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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:31,798 --> 00:00:34,100 WHAT DO YOU GOT? I CAN SEE SOME BLOOD IN THE BACK SEAT, 2 00:00:34,134 --> 00:00:35,669 AND THERE�S A WOMAN�S SHOE. 3 00:00:35,702 --> 00:00:38,271 THIS GIRL REPORTS HER SISTER MISSING AN HOUR AGO, 4 00:00:38,304 --> 00:00:40,774 WE PUT AN ALARM OUT ON THE CAR. 5 00:00:40,807 --> 00:00:42,943 I JUST FINISHED TAGGING THE CAR WHEN I HEARD. 6 00:00:42,976 --> 00:00:45,111 ALL RIGHT. LET ME OPEN THE TRUNK. 7 00:00:45,145 --> 00:00:47,514 IF SHE�S SAFE, NOTHING ELSE BOTHERS ME. 8 00:00:47,548 --> 00:00:49,249 I�D FEEL THE SAME WAY. 9 00:00:50,817 --> 00:00:53,620 WE DON�T KEEP ANYTHING IN THE TRUNK. 10 00:00:53,654 --> 00:00:55,622 JUST A JACK FOR FLATS? 11 00:00:55,656 --> 00:00:57,423 THAT�S ALL WE KEEP. 12 00:00:58,458 --> 00:01:00,594 [ Gasps ] WHAT�S IN THERE? 13 00:01:02,996 --> 00:01:04,965 WHAT�S IN THERE? WHAT�S IN THERE? 14 00:01:04,998 --> 00:01:07,601 IS THERE ANYTHING BESIDE THE JACK? 15 00:01:07,634 --> 00:01:10,470 [ SIREN WAILING ] 16 00:01:10,504 --> 00:01:15,108 IS THERE ANYTHING IN THERE? [ Sobbing ] 17 00:02:42,596 --> 00:02:47,233 D.O.A.�s MARY GENOVA. SHE�S IN THE BACK BEDROOM. 18 00:02:47,267 --> 00:02:48,368 WHO ARE THESE TWO? 19 00:02:48,401 --> 00:02:50,704 COUSIN OF THE D.O.A. THAT LIVES HERE. 20 00:02:50,737 --> 00:02:53,039 SHE SAID THE D. O. A.�s HUSBAND FOUND THE BODY. 21 00:02:53,073 --> 00:02:54,508 SITTING NEXT TO HER. 22 00:02:54,541 --> 00:02:57,778 LUCIANO BACA, AND HER NAME IS ANNABELLE CITO. 23 00:02:59,680 --> 00:03:02,082 LUCIANO BACA? 24 00:03:02,115 --> 00:03:03,984 YES, I�M LUCIANO. 25 00:03:04,017 --> 00:03:05,251 NEW YORK CITY DETECTIVES. 26 00:03:05,285 --> 00:03:08,054 GOOD, GOOD, GOOD. THIS IS MY WIFE�S COUSIN ANNA. 27 00:03:08,088 --> 00:03:09,556 HOW DO YOU DO? 28 00:03:09,590 --> 00:03:11,024 I�M DANNY SORENSON. 29 00:03:11,057 --> 00:03:12,759 THIS IS MY PARTNER ANDY SIPOWICZ. 30 00:03:12,793 --> 00:03:13,927 SORRY FOR YOUR LOSS. 31 00:03:13,960 --> 00:03:15,562 POOR MARY. 32 00:03:15,596 --> 00:03:18,064 YOU HAVE ANY IDEA WHAT HAPPENED TO YOUR WIFE? 33 00:03:18,098 --> 00:03:22,268 I DON�T SEE HER SINCE 9:00 LAST NIGHT. 34 00:03:22,302 --> 00:03:24,605 I COME TO SAY GOOD MORNING, I FIND HER LIKE THIS, 35 00:03:24,638 --> 00:03:26,840 AND THE WILL ALL TORN UP. 36 00:03:26,873 --> 00:03:30,944 MARY�S WILL NAMING HER SON FRANK AS THE BENEFICIARY. 37 00:03:30,977 --> 00:03:32,445 OH, DEAR ME. 38 00:03:32,478 --> 00:03:34,948 I HOPE IT�S NOT FRANK WHO DID THIS. 39 00:03:34,981 --> 00:03:38,451 DID ANYONE HEAR OR SEE FRANK COME IN LAST NIGHT? 40 00:03:38,484 --> 00:03:40,787 I�M IN MY ROOM, LOOK AT THE TV. 41 00:03:40,821 --> 00:03:43,724 YOU DON�T SLEEP IN THE SAME ROOM WITH YOUR WIFE? 42 00:03:43,757 --> 00:03:46,459 SHE KEEP ME IN A DIFFERENT ROOM. 43 00:03:46,492 --> 00:03:47,628 WHERE WERE YOU? 44 00:03:47,661 --> 00:03:49,963 OH, I WAS IN MY ROOM ALSO. 45 00:03:49,996 --> 00:03:51,131 DIFFERENT FROM LUCIANO�S. 46 00:03:51,164 --> 00:03:52,833 WE ARE COUSINS. 47 00:03:56,670 --> 00:03:57,804 CANVAS, DANNY? 48 00:03:57,838 --> 00:04:00,473 YEAH, PLEASE, GREG. ANYTHING AFTER 9:00. 49 00:04:00,507 --> 00:04:02,142 WELL, EXCUSE US. 50 00:04:02,175 --> 00:04:04,911 WE�RE GOING TO GO LOOK BACK IN THE OTHER ROOM. 51 00:04:04,945 --> 00:04:06,913 I HOPE IT�S NOT FRANK. 52 00:04:06,947 --> 00:04:09,650 OH, STAY CALM. STAY CALM, LUCIANO. 53 00:04:09,683 --> 00:04:11,785 SHE TEAR UP THE WILL. 54 00:04:11,818 --> 00:04:12,986 MURDER, HUH? 55 00:04:13,019 --> 00:04:15,155 THE DOC CAME DOWN FOR MARY. 56 00:04:15,188 --> 00:04:17,991 HOW DO YOU KNOW SHE�S DEAD? 57 00:04:18,024 --> 00:04:20,661 WHAT AM I SUPPOSED TO THINK, THERE�S A RAFFLE GOING ON? 58 00:04:20,694 --> 00:04:21,628 WHAT�S YOUR NAME? 59 00:04:21,662 --> 00:04:23,630 ANTHONY. WHO DO YOU SUSPECT? 60 00:04:23,664 --> 00:04:26,432 WE JUST STARTED LOOKING INTO THINGS, ANTHONY. 61 00:04:26,466 --> 00:04:28,802 THERE�S A SON SHE DOESN�T SPEAK TO, 62 00:04:28,835 --> 00:04:30,837 AND HER HUSBAND ?? ANYTHING THAT MOVES, 63 00:04:30,871 --> 00:04:33,674 STARTING WITH THE COUSIN THAT LIVES THERE. 64 00:04:33,707 --> 00:04:34,908 HOW OLD ARE YOU? 65 00:04:34,941 --> 00:04:37,110 HOW OLD DO YOU WANT ME TO BE? 66 00:04:37,143 --> 00:04:38,912 YOU WANT TO COME INSIDE WITH US? 67 00:04:38,945 --> 00:04:41,682 I�D LIKE TO BREAK MY CHERRY SEEING THIS WOMAN�S APARTMENT 68 00:04:41,715 --> 00:04:44,450 I�VE LIVED ACROSS THE HALL FROM FOR OVER 17 YEARS. 69 00:04:44,484 --> 00:04:47,020 SO WE KNOW YOU�RE AT LEAST 17. 70 00:04:47,053 --> 00:04:49,222 SHERLOCK FRIGGIN� HOLMES. 71 00:04:50,223 --> 00:04:53,527 COME ON. LET ME GET A LOOK. 72 00:04:53,560 --> 00:04:56,362 DOESN�T HAVE TO BE THE D. O. A. 73 00:04:56,396 --> 00:04:58,865 GETTING PISSED OFF AND TEARING UP THE WILL. 74 00:04:58,899 --> 00:05:01,201 SOMEONE DON�T WANT THE KID GETTING THE MONEY 75 00:05:01,234 --> 00:05:03,036 KILLS HER AND TEARS THE WILL UP. 76 00:05:03,069 --> 00:05:05,005 IT�S THE SON OR THE GOOFY GUY. 77 00:05:06,507 --> 00:05:09,610 SHE HAD NICE STUFF, THE OLD WICKED WITCH OF THE WEST. 78 00:05:09,643 --> 00:05:12,813 OH, ANTHONY, AT LAST YOU GET TO SEE MARY�S PLACE, EH? 79 00:05:12,846 --> 00:05:14,781 BETTER LATE THAN NEVER. 80 00:05:14,815 --> 00:05:17,718 GO AHEAD, GO AHEAD. YOU WANT TO LOOK AROUND? 81 00:05:17,751 --> 00:05:20,386 DON�T MIND IF I DO. 82 00:05:20,420 --> 00:05:23,389 WE�RE GOING TO NEED THE BOTH OF YOU TO COME IN. 83 00:05:23,423 --> 00:05:24,991 YEAH, ALL RIGHT. 84 00:05:25,025 --> 00:05:26,893 I�LL PUT ON SOME CLOTHES. 85 00:05:26,927 --> 00:05:28,929 I�LL GO THE WAY I AM. 86 00:05:31,364 --> 00:05:34,367 WHAT�S GOING ON WITH HIM? 87 00:05:34,400 --> 00:05:37,103 THAT�S A NEIGHBOR THAT�S AT LEAST 17. 88 00:05:40,674 --> 00:05:44,077 I TRIED SELLING HER CHOCOLATES FIRST IN 1974. 89 00:05:44,110 --> 00:05:46,046 IS THAT SO? 90 00:05:46,079 --> 00:05:48,815 SHE DID EVERYTHING BUT SPIT IN MY EYE. 91 00:05:48,849 --> 00:05:51,685 HE HAD TO BE AT LEAST 4. THAT MAKES HIM 30 MINIMUM. 92 00:05:51,718 --> 00:05:53,654 SO YOU DISLIKED THIS WOMAN. 93 00:05:53,687 --> 00:05:54,988 WITH A PASSION. 94 00:05:55,021 --> 00:05:57,190 WHERE WERE YOU LAST NIGHT? 95 00:05:57,223 --> 00:06:00,393 WHERE WAS I? WHAT ARE YOU, A MORON FOR ASKING THAT? 96 00:06:00,426 --> 00:06:02,395 THAT�S NOT A DIRECT ANSWER. 97 00:06:02,428 --> 00:06:04,731 I WAS IN MY APARTMENT WITH MY COUSIN FREDDY, 98 00:06:04,765 --> 00:06:07,568 OF WHICH, WHEN HE COMES TO, HE�LL BACK ME UP. 99 00:06:08,702 --> 00:06:10,871 ANDY. 100 00:06:25,986 --> 00:06:27,788 MY NAME�S FRANK GENOVA. 101 00:06:27,821 --> 00:06:31,057 I JUST GOT A MESSAGE SOMEONE KILLED MY MOTHER. 102 00:06:31,091 --> 00:06:34,427 WE CAN TALK IN HERE. 103 00:06:40,300 --> 00:06:42,736 I�M NOT FULLY CURRENT ON THE CASE�S PARTICULARS. 104 00:06:42,769 --> 00:06:44,738 YEAH, I DON�T CARE. 105 00:06:44,771 --> 00:06:47,641 UM, COFFEE? 106 00:06:47,674 --> 00:06:48,942 I�M A VITAMIN DISTRIBUTOR. 107 00:06:48,975 --> 00:06:51,945 THE LAST TWO DAYS, I WAS IN TARRYTOWN, NEW YORK, 108 00:06:51,978 --> 00:06:53,614 AT THE VITAWONDER REGIONAL SUMMIT. 109 00:06:53,647 --> 00:06:55,281 DOZENS OF PEOPLE SAW ME. 110 00:06:55,315 --> 00:06:57,984 I SLEPT WITH SUZANNE JORDAN AND DAPHNE SAMSON 111 00:06:58,018 --> 00:07:00,086 AND DROVE BACK WITH THEM THIS MORNING. 112 00:07:00,120 --> 00:07:01,922 ESTABLISHING YOUR WHEREABOUTS TO INDICATE 113 00:07:01,955 --> 00:07:04,057 YOU WEREN�T INVOLVED WITH YOUR MOTHER�S DEATH. 114 00:07:04,090 --> 00:07:06,459 THAT�S WHAT I�M ESTABLISHING. 115 00:07:06,492 --> 00:07:09,295 YOU HAVE ANY IDEA WHO MIGHT HAVE BEEN RESPONSIBLE? 116 00:07:09,329 --> 00:07:12,265 PERSONALLY AND BUSINESS?WISE, MY MOTHER WAS A BITCH. 117 00:07:12,298 --> 00:07:15,669 I HOPE IT WASN�T THAT HANDYMAN SHE MARRIED. HE SEEMED NICE. 118 00:07:15,702 --> 00:07:17,470 AND HIS NAME? 119 00:07:17,504 --> 00:07:18,772 LUCIANO. 120 00:07:18,805 --> 00:07:21,775 KEPT CALLING ME, TRYING TO GET US BACK TOGETHER. 121 00:07:21,808 --> 00:07:24,244 HERE�S MY BUSINESS NUMBER. 122 00:07:24,277 --> 00:07:27,681 MY WIFE ACTUALLY WAS A DISTRIBUTOR FOR VITAWONDER 123 00:07:27,714 --> 00:07:29,516 A FEW YEARS AGO. 124 00:07:29,550 --> 00:07:31,084 SHE WOUND UP FEELING 125 00:07:31,117 --> 00:07:33,587 IT WAS SORT OF LIKE A PYRAMID SCHEME. 126 00:07:33,620 --> 00:07:36,022 YOU CAN TELL HER THAT THE INTERNET 127 00:07:36,056 --> 00:07:38,525 IS PUTTING MULTI?TIERED MARKETING IN THE TOILET. 128 00:07:45,899 --> 00:07:47,267 FRANK. 129 00:07:47,300 --> 00:07:48,434 OH. 130 00:07:48,468 --> 00:07:49,670 HI, LUCIANO. 131 00:07:52,472 --> 00:07:53,774 [ SPEAKS ITALIAN ] 132 00:07:53,807 --> 00:07:55,876 FRANK ?? THIS IS MARY�S SON. 133 00:07:55,909 --> 00:07:58,879 HEY, YOU TALK TO SOMEONE UPSTAIRS, FRANK? 134 00:07:58,912 --> 00:08:00,514 YEAH, I LEFT MY CARD. 135 00:08:00,547 --> 00:08:01,715 THANK YOU. 136 00:08:01,748 --> 00:08:03,717 LET GO OF HIM. 137 00:08:03,750 --> 00:08:04,718 SURE, SURE. 138 00:08:04,751 --> 00:08:07,053 SORRY FOR YOUR LOSS. 139 00:08:07,087 --> 00:08:08,388 WHERE WE GO NOW? 140 00:08:08,421 --> 00:08:10,691 LET�S GET YOU DISTRIBUTED. 141 00:08:12,425 --> 00:08:13,894 Anna: I NEED TEA. 142 00:08:13,927 --> 00:08:16,730 I�LL GET YOU DISTRIBUTED, AND THEN I WILL BRING TEA. 143 00:08:16,763 --> 00:08:18,231 NOTHING TO DRINK, 144 00:08:18,264 --> 00:08:22,068 BUT PRETTY SOON, I�VE GOT A CRAP COMING ON. 145 00:08:22,102 --> 00:08:23,537 ALL RIGHT, GOOD. 146 00:08:23,570 --> 00:08:25,338 LUCIANO, ANNA. 147 00:08:29,743 --> 00:08:31,812 WHO TALKED TO THE D. O. A.�s SON? 148 00:08:31,845 --> 00:08:34,247 ME. HE DIDN�T DO IT. 149 00:08:34,280 --> 00:08:35,381 HE DIDN�T. 150 00:08:35,415 --> 00:08:38,852 HE WAS BANGING TWO WOMEN IN TARRYTOWN ?? 151 00:08:38,885 --> 00:08:40,687 A SUZANNE AND DAPHNE. 152 00:08:40,721 --> 00:08:43,189 IF THE SON�S OUT OF THE PICTURE, 153 00:08:43,223 --> 00:08:44,691 WE�LL WANT TO LOOK 154 00:08:44,725 --> 00:08:46,760 AT THE D. O. A.�s HUSBAND NEXT. 155 00:08:46,793 --> 00:08:49,563 SHE OWNED SOME PROPERTY. 156 00:08:49,596 --> 00:08:51,998 HER HUSBAND�S A PAISAN WHO WAS ALSO HER HANDYMAN, 157 00:08:52,032 --> 00:08:53,099 SO HE COULD HAVE WANTED HER DOUGH. 158 00:08:53,133 --> 00:08:56,102 THERE�S ALSO A POOR?RELATION COUSIN 159 00:08:56,136 --> 00:08:57,938 THAT LIVES WITH THEM THAT A JUG?EARED 160 00:08:57,971 --> 00:09:00,440 PAIN?IN?THE?BALLS MIDGET THAT LIVES NEXT DOOR 161 00:09:00,473 --> 00:09:03,276 WAS INFERRING THE PAISAN HANDYMAN WAS PUTTING IT TO. 162 00:09:03,309 --> 00:09:05,946 WE GOT THE HUSBAND AND THE COUSIN TO TALK TO. 163 00:09:05,979 --> 00:09:07,013 OKAY. 164 00:09:07,047 --> 00:09:09,516 VITAWONDER. 165 00:09:09,550 --> 00:09:12,118 THAT�S A CONVENTION THE SON WAS AT IN TARRYTOWN. 166 00:09:12,152 --> 00:09:15,288 WEREN�T THOSE THE VITAMINS YOUR WIFE WAS SELLING 167 00:09:15,321 --> 00:09:16,790 THAT MADE MEDAVOY SICK? 168 00:09:16,823 --> 00:09:19,626 THEY DIDN�T. THAT TURNED OUT TO BE FOOD POISONING. 169 00:09:19,660 --> 00:09:21,394 THEN WHAT WAS THAT BIG FLARE?UP 170 00:09:21,427 --> 00:09:22,763 ABOUT THEM VITAMINS? 171 00:09:22,796 --> 00:09:24,598 THAT WAS YOU TAKING UMBRAGE 172 00:09:24,631 --> 00:09:26,700 WHEN I WOULDN�T SELL THEM TO YOU. 173 00:09:26,733 --> 00:09:29,903 YEAH. WHAT WAS THAT ABOUT? 174 00:09:29,936 --> 00:09:31,404 I JUST GOT UNCOMFORTABLE 175 00:09:31,437 --> 00:09:33,907 PUTTING MEN ON MY SQUAD IN THAT POSITION. 176 00:09:33,940 --> 00:09:36,242 NO, BUT THAT RELUCTANCE CAME UP SPECIFICALLY 177 00:09:36,276 --> 00:09:38,645 WHEN I TRIED TO BUY THEM VITAMINS. 178 00:09:38,679 --> 00:09:41,047 ANYWAYS, THAT WAS FIVE OR SIX YEARS AGO. 179 00:09:41,081 --> 00:09:42,382 I REMEMBER THAT NOW. 180 00:09:42,415 --> 00:09:45,451 KEEP THE FILTER FOR YOUR 5s. 181 00:09:45,485 --> 00:09:50,090 I REMEMBER THAT VITAWONDER. 182 00:09:55,261 --> 00:09:57,230 YOU CAN CROSS THAT FRANK OFF. 183 00:09:57,263 --> 00:09:59,733 OH, PERISH WE CATCH A GROUND BALL. 184 00:09:59,766 --> 00:10:02,736 HE WAS AT ONE OF THEM PYRAMID SCHEME PEP RALLIES 185 00:10:02,769 --> 00:10:04,237 UP IN TARRYTOWN. 186 00:10:04,270 --> 00:10:06,573 NO FORCED ENTRY, NO SIGN OF STRUGGLE. 187 00:10:06,607 --> 00:10:09,075 IT ARGUES AGAINST HIM CONTRACTING THE HIT. 188 00:10:09,109 --> 00:10:12,245 IF THAT WAS A CONTRACT, I WANT TO HIRE THE HITTER. 189 00:10:12,278 --> 00:10:14,447 SO PROBABLY WE LOOK AT THE HUSBAND. 190 00:10:14,480 --> 00:10:16,783 PROBABLY WE SHOULD TALK TO THAT COUSIN FIRST, 191 00:10:16,817 --> 00:10:19,152 SEE IF HER AND LUCIANO WERE CARRYING ON. 192 00:10:19,185 --> 00:10:21,487 I KNOW YOU�LL HATE TO MAKE THAT MIDGET RIGHT. 193 00:10:21,522 --> 00:10:25,491 YOU KNOW THEM ?? THEM VITAWONDER VITAMINS? 194 00:10:25,526 --> 00:10:26,793 NO. 195 00:10:26,827 --> 00:10:28,629 FANCY USED TO SELL THEM. 196 00:10:28,662 --> 00:10:29,996 ARE THEY GOOD? 197 00:10:30,030 --> 00:10:32,533 MEDAVOY THOUGHT HE POISONED HIMSELF WITH THEM, 198 00:10:32,566 --> 00:10:34,868 BUT THAT TURNED OUT TO BE CLAMS. 199 00:10:34,901 --> 00:10:38,705 NO, BUT I GOT INTO SOME BACK?AND?FORTH WITH FANCY 200 00:10:38,739 --> 00:10:41,207 OVER HIM REFUSING TO SELL THEM TO ME. 201 00:10:41,241 --> 00:10:43,544 WHY DID HE REFUSE TO SELL THEM TO YOU? 202 00:10:43,577 --> 00:10:46,379 HE SAID HE DIDN�T WANT TO PUT ME IN A POSITION. 203 00:10:46,412 --> 00:10:49,149 THAT IS A SIDE OF HIM YOU HAVEN�T SEEN YET. 204 00:10:50,751 --> 00:10:52,719 UH, ANDY, WHO�S SUZANNE AND DAPHNE? 205 00:10:52,753 --> 00:10:54,721 I KNOW WHO THEY ARE. 206 00:10:54,755 --> 00:10:57,490 JUST KEEP THE FILTER FOR THE 5s. 207 00:10:57,524 --> 00:10:59,860 [ KNOCK ON DOOR ] 208 00:10:59,893 --> 00:11:01,227 THINGS WENT BAD? 209 00:11:01,261 --> 00:11:03,229 WHAT A NIGHTMARE. 210 00:11:03,263 --> 00:11:05,666 THIS GIRL COMES IN TO REPORT HER SISTER MISSING. 211 00:11:05,699 --> 00:11:08,068 WE PUT AN ALARM OUT ON THE CAR. 212 00:11:08,101 --> 00:11:09,903 WE�RE DROPPING THE GIRL HOME. 213 00:11:09,936 --> 00:11:11,404 WE HEAR A CALL. 214 00:11:11,437 --> 00:11:13,740 THE CAR�S BEEN FOUND OVER THE 59th STREET BRIDGE. 215 00:11:13,774 --> 00:11:16,076 OPEN THE TRUNK, THIS GIRL�S SISTER�S IN THERE DEAD ?? 216 00:11:16,109 --> 00:11:17,578 SHOT AND SEXUALLY ASSAULTED. 217 00:11:17,611 --> 00:11:18,879 THIS IS HER TWIN. 218 00:11:18,912 --> 00:11:21,247 CRIME SCENE GIVE YOU ANYTHING? 219 00:11:21,281 --> 00:11:23,917 THEY GOT ONE PRINT OFF THE OUTSIDE OF THE TRUNK. 220 00:11:23,950 --> 00:11:25,752 COMES BACK TO A MARCUS POTTER. 221 00:11:25,786 --> 00:11:28,254 ONE COLLAR FOR STEALING A CAR, THREE FOR CRACK. 222 00:11:28,288 --> 00:11:31,324 THE PRINT IS NOT GOING TO GET YOU TO BAT. 223 00:11:31,357 --> 00:11:33,527 A ZILLION WAYS A LAWYER COULD EXPLAIN IT. 224 00:11:33,560 --> 00:11:36,262 LET�S HOPE MARCUS ISN�T A LAWYER. 225 00:11:57,250 --> 00:11:59,119 MARCUS POTTER? WHAT�S IT ABOUT? 226 00:11:59,152 --> 00:12:01,121 ABOUT WASTING THE NEXT COUPLE OF HOURS. 227 00:12:01,154 --> 00:12:04,457 WHEN WAS THE LAST TIME YOU WERE AT THE BISHOP CAR WASH? 228 00:12:04,490 --> 00:12:06,893 I NEVER WORKED AT A CAR WASH IN MY LIFE. 229 00:12:06,927 --> 00:12:09,129 WERE YOU THERE RECENTLY IN YOUR CAR? 230 00:12:09,162 --> 00:12:12,232 MY CAR IS PRESENTLY, UH, REPOSSESSED. 231 00:12:12,265 --> 00:12:13,299 OH, MAN. 232 00:12:13,333 --> 00:12:15,769 WE GOT A GIRL PICKED YOU OUT OF A MUG BOOK 233 00:12:15,802 --> 00:12:18,438 FOR GROPING HER IN THE BISHOP CAR WASH. 234 00:12:18,471 --> 00:12:22,275 THAT�S ?? THAT�S TOTALLY, LIKE, MISTAKEN IDENTITY. 235 00:12:22,308 --> 00:12:24,277 I NEVER GRABBED NO ONE�S ASS. 236 00:12:24,310 --> 00:12:27,313 NO ASS ANYWHERE THREE DAYS AGO? 237 00:12:27,347 --> 00:12:29,983 WHERE WAS I THREE DAYS AGO? 238 00:12:31,785 --> 00:12:35,155 THREE DAYS AGO, I WAS IN THE HOSPITAL. 239 00:12:35,188 --> 00:12:36,657 YOU GOT THE PAPERWORK? 240 00:12:36,690 --> 00:12:37,824 YEAH. 241 00:12:37,858 --> 00:12:39,292 PAPERWORK WOULD SHUT THE BOSS UP. 242 00:12:39,325 --> 00:12:41,461 YOU WANT TO DO US A SOLID? 243 00:12:41,494 --> 00:12:43,664 COME BACK WITH US, BRING THE PAPERWORK, 244 00:12:43,697 --> 00:12:44,998 THIS THING IS OVER. 245 00:12:45,031 --> 00:12:48,001 I WAS GOING TO WATCH ONE OF MY SHOWS RIGHT NOW. 246 00:12:48,034 --> 00:12:51,437 PRETTY PLEASE, MARCUS? WE�LL BRING YOU RIGHT BACK. 247 00:12:51,471 --> 00:12:53,507 WE�LL MAKE THE BOSS BRING HIM BACK. 248 00:12:53,540 --> 00:12:56,610 I?I GUESS I COULD DO YOU A SOLID. 249 00:12:56,643 --> 00:12:58,512 YEAH. BANK A LITTLE LOVE. 250 00:12:58,545 --> 00:13:01,147 HA HA. I HEAR YOU. 251 00:13:03,984 --> 00:13:05,852 OH, UH, DON�T FORGET THAT PAPERWORK. 252 00:13:05,886 --> 00:13:07,320 YEAH, YEAH. 253 00:13:26,740 --> 00:13:29,543 YOU KNOW, IT DON�T LOOK 254 00:13:29,576 --> 00:13:31,645 LIKE MARY�S SON DID IT, ANNA. 255 00:13:31,678 --> 00:13:32,879 NO? 256 00:13:32,913 --> 00:13:35,348 FRANKIE HAD A PRETTY GOOD ALIBI. 257 00:13:36,750 --> 00:13:39,886 WELL, THEN, I AM AT A LOSS. 258 00:13:39,920 --> 00:13:43,389 WELL, I THINK YOU KNOW WHO WE�VE GOT TO LOOK AT NOW. 259 00:13:43,423 --> 00:13:45,659 WHO? 260 00:13:45,692 --> 00:13:47,961 AS MUCH REASON AS FRANK WOULD HAVE HAD, 261 00:13:47,994 --> 00:13:49,295 LUCIANO WOULD HAVE HAD 262 00:13:49,329 --> 00:13:51,898 IF HE WAS IN LOVE WITH SOMEBODY ELSE. 263 00:13:51,932 --> 00:13:53,667 WE�RE NOT SITTING HERE IN JUDGMENT, ANNA. 264 00:13:53,700 --> 00:13:54,801 WE�RE JUST TRYING TO FIGURE OUT 265 00:13:54,835 --> 00:13:56,402 WHY SOMEONE MIGHT HAVE DONE SOMETHING. 266 00:13:56,436 --> 00:13:59,973 I CAN�T HELP YOU. 267 00:14:00,006 --> 00:14:01,575 WAS LUCIANO IN LOVE WITH YOU? 268 00:14:01,608 --> 00:14:03,977 I DON�T KNOW WHAT HE WAS. 269 00:14:04,010 --> 00:14:07,347 THE NEIGHBORS SAY LUCIANO DIDN�T SEEM AS HAPPY AROUND MARY 270 00:14:07,380 --> 00:14:09,349 AS HE DID AROUND YOU. 271 00:14:09,382 --> 00:14:12,252 DID THEY TELL YOU ANYONE SEEMED HAPPY AROUND MARY? 272 00:14:12,285 --> 00:14:14,254 YEAH. NOBODY LIKED HER. 273 00:14:14,287 --> 00:14:16,356 DID THEY TELL YOU SHE HAD LUCIANO ARRESTED 274 00:14:16,389 --> 00:14:18,424 FOR USING HER TOOLS ON SOMEBODY ELSE�S PATIO? 275 00:14:18,458 --> 00:14:20,260 WE HEARD THAT STORY. 276 00:14:20,293 --> 00:14:23,530 WAS HE IN LOVE WITH YOU? DID HE EVER SAY ANYTHING 277 00:14:23,564 --> 00:14:26,266 ABOUT WANTING MARY OUT OF THE PICTURE? 278 00:14:26,299 --> 00:14:28,835 I�M NOT TALKING ABOUT IT. 279 00:14:28,869 --> 00:14:30,937 WE COULD TAKE THAT AS YOU BEING PART OF IT. 280 00:14:30,971 --> 00:14:33,774 THEN TAKE IT LIKE THAT. 281 00:14:33,807 --> 00:14:36,810 I�M NOT RATTING OUT LUCIANO. 282 00:14:43,884 --> 00:14:44,918 WAS IT FRANK? 283 00:14:44,951 --> 00:14:46,186 NO. 284 00:14:46,219 --> 00:14:48,288 NO. 285 00:14:48,321 --> 00:14:49,790 ARE YOU SURE? 286 00:14:49,823 --> 00:14:50,957 HEY, LUCIANO, 287 00:14:50,991 --> 00:14:53,727 YOU DON�T HAVE TO ASK US IF WE�RE SURE. 288 00:14:53,760 --> 00:14:55,962 WE GET OUR FACTS RIGHT, AND THEN WE PROCEED. 289 00:14:55,996 --> 00:14:56,963 YEAH. 290 00:14:56,997 --> 00:14:58,965 YEAH, FRANK WAS UPSTATE, LUCIANO, 291 00:14:58,999 --> 00:15:01,802 WITH 200 OR 300 OTHER PEOPLE TO CORROBORATE HIS WHEREABOUTS. 292 00:15:01,835 --> 00:15:03,970 WITH HIS VITAMINS, EH? 293 00:15:04,004 --> 00:15:06,206 YEAH, THE VITAMIN FRANCHISE DISTRIBUTORSHIP. 294 00:15:06,239 --> 00:15:09,275 YES. NOT FRANK. NO, NO. 295 00:15:09,309 --> 00:15:12,445 SO NOW WE�RE ASKING OURSELVES, LUCIANO, 296 00:15:12,478 --> 00:15:13,947 IF NOT FRANK, WHO? 297 00:15:13,980 --> 00:15:14,948 AH. 298 00:15:14,981 --> 00:15:16,950 WHO KILLED MARY? 299 00:15:16,983 --> 00:15:18,819 AH. 300 00:15:18,852 --> 00:15:19,986 I DON�T KNOW. 301 00:15:20,020 --> 00:15:22,422 IF MARY DIDN�T TEAR UP HER NEW WILL 302 00:15:22,455 --> 00:15:24,157 MAKING FRANK THE BENEFICIARY, 303 00:15:24,190 --> 00:15:27,994 WHO ELSE WOULD BENEFIT FROM THE NEW WILL BEING TORN UP? 304 00:15:28,028 --> 00:15:30,463 WHO WAS GOING TO GET MARY�S MONEY, IN OTHER WORDS? 305 00:15:30,496 --> 00:15:31,497 ME. 306 00:15:31,532 --> 00:15:32,666 YOU. 307 00:15:32,699 --> 00:15:34,400 OH, YES, YES, ME. 308 00:15:34,434 --> 00:15:35,969 SO YOU KILLED MARY. 309 00:15:36,002 --> 00:15:40,173 WELL, I GET THE MONEY, MUST BE ME, HUH? 310 00:15:40,206 --> 00:15:41,575 PFFT. 311 00:15:41,608 --> 00:15:44,144 PLEASE. 312 00:15:44,177 --> 00:15:46,179 I NEED TO CRAP. 313 00:15:58,491 --> 00:15:59,860 GRAZIE. MILLE GRAZIE. 314 00:15:59,893 --> 00:16:02,362 YOU KNOW, WHEN I GOT TO CRAP, 315 00:16:02,395 --> 00:16:05,999 MY BRAIN GOES AWAY. 316 00:16:06,032 --> 00:16:07,300 ALL RIGHT. 317 00:16:08,735 --> 00:16:11,371 You want to know what I think? 318 00:16:11,404 --> 00:16:13,874 I think this guy�s about as Italian 319 00:16:13,907 --> 00:16:15,375 as Chef Boyardee, 320 00:16:15,408 --> 00:16:17,878 and I�m about to do something about it. 321 00:16:21,648 --> 00:16:24,117 HEY, UH, JOHN, THERE�S A GIRL IN THE CATCHING AREA. 322 00:16:24,150 --> 00:16:26,452 UNDER NO CIRCUMSTANCES PERMIT HER TO LEAVE 323 00:16:26,486 --> 00:16:27,888 UNTIL I�VE DEBRIEFED HER. 324 00:16:27,921 --> 00:16:29,656 SURE. 325 00:16:33,594 --> 00:16:37,898 The next words that you hear cross his lips 326 00:16:37,931 --> 00:16:40,400 are not going to be with an Italian accent, 327 00:16:40,433 --> 00:16:43,403 and you can take that to the bank. 328 00:16:43,436 --> 00:16:45,471 EXCUSE ME, ANDY, WOULD YOU? 329 00:16:45,506 --> 00:16:46,940 YEAH, GO AHEAD. 330 00:16:52,913 --> 00:16:54,881 THIS DETECTIVE CAN HELP YOU. 331 00:16:54,915 --> 00:16:57,017 DETECTIVE, THIS IS THERESA MANGANO, 332 00:16:57,050 --> 00:16:59,553 WHO�S A MAID AT THE BACA RESIDENCE. 333 00:16:59,586 --> 00:17:00,887 MISS MANGANO. 334 00:17:00,921 --> 00:17:02,856 YES, SIR. 335 00:17:02,889 --> 00:17:06,026 WHEN MARY WAS MURDERED, 336 00:17:06,059 --> 00:17:08,695 LUCIANO WAS WITH ME. 337 00:17:13,700 --> 00:17:17,437 [ YELLING IN ITALIAN ] 338 00:17:17,470 --> 00:17:19,105 NEVER MIND. SIT DOWN. 339 00:17:19,139 --> 00:17:22,743 THAT�S LUCIANO. ARE YOU BEATING HIM? 340 00:17:22,776 --> 00:17:25,278 NO, NO, NO. 341 00:17:25,311 --> 00:17:27,147 [ TOILET FLUSHES ] 342 00:17:32,152 --> 00:17:35,622 MEDAVOY, BRING THIS GUY OUT WHEN HE�S DONE. 343 00:17:35,656 --> 00:17:38,391 OH, YEAH. SURE, ANDY. ANYTHING FOR YOU. 344 00:17:38,424 --> 00:17:39,826 [ TOILET FLUSHES ] 345 00:17:43,597 --> 00:17:45,065 HELLO. 346 00:17:45,098 --> 00:17:46,499 HOW ARE YOU? 347 00:17:48,502 --> 00:17:50,604 UH, ANDY, THIS IS THERESA, 348 00:17:50,637 --> 00:17:53,439 WHO�S A MAID AT THE BACA RESIDENCE 349 00:17:53,473 --> 00:17:56,242 THAT SAYS LUCIANO WAS WITH HER. 350 00:17:56,276 --> 00:17:58,745 HELLO. 351 00:17:58,779 --> 00:18:01,615 I WAS WITH LUCIANO. 352 00:18:01,648 --> 00:18:04,217 LUCIANO SAYS HE WAS ALONE. 353 00:18:04,250 --> 00:18:06,219 NO. WITH ME, 354 00:18:06,252 --> 00:18:09,389 PROTECTING MY REPUTATION. 355 00:18:09,422 --> 00:18:10,891 SAYING HE WAS ALONE 356 00:18:10,924 --> 00:18:12,826 WAS PROTECTING YOUR REPUTATION. 357 00:18:12,859 --> 00:18:14,394 ANYWAY, THERESA, 358 00:18:14,427 --> 00:18:16,663 DO YOU KNOW ANYTHING ABOUT MARY�S DEATH? 359 00:18:16,697 --> 00:18:18,932 NO. NOTHING ABOUT MARY. 360 00:18:18,965 --> 00:18:21,635 ALL RIGHT. WRITE DOWN YOUR ADDRESS AND PHONE NUMBER. 361 00:18:23,436 --> 00:18:27,173 I GOT TO GO TALK TO MY PRIEST. 362 00:18:27,207 --> 00:18:29,242 AHEM. ALL RIGHT. APPRECIATE YOU COMING IN. 363 00:18:29,275 --> 00:18:32,445 IF WE NEED ANYTHING ELSE, WE�LL BE IN TOUCH. 364 00:18:37,317 --> 00:18:40,286 WHAT, TAKE IT TO ANNA LUCIANO WAS PLAYING AROUND? 365 00:18:40,320 --> 00:18:42,355 THIS IS A QUAGMIRE. 366 00:18:44,057 --> 00:18:46,192 CARE TO BE MORE SPECIFIC 367 00:18:46,226 --> 00:18:48,361 WHERE YOU�D LIKE THIS GENTLEMAN TAKEN? 368 00:18:48,394 --> 00:18:50,731 YEAH. TAKE THAT GENTLEMAN INTO THE COFFEE ROOM. 369 00:18:54,367 --> 00:18:55,636 BA?BOOM. EH. 370 00:18:55,669 --> 00:18:56,903 EH. 371 00:18:58,739 --> 00:19:01,141 HE SOUNDED PRETTY ITALIAN IN THERE. 372 00:19:01,174 --> 00:19:03,744 I�M STILL NOT CONVINCED. 373 00:19:11,251 --> 00:19:13,554 HERE�S YOUR PAPERWORK, MARCUS. 374 00:19:13,587 --> 00:19:16,056 YOU SHOW YOUR BOSS I WAS IN THE HOSPITAL 375 00:19:16,089 --> 00:19:18,024 BEHIND THESE HEMORRHOIDS? 376 00:19:18,058 --> 00:19:20,627 YEAH. YOU�RE CLEAR FOR THREE DAYS AGO. 377 00:19:20,661 --> 00:19:22,896 TRUTH IS THOUGH, MARCUS, 378 00:19:22,929 --> 00:19:24,998 THIS GIRL WAS GROPED LAST NIGHT. 379 00:19:25,031 --> 00:19:27,000 OH. LAST NIGHT. 380 00:19:27,033 --> 00:19:29,503 LAST NIGHT IN THE BISHOP CAR WASH, 381 00:19:29,536 --> 00:19:32,205 SOMEBODY GROPED THIS GIRL THAT SHE SAYS WAS YOU. 382 00:19:32,238 --> 00:19:34,708 WELL, UH, I STILL NEVER WORKED THERE, 383 00:19:34,741 --> 00:19:38,411 AND MY CAR WAS STILL REPOSSESSED, 384 00:19:38,444 --> 00:19:41,081 SO I WASN�T EVEN GROPING NO ONE. 385 00:19:41,114 --> 00:19:42,549 WRITE THAT. 386 00:19:42,583 --> 00:19:44,618 AND ACCOUNT FOR YOUR TIME. 387 00:19:47,353 --> 00:19:48,822 IN OTHER WORDS, 388 00:19:48,855 --> 00:19:50,824 YOU GUYS SHOT ME THROUGH THE GREASE 389 00:19:50,857 --> 00:19:52,526 TO GET ME IN HERE. 390 00:19:52,559 --> 00:19:54,661 MAYBE A LITTLE. 391 00:19:54,695 --> 00:19:56,029 ALL RIGHT. 392 00:19:56,062 --> 00:19:58,198 AS LONG AS WE STRAIGHT WITH EACH OTHER. 393 00:19:58,231 --> 00:20:01,101 MIND IF WE BRING A COUPLE OF OTHER DETECTIVES 394 00:20:01,134 --> 00:20:03,537 TO GO OVER YOUR STATEMENT WITH US? 395 00:20:03,570 --> 00:20:05,038 OH, HELL, NO. 396 00:20:05,071 --> 00:20:08,566 THE TRUTH IS MY PROTECTOR. 397 00:20:25,391 --> 00:20:28,428 I HAVEN�T WROTE THAT MUCH SINCE HIGH SCHOOL. 398 00:20:28,461 --> 00:20:30,463 IS THAT RIGHT? 399 00:20:30,496 --> 00:20:33,066 I?I DON�T EVEN KNOW IF I WROTE THAT MUCH 400 00:20:33,099 --> 00:20:35,569 WHEN I WAS IN HIGH SCHOOL, YOU KNOW WHAT I�M SAYING? 401 00:20:35,602 --> 00:20:37,203 OH, YEAH? 402 00:20:37,237 --> 00:20:38,639 WELL, THAT COVERS YOU 403 00:20:38,672 --> 00:20:40,406 AND THE BISHOP CAR WASH GROPER. 404 00:20:40,440 --> 00:20:43,476 OH, HEY. WHO�S DRIVING ME HOME? 405 00:20:43,510 --> 00:20:47,280 NOW TELL US ABOUT THIS GIRL. 406 00:20:47,313 --> 00:20:48,815 OH, WHOA. MNH?MNH. 407 00:20:48,849 --> 00:20:51,518 NO. I DON�T KNOW THAT GIRL. 408 00:20:56,523 --> 00:20:58,792 YOUR FINGERPRINT�S ON HER CAR, MARCUS. 409 00:20:58,825 --> 00:21:02,295 TH?THIS IS MANHATTAN ISLAND IN NEW YORK CITY. 410 00:21:02,328 --> 00:21:05,832 HOW MANY OTHER DAMN FINGERPRINTS WAS ON IT? 411 00:21:05,866 --> 00:21:08,334 JUST YOURS. 412 00:21:08,368 --> 00:21:11,271 WHILE YOU WERE HOLDING THE TRUNK 413 00:21:11,304 --> 00:21:13,273 WHILE YOU WERE WIPING THAT PART CLEAN, 414 00:21:13,306 --> 00:21:16,076 THAT�S WHERE YOU LEFT YOUR PRINT. 415 00:21:16,109 --> 00:21:18,579 MAYBE THAT�S THE SPOT WHERE WHOEVER DID IT MISSED, 416 00:21:18,612 --> 00:21:21,014 AND MY PRINT IS AN INNOCENT BYSTANDER 417 00:21:21,047 --> 00:21:23,183 FROM WHENEVER I MIGHT HAVE TOUCHED THE TRUNK 418 00:21:23,216 --> 00:21:25,185 SIX MONTHS AGO OR ANY OTHER DAMN TIME. 419 00:21:25,218 --> 00:21:27,187 NO, THAT�S NOT GOING TO WORK, MARCUS. 420 00:21:27,220 --> 00:21:28,689 ONLY PRINT LEFT 421 00:21:28,722 --> 00:21:30,691 AT THE SCENE OF A VICIOUS MURDER. 422 00:21:30,724 --> 00:21:34,194 I�LL TELL YOU THE OTHER THING YOU GOT TO WORRY ABOUT 423 00:21:34,227 --> 00:21:36,196 IS IF YOUR DNA MATCHES THE DNA SAMPLE 424 00:21:36,229 --> 00:21:37,798 WE TAKE FROM THE SEMEN ON THAT GIRL�S BODY. 425 00:21:37,831 --> 00:21:39,132 WHICH WOULD MAKE IT 426 00:21:39,165 --> 00:21:40,366 A VICIOUS PREMEDITATED MURDER. 427 00:21:40,400 --> 00:21:44,204 THE RAPE DOES MAKE IT PREMEDITATED, YEAH. 428 00:21:44,237 --> 00:21:45,706 WHICH BUYS YOU THE NEEDLE, MARCUS. 429 00:21:45,739 --> 00:21:47,841 WASN�T ME. 430 00:21:47,874 --> 00:21:49,475 IT WAS NOT YOU? 431 00:21:49,510 --> 00:21:53,013 IT WAS NOT ME. 432 00:21:56,082 --> 00:22:00,320 LOOK, I WANT TO TELL YOU SOMETHING, 433 00:22:00,353 --> 00:22:02,322 AND I AIN�T ASHAMED TO TELL YOU, 434 00:22:02,355 --> 00:22:05,325 YOU KNOW, BECAUSE I�M CLOSING WITH IT. 435 00:22:05,358 --> 00:22:07,160 COME ON, THEN. 436 00:22:07,193 --> 00:22:11,397 I GOT A LITTLE PROBLEM WITH THE PIPE. 437 00:22:11,431 --> 00:22:12,733 YOU DO? 438 00:22:12,766 --> 00:22:14,167 YES, I DO. 439 00:22:14,200 --> 00:22:16,236 AND HOW DOES THAT FIGURE IN? 440 00:22:16,269 --> 00:22:18,572 WELL, HOW THE PIPE FIGURES IN? 441 00:22:18,605 --> 00:22:20,040 ALL RIGHT. 442 00:22:20,073 --> 00:22:23,409 THE PREMEDITATION. 443 00:22:23,443 --> 00:22:24,911 FIRST OFF, 444 00:22:24,945 --> 00:22:26,913 YOU KNOW, WHEN I�M BEHIND THE CRACK, 445 00:22:26,947 --> 00:22:29,215 YOU KNOW, IT�S LIKE I�M OUT OF MY MIND. 446 00:22:29,249 --> 00:22:31,852 SAYING YOU WERE CRAZY WHEN YOU DID THIS. 447 00:22:31,885 --> 00:22:34,855 NO, I�M NOT SAYING THAT I DID IT AT ALL. 448 00:22:34,888 --> 00:22:38,024 I AM ABSOLUTELY NOT SAYING THAT I DID IT. 449 00:22:38,058 --> 00:22:40,193 YOU�RE SAYING YOU GOT A PROBLEM BEHIND THE CRACK. 450 00:22:40,226 --> 00:22:41,528 THAT�S ALL I�M TRYING TO SAY SO FAR. 451 00:22:41,562 --> 00:22:43,096 WE KNOW YOU DID IT. 452 00:22:43,129 --> 00:22:46,533 AH, HEY... 453 00:22:46,567 --> 00:22:48,201 THE PREMEDITATION. 454 00:22:48,234 --> 00:22:50,203 THIS IS HOW YOU RULE THAT OUT, 455 00:22:50,236 --> 00:22:52,939 AND THE CRACK FITS IN. 456 00:22:52,973 --> 00:22:57,511 THE SEX COME AFTER THAT GIRL DIED. 457 00:22:57,544 --> 00:22:59,946 AND I�M NOT SAYING THAT I COMMITTED THE SEX 458 00:22:59,980 --> 00:23:01,515 OR THE MURDER. 459 00:23:01,548 --> 00:23:04,851 I JUST HAPPEN TO KNOW THAT FOR A FACT. 460 00:23:04,885 --> 00:23:06,953 HOW DO YOU KNOW IT? 461 00:23:06,987 --> 00:23:09,623 I MEAN, YOU KNOW, 462 00:23:09,656 --> 00:23:11,725 YOU EVER HEARD OF AN EYEWITNESS? 463 00:23:11,758 --> 00:23:13,527 SO YOU�RE SAYING 464 00:23:13,560 --> 00:23:15,529 YOU SAW SOMEONE ELSE MURDER THIS GIRL, 465 00:23:15,562 --> 00:23:18,298 THEN HAVE SEX ON HER AFTER SHE WAS DEAD? 466 00:23:18,331 --> 00:23:20,300 AND IN MY CRACKED?OUT INSANITY, 467 00:23:20,333 --> 00:23:22,869 I NEVER LIFTED A HAND AGAINST HIM. 468 00:23:22,903 --> 00:23:26,540 BUT YOU DID LOAN HIM YOUR SEMEN 469 00:23:26,573 --> 00:23:28,942 TO LEAVE ON THE BODY. 470 00:23:33,479 --> 00:23:36,149 ALL RIGHT. 471 00:23:36,182 --> 00:23:38,218 MM. LET ME THINK. 472 00:23:38,251 --> 00:23:39,319 SURE. 473 00:23:39,352 --> 00:23:41,354 WE GOT ALL THE TIME YOU NEED. 474 00:23:51,598 --> 00:23:54,701 AHEM. 475 00:24:02,843 --> 00:24:04,811 HE SAYS HE KILLED HIS WIFE, THIS LUCIANO, 476 00:24:04,845 --> 00:24:06,312 BUT HOW HE SAYS IT, 477 00:24:06,346 --> 00:24:08,749 YOU KNOW HE DOESN�T MEAN IT. 478 00:24:08,782 --> 00:24:11,752 ANNA, THE COUSIN THAT HE IS ABSOLUTELY PUTTING IT TO, 479 00:24:11,785 --> 00:24:13,253 SHE WON�T TAKE A POSITION, 480 00:24:13,286 --> 00:24:14,655 DID LUCIANO DO IT OR NOT, 481 00:24:14,688 --> 00:24:16,657 BUT HOW SHE WON�T TAKE IT, 482 00:24:16,690 --> 00:24:19,259 SHE DEFINITELY EXPECTS WE COLLAR HIM ANYWAY. 483 00:24:19,292 --> 00:24:20,761 IN COMES THERESA THE MAID ?? 484 00:24:20,794 --> 00:24:23,129 ALIBIS LUCIANO OUT. 485 00:24:23,163 --> 00:24:25,131 WHILE THE D.O.A. IS GETTING MURDERED, 486 00:24:25,165 --> 00:24:27,634 LUCIANO IS BANGING HER. 487 00:24:30,537 --> 00:24:32,038 WHERE ARE WE? 488 00:24:32,072 --> 00:24:35,542 WHERE WE ARE... 489 00:24:35,576 --> 00:24:37,377 [ SIGHS ] 490 00:24:37,410 --> 00:24:39,546 IF THE MAID IS TELLING THE TRUTH, 491 00:24:39,580 --> 00:24:42,716 IT�S GOT TO BE THE COUSIN KILLED THE WIFE. 492 00:24:42,749 --> 00:24:45,218 AHEM. IF LUCIANO WAS WITH THERESA THE MAID, 493 00:24:45,251 --> 00:24:47,621 AND THE MURDER COME FROM INSIDE THE FAMILY, 494 00:24:47,654 --> 00:24:49,289 THEN IT�S GOT TO BE THE HOMELY COUSIN ANNA. 495 00:24:49,322 --> 00:24:51,291 �CAUSE FRANK THE SON, OFF YOUR OWN INTERVIEW, 496 00:24:51,324 --> 00:24:53,393 WE ESTABLISHED HE WAS UP IN TARRYTOWN. 497 00:24:53,426 --> 00:24:55,696 YEAH, AT THAT VITAMIN CONVENTION, 498 00:24:55,729 --> 00:24:57,864 WHICH WHO WOULD KNOW BETTER ABOUT THAN YOU? 499 00:24:57,898 --> 00:25:01,034 WHY WOULD THE COUSIN DO IT? 500 00:25:01,067 --> 00:25:05,539 WHY WOULD THE COUSIN DO IT? 501 00:25:07,273 --> 00:25:12,445 YOU THINK THAT WE�RE GOING TO FIND THAT OUT IN HERE? 502 00:25:21,955 --> 00:25:24,257 AND WHAT DID HE SAY? 503 00:25:24,290 --> 00:25:26,259 UH, HE WENT FOR IT ?? LUCIANO. 504 00:25:26,292 --> 00:25:27,761 HE SAID HE KILLED MARY. 505 00:25:27,794 --> 00:25:29,395 OH, GOD! 506 00:25:31,131 --> 00:25:32,766 WELL, BELIEVE ME, 507 00:25:32,799 --> 00:25:35,168 IF THIS ISN�T TEMPORARY INSANITY, 508 00:25:35,201 --> 00:25:36,202 THEY SHOULD THROW OUT THE LAW. 509 00:25:36,236 --> 00:25:37,904 WHAT SHE PUT THAT POOR MAN THROUGH. 510 00:25:37,938 --> 00:25:40,206 BUT THEN THERESA, WHO WORKS AT THE HOUSE, 511 00:25:40,240 --> 00:25:42,375 SAYS 10:15, 10:30, 512 00:25:42,408 --> 00:25:44,110 WHEN THE NEIGHBORS HEAR THE SCREAMING, 513 00:25:44,144 --> 00:25:46,179 LUCIANO WAS WITH HER. 514 00:25:46,212 --> 00:25:48,682 WHAT DOES LUCIANO SAY? 515 00:25:48,715 --> 00:25:51,084 SAYS HE KILLED MARY, LIKE WE JUST TOLD YOU. 516 00:25:51,117 --> 00:25:54,621 THIS GIRL WANTS TO BE WITH LUCIANO, 517 00:25:54,655 --> 00:25:56,957 WHY SHE MADE UP THAT STORY. 518 00:25:56,990 --> 00:25:59,926 DID YOU DO IT, ANNA? 519 00:25:59,960 --> 00:26:01,862 DID I DO IT? 520 00:26:01,895 --> 00:26:03,463 DID I DO IT? 521 00:26:03,496 --> 00:26:05,465 YEAH. SUPPOSE IT WAS YOU IN LOVE WITH HIM 522 00:26:05,498 --> 00:26:07,067 AND WANTING MARY OUT OF THE WAY. 523 00:26:07,100 --> 00:26:08,635 DID I DO IT? 524 00:26:08,669 --> 00:26:11,404 THAT WOULD MAKE THERESA�S STORY FIT. 525 00:26:11,437 --> 00:26:13,473 LUCIANO SAID HE DID IT. 526 00:26:13,507 --> 00:26:15,609 WELL, MAYBE HE�S TRYING TO COVER UP FOR YOU. 527 00:26:15,642 --> 00:26:18,211 N?NO. THIS GIRL WANTS LUCIANO. 528 00:26:18,244 --> 00:26:21,114 THAT�S WHY SHE MADE UP THE STORY. 529 00:26:21,147 --> 00:26:23,550 SOUNDS LIKE EVERYONE WANTS LUCIANO. 530 00:26:23,584 --> 00:26:25,051 HOW ABOUT THIS, ANNA? 531 00:26:25,085 --> 00:26:26,553 SUPPOSE YOU DID IT. 532 00:26:26,587 --> 00:26:29,455 HE GOT YOU TO DO IT WITHOUT YOU KNOWING, 533 00:26:29,489 --> 00:26:30,490 AND EVEN WITH HIM CONFESSING, 534 00:26:30,524 --> 00:26:32,593 HE PUT SO MANY HOLES IN HIS STORY 535 00:26:32,626 --> 00:26:34,160 THAT WE DON�T BELIEVE HIM? 536 00:26:34,194 --> 00:26:38,164 SUPPOSE IT�S THERESA HE WANTS TO BE THROWING HUMPS INTO 537 00:26:38,198 --> 00:26:39,933 AND HE MADE YOU A PATSY. 538 00:26:39,966 --> 00:26:41,768 Anna: NO! 539 00:26:41,802 --> 00:26:42,936 NO, HUH? 540 00:26:45,972 --> 00:26:47,473 ANNA. 541 00:26:47,508 --> 00:26:50,310 ANNA? 542 00:26:50,343 --> 00:26:51,778 ANNA. 543 00:26:53,847 --> 00:26:55,148 [ SIGHS ] 544 00:26:55,181 --> 00:26:56,917 WE WANT YOU TO THINK THINGS OVER NOW. 545 00:26:56,950 --> 00:26:58,519 WE WANT TO KNOW 546 00:26:58,552 --> 00:27:00,486 IF HE AGITATED YOU INTO DOING THIS, 547 00:27:00,521 --> 00:27:01,988 BECAUSE THAT TEMPORARY INSANITY LAW 548 00:27:02,022 --> 00:27:03,524 THAT YOU TALKED ABOUT ?? 549 00:27:03,557 --> 00:27:05,526 WELL, THAT�S STILL ON THE BOOKS, 550 00:27:05,559 --> 00:27:07,528 AND IT�S AVAILABLE TO YOU AS WELL, 551 00:27:07,561 --> 00:27:09,329 AND OTHERWISE... 552 00:27:09,362 --> 00:27:11,532 THIS LOOKS PREMEDITATED. 553 00:27:13,700 --> 00:27:15,536 I NEED MORE TEA. 554 00:27:15,569 --> 00:27:18,138 NOW? 555 00:27:19,405 --> 00:27:22,843 NO. LEAVE ME ALONE FOR A LITTLE WHILE. 556 00:27:22,876 --> 00:27:24,545 OKAY. 557 00:27:24,578 --> 00:27:27,814 JUST LET US KNOW WHEN YOU NEED THE TEA. 558 00:27:30,250 --> 00:27:33,153 [ EXHALES DEEPLY ] 559 00:27:33,186 --> 00:27:35,155 WHAT I JUST SAID TO THIS ANNA ?? 560 00:27:35,188 --> 00:27:37,390 YEAH, LUCIANO MOVED HER TO WHACK MARY. 561 00:27:37,423 --> 00:27:39,392 I THINK THAT�S WHAT I BELIEVE. 562 00:27:39,425 --> 00:27:40,894 MEANING THIS ONE�S GOING TO SKATE. 563 00:27:40,927 --> 00:27:42,896 UNLESS WE CONVINCE HIM HE�S GOING FOR CONSPIRACY. 564 00:27:42,929 --> 00:27:44,998 CAN WE GET HIM THERE? 565 00:27:45,031 --> 00:27:47,968 FOLLOW MY LEAD. 566 00:27:48,001 --> 00:27:50,937 OH HO. THE BIG NOISY MAN, HUH? 567 00:27:52,773 --> 00:27:54,975 WHERE ARE YOU FROM THERE, LUCIANO, HUH? 568 00:27:55,008 --> 00:27:56,476 RED HOOK? BUSHWICK? 569 00:27:56,510 --> 00:27:57,644 NAPOLI. 570 00:27:57,678 --> 00:27:59,245 WHAT, I DON�T TELL YOU? 571 00:27:59,279 --> 00:28:01,381 NAPOLI, UH? 572 00:28:01,414 --> 00:28:03,016 YOU BELIEVE THIS GUY? 573 00:28:03,049 --> 00:28:05,018 ALL HE NEEDS IS AN ACCORDION 574 00:28:05,051 --> 00:28:08,088 AND ONE OF THEM SQUEAKY LITTLE MONKEYS. 575 00:28:08,121 --> 00:28:10,023 ANYWAYS, LUCIANO, 576 00:28:10,056 --> 00:28:13,026 DESPITE YOU SAYING THAT IT WAS YOU WHO KILLED MARY, 577 00:28:13,059 --> 00:28:14,260 WE�VE COME TO BELIEVE IT WAS ANNA. 578 00:28:14,294 --> 00:28:16,262 ANNA? NO. 579 00:28:16,296 --> 00:28:18,264 ANNA. YES. 580 00:28:18,298 --> 00:28:20,834 IT WAS ME WHO GET THE MONEY. 581 00:28:20,867 --> 00:28:23,369 ANNA. YES. WITH YOU GETTING THE MONEY. 582 00:28:23,403 --> 00:28:24,605 NO. NO. 583 00:28:24,638 --> 00:28:27,774 YES, BUT THAT DON�T QUITE QUALIFY YOU 584 00:28:27,808 --> 00:28:30,443 FOR CRIMINAL MASTERMIND, LUCIANO, 585 00:28:30,476 --> 00:28:33,046 BECAUSE HERE IN THE U. S. OF A., 586 00:28:33,079 --> 00:28:35,849 WE GOT WHAT�S CALLED CONSPIRACY LAWS. 587 00:28:35,882 --> 00:28:38,118 PLEASE. CON?? CONSH?? 588 00:28:38,151 --> 00:28:40,353 CONSPIR?? NO, UH ?? CONSPIR?? 589 00:28:40,386 --> 00:28:41,688 CONSPIR?? 590 00:28:41,722 --> 00:28:43,189 A CONSPIRACY, LUCIANO, 591 00:28:43,223 --> 00:28:46,192 IS EVEN THOUGH ANNA�S DOING THE BODYWORK ON MARY, 592 00:28:46,226 --> 00:28:48,562 YOU EGGING HER ALONG. 593 00:28:48,595 --> 00:28:51,431 I, UH, I EGG ANNA? 594 00:28:51,464 --> 00:28:53,099 YEAH, YEAH. YOU EGG HER. 595 00:28:53,133 --> 00:28:54,267 YOU GET HER TO DO IT. 596 00:28:54,300 --> 00:28:55,301 NO, NO, NO. 597 00:28:55,335 --> 00:28:57,303 I TELL ANNA, "DON�T DO IT," 598 00:28:57,337 --> 00:29:01,041 AND THEN I DO IT. 599 00:29:01,074 --> 00:29:02,543 GET OFF YOU DOING IT! 600 00:29:02,576 --> 00:29:04,778 YOU DIDN�T DO IT! YOU WERE WITH THERESA! 601 00:29:04,811 --> 00:29:07,581 I TELL ANNA, "DON�T DO IT," 602 00:29:07,614 --> 00:29:11,117 AND I DON�T BELIEVE THAT SHE DOES. 603 00:29:11,151 --> 00:29:13,119 OH, MEANING THAT YOU WERE WITH THERESA. 604 00:29:13,153 --> 00:29:16,590 OH, HA. NO! I DON�T KISS AND TALK. 605 00:29:16,623 --> 00:29:19,159 BUT YOU DO READ UP ON THE CONSPIRACY STATUTES, 606 00:29:19,192 --> 00:29:20,493 HUH, LUCIANO? 607 00:29:20,527 --> 00:29:22,295 EXACTLY WHAT TO SAY 608 00:29:22,328 --> 00:29:25,165 THAT GETS YOU OUT OF LEGAL RESPONSIBILITY. 609 00:29:25,198 --> 00:29:26,499 CHE STATUTE? 610 00:29:26,533 --> 00:29:27,500 CHE STATUTE? 611 00:29:27,534 --> 00:29:29,503 STATUTE DE LIBERTAD? 612 00:29:29,536 --> 00:29:31,772 [ MUMBLES IN ITALIAN ] 613 00:29:31,805 --> 00:29:34,307 GOD BLESS AMERICA. 614 00:29:38,779 --> 00:29:40,246 [ SIGHS ] 615 00:29:40,280 --> 00:29:41,882 FOLLOW MY LEAD. 616 00:29:46,386 --> 00:29:47,353 UH, TEA, ANNA. 617 00:29:47,387 --> 00:29:48,855 WE BROUGHT THE TEA. 618 00:29:48,889 --> 00:29:51,357 WE DECIDED IT WAS TIME. 619 00:29:51,391 --> 00:29:54,294 SO, DOES HE STILL SAY HE DID IT? 620 00:29:54,327 --> 00:29:57,330 UH, LUCIANO PRETTY MUCH HAS COME OFF OF THAT NOW. 621 00:29:57,363 --> 00:29:59,633 DOES HE SAY I DID IT? 622 00:29:59,666 --> 00:30:02,536 HE DON�T SAY ONE WAY OR ANOTHER. 623 00:30:02,569 --> 00:30:04,871 SAYS HE TOLD YOU NOT TO DO IT. 624 00:30:04,905 --> 00:30:07,841 DID HE EGG YOU ON, ANNA? 625 00:30:09,710 --> 00:30:11,177 ALL HE SAYS, 626 00:30:11,211 --> 00:30:13,113 "I�M?A GONNA DO IT. 627 00:30:13,146 --> 00:30:15,115 "I�M?A GONNA DO IT. 628 00:30:15,148 --> 00:30:19,119 "SHE TREAT ME LIKE DIRT AND CALL ME A DUMB DAGO, 629 00:30:19,152 --> 00:30:23,189 AND I�M?A GONNA BRAIN HER WITH ONE OF MY TOOLS." 630 00:30:23,223 --> 00:30:26,026 AND THEN... 631 00:30:26,059 --> 00:30:28,028 "I CAN�T DO IT. 632 00:30:28,061 --> 00:30:29,530 "I CANNOT DO IT. 633 00:30:29,563 --> 00:30:31,898 "I CANNOT BRING?A MYSELF 634 00:30:31,932 --> 00:30:35,068 "TO TAKE?A THE HAMMER TO HER AFTER 10:00 635 00:30:35,101 --> 00:30:39,405 WHEN SHE SLEEPS A?SOUND LIKE A BABY EVERY NIGHT." 636 00:30:39,439 --> 00:30:41,407 BUT HE ASKED YOU TO DO IT. 637 00:30:41,441 --> 00:30:44,077 "OH, ANNA... 638 00:30:44,110 --> 00:30:46,412 "DON�T?A DO IT. 639 00:30:46,446 --> 00:30:49,750 "DON�T?A DO IT. 640 00:30:49,783 --> 00:30:52,753 "I DON�T?A CARE, EVEN IF YOU TORE UP THE WILL 641 00:30:52,786 --> 00:30:54,755 "AND I GET ALL OF THE MONEY, 642 00:30:54,788 --> 00:30:57,223 "AND I LOVE YOU SO MUCH, 643 00:30:57,257 --> 00:30:58,825 "AND I WANT TO TAKE YOU WITH ME TO NAPOLI 644 00:30:58,859 --> 00:31:02,095 "IF SHE WAS?A DEAD, AND I WASN�T HER HUSBAND. 645 00:31:02,128 --> 00:31:04,230 DON�T?A DO NOTHING TO MARY." 646 00:31:04,264 --> 00:31:06,232 I�M GOING TO INTERRUPT YOU, ANNA, 647 00:31:06,266 --> 00:31:08,234 AND FOR THE SAKE OF JUSTICE, 648 00:31:08,268 --> 00:31:10,236 AND YOUR OWN PEACE OF MIND, 649 00:31:10,270 --> 00:31:13,774 I WANT TO ENCOURAGE YOU TO REMEMBER DIFFERENT. 650 00:31:13,807 --> 00:31:16,076 AND DIFFERENT DON�T MEAN LIE, ANNA. 651 00:31:16,109 --> 00:31:20,080 HE MAY HAVE BEEN, UH, WINKING AT YOU 652 00:31:20,113 --> 00:31:23,584 OR, UH, INDICATING IN SOME OTHER WAY 653 00:31:23,617 --> 00:31:26,953 THAT HE REALLY DID WANT YOU TO MURDER HER 654 00:31:26,987 --> 00:31:30,524 SO THE BOTH OF YOU WOULD HAVE A NEW LIFE, 655 00:31:30,557 --> 00:31:32,593 AND HE WOULD BE GUILTY OF CONSPIRACY, 656 00:31:32,626 --> 00:31:36,730 AND YOU DON�T HAVE TO DO THE TIME BY YOURSELF. 657 00:31:36,763 --> 00:31:38,632 NO! 658 00:31:38,665 --> 00:31:39,966 NO. 659 00:31:40,000 --> 00:31:43,804 ANNA, YOU KNOW, JUST BETWEEN US IN THE ROOM, 660 00:31:43,837 --> 00:31:46,106 WHAT ABOUT THE CONCEPT OF LYING ?? 661 00:31:46,139 --> 00:31:48,074 KNOWING THAT KILLING MARY 662 00:31:48,108 --> 00:31:50,110 REALLY WAS WHAT LUCIANO WANTED YOU TO DO? 663 00:31:50,143 --> 00:31:53,479 A LITTLE WHITE LIE THAT WOULD GET AT THE TRUTH 664 00:31:53,514 --> 00:31:54,648 ISN�T TECHNICALLY ?? 665 00:31:54,681 --> 00:31:57,951 I WILL DO THE TIME, 666 00:31:57,984 --> 00:31:59,886 AND WHEN I GET OUT, 667 00:31:59,920 --> 00:32:03,524 THIS LITTLE FLING WITH THERESA IS GOING TO BE OVER. 668 00:32:05,491 --> 00:32:08,461 WHAT DO I DO NEXT? 669 00:32:08,494 --> 00:32:09,863 WRITE? 670 00:32:12,032 --> 00:32:13,967 [ URINATING ] 671 00:32:14,000 --> 00:32:16,537 [ ZIPS FLY, FLUSHES TOILET ] 672 00:32:18,972 --> 00:32:19,940 I ASK YOU SOMETHING, 673 00:32:19,973 --> 00:32:20,907 YOU GOING TO TELL ME THE TRUTH? 674 00:32:20,941 --> 00:32:22,943 WHAT? 675 00:32:27,280 --> 00:32:29,449 I�M ON RECORD WITH THE PIPE PROBLEM. 676 00:32:29,482 --> 00:32:31,852 IS THAT LIKE EXTENUATING CIRCUMSTANCES? 677 00:32:31,885 --> 00:32:34,788 YOU KNOW, TEMPORARY INSANITY OR SOME OTHER DAMN THING? 678 00:32:34,821 --> 00:32:36,823 I�M NOT SAYING NO. 679 00:32:36,857 --> 00:32:39,025 �CAUSE I�M ON RECORD THAT THE SEX 680 00:32:39,059 --> 00:32:40,694 WAS NOT PREMEDITATED. 681 00:32:40,727 --> 00:32:42,663 IT WAS DEFINITELY NOT RAPE 682 00:32:42,696 --> 00:32:44,865 �CAUSE SHE WAS ALREADY DEAD. 683 00:32:44,898 --> 00:32:47,200 I�D BE PREPARED TO SAY 684 00:32:47,233 --> 00:32:50,303 THE MURDER WAS ACCIDENTAL. 685 00:32:52,906 --> 00:32:55,375 SAY WE PUT ALL THAT ON ONE PLATE. 686 00:32:55,408 --> 00:32:58,044 WOULD YOU BE PREPARED TO GO FROM EYEWITNESS 687 00:32:58,078 --> 00:33:00,313 TO SAYING IT WAS YOU? 688 00:33:02,382 --> 00:33:05,018 I�M NOT SAYING NO. 689 00:33:05,051 --> 00:33:06,486 ALL RIGHT. 690 00:33:06,520 --> 00:33:09,355 BUT SO FAR, 691 00:33:09,389 --> 00:33:11,558 AM I HOLDING MY OWN? 692 00:33:11,592 --> 00:33:15,361 I WASN�T LOOKING. I WAS GIVING YOU PRIVACY. 693 00:33:17,397 --> 00:33:18,999 ALL RIGHT. 694 00:33:36,617 --> 00:33:40,921 YOU EVER GET THE FEELING YOU WERE WATCHING YOURSELF? 695 00:33:40,954 --> 00:33:42,989 HERE�S YOU DOING SOMETHING, 696 00:33:43,023 --> 00:33:44,991 AND HERE�S YOU, TOO, 697 00:33:45,025 --> 00:33:47,894 WATCHING YOURSELF DOING IT. 698 00:33:47,928 --> 00:33:50,664 SO CLAIMING YOU WERE AN EYEWITNESS, 699 00:33:50,697 --> 00:33:53,934 THAT WASN�T YOU DENYING YOU COMMITTED THE CRIME. 700 00:33:53,967 --> 00:33:57,270 NOT RULING MYSELF OUT AS A SUSPECT, CORRECT. 701 00:33:57,303 --> 00:34:00,106 ARE YOU GOING FOR THE HOMICIDE NOW, MARCUS? 702 00:34:00,140 --> 00:34:02,609 YOU GUYS EVER SEE THAT JULIA ROBERTS MOVIE 703 00:34:02,643 --> 00:34:06,446 WHERE SHE�S THAT MAID WAY BACK IN OLD?TIME ENGLAND, 704 00:34:06,479 --> 00:34:09,449 AND THAT GUY IN THE HOUSE GOT A SPLIT PERSONALITY? 705 00:34:09,482 --> 00:34:10,951 COMES OUT AT NIGHT, 706 00:34:10,984 --> 00:34:14,354 AN IRRESPONSIBLE MONSTER. 707 00:34:14,387 --> 00:34:16,590 YOU SAW THAT MOVIE? 708 00:34:16,623 --> 00:34:19,292 HEY, I AM A JULIA ROBERTS FREAK. 709 00:34:19,325 --> 00:34:21,461 ANYWAYS, WITH WHATEVER HEAD PROBLEMS 710 00:34:21,494 --> 00:34:23,964 THE DOCTORS AND THE JUDGE CAN WORRY ABOUT, 711 00:34:23,997 --> 00:34:26,299 AND WHATEVER THE ACTUAL SEQUENCE WAS, 712 00:34:26,332 --> 00:34:29,469 YOU ADMIT IT WAS YOU INVOLVED WITH THIS GIRL. 713 00:34:29,503 --> 00:34:33,039 I�M GOING FOR IRRESPONSIBLE MONSTER COMES OUT AT NIGHT 714 00:34:33,073 --> 00:34:36,376 WITH NO CONNECTION TO THE ACTUAL MARCUS POTTER 715 00:34:36,409 --> 00:34:38,044 THAT WATCHES HIM 716 00:34:38,078 --> 00:34:40,714 LIKE A HELPLESS... 717 00:34:40,747 --> 00:34:42,916 EYEWITNESS. 718 00:34:44,785 --> 00:34:47,621 OKAY, MARCUS, WRITE IT LIKE THAT. 719 00:34:47,654 --> 00:34:50,056 LET ME ASK YOU GUYS SOMETHING ELSE. 720 00:34:50,090 --> 00:34:52,225 AND 18 MONTHS AGO OR 12 MONTHS AGO 721 00:34:52,258 --> 00:34:54,728 I WOULD TELL YOU IT WOULD BE A WASTE 722 00:34:54,761 --> 00:34:56,462 OF THE TAXPAYERS� MONEY. 723 00:34:58,532 --> 00:35:00,667 YOU THINK I COULD GET A DIVERSION PROGRAM? 724 00:35:17,450 --> 00:35:20,086 WELL, LUCIANO, ANNA HAS CONFESSED. 725 00:35:20,120 --> 00:35:21,622 ANNA? 726 00:35:21,655 --> 00:35:23,524 GRAB YOUR CHEST ALL YOU WANT. 727 00:35:23,557 --> 00:35:25,491 HIM AND ME BOTH SAW "SANFORD AND SON." 728 00:35:25,526 --> 00:35:27,160 WHO�S SANFORDSON? 729 00:35:27,193 --> 00:35:29,996 YOU CAN GO NOW, LUCIANO, IS WHAT WE�RE SAYING. 730 00:35:30,030 --> 00:35:31,998 BUT ANNA GOT TO STAY. 731 00:35:32,032 --> 00:35:35,101 YEAH, ANNA GOT TO STAY, JUST LIKE YOU SET IT UP. 732 00:35:35,135 --> 00:35:36,302 OH, NO. 733 00:35:36,336 --> 00:35:37,938 LUCIANO, LEAVE IT ALONE. 734 00:35:37,971 --> 00:35:40,440 SAY NO AGAIN, �CAUSE I WANT TO SEE YOU DO 735 00:35:40,473 --> 00:35:43,009 YOUR ENZIO PINZA IMPERSONATION WITHOUT YOUR TEETH. 736 00:35:43,043 --> 00:35:44,778 I, UH, 737 00:35:44,811 --> 00:35:47,313 I DON�T GET PERMISSION TO SEE ANNA? 738 00:35:47,347 --> 00:35:51,284 DO YOU GOT THE BALLS TO RISK HER TURNING ON YOU 739 00:35:51,317 --> 00:35:53,286 THIS LATE IN THE GAME? 740 00:35:53,319 --> 00:35:55,889 MAYBE ANOTHER TIME. 741 00:35:58,925 --> 00:36:02,328 ENZIO PINZA. 742 00:36:04,264 --> 00:36:07,233 SOME ENCHANTED EVENING 743 00:36:07,267 --> 00:36:11,071 YOU WILL SEE A STRANGER 744 00:36:11,104 --> 00:36:14,240 YOU�LL SEE A STRANGER 745 00:36:14,274 --> 00:36:18,078 ACROSS A CROWDED ROOM 746 00:36:29,455 --> 00:36:32,593 MAY I HELP YOU? 747 00:36:32,626 --> 00:36:34,761 I CAN�T GO TO THE MORGUE. 748 00:36:34,795 --> 00:36:37,831 I GOT A MESSAGE FROM THE MEDICAL EXAMINER TO GO, 749 00:36:37,864 --> 00:36:39,499 BUT I CAN�T. 750 00:36:39,533 --> 00:36:41,334 I BELIEVE YOU WERE TALKING 751 00:36:41,367 --> 00:36:44,671 WITH DETECTIVES RUSSELL AND KIRKENDALL BEFORE. 752 00:36:44,705 --> 00:36:46,940 THE MEDICAL EXAMINER WANTS ME 753 00:36:46,973 --> 00:36:51,244 TO IDENTIFY MY TWIN SISTER, BUT I CAN�T DO IT. 754 00:36:51,277 --> 00:36:54,180 I KNOW THAT UNDER CERTAIN CIRCUMSTANCES, 755 00:36:54,214 --> 00:36:57,283 THEY DO ALLOW OTHER THAN NEXT OF KIN. 756 00:36:57,317 --> 00:36:59,620 CAN THEY PLEASE ALLOW THAT? 757 00:36:59,653 --> 00:37:04,791 I�LL ABSOLUTELY RELAY YOUR REQUEST. 758 00:37:04,825 --> 00:37:06,459 AND RELEASE HER 759 00:37:06,492 --> 00:37:09,630 TO THE JONAS BROTHERS FUNERAL PARLOR. 760 00:37:13,166 --> 00:37:15,301 I�LL RELAY ALL THAT TO THE DETECTIVES. 761 00:37:15,335 --> 00:37:19,239 HAVE THEY ARRESTED ANYONE? 762 00:37:19,272 --> 00:37:22,475 FOR WHAT IT�S WORTH, I THINK THEY HAVE. 763 00:37:26,680 --> 00:37:29,182 I�M SO SORRY FOR YOUR LOSS. 764 00:37:30,951 --> 00:37:34,220 BEFORE YOU�RE READY TO DO SOMETHING WITH THAT BREAK, 765 00:37:34,254 --> 00:37:35,989 IT�S NO BREAK AT ALL. 766 00:37:36,022 --> 00:37:39,225 I FIGURED NOW YOU�D BE READY TO TAKE ADVANTAGE OF IT. 767 00:37:39,259 --> 00:37:42,228 MIGHT AS WELL GET YOUR FRONT TEETH PUNCHED OUT 768 00:37:42,262 --> 00:37:45,465 THAN GET YOUR BREAK BEFORE YOU�RE READY. 769 00:37:52,873 --> 00:37:54,407 WHAT�S THE MATTER? 770 00:37:54,440 --> 00:37:56,242 THAT�S MY BREAK. 771 00:37:56,276 --> 00:37:58,679 THAT�S HER OUT AT THE DESK. WHO? 772 00:37:58,712 --> 00:38:02,348 THE GIRL I KILLED. SHE�S ALIVE. 773 00:38:02,382 --> 00:38:03,917 MARCUS, 774 00:38:03,950 --> 00:38:06,186 THE DEAD GIRL HAS A TWIN. 775 00:38:06,219 --> 00:38:07,888 PROBABLY THAT�S HER. 776 00:38:13,894 --> 00:38:16,530 HE WANTS ME 777 00:38:16,563 --> 00:38:20,233 TO EARN MY FIRST MIRACLE. 778 00:38:31,244 --> 00:38:34,314 I HATE THAT CAGEY DAGO GETTING AWAY WITH IT. 779 00:38:41,922 --> 00:38:44,057 ANY POINT TO MY HOLDING OFF SIGNING YOUR 5s? 780 00:38:44,090 --> 00:38:45,225 NO. 781 00:38:45,258 --> 00:38:47,460 YOU DON�T FIGURE 12 HOURS IN A CELL 782 00:38:47,493 --> 00:38:49,462 MAY PERSUADE THE COUSIN THIS LUCIANO 783 00:38:49,495 --> 00:38:52,533 WHO PUT HER UP TO THE MURDER SHOULD GET LOCKED UP, TOO? 784 00:38:52,566 --> 00:38:53,867 NO. 785 00:38:53,900 --> 00:38:56,469 ACTUALLY, WHAT HARM COULD IT DO, ANDY, 786 00:38:56,503 --> 00:38:58,204 BOSS HOLDS OFF SIGNING? 787 00:38:58,238 --> 00:38:59,906 FINE, DON�T SIGN. 788 00:38:59,940 --> 00:39:01,407 ALL RIGHT. 789 00:39:01,441 --> 00:39:03,476 I�LL HOLD OFF. GOOD NIGHT. 790 00:39:03,510 --> 00:39:04,945 NIGHT, BOSS. 791 00:39:07,681 --> 00:39:10,817 SEE HOW HE AVOIDED THAT VITAMIN SUBJECT? 792 00:39:10,851 --> 00:39:12,418 LIKE THE PLAGUE. 793 00:39:15,756 --> 00:39:17,057 ANTHONY, RIGHT? 794 00:39:17,090 --> 00:39:19,492 CORRECT. YOU GUYS WANT TO BUY CHOCOLATES. 795 00:39:19,526 --> 00:39:20,727 NO, WE DON�T. 796 00:39:20,761 --> 00:39:22,495 SURE, YOU DO ?? $500 WORTH, 797 00:39:22,529 --> 00:39:25,065 �CAUSE YOU�RE NOT DEALING WITH NO RAT, 798 00:39:25,098 --> 00:39:27,601 AND THAT�S HOW I�M GOING TO TRANSACT. 799 00:39:27,634 --> 00:39:30,771 IT WAS ANNA, HUH, WITH LUCIANO EGGING HER ON? 800 00:39:30,804 --> 00:39:32,238 SAKE OF DISCUSSION. 801 00:39:32,272 --> 00:39:34,440 YOU GOT THIS ON LUCIANO, RIGHT? 802 00:39:34,474 --> 00:39:36,442 WHAT DO YOU GOT, BIG MOUTH? 803 00:39:36,476 --> 00:39:40,280 I GOT PLAIN, PECAN, AND WHITE. 804 00:39:40,313 --> 00:39:43,283 SOLD, DEPENDING. 805 00:39:43,316 --> 00:39:46,620 POISONED HIS FIRST WIFE IN NAPLES FIVE YEARS AGO ?? 806 00:39:46,653 --> 00:39:50,957 SLOW?ACTING ARSENIC, EVERY DAY IN HER PASTACCINI. 807 00:39:50,991 --> 00:39:52,258 WHICH YOU KNOW HOW? 808 00:39:52,292 --> 00:39:54,027 HE TOLD THERESA THE MAID, 809 00:39:54,060 --> 00:39:56,797 MAKING HIMSELF CREDIBLE THAT MARY WAS GOING TO DIE. 810 00:39:56,830 --> 00:39:59,465 AND THERESA THE MAID TOLD YOU? 811 00:39:59,499 --> 00:40:01,635 SHE�S IN A TORMENT OF CONSCIENCE 812 00:40:01,668 --> 00:40:04,638 THAT THE PRIEST DIDN�T GIVE HER NO RELIEF FROM. 813 00:40:04,671 --> 00:40:07,641 I AM HER TRUE CONFESSOR. 814 00:40:07,674 --> 00:40:10,644 HEY, LET THEM DIG THE BODY UP IN NAPLES, 815 00:40:10,677 --> 00:40:14,114 AND THEN YOU�LL SEE I�M TELLING THE TRUTH. 816 00:40:14,147 --> 00:40:17,818 LOCKING A GUY UP IS LOCKING A GUY UP, ANDY, 817 00:40:17,851 --> 00:40:19,886 EVEN IN AN ALIEN JURISDICTION. 818 00:40:19,920 --> 00:40:24,157 PLUS HE�S TAKING THERESA BACK TO NAPLES, THE MORON, 819 00:40:24,190 --> 00:40:27,327 EXTRADITING HIMSELF BACK TO THE COUNTRY OF HIS CRIME. 820 00:40:27,360 --> 00:40:29,630 HOW THE HELL OLD ARE YOU? 821 00:40:29,663 --> 00:40:33,567 [ Sighs ] I�M SICK OF PEOPLE ASKING ME THAT TODAY. 822 00:40:33,600 --> 00:40:37,337 27 YEARS OF AGE, AS GOD MADE ME. 823 00:40:53,453 --> 00:40:55,421 YOU GOT NO ALMONDS? 824 00:40:55,455 --> 00:40:57,357 MY BOY LIKES CHOCOLATE ALMONDS. 825 00:40:57,390 --> 00:40:59,325 CHOCOLATE ALMONDS I CAN GET. 826 00:40:59,359 --> 00:41:03,496 CHOCOLATE MARSHMALLOWS, PLUS... 827 00:41:03,530 --> 00:41:06,533 ORIGINAL METS MEMORABILIA. 828 00:41:06,567 --> 00:41:09,302 YOU LIKE MARV THORNBERRY? 829 00:41:17,143 --> 00:41:19,212 UNDERSTAND ME ON THIS, BALDWIN. 830 00:41:19,245 --> 00:41:21,682 FOND AS I AM OF YOU, 831 00:41:21,715 --> 00:41:24,851 GOOD AS WE GET ALONG, 832 00:41:24,885 --> 00:41:28,221 THE SLIGHTEST WHIFF OF PRACTICAL JOKING, 833 00:41:28,254 --> 00:41:30,323 AND OUR PARTNERSHIP IS HISTORY. 834 00:41:30,356 --> 00:41:33,059 I HEAR YOU, GREG. 835 00:41:33,093 --> 00:41:38,732 THE PRACTICAL JOKE IS THE BANE OF CIVILIZED MAN. 836 00:41:38,765 --> 00:41:41,702 AS FAR AS ANDY SLAMMING HIS HAND ON THE STALL DOOR, 837 00:41:41,735 --> 00:41:44,805 I GUESS NO WAY YOU COULD SAY HE WAS WORKING ON THE CASE. 838 00:41:44,838 --> 00:41:47,974 WITH A PRACTICAL JOKE COMPONENT FOLDED IN. 839 00:41:48,008 --> 00:41:50,076 AND WOULD YOU LIKE ME TO RELATE TO YOU 840 00:41:50,110 --> 00:41:52,412 INCIDENTS OF PURE PRACTICAL JOKING 841 00:41:52,445 --> 00:41:55,749 ON ANDY�S PART THAT COULD OCCUPY OUR ENTIRE JOG? 842 00:41:55,782 --> 00:41:58,752 HOW MUCH WEIGHT HAVE YOU LOST? 843 00:41:58,785 --> 00:42:01,354 3 3/4 POUNDS. 844 00:42:01,387 --> 00:42:04,090 WHY? 845 00:42:04,124 --> 00:42:06,593 IT�S SHOWING. 846 00:42:06,627 --> 00:42:08,428 IT�S PAYING OFF. 847 00:42:08,461 --> 00:42:11,598 YOU KNOW WHAT? 848 00:42:11,632 --> 00:42:13,934 DO ME A FAVOR. 849 00:42:13,967 --> 00:42:17,437 LET�S NOT DISCUSS PRACTICAL JOKING 850 00:42:17,470 --> 00:42:19,573 OR ITS RAMIFICATIONS 851 00:42:19,606 --> 00:42:21,274 THE ENTIRE RUN. 852 00:42:21,324 --> 00:42:25,874 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 59886

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