All language subtitles for Anime.Supremacy.2022.1080p.BluRay.x264-WiKi

Why did you choose to work in the anime industry?{(面接官の声)
どうしてアニメ業界なんですか?}

Because I want to make anime that would give people strength.{(瞳の声) 誰かの力になる
そんなアニメを作るためです}

You graduated from a national university and worked for the prefectural government.{(面接官) 国立大学を出て
県庁で働いてたんでしょう?}

Why apply here of all places?

Oji Chiharu...{おうじちはる
(瞳)王子千晴･･ }

What?

In order to create a work that surpasses Director Oji Chiharu.{王子千晴監督を超える作品を
作るためです}

7 Years Later

Tromp tromp, rattle rattle, gachunk gachunk...{(瞳:小さな声で)
ガタンガターンガタンガターン･･･}

Every time you hear it, here it comes...{聴こえるたびに
ここから出てくる}

It's the sound that it's back.

Director.

Editing Studio: P-Duck

It's a familiar sound...

- Director.
- Ah, yes?{(白井) 監督 !
(瞳) あっはい}

Can you check?

Ah, yes. Please play it.

Bam, bam, rumble, rumble...

"Towako~"

Is this cut really necessary?{(白井)
このカットやっぱいる? }

The tempo drops, and drawing and filming are expensive.{テンポ落ちるし
作画も撮影もコスト高い!}

The schedule is on the verge of a death march and might not make it on time.{スケジュールはデスマーチ
ギリギリでしょ?}

Yes.

But it's what's written in the storyboard.

Okay~

You've got to be kidding here! Of course not!{こしがや
(越谷) ふざけんなよ
無理に決まってんだろ!}

Let someone else start over...{ゆきしろ
(行城)別の人間に
やり直させてください一}

- Will do...
- What're you doing?!{(行城) 早急に
(越谷) 何すんだよ!}

Didn't you make sure last week that this was the right cover for "Animezon"?!{(越谷) 「アニメゾン｣の表紙
先週これでいいか確認しただろ!}

Right, Director?

Soundback
Advertising Manager
Koshigaya Tokuji{サウンドバック
宣伝担当
越谷 徳治}

Oh, I'm leaving the advertising to you.{(瞳) あ... 宣伝は
越谷さんにお任せしてるんで}

Even our director says so. We're going to use this.{(越谷) 監督もこう言ってる
これでいくから}

I can't put this on the cover.{(行城) こんなの表紙に載せられません
(スマホの着信音)}

You should have said that when you sent the e-mail.{そういうのは
メール送った段階で言えよ}

Soundback
Chief Producer
Osamu Yukishiro

You can't tell if it's good or bad in a computer screen.{(行城) パソコンの画面じゃ
良し悪しは判断できません}

Then you should've told me that too!

"Sound"

Put a start on it!

"Back"

If we can't remake one, this will do.

This one stands out more.{こっちのほうが
よっぽど目立ちます}

Fine, I'll go with this then. Okay?{分かった
じゃあこれでいくわいいな?}

This is Yukishiro.

So you're really fine with this? Wait, dammit!{(越谷) おいいいんだな?
待てこら}

We're not done talking!

Hey! Wait, dammit!

We sure agree here. Yeah.{(行城)
・・・ 打ち合わせをですねはい}

I'm really gonna use this! Okay?!{(越谷) これでいくぞ! おい!
いいんだな?}

Mr. Koshigaya, Mr. Koshigaya. Calm down, calm down. Okay?{(根岸) 越谷さん 越谷さん
落ち着いて落ち着いて ねっ?}

Soundback
Production Desk
Negishi Kazuhiko{サウンドバック
制作デスク
根岸 一彦}

He's screwing with me...

How about Director Michino?

I'm taking two positions again.

Though I heard Hitomi, who's a newcomer, is a very surprising choice. {ばってき
新人の瞳ちゃんを大抜擢って
言ってますけど}

I heard that they were talking in giving this time slot to Mr. Michino first.{最初はこの枠
道野さんに話振ってたらしいし}

I see.

We heard that, you know.

Hitomi, don't let them crush you.

Yukishiro thinks he can just do anything with newcomers.{行城って新人なら
思いどおり動かせると思ってるから}

Graduated from a national university and switched career from prefectural office,{(越谷)
“国立大出て 県庁から転職”}

they sure love that kind of catchy title, huh?{そういうキャッチーな肩書
大好きだからなあ}

As expected from the HR department.

Don't let them take advantage of you.

Huh? What?! This is what he did?{(根岸) あっ ええっ!
こんなことされたんすか?}

That's horrible.

It's all crumpled up.

Look at the back.

- He said to go with this.
- What?!{(越谷) これでOKだって
(根岸) ええっ!?}

I'll just go with this.

You're really gonna use this?

Fate Front Liddell-light
Chief Producer
Arishina Kayako{運命戦線リデルライト
チーフプロデューサー
有科 香屋子}

The number you are calling{(電話の音声)
おかけになった電話は}

is out of reach or...

Morning.

Good morning, Sir!

Good morning!

We're counting on you again today.

Director Oji still is not around?

He doesn't seem well yet.

I thought he stepped down again.

What are you saying? The series will start to air soon, you know.{何言ってるんですか
もうすぐオンエアですよ}

I'm sure he'll be here tomorrow. No...

I'll make sure he'll be here.

The legendary production process indeed.

I'll take your word for it even if you're now the producer. {プロデューサーになっても
期待してる}

Leave it to me.

- Let's start checking then.
- Yes, Sir.{(田口)チェックしようか
(オペレーター) はい}

Director Oji?

I'm coming in, okay?

He ran away?

I'll call you tomorrow then.{あす
(行城)では 明日伺います}

How is the "Prince of the Stars?"{どうです?
“星の王子様”の調子は}

It must be tough dealing with him.

He's always liked to work alone.

He messes around here and there.

I really feel sorry for you.

Not at all. He's doing his job.{いいえ
ちっともご迷惑なんて}

I can't believe that they would put it right behind the traditional time slot of Saturday, 5PM!{(行城)
伝統の“土曜 午後5時枠”}

While ours is a novice director.

Please be gentle with us.

Mr. Yukishiro, we have to talk about the cover.

And, she is the novice director, Ms. Saito Hitomi.{で･･･ こちらがその新人監督の
斎藤 瞳監督です}

I'm Arishina, the producer of "Fate Front Liddell-light."{「運命戦線リデルライト」
プロデューサーの有科です}

Liddell's?

Ah, I'm looking forward to the upcoming interview with Director Oji.{あっ 今度の王子監督との対談
楽しみにしてます}

Right. I'm looking forward to it too.

So?

Ah, well. We need to talk privately...{あっいや
ここじゃちょっと…..}

Okay.

Hope he comes back.

That Director Oji.

What are you talking about?

I will draw the cover.

I'm sure "Animezon" will be very happy if she draws the cover.{(越谷)監督が描いてくれるなら
「アニメゾン｣ もきっと大喜びだよ}

No.

What?

Then it would be better if we turn it down.

You can't draw the cover.

But...

I don't have time to explain.

Let's ask her to do it.

"Her?"

The one who drew those amazing drawings in "Summer Chorus."{「夏サビ」の神作画で話題の
あの子です}

What's her name again... Ah...

Namisawa Kazuna.{なみさわかずな
並澤和奈}

Ah! She's from Fine Garden!{(根岸)
ああファインガーデンの!}

She's also done some of the original drawings for us.{うちの「サバク」の原画も
何話か描いてる}

Yeah... I think that was her name...{あ~確か
そんな名前の子でしたね}

Let's ask her to do it.

I can't!

I-I'm currently out with someone special...{(並澤) い… 今
大切な人と一緒にいて…}

Is it a date?{(スマホ:行城)
デートですか?}

Fine Garden
Animator
Namisawa Kazuna

Ah, it's not really like that.{あ~いやいやそういうわけじゃ
ないんですけど}

Then we're counting on you.

We've received the president's approval.

I can't right now!

Yes.

Is everything okay?{おうさと
(逢里) 大丈夫ですか?}

Everything's okay. Don't worry about it.{(並澤)全然
気にしないでください ハハハ･･･}

Um...

Yes?

Do you have time later?

What?

I have something I want to give you.{( 逢里) 並澤さんに
渡したいものがあるんです}

What?

It's our company's newest product.{(逢里)
うちの会社の新作です}

What do you think?

I would like to ask your opinion on it.

Ah, Mr. Osato.

Ah, Mr. Miyamoto. Thank you as always.{( 逢里) ああ 宮森さん
いつもお世話になっております}

Oh, are you on a date? Excuse me.

No, no. It's not a date at all.{( 逢里) いやいやいや
デートだなんてとんでもない}

Don't you know her?

She's the Namisawa Kazuna, you know.

What? What? She's the amazing animator?{(宮森) えっ? えっ!
あの神作画の?}

She's exactly that.{(逢里)
あの神作画の並澤さんです}

Wow! Wow!

I love the part in episode 4 of "Summer Chorus"{僕並澤さんが描いた
「夏サビ｣の4話} {カオリが雪解けの水で
手を洗うところが大好きで!}

where Kaori washes her hands in the melting snow drawn by you!{僕並澤さんが描いた
「夏サビ｣の4話} {カオリが雪解けの水で
手を洗うところが大好きで!}

I can't believe I would be able to meet the one who drew it!{まさか本人にお会いできるなんて
感激です!}

Ah, thank you very much...{(並澤)
ああありがとうございます･･･}

"It's not a date at all."

Um, is it work?

Ah, it seems like...

They want me to draw the cover of "Animezon."{「アニメゾン｣の表紙を
描いてほしいって}

But I already turned it down so it's alright~{でももう断ったんで
大丈夫でーす}

"Animezon"...?

That's amazing!{(逢里)
すごいじゃないですか!}

"Animezon?!"

Whaaat?!

Here.

Production Company - Tokei Animation

My, oh my. I'm really sorry for calling you out this late.{(根岸) いやいやいやいや
ごめんなさいねこんな遅くに}

Curse you.

I worked all night for days and days to get the day off.{私 今日 休みのために
何日も徹夜で仕事して}

- My precious time is...
- Here is Ms. Namisawa Kazuna!{(並澤)もう貴重な･･･
(根岸) 並澤和奈さんです!}

Sorry I'm late.

She is Director Saito of "Soundback."

I see...

So it was you?

You're the mother.

What?

Takaya's, Towa's, Mayu's... Though Ryu is my favorite...{タカヤにトワちゃんにマユ…
私 リュウ君派なんですけど}

So you're the parent of these children. {あなたがこの子たちの
生みの親なんですね}

Yes...

Um... I really apologize for calling you this late.

It's alright already.

I always end up like this.

Anyway, the deadline is approaching.

Ah, I have one condition.{(並澤)
あっ 1つだけ条件があります}

What?

Since we don't have time, and the desk and tools aren't what I'm used to,{(並澤) 時間もないし
机や道具も慣れた物じゃないので}

please use my pen name as credit for the key animation.{原画のクレジット
ペンネームにしてください}

Understood.

We can't do that.

You can at least do that!{(並澤)
それくらいいいでしょ?}

I am forced to do this even when I was...

The reason we asked you

is because you are the Namisawa Kazuna.

Let us use your name.

Please let us credit the name Namizawa Kazuna on the cover of "Soundback."{「サバク｣の表紙に
並澤和奈が描いたという看板を下さい}

Allow us the honor of using your esteemed name!{名実共に 中身と名前を
取らせていただきたい!}

To think he even forgot her name!{(根岸:小声で)
名前覚えてなかったくせに!}

I know!

Ah! Geez!

Okay! Fine! I got it!{分かった!
はい 分かりました!}

In this composition, Towako is holding Mayu by her side and screaming. {横で抱きかかえて叫んでる
っていう構図で}

What was she saying?

What?

What was Towako saying there?{トワコちゃん
その時 何て言ってるんですか?}

"I'll give you anything."

Understood.

Let me proceed then.

Japan's leading entertainment...{(ナレーション)
日本を代表するエンタテインメントー}

"Anime."

Its market size is said to be 2 trillion yen.

Nearly 50 new works are being produced every broadcasting season at this very moment.{毎クール50本近い新作が
今この瞬間も生み出されている}

People working in production are making their most successful anime.{制作現場で働く人々は
最も成功するアニメー}

In other words, they fight day and night to create the most supreme anime.{ハケン
つまり覇権を取るアニメを
生み出すために日夜戦っている}

The highest peak they aim for is...{いただき
彼らが目指す最高の頂
それが一}

"Anime Supremacy!"

Right...

Storyboard Shooting

Bigger and smaller splashes?{(作画監督補佐)
しぶきも大きいのと小さいの?}

Animation Preparatory Meeting

Animation
Director

Assistant
Animation
Director

Work
Assistant

Ah yes, that's right.

Line Shots

About the scene where Towako jumps...{トワコの
ジャンプのシーンなんですけど}

Well, using CG that far...{(CG監督) いや〜
そこまでCGでやっちゃうと･･･}

Art - CG Preparatory Meeting

CG Director

Art Director

Director of
Photography

Production Desk

Work
Assistant

CG Assistant

Setting Work

Art

Finishing Touches

Compositing or Animation Photography

I'd like to add a little more shine here.{ここもう少し
輝きを足したいんですけど}

Around how much percent?

What?

Director of Photography

Please be specific and give me numbers.

Animation Director

Ah~ Can you not put numbers on it?{(河村)
あ〜 数字で言わないでくれる?}

Acting is about passion. Passion.{演技はね
パッションだよ パッション}

Passion, huh?

Color Setter

Be more specific.

Just like I said, please use much darker blue.

Cobalt blue? Cerulean? Aegean?{コバルトブルー?
セルリアン? イージアン?}

Rush Check!{(根岸)
ラッシュチェックでーす!}

All the staff! Please gather in the screening room!{スタッフの方
試写室までお集まりくださーい!}

- Huh? Where's the director?
- The director?{(根岸) あれ? 監督は?
(中島)
監督 ?}

She's not a child. She'll come.{(白井)
子どもじゃないんだから来るでしょ}

I don't see her.

Soundback
Director
Saito Hitomi

Anime Supremacy!

Well, we have changed some of the settings.{(根岸) えー
一部設定変更になりまして}

It's now the sound of trains from the sound of bells.

Script Meeting

- To continue...
- So you...{(根岸) 続きまして…
(前山田) これ
まえやまだ}

...have changed the script, right?{(前山田)
脚本から変わってるよね?}

Yes. We changed the sound of the inhaling.{(瞳) はい
吸い込む音を変えました}

I felt like bells would be too old.

I see. I guess my idea is too old.{(前山田)あっ そう
古いの? 僕のアイデア アハハ…･･}

Um, having it a nostalgic feeling is still important.{(根岸) ええと･･･
ノスタルジーは大事なんですけど}

What I mean is that it's not in that direction from the director's point of view.{監督的にはそっちの方向ではない
ということかなと}

You don't get it.

Soundback
Script / Series Composition
Maeyamada Osamu{サウンドバック
脚本・シリーズ構成
前山田 修}

This fix is going to be relevant later on.{あとあと
この直し後々にも関係してくるよ}

I'm saying is that is it okay to get a lot of revisions.

You're barely making progress, right?

Um... We'll consider it.

We'll proceed as written in the storyboards.

Roger!

So... that's about it for today...{(根岸)で… では
今日のところはこの辺で･･･}

Thank you~

Thank you!

Thank you very much.{(作画監督補佐)
お疲れさまでした}

Excuse me, can I use this place a bit longer?{(瞳)すいませーん
ここもう少し使っていいですか?}

I'd like to draw the storyboards.

What?{(タブレットを切る音)
(瞳) えっ?}

I told you, didn't I? We have a meeting at 4PM regarding action figures.{(行城) 言いましたよね?
16時からフィギュアの打ち合わせです}

I thought directors didn't usually attend meetings like that.{普通 監督は
そういう打ち合わせ 出ないんじゃ・}

The directors assigned to me go to those. Let's go.{私が担当する監督さんには
出てもらっています 行きましょう}

Soundback
The Stone of Kanade

Merchandise Sales
Proposal

Please read that before we arrive.{(行城)着くまでに
読んでおいてください}

Also, you have an interview with a fashion magazine at 5PM.{あと17時から
ファッション誌の取材です}

Fashion magazine?!

Excuse me but... It's not that I don't want to show my face in public.{すいません あの･･･
顔出しNGではないんですけど}

As much as possible, the face of the work should be the characters and mecha...{なるべくなら
作品の顔はキャラとメカで･･･}

Okay! We'll take test shots! {(カメラマン)
はーい それじゃあテストでーす}

There's no problem. The director is the face of the work.{(行城)
構いません 監督も作品の顔}

And as you can see, you're a little cute.{しかも見てのとおり
ちょっとかわいいですから}

Thank you very much.

My appearance has nothing to do with the work.{作品に私の見た目は
関係ありません}

And what do you mean I'm a "little cute"...

We will use everything we can.{(行城)
使えるものは全部使う}

If we don't sell, you're done here.{売れなければ
あなたはここで終わり}

Is that alright with you?

There. Now then...

Smile.

Please.

Excuse me, let us fix your make up.{(ヘアメイク)
すいません 直し入りまーす}

Long time no see, Mr. Yukishiro!{(編集者B)
行城さん お久しぶりです!}

Oh, long time no see.{(行城)
ああお久しぶりです~}

We'll now proceed with the real thing.{(カメラマン)
それじゃあ本番いきまーす}

Tokei Animations'...

Ah, please continue.

It ended up like this.{(カメラマン)
こんな感じになりました}

Yeah. Looks good.{(編集者A)
うん いい感じですね}

It's good! It looks wonderful!

Director. Good work.

I'm really sorry about this.

You always end up getting trouble with Yukishiro.{いつも行城が
面倒なことに巻き込んで}

I understand that I'm new and needs publicity.{新人だから宣伝が必要なのは
よく分かります}

But isn't this too much?

There's magazine coverage and video shoots for social media.{雑誌の取材
SNSの動画撮影}

There's also radio program appearances and dinner with sponsors.{ラジオ番組出演
スポンサーとの会食}

I just want to cut out the useless stuff and focus only on what makes sense.{無駄なこと省いて
意味のあることだけに集中したいんですよ}

If you get that angry, you would be a good commentator for a TV show.{それだけ怒れたらワイドショーの
コメンテーターとしてもいけそうですねぇ}

Let's consider Mr. Koshigaya's promotion.{越谷さん
番宣として考えておきましょう}

Huh? What?

It would be posted in social media. Smile.

Yes, yes.

You haven't heard from him in a week, have you?{ほし
(星) 1週間
何の音沙汰もないんでしょう?}

Yes. But I'll surely...

Director Oji.

You know how many years ago he went downhill fast?

Yes.

Would you take the blame if he doesn't come back?{戻ってこなかった場合
あなたに責任取れるの？}

Four Seasons Television
Media Development Department
Fate Front Liddell-light Production Chief
Hoshi Yoji

It's costing us billions.

Yes, Sir.

That's not all.

We've been bowing down to celebrities

and shutting down information programs for 15 years.

We owe it to the office to get this animation slot up and running.{事務所に借りを作って
このアニメ枠を立ち上げるんだ}

- I understand.
- No, you don't!{（有科）分かってます…
（星）分かってない！}

[Fate Front Liddell-light]
Director replacement candidate list
Company Secret

Ms. Arishina?

Ms. Arishina!

Yes. I'm sure he'll be back tomorrow...

Huh?

Ah, it's nothing...

Um...

What is it?

What are we going to do with the introductory video?

If we just made one, the director will get angry.

Then we'll just let it play once.{（オペレーター）
じゃあ 一度 ここまで流しま～す}

Okay.

It's really been awhile.

I just can't stop thinking about what's ahead while editing.{編集中に
先の話が気になって仕方ないの}

[Fate Front Liddell-light]
Director replacement candidate list
Company Secret

I'll do it.

What?

Next to the director, I'm the only one who knows what happens.{この作品 監督の次に分かってるの
私ですから}

Recording Studio

Give it up.

Give me your sound.

I told you!{（タカヤの声優）
だから！}

I told you that I'll do anything!{だから なんでもやるって
言ってるだろ！}

If we can get out of here and get rid of that monster!{こっから出られて
あのバケモン追っ払えんなら！}

Give me your sound...

- I'll give...
- I'll give you...!{（マユの声優）なんでも…
（群野(むれの)）なんでも！}

...anything!

No.

The endings could be a little stronger, the entrances a little weaker.{語尾は もう少し強く
入りは 逆に弱くで}

Take 18. We'll start with "I'll give anything!"{（音響監督）テイク18
“なんでもあげる”からで}

Okay.

I'll give you anything!

No.

Excuse me...

This is the scene where Towako decides to offer the sound, right?{ここって トワコが
音をささげるのを 決意するシーンですよね？}

I thought it would be okay to show a little more emotion...{もう少し
感情出しちゃってもいいかなって…}

That's not like Towako.

Please don't assume anything.

Take 19. We'll start at the same part.{（音響監督）
テイク19 同じところからで}

Playing.

I'll give you...

- ...anything!
- No.{（群野）あげる！
（瞳）違います}

Oh well. She's crying.

Why are you crying?

Please tell me why you're crying.{どうして泣いたのか
気持ちを聞かせてください}

Ah...

Let's take a break.

Sorry. We'll take a break.

She may have said what she wanted to say and felt better,{（行城）言いたいことを言って
スッキリしたかもしれませんが⸺}

but we, who have to follow up, are very uncomfortable.{フォローしなければならない
こちらは大変 不愉快です}

That's why I am against it.

Choosing her based on looks, but she's not good enough.{ルックスだけで 実力ない
あの子を入れるの それを…}

Yes, she's very popular. She can bring in viewers.{（行城）ええ
彼女は人気があります 客を呼べる}

If we won't do that,

we won't beat Oji Chiharu against you who's an unknown director.{無名監督のあなたは
王子千晴に勝てません}

Yes? This is Yukishiro.

I guess they're more aware that they're idols, not voice actors.

And I don't think your direction is wrong.{俺は 瞳ちゃんの演出
間違ってないと思うよ}

Battle of 2 television studios'
featured evening Anime showdown!

Eclair!

I'm home~

Zakuro~

Za~ku~ro~

Huh?

Hm?

Ah...

I figured Zakuro was bored.{（太陽(たいよう)）
ザクロが退屈してると思って}

Taiyo...

Ah, wait.

Here.

Is this an anime?

Yeah.

Yosuga of Light

Taiyo, do you have anime that you like?

No.

So you don't like anime that much?

I kind of hate it.

Why?

Because all anime are lies.{（太陽）
アニメって みんなウソじゃん}

There are no heroes in real life.

Those who believe in them are kids.

Right, Zakuro?

For you.

Because I've bought a new one.

I don't want it.

There is no such thing as magic in this world, you know.

Mr. Saito!

Mr. Saito, can you give your payment already?{斎藤さん
お金返してもらっていいですか？}

He's not here!

There are no adults here...

Are you someone who watches anime?{（太陽）
おねえちゃん アニメとか見る人？}

This is special.

Tomorrow I'm going to meet and talk to the one who made this.{あした これを
作った人に会って⸺ 話をするんだ}

I'm home~{（太陽の母親:くぐもった声）
ただいま～}

Huh? Taiyo?

Ah...

So your mother's home.

- Bye~
- Bye.{（太陽）じゃあね
（瞳）じゃあね}

Day of the Talk

Are you nervous?

Because I finally caught up with Director Oji.{ようやく王子監督に
たどり着きましたから}

It's going to be alright.

Everyone is only looking at Director Oji.{みんな王子監督しか
見てないですから}

I know that.

But...

It's a great place for PR.

So it's hopeless.

Do you think people are trash?{（王子）“人がゴミのようだ”
って思ってる？}

Fate Front Liddell-light
Director
Oji Chiharu

I'm back, Ms. Arishina.

Stop messing around!

Idiot! Idiot! Idiot!{ふざけんな ふざけんな
ふざけんな！}

You really should stop messing around!

Ow...

"I've never been hit by my father."{“親父にも
ぶたれたことないのに”}

Just where were you?

Here are souvenirs.

Hawaii?

Yes, on Kauiai.

Well, I haven't been able to get any work done.

That's why I thought of needing to travel.{こりゃあ場所変えなきゃ
ダメだな～っつって}

So, you can say I went on a vacation and now doing interviews?

A week in Hawaii at this time of year?{（有科）
ハワイに１週間 この時期に？}

No, no. I had to travel and everything.{違うよ 移動とか
もろもろ あったから}

To be honest, I was only able to stay there for about five days.{まあ 実質 向こうに
滞在できたのは５日間ぐらい}

I couldn't take my time at all.

You should have called me...

I was watching anime at the airport and my phone ran out of charge.{空港でアニメ見てたらさ
スマホの充電切れちゃって}

And, and, and, and!

Here.

Those are storyboards till episode 11.

I'll think about the last episode now.

Let's go then.

Now for the main event of the Spring Anime Festival!{（司会者）
春のアニメフェス メインイベント}

Director Oji Chiharu, the genius who will be facing off in Saturday 5PM time slot,{サタデーファイブで対決する
天才 王子千晴監督と⸺}

talks with the much talked-about new director Saito Hitomi.{話題の新人監督
斎藤 瞳監督の対談です}

Then first, Director Saito, please come to the stage.{では まず
斎藤監督 ご登壇ください}

To continue, we ask Director Oji Chiharu to the stage!{（司会者）
続いて 王子千晴監督です}

Please take a seat.

To start, let's watch the introductory videos {では まず お二方の作品の
紹介映像を見ながら⸺}

while they discuss about their works.

Kindly go ahead, Director Saito.

Okay.

Please play it.

Let's see...

"Soundback: The Stone of Kanade" is about

the stone called, Kanade.

And using the power of sound memory

to create robots. And that robot appears in the anime...{ロボットを生み…
そのロボットが登場するアニメで…}

Um... Yes...

Okay.

What do you by chance mean "the power of sound memory?"{その“音の記憶の力”って
具体的には？}

Um...

For example, the protagonists hear the sound of wind chimes.{例えば 主人公たちが
風鈴の音を聞いて⸺}

From the memories associated with that sound

the Kanade stone creates the robot.{奏の石がロボットを…
生み出すんです}

The name of that robot is Soundback.{そのロボットの名前が
“サウンドバック”}

The main characters, Towako and her friends ride and fight with it.{主人公のトワコたちが乗り
戦います}

There are 12 episodes.

Each episode featuring a different robot, so please look forward to it.{毎回 どんなロボットが
登場するのか⸺}

Okay, it sure sounds like Tokei anime.{（司会者）
はい トウケイアニメらしい⸺}

You can say it's a refreshing and traditional robot anime were boys and girls play active roles. {爽やかで王道ロボットアニメ
といった内容でしょうか…}

Wait, it's not really...

To continue,

thank you everyone for your patience.

Here's Director Oji to explain his anime.

Director?

Then, please continue.{（司会者）
あ… では そのままどうぞ}

Want it?

Do you want power?

It's unavoidable.

Change your fate.

Your own power.

Live!

There is only one person in the world

who can make you despair.

"Fatal Front Liddell-light" is

a motorcycle-themed magical girl anime.{バイクをテーマにした
魔法少女ものです}

The main character, Juri, transforms her motorcycle with the power of her soul{自らの魂の力で乗るバイクを
変形させて戦い⸺}

and competes in races against her rivals.{ライバルたちと
レースで競い合っていく}

So, the main character is 6 years old at the beginning,

but she gets older by one year every episode. In other words,{１話ごとに１歳 歳(とし)を重ねていく
つまり⸺}

She is a growing heroine.{“成長するヒロイン”
ということです}

Anyway, you mean there's gonna be 12 different robots?{（王子）ねえねえ 12体 別々の
ロボットが出てくるってこと？}

Yes.

Wow, that sounds interesting.

It is interesting. It's just doesn't sounds interesting.{お… おもしろいです
“おもしろそう”じゃなくて}

Wow, that's wonderful.

In the previous series, "Yosuga of Light,"

the director was also known for being handsome.{監督がイケメンということでも
話題になりましたが⸺}

But rumor has it that you were going to kill the main character in the final episode.{ウワサでは監督は最終回で
主人公を殺そうとしていたとか}

Indeed. But they wouldn't let me kill her.{そうっすね
殺させてもらえなかったですけど}

But now's not the time to about it.{でも 今日は
その話をする場じゃないっすよね}

Of course, and that's not all.{あ… もちろん
それだけじゃありません}

But since "Yosuga," anime has really been amazing.{しかし 「ヨスガ」以降
本当にアニメはスゴいですよね}

It is changing from being something for nerds and a few fans{オタクや 一部の
ファンのものではなく⸺}

to something for normal person in general.{普通の人の一般的なものへと
変化しつつあります}

Furthermore, the term "full nerdification of 100 million" has even been coined.{さらに “一億総オタク化”
という言葉すら生まれていますが}

But what do you, as a director think?

What's the heck is that?

Is there really such a phrase?

Ah... yes.

That's probably from the higher ups.{（王子）
フ… 随分 上からな言葉ですね}

Right?

You know...

In this world, there is no such thing as a "normal person."{世の中に
“普通の人”なんていないっすよ}

Also, I don't care if my work{あと 必要としてくれるんだったら
俺の作品は⸺}

is for a few fans or nerds, as long as they need it.{オタクものでも
別にいいと思いますよ}

If it's broadcast, it's not mine anymore.{もう放送されたら
俺のものじゃないんで}

It's only for that people who saw it.{見てくれた
その人だけのものでいいっすよ}

While the real people were trying to get dates and sex in real life,{リア充どもが現実にデートだ
セックスだって励んでる横で⸺}

what would happen if I was a virgin for the rest of my life while laying awake at night worrying.{俺は一生童貞だったら
どうしようって⸺}

And I spent my youth jerking off to numerous anime characters.{数々のアニメキャラでオナニーして
青春時代過ごしてきたんすよ}

But I know Kusanagi Motoko and Belldandy, and I won't let anyone tell me that my "uncommon" life is unhappy!{だけど草薙素子(くさなぎもとこ)とか
ベルダンディーを知ってる⸺}{“一般的じゃない”俺の人生を
不幸だなんて誰にも言わせない}

It's not dark, nor sad.

And much less an escape from reality.

If they need my work as part of their strength to survive this reality,{この現実を生き抜くための
力の一部として⸺}{俺の作品を
必要としてくれるんだったら⸺}

then I would like to love them like they're my own brother.{俺は その人のことが
自分の兄弟みたいに愛おしい}

That's because I've also been there.

So, instead of the abstract expression like "nerdification of 100 million ordinary people,"{だから “総オタク化した
一億の普通の人々”なんていう⸺}

I'll be happy if I can work for such people.{そういう人のために
仕事ができんなら俺は幸せです}

Director Saito.

You admired Director Oji's "Yosuga of Light." {王子監督の
「光のヨスガ」に憧れて⸺}

That's why you resigned from public service and got into this industry, right?{公務員を辞めて
この業界に入られたんですよね？}

Yes.

I was never interested in anime as a child.{私 子供のころ
アニメに全然興味なくて}

I always thought that only some girls with pretty faces in beautiful houses were chosen to be magical girls from the very beginning. {かわいい顔してる一部の
女の子だけだって思ってました}

But...

"Yosuga" was different.

The main character is an ordinary child who lives in an apartment complex.{団地に住んでる
なんでもない子が主人公で}

It's just like when I was a kid.

It was only after seeing "Yosuga" that my life has meaning. {初めて 今までの自分の人生が
肯定されました}

And was cast a magic spell.

I got into this industry

to create works that would cast a spell on those who see it.{魔法をかけられるような
作品を作るためです}

That's why

I'm honored that my work is in the same time slot behind with Director Oji, whom I adore.{憧れの王子監督が
裏の枠にいるのは光栄です}

Thank you very much.

But yours is the one behind the time slot.

Mine is the one in front.

I think that's for the viewers to decide.{それは
視聴者が決めることだと思います}

True.

Then I'll let the viewers decide which anime is in the front.{じゃあ 視聴者に決めてもらおう
どっちが表か}

I won't lose!

What? Is that a sudden declaration of victory?

That's right.

I will win everything from the ratings for this season.{今回のクール
視聴率から何まで全部勝って⸺}

I will reign supreme!

Then I can't lose either if she declares that with such a cute face.{（王子）こんな かわいい顔で
言われたんじゃ⸺}

I'm sorry that it's your first series to direct.

I'm sorry, too.

To think it's your comeback series.

Anyway...{（どよめき）
（司会者）で… では あの…}

Before the competition starts, please shake each other's hands...

No.

Then, ladies and gentlemen.

Please give them a warm round of applause!{お２人に温かい拍手を
お願いいたします！}

Director Saito seems tough.

Is it okay if I would kill the main character in the last episode?{（王子）
最終話でさ 主人公殺しちゃダメ？}

What?

I was thinking if I would want to kill her properly.{（王子）今度こそ
ちゃんと殺したいな～と思って}

The 5:00 PM time slot is where children watch.

Really?

So you're the kind who changes the content depending on the time slot.{有科さんて
枠とかで内容変える人なんだ}

I said too much...

Chichibu, the setting of "Soundback," has offered to host a pilgrimage to the place.{（行城）
「サバク」の舞台の秩父(ちちぶ)市から⸺}

The meeting is at 10:00 AM tomorrow.

I can only think of winning against Director Oji.{今は王子監督に勝つことしか
考えられません}

Then please look over this material{（行城）
では この資料に目を通して⸺}

and summarize your opinions on an A4 sheet of paper by tomorrow.{あすまでに Ａ４の紙に
意見まとめといてください}

Why me?!

Why me?

Saitama Prefecture - Chichibu
Animation Studio Fine Garden{埼玉県·秩父
作画スタジオ ファインガーデン}

Please!

The local government also approved it.{（関(せき)）役所には
世話になってるしさ}

Of course, you, our ace, should participate here.{やっぱり
ここは うちのエースを出さないと}

If you could...

No, no, no, no, no.

How many times have people asked me a favor this year?

I've drawn for "Liddell-light" and "Soundback."{私 「リデル」も
「サバク」も描いてるし}

And the other day, they asked me to draw for "Animezon."{こないだの「アニメゾン」も
本当に…}

Uh... Well...

Chichibu City Tourism Division
In charge of Soundback
Munemori Shuhei{秩父市観光課
サウンドバック担当
宗森 周平}

Please help us!

See? See? See?

Fine Garden
President and Animator
Seki Yoshiyuki{ファインガーデン
社長兼アニメーター
関義幸}

Mr. Munemori is bowing to you.{宗森さんも こうやって
頭下げてるんだしさ}

Okay? Please help somehow...

"Soundback: The Stone of Kanade"
Stamp Rally Project

Stamp rally...

It's so cliche...

I apologize for the inconvenience.

I believed he would come back from the start.{僕は最初からね
戻ってくるって信じてましたよ}

So...

Actually, I was wondering if I could talk to you about the last episode.

The genius, Oji Chiharu,

would probably thinking of an epic last episode.

If for example...

What would you think if the protagonist dies...?

What?

The protagonist dies.

What day and time slot is "Liddell?"{（星）「リデル」って
何曜日の何時からでしたっけ}

It will air on Saturdays, 5PM.

Do protagonists in anime die in that time slot?{（星）その時間のアニメ
主人公死にますか？}

They don't.

Right...

You've got your answer.

- There will be viewings here.
- I see.{（関）こちらで見るんですけど
（宗森）ああ}

This room will have "Soundback" and that one over there will be "Liddell." {あっちが「リデル」っていう
作品になってます}

So both will be viewed at the same time.{（宗森）
２つ同時になんですね}

First Broadcast Viewing of "Fate Front Liddell-light" and "Soundback"{「運命戦線リデルライト」「サウンドバック」

Okay.

Can I come in?

I'm coming in.{（ドアが開く音）
入りますよ}

Why is he taking things so easily?

Taste of Hawaii Madademia

Don Quixote

Didn't you go to Hawaii?

Aah~!

Why? Why?! Geez! Why did you just...{な… な… も～う！
なんで ホント…}

Why the heck did you just come in?! How dare you!{なに勝手に入ってきてんだよ！
バカじゃないの！}

This is... dammit... an invasion of privacy!{こんなの… もう
プライバシーの侵害だろ}

Idiot! Die!

Where did you really go?

I was in a hotel.

A hotel in Tokyo!

Why?

You know...

Do you understand the pressure to create something that doesn't exist?{作り出さなきゃいけない
プレッシャー分かる？}

I know it seems like an easy thing to do.{簡単にやってるように
見えてんだろうけど}

The fact that people think it's easy is already putting me under pressure. It's stressful.{簡単にやってると思われてることが
もうプレッシャー ストレスなの}

Scripts and storyboards are nonexistent.

Scripts and storyboards can only progress by steadily working at a desk.{地道に机に向かうことでしか
進まないんだよ}

No matter how much I hate it, no matter how bored I get.

Even if it's not flashy.

All I can do is sit here all the time, facing a paper or a computer.{紙やパソコンに
向かうことしかできない}

The wall of a drawing can only be crossed by a drawing.{描くことの壁は
描くことでしか越えられないんだ}

I wouldn't die for a change of scenery.

I just have to keep on gnawing on it.{ひたすら かじりつくように
やるしかないんだよ}

It's the first broadcast. Let's all watch it together.

Hello everyone~!{（群野）皆さ～ん
こんにちは～！}

Public Invitational Screening of "Soundback"

Hello!

I'm Mureno Aoi, and I play the main character, Towako.

Pleased to meet you!

Yay!{（拍手）
（客たち）イエ～イ}

Aoi!

She's really very popular as expected.

Mr. Yukishiro, what do you think of my work?{行城さんは
私の作品 どう思ってるんですか？}

That's quite a vague question.

You think it's interesting?

Will you be convinced if I answer that it's interesting?{おもしろいと答えれば
納得するんですか？}

You don't think it is?

There are works that are interesting but not hits, and there are hits that are not interesting.{おもしろくても
ヒットしない作品もあれば⸺} {おもしろくなくても
ヒットする作品もあります}

Which one is "Soundback?"{どっちなんですか
「サウンドバック」は}

No matter what anyone says, you create works that you believe in.{（行城）誰に何を言われようと
自分の信じた作品を作る}

I thought you're that kind of director.{あなたは そういうタイプの
監督だと思ってました}

I'm sorry I'm not that kind of a director.{すいません
そういうタイプじゃなくて}

- Wait, are you angry?
- I'm not angry.{（行城）あれ なんか怒ってます？
（瞳）怒ってません}

- Where are you going?
- The toilet.{（行城）どこ行くんですか？
（瞳）トイレです}

Finally, it's going to air soon.{（司会者）
さあ まもなくオンエアですね}

Yes, I'm so excited!

Are you all ready?{（司会者）
皆さん 準備はいいですか？}

Yes!

10, 9,

8, 7...

Studio Edge Production Company

6, 5, 4,

3, 2, 1!

Alright! All the way up, three steps!{（タカヤ）
しゃあ！　全段３段飛ばし！}

I'm number two!

I'm so tired!

You've been really energetic since morning.

You did your best.

- Look, Towako.
- Hmm...{（リュウイチ）ほら トワコ
（トワコ）ん…}

Oh~ Wow~!

Ah...

What a small town.

I'm going to get out of here one day, I swear.{いつか絶対出てってやるんだ
こんなとこ}

But I don't hate it.{（リュウイチ）
俺は嫌いじゃないけどな}

You can say that because you're from somewhere else.{（トワコ）リュウイチは
よそから来たから言えるんだよ}

Come on, guys. Let's go!{（タカヤ）
ほら みんな さっさと行くぞ}

Whoa!

It's going to collapse here too!

Wait, Mayu's still there!

Towako!

Whoa!{（トワコ）うっ
（マユ）うわっ…}

Give me your sound.

I told you!

I told you I'll do anything!{だから なんでもやるって
言ってるだろ！}

If only we could get out of here and get rid of that monster!{こっから出られて
あのバケモン追っ払えんなら！}

I'll do anything too!{（リュウイチ）
俺も なんでもやる！}

- Me too!
- Me too!{（ユウト）僕も！
（ミワ）私も！}

Anything!

I'll give you anything!

Crush~!

Looking back, that's how our first year started.

To be continued!

Hey, you're in the women's restroom!{（瞳）
ちょっと 女子トイレですよ？}

It would be helpful if you could find another place to hide next time.{別の場所にしてもらえると
助かります}

Thank you for your patience!

This is Director Saito Hitomi of "Soundback: The Stone of Kanade." Come in!{「サウンドバック 奏の石」
斎藤 瞳監督です　どうぞ！}

Director.

Director, please greet them.

Um...

Um, you see...

- Congratulations!
- Congratulations, Ma'am.{（スタッフ）お疲れさまです
（瞳）あ… お疲れさまでした}

- Thank you, Director.
- Thanks...{（越谷）監督 お疲れさま
（瞳）あ…}

Thank you very much, Director.{（司会者）
監督 ありがとうございました}

Thank you very much. Thank you for hosting.{ありがとうございました
お疲れさまです}

Thank you very much.

Thank you very much.

Ah, thank you for hosting.

Thanks for this, Ms. Aoi.

Ah! Thank you very much.{（群野）
ああ ハハ ありがとうございました}

Uh... um...

- Thank you very much.
- Thank you~!{（スタッフたち）お疲れさまです
（群野）お疲れさまで～す}

Thank you.

First Episode Preliminary Ratings Report

Did you see it?

Soundback!

Did you watch?!!!

Liddell-light!!!

First!!

Showdown of 2 major TV anime of the season!

What are the results of the first episode audience ratings...?

Liddell-light / Soundback
Tied First Place!!

Set the saturation level high here.

Turn down 20 notches of blue color here.

You can play as much as you want.

And the particles. "The barrage is thin. What are you doing?"{あとパーティクルね
“弾幕薄い 何やってんの”}

Not good at all. Next.

Hey, hey, hey. The transformation bank is the beauty of the work, you know?{ねえねえねえ
変身のバンクは作品の華だよ？}

It's got to be more glitzy and beautiful.

Okay, next.

Don't you think "Liddell" is getting better again?{「リデル」
また よくなっちゃってませんか？}

That's because the director's corrections are starting to come in excessively.{監督修正も
ムチャクチャ来るようになったしな}

As expected, Oji is amazing, huh?{（星）
やっぱり 王子はスゴいよね～}

Flash Report!
Liddell-light Episode 2
Early ratings at first place!

Hey.

Towako.

Hmm?

Are you hiding something?{（タカヤの声優）
お前 何か隠してないか？}

I wouldn't hide anything from you.{（群野）フ…
私が隠し事するわけないじゃん}

I see...

I'll stop it for now.{（音響監督）一旦 止めます
（根岸）ハア…}

It's "Endless Eight" again.

This is tough.

Okay, let's take a break.

We'll take a break. We'll resume in 10 minutes.{（音響監督）
休憩入れます 10分後再開で}

Ah...

Hm?

Why did you eat it first?

I'll kill you...

Who are you going to kill?

Need help?

Ah...

I watched "Soundback."

It was interesting.

I'm giving you something in return.

Things aren't going well with her, right?{斎藤さん あの子と
うまくいってないんでしょ}

Mureno Aoi?

Ah...

Did you checked her Instagram or Twitter?{ちゃんと あの子のインスタとか
ツイッターとかチェックした？}

"If you don't open your heart, the Evangelion will not move."{“心を開かないと
エヴァは動かないぞ”}

Thanks!

Excuse me, I'm looking for a place to put the stamp stand for the stamp rally.{（宗森）あの すいません
今 スタンプラリーの⸺}{スタンプ台の
置き場所探しをしていまして}

Um, may I take a look around here?{あの この辺りを ちょっと
見させていただいてもいいですかね}

- Go on.
- May I? Thank you.{（店主）どうぞどうぞ
（宗森）いいですか すみません}

Mr. Munemori.

Yes?

What kind of anime did you like as a kid?{あの 子供のとき
どんなアニメ好きでした？}

Ah, I watched Dragon Ball when I was a kid.{「ドラゴンボール」とかは
見てましたけど}

But one way or the other, I preferred to play outside.{どっちかっていうと
外で遊ぶほうが好きだったんで}

Right?

So you're more or less a "normie."

What? Did you say something?

Ah, nothing.

Um, why a stamp rally?{あの なんで
スタンプラリーなんですか？}

Well...

I don't know much about anime, so I tried to study it on my own.{アニメのこと
あまり詳しくなくて⸺}

There's Oarai in Ibaraki.

And Hida in Gifu.

There's also Shiga's Inukami County, and so on. I visited around those places and asked.{滋賀県の犬上(いぬかみ)郡とか
ひととおりぐるっと見て}

So I thought I'd start with a stamp rally.{で やっぱり 最初は
スタンプラリーからかな～って}

I want to keep it going for a long time.

I see.

Huh? Huh?

Ah?

Hey! Hey!

- Hey, we're here!
- Hey!{（友人Ａ）お～い こっちいるよ～
（宗森）お～い！}

Huh? Everyone's there!

That's right!

Come here quick!

- No, I can't.
- I knew it! He's a normie.{（宗森）いや こっち…
（並澤）やっぱり リア充だ}

I'm working right now!

I have that one too.

Look.

Episode 3: Liddell-light wins by 2% in ratings!!!

It's Oji Chiharu for sure.

Right? I was gonna say the same thing.{（乗客Ｂ）
ねっ 俺も言おうと思った}

Isn't "Liddell-light" amazing?{えっ 「リデルライト」
最高じゃない？}

Yeah, "Liddell-light" is amazing.{（乗客Ａ）
「リデルライト」最高だよな}

I know, right?

"Liddell-light" is a lot of fun. As for "Soundback", not so much.{（乗客Ｃ）「リデルライト」
メッチャおもろくて⸺}{なんか「サウンドバック」が
あんま おもろくない}

Frankly, they need to change things up a bit.{（乗客Ｄ）
正直 ちょっと変えていかないと}

Well, it doesn't look good.{（乗客Ｃ）
いや てかパっとしねえよな 普通に}

I know, I know.

"Liddell-light" is very interesting.{（乗客Ｅ）「リデルライト」
メッチャおもろいけどさ⸺}

And "Soundback" feels like it's second-guessing...{「サウンドバック」
あの二番煎じ感…}

It lacks that power and anticipation.

I know, I know.

It's a little subtle...{（乗客Ｇ）
なんか ちょっと微妙な…}

Hello! This is Burnes Style!{（女性）
こんにちは Burnes　Style(バーネススタイル)で～す}

It's a boxing exercise named Burnes Style.{ボクシングでエクササイズ
Burnes Styleで～す}

We're currently campaigning! Hello! We're Burnes Style~!{キャンペーン中です
こんにちは Burnes Styleで～す}

Please take one. Thank you.{お願いしま～す
ありがとうございます}

Give me your sound.

I'll give you anything!

"I'll fry anything!"

If anything fried...{（ナレーション）
なんでも揚げ入って⸺}

It's incredibly delicious!

- What is this?
- A collaboration with the anime, "Soundback!"{アニメ「サウンドバック」と
コラボ中！}

It's delicious!

What's this?!

Where is Mr. Yukishiro?

I don't know...

I was against it from the start.{（根岸）だから俺は最初から
反対してたんすよ}

She's a novice and a girl director.

Well, she is doing her best.

Anyone can do their best.{（根岸）
頑張るなんて誰でもできるんですよ}

We have to get results. We're professionals.

Hmmm... She's just a sub.

There won't be a next time.

I'd feel sorry for her if she flops on such a big stage.{こんな大舞台でコケたら
かわいそうに}

Sadly, this is war.{（越谷）
“悲しいけど これ 戦争なのよね”}

Lieutenant!{（根岸）中尉！　ハハハハ
（越谷）ハハハハハ}

It's pretty good, isn't it? It's pretty close.{（越谷）
結構 いいでしょ 似てるでしょ}

I wonder how it will go...

Just who are we fighting?

Say, Towako.

Hmm?

Are you hiding something?{（タカヤ）
お前 何か隠してないか？}

I wouldn't hide anything.{（トワコ）フ…
私が隠し事するわけないじゃん}

Episode 6 Liddell-light is far ahead!

It wouldn't be a game if there were no winners and losers, would it?{（七菜香(ななか)）勝ち負けがないと
ゲームにならないでしょ？}

It'll just be passing the cards around.

I don't mind at all.

We just pass the cards around and chat.{カード渡し合って
おしゃべりしてるだけで～}

I'll give you a bonus for losing...

How's the ending going?

Well, I am wondering.

What do you mean?

How should I kill her?

Tell me how I should kill her.{なんか オススメの
殺しかたあったら教えてよ}

Huh? The girl just now is...

What? Did you see something by any chance?{（詩織の声優）
えっ ひょっとして何か見えた？}

UFO? A ghost?

This must have been tedious to make.{（並澤）これ… 作るの
大変だったんじゃないですか？}

Ms. Namisawa.

Can I ask you a question?

Sure.

Um, the "normie" word you used awhile ago...{あの この前 並澤さんが使っていた
“リア充”っていう言葉…}

I'm pretty sure that's...

The term used to refer to people who are only fulfilled in real life, right?{リアルしか充実していない人間を
指す言葉でしたよね}

Real life? Only?

You and everyone here,

unlike me, have a wealth of places outside the real world of your imagination.{リアル以外の場所も
豊かじゃないですか}

Sure, I only have real life.

Maybe I'm justified in thinking you don't understand.{理解がないと思われて
当然かもしれないんですけど}

For "Soundback" to be seen by many...

As much as possible, I would like to...{できる限りのことは
させてもらいたい…}

Hey. Wait a minute.{（並澤）ちょっと…
ちょっと待ってください}

Huh?

Um, you have a different understanding of a "normie."{“リア充”の意味
ちょっと違いますよ}

Huh?

It's not a bad word, and it's not the kind of word I'd use to express modesty.{それ 別に
悪い意味でもなければ⸺} {謙遜するときに 自分から
使うような言葉でもないです}

If you'd rather use it to describe yourself, it's kind of a nuisance...{むしろ 自分から使ったら
ちょっとイタいやつっていうか…}

Ahh! I see.

No, no, no. I thought you were making fun of me for being so thin and insubstantial.{いやいや てっきり 中身のない
薄っぺらいやつだって⸺}

Of course not...

That's not it.

I am relieved.

If you don't hate me, all the better.{嫌われてしまったのでないなら
よかったです}

Uh... yeah.

Change the entire current scene.

Okay.

Any more and Fine Garden will quit.{（スタッフ）これ以上は
ファインガーデンも降りるって…}

It's impossible to make this kind of revision now.{（有科）
無理です 今から こんな修正}

No studio would be willing to do it!{もう どこのスタジオも
相手にしてくれません}

Then find a new company.

I won't be able to find a new company!

Then this series is over, huh?{だったら この作品も
ここまでだねえ}

There's no need for a last episode.

Somehow it makes me feel a lot better. Thank you for your hard work.{ハッ なんか気が楽になったわ
どうも お疲れさまでした～}

Are you messing around?

That's my line.

I didn't think you had that level of determination.{有科さんが その程度の
覚悟だなんて思わなかった}

What do you mean?! Do you understand how much I...!

No matter how hard you worked...

If you put something out you don't agree with, you're finished.{納得できないもの世に出したら
おしまいなんだよ}

Can we stop this kind of promotion already?{（瞳）もう
こういうＰＲやめにしませんか？}

Is it alright for you that people don't watch it?{（行城）作品を
見てもらわなくていいんですか？}

I say there are more important things to do for that. {大切なことがあるって
言ってるんです}

I see~

Do you think you can get ratings if you make a good series?{もしかして いい作品を作れば
視聴率が取れるとお思いですか？}

Of course.

That would certainly be ideal, though.

Then, what do you consider to be an "anime that gets ratings?"{“視聴率の取れるアニメ”って
なんですか？}

It's an anime that reaches viewers.

By any means possible, get them to see it once and be interested in it.{どんな手段を使っても
一度は目に触れ興味を持ってもらう}

It's only then that the quality of the work is put to the test.{作品の質が問われるのは
それからです}

Is Soundback reaching that audience?{「サバク」は その視聴者に
届いているんですか？}

I don't know about that.

- Huh?!
- Don't you get it?{（瞳）はあ？
（行城）いいですか}

Director Saito.

Bringing anime to the viewers is not an easy task.{アニメを視聴者に届けるというのは
簡単なことではありません}

We show it a hundred ways and showing them one way is already good.{100の方法で届けて
１届けばいいほうです}

Do we have to go along with those useless 99 ways?{その無駄な99に
付き合わないといけないんですか？}

That's the way I do it.

Hello, this is Yukishiro. Thank you for calling back.{どもども 行城です
折り返し ありがとうございます}

- Hey...
- Please wait.{（越谷）ちょっと
（行城）ちょっと待ってください}

Hitomi?

Are you also running away?

Hey.

I would never do that!

It doesn't matter just because I'm a substitute.{私が代打だからって
そんなこと関係ありません}

We're going to beat Director Oji.

I've come this far to do that!{そのために
ここまでやってきたんです！}

Why can't you even understand that! {そんなことすら
分かってくれないんですか！}

Sorry to keep you waiting.{（行城）
すみません お待たせしました}

Please proceed.

Why do you want to surpass Director Oji?{（面接官）なぜ
王子監督を超えたいんですか？}

If I can make the work that exceeds Director Oji,{王子監督を超える
作品を作れたら⸺}

I think I would be able to reach a kid like me.{私みたいな子供に
届けられると思うんです}

A kid like you?

I rejected the magic stick.{（瞳）
ステッキを捨ててしまったんです}

When I was a kid, a friend of mine tried to give to me...

I thought there was no such thing as magic in the real world.{フフ 現実には
魔法なんてないと思ってたから}

But I was taught by Director Oji.{でも 王子監督に
教えてもらいました}

There may not be any magic

but in anime,

there can be a power beyond magic that can be given.{魔法を超える力を
与えることができるって}

That's why I came this far.

Ah! No! No! No! Oh, no!{あ… ヤバいヤバいヤバい…
ヤバいよ～}

No! Turn on, turn on, turn on...{ウソでしょ
ついて ついて ついて…}

What?!

One, two! One, two! Come on!{（インストラクター）
ワン トゥ ワン トゥ カモン}

One, two. One, two....

Focus. One, two. One, two.{ステイ フォーカス
ワン トゥ ワン トゥ}

Good, good. One, two. One, two...{グッド グッド
ワン トゥ ワン トゥ シッ}

Last one. Ready! Last one!{ラストスパート レディー
ラストスパート！}

One, two, three, four, five! Fight! Go!{ワントゥスリーフォーファイ！
ファイ！　ゴー！}

One, two, three, four, five! Fight!{ワントゥスリーフォーファイ！
ファイ！}

One, two, three, four, five! Fight!{ワントゥスリーフォーファイ！
ファイ！}

Good! Good! Good! Next!{グッド グッド グッド！
ゴートゥー ネクスト！}

Two, one, four, three, six! Six, Go!{トゥワンフォースリーシックス！
シックス ゴー！}

Two, one, four, three, six! Six!{トゥワンフォースリーシックス！
シックス！}

Last one! Keep going!{ラストスパート
キープゴーイング！}

Two, one, four, three, six! Six!{トゥワンフォースリーシックス！
シックス！}

Good Good! Okay, Finish!{グッド グッド！
オーケー フィニ～ッシュ！}

Ah...

Ah...

"Baths are the washing of..."

"...life.", isn't it?

Those punches were great.{（瞳）
さっきのパンチ スゴかったですね}

That's Dezaki's direction.

Ah, you can tell?

Yes.

You said that you joined the industry after watching Director Oji's "Yosuga of Light."

Yes. 7 years ago.

So it has been 7 years...

I came across "Yosuga of Light" by accident.

If I had seen it as a child, my life would have changed by centimeters... {もし 子供のころに
これを見てたら⸺} {豊かに
変わってたんじゃないかなって}

maybe millimeters, but certainly faster and richer.{もし 子供のころに
これを見てたら⸺} {豊かに
変わってたんじゃないかなって}

Me too.

I was already doing the job I'm doing now.{あのときは もう
今の仕事やってたけど}

I never thought I'd feel this way again.{自分が また
こんな気持ちになれるなんて}

Ever since then, my goal has been to work with Director Oji.{あれ以来 王子監督と
仕事をするのが ずっと目標で}

But when I'm doing it now...

I feel the same...

But directors are really amazing.

Aren't they like gods who make a whole new world?{世界丸ごと作る
神さまみたいじゃないですか}

Newcomers and veterans are the same when they are doing work.{新人もベテランも
舞台に立ったら同じです}

If Director Oji is going to cut down his soul, I have no choice but to cut down my soul, my body, and my sleep.

If we lose here...

This may be the last time I make anime.

There are no second chances.

That's how I see it, and that's why I'm here now.

I'm sorry. I'll go on ahead.

Director Saito.

Yes?

We won't lose.

As the producer...

The staff, the voice actors, and everyone...

We will deliver our work as much as the director does.

Bye.

Mureno Aoi

Ah...

I beg you!

We can't. We can't do any more than that.

I beg you!

We want to make a series without regrets!{一つの後悔もない作品を
届けたいんです！}

Oji clung to his desk and created "Liddell"{王子が机にしがみついて
生み出した「リデル」を⸺}

in a way that couldn't be more convincing!

I'm sorry, but...

I'll do it.

Huh?

I'll do it.

Why did you accept the job?

Has anyone ever come all the way down here and bowed down to you?{ここまで来て
頭下げた人 今までいました？}

I'm sorry. My apologies. Yes.{（有科）すいません
申し訳ございませんでした はい}

None.

Let's see, for tomorrow's...

If the producer is serious,{（並澤）
プロデューサーが本気なら⸺}

we have to be more serious.

Because it is our role to enrich other places besides the real one.{リアル以外の場所も
豊かにするのが⸺}

Right, right.

"How could I forget?"

"I won't forget you."

#Chibubu I wanted to meet Towako.

Director...

I'm sorry!

Ah...

So you went to see the location of Soundback.

To think you searched hard to find Towako's voice...{ちゃんと トワコの声を
探そうとしてくれてたのに⸺}

that I said too much...

You wanted it to resemble your old self, right?{監督は 昔の自分に
似せたかったんですよね？}

You wanted to create such an anime

that will remain in the memories of children, that will one day become a source of emotional support.{“いつか 心の支えになるような
そんなアニメを作りたい”}

Right?

Mr. Yukishiro told me.

Mr. Yukishiro said that?

I know how you feel.

Because I also had those anime.{私にも
そういうアニメがあったから}

If that's the case, I have no choice but to do it.{それなら もう
やるしかないじゃないですか}

At least I know I'm a crowd puller.{自分が客寄せだってことくらい
分かってます}

If that's the case...

I'll be the best crowd puller in Japan!

Good work.

She made dinner, so let's help ourselves.{（スタッフ）
夜食いただきましたので⸺}

We've been waiting for it.

- Here you go.
- Thanks.{（有科）すいません
（関）はい}

- This is all I can offer.
- Don't worry about it.{（有科）今 これしか用意できず…
（関）とんでもないです}

Delicious.

So this is the legendary taste.

"Legendary?"

Arishina Kayako.

The legendary producer that is 100% certain to produce an original picture when she goes there.{彼女が行くと100パーセント
確実に原画が上がるという⸺}

Even as a producer, the taste of rice balls has not diminished.{プロデューサーになっても
おにぎりの味は衰えず}

We can't ruin the legend, can we?{俺たちが伝説を
壊すわけにはいかないか}

Genius Prince
Kill the heroine

There are more.{（有科）
まだ おかわりありますので}

- Delicious!
- Thank you!

You can kill her.

You can kill the popular heroine who has a lot of fans.{ファンもたくさんついた
人気のヒロインを⸺}

Please go ahead and kill her.

Do whatever you want as the director.{監督の思うとおりに
なさってください}

Are you sure you want a traumatic ending?{そんな
トラウマエンディングでいいわけ？}

Even the TV stations says I can't do that, right?{テレビ局だって
絶対ＮＧって言ってんでしょ？}

Even the digital media and figure sales depend on the quality of the final episode.{円盤とか
フィギュアの売り上げだって⸺} {最終話のデキに
左右されるご時世だよ}

Without that kind of secondary use, it would never be profitable.{そういう二次利用がなきゃ
絶対に採算は取れない}

It's alright.

If you're going to kill her, you might as well kill her for a reason...

I'm sure you already have your resolve.

I'm sure this ending is the only way. Please draw a wonderful ending that people will be lost of words.{絶対
このエンディングしかないって…} {ぐうの音も出ない
素晴らしいラストを描いてください}

Please give me enough weapons to fight the broadcasting station.

May I ask you to leave? Sorry.{（王子）出てってもらっていいかな
悪いけど}

Good.

It's really good!

Excuse me, can I ask you to do the same pose as Towako, the main character? {主人公トワコと同じ決めポーズ
お願いしていいすか？}

- The signature pose?
- Yes.{（瞳）決めポーズですか？
（インタビュアー）はい}

Can you say the signature line or something?{もう 決めゼリフとか
言っちゃっていいんで}

Her signature line...

You do it as a set.{（インタビュアー）
セットでいっちゃいましょう}

- Okay.
- Okay.{（瞳）はい
（インタビュアー）はい}

Okay then.

- The signature pose.
- Uh, well...{（インタビュアー）あれっす あれ
（瞳）あ… えっと…}

"I'll give you anything!"

Oh~ that's nice.{（インタビュアー）
おお～ いいっすね}

Thank you very much.

What the heck was that?

Hmm?

When Yukishiro puts you in the spotlight,{行城が 監督を
変に表に出すから⸺}

that's when people start asking crazy things like that.{ああいう おかしなことを
言うやつらが出てくるんだよな}

Poor thing.

At any rate, the one being talked will just be a fad.{とりあえず 話題になることには
ミーハー}

Except that they can't even remember the names who can't be of use.{…の割に利用できる人間以外は
ろくに名前も覚えない フフ}

Maybe they can't even remember your name.{もしかしたら 監督だって
まだ名前覚えられてないかもね}

Yeah, it would end up as "Yukishiro's something."

But you sure have been pulled into all kinds of trouble...{しかし 監督も色々
引っ張り回されて…}

It's amazing how you can stand it.

Isn't that something important.{ああいうのも
必要なんじゃないですか}

No, no, no. I think they are underestimating you because you're a woman.{いやいやいやいや 女性だと思って
甘く見られてんじゃない？}

I don't think of it that way.

Then you're not managing the crisis very well.

All he thinks about is exploit you and Soundback.{あいつ 瞳ちゃんや
「サバク」を⸺} {食いものにすることしか
考えてないよ}

Be careful, director.

If I am going to be "exploited," then we all should be something that is worth one too.{“食いもんにする”
っていうんなら⸺} {ちゃんと食えるもん作れよ
あんたたちも}

I'm sure Mr. Yukishiro is making me into something that is worth being exploited. {あの人は きちんと
私のこと食いもんにしてるでしょ}

He's the only one who can bad-mouth me.{あの人の悪口言っていいのは
私だけです}

Besides, I'm the one who gets pushed around the most.

On the contrary, I'm the one causing the most trouble.{その逆に 一番迷惑かけてるのも
私です}

But I've already been entrusted, so there's nothing I can do about it!{だけど その私が もう
信頼しちゃってんだから⸺}

"Can't remember my name?"

Of course not.

He decided that I'm not worth remembering.{覚える価値がないって
判断されてんだから}

I was the same way when I was an assistant director.{私だって演出のころとか
助監のころは そうでしたよ}

Like "it's that woman's direction."

Or like "the girl who made five episode" or something like that.{“５話作った子”とか
そんなもんですよ}

I don't know either if he even remembers my face.{顔だって覚えてもらってたか
分かんないし}

Do you know how proud I am that he remembers my name?!{その人が私の名前
覚えてくれてるだけで⸺} {私が どれだけ誇らしい気持ちか
分かりますか？}

He called me "Director Saito" while I'm working.{“斎藤監督”って言われて
仕事してるんですよ}

I'm already happy for just being called that!

I don't need your freaking pity!

I apologize for being late.

Mr. Negishi, Mr. Koshigaya.

Thank you for standing in for me.{立ち会っていただいて
ありがとうございます}

Director, did you thank them?

You should thank them for standing in.{お礼ですよ
立ち会っていただいた お２人に}

Thank you very much.

Let's all do our best for the final episode.

Director?

Director? Director?

Hitomi?{（行城）あ…
（根岸）瞳ちゃん？}

How are you feeling?

I'm okay.

I'll be right back to work.

Ah, please don't force yourself.{（行城）
あっ 無理しないでください}

Stay lying down.

How long after finishing "Soundback" will you be leaving Tokei Animation?{どれぐらいで
トウケイ動画を辞めるんですか？}

I heard about you're making a new anime for streaming.{配信で新作アニメを作る話
来てますよね}

Production will be by Studio Green.

You knew?

Don't underestimate my connections and the speed of my intel.{（行城）私の人脈と
情報の早さをなめないでください}

I will turn it down.

I'll be staying at Tokei Animation...

I'll like to learn more things from you.{行城さんのもとで
勉強したいことありますから}

No...

Please quit.

I'll be keeping my eye out for your work there.{あそこの作品には
私も注目しています}

"I want to make anime that reaches kids like I used to be."{“昔の自分みたいな子たちに
届くアニメを作りたい”}

...was it?

Then there's no reason to hesitate.

How do you know that?

Because you said it yourself.{（行城）
自分で言ってたじゃないですか}

Why do you want to surpass Director Oji?{（面接官）なぜ
王子監督を超えたいんですか？}

If I make anime that would surpass Director Oji,{王子監督を超える
作品が作れたら⸺}

they would be able to reach kids like me.{私みたいな子供に
届けられると思うんです}

Ah...

But I have one condition if you quit.{ただ 辞めるにしても
一つだけ条件があります}

Please keep this promise.

What is it?

Please resign from Tokei Animation amicably.{どうか 円満に
トウケイ動画を辞めてください}

Like Director Oji, he burned bridges with everyone and went freelance. {皆さん 会社と大ゲンカして
フリーになられるので}

So that we would still be able to work together,{これからも
一緒に仕事をするために⸺}

that I hope you quit amicably.

So you still want me to work with you in the future?

Is that okay?

You have talent.

I love the way you say that you will reach supremacy.{“覇権を取りたい”と堂々と
口に出す姿勢が私は大好きです}

Please learn as much as possible.

Until you leave the company,

I'll teach you as much as I can like how to deal with sponsors and the troublesome numbers.{スポンサーとの渡り合いかたも
面倒な数字のことも}

So the reason why you forced me around...

Let's win properly.

Of course.

And one more thing.

There may have been a misunderstanding.

You are not a substitute.

You were the fourth from the start.

Eclair...

But there are no chocolate...

What?

Do you have a stomach ache?

No.

Is it my fault?

- No.
- Ah...{（瞳）違います
（行城）あ…}

Taiyo.

Is there something wrong?

It's nothing.

Taiyo.

Aren't you hungry?

Ah...

I only have these though.{あ… っていっても
こんなんしかないけど フフ}

I know that.

It's the one with "I will fry anything", right?

I saw it in a commercial.

So it got through.

This anime, Soundback, is very interesting so watch it.{この
「サウンドバック」ってアニメ⸺}

Even if you watch it in the middle, it's really interesting.

Really?

It sure is.

Taiyo.

This world is a place without delicacy.

But...

Very occasionally...

There are people who understand you.

There are things you should watch that make you feel understood.{分かってくれるような
気がするものを⸺}

I'll go watch it.

Right.

- Mr. Kawamura.
- Hmm?{（瞳）河村さん
（河村）ん？}

I'm sorry. I'd like to make a correction.{（瞳）
すみません 修正お願いしたいです}

Ah, I'll do it later.{（河村）
ああ あと… あとでやっときます}

Please listen to me for a second.{（瞳）ちょっと ちょっと
ちょっと聞いてください}

- What?
- In these parts...{（河村）え？
（瞳）ここ}

Wait. Ugh...

It's the scene with Ryuichi...{（瞳）あの
リュウイチのシーンなんですけど…}

We already fixed it, didn't we?

It was wonderful! That was wonderful too, but...{（瞳）もう素晴らしかったん…
あれも素晴らしかったんですけど…}

Ms. Niki! Ms. Niki!

Here. Here, here.

Yes, yes.

I'm sorry. I know you're busy.

In the confrontation scene of Takaya and Ryuichi in episode 8.{８話のタカヤとリュウイチの
対峙(たいじ)するシーンなんですけど…}

I would like the station to be rural.

I just thought that it might be inorganic...{ちょっと
無機質かなと思ってまして…}

Ms. Ninomiya! Ms. Ninomiya, a moment!

Ah, about earlier at the meeting...{あっ 打ち合わせで
さっきの件なんですけど…}

Give me a break...

Ms. Aoshima! Ms. Aoshima...{（瞳）青嶋さん
青嶋さんも ちょっとあの…}

Don't you get it?!{（リュウイチの声優）
分かってんのか！}

Towako is...

losing her memories while fighting!{戦うたびに
記憶を失くしてたんだぞ！}

Wait...

You knew?

From the beginning...

She said that I should not tell anyone.{あいつが…
“言うな”って言ったんだ}

Well, Soundback is...

- Soundback.
- Did you watch it?{（女Ａ）「サウンドバック」
（男Ｂ）見た？}

- The episode from yesterday?
- Yes, yes, yes.{（女Ａ）昨日のやつ？
（男Ａ）そうそうそうそう}

It's amazing how much foreshadowing has been laid from the very first episode.{（男Ｂ）１話から伏線
張ってるってのが またスゴいよね}

- Yeah, it's amazing.
- It's amazing.{（女Ａ）そうだね スゴいよね
（男Ａ）これ スゴいな}

Excuse me...

Where can I find the Soundback capsule toys? {ガチャガチャって
どこにありますか？}

- Ah, it's this way.
- Ah.{（宮森）ああ あちらっす
（客Ａ）ああ}

There.

Thank you!

Episode 6 3.1% gap

Episode 7 2.6% gap

Episode 8 1.5% gap

The people you were fighting against,{（デル）
君たちが戦っていた相手は⸺}

Is Soundback regaining popularity?!

are the other you.

If you're going to add more stops, just stick with the layout and processing and don't lose quality.{（有科）止めを増やすなら
レイアウトと処理で粘って}{クオリティーだけは
落とさないように}

Soundback Hot Pursuit at the Final Stage!!

Episode 9

0.6% gap

Episode 10
0.3% gap

"Soundback" finally
within range of "Liddell"!

Episode 11
0.1% gap

Both sides are
neck and neck!

Once again,
it's a close race!

I'm not afraid to fight at all.

But...

I'm gradually forgetting what are we fighting for...

Now I'm... scared.

Towa...

What? Are you crying?

Ah, yes... yes.

But Soundback is really getting better.{（並澤）でも 「サバク」も
本当に よくなりましたよね}

It's the voice. Her voice is different.

"I don't know what happened, she's getting good at it."{“何があったか知らないが
うまくなっちゃって まあ”}

Liddell-light Final Episode

How was it?

Only you have the right to complain.

Are you sure you want it to end like this?{（有科）
本当に これでいいんですね？}

I just want them to feel a little bit of hope for themselves and for the future. {自分とか未来に対しての
希望を感じさせたいんですよ}

Understood.

Sis...

Hmm?

Will you also forget this sound?{（マユの声優）
この音も… 忘れちゃう？}

Will you also forget me?

Of course I won't forget.

I won't forget.

Towako regains memory of all the sounds

Towako regains memory of all the sounds

Towako regains memory of all the sounds?

What?

I'm thinking of changing the ending.{（瞳）
最終回 変更しようと思います}

I've decided that they would not be able to get the sound back.{やっぱり トワコたちは
音を取り戻せません}

I've written a new plot. For more information, please read it...{新しくプロットを書いてきたので
詳しくは それを…}

Wait, wait, wait...

What are you saying?

We can't use that kind of ending.

As originally planned, with the miracle of the Kanade stone, Towako gets all the sounds and memories back.{トワコが すべての音と
記憶を取り戻す}

We must have a happy ending with tears and emotion, which everyone loves.{涙と感動の
ハッピーエンドにしなきゃ}

- About that...
- Besides...{（瞳）それは…
（根岸）それに…}

The set cannot handle any changes from this stage.{（根岸）今の段階からの変更は
現場が対応しきれません}

Right?

If you understand that, put this stuff away.

And stick with the original storyboard.

Are you sure?

Are you fine with that?

What are you talking about?

You know that the last episode can totally change the digital media sales.{最終回で円盤の売れ行きも
全然変わるの知ってるでしょ}

I'm sure this is the proper development.

I'm asking the director.

We're...

We're here to make what the director is thinking.{俺たちは監督の頭ん中を
形にするために ここに来てる}

Hey, Yukishiro.

We're a big company.

That's right! We're a big company that's why we have to be supreme.

No, that's not it.

Huh?

Because we are a big company,

we must not aim for supremacy immediately and must make an anime that will be talked about 10 years from now.{10年後に語られるような
アニメを作ることだってできる}

It is the duty of an established company like ours to preserve that kind of work. {伝統ある
うちのような会社の務めです}

Director Saito.

What would you like to leave behind?

I think there are times in life when you have to accomplish something, even if you lose something important.{何かを成し遂げないといけない
ときがあると思うんです}

At the very end, a miracle happens and the lost sound comes back.{最後の最後に 奇跡が起きて
失った音が戻ってくる}

It's not that convenient.

Some things are gained because they are lost.{失ったから
手に入るものだってあります}

The children in this story don't need any more happy endings depicted for someone else's convenience.{この物語の
トワコたちには もう⸺}{誰かの都合で描(えが)かれた
ハッピーエンドはいらない}

I'm sure there will be a happy ending even after they lose them.{失った先にも きっと
ハッピーエンドはあると思うから}

They may not get the message right now.

But hopefully someday they'll remember.{けど いつか
思い出してもらえればいい}

I think it's better that the last episode resonate in someone's heart.{そんなふうに
誰かの胸に刺さってくれればいい}

I'm sure we can make the final episode like that.{今なら そんなラストが
作れると思うんです}

Are you sure?

If you fail, you'll never be able to make an anime again.{失敗したら
二度とアニメを作れなくなるよ}

I don't mind.

Please let me change the ending.

No...

I'll change it.

I think...

There may be something we can do.

- Let me have a look at it.
- Okay.{（前山田）見せて
（中島）はい}

Well...

If only we could change the cut process and background a bit and use it here.{カットの処理と背景
少し変えて⸺}

I'll rethink the combination of pictures and dialogues again.{絵とセリフの組み合わせ
もっかい考え直してみます}

Are you serious? Who's going to connect them anway?

Ah, dammit!

So we have to do it!

Yes!

Alright!

Thank you very much!{（スタッフたちの話し声）
（瞳）ありがとうございます！}

Thank you.

It won't matter if we don't make it in time though!{（根岸）
間に合わないと意味ないですからね}

Additional storyboard has arrived.

You need to replace that bottom part. {（河村）その下んとこ
取り替えて 取り替えて}

Okay, okay.

This is for handling things, putting things on...{（河村）これさ ものの処理
なんか もの乗せたり…}

Sure, we could use this facial expression from Towako.{確かに トワコの
この表情使えるかもしれないですね}

For example, in this scene, the soft light is alive and...{例えば このシーンだと
柔らかい光が生きてて…}

I'd like her to express something like sincere words from her heart.{そこで こう 心の中の
切実な言葉みたいなのを⸺}

- Important, huh?
- Yes.{（前山田）“大事”ね
（瞳）はい}

"Important..."

- Here's the new line.
- Ah, here it is.{（瞳）え～ セリフです 新しい
（白井）おっ 来た}

Yes, here they are.

"While I still remember what's important..."{“大事なものが まだ大事だって
覚えてるうちに ちゃんと”}

That's quite like how Mr. Maeyamada writes.

Um, after the fight scene is over,{（瞳）え～
戦いのシーンが終わったあと⸺}

they go back to their home town.

This scene will be the new one.

Towako is down on the ground... no, she's flying through the air here.{いや この
空中を舞ってるんですけど⸺}

And she comes down to ground as it is.

Then they see their home town and...

Look at their family, and look at their friends...

Their eyes sparkle with excitement.

With this cut is how Soundback would end.{このカットで
「サウンドバック」終わりです}

The End

- Yes.
- Oh~!{（瞳）はい
（スタッフたち）おお～}

The number of scenes has increased considerably. I'm sure it's going to be a lot of work.{かなりシーン数が増えました
え～ 作業 大変かと思います}

I'm counting on all of you.{皆さん
どうぞ よろしくお願いします}

Let's do it!

Everyone, thank you for your patience.

The new storyboard is here!

Here's the new storyboard, please get them!{新しいコンテです
どんどん取りにきてください}

Whoa...

0.62...

No. Raise it to 0.63.

63...

That's nice.

It goes guwaaa!

And goes, shaaa....

Oh, I see, I see... Guwaaaa, then shuuu...

- Right?
- That's right!{（河村）だろ？
（瞳）あっ ですです！}

Passion. It's passion!

It's passion!

This color.

This...

I see. So it's sulphur yellow.

That's right! I finally able to show you!

Oh~

- That's nice.
- It sure is.{（瞳）いいですね
（白井）いいねえ}

That's the last line of the last episode.

I'll leave it to you to decide how to say it.

Okay!

Let's have a rush check on the final episode!{（根岸）
最終話 ラッシュチェックです！}

Okay!

If you please.

Final Episode Broadcast Day

Stop!

If you do that, your world itself will cease to exist!{そんなことをすれば
君の世界そのものが消滅するぞ！}

It's alright.

It's better than losing her...

Sorry.

Juri...

That's it.

You're all my fellow travelers.

Juri, you should live.

Don't tell me you're eating the sound?

The sound that flows within life...{（リュウイチ）
生命の内側に流れる音を…}

Just like what the Kanade stone said...

That was the source of their power.

Oh no...

How could we possibly win?

As if against a stolen sound...

We will not lose!

Never!

- No!
- Towako!{（リュウイチ）よせ！
（タカヤ）トワコ！}

I'll give you anything.

Stop it, Towako!

If you lose any more sound...

This time you won't be able to come back!{（リュウイチ）
今度こそ帰ってこれなくなるぞ！}

Ki~yo~ra~!{（エンジン音）
（充莉）き～よ～ら～！}

Ah...

Ah... Juri!

I'll give you anything.

Everything... I'll give you everything.

So... protect them...

The important things

should still be important.

I remember properly...

So please...

Please!

I told you, didn't I?

Look.

Ah...

Idiot...

I won't let you be alone.

You guys probably wished we were dead...{お前ら 私たちが
死ねばいいと思っただろうけど⸺}

But alas! That's too old!

What an emotional experience that has to die to an honorable end!{死ななきゃ花道にならない
感動なんて！}

No matter what I look like, and no matter who wants me,

I'm going to live!

Ah...

No matter how ugly you guys make us look.{（充莉）そんな私たちを
お前ら⸺}

Be sure to love responsibly!

Live!

The only one who make you despair!

The only one in the world!

It's only you!

Towako.

Towako...

- Towako...
- Towako!

Can you hear us, Towako?

It's our town.

It's where we will go home.

Sis!

Sis!

Ah...

Hey!

Sis! Towa!{（マユ）
おねえちゃん トワちゃ～ん！}

Ah...

Ah...

Beautiful...

Resonate...

Reach into someone's heart...

You know...

Thank you.

You knew my reputation after "Yosuga," right?

They all said I was just an empty shell.

I'll be the first to admit it.

Well, it didn't work.

Even though they say I'm a genius.

As soon as I made the second one, I thought they'd find out I was mediocre.{２作目作った途端
凡庸だってバレるんじゃないかって}

I was scared the whole time.

I thought I couldn't be a director anymore.

You are a great person.

It's pretty cool that you're working with me.

So anyway, this is a totally different topic, but...{（王子）
で 全然 話変わるんだけどさ⸺}

Do you have a boyfriend?

Why are you asking that suddenly?

No, seriously.

To make one anime series,

we don't ask people to entrust us with three precious years of their lives.{人の人生の貴重な３年間を
預けてもらうわけじゃない}

I thought maybe you're getting a little old for this.{そろそろ いいお年なんじゃ
ないかなと思って}

And there's no sign you have a boyfriend so I was worried.{で 全然 彼氏いる気配もないから
心配になってさ}

It's none of your business.

If that's the case, I don't mind marrying you.{なんなら俺
結婚してあげてもいいけど}

Huh?!

Huh?!

Ah...

Final Episode Ratings
First Place - Fate Front Liddell-light
Second Place - Soundback ~The Stone of Kanade~

That was close.

It's not the end.

The event was a huge success!
Thank you very much!
Kazuna

Soundback Materials

Soundback Materials

Okay...

Taiyo!

Isn't that Soundback?

"I'll give you anything!"

Wow! That's awesome! That's so cool!{（子供たち）
え～ スゲえ カッケえ いいな～}

I know, right? Let's play with this.{（太陽）
そうでしょ じゃあ これで遊ぼう}

I'll be Takaya!

Then I'll go with Ryuichi.

Alright!

Yeah! Alright! Let's go!{（太陽たち）
イエ～イ よっしゃ～ いけいけ～！}

♪ Till my imagination prevails and you are moved{♪ 私の想像が勝って
あなたの感動になるまで}

♪ Go ahead, tear down the script, but keep the secrets to yourself{♪貫け 能書きを破っていけ
秘密だけ膨らまして}

♪ Hey, 3-2-1{スリーツーワン
♪ハイ、 3-2-1}

♪ The pun, Cranberry Grunge{♪ クランベリーグランジ
語呂合わせ}

♪ Where the magic sticks

♪ You never know what you're gonna hear

♪ Be sure to not miss it

♪ Some days I couldn't eat as quick as lightning {♪ 稲妻のように素早く
食べれない日もあったけど}

♪ I used it as an excuse to be boring in my sweet life {♪甘い日常じゃつまんない
言い訳に使ったんだ}

♪ I've been saving all this for the day when I can be a hero{[♪] 英雄になれる日まで
取っといた色々が}

♪ I'm having a hard time dreaming eclair{♪ 夢に出てきて大変だよ
エクレール}

♪ Until my imagination wins out and you're moved{♪ 私の想像が勝って
あなたの感動になるまで}

♪ Go ahead, break the rules, from here on out{♪貫け 能書きを破っていけ
ここから}

♪ I'm happy with the secrets I've been keeping and the things I've taken for granted{[[♪] 秘密だけ膨らまして
当たり前のことになった}

♪ I'm happy for you... but look ahead... {♪ それはそれで幸せだ
前を向いて描け
えが}

♪ Hey, 3-2-1.{さん
に いち
♪ハイ、 3-2-1}

♪ A scene that looks like a dream sequence, a situation that can't possibly be true{♪ 夢の続きに見えるシーン
そんなわけない状況も}

♪ It takes time, but we can make it happen{♪作り出せるの 私たち
時間はかかるけど}

♪ We'll take our time, but we'll make our way through the ruts, and sometimes we'll run off the tracks{こてつ
♪故轍も踏みながら
たまには外れて走ったり}

♪ The center of gravity of the meta-structure wobbles{♪メタ構造の重心
ぐらぐらさせて}

♪ Eclair

♪ The flames are flaring, the battle is coming...{♪メラメラと燃え盛って
来たる戦いの予感}

♪ Remember, if you feel it, you'll lose{♪ 感じたら負けるから
覚えてて}

♪ I laugh and laugh while anticipating the most outrageous considerations{♪ とんでもない考察を
予想しながら笑ったり}

♪ And joking around while anticipating the most outrageous thoughts

♪ Hear me out!

♪ "I'll give you anything"

♪ Cranberry eclair that looks kinda good {♪ クランベリーエクレア
それはちょっと美味しそうだ
おい}

♪ I'll eat it when you cry

♪ Sounds sweet

♪ I'll fly away until my imagination spreads and rescues me{♪飛んでゆく想像が
広がって救い出すまで}

♪ I'll never give up so look far away and make it {♪ 諦めないから
遠くを見て作るの}

♪ Until your imagination of nothingness becomes your inspiration{♪ なんでもない想像が
あなたの感動になるまで}

♪ Go through with it, break the rules, only let the secret grow{♪貫け 能書きを破っていけ
秘密だけ膨らまして}

♪ Success is just beyond

[News Flash] Pre-orders for this
season's anime DVDs / Blu-Rays

1st...

"Soundback ~The Stone of Kanade~"

2nd "Fate Front Liddell-light"

3rd "Blue Clover"

Anime Supremacy! (2022) English subtitles: v2023.02.26