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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:16,883 --> 00:00:19,520 SPIT IN THE MIRROR. 2 00:00:19,553 --> 00:00:20,587 NO. 3 00:00:20,621 --> 00:00:23,189 GET A BIG TOOTHPASTE IN YOUR MOUTH 4 00:00:23,223 --> 00:00:25,091 AND SPIT IN THE MIRROR. 5 00:00:25,125 --> 00:00:27,594 SEE, I DO SOMETHING ONCE FOR YOU, THEO, 6 00:00:27,628 --> 00:00:30,697 AND THEN YOU KEEP ASKING ME TO DO IT ALL THE TIME. 7 00:00:30,731 --> 00:00:33,600 BRUSH YOUR TEETH NOW. 8 00:00:35,869 --> 00:00:38,539 LET ME LOOK AT YOUR LIP. 9 00:00:38,572 --> 00:00:40,373 PALE. 10 00:00:40,406 --> 00:00:42,709 IT�S PURPLE, BUT YOU�RE PALE GENERALLY, 11 00:00:42,743 --> 00:00:45,278 AND DON�T MAKE FUN OF YOUR DAD NOW. 12 00:00:48,749 --> 00:00:51,451 [ SIGHS ] 13 00:00:51,484 --> 00:00:53,620 HERE. 14 00:00:58,659 --> 00:01:01,928 YOU STOP AT DR. KRONIG�S BEFORE YOUR SCHOOL 15 00:01:01,962 --> 00:01:04,865 BECAUSE THIS IS ENOUGH NOW WITH THIS. 16 00:01:04,898 --> 00:01:06,466 [ Exasperatedly ] OKAY, DAD. 17 00:01:06,499 --> 00:01:08,935 SEE, NOW THERE AGAIN IS A SMART?ALECK TONE, THEO, 18 00:01:08,969 --> 00:01:11,337 AND I�VE ASKED YOU NOT TO GET SMART?ALECKY. 19 00:01:17,443 --> 00:01:18,478 MM. 20 00:01:18,512 --> 00:01:21,381 ALL RIGHT. DON�T WORRY, SON. 21 00:01:21,414 --> 00:01:24,317 [ Imitating Andy ] DON�T WORRY ABOUT NOTHING. 22 00:01:24,350 --> 00:01:27,287 YEAH. 23 00:01:27,320 --> 00:01:30,256 HERE WE GO. 24 00:02:45,098 --> 00:02:47,067 [ KNOCK ON DOOR ] 25 00:02:51,237 --> 00:02:53,874 HEY, HONEY. STOPPED BY ON YOUR WAY TO WORK? 26 00:02:57,277 --> 00:02:59,212 YOU�RE A LIAR. 27 00:02:59,245 --> 00:03:00,246 JILL. 28 00:03:00,280 --> 00:03:02,916 YOU SAID IT WAS GOING TO BE DONE, DON. 29 00:03:02,949 --> 00:03:05,586 DO NOT ASK WHAT A NIGHTMARE WILMINGTON TURNED OUT TO BE. 30 00:03:05,619 --> 00:03:07,688 YOU SAID IT WAS GOING TO BE DONE. 31 00:03:07,721 --> 00:03:10,356 THEN THIS LOW?RENT GUINEA IN WILMINGTON CAME UP EMPTY. 32 00:03:10,390 --> 00:03:12,092 SO NOW WHEN IS IT OVER? 33 00:03:12,125 --> 00:03:16,062 SOON. ABSOLUTELY. 34 00:03:16,096 --> 00:03:17,097 WHEN? 35 00:03:17,130 --> 00:03:19,099 I GOT TO SEE HIM. 36 00:03:19,132 --> 00:03:21,401 DID KYLE WET THE BED AGAIN LAST NIGHT? 37 00:03:21,434 --> 00:03:23,436 OH. 38 00:03:23,469 --> 00:03:25,071 OH, PLEASE. 39 00:03:25,105 --> 00:03:27,841 YOU KNOW, MAYBE YOU SHOULD QUIT COMING OVER HERE, JILL. 40 00:03:27,874 --> 00:03:29,943 LET ME GIVE YOU A CALL 41 00:03:29,976 --> 00:03:32,078 WHEN WE�RE READY TO HIT THE TURNPIKE. 42 00:03:32,112 --> 00:03:34,515 I�M NOT SAYING THIS IS NOT MY FAULT. 43 00:03:34,548 --> 00:03:35,616 NO. 44 00:03:35,649 --> 00:03:37,117 I�M A MIRACLE BABY. 45 00:03:37,150 --> 00:03:39,686 I CAME BACK FROM THE DEAD. 46 00:03:39,720 --> 00:03:42,623 I SHOULD HAVE DONE WHAT I SAID I WAS GOING TO DO 47 00:03:42,656 --> 00:03:43,757 IF YOU CALLED ME AGAIN. 48 00:03:46,292 --> 00:03:48,929 WHO�S IN THERE? 49 00:03:48,962 --> 00:03:51,464 IT�S NOT A HOOKER. IT�S A GUY. 50 00:03:51,497 --> 00:03:53,499 IT�S NOT A GUY HOOKER. 51 00:04:06,747 --> 00:04:09,716 DETECTIVE... 52 00:04:09,750 --> 00:04:12,886 THAT WAS A TRAVESTY OF PROPER PROCEDURE ?? 53 00:04:12,919 --> 00:04:16,757 FAILING TO IDENTIFY YOURSELF AS A POLICE OFFICER. 54 00:04:16,790 --> 00:04:20,226 IS HE ALIVE? 55 00:04:20,260 --> 00:04:23,564 JILL...TRUST ME. 56 00:04:23,597 --> 00:04:25,165 GO TO WORK. 57 00:04:25,198 --> 00:04:26,867 KEEP THE CITY SAFE. 58 00:04:34,708 --> 00:04:38,311 OUR BEST TO YOUR PARTNER. [ Sniffs ] 59 00:04:57,130 --> 00:04:58,364 MORNING, ANDY. 60 00:04:58,398 --> 00:05:00,366 MORNING. HOW�S IT GOING? 61 00:05:00,400 --> 00:05:03,136 YOU LOOK LIKE YOU�RE IN SIXTH GRADE. 62 00:05:03,169 --> 00:05:04,805 IN WHAT WAY? 63 00:05:04,838 --> 00:05:06,206 I DON�T KNOW. 64 00:05:06,239 --> 00:05:08,809 HOW YOU�RE SITTING, YOU JUST REMIND ME OF A SCHOOLKID. 65 00:05:08,842 --> 00:05:11,144 YEAH, WELL, THOSE DAYS ARE LONG GONE. 66 00:05:11,177 --> 00:05:14,815 NO ADULT EDUCATION COURSES FOR YOU. 67 00:05:14,848 --> 00:05:17,984 I STOPPED WITH THEO AT THE PEDIATRICIAN�S, 68 00:05:18,018 --> 00:05:19,820 THAT HE�S BEEN LOOKING PALE, 69 00:05:19,853 --> 00:05:22,022 AND THEN HE HAD ME DROP HIM AT SCHOOL. 70 00:05:22,055 --> 00:05:23,824 SO THE PEDIATRICIAN WASN�T WORRIED. 71 00:05:23,857 --> 00:05:26,693 AGREED HE WAS PALE, DREW A BLOOD TEST ON HIM, 72 00:05:26,727 --> 00:05:29,029 AND THEN SAID TO DROP HIM AT SCHOOL. 73 00:05:29,062 --> 00:05:30,496 UH?HUH. 74 00:05:30,531 --> 00:05:33,834 HE ?? HE�D BE IN TOUCH WITH THE RESULT. 75 00:05:33,867 --> 00:05:36,236 HOW QUICK DO THEY GET THEM? 76 00:05:36,269 --> 00:05:38,905 HE SAID EVIDENTLY THEY COULD GET IT PRETTY QUICK. 77 00:05:38,939 --> 00:05:41,074 SO THAT�S GOOD, YOU KNOW, GET IT BEHIND YOU. 78 00:05:41,107 --> 00:05:43,910 YEAH, SO THAT�S WHAT I�M WAITING ON. 79 00:05:43,944 --> 00:05:46,747 I USED TO WORRY ALL THE TIME WITH MY SISTERS, 80 00:05:46,780 --> 00:05:49,583 TILL MY AUNT SAYS, "THEY TELL YOU WHEN THEY�RE SICK." 81 00:05:49,616 --> 00:05:53,253 DON�T ACT SICK AT ALL. HE�S BOUNCING AROUND. 82 00:05:53,286 --> 00:05:55,956 BUT I WAS NOTICING THE COLOR. 83 00:05:57,791 --> 00:06:03,429 NO, BUT THAT�S SENSIBLE, YOUR AUNT. 84 00:06:03,463 --> 00:06:05,398 HEY, JOHN. 85 00:06:05,431 --> 00:06:07,734 [ TELEPHONE RINGS ] 86 00:06:07,768 --> 00:06:10,436 15th SQUAD. 87 00:06:10,470 --> 00:06:13,206 YEAH, THIS IS ME. 88 00:06:17,243 --> 00:06:19,479 UH?HUH. I SEE. 89 00:06:20,981 --> 00:06:22,949 ALL RIGHT. 90 00:06:22,983 --> 00:06:25,018 AHEM. 91 00:06:25,051 --> 00:06:26,286 ALL RIGHT. 92 00:06:26,319 --> 00:06:28,088 LET ME, UH... 93 00:06:28,121 --> 00:06:29,122 UH... 94 00:06:29,155 --> 00:06:32,258 YEAH. 95 00:06:32,292 --> 00:06:33,894 OKAY. 96 00:06:33,927 --> 00:06:35,762 YEAH. 97 00:06:38,732 --> 00:06:40,701 ALL RIGHT, WELL, 98 00:06:40,734 --> 00:06:42,703 I GOT TO GET OVER THERE. 99 00:06:42,736 --> 00:06:43,770 WHERE, ANDY? 100 00:06:43,804 --> 00:06:46,707 I GOT TO GET HIM AND SO FORTH. 101 00:06:46,740 --> 00:06:49,309 YOU WANT ME TO COME WITH YOU, ANDY? 102 00:06:49,342 --> 00:06:51,277 HE WANTS ME TO COME IN. 103 00:06:53,814 --> 00:06:56,182 LET ME CALL KATIE. 104 00:07:02,689 --> 00:07:04,991 LOST TIME. 105 00:07:05,025 --> 00:07:06,192 ALL RIGHT. 106 00:07:08,361 --> 00:07:13,466 IT�S ME, KATIE. CAN YOU MEET ME AT HIS SCHOOL? 107 00:07:13,499 --> 00:07:16,402 LET�S NOT DISCUSS IT BY PHONE, ALL RIGHT, KATIE? 108 00:07:16,436 --> 00:07:18,338 ARE YOU ABLE TO COME IN? 109 00:07:18,371 --> 00:07:21,074 HE�S NOT HURT. WOULDN�T I TELL YOU IF HE WAS HURT? 110 00:07:21,107 --> 00:07:24,410 DAMN IT, KATIE, ARE YOU GOING TO COME IN, 111 00:07:24,444 --> 00:07:27,013 OR DO YOU WANT TO GIVE ME 112 00:07:27,047 --> 00:07:30,283 ONE MORE THING THAT I GOT TO WORRY ABOUT? 113 00:07:30,316 --> 00:07:31,785 ALL RIGHT. 114 00:07:33,520 --> 00:07:37,223 ALL RIGHT. THANKS VERY MUCH. 115 00:07:40,393 --> 00:07:42,428 20 MINUTES OR SO FORTH. 116 00:07:42,462 --> 00:07:44,430 TAKES THE TRAIN RIGHT IN ?? KATIE. 117 00:07:44,464 --> 00:07:46,633 PICK HIM UP, 118 00:07:46,667 --> 00:07:49,636 I�LL WAIT FOR HER WITH HIM OUTSIDE THE SCHOOL, 119 00:07:49,670 --> 00:07:53,106 OR IF IT�S NOT TOO EARLY FOR A HOT DOG ?? 120 00:07:53,139 --> 00:07:56,877 NO, IT ?? IT�S PROBABLY TOO EARLY. 121 00:07:58,812 --> 00:08:01,948 ALL RIGHT, LET ME GO. 122 00:08:01,982 --> 00:08:03,717 ALL RIGHT, ANDY. 123 00:08:03,750 --> 00:08:06,520 [ SIGHS ] 124 00:08:38,585 --> 00:08:39,920 WHAT HAVE YOU GOT? 125 00:08:39,953 --> 00:08:41,187 HOME INVASION. 126 00:08:41,221 --> 00:08:43,389 D.O.A. FORCED HIS WAY IN, ATTACKS THE GIRL. 127 00:08:43,423 --> 00:08:46,426 FATHER AND BROTHER COME HOME, GO AFTER THE GUY WITH BATS. 128 00:08:46,459 --> 00:08:48,028 WHAT�S THE GIRL�S NAME? 129 00:08:48,061 --> 00:08:50,531 ANITA RIOS. FATHER�S ALBERTO RIOS. 130 00:08:50,564 --> 00:08:51,598 SON�S EDDIE. 131 00:08:51,632 --> 00:08:55,068 D.O.A.�s LARRY CARDONA. 132 00:08:55,101 --> 00:08:57,237 HE�S 30. 133 00:08:57,270 --> 00:08:59,239 WE COME HOME, HE�S GOT HER ON THE FLOOR SCREAMING. 134 00:08:59,272 --> 00:09:02,408 HE WAS GOING TO RAPE HER. WE COME HOME JUST IN TIME. 135 00:09:02,442 --> 00:09:05,879 YOUR NAME IS ANITA? 136 00:09:05,912 --> 00:09:08,248 I�M DETECTIVE JONES, ANITA. 137 00:09:08,281 --> 00:09:09,550 FORCED HIS WAY IN. 138 00:09:09,583 --> 00:09:10,751 YOU WEREN�T HOME, RIGHT? 139 00:09:10,784 --> 00:09:11,952 SHE WAS HOME ALONE. 140 00:09:11,985 --> 00:09:14,755 YOU KNOW HIM? NO. 141 00:09:14,788 --> 00:09:17,591 ANITA, HOW DID THIS MAN GET IN HERE? 142 00:09:17,624 --> 00:09:19,425 HE KNOCKED, SHE OPENED THE DOOR, 143 00:09:19,459 --> 00:09:20,894 AND HE PUSHED IN. 144 00:09:20,927 --> 00:09:22,428 I�M ASKING HER. 145 00:09:22,462 --> 00:09:24,765 I OPENED THE DOOR, 146 00:09:24,798 --> 00:09:27,233 HE WANTED TO KNOW WHO WAS HOME, 147 00:09:27,267 --> 00:09:29,770 THEN HE PUSHED ME AND COME IN, 148 00:09:29,803 --> 00:09:32,906 AND THEN HE THREW ME DOWN ON THE FLOOR. 149 00:09:32,939 --> 00:09:36,476 WHERE DO YOU KEEP THOSE BATS? 150 00:09:36,510 --> 00:09:39,479 BY THE DOOR. I DON�T WANT A GUN IN MY HOUSE. 151 00:09:39,513 --> 00:09:41,314 IS THE KNIFE YOURS OR THE DEAD GUY�S? 152 00:09:41,347 --> 00:09:43,383 HE COME AT US WITH THAT. 153 00:09:43,416 --> 00:09:44,818 WE HAD TO HIT HIM. 154 00:09:44,851 --> 00:09:46,987 ALL OF YOU NEED TO COME TO THE STATION HOUSE 155 00:09:47,020 --> 00:09:47,954 FOR WHAT? 156 00:09:47,988 --> 00:09:49,489 SO WE CAN GET YOUR STATEMENT. 157 00:09:49,523 --> 00:09:51,992 I GOT TO PROTECT MY FAMILY. IT WAS HER HE WAS ON. 158 00:09:52,025 --> 00:09:53,894 HER. THAT�S RIGHT. 159 00:09:53,927 --> 00:09:54,761 YOUR DAUGHTER. 160 00:09:54,795 --> 00:09:56,296 HER. MY DAUGHTER. 161 00:09:56,329 --> 00:09:58,098 THAT�S RIGHT. 162 00:09:58,131 --> 00:10:02,068 LET�S GO IN TO THE STATION HOUSE. 163 00:10:02,102 --> 00:10:04,004 HE�S IN MY HOME. HE HAD A KNIFE. 164 00:10:04,037 --> 00:10:05,906 ARE WE GOING TO HAVE A PROBLEM? 165 00:10:05,939 --> 00:10:08,474 NOT IF YOU COME TO THE STATION HOUSE. 166 00:10:34,868 --> 00:10:36,269 HI, JILL. 167 00:10:36,302 --> 00:10:38,271 MORNING, DANNY. 168 00:10:38,304 --> 00:10:40,373 HOW YOU DOING? HOW�S THE BOYS? 169 00:10:40,406 --> 00:10:42,375 GOOD. 170 00:10:42,408 --> 00:10:44,010 WHERE�S ANDY? 171 00:10:44,044 --> 00:10:45,445 LOST TIME. 172 00:10:45,478 --> 00:10:48,882 HE�S GOING OVER A HEALTH CHECKUP WITH THEO�S DOCTOR. 173 00:10:48,915 --> 00:10:50,216 TEST RESULTS. 174 00:10:50,250 --> 00:10:51,518 MORNING. 175 00:10:51,552 --> 00:10:52,619 MORNING, DIANE. 176 00:10:52,653 --> 00:10:54,187 SO ARE THOSE ROUTINE? 177 00:10:54,220 --> 00:10:57,724 THEY GAVE THEO A BLOOD TEST BASED THAT HE WAS PALE. 178 00:10:57,758 --> 00:10:59,526 WHEN? 179 00:10:59,560 --> 00:11:00,861 BEFORE SCHOOL, 180 00:11:00,894 --> 00:11:03,129 AND THEN THE DOCTOR CALLED WITH THE RESULTS. 181 00:11:03,163 --> 00:11:05,131 HE�S GOING OVER TO HIS OFFICE ?? ANDY ?? 182 00:11:05,165 --> 00:11:06,567 AND BRINGING THEO IN. 183 00:11:06,600 --> 00:11:08,401 THE DOCTOR ASKED HIM TO BRING THEO BACK? 184 00:11:08,434 --> 00:11:10,571 KATIE�S MEETING ANDY AT THEO�S PRESCHOOL, 185 00:11:10,604 --> 00:11:12,739 AND THEY�RE GOING TO TAKE HIM OVER, 186 00:11:12,773 --> 00:11:16,376 SO, YOU KNOW, THAT�S MILDLY WORRISOME. 187 00:11:16,409 --> 00:11:18,178 WHAT IT MIGHT BE, 188 00:11:18,211 --> 00:11:21,147 HE MIGHT WANT TO PUT THEO ON AN ANTIBIOTIC RIGHT AWAY. 189 00:11:21,181 --> 00:11:23,416 YEAH, START WITH A SHOT 190 00:11:23,449 --> 00:11:25,552 AND THEN PUT HIM ON ORAL MEDS. 191 00:11:25,586 --> 00:11:26,753 KYLE�S HAD THAT TWICE. 192 00:11:26,787 --> 00:11:28,421 GOOD FOR ANDY�S DOC, 193 00:11:28,454 --> 00:11:30,423 WANTING TO JUMP RIGHT ON IT. 194 00:11:30,456 --> 00:11:33,459 OH, THEY�RE VERY AGGRESSIVE NOW WITH SOME OF THOSE BUGS. 195 00:11:36,196 --> 00:11:38,164 HOW ARE YOU DOING? 196 00:11:38,198 --> 00:11:39,265 GOOD. 197 00:11:42,035 --> 00:11:43,970 THANKS, JILL. 198 00:11:50,376 --> 00:11:53,246 SOMETHING TERRIBLE IS GOING TO HAPPEN. 199 00:11:53,279 --> 00:11:55,281 TO WHO? 200 00:11:55,315 --> 00:11:57,618 DENBY�S PSYCHO. 201 00:11:57,651 --> 00:12:01,522 WIRED ON COKE, JUST ABOUT COPS TO DEALING. 202 00:12:01,555 --> 00:12:03,223 DON�S MOVING FOR HIM? 203 00:12:03,256 --> 00:12:06,026 OFF WHAT BALDWIN SAW, DON HAS TO BE DEALING FOR DENBY. 204 00:12:06,059 --> 00:12:08,261 THEY OUGHT TO INVENTORY ALL THE PROPERTY ROOMS 205 00:12:08,294 --> 00:12:09,730 FOR MISSING COKE. 206 00:12:09,763 --> 00:12:10,964 YEAH. 207 00:12:10,997 --> 00:12:13,534 WHAT ARE WE GOING TO DO ABOUT JILL? 208 00:12:13,567 --> 00:12:15,736 WHAT, TELLING HER ABOUT DON? 209 00:12:15,769 --> 00:12:18,038 YOU DON�T THINK JILL KNOWS? 210 00:12:18,071 --> 00:12:19,072 NO. 211 00:12:19,105 --> 00:12:21,642 NO. ABSOLUTELY NOT. 212 00:12:34,521 --> 00:12:36,657 SIPOWICZ, THEO. 213 00:12:36,690 --> 00:12:38,124 HI, MR. SIPOWICZ. I�M MIMI. 214 00:12:38,158 --> 00:12:39,826 I WAS YOUR FLOOR NURSE AFTER YOUR PROSTATE OPERATION. 215 00:12:39,860 --> 00:12:41,662 OH, THAT�S RIGHT. 216 00:12:41,695 --> 00:12:42,596 ARE YOU THEO? 217 00:12:42,629 --> 00:12:44,264 NO MORE SHOTS. 218 00:12:44,297 --> 00:12:46,332 UH, MR. SIPOWICZ AND HIS SON THEO, 219 00:12:46,366 --> 00:12:47,467 DR. TIMMONS. 220 00:12:47,500 --> 00:12:49,503 HI. HI, THEO. 221 00:12:49,536 --> 00:12:50,571 HI. 222 00:12:50,604 --> 00:12:51,805 THEO�S AUNT KATIE. 223 00:12:51,838 --> 00:12:52,806 HELLO. 224 00:12:52,839 --> 00:12:54,307 HOW DO YOU DO? 225 00:12:54,340 --> 00:12:56,142 THEO, WOULD YOU LIKE TO SEE OUR PLAYROOM 226 00:12:56,176 --> 00:12:57,744 WHILE I TALK TO YOUR DAD? 227 00:12:57,778 --> 00:12:59,980 I�LL SHOW YOU WHERE WE KEEP OUR ICE POPS. 228 00:13:00,013 --> 00:13:01,648 COME ON, THEO. 229 00:13:01,682 --> 00:13:03,850 LET�S GO SEE WHAT THEY�VE GOT. 230 00:13:05,018 --> 00:13:06,887 THEY GOT BALD KIDS. 231 00:13:11,558 --> 00:13:15,195 WHY DON�T WE TALK WHERE I CAN WATCH THEO? 232 00:13:15,228 --> 00:13:17,831 OKAY. 233 00:13:17,864 --> 00:13:19,833 WHEN YOU WANT ONE, THIS IS SECRET. 234 00:13:19,866 --> 00:13:22,503 IT�S ONLY FOR THE KIDS WHO PLAY IN THIS ROOM. 235 00:13:22,536 --> 00:13:24,971 I DON�T WANT ONE. MY ARM HURTS. 236 00:13:25,005 --> 00:13:26,306 OKAY. 237 00:13:26,339 --> 00:13:28,709 COME ON, THEO, LET�S GO AND LOOK AT THE FISHES. 238 00:13:28,742 --> 00:13:31,211 THEY GOT A TANK LIKE YOU HAVE AT HOME. 239 00:13:31,244 --> 00:13:33,547 YOU WANT TO NAME THESE FISHES? 240 00:13:37,818 --> 00:13:41,054 HIS HEMOGLOBIN�S LOW. 241 00:13:41,087 --> 00:13:43,657 YES. I�VE SPOKEN WITH DR. KRONIG. 242 00:13:43,690 --> 00:13:45,125 HIS RED BLOOD CELLS. 243 00:13:45,158 --> 00:13:47,227 HAS THEO BEEN LISTLESS RECENTLY, 244 00:13:47,260 --> 00:13:49,730 OR IS HE SLEEPING MORE THAN USUAL? 245 00:13:49,763 --> 00:13:52,398 NO. HE BOUNCES AROUND. ISN�T THAT A GOOD SIGN? 246 00:13:52,432 --> 00:13:55,001 IT�S ALWAYS GOOD WHEN A CHILD IS NORMALLY ACTIVE. 247 00:13:55,035 --> 00:13:58,138 DON�T THEY TELL YOU IF THEY�RE SICK? 248 00:13:58,171 --> 00:14:00,140 ONCE I�VE EXAMINED THEO, 249 00:14:00,173 --> 00:14:02,175 WE�LL DRAW MORE BLOODS AND GET A CHEST FILM 250 00:14:02,208 --> 00:14:04,578 AND TOMORROW, WE�LL DO A BONE MARROW STUDY. 251 00:14:04,611 --> 00:14:05,879 OH, GOD. 252 00:14:05,912 --> 00:14:07,681 THEO SHOULDN�T HAVE FOOD AFTER MIDNIGHT TONIGHT. 253 00:14:07,714 --> 00:14:10,551 THAT WAY WE CAN SEDATE HIM AND KEEP HIM COMFORTABLE. 254 00:14:10,584 --> 00:14:12,753 HOW DO YOU STUDY HIS BONE MARROW? 255 00:14:12,786 --> 00:14:15,989 WE DRAW SOME MARROW FROM HIS HIP WITH A NEEDLE. 256 00:14:16,022 --> 00:14:18,258 HE CAN�T TAKE NO MORE SHOTS. HE DON�T WANT NO MORE. 257 00:14:18,291 --> 00:14:20,761 MR. SIPOWICZ, WE CAN�T HELP THEO UNTIL WE FIND OUT 258 00:14:20,794 --> 00:14:23,764 WHY HE ISN�T MAKING RED BLOOD CELLS THE WAY HE SHOULD. 259 00:14:23,797 --> 00:14:27,433 BUT THEN ARE YOU CONFIDENT THAT YOU CAN HELP HIM? 260 00:14:27,467 --> 00:14:29,435 I KNOW YOU�RE CONCERNED AND DISTURBED, 261 00:14:29,469 --> 00:14:33,073 AND I WISH I COULD GIVE YOU SOME BLANKET ASSURANCE. 262 00:14:33,106 --> 00:14:34,908 THERE�S NO REASON AT THIS POINT 263 00:14:34,941 --> 00:14:36,910 TO THINK WE CAN�T HELP THEO. 264 00:14:36,943 --> 00:14:40,013 I CAN ALSO TELL YOU, AS HE MOVES THROUGH THIS, 265 00:14:40,046 --> 00:14:43,249 YOUR SON IS GOING TO TAKE HIS EMOTIONAL CUES FROM YOU. 266 00:14:43,283 --> 00:14:45,919 Woman: WHEELCHAIR TO ROOM 217. 267 00:14:45,952 --> 00:14:47,721 OKAY. 268 00:14:47,754 --> 00:14:51,057 OKAY, I UNDERSTAND. 269 00:14:51,091 --> 00:14:52,125 THIS ORANGE ONE, RIGHT HERE? 270 00:14:52,158 --> 00:14:54,595 DONALD DUCK NUMBER TWO. 271 00:14:54,628 --> 00:14:56,362 LIKE DONALD DUCK NUMBER ONE AT HOME. 272 00:14:56,396 --> 00:14:58,064 HOW ABOUT THIS BLUE ONE DOWN HERE? 273 00:14:58,098 --> 00:14:59,365 TIGGER NUMBER TWO. 274 00:14:59,399 --> 00:15:02,936 YEAH, BECAUSE YOU HAVE DONALD ONE AND TIGER ONE AT HOME. 275 00:15:02,969 --> 00:15:05,906 OH, AND HOW ABOUT THE BLACK AND WHITE ONE IN THE BACK? 276 00:15:07,473 --> 00:15:09,142 SEE HIM? 277 00:15:09,175 --> 00:15:11,111 BALD KID. 278 00:15:11,144 --> 00:15:12,879 I�M GOING TO GO GET THEO NOW. 279 00:15:12,913 --> 00:15:14,615 OKAY. 280 00:15:14,648 --> 00:15:16,750 DR. WALSH TO THE NURSES� STATION. 281 00:15:16,783 --> 00:15:17,984 AUNT KATIE? 282 00:15:18,018 --> 00:15:20,120 WHY DON�T YOU BRING THEO AND COME WITH ME? 283 00:15:20,153 --> 00:15:22,656 OKAY. COME ON, SWEETIE. I�LL HOLD YOU UP HERE. 284 00:15:22,689 --> 00:15:24,457 NOW I�LL GIVE YOU TO DADDY. 285 00:15:24,490 --> 00:15:26,927 I NAMED THE FISHES AFTER YOU. 286 00:15:33,667 --> 00:15:35,268 HEY, BUDDY. 287 00:15:35,301 --> 00:15:37,203 HERE YOU GO. THIS WAY. 288 00:15:51,785 --> 00:15:54,354 WHY DON�T BOTH YOU GENTLEMEN SIT HERE 289 00:15:54,387 --> 00:15:55,922 UNTIL WE GET THINGS ORGANIZED? 290 00:15:55,956 --> 00:15:58,859 BALDWIN, YOU WANT TO TAKE MS. RIOS TO THE COFFEE ROOM? 291 00:15:58,892 --> 00:16:00,193 WHERE�S SHE GOING? 292 00:16:00,226 --> 00:16:01,494 TO THE COFFEE ROOM. 293 00:16:01,528 --> 00:16:03,363 WHY DON�T WE MAKE OUR STATEMENTS TOGETHER? 294 00:16:03,396 --> 00:16:04,430 TOGETHER? 295 00:16:04,464 --> 00:16:06,032 WHAT�S SO FUNNY? 296 00:16:06,066 --> 00:16:07,834 FROM PEOPLE TOGETHER 297 00:16:07,868 --> 00:16:10,303 IS NOT HOW WE TAKE THE STATEMENTS, MR. RIOS. 298 00:16:10,336 --> 00:16:12,038 WE TAKE THEM INDIVIDUALLY 299 00:16:12,072 --> 00:16:14,675 FROM YOU AND YOUR SON IN ANOTHER INTERVIEW ROOM. 300 00:16:14,708 --> 00:16:17,778 WE TAKE YOUR DAUGHTER�S IN THE COFFEE ROOM. 301 00:16:17,811 --> 00:16:20,346 OKAY? 302 00:16:20,380 --> 00:16:24,785 �CAUSE WE�VE BEEN DOING THIS A LONG TIME. 303 00:16:24,818 --> 00:16:26,486 YEAH, ALL RIGHT. 304 00:16:26,520 --> 00:16:28,221 GO AHEAD WITH THEM. 305 00:16:28,254 --> 00:16:30,490 COME ON, ANITA. 306 00:16:33,760 --> 00:16:35,896 CAN SHE BRING COFFEE OUT TO US? 307 00:16:35,929 --> 00:16:39,232 NO. WE�LL BRING YOU THE BEVERAGES YOU WANT. 308 00:16:39,265 --> 00:16:41,735 YOU BOTH WANT COFFEE? 309 00:16:41,768 --> 00:16:42,969 BLACK AND SWEET. 310 00:16:43,003 --> 00:16:44,370 COFFEE? 311 00:16:44,404 --> 00:16:45,405 YOU GOT A COLA? 312 00:16:45,438 --> 00:16:48,408 WE�LL GET YOU A COKE. 313 00:16:48,441 --> 00:16:49,610 GO AHEAD. 314 00:16:54,948 --> 00:16:57,283 WHEN DID YOU START DRINKING COKE? 315 00:17:02,222 --> 00:17:04,090 SO WHAT WENT DOWN AT THAT BUILDING? 316 00:17:04,124 --> 00:17:05,892 THOSE TWO SUPPOSEDLY COME ACROSS 317 00:17:05,926 --> 00:17:07,393 SOME GUY NAMED CARDONA 318 00:17:07,427 --> 00:17:09,763 TRYING TO RAPE THE GIRL D.�s GOT IN THE COFFEE ROOM. 319 00:17:09,796 --> 00:17:12,866 THAT�S THE ONE GUY�S DAUGHTER AND THE OTHER ONE�S SISTER. 320 00:17:12,899 --> 00:17:15,001 TIME THEY�RE THROUGH WITH HIM, CARDONA�S D. O. A. 321 00:17:15,035 --> 00:17:17,938 THEY SMASHED HIS HEAD WITH BALL BATS. 322 00:17:17,971 --> 00:17:20,507 WE SHOULD GET A RAPE KIT ON THE DAUGHTER. 323 00:17:20,541 --> 00:17:23,744 SUPPOSEDLY THEY CAME ON THE GUY BEFORE HE RAPED HER. 324 00:17:23,777 --> 00:17:25,178 DOES THE DAUGHTER CONFIRM 325 00:17:25,211 --> 00:17:26,947 THE ATTEMPTED SEXUAL ASSAULT? 326 00:17:26,980 --> 00:17:31,685 YEAH, YEAH, SO FAR SHE CONFIRMS IT. 327 00:17:31,718 --> 00:17:34,387 THAT GIRL�S SCARED OUT OF HER MIND. 328 00:17:34,420 --> 00:17:37,123 SOME GUY BOOKED FROM THE BUILDING, 329 00:17:37,157 --> 00:17:39,459 JUMPED INTO A GRAY VAN, 330 00:17:39,492 --> 00:17:40,961 AND BANGED INTO A GROCERY TRUCK ACROSS THE STREET, 331 00:17:40,994 --> 00:17:42,763 RIGHT TIME FRAME. 332 00:17:42,796 --> 00:17:45,231 GROCER GOT THE PLATES. WE�RE RUNNING THAT DOWN. 333 00:17:45,265 --> 00:17:47,568 WE�LL ASK THESE THREE HERE ABOUT A SECOND ASSAILANT. 334 00:17:47,601 --> 00:17:50,270 AND A FEW OTHER QUESTIONS. 335 00:17:50,303 --> 00:17:52,673 OH, YES. 336 00:17:55,676 --> 00:17:58,011 THE GIRL FIRST? 337 00:18:00,346 --> 00:18:02,649 HOW ABOUT JILL? 338 00:18:02,683 --> 00:18:04,450 YEAH, SURE. 339 00:18:04,484 --> 00:18:07,588 HELP WITH AN INTERVIEW? 340 00:18:07,621 --> 00:18:09,422 UM... 341 00:18:09,455 --> 00:18:11,825 OR, UH, YOU KNOW WHAT? 342 00:18:11,858 --> 00:18:13,794 WE�RE GOOD, JILL. 343 00:18:13,827 --> 00:18:15,128 THANKS, GREG. 344 00:18:15,161 --> 00:18:16,630 WE GOT IT. 345 00:18:24,705 --> 00:18:28,341 FIRST THING ME AND MY PARTNER WANT YOU TO KNOW, ANITA ?? 346 00:18:28,374 --> 00:18:31,945 NOTHING YOU SAY IS GOING TO LEAVE THIS ROOM. 347 00:18:31,978 --> 00:18:34,180 I TOLD YOU WHAT HAPPENED. 348 00:18:34,214 --> 00:18:37,417 TELL US AGAIN WITHOUT YOUR DAD AND BROTHER AROUND. 349 00:18:37,450 --> 00:18:39,686 HE KNOCKED. I OPENED THE DOOR. 350 00:18:39,720 --> 00:18:42,523 HE PUSHED IN, AND WHILE HE WAS ATTACKING, 351 00:18:42,556 --> 00:18:44,958 MY BROTHER AND FATHER COME HOME, 352 00:18:44,991 --> 00:18:48,094 AND THEY TOOK THE BAT TO HIM TO GET HIM OFF. 353 00:18:48,128 --> 00:18:50,531 ANITA, SYMPATHETIC AS WE ARE TO YOUR SITUATION, 354 00:18:50,564 --> 00:18:52,365 HOW YOU�RE TELLING THE STORY 355 00:18:52,398 --> 00:18:55,669 AND HOW YOUR DAD AND BROTHER ARE TELLING IT 356 00:18:55,702 --> 00:18:57,203 DON�T RING RIGHT TO US. 357 00:18:57,237 --> 00:18:59,205 YOUR DAD AND BROTHER SOUND TO US 358 00:18:59,239 --> 00:19:00,707 LIKE THEY�VE HAD AN ANGER AGAINST THIS GUY 359 00:19:00,741 --> 00:19:03,143 THAT HAD BUILT UP A WHILE. 360 00:19:03,176 --> 00:19:06,146 WE�RE WONDERING IF YOU MIGHT HAVE KNOWN CARDONA, 361 00:19:06,179 --> 00:19:09,049 AND MAYBE YOUR DAD AND BROTHER DIDN�T APPROVE. 362 00:19:09,082 --> 00:19:11,217 NO. 363 00:19:11,251 --> 00:19:14,120 YOU�D NEVER SEEN HIM BEFORE? 364 00:19:14,154 --> 00:19:15,155 NO. 365 00:19:15,188 --> 00:19:17,891 WHEN YOU SAY HE WAS ATTACKING, 366 00:19:17,924 --> 00:19:20,493 HAD HE BEGUN TRYING TO RAPE YOU? 367 00:19:20,527 --> 00:19:21,628 YES. 368 00:19:21,662 --> 00:19:23,630 HE LAID HANDS ON YOU? 369 00:19:23,664 --> 00:19:24,731 YES. 370 00:19:24,765 --> 00:19:26,633 AND THAT HAPPENED TO BE 371 00:19:26,667 --> 00:19:31,071 WHEN YOUR FATHER AND BROTHER CAME IN? 372 00:19:31,104 --> 00:19:33,607 SHOW ME WHERE. 373 00:19:36,877 --> 00:19:38,612 ALL RIGHT? 374 00:19:39,713 --> 00:19:42,348 AND THOSE BRUISES ARE FROM TODAY? 375 00:19:42,382 --> 00:19:44,585 YES. 376 00:19:44,618 --> 00:19:47,087 THEY LOOK OLDER THAN THAT, ANITA. 377 00:19:47,120 --> 00:19:49,556 THOSE BRUISES LOOK LIKE YOU�VE HAD THEM A WHILE. 378 00:19:49,590 --> 00:19:51,592 WHAT DO YOU WANT FROM ME? 379 00:19:51,625 --> 00:19:53,426 WHY ARE YOU TRYING TO BEAT ME DOWN? 380 00:19:53,459 --> 00:19:56,697 HE RAPED ME. DON�T SAY HE DIDN�T �CAUSE HE DID. 381 00:19:56,730 --> 00:19:59,165 YOU�RE SAYING HE ACTUALLY HAD RAPED YOU 382 00:19:59,199 --> 00:20:01,768 BEFORE YOUR DAD AND BROTHER GOT THERE? 383 00:20:01,802 --> 00:20:04,505 HE GRABBED ME, HE PUSHED ME IN, 384 00:20:04,538 --> 00:20:07,440 HE HELD ME DOWN, AND RAPED ME... 385 00:20:07,473 --> 00:20:11,111 FOUR DAYS AGO. FOUR DAYS AGO, ALL RIGHT? 386 00:20:46,079 --> 00:20:49,049 DON�S ALIVE. HE�S SUPPOSED TO BE DEAD. 387 00:20:49,082 --> 00:20:51,718 SO WHAT, IF HE�S NOT JILL�S HUSBAND? 388 00:20:51,752 --> 00:20:53,153 RIGHT. 389 00:20:53,186 --> 00:20:56,590 THIS TASK FORCE ASSHOLE ?? DENBY ?? 390 00:20:56,623 --> 00:20:57,724 SO WHAT, 391 00:20:57,758 --> 00:21:00,493 IF WE�RE NOT WORRIED ABOUT JILL? 392 00:21:01,762 --> 00:21:03,764 WORRIED ABOUT JILL HOW? 393 00:21:03,797 --> 00:21:06,800 "HOW" CAN BE WORRIED YOU GOT TO TELL HER 394 00:21:06,833 --> 00:21:09,736 THAT THIS BAD GUY IS BACK IN HER LIFE. 395 00:21:09,770 --> 00:21:13,206 "HOW" CAN ALSO BE WORRIED SHE ALREADY KNOWS... 396 00:21:15,709 --> 00:21:17,177 WORRIED YOU GOT TO TELL HER. 397 00:21:17,210 --> 00:21:19,279 IF SHE DON�T KNOW DON�S ALIVE YET, 398 00:21:19,312 --> 00:21:21,147 THAT�S PAIN JILL�S GOT COMING, 399 00:21:21,181 --> 00:21:23,183 AND BETTER IT�S FROM A FRIEND. 400 00:21:23,216 --> 00:21:25,752 WHERE IF SHE ALREADY KNOWS, 401 00:21:25,786 --> 00:21:29,590 THAT�S PAIN WE GOT COMING, AND BETTER WE FACE IT NOW. 402 00:21:29,623 --> 00:21:31,692 I�M NOT GIVING HER TO THE JOB. 403 00:21:31,725 --> 00:21:33,026 SHE�S NOT INVOLVED, 404 00:21:33,059 --> 00:21:35,095 IT�S A CALL TO THE RAT SQUAD. 405 00:21:35,128 --> 00:21:38,098 THEY GRAB UP DENBY AND DON ?? END OF CONVERSATION. 406 00:21:38,131 --> 00:21:41,868 SHE IS, WE MAKE SOME DECISIONS. 407 00:21:41,902 --> 00:21:43,637 LIKE MAKING IT HER FAULT 408 00:21:43,670 --> 00:21:46,372 THIS PRICK CAME BACK IN HER LIFE? 409 00:21:46,406 --> 00:21:48,542 LIKE TAKING HER AWAY FROM HER KIDS? 410 00:21:48,575 --> 00:21:50,844 I�M NOT GIVING HER UP, DANNY. 411 00:21:50,877 --> 00:21:54,114 IF SHE IS INVOLVED AND WE�RE NOT GIVING HER UP, 412 00:21:54,147 --> 00:21:55,716 DON HAS TO DISAPPEAR. 413 00:21:55,749 --> 00:21:58,051 DON�S GONE, DENBY�S COLLARED ?? 414 00:21:58,084 --> 00:22:00,053 IT DON�T GO BACK TO JILL. 415 00:22:00,086 --> 00:22:02,723 DON HAS TO DISAPPEAR? 416 00:22:02,756 --> 00:22:04,958 YEAH, HE HAS TO DISAPPEAR. 417 00:22:04,991 --> 00:22:06,693 AND HE�S A SKELL ?? 418 00:22:06,727 --> 00:22:09,162 ENOUGH TIME ALIVE, HE REACHES BACK OUT. 419 00:22:11,598 --> 00:22:14,267 DON HAS TO DISAPPEAR. 420 00:22:17,771 --> 00:22:20,541 SO THAT�S WHAT WOULD HAVE TO HAPPEN. 421 00:22:25,445 --> 00:22:27,080 WHAT�S SHE SAYING NOW 422 00:22:27,113 --> 00:22:28,549 ABOUT WHY THIS GUY WAS IN HER APARTMENT? 423 00:22:28,582 --> 00:22:30,250 SHE HASN�T COME OFF THAT. 424 00:22:30,283 --> 00:22:33,419 STILL SAYS HE WAS UP THERE TRYING TO RAPE HER. 425 00:22:33,453 --> 00:22:35,421 BUT HE FIRST RAPED HER FOUR DAYS AGO? 426 00:22:35,455 --> 00:22:36,757 THAT�S WHAT SHE�S SAYING. 427 00:22:36,790 --> 00:22:38,925 PLATE NUMBER THAT GROCER TOOK DOWN ?? 428 00:22:38,959 --> 00:22:40,861 COMES BACK TO THIS GUY. 429 00:22:40,894 --> 00:22:43,263 MAKE ONE PASS AT THE FATHER AND BROTHER, 430 00:22:43,296 --> 00:22:45,265 THEN PICK THIS MOLINA UP? 431 00:22:45,298 --> 00:22:47,601 YEAH, �CAUSE SOMETHING ABOUT THIS STORY�S WRONG. 432 00:23:06,152 --> 00:23:08,388 NO SECOND GUY. 433 00:23:08,421 --> 00:23:11,291 NO ONE YOU COULD HELP US WITH? 434 00:23:11,324 --> 00:23:14,460 NO ONE I SAW. 435 00:23:14,494 --> 00:23:16,462 IF HE WAS A LOOKOUT IN THE HALLWAY, 436 00:23:16,496 --> 00:23:19,132 YOU�D HAVE PROBABLY SEEN HIM COMING INTO THE APARTMENT ?? 437 00:23:19,165 --> 00:23:20,967 HOW YOU AND YOUR SON DID 438 00:23:21,001 --> 00:23:23,303 ONCE THE GUY ATTACKING ANITA WAS INSIDE. 439 00:23:23,336 --> 00:23:25,138 I WOULDN�T KNOW. 440 00:23:25,171 --> 00:23:26,740 WHAT DO YOU MEAN? 441 00:23:26,773 --> 00:23:29,576 ALL I CAN SAY IS MY ACCOUNT. 442 00:23:29,610 --> 00:23:32,412 ANY CHANCE THIS GUY COULD HAVE ATTACKED ANITA 443 00:23:32,445 --> 00:23:34,881 SOME OTHER TIME, MR. RIOS? 444 00:23:34,915 --> 00:23:36,950 NONE. 445 00:23:36,983 --> 00:23:39,553 NO CHANCE AT ALL? 446 00:23:39,586 --> 00:23:42,322 NONE ABSOLUTELY. 447 00:23:42,355 --> 00:23:45,325 SHE�S GOT OLD BRUISES ON HER WRISTS. 448 00:23:45,358 --> 00:23:49,062 TODAY ?? THIS MORNING ?? I CAME IN WITH MY SON. 449 00:23:49,095 --> 00:23:50,163 HE WAS RAPING MY DAUGHTER. 450 00:23:50,196 --> 00:23:52,999 I DON�T KNOW ABOUT NO OLD BRUISES 451 00:23:53,033 --> 00:23:54,701 OR NO SECOND GUY. 452 00:23:59,806 --> 00:24:02,408 GOT TO ACCOUNT FOR THE BRUISES, EDDIE. 453 00:24:02,442 --> 00:24:04,077 WHO DOES? 454 00:24:04,110 --> 00:24:06,680 THOSE BRUISES ARE OLD ON ANITA�S WRISTS. 455 00:24:06,713 --> 00:24:08,515 THERE�S NO WAY AROUND THAT. 456 00:24:08,549 --> 00:24:10,517 I AM NOT HER WARDEN, UNDERSTAND? 457 00:24:10,551 --> 00:24:13,186 I DON�T ACCOUNT FOR HER 24 HOURS A DAY. 458 00:24:13,219 --> 00:24:15,121 SOMEONE ELSE WANTS TO DO THAT, FINE. 459 00:24:15,155 --> 00:24:17,423 THAT�S NOT ME. I LEAD MY OWN LIFE. 460 00:24:17,457 --> 00:24:20,961 WHAT MY SISTER GOT AND WHEN SHE GOT IT ?? 461 00:24:20,994 --> 00:24:23,329 I DON�T RUN THAT TAB. 462 00:24:26,066 --> 00:24:29,536 WE CAME IN. HE WAS RAPING HER. WE TOOK HIM OUT. 463 00:24:29,570 --> 00:24:31,572 END OF STORY. 464 00:24:33,674 --> 00:24:36,543 Sipowicz: 15th squad to 15th squad base. 465 00:24:36,577 --> 00:24:38,512 15th SQUAD BASE STANDING BY. 466 00:24:38,545 --> 00:24:40,313 Let me talk to Danny, John. 467 00:24:40,346 --> 00:24:43,216 UH, 10?4. WAIT ONE. 468 00:24:43,249 --> 00:24:46,219 I?IT�S DETECTIVE SIPOWICZ. 469 00:24:46,252 --> 00:24:47,988 AHEM. 470 00:24:48,021 --> 00:24:49,656 DANNY TO 15th SQUAD. 471 00:24:49,690 --> 00:24:51,191 Sipowicz: He�s sick. 472 00:24:51,224 --> 00:24:53,026 He�s not making his red blood cells. 473 00:24:53,059 --> 00:24:55,028 That�s why I saw he was pale. 474 00:24:55,061 --> 00:24:56,563 WE�RE ON AN OPEN RADIO. 475 00:24:56,597 --> 00:24:59,399 DO YOU WANT TO CALL ME BACK ON A LANDLINE? 476 00:24:59,432 --> 00:25:01,635 I got no strength in my legs. 477 00:25:01,668 --> 00:25:03,069 OKAY, ANDY. WHERE ARE YOU? 478 00:25:03,103 --> 00:25:06,039 In front of the House. I�m sitting here like a baby. 479 00:25:06,072 --> 00:25:07,674 I�LL BE RIGHT DOWN. 480 00:25:09,275 --> 00:25:11,044 HIS LITTLE GUY�S SICK. 481 00:25:11,077 --> 00:25:13,880 Man: Central to unidentified 15th squad unit ?? 482 00:25:13,914 --> 00:25:17,851 stay off the air with unauthorized transmissions. 483 00:25:17,884 --> 00:25:19,419 UH, 15th SQUAD BASE ?? 484 00:25:19,452 --> 00:25:22,255 UH, NO UNAUTHORIZED TRANSMISSIONS. 485 00:25:22,288 --> 00:25:24,090 10?4. 486 00:25:30,764 --> 00:25:32,699 HEY, ANDY. 487 00:25:32,733 --> 00:25:36,002 OH, BROTHER. 488 00:25:36,036 --> 00:25:37,938 STEP AT A TIME. 489 00:25:37,971 --> 00:25:39,673 I�M LOSING MY COMPOSURE. 490 00:25:39,706 --> 00:25:40,874 ALL RIGHT. 491 00:25:40,907 --> 00:25:42,876 I�M NO GOOD TO HIM LIKE THIS. 492 00:25:42,909 --> 00:25:44,344 IS KATIE WITH HIM? 493 00:25:44,377 --> 00:25:45,779 TAKING HIS NAP. 494 00:25:45,812 --> 00:25:48,281 I WAITED TILL HE WAS ASLEEP. 495 00:25:48,314 --> 00:25:50,283 SO RIGHT NOW THEO IS NAPPING. 496 00:25:50,316 --> 00:25:52,352 SO THAT�S WHERE WE ARE NOW. 497 00:25:52,385 --> 00:25:56,590 I GOT NO STRENGTH IN MY LEGS. 498 00:25:56,623 --> 00:25:58,792 SO WE SIT IN THE CAR. 499 00:25:58,825 --> 00:26:02,262 WHO HEARD MY VOICE ON THE TRANSMITTER? 500 00:26:02,295 --> 00:26:04,565 NOBODY. JUST ME AND JOHN. 501 00:26:04,598 --> 00:26:06,900 WHO KNOWS WHAT�S WRONG WITH THE BABY? 502 00:26:06,933 --> 00:26:08,368 THE BOSS AND DIANE AND JILL, 503 00:26:08,401 --> 00:26:10,470 THAT I SAID YOU WENT TO THE DOCTOR. 504 00:26:10,504 --> 00:26:12,773 DO THEY KNOW THE BABY�S CONDITION? 505 00:26:12,806 --> 00:26:13,840 NO, ANDY. 506 00:26:15,942 --> 00:26:19,445 OH...WHAT�S GOING TO HAPPEN? 507 00:26:19,479 --> 00:26:21,815 WE�RE SITTING RIGHT HERE. 508 00:26:21,848 --> 00:26:23,884 I GOT NO STRENGTH. 509 00:26:23,917 --> 00:26:25,786 I GOT NO STRENGTH FOR HIM. 510 00:26:25,819 --> 00:26:27,220 ALL RIGHT, ANDY. 511 00:26:27,253 --> 00:26:29,623 WHAT AM I GOING TO DO? 512 00:26:29,656 --> 00:26:32,659 I?I CRY JUST TO LOOK AT HIM. 513 00:26:32,693 --> 00:26:34,828 ALL RIGHT. 514 00:26:34,861 --> 00:26:37,230 I�M NO GOOD LIKE THIS. 515 00:26:37,263 --> 00:26:40,834 WHEN I WAS IN A TOUGH PART, DID YOU SAY TO LEAN ON YOU? 516 00:26:40,867 --> 00:26:43,537 ARE YOU NOT GOING TO LEAN ON ME NOW? 517 00:26:52,212 --> 00:26:55,248 OH...OH, BOY. 518 00:26:55,281 --> 00:26:57,651 OH, GOD... 519 00:26:57,684 --> 00:26:59,686 GIVE ME STRENGTH. 520 00:26:59,720 --> 00:27:01,187 WE�RE GOING TO MAKE IT. 521 00:27:01,221 --> 00:27:03,657 WE�RE GOING TO MAKE IT, ANDY. STEP AT A TIME. 522 00:27:06,292 --> 00:27:08,595 COME ON IN, MICHAEL. COME ON IN AND SIT DOWN. 523 00:27:08,629 --> 00:27:10,597 WHERE DO YOU WANT ME TO SIT? 524 00:27:10,631 --> 00:27:13,934 I WANT YOU TO SIT WHERE I SHOW YOU. 525 00:27:13,967 --> 00:27:15,869 IT�S NO BIG THING, MICHAEL, 526 00:27:15,902 --> 00:27:18,338 BUT YOU DO WANT TO WORK WITH US. 527 00:27:18,371 --> 00:27:19,606 A LOT OF TIMES ?? 528 00:27:19,640 --> 00:27:22,008 WHICH IS WHAT WE THINK IS GOING ON 529 00:27:22,042 --> 00:27:24,711 WITH THIS PAIN?IN?THE?BALLS GROCER ?? 530 00:27:24,745 --> 00:27:26,947 A GUY�S GOT PRE?EXISTING DAMAGE TO HIS VEHICLE. 531 00:27:26,980 --> 00:27:29,349 HE TRIES TO PASS THAT OFF AS BEING CAUSED BY YOU. 532 00:27:29,382 --> 00:27:32,285 DO WE WANT HIM TO GET AWAY WITH THAT? 533 00:27:32,318 --> 00:27:34,555 NO. ON THE OTHER HAND, IF YOU WON�T EVEN 534 00:27:34,588 --> 00:27:38,224 PUT YOURSELF AT THE SCENE GIVING HIS VAN A LITTLE NICK, 535 00:27:38,258 --> 00:27:41,227 THEN WE GOT HIS EXAGGERATION AGAINST YOUR COMPLETE FIB. 536 00:27:41,261 --> 00:27:44,898 THEN WE GOT TO GO WITH HIM. 537 00:27:46,399 --> 00:27:47,968 I�LL TELL YOU, 538 00:27:48,001 --> 00:27:51,037 I�VE GOT A MIGRAINE HEADACHE TO WHERE I CAN�T EVEN SEE. 539 00:27:51,071 --> 00:27:52,506 DID YOU GET THAT 540 00:27:52,539 --> 00:27:54,741 BEFORE YOU HIT THIS GROCER�S VAN, 541 00:27:54,775 --> 00:27:57,310 OR AFTER? 542 00:27:57,343 --> 00:27:58,478 NO. I HIT THE VAN. 543 00:27:58,512 --> 00:28:00,413 YOU WANT ME TO SAY THAT? OKAY. 544 00:28:00,446 --> 00:28:02,683 WHAT WERE YOU IN SUCH A HURRY ABOUT? 545 00:28:02,716 --> 00:28:05,752 YEAH, �CAUSE THE PEOPLE THAT TOOK YOUR LICENSE PLATE 546 00:28:05,786 --> 00:28:07,420 SAID THEY SAW YOU RUNNING OUT OF SOME BUILDING 547 00:28:07,453 --> 00:28:09,623 BEFORE YOU JUMPED IN YOUR VAN. 548 00:28:11,057 --> 00:28:13,894 I�M HALF BLIND WITH THIS HEADACHE NOW. 549 00:28:13,927 --> 00:28:15,829 YEAH, HUH? 550 00:28:15,862 --> 00:28:19,833 LIKE SOMEONE HIT YOU WITH A BASEBALL BAT. 551 00:28:19,866 --> 00:28:21,101 ANYWAYS... 552 00:28:21,134 --> 00:28:24,370 THIS SHOULDN�T TAKE MUCH LONGER. 553 00:28:24,404 --> 00:28:28,008 WHAT�S GOING ON HERE? WHAT�S THE WHOLE SITUATION? 554 00:28:28,041 --> 00:28:31,377 WHAT WERE YOU DOING RUNNING FROM THE BUILDING, MICHAEL? 555 00:28:31,411 --> 00:28:32,946 WHAT�S MY WHOLE SITUATION? 556 00:28:32,979 --> 00:28:35,448 BECAUSE THERE�S NO WAY I HAD A DAY LIKE THIS. 557 00:28:35,481 --> 00:28:36,783 NO WAY CLOSE. 558 00:28:36,817 --> 00:28:39,085 YOU NEED TO WORK WITH US, MICHAEL. 559 00:28:39,119 --> 00:28:40,120 LARRY�S DEAD. 560 00:28:40,153 --> 00:28:42,789 IF YOU SAY, "LARRY WHO?", 561 00:28:42,823 --> 00:28:45,458 THEN WE KNOW YOU�RE NOT WORKING WITH US. 562 00:28:45,491 --> 00:28:47,460 YOU DON�T WANT THIS ADVERSARIAL. 563 00:28:47,493 --> 00:28:49,462 HOW THE LAW�S SET UP ?? 564 00:28:49,495 --> 00:28:52,633 A PERPETRATOR DIES DURING THE COMMISSION OF A FELONY, 565 00:28:52,666 --> 00:28:55,468 HIS RUNNING BUDDY�S RESPONSIBLE. 566 00:28:55,501 --> 00:28:58,071 EVEN IF HE WAS BOOKING ACROSS THE STREET, 567 00:28:58,104 --> 00:28:59,740 JUMPING IN HIS GRAY VAN, 568 00:28:59,773 --> 00:29:02,809 AND NICKING SOME GROCER�S VAN JUST TRYING TO GET AWAY, 569 00:29:02,843 --> 00:29:05,178 THE RUNNING BUDDY�S LOOKING AT THE NEEDLE. 570 00:29:07,447 --> 00:29:09,282 I�M BLIND NOW. 571 00:29:09,315 --> 00:29:13,119 YOU GUYS DON�T BELIEVE IT, BUT I�M 100% BLIND. 572 00:29:13,153 --> 00:29:15,956 SUPPOSE WE GET YOU SOME WATER, MICHAEL, 573 00:29:15,989 --> 00:29:18,892 LET YOU PULL YOURSELF TOGETHER A MINUTE. 574 00:29:18,925 --> 00:29:21,828 LOOK, I�M NOT RESPONSIBLE FOR NOTHING, 575 00:29:21,862 --> 00:29:25,098 AND I DON�T KNOW WHAT HAPPENED AT THAT PLACE. 576 00:29:25,131 --> 00:29:27,568 NO, HUH? 577 00:29:27,601 --> 00:29:35,175 NO? 578 00:29:35,208 --> 00:29:39,345 COULD YOU GET ME AN ASPIRIN WITH THE WATER? 579 00:29:39,379 --> 00:29:42,215 THEN I�LL WORK WITH YOU. 580 00:29:51,357 --> 00:29:52,526 JOHN. 581 00:29:52,559 --> 00:29:54,795 THAT GIRL IN THE BATHROOM... 582 00:29:54,828 --> 00:29:55,929 ANITA RIOS. 583 00:29:55,962 --> 00:29:57,330 WHEN SHE�S DONE, 584 00:29:57,363 --> 00:29:59,866 CAN YOU KEEP HER COMPANY IN THE CATCHING AREA? 585 00:29:59,900 --> 00:30:01,702 JILL AND I NEED THE COFFEE ROOM A FEW MINUTES. 586 00:30:01,735 --> 00:30:03,504 OF COURSE. 587 00:30:09,810 --> 00:30:12,078 CAN WE TALK A MINUTE, JILL? 588 00:30:32,599 --> 00:30:35,736 YESTERDAY IN, UH, FREDDIE�S, 589 00:30:35,769 --> 00:30:37,904 I�D GOT SOME CHECKS MADE GOOD FOR DARLA ?? 590 00:30:37,938 --> 00:30:39,405 THE CASHIER? 591 00:30:39,439 --> 00:30:41,341 SHE WAS GRATEFUL, YOU KNOW. 592 00:30:41,374 --> 00:30:44,578 SHE MADE THEM WRAP UP SOME CAKE FOR ME. 593 00:30:44,611 --> 00:30:47,080 AND I WAS LOOKING ACROSS THE STREET, 594 00:30:47,113 --> 00:30:49,750 WAITING FOR THE CAKE... 595 00:30:52,085 --> 00:30:56,089 AND I SAW DON ACROSS THE STREET, JILL. 596 00:30:58,559 --> 00:31:01,427 I MEAN, I CAN�T EVEN BELIEVE THAT�S POSSIBLE. 597 00:31:01,461 --> 00:31:03,864 CAN YOU? 598 00:31:03,897 --> 00:31:06,399 AND WHAT IF IT WAS? 599 00:31:09,102 --> 00:31:10,771 YOU KNOW, I MEAN ?? 600 00:31:10,804 --> 00:31:13,674 YOU TOLD ME FOUR MONTHS AGO HE WAS DEAD, 601 00:31:13,707 --> 00:31:15,576 AND I MADE HIM DEAD TO ME. 602 00:31:16,977 --> 00:31:19,079 THAT�S GREAT, YOU KNOW. 603 00:31:19,112 --> 00:31:22,115 THAT�S GREAT ?? THAT ATTITUDE ?? 604 00:31:22,148 --> 00:31:25,952 BECAUSE HE CAN ONLY RUIN YOUR LIFE AGAIN. 605 00:31:25,986 --> 00:31:28,288 UH?HUH. 606 00:31:28,321 --> 00:31:32,092 AND AS FAR AS WHAT I TOLD YOU... 607 00:31:33,627 --> 00:31:35,896 THIS TASK FORCE ASSHOLE DENBY 608 00:31:35,929 --> 00:31:40,466 SHOWED ME A BODY HE SAID WAS DON�S 609 00:31:40,500 --> 00:31:43,403 THAT WAS BURNED SO THERE WAS NO FINGERPRINTS 610 00:31:43,436 --> 00:31:45,639 AND DECAPITATED FOR NO DENTAL RECORDS, 611 00:31:45,672 --> 00:31:50,644 AND I WAS SURE DENBY WAS RIGHT 612 00:31:50,677 --> 00:31:52,913 �CAUSE HE HAD BOBBY�S RING, 613 00:31:52,946 --> 00:31:55,582 THAT I HAD LET DON AND YOU USE THE APARTMENT. 614 00:31:57,518 --> 00:32:00,253 SORRY, DIANE. 615 00:32:00,286 --> 00:32:02,488 THERE�S NOTHING TO BE SORRY ABOUT. 616 00:32:02,523 --> 00:32:04,124 THAT�S NOT WHY I�M TELLING YOU THAT. 617 00:32:04,157 --> 00:32:06,226 WHY ARE YOU TELLING ME, THEN? 618 00:32:06,259 --> 00:32:09,429 I MEAN, IT�S JUST... 619 00:32:09,462 --> 00:32:12,799 THIS IS HORRIBLE, YOU KNOW? ALL OF IT. 620 00:32:12,833 --> 00:32:15,869 IT IS WHAT IT IS. 621 00:32:18,939 --> 00:32:21,107 WHAT ARE YOU GOING TO DO? 622 00:32:21,141 --> 00:32:24,645 YOU KNOW, WITH ?? WITH YOU NOT INVOLVED 623 00:32:24,678 --> 00:32:28,181 AND HIM DEAD TO YOU... 624 00:32:28,214 --> 00:32:31,852 SCREW DON AND THIS DENBY, RIGHT? 625 00:32:31,885 --> 00:32:34,020 HOW�S DENBY INVOLVED? 626 00:32:34,054 --> 00:32:38,859 YOU KNOW, I SAW HIM WITH DON WHEN I SAW HIM ON THE STREET. 627 00:32:38,892 --> 00:32:41,427 AND THEN YOU TALKED TO HIM YESTERDAY. 628 00:32:41,461 --> 00:32:43,329 I TALKED TO DENBY, YEAH. 629 00:32:43,363 --> 00:32:45,999 SO YOU�RE GOING TO GIVE THEM TO THE JOB? 630 00:32:46,032 --> 00:32:48,769 SCREW BOTH OF THEM, RIGHT? DENBY AND DON. 631 00:32:48,802 --> 00:32:52,038 WHAT ABOUT MY KIDS? 632 00:32:52,072 --> 00:32:53,940 AS FAR AS... 633 00:32:53,974 --> 00:32:57,377 AS FAR AS SEEING THAT IN THE PAPER? YEAH. 634 00:32:57,410 --> 00:32:58,945 I SAID THAT HE WAS GONE, 635 00:32:58,979 --> 00:33:01,548 BUT I DIDN�T MAKE THEIR FATHER EVIL. 636 00:33:01,582 --> 00:33:03,817 IT�S JUST A QUESTION OF TIME. 637 00:33:03,850 --> 00:33:06,987 THIS DENBY IS NOT TRYING TO PROTECT HIMSELF ?? 638 00:33:07,020 --> 00:33:08,354 DEFINITELY. 639 00:33:08,388 --> 00:33:10,624 IF YOU�RE ASKING ME WHAT I WANT, DIANE ?? 640 00:33:10,657 --> 00:33:11,958 DON�T PLAY GOD. 641 00:33:11,992 --> 00:33:14,227 IF DENBY�S NOT TRYING TO PROTECT HIMSELF, 642 00:33:14,260 --> 00:33:17,230 THEN MAYBE DENBY WILL MAKE THE MISTAKE 643 00:33:17,263 --> 00:33:19,600 AND DON WILL GET AWAY. 644 00:33:22,536 --> 00:33:25,271 SO THE KIDS DON�T HAVE TO FIND OUT. 645 00:33:29,342 --> 00:33:32,579 OKAY. 646 00:33:32,613 --> 00:33:36,416 WELL... 647 00:33:36,449 --> 00:33:39,786 Okay. 648 00:33:41,421 --> 00:33:43,356 OKAY. 649 00:33:55,068 --> 00:33:56,937 SO AFTER THE DIVE BAR, 650 00:33:56,970 --> 00:33:58,939 WE PARTIED AT ALONZO�S. 651 00:33:58,972 --> 00:34:01,007 THAT�S AFTER?HOURS ON B. 652 00:34:01,041 --> 00:34:03,409 WE SMOKED ALL OUR REEFER UP. 653 00:34:03,443 --> 00:34:05,345 AND THIS MORNING, LIKE, 8:00, 654 00:34:05,378 --> 00:34:08,114 LARRY SAYS THIS GIRL HE LAID FOUR DAYS AGO ?? 655 00:34:08,148 --> 00:34:10,216 THE BOTH OF US CAN GO LAY NOW. 656 00:34:10,250 --> 00:34:13,754 SHE GAVE HIM HER NUMBER FOR WHENEVER HE WANTED TO LAY HER, 657 00:34:13,787 --> 00:34:16,422 SO I SAID, "WHY DOES THAT INCLUDE ME?" 658 00:34:16,456 --> 00:34:20,260 HE SAID SHE�D BE DOWN TO DO WHATEVER HE WANTED HER TO. 659 00:34:20,293 --> 00:34:21,461 SO HE CALLED HER, 660 00:34:21,494 --> 00:34:23,697 SHE SAID WE COULD COME, 661 00:34:23,730 --> 00:34:25,632 WE WENT IN MY VAN, 662 00:34:25,666 --> 00:34:27,701 AND SHE BUZZED US UP. 663 00:34:27,734 --> 00:34:30,771 THEY SMASHED LARRY�S HEAD IN. 664 00:34:30,804 --> 00:34:33,273 A COUPLE OF STEPS IN, 665 00:34:33,306 --> 00:34:36,276 TWO OF �EM I GUESS WAS HER RELATIVES 666 00:34:36,309 --> 00:34:38,311 CAME FROM BEHIND THE DOOR. 667 00:34:38,344 --> 00:34:41,915 THEY TOOK BATS AT THE SIDES OF HIS HEAD ?? WHAP, WHAP! 668 00:34:41,948 --> 00:34:43,784 MY GOD... 669 00:34:43,817 --> 00:34:46,787 I RAN FOR MY VAN 670 00:34:46,820 --> 00:34:49,322 AND DROVE FAST AWAY AS I COULD. 671 00:34:51,291 --> 00:34:53,727 WHEN THEY TOOK THE BATS TO LARRY, 672 00:34:53,760 --> 00:34:55,128 DID THEY SAY ANYTHING? 673 00:34:55,161 --> 00:34:58,599 THE OLD MAN CURSED BEFORE HE HIT HIM, 674 00:34:58,632 --> 00:35:01,067 AND WHEN HE SWUNG HIS BAT, 675 00:35:01,101 --> 00:35:04,705 THE YOUNG ONE YELLED, "RAPE HER NOW!" 676 00:35:24,290 --> 00:35:27,628 UH, MISS RIOS, WHY DON�T YOU COME BACK IN WITH ME? 677 00:35:34,968 --> 00:35:36,436 SHE KNEW. 678 00:35:36,469 --> 00:35:39,372 KNEW DON WAS ALIVE? 679 00:35:39,405 --> 00:35:41,675 SHE SAID SO? 680 00:35:41,708 --> 00:35:45,579 SHE LIED, BUT SHE ?? SHE ALREADY KNEW. 681 00:35:49,650 --> 00:35:52,052 COME HOME, YOU CAN�T GET HER FROM HER ROOM. 682 00:35:52,085 --> 00:35:53,520 FOOD IS GOING COLD, 683 00:35:53,554 --> 00:35:55,556 YOU CAN�T GET HER OUT TO SERVE IT 684 00:35:55,589 --> 00:35:57,323 OR WHAT THE HELL IS WRONG? 685 00:35:57,357 --> 00:35:59,325 NEXT DAY, THE HANG?UP CALLS START. 686 00:35:59,359 --> 00:36:02,328 10 HANG?UPS PROBABLY TILL I HAD IT OUT WITH HER. 687 00:36:02,362 --> 00:36:05,799 IT�S HER JOB TO ANSWER AND SERVE THE DAMN FOOD! 688 00:36:05,832 --> 00:36:10,136 FINALLY, THEN I GOT THE STORY ?? 689 00:36:10,170 --> 00:36:12,573 WHAT HAPPENED WHEN LEAVING THE DENTIST. 690 00:36:12,606 --> 00:36:14,240 THAT ANITA HAD GOTTEN RAPED. 691 00:36:14,274 --> 00:36:18,244 GAVE THIS PRICK OUR PHONE TO GET HIM OFF HER! 692 00:36:18,278 --> 00:36:21,081 I WAS NEVER LISTED 23 YEARS! 693 00:36:21,114 --> 00:36:24,084 AND DID YOU TELL ANITA NEXT TIME THIS CARDONA CALLED 694 00:36:24,117 --> 00:36:26,019 SHE SHOULD INVITE HIM OVER? 695 00:36:26,052 --> 00:36:28,021 I�M NOT SAYING WE SAID INVITE HIM. 696 00:36:28,054 --> 00:36:30,423 HE CAME, AND WE FOUND HIM WITH HER. 697 00:36:30,456 --> 00:36:32,025 NO, YOU DIDN�T, EDDIE. WHEN HE CAME, 698 00:36:32,058 --> 00:36:33,426 YOU WERE WAITING FOR HIM BEHIND THE DOOR. 699 00:36:33,459 --> 00:36:38,364 THAT�S WHAT YOU SAY. SEE WHAT A JURY BELIEVES. 700 00:36:38,398 --> 00:36:40,200 WE THINK THEY�LL BELIEVE ANITA. 701 00:36:40,233 --> 00:36:42,703 SAYING SHE TOLD YOU WHAT? 702 00:36:42,736 --> 00:36:46,039 SAYING YOUR DAUGHTER TOLD US YOU MADE HER INVITE CARDONA, 703 00:36:46,072 --> 00:36:47,608 AND YOUR SON AND YOU LAID IN WAIT. 704 00:36:47,641 --> 00:36:48,909 SHE DIDN�T SAY IT. 705 00:36:48,942 --> 00:36:50,410 YEAH, SHE DID, MR. RIOS. 706 00:36:50,443 --> 00:36:54,815 SHE DIDN�T! SHE WOULDN�T, EVEN IF IT WAS TRUE! 707 00:36:58,218 --> 00:37:00,386 HAD TO GO TO THE DENTIST. 708 00:37:07,260 --> 00:37:09,062 THERE�S A GIRL IN THE COFFEE ROOM. 709 00:37:09,095 --> 00:37:11,464 HER DAD AND BROTHER JUST WENT FOR LAYING IN WAIT 710 00:37:11,497 --> 00:37:14,400 AND BRAINING THIS GUY THAT RAPED HER FOUR DAYS AGO. 711 00:37:14,434 --> 00:37:16,603 WE HAD TO PUSH HER PRETTY HARD. 712 00:37:16,637 --> 00:37:18,772 SHE�S NOT GOING TO TRUST US. 713 00:37:18,805 --> 00:37:20,473 WANT ME TO TALK TO HER? 714 00:37:20,507 --> 00:37:22,976 WE GOT THE D.A. TO COME UP WITH HOTEL MONEY 715 00:37:23,009 --> 00:37:24,645 FOR A FEW NIGHTS. 716 00:37:24,678 --> 00:37:27,413 SHE�D BE GOING HOME BY HERSELF TO A BLOODIED?UP APARTMENT. 717 00:37:27,447 --> 00:37:29,449 LONGER TERM MAYBE SHE�D BE LOOKING AT 718 00:37:29,482 --> 00:37:30,551 CRIME VICTIM COMPENSATION BEHIND THE RAPE. 719 00:37:30,584 --> 00:37:31,985 WHAT�S HER NAME? 720 00:37:32,018 --> 00:37:33,319 ANITA RIOS. 721 00:37:38,124 --> 00:37:40,594 I�M JUST GOING TO TALK TO THIS GIRL 722 00:37:40,627 --> 00:37:44,565 ON GREG AND BALDWIN�S CASE. 723 00:37:44,598 --> 00:37:46,199 WANT TO HELP? 724 00:37:47,834 --> 00:37:49,970 SURE. 725 00:37:53,173 --> 00:37:55,308 ANITA RIOS. 726 00:37:59,713 --> 00:38:01,047 HI, ANITA. 727 00:38:03,884 --> 00:38:05,686 I�M JILL. 728 00:38:05,719 --> 00:38:07,688 MY NAME�S DIANE, ANITA. 729 00:38:07,721 --> 00:38:09,623 SORRY FOR ALL THAT�S HAPPENED. 730 00:38:12,125 --> 00:38:14,094 GOT HIS BRAINS ON ME. 731 00:38:14,127 --> 00:38:17,263 WHEN THEY HIT HIM, THE BLOOD WENT ON ME. 732 00:38:17,297 --> 00:38:19,365 ALL RIGHT, ANITA. 733 00:38:19,399 --> 00:38:22,736 I�M NOT WEARING THE REAL DRESS I HAD ON. 734 00:38:23,837 --> 00:38:26,139 ANITA? 735 00:38:26,172 --> 00:38:29,876 MAYBE YOU�D RATHER NOT STAY IN THE APARTMENT TONIGHT. 736 00:38:29,910 --> 00:38:31,678 I GOT NOWHERE TO GO. 737 00:38:31,712 --> 00:38:32,946 WE CAN HELP YOU WITH THAT A FEW NIGHTS ?? 738 00:38:32,979 --> 00:38:34,981 PUT YOU UP IN A HOTEL. 739 00:38:35,015 --> 00:38:38,384 A POLICEWOMAN CAN GO TO THE APARTMENT WITH YOU TOMORROW. 740 00:38:38,418 --> 00:38:40,320 AND AFTER THEY�RE THROUGH WITH IT, 741 00:38:40,353 --> 00:38:42,856 OUR CRIME SCENE UNIT WILL CLEAN IT UP A LITTLE. 742 00:38:42,889 --> 00:38:46,927 BECAUSE I�M AFRAID TO GO THERE TONIGHT. 743 00:38:48,494 --> 00:38:50,864 WHAT ARE YOU GOING TO DO WITH THEM? 744 00:38:50,897 --> 00:38:52,332 UH, YOUR FATHER AND BROTHER 745 00:38:52,365 --> 00:38:54,400 HAVE TO GO INTO THE SYSTEM, ANITA. 746 00:38:57,437 --> 00:38:59,239 THANK YOU. 747 00:39:01,341 --> 00:39:02,609 THANK YOU. 748 00:39:21,094 --> 00:39:22,829 WHAT�S HE DOING? 749 00:39:22,863 --> 00:39:25,699 GIVING HIS LOVIES JOBS FOR WHILE HE�S GONE. 750 00:39:25,732 --> 00:39:26,667 STUFFED ANIMALS ?? 751 00:39:26,700 --> 00:39:28,869 I ASKED YOU NOT TO CALL THEM LOVIES. 752 00:39:31,638 --> 00:39:33,674 SO WHAT TIME TOMORROW? 753 00:39:33,707 --> 00:39:35,609 THEY SAID BE THERE AT 9:00. 754 00:39:35,642 --> 00:39:37,511 LEAVE AT 8:40 OR THE LIKE? 755 00:39:37,544 --> 00:39:39,245 THAT SOUNDS FINE. 756 00:39:39,279 --> 00:39:40,781 YOU�RE COMING WITH ME, RIGHT, KATIE? 757 00:39:40,814 --> 00:39:42,616 OF COURSE I�M COMING. 758 00:39:42,649 --> 00:39:44,951 �CAUSE YOU GET ALONG SO GOOD WITH HIM, 759 00:39:44,985 --> 00:39:46,953 AND I�M WORRIED FOR MY COMPOSURE. 760 00:39:46,987 --> 00:39:49,455 YOU GET ALONG GOOD WITH THEO, TOO, ANDY. 761 00:39:49,489 --> 00:39:52,058 YOU GET ALONG WONDERFUL, EXCEPT WHEN YOU�RE AFRAID. 762 00:39:52,092 --> 00:39:54,961 ARE YOU NOT AFRAID FOR HIM? 763 00:39:54,995 --> 00:39:58,865 I�M AFRAID, BUT I LET GOD GIVE ME FAITH. 764 00:39:58,899 --> 00:40:01,234 YEAH, YEAH, OKAY, GOOD. 765 00:40:01,267 --> 00:40:04,304 HE WANTS YOU TO READ HIM "GREEN EGGS AND HAM." 766 00:40:04,337 --> 00:40:09,375 OH, FOR CRYING OUT LOUD. 767 00:40:09,409 --> 00:40:12,879 WHAT IF I LOSE MY COMPOSURE WHILE I�M READING TO HIM? 768 00:40:12,913 --> 00:40:16,316 COME ON. 769 00:40:16,349 --> 00:40:19,019 I�LL SIT WITH THE BOYS A WHILE BEFORE I GO. 770 00:40:53,319 --> 00:40:55,756 I MET SYLVIA SITTING HERE. 771 00:40:55,789 --> 00:40:57,190 ENLISTING IN THE SERVICE, 772 00:40:57,223 --> 00:40:59,860 AND THE TWO OF YOU GOT ALONG. 773 00:40:59,893 --> 00:41:01,461 THE BABY�S SICK? 774 00:41:01,494 --> 00:41:05,632 OH, GOD, SON. 775 00:41:05,666 --> 00:41:07,701 OH, BROTHER. 776 00:41:07,734 --> 00:41:10,637 POP, SOMEWHERES OR OTHER, HE�S GOING TO BE HEALTHY. 777 00:41:10,671 --> 00:41:12,639 THAT�S A PROVEN FACT. 778 00:41:12,673 --> 00:41:16,376 ALL RIGHT, BUT REFRESH ME. 779 00:41:16,409 --> 00:41:18,444 I HAD A HOLE BLOWN IN MY NECK 780 00:41:18,478 --> 00:41:20,446 THE SIZE OF A HUMAN FIST. 781 00:41:20,480 --> 00:41:23,383 YOU�RE ABSOLUTELY UP AND AROUND? 782 00:41:23,416 --> 00:41:26,219 THAT�S A GIVEN. 783 00:41:26,252 --> 00:41:31,457 BUT THAT�S YOUR ORGANIZATION OR YOUR AREA OF CONDUCT, 784 00:41:31,491 --> 00:41:34,160 AND THAT�S NOT AVAILABLE TO ME. 785 00:41:34,194 --> 00:41:36,563 WHAT AM I, A GHOST? 786 00:41:36,597 --> 00:41:40,801 I CANNOT LIVE ON A DAY?TO?DAY BASIS, 787 00:41:40,834 --> 00:41:44,971 AND I AM SAYING THAT WITH HONEST EXPRESSION. 788 00:41:45,005 --> 00:41:46,907 IF HE GOES, POP, 789 00:41:46,940 --> 00:41:48,875 THAT�S NOT SOMETHING YOU GET TO SAY. 790 00:41:48,909 --> 00:41:51,344 I CANNOT LIVE WITH PAIN FOR HIM OR DEATH, 791 00:41:51,377 --> 00:41:53,346 AND HE IS NOT GONE, 792 00:41:53,379 --> 00:41:55,348 AND YOU ARE PRETTY COCKY 793 00:41:55,381 --> 00:41:57,751 WITH YOUR ?? YOUR KNOW?IT?ALL ATTITUDE 794 00:41:57,784 --> 00:41:59,586 AND TONE, 795 00:41:59,620 --> 00:42:01,021 AND WHERE THIS CHILD LIES IN THAT BEDROOM 796 00:42:01,054 --> 00:42:03,690 OR WHERE A NEEDLE TO SUCK HIS MARROW OUT. 797 00:42:03,724 --> 00:42:06,259 SHOULD WE GO TALK TO HIM? 798 00:42:06,292 --> 00:42:09,329 DON�T YOU PRESUME OR BUTT IN OR KIDNAP OR EMBEZZLE. 799 00:42:09,362 --> 00:42:10,597 POP. 800 00:42:10,631 --> 00:42:12,599 DON�T YOU TAKE A SUPERIOR KIDNAPPING ATTITUDE, 801 00:42:12,633 --> 00:42:14,668 OR THAT I�M TOO OLD OR YOU ARE 802 00:42:14,701 --> 00:42:16,670 WITH THE SIZE OF A HUMAN FIST. 803 00:42:16,703 --> 00:42:19,205 HE�S ALL RIGHT, POP. GO AND LOOK AT HIM. 804 00:42:19,239 --> 00:42:20,741 OR DON�T YOU ISSUE ORDERS. 805 00:42:20,774 --> 00:42:23,209 WHAT I CAN STAND IN MY BEDROOM IS BY MYSELF. 806 00:42:23,243 --> 00:42:25,178 NOBODY�S GIVING YOU ORDERS. 807 00:42:25,211 --> 00:42:27,180 THAT DAY HASN�T COME YET, 808 00:42:27,213 --> 00:42:29,115 AND I WOULDN�T HANG AROUND WAITING. 809 00:42:29,149 --> 00:42:31,885 NO. 810 00:42:31,918 --> 00:42:34,087 I GOT TO GO. 811 00:42:35,656 --> 00:42:38,759 DO I GOT YOUR ASSURANCES, ANDY? 812 00:42:38,792 --> 00:42:41,928 MY ONLY FEAR IS WHAT COULD HAPPEN. 813 00:42:41,962 --> 00:42:44,064 LOOK AT THAT HOLE IN YOUR NECK. 814 00:42:44,097 --> 00:42:46,032 JUST BE WITH HIM, POP. 815 00:42:46,066 --> 00:42:48,468 DON�T BE AFRAID. 816 00:42:48,501 --> 00:42:52,138 WHAT HAVE I GOT TO BE AFRAID ABOUT? 817 00:42:52,172 --> 00:42:53,774 THIS LITTLE GUY�S 3 1/2. 818 00:42:53,807 --> 00:42:56,242 IT WAS HORRIBLE ENOUGH WITH YOU. 819 00:42:56,276 --> 00:42:58,244 I DON�T BUY THAT CRAP. 820 00:42:58,278 --> 00:43:00,614 DON�T ASK ME TO BUY THAT. 821 00:43:00,647 --> 00:43:02,749 NO, OKAY. 822 00:43:02,783 --> 00:43:05,752 IS HE OKAY, ANDY? HONEST TO GOD? 823 00:43:05,786 --> 00:43:08,922 DON�T WORRY ABOUT NOTHING. 824 00:43:08,972 --> 00:43:13,522 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 57567

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