All language subtitles for The Joy of Painting - 2x03 - _track3_[eng]

Hello, I'm glad to see you today.

Today, I think we'll do
a fantastic little painting

that I think it'll make you happy.

And before we start, I'm going
to have them graphically run

all the colours across the screen
that you need

to complete this painting.

And while they're doing that,
let's go up here and get started.

I've already covered the canvas
with a thin even coat

of magic white so it's wet
and slick and ready to go.

And today, let's start, we'll use
a big old two-and-a-half inch brush

and we'll go right into a little bit
of the thalo blue,

pull a little bit of it out and
really work it into the bristles.

Tap, just tap that brush
right in there.

That'll get you a nice even
distribution of colour.

And if you just reach up in there
and pull out a big gob paint and hit

the canvas, you're going to have
huge big streaks up here

that'll drive you crazy.

And we'll just make some little
crisscross strokes just like so.

Just have fun.

Let the brush play around
the canvas.

And I don't want to cover
the entire sky.

All I want to do is just,

just here and there,
leave some spots open.

There.

Maybe today we'll do a...maybe we'll
do a beautiful little mountain.

I love to paint mountains.

When you...when you live in Alaska,
you have a tendency to paint

a lot of mountains.

And no matter if you live
in Florida, Alaska, it seems

that mountains are always paintings
that people like.

And if you're interested
in making a happy buck,

they're the ones that will sell.

OK. And that quick,
we've got a basic little sky.

And without cleaning the brush,
I'm going to go right into a small

amount of alizarin crimson

and just work it right into the
bristles the same way.

Very, very small amount.

And I'll go back into these light
areas and very lightly

just drop in a little colour.

Just make the sky a little warmer.

A little prettier.

There we go.

OK, and I think we'll have
some water in this painting,

so I'll go right back into
a little bit of the thalo blue

and a little bit of the crimson.

And we'll just mix these
on the brush,

and just a small amount of crimson.

OK. Now, to make water, going
to pull from the outside in.

And if it's still water,
it's always level,

it's always flat.

There.

Pull from the outside in.

If you leave a little place open
right up through here, it'll look

like a sheen of light
coming across the water

when you're finished, and people
think you worked, and worked

and worked to put it in, and all you
do is let the canvas show through.

You've already got
magic white on it.

So it's painted, it's ready.

Now, very lightly,
go all the way across,

that light area
still remain there.

And we can very quickly
just blend the sky.

And you can blend this
to any degree that you want.

Any degree that you want.

In fact, you can blend it
until it just goes away

and just becomes one colour.

Leave some colour in there,
let some things happen.

OK.

Let's wash the old brush,

and we wash our brushes
with odourless paint thinner.

And there's a screen in the bottom
of my can.

There we go.

And that screen...

Oh, there were are. That screen
sits about that high

off the bottom of the can.

So when you scrub the brush,
all the solid material settles

to the bottom and it keeps
your paint thinner relatively clean.

All right, let's build
a happy little mountain.

And maybe today we'll start...
Let's go into some Van Dyke brown.

Van Dyke brown,
a little bit of thalo blue,

and I'm going to throw a small
amount of crimson in there.

So we've got blue, brown,
small amount of crimson.

And pull that paint out very flat,

cut across it
and get a small roll of paint

right out on the edge of the knife.

There we go.
You can see it very well there.

OK, let's go right up here.

And you have to make a decision,
where's your mountain live?

Where's your mountain live?

Maybe.... There it is.

There it is, lives right there.

And we just put in a happy
little basic shape here

for our mountain.

Very dark colour.

Very, very dark.

OK.

One thing about mountains,
and I've said it before,

but I'll repeat it because
it's worth...it's worth repeating,

if you can see the entire mountain,
it's always more distinct at the top

than it is at the bottom.

So fill in the top of the mountain.

Then we'll take a large brush
and I'm just going to very gently

pick up some of that,
tap and bring it down.

And it mixes with the magic white,
and automatically...

..automatically it's lighter
at the bottom than it is at the top.

Let the canvas work, let the paint,

and the magic white
and the brushes work.

That's what makes this fun.

There.

OK, now clean this brush.

Actually, I just like
to beat that brush.

OK, now let's go right into...

Let's take some...pull out
some yellow ochre,

a little bit of a burnt umber
with it.

Yellow ochre, a little bit
of burnt umber.

And let's...let's begin
making some...

Let's put some
little highlights here,

maybe I'll put a little more
burnt umber into that,

dull it down a little more.
There, good.

Cut across it so you have
that small roll of paint again

right out on the edge.

OK, let's go up here.

Now, very lightly, figure out
where your light's coming from.

If you're right handed,
it's probably easier

to have it coming from the right.

If you're left handed, it'll vary.

OK, then we'll just drop in
a little highlight,

just where you think light
would strike this mountain.

Just let it play and bounce and
have fun, wherever you want it.

Wherever.

OK, now I'm going to take
a little bit of Van Dyke brown.

And some white,
and a little bit of the blue

and just mix it together.

I'm looking for a shadow colour,
something about like so,

maybe a little bit more blue.

This is your mountain so you make
it whatever colour you want it.

Same thing, cut across,
a little roll of paint.

Let's go right up here and we can
begin looking for shadows.

Just very lightly. Very lightly.

Barely touching the canvas.

Just caress the canvas.

Barely, barely touch it.

Then we can come back, and back
with the highlight colour

and just sort of play them
back and forth,

let all these little things
just, just happen.

Just let them fall off your knife.

Let them have fun.
There's a little light striking.

There it is, right there,
right there, right there.

And maybe, shoot, who knows,
there's a little light there.

Wherever you want light to strike,
that's where it ought to be.

Maybe this comes down
and sort of goes together.

And mountains are so much fun.

Mountains are so much fun.

They'll just let you go crazy
with your imagination.

Maybe... Tell you what,
maybe, maybe, maybe

take a little titanium white
with the least little amount

of thalo blue in it, and
maybe, maybe let's go right here.

There's a little bit of snow
laying up in here.

And I put the blue in it just to
give it a little shadow colour,

barely touching.

Maybe little lives right here.

Just lay it in wherever
you think it should be.

Maybe a little right in there.

Then you go back
and you can clean all this up,

bring it all together.

And this is the way
you lay snow in there.

And you don't want too much.

Want to keep this mountain
strong and dark.

Take a little bit of the
Van Dyke brown here.

Just put some deep shadows in.

Van Dyke brown.

There, wherever you want it.

Just let it bounce around
and play and have fun.

That's a super, super little way
to make a very effective mountain.

It's easy to do, a lot of fun.

I think you'll enjoy it.

Put a few little things
here and there just to break it up.

OK. Now, I'm going to take...

Maybe there's some little grassy
areas that run up the side here,

so I'll go right into the same
mountain colour, add a little bit

more crimson to it.

So I'll just tap a little bit
onto the brush.

There we go. Just tap it.

OK, let's go back up here
and maybe, maybe, maybe...

..there, we'll put some little
grassy areas that are coming

right up the side of this mountain.

Put some dark colour in first

so we can put a lighter colour
on top of it.

Just...there.

Just let it pick up
all these little colours.

Follow the basic angles
that are in your mountains.

There we go.

Over here, maybe it
comes right down.

There we go.

Now, without cleaning the brush, I'm
going to go right into a little bit

of cad yellow, little Indian
yellow, just mix these on the brush,

and let's begin just lifting up
some of these little colours.

Just touch it, lift upward.

Look like a little happy sunlight
playing through there,

and you have to decide how far
up the mountain this goes.

I'm going to start adding a small
amount of sap green here and there,

we're beginning to see some green.

There.

And you can just play back and forth
between the greens and the yellows

and make all kinds of happy
little sun things happen.

See how easy that is?

And it's fun, it makes you happy.

Makes you happy.

And that quickly, we have a...we
have a basic little mountain.

There.

Then you can really, really
put some detail on these.

They're a lot of fun to do.

Do several ranges of them.

Big, big, strong, old mighty
mountains living up here.

OK.

That'll give us
something to play with.

Then I'm going to take my large
brush and I want to...I want to

soften this, so I'm just going
to tap the edges,

right on the edges.

And it's mixing
with the magic white,

and automatically
it's lighter in value.

Automatically, you don't
have to worry about it.

The canvas and the paint does it.

There we go.

See how soft you can make that?
And gently lift up.

You can make it
just as soft and tender...

All right, all right, all right.

Now we're ready,
now we can start playing.

We've got a happy little mountain
back here ready to go.

Clean the old brush off again.

LAUGHS: All right. OK.

Tell you what, let's mix up...

We've got some mountain colour here,
that was Van Dyke brown,

thalo blue, alizarin crimson,
and I'm going to add to that

a little bit of sap green.
Just a small amount.

Just a small amount.

We'll just mix us up some colour,
and then I'll get the fan brush.

OK.

And I'm going to load this
fan brush full of paint,

put a lot of paint in the bristles.

Just pull it through there,
wiggle it sometime.

That helps a great deal
and it sharpens your brush.

But you can see all the paint that's
in that brush, a lot of paint.

OK, let's go up to the canvas here.

Maybe there's a beautiful
little hill that lives right there.

You knew he was there.

And all I'm doing here is
just touching the canvas

and tapping downward.

Let all these little things just
fall right out of your fan brush.

And it makes an indication
of distant trees without actually

doing a lot of work.

And I'm lazy,
I look for easy ways to paint.

To me, paintings should...should
always be fun.

If it's not fun, then you have
to...have to change something,

make it fun.

Have to...have to make it fun.

OK, I'll just let these come...
There we go.

Trees grow to all sizes, all shapes.

So very, very little foothill,

makes it more interesting,
put little bumps on it and trees,

all different shapes and...

But you don't want to kill
all this misty area,

this misty area right in here
between the dark and the mountain,

this little misty area's
all that separate these,

so treasure it. It's very,
very important, hang on to it.

Hang on to it, keep it.

And wherever you want this to go,
wherever.

OK, we need to have
some trees over here.

Maybe this goes right down...

..just like so.

And we can just drop in some colour
while we've got it on the brush.

See, this is what makes it
so much fun.

You really don't have to worry
about it.

You don't have to plan it all,
just sort of let it happen.

Now, with a big brush, I want
to create some more mist.

So I'm just going to take
and tap the bottom.

Just tap it.

That creates beautiful,
little misty areas.

There we go.

And that simple,

you have a nice misty area,

and you need these misty areas
to separate different planes.

There we go,
just lift it up a little.

We don't care if we get
some of these down at the water,

they just come right out,
no big deal. Easy.

Can fix easy.

Now, with the same old brush,
I'm going to

go right into a little bit
of the cad yellow.

And since it has green blue on it,

that's going to make
a nice green colour.

Maybe I'll add a little more
sap green to it.

I want to quite a dark green here.

OK, I'm going to put a little bit
of highlight just here and there.

Just enough to make this
a little more interesting. So...

..just touching and pulling down.

Don't want to kill all this.
Just...just here and there.

Add a little Indian yellow
here and there,

maybe a little touch
of yellow ochre.

Don't overdo. Don't overdo.

You want to keep this quite dark.

And we don't want a lot
of detail, it's too far away.

There we go.

Maybe there's a little...a little
light shining right across there.

And wherever you want to it.
There we go.

OK.

Now, with our large brush,
same old brush,

I'm just going to tap that again

to create a nice misty effect.

There.

Then lightly, lightly, lift upward.

Then we can just blend this out.

See, I told you it would go away.

Told you it would go away.

OK.

I'm going to grab another fan brush,

I have several fan brushes going,
so I don't have to clean them,

and go right back
into this dark colour,

add a little more of the green
and the brown and the blue.

Good dark colour, crimson.

Should look black on your palette
and maybe, maybe,

maybe, maybe, maybe, yep,

there's a happy little evergreen
that lives right there.

And we drop a centre on,
and then very lightly

just come right down and
build a happy little tree.

That easy. There he goes.

There he goes.

Just work that brush back and forth.

OK, let's give him a friend.

He's got a friend
that lives right there.

Just back and forth.

And remember, trees,
they don't grow perfect.

Trees are like, well,
they're like us.

They have flaws
and they have imperfections.

Course you don't, but I have,
I have several imperfections.

There we go.

OK, and one right there.

Just let these trees
come right off your brush

and however many you want.

This is...this is your area,

so however many trees you want,
drop them in.

Maybe there's a little landmass
that comes right out there.

Right out like that.

Wherever you want it, drop it in.

And we need some reflections,
so we just do...

All we're looking for
is just very basic shapes here,

where there's a tall tree here,
you want...you want a reflection

that's roughly the same.

There's even a taller one, so
you can just...just have fun.

Have fun.

There we go, another little tree.

OK. And probably one of the most
fantastic things that happens

with this technique is reflections.

Watch how easy this is.

We'll touch and just pull down,
and it mixes with the magic white

and you can move this paint.

If this was a dry canvas, oh,
you'd be in agony city right now.

But since it's wet,
this paint will move.

Now very lightly just go across.

And that quick,
you have instant reflections.

And you can push the paint on here.

Maybe, let's go right in here.

Maybe you can take it
and push it a little.

See how you can push that?

You can wiggle these reflections,
make them move.

Now, if that was a dry canvas,
once again, you couldn't do that.

All right.

We'll take a little bit
of yellow ochre

and put a small amount
of white with it,

just yellow ochre and white,
and get a very small roll of paint.

Let's go up here and we'll just use
yellow ochre today for trunks.

You could use brown.

I'm just I'm in a mood
to use a little ochre.

There.

I was born, raised in the South,
and I have a tendency

to say okra, which is a plant.

It's a very nice food I used to eat.

It's almost a natural tendency
to say okra rather than ochre.

Now a little... This is a little
sap green and cad yellow

on the fan brush.

And we can very quickly just drop
in a few little highlights

on these trees.

Don't kill all your dark.

That dark is so important.

So, so important.

There.

OK, a little bit on this tree.

While we've got this old brush
running I'll add a little bit

of the yellow ochre,
and we'll just very quickly

just drop in some little
grassy areas here and there.

This is sap green, cad yellow,
yellow ochre,

it's just all mixed on the brush.

Just let it go.

There we are.

Now then...

..I'm going to take another fan
brush and put some Van Dyke brown

on it and some burnt umber,
just mix them on the brush,

and, and, and, and...

..I'm just going to scrub in some...

..some little ground areas here.

Just very simple, drop them in.

There we go.

Wherever you want them.

OK, now I'll go into some titanium
white and yellow ochre.

Like that colour today!

Titanium white, yellow ochre.

Let's go right up here

and very lightly, just barely,

barely touching the canvas,

put a little highlight on your dirt.

Don't want too much. Just a little.

OK. Right there.

There we go.

Let it go.

And a little bit...

Wherever, wherever you think it is,
that's where it is.

Just let it drop
right off your brush.

That's a super, super easy way

to make some very effective
land areas.

Now, take a little bit of the colour

and just bring it right down
onto the land,

and that way it brings
it all together.

It makes it look like it fits.

A little bit of the magic
white on the knife.

Let's go up in here and put in
some happy little waterlines.

There we go.

I'm just literally cutting
into the canvas,

just like you're trying
to cut a hole in it.

This old canvas is tough.

You're not going to hurt it.

Not going to hurt it.

There we go.

A little bit right there.

And we have one side finished,
that easy.

OK, let's go over here
to the other side now,

get some brown and green and blue.

A lot of paint on the brush.

Maybe there's an almighty tree
that lives over here.

Maybe he lives, yep, right there.

Right there.

Just let this brush
play back and forth,

and there he comes.

We knew he was in there.

There. See how easy it is?

You can just push that tree
right out of your brush.

And we'll give him
a little friend there.

Right on down.

Maybe another one here.

However many trees you want.

This is your world,
so whatever you want.

There we go.

While I've got this old dirty
brush going, we'll just...

..drop something right in here.

We need, we need, we need...

Just like on the other side,

let's put a few reflections right
in here, and all we're doing

is laying colour in right now.

We could care less
what's happening with it.

We'll work on all that later.

Right now, just lay some colour on.

OK, we're back to our large brush,

let's make some beautiful
little reflections right here.

Pull down, straight now.

Go across.

OK, and back to my yellow ochre
and white.

Maybe I'll put the tiniest little
bit of burnt umber into it,

just to darken it down a little bit
for this side

and we'll drop a few little trunks
here and there.

Just like so.

A little bit of highlight colour,

the green and the yellow.

See that, see that?

Just put some leaves on that rascal.

Tree needs some leaves so he shines.

Let him sparkle in the sun.

There.

And maybe, maybe...
Where did the fan brush go?

There it is.

Get some Van Dyke brown,
a little burnt umber.

Maybe there's a nice big stone
that lives right here.

See how easy...

Just drop in a big stone.

Maybe he's got a friend
that lives over here.

Back to my yellow ochre.

Now, if you ever have trouble making
paint stick, add a small amount

of paint thinner, then paint
will stick to a thick paint.

Put a little highlight up here.

I'm going to add the least little
touch of permanent red to that, too.

Yellow ochre and
a little permanent red.

Don't over mix your colour.

Don't over mix it.

A little bit right in there.

OK. Now we'll go back
to our fan brush,

it had the green
and the yellow on it

and we'll put some happy
little bushes and stuff right...

There it is.

Just let it play down all around
the little stones

and the rocks.

Vary your colours a little,
make them sparkle.

Make that tree come right on down.

There we are.

Let's see how easy it is
to make a very effective

and very pretty little painting...

Go back into the magic white.

Put some little waterlines here,

just like so.

There we are.

Now, maybe... There we go.

A little waterline
comes right around the stone,

but let it come around the stone.

Don't just cut the bottom
off straight.

Your stone won't be
near as interesting.

We want nice, interesting,
happy little stones here.

Just like so.

I think we've about
got a finished painting.

So I'm going to take
a little bit of thin oil.

This could be linseed oil
or copal, or whatever,

doesn't matter.

Let's go right up in here
and sign this one.

A little permanent red.

When you're signing yours at home.
sign it in any colour that you want.

I just like red.

There we are.

I think we have a finished painting.

From all of us here,
happy painting. God bless.