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BE ALONE. FATHER, I NEED YOU
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HERE.
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>> PEOPLE WANT TO LOVE YOU. YOU
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SHOULD LET THEM LOVE ALL OF YOU.
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HUMANS
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HUMANS ONLY HAVE ONE ENDING.
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IDEAS ARE FOREVER.
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>> IMAGINE KNOWING THAT YOU
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COULD DO SOMETHING THAT ONLY YOU
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COULD DO.
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>> THE WORLD WILL REMEMBER THIS
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DAY.
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>> CLOSE YOUR EYES.
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NOW FEEL.
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>> EUROPE SO BEAUTIFUL.
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>> I KNOW.
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I WAS JUST THINKING THAT.
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I HAVEN'T EATEN IN THREE WEEKS.
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I'M SO HUNGRY.
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I HAVE TO GO HOST THE OSCARS.
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>> Announcer: LIVE FROM THE
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DOLBY THEATRE AT OVATION
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HOLLYWOOD, PLEASE WELCOME
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TONIGHT'S HOST, JIMMY KIMMEL.
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[ CHEERS AND APPLAUSE ]
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>> THANK YOU, THANK YOU, THANK
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YOU.
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HI, EVERYBODY.
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VERY KIND, THANK YOU.
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THANK YOU VERY MUCH.
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THANK YOU FOR THAT PARTIAL
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STANDING OVATION.
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AND WELCOME TO THE 96th OSCARS,
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EVERYBODY.
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LOOK AT THESE BEAUTIFUL HUMAN
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ACTORS.
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WHAT AN HONOR IT IS TO BE HERE.
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THANK YOU FOR HAVING ME BACK,
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AND CONGRATULATIONS TO EACH AND
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EVERY ONE OF YOU FOR MAKING IT
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TO THE ACADEMY AWARDS AND FOR
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MAKING IT ON TIME.
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THE SHOW, AS YOU KNOW, IS
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STARTING AN HOUR EARLY THIS
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YEAR, BUT, DON'T WORRY, IT WILL
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STILL END VERY, VERY LATE.
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IN FACT, WE'RE ALREADY FIVE
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MINUTES OVER AND I AM NOT
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JOKING.
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I'M NOT GOING TO LIE, IT'S GOING
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TO BE A LONG NIGHT AFTER IT WAS
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A LONG YEAR, IT WAS A HARD YEAR
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BUT IT WAS ALSO A GREAT YEAR FOR
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MOVIES DESPITE THE FACT THAT
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EVERYTHING STOPPED.
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THE PEOPLE IN THIS ROOM SOMEHOW
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MANAGED TO COME UP WITH SO MANY
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EXCELLENT FILMS AND SO MANY
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MEMORABLE PERFORMANCES.
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THIS NIGHT IS FULL OF ENORMOUS
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TALENT AND UNTOLD POTENTIAL.
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BUT SO WAS MADAM WEB, SO WHO
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KNOWS.
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ARE WE OFF TO A BUMPY START?
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OKAY.
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THIS IS A MEANINGFUL OCCASION
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FOR MOST OF YOU.
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I KNOW THAT.
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AND I KNOW THAT WINNING AN OSCAR
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IS SOMETHING YOU DREAMED ABOUT
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SINCE WERE YOU A KID, AND NOW
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HERE WE ARE ALL DRESSED UP,
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CELEBRATING THE BEST OF THE
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BEST, BEGINNING WITH THE BIGGEST
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MOVIE OF THE YEAR, "BARBIE."
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"BARBIE" WAS --
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[ CHEERS AND APPLAUSE ]
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-- A MONSTER HIT.
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WHAT A THING.
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WHAT AN ACHIEVEMENT TO TAKE A
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PLASTIC DOLL NOBODY EVEN LIKED
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ANYMORE -- I MEAN, MY WIFE
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BEFORE THIS MOVIE, YOU WOULD
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HAVE HAD A BETTER CHANCE OF
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GETTING MY WIFE TO BUY OUR
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DAUGHTER A PACK OF MARLBORO REDS
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TO A BARBIE.
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MANY BELIEVE MO ARGOT ROBBIE
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SHOULD HAVE BEEN NOMINATED.
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DON'T ACT LIKE YOU HAD NOTHING
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TO DO WITH THIS.
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AND I DON'T WANT TO LEAVE OUT
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MARGOT ROBBIE, PUT THIS GIANT
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HIT TOGETHER.
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SHE DID.
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MARGOT ROBBIE AND RYAN GOSLING
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ARE HERE TONIGHT.
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BARBIE AND KEN SITTING NEAR EACH
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OTHER.
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RYAN AND MARGOT, EVEN IF NEITHER
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OF YOU WIN TONIGHT, YOU BOTH
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ALREADY WON SOMETHING MUCH MORE
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IMPORTANT, THE GENETIC LOTTERY.
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RYAN, YOU ARE SO HOT.
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LET'S GO CAMPING TOGETHER AND
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NOT TELL OUR WIVES.
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AND THEN WE HAVE THE OTHER MAJOR
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BOX OFFICE WINNER THIS YEAR,
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"OPPENHEIMER," DIRECTED BY THE
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GREAT CHRISTOPHER NOLAN.
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ALSO A VERY ATTRACTIVE MAN.
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[ APPLAUSE ]
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AND THIS IS A VERY -- THIS IS A
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FASCINATING PERSON.
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CHRISTOPHER NOLAN DOESN'T HAVE A
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SMARTPHONE.
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HE DOESN'T USE EMAIL.
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AND HE WRITES HIS SCRIPTS ON A
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COMPUTER WITH NO INTERNET
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CONNECTION, WHICH IS A POWERFUL
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WAY OF SAYING, I WILL NOT ALLOW
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MY PORN ADDICTION TO GET IN THE
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WAY OF MY WORK.
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CHRISTOPHER IS JOINED BY HIS
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LONGTIME COLLABORATOR CILLIAN
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MURPHY, WHO IS JUST WONDERFUL.
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CILLIAN IS --
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[ APPLAUSE ]
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-- INTERESTING FACT ABOUT HIS
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NAME.
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IT'S PRONOUNCED KILLIAN WHEN HE
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DOES DRAMA.
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WHEN HE DOES COMEDY IT'S
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CILLIAN.
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ROBERT DOWNEY JR., THIS NIGHT --
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[ APPLAUSE ]
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THIS IS THE HIGHEST POINT OF
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ROBERT DOWNEY JR.'S LONG AND
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ILLUSTRIOUS CAREER.
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BUT ONE OF THE HIGHEST POINTS,
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BUT --
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[ LAUGHTER ]
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ROBERT HAS BEEN --
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WAS THAT TOO ON THE NOSE OR A
145
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DRUG MOTION YOU MADE?
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LOOK AT HIM.
147
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LOOK AT THIS GUY.
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HE'S SO HANDSOME, SO TALENTED.
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HE'S WON EVERY AWARD THERE IS TO
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WIN.
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IS THAT AN ACCEPTANCE SPEECH IN
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YOUR POCKET, OR DO YOU JUST HAVE
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A VERY RECTANGULAR PENIS?
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[ LAUGHTER ]
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WHAT A STORY.
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NOT EVEN 20 YEARS AGO THINGS
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WEREN'T GOING THAT GREAT FOR
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ROBERT.
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HE PLAYED THE VILLAIN, AND
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CORRECT ME IF I HAVE THIS
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WRONG,A MOVIE TIM ALLEN TURNS
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INTO A DOG.
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RIGHT?
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AND IF YOU EVER DECIDE TO REMAKE
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THAT FILM, I HAVE JUST THE GUY
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TO PLAY TIM ALLEN.
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THAT IS -- WHERE IS HE?
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MESSI, WHO, EVEN THOUGH HE'S A
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DOG, MAY HAVE GIVEN THE
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PERFORMANCE OF THE YEAR IN
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"ANATOMY OF A FALL."
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HE HAS AN OVERDOSE SCENE.
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HONESTLY, I HAVEN'T SEEN A
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FRENCH ACTOR EAT VOMIT LIKE THAT
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SINCE GERARD DE PARDU.
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THE SECOND MOST NOMINATED IS
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"POOR THINGS."
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HIS EDITOR WHOSE NAME IS YORGOS.
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WE HAVE TWO IN THE HOUSE
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TONIGHT.
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WILL THEY BOTH WIN?
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YOUR GUESS IS AS GOOD AS MINE.
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20 SECONDS FOR RING TONE.
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EMMA, YOU ARE -- SO UNBELIEVABLY
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GREAT IN "POOR THINGS," PLAYED
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AN ADULT WOMAN WITH THE BRAIN OF
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A CHILD, LIKE THE WOMAN WHO GAVE
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THE REBUTTAL TO THE STATE OF THE
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UNION THURSDAY NIGHT.
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AND YOU ARE JUST AMAZING.
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THERE ARE SO MANY GREAT MOVIES
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THAT HELD AUDIENCES CAPTIVE THIS
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YEAR.
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AND I MEAN THAT LITERALLY.
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THE AVERAGE LENGTH WAS 2:23.
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THAT'S UP 30 MINUTES FROM THREE
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YEARS AGO.
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WHEN I WENT TO CECSEE "KILLERS
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THE FLOWER MOON," I HAD MY MAIL
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FORWARDED TO THE THEATER.
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"KILLERS OF THE FLOWER MOON" IS
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SO LONG, AND THE TIME IT TAKES
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YOU TO WATCH IT, YOU COULD DRIVE
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TO OKLAHOMA AND SOLVE THE
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MURDERS YOURSELF.
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THE MULTITALENTED BRADLEY COOPER
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IS HERE WITH US TONIGHT.
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HE HAS ANOTHER BEST PICTURE
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NOMINEE WITH "MAESTRO."
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BRADLEY, YOU BROUGHT YOUR MOM TO
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THE SHOW TONIGHT.
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HI, MRS. COOPER.
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HOW ARE YOU?
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YOU'RE DOING GOOD?
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GREAT.
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BRADLEY BRINGS HIS MOTHER TO
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EVERY AWARDS SHOW, RIGHT?
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LAST YEAR AT THE OSCARS -- NO?
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OKAY.
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AND THE TONYS AND SOUL TRAIN
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AWARDS, ET CETERA.
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IT'S VERY SWEET.
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I GUESS THE QUESTION IS, HOW
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MANY TIMES CAN ONE BRING HIS MOM
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AS HIS DATE BEFORE HE IS
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ACTUALLY DATING HIS MOM?
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ARE YOU WORKING ON A MOVIE ABOUT
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FREUD RIGHT NOW AND NOT TELLING
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US?
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48 YEARS OWING ROBERT DE NIRO
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AND JODIE FOSTER WERE NOMINATED
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FOR "TAXI DRIVER" AND ARE BOTH
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NOMINATED AGAIN TONIGHT.
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[ CHEERS AND APPLAUSE ]
235
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1976 WAS THE YEAR.
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THAT'S PRETTY CRAZY.
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IN 1976 JODIE FOSTER IS YOUNG
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ENOUGH TO BE ROBERT DE NIRO'S
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DAUGHTER.
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NOW SHE'S 20 YEARS TOO OLD TO BE
241
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HIS GIRLFRIEND.
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I ALSO WANT TO CONGRATULATE
243
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ROBERT'S CO-STAR WILLIE
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GLADSTONE WHO IS THE FIRST
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NATIVE AMERICAN TO BE NOMINATED
246
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BEST ACTRESS FOR "KILLERS OF THE
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FLOWER MOON," AND IF YOU SAW IT
248
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YOU KNOW THAT IT WAS RIVETING.
249
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BEFORE LILY DID THIS MOVIE, SHE
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WAS READY TO QUIT ACTING AND
251
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TAKE A JOB AT THE DEPARTMENT OF
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AGRICULTURE TRACKING MURDER
253
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HORNETS, RIGHT?
254
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YEAH.
255
00:09:55,630 --> 00:09:57,432
AND NOW SHE'S NOMINATED FOR AN
256
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OSCAR WHICH IS SO GREAT FOR HER
257
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BUT ALSO MAKES ME WORRIED NO ONE
258
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IS TRACKING THESE MURDER
259
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HORNETS.
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LILY IS EXCELLENT.
261
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WE HAVE EMILY BLUNT, STERLING K.
262
00:10:12,514 --> 00:10:17,752
BROWN, AMERICA FERRARA, DANIEL
263
00:10:17,752 --> 00:10:24,259
BROOKS, COLMAN DOMINGO, SANDRA
264
00:10:24,259 --> 00:10:24,559
HULLER.
265
00:10:24,559 --> 00:10:25,927
THREE FOREIGN LANGUAGE FILMS ARE
266
00:10:25,927 --> 00:10:29,164
UP FOR BEST PICTURE AND TWO OF
267
00:10:29,164 --> 00:10:31,299
THEM STAR SANDRA HULLER,
268
00:10:31,299 --> 00:10:31,733
WHICH -- I MEAN --
269
00:10:31,733 --> 00:10:36,371
[ CHEERS AND APPLAUSE ]
270
00:10:36,371 --> 00:10:37,873
SANDRA TWO MOVIES, A WOMAN ON
271
00:10:37,873 --> 00:10:39,841
TRIAL FOR MURDERING HER HUSBAND
272
00:10:39,841 --> 00:10:41,142
IN "ANATOMY OF A FALL" AND A
273
00:10:41,142 --> 00:10:46,515
NAZI HOUSEWIFE LIVING NEXT TO
274
00:10:46,515 --> 00:10:46,781
AUSCHWITZ.
275
00:10:46,781 --> 00:10:48,583
WHILE THESE ARE HEAVY SUBJECTS,
276
00:10:48,583 --> 00:10:50,352
IN SANDRA'S NATIVE GERMANY
277
00:10:50,352 --> 00:10:54,823
THEY'RE CALLED ROMCOMS.
278
00:10:54,823 --> 00:10:56,158
FOR THE FIRST TIME IN MORE THAN
279
00:10:56,158 --> 00:10:58,059
TWO DECADES WE'RE ADDING A NEW
280
00:10:58,059 --> 00:10:59,828
CATEGORY TO THE OSCARS.
281
00:10:59,828 --> 00:11:01,096
NOT TONIGHT, DON'T WORRY.
282
00:11:01,096 --> 00:11:02,430
IN THE FUTURE THEY WILL BE
283
00:11:02,430 --> 00:11:04,065
ADDING AN OSCAR FOR ACHIEVEMENT
284
00:11:04,065 --> 00:11:06,101
IN CASTING, WHICH, YEAH, YOU'D
285
00:11:06,101 --> 00:11:07,469
BETTER APPLAUD FOR THAT.
286
00:11:07,469 --> 00:11:10,505
[ APPLAUSE ]
287
00:11:10,505 --> 00:11:12,874
AND THAT IS GREAT NEWS FOR
288
00:11:12,874 --> 00:11:13,208
ACTORS.
289
00:11:13,208 --> 00:11:15,076
NOW NOT ONLY WILL WE BE ABLE TO
290
00:11:15,076 --> 00:11:16,311
WATCH SOMEONE ELSE WIN AN OSCAR
291
00:11:16,311 --> 00:11:17,612
FOR A PART YOU DIDN'T GET,
292
00:11:17,612 --> 00:11:18,680
YOU'LL BE ABLE TO WATCH THE
293
00:11:18,680 --> 00:11:19,781
PERSON WHO DIDN'T THINK YOU WERE
294
00:11:19,781 --> 00:11:22,117
RIGHT FOR IT WIN ONE, TOO.
295
00:11:22,117 --> 00:11:23,218
WHAT A YEAR WE'VE HAD.
296
00:11:23,218 --> 00:11:24,186
IT WAS A TOUGH YEAR.
297
00:11:24,186 --> 00:11:27,856
REMEMBER THAT KID FROM "THE
298
00:11:27,856 --> 00:11:28,156
FABELMANS"?
299
00:11:28,156 --> 00:11:32,227
THIS IS WHAT HE LOOKS LIKE NOW.
300
00:11:32,227 --> 00:11:34,896
[ LAUGHTER ]
301
00:11:34,896 --> 00:11:37,966
VERY GOOD TO HAVE YOU HERE,
302
00:11:37,966 --> 00:11:38,233
STEVEN.
303
00:11:38,233 --> 00:11:40,035
STEVEN, ARE YOU NOMINATED
304
00:11:40,035 --> 00:11:41,236
TONIGHT, OR ARE YOU HERE BECAUSE
305
00:11:41,236 --> 00:11:44,339
YOU HAVE SEASON TICKETS?
306
00:11:44,339 --> 00:11:46,107
STEVEN AND HIS WIFE DONATED A
307
00:11:46,107 --> 00:11:47,909
LOT OF MONEY TO HELP ACTORS AND
308
00:11:47,909 --> 00:11:49,244
WRITERS WHO WERE OUT OF WORK
309
00:11:49,244 --> 00:11:50,078
OVER THE SUMMER.
310
00:11:50,078 --> 00:11:51,613
WE WERE ON STRIKE FOR A LONG
311
00:11:51,613 --> 00:11:54,216
TIME, FOR 148 DAYS.
312
00:11:54,216 --> 00:11:54,516
[ APPLAUSE ]
313
00:11:54,516 --> 00:11:56,251
FOR FIVE MONTHS, THIS GROUP OF
314
00:11:56,251 --> 00:11:58,153
WRITERS, ACTORS, DIRECTORS, THE
315
00:11:58,153 --> 00:11:59,821
PEOPLE WHO ACTUALLY MAKE THE
316
00:11:59,821 --> 00:12:01,256
FILMS SAID WE WILL NOT ACCEPT
317
00:12:01,256 --> 00:12:03,024
OUR DEAL -- WELL, NOT THE
318
00:12:03,024 --> 00:12:03,325
DIRECTORS.
319
00:12:03,325 --> 00:12:06,261
YOU FOLDED IMMEDIATELY, BUT THE
320
00:12:06,261 --> 00:12:07,696
REST OF US SAID, WE WILL NOT
321
00:12:07,696 --> 00:12:09,297
ACCEPT A DEAL WITHOUT
322
00:12:09,297 --> 00:12:11,199
PROTECTIONS AGAINST ARTIFICIAL
323
00:12:11,199 --> 00:12:11,533
INTELLIGENCE.
324
00:12:11,533 --> 00:12:13,201
AND AS A RESULT ACTORS NO LONGER
325
00:12:13,201 --> 00:12:15,470
HAVE TO WORRY ABOUT GETTING
326
00:12:15,470 --> 00:12:16,705
REPLACED BY AI.
327
00:12:16,705 --> 00:12:18,406
THANKS TO THIS HISTORIC
328
00:12:18,406 --> 00:12:19,874
AGREEMENT ACTORS ARE NOW ABLE TO
329
00:12:19,874 --> 00:12:21,743
GO BACK TO WORRYING ABOUT BEING
330
00:12:21,743 --> 00:12:23,211
REPLACED BY YOUNGER, MORE
331
00:12:23,211 --> 00:12:23,678
ATTRACTIVE PEOPLE.
332
00:12:23,678 --> 00:12:25,347
AND I THINK THAT'S GREAT.
333
00:12:25,347 --> 00:12:27,949
AND WRITERS, COULD AI HAVE
334
00:12:27,949 --> 00:12:33,121
WRITTEN "TRANSFORMERS: RISE OF
335
00:12:33,121 --> 00:12:33,555
THE BEAST?"
336
00:12:33,555 --> 00:12:35,223
YES, THE ANSWER IS YES.
337
00:12:35,223 --> 00:12:36,057
WE LEARNED A LOT.
338
00:12:36,057 --> 00:12:37,792
THE STRIKE RAISED EXISTENTIAL
339
00:12:37,792 --> 00:12:38,660
QUESTIONS ABOUT OUR INDUSTRY
340
00:12:38,660 --> 00:12:40,528
LIKE IF A MOVIE PREMIERES AT THE
341
00:12:40,528 --> 00:12:42,030
GROVE AND THERE ARE NO ACTORS
342
00:12:42,030 --> 00:12:44,766
THERE TO PROMOTE IT, DOES MARIO
343
00:12:44,766 --> 00:12:47,769
LOPEZ MAKE A SOUND?
344
00:12:47,769 --> 00:12:49,304
AND NOW THAT THE STRIKE IS OVER,
345
00:12:49,304 --> 00:12:50,572
NOW THAT FRAN DRESCHER HAS
346
00:12:50,572 --> 00:12:52,407
RETURNED TO HER VOLUNTEER WORK
347
00:12:52,407 --> 00:12:53,975
READING LOUDLY TO THE HEARING
348
00:12:53,975 --> 00:12:55,343
IMPAIRED, WE CAN BE PROUD OF THE
349
00:12:55,343 --> 00:12:57,012
FACT THAT THIS LONG AND
350
00:12:57,012 --> 00:12:59,547
DIFFICULT WORK STOPPAGE TAUGHT
351
00:12:59,547 --> 00:13:01,983
US THAT THIS VERY STRANGE TALENT
352
00:13:01,983 --> 00:13:05,420
OF OURS AS PRETENTIOUS AND
353
00:13:05,420 --> 00:13:07,155
SUPERFICIAL, IT'S NOT JUST A
354
00:13:07,155 --> 00:13:11,192
BUNCH OF HEAVILY BOTOXED
355
00:13:11,192 --> 00:13:12,594
SMOOTHIE DRINKING, DIABETES
356
00:13:12,594 --> 00:13:15,263
PRESCRIPTION ABUSING GLUTEN
357
00:13:15,263 --> 00:13:18,300
SENSITIVE BABIES WITH
358
00:13:18,300 --> 00:13:20,435
PERPETUALLY SHIVERING CHIHUAHUAS
359
00:13:20,435 --> 00:13:22,470
BUT STRONG, HARD-WORKING,
360
00:13:22,470 --> 00:13:23,405
MENTALLY TOUGH AMERICAN
361
00:13:23,405 --> 00:13:24,939
LABORERS, WOMEN AND MEN WHO
362
00:13:24,939 --> 00:13:26,508
WOULD 100% FOR SURE DIE IF WE
363
00:13:26,508 --> 00:13:29,344
EVEN HAD TO TOUCH THE HANDLE OF
364
00:13:29,344 --> 00:13:29,878
A SHOVEL.
365
00:13:29,878 --> 00:13:31,112
BUT THE REASON WE WERE ABLE TO
366
00:13:31,112 --> 00:13:32,647
MAKE A DEAL IS BECAUSE OF THE
367
00:13:32,647 --> 00:13:34,949
PEOPLE WHO RALLIED BESIDE US.
368
00:13:34,949 --> 00:13:37,052
BEFORE WE CELEBRATE OURSELVES, A
369
00:13:37,052 --> 00:13:37,752
WELL-DESERVED ROUND OF APPLAUSE
370
00:13:37,752 --> 00:13:38,386
FOR THE PEOPLE WHO WORK BEHIND
371
00:13:38,386 --> 00:13:41,256
THE SCENES, THE TEAMSTERS, THE
372
00:13:41,256 --> 00:13:44,726
TRUCK DRIVERS, THE LIGHTING
373
00:13:44,726 --> 00:13:49,130
CREW, SOUND, CAMERA --
374
00:13:49,130 --> 00:13:49,631
[ CHEERS AND APPLAUSE ]
375
00:13:49,631 --> 00:13:52,467
-- THAT'S RIGHT, ALL THE PEOPLE
376
00:13:52,467 --> 00:13:52,901
ON THE PICKET LINE.
377
00:13:52,901 --> 00:13:56,237
THERE THEY ARE.
378
00:13:56,237 --> 00:13:56,971
TAKE A BOW.
379
00:13:56,971 --> 00:13:58,173
COME ON, GUYS.
380
00:13:58,173 --> 00:13:59,207
TAKE A BOW.
381
00:13:59,207 --> 00:14:01,176
TAKE A BOW.
382
00:14:01,176 --> 00:14:01,943
YOU DESERVE IT.
383
00:14:01,943 --> 00:14:06,348
THANK YOU FOR STANDING WITH US.
384
00:14:06,348 --> 00:14:09,317
AND, ALSO, WE WANT YOU TO KNOW
385
00:14:09,317 --> 00:14:11,152
THAT --
386
00:14:11,152 --> 00:14:12,387
[ APPLAUSE ]
387
00:14:12,387 --> 00:14:14,322
-- IN YOUR UPCOMING NEGOTIATION
388
00:14:14,322 --> 00:14:16,958
WE WILL STAND WITH YOU, TOO.
389
00:14:16,958 --> 00:14:18,727
AND, ALSO, I'M GOING TO MAKE
390
00:14:18,727 --> 00:14:20,161
SURE THIS SHOW GOES REALLY LONG
391
00:14:20,161 --> 00:14:22,931
TONIGHT SO YOU GET A TON OF
392
00:14:22,931 --> 00:14:23,198
OVERTIME.
393
00:14:23,198 --> 00:14:25,033
IT'S GOLDEN TIME, EVERYBODY.
394
00:14:25,033 --> 00:14:27,802
SHOULD WE GIVE OUT SOME OSCARS?
395
00:14:27,802 --> 00:14:28,203
ALL RIGHT.
396
00:14:28,203 --> 00:14:30,972
WE HAVE SURPRISES PLANNED.
397
00:14:30,972 --> 00:14:31,473
FOR EACH OF THE ACTING
398
00:14:31,473 --> 00:14:33,108
CATEGORIES TONIGHT, FIVE
399
00:14:33,108 --> 00:14:34,109
SURPRISES, AND WE'RE GOING TO
400
00:14:34,109 --> 00:14:36,177
KICK IT OFF WITH THE OSCAR FOR
401
00:14:36,177 --> 00:14:41,783
ACTRESS IN A SUPPORTING ROLE.
402
00:14:41,783 --> 00:14:47,455
>> THE OSCAR GOES TO --
403
00:14:47,455 --> 00:14:50,425
>> REGINA KING!
404
00:14:50,425 --> 00:14:55,296
♪
405
00:14:56,331 --> 00:14:59,667
[ APPLAUSE ]
406
00:15:00,335 --> 00:15:06,508
♪
407
00:15:17,719 --> 00:15:19,687
>> SO I AM THRILLED TO BE BACK
408
00:15:19,687 --> 00:15:22,056
ON THIS STAGE TO PRESENT THIS
409
00:15:22,056 --> 00:15:25,393
YEAR'S BEST SUPPORTING ACTRESS
410
00:15:25,393 --> 00:15:26,194
OSCAR AND I AM BEYOND PROUD TO
411
00:15:26,194 --> 00:15:32,767
BE ABLE TO TALK ABOUT ONE OF MY
412
00:15:32,767 --> 00:15:32,967
BESTIES.
413
00:15:32,967 --> 00:15:35,570
IN "NYAD" JODIE FOSTER BRINGS A
414
00:15:35,570 --> 00:15:37,739
PHYSICAL INTENSITY WITH DEEP
415
00:15:37,739 --> 00:15:42,010
CONCERN AND CARE AS BONNIE STOLL
416
00:15:42,010 --> 00:15:47,248
TO DIANA NYAD'S BEST FRIEND,
417
00:15:47,248 --> 00:15:49,918
MOTIVATOR, AND SPEAKING FROM
418
00:15:49,918 --> 00:15:51,152
SERIOUS EXPERIENCE, ALL OF THOSE
419
00:15:51,152 --> 00:15:55,223
ARE REAL ABOUT JODIE AS WELL.
420
00:15:55,223 --> 00:15:59,594
THERE IS NO ONE YOU WOULD RATHER
421
00:15:59,594 --> 00:16:00,462
HAVE YOUR BACK THAN THE
422
00:16:00,462 --> 00:16:06,801
MULTITALENTED JODIE FOSTER.
423
00:16:06,801 --> 00:16:09,704
[ APPLAUSE ]
424
00:16:11,406 --> 00:16:12,841
>> IN THE LAST MOMENTS OF
425
00:16:12,841 --> 00:16:14,542
“OPPENHEIMER,” EMILY BLUNT'S
426
00:16:14,542 --> 00:16:19,280
CHARACTER, KITTY VISSERING
427
00:16:19,280 --> 00:16:19,881
OPPENHEIMER, REFUSES TO SHAKE
428
00:16:19,881 --> 00:16:23,484
THE OFFERED HAND OF THE MAN WHO
429
00:16:23,484 --> 00:16:26,154
BETRAYED HER HUSBAND.
430
00:16:26,154 --> 00:16:26,788
THOUGH IT WAS YEARS LATER, HER
431
00:16:26,788 --> 00:16:27,355
EYES HAD LOST NONE OF THEIR
432
00:16:27,355 --> 00:16:30,124
FURY.
433
00:16:30,124 --> 00:16:30,692
IF YOU SAW ONLY THAT
434
00:16:30,692 --> 00:16:31,559
EXTRAORDINARY MOMENT, YOU WOULD
435
00:16:31,559 --> 00:16:32,660
KNOW WHY EMILY BLUNT IS
436
00:16:32,660 --> 00:16:37,532
NOMINATED TONIGHT.
437
00:16:37,532 --> 00:16:39,500
EMILY, I AM PROUD TO BE YOUR
438
00:16:39,500 --> 00:16:42,036
FRIEND AND I AM SHAKING MY HEAD
439
00:16:42,036 --> 00:16:43,438
IN WONDER AT THE BEAUTIFUL,
440
00:16:43,438 --> 00:16:48,309
HEARTBREAKING AND HELLBENT
441
00:16:48,309 --> 00:16:48,943
DEPTHS THAT YOU BRAVED TO PLAY
442
00:16:48,943 --> 00:16:51,079
KITTY OPPENHEIMER.
443
00:16:51,079 --> 00:16:59,787
[ APPLAUSE ]
444
00:16:59,787 --> 00:17:01,489
>> WHEN WE MEET MARY IN THE
445
00:17:01,489 --> 00:17:04,058
CAFETERIA IN “THE HOLDOVERS,” WE
446
00:17:04,058 --> 00:17:08,296
CAN FEEL THE UNSPOKEN GRIEF
447
00:17:08,296 --> 00:17:11,799
SIMMERING UNDER HER SURFACE.
448
00:17:11,799 --> 00:17:14,135
Da'VINE, MY FRIEND, YOUR
449
00:17:14,135 --> 00:17:16,638
PERFORMANCE IS A
450
00:17:16,638 --> 00:17:19,540
TRIBUTE TO ALL WHO HAVE HEALED
451
00:17:19,540 --> 00:17:22,110
IN SPITE OF THEIR OWN PAIN.
452
00:17:22,110 --> 00:17:22,677
IT'S ALSO A TRIBUTE TO YOUR
453
00:17:22,677 --> 00:17:23,544
GRANDMOTHER, WHOSE GLASSES YOU
454
00:17:23,544 --> 00:17:24,412
WEAR IN THE FILM.
455
00:17:24,412 --> 00:17:27,949
WHAT AN HONOR TO VIEW THE WORLD
456
00:17:27,949 --> 00:17:29,550
THROUGH HER EYES AND YOURS.
457
00:17:29,550 --> 00:17:34,756
[ APPLAUSE ]
458
00:17:39,327 --> 00:17:44,198
>> AMERICA.
459
00:17:44,198 --> 00:17:48,303
[ CHEERS AND APPLAUSE ]
460
00:17:48,303 --> 00:17:51,973
♪ AMERICA ♪
461
00:17:51,973 --> 00:17:56,210
YOUR POWERFUL “BARBIE” MONOLOGUE
462
00:17:56,210 --> 00:17:57,345
IS PERHAPS THE MOST TALKED ABOUT
463
00:17:57,345 --> 00:17:59,681
MOMENT IN THE MOST TALKED ABOUT
464
00:17:59,681 --> 00:18:05,386
MOVIE OF THE PAST YEAR.
465
00:18:05,386 --> 00:18:07,922
YOUR WORDS AND THE PASSION WITH
466
00:18:07,922 --> 00:18:12,260
WHICH YOU DELIVER THEM ABOUT THE
467
00:18:12,260 --> 00:18:13,361
IMPOSSIBLE STANDARDS FEMALES
468
00:18:13,361 --> 00:18:16,764
MUST TRY TO LIVE UP TO
469
00:18:16,764 --> 00:18:19,033
GALVANIZED NOT ONLY WOMEN, BUT
470
00:18:19,033 --> 00:18:23,571
EVERYONE WITH A PULSE.
471
00:18:23,571 --> 00:18:28,109
AMERICA -- FROM ONE WOMAN TO
472
00:18:28,109 --> 00:18:28,743
ANOTHER, CONGRATULATIONS ON YOUR
473
00:18:28,743 --> 00:18:31,279
TOUR DE FORCE.
474
00:18:31,279 --> 00:18:37,986
[ APPLAUSE ]
475
00:18:43,858 --> 00:18:48,529
>> DANIELLE BROOKS --
476
00:18:48,529 --> 00:18:49,030
[ CHEERS AND APPLAUSE ]
477
00:18:49,030 --> 00:18:51,966
-- WHEN YOU WERE 15 AND SAW "THE
478
00:18:51,966 --> 00:18:53,868
COLOR PURPLE" ON BROADWAY WITH
479
00:18:53,868 --> 00:18:54,402
YOUR FATHER, A SPARK I GO
480
00:18:54,402 --> 00:18:56,204
NIGHTED IN YOU.
481
00:18:56,204 --> 00:18:57,071
AND THAT SPARK BROUGHT YOU HERE
482
00:18:57,071 --> 00:18:58,773
TODAY -- FROM MAKING YOUR
483
00:18:58,773 --> 00:19:00,241
BROADWAY DEBUT 10 YEARS LATER AS
484
00:19:00,241 --> 00:19:03,378
SOFIA TO ALMOST 10 YEARS AFTER
485
00:19:03,378 --> 00:19:04,812
THAT GIVING THIS TRANSCENDENT
486
00:19:04,812 --> 00:19:07,048
PERFORMANCE ON THE BIG SCREEN
487
00:19:07,048 --> 00:19:10,218
WHERE WE DON'T JUST SEE SOFIA'S
488
00:19:10,218 --> 00:19:10,852
STRENGTH, BUT HER VULNERABILITY
489
00:19:10,852 --> 00:19:15,023
AS WELL.
490
00:19:15,023 --> 00:19:17,792
YOU HAVE EARNED THIS FULL CIRCLE
491
00:19:17,792 --> 00:19:23,197
MOMENT, MY FRIEND.
492
00:19:23,197 --> 00:19:31,506
[ CHEERS AND APPLAUSE ]
493
00:19:31,506 --> 00:19:35,710
>> AND THE OSCAR GOES TO Da'VINE
494
00:19:35,710 --> 00:19:38,613
JOY RANDOLPH.
495
00:19:38,613 --> 00:19:45,887
[ CHEERS AND APPLAUSE ]
496
00:19:45,887 --> 00:19:49,757
>> THIS IS THE FIRST OSCAR AND
497
00:19:49,757 --> 00:19:50,692
NOMINATION FOR Da'VINE JOY
498
00:19:50,692 --> 00:19:59,167
RANDOLPH.
499
00:19:59,167 --> 00:20:01,102
[ APPLAUSE ]
500
00:20:01,969 --> 00:20:11,712
♪
501
00:20:12,480 --> 00:20:15,049
[ APPLAUSE ]
502
00:20:18,386 --> 00:20:22,090
>> GOD IS SO GOOD.
503
00:20:22,090 --> 00:20:27,762
GOD IS SO GOOD.
504
00:20:27,762 --> 00:20:29,997
YOU KNOW, I DIDN'T THINK I WAS
505
00:20:29,997 --> 00:20:32,500
SUPPOSED TO BE DOING THIS AS A
506
00:20:32,500 --> 00:20:32,800
CAREER.
507
00:20:32,800 --> 00:20:36,471
I STARTED OFF AS A SINGER, AND
508
00:20:36,471 --> 00:20:40,274
MY MOTHER SAID TO ME, GO ACROSS
509
00:20:40,274 --> 00:20:42,243
THAT STREET TO THAT THEATER
510
00:20:42,243 --> 00:20:42,543
DEPARTMENT.
511
00:20:42,543 --> 00:20:44,979
THERE'S SOMETHING FOR YOU THERE.
512
00:20:44,979 --> 00:20:47,315
AND I THANK MY MOTHER FOR DOING
513
00:20:47,315 --> 00:20:47,548
THAT.
514
00:20:47,548 --> 00:20:50,017
I THANK YOU TO ALL THE PEOPLE
515
00:20:50,017 --> 00:20:51,853
WHO HAVE STEPPED IN MY PATH AND
516
00:20:51,853 --> 00:20:54,122
HAVE BEEN THERE FOR ME, WHO HAVE
517
00:20:54,122 --> 00:20:55,990
USHERED ME AND GUIDED ME.
518
00:20:55,990 --> 00:21:00,161
I AM SO GRATEFUL TO ALL YOU
519
00:21:00,161 --> 00:21:01,996
BEAUTIFUL PEOPLE OUT HERE.
520
00:21:01,996 --> 00:21:04,298
FOR SO LONG I'VE ALWAYS WANTED
521
00:21:04,298 --> 00:21:06,601
TO BE DIFFERENT, AND NOW I
522
00:21:06,601 --> 00:21:08,936
REALIZE I JUST NEED TO BE
523
00:21:08,936 --> 00:21:10,138
MYSELF.
524
00:21:10,138 --> 00:21:11,639
AND I THANK YOU.
525
00:21:11,639 --> 00:21:18,813
I THANK YOU FOR SEEING ME.
526
00:21:18,813 --> 00:21:20,348
RON, I THANK YOU WHEN I WAS THE
527
00:21:20,348 --> 00:21:22,817
ONLY BLACK GIRL IN MY CLASS,
528
00:21:22,817 --> 00:21:25,453
WHEN YOU SAW ME, AND YOU TOLD ME
529
00:21:25,453 --> 00:21:26,120
I WAS ENOUGH.
530
00:21:26,120 --> 00:21:28,623
AND WHEN I TOLD YOU, I DON'T SEE
531
00:21:28,623 --> 00:21:31,058
MYSELF, YOU SAID, THAT'S FINE.
532
00:21:31,058 --> 00:21:32,960
WE'RE GOING TO FORGE OUR OWN
533
00:21:32,960 --> 00:21:33,161
PATH.
534
00:21:33,161 --> 00:21:34,929
YOU'RE GOING TO LAY A TRAIL FOR
535
00:21:34,929 --> 00:21:35,196
YOURSELF.
536
00:21:35,196 --> 00:21:36,998
I'M SO GRATEFUL TO ALL THE WOMEN
537
00:21:36,998 --> 00:21:41,836
WHO HAVE BEEN BY MY SIDE,
538
00:21:41,836 --> 00:21:44,038
BARBARA, TRACY, SARAH FARGO, I
539
00:21:44,038 --> 00:21:45,973
HAVE TO GIVE A SPECIAL SHOUTOUT
540
00:21:45,973 --> 00:21:49,277
TO MY PUBLICIST, AND I KNOW YOU
541
00:21:49,277 --> 00:21:50,444
SAID DON'T SAY ANYTHING ABOUT
542
00:21:50,444 --> 00:21:52,113
YOUR PUBLICIST BUT YOU DON'T
543
00:21:52,113 --> 00:21:55,016
HAVE A PUBLICIST LIKE I HAVE A
544
00:21:55,016 --> 00:21:55,283
PUBLICIST.
545
00:21:55,283 --> 00:21:56,684
YOU HAVE BEEN BY MY SIDE THROUGH
546
00:21:56,684 --> 00:21:59,120
THE ENTIRE THING, AND I AM
547
00:21:59,120 --> 00:21:59,921
FOREVER GRATEFUL.
548
00:21:59,921 --> 00:22:02,023
I PRAY TO GOD I GET TO DO THIS
549
00:22:02,023 --> 00:22:02,957
MORE THAN ONCE.
550
00:22:02,957 --> 00:22:04,192
I THANK YOU FOR SEEING ME.
551
00:22:04,192 --> 00:22:04,659
HAVE A BLESSED NIGHT.
552
00:22:04,659 --> 00:22:07,361
THANK YOU SO MUCH.
553
00:22:07,361 --> 00:22:10,631
[ APPLAUSE ]
554
00:22:10,631 --> 00:22:17,405
♪
555
00:22:17,405 --> 00:22:18,840
>> COMING UP NEXT,
556
00:22:18,840 --> 00:22:19,707
CHRIS HEMSWORTH AND
557
00:22:19,707 --> 00:22:21,375
ANYA TAYLOR-JOY.
558
00:22:21,375 --> 00:22:23,678
IT'S “THE OSCARS,” LIVE FROM THE
559
00:22:23,678 --> 00:22:24,245
DOLBY THEATRE AT OVATION
560
00:22:24,245 --> 00:22:26,681
HOLLYWOOD.
561
00:23:55,202 --> 00:23:58,472
♪
562
00:23:58,472 --> 00:24:00,374
Thank you Agent State Farm.
563
00:24:00,374 --> 00:24:03,377
Like a good neighbaaa,
State Farm is there.
564
00:24:03,377 --> 00:24:04,979
Cut!
565
00:24:04,979 --> 00:24:08,049
Hey Arnold, I'm hearing
“neighbaaa” - it's “neighbor.”
566
00:24:08,049 --> 00:24:10,551
That's what I said.
Neighbaaa.
567
00:24:10,551 --> 00:24:11,719
Let's go again!
568
00:24:11,719 --> 00:24:14,121
Like a good neighbaaa,
State Farm is there.
569
00:24:14,121 --> 00:24:14,822
Cut!
570
00:24:15,489 --> 00:24:16,090
Neighbaaa.
571
00:24:16,090 --> 00:24:17,024
Still no.
572
00:24:17,024 --> 00:24:17,558
Neighbor.
573
00:24:17,558 --> 00:24:18,492
Neighbaaa.
574
00:24:18,492 --> 00:24:20,661
-Br.
-Baaa.
575
00:24:20,661 --> 00:24:22,163
Get me out of this choppa!
576
00:24:22,163 --> 00:24:24,665
Like a good neighbor,
State Farm is there.
577
00:24:24,665 --> 00:24:25,166
Cut!
578
00:24:25,766 --> 00:24:27,168
Shame.
579
00:24:27,168 --> 00:24:29,870
It's been here as long
as I can remember.
580
00:24:29,870 --> 00:24:32,940
Living in glances
of people I loved.
581
00:24:32,940 --> 00:24:34,542
And ones I didn't even know.
582
00:24:34,542 --> 00:24:40,881
(♪)
583
00:24:40,881 --> 00:24:43,684
But what good is shame
when it comes to health?
584
00:24:43,684 --> 00:24:46,787
Health is not about
what weight we lose.
585
00:24:46,787 --> 00:24:49,023
It's about all of the things
a body can gain.
586
00:24:49,023 --> 00:24:54,895
(♪)
587
00:26:18,212 --> 00:26:19,246
>> Announcer: “THE OSCARS” ON
588
00:26:19,246 --> 00:26:21,182
ABC, BROUGHT TO YOU BY --
589
00:26:21,182 --> 00:26:23,217
DISNEY AND PIXAR'S “INSIDE OUT
590
00:26:23,217 --> 00:26:34,195
2,” ONLY IN THEATERS JUNE 14th.
591
00:26:34,195 --> 00:26:35,696
>>> PLEASE, IT'S CHRISTMAS.
592
00:26:35,696 --> 00:26:37,665
AT LEAST PRETEND TO BE A HUMAN
593
00:26:37,665 --> 00:26:37,898
BEING.
594
00:26:37,898 --> 00:26:41,402
>> DO YOU THINK I WANT TO BE
595
00:26:41,402 --> 00:26:42,970
BABYSITTING YOU?
596
00:26:42,970 --> 00:26:45,873
I COULD HAVE BEEN READING
597
00:26:45,873 --> 00:26:46,240
MYSTERY NOVELS.
598
00:26:46,240 --> 00:26:46,874
>> YOU DON'T TELL A BOY LEFT
599
00:26:46,874 --> 00:26:48,275
BEHIND AT CHRISTMAS YOU'RE
600
00:26:48,275 --> 00:26:49,410
ACHING TO CUT HIM LOOSE.
601
00:26:49,410 --> 00:26:52,680
>> I FIND THE WORLD A BITTER AND
602
00:26:52,680 --> 00:26:53,380
COMPLICATED PLACE.
603
00:26:53,380 --> 00:26:54,915
I THINK YOU AND I HAVE THIS IN
604
00:26:54,915 --> 00:26:55,149
COMMON.
605
00:26:55,149 --> 00:26:56,417
>> YOU CAN DO THIS.
606
00:26:56,417 --> 00:26:57,084
>> I WAS GOING TO TELL YOU THE
607
00:26:57,084 --> 00:26:59,987
SAME THING.
608
00:26:59,987 --> 00:27:06,694
[ APPLAUSE ]
609
00:27:06,694 --> 00:27:08,729
>> AND PROBABLY TO YOU, GOOD
610
00:27:08,729 --> 00:27:12,032
SIR, AND, BY THE WAY,
611
00:27:12,032 --> 00:27:14,969
CONGRATULATIONS TO Da'VINE JOY
612
00:27:14,969 --> 00:27:15,236
RANDOLPH.
613
00:27:15,236 --> 00:27:18,072
YOU GOT YOUR OSCAR, VERY SWEET,
614
00:27:18,072 --> 00:27:18,639
BEAUTIFUL SPEECH.
615
00:27:18,639 --> 00:27:20,274
YOU KNOW YOU FORGOT TO MENTION
616
00:27:20,274 --> 00:27:23,244
YOUR PUBLICIST'S NAME.
617
00:27:23,244 --> 00:27:25,379
I THINK YOUR PUBLICIST NEEDS A
618
00:27:25,379 --> 00:27:32,319
PUBLICIST IS WHAT IT IS.
619
00:27:32,319 --> 00:27:33,354
OKAY, YOU SHOULDN'T HAVE TO PAY
620
00:27:33,354 --> 00:27:33,921
FOR THE REST OF THE YEAR AT
621
00:27:33,921 --> 00:27:37,725
LEAST.
622
00:27:37,725 --> 00:27:39,593
A GREAT STORY ABOUT Da'VINE --
623
00:27:39,593 --> 00:27:41,061
Da'VINE HAD TO LEARN TO SMOKE
624
00:27:41,061 --> 00:27:50,905
FOR HER ROLE IN THE HOELDOVER.
625
00:27:50,905 --> 00:27:54,008
SHE STARTED SMOKING REAL
626
00:27:54,008 --> 00:27:54,708
CIGARETTES.
627
00:27:54,708 --> 00:28:00,180
KIDS, SOMETIMES SMOKING IS FINE.
628
00:28:00,180 --> 00:28:01,682
FOR THOSE OF YOU WHO DO NOT WIN
629
00:28:01,682 --> 00:28:04,184
AN OSCAR, I NEED YOU TO STICK
630
00:28:04,184 --> 00:28:05,586
AROUND AFTER THE SHOW.
631
00:28:05,586 --> 00:28:07,321
WE'LL BE GIVING OUT THE SILVER
632
00:28:07,321 --> 00:28:10,891
OSCARS FOR SECOND PLACE AFTER AN
633
00:28:10,891 --> 00:28:13,928
ALL-NEW "ABBOTT ELEMENTARY."
634
00:28:13,928 --> 00:28:15,930
OUR NEXT AWARD ARE FOR ANIMATED
635
00:28:15,930 --> 00:28:18,499
FEATURE AND ANIMATED SHORT.
636
00:28:18,499 --> 00:28:20,434
RAISE YOUR HAND IF YOU LET YOUR
637
00:28:20,434 --> 00:28:22,503
KID FILL OUT THIS PART OF THE
638
00:28:22,503 --> 00:28:22,770
BALLOT.
639
00:28:22,770 --> 00:28:25,673
THE GOD OF THUNDER AND PRINCESS
640
00:28:25,673 --> 00:28:29,243
PEACH, CHRIS HEMSWORTH AND
641
00:28:29,243 --> 00:28:33,414
ANYA TAYLOR-JOY.
642
00:28:33,414 --> 00:28:34,315
>> THE GREAT AUTHORS CAN COME
643
00:28:34,315 --> 00:28:38,185
FROM ANYWHERE.
644
00:28:38,185 --> 00:28:43,290
♪
645
00:28:43,290 --> 00:28:51,665
>> A LEAP OF FAITH.
646
00:28:52,299 --> 00:29:00,674
♪
647
00:29:00,674 --> 00:29:03,477
>> ANIMATED FILMS, SOMETIMES
648
00:29:03,477 --> 00:29:04,144
THEY PULL ON YOUR HEART STRINGS,
649
00:29:04,144 --> 00:29:04,845
AND OTHER TIMES THEY MAKE YOU
650
00:29:04,845 --> 00:29:06,880
LAUGH AND BRING YOU JOY.
651
00:29:06,880 --> 00:29:07,748
>> THIS YEAR'S NOMINEES FOR BEST
652
00:29:07,748 --> 00:29:09,183
ANIMATED SHORT COME FROM
653
00:29:09,183 --> 00:29:09,750
COUNTRIES ACROSS THE GLOBE,
654
00:29:09,750 --> 00:29:10,618
CREATING FILMS THAT MAKE US
655
00:29:10,618 --> 00:29:12,319
THINK AND FEEL DEEPLY.
656
00:29:12,319 --> 00:29:15,756
>> HERE ARE THE NOMINEES.
657
00:29:15,756 --> 00:29:20,294
“LETTER TO A PIG.”
658
00:29:20,294 --> 00:29:21,428
TAL KANTOR AND AMIT R. GICELTER.
659
00:29:21,428 --> 00:29:22,830
“NINETY-FIVE SENSES.”
660
00:29:22,830 --> 00:29:26,533
JERUSHA HESS AND JARED HESS.
661
00:29:26,533 --> 00:29:27,635
“OUR UNIFORM.”
662
00:29:27,635 --> 00:29:37,978
YEGANE MOGHADDAM,
663
00:29:37,978 --> 00:29:39,346
"PACHYDERME,"
664
00:29:39,346 --> 00:29:40,147
STÉPHANIE CLÉMENT AND MARC RIUS.
665
00:29:40,147 --> 00:29:41,015
“WAR IS OVER! INSPIRED BY THE
666
00:29:41,015 --> 00:29:42,716
MUSIC OF JOHN & YOKO.”
667
00:29:42,716 --> 00:29:45,586
DAVE MULLINS AND BRAD BOOKER.
668
00:29:45,586 --> 00:29:54,428
>> AND THE OSCAR GOES TO --
669
00:29:54,428 --> 00:29:55,496
"WAR IS OVER!
670
00:29:55,496 --> 00:29:57,031
INSPIRED BY THE MUSIC OF JOHN
671
00:29:57,031 --> 00:29:58,799
AND YOKO."
672
00:29:58,799 --> 00:30:01,969
[ APPLAUSE ]
673
00:30:01,969 --> 00:30:04,138
>> THIS IS THE FIRST OSCAR WIN
674
00:30:04,138 --> 00:30:05,572
FOR FIRST-TIME NOMINEE BRAD
675
00:30:05,572 --> 00:30:08,676
BOOKER AND TWO-TIME NOMINEE DAVE
676
00:30:08,676 --> 00:30:18,619
MULLINS.
677
00:30:18,619 --> 00:30:19,119
>> OKAY.
678
00:30:19,119 --> 00:30:22,856
INTIMIDATING.
679
00:30:22,856 --> 00:30:25,192
WE WANT TO THANK THE ACADEMY FOR
680
00:30:25,192 --> 00:30:28,028
THIS INCREDIBLE AWARD.
681
00:30:28,028 --> 00:30:30,764
JOHN LENNON AND YOKO ONO WROTE A
682
00:30:30,764 --> 00:30:33,634
SONG THAT INSPIRED US, AN
683
00:30:33,634 --> 00:30:35,202
ANTI-WAR MESSAGE WE TRIED TO
684
00:30:35,202 --> 00:30:36,270
HONOR WITH THIS FILM.
685
00:30:36,270 --> 00:30:41,241
WE WANT TO THANK OUR EXECUTIVE
686
00:30:41,241 --> 00:30:41,875
PRODUCER WHO IS AMAZING TO WORK
687
00:30:41,875 --> 00:30:51,218
WITH.
688
00:30:51,218 --> 00:30:52,653
ELECTROLEAGUE, THOMAS NEWMAN FOR
689
00:30:52,653 --> 00:30:54,021
HIS INCREDIBLE SCORE.
690
00:30:54,021 --> 00:30:56,490
AND I WANT TO THANK MY FAMILY I
691
00:30:56,490 --> 00:30:59,326
LOVE SO MUCH, MY KIDS, MY WIFE
692
00:30:59,326 --> 00:31:00,594
LISA, I LOVE YOU SWEETIE, AND
693
00:31:00,594 --> 00:31:04,898
MOM, DAD, WE DID IT.
694
00:31:04,898 --> 00:31:06,567
>> I WANT TO TALK REALLY
695
00:31:06,567 --> 00:31:07,868
QUICKLY, PETER JACKSON, THANK
696
00:31:07,868 --> 00:31:08,736
YOU SO MUCH.
697
00:31:08,736 --> 00:31:09,336
THIS WOULD NOT HAVE HAPPENED
698
00:31:09,336 --> 00:31:13,674
WITHOUT YOU.
699
00:31:13,674 --> 00:31:17,177
ALL THE AMAZINGLY TALENTED TEAM,
700
00:31:17,177 --> 00:31:22,649
THE AMAZINGLY TALENTED TEAM,
701
00:31:22,649 --> 00:31:26,320
EPIC GAMES, LISA ZAMBREE, ROMAN
702
00:31:26,320 --> 00:31:28,388
HUDSON WATCHING AT HOME, I LOVE
703
00:31:28,388 --> 00:31:29,056
YOU VERY MUCH, AND MOM AND DAD,
704
00:31:29,056 --> 00:31:31,091
I LOVE YOU.
705
00:31:31,091 --> 00:31:31,558
>> THANK YOU.
706
00:31:31,558 --> 00:31:33,694
I JUST WANT TO QUICKLY SAY MY
707
00:31:33,694 --> 00:31:35,496
MOTHER TURNED 91 THIS FEBRUARY,
708
00:31:35,496 --> 00:31:37,865
AND TODAY IS MOTHER'S DAY IN THE
709
00:31:37,865 --> 00:31:39,867
U.K., SO COULD EVERYONE SAY
710
00:31:39,867 --> 00:31:42,936
HAPPY MOTHER'S DAY YOKO .
711
00:31:42,936 --> 00:31:44,638
HAPPY MOTHER'S DAY, YOKO!
712
00:31:44,638 --> 00:31:45,806
THANK YOU SO MUCH.
713
00:31:45,806 --> 00:31:53,380
[ APPLAUSE ]
714
00:31:54,014 --> 00:31:56,316
♪
715
00:31:56,316 --> 00:31:56,917
>> HERE ARE THE NOMINEES FOR
716
00:31:56,917 --> 00:32:00,120
BEST ANIMATED FEATURE.
717
00:32:00,120 --> 00:32:01,255
“THE BOY AND THE HERON.”
718
00:32:01,255 --> 00:32:02,956
HAYAO MIYAZAKI AND
719
00:32:02,956 --> 00:32:05,793
TOSHIO SUZUKI.
720
00:32:05,793 --> 00:32:06,660
“ELEMENTAL.”
721
00:32:06,660 --> 00:32:09,763
PETER SOHN AND DENISE REAM.
722
00:32:09,763 --> 00:32:10,898
“NIMONA.”
723
00:32:10,898 --> 00:32:13,200
NICK BRUNO, TROY QUANE,
724
00:32:13,200 --> 00:32:16,003
KAREN RYAN AND JULIE ZACKARY.
725
00:32:16,003 --> 00:32:19,706
“ROBOT DREAMS.”
726
00:32:19,706 --> 00:32:20,541
PABLO BERGER, IBON CORMENZANA,
727
00:32:20,541 --> 00:32:21,975
IGNASI ESTAPÉ AND
728
00:32:21,975 --> 00:32:23,977
SANDRA TAPIA DÍAZ.
729
00:32:23,977 --> 00:32:24,845
“SPIDER-MAN: ACROSS THE
730
00:32:24,845 --> 00:32:28,215
SPIDER-VERSE.”
731
00:32:28,215 --> 00:32:30,217
KEMP POWERS, JUSTIN K. THOMPSON,
732
00:32:30,217 --> 00:32:30,818
PHIL LORD, CHRISTOPHER MILLER
733
00:32:30,818 --> 00:32:38,425
AND AMY PASCAL.
734
00:32:38,425 --> 00:32:39,293
>> ALL RIGHT.
735
00:32:39,293 --> 00:32:43,864
AND THE OSCAR GOES TO "THE BOY
736
00:32:43,864 --> 00:32:46,567
AND THE HERON."
737
00:32:46,567 --> 00:32:52,339
>> "THE BOY AND THE HERON,"
738
00:32:52,339 --> 00:32:53,140
HAYAO MIYAZAKI AND TOSHIO SUZUKI
739
00:32:53,140 --> 00:32:53,941
COULD NOT BE HERE.
740
00:32:53,941 --> 00:32:54,474
WE ACCEPT ON THEIR BEHALF.
741
00:32:54,474 --> 00:32:56,043
>> CONGRATULATIONS.
742
00:32:56,043 --> 00:32:57,244
>> THANK YOU.
743
00:32:57,244 --> 00:33:02,382
[ APPLAUSE ]
744
00:33:03,250 --> 00:33:08,622
♪
745
00:33:08,622 --> 00:33:09,189
>> Announcer: JUST AHEAD,
746
00:33:09,189 --> 00:33:09,756
MELISSA McCARTHY AND
747
00:33:09,756 --> 00:33:10,924
OCTAVIA SPENCER.
748
00:33:10,924 --> 00:33:13,460
THEN LATER, BILLIE EILISH
749
00:33:13,460 --> 00:33:14,294
PERFORMS A NOMINATED SONG FROM
750
00:33:14,294 --> 00:33:16,029
“BARBIE.”
751
00:33:16,029 --> 00:33:18,265
IT'S “THE OSCARS,” HERE ON ABC.
752
00:33:27,407 --> 00:33:29,510
There's challenges,
753
00:33:29,510 --> 00:33:33,013
and I love
overcoming challenges.
754
00:33:33,013 --> 00:33:36,250
♪
755
00:33:36,250 --> 00:33:37,317
When Better Money Habits®
756
00:33:37,317 --> 00:33:38,252
content first
started coming out,
757
00:33:38,252 --> 00:33:40,187
it expanded what
I could do for
758
00:33:40,187 --> 00:33:42,556
Special Olympics athletes
with developmental needs.
759
00:33:43,223 --> 00:33:45,893
Thousands of Bank of America
employees like Scott
760
00:33:45,893 --> 00:33:48,428
spend countless hours
volunteering to teach people
761
00:33:48,428 --> 00:33:50,364
how to reach
their financial goals.
762
00:33:50,364 --> 00:33:52,132
It felt good.
763
00:33:52,132 --> 00:33:54,268
It felt like I could take
on the whole world.
764
00:33:57,471 --> 00:34:00,340
Want the power of
5 serum benefits in 1?
765
00:34:01,508 --> 00:34:03,410
Olay Super Serum
766
00:34:03,410 --> 00:34:04,778
Activates on skin
767
00:34:04,778 --> 00:34:06,446
to hydrate, smooth,
768
00:34:06,446 --> 00:34:07,848
visibly firm, brighten,
769
00:34:07,848 --> 00:34:09,316
and improve texture.
770
00:34:09,316 --> 00:34:11,418
It's My Best Skin Yet.
771
00:34:11,418 --> 00:34:12,252
Olay
772
00:34:12,653 --> 00:34:15,255
[ Serene music playing ]
773
00:34:15,255 --> 00:34:16,657
Welcome to the Wayborhood.
774
00:34:16,657 --> 00:34:19,126
The Wayfair vibe at
our place is Western.
775
00:34:19,126 --> 00:34:21,762
My thing, Darling? Shine.
776
00:34:21,762 --> 00:34:23,196
Gardening.
777
00:34:23,196 --> 00:34:25,465
Some of us go
for the dramatic.
778
00:34:25,465 --> 00:34:28,235
How didn't I know Wayfair
had vanities in tile?
779
00:34:28,235 --> 00:34:29,136
[ gasps ]
780
00:34:29,136 --> 00:34:31,138
This.
781
00:34:31,138 --> 00:34:32,506
Wow!
782
00:34:32,506 --> 00:34:34,007
Do you have any
ottomans without legs.
783
00:34:34,007 --> 00:34:36,076
Sure.
You'll flip for the poof cart.
784
00:34:36,076 --> 00:34:38,912
in the Wayborhood, there's
a place for all of us.
785
00:34:38,912 --> 00:34:41,582
♪ Wayfair.
Every style. Every home. ♪
786
00:34:42,449 --> 00:34:44,151
Schwarzkopf has 125 years
787
00:34:44,151 --> 00:34:46,019
of professional
hair expertise.
788
00:34:46,019 --> 00:34:47,120
That’s why
I trust them
789
00:34:47,120 --> 00:34:49,089
to create the perfect blonde.
790
00:34:49,623 --> 00:34:51,692
To help you tell your story
791
00:34:51,692 --> 00:34:53,427
and feel more
like you.
792
00:34:53,427 --> 00:34:55,295
♪
793
00:34:55,295 --> 00:34:56,063
Schwarzkopf.
794
00:34:56,063 --> 00:34:57,264
What story will you tell?
795
00:35:35,168 --> 00:35:36,169
>>> THE OSCARS WILL CONTINUE IN
796
00:35:36,169 --> 00:35:37,137
A MOMENT ON ABC.
797
00:37:19,239 --> 00:37:21,541
>>> WE MUST EXPERIENCE
798
00:37:21,541 --> 00:37:21,842
EVERYTHING.
799
00:37:21,842 --> 00:37:30,283
NOT JUST THE GOOD.
800
00:37:30,283 --> 00:37:31,952
THIS MAKES US BETTER AND WE CAN
801
00:37:31,952 --> 00:37:36,990
KNOW THE WORLD.
802
00:37:36,990 --> 00:37:40,827
THE WORLD IS OURS.
803
00:37:40,827 --> 00:37:41,728
>> I AM FINDING BEING ALIVE
804
00:37:41,728 --> 00:37:44,865
FASCINATING.
805
00:37:44,865 --> 00:37:50,203
[ APPLAUSE ]
806
00:37:50,203 --> 00:37:52,072
>> THOSE WERE ALL THE PARTS OF
807
00:37:52,072 --> 00:37:53,373
FOUR THINGS WE'RE ALLOWED TO
808
00:37:53,373 --> 00:37:59,179
SHOW ON TV.
809
00:37:59,179 --> 00:38:03,450
REALLY, "THE BOY AND THE HERON"
810
00:38:03,450 --> 00:38:05,919
PEOPLE COULDN'T MAKE IT?
811
00:38:05,919 --> 00:38:08,188
OUR NEXT OSCARS ARE FOR BEST
812
00:38:08,188 --> 00:38:11,391
ORIGINAL AND ADAPTED SCREAM PLAY
813
00:38:11,391 --> 00:38:12,526
WHICH IS A CONTROVERSIAL
814
00:38:12,526 --> 00:38:13,093
CATEGORY THIS YEAR.
815
00:38:13,093 --> 00:38:15,328
A LOT OF PEOPLE WANT TO KNOW AT
816
00:38:15,328 --> 00:38:16,696
WHAT AGE DO YOU TELL A
817
00:38:16,696 --> 00:38:21,268
SCREENPLAY IT WAS ADAPTED?
818
00:38:21,268 --> 00:38:22,736
OUR NEXT PRESENTERS HAVE BEEN
819
00:38:22,736 --> 00:38:24,538
BEST FRIENDS FOR ALMOST 30
820
00:38:24,538 --> 00:38:26,072
YEARS, AND THAT ALL ENDS
821
00:38:26,072 --> 00:38:26,306
TONIGHT.
822
00:38:26,306 --> 00:38:30,310
PLEASE WELCOME TWO-TIME OSCAR
823
00:38:30,310 --> 00:38:36,016
NOMINEE MELISSA McCARTHY AND
824
00:38:36,016 --> 00:38:37,417
OSCAR-WINNER OCTAVIA SPENCER.
825
00:38:37,417 --> 00:38:40,120
[ APPLAUSE ]
826
00:38:40,820 --> 00:38:44,824
♪
827
00:38:44,824 --> 00:38:45,659
>> ORIGINAL SCREENPLAYS AND
828
00:38:45,659 --> 00:38:46,293
ADAPTED SCREENPLAYS ARE CUT FROM
829
00:38:46,293 --> 00:38:48,495
THE SAME CLOTH.
830
00:38:48,495 --> 00:38:49,129
THEY'RE SIMILAR, YET THEY REMAIN
831
00:38:49,129 --> 00:38:52,199
UNIQUE.
832
00:38:52,199 --> 00:38:53,066
YET EACH ARTFORM MAINTAINS ITS
833
00:38:53,066 --> 00:38:55,569
INDIVIDUAL CHARACTERISTICS.
834
00:38:55,569 --> 00:38:56,436
>> THAT'S KIND OF LIKE US,
835
00:38:56,436 --> 00:38:59,005
RIGHT?
836
00:38:59,005 --> 00:39:01,308
WE DO OUR OWN THING BUT ALSO DO
837
00:39:01,308 --> 00:39:03,910
OUR THINGS TOGETHER.
838
00:39:03,910 --> 00:39:04,511
LIKE THE CHIP N' DALE OF SHOW
839
00:39:04,511 --> 00:39:06,112
BIZ.
840
00:39:06,112 --> 00:39:07,814
RIGHT?
841
00:39:07,814 --> 00:39:08,949
>> CHIPPENDALES?
842
00:39:08,949 --> 00:39:09,816
I DON'T SEE US AS THE LYCRA
843
00:39:09,816 --> 00:39:10,951
PANTS AND PELVIC THRUSTS TYPES.
844
00:39:10,951 --> 00:39:13,253
>> WELL, SPEAK FOR YOURSELF, BUT
845
00:39:13,253 --> 00:39:14,955
WHAT ARE YOU TALKING ABOUT?
846
00:39:14,955 --> 00:39:19,259
I SAID CHIP N' DALE.
847
00:39:19,259 --> 00:39:19,693
>> I KNOW YOU SAID
848
00:39:19,693 --> 00:39:20,627
CHIPPENDALE'S.
849
00:39:20,627 --> 00:39:22,629
>> OHHH, NO NO NO, I'M SAYING
850
00:39:22,629 --> 00:39:23,263
CHIP-N-DALE, AND YOU'RE SAYING
851
00:39:23,263 --> 00:39:24,631
CHIPPENDALES.
852
00:39:24,631 --> 00:39:25,198
>> OH, I THOUGHT YOU MEANT
853
00:39:25,198 --> 00:39:29,436
CHIPPENDALE'S --
854
00:39:29,436 --> 00:39:34,274
>> USUALLY I AM --
855
00:39:34,274 --> 00:39:36,343
>> NOT NOW BECAUSE THAT WOULD BE
856
00:39:36,343 --> 00:39:37,110
WEIRD.
857
00:39:37,110 --> 00:39:37,777
>> YEAH.
858
00:39:37,777 --> 00:39:41,214
WHY DON'T WE JUST READ WHAT THE
859
00:39:41,214 --> 00:39:45,185
BRILLIANT WRITERS WROTE FOR US.
860
00:39:45,185 --> 00:39:46,586
>> OH, LOOK UP THERE.
861
00:39:46,586 --> 00:39:50,323
THERE'S A SCRIPT ON THE THING.
862
00:39:50,323 --> 00:39:50,757
>> IT HAS MY NAME.
863
00:39:50,757 --> 00:39:54,194
>> IT'S IN YELLOW.
864
00:39:54,194 --> 00:39:54,828
>> TO MAKE A SCRIPT REALLY COME
865
00:39:54,828 --> 00:39:55,428
TO LIFE, THE WRITER MUST NOT
866
00:39:55,428 --> 00:39:56,162
ONLY CAPTURES THE AUDIENCE'S
867
00:39:56,162 --> 00:40:01,134
HEARTS --
868
00:40:01,134 --> 00:40:03,436
>> -- BUT SIMULTANEOUS ENTERTAIN
869
00:40:03,436 --> 00:40:06,539
AND SURPRISE.
870
00:40:06,539 --> 00:40:09,109
>> MUCH BETTER WRITTEN.
871
00:40:09,109 --> 00:40:09,943
>> HERE ARE THE NOMINEES FOR
872
00:40:09,943 --> 00:40:11,945
BEST ORIGINAL SCREENPLAY.
873
00:40:11,945 --> 00:40:15,315
"ANATOMY OF A FALL," SCREENPLAY
874
00:40:15,315 --> 00:40:15,882
BY JUSTINE TRIET AND
875
00:40:15,882 --> 00:40:18,952
ARTHUR HARARI.
876
00:40:18,952 --> 00:40:19,486
>> YOU ARE NOT THE VICTIM.
877
00:40:19,486 --> 00:40:21,488
NOT AT ALL.
878
00:40:21,488 --> 00:40:26,559
YOUR GENEROSITY IS MEANER.
879
00:40:26,559 --> 00:40:27,427
"THE HOLDOVERS," WRITTEN BY
880
00:40:27,427 --> 00:40:32,065
DAVID HEMINGSON.
881
00:40:32,065 --> 00:40:34,701
>> I TRULY BELIEVE YOU CAN.
882
00:40:34,701 --> 00:40:35,268
"MAESTRO," WRITTEN BY
883
00:40:35,268 --> 00:40:35,869
BRADLEYCOOPER AND JOSH SINGER.
884
00:40:35,869 --> 00:40:37,237
"MAY DECEMBER," SCREENPLAY BY
885
00:40:37,237 --> 00:40:40,740
SAMY BURCH.
886
00:40:54,521 --> 00:40:56,189
"MAY DECEMBER" --
887
00:41:00,293 --> 00:41:03,296
"PAST LIVES" --
888
00:41:11,137 --> 00:41:17,077
>> AND THE OSCAR GOES TO
889
00:41:17,077 --> 00:41:26,553
"ANATOMY OF A FALL."
890
00:41:26,553 --> 00:41:35,028
JUSTINE TRIET AND ARTHUR HARARI.
891
00:41:35,028 --> 00:41:40,633
[ APPLAUSE ]
892
00:41:56,449 --> 00:42:00,353
>> THANK YOU SO MUCH.
893
00:42:00,353 --> 00:42:02,288
IT WILL HELP ME THROUGH MY
894
00:42:02,288 --> 00:42:05,725
MID-LIFE CRISIS, I THINK.
895
00:42:05,725 --> 00:42:11,798
THIS IS A CRAZY YEAR.
896
00:42:11,798 --> 00:42:17,670
ANYWAY, CONTRAST LIKELY WITH THE
897
00:42:17,670 --> 00:42:19,939
START BEFORE.
898
00:42:19,939 --> 00:42:21,608
WE WERE STUCK IN THE HOUSE WITH
899
00:42:21,608 --> 00:42:22,142
TWO KIDS.
900
00:42:22,142 --> 00:42:25,311
IT WAS A LOCKDOWN, AND WE HOOKED
901
00:42:25,311 --> 00:42:28,681
THEM UP TO CARTOONS AND, YEAH,
902
00:42:28,681 --> 00:42:29,315
THERE WAS NO LINE BETWEEN WORK
903
00:42:29,315 --> 00:42:32,752
AND DIAPERS.
904
00:42:32,752 --> 00:42:34,721
>> AND THEN ALONG CAME TWO OTHER
905
00:42:34,721 --> 00:42:39,392
PEOPLE, A WOMAN AND A MAN, THE
906
00:42:39,392 --> 00:42:42,495
PRODUCERS, AND --
907
00:42:42,495 --> 00:42:43,196
[ APPLAUSE ]
908
00:42:43,196 --> 00:42:44,431
YEAH, THAT'S WHEN THINGS GOT A
909
00:42:44,431 --> 00:42:48,134
LITTLE CRAZY.
910
00:42:48,134 --> 00:42:53,706
IT WAS LIKE PING-PONG BUT THERE
911
00:42:53,706 --> 00:42:56,476
WAS NOTHING BETWEEN US OR ABOVE
912
00:42:56,476 --> 00:42:58,578
US, ONLY TOTAL INDEPENDENCE AND
913
00:42:58,578 --> 00:42:59,245
FREEDOM, AND THAT'S THE ONLY WAY
914
00:42:59,245 --> 00:43:01,681
WE COULD MAKE THAT FILM.
915
00:43:01,681 --> 00:43:04,584
[ APPLAUSE ]
916
00:43:04,584 --> 00:43:10,990
>> I WANT TO THANK ALL THE CAST
917
00:43:10,990 --> 00:43:15,161
FOR WHAT YOU DID ON SET.
918
00:43:15,161 --> 00:43:18,598
YOU KILLED THE SCRIPT ON SET.
919
00:43:18,598 --> 00:43:20,967
THAT'S THE BEST FOR WRITERS, FOR
920
00:43:20,967 --> 00:43:21,201
DIRECTORS.
921
00:43:21,201 --> 00:43:22,168
THANK YOU SO MUCH.
922
00:43:22,168 --> 00:43:24,671
THANK YOU.
923
00:43:24,671 --> 00:43:27,540
[ APPLAUSE ]
924
00:43:27,540 --> 00:43:32,345
♪
925
00:43:39,319 --> 00:43:39,686
>> OH, IT'S ME.
926
00:43:39,686 --> 00:43:41,354
>> IT'S YOU.
927
00:43:41,354 --> 00:43:41,955
>> HERE ARE THE NOMINEES FOR
928
00:43:41,955 --> 00:43:44,757
ADAPTED SCREENPLAY --
929
00:43:44,757 --> 00:43:45,625
"AMERICAN FICTION," WRITTEN FOR
930
00:43:45,625 --> 00:43:46,759
THE SCREEN BY CORD JEFFERSON.
931
00:43:46,759 --> 00:43:48,461
BASED UPON THE NOVEL "ERASURE"
932
00:43:48,461 --> 00:43:50,864
BY PERCIVAL EVERETT.
933
00:44:07,814 --> 00:44:09,082
"THE ZONE OF INTEREST" WRITTEN
934
00:44:09,082 --> 00:44:11,251
BY JONATHAN GLAZER.
935
00:44:19,259 --> 00:44:19,893
"OPPENHEIMER," WRITTEN FOR THE
936
00:44:19,893 --> 00:44:20,460
SCREEN BY CHRISTOPHER NOLAN.
937
00:44:20,460 --> 00:44:21,828
BASED ON THE BOOK "AMERICAN
938
00:44:21,828 --> 00:44:22,695
PROMETHEUS: THE TRIUMPH AND
939
00:44:22,695 --> 00:44:23,530
TRAGEDY OF
940
00:44:23,530 --> 00:44:25,298
J. ROBERT OPPENHEIMER" BY
941
00:44:25,298 --> 00:44:27,834
KAI BIRD AND MARTIN J. SHERWIN.
942
00:44:41,881 --> 00:44:42,715
"BARBIE," WRITTEN BY
943
00:44:42,715 --> 00:44:43,349
GRETA GERWIG AND NOAH BAUMBACH.
944
00:44:43,349 --> 00:44:44,350
BASED ON BARBIE BY MATTEL.
945
00:44:57,697 --> 00:44:58,298
"POOR THINGS," SCREENPLAY BY
946
00:44:58,298 --> 00:44:59,132
TONY MCNAMARA.
947
00:44:59,132 --> 00:44:59,632
BASED UPON THE NOVEL BY
948
00:44:59,632 --> 00:45:01,034
ALASDAIR GRAY.
949
00:45:15,448 --> 00:45:18,384
>> AND THE OSCAR GOES TO --
950
00:45:18,384 --> 00:45:24,824
"AMERICAN FICTION."
951
00:45:24,824 --> 00:45:26,693
>> THIS IS THE FIRST OSCAR WIN
952
00:45:26,693 --> 00:45:31,798
AND SECOND NOMINATION THIS YEAR
953
00:45:31,798 --> 00:45:34,934
FOR CORD JEFFERSON, PART OF THE
954
00:45:34,934 --> 00:45:35,468
PRODUCING TEAM OF "AMERICAN
955
00:45:35,468 --> 00:45:38,238
FICTION."
956
00:45:38,238 --> 00:45:41,674
[ APPLAUSE ]
957
00:45:52,185 --> 00:45:57,624
♪
958
00:46:02,695 --> 00:46:03,162
>> THANK YOU SO MUCH.
959
00:46:03,162 --> 00:46:08,835
THANK YOU SO MUCH.
960
00:46:08,835 --> 00:46:09,235
MY GOD.
961
00:46:09,235 --> 00:46:09,636
THANK YOU SO MUCH.
962
00:46:09,636 --> 00:46:10,503
THANK YOU SO MUCH.
963
00:46:10,503 --> 00:46:14,007
[ CHEERS AND APPLAUSE ]
964
00:46:14,007 --> 00:46:15,375
THIS REALLY MEANS THE WORLD TO
965
00:46:15,375 --> 00:46:15,675
ME.
966
00:46:15,675 --> 00:46:17,610
THANK YOU SO MUCH TO THE
967
00:46:17,610 --> 00:46:17,844
ACADEMY.
968
00:46:17,844 --> 00:46:18,845
THANK YOU SO MUCH TO EVERYBODY
969
00:46:18,845 --> 00:46:20,413
WHO WORKED ON THE FILM.
970
00:46:20,413 --> 00:46:21,748
I'VE BEEN TALKING A LOT ABOUT
971
00:46:21,748 --> 00:46:23,583
HOW MANY PEOPLE PASSED ON THIS
972
00:46:23,583 --> 00:46:26,886
MOVIE IN DISCUSSING IT, AND I
973
00:46:26,886 --> 00:46:29,389
WORRY THAT SOMETIMES SOUNDS
974
00:46:29,389 --> 00:46:30,623
VINDICTIVE AND I'M NOT A
975
00:46:30,623 --> 00:46:31,424
VINDICTIVE PERSON ANYMORE.
976
00:46:31,424 --> 00:46:33,259
I'VE WORKED HARD TO BE NOT
977
00:46:33,259 --> 00:46:33,793
VINDICTIVE ANYMORE.
978
00:46:33,793 --> 00:46:35,028
AND IT'S MORE A PLEA.
979
00:46:35,028 --> 00:46:37,930
IT'S A PLEA TO ACKNOWLEDGE AND
980
00:46:37,930 --> 00:46:38,831
RECOGNIZE THAT THERE ARE SO MANY
981
00:46:38,831 --> 00:46:40,600
PEOPLE OUT THERE WHO WANT THE
982
00:46:40,600 --> 00:46:44,337
OPPORTUNITY THAT I WAS GIVEN.
983
00:46:44,337 --> 00:46:46,205
AND THIS IS A -- I UNDERSTAND --
984
00:46:46,205 --> 00:46:48,274
I ONLY HAVE SIX SECONDS, PLEASE.
985
00:46:48,274 --> 00:46:50,643
I UNDERSTAND THAT THIS IS A RISK
986
00:46:50,643 --> 00:46:51,144
AVERSE INDUSTRY.
987
00:46:51,144 --> 00:46:53,980
I GET IT, BUT $200 MILLION
988
00:46:53,980 --> 00:46:55,515
MOVIES ARE ALSO A RISK, YOU
989
00:46:55,515 --> 00:46:55,782
KNOW.
990
00:46:55,782 --> 00:46:57,116
AND IT DOESN'T ALWAYS WORK OUT,
991
00:46:57,116 --> 00:46:58,685
BUT YOU TAKE THE RISK ANYWAY.
992
00:46:58,685 --> 00:47:00,420
AND INSTEAD OF MAKING ONE $200
993
00:47:00,420 --> 00:47:05,692
MILLION MOVIE, TRY MAKING 20 $10
994
00:47:05,692 --> 00:47:10,596
MILLION MOVIES OR 50 -- RIGHT?
995
00:47:10,596 --> 00:47:12,265
50 $4 MILLION MOVIES.
996
00:47:12,265 --> 00:47:14,000
YOU CAN -- THERE ARE SO MANY
997
00:47:14,000 --> 00:47:14,233
PEOPLE.
998
00:47:14,233 --> 00:47:15,735
I JUST FEEL SO MUCH JOY BEING
999
00:47:15,735 --> 00:47:15,935
HERE.
1000
00:47:15,935 --> 00:47:17,870
I FELT SO MUCH JOY MAKING THIS
1001
00:47:17,870 --> 00:47:19,205
MOVIE AND I WANT OTHER PEOPLE TO
1002
00:47:19,205 --> 00:47:20,139
EXPERIENCE THAT JOY, AND THEY
1003
00:47:20,139 --> 00:47:20,740
ARE OUT THERE.
1004
00:47:20,740 --> 00:47:21,507
I PROMISE YOU.
1005
00:47:21,507 --> 00:47:23,042
THE NEXT MARTIN SCORCESE IS OUT
1006
00:47:23,042 --> 00:47:23,242
THERE.
1007
00:47:23,242 --> 00:47:24,544
THE NEXT GRETA IS OUT THERE.
1008
00:47:24,544 --> 00:47:26,579
BOTH GRETAS.
1009
00:47:26,579 --> 00:47:27,680
THE NEXT CHRISTOPHER NOLAN IS
1010
00:47:27,680 --> 00:47:28,348
OUT THERE.
1011
00:47:28,348 --> 00:47:29,882
THEY JUST WANT A SHOT, AND WE
1012
00:47:29,882 --> 00:47:31,617
CAN GIVE THEM ONE, AND THIS HAS
1013
00:47:31,617 --> 00:47:32,151
CHANGED MY LIFE.
1014
00:47:32,151 --> 00:47:34,754
THANK YOU ALL WHO WORKED ON THIS
1015
00:47:34,754 --> 00:47:36,622
MOVIE FOR TRUSTING A 40-YEAR-OLD
1016
00:47:36,622 --> 00:47:38,124
BLACK GUY WHO NEVER DIRECTED
1017
00:47:38,124 --> 00:47:38,691
ANYTHING BEFORE.
1018
00:47:38,691 --> 00:47:39,759
IT HAS CHANGED MY LIFE.
1019
00:47:39,759 --> 00:47:40,360
THANK YOU.
1020
00:47:40,360 --> 00:47:40,727
I LOVE YOU ALL.
1021
00:47:40,727 --> 00:47:41,694
THANK YOU SO MUCH.
1022
00:47:41,694 --> 00:47:45,231
[ CHEERS AND APPLAUSE ]
1023
00:47:47,166 --> 00:47:50,870
♪
1024
00:47:58,611 --> 00:47:59,445
>> Announcer: PERFORMING THE
1025
00:47:59,445 --> 00:48:00,279
OSCAR NOMINATED SONG "WHAT WAS I
1026
00:48:00,279 --> 00:48:00,980
MADE FOR?" FROM "BARBIE," HERE
1027
00:48:00,980 --> 00:48:01,748
ARE BILLIE EILISH AND
1028
00:48:01,748 --> 00:48:07,086
FINNEAS O'CONNELL.
1029
00:48:08,855 --> 00:48:11,190
[ APPLAUSE ]
1030
00:48:12,024 --> 00:48:21,100
♪
1031
00:48:21,100 --> 00:48:25,371
♪ I USED TO FLOAT
1032
00:48:25,371 --> 00:48:27,073
NOW I JUST FALL DOWN ♪
1033
00:48:27,073 --> 00:48:37,016
♪ I USED TO KNOW
1034
00:48:37,016 --> 00:48:38,451
BUT I'M NOT SURE NOW
1035
00:48:38,451 --> 00:48:39,886
WHAT I WAS MADE FOR
1036
00:48:39,886 --> 00:48:55,234
WHAT WAS I MADE FOR? ♪
1037
00:48:55,234 --> 00:49:05,077
♪ BECAUSE I WAS MADE FOR YOU
1038
00:49:05,077 --> 00:49:18,858
BUT I WANNA TRY ♪
1039
00:49:18,858 --> 00:49:21,561
♪ I DON'T KNOW HOW TO FEEL
1040
00:49:21,561 --> 00:49:24,096
BUT I WANNA TRY ♪
1041
00:49:24,096 --> 00:49:29,001
♪ I DON'T KNOW HOW TO FEEL
1042
00:49:29,001 --> 00:49:33,539
BUT SOME DAY I MIGHT ♪
1043
00:49:33,539 --> 00:49:37,577
♪
1044
00:49:37,577 --> 00:49:39,846
♪ WHEN DID IT END?
1045
00:49:39,846 --> 00:49:44,083
ALL THE ENJOYMENT
1046
00:49:44,083 --> 00:49:44,650
I'M SAD AGAIN BUT
1047
00:49:44,650 --> 00:49:46,686
DON'T TELL MY BOYFRIEND ♪
1048
00:49:46,686 --> 00:49:48,087
♪ IT'S NOT WHAT
1049
00:49:48,087 --> 00:49:52,925
HE'S MADE FOR
1050
00:49:52,925 --> 00:50:01,767
WHAT WAS I MADE FOR? ♪
1051
00:50:01,767 --> 00:50:03,169
♪ 'CAUSE I
1052
00:50:03,169 --> 00:50:08,007
'CAUSE I
1053
00:50:08,007 --> 00:50:13,946
I DON'T KNOW HOW TO FEEL
1054
00:50:13,946 --> 00:50:21,921
BUT I WANNA TRY ♪
1055
00:50:21,921 --> 00:50:27,593
♪ I DON'T KNOW HOW TO FEEL
1056
00:50:27,593 --> 00:50:32,999
BUT SOMEDAY I MIGHT
1057
00:50:32,999 --> 00:50:38,371
SOMEDAY I MIGHT ♪
1058
00:50:38,371 --> 00:50:40,373
♪ THINK I FORGOT
1059
00:50:40,373 --> 00:50:42,942
HOW TO BE HAPPY
1060
00:50:42,942 --> 00:50:46,345
SOMETHING I'M NOT
1061
00:50:46,345 --> 00:50:48,314
BUT SOMETHING I CAN BE ♪
1062
00:50:48,314 --> 00:50:55,187
♪ SOMETHING I WAIT FOR
1063
00:50:55,187 --> 00:51:06,332
SOMETHING I'M MADE FOR
1064
00:51:06,332 --> 00:51:13,506
SOMETHING I'M MADE FOR ♪
1065
00:51:15,007 --> 00:51:20,146
[ APPLAUSE ]
1066
00:51:33,059 --> 00:51:42,268
♪
1067
00:51:46,572 --> 00:51:48,407
>> I'M DAVID ALAN GRIER, AND I'M
1068
00:51:48,407 --> 00:51:50,576
THE ANNOUNCER TONIGHT.
1069
00:51:50,576 --> 00:51:52,979
HERE IS WHAT IS UP NEXT,
1070
00:51:52,979 --> 00:51:53,846
CATHERINE O'HARA AND
1071
00:51:53,846 --> 00:51:57,249
MICHAEL KEATON.
1072
00:51:57,249 --> 00:51:58,684
THEN LATER WE FIND OUT WHO WINS
1073
00:51:58,684 --> 00:52:07,059
FOR SUPPORTING ACTOR.
1074
00:52:07,059 --> 00:52:09,261
THE OSCARS ON ABC BROUGHT TO YOU
1075
00:52:09,261 --> 00:52:11,797
BY --
1076
00:52:11,797 --> 00:52:13,432
♪ Music plays [My House by
Beyoncé] ♪
1077
00:52:13,432 --> 00:52:14,233
(Director)
Cut!
1078
00:52:14,233 --> 00:52:15,267
(Tony)
Broke the internet again.
1079
00:52:15,267 --> 00:52:16,636
(Beyoncé)
Woah, it's coming in really
fast.
1080
00:52:16,636 --> 00:52:19,038
(Tony)
Yeah, it’s Verizon 5G. The
network is crazy powerful.
1081
00:52:19,038 --> 00:52:20,806
I bet you can’t break that.
1082
00:52:20,806 --> 00:52:22,141
(Beyoncé)
Bet I can.
1083
00:52:22,141 --> 00:52:23,476
(Tony)
Wait what?
1084
00:52:23,676 --> 00:52:25,778
(Newscaster)
Beyoncé breaks the internet, but
can she break Verizon?
1085
00:52:25,778 --> 00:52:26,612
(Beyoncé)
Broken?
1086
00:52:26,612 --> 00:52:27,546
(Tony)
Not even close.
1087
00:52:27,813 --> 00:52:29,482
(Beyoncé)
How about BarBey?
1088
00:52:29,482 --> 00:52:30,316
(Tony)
No.
1089
00:52:31,350 --> 00:52:33,819
(Beyoncé)
I’m running for Beyoncé Of The
United States.
1090
00:52:33,819 --> 00:52:35,321
Can you hear me now?
1091
00:52:35,321 --> 00:52:36,422
(Tony)
No break-y.
1092
00:52:36,422 --> 00:52:38,457
(Beyoncé)
Ya’ll ready for Rocket B?
1093
00:52:38,457 --> 00:52:39,792
(Tony)
Still works.
1094
00:52:39,792 --> 00:52:41,327
(Beyoncé)
Someone get me down.
1095
00:52:56,509 --> 00:53:01,781
This vacation season
comes a whodunit at sea...
1096
00:53:01,781 --> 00:53:03,015
So who had the most fun?
1097
00:53:03,015 --> 00:53:06,252
Was it the brother
at Family Feud Live?
1098
00:53:06,252 --> 00:53:08,521
Or mom and dad in the spa?
1099
00:53:09,121 --> 00:53:11,123
It could be
the youngest at dinner.
1100
00:53:11,791 --> 00:53:13,859
Or the oldest
on the Catamaran.
1101
00:53:13,859 --> 00:53:16,395
Her boyfriend’s
definitely having fun.
1102
00:53:16,395 --> 00:53:18,264
Or maybe the culprit was...
1103
00:53:18,264 --> 00:53:19,632
MOM!
1104
00:53:19,632 --> 00:53:21,767
No one does fun like Carnival.
1105
00:53:21,767 --> 00:53:23,035
[funnel horn blares]
1106
00:53:23,035 --> 00:53:26,338
Coming soon to a vacation
near you.
1107
00:53:28,040 --> 00:53:31,444
(Luke)
So... I hear some of you are
concerned about the fact
1108
00:53:31,444 --> 00:53:33,079
that I'm taking over the
company.
1109
00:53:33,079 --> 00:53:35,848
Well, rest assured, company's in
great hands.
1110
00:53:35,848 --> 00:53:37,183
Marci, hit the vid’.
1111
00:53:37,917 --> 00:53:42,054
(Both Lukes)
Homes-dot-com.
We’ve done your home work.
1112
00:53:42,588 --> 00:53:44,757
(Luke)
Now, that is worth celebrating!
1113
00:53:49,462 --> 00:53:50,296
(Brad)
I love it.
1114
00:53:50,296 --> 00:53:51,230
(Luke)
Thank you.
1115
00:53:51,230 --> 00:53:53,933
(Brad)
Home...work... very clever.
1116
00:53:53,933 --> 00:53:54,767
(VO)
Ding dong!
1117
00:53:54,767 --> 00:53:56,368
(Luke VO)
Homes-dot-com.
1118
00:53:56,569 --> 00:53:58,738
I was born with wings,
1119
00:53:58,738 --> 00:54:01,273
but psoriasis swooped in
to clip them.
1120
00:54:01,273 --> 00:54:03,209
It crushed my confidence.
1121
00:54:03,209 --> 00:54:05,744
But no longer will psoriasis
get a piece of me.
1122
00:54:06,178 --> 00:54:07,947
I can love my skin again.
1123
00:54:07,947 --> 00:54:09,048
With BIMZELX.
1124
00:54:09,048 --> 00:54:11,217
Only BIMZELX
targets and blocks
1125
00:54:11,217 --> 00:54:14,386
IL-17A plus F to calm
inflammation.
1126
00:54:14,386 --> 00:54:17,590
I can control my plaques,
and start getting myself back.
1127
00:54:17,590 --> 00:54:19,258
BIMZELX helps adults
with moderate
1128
00:54:19,258 --> 00:54:21,494
to severe psoriasis
control plaques,
1129
00:54:21,494 --> 00:54:24,630
to deliver clearer skin fast,
for results that last.
1130
00:54:24,630 --> 00:54:27,166
I will give myself back
the freedom of shorts.
1131
00:54:27,166 --> 00:54:29,301
Dare to wear black again
from head to toe.
1132
00:54:29,301 --> 00:54:30,336
(♪)
1133
00:54:30,336 --> 00:54:33,405
Most people got
100% clear skin.
1134
00:54:33,405 --> 00:54:35,207
Some after the first dose.
1135
00:54:35,841 --> 00:54:37,076
Serious side effects,
1136
00:54:37,076 --> 00:54:39,011
including suicidal thoughts
and behavior,
1137
00:54:39,011 --> 00:54:41,213
infections and lowered
ability to fight them,
1138
00:54:41,213 --> 00:54:42,481
liver problems,
1139
00:54:42,481 --> 00:54:44,383
and inflammatory bowel
disease, have occurred.
1140
00:54:44,383 --> 00:54:46,619
Tell your doctor
if these happen or worsen,
1141
00:54:46,619 --> 00:54:48,521
or if you’ve had
a vaccine or plan to.
1142
00:54:48,521 --> 00:54:49,688
(♪)
1143
00:54:49,688 --> 00:54:52,124
Start to get yourself back,
with BIMZELX.
1144
00:54:52,124 --> 00:54:54,860
Ask your dermatologist
about BIMZELX today.
1145
00:55:56,655 --> 00:55:58,657
I’m a bird stuck in
Larry Bird’s attic.
1146
00:55:59,858 --> 00:56:01,527
And I’m goin’ cuckoo.
1147
00:56:03,495 --> 00:56:04,597
What the heck.
1148
00:56:04,597 --> 00:56:05,965
What you got Larry?
1149
00:56:07,600 --> 00:56:09,168
May the best bird win.
1150
00:56:10,302 --> 00:56:10,970
Brick.
1151
00:56:11,837 --> 00:56:13,372
You may be a legend
on the court
1152
00:56:13,372 --> 00:56:14,840
but you're an
amateur up here.
1153
00:56:14,840 --> 00:56:15,841
Heads up Lar.
1154
00:56:17,943 --> 00:56:19,144
So get Allstate...
1155
00:56:19,144 --> 00:56:21,847
Save money and be
protected from Mayhem...
1156
00:56:21,847 --> 00:56:23,315
...like me.
1157
00:56:24,783 --> 00:56:26,418
Now you're the bird
stuck in the attic.
1158
00:56:41,567 --> 00:56:43,335
>>> CHILDHOOD SWEETHEARTS WHO
1159
00:56:43,335 --> 00:56:45,571
RECONNECT 20 YEARS LATER AND
1160
00:56:45,571 --> 00:56:47,539
REALIZE THEY WERE MEANT FOR EACH
1161
00:56:47,539 --> 00:56:47,940
OTHER.
1162
00:56:47,940 --> 00:56:50,109
>> IF TWO STRANGERS WALK BY EACH
1163
00:56:50,109 --> 00:56:53,112
OTHER IN THE STREET AND THEIR
1164
00:56:53,112 --> 00:56:55,881
CLOTHES ACCIDENTALLY BRUSH, IT'S
1165
00:56:55,881 --> 00:56:57,249
BECAUSE THERE HAVE BEEN 8,000
1166
00:56:57,249 --> 00:57:02,054
LAYERS OF EONS BETWEEN THEM.
1167
00:57:02,054 --> 00:57:06,892
♪
1168
00:57:06,892 --> 00:57:07,459
>> Announcer: HERE ARE
1169
00:57:07,459 --> 00:57:08,027
CATHERINE O'HARA AND OSCAR
1170
00:57:08,027 --> 00:57:12,731
NOMINEE MICHAEL KEATON.
1171
00:57:13,365 --> 00:57:19,772
♪
1172
00:57:22,708 --> 00:57:25,244
>> WE ACTORS CAN'T IMAGINE A
1173
00:57:25,244 --> 00:57:26,378
WORLD WITHOUT MAKEUP,
1174
00:57:26,378 --> 00:57:29,882
HAIRSTYLING, AND PRODUCTION
1175
00:57:29,882 --> 00:57:31,383
DESIGN -- NO, NO, NO.
1176
00:57:31,383 --> 00:57:32,952
THE LAST THING WE WANT IS ANYONE
1177
00:57:32,952 --> 00:57:33,519
KNOWING WHAT WE REALLY LOOK
1178
00:57:33,519 --> 00:57:35,821
LIKE.
1179
00:57:35,821 --> 00:57:38,691
OR THE SQUALOR IN WHICH WE LIVE.
1180
00:57:38,691 --> 00:57:39,558
>> ON EVERY NEW JOB, WE SHARE AN
1181
00:57:39,558 --> 00:57:40,392
ALMOST IMMEDIATE INTIMACY WITH
1182
00:57:40,392 --> 00:57:42,962
THE GOOD PEOPLE IN THE MAKEUP
1183
00:57:42,962 --> 00:57:43,796
AND HAIR TRAILER.
1184
00:57:43,796 --> 00:57:44,663
YOU MEET THEM TO DISCUSS THE
1185
00:57:44,663 --> 00:57:45,297
CHARACTER'S LOOK, AND BEFORE YOU
1186
00:57:45,297 --> 00:57:45,931
KNOW IT, THEY'RE PLUCKING YOUR
1187
00:57:45,931 --> 00:57:47,766
NOSE HAIRS.
1188
00:57:47,766 --> 00:57:48,634
>> OR RUBBING FOUNDATION INTO
1189
00:57:48,634 --> 00:57:49,735
YOUR CLEAVAGE.
1190
00:57:49,735 --> 00:57:59,378
>> OR SPACKLING THE 11 HOLES IN
1191
00:57:59,378 --> 00:58:00,879
YOUR SKULL WITH THE TEENAGE
1192
00:58:00,879 --> 00:58:02,514
MISHAP WITH THE NAIL GUN.
1193
00:58:02,514 --> 00:58:03,082
>> -- OH, IF I HAD A NICKEL!
1194
00:58:03,082 --> 00:58:03,682
>> HERE ARE THE NOMINEES FOR
1195
00:58:03,682 --> 00:58:08,253
MAKEUP AND HAIRSTYLING.
1196
00:58:08,253 --> 00:58:09,388
“GOLDA.”
1197
00:58:09,388 --> 00:58:09,855
KAREN HARTLEY THOMAS,
1198
00:58:09,855 --> 00:58:10,522
SUZI BATTERSBY AND
1199
00:58:10,522 --> 00:58:13,359
ASHRA KELLY-BLUE.
1200
00:58:13,359 --> 00:58:14,793
“MAESTRO.”
1201
00:58:14,793 --> 00:58:15,928
KAZU HIRO, KAY GEORGIOU AND
1202
00:58:15,928 --> 00:58:19,331
LORI MCCOY-BELL.
1203
00:58:19,331 --> 00:58:20,232
“OPPENHEIMER.”
1204
00:58:20,232 --> 00:58:21,900
LUISA ABEL.
1205
00:58:21,900 --> 00:58:23,869
“POOR THINGS.”
1206
00:58:23,869 --> 00:58:25,571
NADIA STACEY, MARK COULIER AND
1207
00:58:25,571 --> 00:58:27,840
JOSH WESTON.
1208
00:58:27,840 --> 00:58:30,976
“SOCIETY OF THE SNOW.”
1209
00:58:30,976 --> 00:58:33,545
ANA LOPEZ-PUIGCERVER,
1210
00:58:33,545 --> 00:58:38,817
DAVID MARTÍ AND MONTSE RIBÉ.
1211
00:58:38,817 --> 00:58:48,427
>> AND THE OSCAR GOES TO --
1212
00:58:48,427 --> 00:58:54,299
"POOR THINGS," NADIA STACEY MARK
1213
00:58:54,299 --> 00:58:55,167
COULIER AND JOSH WESTON.
1214
00:58:55,167 --> 00:58:56,802
>> THE FIRST WIN AND SECOND
1215
00:58:56,802 --> 00:58:58,337
NOMINATION FOR NADIA STACEY.
1216
00:58:58,337 --> 00:59:00,239
THE THIRD OSCAR WIN AND FIFTH
1217
00:59:00,239 --> 00:59:05,644
NOMINATION FOR MARK COULIER.
1218
00:59:05,644 --> 00:59:10,215
[ APPLAUSE ]
1219
00:59:16,955 --> 00:59:19,191
>> OH, MY GOSH.
1220
00:59:19,191 --> 00:59:20,626
THANK YOU TO THE ACADEMY.
1221
00:59:20,626 --> 00:59:22,561
I CAN'T BELIEVE I JUST SAID
1222
00:59:22,561 --> 00:59:25,564
THOSE WORDS.
1223
00:59:25,564 --> 00:59:32,538
THANK YOU TO YOU FOR MAKING
1224
00:59:32,538 --> 00:59:34,640
FILMS LIKE NOBODY ELSE, TO MY
1225
00:59:34,640 --> 00:59:35,140
CREW, GRACE IS UP THERE
1226
00:59:35,140 --> 00:59:38,076
SOMEWHERE.
1227
00:59:38,076 --> 00:59:42,448
AND TO CAROLYN AT HOME, THANK
1228
00:59:42,448 --> 00:59:46,051
YOU TO -- I KNOW NOT MEANT TO
1229
00:59:46,051 --> 00:59:49,354
SAY MY AGENT, BUT SYLVIA, IS
1230
00:59:49,354 --> 00:59:50,289
AMAZING, AND MY MOM.
1231
00:59:50,289 --> 00:59:52,024
>> THANK YOU TO WILLIAM DAFOE.
1232
00:59:52,024 --> 00:59:53,859
HE MADE THE WORKING ENVIRONMENT
1233
00:59:53,859 --> 00:59:57,329
SUCH A PLEASURE FOR MYSELF TO
1234
00:59:57,329 --> 00:59:57,863
WORK IN.
1235
00:59:57,863 --> 01:00:02,534
SO A BIG THANKS TO MY WIFE AND
1236
01:00:02,534 --> 01:00:03,569
MY CHILDREN.
1237
01:00:03,569 --> 01:00:04,203
BRINGING IT HOME.
1238
01:00:04,203 --> 01:00:06,872
>> I DON'T HAVE A PUBLICIST BUT
1239
01:00:06,872 --> 01:00:09,174
I'D LOVE TO THANK ALL MY CREW IN
1240
01:00:09,174 --> 01:00:10,742
THE U.K.
1241
01:00:10,742 --> 01:00:12,478
ISABEL WHERE ARE YOU?
1242
01:00:12,478 --> 01:00:12,644
YAY!
1243
01:00:12,644 --> 01:00:14,746
MY DAUGHTER, ISABEL.
1244
01:00:14,746 --> 01:00:23,122
MY SON, ETHAN, AND MY SON OLLIE.
1245
01:00:23,122 --> 01:00:27,593
[ APPLAUSE ]
1246
01:00:27,593 --> 01:00:28,160
>> WE'RE STILL HERE.
1247
01:00:28,160 --> 01:00:28,727
>> LOOKS LIKE WE GOT A CALL
1248
01:00:28,727 --> 01:00:32,130
BACK.
1249
01:00:32,130 --> 01:00:36,101
>> HERE ARE THE NOMINEES FOR
1250
01:00:36,101 --> 01:00:36,969
PRODUCTION DESIGN.
1251
01:00:36,969 --> 01:00:40,639
“BARBIE.” PRODUCTION DESIGN BY
1252
01:00:40,639 --> 01:00:41,773
SARAH GREENWOOD.
1253
01:00:41,773 --> 01:00:43,509
SET DECORATION BY KATIE SPENCER.
1254
01:00:43,509 --> 01:00:44,910
“KILLERS OF THE FLOWER MOON.”
1255
01:00:44,910 --> 01:00:47,479
PRODUCTION DESIGN BY JACK FISK.
1256
01:00:47,479 --> 01:00:49,448
SET DECORATION BY ADAM WILLIS.
1257
01:00:49,448 --> 01:00:50,582
“NAPOLEON.”
1258
01:00:50,582 --> 01:00:54,019
PRODUCTION DESIGN BY ARTHUR MAX.
1259
01:00:54,019 --> 01:00:56,288
SET DECORATION BY ELLI GRIFF.
1260
01:00:56,288 --> 01:00:57,422
“OPPENHEIMER.”
1261
01:00:57,422 --> 01:00:59,424
PRODUCTION DESIGN BY
1262
01:00:59,424 --> 01:01:00,292
RUTH DE JONG.
1263
01:01:00,292 --> 01:01:01,126
SET DECORATION BY
1264
01:01:01,126 --> 01:01:04,062
CLAIRE KAUFMAN.
1265
01:01:04,062 --> 01:01:04,897
“POOR THINGS.”
1266
01:01:04,897 --> 01:01:05,764
PRODUCTION DESIGN BY JAMES PRICE
1267
01:01:05,764 --> 01:01:06,598
AND SHONA HEATH.
1268
01:01:06,598 --> 01:01:08,300
SET DECORATION BY
1269
01:01:08,300 --> 01:01:13,672
ZSUZSA MIHALEK.
1270
01:01:13,672 --> 01:01:18,610
>> AND THE WINNER IS --
1271
01:01:18,610 --> 01:01:23,916
"POOR THINGS."
1272
01:01:23,916 --> 01:01:26,518
[ APPLAUSE ]
1273
01:01:26,518 --> 01:01:28,687
♪
1274
01:01:28,687 --> 01:01:31,390
>> THIS IS THE FIRST OSCAR WIN
1275
01:01:31,390 --> 01:01:36,428
AND NOMINATION FOR JAMES PRICE,
1276
01:01:36,428 --> 01:01:42,734
SHONA HEATH AND ZSUZSA MIHALEK.
1277
01:01:43,468 --> 01:01:46,772
♪
1278
01:01:50,309 --> 01:01:57,516
>> THIS IS CRAZY.
1279
01:01:57,516 --> 01:02:02,588
I WANT TO THANK YOU WHO SUPPORT
1280
01:02:02,588 --> 01:02:06,458
US AND DO MAD, CRAZY THINGS.
1281
01:02:06,458 --> 01:02:07,559
>> AND THANK YOU TO THINK THIS
1282
01:02:07,559 --> 01:02:09,328
WAS A GOOD IDEA WE COLLABORATED.
1283
01:02:09,328 --> 01:02:12,998
>> MOM, HAPPY MOTHER'S DAY.
1284
01:02:12,998 --> 01:02:22,140
DAD, SIS, LIZ, WE MISS YOU.
1285
01:02:22,140 --> 01:02:23,875
ADAM AND LILY ARE OUR BACKBONE,
1286
01:02:23,875 --> 01:02:27,079
OUR AMAZING CREW, AND MY PARTNER
1287
01:02:27,079 --> 01:02:31,416
IN CRIME, SHONA HEATH.
1288
01:02:31,416 --> 01:02:35,053
>> AND THANKS TO OUR BRILLIANT
1289
01:02:35,053 --> 01:02:38,023
CONCERT TEAM, JONAS, ANTONIO AND
1290
01:02:38,023 --> 01:02:38,223
PERRY.
1291
01:02:38,223 --> 01:02:42,561
AND THANKS TO MY FAMILY, DAD,
1292
01:02:42,561 --> 01:02:45,864
MOM, TIM.
1293
01:02:45,864 --> 01:02:47,399
>> WE'RE OFF.
1294
01:02:47,399 --> 01:02:48,300
>> THANK YOU.
1295
01:02:48,300 --> 01:02:51,837
[ APPLAUSE ]
1296
01:02:52,471 --> 01:03:01,213
♪
1297
01:03:01,213 --> 01:03:04,116
>>> TONIGHT IS THE 50th
1298
01:03:04,116 --> 01:03:05,484
ANNIVERSARY OF WHAT USED TO BE
1299
01:03:05,484 --> 01:03:07,986
THE CRAZIEST MOMENT IN OSCAR
1300
01:03:07,986 --> 01:03:09,955
HISTORY AT THE 46th ACADEMY
1301
01:03:09,955 --> 01:03:15,794
AWARDS 1974 DAVID NIVENS
1302
01:03:15,794 --> 01:03:17,729
INTRODUCED ELIZABETH TAYLOR WHEN
1303
01:03:17,729 --> 01:03:20,932
A NUDE MAN, A STREAKER, RAN
1304
01:03:20,932 --> 01:03:22,934
ACROSS THE STAGE, WHICH -- CAN
1305
01:03:22,934 --> 01:03:24,870
YOU IMAGINE IF A NUDE MAN RAN
1306
01:03:24,870 --> 01:03:27,939
ACROSS THE STAGE TODAY?
1307
01:03:27,939 --> 01:03:31,877
I SAID, CAN YOU IMAGINE IF --
1308
01:03:31,877 --> 01:03:36,848
A NUDE MAN RAN ACROSS THE STAGE
1309
01:03:36,848 --> 01:03:37,115
TODAY?
1310
01:03:37,115 --> 01:03:40,919
WOULDN'T THAT BE CRAZY?
1311
01:03:40,919 --> 01:03:43,622
>> PSST, JIM.
1312
01:03:43,622 --> 01:03:45,324
>> I CAN'T COME THERE.
1313
01:03:45,324 --> 01:03:47,559
DO THE THING.
1314
01:03:47,559 --> 01:03:49,094
EXCUSE ME FOR A SECOND.
1315
01:03:49,094 --> 01:03:50,028
WHAT'S GOING ON?
1316
01:03:50,028 --> 01:03:52,431
YOU'RE SUPPOSED TO RUN ACROSS
1317
01:03:52,431 --> 01:03:52,764
THE STAGE.
1318
01:03:52,764 --> 01:03:54,332
>> I CHANGED MY MIND.
1319
01:03:54,332 --> 01:03:55,967
I DON'T WANT TO DO THE STREAKER
1320
01:03:55,967 --> 01:03:56,702
THING ANYMORE.
1321
01:03:56,702 --> 01:03:59,171
>> WHAT DO YOU MEAN YOU DON'T
1322
01:03:59,171 --> 01:03:59,838
WANT TO DO THE STREAKER BIT,
1323
01:03:59,838 --> 01:04:00,839
WE'RE DOING IT.
1324
01:04:00,839 --> 01:04:03,809
>> I DON'T FEEL RIGHT ABOUT IT.
1325
01:04:03,809 --> 01:04:06,144
I FEEL ASHAMED RIGHT NOW FOR
1326
01:04:06,144 --> 01:04:07,579
SUGGESTING SUCH A TASTELESS
1327
01:04:07,579 --> 01:04:07,779
IDEA.
1328
01:04:07,779 --> 01:04:09,314
>> IT'S SUPPOSED TO BE FUNNY.
1329
01:04:09,314 --> 01:04:10,782
>> THE MALE BODY IS NOT A JOKE.
1330
01:04:10,782 --> 01:04:12,350
>> MINE IS.
1331
01:04:12,350 --> 01:04:16,521
>> NO, IT'S NOT.
1332
01:04:16,521 --> 01:04:18,423
>> WHY NOT?
1333
01:04:18,423 --> 01:04:20,792
>> YOU DON'T WRESTLE NAKED.
1334
01:04:20,792 --> 01:04:22,094
I WRESTLE IN SHORTS.
1335
01:04:22,094 --> 01:04:22,828
>> SHORTS ARE WORSE THAN NAKED.
1336
01:04:22,828 --> 01:04:27,265
COME ON.
1337
01:04:27,265 --> 01:04:28,800
YOU'RE REALLY NOT GOING TO DO
1338
01:04:28,800 --> 01:04:29,267
THIS?
1339
01:04:29,267 --> 01:04:33,405
FINE, JUST GIVE OUT THE AWARD
1340
01:04:33,405 --> 01:04:33,605
THEN.
1341
01:04:33,605 --> 01:04:33,905
G
1342
01:04:33,905 --> 01:04:38,477
GOD.
1343
01:04:38,477 --> 01:04:43,215
[ CHEERS AND APPLAUSE ]
1344
01:05:01,566 --> 01:05:05,303
>> COSTUMES --
1345
01:05:05,303 --> 01:05:12,711
THEY ARE SO IMPORTANT.
1346
01:05:12,711 --> 01:05:13,645
MAYBE THE MOST IMPORTANT THING
1347
01:05:13,645 --> 01:05:14,279
THERE IS.
1348
01:05:14,279 --> 01:05:17,816
I CAN'T OPEN THE ENVELOPE.
1349
01:05:17,816 --> 01:05:18,550
>> OH, MY.
1350
01:05:18,550 --> 01:05:20,385
THE NOMINEES FOR BEST COSTUME
1351
01:05:20,385 --> 01:05:24,189
DESIGN ARE --
1352
01:05:24,189 --> 01:05:25,023
>> Announcer: “BARBIE.”
1353
01:05:25,023 --> 01:05:25,590
COSTUME DESIGN BY
1354
01:05:25,590 --> 01:05:26,158
JACQUELINE DURRAN.
1355
01:05:26,158 --> 01:05:26,825
“KILLERS OF THE FLOWER MOON.”
1356
01:05:26,825 --> 01:05:27,592
COSTUME DESIGN BY
1357
01:05:27,592 --> 01:05:31,296
JACQUELINE WEST.
1358
01:05:31,296 --> 01:05:32,130
“NAPOLEON.”
1359
01:05:32,130 --> 01:05:34,132
COSTUME DESIGN BY JANTY YATES
1360
01:05:34,132 --> 01:05:35,267
AND DAVE CROSSMAN.
1361
01:05:35,267 --> 01:05:36,368
“OPPENHEIMER.”
1362
01:05:36,368 --> 01:05:37,536
COSTUME DESIGN BY
1363
01:05:37,536 --> 01:05:40,071
ELLEN MIROJNICK.
1364
01:05:40,071 --> 01:05:40,639
“POOR THINGS.”
1365
01:05:40,639 --> 01:05:41,206
COSTUME DESIGN BY
1366
01:05:41,206 --> 01:05:49,414
HOLLY WADDINGTON.
1367
01:05:49,414 --> 01:05:50,015
>> THERE.
1368
01:05:50,015 --> 01:05:51,016
YOU LOOK BEAUTIFUL.
1369
01:05:51,016 --> 01:05:55,120
>> AND THE OSCAR GOES TO --
1370
01:05:55,120 --> 01:05:57,989
"POOR THINGS."
1371
01:05:57,989 --> 01:06:03,662
[ APPLAUSE ]
1372
01:06:03,662 --> 01:06:05,797
>> THIS IS THE FIRST OSCAR WIN
1373
01:06:05,797 --> 01:06:11,036
AND NOMINATION FOR HOLLY
1374
01:06:11,036 --> 01:06:14,372
WADDINGTON.
1375
01:06:15,240 --> 01:06:22,447
[ APPLAUSE ]
1376
01:06:28,220 --> 01:06:30,222
>> HI, EVERYONE.
1377
01:06:30,222 --> 01:06:32,257
THANK YOU FOR THIS.
1378
01:06:32,257 --> 01:06:36,061
THANK YOU TO THE ACADEMY.
1379
01:06:36,061 --> 01:06:39,764
THANK YOU TO THE ACADEMY.
1380
01:06:39,764 --> 01:06:42,868
THANK YOU TO -- SORRY, MY FELLOW
1381
01:06:42,868 --> 01:06:43,101
NOMINEES.
1382
01:06:43,101 --> 01:06:45,403
IT'S AN AMAZING PRIVILEGE TO BE
1383
01:06:45,403 --> 01:06:48,306
IN THE SAME ROOM AS YOU ALL.
1384
01:06:48,306 --> 01:06:50,809
YOU'RE THE PEOPLE WHO INSPIRE ME
1385
01:06:50,809 --> 01:06:51,776
TO BE A COSTUME DESIGNER IN THE
1386
01:06:51,776 --> 01:06:55,046
FIRST PLACE.
1387
01:06:55,046 --> 01:06:56,848
"POOR THINGS" WAS A VERY RARE
1388
01:06:56,848 --> 01:06:59,084
OPPORTUNITY TO BE REALLY FREE
1389
01:06:59,084 --> 01:07:03,021
AND ARTISTIC IN THE CREATIVE
1390
01:07:03,021 --> 01:07:03,255
PROCESS.
1391
01:07:03,255 --> 01:07:06,057
THANK YOU FOR THE OPPORTUNITY
1392
01:07:06,057 --> 01:07:08,827
AND FOR MAKING SUCH BOLD AND
1393
01:07:08,827 --> 01:07:10,662
BRAVE AND IDIOSYNCRATIC WORK.
1394
01:07:10,662 --> 01:07:11,229
THERE YOU ARE.
1395
01:07:11,229 --> 01:07:13,465
AND THANK YOU TO THE CAST.
1396
01:07:13,465 --> 01:07:15,066
YOU WERE SUCH A JOY TO WORK
1397
01:07:15,066 --> 01:07:17,168
WITH, AND YOU ALL TOOK EVERY
1398
01:07:17,168 --> 01:07:19,204
IDEA AND JUST RAN WITH IT AND
1399
01:07:19,204 --> 01:07:20,639
EMBRACED IT WITH SUCH HUMOR.
1400
01:07:20,639 --> 01:07:24,476
THANK YOU TO EMMA STONE FOR
1401
01:07:24,476 --> 01:07:27,112
GIVING US BAXTER AND BRINGING
1402
01:07:27,112 --> 01:07:28,079
HER INTO THE WORLD.
1403
01:07:28,079 --> 01:07:30,482
THANK YOU TO MY AMAZING COSTUME
1404
01:07:30,482 --> 01:07:30,682
TEAM.
1405
01:07:30,682 --> 01:07:32,450
WE ALL MET IN BUDAPEST.
1406
01:07:32,450 --> 01:07:34,486
WE'VE NEVER WORKED TOGETHER
1407
01:07:34,486 --> 01:07:34,753
BEFORE.
1408
01:07:34,753 --> 01:07:39,758
MANY HUNGARIANS, A FEW BRITS,
1409
01:07:39,758 --> 01:07:41,393
MID-PANDEMIC, MASKS,
1410
01:07:41,393 --> 01:07:42,160
TRANSLATORS.
1411
01:07:42,160 --> 01:07:43,795
IT'S HARD TO DESCRIBE TO
1412
01:07:43,795 --> 01:07:44,062
EVERYBODY.
1413
01:07:44,062 --> 01:07:45,897
AND SOMEHOW WE ALL MANAGED TO
1414
01:07:45,897 --> 01:07:46,932
MAKE IT WORK SOMEHOW.
1415
01:07:46,932 --> 01:07:50,368
THANK YOU TO TONY McNAMARA FOR
1416
01:07:50,368 --> 01:07:51,436
ALWAYS SUPPORTING MY WORK.
1417
01:07:51,436 --> 01:07:54,172
I REALLY APPRECIATE IT.
1418
01:07:54,172 --> 01:07:55,674
THANK YOU TO ELEMENT PICTURES
1419
01:07:55,674 --> 01:07:58,109
FOR MAKING THIS ALL HAPPEN.
1420
01:07:58,109 --> 01:08:00,312
THANK YOU TO MY LOVELY FAMILY
1421
01:08:00,312 --> 01:08:01,646
WHO HAVE ALL SUPPORTED ME.
1422
01:08:01,646 --> 01:08:02,781
I HAVE TO GO.
1423
01:08:02,781 --> 01:08:04,316
AND ANDREW WHO IS OVER THERE WHO
1424
01:08:04,316 --> 01:08:05,183
LOOKS AFTER THE CHILDREN SO I
1425
01:08:05,183 --> 01:08:05,450
CAN WORK.
1426
01:08:05,450 --> 01:08:06,584
THANK YOU SO MUCH.
1427
01:08:06,584 --> 01:08:13,191
[ APPLAUSE ]
1428
01:08:14,426 --> 01:08:17,362
♪
1429
01:08:17,362 --> 01:08:17,963
>> Announcer: COMING UP NEXT,
1430
01:08:17,963 --> 01:08:18,563
BAD BUNNY AND DWAYNE JOHNSON.
1431
01:08:18,563 --> 01:08:19,598
THEN LATER, EMILY BLUNT AND
1432
01:08:19,598 --> 01:08:21,866
RYAN GOSLING TAKE THE STAGE.
1433
01:08:21,866 --> 01:08:22,567
IT'S “THE OSCARS,” LIVE FROM THE
1434
01:08:22,567 --> 01:08:23,268
DOLBY THEATRE AT OVATION
1435
01:08:23,268 --> 01:08:25,870
HOLLYWOOD.
1436
01:09:26,731 --> 01:09:28,466
It's your anniversary today.
1437
01:09:30,735 --> 01:09:33,171
A fact you remembered
127 minutes ago
1438
01:09:33,171 --> 01:09:34,773
on your flight home.
1439
01:09:35,507 --> 01:09:37,575
You could have arrived
empty-handed.
1440
01:09:37,575 --> 01:09:41,146
(♪)
1441
01:09:41,146 --> 01:09:44,682
(♪)
1442
01:09:44,682 --> 01:09:46,084
But you exist in a world
1443
01:09:46,084 --> 01:09:48,787
where it's easy
to get flowers this fresh.
1444
01:09:48,787 --> 01:09:50,755
(♪)
1445
01:09:50,755 --> 01:09:53,158
Your Door
to Better Relationships.
1446
01:09:54,192 --> 01:09:55,593
DoorDash
1447
01:09:56,327 --> 01:09:59,264
Diabetes can serve up
a lot of questions, like...
1448
01:09:59,264 --> 01:10:02,000
what is your glucose,
and can you have more carbs?
1449
01:10:02,000 --> 01:10:03,301
Before you decide...
1450
01:10:03,301 --> 01:10:05,570
With the FreeStyle
Libre 3 system...
1451
01:10:05,570 --> 01:10:07,972
know your glucose
and where it’s headed.
1452
01:10:07,972 --> 01:10:09,507
No fingersticks needed.
1453
01:10:09,507 --> 01:10:11,943
Now the world’s smallest
and thinnest sensor...
1454
01:10:11,943 --> 01:10:15,146
sends your glucose levels
directly to your smartphone.
1455
01:10:15,146 --> 01:10:17,482
Manage your diabetes
with more confidence,
1456
01:10:17,482 --> 01:10:19,350
and lower your A1c.
1457
01:10:19,350 --> 01:10:21,419
The number one
CGM prescribed in the US.
1458
01:10:21,753 --> 01:10:22,987
Try it for free at
1459
01:10:22,987 --> 01:10:24,522
FreeStyleLibre.us.
1460
01:10:24,522 --> 01:10:25,590
♪
1461
01:10:26,724 --> 01:10:29,294
What makes a trip unforgettable?
1462
01:10:32,764 --> 01:10:34,132
It’s hard to say.
1463
01:10:35,100 --> 01:10:38,603
But you’ll know it
when you feel it.
1464
01:10:49,380 --> 01:10:51,282
Make memories
with GetYourGuide.
1465
01:10:51,282 --> 01:10:53,752
Unforgettable travel
experiences.
1466
01:11:32,657 --> 01:11:33,458
>> Announcer: THE OSCARS WILL
1467
01:11:33,458 --> 01:11:34,058
CONTINUE IN A MOMENT HERE ON
1468
01:11:34,058 --> 01:11:34,325
ABC.
1469
01:12:53,671 --> 01:12:55,006
>>> WHEN THIS MONEY STARTED
1470
01:12:55,006 --> 01:12:56,341
COMING, WE SHOULD HAVE KNOWN IT
1471
01:12:56,341 --> 01:12:59,711
CAME WITH SOMEONE ELSE.
1472
01:12:59,711 --> 01:13:01,846
>> SOME ARE CROOKED, SOME DO
1473
01:13:01,846 --> 01:13:02,447
THINGS RIGHT.
1474
01:13:02,447 --> 01:13:03,781
SOME DO BAD.
1475
01:13:03,781 --> 01:13:05,250
>> I HAVEN'T DONE NOTHING WRONG
1476
01:13:05,250 --> 01:13:06,050
IN THIS WORLD.
1477
01:13:06,050 --> 01:13:15,293
>> HAVE YOU TOLD ALL THE TRUTH?
1478
01:13:18,396 --> 01:13:19,564
[ OSAGE TRIBAL SINGING AND
1479
01:13:19,564 --> 01:13:25,837
DRUM ]
1480
01:13:27,605 --> 01:13:28,172
[ OSAGE TRIBAL SINGING AND
1481
01:13:28,172 --> 01:13:36,281
DRUM ]
1482
01:13:36,914 --> 01:13:37,482
[ OSAGE TRIBAL SINGING AND
1483
01:13:37,482 --> 01:13:45,623
DRUM ]
1484
01:13:47,425 --> 01:13:47,992
[ OSAGE TRIBAL SINGING AND
1485
01:13:47,992 --> 01:13:57,435
DRUM ]
1486
01:14:04,642 --> 01:14:05,209
[ OSAGE TRIBAL SINGING AND
1487
01:14:05,209 --> 01:14:11,783
DRUM ]
1488
01:14:16,621 --> 01:14:17,188
[ OSAGE TRIBAL SINGING AND
1489
01:14:17,188 --> 01:14:26,331
DRUM ]
1490
01:14:29,867 --> 01:14:30,401
[ OSAGE TRIBAL SINGING AND
1491
01:14:30,401 --> 01:14:38,076
DRUM ]
1492
01:14:41,579 --> 01:14:42,146
[ OSAGE TRIBAL SINGING AND
1493
01:14:42,146 --> 01:14:49,887
DRUM ]
1494
01:14:54,225 --> 01:14:54,792
[ OSAGE TRIBAL SINGING AND
1495
01:14:54,792 --> 01:15:01,666
DRUM ]
1496
01:15:08,740 --> 01:15:15,713
[ APPLAUSE ]
1497
01:15:22,320 --> 01:15:27,825
♪
1498
01:15:27,825 --> 01:15:28,426
>> Announcer: PLEASE WELCOME
1499
01:15:28,426 --> 01:15:34,499
DWAYNE JOHNSON AND BAD BUNNY.
1500
01:15:34,499 --> 01:15:36,200
♪
1501
01:15:36,200 --> 01:15:41,839
(MUSICA).
1502
01:15:41,839 --> 01:15:42,473
EL ARTE DEL CINE ES UNA LENGUA
1503
01:15:42,473 --> 01:15:48,446
UNIVERSAL
1504
01:15:48,446 --> 01:15:49,380
>> BEAUTIFULLY SAID.
1505
01:15:49,380 --> 01:15:50,615
HE'S NOT SUCH A BAD BUNNY.
1506
01:15:50,615 --> 01:15:52,250
HAPPY BIRTHDAY, BROTHER.
1507
01:15:52,250 --> 01:15:55,953
>> GRACIAS, THANK YOU.
1508
01:15:55,953 --> 01:15:57,288
>> WE BROAD HE OUR PERSPECTIVES
1509
01:15:57,288 --> 01:15:59,357
OF THE WORLD AND EACH OTHER.
1510
01:15:59,357 --> 01:16:00,425
HERE ARE THE NOMINEES FOR
1511
01:16:00,425 --> 01:16:08,533
INTERNATIONAL FEATURE FILM.
1512
01:16:08,533 --> 01:16:09,400
FROM ITALY, “IO CAPITANO,”
1513
01:16:09,400 --> 01:16:09,967
DIRECTED BY MATTEO GARRONE.
1514
01:16:09,967 --> 01:16:10,601
FROM JAPAN, “PERFECT DAYS,”
1515
01:16:10,601 --> 01:16:12,770
DIRECTED BY WIM WENDERS.
1516
01:16:12,770 --> 01:16:15,640
FROM SPAIN, “SOCIETY OF THE
1517
01:16:15,640 --> 01:16:18,476
SNOW,” DIRECTED BY J.A. BAYONA.
1518
01:16:18,476 --> 01:16:20,745
FROM GERMANY, “THE TEACHERS'
1519
01:16:20,745 --> 01:16:24,682
LOUNGE,” DIRECTED BY LKER ÇATAK.
1520
01:16:24,682 --> 01:16:25,817
FROM THE UNITED KINGDOM, “THE
1521
01:16:25,817 --> 01:16:27,552
ZONE OF INTEREST,” DIRECTED BY
1522
01:16:27,552 --> 01:16:38,262
JONATHAN GLAZER.
1523
01:16:38,262 --> 01:16:49,440
>> AND THE OSCAR GOES TO --
1524
01:16:49,440 --> 01:16:49,974
""THE ZONE OF INTEREST"."
1525
01:16:49,974 --> 01:16:51,242
>> THIS IS THE THIRD NOMINATION
1526
01:16:51,242 --> 01:16:54,112
FOR THE UNITED KINGDOM, "THE
1527
01:16:54,112 --> 01:16:57,014
ZONE OF INTEREST" IS THE NINTH
1528
01:16:57,014 --> 01:16:58,516
NON-ENGLISH LANGUAGE FILM
1529
01:16:58,516 --> 01:16:59,817
NOMINATED FOR FEATURE FILM AND
1530
01:16:59,817 --> 01:17:09,494
BEST PICTURE IN THE SAME YEAR.
1531
01:17:10,962 --> 01:17:20,404
[ APPLAUSE ]
1532
01:17:20,404 --> 01:17:21,305
>> THANK YOU SO MUCH.
1533
01:17:21,305 --> 01:17:24,008
I'M GOING TO READ, I'M AFRAID.
1534
01:17:24,008 --> 01:17:25,443
>> THANK YOU TO THE ACADEMY FOR
1535
01:17:25,443 --> 01:17:30,581
THIS HONOR AND TO OUR PARTNERS
1536
01:17:30,581 --> 01:17:32,250
AND THE STATE MUSEUM FOR THEIR
1537
01:17:32,250 --> 01:17:34,218
TRUST AND GUIDANCE, TO MY
1538
01:17:34,218 --> 01:17:36,988
PRODUCERS, ACTORS,
1539
01:17:36,988 --> 01:17:37,622
COLLABORATORS, ALL OUR CHOICES
1540
01:17:37,622 --> 01:17:38,789
MADE TO REFLECT AND CONFRONT US
1541
01:17:38,789 --> 01:17:39,790
IN THE PRESENT.
1542
01:17:39,790 --> 01:17:41,792
NOT TO SAY WHAT THEY DID THEN
1543
01:17:41,792 --> 01:17:43,160
RATHER WHAT WE DO NOW.
1544
01:17:43,160 --> 01:17:47,465
OUR FILM SHOWS WHERE IT SHAPES
1545
01:17:47,465 --> 01:17:49,867
ALL OF OUR PAST AND PRESENT.
1546
01:17:49,867 --> 01:17:51,969
RIGHT NOW WE STAND HERE AS MEN
1547
01:17:51,969 --> 01:17:54,505
WHO REFUSE THE HOLOCAUST
1548
01:17:54,505 --> 01:17:56,374
HIJACKED BY AN OCCUPATION LED TO
1549
01:17:56,374 --> 01:17:58,376
CONFLICT FOR SO MANY INNOCENT
1550
01:17:58,376 --> 01:17:58,676
PEOPLE.
1551
01:17:58,676 --> 01:17:59,176
WHETHER THE VICTIMS OF
1552
01:17:59,176 --> 01:17:59,477
OCTOBER --
1553
01:17:59,477 --> 01:18:06,584
[ APPLAUSE ]
1554
01:18:06,584 --> 01:18:08,686
-- WHETHER THE VICTIMS OF
1555
01:18:08,686 --> 01:18:11,989
OCTOBER 7 OR THE ONGOING ATTACK
1556
01:18:11,989 --> 01:18:13,925
ON GAZA, ALL THE VICTIMS OF THIS
1557
01:18:13,925 --> 01:18:14,559
DEHUMANIZATION, HOW DO WE
1558
01:18:14,559 --> 01:18:14,792
RESIST?
1559
01:18:14,792 --> 01:18:26,337
[ APPLAUSE ]
1560
01:18:26,337 --> 01:18:28,239
THE GIRL WHO GLOWS IN THE FILM
1561
01:18:28,239 --> 01:18:29,840
AS IN LIFE, I DEDICATE THIS TO
1562
01:18:29,840 --> 01:18:32,009
HER MEMORY AND HER RESISTANCE.
1563
01:18:32,009 --> 01:18:32,276
THANK YOU.
1564
01:18:32,276 --> 01:18:41,218
[ APPLAUSE ]
1565
01:18:41,218 --> 01:18:41,986
>> Announcer: PLEASE WELCOME TWO
1566
01:18:41,986 --> 01:18:43,387
OF TONIGHT'S OSCAR NOMINEES,
1567
01:18:43,387 --> 01:18:55,066
EMILY BLUNT AND RYAN GOSLING.
1568
01:18:55,066 --> 01:18:57,301
>> OH, HELLO, EMILY.
1569
01:18:57,301 --> 01:18:57,935
>> WELL, A BIT OF A FROSTY
1570
01:18:57,935 --> 01:19:00,104
HELLO.
1571
01:19:00,104 --> 01:19:01,739
>> NOT AT ALL.
1572
01:19:01,739 --> 01:19:02,506
NO, I'M JUST HAPPY THAT WE CAN
1573
01:19:02,506 --> 01:19:05,910
FINALLY PUT THIS
1574
01:19:05,910 --> 01:19:08,479
BARBENHEIMER RIVALRY ASIDE.
1575
01:19:08,479 --> 01:19:09,647
>> THAT'S RIGHT -- HERE'S KEN
1576
01:19:09,647 --> 01:19:11,315
AND KITTY LEAVING ALL THAT
1577
01:19:11,315 --> 01:19:13,618
FODDER IN THE DUST, GUYS.
1578
01:19:13,618 --> 01:19:15,019
AND THE WAY THIS AWARD SEASON
1579
01:19:15,019 --> 01:19:19,090
HAS TURNED OUT, WASN'T MUCH OF A
1580
01:19:19,090 --> 01:19:26,764
RIVALRY, SO, JUST LET IT GO!
1581
01:19:26,764 --> 01:19:27,598
>> IT'S TRUE.
1582
01:19:27,598 --> 01:19:33,437
YOU GUYS ARE DOING VERY WELL
1583
01:19:33,437 --> 01:19:34,338
CONGRATULATIONS.
1584
01:19:34,338 --> 01:19:36,841
>> THANKS.
1585
01:19:36,841 --> 01:19:37,441
>> YOU KNOW, I FOUND OUT WHY
1586
01:19:37,441 --> 01:19:38,276
IT'S CALLED “BARBENHEIMER” AND
1587
01:19:38,276 --> 01:19:39,744
NOT “OPPENARBIE.”
1588
01:19:39,744 --> 01:19:41,979
>> WHY?
1589
01:19:41,979 --> 01:19:42,847
>> I THINK YOU GUYS ARE AT THE
1590
01:19:42,847 --> 01:19:48,319
TAIL END BECAUSE YOU WERE RIDING
1591
01:19:48,319 --> 01:19:53,190
BARBIE'S COATTAILS ALL SUMMER.
1592
01:19:53,190 --> 01:19:58,262
>> WELL THANKS FOR KENSPLAINING,
1593
01:19:58,262 --> 01:20:00,598
THAT TO ME, ALL RIGHT,
1594
01:20:00,598 --> 01:20:01,265
MR. ”I NEED TO PAINT MY ABS ON
1595
01:20:01,265 --> 01:20:04,368
TO GET NOMINATED.”
1596
01:20:04,368 --> 01:20:06,270
YOU DON'T SEE ROBERT DOWNEY
1597
01:20:06,270 --> 01:20:07,605
DOING THAT.
1598
01:20:07,605 --> 01:20:11,642
>> THIS IS INSANE, EMILY.
1599
01:20:11,642 --> 01:20:13,377
WE'VE GOT TO SQUASH THIS.
1600
01:20:13,377 --> 01:20:16,414
WE'RE HERE TO CELEBRATE THE
1601
01:20:16,414 --> 01:20:16,881
STUNT COMMUNITY.
1602
01:20:16,881 --> 01:20:17,181
>> MASSIVELY.
1603
01:20:17,181 --> 01:20:19,183
>> THEY'VE BEEN SUCH A
1604
01:20:19,183 --> 01:20:20,084
CRUCIAL PART OF OUR INDUSTRY
1605
01:20:20,084 --> 01:20:20,685
SINCE THE BEGINNING OF CINEMA.
1606
01:20:20,685 --> 01:20:22,353
>> IT'S TRUE.
1607
01:20:22,353 --> 01:20:28,626
THEY ARE TRULY UNSUNG HEROES OF
1608
01:20:28,626 --> 01:20:30,828
CINEMA.
1609
01:20:30,828 --> 01:20:39,403
>> THREE, TWO, ONE, ACTION!
1610
01:20:39,403 --> 01:20:42,573
>> CHAPLIN, LLOYD, KEATON.
1611
01:20:42,573 --> 01:20:44,108
CINEMA'S FIRST DIRECTORS WERE
1612
01:20:44,108 --> 01:20:45,910
ALL STUNTMEN IN THEIR OWN RIGHT
1613
01:20:45,910 --> 01:20:48,512
AND ACTION WAS THE LIFE BLOOD OF
1614
01:20:48,512 --> 01:20:49,180
THEIR STORY.
1615
01:20:49,180 --> 01:20:51,816
THE ACADEMY'S HISTORY RUNS DEEP
1616
01:20:51,816 --> 01:20:54,919
WITH THE INCREDIBLE WORK OF THE
1617
01:20:54,919 --> 01:21:02,793
ARTISANS OF THE STUNT COMMUNITY.
1618
01:21:02,793 --> 01:21:05,329
AND EVERY AWARD SEASON FEATURES
1619
01:21:05,329 --> 01:21:09,934
THEIR WORK IN EVERY GENRE FROM
1620
01:21:09,934 --> 01:21:13,037
BUTCH AND SUNDANCE TO BLACK
1621
01:21:13,037 --> 01:21:14,605
PANTHER, FROM THE DEPTHS OF
1622
01:21:14,605 --> 01:21:15,940
SPACE TO THE BATTLEFIELDS OF
1623
01:21:15,940 --> 01:21:18,809
EARTH AND BEYOND.
1624
01:21:18,809 --> 01:21:20,478
STUNT PERFORMERS AND THE ACTION
1625
01:21:20,478 --> 01:21:21,912
THEY DESIGN CONTINUE TO CREATE
1626
01:21:21,912 --> 01:21:23,748
SOME OF THE MOST MEMORABLE
1627
01:21:23,748 --> 01:21:24,415
MOMENTS IN THE HISTORY OF
1628
01:21:24,415 --> 01:21:27,952
CINEMA.
1629
01:21:27,952 --> 01:21:28,586
AND THEY'VE BEEN DOING IT FROM
1630
01:21:28,586 --> 01:21:31,088
THE START.
1631
01:21:31,088 --> 01:21:37,928
♪
1632
01:21:39,463 --> 01:21:43,434
>> AND CUT.
1633
01:21:43,434 --> 01:21:48,038
[ APPLAUSE ]
1634
01:21:48,038 --> 01:21:49,740
>> TO THE STUNT PERFORMERS AND
1635
01:21:49,740 --> 01:21:51,742
STUNT COORDINATORS WHO HELP MAKE
1636
01:21:51,742 --> 01:21:55,179
MOVIE MAGIC -- WE SALUTE YOU.
1637
01:21:55,179 --> 01:21:57,681
[ APPLAUSE ]
1638
01:21:57,681 --> 01:22:04,555
♪
1639
01:22:04,555 --> 01:22:05,156
>> Announcer: COMING UP, THE
1640
01:22:05,156 --> 01:22:08,893
AWARD FOR SUPPORTING ACTOR.
1641
01:22:08,893 --> 01:22:10,060
THEN LATER, A REUNION YOU WON'T
1642
01:22:10,060 --> 01:22:10,995
WANT TO MISS.
1643
01:22:10,995 --> 01:22:14,498
O)
If you’re taking a trip with
your friends...
1644
01:22:14,498 --> 01:22:18,135
why pay for four hotel rooms to
stay apart,
1645
01:22:22,973 --> 01:22:26,343
when you could get one Airbnb
1646
01:22:26,343 --> 01:22:27,711
and stay together?
1647
01:22:27,711 --> 01:22:35,085
♪ I Like It - Cardi B, Bad
Bunny, J Balvin ♪
1648
01:22:39,356 --> 01:22:41,559
For moderate to severe
Crohn's disease
1649
01:22:41,559 --> 01:22:44,295
SKYRIZI is the first
IL-23 inhibitor
1650
01:22:44,295 --> 01:22:45,763
that can deliver remission
1651
01:22:45,763 --> 01:22:48,265
and visibly improve damage
of the intestinal lining.
1652
01:22:48,265 --> 01:22:49,700
Serious allergic reactions
1653
01:22:49,700 --> 01:22:51,135
and an increased risk
of infections
1654
01:22:51,135 --> 01:22:53,270
or a lower ability
to fight them may occur.
1655
01:22:53,270 --> 01:22:55,239
Tell your doctor if you have
an infection or symptoms,
1656
01:22:55,239 --> 01:22:56,640
had a vaccine or plan to.
1657
01:22:56,640 --> 01:22:59,443
Liver problems may occur
in Crohn's disease.
1658
01:22:59,443 --> 01:23:01,612
Control of Crohn's
means everything to me.
1659
01:23:01,612 --> 01:23:03,814
Ask your gastroenterologist
about SKYRIZI.
1660
01:23:03,814 --> 01:23:07,151
♪ Control is
everything to me ♪
1661
01:23:07,151 --> 01:23:09,019
Learn how AbbVie
could help you save.
1662
01:23:09,687 --> 01:23:11,088
Ethan!
1663
01:23:11,088 --> 01:23:12,356
How's my favorite client?
1664
01:23:12,356 --> 01:23:14,625
Great! I started using
Schwab Investing Themes,
1665
01:23:14,625 --> 01:23:16,293
so now I can easily
invest in trends...
1666
01:23:16,293 --> 01:23:17,995
like wearable tech.
1667
01:23:17,995 --> 01:23:19,463
Trends?
1668
01:23:19,463 --> 01:23:22,032
All that research.
Sounds exhausting!
1669
01:23:22,032 --> 01:23:23,067
Nope.
1670
01:23:23,067 --> 01:23:24,301
Schwab's technology
does the work.
1671
01:23:24,301 --> 01:23:28,339
So if I spot an opportunity,
in robotics or pets,
1672
01:23:28,339 --> 01:23:29,907
I can buy those stocks
ina few clicks.
1673
01:23:29,907 --> 01:23:31,475
Can't be that easy.
1674
01:23:31,475 --> 01:23:32,376
It is with Schwab!
1675
01:23:33,244 --> 01:23:34,044
Schwaaab!
1676
01:23:34,044 --> 01:23:35,246
Schwab Investing Themes.
1677
01:23:35,246 --> 01:23:36,580
40 customizable themes.
1678
01:23:36,580 --> 01:23:39,016
Up to 25 stocks
in justa few clicks.
1679
01:23:39,350 --> 01:23:42,353
In 1979, my mother opened
this Dunkin’.
1680
01:23:42,353 --> 01:23:45,022
People would think that
it was my dad's store.
1681
01:23:45,022 --> 01:23:48,993
I always say our Dunkin’ is
the social hub of Wellsboro.
1682
01:23:48,993 --> 01:23:51,061
We’re part of the woodwork.
You're back!
1683
01:23:51,061 --> 01:23:52,930
Glen, is this
your small black coffee?
1684
01:23:52,930 --> 01:23:55,099
Our donut case...
It's a talking piece!
1685
01:23:55,099 --> 01:23:57,434
I really enjoyed
owning the shop.
1686
01:23:57,434 --> 01:23:59,603
I almost got fired
by my own mother.
1687
01:23:59,603 --> 01:24:02,540
Here comes somebody.
It’s a great business.
1688
01:24:02,540 --> 01:24:05,109
Dunkin’ has provided me
with a full life.
1689
01:24:05,109 --> 01:24:07,478
It was my grandma's,
then my mom's
1690
01:24:07,478 --> 01:24:09,213
And now I own it.
1691
01:24:09,914 --> 01:24:11,115
I'm Sarah Escherich,
1692
01:24:11,115 --> 01:24:12,216
I'm the Life Enrichment
1693
01:24:12,216 --> 01:24:13,317
Director at Independence
1694
01:24:13,317 --> 01:24:15,052
Village, the senior living
1695
01:24:15,052 --> 01:24:16,754
community in Waukee, Iowa.
1696
01:24:16,754 --> 01:24:20,224
Everybody here really, really
make you feel like family
1697
01:24:20,224 --> 01:24:21,592
and that they love you.
1698
01:24:21,592 --> 01:24:23,060
Our goal with TikTok
1699
01:24:23,060 --> 01:24:26,130
was to enrich the lives
of our residents
1700
01:24:26,130 --> 01:24:28,198
and just to be able
to show people
1701
01:24:28,198 --> 01:24:29,967
what senior living
can be like.
1702
01:24:29,967 --> 01:24:31,669
I think I am a TikTok grandma.
1703
01:24:31,669 --> 01:24:33,404
My kids think I am.
1704
01:24:33,404 --> 01:24:34,505
I mean, we’re the ones
1705
01:24:34,505 --> 01:24:35,706
that are being entertained.
1706
01:24:35,706 --> 01:24:38,242
Time goes faster when you’re
having fun.
1707
01:25:48,946 --> 01:25:50,914
>>> I THOUGHT I MIGHT STAY OVER
1708
01:25:50,914 --> 01:25:51,181
TONIGHT.
1709
01:25:51,181 --> 01:25:52,116
>> TO DO WHAT?
1710
01:25:52,116 --> 01:25:54,218
>> I'M ACTUALLY NOT SURE.
1711
01:25:54,218 --> 01:25:57,187
>> OH, BUT IT'S GIRLS' NIGHT.
1712
01:25:57,187 --> 01:25:58,122
>> HI, BARBIE.
1713
01:25:58,122 --> 01:26:00,391
>> HI, KEN.
1714
01:26:00,391 --> 01:26:02,259
♪ WATCH ME DANCE ♪
1715
01:26:02,259 --> 01:26:03,761
>> BARBIE!
1716
01:26:03,761 --> 01:26:06,230
>> HI, I'M WEIRD BARBIE.
1717
01:26:06,230 --> 01:26:08,365
I HAVE A FUNKY HAIRCUT AND I
1718
01:26:08,365 --> 01:26:09,800
SMELL LIKE BASEMENT.
1719
01:26:09,800 --> 01:26:17,775
>> BE PART OF THE PEOPLE.
1720
01:26:17,775 --> 01:26:20,310
[ APPLAUSE ]
1721
01:26:20,310 --> 01:26:23,614
>> HI, EVERYBODY.
1722
01:26:23,614 --> 01:26:24,314
ARE YOU GUYS ALL RIGHT?
1723
01:26:24,314 --> 01:26:26,650
YOU'RE HANGING IN?
1724
01:26:26,650 --> 01:26:27,818
EVERYBODY OKAY?
1725
01:26:27,818 --> 01:26:29,686
APPARENTLY A LOT OF PEOPLE
1726
01:26:29,686 --> 01:26:30,788
WATCHING AT HOME ARE JUST
1727
01:26:30,788 --> 01:26:32,156
TURNING IT ON AND THEY'RE UPSET
1728
01:26:32,156 --> 01:26:34,091
BECAUSE THEY THOUGHT THE SHOW
1729
01:26:34,091 --> 01:26:35,492
STARTED AT 5:00 LIKE IT USUALLY
1730
01:26:35,492 --> 01:26:37,494
DOES, SO, ANYWAY, THE PRODUCERS
1731
01:26:37,494 --> 01:26:38,796
AND I JUST TALKED AND WE THINK
1732
01:26:38,796 --> 01:26:40,364
THE BEST THING TO DO IS TO START
1733
01:26:40,364 --> 01:26:42,633
THE SHOW OVER AGAIN.
1734
01:26:42,633 --> 01:26:45,035
SO LET'S TAKE IT FROM THE TOP,
1735
01:26:45,035 --> 01:26:45,302
EVERYBODY.
1736
01:26:45,302 --> 01:26:46,470
TAKE IT TO ONE.
1737
01:26:46,470 --> 01:26:47,638
WE'RE LIKE AN HOUR AND A HALF
1738
01:26:47,638 --> 01:26:48,405
INTO THE SHOW.
1739
01:26:48,405 --> 01:26:50,774
IF THIS WAS AN AMC THEATER, THE
1740
01:26:50,774 --> 01:26:51,375
MOVIE WOULD JUST BE STARTING
1741
01:26:51,375 --> 01:26:53,744
RIGHT NOW.
1742
01:26:53,744 --> 01:26:55,712
OUR NEXT CATEGORY IS FOR
1743
01:26:55,712 --> 01:26:58,682
ACTOR IN A SUPPORTING ROLE.
1744
01:26:58,682 --> 01:26:59,349
WE HAVE A WHOLE BUNCH OF OSCAR
1745
01:26:59,349 --> 01:27:02,619
WINNERS TO SUPPORT IT.
1746
01:27:02,619 --> 01:27:03,320
PLEASE WELCOME YOUR BEST
1747
01:27:03,320 --> 01:27:08,292
SUPPORTING ACTORS.
1748
01:27:08,292 --> 01:27:11,695
>> AND THE OSCAR GOES TO --
1749
01:27:11,695 --> 01:27:13,330
SAM ROCKWELL.
1750
01:27:13,330 --> 01:27:23,173
>> TIM ROBBINS.
1751
01:27:23,173 --> 01:27:26,376
MAHERSHALA ALI.
1752
01:27:26,376 --> 01:27:33,183
♪
1753
01:27:33,183 --> 01:27:36,487
[ APPLAUSE ]
1754
01:27:41,658 --> 01:27:43,360
>> IT IS AN HONOR FOR US TO BE
1755
01:27:43,360 --> 01:27:44,895
HERE TO PAY TRIBUTE TO THE
1756
01:27:44,895 --> 01:27:45,395
NOMINEES FOR ACTOR IN A
1757
01:27:45,395 --> 01:27:52,169
SUPPORTING ROLE.
1758
01:27:52,169 --> 01:27:53,770
STERLING, I KNOW YOURS HAS BEEN
1759
01:27:53,770 --> 01:27:56,206
A LONG JOURNEY TO GET TO THIS
1760
01:27:56,206 --> 01:27:57,274
NIGHT.
1761
01:27:57,274 --> 01:27:58,709
I CAN RELATE.
1762
01:27:58,709 --> 01:28:01,145
AND I AM SO, SO HAPPY THAT
1763
01:28:01,145 --> 01:28:01,912
YOU'RE FINALLY BEING RECOGNIZED
1764
01:28:01,912 --> 01:28:05,749
BY YOUR PEERS.
1765
01:28:05,749 --> 01:28:07,217
YOUR PERFORMANCE IN “AMERICAN
1766
01:28:07,217 --> 01:28:09,486
FICTION” IS EXTRAORDINARY AND
1767
01:28:09,486 --> 01:28:16,093
TRANSFORMATIVE AND I AM IN AWE
1768
01:28:16,093 --> 01:28:21,665
[ APPLAUSE ]
1769
01:28:21,665 --> 01:28:24,535
THE MAGIC YOU BRING ON SCREEN,
1770
01:28:24,535 --> 01:28:28,105
IT'S OUTMATCHED ONLY BY THE
1771
01:28:28,105 --> 01:28:28,639
MAGIC OF WHO YOU ARE AS A
1772
01:28:28,639 --> 01:28:29,806
PERSON.
1773
01:28:29,806 --> 01:28:35,212
[ APPLAUSE ]
1774
01:28:35,212 --> 01:28:37,447
>> THERE ARE ACTORS.
1775
01:28:37,447 --> 01:28:40,584
AND THEN THERE ARE ACTORS WHO
1776
01:28:40,584 --> 01:28:41,218
DON'T DROP CHARACTER UNTIL THE
1777
01:28:41,218 --> 01:28:43,720
DVD COMMENTARY.
1778
01:28:43,720 --> 01:28:44,588
I'M TALKING ABOUT
1779
01:28:44,588 --> 01:28:46,290
ROBERT DOWNEY JR.
1780
01:28:46,290 --> 01:28:49,893
THAT DUDE.
1781
01:28:49,893 --> 01:28:53,397
[ APPLAUSE ]
1782
01:28:53,397 --> 01:28:54,798
SUSAN'S HUSBAND.
1783
01:28:54,798 --> 01:28:55,666
HE CAN BE IRON MAN.
1784
01:28:55,666 --> 01:28:56,500
HE CAN BE EVERY MAN.
1785
01:28:56,500 --> 01:29:00,337
HE ALWAYS GOES ABOVE AND BEYOND.
1786
01:29:00,337 --> 01:29:02,306
30 YEARS AGO, AS CHAPLIN, HE
1787
01:29:02,306 --> 01:29:03,140
LEARNED HOW TO PLAY THE VIOLIN
1788
01:29:03,140 --> 01:29:04,074
LEFT-HANDED.
1789
01:29:04,074 --> 01:29:04,641
WHO DOES THAT?
1790
01:29:04,641 --> 01:29:05,776
SERIOUSLY, IT'S OBNOXIOUS.
1791
01:29:05,776 --> 01:29:08,312
NOW, IN “OPPENHEIMER,” HE STEALS
1792
01:29:08,312 --> 01:29:08,946
SCENES FROM ALBERT EINSTEIN AND
1793
01:29:08,946 --> 01:29:10,881
THE ATOMIC BOMB.
1794
01:29:10,881 --> 01:29:11,415
I LOVE HIM.
1795
01:29:11,415 --> 01:29:16,887
YOU LOVE HIM.
1796
01:29:16,887 --> 01:29:17,721
AND WE COULDN'T BE HAPPIER FOR
1797
01:29:17,721 --> 01:29:18,288
HIS THIRD OSCAR NOM FOR HIS
1798
01:29:18,288 --> 01:29:18,889
AMAZING PORTRAYAL AS
1799
01:29:18,889 --> 01:29:21,191
LEWIS STRAUSS.
1800
01:29:21,191 --> 01:29:28,265
[ APPLAUSE ]
1801
01:29:28,265 --> 01:29:30,267
>> IN THE COURSE OF HIS
1802
01:29:30,267 --> 01:29:35,005
BRILLIANT CAREER, ROBERT De NIRO
1803
01:29:35,005 --> 01:29:38,842
HAS TEAMED --
1804
01:29:38,842 --> 01:29:39,409
[ APPLAUSE ]
1805
01:29:39,409 --> 01:29:41,578
-- HAS TEAMED WITH MARTIN
1806
01:29:41,578 --> 01:29:42,579
SCORCESE TO BRING US A WIDE
1807
01:29:42,579 --> 01:29:43,614
RANGE OF UNIQUELY COMPLICATED
1808
01:29:43,614 --> 01:29:45,515
VILLAINS.
1809
01:29:45,515 --> 01:29:46,683
HIS LATEST PERFORMANCE IN
1810
01:29:46,683 --> 01:29:48,318
“KILLERS OF THE FLOWER MOON”
1811
01:29:48,318 --> 01:29:49,553
DELIVERS A DIFFERENT TYPE OF
1812
01:29:49,553 --> 01:29:50,153
EVIL -- NOT OF A MOBSTER OR A
1813
01:29:50,153 --> 01:29:51,555
PSYCHOTIC LONER -- BUT OF A
1814
01:29:51,555 --> 01:29:56,560
BUSINESSMAN CONSUMED BY GREED
1815
01:29:56,560 --> 01:30:00,264
AND HIS LUST FOR POWER.
1816
01:30:00,264 --> 01:30:06,436
MR. DE NIRO, IN AN
1817
01:30:06,436 --> 01:30:08,572
OSCAR-WINNING --
1818
01:30:08,572 --> 01:30:10,240
OSCAR WORTHY -- SHOULD BE
1819
01:30:10,240 --> 01:30:11,808
WINNING -- GIVES US A REMINDER
1820
01:30:11,808 --> 01:30:13,076
OF THE HEART OF DARKNESS WITHIN
1821
01:30:13,076 --> 01:30:17,447
OUR ANCESTRAL BLOOD.
1822
01:30:17,447 --> 01:30:18,015
CONGRATULATIONS TO AN ACTING
1823
01:30:18,015 --> 01:30:23,220
LEGEND.
1824
01:30:23,220 --> 01:30:27,157
[ APPLAUSE ]
1825
01:30:27,157 --> 01:30:28,859
>> IT‘S NOT REALLY NEW THAT
1826
01:30:28,859 --> 01:30:29,993
CERTAIN MALE BEHAVIOR LOOKS LIKE
1827
01:30:29,993 --> 01:30:31,428
THE INFERIORITY COMPLEX OF A
1828
01:30:31,428 --> 01:30:34,264
PLASTIC DOLL IN A CARDBOARD
1829
01:30:34,264 --> 01:30:34,831
BOX -- SOMETHING EASY TO
1830
01:30:34,831 --> 01:30:41,038
RIDICULE.
1831
01:30:41,038 --> 01:30:46,043
SO WHY THEN DO WE ADMIRE RYAN
1832
01:30:46,043 --> 01:30:49,346
GOSLING'S KEN SO MUCH?
1833
01:30:49,346 --> 01:30:50,213
BECAUSE RYAN'S PORTRAYAL OF KEN
1834
01:30:50,213 --> 01:30:51,048
ALLOWS US TO -- YES, I ADMIT
1835
01:30:51,048 --> 01:30:52,449
IT -- TO CONNECT.
1836
01:30:52,449 --> 01:30:54,184
NOT BECAUSE IT IS RIDICULOUS.
1837
01:30:54,184 --> 01:30:56,153
BUT BECAUSE IT IS FUNNY,
1838
01:30:56,153 --> 01:30:57,321
INTELLIGENT, HUGELY ENTERTAINING
1839
01:30:57,321 --> 01:30:58,455
AND ULTIMATELY POIGNANT AND
1840
01:30:58,455 --> 01:31:04,494
DESERVING OF EMPATHY.
1841
01:31:04,494 --> 01:31:05,629
TO EXPERIENCE ALL THAT IS
1842
01:31:05,629 --> 01:31:06,463
EXACTLY WHAT WE GO TO THE MOVIES
1843
01:31:06,463 --> 01:31:09,700
FOR.
1844
01:31:09,700 --> 01:31:22,179
[ APPLAUSE ]
1845
01:31:22,179 --> 01:31:22,879
>> MARK RUFFALO --
1846
01:31:22,879 --> 01:31:26,550
[ APPLAUSE ]
1847
01:31:26,550 --> 01:31:28,552
OVER THREE
1848
01:31:28,552 --> 01:31:30,821
DECADES YOU'VE CAPTIVATED US
1849
01:31:30,821 --> 01:31:34,224
WITH YOUR VERSATILITY.
1850
01:31:34,224 --> 01:31:35,092
FROM DRAMA TO COMEDY TO ACTION,
1851
01:31:35,092 --> 01:31:36,493
YOU'VE DEFIED CATEGORIZATION AND
1852
01:31:36,493 --> 01:31:37,094
WE WOULDN'T HAVE IT ANY OTHER
1853
01:31:37,094 --> 01:31:40,764
WAY.
1854
01:31:40,764 --> 01:31:42,466
YOUR APPETITE FOR CHALLENGES IS
1855
01:31:42,466 --> 01:31:44,434
UNMATCHED, EXEMPLIFIED BY YOUR
1856
01:31:44,434 --> 01:31:47,571
PORTRAYAL OF DUNCAN WEDDERBURN
1857
01:31:47,571 --> 01:31:48,238
IN “POOR THINGS,” WHICH HAS
1858
01:31:48,238 --> 01:31:48,805
RIGHTFULLY EARNED YOU THIS
1859
01:31:48,805 --> 01:31:51,308
NOMINATION.
1860
01:31:51,308 --> 01:31:57,014
[ APPLAUSE ]
1861
01:31:57,014 --> 01:31:58,882
AND BEYOND YOUR TALENT, MARK,
1862
01:31:58,882 --> 01:31:59,516
YOU'RE SIMPLY A WONDERFUL HUMAN
1863
01:31:59,516 --> 01:31:59,716
BEING.
1864
01:31:59,716 --> 01:32:05,522
THANK YOU.
1865
01:32:05,522 --> 01:32:10,927
[ APPLAUSE ]
1866
01:32:10,927 --> 01:32:14,798
>> AND THE OSCAR GOES TO --
1867
01:32:14,798 --> 01:32:18,902
ROBERT DOWNEY JR.!
1868
01:32:18,902 --> 01:32:22,773
♪
1869
01:32:22,773 --> 01:32:24,674
>> THIS IS THE FIRST OSCAR WIN
1870
01:32:24,674 --> 01:32:26,209
FOR ROBERT DOWNEY JR. AND HIS
1871
01:32:26,209 --> 01:32:29,479
THIRD NOMINATION.
1872
01:32:30,147 --> 01:32:37,487
♪
1873
01:32:39,589 --> 01:32:43,326
[ CHEERS AND APPLAUSE ]
1874
01:32:43,326 --> 01:32:50,200
>> THANK YOU, THANK YOU.
1875
01:32:50,200 --> 01:32:54,070
THANKS, YOU ONLY FLUBBED ONE
1876
01:32:54,070 --> 01:32:54,471
LINE.
1877
01:32:54,471 --> 01:32:58,708
I'D LIKE TO THANK MY TERRIBLE
1878
01:32:58,708 --> 01:33:04,214
CHILDHOOD AND THE ACADEMY, IN
1879
01:33:04,214 --> 01:33:04,681
THAT ORDER.
1880
01:33:04,681 --> 01:33:09,119
I'D LIKE TO THANK MY
1881
01:33:09,119 --> 01:33:12,456
VETERINARIAN -- WIFE, SUSAN
1882
01:33:12,456 --> 01:33:13,824
DOWNEY OVER THERE.
1883
01:33:13,824 --> 01:33:14,724
[ APPLAUSE ]
1884
01:33:14,724 --> 01:33:17,794
SHE FOUND ME A SNARLING RESCUE
1885
01:33:17,794 --> 01:33:18,862
PET, AND YOU LOVED ME BACK TO
1886
01:33:18,862 --> 01:33:19,062
LIFE.
1887
01:33:19,062 --> 01:33:19,496
THAT'S WHY I'M HERE.
1888
01:33:19,496 --> 01:33:25,102
THANK YOU.
1889
01:33:25,102 --> 01:33:25,535
[ APPLAUSE ]
1890
01:33:25,535 --> 01:33:27,137
HERE'S MY LITTLE SECRET.
1891
01:33:27,137 --> 01:33:28,738
I NEEDED THIS JOB MORE THAN IT
1892
01:33:28,738 --> 01:33:29,406
NEEDED ME.
1893
01:33:29,406 --> 01:33:30,841
CHRIS KNEW IT.
1894
01:33:30,841 --> 01:33:32,342
EMMA MADE SURE THAT SHE
1895
01:33:32,342 --> 01:33:33,977
SURROUNDED ME WITH ONE OF THE
1896
01:33:33,977 --> 01:33:38,448
GREAT CAST AND CREW OF ALL TIME,
1897
01:33:38,448 --> 01:33:41,785
EMILY, CILLIAN, AND I STAND HERE
1898
01:33:41,785 --> 01:33:42,953
BEFORE YOU A BETTER MAN BECAUSE
1899
01:33:42,953 --> 01:33:43,386
OF IT.
1900
01:33:43,386 --> 01:33:45,388
WHAT WE DO IS MEANINGFUL, AND
1901
01:33:45,388 --> 01:33:47,657
THE STUFF THAT WE DECIDE TO MAKE
1902
01:33:47,657 --> 01:33:48,258
IS IMPORTANT.
1903
01:33:48,258 --> 01:33:51,728
SO BACK TO MY PUBLICIST --
1904
01:33:51,728 --> 01:33:53,930
MY AGENT, PHILLIP RASKIN IS HERE
1905
01:33:53,930 --> 01:33:57,434
AND ANDREW DUNLAP, MY DEN
1906
01:33:57,434 --> 01:34:00,036
MOTHER, JOY FEELEY, THANK YOU
1907
01:34:00,036 --> 01:34:00,337
VERY MUCH.
1908
01:34:00,337 --> 01:34:02,472
I WANT TO THANK MY STYLIST, IN
1909
01:34:02,472 --> 01:34:04,040
CASE NO ONE ELSE DOES.
1910
01:34:04,040 --> 01:34:05,509
THANKS, ERICA.
1911
01:34:05,509 --> 01:34:06,076
THANK YOU VERY MUCH.
1912
01:34:06,076 --> 01:34:11,248
AND I'M JUST GOING TO SAY THIS,
1913
01:34:11,248 --> 01:34:14,451
MY ENTERTAINMENT LAWYER, TOM
1914
01:34:14,451 --> 01:34:17,087
HANSON OF 40 YEARS, THE BETTER
1915
01:34:17,087 --> 01:34:18,622
HALF HE SPENT TRYING TO GET ME
1916
01:34:18,622 --> 01:34:21,758
INSURED AND BAILING ME OUT,
1917
01:34:21,758 --> 01:34:23,760
THANKS, BRO.
1918
01:34:23,760 --> 01:34:24,594
AVERY AND INDIA, THIS ONE IS FOR
1919
01:34:24,594 --> 01:34:26,096
YOU.
1920
01:34:26,096 --> 01:34:29,866
[ APPLAUSE ]
1921
01:34:29,866 --> 01:34:35,572
♪
1922
01:34:40,243 --> 01:34:44,080
♪
1923
01:34:44,080 --> 01:34:46,316
>> Announcer: ROBERT DOWNEY JR.
1924
01:34:46,316 --> 01:34:47,751
JUST HAD A MOMENT OF A LIFETIME
1925
01:34:47,751 --> 01:34:50,353
AND YOU CAN, TOO, AT THE ACADEMY
1926
01:34:50,353 --> 01:34:52,055
MUSEUM IN LOS ANGELES WHERE YOU
1927
01:34:52,055 --> 01:34:53,957
CAN GIVE YOUR OWN ACCEPTANCE
1928
01:34:53,957 --> 01:34:57,761
SPEECH, IMMERSE
1929
01:34:57,761 --> 01:34:58,395
YOURSELF IN OSCARS HISTORY, AND
1930
01:34:58,395 --> 01:34:58,929
BUY ONE-OF-A-KIND OSCARS
1931
01:34:58,929 --> 01:34:59,496
ITEMS -- BOTH IN PERSON OR
1932
01:34:59,496 --> 01:35:00,864
ONLINE.
1933
01:35:29,893 --> 01:35:31,861
When you’re with Amex Platinum,
1934
01:35:31,861 --> 01:35:33,196
you can get access
to travel benefits
1935
01:35:33,196 --> 01:35:34,698
at Fine Hotels + Resorts,
1936
01:35:34,698 --> 01:35:35,699
Wow.
1937
01:35:35,699 --> 01:35:37,534
which means your dream trip,
1938
01:35:37,534 --> 01:35:38,835
becomes a reality.
1939
01:35:38,835 --> 01:35:40,870
( ♪ )
1940
01:35:40,870 --> 01:35:44,341
That’s the powerful backing
of American Express.
1941
01:35:44,874 --> 01:35:46,743
To help protect from HIV.
1942
01:35:46,743 --> 01:35:48,478
I PrEP without pills.
1943
01:35:48,478 --> 01:35:51,481
With APRETUDE, a prescription
medicine used to reduce
1944
01:35:51,481 --> 01:35:54,284
the risk of HIV
without daily PrEP pills.
1945
01:35:54,284 --> 01:35:57,420
With one shot every other
month, just 6 times a year.
1946
01:35:57,420 --> 01:35:59,656
In studies, APRETUDE
was proven superior
1947
01:35:59,656 --> 01:36:02,559
to a daily PrEP pill
in reducing the risk of HIV.
1948
01:36:03,193 --> 01:36:05,862
You must be HIV negative
to receive APRETUDE
1949
01:36:05,862 --> 01:36:07,764
and get tested
before each injection.
1950
01:36:07,764 --> 01:36:09,532
If you think you were
exposed to HIV
1951
01:36:09,532 --> 01:36:11,968
or have flu-like symptoms,
tell your doctor right away.
1952
01:36:11,968 --> 01:36:13,270
APRETUDE does not prevent
1953
01:36:13,270 --> 01:36:15,238
other sexually
transmitted infections.
1954
01:36:15,238 --> 01:36:16,940
Practice safer sex
to reduce your risk.
1955
01:36:16,940 --> 01:36:18,408
Don't take APRETUDE
1956
01:36:18,408 --> 01:36:20,377
if you're allergic to it
or taking certain medicines,
1957
01:36:20,377 --> 01:36:21,578
as they may interact.
1958
01:36:21,578 --> 01:36:23,480
Tell your doctor if you've had
liver problems
1959
01:36:23,480 --> 01:36:24,848
or mental health concerns.
1960
01:36:24,848 --> 01:36:26,916
If you have a rash
or other allergic reactions,
1961
01:36:26,916 --> 01:36:29,452
stop APRETUDE and get
medical help right away.
1962
01:36:29,452 --> 01:36:31,788
Serious side effects include
allergic reactions,
1963
01:36:31,788 --> 01:36:33,356
liver problems,
and depression.
1964
01:36:33,356 --> 01:36:34,924
Some of the most common
side effects
1965
01:36:34,924 --> 01:36:37,060
include injection-site
reactions and headache.
1966
01:36:37,060 --> 01:36:38,628
You must receive APRETUDE
as scheduled.
1967
01:36:38,962 --> 01:36:40,030
Ask your doctor
1968
01:36:40,030 --> 01:36:41,298
about long-acting APRETUDE.
1969
01:36:41,298 --> 01:36:42,932
And PrEP without pills.
1970
01:36:42,932 --> 01:36:44,334
Save at APRETUDE.com
1971
01:37:20,870 --> 01:37:21,504
>> Announcer: THE OSCARS WILL
1972
01:37:21,504 --> 01:37:22,105
CONTINUE IN A MOMENT, HERE ON
1973
01:37:22,105 --> 01:37:24,174
ABC.
1974
01:39:01,905 --> 01:39:05,542
♪
1975
01:39:05,542 --> 01:39:08,111
>>> I NEED YOU TO BE PRECISE,
1976
01:39:08,111 --> 01:39:14,918
TELL ME EVERYTHING.
1977
01:39:14,918 --> 01:39:17,320
THAT'S WHY THERE'S AN
1978
01:39:17,320 --> 01:39:18,655
INVESTIGATION FOR MOST
1979
01:39:18,655 --> 01:39:19,422
SUSPICIOUS DEATH, BECAUSE YOU
1980
01:39:19,422 --> 01:39:22,358
WERE THE ONLY PERSON THERE.
1981
01:39:22,358 --> 01:39:26,996
AND, OF COURSE, YOU'RE HIS WIFE.
1982
01:39:26,996 --> 01:39:27,230
>> STOP.
1983
01:39:27,230 --> 01:39:28,731
I DID NOT KILL HIM.
1984
01:39:28,731 --> 01:39:36,639
[ APPLAUSE ]
1985
01:39:36,639 --> 01:39:38,341
>> Announcer: PLEASE WELCOME
1986
01:39:38,341 --> 01:39:39,008
ARNOLD SCHWARZENEGGER AND OSCAR
1987
01:39:39,008 --> 01:39:44,948
NOMINEE DANNY DEVITO.
1988
01:39:44,948 --> 01:39:48,418
[ APPLAUSE ]
1989
01:39:49,085 --> 01:39:59,462
♪
1990
01:39:59,462 --> 01:40:01,698
>> YOU'RE SO BEAUTIFUL.
1991
01:40:01,698 --> 01:40:02,398
LOOK AT EVERYBODY.
1992
01:40:02,398 --> 01:40:08,705
YEAH, YEAH, VERY NICE.
1993
01:40:08,705 --> 01:40:09,806
ARNOLD AND I ARE PRESENTING
1994
01:40:09,806 --> 01:40:11,140
TOGETHER FOR A VERY OBVIOUS
1995
01:40:11,140 --> 01:40:13,042
REASON.
1996
01:40:13,042 --> 01:40:13,910
>> WE'VE BOTH TRIED TO KILL
1997
01:40:13,910 --> 01:40:18,047
BATMAN.
1998
01:40:18,047 --> 01:40:20,450
>> YEAH, I PLAYED THE PENGUIN IN
1999
01:40:20,450 --> 01:40:23,119
"BATMAN RETURNS."
2000
01:40:23,119 --> 01:40:23,686
>> AND I WAS MR. FREEZE IN
2001
01:40:23,686 --> 01:40:24,254
"BATMAN AND ROBIN."
2002
01:40:24,254 --> 01:40:28,725
>> HOW DID BATMAN BEAT YOU?
2003
01:40:28,725 --> 01:40:31,160
>> OH, HE USED MY ONE WEAKNESS
2004
01:40:31,160 --> 01:40:33,229
AGAINST ME.
2005
01:40:33,229 --> 01:40:35,164
>> HEAT?
2006
01:40:35,164 --> 01:40:37,634
>> LOVE.
2007
01:40:37,634 --> 01:40:40,536
>> HE THREW ME OUT A WINDOW.
2008
01:40:40,536 --> 01:40:44,574
REALLY.
2009
01:40:44,574 --> 01:40:48,211
I HATE HIM.
2010
01:40:48,211 --> 01:40:48,778
THERE HE IS.
2011
01:40:48,778 --> 01:40:51,247
HE'S RIGHT HERE.
2012
01:40:51,247 --> 01:40:51,881
>> YOU HAVE A LOT OF NERVE TO
2013
01:40:51,881 --> 01:40:57,287
SHOW YOUR FACE.
2014
01:40:57,287 --> 01:41:03,793
>> YOU ARE A REAL BEAK BREAKER.
2015
01:41:03,793 --> 01:41:07,964
I'LL SEE YOU AFTER THE GOVERNORS
2016
01:41:07,964 --> 01:41:11,034
BALL, PAL.
2017
01:41:11,034 --> 01:41:16,372
HERE ARE THE NOMINEES, THE
2018
01:41:16,372 --> 01:41:19,576
ARTISTS WHO TAKE US BEYOND THE
2019
01:41:19,576 --> 01:41:20,243
REAL WORLD OR THE LIMITATIONS OF
2020
01:41:20,243 --> 01:41:24,113
THE MOVIE SET.
2021
01:41:24,113 --> 01:41:24,948
"THE CREATOR."
2022
01:41:24,948 --> 01:41:25,515
JAY COOPER, IAN COMLEY,
2023
01:41:25,515 --> 01:41:26,082
ANDREW ROBERTS, AND
2024
01:41:26,082 --> 01:41:27,216
NEIL CORBOULD.
2025
01:41:27,216 --> 01:41:30,353
"GODZILLA MINUS ONE."
2026
01:41:30,353 --> 01:41:33,222
TAKASHI YAMAZAKI,
2027
01:41:33,222 --> 01:41:33,790
KIYOKO SHIBUYA,
2028
01:41:33,790 --> 01:41:34,357
MASAKI TAKAHASHI, AND
2029
01:41:34,357 --> 01:41:39,495
TATSUJI NOJIMA.
2030
01:41:39,495 --> 01:41:40,630
"GUARDIANS OF THE GALAXY VOL.
2031
01:41:40,630 --> 01:41:41,164
3."
2032
01:41:41,164 --> 01:41:42,031
STEPHANE CERETTI,
2033
01:41:42,031 --> 01:41:43,166
ALEXIS WAJSBROT, GUY WILLIAMS,
2034
01:41:43,166 --> 01:41:50,239
AND THEO BIALEK.
2035
01:41:50,239 --> 01:41:50,807
"MISSION: IMPOSSIBLE - DEAD
2036
01:41:50,807 --> 01:41:53,943
RECKONING PART ONE."
2037
01:41:53,943 --> 01:41:54,510
ALEX WUTTKE, SIMONE COCO,
2038
01:41:54,510 --> 01:41:55,078
JEFF SUTHERLAND, AND
2039
01:41:55,078 --> 01:41:55,411
NEIL CORBOULD.
2040
01:41:55,411 --> 01:41:58,214
"NAPOLEON."
2041
01:41:58,214 --> 01:41:59,015
CHARLEY HENLEY,
2042
01:41:59,015 --> 01:42:00,750
LUC-EWEN MARTIN-FENOUILLET,
2043
01:42:00,750 --> 01:42:07,857
SIMONE COCO, AND NEIL CORBOULD.
2044
01:42:07,857 --> 01:42:08,992
>> YOU'RE UP.
2045
01:42:08,992 --> 01:42:22,505
>> AND THE OSCAR GOES TO --
2046
01:42:22,505 --> 01:42:28,778
"GODZILLA MINUS ONE," TAKASHI
2047
01:42:28,778 --> 01:42:29,512
YAMAZAKI, KIYOKO SHIBUYA --
2048
01:42:29,512 --> 01:42:30,980
>> THIS IS THE FIRST OSCAR WIN
2049
01:42:30,980 --> 01:42:33,583
AND NOMINATION FOR THE VISUAL
2050
01:42:33,583 --> 01:42:34,150
EFFECTS TEAM FROM "GODZILLA
2051
01:42:34,150 --> 01:42:42,859
MINUS ONE."
2052
01:42:42,859 --> 01:42:45,628
[ APPLAUSE ]
2053
01:42:46,295 --> 01:42:50,400
♪
2054
01:43:18,961 --> 01:43:21,998
>> 40 YEARS AGO AFTER THE SHOCK
2055
01:43:21,998 --> 01:43:28,838
OF SEEING "STAR WARS" TO
2056
01:43:28,838 --> 01:43:34,110
SOMEWHERE SO FAR FROM STANDING
2057
01:43:34,110 --> 01:43:39,082
ON THIS STAGE SEEMED OUT OF
2058
01:43:39,082 --> 01:43:39,282
REACH.
2059
01:43:39,282 --> 01:43:51,127
THE MOMENT WE WERE NOMINATE D
2060
01:43:51,127 --> 01:43:59,802
WE --
2061
01:43:59,802 --> 01:44:06,142
OUR BIGGEST RIVAL, BUT SHALL WE
2062
01:44:06,142 --> 01:44:20,857
STAND.
2063
01:44:20,857 --> 01:44:23,526
IT IS PROOF THAT EVERYONE HAS A
2064
01:44:23,526 --> 01:44:29,332
CHANCE.
2065
01:44:29,332 --> 01:44:31,033
FINAL
2066
01:44:31,033 --> 01:44:33,136
FINALLY WITH THE HELP OF THE
2067
01:44:33,136 --> 01:44:34,837
CAST AND CREW OF "GODZILLA MINUS
2068
01:44:34,837 --> 01:44:41,611
ONE" I WANT TO THANK OUR
2069
01:44:41,611 --> 01:44:48,518
PRODUCER WHO WE LOST TOO SOON.
2070
01:44:48,518 --> 01:44:57,693
THANKS A LOT.
2071
01:44:57,693 --> 01:45:00,496
[ APPLAUSE ]
2072
01:45:01,330 --> 01:45:04,133
♪
2073
01:45:04,133 --> 01:45:05,434
>> THERE YOU GO.
2074
01:45:05,434 --> 01:45:10,606
OKAY.
2075
01:45:10,606 --> 01:45:13,743
>> THE NEXT CATEGORY ARE REALLY
2076
01:45:13,743 --> 01:45:15,444
IMPORTANT PEOPLE.
2077
01:45:15,444 --> 01:45:18,848
FILM EDITORS -- THEY'RE THE
2078
01:45:18,848 --> 01:45:22,618
ARCHITECTS OF STORYTELLING.
2079
01:45:22,618 --> 01:45:25,822
>> THEY FIX ALL THE SCREWUPS.
2080
01:45:25,822 --> 01:45:29,592
>> HERE ARE THE NOMINEES.
2081
01:45:29,592 --> 01:45:31,861
>> "ANATOMY OF A FALL."
2082
01:45:31,861 --> 01:45:32,728
LAURENT SENECHAL.
2083
01:45:32,728 --> 01:45:35,264
"THE HOLDOVERS."
2084
01:45:35,264 --> 01:45:39,202
KEVIN TENT.
2085
01:45:39,202 --> 01:45:39,802
"KILLERS OF THE FLOWER MOON."
2086
01:45:39,802 --> 01:45:45,174
THELMA SCHOONMAKER.
2087
01:45:45,174 --> 01:45:46,042
"OPPENHEIMER."
2088
01:45:46,042 --> 01:45:48,044
JENNIFER LAME.
2089
01:45:48,044 --> 01:45:50,613
"POOR THINGS."
2090
01:45:50,613 --> 01:45:55,351
YORGOS MAVROPSARIDIS.
2091
01:45:55,351 --> 01:45:59,388
>> OKAY.
2092
01:45:59,388 --> 01:46:01,224
AND THE OSCAR --
2093
01:46:01,224 --> 01:46:02,491
>> HOPEFULLY YOU PRONOUNCE IT
2094
01:46:02,491 --> 01:46:04,760
BETTER THAN I DID.
2095
01:46:04,760 --> 01:46:08,464
>> WE'LL SEE.
2096
01:46:08,464 --> 01:46:11,100
"OPPENHEIMER," JENNIFER LAME.
2097
01:46:11,100 --> 01:46:18,341
[ APPLAUSE ]
2098
01:46:18,341 --> 01:46:20,042
>> THIS IS THE FIRST OSCAR WIN
2099
01:46:20,042 --> 01:46:20,676
AND NOMINATION FOR JENNIFER
2100
01:46:20,676 --> 01:46:26,616
LAME.
2101
01:46:27,383 --> 01:46:33,189
♪
2102
01:46:37,393 --> 01:46:40,463
>> I LOVE THE MOVIE TWINS.
2103
01:46:40,463 --> 01:46:43,733
IT'S AMAZING TO GET THIS AWARD
2104
01:46:43,733 --> 01:46:44,634
FROM YOU.
2105
01:46:44,634 --> 01:46:46,502
SORRY, I NEED TO TAKE A DEEP
2106
01:46:46,502 --> 01:46:46,969
BREATH.
2107
01:46:46,969 --> 01:46:52,308
EMMA THOMAS, YOU AMAZE ME.
2108
01:46:52,308 --> 01:46:55,711
YOU MAKE THESE COMPLICATED,
2109
01:46:55,711 --> 01:46:56,679
BEAUTIFUL FILMS, AND YOU'RE
2110
01:46:56,679 --> 01:46:58,648
UNFLAPPABLE AND I'M IN AWE OF
2111
01:46:58,648 --> 01:46:59,048
YOU.
2112
01:46:59,048 --> 01:47:04,553
CHRIS NOLAN, YOU'RE OKAY, TOO.
2113
01:47:04,553 --> 01:47:06,856
I WAS TERRIFIED LIKE I AM NOW.
2114
01:47:06,856 --> 01:47:09,058
WHEN I FIRST GOT HIRED TO WORK
2115
01:47:09,058 --> 01:47:13,429
WITH YOU AND YOU NEVER MADE ME
2116
01:47:13,429 --> 01:47:14,297
FEEL THAT WAY.
2117
01:47:14,297 --> 01:47:15,531
YOU INSTILLED SO MUCH CONFIDENCE
2118
01:47:15,531 --> 01:47:17,199
IN ME, AND I LOOKED FORWARD TO
2119
01:47:17,199 --> 01:47:18,934
GOING TO WORK WITH YOU EVERY
2120
01:47:18,934 --> 01:47:20,770
DAY, AND IT'S STILL EXCITING TO
2121
01:47:20,770 --> 01:47:22,238
COLLABORATE WITH YOU.
2122
01:47:22,238 --> 01:47:23,306
I CAN'T THANK YOU ENOUGH.
2123
01:47:23,306 --> 01:47:25,474
MY HUSBAND, CRAIG, I LOVE YOU.
2124
01:47:25,474 --> 01:47:27,476
MY TWO CHILDREN, TONY AND NIKKI,
2125
01:47:27,476 --> 01:47:28,477
I LOVE YOU.
2126
01:47:28,477 --> 01:47:28,778
GOOD NIGHT.
2127
01:47:28,778 --> 01:47:35,885
THANK YOU.
2128
01:47:35,885 --> 01:47:37,987
[ APPLAUSE ]
2129
01:47:38,721 --> 01:47:44,760
♪
2130
01:47:45,394 --> 01:47:45,995
>> Announcer: PERFORMING THE
2131
01:47:45,995 --> 01:47:46,829
OSCAR NOMINATED SONG "IT NEVER
2132
01:47:46,829 --> 01:47:47,964
WENT AWAY" FROM "AMERICAN
2133
01:47:47,964 --> 01:47:49,098
SYMPHONY," PLEASE WELCOME
2134
01:47:49,098 --> 01:47:54,670
JON BATISTE.
2135
01:47:54,670 --> 01:47:57,106
[ APPLAUSE ]
2136
01:48:00,910 --> 01:48:10,119
♪
2137
01:48:10,119 --> 01:48:17,226
♪ IT NEVERWENT AWAY
2138
01:48:17,226 --> 01:48:17,793
THE FEELING'S
2139
01:48:17,793 --> 01:48:24,633
JUST THE SAME ♪
2140
01:48:24,633 --> 01:48:30,573
♪ THOUGHT I WAS A WISE LAD
2141
01:48:30,573 --> 01:48:37,546
BUT WHEN YOU PLAN, GOD LAUGHS ♪
2142
01:48:37,546 --> 01:48:38,414
♪ THOUGHT I WASHOT
2143
01:48:38,414 --> 01:48:39,815
GOT ADETOUR ALONG THE WAY ♪
2144
01:48:39,815 --> 01:48:42,118
♪ SUMMER TIME ADVENTURE
2145
01:48:42,118 --> 01:48:42,685
THAT'S WHAT WE
2146
01:48:42,685 --> 01:48:46,956
WERE MEANT FOR ♪
2147
01:48:46,956 --> 01:48:48,090
♪ I NEED YOU AND THAT'S
2148
01:48:48,090 --> 01:48:52,628
NEVERGOIN' TO CHANGE ♪
2149
01:48:52,628 --> 01:49:00,569
♪ IT NEVER WENT AWAY
2150
01:49:00,569 --> 01:49:15,084
EVERY TIMEI SEE YOUR FACE ♪
2151
01:49:17,186 --> 01:49:22,725
♪
2152
01:49:22,725 --> 01:49:24,994
♪ NEVER GOING AWAY
2153
01:49:24,994 --> 01:49:34,837
NEVER GOING AWAY ♪
2154
01:49:34,837 --> 01:49:39,975
[ APPLAUSE ]
2155
01:49:53,823 --> 01:49:59,862
♪
2156
01:49:59,862 --> 01:50:02,364
>> Announcer: COMING UP NEXT,
2157
01:50:02,364 --> 01:50:03,532
BARBIE'S AMERICA FERRERA AND
2158
01:50:03,532 --> 01:50:05,501
KATE MCKINNON.
2159
01:50:05,501 --> 01:50:06,202
HERE ON “THE OSCARS,” FROM THE
2160
01:50:06,202 --> 01:50:06,735
DOLBY THEATRE AT OVATION,
2161
01:50:06,735 --> 01:50:10,606
HOLLYWOOD.
2162
01:50:10,606 --> 01:50:11,740
“THE OSCARS” ON ABC, BROUGHT TO
2163
01:50:11,740 --> 01:50:12,875
YOU BY --
2164
01:50:12,875 --> 01:50:15,444
"TAYLOR SWIFT: THE ERAS TOUR,
2165
01:50:15,444 --> 01:50:16,312
TAYLOR'S VERSION," STREAMING
2166
01:50:16,312 --> 01:50:18,914
MARCH 14th, ONLY ON DISNEY PLUS.
2167
01:51:03,125 --> 01:51:06,629
This new Charmin
Ultra Soft Smooth Tear
2168
01:51:06,629 --> 01:51:09,899
is soooo soft and soo smooth.
2169
01:51:09,899 --> 01:51:11,734
New Charmin
Ultra Soft Smooth Tear
2170
01:51:11,734 --> 01:51:14,537
has wavy perforations
that tear so much better
2171
01:51:14,537 --> 01:51:16,305
for a smooth
more enjoyable go.
2172
01:51:16,305 --> 01:51:17,606
Charmin, enjoy the go.
2173
01:51:17,940 --> 01:51:20,109
[Customer Service Rep]
Discover customer service,
this is Maya.
2174
01:51:20,109 --> 01:51:21,310
Jennifer: Oh, hi Maya.
2175
01:51:21,310 --> 01:51:23,946
You robots are
sounding more human every day!
2176
01:51:23,946 --> 01:51:25,247
[Customer Service Rep]
Oh, I am human.
2177
01:51:25,247 --> 01:51:27,650
Jennifer: Yeah, it's like
I'm talking to a human!
2178
01:51:27,650 --> 01:51:30,252
[Customer Service Rep]
At Discover, everyone can talk
to a human representative.
2179
01:51:30,252 --> 01:51:31,453
Jennifer: Alright, prove it.
2180
01:51:31,453 --> 01:51:32,988
[Customer Service Rep]
Wait, are you a robot?
2181
01:51:37,826 --> 01:51:39,161
Jennifer: Oh...
2182
01:51:40,429 --> 01:51:42,798
How would I prove
that I'm not?
2183
01:51:42,798 --> 01:51:45,234
24/7 U.S.-based
customer service.
2184
01:51:45,234 --> 01:51:46,535
[Customer Service Rep]
Do you feel like a robot?
2185
01:51:46,535 --> 01:51:47,636
It Pays to Discover.
2186
01:51:47,870 --> 01:51:52,308
(♪)
2187
01:51:52,308 --> 01:51:53,709
Healthier means
2188
01:51:53,709 --> 01:51:56,245
staying on top of your health
at your place...
2189
01:51:56,245 --> 01:51:57,580
(♪)
2190
01:51:57,580 --> 01:51:59,682
or ours.
2191
01:51:59,682 --> 01:52:02,651
♪ Healthier happens
together. ♪
2192
01:52:03,152 --> 01:52:05,321
It's me, America's sweetheart.
2193
01:52:05,321 --> 01:52:06,989
And I just love having a Blast.
2194
01:52:06,989 --> 01:52:08,657
A Mountain Dew Baja Blast.
2195
01:52:08,657 --> 01:52:09,858
[Music begins]
Kids' party?
2196
01:52:09,858 --> 01:52:10,626
[shouting in the background]
Having a Blast.
2197
01:52:10,626 --> 01:52:12,261
Stuck in an elevator?
2198
01:52:12,261 --> 01:52:12,995
[Elevator breaking sound]
Ah!
2199
01:52:12,995 --> 01:52:14,363
Having a Blast.
2200
01:52:14,363 --> 01:52:15,331
-Winning.
-NO!
2201
01:52:15,331 --> 01:52:16,932
-Losing.
-Ahhh!
2202
01:52:16,932 --> 01:52:17,766
Having ... a...
2203
01:52:17,766 --> 01:52:18,934
Probe me already!
2204
01:52:18,934 --> 01:52:20,069
... Blast.
2205
01:52:20,069 --> 01:52:22,204
I can have a Blast anytime,
anywhere.
2206
01:52:22,204 --> 01:52:24,573
[Epic dragon horn blows
and dragon roars]
2207
01:52:24,573 --> 01:52:25,641
And with anyone?
2208
01:52:25,641 --> 01:52:28,210
[Intense Cackling]
2209
01:52:28,210 --> 01:52:29,478
Mountain Dew Baja Blast.
2210
01:52:29,478 --> 01:52:30,412
In stores everywhere.
2211
01:52:30,412 --> 01:52:32,748
I, too, am having a Blast!
2212
01:52:44,026 --> 01:52:44,326
>>> HELLO.
2213
01:52:44,326 --> 01:52:51,000
I'M LENNY.
2214
01:52:51,000 --> 01:52:51,700
THANK YOU.
2215
01:52:51,700 --> 01:52:52,201
THE FIRST GREAT AMERICAN
2216
01:52:52,201 --> 01:52:56,071
CONDUCTOR.
2217
01:52:56,071 --> 01:53:00,142
I WANT A LOT OF THINGS.
2218
01:53:00,142 --> 01:53:06,282
>> I KNOW EXACTLY WHO YOU ARE.
2219
01:53:06,282 --> 01:53:09,918
LET'S GIVE IT A WHIRL.
2220
01:53:09,918 --> 01:53:15,157
[ APPLAUSE ]
2221
01:53:17,993 --> 01:53:19,428
>> HEY, LET'S HAVE A ROUND OF
2222
01:53:19,428 --> 01:53:20,262
APPLAUSE FOR OUR MAESTRO
2223
01:53:20,262 --> 01:53:20,863
TONIGHT, RICKEY MINOR AND HIS
2224
01:53:20,863 --> 01:53:23,966
OSCAR ORCHESTRA.
2225
01:53:23,966 --> 01:53:27,836
[ APPLAUSE ]
2226
01:53:27,836 --> 01:53:30,439
WAVE HELLO, EVERYBODY.
2227
01:53:30,439 --> 01:53:36,478
♪
2228
01:53:37,312 --> 01:53:42,584
♪
2229
01:53:42,584 --> 01:53:44,987
>> HOW'S EVERYBODY DOING?
2230
01:53:44,987 --> 01:53:48,457
FEELING WELL?
2231
01:53:48,457 --> 01:53:49,692
WHAT'S HAPPENING, COLMAN?
2232
01:53:49,692 --> 01:53:52,194
HOW ARE YOU?
2233
01:53:52,194 --> 01:53:53,062
COLMAN DOMINGO IS A BEST ACTOR
2234
01:53:53,062 --> 01:53:53,629
NOMINEE FOR HIS WORK IN THE
2235
01:53:53,629 --> 01:53:58,500
MOVIE "RUSTIN."
2236
01:53:58,500 --> 01:53:59,935
HIS NEXT ROLE, I CAN'T WAIT TO
2237
01:53:59,935 --> 01:54:02,137
SEE THIS, IS PLAYING
2238
01:54:02,137 --> 01:54:02,971
MICHAEL JACKSON'S FATHER IN THE
2239
01:54:02,971 --> 01:54:03,806
UPCOMING BIOPIC "MICHAEL."
2240
01:54:03,806 --> 01:54:06,175
AND LET ME TELL YOU SOMETHING,
2241
01:54:06,175 --> 01:54:07,009
IF YOU THINK "MAESTRO" HAD FAKE
2242
01:54:07,009 --> 01:54:07,876
NOSES, HANG ON TO YOUR
2243
01:54:07,876 --> 01:54:08,444
JHERI CURLS.
2244
01:54:08,444 --> 01:54:13,816
YOU AIN'T SEEN NOTHING YET.
2245
01:54:13,816 --> 01:54:14,383
GUILLERMO?
2246
01:54:14,383 --> 01:54:18,120
WHAT ARE YOU DOING?
2247
01:54:18,120 --> 01:54:19,988
>> MR. COLMAN NEEDED A DRINK.
2248
01:54:19,988 --> 01:54:22,291
>> OH, HE DOES?
2249
01:54:22,291 --> 01:54:22,858
WHAT ARE YOU DRINKING THERE?
2250
01:54:22,858 --> 01:54:26,128
>> DON JULIO 1942.
2251
01:54:26,128 --> 01:54:27,496
I HAVE TEQUILA FOR EVERYONE IN
2252
01:54:27,496 --> 01:54:28,364
THE AUDIENCE.
2253
01:54:28,364 --> 01:54:29,865
>> OH, THAT'S VERY CONSIDERATE
2254
01:54:29,865 --> 01:54:30,332
OF YOU.
2255
01:54:30,332 --> 01:54:31,667
FOR EVERYONE IN THE AUDIENCE?
2256
01:54:31,667 --> 01:54:33,569
>> I THINK WE SHOULD DO A TOAST.
2257
01:54:33,569 --> 01:54:35,404
>> NO, WE DON'T HAVE TIME FOR A
2258
01:54:35,404 --> 01:54:35,604
POST.
2259
01:54:35,604 --> 01:54:37,473
>> YES, WE DO.
2260
01:54:37,473 --> 01:54:39,708
EVERYONE, RAISE YOUR GLASS TO
2261
01:54:39,708 --> 01:54:46,815
MR. COLMAN FLAMINGO.
2262
01:54:46,815 --> 01:54:47,683
AND EMILY BLUNT.
2263
01:54:47,683 --> 01:54:49,418
AND JOHN KACHINSKI.
2264
01:54:49,418 --> 01:54:50,018
>> IT'S KRASINSKI AND DOMINGO.
2265
01:54:50,018 --> 01:54:50,552
ARE YOU TOASTING EVERYONE?
2266
01:54:50,552 --> 01:54:51,086
>> YES.
2267
01:54:51,086 --> 01:54:55,090
A TOAST TO EVERYONE.
2268
01:54:55,090 --> 01:54:57,392
I LOVE YOU ALL OF YOU.
2269
01:54:57,392 --> 01:55:00,062
I LOVE YOU, JIMMY.
2270
01:55:00,062 --> 01:55:02,965
AND I LOVE TEQUILA.
2271
01:55:02,965 --> 01:55:03,599
AND I LOVE TO MY BEAUTIFUL WIFE,
2272
01:55:03,599 --> 01:55:07,603
MS. CHARLIZE THERON.
2273
01:55:07,603 --> 01:55:09,338
I LOVE YOU.
2274
01:55:09,338 --> 01:55:11,340
YOU'RE MY ANGEL.
2275
01:55:11,340 --> 01:55:13,108
SALUD, EVERYBODY!
2276
01:55:13,108 --> 01:55:17,012
>> SALUD.
2277
01:55:17,012 --> 01:55:18,647
>> AND ANOTHER TOAST FOR AMERICA
2278
01:55:18,647 --> 01:55:27,656
FERRARA AND KATE McKINNON.
2279
01:55:28,557 --> 01:55:36,198
[ APPLAUSE ]
2280
01:55:36,198 --> 01:55:37,933
>> WE ARE HERE TO PRESENT THE
2281
01:55:37,933 --> 01:55:38,801
AWARDS FOR BEST DOCUMENTARY
2282
01:55:38,801 --> 01:55:39,334
SHORT AND BEST DOCUMENTARY
2283
01:55:39,334 --> 01:55:44,440
FEATURE.
2284
01:55:44,440 --> 01:55:45,073
>> THESE AWARDS HONOR THE BEST
2285
01:55:45,073 --> 01:55:46,442
IN DOCUMENTARY FILMMAKING, FILMS
2286
01:55:46,442 --> 01:55:47,042
THAT GIVE US REAL STORIES AND
2287
01:55:47,042 --> 01:55:47,876
REAL LIFE AND REAL LIVES, WITH
2288
01:55:47,876 --> 01:55:49,578
PAST WINNERS LIKE "WOODSTOCK,"
2289
01:55:49,578 --> 01:55:54,650
"FREE SOLO," "AN INCONVENIENT
2290
01:55:54,650 --> 01:55:55,551
TRUTH" --
2291
01:55:55,551 --> 01:55:56,151
>> "JURASSIC PARK," "JURASSIC
2292
01:55:56,151 --> 01:56:01,223
WORLD," "JURASSIC WORLD:
2293
01:56:01,223 --> 01:56:04,693
DOMINION."
2294
01:56:04,693 --> 01:56:05,427
>> KATE, NO.
2295
01:56:05,427 --> 01:56:08,430
THOSE AREN'T DOCUMENTARIES.
2296
01:56:08,430 --> 01:56:10,132
>> WHAT DO YOU MEAN?
2297
01:56:10,132 --> 01:56:11,533
>> THE DINOSAURS WEREN'T REAL.
2298
01:56:11,533 --> 01:56:18,073
>> AMERICA, NOT YOU TOO?
2299
01:56:18,073 --> 01:56:18,907
>> I KNOW DINOSAUS WERE REAL,
2300
01:56:18,907 --> 01:56:19,541
BUT IN THE MOVIE THEY WERE CGI.
2301
01:56:19,541 --> 01:56:20,142
THERE WAS A DOCUMENTARY ABOUT
2302
01:56:20,142 --> 01:56:20,909
IT.
2303
01:56:20,909 --> 01:56:26,215
>> MY GOD.
2304
01:56:26,215 --> 01:56:26,782
DR. SPIELBERG, SIR, IS THIS
2305
01:56:26,782 --> 01:56:31,687
TRUE?
2306
01:56:31,687 --> 01:56:34,289
WOW.
2307
01:56:34,289 --> 01:56:34,857
BUT JEFF GOLDBLUM IS REAL,
2308
01:56:34,857 --> 01:56:35,991
RIGHT?
2309
01:56:35,991 --> 01:56:40,295
>> NO.
2310
01:56:40,295 --> 01:56:41,129
>> THEN TO WHOM HAVE I BEEN
2311
01:56:41,129 --> 01:56:52,741
MAILING MY TASTEFUL NUDES?
2312
01:56:52,741 --> 01:56:56,945
[ APPLAUSE ]
2313
01:56:56,945 --> 01:56:57,813
YOU'RE WELCOME.
2314
01:56:57,813 --> 01:56:59,248
>> THE NOMINEES FOR BEST
2315
01:56:59,248 --> 01:57:03,819
DOCUMENTARY SHORT ARE --
2316
01:57:03,819 --> 01:57:06,722
"THE ABCS OF BOOK BANNING."
2317
01:57:06,722 --> 01:57:08,123
SHEILA NEVINS AND TRISH ADLESIC.
2318
01:57:08,123 --> 01:57:08,690
"THE BARBER OF LITTLE ROCK."
2319
01:57:08,690 --> 01:57:11,560
JOHN HOFFMAN AND
2320
01:57:11,560 --> 01:57:12,094
CHRISTINE TURNER.
2321
01:57:12,094 --> 01:57:16,665
"ISLAND IN BETWEEN."
2322
01:57:16,665 --> 01:57:17,266
S. LEO CHIANG AND JEAN TSIEN.
2323
01:57:17,266 --> 01:57:20,335
"THE LAST REPAIR SHOP."
2324
01:57:20,335 --> 01:57:20,936
BEN PROUDFOOT AND KRIS BOWERS.
2325
01:57:20,936 --> 01:57:22,604
"NAI NAI & WAI PO."
2326
01:57:22,604 --> 01:57:29,778
SEAN WANG AND SAM DAVIS.
2327
01:57:29,778 --> 01:57:33,982
>> AND THE OSCAR GOES TO "THE
2328
01:57:33,982 --> 01:57:37,019
LAST REPAIR SHOP," BEN PROUDFOOT
2329
01:57:37,019 --> 01:57:46,828
AND KRIS BOWERS.
2330
01:57:46,828 --> 01:57:48,864
>> THIS IS THE SECOND OSCAR WIN
2331
01:57:48,864 --> 01:57:50,666
AND THIRD NOMINATION FOR BEN
2332
01:57:50,666 --> 01:57:52,100
PROUDFOOT AND THE FIRST WIN AND
2333
01:57:52,100 --> 01:57:53,502
SECOND NOMINATION FOR KRIS
2334
01:57:53,502 --> 01:57:55,804
BOWERS.
2335
01:57:55,804 --> 01:57:59,207
[ APPLAUSE ]
2336
01:57:59,875 --> 01:58:08,517
♪
2337
01:58:09,318 --> 01:58:14,856
♪
2338
01:58:20,462 --> 01:58:21,396
>> WOW.
2339
01:58:21,396 --> 01:58:22,831
THANK YOU SO MUCH TO THE
2340
01:58:22,831 --> 01:58:23,098
ACADEMY.
2341
01:58:23,098 --> 01:58:25,000
THIS IS INCREDIBLE.
2342
01:58:25,000 --> 01:58:25,267
THANK YOU.
2343
01:58:25,267 --> 01:58:28,804
THANK YOU SO MUCH.
2344
01:58:28,804 --> 01:58:30,439
"THE LAST REPAIR SHOP" IS ABOUT
2345
01:58:30,439 --> 01:58:32,441
THE HEROES IN OUR SCHOOLS WHO
2346
01:58:32,441 --> 01:58:36,511
OFTEN GO UNSUNG, UNTHANKED AND
2347
01:58:36,511 --> 01:58:36,745
UNSEEN.
2348
01:58:36,745 --> 01:58:38,046
TONIGHT YOU ARE SUNG, YOU ARE
2349
01:58:38,046 --> 01:58:39,081
THANKED AND YOU ARE SEEN.
2350
01:58:39,081 --> 01:58:39,715
THANK YOU ALL SO MUCH FOR WHAT
2351
01:58:39,715 --> 01:58:44,653
YOU DO.
2352
01:58:44,653 --> 01:58:46,722
JOHN WILLIAMS INSPIRED ME TO
2353
01:58:46,722 --> 01:58:47,589
BECOME A COMPOSER.
2354
01:58:47,589 --> 01:58:49,191
HE WENT TO L.A. PUBLIC SCHOOLS.
2355
01:58:49,191 --> 01:58:51,159
I WENT TO L.A. PUBLIC SCHOOLS
2356
01:58:51,159 --> 01:58:53,795
THIS IS PORSCHE WHO IS LEARNING
2357
01:58:53,795 --> 01:58:58,166
TO PLAY VIOLIN.
2358
01:58:58,166 --> 01:58:58,467
[ APPLAUSE ]
2359
01:58:58,467 --> 01:59:00,535
AND L.A. IS ONE OF THE LAST
2360
01:59:00,535 --> 01:59:04,640
CITIES IN AMERICA TO GIVE PUBLIC
2361
01:59:04,640 --> 01:59:06,074
SCHOOL STUDENTS FREE INSTRUMENTS
2362
01:59:06,074 --> 01:59:08,343
AM WE NEED TO FIX THAT.
2363
01:59:08,343 --> 01:59:10,178
IT ISN'T JUST ABOUT CREATING
2364
01:59:10,178 --> 01:59:11,646
INCREDIBLE MUSICIANS BUT
2365
01:59:11,646 --> 01:59:12,581
INCREDIBLE HUMANS.
2366
01:59:12,581 --> 01:59:18,687
WE WANT TO THANK YOU, "L.A.
2367
01:59:18,687 --> 01:59:21,156
TIMES," BRINK WATER STUDIOS AND
2368
01:59:21,156 --> 01:59:23,091
EVERY REPORTER THAT POURED THEIR
2369
01:59:23,091 --> 01:59:23,892
HEART IN THIS FILL.
2370
01:59:23,892 --> 01:59:27,095
I WANT TO THANK MY WIFE, MY MOM
2371
01:59:27,095 --> 01:59:27,596
AND DAUGHTER.
2372
01:59:27,596 --> 01:59:28,530
I LOVE YOU, I LOVE YOU, THANK
2373
01:59:28,530 --> 01:59:31,033
YOU.
2374
01:59:31,033 --> 01:59:36,038
♪
2375
01:59:36,038 --> 01:59:40,442
[ APPLAUSE ]
2376
01:59:45,614 --> 01:59:46,181
>> AND NOW, HERE ARE THE
2377
01:59:46,181 --> 01:59:46,748
NOMINEES FOR BEST DOCUMENTARY
2378
01:59:46,748 --> 01:59:50,452
FEATURE.
2379
01:59:50,452 --> 01:59:53,288
"BOBI WINE: THE PEOPLE'S
2380
01:59:53,288 --> 01:59:54,189
PRESIDENT."
2381
01:59:54,189 --> 01:59:56,425
MOSES BWAYO, CHRISTOPHER SHARP,
2382
01:59:56,425 --> 01:59:57,292
AND JOHN BATTSEK.
2383
01:59:57,292 --> 01:59:57,859
"THE ETERNAL MEMORY."
2384
01:59:57,859 --> 01:59:59,861
MAITE ALBERDI.
2385
01:59:59,861 --> 02:00:01,563
"FOUR DAUGHTERS."
2386
02:00:01,563 --> 02:00:02,130
KAOUTHER BEN HANIA AND
2387
02:00:02,130 --> 02:00:06,368
NADIM CHEIKHROUHA.
2388
02:00:06,368 --> 02:00:07,202
"TO KILL A TIGER."
2389
02:00:07,202 --> 02:00:08,904
NISHA PAHUJA, CORNELIA PRINCIPE,
2390
02:00:08,904 --> 02:00:12,074
AND DAVID OPPENHEIM.
2391
02:00:12,074 --> 02:00:13,742
"20 DAYS IN MARIUPOL."
2392
02:00:13,742 --> 02:00:14,609
MSTYSLAV CHERNOV,
2393
02:00:14,609 --> 02:00:16,044
MICHELLE MIZNER, AND
2394
02:00:16,044 --> 02:00:22,684
RANEY ARONSON-RATH.
2395
02:00:22,684 --> 02:00:27,355
>> AND THE OSCAR GOES TO --
2396
02:00:27,355 --> 02:00:32,494
"20 DAYS IN MARIUPOL."
2397
02:00:32,494 --> 02:00:34,362
>> THIS IS THE FIRST OSCAR WIN
2398
02:00:34,362 --> 02:00:37,232
AND NOMINATION FOR MSTYSLAV
2399
02:00:37,232 --> 02:00:43,672
CHERNOV, MICHELLE MIZNER AND
2400
02:00:43,672 --> 02:00:44,940
RANEY ARONSON-RATH.
2401
02:00:44,940 --> 02:00:52,314
[ APPLAUSE ]
2402
02:00:57,018 --> 02:00:58,253
>> THANK YOU.
2403
02:00:58,253 --> 02:01:04,126
THE FIRST LINE, EVGENY,
2404
02:01:04,126 --> 02:01:06,628
MICHELLE, BRADY, THANK YOU FOR
2405
02:01:06,628 --> 02:01:09,397
MAKING THIS FILM WITH ME.
2406
02:01:09,397 --> 02:01:10,432
THANK YOU FOR HELPING ME ON THIS
2407
02:01:10,432 --> 02:01:10,665
JOURNEY.
2408
02:01:10,665 --> 02:01:13,602
THIS IS THE FIRST -- THIS IS THE
2409
02:01:13,602 --> 02:01:15,737
FIRST OSCAR IN UKRAINIAN
2410
02:01:15,737 --> 02:01:15,971
HISTORY.
2411
02:01:15,971 --> 02:01:25,247
[ APPLAUSE ]
2412
02:01:25,247 --> 02:01:25,614
AND I'M HONORED.
2413
02:01:25,614 --> 02:01:28,683
I'M HONORED.
2414
02:01:28,683 --> 02:01:30,152
BUT PROBABLY I WILL BE THE FIRST
2415
02:01:30,152 --> 02:01:33,955
DIRECTOR ON THIS STAGE WHO WILL
2416
02:01:33,955 --> 02:01:39,494
SAY I WISH NEVER MADE THIS FILM.
2417
02:01:39,494 --> 02:01:44,566
I WISH TO BE ABLE TO EXCHANGE
2418
02:01:44,566 --> 02:01:47,402
THIS TO RUSSIA NEVER ATTACKING
2419
02:01:47,402 --> 02:01:48,603
UKRAINE, NEVER OCCUPYING OUR
2420
02:01:48,603 --> 02:01:48,870
CITIES --
2421
02:01:48,870 --> 02:01:55,610
[ APPLAUSE ]
2422
02:01:55,610 --> 02:02:00,382
I WISH TO GIVE TO RUSSIA NOT
2423
02:02:00,382 --> 02:02:01,917
KILLING TENS OF THOUSANDS OF MY
2424
02:02:01,917 --> 02:02:03,985
FELLOW UKRAINIANS.
2425
02:02:03,985 --> 02:02:08,890
I WISH FOR THEM TO RELEASE ALL
2426
02:02:08,890 --> 02:02:11,426
THE HOSTAGES, ALL THE SOULEDIERS
2427
02:02:11,426 --> 02:02:13,528
WHO ARE PROTECTING THEIR LAND,
2428
02:02:13,528 --> 02:02:16,865
ALL THE CIVILIANS WHO ARE NOW IN
2429
02:02:16,865 --> 02:02:17,399
THEIR JAILS.
2430
02:02:17,399 --> 02:02:20,969
BUT I CANNOT CHANGE THE HISTORY.
2431
02:02:20,969 --> 02:02:27,209
I CANNOT CHANGE THE PAST.
2432
02:02:27,209 --> 02:02:32,347
BUT, WE ALL TOGETHER, YOU, SOME
2433
02:02:32,347 --> 02:02:33,915
OF THE MOST TALENTED PEOPLE IN
2434
02:02:33,915 --> 02:02:37,819
THE WORLD, WE CAN MAKE SURE THAT
2435
02:02:37,819 --> 02:02:40,121
THE HISTORY RECORD IS SET
2436
02:02:40,121 --> 02:02:44,793
STRAIGHT AND THAT THE TRUTH WILL
2437
02:02:44,793 --> 02:02:49,264
PREVAIL AND THAT THE PEOPLE OF
2438
02:02:49,264 --> 02:02:50,532
MARIUPOL AND THOSE WHO HAVE
2439
02:02:50,532 --> 02:02:55,036
GIVEN THEIR LIVES WILL NEVER BE
2440
02:02:55,036 --> 02:02:57,639
FORGOTTEN BECAUSE CINEMA FORMS
2441
02:02:57,639 --> 02:03:01,343
MEMORIES, AND MEMORIES FORM
2442
02:03:01,343 --> 02:03:03,111
HISTORY.
2443
02:03:03,111 --> 02:03:05,046
SO THANK YOU ALL AND THANK YOU
2444
02:03:05,046 --> 02:03:08,850
ALL, THANKS TO UKRAINE.
2445
02:03:08,850 --> 02:03:12,587
[ APPLAUSE ]
2446
02:03:13,722 --> 02:03:17,926
♪
2447
02:03:22,464 --> 02:03:23,031
>> Announcer: JUST AHEAD,
2448
02:03:23,031 --> 02:03:24,199
ZENDAYA.
2449
02:03:24,199 --> 02:03:25,333
AND THEN LATER, RYAN GOSLING
2450
02:03:25,333 --> 02:03:25,934
WITH THE “I'M JUST KEN”
2451
02:03:25,934 --> 02:03:26,534
PERFORMANCE YOU'VE BEEN WAITING
2452
02:03:26,534 --> 02:03:30,839
FOR.
2453
02:03:32,073 --> 02:03:33,475
♪
2454
02:03:33,475 --> 02:03:34,342
>> Announcer: THE OSCARS ON ABC,
2455
02:03:34,342 --> 02:03:37,746
BROUGHT TO YOU BY --
2456
02:03:37,746 --> 02:03:38,613
TEQUILA DON JULIO.
2457
02:03:38,613 --> 02:03:39,214
SIEMPRE POR AMOR.
2458
02:03:39,214 --> 02:03:41,216
PLEASE DRINK RESPONSIBLY.
2459
02:04:40,909 --> 02:04:42,110
The right age for
2460
02:04:42,110 --> 02:04:43,445
Neutrogena® Retinol?
2461
02:04:43,978 --> 02:04:45,280
That's whenever
you want it to be.
2462
02:04:45,280 --> 02:04:46,982
It has derm-proven retinol
2463
02:04:46,982 --> 02:04:49,017
that targets
vital cell turnover,
2464
02:04:49,017 --> 02:04:50,185
evens skin tone,
2465
02:04:50,518 --> 02:04:52,020
and smooths fine lines.
2466
02:04:52,020 --> 02:04:53,822
With visible results
in just one week.
2467
02:04:54,155 --> 02:04:55,623
Neutrogena® Retinol
2468
02:05:26,287 --> 02:05:29,157
Marshalls buyers hustle
for the latest trends,
2469
02:05:29,958 --> 02:05:30,825
from fashion...
2470
02:05:30,825 --> 02:05:32,360
Double denim is back.
2471
02:05:32,360 --> 02:05:33,495
Got it!
2472
02:05:33,495 --> 02:05:35,130
to beauty,
so you don’t have to.
2473
02:05:35,130 --> 02:05:36,765
That is a deal!
2474
02:05:36,765 --> 02:05:37,732
We get the deals,
2475
02:05:37,732 --> 02:05:38,800
you get the good stuff.
2476
02:05:39,134 --> 02:05:40,034
Marshalls.
2477
02:05:55,884 --> 02:05:58,753
It's not about the guy
ahead or behind you.
2478
02:05:58,753 --> 02:06:01,289
It's about you
competing against you.
2479
02:06:01,289 --> 02:06:03,558
Yeah, you can quit
at any time.
2480
02:06:03,558 --> 02:06:05,427
Yeah, go ahead - quit.
2481
02:06:05,427 --> 02:06:06,928
After I lost my legs,
2482
02:06:06,928 --> 02:06:09,097
I really didn't know
who I was.
2483
02:06:09,097 --> 02:06:12,000
Achilles International put me
back on the starting line.
2484
02:06:12,000 --> 02:06:13,101
They showed me
2485
02:06:13,101 --> 02:06:15,670
if you can beat that voice
on the inside,
2486
02:06:15,670 --> 02:06:18,506
there ain't nothing on the
outside that you can lose to.
2487
02:06:18,506 --> 02:06:20,775
My marathon is for Achilles.
2488
02:06:20,775 --> 02:06:23,211
And showing people
that disabilities
2489
02:06:23,211 --> 02:06:25,013
don't have to slow you down.
2490
02:07:01,616 --> 02:07:09,157
[ APPLAUSE ]
2491
02:07:11,493 --> 02:07:13,561
♪
2492
02:07:13,561 --> 02:07:14,395
>> Announcer: PLEASE WELCOME
2493
02:07:14,395 --> 02:07:20,502
ZENDAYA.
2494
02:07:21,202 --> 02:07:25,507
♪
2495
02:07:28,343 --> 02:07:28,943
>> A CINEMATOGRAPHER IS AN
2496
02:07:28,943 --> 02:07:30,578
INTERPRETER.
2497
02:07:30,578 --> 02:07:33,448
THEY TAKE A VISION AND TRANSLATE
2498
02:07:33,448 --> 02:07:34,549
IT INTO THE LANGUAGE OF FILM.
2499
02:07:34,549 --> 02:07:35,683
THE LANGUAGE THEY SPEAK IS
2500
02:07:35,683 --> 02:07:37,152
AESTHETIC, BUT THE STORIES THEY
2501
02:07:37,152 --> 02:07:38,853
TELL ARE VISCERAL.
2502
02:07:38,853 --> 02:07:41,122
CINEMATOGRAPHERS DIRECT OUR GAZE
2503
02:07:41,122 --> 02:07:43,124
WHERE THE STORY DEMANDS, AND OUR
2504
02:07:43,124 --> 02:07:45,126
IMAGINATIONS PURSUE WHERE THEIR
2505
02:07:45,126 --> 02:07:45,960
VISUAL ROADMAP LEADS US.
2506
02:07:45,960 --> 02:07:46,828
HERE ARE THE NOMINEES FOR
2507
02:07:46,828 --> 02:07:52,233
ACHIEVEMENT IN CINEMATOGRAPHY.
2508
02:07:52,233 --> 02:07:52,800
"EL CONDE."
2509
02:07:52,800 --> 02:07:54,769
EDWARD LACHMAN.
2510
02:07:54,769 --> 02:07:57,038
"KILLERS OF THE FLOWER MOON."
2511
02:07:57,038 --> 02:08:01,309
RODRIGO PRIETO.
2512
02:08:01,309 --> 02:08:01,876
"MAESTRO."
2513
02:08:01,876 --> 02:08:07,348
MATTHEW LIBATIQUE.
2514
02:08:07,348 --> 02:08:08,182
"OPPENHEIMER."
2515
02:08:08,182 --> 02:08:08,583
HOYTE VAN HOYTEMA.
2516
02:08:08,583 --> 02:08:09,017
"POOR THINGS."
2517
02:08:09,017 --> 02:08:10,752
ROBBIE RYAN.
2518
02:08:10,752 --> 02:08:21,129
AND THE OSCAR GOES TO --
2519
02:08:21,129 --> 02:08:22,430
"OPPENHEIMER," HOYTE VAN
2520
02:08:22,430 --> 02:08:22,664
HOYTEMA.
2521
02:08:22,664 --> 02:08:24,132
>> THIS IS THE FIRST OSCAR WIN
2522
02:08:24,132 --> 02:08:27,802
AND SECOND NOMINATION FOR HOYTE
2523
02:08:27,802 --> 02:08:33,007
VAN HOYTEMA WHO WAS PREVIOUSLY
2524
02:08:33,007 --> 02:08:36,544
NOMINATED F D FOR "DONAHER."
2525
02:08:36,544 --> 02:08:37,312
[ APPLAUSE ]
2526
02:08:37,312 --> 02:08:43,451
♪
2527
02:08:53,328 --> 02:08:59,000
>> OH, SILLY.
2528
02:08:59,000 --> 02:09:00,835
TO ALL ASPIRING FILMMAKERS OUT
2529
02:09:00,835 --> 02:09:02,804
THERE I WOULD LIKE TO SAY PLEASE
2530
02:09:02,804 --> 02:09:07,375
TRY SHOOTING THAT INCREDIBLE NEW
2531
02:09:07,375 --> 02:09:16,317
HIP THING CALLED CELLULOIDS, IT
2532
02:09:16,317 --> 02:09:17,518
MAKES THINGS LOOK SO MUCH
2533
02:09:17,518 --> 02:09:17,819
BETTER.
2534
02:09:17,819 --> 02:09:19,654
THANK YOU TO THE ACADEMY, A BIG
2535
02:09:19,654 --> 02:09:21,656
THANK YOU TO MY WHOLE CREW LED
2536
02:09:21,656 --> 02:09:24,525
BY KEITH DAVIS, ADAM CHAMBERS,
2537
02:09:24,525 --> 02:09:26,661
AND THANK YOU, CHRIS NOLAN,
2538
02:09:26,661 --> 02:09:28,496
THANK YOU, EMMA THOMAS.
2539
02:09:28,496 --> 02:09:29,597
YOU ARE BY FAR THE BEST THING
2540
02:09:29,597 --> 02:09:31,499
THAT COULD HAVE HAPPENED TO MY
2541
02:09:31,499 --> 02:09:34,135
CAREER, OBVIOUSLY.
2542
02:09:34,135 --> 02:09:36,337
THIS WOULDN'T HAVE EXISTED
2543
02:09:36,337 --> 02:09:36,904
WITHOUT YOU.
2544
02:09:36,904 --> 02:09:38,773
THANK YOU, UNIVERSAL.
2545
02:09:38,773 --> 02:09:40,074
THANK YOU TO MY WIFE AND
2546
02:09:40,074 --> 02:09:41,809
DAUGHTER, MIA AND BONNIE, FOR
2547
02:09:41,809 --> 02:09:44,779
KEEPING ME SANE AND ANCHORED
2548
02:09:44,779 --> 02:09:47,415
THROUGH THIS CIRCUS CALLED FILM
2549
02:09:47,415 --> 02:09:47,615
MAKING.
2550
02:09:47,615 --> 02:09:48,249
THANK YOU FOR THE CANDY APPLES.
2551
02:09:48,249 --> 02:09:49,250
THANK YOU.
2552
02:09:49,250 --> 02:09:54,255
[ APPLAUSE ]
2553
02:09:54,255 --> 02:09:58,426
♪
2554
02:09:58,426 --> 02:09:59,260
>> Announcer: PLEASE WELCOME
2555
02:09:59,260 --> 02:10:04,232
RAMY YOUSSEF AND ISSA RAE.
2556
02:10:04,232 --> 02:10:05,266
[ APPLAUSE ]
2557
02:10:05,266 --> 02:10:11,706
♪
2558
02:10:11,706 --> 02:10:14,242
>> THE GENIUS IN THE WAY SHORT
2559
02:10:14,242 --> 02:10:17,045
FILMS STRIP DOWN STORIES TO
2560
02:10:17,045 --> 02:10:17,779
THEIR MOST FUNDAMENTAL
2561
02:10:17,779 --> 02:10:18,413
ELEMENTS --
2562
02:10:18,413 --> 02:10:19,480
>> WHICH IS WHAT WE'RE GOING TO
2563
02:10:19,480 --> 02:10:29,924
DO WITH THIS PRESENTER CATEGORY.
2564
02:10:29,924 --> 02:10:34,062
>> THE AFTER --
2565
02:10:34,062 --> 02:10:34,662
MISAN HARRIMAN AND
2566
02:10:34,662 --> 02:10:35,229
NICKY BENTHAM.
2567
02:10:35,229 --> 02:10:35,563
"INVINCIBLE."
2568
02:10:35,563 --> 02:10:36,064
VINCENT RENE-LORTIE AND
2569
02:10:36,064 --> 02:10:36,397
SAMUEL CARON.
2570
02:10:36,397 --> 02:10:36,931
"KNIGHT OF FORTUNE."
2571
02:10:36,931 --> 02:10:37,565
LASSE LYSKJER NOER AND CHRISTIAN
2572
02:10:37,565 --> 02:10:41,135
NORLYK.
2573
02:10:41,135 --> 02:10:44,272
"RED, WHITE AND BLUE."
2574
02:10:44,272 --> 02:10:44,839
NAZRIN CHOUDHURY AND
2575
02:10:44,839 --> 02:10:45,406
SARA McFARLANE.
2576
02:10:45,406 --> 02:10:45,973
"THE WONDERFUL STORY OF
2577
02:10:45,973 --> 02:10:46,841
HENRY SUGAR."
2578
02:10:46,841 --> 02:10:56,350
WES ANDERSON AND STEVEN RALES.
2579
02:10:56,350 --> 02:11:01,823
>> AND THE OSCAR GOES TO --
2580
02:11:01,823 --> 02:11:03,257
"THE WONDERFUL STORY OF
2581
02:11:03,257 --> 02:11:04,092
HENRY SUGAR."
2582
02:11:04,092 --> 02:11:06,861
WES ANDERSON AND STEVEN RALES.
2583
02:11:06,861 --> 02:11:08,162
>> WES COULD NOT BE HERE
2584
02:11:08,162 --> 02:11:08,396
TONIGHT.
2585
02:11:08,396 --> 02:11:12,200
WE ACCEPT THE AWARD --
2586
02:11:12,200 --> 02:11:15,136
CONGRATULATIONS, WES, WE KNEW
2587
02:11:15,136 --> 02:11:19,640
YOU COULD MAKE THEM, BEAUTIFUL.
2588
02:11:19,640 --> 02:11:20,708
[ APPLAUSE ]
2589
02:11:20,708 --> 02:11:25,513
♪
2590
02:11:25,513 --> 02:11:26,681
>> Announcer: PERFORMING THE
2591
02:11:26,681 --> 02:11:27,315
OSCAR NOMINATED SONG "THE FIRE
2592
02:11:27,315 --> 02:11:28,616
INSIDE" FROM THE MOVIE "FLAMIN
2593
02:11:28,616 --> 02:11:35,256
HOT," HERE IS BECKY G.
2594
02:11:35,256 --> 02:11:37,592
[ APPLAUSE ]
2595
02:11:45,099 --> 02:11:46,801
♪
2596
02:11:46,801 --> 02:11:47,368
♪ OH, OH YOU GOT
2597
02:11:47,368 --> 02:11:48,202
PLACES TO GO ♪
2598
02:11:48,202 --> 02:11:48,770
♪ OH, YOU'RE NOT
2599
02:11:48,770 --> 02:11:52,173
GOING THERE SLOW
2600
02:11:52,173 --> 02:11:53,908
OH, NO, NO, NO, NO, NO ♪
2601
02:11:53,908 --> 02:11:54,475
♪ THEY WILL TELL YOU
2602
02:11:54,475 --> 02:11:56,744
YOU'RE CRAZY ♪
2603
02:11:56,744 --> 02:12:00,448
♪ THEY WILL CALL YOU A FOOL
2604
02:12:00,448 --> 02:12:00,982
THEY WILL THINK
2605
02:12:00,982 --> 02:12:07,889
THEY CAN STOP YOU ♪
2606
02:12:07,889 --> 02:12:08,756
♪ BUT THERE'S NO
2607
02:12:08,756 --> 02:12:09,323
STOPPING YOU ♪
2608
02:12:09,323 --> 02:12:10,158
♪ THEY CAN'T PUT OUT
2609
02:12:10,158 --> 02:12:12,160
WHAT YOU GOT INSIDE YOU ♪
2610
02:12:12,160 --> 02:12:13,861
♪ NO WAY TO PUT OUT THAT FLAME
2611
02:12:13,861 --> 02:12:20,401
NOTHING CAN HOLD YOU BACK ♪
2612
02:12:20,401 --> 02:12:23,805
♪ NO ONE CAN KILL YOUR VIBE
2613
02:12:23,805 --> 02:12:24,372
WHEN YOU GOT
2614
02:12:24,372 --> 02:12:25,807
THE FIRE INSIDE ♪
2615
02:12:25,807 --> 02:12:26,174
♪ WHEN YOU GOT
2616
02:12:26,174 --> 02:12:26,641
THE FIRE INSIDE ♪
2617
02:12:26,641 --> 02:12:27,208
♪ OH, YOU'RE GONNA
2618
02:12:27,208 --> 02:12:30,645
OWN THIS LIFE ♪
2619
02:12:30,645 --> 02:12:32,046
♪ 'CAUSE YOU GOT
2620
02:12:32,046 --> 02:12:32,613
THE FIRE INSIDE ♪
2621
02:12:32,613 --> 02:12:33,181
♪ 'CAUSE YOU GOT THE FIRE
2622
02:12:33,181 --> 02:12:37,752
YOU GOT THE FIRE
2623
02:12:37,752 --> 02:12:38,319
OH OH OH ♪
2624
02:12:38,319 --> 02:12:38,886
♪ THE FIRE
2625
02:12:38,886 --> 02:12:39,454
OH OH OH
2626
02:12:39,454 --> 02:12:40,021
THE FIRE ♪
2627
02:12:40,021 --> 02:12:40,888
♪ 'CAUSE YOU GOT
2628
02:12:40,888 --> 02:12:41,422
THE FIRE INSIDE ♪
2629
02:12:41,422 --> 02:12:42,056
♪ 'CAUSE YOU GOT
2630
02:12:42,056 --> 02:12:43,724
THE FIRE
2631
02:12:43,724 --> 02:12:48,563
YOU GOT THE FIRE, OH ♪
2632
02:12:48,563 --> 02:12:49,130
♪ THE FIRE, OH
2633
02:12:49,130 --> 02:12:49,697
THE FIRE ♪
2634
02:12:49,697 --> 02:12:50,531
♪ 'CAUSE YOU GOT
2635
02:12:50,531 --> 02:12:52,266
THE FIRE INSIDE ♪
2636
02:12:52,266 --> 02:12:54,502
♪ 'CAUSE YOU GOT
2637
02:12:54,502 --> 02:13:00,875
THE FIRE INSIDE YOU ♪
2638
02:13:03,678 --> 02:13:10,251
[ APPLAUSE ]
2639
02:13:16,490 --> 02:13:20,561
♪
2640
02:13:20,561 --> 02:13:23,297
>> Announcer: JOHN MULANEY IS
2641
02:13:23,297 --> 02:13:26,567
NEXT, AND THEN LATER, "BARBIE'S"
2642
02:13:26,567 --> 02:13:27,101
RYAN GOSLING PERFORMS.
2643
02:13:27,101 --> 02:13:27,702
AND KEEP WATCHING TO FIND OUT
2644
02:13:27,702 --> 02:13:28,269
WHO WINS THE OSCAR FOR BEST
2645
02:13:28,269 --> 02:13:30,471
ACTOR.
2646
02:13:58,799 --> 02:14:01,802
Okay, when you turn around,
you're gonna see someone.
2647
02:14:01,802 --> 02:14:04,405
May I have a turkey and cheese?
2648
02:14:04,405 --> 02:14:07,074
Let's imagine that LL Cool J
has a bubble around him.
2649
02:14:07,074 --> 02:14:09,043
-Do we want to be inside -- Ohh.
-Hey, I'm Keith.
2650
02:14:09,043 --> 02:14:11,112
There are some situations
that young homeowners
2651
02:14:11,112 --> 02:14:13,981
turning into their parents
just can't handle.
2652
02:14:13,981 --> 02:14:15,082
Yeah, there he is.
2653
02:14:15,082 --> 02:14:16,617
-There's my nephew.
-Very cool.
2654
02:14:16,617 --> 02:14:18,853
I got a video of him,
uh, playing piano.
2655
02:14:18,853 --> 02:14:20,588
That's not how
you take a selfie.
2656
02:14:20,588 --> 02:14:22,623
Progressive can't save you
from becoming your parents,
2657
02:14:22,623 --> 02:14:24,025
but we can save you money
2658
02:14:24,025 --> 02:14:25,459
when you bundle
home and auto with us.
2659
02:14:25,459 --> 02:14:27,061
-Three, two, one.
-We don't need a countdown.
2660
02:14:27,061 --> 02:14:28,195
Just take the picture.
2661
02:14:28,562 --> 02:14:30,264
♪ ("Good Feeling"
by Flo Rida feat. ATR) ♪
2662
02:14:30,264 --> 02:14:32,133
This is a hot flash.
2663
02:14:32,133 --> 02:14:33,301
(♪)
2664
02:14:33,301 --> 02:14:35,236
This is a hot flash.
2665
02:14:35,236 --> 02:14:37,471
(♪)
2666
02:14:37,471 --> 02:14:40,207
But this is a not flash.
2667
02:14:40,207 --> 02:14:41,342
(♪)
2668
02:14:41,342 --> 02:14:43,077
For moderate to severe
Vasomotor Symptoms
2669
02:14:43,077 --> 02:14:44,378
due to menopause...
2670
02:14:44,378 --> 02:14:46,614
VEOZAH is the first and only
prescription treatment
2671
02:14:46,614 --> 02:14:48,516
that directly blocks
a source of hot flashes
2672
02:14:48,516 --> 02:14:49,817
and night sweats.
2673
02:14:49,817 --> 02:14:52,586
With 100% hormone-free
VEOZAH...
2674
02:14:52,586 --> 02:14:54,655
You can have fewer hot flashes
2675
02:14:54,655 --> 02:14:56,824
and more not flashes.
2676
02:14:56,824 --> 02:14:59,627
VEOZAH reduces the number
and severity of hot flashes
2677
02:14:59,627 --> 02:15:00,661
day and night.
2678
02:15:00,661 --> 02:15:02,063
For some women, it can
start working in
2679
02:15:02,063 --> 02:15:04,131
as early as one week.
2680
02:15:04,131 --> 02:15:06,534
Don't use VEOZAH
if you have cirrhosis,
2681
02:15:06,534 --> 02:15:08,569
severe kidney problems,
kidney failure,
2682
02:15:08,569 --> 02:15:10,738
or take CYP1A2 inhibitors.
2683
02:15:10,738 --> 02:15:13,307
Increased liver blood
test values may occur.
2684
02:15:13,307 --> 02:15:14,342
Your doctor will
check them
2685
02:15:14,342 --> 02:15:15,443
before and
during treatment.
2686
02:15:16,077 --> 02:15:18,346
Most common side effects
include stomach pain,
2687
02:15:18,346 --> 02:15:20,915
diarrhea, difficulty sleeping,
and back pain.
2688
02:15:20,915 --> 02:15:23,484
(♪)
2689
02:15:23,484 --> 02:15:25,953
Ask your doctor about
hormone-free VEOZAH...
2690
02:15:25,953 --> 02:15:28,322
And enjoy more
not flashes.
2691
02:15:51,145 --> 02:15:52,046
>> Announcer: THE OSCARS WILL
2692
02:15:52,046 --> 02:15:53,347
CONTINUE IN A MOMENT.
2693
02:17:31,512 --> 02:17:38,919
♪
2694
02:17:38,919 --> 02:17:43,190
>>> GIRL, YOU BE PREGNANT AGAIN?
2695
02:17:43,190 --> 02:17:44,758
>> I JUST WANT TO RUB THEIR
2696
02:17:44,758 --> 02:17:45,693
NOSES IN IT.
2697
02:17:45,693 --> 02:17:47,428
>> ACTUALLY THAT'S ONE OF YOUR
2698
02:17:47,428 --> 02:17:47,628
BOOKS.
2699
02:17:47,628 --> 02:17:49,130
>> SO YOU'RE THE ONE.
2700
02:17:49,130 --> 02:17:50,798
>> WE BELIEVE MR. LEE HAS WRIT
2701
02:17:50,798 --> 02:17:51,632
ANN BESTSELLER.
2702
02:17:51,632 --> 02:17:52,633
>> THAT'S A JOKE.
2703
02:17:52,633 --> 02:17:54,802
THE MOST LUCRATIVE JOKE YOU'VE
2704
02:17:54,802 --> 02:17:56,737
EVER TOLD.
2705
02:17:56,737 --> 02:17:57,705
>> IT IS VERY --
2706
02:17:57,705 --> 02:17:58,472
>> BLACK?
2707
02:17:58,472 --> 02:17:59,006
>> YES.
2708
02:17:59,006 --> 02:18:00,307
I'M GLAD YOU SAID IT AND NOT ME.
2709
02:18:00,307 --> 02:18:04,512
[ APPLAUSE ]
2710
02:18:10,151 --> 02:18:14,288
>> I HAVE A STRATEGICALLY
2711
02:18:14,288 --> 02:18:15,089
SWITCHED JACKETS SO THEY
2712
02:18:15,089 --> 02:18:17,391
COULDN'T EDIT ME OUT OF THE
2713
02:18:17,391 --> 02:18:17,591
SHOW.
2714
02:18:17,591 --> 02:18:21,028
CONGRATULATIONS TO WES ANDERSON
2715
02:18:21,028 --> 02:18:22,129
ON HIS OSCAR.
2716
02:18:22,129 --> 02:18:34,508
HE'S AT HOME BUILDING A DIARAMA.
2717
02:18:34,508 --> 02:18:37,545
OUR NEXT GUEST, HERE TO PRESENT
2718
02:18:37,545 --> 02:18:38,946
FOR BEST SOUND, ONE OF THE
2719
02:18:38,946 --> 02:18:41,782
FUNNIEST AND LOUDEST PEOPLE I
2720
02:18:41,782 --> 02:18:42,349
KNOW, PLEASE WELCOME JOHN
2721
02:18:42,349 --> 02:18:45,953
MULANEY.
2722
02:18:45,953 --> 02:18:48,222
♪
2723
02:18:48,222 --> 02:18:49,056
>> AND NOW, THE OSCAR FOR
2724
02:18:49,056 --> 02:18:50,758
ACHIEVEMENT IN SOUND.
2725
02:18:50,758 --> 02:18:53,627
FOR YEARS, MOVIES DIDN'T HAVE
2726
02:18:53,627 --> 02:18:57,031
SOUND.
2727
02:18:57,031 --> 02:18:59,600
AND THEN THEY FIGURED IT OUT.
2728
02:18:59,600 --> 02:19:00,434
SOME PEOPLE SAY THAT THE SILENT
2729
02:19:00,434 --> 02:19:01,268
ERA WAS THE GOLDEN ERA OF FILM.
2730
02:19:01,268 --> 02:19:01,902
THESE PEOPLE ARE DIFFICULT AND
2731
02:19:01,902 --> 02:19:04,705
INSANE.
2732
02:19:04,705 --> 02:19:07,908
WITHOUT SOUND WE WOULDN'T BE
2733
02:19:07,908 --> 02:19:08,742
ABLE TO HEAR CLASSIC LINES LIKE
2734
02:19:08,742 --> 02:19:09,310
"WE'RE GONNA NEED A BIGGER
2735
02:19:09,310 --> 02:19:10,177
BOAT," "I'LL HAVE WHAT SHE'S
2736
02:19:10,177 --> 02:19:11,045
HAVING," AND "HE WAS IN THE
2737
02:19:11,045 --> 02:19:12,446
AMAZON WITH MY MOTHER WHEN SHE
2738
02:19:12,446 --> 02:19:13,314
WAS RESEARCHING SPIDERS JUST
2739
02:19:13,314 --> 02:19:16,684
BEFORE SHE DIED."
2740
02:19:16,684 --> 02:19:19,286
OR WHAT ABOUT THAT MOMENT IN
2741
02:19:19,286 --> 02:19:22,623
"FIELD OF DREAMS" WHEN WE HEAR
2742
02:19:22,623 --> 02:19:26,160
"IF YOU BUILD IT, HE WILL COME."
2743
02:19:26,160 --> 02:19:26,727
AND THEN, COSTNER BUILDS A
2744
02:19:26,727 --> 02:19:27,294
BASEBALL FIELD.
2745
02:19:27,294 --> 02:19:27,928
I GUESS HE DOESN'T BUILD IT, HE
2746
02:19:27,928 --> 02:19:28,562
MOWS DOWN CORN AND THEN THERE IS
2747
02:19:28,562 --> 02:19:29,296
A FIELD THERE.
2748
02:19:29,296 --> 02:19:30,431
AND THEN, HE'S LIKE "I'M GONNA
2749
02:19:30,431 --> 02:19:31,265
WATCH GHOSTS PLAY BASEBALL.” AND
2750
02:19:31,265 --> 02:19:32,399
THEN THE BANK IS LIKE “ARE YOU
2751
02:19:32,399 --> 02:19:34,935
GOING TO PAY YOUR MORTGAGE?"
2752
02:19:34,935 --> 02:19:35,569
AND THEN, HE'S LIKE "I'M GONNA
2753
02:19:35,569 --> 02:19:36,203
WATCH GHOSTS PLAY BASEBALL.”
2754
02:19:36,203 --> 02:19:36,937
THEN HE FINDS JAMES EARL JONES
2755
02:19:36,937 --> 02:19:38,072
WHO WROTE "THE BOATROCKER,"
2756
02:19:38,072 --> 02:19:42,376
WHICH I THOUGHT WAS A REAL BOOK
2757
02:19:42,376 --> 02:19:45,045
DEEP INTO MY 20s, AND
2758
02:19:45,045 --> 02:19:45,679
HE'S LIKE "PEOPLE WILL COME RAY"
2759
02:19:45,679 --> 02:19:46,714
BECAUSE HE'S THE ONLY ONE WITH A
2760
02:19:46,714 --> 02:19:47,281
FINANCIAL PLAN.
2761
02:19:47,281 --> 02:19:48,148
THEN, BUSFIELD PUSHES LITTLE
2762
02:19:48,148 --> 02:19:51,619
GABBY HOFFMAN OFF THE BLEACHERS,
2763
02:19:51,619 --> 02:19:53,754
SHE FALLS DOWN AND IS
2764
02:19:53,754 --> 02:19:58,626
UNCONSCIOUS.
2765
02:19:58,626 --> 02:20:01,428
AND THEN HOT DOG STUCK IN THE
2766
02:20:01,428 --> 02:20:02,796
THROAT AND HE CAN'T GO BACK IN
2767
02:20:02,796 --> 02:20:03,430
THE GAME BECAUSE THERE'S A RULE
2768
02:20:03,430 --> 02:20:13,007
IN GHOST BASEBALL.
2769
02:20:13,007 --> 02:20:15,409
IF YOU LEAVE THE FIELD AT ANY
2770
02:20:15,409 --> 02:20:18,746
POINT TO BECOME ELDERLY AND DO
2771
02:20:18,746 --> 02:20:23,884
THE HEIMLICH YOU CAN'T RETURN TO
2772
02:20:23,884 --> 02:20:25,653
PLAY.
2773
02:20:25,653 --> 02:20:33,460
I LOVE "FIELD OF DREAMS."
2774
02:20:33,460 --> 02:20:34,962
HERE ARE THE NOMINATIONS IN
2775
02:20:34,962 --> 02:20:39,700
ACHIEVEMENT IN SOUND.
2776
02:21:16,503 --> 02:21:20,507
[ APPLAUSE ]
2777
02:21:20,507 --> 02:21:25,546
AND THE OSCAR GOES TO "THE ZONE
2778
02:21:25,546 --> 02:21:28,749
OF INTEREST," TARN WILLERS AND
2779
02:21:28,749 --> 02:21:34,054
JOHNNIE BURN.
2780
02:21:34,054 --> 02:21:34,355
[ APPLAUSE ]
2781
02:21:34,355 --> 02:21:38,492
♪
2782
02:21:38,492 --> 02:21:40,461
>> THIS IS THE FIRST OSCAR WIN
2783
02:21:40,461 --> 02:21:43,697
AND NOMINATION FOR TARN WILLERS
2784
02:21:43,697 --> 02:21:52,539
AND JOHNNIE BURN.
2785
02:21:54,408 --> 02:22:02,082
♪
2786
02:22:03,183 --> 02:22:07,488
[ APPLAUSE ]
2787
02:22:08,255 --> 02:22:13,527
♪
2788
02:22:19,166 --> 02:22:22,703
>> WOW.
2789
02:22:22,703 --> 02:22:26,006
SO AMAZING TO BE STANDING HERE
2790
02:22:26,006 --> 02:22:27,474
AND SUCH AN EXTRAORDINARY THANK
2791
02:22:27,474 --> 02:22:28,976
YOU TO THE ACADEMY FOR
2792
02:22:28,976 --> 02:22:30,544
RECOGNIZING THE ART OF SOUND IN
2793
02:22:30,544 --> 02:22:32,880
FILM, AN EXTRAORDINARY YEAR.
2794
02:22:32,880 --> 02:22:36,717
YOU OVER THERE IN SOUND, AND MY
2795
02:22:36,717 --> 02:22:37,684
MOTHER NEVER UNDERSTOOD, WHAT DO
2796
02:22:37,684 --> 02:22:39,386
YOU MEAN YOU DO THE SOUND OF
2797
02:22:39,386 --> 02:22:39,586
FILM?
2798
02:22:39,586 --> 02:22:42,589
THEY SOUND RIGHT TO ME.
2799
02:22:42,589 --> 02:22:44,258
YEAH, BUT WHO DO WE NEED TO
2800
02:22:44,258 --> 02:22:44,458
THANK?
2801
02:22:44,458 --> 02:22:45,058
>> EVERYBODY.
2802
02:22:45,058 --> 02:22:47,294
THE ACADEMY FOR LISTENING TO OUR
2803
02:22:47,294 --> 02:22:47,494
FILM.
2804
02:22:47,494 --> 02:22:48,529
THANK YOU, ACADEMY.
2805
02:22:48,529 --> 02:22:50,998
>> WE NEED TO THANK A-24 AND
2806
02:22:50,998 --> 02:22:51,832
JONATHAN.
2807
02:22:51,832 --> 02:22:55,569
YOU TAUGHT ME EVERYTHING AND TO
2808
02:22:55,569 --> 02:22:58,739
OSCAR, SOPHIE AND EVERYONE AT
2809
02:22:58,739 --> 02:22:59,339
A-24.
2810
02:22:59,339 --> 02:23:03,010
>> JIMMY OGDEN AND GRETA AND
2811
02:23:03,010 --> 02:23:06,380
ANYA, THANK YOU.
2812
02:23:06,380 --> 02:23:07,581
AND HAPPY MOTHER'S DAY.
2813
02:23:07,581 --> 02:23:09,349
>> HAPPY MOTHER'S DAY.
2814
02:23:09,349 --> 02:23:10,884
[ APPLAUSE ]
2815
02:23:10,884 --> 02:23:17,424
♪
2816
02:23:22,563 --> 02:23:29,970
♪
2817
02:23:34,241 --> 02:23:35,075
♪ DOESN'T SEEM TO MATTER
2818
02:23:35,075 --> 02:23:38,512
WHAT I DO
2819
02:23:38,512 --> 02:23:41,882
I'M ALWAYS NUMBER TWO ♪
2820
02:23:41,882 --> 02:23:43,884
♪ NO ONE KNOWS
2821
02:23:43,884 --> 02:23:48,188
HOW HARD I TRIED ♪
2822
02:23:48,188 --> 02:23:51,592
♪ I HAVE FEELINGS
2823
02:23:51,592 --> 02:23:53,293
THAT I CAN'T EXPLAIN
2824
02:23:53,293 --> 02:23:59,566
DRIVIN' ME INSANE ♪
2825
02:23:59,566 --> 02:24:02,636
♪ ALL MY LIFE BEEN SO POLITE
2826
02:24:02,636 --> 02:24:06,974
BUT I'LL SLEEP ALONE TONIGHT
2827
02:24:06,974 --> 02:24:08,142
CAUSE I'M JUST KEN ♪
2828
02:24:08,142 --> 02:24:08,976
♪ ANYWHERE ELSE I'D BE A TEN
2829
02:24:08,976 --> 02:24:11,545
IS IT MY DESTINY
2830
02:24:11,545 --> 02:24:14,114
TO LIVE AND DIE ♪
2831
02:24:14,114 --> 02:24:18,085
♪ A LIFE OF BLOND FRAGILITY
2832
02:24:18,085 --> 02:24:18,952
I'M JUST KEN ♪
2833
02:24:18,952 --> 02:24:21,221
♪ WHERE I SEE LOVE
2834
02:24:21,221 --> 02:24:22,923
SHE SEES A FRIEND ♪
2835
02:24:22,923 --> 02:24:25,192
♪ WHAT WILL IT TAKE FOR HER
2836
02:24:25,192 --> 02:24:27,194
TO SEE THE MAN ♪
2837
02:24:27,194 --> 02:24:29,162
♪ BEHIND THE TAN
2838
02:24:29,162 --> 02:24:33,700
AND FIGHT FOR ME ♪
2839
02:24:35,135 --> 02:24:42,809
♪
2840
02:24:42,809 --> 02:24:44,211
♪ I WANNA KNOW WHAT
2841
02:24:44,211 --> 02:24:46,813
IT'S LIKE TO LOVE
2842
02:24:46,813 --> 02:24:49,883
TO BE THE REAL THING ♪
2843
02:24:49,883 --> 02:24:50,751
♪ IS IT A CRIME
2844
02:24:50,751 --> 02:24:53,053
AM I NOT HOT WHEN
2845
02:24:53,053 --> 02:24:56,190
I'M IN MY FEELINGS ♪
2846
02:24:56,190 --> 02:24:56,723
♪ AND IS MY MOMENT
2847
02:24:56,723 --> 02:25:01,028
FINALLY HERE ♪
2848
02:25:01,028 --> 02:25:04,131
♪ OR AM I DREAMING
2849
02:25:04,131 --> 02:25:10,537
I'M NO DREAMER ♪
2850
02:25:10,537 --> 02:25:15,409
♪
2851
02:25:15,409 --> 02:25:15,976
♪ CAN YOU FEEL
2852
02:25:15,976 --> 02:25:18,579
THE KENERGY ♪
2853
02:25:18,579 --> 02:25:20,280
♪ FEELS SO REAL
2854
02:25:20,280 --> 02:25:26,220
MY KENERGY ♪
2855
02:25:26,220 --> 02:25:27,387
♪ CAN YOU FEEL
2856
02:25:27,387 --> 02:25:37,898
THE KENERGY ♪
2857
02:25:37,898 --> 02:25:43,203
♪ I'M JUST KEN
2858
02:25:43,203 --> 02:25:44,938
ANYWHERE ELSE IDENTIFY BE A
2859
02:25:44,938 --> 02:25:45,439
TEN ♪
2860
02:25:45,439 --> 02:25:50,010
♪ IS IT MY DESTINY TO LIVE A
2861
02:25:50,010 --> 02:25:52,913
LIFE
2862
02:25:52,913 --> 02:25:54,982
I'M JUST KEN WHERE I SEE LOVE
2863
02:25:54,982 --> 02:25:57,417
SHE SEES A FRIEND ♪
2864
02:25:57,417 --> 02:25:57,985
♪ WHAT WILL IT TAKE FOR HER
2865
02:25:57,985 --> 02:25:59,419
TO SEE THE MAN
2866
02:25:59,419 --> 02:25:59,820
BEHIND THE TAN ♪
2867
02:25:59,820 --> 02:26:00,821
♪ AND FIGHT FOR ME
2868
02:26:00,821 --> 02:26:02,256
I'M JUST KEN
2869
02:26:02,256 --> 02:26:04,524
AND I'M ENOUGH ♪
2870
02:26:04,524 --> 02:26:06,860
♪ AND I'M GREAT
2871
02:26:06,860 --> 02:26:09,429
AT DOING STUFF ♪
2872
02:26:09,429 --> 02:26:12,566
♪ SO, HEY CHECK ME OUT
2873
02:26:12,566 --> 02:26:14,835
YEAH, I'M JUST KEN ♪
2874
02:26:14,835 --> 02:26:15,936
♪ MY NAME'S KEN
2875
02:26:15,936 --> 02:26:18,205
AND SO AM I ♪
2876
02:26:18,205 --> 02:26:20,474
♪ PUT THAT MANLY HAND
2877
02:26:20,474 --> 02:26:22,476
IN MINE ♪
2878
02:26:22,476 --> 02:26:23,910
♪ SO HEY WORLD
2879
02:26:23,910 --> 02:26:26,446
CHECK ME OUT, YEAH ♪
2880
02:26:26,446 --> 02:26:37,557
♪ I'M JUST KEN, BABY
2881
02:26:37,557 --> 02:26:41,328
I'M JUST KEN ♪
2882
02:26:41,328 --> 02:26:49,336
[ CHEERS AND APPLAUSE ]
2883
02:27:00,113 --> 02:27:02,115
♪
2884
02:27:02,115 --> 02:27:02,949
>> Announcer: JUST AHEAD,
2885
02:27:02,949 --> 02:27:07,054
CYNTHIA ERIVO AND ARIANA GRANDE.
2886
02:27:07,054 --> 02:27:07,888
THEN LATER, STEVEN SPIELBERG
2887
02:27:07,888 --> 02:27:09,022
PRESENTS THE OSCAR FOR
2888
02:27:09,022 --> 02:27:09,623
DIRECTING, FOLLOWED BY THE
2889
02:27:09,623 --> 02:27:10,490
AWARDS FOR BEST ACTOR, ACTRESS
2890
02:27:10,490 --> 02:27:14,961
AND BEST PICTURE.
2891
02:27:17,030 --> 02:27:18,465
♪
2892
02:27:18,465 --> 02:27:19,900
>> Announcer: THE OSCARS ON ABC,
2893
02:27:19,900 --> 02:27:22,402
BROUGHT TO YOU BY --
2894
02:27:22,402 --> 02:27:23,270
ALLSTATE.
2895
02:27:23,270 --> 02:27:26,139
YOU'RE IN GOOD HANDS.
2896
02:27:26,139 --> 02:27:28,608
(♪)
2897
02:27:28,608 --> 02:27:30,744
Some people just know
that the best rate for you
2898
02:27:30,744 --> 02:27:32,646
is a rate based on you,
with Allstate.
2899
02:27:33,213 --> 02:27:35,048
Not one based on Paul.
2900
02:27:35,048 --> 02:27:36,850
You don't want to ride
with Paul.
2901
02:27:36,850 --> 02:27:39,786
Or Sarah, not today anyway.
2902
02:27:41,621 --> 02:27:43,390
And you don't want a rate
based on Ben,
2903
02:27:43,390 --> 02:27:45,859
he's got some important
business to take care of.
2904
02:27:47,427 --> 02:27:49,896
Why would you pay a rate
based on anyone else?
2905
02:27:49,896 --> 02:27:51,798
With Allstate,
you're connected to a rate
2906
02:27:51,798 --> 02:27:52,899
based on you.
2907
02:27:55,902 --> 02:27:58,171
♪
2908
02:27:58,171 --> 02:27:59,072
Y’all ready?
2909
02:27:59,072 --> 02:27:59,806
Ready.
2910
02:27:59,806 --> 02:28:03,844
♪
2911
02:28:03,844 --> 02:28:08,915
♪
2912
02:28:08,915 --> 02:28:10,751
♪
2913
02:28:11,017 --> 02:28:14,821
♪ Hey it's me,
your future you. ♪
2914
02:28:14,821 --> 02:28:17,190
♪ You made some
bad money moves... ♪
2915
02:28:17,190 --> 02:28:19,359
♪ Now we're
totally screwed. ♪
2916
02:28:19,826 --> 02:28:21,561
♪ Didn't fund your IRA. ♪
2917
02:28:21,561 --> 02:28:23,730
♪ Thought NFTs
were a better play. ♪
2918
02:28:23,730 --> 02:28:25,699
♪ Now you still
work at 103, ♪
2919
02:28:25,699 --> 02:28:28,201
♪ Your boss hasn't
hit puubertyy! ♪
2920
02:28:28,201 --> 02:28:30,270
Who's ready for
their performance review?
2921
02:28:30,270 --> 02:28:31,371
(♪)
2922
02:28:31,371 --> 02:28:35,742
♪ Don't make your future
you hate you! ♪
2923
02:28:35,742 --> 02:28:38,779
Start making smarter
financial decisions today.
2924
02:28:38,779 --> 02:28:40,747
NerdWallet.
Finance Smarter.
2925
02:28:56,129 --> 02:28:57,531
(♪)
2926
02:28:57,531 --> 02:28:58,765
I'm getting
vaccinated with
2927
02:28:58,765 --> 02:29:00,634
Pfizer's pneumococcal
pneumonia vaccine.
2928
02:29:02,836 --> 02:29:05,672
So am I. Because I'm at risk
for pneumococcal pneumonia.
2929
02:29:05,672 --> 02:29:06,640
Come on.
2930
02:29:07,674 --> 02:29:09,276
I already got
a pneumonia vaccine,
2931
02:29:09,276 --> 02:29:12,712
but I'm asking about the added
protection of Prevnar 20®.
2932
02:29:12,712 --> 02:29:15,015
If you're 19 or older with
certain chronic conditions
2933
02:29:15,015 --> 02:29:16,316
like asthma, diabetes,
2934
02:29:16,316 --> 02:29:19,486
COPD, or heart disease,
or are 65 or older,
2935
02:29:19,486 --> 02:29:20,520
you are at increased risk
2936
02:29:20,520 --> 02:29:21,788
for pneumococcal
pneumonia.
2937
02:29:21,788 --> 02:29:23,790
Prevnar 20® is
approved in adults
2938
02:29:23,790 --> 02:29:24,958
to help prevent infections
2939
02:29:24,958 --> 02:29:26,593
from 20 strains
of the bacteria
2940
02:29:26,593 --> 02:29:28,161
that cause pneumococcal
pneumonia.
2941
02:29:28,161 --> 02:29:29,329
In just one dose.
2942
02:29:29,763 --> 02:29:31,231
Don't get Prevnar 20®
if you've had
2943
02:29:31,231 --> 02:29:33,266
a severe allergic
reaction to the vaccine
2944
02:29:33,266 --> 02:29:34,334
or its ingredients.
2945
02:29:34,334 --> 02:29:35,936
Adults with weakened
immune systems
2946
02:29:35,936 --> 02:29:37,938
may have a lower response
to the vaccine.
2947
02:29:37,938 --> 02:29:39,773
The most common
side effects were pain
2948
02:29:39,773 --> 02:29:41,942
and swelling at the injection
site, muscle pain,
2949
02:29:41,942 --> 02:29:43,643
fatigue,
headache, and joint pain.
2950
02:29:43,643 --> 02:29:45,378
I want to be able
to keep my plans.
2951
02:29:45,378 --> 02:29:46,847
I don't want to risk
ending up in the
2952
02:29:46,847 --> 02:29:48,715
hospital with pneumococcal
pneumonia.
2953
02:29:48,715 --> 02:29:50,917
That's why I chose
Prevnar 20®.
2954
02:29:51,518 --> 02:29:53,753
Ask your doctor or pharmacist
about the Pfizer vaccine
2955
02:29:53,753 --> 02:29:55,422
for pneumococcal pneumonia.
2956
02:29:56,156 --> 02:30:01,228
♪ I see trees of green ♪
2957
02:30:01,862 --> 02:30:04,264
♪ and clouds of white ♪
2958
02:30:04,264 --> 02:30:08,602
♪ and I think to myself ♪
2959
02:30:08,602 --> 02:30:12,272
♪ what a wonderful world ♪
2960
02:30:14,007 --> 02:30:18,311
Sometimes, to survive...
2961
02:30:18,311 --> 02:30:21,081
we must become more
2962
02:30:21,081 --> 02:30:22,883
than we were
programmed to be.
2963
02:31:06,560 --> 02:31:07,994
>>> YOU'RE SAYING THERE'S A
2964
02:31:07,994 --> 02:31:10,597
CHANCE THAT WHEN WE PUSH THAT
2965
02:31:10,597 --> 02:31:14,467
BUTTON, WE DESTROY THE WORLD?
2966
02:31:14,467 --> 02:31:16,369
>> YOU THINK THE RULES STILL
2967
02:31:16,369 --> 02:31:21,341
APPLY TO THE GOLDEN BOY?
2968
02:31:21,341 --> 02:31:22,742
>> THE PRESIDENT NEEDS TO KNOW
2969
02:31:22,742 --> 02:31:23,443
WHAT'S NEXT?
2970
02:31:23,443 --> 02:31:24,978
>> WHAT'S NEXT?
2971
02:31:24,978 --> 02:31:28,949
>> MAYBE HE THOUGHT IT COULD
2972
02:31:28,949 --> 02:31:30,150
PROTECT HIM.
2973
02:31:30,150 --> 02:31:31,751
>> THE WORLD WILL REMEMBER THIS
2974
02:31:31,751 --> 02:31:32,619
DAY.
2975
02:31:32,619 --> 02:31:40,527
[ APPLAUSE ]
2976
02:31:40,527 --> 02:31:41,795
>> LOOK WHAT I GOT OFF RYAN
2977
02:31:41,795 --> 02:31:45,532
GOSLING'S BODY.
2978
02:31:45,532 --> 02:31:49,069
WE'LL START THE BIDDING AT
2979
02:31:49,069 --> 02:31:49,302
$10,000.
2980
02:31:49,302 --> 02:31:51,237
OH, BRADLEY COOPER'S MOTHER,
2981
02:31:51,237 --> 02:31:53,573
YES.
2982
02:31:53,573 --> 02:31:55,442
NO, THIS IS GOING HOME WITH ME,
2983
02:31:55,442 --> 02:31:56,943
SORRY, LADIES.
2984
02:31:56,943 --> 02:31:59,245
HERE TO PRESENT THE OSCARS
2985
02:31:59,245 --> 02:32:06,419
FOR ORIGINAL SCORE AND SONG,
2986
02:32:06,419 --> 02:32:09,022
PLEASE WELCOME ARIANA GRANDE AND
2987
02:32:09,022 --> 02:32:11,658
CYNTHIA ERIVO.
2988
02:32:11,658 --> 02:32:11,958
[ APPLAUSE ]
2989
02:32:11,958 --> 02:32:23,069
♪
2990
02:32:29,576 --> 02:32:32,178
[ APPLAUSE ]
2991
02:32:32,178 --> 02:32:33,613
>> WE'RE HERE TO PRESENT THE
2992
02:32:33,613 --> 02:32:34,481
OSCARS FOR ORIGINAL SONG AND
2993
02:32:34,481 --> 02:32:37,283
ORIGINAL SCORE.
2994
02:32:37,283 --> 02:32:39,019
A GREAT MOVIE SONG CAN SET THE
2995
02:32:39,019 --> 02:32:39,652
MOOD, REVEAL SOMETHING ABOUT A
2996
02:32:39,652 --> 02:32:40,720
CHARACTER AND HELP US TELL A
2997
02:32:40,720 --> 02:32:42,989
STORY.
2998
02:32:42,989 --> 02:32:44,991
>> AND A GREAT FILM SCORE CAN
2999
02:32:44,991 --> 02:32:49,195
FOREVER LEAVE A HANDPRINT ON OUR
3000
02:32:49,195 --> 02:32:49,562
HEARTS FOREVER.
3001
02:32:49,562 --> 02:32:51,564
IT CAN IGNITE WONDER AND
3002
02:32:51,564 --> 02:32:52,699
ASTONISHMENT, MAKE US FEEL
3003
02:32:52,699 --> 02:32:53,566
SADNESS AND LONGING, AND CAN
3004
02:32:53,566 --> 02:32:54,167
EVEN TRANSPORT US TO NEW WORLDS.
3005
02:32:54,167 --> 02:32:54,968
>> OR SOMEWHERE OVER THE
3006
02:32:54,968 --> 02:32:55,602
RAINBOW, WHERE THE DREAMS THAT
3007
02:32:55,602 --> 02:32:56,236
YOU DARE TO DREAM REALLY DO COME
3008
02:32:56,236 --> 02:32:59,873
TRUE.
3009
02:32:59,873 --> 02:33:01,775
>> HOW WICKEDLY SUBTLE OF YOU.
3010
02:33:01,775 --> 02:33:03,843
>> I DO TRY.
3011
02:33:03,843 --> 02:33:07,881
AND NOW, HERE ARE THE NOMINEES
3012
02:33:07,881 --> 02:33:11,885
FOR ORIGINAL SCORE.
3013
02:33:11,885 --> 02:33:12,452
"AMERICAN FICTION" BY
3014
02:33:12,452 --> 02:33:15,555
LAURA KARPMAN.
3015
02:33:15,555 --> 02:33:17,290
"INDIANA JONES AND THE DIAL OF
3016
02:33:17,290 --> 02:33:23,263
DESTINY" BY JOHN WILLIAMS.
3017
02:33:23,263 --> 02:33:24,397
"KILLERS OF THE FLOWER MOON" BY
3018
02:33:24,397 --> 02:33:30,303
ROBBIE ROBERTSON.
3019
02:33:30,303 --> 02:33:31,738
"OPPENHEIMER" BY
3020
02:33:31,738 --> 02:33:37,710
LUDWIG GORANSSON.
3021
02:33:37,710 --> 02:33:39,712
"POOR THINGS" BY
3022
02:33:39,712 --> 02:33:50,590
JERSKIN FENDRIX.
3023
02:33:50,590 --> 02:33:56,329
>> AND THE OSCAR GOES TO
3024
02:33:56,329 --> 02:33:59,499
"OPPENHEIMER," LUDWIG GORANSSON.
3025
02:33:59,499 --> 02:34:01,601
>> THIS IS THE SECOND OSCAR WIN
3026
02:34:01,601 --> 02:34:04,304
AND THIRD NOMINATION FOR LUDWIG
3027
02:34:04,304 --> 02:34:08,241
GORANSSON WHO TOOK HOME AN OSCAR
3028
02:34:08,241 --> 02:34:11,144
FOR "BLACK PANTHER" IN THIS
3029
02:34:11,144 --> 02:34:11,811
CATEGORY.
3030
02:34:11,811 --> 02:34:14,647
[ APPLAUSE ]
3031
02:34:14,647 --> 02:34:15,448
♪
3032
02:34:15,448 --> 02:34:17,817
>> WOW.
3033
02:34:17,817 --> 02:34:22,589
THANK YOU.
3034
02:34:22,589 --> 02:34:24,858
CHRISTOPHER NOLAN, FOR INVITING
3035
02:34:24,858 --> 02:34:26,226
ME ON THIS WORLD.
3036
02:34:26,226 --> 02:34:28,194
CHRISTOPHER NOLAN, YOUR IDEA TO
3037
02:34:28,194 --> 02:34:30,797
USE THE VIOLINS IN THE SCORE AND
3038
02:34:30,797 --> 02:34:33,032
ALLOWED ME TO WORK AND
3039
02:34:33,032 --> 02:34:39,172
COLLABORATE WITH MY WIFE.
3040
02:34:39,172 --> 02:34:41,407
[ APPLAUSE ]
3041
02:34:41,407 --> 02:34:43,376
WE HAD -- WE WERE RECORDING AT
3042
02:34:43,376 --> 02:34:46,746
NIGHT AND RUSHED HOME TO PUT OUR
3043
02:34:46,746 --> 02:34:48,181
BABY TO BED.
3044
02:34:48,181 --> 02:34:50,316
IT SET A REALLY NICE TONE FOR
3045
02:34:50,316 --> 02:34:53,486
THE FILM OF THAT PERFORMANCE.
3046
02:34:53,486 --> 02:34:56,890
TO JAKE BROWN, ANTHONY, ALYSSA
3047
02:34:56,890 --> 02:34:58,158
PARK, THANK YOU FOR MAKING IT
3048
02:34:58,158 --> 02:34:58,358
GREAT.
3049
02:34:58,358 --> 02:34:59,893
AND TO MY PARENTS UP THERE,
3050
02:34:59,893 --> 02:35:02,395
THANK YOU FOR GIVING ME GUITARS
3051
02:35:02,395 --> 02:35:03,296
AND DRUMS INSTEAD OF VIDEO
3052
02:35:03,296 --> 02:35:03,496
GAMES.
3053
02:35:03,496 --> 02:35:06,699
THANK YOU.
3054
02:35:06,699 --> 02:35:15,241
[ APPLAUSE ]
3055
02:35:15,241 --> 02:35:16,376
>> ALL NIGHT, YOU'VE SEEN
3056
02:35:16,376 --> 02:35:16,943
PERFORMANCES OF THIS YEAR'S
3057
02:35:16,943 --> 02:35:17,510
NOMINATED SONGS.
3058
02:35:17,510 --> 02:35:18,645
AND NOW, IT'S TIME FOR THE
3059
02:35:18,645 --> 02:35:21,514
AWARD.
3060
02:35:21,514 --> 02:35:25,885
>> AND THE OSCAR GOES TO --
3061
02:35:25,885 --> 02:35:31,124
>> BILLIE EILISH.
3062
02:35:31,124 --> 02:35:36,796
>> THIS THE SECOND WIN FOR
3063
02:35:36,796 --> 02:35:40,166
BILLIE EILISH AND FINNEAS
3064
02:35:40,166 --> 02:35:40,500
O'CONNELL.
3065
02:35:40,500 --> 02:35:41,367
THEY WON FOR THE SONG "NO TIME
3066
02:35:41,367 --> 02:35:48,842
TO DIE."
3067
02:36:02,755 --> 02:36:03,056
[ APPLAUSE ]
3068
02:36:03,056 --> 02:36:03,990
♪
3069
02:36:14,934 --> 02:36:18,838
>> I HAD A NIGHTMARE ABOUT THIS
3070
02:36:18,838 --> 02:36:24,544
LAST NIGHT.
3071
02:36:24,544 --> 02:36:26,312
UM, THANK YOU SO MUCH TO THE
3072
02:36:26,312 --> 02:36:27,046
ACADEMY.
3073
02:36:27,046 --> 02:36:29,048
I FEEL LIKE I DON'T -- I JUST
3074
02:36:29,048 --> 02:36:30,750
DIDN'T THINK THIS WOULD HAPPEN.
3075
02:36:30,750 --> 02:36:32,585
I WAS NOT EXPECTING THIS.
3076
02:36:32,585 --> 02:36:35,655
I FEEL SO INCREDIBLY LUCKY AND
3077
02:36:35,655 --> 02:36:35,888
HONORED.
3078
02:36:35,888 --> 02:36:38,825
THANK YOU TO GRETA.
3079
02:36:38,825 --> 02:36:39,158
I LOVE YOU.
3080
02:36:39,158 --> 02:36:41,861
THANK YOU FOR THIS.
3081
02:36:41,861 --> 02:36:44,564
I'M GRATEFUL FOR THIS SONG, THIS
3082
02:36:44,564 --> 02:36:47,567
MOVIE AND THE WAY THAT IT MADE
3083
02:36:47,567 --> 02:36:48,067
ME FEEL.
3084
02:36:48,067 --> 02:36:49,569
AND THIS GOES OUT TO EVERYONE
3085
02:36:49,569 --> 02:36:51,471
WHO WAS AFFECTED BY THE MOVIE
3086
02:36:51,471 --> 02:36:53,339
AND HOW INCREDIBLE IT IS, AND I
3087
02:36:53,339 --> 02:36:55,508
WANT TO THANK MY TEAM AND MY
3088
02:36:55,508 --> 02:36:57,043
PARENTS, LOVE YOU SO MUCH.
3089
02:36:57,043 --> 02:36:58,544
>> THAT YOU, PAUL WALKER, THANK
3090
02:36:58,544 --> 02:37:00,079
YOU MARK AND ANDREW FOR MAKING
3091
02:37:00,079 --> 02:37:02,548
THE SONG WITH US.
3092
02:37:02,548 --> 02:37:03,316
THANK YOU TO --
3093
02:37:03,316 --> 02:37:03,950
>> MARGOT.
3094
02:37:03,950 --> 02:37:05,952
>> MARGOT, OF COURSE.
3095
02:37:05,952 --> 02:37:07,153
LUCKY CHAP, TOM.
3096
02:37:07,153 --> 02:37:09,022
THANK YOU TO OUR PARENTS FOREVER
3097
02:37:09,022 --> 02:37:10,823
AND EVER AND EVER.
3098
02:37:10,823 --> 02:37:13,393
THANK YOU TO MY BEST FRIEND,
3099
02:37:13,393 --> 02:37:15,561
DAVID, FOR LISTENING TO MY
3100
02:37:15,561 --> 02:37:16,696
MUSIC, AND CLAUDIA.
3101
02:37:16,696 --> 02:37:19,232
>> MY BEST FRIEND ZOE FOR
3102
02:37:19,232 --> 02:37:21,301
PLAYING BARBIES WITH ME GROWING
3103
02:37:21,301 --> 02:37:23,102
UP AND BEING BY MY SIDE, MY
3104
02:37:23,102 --> 02:37:24,103
DANCE TEACHERS GROWING UP.
3105
02:37:24,103 --> 02:37:26,706
I WANT TO THANK MY CHOIR
3106
02:37:26,706 --> 02:37:28,007
TEACHERS, MS. BRIGHAM.
3107
02:37:28,007 --> 02:37:29,809
THANKS FOR BELIEVING IN ME.
3108
02:37:29,809 --> 02:37:31,377
AND MS. T, YOU DIDN'T LIKE ME
3109
02:37:31,377 --> 02:37:33,379
BUT YOU WERE GOOD AT YOUR JOB,
3110
02:37:33,379 --> 02:37:34,047
AND THANK YOU TO THE ACADEMY.
3111
02:37:34,047 --> 02:37:35,615
>> I LOVE YOU.
3112
02:37:35,615 --> 02:37:37,884
[ APPLAUSE ]
3113
02:37:37,884 --> 02:37:46,225
♪
3114
02:37:46,225 --> 02:37:47,660
>> THIS PAST JANUARY,
3115
02:37:47,660 --> 02:37:48,528
MEL BROOKS, CAROL LITTLETON AND
3116
02:37:48,528 --> 02:37:49,929
ANGELA BASSETT EACH RECEIVED AN
3117
02:37:49,929 --> 02:37:53,066
HONORARY OSCAR.
3118
02:37:53,066 --> 02:37:54,767
AND MICHELLE SATTER RECEIVED THE
3119
02:37:54,767 --> 02:37:59,005
JEAN HERSHOLT HUMANITARIAN AWARD
3120
02:37:59,005 --> 02:38:00,173
AT OUR ANNUAL GOVERNORS AWARDS.
3121
02:38:00,173 --> 02:38:03,009
TO WATCH THEIR INSPIRING
3122
02:38:03,009 --> 02:38:05,545
SPEECHES FROM THE CEREMONY, SCAN
3123
02:38:05,545 --> 02:38:12,752
THE QR CODE ON YOUR SCREEN.
3124
02:38:12,752 --> 02:38:13,019
>> SORRY.
3125
02:38:13,019 --> 02:38:15,021
>> CONGRATULATIONS.
3126
02:38:15,021 --> 02:38:18,024
>> Announcer: COMING UP NEXT ON
3127
02:38:18,024 --> 02:38:20,059
THE OSCARS, THE BIGGEST
3128
02:38:20,059 --> 02:38:20,626
AWARDS OF THE NIGHT, ACTOR,
3129
02:38:20,626 --> 02:38:22,762
ACTRESS AND BEST PICTURE.
3130
02:38:23,229 --> 02:38:24,864
But SHINGRIX PROTECTS.
3131
02:38:24,864 --> 02:38:27,333
Only SHINGRIX is proven
over 90% effective.
3132
02:38:27,333 --> 02:38:28,868
SHINGRIX is a vaccine
used to prevent
3133
02:38:28,868 --> 02:38:30,636
shingles in adults
50 years and older.
3134
02:38:30,636 --> 02:38:32,071
SHINGRIX does not
protect everyone
3135
02:38:32,071 --> 02:38:33,973
and is not for those
with severe allergic reactions
3136
02:38:33,973 --> 02:38:35,641
to its ingredients
or to a previous dose.
3137
02:38:35,641 --> 02:38:37,510
An increased risk
of Guillain-Barré syndrome
3138
02:38:37,510 --> 02:38:38,911
was observed
after getting SHINGRIX.
3139
02:38:38,911 --> 02:38:40,279
Fainting can also happen.
3140
02:38:40,279 --> 02:38:41,781
The most common side effects
are pain, redness,
3141
02:38:41,781 --> 02:38:43,016
and swelling
at the injection site,
3142
02:38:43,016 --> 02:38:44,183
muscle pain, tiredness,
headache,
3143
02:38:44,183 --> 02:38:45,918
shivering, fever,
and upset stomach.
3144
02:38:45,918 --> 02:38:48,421
Ask your doctor or pharmacist
about SHINGRIX today.
3145
02:38:48,821 --> 02:38:51,424
With so many choices
on Booking.com
3146
02:38:51,424 --> 02:38:54,060
there are so many
Tina Feys I could be.
3147
02:38:54,060 --> 02:38:56,062
So I hired body doubles
to help me out.
3148
02:38:56,062 --> 02:38:59,565
Splurgy Tina loves a hotel
near Rodeo Drive.
3149
02:39:02,635 --> 02:39:04,003
Oh Tina!
3150
02:39:04,003 --> 02:39:06,806
Wild Tina booked a farm stay
to ride this horse.
3151
02:39:08,241 --> 02:39:09,475
Glenn Close?!
3152
02:39:09,475 --> 02:39:11,611
With millions of possibilities
3153
02:39:11,611 --> 02:39:13,846
you can book
whoever you want to be.
3154
02:39:13,846 --> 02:39:15,481
That's my line!
3155
02:39:15,481 --> 02:39:16,783
Booking.com
3156
02:39:16,783 --> 02:39:18,117
Booking.yeah
3157
02:39:34,534 --> 02:39:36,302
Barista: Lavender Latte for
Sam!
3158
02:39:37,703 --> 02:39:38,938
Daughter: Mmm!
3159
02:39:40,973 --> 02:39:41,974
Mom: Ooh, I like that!
3160
02:39:48,948 --> 02:39:52,051
Everyone loves an extra $100
dollars in their pocket...
3161
02:39:52,051 --> 02:39:53,619
He sure does...
3162
02:39:53,619 --> 02:39:54,654
...they do too
3163
02:39:54,654 --> 02:39:55,955
Have a TurboTax
3164
02:39:55,955 --> 02:39:58,357
Expert file your taxes
for you by March 31st...
3165
02:39:58,357 --> 02:40:00,359
...to get $100 dollars back...
3166
02:40:00,359 --> 02:40:01,794
...instantly.
3167
02:40:01,794 --> 02:40:03,596
Only from Intuit
TurboTax
3168
02:40:41,767 --> 02:40:43,469
>> Announcer: THE OSCARS WILL
3169
02:40:43,469 --> 02:40:44,070
CONTINUE IN A MOMENT HERE ON
3170
02:40:44,070 --> 02:40:44,504
ABC.
3171
02:42:51,130 --> 02:42:57,069
♪
3172
02:42:57,069 --> 02:42:58,771
>> DO NOT BELIEVE WE ARE DEAD
3173
02:42:58,771 --> 02:43:00,072
BECAUSE WE ARE LIVING.
3174
02:43:00,072 --> 02:43:04,176
ABOVE ALL, ALL THOSE WHO LIVE
3175
02:43:04,176 --> 02:43:08,648
WITHOUT LOVE.
3176
02:43:08,648 --> 02:43:11,217
>> SOMEBODY THAT IS SO AFRAID OF
3177
02:43:11,217 --> 02:43:11,817
NOT WINNING, THEY DON'T EVEN
3178
02:43:11,817 --> 02:43:20,292
TRY.
3179
02:43:20,292 --> 02:43:22,094
>> THERE'S ONLY ONE PERFECT
3180
02:43:22,094 --> 02:43:23,162
VIEW, AND THAT'S THE VIEW OF THE
3181
02:43:23,162 --> 02:43:27,633
SKY OVER OUR HEADS.
3182
02:43:27,633 --> 02:43:31,170
♪
3183
02:43:31,170 --> 02:43:33,372
>> ALL WE ASK FOR IS A CHANCE TO
3184
02:43:33,372 --> 02:43:35,041
PROVE OURSELVES, A FAIR AND
3185
02:43:35,041 --> 02:43:39,912
IMPARTIAL OPPORTUNITY.
3186
02:43:39,912 --> 02:43:41,681
>> IT'S WHAT YOU DO TO THE
3187
02:43:41,681 --> 02:43:42,314
PEOPLE YOU SAY YOU LOVE.
3188
02:43:42,314 --> 02:43:50,690
THAT'S WHAT MATTERS.
3189
02:43:50,690 --> 02:43:52,191
>> I DON'T HAVE TO SEE IT, BE
3190
02:43:52,191 --> 02:43:52,391
DADDY.
3191
02:43:52,391 --> 02:43:58,898
I LIVED IT.
3192
02:43:58,898 --> 02:44:00,633
>> LOVE, LOVE MEANS NEVER HAVING
3193
02:44:00,633 --> 02:44:05,404
TO SAY YOU'RE SORRY.
3194
02:44:05,404 --> 02:44:09,909
♪
3195
02:44:14,747 --> 02:44:15,614
[ SINGING IN NON-ENGLISH
3196
02:44:15,614 --> 02:44:26,392
LANGUAGE ]
3197
02:44:30,129 --> 02:44:40,439
♪
3198
02:44:41,173 --> 02:44:47,313
♪
3199
02:44:50,216 --> 02:44:50,750
[ SINGING IN NON-ENGLISH
3200
02:44:50,750 --> 02:44:58,023
LANGUAGE ]
3201
02:44:59,358 --> 02:45:07,433
♪
3202
02:45:09,702 --> 02:45:10,302
[ SINGING IN NON-ENGLISH
3203
02:45:10,302 --> 02:45:18,377
LANGUAGE ]
3204
02:45:19,011 --> 02:45:25,618
♪
3205
02:45:25,618 --> 02:45:30,756
♪ IT'S TIME TO SAY GOOD-BYE ♪
3206
02:45:32,324 --> 02:45:40,199
♪
3207
02:45:41,333 --> 02:45:42,134
[ SINGING IN NON-ENGLISH
3208
02:45:42,134 --> 02:45:50,843
LANGUAGE ]
3209
02:45:51,677 --> 02:45:58,951
♪
3210
02:45:59,952 --> 02:46:08,527
♪
3211
02:46:08,527 --> 02:46:11,797
>> NOBODY HAD A CHANCE.
3212
02:46:13,299 --> 02:46:13,833
[ SINGING IN NON-ENGLISH
3213
02:46:13,833 --> 02:46:20,005
LANGUAGE ]
3214
02:46:23,876 --> 02:46:29,315
[ APPLAUSE ]
3215
02:47:38,150 --> 02:47:39,318
Tuned for sport.
3216
02:47:39,985 --> 02:47:41,053
Designed ...
3217
02:47:41,053 --> 02:47:42,221
[beep] Ah, let's do another one.
I can do better.
3218
02:47:42,221 --> 02:47:43,055
I can do better than that.
3219
02:47:43,055 --> 02:47:44,223
Tuned for sport.
3220
02:47:44,890 --> 02:47:46,292
Designed ...
3221
02:47:46,292 --> 02:47:47,760
for luxury.
3222
02:47:47,760 --> 02:47:49,261
When it comes to all true --
3223
02:47:49,261 --> 02:47:50,229
[beep] all right, I got it,
I got it.
3224
02:47:50,229 --> 02:47:51,096
This is the one.
3225
02:47:51,096 --> 02:47:52,798
When it comes to the
new FS Sport --
3226
02:47:52,798 --> 02:47:54,400
I said Sport
instead of Coupe.
3227
02:47:54,400 --> 02:47:55,334
[Director] Let's go again.
3228
02:47:55,334 --> 02:47:56,435
When it comes to true
driving experience --
3229
02:47:56,435 --> 02:47:58,237
[beep] I keep wanting to
say experience, ahhh,
3230
02:47:58,237 --> 02:47:59,538
excellence, excellence.
3231
02:48:00,239 --> 02:48:01,206
Wanna get away?
3232
02:48:01,206 --> 02:48:02,241
Okay, that's my fault.
3233
02:48:02,241 --> 02:48:03,375
Now you can
3234
02:48:03,375 --> 02:48:05,778
with Southwest® fares as
low as 49 dollars one-way.
3235
02:48:05,778 --> 02:48:21,827
[clap, clap, ding]
3236
02:48:37,576 --> 02:48:40,212
Skin-carving next
level hydration?
3237
02:48:40,212 --> 02:48:42,681
New Neutrogena
Hydro Boost Water Cream.
3238
02:48:42,681 --> 02:48:45,417
A vital boost of nine times
more hydration*
3239
02:48:45,417 --> 02:48:47,753
to boost your skin's barrier
for quenched,
3240
02:48:47,753 --> 02:48:49,588
dewy skin that's full of life.
3241
02:48:49,588 --> 02:48:51,423
Neutrogena. Hydro Boost.
3242
02:49:28,360 --> 02:49:35,467
♪
3243
02:49:35,467 --> 02:49:35,768
[ APPLAUSE ]
3244
02:49:35,768 --> 02:49:37,302
>>> WE'RE BACK AT THE OSCARS,
3245
02:49:37,302 --> 02:49:38,370
WELL, SOME OF US ARE BACK.
3246
02:49:38,370 --> 02:49:43,809
SOME OF THE OTHER ARE GETTING
3247
02:49:43,809 --> 02:49:44,176
OPPEN-HAMMERED.
3248
02:49:44,176 --> 02:49:46,045
WE ONLY HAVE FOUR AWARDS LEFT,
3249
02:49:46,045 --> 02:49:48,881
WHICH SHOULDN'T TAKE LONG, AND
3250
02:49:48,881 --> 02:49:49,381
YET IT WILL.
3251
02:49:49,381 --> 02:49:51,050
BUT FIRST, IT'S TIME TO FIND OUT
3252
02:49:51,050 --> 02:49:52,851
WHO WILL BE NAMED BEST ACTOR AND
3253
02:49:52,851 --> 02:49:54,319
WHAT A LINEUP TO PRESENT.
3254
02:49:54,319 --> 02:49:56,722
HERE WITH THE OSCAR FOR BEST
3255
02:49:56,722 --> 02:49:58,023
ACTOR PLEASE WELCOME ALL FIVE
3256
02:49:58,023 --> 02:50:08,467
ORIGINAL MEMBERS OF N SYNC.
3257
02:50:08,467 --> 02:50:10,936
♪
3258
02:50:10,936 --> 02:50:13,772
>> AND THE OSCAR GOES TO NICOLAS
3259
02:50:13,772 --> 02:50:14,573
CAGE.
3260
02:50:14,573 --> 02:50:19,611
>> MATTHEW McCONAUGHEY.
3261
02:50:19,611 --> 02:50:30,856
>> FOREST WHITAKER.
3262
02:50:30,856 --> 02:50:35,928
[ APPLAUSE ]
3263
02:50:35,928 --> 02:50:37,663
>> WE'RE HERE TO SPEAK ABOUT THE
3264
02:50:37,663 --> 02:50:38,297
GREAT TALENT OF THIS YEAR'S FIVE
3265
02:50:38,297 --> 02:50:38,931
NOMINEES FOR ACTOR IN A LEADING
3266
02:50:38,931 --> 02:50:45,571
ROLE.
3267
02:50:45,571 --> 02:50:48,373
WHEN YOU SEE JEFFREY WRIGHT IN A
3268
02:50:48,373 --> 02:50:48,607
FILM --
3269
02:50:48,607 --> 02:50:50,876
[ APPLAUSE ]
3270
02:50:50,876 --> 02:50:52,911
-- YOU INSTANTLY KNOW IT'S
3271
02:50:52,911 --> 02:50:53,545
GONNA BE GOOD, BECAUSE HE'S SO
3272
02:50:53,545 --> 02:50:55,481
GOOD.
3273
02:50:55,481 --> 02:50:58,417
JEFFREY, IN "AMERICAN FICTION,"
3274
02:50:58,417 --> 02:51:03,088
YOU ARE FUNNY AND FURIOUS AND
3275
02:51:03,088 --> 02:51:04,690
EMPATHETIC AND FOR THE WAY YOU
3276
02:51:04,690 --> 02:51:05,224
ELEVATE THE CRAFT, WE'RE
3277
02:51:05,224 --> 02:51:06,592
INDEBTED TO YOU.
3278
02:51:06,592 --> 02:51:12,397
[ APPLAUSE ]
3279
02:51:12,397 --> 02:51:14,099
>> THE GREATS GO ABOVE AND
3280
02:51:14,099 --> 02:51:15,200
BEYOND IN THEIR COMMITMENT TO A
3281
02:51:15,200 --> 02:51:16,602
ROLE.
3282
02:51:16,602 --> 02:51:18,036
JUST AS DANIEL DAY-LEWIS STAYED
3283
02:51:18,036 --> 02:51:25,144
IN CHARACTER AS LINCOLN, THIS
3284
02:51:25,144 --> 02:51:27,446
PAST YEAR PAUL GIAMATTI WAS SO
3285
02:51:27,446 --> 02:51:28,313
COMMITTED THAT FOR THE CHARACTER
3286
02:51:28,313 --> 02:51:29,448
TO HAVE A LAZY EYE HE WORE A
3287
02:51:29,448 --> 02:51:30,282
SOFT CONTACT LENS DURING THE
3288
02:51:30,282 --> 02:51:30,849
ENTIRE SHOOT, WHICH MADE HIM
3289
02:51:30,849 --> 02:51:32,551
BLIND IN THAT EYE WHILE FILMING.
3290
02:51:32,551 --> 02:51:36,221
WOULD I HAVE DONE THAT?
3291
02:51:36,221 --> 02:51:41,226
HELL YES.
3292
02:51:41,226 --> 02:51:43,495
BUT THE POINT IS YOU DID DO IT,
3293
02:51:43,495 --> 02:51:44,229
PAUL, AND YOU WERE BRILLIANT
3294
02:51:44,229 --> 02:51:45,898
AGAIN.
3295
02:51:45,898 --> 02:51:47,466
BRAVO.
3296
02:51:47,466 --> 02:51:52,471
[ APPLAUSE ]
3297
02:51:52,471 --> 02:51:57,075
>> A MODERN DAY "RENAISSANCE
3298
02:51:57,075 --> 02:52:01,046
MAN," NOTHING BETTER DESCRIBES
3299
02:52:01,046 --> 02:52:04,716
YOU, BRADLEY COOPER, WHO WROTE,
3300
02:52:04,716 --> 02:52:05,884
DIRECTED, PRODUCED, AND ACTED IN
3301
02:52:05,884 --> 02:52:06,451
HIS LATEST FILM, "MAESTRO."
3302
02:52:06,451 --> 02:52:09,922
FROM THE SCRIPT TO THE SCREEN,
3303
02:52:09,922 --> 02:52:13,358
BRADLEY TAKES A TRANSFORMATIVE
3304
02:52:13,358 --> 02:52:14,760
JOURNEY INTO BECOMING
3305
02:52:14,760 --> 02:52:15,594
LEONARD BERNSTEIN, BRINGING TO
3306
02:52:15,594 --> 02:52:16,461
LIFE ALL THE CHARACTER,
3307
02:52:16,461 --> 02:52:17,596
CHARISMA, AND COMPLEX BRILLIANCE
3308
02:52:17,596 --> 02:52:20,065
OF AN AMERICAN ICON.
3309
02:52:20,065 --> 02:52:21,633
CONGRATULATIONS FOR THAT.
3310
02:52:21,633 --> 02:52:32,377
[ APPLAUSE ]
3311
02:52:32,377 --> 02:52:33,478
>> CILLIAN MURPHY.
3312
02:52:33,478 --> 02:52:36,281
[ APPLAUSE ]
3313
02:52:36,281 --> 02:52:38,784
HE ACCEPTED THE
3314
02:52:38,784 --> 02:52:39,952
LEADING ROLE OF "OPPENHEIMER"
3315
02:52:39,952 --> 02:52:42,187
BEFORE EVEN READING THE SCRIPT,
3316
02:52:42,187 --> 02:52:43,922
WHICH MUST HAVE TAKEN MUCH
3317
02:52:43,922 --> 02:52:46,758
COURAGE AND TRUST.
3318
02:52:46,758 --> 02:52:50,729
OR SIMPLE CHUTZPAH.
3319
02:52:50,729 --> 02:52:54,166
EITHER WAY, THE PERFORMANCE IS
3320
02:52:54,166 --> 02:52:55,567
MASTERFUL, ENDOWING HIS
3321
02:52:55,567 --> 02:52:58,704
PORTRAYAL WITH LAYERS OF
3322
02:52:58,704 --> 02:53:01,540
HUMANITY WHILST HIS CHARACTER
3323
02:53:01,540 --> 02:53:03,508
CREATES SOMETHING INHUMAN.
3324
02:53:03,508 --> 02:53:06,345
IT'S RIVETING TO WATCH.
3325
02:53:06,345 --> 02:53:08,747
MY CONGRATULATIONS.
3326
02:53:08,747 --> 02:53:16,488
[ APPLAUSE ]
3327
02:53:16,488 --> 02:53:20,926
>> COLMAN, WHEN I FIRST WORKED
3328
02:53:20,926 --> 02:53:23,228
WITH YOU --
3329
02:53:23,228 --> 02:53:23,528
[ APPLAUSE ]
3330
02:53:23,528 --> 02:53:25,230
-- OVER A DECADE AGO, I SAW THAT
3331
02:53:25,230 --> 02:53:28,033
YOU WERE BOLD,
3332
02:53:28,033 --> 02:53:28,533
BRILLIANT AND BOUND FOR
3333
02:53:28,533 --> 02:53:28,800
GREATNESS.
3334
02:53:28,800 --> 02:53:29,401
IT'S BEEN EXCITING TO WATCH YOU
3335
02:53:29,401 --> 02:53:31,403
LIGHT UP THE SCREEN OVER THE
3336
02:53:31,403 --> 02:53:32,537
YEARS, MOST RECENTLY WITH YOUR
3337
02:53:32,537 --> 02:53:33,972
TRULY INSPIRED PORTRAYAL OF
3338
02:53:33,972 --> 02:53:40,212
CIVIL RIGHTS LEADER
3339
02:53:40,212 --> 02:53:40,812
BYE-URD RUSTIN.
3340
02:53:40,812 --> 02:53:43,048
COLMAN, YOUR GENIUS AS AN ACTOR
3341
02:53:43,048 --> 02:53:43,649
ILLUMINATES THE GENIUS OF AN
3342
02:53:43,649 --> 02:53:44,249
"ANGELIC TROUBLEMAKER" WHO WAS
3343
02:53:44,249 --> 02:53:44,850
NEARLY BURIED IN THE HISTORY
3344
02:53:44,850 --> 02:53:49,321
BOOKS.
3345
02:53:49,321 --> 02:53:49,922
THANKFULLY, RUSTIN IS GETTING
3346
02:53:49,922 --> 02:53:50,455
HIS DUE, AS ARE YOU,
3347
02:53:50,455 --> 02:53:52,691
COLMAN DOMINGO.
3348
02:53:52,691 --> 02:53:57,229
[ APPLAUSE ]
3349
02:54:04,936 --> 02:54:10,008
>> AND THE OSCAR GOES TO --
3350
02:54:10,008 --> 02:54:11,410
CILLIAN MURPHY.
3351
02:54:11,410 --> 02:54:16,348
[ APPLAUSE ]
3352
02:54:16,348 --> 02:54:20,719
♪
3353
02:54:20,719 --> 02:54:22,587
>> THIS IS THE FIRST OSCAR WIN
3354
02:54:22,587 --> 02:54:23,555
AND NOMINATION FOR CILLIAN
3355
02:54:23,555 --> 02:54:30,028
MURPHY.
3356
02:54:30,962 --> 02:54:39,304
♪
3357
02:54:40,372 --> 02:54:45,777
♪
3358
02:54:47,212 --> 02:54:56,555
[ APPLAUSE ]
3359
02:55:01,893 --> 02:55:04,596
>> I'M A LITTLE OVERWHELMED.
3360
02:55:04,596 --> 02:55:06,498
THANK YOU TO THE ACADEMY.
3361
02:55:06,498 --> 02:55:10,202
CHRIS NOLAN AND EMMA THOMAS, THE
3362
02:55:10,202 --> 02:55:12,237
WILDEST, MOST EXHILARATING,
3363
02:55:12,237 --> 02:55:13,472
CREATIVELY SATISFYING JOURNEY
3364
02:55:13,472 --> 02:55:15,040
YOU'VE TAKEN ME ON OVER THE LAST
3365
02:55:15,040 --> 02:55:15,607
20 YEARS.
3366
02:55:15,607 --> 02:55:17,109
I OWE YOU MORE THAN I CAN SAY.
3367
02:55:17,109 --> 02:55:17,976
THANK YOU SO MUCH.
3368
02:55:17,976 --> 02:55:19,544
EVERY SINGLE CREW MEMBER, EVERY
3369
02:55:19,544 --> 02:55:20,746
SINGLE CAST MEMBER ON
3370
02:55:20,746 --> 02:55:22,447
"OPPENHEIMER," YOU GUYS CARRIED
3371
02:55:22,447 --> 02:55:23,081
ME THROUGH.
3372
02:55:23,081 --> 02:55:25,217
ALL MY FELLOW NOMINEES, I REMAIN
3373
02:55:25,217 --> 02:55:26,918
IN AWE OF YOU, TRULY.
3374
02:55:26,918 --> 02:55:29,688
I WANT TO THANK MY INCREDIBLE
3375
02:55:29,688 --> 02:55:29,955
TEAM.
3376
02:55:29,955 --> 02:55:34,459
BIG SHOUTOUT TO CRAIG, BRENDON
3377
02:55:34,459 --> 02:55:37,429
MURPHY, GARY MURPHY, MY PARTNER
3378
02:55:37,429 --> 02:55:39,398
IN LIFE, MY TWO BOYS WHO ARE
3379
02:55:39,398 --> 02:55:40,032
SITTING UP THERE.
3380
02:55:40,032 --> 02:55:41,199
I LOVE YOU SO MUCH.
3381
02:55:41,199 --> 02:55:43,034
AND I'M A PROUD IRISHMAN
3382
02:55:43,034 --> 02:55:50,509
STANDING HERE TONIGHT.
3383
02:55:50,509 --> 02:55:52,711
YOU KNOW, WE MADE A FILM -- WE
3384
02:55:52,711 --> 02:55:55,247
MADE A FILM ABOUT THE MAN WHO
3385
02:55:55,247 --> 02:55:57,315
CREATED THE ATOMIC BOMB, AND FOR
3386
02:55:57,315 --> 02:55:59,418
BETTER OR WORSE, WE'RE ALL
3387
02:55:59,418 --> 02:56:00,952
LIVING IN OPPENHEIMER'S WORLD SO
3388
02:56:00,952 --> 02:56:02,354
I WOULD LIKE TO DEDICATE THIS TO
3389
02:56:02,354 --> 02:56:05,023
THE PEACEMAKERS EVERYWHERE.
3390
02:56:05,023 --> 02:56:08,760
[ APPLAUSE ]
3391
02:56:09,494 --> 02:56:16,468
♪
3392
02:56:16,468 --> 02:56:18,170
>> Announcer: ON THE
3393
02:56:18,170 --> 02:56:19,604
30th ANNIVERSARY OF ITS WIN FOR
3394
02:56:19,604 --> 02:56:21,039
BEST PICTURE, PLEASE WELCOME THE
3395
02:56:21,039 --> 02:56:21,673
ACADEMY AWARD WINNING DIRECTOR
3396
02:56:21,673 --> 02:56:22,174
OF "SCHINDLER'S LIST,"
3397
02:56:22,174 --> 02:56:26,144
STEVEN SPIELBERG.
3398
02:56:26,945 --> 02:56:31,450
♪
3399
02:56:34,886 --> 02:56:36,288
>> AT THEIR VERY BEST, FILMS CAN
3400
02:56:36,288 --> 02:56:38,557
DO MORE THAN ENTERTAIN US.
3401
02:56:38,557 --> 02:56:39,424
THEY CAN OPEN OUR HEARTS TO EACH
3402
02:56:39,424 --> 02:56:41,726
OTHER.
3403
02:56:41,726 --> 02:56:43,962
THEY CAN SHOW US OURSELVES.
3404
02:56:43,962 --> 02:56:44,830
THEY CAN SHINE A LIGHT ON WHERE
3405
02:56:44,830 --> 02:56:46,531
WE'VE BEEN AND MAKE US THINK
3406
02:56:46,531 --> 02:56:50,202
ABOUT WHERE WE ARE GOING.
3407
02:56:50,202 --> 02:56:53,238
WE ARE SO FORTUNATE THAT THIS
3408
02:56:53,238 --> 02:56:55,340
HAS BEEN A GREAT AND ECLECTIC
3409
02:56:55,340 --> 02:56:56,842
YEAR FOR MOVIES AND A TRIBUTE TO
3410
02:56:56,842 --> 02:56:59,344
ALL THE PLACES THESE
3411
02:56:59,344 --> 02:57:00,178
FIVE NOMINATED DIRECTORS HAVE
3412
02:57:00,178 --> 02:57:03,048
TAKEN THE ENTIRE WORLD.
3413
02:57:03,048 --> 02:57:03,882
JUSTINE TRIET, "ANATOMY OF A
3414
02:57:03,882 --> 02:57:07,853
FALL."
3415
02:57:07,853 --> 02:57:08,487
MARTIN SCORSESE, "KILLERS OF THE
3416
02:57:08,487 --> 02:57:13,625
FLOWER MOON."
3417
02:57:13,625 --> 02:57:15,026
CHRISTOPHER NOLAN,
3418
02:57:15,026 --> 02:57:15,627
"OPPENHEIMER."
3419
02:57:15,627 --> 02:57:19,865
YORGOS LANTHIMOS, "POOR THINGS."
3420
02:57:19,865 --> 02:57:20,465
JONATHAN GLAZER, "THE ZONE OF
3421
02:57:20,465 --> 02:57:24,669
INTEREST."
3422
02:57:24,669 --> 02:57:29,441
AND THE OSCAR GOES TO --
3423
02:57:29,441 --> 02:57:30,175
CHRISTOPHER NOLAN,
3424
02:57:30,175 --> 02:57:30,509
"OPPENHEIMER."
3425
02:57:30,509 --> 02:57:33,612
[ APPLAUSE ]
3426
02:57:33,612 --> 02:57:35,480
>> THIS IS THE FIRST OSCAR WIN
3427
02:57:35,480 --> 02:57:37,249
AND EIGHTH NOMINATION FOR
3428
02:57:37,249 --> 02:57:38,383
CHRISTOPHER NOLAN.
3429
02:57:38,383 --> 02:57:42,287
HE RECEIVED THE FIRST NOMINATION
3430
02:57:42,287 --> 02:57:47,726
FOR HIS "MEMENTO" SCREENPLAY.
3431
02:57:47,726 --> 02:57:49,194
[ APPLAUSE ]
3432
02:57:49,194 --> 02:57:52,531
♪
3433
02:58:02,207 --> 02:58:09,114
>> THANK YOU.
3434
02:58:09,114 --> 02:58:11,850
THERE ARE SO MANY PEOPLE WHO
3435
02:58:11,850 --> 02:58:13,585
DRAGGED ME UP HERE.
3436
02:58:13,585 --> 02:58:15,387
UNIVERSAL STUDIOS, DONNA
3437
02:58:15,387 --> 02:58:15,654
LANGLEY.
3438
02:58:15,654 --> 02:58:16,621
THANK YOU FOR SEEING THE
3439
02:58:16,621 --> 02:58:19,558
POTENTIAL IN THIS.
3440
02:58:19,558 --> 02:58:20,992
THANK YOU FOR THE 25 YEARS YOU
3441
02:58:20,992 --> 02:58:22,394
PUT INTO THE BOOK.
3442
02:58:22,394 --> 02:58:25,697
THIS FILM IS BASED ON.
3443
02:58:25,697 --> 02:58:27,265
I HAVE SO MANY PEOPLE TO THANK,
3444
02:58:27,265 --> 02:58:31,002
THE MOST INCREDIBLE CAST, MATT
3445
02:58:31,002 --> 02:58:34,172
DAMON, ROBERT, EMILY, FLORENCE,
3446
02:58:34,172 --> 02:58:36,074
SO MANY OTHERS, ALL AT THE TOP
3447
02:58:36,074 --> 02:58:37,509
OF THEIR GAME LED BY THE
3448
02:58:37,509 --> 02:58:41,646
INCREDIBLE CILLIAN MURPHY.
3449
02:58:41,646 --> 02:58:47,118
SOME HAVE BEEN REWARDED TONIGHT.
3450
02:58:47,118 --> 02:58:48,887
I CAN'T SAY ENOUGH ABOUT THE
3451
02:58:48,887 --> 02:58:51,489
INCREDIBLE CREW WE HAVE ON THIS
3452
02:58:51,489 --> 02:58:51,690
FILL .
3453
02:58:51,690 --> 02:58:53,124
THANK YOU FOR PUTTING THE BOOK
3454
02:58:53,124 --> 02:58:55,493
IN MY HANDS, AND THANK YOU FOR
3455
02:58:55,493 --> 02:58:56,828
THOSE WHO HAVE BEEN THERE FOR ME
3456
02:58:56,828 --> 02:59:00,232
AND BELIEVED IN ME MY WHOLE
3457
02:59:00,232 --> 02:59:00,599
CAREER.
3458
02:59:00,599 --> 02:59:03,568
DAN, MICHAEL, MY BROTHER JONAH,
3459
02:59:03,568 --> 02:59:06,238
MY FAMILY, AND THE INCREDIBLE
3460
02:59:06,238 --> 02:59:06,938
EMMA THOMAS, PRODUCER.
3461
02:59:06,938 --> 02:59:13,545
[ APPLAUSE ]
3462
02:59:13,545 --> 02:59:15,080
PRODUCER OF ALL OUR FILMS AND
3463
02:59:15,080 --> 02:59:15,780
ALL OUR CHILDREN.
3464
02:59:15,780 --> 02:59:18,650
I LOVE YOU.
3465
02:59:18,650 --> 02:59:23,455
AND TO THE ACADEMY JUST TO SAY
3466
02:59:23,455 --> 02:59:26,791
THE MOVIE OVER 100 YEARS OLD,
3467
02:59:26,791 --> 02:59:28,159
BEING THERE IN PAINTING OR
3468
02:59:28,159 --> 02:59:29,194
THEATER, WE DON'T KNOW WHERE
3469
02:59:29,194 --> 02:59:30,595
THIS INCREDIBLE JOURNEY IS GOING
3470
02:59:30,595 --> 02:59:33,498
FROM HERE, BUT TO KNOW THAT YOU
3471
02:59:33,498 --> 02:59:34,866
THINK I'M A MEANINGFUL PART OF
3472
02:59:34,866 --> 02:59:35,400
IT MEANS THE WORLD TO ME.
3473
02:59:35,400 --> 02:59:36,601
THANK YOU VERY MUCH.
3474
02:59:36,601 --> 02:59:40,038
[ APPLAUSE ]
3475
02:59:40,872 --> 02:59:49,247
♪
3476
02:59:49,981 --> 02:59:52,784
♪
3477
02:59:52,784 --> 02:59:53,418
>> Announcer: COMING UP NEXT,
3478
02:59:53,418 --> 02:59:54,052
THE OSCARS FOR BEST ACTRESS AND
3479
02:59:54,052 --> 02:59:55,954
BEST PICTURE.
3480
02:59:55,954 --> 02:59:58,890
HERE ON ABC.
3481
03:01:16,034 --> 03:01:18,136
♪
3482
03:01:18,136 --> 03:01:21,506
Some couples go on vacation
for the adventure...
3483
03:01:21,940 --> 03:01:23,408
Fun vacation?
3484
03:01:23,408 --> 03:01:24,743
Amazing.
3485
03:01:24,743 --> 03:01:26,578
He is rarely speechless.
3486
03:01:26,578 --> 03:01:29,848
And others just for the food.
3487
03:01:29,848 --> 03:01:30,715
Welcome.
3488
03:01:30,715 --> 03:01:32,050
That’s all she talks about.
3489
03:01:33,318 --> 03:01:35,987
On this cruise,
you can do it all.
3490
03:01:37,288 --> 03:01:38,356
Or do...
3491
03:01:38,356 --> 03:01:39,457
Nothing.
3492
03:01:39,457 --> 03:01:41,726
No one does fun like Carnival.
3493
03:01:41,726 --> 03:01:42,927
[funnel horn blares]
3494
03:01:42,927 --> 03:01:45,830
Coming soon to a vacation
near you.
3495
03:02:31,476 --> 03:02:32,710
(Man)
Excuse me,
3496
03:02:32,710 --> 03:02:33,645
would you mind taking a picture
of us?
3497
03:02:33,645 --> 03:02:34,712
(Tony)
Oh, no problem.
3498
03:02:34,712 --> 03:02:35,547
(Man)
Thanks.
3499
03:02:35,547 --> 03:02:36,147
(Tony)
Oh, yeah that’s a problem
3500
03:02:36,147 --> 03:02:37,215
You need Verizon.
3501
03:02:37,215 --> 03:02:39,584
Trade-in that old thing and get
a new iPhone 15 Pro
3502
03:02:39,584 --> 03:02:41,319
with tons of storage.
3503
03:02:41,319 --> 03:02:43,188
So you can take all the pics!
3504
03:02:43,188 --> 03:02:44,189
So many selfies.
3505
03:02:45,089 --> 03:02:48,426
A preposterous amount of pano!
3506
03:02:48,426 --> 03:02:49,828
That means panoramic.
3507
03:02:49,828 --> 03:02:53,498
And as many portraits of me as
your heart desires.
3508
03:02:53,498 --> 03:02:54,666
(Woman) How about none?
(Boy) None.
3509
03:02:54,666 --> 03:02:55,967
(Man)
Yea none feels right.
3510
03:02:55,967 --> 03:02:57,902
(VO)
Trade-in any iPhone in any
condition
3511
03:02:57,902 --> 03:02:59,771
and get a new iPhone 15 Pro -
on us.
3512
03:02:59,771 --> 03:03:00,905
Only on Verizon.
3513
03:03:09,414 --> 03:03:13,151
♪
3514
03:03:13,151 --> 03:03:14,786
>>> AND THE OSCAR GOES TO --
3515
03:03:14,786 --> 03:03:16,754
>> SALLY FIELD --
3516
03:03:16,754 --> 03:03:24,095
>> MICHELLE YEOH.
3517
03:03:24,095 --> 03:03:27,131
>> JESSICA LANGE.
3518
03:03:27,131 --> 03:03:32,036
♪
3519
03:03:36,407 --> 03:03:41,946
[ APPLAUSE ]
3520
03:03:50,855 --> 03:03:52,557
>> IT'S AN HONOR FOR US TO
3521
03:03:52,557 --> 03:03:55,126
PRESENT THE AWARD FOR ACTRESS IN
3522
03:03:55,126 --> 03:03:59,197
A LEADING ROLE.
3523
03:03:59,197 --> 03:04:02,033
THE AMAZING SANDRA HULLER IS
3524
03:04:02,033 --> 03:04:04,602
NOMINATED FOR HER ROLE IN
3525
03:04:04,602 --> 03:04:07,071
"ANATOMY OF A FALL,"
3526
03:04:07,071 --> 03:04:07,672
AS A WOMAN ACCUSED OF KILLING
3527
03:04:07,672 --> 03:04:09,974
HER HUSBAND.
3528
03:04:09,974 --> 03:04:12,277
AT THE HEART OF THIS POWERFUL
3529
03:04:12,277 --> 03:04:14,846
PERFORMANCE IS HOW SANDRA
3530
03:04:14,846 --> 03:04:18,216
MAINTAINS A CERTAIN AMBIGUITY
3531
03:04:18,216 --> 03:04:19,350
THROUGHOUT, AS IF HER CHARACTER
3532
03:04:19,350 --> 03:04:20,218
WAS CAPABLE OF COMMITTING THAT
3533
03:04:20,218 --> 03:04:23,655
CRIME.
3534
03:04:23,655 --> 03:04:26,190
AND HERE WE ARE ON OSCAR NIGHT,
3535
03:04:26,190 --> 03:04:27,058
AND I STILL DON'T KNOW IF SHE
3536
03:04:27,058 --> 03:04:31,362
DID IT.
3537
03:04:31,362 --> 03:04:39,237
[ APPLAUSE ]
3538
03:04:39,237 --> 03:04:42,373
>> CURIOUS AS A PUPPY AND HUNGRY
3539
03:04:42,373 --> 03:04:43,207
AS A BEAR, EMMA STONE'S
3540
03:04:43,207 --> 03:04:43,808
BRILLIANT BELLA IS UNHINGED,
3541
03:04:43,808 --> 03:04:45,209
UNINHIBITED AND COMPLETELY
3542
03:04:45,209 --> 03:04:48,913
ORIGINAL.
3543
03:04:48,913 --> 03:04:50,348
WITH THE FEARLESSNESS OF A
3544
03:04:50,348 --> 03:04:52,016
TODDLER, SHE AWKWARDLY STEPS
3545
03:04:52,016 --> 03:04:53,451
INTO THE WORLD, AWAKENING INTO
3546
03:04:53,451 --> 03:04:55,453
HER BODY AND THE SENSATIONS OF
3547
03:04:55,453 --> 03:05:00,892
BEING ALIVE WITHOUT BOUNDARIES.
3548
03:05:00,892 --> 03:05:01,726
IT IS AN UNFORGETTABLE AND
3549
03:05:01,726 --> 03:05:03,995
ENDEARING CHARACTER CREATED BY
3550
03:05:03,995 --> 03:05:05,430
AN ACTOR WHO IS ALWAYS
3551
03:05:05,430 --> 03:05:10,335
SURPRISING, WHO REFUSES TO BE
3552
03:05:10,335 --> 03:05:11,569
CATEGORIZED, AND, LIKE BELA, IS
3553
03:05:11,569 --> 03:05:12,003
COMPLETELY ORIGINAL.
3554
03:05:12,003 --> 03:05:21,713
[ APPLAUSE ]
3555
03:05:21,713 --> 03:05:23,147
>> LILY, YOU ARE THE SOUL OF
3556
03:05:23,147 --> 03:05:25,049
"KILLERS OF THE FLOWER MOON."
3557
03:05:25,049 --> 03:05:29,821
[ APPLAUSE ]
3558
03:05:29,821 --> 03:05:31,556
EVERY SECOND OF YOUR PERFORMANCE
3559
03:05:31,556 --> 03:05:32,390
AS MOLLY BURKHART IS IMBUED WITH
3560
03:05:32,390 --> 03:05:34,659
THE PLIGHT, RESILIENCE AND
3561
03:05:34,659 --> 03:05:38,363
SPIRIT OF THE OSAGE PEOPLE.
3562
03:05:38,363 --> 03:05:39,530
YOUR ADVOCACY OFF SET IS A
3563
03:05:39,530 --> 03:05:41,499
POWERFUL DISPLAY OF DEDICATION
3564
03:05:41,499 --> 03:05:42,634
AND LEADERSHIP, ILLUMINATING AND
3565
03:05:42,634 --> 03:05:44,002
HELPING US RECONCILE ONE OF THE
3566
03:05:44,002 --> 03:05:44,636
DARKEST PARTS OF OUR COUNTRY'S
3567
03:05:44,636 --> 03:05:46,871
HISTORY.
3568
03:05:46,871 --> 03:05:49,207
LILY, CONGRATULATIONS.
3569
03:05:49,207 --> 03:06:00,485
[ APPLAUSE ]
3570
03:06:00,485 --> 03:06:01,219
>> ANNETTE --
3571
03:06:01,219 --> 03:06:04,155
[ APPLAUSE ]
3572
03:06:04,155 --> 03:06:06,391
-- I'VE NEVER BEEN
3573
03:06:06,391 --> 03:06:08,660
STUNG BY A JELLYFISH.
3574
03:06:08,660 --> 03:06:09,293
BUT SEEING YOU ENDURE IT
3575
03:06:09,293 --> 03:06:09,927
MULTIPLE TIMES MADE ME FEEL LIKE
3576
03:06:09,927 --> 03:06:14,732
I HAD.
3577
03:06:14,732 --> 03:06:16,401
WATCHING YOU PORTRAY DIANA NYAD
3578
03:06:16,401 --> 03:06:17,235
IS AN INTENSE SENSORY
3579
03:06:17,235 --> 03:06:18,670
EXPERIENCE.
3580
03:06:18,670 --> 03:06:20,371
YOU CAN TASTE THE SALTWATER.
3581
03:06:20,371 --> 03:06:24,642
YOU CAN FEEL THE SUNBURN.
3582
03:06:24,642 --> 03:06:25,510
YOU CAN RELATE TO THE RELENTLESS
3583
03:06:25,510 --> 03:06:28,446
DETERMINATION.
3584
03:06:28,446 --> 03:06:30,348
YOUR WORK IS A BEAUTIFUL
3585
03:06:30,348 --> 03:06:31,949
ILLUSTRATION OF HOW TO NAVIGATE
3586
03:06:31,949 --> 03:06:32,550
THE WAVES IN THE OCEAN AND IN
3587
03:06:32,550 --> 03:06:33,584
LIFE.
3588
03:06:33,584 --> 03:06:46,631
[ APPLAUSE ]
3589
03:06:46,631 --> 03:06:51,436
>> IN "MAESTRO," CAREY MULLIGAN
3590
03:06:51,436 --> 03:06:55,606
RADIATES AS LEONARD BERNSTEIN'S
3591
03:06:55,606 --> 03:06:56,574
WIFE, FELICIA.
3592
03:06:56,574 --> 03:07:00,044
[ APPLAUSE ]
3593
03:07:00,044 --> 03:07:01,345
SHINING A PIERCING LIGHT ON
3594
03:07:01,345 --> 03:07:02,747
THEIR COMPLICATED, YET ENDURING
3595
03:07:02,747 --> 03:07:05,116
LOVE.
3596
03:07:05,116 --> 03:07:07,685
BUT THIS LEVEL OF EXCELLENCE IS
3597
03:07:07,685 --> 03:07:08,519
THE NORM FOR CAREY, FOR IN EVERY
3598
03:07:08,519 --> 03:07:13,991
ROLE SHE TAKES ON SHE INFUSES IT
3599
03:07:13,991 --> 03:07:15,993
WITH A UNIQUE HUMANITY.
3600
03:07:15,993 --> 03:07:16,861
WITHOUT THIS SPECTACULAR
3601
03:07:16,861 --> 03:07:18,830
PERFORMANCE, "MAESTRO" WOULD NOT
3602
03:07:18,830 --> 03:07:25,002
HAVE BEEN THE MOVIE IT BECAME.
3603
03:07:25,002 --> 03:07:25,670
CAREY, YOU ARE SO DESERVING OF
3604
03:07:25,670 --> 03:07:26,237
THIS HONOR.
3605
03:07:26,237 --> 03:07:33,811
[ APPLAUSE ]
3606
03:07:38,816 --> 03:07:43,521
>> AND THE OSCAR GOES TO --
3607
03:07:43,521 --> 03:07:47,959
EMMA STONE.
3608
03:07:47,959 --> 03:07:50,628
>> THIS IS THE SECOND OSCAR WIN
3609
03:07:50,628 --> 03:07:52,530
AND SIXTH NOMINATION FOR EMMA
3610
03:07:52,530 --> 03:07:52,797
STONE.
3611
03:07:52,797 --> 03:07:58,569
SHE TOOK HOME HER FIRST OSCAR
3612
03:07:58,569 --> 03:07:59,437
FOR LEADING PERFORMANCE IN "LALA
3613
03:07:59,437 --> 03:08:04,742
LAND."
3614
03:08:04,742 --> 03:08:05,476
[ APPLAUSE ]
3615
03:08:05,476 --> 03:08:13,217
♪
3616
03:08:30,301 --> 03:08:31,302
>> OH, BOY.
3617
03:08:31,302 --> 03:08:33,104
MY DRESS IS BROKEN.
3618
03:08:33,104 --> 03:08:34,839
I THINK IT HAPPENED DURING "I'M
3619
03:08:34,839 --> 03:08:36,741
JUST KEN."
3620
03:08:36,741 --> 03:08:40,077
I'M PRETTY SURE.
3621
03:08:40,077 --> 03:08:43,147
OH, BOY, THIS IS REALLY
3622
03:08:43,147 --> 03:08:44,682
OVERWHELMING.
3623
03:08:44,682 --> 03:08:44,916
SORRY.
3624
03:08:44,916 --> 03:08:45,516
MY VOICE IS ALSO A LITTLE GONE.
3625
03:08:45,516 --> 03:08:48,886
WHATEVER.
3626
03:08:48,886 --> 03:08:51,522
THE WOMEN ON THE STAGE, YOU ARE
3627
03:08:51,522 --> 03:08:55,726
ALL INCREDIBLE, AND THE WOMEN IN
3628
03:08:55,726 --> 03:09:01,132
THIS CATEGORY -- SANDRA,
3629
03:09:01,132 --> 03:09:03,901
ANNETTE, CAREY, LILY, I SHARE
3630
03:09:03,901 --> 03:09:04,602
THIS WITH YOU.
3631
03:09:04,602 --> 03:09:06,370
I'M IN AWE OF YOU.
3632
03:09:06,370 --> 03:09:09,473
IT HAS BEEN SUCH AN HONOR TO DO
3633
03:09:09,473 --> 03:09:12,410
ALL OF THIS, I HOPE WE GET TO
3634
03:09:12,410 --> 03:09:13,277
KEEP DOING MORE TOGETHER.
3635
03:09:13,277 --> 03:09:15,112
I DON'T KNOW WHAT I'M SAYING.
3636
03:09:15,112 --> 03:09:18,149
I'M TOTALLY, OKAY -- THE OTHER
3637
03:09:18,149 --> 03:09:19,584
NIGHT I WAS PANICKING, AS YOU
3638
03:09:19,584 --> 03:09:24,155
CAN KIND OF SEE, HAPPENS A LOT,
3639
03:09:24,155 --> 03:09:25,856
THAT MAYBE SOMETHING LIKE THIS
3640
03:09:25,856 --> 03:09:28,292
COULD HAPPEN AND YORGOS SAID,
3641
03:09:28,292 --> 03:09:29,927
PLEASE TAKE YOURSELF OUT OF IT.
3642
03:09:29,927 --> 03:09:32,797
AND HE WAS RIGHT BECAUSE IT'S
3643
03:09:32,797 --> 03:09:33,598
NOT ABOUT ME.
3644
03:09:33,598 --> 03:09:35,199
IT'S ABOUT A TEAM THAT CAME
3645
03:09:35,199 --> 03:09:36,300
TOGETHER TO MAKE SOMETHING
3646
03:09:36,300 --> 03:09:39,804
GREATER THAN THE SUM OF ITS
3647
03:09:39,804 --> 03:09:40,004
PARTS.
3648
03:09:40,004 --> 03:09:43,074
AND THAT IS THE BEST PART ABOUT
3649
03:09:43,074 --> 03:09:45,042
MAKING MOVIES, ALL OF US
3650
03:09:45,042 --> 03:09:47,278
TOGETHER, AND I AM SO DEEPLY
3651
03:09:47,278 --> 03:09:49,947
HONORED TO SHARE THIS WITH EVERY
3652
03:09:49,947 --> 03:09:51,616
CAST MEMBER, WITH EVERY CREW
3653
03:09:51,616 --> 03:09:53,684
MEMBER, WITH EVERY SINGLE PERSON
3654
03:09:53,684 --> 03:09:56,187
WHO POURED THEIR LOVE AND THEIR
3655
03:09:56,187 --> 03:09:57,722
CARE AND THEIR BRILLIANCE INTO
3656
03:09:57,722 --> 03:10:02,159
THE MAKING OF THIS FILM AND,
3657
03:10:02,159 --> 03:10:03,261
YORGOS, THANK YOU FOR THE GIFT
3658
03:10:03,261 --> 03:10:04,929
OF A LIFETIME.
3659
03:10:04,929 --> 03:10:06,597
THANK YOU FOR INVITING ALL OF US
3660
03:10:06,597 --> 03:10:07,164
TO BE MEMBERS OF THIS TEAM.
3661
03:10:07,164 --> 03:10:12,770
THANK YOU.
3662
03:10:12,770 --> 03:10:16,974
[ APPLAUSE ]
3663
03:10:16,974 --> 03:10:19,477
I KNOW I HAVE TO WRAP UP, BUT I
3664
03:10:19,477 --> 03:10:21,445
JUST WANT TO THANK MY FAMILY, MY
3665
03:10:21,445 --> 03:10:24,148
MOM, SPENCER, MY DAD, MY HUSBAND
3666
03:10:24,148 --> 03:10:26,851
DAVE, I LOVE YOU SO MUCH, AND
3667
03:10:26,851 --> 03:10:28,119
MOST IMPORTANTLY, MY DAUGHTER
3668
03:10:28,119 --> 03:10:30,955
WHO WILL BE 3 IN THREE DAYS AND
3669
03:10:30,955 --> 03:10:32,523
HAS TURNED OUR LIVES
3670
03:10:32,523 --> 03:10:32,823
TECHNICOLOR.
3671
03:10:32,823 --> 03:10:36,294
I LOVE YOU BIGGER.
3672
03:10:36,294 --> 03:10:37,161
THANK YOU SO MUCH.
3673
03:10:37,161 --> 03:10:37,762
DON'T LOOK AT THE BACK OF MY
3674
03:10:37,762 --> 03:10:37,962
DRESS.
3675
03:10:37,962 --> 03:10:41,365
THANK YOU.
3676
03:10:41,365 --> 03:10:41,666
[ APPLAUSE ]
3677
03:10:41,666 --> 03:10:48,205
♪
3678
03:10:56,647 --> 03:10:58,616
>> GUYS, MAKE SURE WE TEAR UP
3679
03:10:58,616 --> 03:11:00,051
THAT ENVELOPE SO THERE'S NO
3680
03:11:00,051 --> 03:11:08,326
CONFUSION WITH BEST PICTURE.
3681
03:11:08,326 --> 03:11:09,994
HI, EVERYONE.
3682
03:11:09,994 --> 03:11:12,897
YOU KNOW, DOING THIS SHOW IS NOT
3683
03:11:12,897 --> 03:11:14,432
ABOUT ME, AND I APPRECIATE YOU
3684
03:11:14,432 --> 03:11:15,032
HAVING ME.
3685
03:11:15,032 --> 03:11:17,268
IT'S REALLY ABOUT YOU AND EMMA
3686
03:11:17,268 --> 03:11:20,104
AND ALL THESE GREAT ACTORS AND
3687
03:11:20,104 --> 03:11:21,906
ACTRESSES AND FILMMAKERS.
3688
03:11:21,906 --> 03:11:23,841
I WAS TOLD WE HAVE AN EXTRA
3689
03:11:23,841 --> 03:11:26,477
MINUTE, I'M REALLY PROUD -- AND
3690
03:11:26,477 --> 03:11:28,045
I WONDERED IF I COULD SHARE IT
3691
03:11:28,045 --> 03:11:28,980
WITH YOU.
3692
03:11:28,980 --> 03:11:35,353
I GOT A REVIEW AND HAS THERE
3693
03:11:35,353 --> 03:11:37,088
EVER BEEN A WORST HOST THAN
3694
03:11:37,088 --> 03:11:38,956
JIMMY KIMMEL AT THE OSCARS?
3695
03:11:38,956 --> 03:11:41,158
HIS OPENING WAS THAT LESS THAN
3696
03:11:41,158 --> 03:11:43,027
AN AVERAGE PERSON TRYING TO BE
3697
03:11:43,027 --> 03:11:45,363
SOMETHING HE WAS NOT AND NEVER
3698
03:11:45,363 --> 03:11:45,596
CAN BE.
3699
03:11:45,596 --> 03:11:47,365
GET RID OF KIMMEL AND REPLACE
3700
03:11:47,365 --> 03:11:48,966
HIM WITH ANOTHER WASHED UP BUT
3701
03:11:48,966 --> 03:11:52,770
CHEAP ABC TALENT GEORGE
3702
03:11:52,770 --> 03:11:53,137
STEPHANOPOULOS.
3703
03:11:53,137 --> 03:11:54,438
HE WOULD MAKE EVERYBODY LOOK
3704
03:11:54,438 --> 03:11:55,973
BIGGER, STRONGER AND MORE
3705
03:11:55,973 --> 03:11:56,907
GLAMOROUS, BLAH, BLAH, BLAH,
3706
03:11:56,907 --> 03:12:07,351
MAKE AMERICA GREAT AGAIN.
3707
03:12:07,351 --> 03:12:09,353
SEE IF YOU CAN GUESS WHICH
3708
03:12:09,353 --> 03:12:12,823
FORMER PRESIDENT JUST POSTED
3709
03:12:12,823 --> 03:12:15,659
THAT ON TRUTH SOCIAL.
3710
03:12:15,659 --> 03:12:16,026
ANYONE?
3711
03:12:16,026 --> 03:12:17,928
THANK YOU, PRESIDENT TRUMP.
3712
03:12:17,928 --> 03:12:18,929
THANK YOU FOR WATCHING.
3713
03:12:18,929 --> 03:12:19,897
I'M SURPRISED YOU'RE STILL --
3714
03:12:19,897 --> 03:12:28,672
ISN'T IT PAST YOUR JAIL TIME?
3715
03:12:32,209 --> 03:12:37,081
[ APPLAUSE ]
3716
03:12:37,081 --> 03:12:38,849
>> FOCUSED ON THE IMPORTANT
3717
03:12:38,849 --> 03:12:39,750
STUFF FOR SURE.
3718
03:12:39,750 --> 03:12:41,852
BEFORE WE GIVE OUT THE FINAL
3719
03:12:41,852 --> 03:12:43,387
AWARD, DID ANYONE NOT GET A
3720
03:12:43,387 --> 03:12:44,755
CHANCE TO GIVE A SPEECH?
3721
03:12:44,755 --> 03:12:47,024
WE DO HAVE SOME TIME IF THERE'S
3722
03:12:47,024 --> 03:12:48,426
ANYTHING YOU WANT TO SAY.
3723
03:12:48,426 --> 03:12:49,627
WE'LL MAKE SURE EVERYBODY HAS A
3724
03:12:49,627 --> 03:12:50,394
CHANCE TO TALK.
3725
03:12:50,394 --> 03:12:52,029
TO PRESENT OUR FINAL AWARD OF
3726
03:12:52,029 --> 03:12:54,632
THE EVENING AND TO COMMEMORATE
3727
03:12:54,632 --> 03:12:59,470
THE 50th ANNIVERSARY OF "THE
3728
03:12:59,470 --> 03:13:01,539
GODFATHER PART 2," A MAN WHO
3729
03:13:01,539 --> 03:13:03,040
CREATED THE MOST ICONIC, AN
3730
03:13:03,040 --> 03:13:04,608
OSCAR WINNER AND NINE-TIME
3731
03:13:04,608 --> 03:13:06,444
NOMINEE AND WE ARE SO GLAD HE
3732
03:13:06,444 --> 03:13:08,612
WAS ABLE TO FIND A SITTER SO HE
3733
03:13:08,612 --> 03:13:10,214
COULD BE HERE TONIGHT.
3734
03:13:10,214 --> 03:13:12,450
WITH THE AWARD FOR BEST PICTURE,
3735
03:13:12,450 --> 03:13:13,517
PLEASE WELCOME AL PACINO.
3736
03:13:13,517 --> 03:13:20,925
[ APPLAUSE ]
3737
03:13:21,692 --> 03:13:35,773
♪
3738
03:13:35,773 --> 03:13:37,141
>> OH, MY FRIENDS, THANK YOU,
3739
03:13:37,141 --> 03:13:41,812
THANK YOU.
3740
03:13:41,812 --> 03:13:44,348
I DON'T KNOW, DO I DO SOME
3741
03:13:44,348 --> 03:13:44,949
SHAKESPEARE NOW IS IN ORDER,
3742
03:13:44,949 --> 03:13:48,686
RIGHT?
3743
03:13:48,686 --> 03:13:50,588
TO BE -- NO, I'M NOT GOING TO DO
3744
03:13:50,588 --> 03:13:50,888
IT, NO, NO.
3745
03:13:50,888 --> 03:13:54,558
SORRY.
3746
03:13:54,558 --> 03:13:57,528
THIS IS THE TIME FOR THE LAST
3747
03:13:57,528 --> 03:14:00,030
AWARD OF THE EVENING.
3748
03:14:00,030 --> 03:14:08,138
AND IT'S MY HONOR TO PRESENT IT.
3749
03:14:08,138 --> 03:14:09,006
TEN WONDERFUL FILMS ARE
3750
03:14:09,006 --> 03:14:10,474
NOMINATED, BUT ONLY WILL TAKE
3751
03:14:10,474 --> 03:14:18,883
THE AWARD FOR BEST PICTURE.
3752
03:14:18,883 --> 03:14:19,483
AND I HAVE TO GO TO THE ENVELOPE
3753
03:14:19,483 --> 03:14:21,418
FOR THAT.
3754
03:14:21,418 --> 03:14:23,487
AND I WILL.
3755
03:14:23,487 --> 03:14:32,863
HERE IT COMES.
3756
03:14:32,863 --> 03:14:35,966
AND I SEE "OPPENHEIMER."
3757
03:14:35,966 --> 03:14:37,801
YES.
3758
03:14:37,801 --> 03:14:39,303
YES.
3759
03:14:39,303 --> 03:14:46,110
EMMA THOMAS, CHARLES ROVEN.
3760
03:14:46,110 --> 03:14:48,178
>> "OPPENHEIMER" HAS 13
3761
03:14:48,178 --> 03:14:49,613
NOMINATIONS AND HAS WON SEVEN
3762
03:14:49,613 --> 03:14:53,450
OSCARS TONIGHT FOR ACTOR IN A
3763
03:14:53,450 --> 03:15:00,157
SUPPORTING ROLE, FILM
3764
03:15:00,157 --> 03:15:03,494
CINEMATOGRAPHY, BEST PICTURE,
3765
03:15:03,494 --> 03:15:04,161
ACTOR IN A LEADING ROLE AND BEST
3766
03:15:04,161 --> 03:15:10,100
PICTURE.
3767
03:15:10,100 --> 03:15:11,435
[ APPLAUSE ]
3768
03:15:12,136 --> 03:15:22,746
♪
3769
03:15:29,086 --> 03:15:31,722
>> WHOO!
3770
03:15:31,722 --> 03:15:33,624
OH, MY GOODNESS.
3771
03:15:33,624 --> 03:15:38,896
WOW.
3772
03:15:38,896 --> 03:15:41,498
I THINK ANY OF US WHO MAKE
3773
03:15:41,498 --> 03:15:44,001
MOVIES KNOW YOU KIND OF DREAM OF
3774
03:15:44,001 --> 03:15:44,535
THIS MOMENT.
3775
03:15:44,535 --> 03:15:47,204
YOU KNOW YOU DO, RIGHT?
3776
03:15:47,204 --> 03:15:49,607
I COULD DENY IT, BUT I HAVE BEEN
3777
03:15:49,607 --> 03:15:50,674
DREAMING ABOUT THIS MOMENT FOR
3778
03:15:50,674 --> 03:15:53,210
SO LONG, BUT IT SEEMED SO
3779
03:15:53,210 --> 03:15:54,745
UNLIKELY THAT IT WOULD EVER
3780
03:15:54,745 --> 03:15:56,046
ACTUALLY HAPPEN, AND NOW I'M
3781
03:15:56,046 --> 03:15:58,649
STANDING HERE AND EVERYTHING HAS
3782
03:15:58,649 --> 03:16:01,619
GONE OUT OF MY HEAD.
3783
03:16:01,619 --> 03:16:03,320
THE REASON THIS MOVIE WAS THE
3784
03:16:03,320 --> 03:16:08,459
MOVIE IT WAS WAS CHRIS NOLAN.
3785
03:16:08,459 --> 03:16:12,730
HE IS SINGULAR, HE IS BRILLIANT,
3786
03:16:12,730 --> 03:16:17,868
AND I'M SO GRATEFUL TO YOU.
3787
03:16:17,868 --> 03:16:20,170
BUT THE THING THAT IS FANTASTIC
3788
03:16:20,170 --> 03:16:22,039
ABOUT OUR JOBS, IT'S ABOUT
3789
03:16:22,039 --> 03:16:23,707
COLLABORATION, ABOUT TEAMWORK,
3790
03:16:23,707 --> 03:16:25,843
AND OUR TEAM WAS JUST INCREDIBLE
3791
03:16:25,843 --> 03:16:27,144
ON THIS MOVIE.
3792
03:16:27,144 --> 03:16:28,579
THANK YOU TO ALL OF THEM, BOTH
3793
03:16:28,579 --> 03:16:29,280
CAST AND CREW.
3794
03:16:29,280 --> 03:16:32,049
THANK YOU TO UNIVERSAL FOR
3795
03:16:32,049 --> 03:16:35,886
SUPPORTING US, AND I WANT TO
3796
03:16:35,886 --> 03:16:40,157
THANK IMAX AND EVERYBODY ELSE AT
3797
03:16:40,157 --> 03:16:46,497
IMAX FOR BELIEVING IN THIS MOVIE
3798
03:16:46,497 --> 03:16:48,298
WHEN IT MAYBE DIDN'T MAKE MUCH
3799
03:16:48,298 --> 03:16:49,466
SENSE TO DO SO.
3800
03:16:49,466 --> 03:16:50,567
THANK YOU TO ALL THE THEATERS.
3801
03:16:50,567 --> 03:16:52,936
AS A MOVIEGOER AND AS A
3802
03:16:52,936 --> 03:16:54,171
FILMMAKER, THAT'S WHY WE DO WHAT
3803
03:16:54,171 --> 03:16:54,772
WE DO.
3804
03:16:54,772 --> 03:16:56,240
SO THANK YOU SO MUCH.
3805
03:16:56,240 --> 03:17:03,547
AND TO MY CHILDREN, THANK YOU.
3806
03:17:03,547 --> 03:17:05,616
IT'S U.K. MOTHER'S DAY, SO I'M
3807
03:17:05,616 --> 03:17:06,917
THINKING OF MY MOM, WHO IS NO
3808
03:17:06,917 --> 03:17:08,452
LONGER HERE TODAY, AND MY
3809
03:17:08,452 --> 03:17:10,354
MOTHER-IN-LAW WHO IS HERE WITH
3810
03:17:10,354 --> 03:17:11,355
MY DAD, SO THANK YOU.
3811
03:17:11,355 --> 03:17:12,790
THANK YOU TO THE ACADEMY.
3812
03:17:12,790 --> 03:17:14,258
I'M SO HONORED TO BE HERE.
3813
03:17:14,258 --> 03:17:23,867
[ APPLAUSE ]
3814
03:17:23,867 --> 03:17:26,136
>> I CERTAINLY WANT TO THANK THE
3815
03:17:26,136 --> 03:17:26,403
ACADEMY.
3816
03:17:26,403 --> 03:17:29,573
I WANT TO THANK UNIVERSAL
3817
03:17:29,573 --> 03:17:30,240
PICTURES, DONNA LANGLEY AND THE
3818
03:17:30,240 --> 03:17:35,946
WHOLE TEAM THERE.
3819
03:17:35,946 --> 03:17:39,450
I, OF COURSE WANT TO THANK MY
3820
03:17:39,450 --> 03:17:43,654
FAMILY AND MY WIFE WHO ALWAYS
3821
03:17:43,654 --> 03:17:46,523
HAS MY BACK AND, AS ALL MY
3822
03:17:46,523 --> 03:17:48,392
FRIENDS KNOW, IS THE SECRET
3823
03:17:48,392 --> 03:17:50,561
WEAPON OF MY LIFE.
3824
03:17:50,561 --> 03:17:54,998
AND I ALSO WANT TO THANK JAMES
3825
03:17:54,998 --> 03:18:00,237
WOODS AND DAVID WERGOT FOR
3826
03:18:00,237 --> 03:18:03,707
LETTING ME MOVE THIS FORWARD, TO
3827
03:18:03,707 --> 03:18:07,111
GIVE THE BOOK TO CHRIS AND EMMA.
3828
03:18:07,111 --> 03:18:10,214
I'VE HAD THIS AMAZING
3829
03:18:10,214 --> 03:18:11,115
20-PLUS-YEAR EXPERIENCE WITH
3830
03:18:11,115 --> 03:18:13,150
CHRIS AND EMMA.
3831
03:18:13,150 --> 03:18:15,953
FIVE MOVIES OVER 20 YEARS, AND
3832
03:18:15,953 --> 03:18:19,356
IT'S BEEN ONE OF THE MOST
3833
03:18:19,356 --> 03:18:20,657
EXHILARATING EXPERIENCES I'VE
3834
03:18:20,657 --> 03:18:21,191
EVER HAD.
3835
03:18:21,191 --> 03:18:23,460
THEY'RE A FANTASTIC TEAM, AND
3836
03:18:23,460 --> 03:18:25,429
JUST TO BE PART OF MAKING MOVIES
3837
03:18:25,429 --> 03:18:27,164
WITH THEM HAS BEEN COMPLETELY
3838
03:18:27,164 --> 03:18:29,133
THRILLING, SO THANK YOU SO MUCH.
3839
03:18:29,133 --> 03:18:32,402
[ APPLAUSE ]
3840
03:18:32,402 --> 03:18:36,974
>> WHOO!
3841
03:18:36,974 --> 03:18:48,118
>> YES!
3842
03:18:48,118 --> 03:18:50,220
>> ISN'T THAT GREAT?
3843
03:18:50,220 --> 03:18:51,288
CONGRATULATIONS TO
3844
03:18:51,288 --> 03:18:51,622
"OPPENHEIMER."
3845
03:18:51,622 --> 03:18:53,424
IF ONLY THERE WERE SOME WAY FOR
3846
03:18:53,424 --> 03:18:54,858
CHRISTOPHER NOLAN TO TEXT HIS
3847
03:18:54,858 --> 03:18:55,459
FAMILY TO TELL THEM THE GOOD
3848
03:18:55,459 --> 03:18:58,362
NEWS.
3849
03:18:58,362 --> 03:18:59,563
THAT'S IT FOR OUR SHOW.
3850
03:18:59,563 --> 03:19:01,965
I WANT TO THANK THE ACADEMY FOR
3851
03:19:01,965 --> 03:19:04,168
HAVING ME ON, OUR VERY
3852
03:19:04,168 --> 03:19:09,440
HARD-WORKING PRODUCERS, KAJ
3853
03:19:09,440 --> 03:19:12,609
KAPOOR, OUR ANNOUNCER DAVID ALAN
3854
03:19:12,609 --> 03:19:14,778
GRIER, RICKEY MINOR AND THE
3855
03:19:14,778 --> 03:19:17,381
WHOLE OSCARS CREW.
3856
03:19:17,381 --> 03:19:19,950
STAY UP FOR A NEW "ABBOTT
3857
03:19:19,950 --> 03:19:21,351
ELEMENTARY" AND MY SHOW TOMORROW
3858
03:19:21,351 --> 03:19:26,757
WITH DWAYNE JOHNSON, JUSTIN KIM
3859
03:19:26,757 --> 03:19:27,057
B
3860
03:19:27,057 --> 03:19:28,425
TIMBERLAKE AND ROBERT DE NIRO.
3861
03:19:28,425 --> 03:19:30,194
THANK YOU FOR WATCHING THE 96th
3862
03:19:30,194 --> 03:19:33,030
OSCARS TONIGHT.
3863
03:19:34,231 --> 03:19:40,571
♪
3864
03:19:43,440 --> 03:19:44,274
>> Announcer: THE ACADEMY
3865
03:19:44,274 --> 03:19:44,842
GRATEFULLY ACKNOWLEDGES OUR
3866
03:19:44,842 --> 03:19:45,976
AIRLINE PARTNER DELTA AIR LINES
3867
03:19:45,976 --> 03:19:47,711
FOR PROVIDING AIR TRANSPORTATION
3868
03:19:47,711 --> 03:19:49,379
FOR SOME OF THIS EVENING'S
3869
03:19:49,379 --> 03:19:49,947
PRESENTERS, PERFORMERS AND
3870
03:19:49,947 --> 03:19:57,120
NOMINEES.
3871
03:19:57,120 --> 03:20:01,492
L.E.D. AND PROJECTION PROVIDED
3872
03:20:01,492 --> 03:20:05,496
IN PART BY SENOVVA.
3873
03:20:06,163 --> 03:20:13,537
♪
3874
03:20:16,573 --> 03:20:23,780
♪
3875
03:20:24,448 --> 03:20:30,954
♪
3876
03:20:33,023 --> 03:20:41,431
♪
3877
03:20:42,432 --> 03:20:51,708
♪
3878
03:20:52,643 --> 03:21:02,753
♪
3879
03:21:03,487 --> 03:21:14,197
♪
3880
03:21:15,032 --> 03:21:21,538
♪
3881
03:22:16,994 --> 03:22:19,796
>> DO YOU NEED TO RIDE TO THE
3882
03:22:19,796 --> 03:22:21,198
OSCARS AFTER PARTY?
3883
03:22:21,198 --> 03:22:22,866
>> OSCARS AFTER PARTY, HERE WE
3884
03:22:22,866 --> 03:22:23,066
COME.
3885
03:22:23,066 --> 03:22:24,701
"GOOD MORNING AMERICA."249085
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