All language subtitles for T.L.W.S03E13.Phantoms.WEB-DL.H264.AAC.SNAKE_track3_[eng]

(MultiCom jingle)

(flute music)

- So far away again.

Sometimes I think I hardly knew you.

(laughing)

- They were just scampering
off into the jungle like,

well like two frightened school children.

- They were raptors, Challenger!

- Baby raptors, oh Veronica,
you should have seen them.

- [Veronica] Maybe I will.

I'm going for a swim.

- Oh, you want some company?

- Not really.

But thanks.

- Veronica, are you alright?

- Mmhm.

I'll be back in a little bit.

- I think you broke the
poor girl's heart, Malone.

- You know I've been
thinking about that myself

and despite her denials
I think she may well

be in love with him.

- I'm no so sure about that.

We talked about it a little while ago.

Good friends, she said, no more than that.

- Afraid to take a chance if you ask me.

- No.

Veronica's just reached a time in her life

where she wants to fall
in love and it's not

necessarily Malone.

But it's definitely with someone.

(water running and birds chirping)

(piano music)

- Where am I?

What's going on?

(people chattering)

(beautiful piano music)

- At last you've come to see me.

- Do I know you?

- Oh I've been waiting
for your visit ever since

I first laid eyes on you.

Do you like my music?

- Yes, I like it very much.

- I wrote it just for you.

- For me?

(beautiful piano music)

- My dream come true.

- [Narrator] At the
dawn of the last century

a band of explorers searched
for a prehistoric world.

Driven by ambition, secret
desires, a thirst for adventure,

and the ultimate story,

they are befriended by an untamed beauty.

Stranded in a strange and savage land,

each day is a desperate
search for a way out

of The Lost World.

(intense heroic music)

(beautiful piano music)

- That, that was incredible.

You wrote that just for me?

- Yes.

I did.

- I've never seen a real piano before.

Can I touch it?

- Certainly, sit down.

Don't be afraid.

(nervous laughter)

(piano music)

- Who are you?

- My name is Thomas Ducard.

I've seen you many times in the village.

Perhaps you've noticed me as well?

- No, I've never been here before.

I live in the jungle that
surrounds this place.

- Jungle?

- That's where I was born.

I've been through this
valley lots of times though

and I've never seen your village here.

- Such an imagination but
I'm afraid there aren't

many jungles in Germany these days.

- Not Germany.

South America.

A lost plateau in the Amazon jungle?

My parents came here before I was born.

- And how long ago was that?

- 1895.

- 1895, it's only 1822.

- No, it's 1922.

1822 is 100 years ago.

- We should be back by
late tomorrow afternoon.

- I don't know why you
don't wait til the morning

and make an early start.

- My sentiments exactly.

- [Roxton] Well we could but
either way it'll take more

than a day to get there
and back so we may as

well get started.

- Did I really volunteer for this?

- We all need bullets,
Marguerite and without sulfur

we'll soon be out of gunpowder.

- Wouldn't you rather go alone?

- I need someone to carry the sulfur.

- Do I look like a pack mule to you?

- Absolutely not which is why
I'm anxious for your company.

So get off that fine tush of
yours and let's get going.

See you tomorrow, George.

- [Challenger] Good luck.

Are you sure you don't need
my organizational skills

around here?

- Oh I think I can manage
without you, Marguerite.

Although I will miss
your sunny disposition.

- Well whatever force brought us together,

we were destined to meet.

- But you think I'm someone else.

- Yeah, I thought you were
a young woman I'd often

seen here but hey, I'm clearly mistaken.

You're nothing like her at all.

It must be your clothes
that caused confusion.

- I don't even know how I came
to be wearing these clothes.

You're from another
place or time or a ghost

or something.

This whole place, it can't be real.

- Well you know, I feel alive.

Very much so.

I mean, don't I feel alive to you?

- Yes.

Um, I can't stay.

I've got to get back to my friends.

- Well may I come with you?

No, I want to meet your
friends and see for myself

this strange world you talk about.

- I'd like that very much.

(mysterious music)

- What happened to your clothes?

- This is what I always wear.

- You're beautiful.

A goddess.

- Thank you.

- And this place!

It is a jungle.

Everything you said, it's true.

- So you're not disappointed?

- No!

No no, far from it.

It's like I've been given a
second chance to live life.

It's wonderful.

It's extraordinary.

- I'm glad you like it.

- Like, I love it!

It's all because of you,

the most amazing thing
that's ever happened to me!

How can this be?

- My friend Challenger
might be able to explain it.

Come on.

- I should have done this a long time ago.

Place for everything and
everything in its place.

Steady, old man.

(dramatic music)

- I can't wait for you to meet him.

Challenger!

He's probably in his lab.

- That's incredible.

- Challenger!

- What happened?

- Are you alright?

- Where am I?

I must have banged my head
when I fell off the ladder.

Ow!

- You've got quite a bump.

- Well who's your friend?

- You're lucky you didn't
fracture your skull.

- Not so sure you didn't.

- [Challenger] I dare say,
I have a slight concussion,

no more than that!

- A concussion can be very serious.

A sudden movement will only make it worse.

- You tell him.

- Should take it easy
for a few days at least.

- I hope you're listening.

- How is it that a musician knows so much

about medicine?

- I studied medicine briefly at university

but music has always been my passion.

- You should hear him play,
Challenger, it was amazing.

I could have listened
to him play for hours.

- And I could play for you forever.

- Yes, well I would like
to visit this village

of yours myself.

- Not until your head's better.

- Your appearance here seems
to defy rational explanation.

- No it doesn't, well not for you.

Strange things happen
all the time around here.

- Well yes, I suppose
it could have something

to do with harmonics.

The theric vibrations caused by your music

could have ripped you
and your village from

their natural place in time and space.

- See, I told you he could explain it.

- I'm not sure that I have.

You could still be no more than

some supernatural apparition.

- Well Veronica and I
have already established

that I'm not a ghost.

- What do you recall of
your life in Germany?

- I remember growing up, going to school,

studying music, everything
right up until this morning.

- You recall anything unusual?

- No, not until Veronica
walked into my life.

- I see.

The conditions that have led
to your sudden appearance

here may not be permanent.

- You're saying I could disappear again?

- As quickly as you arrived.

But until I know more
about this phenomenon,

I can't possibly draw
any logical conclusions.

- Do we have to talk about this right now?

Come here, I want to show you something.

- What is it?

- Wait and see.

(classical music playing)

- It's Mozart!

Concerto number 21!

- Isn't it amazing?

- Absolutely, whatever is this machine?

- It's called a gramophone.

- Such clarity.

It's like actually being
in an orchestra pit.

- Isn't he fantastic?

- I can see how attracted you are to him

but he may not be as
charming as he appears to be.

- What are you saying?

- Just be careful and
stay out of that village.

As I said it could vanish as quickly as it

materialized and you do
not want to be caught

in it if it does.

- I can take care of myself, Challenger.

(record scratch)

Are you okay?

Don't hurt yourself.

- No I'm fine, I'm just afraid I've um,

broken your machine, that's all.

- It's okay.

Challenger can fix it.

- It must be lonely living
here all by yourself.

- Sometimes.

But I've gotten to know
a lot of the tribes

that live here.

As well as most of the animals.

- But you never found out
what happened to your family?

- Not yet.

But I think they'd like to meet you.

(roaring)

(intense music)

- What is it?

- Triceratops, I think.

(roaring)

A dinosaur, come on!

Thomas!

(roaring)

Thomas!

Are you alright?

- No broken bones.

- That was one of the
less friendly inhabitants.

- You saved my life.

- We really should get
going in case he comes back.

I never thought it would be like this.

- Better than this it can never be.

- I feel like I'm in a dream.

- You feel wonderful to me.

(splashing and laughing)

Well it's still there.

- The mist at least.

- I'm sure my village is as well.

Do you think Challenger is
right about it being unstable?

- Well I hope not.

I must see you again tomorrow.

- I'll be waiting right here for you.

(humming)

Good morning, Challenger.

How's your head today?

- A little better I think.

Although I had a splitting
headache last night.

- You should take it
easy for a couple of days

like Thomas suggested.

- I take it you're going
off to see him again.

- Yes, if that's alright with you.

- He broke this on purpose, you know.

- Why would he do that?

- To interrupt our conversation.

He didn't like what I was
saying about his intentions.

- Well neither did I.

You're wrong about him.

- You don't think you're
rushing things a little?

- No.

- I don't trust him, Veronica.

You need to be more careful.

- I can take care of myself,
Challenger, I always have.

- We all make mistakes
especially when it comes

to matters of the heart.

- Mistakes?

Is that what you think he is?

- No.

Worse than that, I think he's dangerous.

- You don't know what
you're talking about.

He makes me very happy.

- I think you should stay away from him.

- I'm not a little girl, Challenger,

and you're not my father.

- If I were, I wouldn't let
you leave this tree house.

- Okay.

Well watch this.

- Veronica!

- Some short cut, Roxton.

- Stop your complaining, Marguerite.

You're the one that was
so anxious to get back

to the tree house.

Besides, who looks like a pack mule here?

Strange.

I haven't seen the valley choked
up in fog like this before.

- Better not be choked with dinosaurs.

What is going on?

- [Roxton] Who knows.

(people chattering)

- How did this happen?

- I have no idea but you look stunning.

- You look pretty dapper yourself.

- Yes, I do look pretty
damn sharp, don't I?

Some sort of uniform.

Which prompts the question
where the hell are we?

- Looks like a German village.

- Where are we?

- I have no idea.

- Are we alive again?

- If we are, Ducard must be alive as well.

Only til I find him.

(classical music playing)

Do you hear that?

- It sounds like a full orchestra.

Where would Thomas find
anything like that around here?

- It has to be him, come on.

- This is just like being in
Germany a hundred years ago.

- Must be some sort of illusion.

I wonder if this couple can see us.

- Good afternoon!

- Good day sir.

Nice weather.

Guess we're not invisible.

- They're wearing the same
kind of clothes we are.

Ow!

- What is it?

- Something in my shoe.

- Sit down over here.

(german music playing)

Such a gentleman.

- Excuse me, we didn't order these.

- They're on the house.

Enjoy your afternoon.

- Oh Marguerite, I don't like this place.

- Oh why not?

I think it's rather pleasant.

It's almost like being back
in the civilized world.

- How do you know it's not poisoned?

- How do you know what's even real?

- That waiter looked
and sounded real enough.

- Oh John, there are many strange forces

at work on this plateau.

Do all of them have to be cause for alarm?

- I think we should go
back the way we came

and get back to the tree house.

- I am going to enjoy
myself for five minutes.

Why don't you go look around.

See if you can find yourself some trouble.

- Is that what you want?

- Mmhm.

What are you waiting for?

- Alright.

I'll be right back, you wait here.

(classical music)

- What strange kind of house is that?

- Ducard, you up there?

Anybody home?

- Who are you?

What do you want?

- We're looking for Thomas Ducard.

- You wait right here.

- What year did you say it is again?

- 1922.

- It doesn't make any sense.

How did our village get here?

- Yes, well that's still
something of a mystery

to me as well.

Now, tell me, captain Melric,

why are you so concerned
to find mr. Ducard?

- The man is an utter scoundrel.

- I had my suspicions.

- In 1822 he was married to me.

- Til he ran off with a
young girl named Julia Gesch.

- She lived with her
father who sent me a letter

begging that I intervene.

- My sister and I went after Ducard.

He was hiding in a cellar
under the shops in the village.

- When Julia learned the
scandal she had caused,

she committed suicide.

- Oh that's terrible.

- Yes.

It was terrible for us all.

- Oh my god.

Nadine, look at this.

- [Challenger] That's Veronica.

- No.

That's Julia Gesch.

(dramatic music)

- Now where is she?

(intense music)

- You looking for me, Melric?

- Who the hell are you?

- You know damn well who I am.

- You just take it easy with that.

- Get out of here!

- Not until I find the
woman I came here with.

- Get out of here!

(gunfire)

(gasping)

- What the hell is going on here?

- It's just like 1822 all over again.

- Oh no.

Not again.

(yelling)

(intense music)

(gasping)

- We really are no more than ghosts.

- You died 100 years ago.

- Yes, yes after Thomas
ran off with that girl.

Julia Gesch.

Melric and I went after
them, we chased them

into a small village.

Melric confronted Thomas
but Thomas pulled a gun

on him and shot him dead.

- What have I done?

- I found the cellar they were living in.

My husband once a great composer,

now reduced to filth.

Living like a rat.

Poor girl.

She was innocent.

What chance did she have?

My husband filled her head with lies.

He said she was his muse, his inspiration.

How could she resist his music?

So

beautiful.

So divine.

- There must be some way out of this!

(sour piano notes)

I must get her back here.

(beautiful piano playing)

- How pretty.

- I stood there in the doorway,
listening to his music.

I could see her, reclining
on the bed, enraptured.

She was watching him with
such love in her eyes.

Once she saw me she gasped.

My husband stopped
playing, he turned to me.

I could see his madness then.

Even when he drew his gun I didn't move.

The bullet in my chest was like a caress.

- He shot you?

- The pain was gone, he
couldn't hurt me anymore.

- The young woman, having
seen that took her own life.

- Yes, by drinking hemlock.

A little makes a good sedative,
any more than that is fatal.

- How dreadful.

- Her father was a lowly
woodcutter who lived

in the forest near the village.

He found her in the cellar.

She was his only child.

- He must have been
drawn here by Veronica.

- Well if she is with him now,

her life is in terrible danger.

(beautiful piano music)

(clapping)

- Bravo.

Exquisite.

- What are you doing here?

- I'm sorry I didn't mean to disturb you,

the door was open.

No no, please.

Don't stop playing on my account.

- You have no business here,

there's nothing left between us.

- Was there ever?

Why does a man with
your such obvious talent

hide himself away down here?

- I'll never play for you again, Nadine.

I only married you for your
money and your position,

you knew that but you weren't
happy being my patron.

No no no, you wanted more.

- I'm not Nadine, you must be mistaking

me for somebody else.

- Oh there's no mistake.

You followed me here because
you couldn't let me go.

- Move away from the door and
you'll never see me again.

- No no no, I'm afraid
it's too late for that.

You see I've already
killed your brother and now

you're gonna have to die as well.

- I'm not your wife.

I don't have a brother.

- The captain.

Melric, I shot him half an hour ago.

- Captain?

Roxton.

- [Thomas] He came here
to defend your honor

as if you have any.

- You shot Roxton?!

- I despise you, Nadine!

I always have!

But now I've found another woman.

A creature so divine, my music
is for her and for her alone.

- Then play for her.

I promise I won't try and stop you.

- You won't!

(gunfire)

(dramatic music)

- Nadine!

- There's still time.

Still hope.

- Nadine?

- You must find your friend.

You have to hurry.

(gasping)

(distant animal calls)

- Veronica wait!

- Thomas!

I didn't think you'd come!

I never thought I'd see you again.

- I couldn't live without you.

You're my muse!

My inspiration and we
shall always be together!

Always.

Hey, what's the matter?

- I think I'm falling in love with you.

And I don't want this to end.

- Why does it have to end?

- I don't want to lose you.

- You never will.

- But Challenger said
you could just disappear.

You, your village, your music.

- How do you know that
Challenger is right?

How does he know?

You forget about Challenger.

Has he ever been in love?

Does he remember what it's like?

- No.

I guess not.

- No, then come and
live with me, Veronica,

let my village be your home too!

- What about my friends?

- What need have your friends?

We have each other.

- But I belong out here.

I'll come see you every day.

- No, no!

No no no no no

you must come with me now.

Stay with me forever.

- I can't.

Then,

at least come and listen to my music.

- I'd love to.

- Marguerite, where are you?

- No!

- I've been looking all over for you.

- That was ghastly.

I heard a piano, he thought
I was his wife, he shot me.

- It's alright, it's alright,

it's probably the same lunatic who shot me

and thought I was someone else as well.

- Where'd he go?

- I don't know but we're going to get out

of this village now, come on.

- You were right about this place,

we never should have stopped here.

- I'm always right, you should know that.

- Right for me.

- I will not forget you said that.

(bubbling)

- Let's hope I don't need this.

Now all I've got to do
is find that village.

- Seize the moment!

Live for the day!

Is that not the way that love should be?

- I thought you said that
love should last forever.

- Well so it shall.

No one will come between us.

Wait here.

I have a surprise for you.

- A surprise?

(dramatic music)

- Come in.

- Where's the surprise?

- Oh you'll see it in a minute.

Let's drink to the sunny days ahead.

(glass breaking)

Go ahead, throw caution to the wind.

(glass breaking)

Come here and sit on the
bed where I can watch you

while I play.

(beautiful piano music)

- Such beautiful music.

Genius tainted by insanity.

I will spare you no mercy if you ever harm

her in any way.

- I could listen to you play forever.

- And so you shall.

When I first looked upon
her face it was like

I was looking at an angel.

So innocent, so pure.

- I don't understand.

- Her name was Julia Gesch.

She looked like you.

- What?

- I loved her as no man
has ever loved a woman.

I turned my back on fame and fortune,

shunned all humanity, even
the light of day for her.

- I have to go.

Let me out of here!

- No no no, I can't.

I can't!

Now you are mine.

You belong to me.

- These must be the clothes
of the poor girl's father.

- Your wine was laced with hemlock.

Same poison she drank to end her life.

Now you will stay with me forever.

(piano music)

I love you more than life itself.

(sour piano chord)

- What have you done?

- She's not your daughter anymore.

- Oh you're mad.

You are completely insane.

(intense music)

- You can't save her!

You can't take her away from me!

(gunfire)

Veronica!

- Veronica!

Veronica.

Not yet.

Come on now.

Drink this.

Drink.

Come on.

That's it, just a little bit more.

Good, come on now.

Come back to me.

Come on now.

- Challenger?

Where are we?

- Back where you belong.

(bright music)

- Where is he?

- He's gone, you're safe now.

- In your arms, not his.

(sobbing)

- Alright.

It's alright.

(flute music)

- [Roxton] Do you remember
what you said to me back

in that village?

- About you being right for me?

- Yes.

- I was delirious.

I didn't really know what I was saying.

- Oh.

Didn't think so.

- Let go of me!

- Veronica.

It's alright.

(panting)

- I just had the most horrible dream.

- [Challenger] Not a
dream, it really happened.

- Are you sure?

- German village, crazed
musician, we were all there.

- You saved me.

- It wasn't all bad from what I hear.

Being adored, idolized.

- Love is much more than that.

It's unconditional
nurturing and understanding.

- Does it always have to hurt so much?

- Yes.
- No.

- It may not always be smooth but it

is always worth the effort.

(grandiose music)

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