All language subtitles for The Joy of Painting - 2x02 - _track3_[eng]

Hi, welcome back,
I'm glad to see you again.

And today, I think we'll do
a vertical painting,

fantastic little painting. May well
put a couple little buildings in it.

I'm going to ask them to graphically
run all the colours

across the screen that I'll be using
today, and they'll come to you

in the same order that
I have them on my palette.

And while they're doing that,
let's get started.

I've already covered the canvas with
a thin even coat of magic white,

and it's wet and slick
and ready to go.

So I'm going to go right in here
with a two-and-a-half inch brush,

we'll take a little bit of Prussian
blue, and I'm going to pull

that out and really beat it
into the bristles to get a nice,

even distribution of paint.

And let's go right up to the canvas

and let's just let this bounce
around and play a bit in here.

Just let it go, have fun.

All kinds of little things
happening, little actions.

But today, I'm not going to
cover up the entire sky.

Going to leave some open spots
here and there.

Just let that brush bounce and play

and all kinds of little
things happening.

Something like so.

OK. And now, while I've got a little
of that blue on the brush,

I'm going to go right down in here
and sort of do the same basic thing.

Just let the brush bounce and play,
and have fun.

That's what you should be doing.
Just enjoying, having fun.

This old painting
should make you happy.

There.

Just drop in some little things

but we leave some of these little
white areas in here right now.

OK. Now, I'm going to clean
the brush.

We'll just rub it off.

Shake him dry.
HE CHUCKLES

Give him a good rap. It's a good way
to take out your frustration.

It's better than fighting
with your spouse

or kicking the puppy dog around.

Let's go right up in here
and let's just gently, gently,

let's just blend this out.

We don't want to kill all
the light areas.

And if this works just right,
it'll look like clouds

and you didn't have to do anything.

Except leave some areas open.

It's a super nice little easy way
to give the indication of

little fluffy distant clouds
without working yourself to death.

And just let your brush
bounce around and play.

So, a super little sky.

Easy to do, only takes a minute.

OK, we'll do the same
thing down here.

Let's very gently blend it out.

OK, let's put some,

let's have some little hills
back here in the background.

So we'll start, I'm going to take a
little bit of the Prussian blue,

very small amount,
little Van Dyke brown,

and we'll just mix things
on the brush here.

Brown, blue, maybe even
a little alizarin crimson,

little sap green,
all mixed on the brush.

So we got brown and blue,
crimson, sap green.

There.
OK, let's go up to the canvas.

Maybe there's a little rolling hill
back here in the background.

So we touch and just pull down.

Just touch and pull down.

See there?
That's all there is to it.

Very easy to do, make your little
hill wherever you want him to go.

Pull straight down.

Straight down. I'm just using
the very corner of the brush.

There.

Maybe, maybe he goes right on,
right on off the canvas over there,

wherever you want him to go.

Now, I want to add a little
bit of blue to my brush.

And maybe, maybe there's one even
further back behind that one,

really, probably, should have done
that one first.

I just want to show you how to make
one that looks even further away.

More blue colour, because there's
water molecules in the air,

and things look bluer as
they're further away from you.

OK. Now then, lets take,
we'll take a clean, dry

two-and-a-half inch brush
and just tap.

Just going to tap the bottom
of these, make them very soft

and misty, far, far away.

And then lift upward.

Just lift upward.

And you can put as many
of these in as you want.

As they get closer, you'd be
looking for a little more detail

and you'd show a little more
of the greenish colour.

As things get closer to you,
you begin making out more colour

so we'd go more into the green.

And maybe we'll just put
a little one right here

so you can have an idea.

A little more into the green colour.

Add however many you want.

This is only limited
by your imagination

and how far you want to take it.

There.

It's a super nice way of making
little hills in the background.

Tap the bottom.

You need the mist in-between,

that mist is all that you have
to separate these.

So you need this little misty area.

And lift upward.

Just like so.

And once again, we have a nice soft
little area in-between them.

OK, maybe we have a few
little trees back here

and they're getting closer,
getting bigger.

So we'll take some Van Dyke brown,
I'm going to use some burnt umber,

alizarin crimson, sap green.

Just mix them together on the brush.

Pull that brush through the paint.
See how it bends.

Good.

Now look at the shape of the brush.

That's what you're looking for,
a lot of paint.

Let me turn around
so you can see the end.

Woo, look at all that paint.

All right,
let's go up to the canvas.

And right in here, maybe,
there he is, there's a little tree.

Maybe he's a big tree
but he's far, far away.

And he lives right there,
that's his home.

Little more paint on the brush,
maybe,

maybe there's another one
that lives right here.

I don't want to kill
all this misty area.

It really, once again,
that's all you have to separate

all these individual things.

Try not to kill them.

Maybe, maybe there's just a
little tree that lives here.

Wherever, wherever.

And there's one.

Maybe there's a big one right here.

However you want him shaped,
that's the way he should be.

OK, just drop in some very,
very basic little shapes.

At this point,
we're really not worried about it.

OK, now we need,
we're going to need some reflections

if we're going to have
a little pond here.

I think I will,
so let's pull some of this down.

At this point, still doesn't matter,

we don't know where it's going
or why or don't really care.

OK, some of the more
defining shapes we'll,

we'll work a little harder at.

Like so.

OK. Good.

Pull that down, then I'll take
a clean brush and very lightly,

very lightly go across it.

Just enough to give
the illusion of water.

Now, we can start picking out some
individual things in here.

Maybe...
Let me get a one inch brush here.

Tell you what, let's put a little
magic white on it.

Let's go into a little bit
of yellow,

yellow, yellow,
and my old standby here, sap green.

Magic white was in the brush
just to thin the paint.

OK. Now maybe right up here we'll
put some leaves on this little tree.

And let some little shapes
happen in there.

There. That's all we need.

Let's add a little more green.

Dab a little darker
and we'll go right over here.

And right here.

Oh, there we are.

Now we'll put some
leaves on this little tree.

Don't kill all your dark areas
though.

Sometimes when you start putting
these leaves on there,

they're such fun that you get
carried away

and consume all your dark, and then
your painting's going to get

very flat, your little tree will
just lay there.

Looked like somebody cut it
out of newspaper

and just stuck it on your canvas.

And we want trees that have depth
and have a little personality.

OK.

Now, water normally
lies in a recessed area

so begin working with the lay of the
land, so it comes down.

I'm adding a little yellow ochre,
little Indian yellow here and there.

Just mix these on the brush.

Let all kinds of little
things happen.

Now, we can reflect some of this
right into the water.

Just look at what you have up here

and reverse your brush
and do it in the water.

Just very basic.

Just reverse it, drop it in.

And then with our large brush,
we take it very lightly,

barely, barely touching,
barely touching.

Barely touching, pull it down.
BANGS BRUSH

Now do that just to remove
excess paint off the brush,

then very lightly, come across.

Sometimes you can just beat
the brush real hard,

you don't have to go to all
the trouble of cleaning it.

OK, tell you what...

..let's build, let's build a little
building or two back here.

And maybe we'll start with
a little bit of Van Dyke brown.

Little bit of Van Dyke brown.

Cut a little bit out with a knife

and let's decide where our
first building will be.

Maybe we'll have several
little buildings right here,

and go with the roof.

We'll put the roof up.
Shoot, that easy.

Give it another side to the roof.
Ooh.

And all we do
is fill in the colour first.

All I'm doing is just
putting in some brown

and then we'll come back
and highlight.

Leave the dark in order
to show light.

And...

..maybe, maybe, maybe there's
a taller building right here.

We're just sort of laying some
basic shapes right now

for where we're going to have
the buildings.

I'm not really worried about what
they're going to look like.

We're just laying in
our brown colour.

And then we can play with it.

OK. Now, let's put some things
up here on the roof.

I'll take some brown, some white.

There, mix your colour up
and then we'll take a...

Just pull across and get a small
roll of paint on the knife.

There, you can see it very well.

Just a small roll of paint
right on the edge.

OK. Now, we can come right here and
we can begin adding some highlights.

Now, there's numerous ways
you can put this on

to make all kinds of affects.

You can sort of let it
bounce along like this.

Just let it tap, touch,
bounce along, make it look old.

Maybe we'll make it to look old,
I like old buildings.

And...

..a little bit of highlight right
there, a little light striking.

A little bit going off
in that direction.

OK, now we...

From the bushes, it looks like
the light's coming from the left.

So let's take and make the left side
look a little brighter.

I'll take some, some burnt umber...

..and put a small amount
of permanent red into it.

Burnt umber with a
little permanent red.

Little bit of white.

OK.

Get a little roll of paint,
let's go right up here...

..and very lightly
just pull it down.

Just to give the impression.

Now, to that same colour
I'll mix up some Van Dyke brown.

It's the same colour, only I'm using
brown to make it darker.

Same colour with brown in it.

It's much darker.

Now, put that, since the
light's coming from here,

this end needs to be brighter.

So right here, I'll use a different
colour that's darker.

Just like so.

And that sort of separates them.

OK. Now, you've got to make some
decisions,

are there windows in this building?

If there are, I'll just use
the small edge of the knife

and we'll just put some
little indications.

You can put whatever
you want in here,

this could be a barn
or a house or...

Just want to show you how you can
make all these little buildings.

We'll just take
the point of the knife

and sort of outline these little
windows, make them stand out.

OK. Let's do the next one.

And we'll do the roof.

Come right on down through that one.
See there? We don't care.

Just cut off what you don't want.

There.

OK. Now we take a lighter colour
and once again,

highlight the edge so it stands out.

Little bit right there.

Maybe just a touch down there.

OK. Now...

Now we can put a side here.

That easy.

And then our darker colour.

Put a front on it.

Shoot, who knows? Maybe, maybe
there's a big door right there.

Big door, we don't know.

I don't even know for sure what
kind of buildings these are,

they're just cute.

Maybe we can show some planks.

Just cut right through the paint.

There we go,
trim up the edges like we want them.

Now, maybe... Let's get crazy.

Maybe whoever built this was having
a good day, a good day,

and maybe he put another little
building that comes out this way.

And there's a roof on it.

We'll use the small edge of the
knife to put the other side on.

Get a little higher in the front,
there we are.

Good.

Other side of the building.

Little bit of highlight.

Make that stand out. I'm using
the small edge of the knife.

So often we avoid it, and it's just
like the big one only it's smaller.

Does super things, use it.

OK, now we need to put
some dark right here.

Like that.

And a little bit of the
lighter colour...

..in the front.

There.

Now, we just got buildings
everywhere!

Alrighty, I got this
dark colour on here,

let's put some land in here,
we need a little bit of land.

Right along, there it is.

Got to make decisions
where it is, where it goes.

And this is your world, so you have
to make these big decisions.

OK. So, over in here...

Now, I'm going to take the brush
I was using to make all these

beautiful little bushes,
and let's just bring a few of these.

This is just a one inch brush,
still has cad yellow...

..a little bit of Indian yellow,
yellow ochre,

a little permanent red
all mixed together.

So you have a multitude of colours
happening on the brush.

And we can bring all kind of
little grassy things

all round, wherever you want them.

Here and there, and there and here.

And let's take a little brown
and white.

And we'll make us
a little bit of highlight.

Just sparkle this up here and there.

Don't want to be totally,
totally dead.

OK.

You know, one thing I'd like to
mention while we're doing this,

I get a lot of letters
asking about my easel.

My easel, I designed it
and built it myself.

And it's made from
a platform ladder.

And it's very strong.

Very, very strong.

And if you're going to paint this
method, you need a strong easel.

Nothing makes a better easel
for a more reasonable price

than a step ladder
or a platform ladder.

Any kind of ladder works
very, very well.

Very well.

Sometimes we get carried away here,
and we beat and bang

and you need a strong easel.

I'm going to use a little bit
of the magic white,

pull it out very flat, cut across it
and let's go up here

and just drop in some
little water lines.

Just here and there.

There we go.

There.

And you're just absolutely
cutting into the canvas.

Just act like you're trying
to cut a hole in it.

Canvas is tough,
don't worry about it.

You know, they make tents out of it,
it's strong.

Chances are, you're not going
to cut a hole in it.

You'd really have to...

Phew! You'd have to get violent
to cut a hole in it.

I don't want to be around
if you're doing that.

There we go.

OK, we've got some buildings
and some water,

let's work on that tree right there.

It needs to have a little something,
a little leaf on it.

So we'll use some green,
some yellow.

And we'll come right in here and
give him some happy little leaves.

OK.

And maybe, maybe, maybe

right here,
maybe there's another one,

an individual that lives right
there, right in his little foots.

OK. Now we can reflect some of that
right into the water

like we did on the other side.

Just here and there.

Now, with our large brush,
pull gently down.

Very, very gently. Come across.

Delicate, delicate touch.

Now then,
I can finish up my water lines

and we'll have this side finished.

Just here and there,
drop in a little happy water line.

OK, we can take the clean
point of the knife,

scrape in a few little trunks here
and there, wherever we want them.

Make some...

Or you can use your liner brush
if you'd like and draw them in

using different colours.

I'm lazy, I just take the point
of the knife and drop a few in.

Looks good.

OK, now, let's worry about the
other side of the painting.

Maybe we'll have some land
coming right down here in the front.

So let's,
let's take this old big brush.

We'll take some sap green,
Van Dyke brown,

alizarin, a little Prussian blue.

And let's go right in here.
There it is.

Maybe it comes right out
through there.

I don't want to kill this water,

I want it to look like it's going
on off in the background somewhere.

Maybe there's a little
reflection right here.

A little bit of reflection.

Right there.

And then we can bring this...

..maybe right on around like that.

Wherever, wherever
you want it to go.

Just drop it in.

There's a bush right there. See it.

OK, so we need to put some
colour right here.

Just a little happy bush
lives right there.

Maybe, oh, there's a nice red one.
Bright little sparkler.

Let's add a little green.

Go right along in here.

Make all kinds of little
grassy areas.

There they are.

OK, let's put some land
back in the back.

Little bit of Van Dyke brown.

Little bit of dirt right there.

Got to have something for all this
little grass and bushes to sit on.

There, a little bit
of highlight on it.

Then we can drop
all these things right there.

And once again, mix these colours
on your brush and that way you

get a multitude of things happening
when you hit the canvas.

It's not just one dead colour.

And do this in layers using
the brush sideways, touch, push,

bend it upward. In layers though.

So it creates the illusion of depth.

You don't want it to be flat.

OK, maybe...

Now, we need something to push
everything back in this painting

so I think I'm going to take
and add, maybe,

a big tree that comes all the way up
and that'll help push everything

back and work on making
it look deep.

Right now, it looks quite flat.

So let's go right in to some brown,
we'll use the almighty knife.

And you've got to make a decision,
where's your tree live?

Where does he live?

Right here is where he lives.

There he goes.

And this is where we find out
if you're brave,

when you start putting
all this brown

right up in the pretty blue sky.

There he goes.

This old tree, well, he's a big son
of a gun, goes way up in the sky.

Give him foots.

All the way up. There we are.

Let him get a little wider,
make him look a little stronger.

OK, now we can highlight him.

Maybe... Tell you what,
let's give him a little friend.

Don't want him to get lonely.

Gets cold out here at night,
he needs a friend.

Just let him go.

Everybody needs a friend
when it's cold.

There.

And let's drop in just a few little
indications of limbs, we'll put some

leaves on this one,
so we don't really have to

do a lot of work on limbs.

If you have trouble making
the old knife work, you can

do this with a liner brush,
no problem, no problem.

Works very well.

OK. Then I'm going to use
the same reddish colour

that I used on the little house
back here.

And just touch.

We said our light's
coming from the left.

Please excuse my arm being
all in front of you there.

This is where the left handed
person has the advantage.

And just go right on up
the side there.

In there, just...just to make
a few little highlights.

And on the other side, I'm going
to put the least, least,

least little touch of,
little bit of blue.

There, just to break it up.

Now, let's put some leaves on this
tree, said we'd have some leaves.

Let them be very loose.

Very, very loose.

Let them go.

Wherever, wherever you want them.

OK. Now, you'll highlight this.

I'll use a little yellow
and very quickly highlight it.

And as we're highlighting,
I'd like to tell you goodbye

and I hope we'll see you next week.

This has been a fantastic painting,
and I think it's taught you a lot.

So on behalf of all of us here,
I'd like to wish

each and every one of you,
happy painting.

God bless.