All language subtitles for T.L.W.S02E13.The.Guardian.WEB-DL.H264.AAC.SNAKE_track3_[eng]

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- [Man] That looks like
sage, but it's not.

- It smells like sage to me.

- No, summus avery I think.

You know there are about 700
varieties of the mint family?

- 700?

- Maybe more.

The plant world is evolving all the time

like everything else on this
beautiful planet of ours.

- We're never gonna finish this list.

- Oh, of course we are.

And don't you forget the benefits

of a well-stocked medicine cabinet.

- Anything on here for sore feet?

- Yeah, your oil of cloves
is good for that I think.

- Which of course we don't have yet.

- No, you just rest,
I'll go and look around.

- I'll fill this canteen

Don't wander too far.

- I'll stay on my guard.

- If we didn't go around
beating ourselves up every day

we wouldn't need all
these lotions and potions.

- Sage, the wisest of all plants.

(hog grunting)

- How bad is he hurt?

- Bad enough.

He's old, we have to take him.

- No.

Pakim?

We still have time.

- No we don't.

It's getting late.

Let's reset the trap and go.

We don't have a choice, Tomu.

We cannot go back empty-handed.

- We still have tomorrow.

- And if we fail again tomorrow?

- [Narrator] At the dawn
of the last century,

a band of explorers searched
for a prehistoric world.

Driven my ambition, secret desires,

a thirst for adventure,

and seeking the ultimate story,

they are befriended by an untamed beauty.

Stranded in a strange and savage land,

each day is a desperate
search for a way out,

of The Lost World.

(dramatic orchestral music)

- Any sign of him?

- Didn't you hear the screaming?

- Just the pleasant chatter
of this babbling brook.

- Come on, get your gear, let's go.

- Challenger?

Damn him, if he doesn't stop
wandering off like this.

- Someone's been here.

That's close enough.

(wood creaking)

- How nice.

(bird calling)

- You see something?

- No, I think we're alone.

- That cage isn't big enough for a person.

- Which means whoever set
it was hunting smaller game.

But Challenger was here all right.

And something definitely attacked him.

Three people, and it doesn't
look like he walked away.

- Over here.

(tense orchestral music)

- Why do you keep looking back?

- I don't.

- Yes you do.

You're afraid this man has friends,

and they'll come looking for him.

This is wrong Pakim.

This man is not a savage.

- Neither are we.

(dramatic orchestral music)

(people chattering)

- They can't be that far ahead of us.

- I hope he's still alive.

- What is that smell?

- It smells like ammonia.

- It's coming from the plants.

- I wonder if Challenger got a new face

in his medicine chest.

- They went right through it.

- Well if they did they can't be human.

- Or they held their breath.

- Are you crazy? We've got to go back.

- Come on.

- It goes on forever.

No one could survive in this.

- Now I'm never gonna get
the smell out of my hair.

- You know maybe it wasn't the best place

for Challenger to build a windmill.

- We keep building it, and the
wind keeps knocking it down.

- I've got to say, it's better than

a two-day botany lesson from the old boy.

- I'll grant you that.

And, Marguerite did say she'd stop singing

if we got her phonograph fixed again.

- What more can you ask for?

- Sure is beautiful.

- Yep.

And peaceful.

- Well, I guess we know who
makes all the noise around here.

- What, who are you?

- It's all right, you're safe.

You were knocked unconscious by a trap.

- Where am I?

- We brought you to our village.

- What about my friends?

Where are they?

- Friends?

- We thought you were traveling alone.

- No, I was with two women.

How long have a been unconscious?

- Not long.

Your friends can't be far away.

- Don't worry.

We'll send someone out to find them.

We'll bring them to you.

There, rest.

This is the only way
we know how to survive.

- No.

It isn't.

He looks like a wise man.

Maybe he can help us find another way.

- There is no other way.

Don't you remember,

remember what it's like out there?

The savages and animals
would kill us all in no time.

- And staying here is better?

- Yes.

- We may live a little longer,

but we're all eventually going to die.

- [Brunette] Maybe Challenger
isn't even in there.

- [Blonde] What are you talking about?

- Well maybe he escaped.

Or he was never with
them in the first place.

- He's in there.

I know he is.

I'm gonna get him.

- Veronica!

Veronica!

You don't suppose?

- Care to take another walk?

- Certainly an improvement,

at least we can see the trail again.

I just wish I knew where it was taking us.

- In here, we're safe.

But if you get too close to the jungle.

- It's ammonia.

- Well the poison keeps
all the predators out.

And this is the perfect place to live.

- It must be a hybrid
of the scapellia genus.

The staff is poisonous,

and the gas is toxic to everything

except the insects
required for pollination.

- It's a gift,

to everyone who lives here.

- Your people and mine, we
have something in common.

- We do?

- We both use the jungle for protection.

- What do you mean?

- We live in a tree,

in a tree house.

- That sounds like a great idea.

- Well, it's not as foolproof as this,

but well it does the trick.

(children laughing)

- How do you get out of here?

And how did they get in?

Marguerite, Veronica.

- Isn't your mother looking for you?

- They must have touched the water.

- I'm sorry, I didn't mean to worry you.

- Worried? We thought
you'd been dragged off

and eaten by savages.

But no, we didn't worry the least.

- Who are your friends?

Are you all right?

- Well apart from a bump on the head.

Pakim, Tomu, this is
Veronica and Marguerite.

- What is that?

- It's feeding time.

- Feeding time for what?

- The most amazing
flower you've ever seen.

- Now we're here, perhaps we've got time

to stop and smell the roses.

- I hope it smells better than
what we just went through.

- My God.

- That's what I call a daisy.

- The biggest daisy I've ever seen.

- I have never seen a flower like that.

- There's no other like her.

- How do you know it's a her?

- Well the perfume, can't you smell it?

- Yeah, it's hard to
believe it's even related

to the jungle all around us.

- What do you mean?

- The flower in the
jungle that protects us,

is all one plant.

- One plant?

- And just as she protects us,

we feed and care for her flower.

- How long have you been here?

- Our parents came here
when we were very young.

- What happened to them?

- They died.

- They chose to cross the (muffled),

cannibals and dinosaurs,

every savage you can imagine.

But they made it here, and left us safe

from the horrible things outside

- It has to be fed once a day.

- How very demanding of her.

- Oh, you're not serious?

- We're vegetarians, but
the flower needs meat.

- Live meat?

- That's why we catch them in a trap.

(pig squealing)

- I don't even want to think about

what you feed it for desert.

- I've seen enough.

- Coming Challenger?

- Oh, you're more than welcome to stay.

- Maybe we should.

I mean it'll be getting dark soon.

- You'll be safe here.

- We can continue our excursion tomorrow.

- Oh I suppose it wouldn't hurt.

We're not expected back to the tree house

until tomorrow night.

- Which means Roxton and Malone

won't even be worried about us yet.

- How are you going to
keep them here tomorrow?

- I'll think of something.

Well we both know they can never leave.

(ominous orchestral music)

- Rise and shine.

Those little hooligans
have taken our weapons.

- We shouldn't sleep without them.

- I'm sure there's no reason for concern.

- Really? Yesterday
they had pointed sticks,

today they have guns.

- Make sure you look
after each other, okay?

If you fail again, we have
nothing left to feed the flower.

- Don't do anything until we get back.

The hunt will be good today.

- Marguerite, calm down.

- Hurry.

- Children shouldn't play
with guns, hand them over.

- You're right, we have children around,

so you can have your
weapons back when you leave.

- We're gonna get going.

- But it's been so nice
having others around.

- Yes, especially when they
have things that you can steal.

Hand over the hardware.

- I'm sorry.

The plant only lets out three a day,

and the hunters have just left.

- I don't understand.

The plant won't allow us to leave?

- No one else can leave until
the plant has been fed again.

- Yeah right, we know where
your little secret is.

Coming you two?

- I promise you the flower
won't let you leave.

- If you think I'm
staying in this demented

vegetable patch a moment
longer, you are hallucinating.

- Marguerite, we already tried that.

- No one has ever made it.

- Well I will, and so can you.

- No Marguerite, wait.

- Oh, great!

Now we have to go after her.

- Put that over your mouth and nose.

- No, please, no.

- Go, go.

(Marguerite coughing)

- Marguerite!

- We're never gonna find her.

We have to turn back.

- Not until we find her.

Here.

Marguerite.

- [Challenger] We have
to get her out of here.

(Marguerite coughing)

Breathe, damn you.

- Did we make it?

- No.

You try that again,
you die where you fall.

- We're trapped.

- Until tomorrow anyhow.

- It's a good idea using canvas this time,

instead of palm fronds.

- Weaving was never my strong suit Ned.

- I hope we have enough.

- Well, maybe not enough
to fix the hot air balloon,

but we should have enough for this job.

- Seen the material
Challenger's working on

for the new balloon?

- Yeah, some new synthetic rubber.

- The man is a genius.

- He is indeed.

- I think you're stretching
it a little too tight there.

- It's gotta be tight.

Too much slack, the wind'll catch it,

and rip it to pieces.

- Yeah but too much tension, and the wind

will split it wide open.

- Since when are you an expert?

- It stands to reason.

That's all.

- What about practical experience?

You ever heard of trim the sails?

- You ever hear of
snug, but not too tight.

- Yeah, but in an entirely
different context.

- Okay, you do it your way,

and I'll do it mine.

- Fine.

Two sails left.

One apiece.

- Tomorrow, all three of
us are walking out of here,

through the magic tunnel.

- Marguerite, perhaps
I should handle this.

- We have to go hunting every day.

Only a hunting party can leave.

- Take a day off.

- We can't, our stocks are low.

- How low?

- Our lives depend on feeding the flower.

If only two of our hunters go out,

maybe one of you can leave a day.

- All of us, tomorrow.

- Now, just a second Marguerite.

Sounds like a workable solution.

We can't just leave them high and dry.

So Marguerite leaves tomorrow,
and Veronica the day after.

- Challenger, I don't know about this.

- Please, we're not strong
enough to fight you.

We need your help.

- Then you shall have it.

These people aren't
hurting anyone Marguerite,

they're scarcely children.

- Well throw it back.

They're not gonna kill you.

- I'm not looking to adopt a
family, thank you very much.

And what exactly happened
to their parents again?

- They died saving the children.

- Yeah, that's right, they died,

but Pakim didn't say how.

- Oh Marguerite, you're
not really suggesting

they fed their parents
to the flower, are you?

- We got one!

- If we're not back by tonight,

Roxton and Malone will start to worry.

- They'll never find us here.

- I still think that we
should leave tomorrow.

How are they gonna stop us?

- Well, they've got our guns for starters.

- And pretty little sticks.

- All we've got is a bunch of dead plants.

Damn it I knew I should have

helped Roxton with the windmill.

- What are you doing?

- It feels a little soft right here.

- Oh my God.

- Tell me.

- I'm fine, don't worry about me.

- What darkness.

- Not Pakim, this is her garden of Eden.

- My guess is there were other people here

before the children,

and they tried to dig their way out.

- I hope they made it.

- Why bury the entrance?

- Oh I think that was a cave vent.

- Which means there
could be more cave vents.

- We must be past the edge
of the village by now.

- And halfway across the poison
jungle by my calculations.

This tunnel could go all the way.

- I sure hope so.

Wouldn't it be a faster way out of here

to dig in a straight line?

- They seem to have
worked around the roots

for some reason.

This root system, it's massive.

- Well that's a good sign.

- These people are
dressed entirely different

to our friends upstairs.

- Which means you're right,

there were other people before them.

- And so we're all in this Venus flytrap,

that's been luring its victims here.

- End of the line.

- Right?

- Let's move.

(monster growling)

It's coming.

(monster growling)

All right,

let's get back to the village.

- It's been 30 feet.

- The three of us could dig
it out in a couple of days.

- Running around underground
like little rodents.

What, another little piggy gone to market?

- This may not be the best
place to be right now.

(tense orchestral music)

We have to tell them about the tunnel.

- We can't, it might be the only way

we can get out of here.

- Where is the evening meal?

- What is this?

- The hunters haven't returned,
and the flower must be fed.

- I'm sure they'll be back in a minute.

- We can't wait.

She'll go into shock
and attack the village.

- What do you mean, attack?

- You've seen it, then we all die.

- This is barbaric.

- Throw him in.

- This is what happened
to your parents, Pakim?

This is no solution.

- Let him go.

- Take one of your own.

- Stop.

We were attacked.

The pig escaped.

I told you to wait until we got back.

- Wait.

- Let him go.

- No, Tomu you can't.

Please, no.

No.

- I'm the oldest Pakim,

and I'm injured.

- No.

- Those are the rules we live by.

How many of us have died
for this flower, Pakim?

- We have found another way.

- It's too late.

Too late for all of us.

- You're flapping in the wind, Malone.

- Now you're wound up
tighter than a cheap watch.

- I guess you're buying the drinks.

- Oh, well I guess you spoke too soon.

- Damn.

It must be the canvas.

- You know what?

A cold beer would go
really well right now.

- Yep, well we can always
drop down to the local pub,

or the dance hall, huh?

Chat up the girls.

- Now you're talking.

- Well there's always the local trogs.

Conversation's not too stimulating, but.

- Yeah, like you care.

- Easy boy-O.

- Well, what a nice surprise.

Well I guess the hunting
party left without us, huh?

- Our supplies are low.

Maybe in a few days.

- I bet you say that to all the guests.

- We're all in this together now.

- Yeah, one big happy family.

- You're awake.

- Oh yeah, been awake most of the night.

- So have I.

Time to go look for
Challenger's (muffled).

- He said they were heading east.

- Let's hope they didn't get distracted.

- Think we're past the jungle yet?

- [Challenger] Another day at least.

- Well I hope you're ready
to face hungry plant again.

Sorry Challenger, but
you're still first in line,

if the hunting party comes
back empty-handed again today.

- Thanks for the encouragement Marguerite,

very motivational.

- If all three of us get
back to work on this,

we might be able to save
everybody in the village.

- Why do you even care about
those filthy little urchins?

They just look at us
like we're plant food.

- Do you ever get tired of
looking out for number one?

- Not really, pretty much a full-time job.

- They've probably got more plants

then they know what to do with.

- Well knowing Challenger,
that wouldn't surprise me.

- Hey look.

- Malone, look out.

- Thanks.

I didn't see that.

- I wonder if you're not the first?

- What is it?

(dramatic orchestral music)

- Just kids.

- Wait, we won't hurt you.

- Unless you don't stop now.

(tense orchestral music)

- Ammonia.

- This stuff can kill you.

- I think that's the idea.

There's got to be a way around this.

- Something we missed along the way.

- I guess Roxton and Malone
are still waiting for us

back at the tree house.

- Let's hope they never find
this quaint little garden.

- Oh no, not again.

- Now we know why they avoided the roots.

(coughing)

- Where to stop?

- One of them touched something.

- This?

- First prize, Ned Malone.

- Wanna know what's on the other side?

- Could be something good.

- When was the last time that happened?

- The hunters have returned with nothing.

- Step aside, you're
trying to dig your way out.

- We found a tunnel.

It's almost all the way through.

- There's enough room for all of us.

We can all get out of here.

- Take them.

Stop.

Or she dies.

If we don't feed her
now, she'll go into shock

and gas us all.

- Pakim listen to me.

If you help us finish the tunnel,

we can all get out of here.

- You, and your people

are just being slaves
to this terrible flower.

- She's our guardian, she watches over us,

protects us, we don't stand a
chance outside this village.

- Eventually she'll kill you all.

- For now, she'll settle for you.

- What, me? I thought we were
starting to like each other.

- Pakim, take me, I am the oldest.

- Where's my wife?

- Roxton!

- Throw her in.

- What kind of a petunia is that?

- Do not destroy her.

- Come away from the X boundary.

Enjoy the salad.

- No!

- And I thought you went
looking for herbs and spices.

- Is that sparky enough for you?

- Run, run.

(everyone screaming)

- Now she's gonna kill us all.

- Get away!

Get away!

Get away!

- Why did you shoot it?

- I figured you want me to, Marguerite.

- Oh boy.

- What the hell's going on?

- He's trying to stop the
gas, but it's too late.

Haven't you already done enough?

Go!

- I think we're gonna get out of here.

- Yes we will, there's a tunnel.

- You dug a tunnel?

- Well, I had a little help.

- Yeah, it's filling
up with gas, remember?

You cut a root.

- We can't abandon the children.

We have to find a way,

to kill that thing.

- [Malone] It's not a
thing, it's a whole jungle.

- [Veronica] No, it's all one plant.

- [Roxton] What plant?

- [Marguerite] Yeah,
one very big ugly weed.

- That's it, one plant,

one taproot, running straight
down through the Earth,

right underneath the flower.

- What about the bloody taproot?

- Cut off the supply of
nutrients and the plant dies.

- You come with me.

You two, round everyone up,

get them into the huts and onto the floor.

- Why do I (muffled) to you?

- Oh, come on.

- Come on, this way.

- One, two, three.

We start digging here.

About five or six feet if we're lucky.

- We'd better start getting lucky soon.

- Over here.

Cover your nose and mouth.

Get on the floor.

Stay on the floor.

- Come on, back to the hut.

Take her, I'll go after him.

- Damn it, I will.

(tense orchestral music)

- Wait.

Come back.

(coughing)

Where are you?

- I think we found the buried treasure.

Hand me the ax.

Pruning time.

- Here, cover your face.

Cover your mouth and nose.

- I'm sorry I didn't play with you.

(intense orchestral music)

- Marguerite?

Pakim, no.

- We're halfway through, it's
got to be doing something.

It's calling out for food.

(muffled)

- No.

- It's gonna have a hard time swallowing.

- Fight, Pakim.

- Let go of my hand.

- You can't give up.

- Keep going, we're almost through.

- Go on, inside.

I promise I won't leave without you.

Okay?

- No, no, no.

- We're through.

- I think it's dying.

- I'm all choked up.

She's alive.

- It really is dead.

- What will happen to them?

- Oh, they'll have to find another hobby.

- And another place to live.

- How will we manage now?

- There are dangers,

but you'll survive if you stick together.

- Where will we go?

- Well I don't think you should
give up on plants just yet.

- What do you mean?

- Tree houses.

Perhaps we could teach you
how to make a tree house.

- We can live in the trees like monkeys.

- Yes, and just like us.

- This is what you were doing
while our lives were in peril?

- Wind must have picked
up, tore it to pieces.

- Maybe a pterodactyl hit it,

a couple of times.

- I fail to see the humor, no electricity.

- Hmm, no phonograph, no primitive fools.

- Well, I guess we'll be
closer to nature for a while.

- Don't even mention that word.

- [Malone] Come on Marguerite,
it won't be that bad.

- [Challenger] We certainly
won't miss the phonograph,

with your wonderful singing voice.

- [Roxton] In that case,
we best get started

on the windmill tomorrow.

(dramatic orchestral music)

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