All language subtitles for The Contract 1999

I'm good to go.

Excuse me, miss.

You can't stay here.

You have to move.
- I'm sorry.

She's just a little fussy.

Carlos, get your
hands off that lady.

My boys, they have no manners.

[silenced gunshots]

Alonzo says hello.

[gunfire]

REPORTER: This was the scene
today on 3rd and 58th Street,

where a wild shoot
out in broad daylight

resulted in six deaths.

Among the dead were notorious
mafia boss Anthony Vecchio.

Vecchio, known on the
streets as Little Tony,

was embroiled in
a power struggle

with mob underboss
Victor Alonzo for control

of the Le Senso crime family.

Police have no suspects so far
and have refrained to comment.

That was absolutely perfect.

Thank you.

No, I'm OK.

Are you sure?

Mm-hmm.

You're turning out
to be a good chef.

Well, if I left
it up to you, Luc,

we'd have take out every night.

Know your limitations.

That's my motto.

And besides, no mess.

I'd love to stay and chit chat
about the pros and cons of take

out versus home cooking.

But I do have a semblance
of a life, you know.

Ah, leave that.

Where are you off to?

Nowhere.

Nowhere?

Why do I get the
distinct feeling you're

not telling me everything?

Because I'm not.

Goodnight, Luc.

Don't wait up, OK?

-

LUC: Goodnight, sweetheart.

Today, Senator Harmon--
LUC: Have fun.

--former director
of the CIA, announced

his intentions to run
for the leadership

of the Republican Party.

Harmon, a Vietnam veteran
and renowned hardliner,

surprised insiders by making
his announcement on the steps

of the Senate building.

It is expected the senator
will hold a formal press

conference later this week.

It's time to stop
talking, and start acting.

How's your family, Jimmy?

REPORTER: Senator--

Hey, honey.
How are you doing?

Hi.
Good.

How are you?
- I'm good.

Good.

- Good to see you.
- You, too.

What are you doing here?

I've come to see you.

That's nice.

And have a sneak preview.

Sneak preview, all
right, well, we can--

I'll show you this room.

It's finished.

OK.

So are you gonna be
ready for tomorrow?

Yeah, you know, l was really,
really nervous about this show.

But, uh, well, you know what?

I'll just take you in, and
you can see for yourself.

Wow, James.

This is incredible.

These pieces are excellent.

I'm so proud of you.

It's all coming together.

- Slowly but surely.
- Yeah.

I've got so much work
to still do, though.

I mean, you saw
the front gallery.

I've-- I've still got
to get that all dressed.

I mean, half of these paintings
arrived before you got here,

you know?
- Really?

Oh, yeah, I
mean, trying to get

an artist to meet a deadline is
like pulling teeth sometimes,

you know?

Yeah, some of
these are beautiful.

Oh, I love this one.

This kid is 23 years old.

He's already painting
at this level.

I mean, it blows my mind.

He's going to be huge.

And that's all thanks to you.

You know?

And I'm going to be there
front and center tomorrow.

Mm-hmm.

Why aren't your
paintings up there?

Well, I don't know.

The market's really
fallen through

for the dogs playing poker.

Now I'm stuck with
all this velveteen.

Not everything has to be a
masterpiece, though, James.

You know?

I think, um, I think you need
to be inspired a little bit.

- Inspired?
- Yes, I do.

I'm not sure
I'm following you.

Well, let me show you.

Hmm, no, not getting
anything there.

- Nothing?
- No.

Well, how about--

I think I like
this inspiration.

[music playing]

(SINGING) What it took you to
prove, I guess that I owed you.

It's nothing.

The ones that can
hurt you, the ones

that can heal, I don't need
your secondhand love to come

and dry, dry these tears.

Maybe it's nothing
you want to hear.

But for me, it's nothing
I want to keep on feeling.

I'm not the one who's
with you tonight.

I'm not the one.

Well, I'm going
to say goodnight.

All right.

You've got a lot
of work ahead of you.

Mm-hmm.

They're going to love it,
you know, the collection.

You did a great job, James.

Thank you.

Thanks.

So I'll see you tomorrow
at the grand opening.

Yeah, yeah, finally
a chance for me

to meet the mysterious Luc.

You weren't going to
introduce me, were you?

Look, James.

When the time is
right, you'll meet him.

I promise.

He's going to love you.

Goodnight.

Goodnight.

(SINGING) Kisses
you're giving away,

while they should be mine.

They should be mine.

They should be mine.

Having trouble sleeping?

How was your evening?

HANNAH: Fine.

You weren't waiting up
for me now, were you?

No, just catching
up on some reading.

At 2:00 AM, huh?

Is it that late?

So what are you reading?

Luc, no offense, but
you need a woman.

[beeping]

Or at least a hobby.

[modem dialing up]

What the hell's that?

Nothing, I'm just
checking on our next job.

CANDICE (SEXILY): Hi.

You've reached
Candice's web page.

I'm so very, very hot for you.

So what's it going
to be, big boy?

HANNAH: So what have we got?

Peter Wellington.

Seems simple enough.

Yeah, that's exactly
what's got me worried.

Luc, we can do this
one in our sleep.

Not this one.

HANNAH: Hey, what are you doing?

Hannah, trust me.

This hit just isn't right.

Luc, that was a lot of money.

Doesn't that say
anything to you?

Now who pays a lot
for easy contracts?

The government,
nothing in the contract

is as easy as it seems.

You don't think I can do this?

Hannah, we don't
do government jobs.

It's that simple.

Look.

It's late.

I'm tired, and I have
no time for this.

WOMAN (ON RADIO):
We're coming down.

Get the elevator.

The car is on its way.

[suspenseful music]

Whoa, whoa, whoa.

I'm sorry.
This is on service.

You have to take another.

Damn it, my daytimer.

Alida.

I'm on it, sir.

Oh, come on.

I'm only going to
the fourth floor.

It'll be our little secret.

I know I'm going
to regret this.

Oh, damn.

This is Alida.

They got Wellington,
a woman, south stairs.

Move.

[gunshot]

Are you all right?

Hannah?

Yeah, yeah.

Get the car.

I'll take care of things here.

Hannah, move.

We're running out of time.

[music playing]

[elevator music]

Got room for two more?

Who sent you?

The big, bad wolf.

[shouting]

[gunshot]

Luc, Luc, no, no.

No, no.

No.

It's OK.

No.

No, no, no, no, no.

It's OK.

No, you're gonna make it.

You're gonna make it.

No, please, don't.

No.

Luc, please.

It's all my fault. No.

You know what I was thinking?

We need a calling card,
yeah, something with style.

All the great killers,
they've got calling cards,

something they say to a dude
before they cap his ass.

Now that's the kind of
thing that gets you a rep.

And when you get a killer
rep, you get respect.

Am I right?

One problem.

What?

The guy's dead.

So?

Let me ask you this, Einstein.

How can it be your "calling
card" if there's no

one around to tell the story?

Let's go.

You've got work to do.

Name's Angel, and
that's the last word

you're ever gonna hear.

Nah, that sucks.

[knocking]

Hey.

Hey.

So how was the opening?

The opening was fine, Hannah.

The opening was great.

Thank you very much
for being there.

James.

No, no, this is the same
thing over and over again.

I mean, it's getting
absolutely ridiculous.

Hannah, what's wrong?

Why don't you sit down?

What's wrong?

He's dead, James.

Oh, Hannah, I'm sorry.

He's dead.

I'm sorry.

I was just at
the cemetery now.

How did this happen?

Oh, I--

I-- I don't--

OK, all right, we don't
have to talk about it.

Why don't I, uh, why
don't I go get us some food?

And, uh, you just-- just--

just sit and relax
for a minute, OK?

OK.

Uh, I could go get us
a movie or something,

say, um, uh, "The
Princess Bride,"

with, uh, Billy Crystal, Robin
Wright, uh, Andre the Giant.

James, hurry back, OK?

As you wish.

[music playing]

(SINGING) If you feel strange
somehow, if you really

want to know, it's been hard.

Never been the creature.

Never been the crowd.

Never been the
receiver of miracles

when they're around, just
the curiosity of healers.

I've been touched.

I've been bled.

And it's still hard, so hard.

Back up.

[rock music]

[shouting]

[cracking]

Hannah?

No way, Hannah.

You ain't seeing
anyone, not now.

Jesus Christ.

Get out.

What the hell are you?

Why did you kill Luc?

Who?

A simple question, Alonzo,
I want a simple answer.

Who gave you my name?

Your boy, Angel, for starters.

Angel, that moron, I
haven't used him for a month.

He's freelance now.

[non-english speech]

Him and Franco have been
working together for a while.

We haven't seen those
boys in a long time.

Franco is a dead man.

His life ain't worth
the cost of a bullet.

If anyone's using
that joker for jobs,

it's because they
don't know him.

So where do I find Franco?

You can try the girls
on East Side, low class.

That's more his--

[groaning]

I guarantee you, if he's making
money, he'll be down there,

pissing it away.

Hey, baby, you look
a little high strung.

Why don't you let me
loosen you up a little?

Come over here.

Sorry about your nose.

It's the truth.
I'm telling you.

It's the truth.

Good evening, Franco.

Ah, fellas, are you guys, uh,
looking for a little action?

A little action?

You know, uh,
a little advice--

I'd, uh, lose the
suits next time.

It kind of makes
you look like cops.

A real joker, eh?

Beat it.

Take a hike.

All right.

It's time for a
little chat, Franco.

Yeah.

[suspenseful music]

So you kids want a drink?

No, thanks.

Kids.

[music playing]

I'll tell you, boys, music
since the King died, man, crap.

Now I'm not talking about
when he was in Vegas, taking

potshots at TVs and stuff.

No, I'm talking about the
man, oh, hey, in his prime.

Are you two, uh, Elvis men?

Sit down, Franco.

Hey, relax.

Now is it done?

Where's my money?

Jackson, the cash.

I don't know what you guys
were so worked up about.

It was like fish in a barrel.

You've always been
clueless, Franco.

I didn't know this was
gonna be an official visit.

Well, I just wanted to
shake the hand of the man

who killed two of the
greatest assassins

since Lee Harvey Oswald.

FRANCO: Yeah, well, you
want a job done right,

you get the best.

You just let me know if
any more of your, uh,

boys get out of line.

So?

So what?

Are you gonna make
me a happy man, Franco?

I told you I could handle it.

Luc's dead.

The girl?

Uh, we missed the,
uh, op-- opportunity.

Uh, look.

It's no big deal.

I sent Angel to take care of it.

He should be back any time.

You just relax.

Have a drink.

Don't worry.

Anyway, she's a throw in,
my gift to you, no charge.

[chuckling]

Did you hear that, fellas?

The girl is a gift to us.

Listen.

I don't know what to say.

You shouldn't have.

And Moses, is he a gift as well?

Well, no, I mean, a guy's
gotta make a living, right?

You guys understand that.

Nice try, though.

Do you ever ask
yourself, Franco,

how, uh, a screw up like you
could get two of my best men?

No.

Because they were
set up, Franco.

They were sent there.

I sent them there.

And do you want to
know why, Franco?

I have a feeling
you're going to tell me.

Because they were
loose ends, Franco.

And you, you are my last.

You know, it's almost
criminal that this scumbag

nailed Luc at Moses.

Now all we have to do is
find his little friend.

Prep the place.

Let's get out of here.

This bunk is already
starting to stink.

What was that?

The girl, sir.

JAMES: Hey.

What the hell
are you doing here?

What the hell am I doing here?

I'm not the one sneaking into
the back of my apartment.

What the hell hap--
I mean, I come back.

My place is trashed.

You're gone.

What am I supposed to think?

James, not now.

[tires squealing]

What do you mean, not now?

Jesus Christ, Hannah,
would you talk to me.

Freeze.

Hands up against
the wall, right now.

Guys, it's not what you think.

It's just a little disagreement.

Hannah, you can tell them.

You guys are good.
Where did you come--

hey, Jesus.

Hey, would you relax
there, Serpico?

James, are you OK?

[distant emergency sirens]

We gotta go.

We gotta go.

ANNOUNCER (ON RADIO):
For today, partly cloudy

with a high around 40 degrees.

You're listening
to All News Radio.

All news, all the time.

We now take you live downtown
to Senator Harmon's press

conference, where as expected he
announced his intentions to run

as a presidential candidate--
JAMES: I don't feel well.

Can you pull over?

ANNOUNCER (ON RADIO): In
the upcoming election.

We now join him live.

Clearly, the deficit is not
going to vanish overnight,

folks.

And, of course, vote for me.

Let's try to keep a proper
perspective on these things.

I guarantee you, this whole
thing will turn around.

Vote for me.

My budget proposal is
just a starting point.

Of course, vote for me.

We work together
and stay on course.

All I ask for is that the
American public be patient.

And, of course, vote for me.

I guarantee you.

Of course, vote for me.

Thank you very much,
ladies and gentlemen.

Martha, you are
looking just exquisite.

Thank you very much,
ladies and gentlemen.

That'll be all the
questions for today.

Bye.
Bye.

Bye.

Thank you.

Where is the girl?

We're working on it, sir.

What did you say?

Sir.

I dare you to say that again.

I don't need to remind you
what it would mean if that girl

were to see the light of day.

You find her, and
you finish her.

Are you going to
kill me now, too?

James, take a
look at this gun.

Look at it.

It doesn't have a
serial number on it.

James, they weren't cops.

Jesus Christ, is that
supposed to make it easier?

James, I--

You-- you're what?

You're sorry that I
just killed somebody?

What-- what-- what the
hell happened back there?

You're like-- you're like
Jackie Chan or something.

I mean, who are you?

I don't even know.

James, this was an
assassin, a paid killer.

And so am I.

I never knew my mother because
she died in a car crash

when I was really young.

Luc was my father's
best friend in the war.

And before he died, he made
him promise to take care of me.

You know what?

I don't want to hear it.

James.

Hey, you two OK?

Yes, sir.

I was just, uh, feeling
a little carsick.

Is that so?

Where you two kids from?

The city.

You don't say?

What might be your
business in these parts?

Just passing through.

Passing through, huh?

How about some ID?

You all have that in
the big city, don't you?

It's, uh, in the car.

Now if I were to punch
up your license plate here,

I wouldn't find out your names
are Bonnie and Clyde, something

like that, now would I?

What the--

Whoa, whoa, wait a second.

Officer, it's not
what you think.

No?

And you tell me, just
what am I thinking?

Hannah, hold on here.

Drop it, lady.

Put it down.

I said, put it down.

Everybody just chill, OK?

Take a moment here.

Put it down.

No way, lady,
not gonna happen.

Look, Of--

Officer Wiley,
listen, Officer Wiley.

Clarence.

What?

Everybody calls me Clarence.

No one calls me Officer Wiley.

OK, look, Clarence.

You don't want to
get shot, do you?

Neither do I. So,
please, put the gun down.

How come you're not asking
her to put the gun down.

Because I've got a pretty good
feeling about you, Clarence.

You seem like a pretty
sensible guy to me.

Her?

Oh, Jesus.

Clarence, do
you have any kids?

Look at me.

I asked if you had any kids.

Yeah, two.

Just think about
your kids, Clarence.

Hey, they deserve to
have their father around.

Take it easy, man.

I'm just gonna take this.

Everything is gonna be cool, OK?

I promise you, no one's
going to get hurt.

It's OK.

It's OK.

See?

We're all friends here.

What are you gonna do with me?

OK, now, Clarence, I'm
just going to leave your keys

by the front tire, all right?

Are you OK?

You're not too,
uh, cold are you?

OK.

What about the radio?

What's that?

Can I listen to the radio?

Sure, Clarence.

[music playing]

MUSICIAN (ON RADIO):
(SINGING) I hear

that lonesome train rolling.

You take it easy.

MUSICIAN (ON RADIO): (SINGING)
I'm looking for my baby.

Don't know when
he's coming back.

We make a pretty
good team, huh?

James, I know this
is a lot to swallow.

Christ, I know how
twisted this all sounds.

But you don't understand.

I have to find them
before they find us.

And then what?

Then that's it.

It's over.

It's just-- look.

I understand if
you want to leave.

Where to?

What?

Where to next?

MUSICIAN (ON RADIO): (SINGING)
The fame never found him.

Fortune never shined.

If he hadn't left me, I
would not have found mine.

Lonesome train, lonesome train,
lonesome train, lonesome train.

Lonesome train, lonesome train,
lonesome train, lonesome train.

Ozzy, Ozzy.

Hello, beautiful.

Who's Ozzy?

He's like family.

I've known him since
I was a little girl.

He's taking care of the
boat here for the winter.

Are you a sight for sore eyes?

Oh, it's good to see you.

You're all right.

This is James.

Hey, Ozzy.

What brings you to this
lovely corner of the world?

Ozz, we're in trouble.

Yeah, what else is new?

Oh, baby, what you
got here, girl?

I think they're feds.

Ozz, I don't know what
the hell's going on here.

Are you OK?

Ozz, Luc's dead.

What happened?

The last hit, we were set up.

Look.

Ozz, do you think we
could go in and clean up?

It's been a really long day.

Of course.

But let me borrow the kid here.

I can use some help with
your friends in the trunk.

Hannah, I'm sorry.

Thanks, Ozz.

What are you gonna do with me?

So, kid, what's your story?

There's not much
to tell, really.

Frustrated artist,
tired of being told he--

he'll never make it,
wakes up one morning

and finally believes it.

So he takes a job in a small
but funky gallery downtown

and spends his days
hanging other people's

dreams on the walls.

Not much of a headline.

So what the hell are
we doing now, Ozz?

I don't think it would
be in my best interest

to drive around town
in a stolen vehicle

with two bodies in the trunk.

So we gotta move bodies now?

Great, just great.

So, James, what are your
intentions with Hannah?

Don't worry.

I'll have her home by midnight.

How long have you
two known each other?

All her life.

God, it seems just
like yesterday

she was just a little girl.

She was brought up by her
grandparents, and then Luc.

What was he like?

Who, Luc?

Yeah.

He was one of the best
friends a guy could have.

I met him in 'Nam.

We were in the same
unit, for a while,

before he joined a
team of special ops.

Thing was, when they
asked him to join,

they didn't mention
what he had to give up.

You see, what these guys
would do was secret.

I mean, I could tell you, but
then I'd have to kill you, see.

Nobody could know where he
was or what he was doing.

So they reported
him MIA, intercepted

all his mail going both ways.

He never even knew he
had a baby girl waiting

for him when he came back.

He never even knew
his sweetheart had

been killed in a car accident.

Jesus.

So Luc was-- man, why are
you telling me all this?

You're all she's got.

Her family life hasn't
exactly been a bed of roses.

I'm not trying to
make excuses for her,

just trying to give
you a little insight.

We'd better get this car back.

Come on, kid.

The legend goes that the
blues is the devil's music.

The crossroads, that's where
you're supposed to meet

the devil to get the 12th tune.

Is this some sort
of bonding thing?

It seems our friend here had
never heard of Robert Johnson.

He probably thought the
blues began and ended

with Stevie Ray Vaughan.

Ozzy gets a little testy
when it comes to the blues.

He thinks he knows
everything under the sun.

How many albums
you got now, Ozz?

2,000 and counting, on vinyl,
like they were meant to be,

none of this compact crap.

Yeah, I gotta agree
with you there, Ozz.

I mean, you ever seen
the compact version

of "Sticky Fingers?"

It kind of defeats the purpose.

Andy Warhol did that.

I'm aware.

Hey, Ozz, what's this?

Goddamn, I am a handsome man.

Is that Luc?

No, Bob Rio, that's Luc.

This guy here is Keith Kurtz.

We used to call him
Moses on account

of him being so religious.

We started with Holy Moses.

Moses?

Yeah, Moses, the guy
was a real Bible thumper.

Tell me more about Moses.

That's him there.

He joined our
platoon about two--

What's wrong, Hannah?

Moses, the guy who killed
Luc mentioned a Moses.

What was that first
guy's name again?

Bob Rio?

Bob Rio, no, I--

I don't remember that name.

You know, I remember
this, saying goodbye.

These three, Rio, Luc, and
Moses, were being transferred.

It's the last time I
saw them in the country.

Why them?

They were the snipers
in our battalion.

Black ops.

What?

It's, uh, it's what Ozzy told
me, a special unit in Vietnam.

Jesus.

Guns with no serial
numbers, black operations,

Ozzy, what the hell have we
gotten ourselves into here?

Is anyone else hungry?

I'm starved.

There's a burger place just
a few miles down on the right.

Take my car.

The keys are in it.

All right, I'm on it.

What did you tell him?

What he needs to know.

He's a good kid.

Yeah, he is.

He's a big boy.

He can take care of himself.

Look, Ozz, I'm really tired.

It's been a hell of a day.

I'm gonna go lie down.

OK, baby, get your rest.

Thanks, Ozz.

Sir.

Sir, we have no word from
Reynolds and Jackson.

We've been trying to trace them,
but we've come up empty handed.

And what about the girl?

Have you been able
to track her down?

She seems to have
disappeared as well.

Let me get this straight.

You have access to
state of the art

tracking devices,
satellites, computers,

and you can't even find two
of your own field agents?

Yes, sir.

OK, I'll tell you what.

Why don't you get
the hell out of here?

And if you value your
life, even a little bit,

you'll find that girl.
- Yes, sir.

So van Gogh cut his ear off,
and then he mailed it to her.

Why?

He was a tortured artist.

He-- he, uh, was deeply
in love, you know?

Um, and he was quite insane.

That's besides the point.

Hey, sunshine.

What time is it?

How long have I been out?

A couple hours, it feels
like a couple days, though.

The kid here has been
talking my ear off.

You like that one?

Talking my ear off.

Yeah, that's a good one.

OZZY: You OK, darling?

Yeah, I'm fine.

So tell me more
about the black ops.

There's nothing to
tell, really, just rumors,

assassination-type stuff.

They were real cloak and dagger.

They had their own agenda,
and they didn't discriminate,

if you know what I mean.

Charming.

So who would want
them dead, and why?

I think the question
you should be asking

is not why, but why now?

Luc knew he was living
on borrowed time.

They all did.

So how do I find out
more about the black ops?

Maybe they've got a website.

Newman.

GEORGE (ON PHONE):
Yeah, this is, uh,

George Henderson from the, um,
Lidon County Police Department.

What is it?

GEORGE (ON PHONE): Hey,
are you driving right now?

You know you're not supposed
to talk on the phone and drive,

right?

You'd better pull
over if you want

to continue this conversation.

What the hell do you want?

GEORGE (ON PHONE): Hey, there's
no need to get testy with me,

sir.

We've got that
information you requested.

You were looking
for two men and a--

Get on with it.

Well, it seems one of our boys
found that car a few hours ago.

And, well, I hope
you're sitting down.

[tires squealing]

[honking]

I think I can get
Luc's email from here.

Bingo, here it comes.

What are we looking for?

This.

This was sent to Luc the
same day we were set up.

JAMES: It's a freakin'
nursery rhyme.

The answer's got
to be here somewhere.

Wait a second.

Go back.

That's not how it goes.

What?

The rhyme, it's been changed.

HANNAH: This isn't a message.

This is a warning.

Someone was trying to warn Luc.

Damn it.

I've got to find
out who sent this.

You can check the code,
the computer code, here.

You can trace the, uh, the
email using the graphic code.

Voila.

This could take some time.

Look, James.

I'm going to get our room ready.

You let me know the second
anything comes up, OK?

Kensington Public School.

Sorry?

The message, it came from,
uh, Kensington Public School.

It's, uh, it's in a little town
about an hour north of here.

Well, at least we
have a destination, huh?

I-- I don't suppose
there's any merit in telling

you how insane this is?

I mean, you have considered the
possibility that this is, you

know, another set up, right?

I'm just tired of running.

You're not used to running.

I, uh, took the liberty
of drawing us a map.

Look, James,
when this is over--

When this is over, I--

I'm, uh, going to
take you out of

this two-bit, one-horse town.

See the world firsthand,
Sistine Chapel, Mona Lisa.

The Statue of David?

Of course, she wants
to see the naked man.

James, I don't deserve you.

That is true.

Come on.

Talk dirty to me.

[sighing]

Looking for these?

Busted.

So what do you
want me to tell him?

Tell him I'll be home soon.

You be careful.

Always.

I'll-- I'll check with Chang.

Hold on for a second, dear.

What is it?

We just got word from the
sheriff that ID'd the girl.

Where?

She and her companion
overpowered him at the junction

of I-5 and Highway 89.

I've got to go, honey.

I'll talk to you later, OK?

Bye.

Sir, there's still no word
from Reynolds and Jackson.

Jane, did you get
my dry cleaning?

JANE (ON PHONE): Yes, sir,
picked it up on Thursday.

OK, send out two teams.

I'm sure they couldn't
have gotten far.

Yes, sir.

Sir?

We'll take my car.

[blues music]

Hey, Ozz.
That smells good, man.

What are you cooking?

Eggs, bacon, and
a little blues.

It's the breakfast
of champions.

That's right.

So where is, uh,
where is Hannah?

Oh, come on.

She didn't--

She can take care of herself.

Are you insane?

I've got to go after her.

What you got to do
is sit your ass down

and eat these goddamn eggs.

Now sit down.

Sit.

Besides, she took the car.

Son, I'm gonna introduce you to
my special recipe, Ozzy's eggs

tequila.

You don't recognize me.

Do you, Hannah?

We can't talk here.

Who are you?

How did you find me?

Answer the question.

I knew Luc.

My name's Bob, Bob Rio.

You sent the email, didn't
you, three little pigs?

Remember, one got away.

They'll find you, Bob.

I did.

They can't find what
they're not looking for.

15 years ago, a chopper
went down over Nicaragua.

All hands, bodies
were never recovered.

It never appeared in
the news because it

never officially happened.

You were on that
flight, weren't you?

Brilliant, eh?

I killed me before they could.

How did you know that
they were going to kill Luc?

I knew as soon as I saw that.

Boy, if I have learned
anything in my 55 years

on God's green Earth, it
is not to try to understand

the mind of a woman.

Amen.

You can't live with them.

And you can't shoot them.

I beg to differ.

They got Luc?

What about Moses?

Did they get him, too?

Dead.

Prince of lies, El
Diablo, the devil himself.

Senator Harmon.

After what we did,
Luc should have known

Harmon was gonna come knocking.

Bob, what did you do?

Tell me.

I'm not gonna ask you again.

Only the most notorious
assassination of all time.

Hey, Sherlock, next time
park your car in the back.

Look.

That's it.

I'm definitely not
voting Republican now.

Gentlemen, I'm a busy man.

I have a dinner engagement
with the Speaker of the House

and a late-night
interview with City Line.

And my little baby girl
can't get to sleep without me

reading her a bedtime story.

So as you can see, I'm a
little pressed for time.

Where did she go?

Come on, Bob.

We're going on a little trip.

No way, lady, I
ain't going anywhere.

Bob, this is bigger
than the both of us.

People need to know.

Now that's crap.

Nobody's gonna believe us.

That's what keeps them safe.

Look, Bob.

Why did you try and
get in touch with Luc?

I told you, to warn him.

He didn't need warning.

Tell me the real reason, Bob.

It's because you can't stay
out of the game, right?

Here you are, in the
middle of nowhere.

Harmon thinks you're dead.

You've won, but you
risk everything to warn

somebody who doesn't need it.

Am I right?

Helping Luc was just
one last little screw

you to get to Harmon.

Come on, Bob.

Let's get personal.

You know Harmon well.

What's that supposed to mean?

Once he finds
out you're alive,

he will travel to the ends
of the Earth to find you.

The way I see it,
we've got one chance.

We find him first.

Where did she go?

Well, then, um, when
is she coming back?

[gunshot]

You bastard.

Now do I have your attention?

What are you protecting her for?

What did she ever do
for you, except get

you mixed up in all of this?

I didn't kill Ozzy.

Your girlfriend did.

That's how you've
got to look at it.

You know, my girlfriend's
gonna kick your ass.

Oh, thank you for telling
me what I need to know.

Newman, go rig the ship.

We can't afford to
take any chances,

since his girlfriend's
coming back to kick my ass.

Yes, sir.

[beeping]

I know.
I know.

Isn't that insane?

Not the phone company,
that's way too obvious.

Who invented the internet?

I'll tell you who it
was, the government.

Why?

Global village, information
sharing, I think not.

I'll tell you who you're
sharing information with.

And you invited
them into your home.

What is it?

What's wrong?

[inaudible]

BOB: So?

Something's not
right here, Bob.

BOB: Harmon.

You're OK, kid.

Too bad you're not batting
on the winning team.

But then, uh, you're
not a player, are you?

You're an artist.

I'm a bit of an artist myself.

Do you know what I like to do?

I like to finger paint.

When is she coming back?

Well, have faith, kid.

Didn't Matisse paint with his
mouth at the end of his career

when he could no
longer use his hands?

Sir, you're not
gonna believe this.

SNIPER (ON RADIO):
Target has returned.

Want me to take her out?

No.

No, hold your fire.

You gave your girlfriend
too much credit.

She's coming straight to us.

Williams, get the girl.

Phillips, you hold
your position.

SNIPER (ON RADIO): Roger that.

This ought to be interesting.

Let's go, Picasso.

It's game time.

She's clean.

Thanks for making it so easy.

James, are you OK?

JAMES: I'm OK.

Let him go, Harmon.

He has nothing to do with this.

Oh, no, no, no, your artist
friend is a featured player,

thanks to you.

Why, Harmon?

Why now?

Well, that's the
million-dollar question,

isn't it?

You see, Hannah, the world
is not black and white.

There are no more walls,
no more clear enemies.

Me, I'm just changing with the
times, adapting, if you will.

For that, I need a--

HANNAH: Clean slate.

Give the girl a prize.

You see, I'm the new enemy,
the one you can't find,

even though he's standing
right in front of you.

I have power, Hannah,
but not the kind

of power that comes with the
backing of the American public.

I've started wars.

But like my daddy
used to say, don't

start things you can't finish.

One day when I'm president, I'll
have the power to finish them.

You're insane.

No, no, no, no, no,
I'm opportunistic.

The ship's rigged
to blow, Hannah.

Well, that's too
bad, just when things

were getting interesting, too.

Cut the crap, Harmon time to
lay the cards on the table.

I've got Bob, Bob Rio.

But Bob Rio is--

HANNAH: Dead, I know, died in a
helicopter crash in Nicaragua?

You've just got to ask
yourself how I know.

What's the matter, Harmon?

You don't look too good.

The one man who can
bring your house

of cards crashing down
loose on the town.

How do I know
you have Bob Rio?

That's the question
on everyone's mind.

[gunshot]

Two down, three to go.

Sorry, honey.

My day is done.

I'm gonna need some cover.

Can you manage?

I ain't dead yet.

On three, ready?

One, two, three.

Looks like you're
stuck with me.

No, you're stuck with me.

15 in the mag, one in
the pipe, you take him.

I'm going down.

[distant gunfire]

[chuckling]

Nowhere to run, Senator.

All your men are dead.

The game is over.

Honey, I haven't even begun.

Come on, Senator.

Stick your head
out just a little.

I guess it's time to
show who's in charge, huh?

You know, raise the
stakes a little, huh?

[cry of pain]

Come on, kid.

What are your options?

Let's examine them
together, shall we?

Now we can stand here and chat
all day while your friend here

bleeds to death.

I mean, I'm no expert,
but it looks pretty bad.

Or you can take your shot, kill
him quick, and then I'm yours.

What's it gonna be, little girl?

The clock is ticking.

- Do it.
- Come on.

Do it, kid.
Take your shot.

Come on.
- Do it.

Come on.
Come on.

Go for it.
JAMES: Shoot him now, Hannah.

SENATOR HARMON: Do it.

Woo, can't you feel the rush?

Kill this prick now, Hannah.

SENATOR HARMON: Take the shot.

Come on, Hannah.

Oh, damn.

See, now, surrendering
was never an option.

Are you OK?

I'm OK.

I wasn't kidding about the
ship being wired, Hannah.

You might want to
get it in gear.

Damn it.

Hannah.

Hannah, ease up.

It's over.

Remind me never to piss you off.

Gosh, you know, I
miss him already.

So where to?

Anywhere, clean slate.

No more secrets?

No more secrets.

I got just one.

I collect comic books.

You know, I think I
want to draw them.

No, I'm not kidding.

I've got this one idea for
this-- this character, see?

She's a, uh, she's an assassin.

- Oh, no.
- Yeah, I know.

She works undercover.

And her boyfriend, he's
this kickass Kung Fu expert.

The comic's really
more about him.

Oh.

(SINGING) I remember
a summer's day.

I went to ride an airplane.

Want to be my brother?

Pilot's just what
we wanted to be.

And Mama took the time and
paid attention to our dreams.

Now we're driving the 401.

And Steely's on the radio, and
we're smoking and laughing.

The great escape, look
at what we've shown.

[inaudible] summer morning
with TV, get some sun.

It's the sunlight shining.

And case in point,
you're smiling

for that one fine feeling
that comes with these,

won't let you go.

Waves are breaking.

Sails are full.

And growing up Canadian,
well, it makes you stronger.

Abandon ship, eight
hands in the cooler.

Well, keeping with tradition,
murdered fish for fuel.

Tempted by glamor,
dead by flesh.

Foundation keeps a-growing.

So we keep it solid
'cause candy coatings

crack and lose their flavor,
like '60s architecture.

Nothing much to say, boy.

It's the sunlight shining in.

And case in point,
you're smiling

for that one fine feeling
that comes with these,

won't let you go.