> 00:07:05,520
Okay. This is it, guys.
The last day of the tour.
122
00:07:05,600 --> 00:07:08,040
- What's happened to my trousers?
- Can't get nervous.
123
00:07:08,080 --> 00:07:10,600
Has someone been meddling
with my fucking trousers?
124
00:07:10,680 --> 00:07:13,296
- Stay present. Candy, great warm-up.
- Five minutes, guys.
125
00:07:13,320 --> 00:07:15,720
Kwame, a looseness
on the keys as well, please.
126
00:07:15,800 --> 00:07:17,400
And keep it lively. Keep it fresh.
127
00:07:18,160 --> 00:07:19,920
Mind! Jesus!
128
00:07:20,000 --> 00:07:21,360
There's no lock.
129
00:07:21,440 --> 00:07:24,240
Ah, the glamor
and the smell of the greasepaint.
130
00:07:24,320 --> 00:07:26,480
I can smell that,
and it's not greasepaint.
131
00:07:26,560 --> 00:07:27,560
Drink some water.
132
00:07:27,640 --> 00:07:30,280
- Fuck off.
- Uh, can we stay focused? Um...
133
00:07:30,360 --> 00:07:34,080
Say the lines like you're saying them
for the first time.
134
00:07:34,160 --> 00:07:37,360
- I'm a bit emotional.
- Save it. Save that for the scenes.
135
00:07:37,440 --> 00:07:38,720
Uh, and remember.
136
00:07:38,800 --> 00:07:40,960
Don't just act. React.
137
00:07:41,040 --> 00:07:43,920
Your focus is always on that other actor
because they are real,
138
00:07:44,000 --> 00:07:45,120
and they only exist in...
139
00:07:45,200 --> 00:07:47,040
Another opening, another show.
140
00:07:47,120 --> 00:07:50,000
Down the hall,
first left after the Bayeux Tapestry.
141
00:07:50,080 --> 00:07:51,880
Come on. Come on. Come on. Let's go.
142
00:07:52,760 --> 00:07:54,160
- Today.
- Oh God.
143
00:07:54,240 --> 00:07:55,800
And trust your instincts.
144
00:07:57,280 --> 00:07:59,240
So, tell me.
145
00:07:59,320 --> 00:08:02,000
Have you met anyone on your grand tour?
146
00:08:02,880 --> 00:08:04,520
I've met lots of people.
147
00:08:04,600 --> 00:08:06,720
Who?
148
00:08:06,800 --> 00:08:09,280
Tell me while your father's not here.
149
00:08:10,200 --> 00:08:12,640
You know I'm forced
to live vicariously through my children,
150
00:08:12,720 --> 00:08:14,440
and your sister is such a virgin.
151
00:08:16,320 --> 00:08:17,400
You are drunk.
152
00:08:17,480 --> 00:08:20,320
How she got two children, I'll never know.
153
00:08:21,120 --> 00:08:25,120
Who's been sending you all those long,
tearstained letters we keep forwarding?
154
00:08:25,200 --> 00:08:26,440
Tearstained?
155
00:08:26,520 --> 00:08:27,960
Just tell me.
156
00:08:28,480 --> 00:08:29,920
There's nothing to tell.
157
00:08:30,680 --> 00:08:31,840
Really?
158
00:08:31,920 --> 00:08:33,840
Really.
159
00:08:35,000 --> 00:08:38,240
What about that girl
who came and stayed for Christmas?
160
00:08:38,320 --> 00:08:39,520
She was pretty.
161
00:08:40,040 --> 00:08:43,600
A bit shy. And she got drunk and started
shouting about the miner's strike.
162
00:08:43,680 --> 00:08:47,000
That was Emma Morley.
163
00:08:47,080 --> 00:08:48,920
Emma Morley.
164
00:08:49,640 --> 00:08:50,920
I liked her.
165
00:08:51,440 --> 00:08:54,320
Even if she did call your father
a bourgeois fascist.
166
00:08:54,840 --> 00:08:56,120
I didn't mind.
167
00:08:56,200 --> 00:08:58,640
At least she had a bit of fire,
a bit of passion.
168
00:08:59,120 --> 00:09:03,040
Not like the silly sexpots
we usually find at the breakfast table.
169
00:09:03,120 --> 00:09:04,840
- Mom!
- Well, it's true.
170
00:09:06,120 --> 00:09:07,720
What about this Emma?
171
00:09:10,360 --> 00:09:11,760
She's just a friend.
172
00:09:13,600 --> 00:09:14,640
Really?
173
00:09:15,200 --> 00:09:16,200
Yes.
174
00:09:18,520 --> 00:09:21,240
- I thought she was funny.
- Mm.
175
00:09:21,320 --> 00:09:22,760
And that she liked you.
176
00:09:24,000 --> 00:09:26,200
- Liked me?
- Mm-hmm.
177
00:09:27,080 --> 00:09:28,400
Everyone likes me.
178
00:09:34,080 --> 00:09:35,840
Don't stop being nice, will you?
179
00:09:37,080 --> 00:09:38,080
What?
180
00:09:39,440 --> 00:09:41,840
We've got this afternoon together,
don't we?
181
00:09:44,040 --> 00:09:46,280
Yeah. And the evening too, if you want.
182
00:09:47,040 --> 00:09:48,080
Good.
183
00:09:49,960 --> 00:09:54,000
Please give a warm
Heartwood Community Primary welcome
184
00:09:54,080 --> 00:09:56,200
to Sledgehammer.
185
00:10:08,960 --> 00:10:12,040
♪ Deeds, not words ♪
186
00:10:12,120 --> 00:10:14,640
♪ Deeds, not words ♪
187
00:10:15,320 --> 00:10:18,440
♪ Deeds, not words ♪
188
00:10:18,520 --> 00:10:20,920
♪ Deeds, not words ♪
189
00:10:22,400 --> 00:10:27,440
{n8}Once upon a time, not so very long ago,
only men were allowed to vote.
190
00:10:29,360 --> 00:10:33,440
{n8}Women had argued for years
for this basic right, but nothing changed.
191
00:10:33,520 --> 00:10:35,560
Until, one day...
192
00:10:37,880 --> 00:10:42,680
along came a woman
called Emmeline Pankhurst, who decided...
193
00:10:42,760 --> 00:10:45,360
Enough is enough!
194
00:10:45,440 --> 00:10:47,040
Too big. Too big.
195
00:10:49,840 --> 00:10:52,680
♪ Deeds, not words ♪
196
00:10:52,760 --> 00:10:55,920
♪ Deeds, not words ♪
197
00:10:56,000 --> 00:10:57,640
♪ Deeds, not... ♪
198
00:11:03,160 --> 00:11:05,880
- To Sledgehammer.
- To Sledgehammer!
199
00:11:05,960 --> 00:11:06,880
Hammer!
200
00:11:06,960 --> 00:11:09,760
Uh, to Candy for her phenomenal mask work.
201
00:11:09,840 --> 00:11:12,680
To Kwame, voice of an angel.
Sid, of course, for keeping us grounded.
202
00:11:12,760 --> 00:11:14,720
- Oh, fuck off.
- And obviously, Emma.
203
00:11:14,800 --> 00:11:16,040
For everything.
204
00:11:17,840 --> 00:11:19,080
Aw.
205
00:11:19,160 --> 00:11:23,240
Uh, to groundbreaking,
radical theater.
206
00:11:23,320 --> 00:11:29,400
To many more productions,
and to changing young lives through art.
207
00:11:30,280 --> 00:11:33,440
To the kid who wet himself
during my soliloquy and blamed his flask.
208
00:11:33,520 --> 00:11:36,560
To the boys in Solihull
who chucked Minstrels at me.
209
00:11:36,640 --> 00:11:39,040
And to the prefect at Marston Hill
who felt me up.
210
00:11:39,120 --> 00:11:41,360
Ugh.
211
00:11:41,440 --> 00:11:44,560
- Where have you been?
- Post office. Right, something for you.
212
00:11:45,320 --> 00:11:46,440
Something for you.
213
00:11:46,520 --> 00:11:48,760
So he's moved on to packages now,
has he?
214
00:11:48,840 --> 00:11:50,440
No, it's from my mom.
215
00:11:51,240 --> 00:11:53,000
Oh, and there was a message
from your agent.
216
00:11:54,160 --> 00:11:55,440
- Was there?
- No.
217
00:11:58,720 --> 00:11:59,840
Brutal.
218
00:11:59,920 --> 00:12:01,280
Too far, Tracey.
219
00:12:07,400 --> 00:12:09,080
So, what next?
220
00:12:09,960 --> 00:12:11,040
Espresso.
221
00:12:11,640 --> 00:12:14,240
You can't have a cappuccino
after breakfast. No one in Italy does.
222
00:12:14,320 --> 00:12:17,360
I mean, what next for you, Dexter?
What's your plan?
223
00:12:18,320 --> 00:12:19,400
Plan?
224
00:12:19,480 --> 00:12:22,640
Yes. You said you're nearly finished here.
So what now?
225
00:12:24,160 --> 00:12:25,160
Don't know.
226
00:12:26,360 --> 00:12:27,440
Barcelona?
227
00:12:27,520 --> 00:12:29,840
I don't mean what city, Dexter.
228
00:12:29,920 --> 00:12:32,240
I mean, what are you going to do
with your life?
229
00:12:33,080 --> 00:12:35,760
Why are you in such a rush
for me to figure out what I'm doing?
230
00:12:36,640 --> 00:12:38,880
I'm just asking because I love you.
231
00:12:39,680 --> 00:12:40,680
Mm.
232
00:12:45,320 --> 00:12:46,840
Maybe, um,
233
00:12:48,200 --> 00:12:49,240
journalism.
234
00:12:50,320 --> 00:12:51,360
Journalism?
235
00:12:52,720 --> 00:12:54,920
But you don't write, do you?
236
00:12:56,040 --> 00:12:59,560
Well, I was thinking
maybe photojournalism.
237
00:13:00,520 --> 00:13:02,680
Actually, I was thinking
about photography.
238
00:13:03,520 --> 00:13:05,000
Photography?
239
00:13:05,080 --> 00:13:07,560
- Yeah.
- What kind of photography? Glamor?
240
00:13:09,200 --> 00:13:13,720
Or will you be
continuing your work on texture?
241
00:13:15,280 --> 00:13:17,880
Do you remember your O-level art project?
242
00:13:18,400 --> 00:13:21,200
- I remember.
- All those photographs of gravel.
243
00:13:21,280 --> 00:13:25,840
Oh my God. You used to stand
in the driveway for hours, snapping away.
244
00:13:26,760 --> 00:13:28,520
Sorry, Dexter. That was mean.
245
00:13:29,200 --> 00:13:30,600
I'm a mean woman.
246
00:13:32,280 --> 00:13:33,720
It's just a thought.
247
00:13:38,080 --> 00:13:40,840
- Looks and charm go a long way, Dexter.
- Mom.
248
00:13:40,920 --> 00:13:43,800
And you've got both in abundance.
249
00:13:43,880 --> 00:13:47,120
But I'm worried
that you lack drive, purpose.
250
00:13:47,640 --> 00:13:50,480
Purpose is so key to happiness, darling.
251
00:13:50,560 --> 00:13:53,760
I'm not enjoying
this conversation.
252
00:13:56,520 --> 00:14:00,680
What I'm trying to say
is that you've had luck.
253
00:14:00,760 --> 00:14:02,720
So much luck.
254
00:14:03,640 --> 00:14:05,880
And you've been protected from things.
255
00:14:06,400 --> 00:14:08,840
Responsibilities and money.
256
00:14:10,000 --> 00:14:11,680
But you're an adult now.
257
00:14:12,840 --> 00:14:13,840
And
258
00:14:14,960 --> 00:14:16,040
one day...
259
00:14:18,160 --> 00:14:20,000
things might not be this...
260
00:14:21,920 --> 00:14:23,200
serene.
261
00:14:31,240 --> 00:14:33,440
No. It'll just be stamps and socks
and some job ads.
262
00:14:33,520 --> 00:14:35,200
Jobs? Where?
263
00:14:35,800 --> 00:14:37,440
- What, Leeds?
- Yeah.
264
00:14:37,520 --> 00:14:39,480
Are you going back, then?
265
00:14:39,560 --> 00:14:40,800
Yeah, I suppose I am.
266
00:14:41,320 --> 00:14:42,600
I mean, I did toy with Paris,
267
00:14:42,680 --> 00:14:45,656
but then I thought it might be tricky
to sign on from the bank of the Seine.
268
00:14:45,680 --> 00:14:47,360
What auditions are you gonna get in Leeds?
269
00:14:47,440 --> 00:14:48,880
I don't want to audition.
270
00:14:49,440 --> 00:14:50,680
I... I wanna write.
271
00:14:50,760 --> 00:14:52,240
Plays, books.
272
00:14:52,320 --> 00:14:53,800
- Ah.
- Hark at her.
273
00:14:53,880 --> 00:14:56,720
Sounds so grand, doesn't it?
"I want to write."
274
00:14:56,800 --> 00:14:59,120
- What you gonna write?
- Our next play.
275
00:15:00,080 --> 00:15:03,160
Probably about a woman who goes back home
with her fancy college ways
276
00:15:03,240 --> 00:15:05,040
and is never heard from again.
277
00:15:09,280 --> 00:15:11,480
- What would you like?
- Uh...
278
00:15:11,560 --> 00:15:12,800
Can I have a word?
279
00:15:15,640 --> 00:15:17,120
Yeah. Sorry.
280
00:15:28,160 --> 00:15:29,920
It's been really amazing, Emma.
281
00:15:30,600 --> 00:15:31,600
It's been fun.
282
00:15:32,200 --> 00:15:35,360
So let's keep going.
Don't go back to Leeds.
283
00:15:36,480 --> 00:15:38,880
Let's stay on the van, do another play.
284
00:15:40,560 --> 00:15:45,680
You know the apartheid project
that I wrote to the Arts Council about?
285
00:15:46,320 --> 00:15:50,040
They want it,
and they want me to develop it further.
286
00:15:51,840 --> 00:15:53,680
- Uh, congratulations.
- Yep.
287
00:15:54,640 --> 00:15:57,960
Sorry. Sorry. The apartheid project.
Is that the proposal I wrote?
288
00:15:58,040 --> 00:15:59,760
Yeah. Yeah, yeah, yeah, yeah.
289
00:15:59,840 --> 00:16:03,320
They... They want me to direct it.
290
00:16:03,960 --> 00:16:06,760
But I just think we make a good team.
291
00:16:06,840 --> 00:16:09,440
Sartre and De Beauvoir.
292
00:16:09,520 --> 00:16:12,560
Plath and Hughes.
You know, Beckett and Barbara Bray.
293
00:16:12,640 --> 00:16:14,200
- Who's Bray?
- Beckett's girlfriend.
294
00:16:14,280 --> 00:16:16,600
- I've never heard of her.
- She was a minor figure.
295
00:16:18,040 --> 00:16:19,720
In her lifetime.
296
00:16:22,240 --> 00:16:23,960
Come on, Emma.
297
00:16:25,160 --> 00:16:26,160
Don't go home.
298
00:16:27,560 --> 00:16:30,600
Let's do this. Let's make theater.
299
00:16:33,760 --> 00:16:35,360
Let's change the world.
300
00:16:46,480 --> 00:16:47,480
This is me.
301
00:16:50,040 --> 00:16:52,080
- Looks nice.
- Mm.
302
00:16:52,600 --> 00:16:55,880
You know your father
and I first stayed here in 1958?
303
00:16:55,960 --> 00:16:57,600
- Really?
- Mm-hmm.
304
00:16:59,280 --> 00:17:00,920
Long time ago now.
305
00:17:03,240 --> 00:17:05,760
- Are you all right, Mom?
- Hmm?
306
00:17:05,840 --> 00:17:10,280
I don't know. You seem a bit...
preoccupied with something.
307
00:17:11,400 --> 00:17:12,400
I...
308
00:17:13,560 --> 00:17:15,560
I did want to talk to you
about something else,
309
00:17:15,640 --> 00:17:18,560
but I'm a bit drunk now, I think.
310
00:17:18,640 --> 00:17:21,520
Take me for lunch tomorrow.
We can talk about it properly. Hmm?
311
00:17:22,440 --> 00:17:25,160
Just you and me.
Somewhere expensive. My treat.
312
00:17:26,800 --> 00:17:28,200
I am proud of you.
313
00:17:31,200 --> 00:17:32,200
Thanks.
314
00:17:33,920 --> 00:17:35,120
Good night, darling.
315
00:17:45,320 --> 00:17:47,640
- Good night.
- Night.
316
00:17:47,720 --> 00:17:49,840
Wait, you seem... you seem a bit...
317
00:17:52,560 --> 00:17:55,240
Is it... Is it you and Dad?
Are you getting a divorce?
318
00:17:55,320 --> 00:17:57,960
God, no. Never!
319
00:17:59,600 --> 00:18:01,600
Who could resist such a man?
320
00:18:05,880 --> 00:18:06,800
Hello, darling.
321
00:18:06,880 --> 00:18:08,120
Mwah.
322
00:18:09,680 --> 00:18:11,360
- Hi, Dad.
- You all right?
323
00:18:14,000 --> 00:18:15,480
What is it?
324
00:18:17,360 --> 00:18:20,920
Tomorrow, darling. Hmm?
Let's have lunch again tomorrow.
325
00:18:36,600 --> 00:18:39,120
♪ Last look now ♪
326
00:18:42,240 --> 00:18:45,800
♪ Still hear the sound ♪
327
00:18:49,040 --> 00:18:54,920
♪ Of me and my home truths ♪
328
00:18:55,000 --> 00:18:56,720
♪ Collide ♪
329
00:19:01,560 --> 00:19:03,800
♪ Every word ♪
330
00:19:03,880 --> 00:19:06,920
♪ Not meant, not heard ♪
331
00:19:08,600 --> 00:19:12,440
♪ Would I say what I said to you? ♪
332
00:19:12,520 --> 00:19:16,760
♪ All those times, hands tied ♪
333
00:19:17,280 --> 00:19:21,520
♪ Would I say what I said to you? ♪
334
00:19:27,480 --> 00:19:30,400
♪ What I say to you? ♪
335
00:19:34,640 --> 00:19:37,720
♪ What I say to you? ♪
336
00:19:43,560 --> 00:19:46,880
♪ What I say to you? ♪
337
00:19:58,120 --> 00:20:02,200
♪ And if this world
Runs out of lovers ♪
338
00:20:02,280 --> 00:20:04,720
♪ We'll still have each other ♪
339
00:20:04,800 --> 00:20:07,120
♪ Nothing's gonna stop us ♪
340
00:20:07,200 --> 00:20:12,440
♪ Nothing's gonna stop us now ♪
341
00:20:12,520 --> 00:20:16,200
♪ Ooh, all that I need is you ♪
342
00:20:24,920 --> 00:20:26,960
Your turn.
343
00:20:27,040 --> 00:20:28,840
No. No, I don't sing.
344
00:20:28,920 --> 00:20:30,920
That is the single saddest thing
I've ever heard.
345
00:20:31,000 --> 00:20:32,920
- No, that's me singing.
- A duet?
346
00:20:33,640 --> 00:20:35,160
- No.
- Come on. You and me.
347
00:20:35,240 --> 00:20:36,840
- No. Really.
- Oh, go on.
348
00:20:36,920 --> 00:20:38,960
A duet with Gary on the last night.
349
00:20:39,040 --> 00:20:40,600
You'll love it. Go on.
350
00:20:40,680 --> 00:20:41,800
No. Uh, no.
351
00:20:41,880 --> 00:20:43,640
- Come on.
- I'm going outside.
352
00:20:43,720 --> 00:20:47,240
- You've got a beautiful voice.
- No. For fuck's sake! No.
353
00:20:47,760 --> 00:20:50,920
Gary for The Waterboys.
"The Whole of the Moon."
354
00:21:01,480 --> 00:21:03,480
Has anyone seen Gary?
355
00:21:05,120 --> 00:21:06,400
Gary?
356
00:21:10,040 --> 00:21:12,840
♪ I pictured a rainbow ♪
357
00:21:15,240 --> 00:21:18,000
♪ You held it in your hands ♪
358
00:21:19,400 --> 00:21:21,720
♪ I saw flashes ♪
359
00:21:24,400 --> 00:21:26,680
♪ But you saw the plan ♪
360
00:21:26,760 --> 00:21:31,760
♪ I wandered out in the world for years ♪
361
00:21:33,240 --> 00:21:36,560
♪ While you just stayed
In your room ♪
362
00:21:36,640 --> 00:21:39,040
♪ I saw the crescent ♪
363
00:21:42,840 --> 00:21:46,600
♪ You saw the whole of the moon ♪
364
00:21:47,920 --> 00:21:50,040
♪ The whole of the moon ♪
365
00:21:52,800 --> 00:21:55,880
♪ Yeah, yeah, yeah, yeah, yeah ♪
366
00:21:57,960 --> 00:21:58,880
♪ Too far ♪
367
00:21:58,960 --> 00:22:00,800
Thank you, Wolverhampton!
368
00:22:00,880 --> 00:22:02,120
Thank you!
369
00:22:02,920 --> 00:22:05,240
- ♪ To reach too high ♪
- Live long!
370
00:22:05,320 --> 00:22:07,880
- ♪ Too far ♪
- Take everything down!
371
00:22:07,960 --> 00:22:11,000
- ♪ Too soon ♪
- ♪ The whole of the moon ♪
372
00:22:11,080 --> 00:22:13,880
Come on, Gary.
373
00:22:13,960 --> 00:22:15,320
Well done, Gary!
374
00:22:15,880 --> 00:22:16,880
Gary!
375
00:22:18,040 --> 00:22:19,880
Get this one a record deal.
376
00:22:25,200 --> 00:22:28,480
Here to help make up your mind is Graham...
377
00:22:28,560 --> 00:22:29,880
Hello?
378
00:22:31,680 --> 00:22:33,200
- Hello?
- Tilly, it's Em.
379
00:22:33,280 --> 00:22:35,440
- Em?
- I'm coming to London.
380
00:22:35,520 --> 00:22:38,800
What? I thought you were touring the north
with Harold Pinter.
381
00:22:38,880 --> 00:22:41,680
Uh, yeah, I was, but I'm not anymore.
382
00:22:41,760 --> 00:22:44,080
Uh, but you said London
was a cliché.
383
00:22:44,160 --> 00:22:47,840
That writers flocking to London is
creating a cultural deficit in the north.
384
00:22:47,920 --> 00:22:50,320
Did I say that? How pretentious of me.
385
00:22:50,400 --> 00:22:53,200
Yeah, I'm coming.
Is the room still free?
386
00:22:53,280 --> 00:22:56,480
Oh, free. Free, yeah.
I mean, it's 200 a month, but it's free.
387
00:22:57,240 --> 00:22:58,760
I mean, it's got no window.
388
00:22:58,840 --> 00:23:02,000
It won't matter
because we'll be out all the time.
389
00:23:02,520 --> 00:23:05,240
It's gonna be like uni,
only we'll have money.
390
00:23:05,320 --> 00:23:06,720
Uh, well, I won't.
391
00:23:06,800 --> 00:23:08,520
Um...
392
00:23:09,040 --> 00:23:11,240
But I'm... I'm gonna try and write a play.
393
00:23:11,880 --> 00:23:15,360
A... A proper one. Not for school kids.
A real one for adults.
394
00:23:15,440 --> 00:23:18,320
Oh! And you'll do it.
I know you're gonna do it.
395
00:23:18,400 --> 00:23:20,240
- Where do you live again?
- Clapton.
396
00:23:20,320 --> 00:23:21,200
Where's that?
397
00:23:21,280 --> 00:23:23,240
London, baby. Come on down.
398
00:23:24,480 --> 00:23:26,960
Where are you, Em,
and what are you doing right now?
399
00:23:28,320 --> 00:23:31,560
I'm not much of a letter writer.
Not like you.
400
00:23:33,560 --> 00:23:35,920
Your last one made me laugh so much.
401
00:23:36,560 --> 00:23:37,920
How's the show going?
402
00:23:38,800 --> 00:23:41,040
Are you setting
the world of theater alight?
403
00:23:41,760 --> 00:23:43,440
I'm in Rome,
404
00:23:44,600 --> 00:23:47,000
but I'm gonna come back
to London in September.
405
00:23:48,240 --> 00:23:51,000
- When are you coming?
- I don't know. A few weeks, maybe.
406
00:23:53,520 --> 00:23:54,800
September.
407
00:24:26,320 --> 00:24:31,840
♪ Falling ♪
408
00:24:32,800 --> 00:24:37,320
♪ Hard ♪
409
00:24:39,440 --> 00:24:45,480
♪ Falling ♪
410
00:24:46,160 --> 00:24:50,960
♪ Hard ♪
411
00:24:52,840 --> 00:24:57,760
♪ Falling ♪
30005
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
