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1
00:00:31,798 --> 00:00:34,100
WHAT DO YOU GOT?
I CAN SEE SOME BLOOD IN THE BACK SEAT,
2
00:00:34,134 --> 00:00:35,669
AND THERE�S
A WOMAN�S SHOE.
3
00:00:35,702 --> 00:00:38,271
THIS GIRL REPORTS HER SISTER
MISSING AN HOUR AGO,
4
00:00:38,304 --> 00:00:40,774
WE PUT AN ALARM OUT
ON THE CAR.
5
00:00:40,807 --> 00:00:42,943
I JUST FINISHED TAGGING
THE CAR WHEN I HEARD.
6
00:00:42,976 --> 00:00:45,111
ALL RIGHT.
LET ME OPEN THE TRUNK.
7
00:00:45,145 --> 00:00:47,514
IF SHE�S SAFE,
NOTHING ELSE BOTHERS ME.
8
00:00:47,548 --> 00:00:49,249
I�D FEEL THE SAME WAY.
9
00:00:50,817 --> 00:00:53,620
WE DON�T KEEP
ANYTHING IN THE TRUNK.
10
00:00:53,654 --> 00:00:55,622
JUST A JACK FOR FLATS?
11
00:00:55,656 --> 00:00:57,423
THAT�S ALL WE KEEP.
12
00:00:58,458 --> 00:01:00,594
[ Gasps ] WHAT�S IN THERE?
13
00:01:02,996 --> 00:01:04,965
WHAT�S IN THERE?
WHAT�S IN THERE?
14
00:01:04,998 --> 00:01:07,601
IS THERE ANYTHING
BESIDE THE JACK?
15
00:01:07,634 --> 00:01:10,470
[ SIREN WAILING ]
16
00:01:10,504 --> 00:01:15,108
IS THERE ANYTHING
IN THERE? [ Sobbing ]
17
00:02:42,596 --> 00:02:47,233
D.O.A.�s MARY GENOVA.
SHE�S IN THE BACK BEDROOM.
18
00:02:47,267 --> 00:02:48,368
WHO ARE THESE TWO?
19
00:02:48,401 --> 00:02:50,704
COUSIN OF THE D.O.A.
THAT LIVES HERE.
20
00:02:50,737 --> 00:02:53,039
SHE SAID THE D. O. A.�s HUSBAND
FOUND THE BODY.
21
00:02:53,073 --> 00:02:54,508
SITTING NEXT TO HER.
22
00:02:54,541 --> 00:02:57,778
LUCIANO BACA, AND HER NAME
IS ANNABELLE CITO.
23
00:02:59,680 --> 00:03:02,082
LUCIANO BACA?
24
00:03:02,115 --> 00:03:03,984
YES, I�M LUCIANO.
25
00:03:04,017 --> 00:03:05,251
NEW YORK CITY DETECTIVES.
26
00:03:05,285 --> 00:03:08,054
GOOD, GOOD, GOOD. THIS IS
MY WIFE�S COUSIN ANNA.
27
00:03:08,088 --> 00:03:09,556
HOW DO YOU DO?
28
00:03:09,590 --> 00:03:11,024
I�M DANNY SORENSON.
29
00:03:11,057 --> 00:03:12,759
THIS IS MY PARTNER
ANDY SIPOWICZ.
30
00:03:12,793 --> 00:03:13,927
SORRY FOR YOUR LOSS.
31
00:03:13,960 --> 00:03:15,562
POOR MARY.
32
00:03:15,596 --> 00:03:18,064
YOU HAVE ANY IDEA
WHAT HAPPENED TO YOUR WIFE?
33
00:03:18,098 --> 00:03:22,268
I DON�T SEE HER
SINCE 9:00 LAST NIGHT.
34
00:03:22,302 --> 00:03:24,605
I COME TO SAY GOOD MORNING,
I FIND HER LIKE THIS,
35
00:03:24,638 --> 00:03:26,840
AND THE WILL ALL TORN UP.
36
00:03:26,873 --> 00:03:30,944
MARY�S WILL NAMING HER SON
FRANK AS THE BENEFICIARY.
37
00:03:30,977 --> 00:03:32,445
OH, DEAR ME.
38
00:03:32,478 --> 00:03:34,948
I HOPE IT�S NOT FRANK
WHO DID THIS.
39
00:03:34,981 --> 00:03:38,451
DID ANYONE HEAR OR SEE
FRANK COME IN LAST NIGHT?
40
00:03:38,484 --> 00:03:40,787
I�M IN MY ROOM,
LOOK AT THE TV.
41
00:03:40,821 --> 00:03:43,724
YOU DON�T SLEEP IN THE SAME
ROOM WITH YOUR WIFE?
42
00:03:43,757 --> 00:03:46,459
SHE KEEP ME
IN A DIFFERENT ROOM.
43
00:03:46,492 --> 00:03:47,628
WHERE WERE YOU?
44
00:03:47,661 --> 00:03:49,963
OH, I WAS
IN MY ROOM ALSO.
45
00:03:49,996 --> 00:03:51,131
DIFFERENT FROM LUCIANO�S.
46
00:03:51,164 --> 00:03:52,833
WE ARE COUSINS.
47
00:03:56,670 --> 00:03:57,804
CANVAS, DANNY?
48
00:03:57,838 --> 00:04:00,473
YEAH, PLEASE, GREG.
ANYTHING AFTER 9:00.
49
00:04:00,507 --> 00:04:02,142
WELL, EXCUSE US.
50
00:04:02,175 --> 00:04:04,911
WE�RE GOING TO GO LOOK
BACK IN THE OTHER ROOM.
51
00:04:04,945 --> 00:04:06,913
I HOPE IT�S NOT FRANK.
52
00:04:06,947 --> 00:04:09,650
OH, STAY CALM.
STAY CALM, LUCIANO.
53
00:04:09,683 --> 00:04:11,785
SHE TEAR UP THE WILL.
54
00:04:11,818 --> 00:04:12,986
MURDER, HUH?
55
00:04:13,019 --> 00:04:15,155
THE DOC CAME DOWN
FOR MARY.
56
00:04:15,188 --> 00:04:17,991
HOW DO YOU KNOW
SHE�S DEAD?
57
00:04:18,024 --> 00:04:20,661
WHAT AM I SUPPOSED TO THINK,
THERE�S A RAFFLE GOING ON?
58
00:04:20,694 --> 00:04:21,628
WHAT�S YOUR NAME?
59
00:04:21,662 --> 00:04:23,630
ANTHONY. WHO DO YOU SUSPECT?
60
00:04:23,664 --> 00:04:26,432
WE JUST STARTED LOOKING
INTO THINGS, ANTHONY.
61
00:04:26,466 --> 00:04:28,802
THERE�S A SON
SHE DOESN�T SPEAK TO,
62
00:04:28,835 --> 00:04:30,837
AND HER HUSBAND ??
ANYTHING THAT MOVES,
63
00:04:30,871 --> 00:04:33,674
STARTING WITH THE COUSIN
THAT LIVES THERE.
64
00:04:33,707 --> 00:04:34,908
HOW OLD ARE YOU?
65
00:04:34,941 --> 00:04:37,110
HOW OLD DO YOU
WANT ME TO BE?
66
00:04:37,143 --> 00:04:38,912
YOU WANT TO COME INSIDE
WITH US?
67
00:04:38,945 --> 00:04:41,682
I�D LIKE TO BREAK MY CHERRY
SEEING THIS WOMAN�S APARTMENT
68
00:04:41,715 --> 00:04:44,450
I�VE LIVED ACROSS THE HALL FROM
FOR OVER 17 YEARS.
69
00:04:44,484 --> 00:04:47,020
SO WE KNOW
YOU�RE AT LEAST 17.
70
00:04:47,053 --> 00:04:49,222
SHERLOCK FRIGGIN� HOLMES.
71
00:04:50,223 --> 00:04:53,527
COME ON.
LET ME GET A LOOK.
72
00:04:53,560 --> 00:04:56,362
DOESN�T HAVE TO
BE THE D. O. A.
73
00:04:56,396 --> 00:04:58,865
GETTING PISSED OFF
AND TEARING UP THE WILL.
74
00:04:58,899 --> 00:05:01,201
SOMEONE DON�T WANT
THE KID GETTING THE MONEY
75
00:05:01,234 --> 00:05:03,036
KILLS HER
AND TEARS THE WILL UP.
76
00:05:03,069 --> 00:05:05,005
IT�S THE SON
OR THE GOOFY GUY.
77
00:05:06,507 --> 00:05:09,610
SHE HAD NICE STUFF, THE OLD
WICKED WITCH OF THE WEST.
78
00:05:09,643 --> 00:05:12,813
OH, ANTHONY, AT LAST YOU GET
TO SEE MARY�S PLACE, EH?
79
00:05:12,846 --> 00:05:14,781
BETTER LATE THAN NEVER.
80
00:05:14,815 --> 00:05:17,718
GO AHEAD, GO AHEAD.
YOU WANT TO LOOK AROUND?
81
00:05:17,751 --> 00:05:20,386
DON�T MIND IF I DO.
82
00:05:20,420 --> 00:05:23,389
WE�RE GOING TO NEED
THE BOTH OF YOU TO COME IN.
83
00:05:23,423 --> 00:05:24,991
YEAH, ALL RIGHT.
84
00:05:25,025 --> 00:05:26,893
I�LL PUT ON SOME CLOTHES.
85
00:05:26,927 --> 00:05:28,929
I�LL GO THE WAY I AM.
86
00:05:31,364 --> 00:05:34,367
WHAT�S GOING ON
WITH HIM?
87
00:05:34,400 --> 00:05:37,103
THAT�S A NEIGHBOR
THAT�S AT LEAST 17.
88
00:05:40,674 --> 00:05:44,077
I TRIED SELLING HER CHOCOLATES
FIRST IN 1974.
89
00:05:44,110 --> 00:05:46,046
IS THAT SO?
90
00:05:46,079 --> 00:05:48,815
SHE DID EVERYTHING
BUT SPIT IN MY EYE.
91
00:05:48,849 --> 00:05:51,685
HE HAD TO BE AT LEAST 4.
THAT MAKES HIM 30 MINIMUM.
92
00:05:51,718 --> 00:05:53,654
SO YOU DISLIKED
THIS WOMAN.
93
00:05:53,687 --> 00:05:54,988
WITH A PASSION.
94
00:05:55,021 --> 00:05:57,190
WHERE WERE YOU
LAST NIGHT?
95
00:05:57,223 --> 00:06:00,393
WHERE WAS I? WHAT ARE YOU,
A MORON FOR ASKING THAT?
96
00:06:00,426 --> 00:06:02,395
THAT�S NOT
A DIRECT ANSWER.
97
00:06:02,428 --> 00:06:04,731
I WAS IN MY APARTMENT
WITH MY COUSIN FREDDY,
98
00:06:04,765 --> 00:06:07,568
OF WHICH, WHEN HE COMES TO,
HE�LL BACK ME UP.
99
00:06:08,702 --> 00:06:10,871
ANDY.
100
00:06:25,986 --> 00:06:27,788
MY NAME�S FRANK GENOVA.
101
00:06:27,821 --> 00:06:31,057
I JUST GOT A MESSAGE
SOMEONE KILLED MY MOTHER.
102
00:06:31,091 --> 00:06:34,427
WE CAN TALK IN HERE.
103
00:06:40,300 --> 00:06:42,736
I�M NOT FULLY CURRENT
ON THE CASE�S PARTICULARS.
104
00:06:42,769 --> 00:06:44,738
YEAH, I DON�T CARE.
105
00:06:44,771 --> 00:06:47,641
UM, COFFEE?
106
00:06:47,674 --> 00:06:48,942
I�M A VITAMIN DISTRIBUTOR.
107
00:06:48,975 --> 00:06:51,945
THE LAST TWO DAYS, I WAS
IN TARRYTOWN, NEW YORK,
108
00:06:51,978 --> 00:06:53,614
AT THE VITAWONDER
REGIONAL SUMMIT.
109
00:06:53,647 --> 00:06:55,281
DOZENS OF PEOPLE SAW ME.
110
00:06:55,315 --> 00:06:57,984
I SLEPT WITH SUZANNE JORDAN
AND DAPHNE SAMSON
111
00:06:58,018 --> 00:07:00,086
AND DROVE BACK WITH THEM
THIS MORNING.
112
00:07:00,120 --> 00:07:01,922
ESTABLISHING
YOUR WHEREABOUTS TO INDICATE
113
00:07:01,955 --> 00:07:04,057
YOU WEREN�T INVOLVED
WITH YOUR MOTHER�S DEATH.
114
00:07:04,090 --> 00:07:06,459
THAT�S WHAT
I�M ESTABLISHING.
115
00:07:06,492 --> 00:07:09,295
YOU HAVE ANY IDEA WHO MIGHT
HAVE BEEN RESPONSIBLE?
116
00:07:09,329 --> 00:07:12,265
PERSONALLY AND BUSINESS?WISE,
MY MOTHER WAS A BITCH.
117
00:07:12,298 --> 00:07:15,669
I HOPE IT WASN�T THAT HANDYMAN
SHE MARRIED. HE SEEMED NICE.
118
00:07:15,702 --> 00:07:17,470
AND HIS NAME?
119
00:07:17,504 --> 00:07:18,772
LUCIANO.
120
00:07:18,805 --> 00:07:21,775
KEPT CALLING ME, TRYING
TO GET US BACK TOGETHER.
121
00:07:21,808 --> 00:07:24,244
HERE�S MY BUSINESS NUMBER.
122
00:07:24,277 --> 00:07:27,681
MY WIFE ACTUALLY WAS
A DISTRIBUTOR FOR VITAWONDER
123
00:07:27,714 --> 00:07:29,516
A FEW YEARS AGO.
124
00:07:29,550 --> 00:07:31,084
SHE WOUND UP FEELING
125
00:07:31,117 --> 00:07:33,587
IT WAS SORT OF
LIKE A PYRAMID SCHEME.
126
00:07:33,620 --> 00:07:36,022
YOU CAN TELL HER
THAT THE INTERNET
127
00:07:36,056 --> 00:07:38,525
IS PUTTING MULTI?TIERED
MARKETING IN THE TOILET.
128
00:07:45,899 --> 00:07:47,267
FRANK.
129
00:07:47,300 --> 00:07:48,434
OH.
130
00:07:48,468 --> 00:07:49,670
HI, LUCIANO.
131
00:07:52,472 --> 00:07:53,774
[ SPEAKS ITALIAN ]
132
00:07:53,807 --> 00:07:55,876
FRANK ??
THIS IS MARY�S SON.
133
00:07:55,909 --> 00:07:58,879
HEY, YOU TALK
TO SOMEONE UPSTAIRS, FRANK?
134
00:07:58,912 --> 00:08:00,514
YEAH, I LEFT MY CARD.
135
00:08:00,547 --> 00:08:01,715
THANK YOU.
136
00:08:01,748 --> 00:08:03,717
LET GO OF HIM.
137
00:08:03,750 --> 00:08:04,718
SURE, SURE.
138
00:08:04,751 --> 00:08:07,053
SORRY FOR YOUR LOSS.
139
00:08:07,087 --> 00:08:08,388
WHERE WE GO NOW?
140
00:08:08,421 --> 00:08:10,691
LET�S GET YOU
DISTRIBUTED.
141
00:08:12,425 --> 00:08:13,894
Anna: I NEED TEA.
142
00:08:13,927 --> 00:08:16,730
I�LL GET YOU DISTRIBUTED,
AND THEN I WILL BRING TEA.
143
00:08:16,763 --> 00:08:18,231
NOTHING TO DRINK,
144
00:08:18,264 --> 00:08:22,068
BUT PRETTY SOON,
I�VE GOT A CRAP COMING ON.
145
00:08:22,102 --> 00:08:23,537
ALL RIGHT, GOOD.
146
00:08:23,570 --> 00:08:25,338
LUCIANO, ANNA.
147
00:08:29,743 --> 00:08:31,812
WHO TALKED
TO THE D. O. A.�s SON?
148
00:08:31,845 --> 00:08:34,247
ME. HE DIDN�T DO IT.
149
00:08:34,280 --> 00:08:35,381
HE DIDN�T.
150
00:08:35,415 --> 00:08:38,852
HE WAS BANGING TWO WOMEN
IN TARRYTOWN ??
151
00:08:38,885 --> 00:08:40,687
A SUZANNE AND DAPHNE.
152
00:08:40,721 --> 00:08:43,189
IF THE SON�S
OUT OF THE PICTURE,
153
00:08:43,223 --> 00:08:44,691
WE�LL WANT TO LOOK
154
00:08:44,725 --> 00:08:46,760
AT THE D. O. A.�s
HUSBAND NEXT.
155
00:08:46,793 --> 00:08:49,563
SHE OWNED SOME PROPERTY.
156
00:08:49,596 --> 00:08:51,998
HER HUSBAND�S A PAISAN
WHO WAS ALSO HER HANDYMAN,
157
00:08:52,032 --> 00:08:53,099
SO HE COULD HAVE
WANTED HER DOUGH.
158
00:08:53,133 --> 00:08:56,102
THERE�S ALSO
A POOR?RELATION COUSIN
159
00:08:56,136 --> 00:08:57,938
THAT LIVES WITH THEM
THAT A JUG?EARED
160
00:08:57,971 --> 00:09:00,440
PAIN?IN?THE?BALLS MIDGET
THAT LIVES NEXT DOOR
161
00:09:00,473 --> 00:09:03,276
WAS INFERRING THE PAISAN
HANDYMAN WAS PUTTING IT TO.
162
00:09:03,309 --> 00:09:05,946
WE GOT THE HUSBAND
AND THE COUSIN TO TALK TO.
163
00:09:05,979 --> 00:09:07,013
OKAY.
164
00:09:07,047 --> 00:09:09,516
VITAWONDER.
165
00:09:09,550 --> 00:09:12,118
THAT�S A CONVENTION
THE SON WAS AT IN TARRYTOWN.
166
00:09:12,152 --> 00:09:15,288
WEREN�T THOSE THE VITAMINS
YOUR WIFE WAS SELLING
167
00:09:15,321 --> 00:09:16,790
THAT MADE MEDAVOY SICK?
168
00:09:16,823 --> 00:09:19,626
THEY DIDN�T. THAT TURNED OUT
TO BE FOOD POISONING.
169
00:09:19,660 --> 00:09:21,394
THEN WHAT WAS
THAT BIG FLARE?UP
170
00:09:21,427 --> 00:09:22,763
ABOUT THEM VITAMINS?
171
00:09:22,796 --> 00:09:24,598
THAT WAS YOU
TAKING UMBRAGE
172
00:09:24,631 --> 00:09:26,700
WHEN I WOULDN�T
SELL THEM TO YOU.
173
00:09:26,733 --> 00:09:29,903
YEAH. WHAT WAS THAT ABOUT?
174
00:09:29,936 --> 00:09:31,404
I JUST GOT UNCOMFORTABLE
175
00:09:31,437 --> 00:09:33,907
PUTTING MEN ON MY SQUAD
IN THAT POSITION.
176
00:09:33,940 --> 00:09:36,242
NO, BUT THAT RELUCTANCE
CAME UP SPECIFICALLY
177
00:09:36,276 --> 00:09:38,645
WHEN I TRIED
TO BUY THEM VITAMINS.
178
00:09:38,679 --> 00:09:41,047
ANYWAYS, THAT WAS
FIVE OR SIX YEARS AGO.
179
00:09:41,081 --> 00:09:42,382
I REMEMBER THAT NOW.
180
00:09:42,415 --> 00:09:45,451
KEEP THE FILTER
FOR YOUR 5s.
181
00:09:45,485 --> 00:09:50,090
I REMEMBER THAT VITAWONDER.
182
00:09:55,261 --> 00:09:57,230
YOU CAN CROSS
THAT FRANK OFF.
183
00:09:57,263 --> 00:09:59,733
OH, PERISH WE CATCH
A GROUND BALL.
184
00:09:59,766 --> 00:10:02,736
HE WAS AT ONE OF THEM
PYRAMID SCHEME PEP RALLIES
185
00:10:02,769 --> 00:10:04,237
UP IN TARRYTOWN.
186
00:10:04,270 --> 00:10:06,573
NO FORCED ENTRY,
NO SIGN OF STRUGGLE.
187
00:10:06,607 --> 00:10:09,075
IT ARGUES AGAINST HIM
CONTRACTING THE HIT.
188
00:10:09,109 --> 00:10:12,245
IF THAT WAS A CONTRACT,
I WANT TO HIRE THE HITTER.
189
00:10:12,278 --> 00:10:14,447
SO PROBABLY WE LOOK
AT THE HUSBAND.
190
00:10:14,480 --> 00:10:16,783
PROBABLY WE SHOULD TALK
TO THAT COUSIN FIRST,
191
00:10:16,817 --> 00:10:19,152
SEE IF HER AND LUCIANO
WERE CARRYING ON.
192
00:10:19,185 --> 00:10:21,487
I KNOW YOU�LL HATE
TO MAKE THAT MIDGET RIGHT.
193
00:10:21,522 --> 00:10:25,491
YOU KNOW THEM ??
THEM VITAWONDER VITAMINS?
194
00:10:25,526 --> 00:10:26,793
NO.
195
00:10:26,827 --> 00:10:28,629
FANCY USED TO SELL THEM.
196
00:10:28,662 --> 00:10:29,996
ARE THEY GOOD?
197
00:10:30,030 --> 00:10:32,533
MEDAVOY THOUGHT HE POISONED
HIMSELF WITH THEM,
198
00:10:32,566 --> 00:10:34,868
BUT THAT TURNED OUT
TO BE CLAMS.
199
00:10:34,901 --> 00:10:38,705
NO, BUT I GOT INTO SOME
BACK?AND?FORTH WITH FANCY
200
00:10:38,739 --> 00:10:41,207
OVER HIM REFUSING
TO SELL THEM TO ME.
201
00:10:41,241 --> 00:10:43,544
WHY DID HE REFUSE
TO SELL THEM TO YOU?
202
00:10:43,577 --> 00:10:46,379
HE SAID HE DIDN�T WANT
TO PUT ME IN A POSITION.
203
00:10:46,412 --> 00:10:49,149
THAT IS A SIDE OF HIM
YOU HAVEN�T SEEN YET.
204
00:10:50,751 --> 00:10:52,719
UH, ANDY,
WHO�S SUZANNE AND DAPHNE?
205
00:10:52,753 --> 00:10:54,721
I KNOW WHO THEY ARE.
206
00:10:54,755 --> 00:10:57,490
JUST KEEP THE FILTER
FOR THE 5s.
207
00:10:57,524 --> 00:10:59,860
[ KNOCK ON DOOR ]
208
00:10:59,893 --> 00:11:01,227
THINGS WENT BAD?
209
00:11:01,261 --> 00:11:03,229
WHAT A NIGHTMARE.
210
00:11:03,263 --> 00:11:05,666
THIS GIRL COMES IN TO REPORT
HER SISTER MISSING.
211
00:11:05,699 --> 00:11:08,068
WE PUT AN ALARM OUT
ON THE CAR.
212
00:11:08,101 --> 00:11:09,903
WE�RE DROPPING
THE GIRL HOME.
213
00:11:09,936 --> 00:11:11,404
WE HEAR A CALL.
214
00:11:11,437 --> 00:11:13,740
THE CAR�S BEEN FOUND
OVER THE 59th STREET BRIDGE.
215
00:11:13,774 --> 00:11:16,076
OPEN THE TRUNK, THIS GIRL�S
SISTER�S IN THERE DEAD ??
216
00:11:16,109 --> 00:11:17,578
SHOT AND SEXUALLY ASSAULTED.
217
00:11:17,611 --> 00:11:18,879
THIS IS HER TWIN.
218
00:11:18,912 --> 00:11:21,247
CRIME SCENE
GIVE YOU ANYTHING?
219
00:11:21,281 --> 00:11:23,917
THEY GOT ONE PRINT OFF
THE OUTSIDE OF THE TRUNK.
220
00:11:23,950 --> 00:11:25,752
COMES BACK
TO A MARCUS POTTER.
221
00:11:25,786 --> 00:11:28,254
ONE COLLAR FOR STEALING
A CAR, THREE FOR CRACK.
222
00:11:28,288 --> 00:11:31,324
THE PRINT IS NOT GOING
TO GET YOU TO BAT.
223
00:11:31,357 --> 00:11:33,527
A ZILLION WAYS A LAWYER
COULD EXPLAIN IT.
224
00:11:33,560 --> 00:11:36,262
LET�S HOPE MARCUS
ISN�T A LAWYER.
225
00:11:57,250 --> 00:11:59,119
MARCUS POTTER?
WHAT�S IT ABOUT?
226
00:11:59,152 --> 00:12:01,121
ABOUT WASTING
THE NEXT COUPLE OF HOURS.
227
00:12:01,154 --> 00:12:04,457
WHEN WAS THE LAST TIME YOU
WERE AT THE BISHOP CAR WASH?
228
00:12:04,490 --> 00:12:06,893
I NEVER WORKED AT A CAR WASH
IN MY LIFE.
229
00:12:06,927 --> 00:12:09,129
WERE YOU THERE RECENTLY
IN YOUR CAR?
230
00:12:09,162 --> 00:12:12,232
MY CAR IS PRESENTLY,
UH, REPOSSESSED.
231
00:12:12,265 --> 00:12:13,299
OH, MAN.
232
00:12:13,333 --> 00:12:15,769
WE GOT A GIRL PICKED YOU
OUT OF A MUG BOOK
233
00:12:15,802 --> 00:12:18,438
FOR GROPING HER
IN THE BISHOP CAR WASH.
234
00:12:18,471 --> 00:12:22,275
THAT�S ?? THAT�S TOTALLY,
LIKE, MISTAKEN IDENTITY.
235
00:12:22,308 --> 00:12:24,277
I NEVER GRABBED
NO ONE�S ASS.
236
00:12:24,310 --> 00:12:27,313
NO ASS ANYWHERE
THREE DAYS AGO?
237
00:12:27,347 --> 00:12:29,983
WHERE WAS I
THREE DAYS AGO?
238
00:12:31,785 --> 00:12:35,155
THREE DAYS AGO,
I WAS IN THE HOSPITAL.
239
00:12:35,188 --> 00:12:36,657
YOU GOT THE PAPERWORK?
240
00:12:36,690 --> 00:12:37,824
YEAH.
241
00:12:37,858 --> 00:12:39,292
PAPERWORK
WOULD SHUT THE BOSS UP.
242
00:12:39,325 --> 00:12:41,461
YOU WANT TO DO US
A SOLID?
243
00:12:41,494 --> 00:12:43,664
COME BACK WITH US,
BRING THE PAPERWORK,
244
00:12:43,697 --> 00:12:44,998
THIS THING IS OVER.
245
00:12:45,031 --> 00:12:48,001
I WAS GOING TO WATCH ONE
OF MY SHOWS RIGHT NOW.
246
00:12:48,034 --> 00:12:51,437
PRETTY PLEASE, MARCUS?
WE�LL BRING YOU RIGHT BACK.
247
00:12:51,471 --> 00:12:53,507
WE�LL MAKE THE BOSS
BRING HIM BACK.
248
00:12:53,540 --> 00:12:56,610
I?I GUESS I COULD
DO YOU A SOLID.
249
00:12:56,643 --> 00:12:58,512
YEAH. BANK A LITTLE LOVE.
250
00:12:58,545 --> 00:13:01,147
HA HA. I HEAR YOU.
251
00:13:03,984 --> 00:13:05,852
OH, UH, DON�T FORGET
THAT PAPERWORK.
252
00:13:05,886 --> 00:13:07,320
YEAH, YEAH.
253
00:13:26,740 --> 00:13:29,543
YOU KNOW,
IT DON�T LOOK
254
00:13:29,576 --> 00:13:31,645
LIKE MARY�S SON
DID IT, ANNA.
255
00:13:31,678 --> 00:13:32,879
NO?
256
00:13:32,913 --> 00:13:35,348
FRANKIE HAD
A PRETTY GOOD ALIBI.
257
00:13:36,750 --> 00:13:39,886
WELL, THEN,
I AM AT A LOSS.
258
00:13:39,920 --> 00:13:43,389
WELL, I THINK YOU KNOW
WHO WE�VE GOT TO LOOK AT NOW.
259
00:13:43,423 --> 00:13:45,659
WHO?
260
00:13:45,692 --> 00:13:47,961
AS MUCH REASON
AS FRANK WOULD HAVE HAD,
261
00:13:47,994 --> 00:13:49,295
LUCIANO WOULD HAVE HAD
262
00:13:49,329 --> 00:13:51,898
IF HE WAS IN LOVE
WITH SOMEBODY ELSE.
263
00:13:51,932 --> 00:13:53,667
WE�RE NOT SITTING HERE
IN JUDGMENT, ANNA.
264
00:13:53,700 --> 00:13:54,801
WE�RE JUST TRYING
TO FIGURE OUT
265
00:13:54,835 --> 00:13:56,402
WHY SOMEONE
MIGHT HAVE DONE SOMETHING.
266
00:13:56,436 --> 00:13:59,973
I CAN�T HELP YOU.
267
00:14:00,006 --> 00:14:01,575
WAS LUCIANO
IN LOVE WITH YOU?
268
00:14:01,608 --> 00:14:03,977
I DON�T KNOW
WHAT HE WAS.
269
00:14:04,010 --> 00:14:07,347
THE NEIGHBORS SAY LUCIANO DIDN�T
SEEM AS HAPPY AROUND MARY
270
00:14:07,380 --> 00:14:09,349
AS HE DID AROUND YOU.
271
00:14:09,382 --> 00:14:12,252
DID THEY TELL YOU ANYONE
SEEMED HAPPY AROUND MARY?
272
00:14:12,285 --> 00:14:14,254
YEAH. NOBODY LIKED HER.
273
00:14:14,287 --> 00:14:16,356
DID THEY TELL YOU
SHE HAD LUCIANO ARRESTED
274
00:14:16,389 --> 00:14:18,424
FOR USING HER TOOLS
ON SOMEBODY ELSE�S PATIO?
275
00:14:18,458 --> 00:14:20,260
WE HEARD THAT STORY.
276
00:14:20,293 --> 00:14:23,530
WAS HE IN LOVE WITH YOU?
DID HE EVER SAY ANYTHING
277
00:14:23,564 --> 00:14:26,266
ABOUT WANTING MARY
OUT OF THE PICTURE?
278
00:14:26,299 --> 00:14:28,835
I�M NOT TALKING
ABOUT IT.
279
00:14:28,869 --> 00:14:30,937
WE COULD TAKE THAT
AS YOU BEING PART OF IT.
280
00:14:30,971 --> 00:14:33,774
THEN TAKE IT LIKE THAT.
281
00:14:33,807 --> 00:14:36,810
I�M NOT RATTING OUT
LUCIANO.
282
00:14:43,884 --> 00:14:44,918
WAS IT FRANK?
283
00:14:44,951 --> 00:14:46,186
NO.
284
00:14:46,219 --> 00:14:48,288
NO.
285
00:14:48,321 --> 00:14:49,790
ARE YOU SURE?
286
00:14:49,823 --> 00:14:50,957
HEY, LUCIANO,
287
00:14:50,991 --> 00:14:53,727
YOU DON�T HAVE TO
ASK US IF WE�RE SURE.
288
00:14:53,760 --> 00:14:55,962
WE GET OUR FACTS RIGHT,
AND THEN WE PROCEED.
289
00:14:55,996 --> 00:14:56,963
YEAH.
290
00:14:56,997 --> 00:14:58,965
YEAH, FRANK WAS UPSTATE,
LUCIANO,
291
00:14:58,999 --> 00:15:01,802
WITH 200 OR 300 OTHER PEOPLE
TO CORROBORATE HIS WHEREABOUTS.
292
00:15:01,835 --> 00:15:03,970
WITH HIS VITAMINS, EH?
293
00:15:04,004 --> 00:15:06,206
YEAH, THE VITAMIN
FRANCHISE DISTRIBUTORSHIP.
294
00:15:06,239 --> 00:15:09,275
YES. NOT FRANK. NO, NO.
295
00:15:09,309 --> 00:15:12,445
SO NOW WE�RE ASKING
OURSELVES, LUCIANO,
296
00:15:12,478 --> 00:15:13,947
IF NOT FRANK, WHO?
297
00:15:13,980 --> 00:15:14,948
AH.
298
00:15:14,981 --> 00:15:16,950
WHO KILLED MARY?
299
00:15:16,983 --> 00:15:18,819
AH.
300
00:15:18,852 --> 00:15:19,986
I DON�T KNOW.
301
00:15:20,020 --> 00:15:22,422
IF MARY DIDN�T TEAR UP
HER NEW WILL
302
00:15:22,455 --> 00:15:24,157
MAKING FRANK
THE BENEFICIARY,
303
00:15:24,190 --> 00:15:27,994
WHO ELSE WOULD BENEFIT FROM
THE NEW WILL BEING TORN UP?
304
00:15:28,028 --> 00:15:30,463
WHO WAS GOING TO GET
MARY�S MONEY, IN OTHER WORDS?
305
00:15:30,496 --> 00:15:31,497
ME.
306
00:15:31,532 --> 00:15:32,666
YOU.
307
00:15:32,699 --> 00:15:34,400
OH, YES, YES, ME.
308
00:15:34,434 --> 00:15:35,969
SO YOU KILLED MARY.
309
00:15:36,002 --> 00:15:40,173
WELL, I GET THE MONEY,
MUST BE ME, HUH?
310
00:15:40,206 --> 00:15:41,575
PFFT.
311
00:15:41,608 --> 00:15:44,144
PLEASE.
312
00:15:44,177 --> 00:15:46,179
I NEED TO CRAP.
313
00:15:58,491 --> 00:15:59,860
GRAZIE. MILLE GRAZIE.
314
00:15:59,893 --> 00:16:02,362
YOU KNOW,
WHEN I GOT TO CRAP,
315
00:16:02,395 --> 00:16:05,999
MY BRAIN GOES AWAY.
316
00:16:06,032 --> 00:16:07,300
ALL RIGHT.
317
00:16:08,735 --> 00:16:11,371
You want to know
what I think?
318
00:16:11,404 --> 00:16:13,874
I think this guy�s
about as Italian
319
00:16:13,907 --> 00:16:15,375
as Chef Boyardee,
320
00:16:15,408 --> 00:16:17,878
and I�m about
to do something about it.
321
00:16:21,648 --> 00:16:24,117
HEY, UH, JOHN, THERE�S A GIRL
IN THE CATCHING AREA.
322
00:16:24,150 --> 00:16:26,452
UNDER NO CIRCUMSTANCES
PERMIT HER TO LEAVE
323
00:16:26,486 --> 00:16:27,888
UNTIL I�VE DEBRIEFED HER.
324
00:16:27,921 --> 00:16:29,656
SURE.
325
00:16:33,594 --> 00:16:37,898
The next words that
you hear cross his lips
326
00:16:37,931 --> 00:16:40,400
are not going to be
with an Italian accent,
327
00:16:40,433 --> 00:16:43,403
and you can take that
to the bank.
328
00:16:43,436 --> 00:16:45,471
EXCUSE ME, ANDY,
WOULD YOU?
329
00:16:45,506 --> 00:16:46,940
YEAH, GO AHEAD.
330
00:16:52,913 --> 00:16:54,881
THIS DETECTIVE
CAN HELP YOU.
331
00:16:54,915 --> 00:16:57,017
DETECTIVE,
THIS IS THERESA MANGANO,
332
00:16:57,050 --> 00:16:59,553
WHO�S A MAID
AT THE BACA RESIDENCE.
333
00:16:59,586 --> 00:17:00,887
MISS MANGANO.
334
00:17:00,921 --> 00:17:02,856
YES, SIR.
335
00:17:02,889 --> 00:17:06,026
WHEN MARY WAS MURDERED,
336
00:17:06,059 --> 00:17:08,695
LUCIANO WAS WITH ME.
337
00:17:13,700 --> 00:17:17,437
[ YELLING IN ITALIAN ]
338
00:17:17,470 --> 00:17:19,105
NEVER MIND. SIT DOWN.
339
00:17:19,139 --> 00:17:22,743
THAT�S LUCIANO.
ARE YOU BEATING HIM?
340
00:17:22,776 --> 00:17:25,278
NO, NO, NO.
341
00:17:25,311 --> 00:17:27,147
[ TOILET FLUSHES ]
342
00:17:32,152 --> 00:17:35,622
MEDAVOY, BRING THIS GUY OUT
WHEN HE�S DONE.
343
00:17:35,656 --> 00:17:38,391
OH, YEAH. SURE, ANDY.
ANYTHING FOR YOU.
344
00:17:38,424 --> 00:17:39,826
[ TOILET FLUSHES ]
345
00:17:43,597 --> 00:17:45,065
HELLO.
346
00:17:45,098 --> 00:17:46,499
HOW ARE YOU?
347
00:17:48,502 --> 00:17:50,604
UH, ANDY,
THIS IS THERESA,
348
00:17:50,637 --> 00:17:53,439
WHO�S A MAID
AT THE BACA RESIDENCE
349
00:17:53,473 --> 00:17:56,242
THAT SAYS LUCIANO
WAS WITH HER.
350
00:17:56,276 --> 00:17:58,745
HELLO.
351
00:17:58,779 --> 00:18:01,615
I WAS WITH LUCIANO.
352
00:18:01,648 --> 00:18:04,217
LUCIANO SAYS
HE WAS ALONE.
353
00:18:04,250 --> 00:18:06,219
NO. WITH ME,
354
00:18:06,252 --> 00:18:09,389
PROTECTING
MY REPUTATION.
355
00:18:09,422 --> 00:18:10,891
SAYING HE WAS ALONE
356
00:18:10,924 --> 00:18:12,826
WAS PROTECTING
YOUR REPUTATION.
357
00:18:12,859 --> 00:18:14,394
ANYWAY, THERESA,
358
00:18:14,427 --> 00:18:16,663
DO YOU KNOW ANYTHING
ABOUT MARY�S DEATH?
359
00:18:16,697 --> 00:18:18,932
NO. NOTHING ABOUT MARY.
360
00:18:18,965 --> 00:18:21,635
ALL RIGHT. WRITE DOWN
YOUR ADDRESS AND PHONE NUMBER.
361
00:18:23,436 --> 00:18:27,173
I GOT TO GO TALK
TO MY PRIEST.
362
00:18:27,207 --> 00:18:29,242
AHEM. ALL RIGHT.
APPRECIATE YOU COMING IN.
363
00:18:29,275 --> 00:18:32,445
IF WE NEED ANYTHING ELSE,
WE�LL BE IN TOUCH.
364
00:18:37,317 --> 00:18:40,286
WHAT, TAKE IT TO ANNA
LUCIANO WAS PLAYING AROUND?
365
00:18:40,320 --> 00:18:42,355
THIS IS A QUAGMIRE.
366
00:18:44,057 --> 00:18:46,192
CARE TO BE
MORE SPECIFIC
367
00:18:46,226 --> 00:18:48,361
WHERE YOU�D LIKE
THIS GENTLEMAN TAKEN?
368
00:18:48,394 --> 00:18:50,731
YEAH. TAKE THAT GENTLEMAN
INTO THE COFFEE ROOM.
369
00:18:54,367 --> 00:18:55,636
BA?BOOM. EH.
370
00:18:55,669 --> 00:18:56,903
EH.
371
00:18:58,739 --> 00:19:01,141
HE SOUNDED PRETTY ITALIAN
IN THERE.
372
00:19:01,174 --> 00:19:03,744
I�M STILL NOT CONVINCED.
373
00:19:11,251 --> 00:19:13,554
HERE�S YOUR PAPERWORK,
MARCUS.
374
00:19:13,587 --> 00:19:16,056
YOU SHOW YOUR BOSS
I WAS IN THE HOSPITAL
375
00:19:16,089 --> 00:19:18,024
BEHIND THESE HEMORRHOIDS?
376
00:19:18,058 --> 00:19:20,627
YEAH. YOU�RE CLEAR
FOR THREE DAYS AGO.
377
00:19:20,661 --> 00:19:22,896
TRUTH IS THOUGH,
MARCUS,
378
00:19:22,929 --> 00:19:24,998
THIS GIRL WAS GROPED
LAST NIGHT.
379
00:19:25,031 --> 00:19:27,000
OH. LAST NIGHT.
380
00:19:27,033 --> 00:19:29,503
LAST NIGHT
IN THE BISHOP CAR WASH,
381
00:19:29,536 --> 00:19:32,205
SOMEBODY GROPED THIS GIRL
THAT SHE SAYS WAS YOU.
382
00:19:32,238 --> 00:19:34,708
WELL, UH,
I STILL NEVER WORKED THERE,
383
00:19:34,741 --> 00:19:38,411
AND MY CAR
WAS STILL REPOSSESSED,
384
00:19:38,444 --> 00:19:41,081
SO I WASN�T EVEN GROPING
NO ONE.
385
00:19:41,114 --> 00:19:42,549
WRITE THAT.
386
00:19:42,583 --> 00:19:44,618
AND ACCOUNT
FOR YOUR TIME.
387
00:19:47,353 --> 00:19:48,822
IN OTHER WORDS,
388
00:19:48,855 --> 00:19:50,824
YOU GUYS SHOT ME
THROUGH THE GREASE
389
00:19:50,857 --> 00:19:52,526
TO GET ME IN HERE.
390
00:19:52,559 --> 00:19:54,661
MAYBE A LITTLE.
391
00:19:54,695 --> 00:19:56,029
ALL RIGHT.
392
00:19:56,062 --> 00:19:58,198
AS LONG AS WE STRAIGHT
WITH EACH OTHER.
393
00:19:58,231 --> 00:20:01,101
MIND IF WE BRING
A COUPLE OF OTHER DETECTIVES
394
00:20:01,134 --> 00:20:03,537
TO GO OVER YOUR STATEMENT
WITH US?
395
00:20:03,570 --> 00:20:05,038
OH, HELL, NO.
396
00:20:05,071 --> 00:20:08,566
THE TRUTH
IS MY PROTECTOR.
397
00:20:25,391 --> 00:20:28,428
I HAVEN�T WROTE THAT MUCH
SINCE HIGH SCHOOL.
398
00:20:28,461 --> 00:20:30,463
IS THAT RIGHT?
399
00:20:30,496 --> 00:20:33,066
I?I DON�T EVEN KNOW
IF I WROTE THAT MUCH
400
00:20:33,099 --> 00:20:35,569
WHEN I WAS IN HIGH SCHOOL,
YOU KNOW WHAT I�M SAYING?
401
00:20:35,602 --> 00:20:37,203
OH, YEAH?
402
00:20:37,237 --> 00:20:38,639
WELL,
THAT COVERS YOU
403
00:20:38,672 --> 00:20:40,406
AND THE BISHOP
CAR WASH GROPER.
404
00:20:40,440 --> 00:20:43,476
OH, HEY.
WHO�S DRIVING ME HOME?
405
00:20:43,510 --> 00:20:47,280
NOW TELL US
ABOUT THIS GIRL.
406
00:20:47,313 --> 00:20:48,815
OH, WHOA. MNH?MNH.
407
00:20:48,849 --> 00:20:51,518
NO. I DON�T KNOW
THAT GIRL.
408
00:20:56,523 --> 00:20:58,792
YOUR FINGERPRINT�S
ON HER CAR, MARCUS.
409
00:20:58,825 --> 00:21:02,295
TH?THIS IS MANHATTAN ISLAND
IN NEW YORK CITY.
410
00:21:02,328 --> 00:21:05,832
HOW MANY OTHER
DAMN FINGERPRINTS WAS ON IT?
411
00:21:05,866 --> 00:21:08,334
JUST YOURS.
412
00:21:08,368 --> 00:21:11,271
WHILE YOU WERE HOLDING
THE TRUNK
413
00:21:11,304 --> 00:21:13,273
WHILE YOU WERE WIPING
THAT PART CLEAN,
414
00:21:13,306 --> 00:21:16,076
THAT�S WHERE YOU LEFT
YOUR PRINT.
415
00:21:16,109 --> 00:21:18,579
MAYBE THAT�S THE SPOT
WHERE WHOEVER DID IT MISSED,
416
00:21:18,612 --> 00:21:21,014
AND MY PRINT
IS AN INNOCENT BYSTANDER
417
00:21:21,047 --> 00:21:23,183
FROM WHENEVER I MIGHT HAVE
TOUCHED THE TRUNK
418
00:21:23,216 --> 00:21:25,185
SIX MONTHS AGO
OR ANY OTHER DAMN TIME.
419
00:21:25,218 --> 00:21:27,187
NO, THAT�S NOT
GOING TO WORK, MARCUS.
420
00:21:27,220 --> 00:21:28,689
ONLY PRINT LEFT
421
00:21:28,722 --> 00:21:30,691
AT THE SCENE
OF A VICIOUS MURDER.
422
00:21:30,724 --> 00:21:34,194
I�LL TELL YOU THE OTHER THING
YOU GOT TO WORRY ABOUT
423
00:21:34,227 --> 00:21:36,196
IS IF YOUR DNA MATCHES
THE DNA SAMPLE
424
00:21:36,229 --> 00:21:37,798
WE TAKE FROM THE SEMEN
ON THAT GIRL�S BODY.
425
00:21:37,831 --> 00:21:39,132
WHICH WOULD MAKE IT
426
00:21:39,165 --> 00:21:40,366
A VICIOUS
PREMEDITATED MURDER.
427
00:21:40,400 --> 00:21:44,204
THE RAPE DOES MAKE IT
PREMEDITATED, YEAH.
428
00:21:44,237 --> 00:21:45,706
WHICH BUYS YOU
THE NEEDLE, MARCUS.
429
00:21:45,739 --> 00:21:47,841
WASN�T ME.
430
00:21:47,874 --> 00:21:49,475
IT WAS NOT YOU?
431
00:21:49,510 --> 00:21:53,013
IT WAS NOT ME.
432
00:21:56,082 --> 00:22:00,320
LOOK, I WANT
TO TELL YOU SOMETHING,
433
00:22:00,353 --> 00:22:02,322
AND I AIN�T ASHAMED
TO TELL YOU,
434
00:22:02,355 --> 00:22:05,325
YOU KNOW, BECAUSE
I�M CLOSING WITH IT.
435
00:22:05,358 --> 00:22:07,160
COME ON, THEN.
436
00:22:07,193 --> 00:22:11,397
I GOT A LITTLE PROBLEM
WITH THE PIPE.
437
00:22:11,431 --> 00:22:12,733
YOU DO?
438
00:22:12,766 --> 00:22:14,167
YES, I DO.
439
00:22:14,200 --> 00:22:16,236
AND HOW DOES THAT
FIGURE IN?
440
00:22:16,269 --> 00:22:18,572
WELL, HOW THE PIPE
FIGURES IN?
441
00:22:18,605 --> 00:22:20,040
ALL RIGHT.
442
00:22:20,073 --> 00:22:23,409
THE PREMEDITATION.
443
00:22:23,443 --> 00:22:24,911
FIRST OFF,
444
00:22:24,945 --> 00:22:26,913
YOU KNOW,
WHEN I�M BEHIND THE CRACK,
445
00:22:26,947 --> 00:22:29,215
YOU KNOW, IT�S LIKE
I�M OUT OF MY MIND.
446
00:22:29,249 --> 00:22:31,852
SAYING YOU WERE CRAZY
WHEN YOU DID THIS.
447
00:22:31,885 --> 00:22:34,855
NO, I�M NOT SAYING
THAT I DID IT AT ALL.
448
00:22:34,888 --> 00:22:38,024
I AM ABSOLUTELY NOT SAYING
THAT I DID IT.
449
00:22:38,058 --> 00:22:40,193
YOU�RE SAYING YOU GOT
A PROBLEM BEHIND THE CRACK.
450
00:22:40,226 --> 00:22:41,528
THAT�S ALL I�M TRYING
TO SAY SO FAR.
451
00:22:41,562 --> 00:22:43,096
WE KNOW YOU DID IT.
452
00:22:43,129 --> 00:22:46,533
AH, HEY...
453
00:22:46,567 --> 00:22:48,201
THE PREMEDITATION.
454
00:22:48,234 --> 00:22:50,203
THIS IS HOW
YOU RULE THAT OUT,
455
00:22:50,236 --> 00:22:52,939
AND THE CRACK FITS IN.
456
00:22:52,973 --> 00:22:57,511
THE SEX COME
AFTER THAT GIRL DIED.
457
00:22:57,544 --> 00:22:59,946
AND I�M NOT SAYING
THAT I COMMITTED THE SEX
458
00:22:59,980 --> 00:23:01,515
OR THE MURDER.
459
00:23:01,548 --> 00:23:04,851
I JUST HAPPEN TO KNOW THAT
FOR A FACT.
460
00:23:04,885 --> 00:23:06,953
HOW DO YOU KNOW IT?
461
00:23:06,987 --> 00:23:09,623
I MEAN, YOU KNOW,
462
00:23:09,656 --> 00:23:11,725
YOU EVER HEARD
OF AN EYEWITNESS?
463
00:23:11,758 --> 00:23:13,527
SO YOU�RE SAYING
464
00:23:13,560 --> 00:23:15,529
YOU SAW SOMEONE ELSE
MURDER THIS GIRL,
465
00:23:15,562 --> 00:23:18,298
THEN HAVE SEX ON HER
AFTER SHE WAS DEAD?
466
00:23:18,331 --> 00:23:20,300
AND IN MY CRACKED?OUT
INSANITY,
467
00:23:20,333 --> 00:23:22,869
I NEVER LIFTED A HAND
AGAINST HIM.
468
00:23:22,903 --> 00:23:26,540
BUT YOU DID LOAN HIM
YOUR SEMEN
469
00:23:26,573 --> 00:23:28,942
TO LEAVE ON THE BODY.
470
00:23:33,479 --> 00:23:36,149
ALL RIGHT.
471
00:23:36,182 --> 00:23:38,218
MM. LET ME THINK.
472
00:23:38,251 --> 00:23:39,319
SURE.
473
00:23:39,352 --> 00:23:41,354
WE GOT ALL THE TIME
YOU NEED.
474
00:23:51,598 --> 00:23:54,701
AHEM.
475
00:24:02,843 --> 00:24:04,811
HE SAYS HE KILLED HIS WIFE,
THIS LUCIANO,
476
00:24:04,845 --> 00:24:06,312
BUT HOW HE SAYS IT,
477
00:24:06,346 --> 00:24:08,749
YOU KNOW
HE DOESN�T MEAN IT.
478
00:24:08,782 --> 00:24:11,752
ANNA, THE COUSIN THAT
HE IS ABSOLUTELY PUTTING IT TO,
479
00:24:11,785 --> 00:24:13,253
SHE WON�T TAKE A POSITION,
480
00:24:13,286 --> 00:24:14,655
DID LUCIANO DO IT OR NOT,
481
00:24:14,688 --> 00:24:16,657
BUT HOW
SHE WON�T TAKE IT,
482
00:24:16,690 --> 00:24:19,259
SHE DEFINITELY EXPECTS
WE COLLAR HIM ANYWAY.
483
00:24:19,292 --> 00:24:20,761
IN COMES
THERESA THE MAID ??
484
00:24:20,794 --> 00:24:23,129
ALIBIS LUCIANO OUT.
485
00:24:23,163 --> 00:24:25,131
WHILE THE D.O.A.
IS GETTING MURDERED,
486
00:24:25,165 --> 00:24:27,634
LUCIANO IS BANGING HER.
487
00:24:30,537 --> 00:24:32,038
WHERE ARE WE?
488
00:24:32,072 --> 00:24:35,542
WHERE WE ARE...
489
00:24:35,576 --> 00:24:37,377
[ SIGHS ]
490
00:24:37,410 --> 00:24:39,546
IF THE MAID
IS TELLING THE TRUTH,
491
00:24:39,580 --> 00:24:42,716
IT�S GOT TO BE THE COUSIN
KILLED THE WIFE.
492
00:24:42,749 --> 00:24:45,218
AHEM. IF LUCIANO WAS
WITH THERESA THE MAID,
493
00:24:45,251 --> 00:24:47,621
AND THE MURDER COME
FROM INSIDE THE FAMILY,
494
00:24:47,654 --> 00:24:49,289
THEN IT�S GOT TO BE
THE HOMELY COUSIN ANNA.
495
00:24:49,322 --> 00:24:51,291
�CAUSE FRANK THE SON,
OFF YOUR OWN INTERVIEW,
496
00:24:51,324 --> 00:24:53,393
WE ESTABLISHED
HE WAS UP IN TARRYTOWN.
497
00:24:53,426 --> 00:24:55,696
YEAH, AT THAT
VITAMIN CONVENTION,
498
00:24:55,729 --> 00:24:57,864
WHICH WHO WOULD KNOW
BETTER ABOUT THAN YOU?
499
00:24:57,898 --> 00:25:01,034
WHY WOULD
THE COUSIN DO IT?
500
00:25:01,067 --> 00:25:05,539
WHY WOULD
THE COUSIN DO IT?
501
00:25:07,273 --> 00:25:12,445
YOU THINK THAT WE�RE GOING
TO FIND THAT OUT IN HERE?
502
00:25:21,955 --> 00:25:24,257
AND WHAT DID HE SAY?
503
00:25:24,290 --> 00:25:26,259
UH, HE WENT FOR IT ??
LUCIANO.
504
00:25:26,292 --> 00:25:27,761
HE SAID HE KILLED MARY.
505
00:25:27,794 --> 00:25:29,395
OH, GOD!
506
00:25:31,131 --> 00:25:32,766
WELL, BELIEVE ME,
507
00:25:32,799 --> 00:25:35,168
IF THIS ISN�T
TEMPORARY INSANITY,
508
00:25:35,201 --> 00:25:36,202
THEY SHOULD
THROW OUT THE LAW.
509
00:25:36,236 --> 00:25:37,904
WHAT SHE PUT
THAT POOR MAN THROUGH.
510
00:25:37,938 --> 00:25:40,206
BUT THEN THERESA,
WHO WORKS AT THE HOUSE,
511
00:25:40,240 --> 00:25:42,375
SAYS 10:15, 10:30,
512
00:25:42,408 --> 00:25:44,110
WHEN THE NEIGHBORS
HEAR THE SCREAMING,
513
00:25:44,144 --> 00:25:46,179
LUCIANO WAS WITH HER.
514
00:25:46,212 --> 00:25:48,682
WHAT DOES LUCIANO SAY?
515
00:25:48,715 --> 00:25:51,084
SAYS HE KILLED MARY,
LIKE WE JUST TOLD YOU.
516
00:25:51,117 --> 00:25:54,621
THIS GIRL WANTS TO BE
WITH LUCIANO,
517
00:25:54,655 --> 00:25:56,957
WHY SHE MADE UP
THAT STORY.
518
00:25:56,990 --> 00:25:59,926
DID YOU DO IT, ANNA?
519
00:25:59,960 --> 00:26:01,862
DID I DO IT?
520
00:26:01,895 --> 00:26:03,463
DID I DO IT?
521
00:26:03,496 --> 00:26:05,465
YEAH. SUPPOSE IT WAS
YOU IN LOVE WITH HIM
522
00:26:05,498 --> 00:26:07,067
AND WANTING MARY
OUT OF THE WAY.
523
00:26:07,100 --> 00:26:08,635
DID I DO IT?
524
00:26:08,669 --> 00:26:11,404
THAT WOULD MAKE
THERESA�S STORY FIT.
525
00:26:11,437 --> 00:26:13,473
LUCIANO SAID HE DID IT.
526
00:26:13,507 --> 00:26:15,609
WELL, MAYBE HE�S TRYING
TO COVER UP FOR YOU.
527
00:26:15,642 --> 00:26:18,211
N?NO.
THIS GIRL WANTS LUCIANO.
528
00:26:18,244 --> 00:26:21,114
THAT�S WHY SHE MADE UP
THE STORY.
529
00:26:21,147 --> 00:26:23,550
SOUNDS LIKE
EVERYONE WANTS LUCIANO.
530
00:26:23,584 --> 00:26:25,051
HOW ABOUT THIS, ANNA?
531
00:26:25,085 --> 00:26:26,553
SUPPOSE YOU DID IT.
532
00:26:26,587 --> 00:26:29,455
HE GOT YOU TO DO IT
WITHOUT YOU KNOWING,
533
00:26:29,489 --> 00:26:30,490
AND EVEN
WITH HIM CONFESSING,
534
00:26:30,524 --> 00:26:32,593
HE PUT SO MANY HOLES
IN HIS STORY
535
00:26:32,626 --> 00:26:34,160
THAT WE DON�T BELIEVE HIM?
536
00:26:34,194 --> 00:26:38,164
SUPPOSE IT�S THERESA HE WANTS
TO BE THROWING HUMPS INTO
537
00:26:38,198 --> 00:26:39,933
AND HE MADE YOU A PATSY.
538
00:26:39,966 --> 00:26:41,768
Anna: NO!
539
00:26:41,802 --> 00:26:42,936
NO, HUH?
540
00:26:45,972 --> 00:26:47,473
ANNA.
541
00:26:47,508 --> 00:26:50,310
ANNA?
542
00:26:50,343 --> 00:26:51,778
ANNA.
543
00:26:53,847 --> 00:26:55,148
[ SIGHS ]
544
00:26:55,181 --> 00:26:56,917
WE WANT YOU
TO THINK THINGS OVER NOW.
545
00:26:56,950 --> 00:26:58,519
WE WANT TO KNOW
546
00:26:58,552 --> 00:27:00,486
IF HE AGITATED YOU
INTO DOING THIS,
547
00:27:00,521 --> 00:27:01,988
BECAUSE THAT
TEMPORARY INSANITY LAW
548
00:27:02,022 --> 00:27:03,524
THAT YOU TALKED ABOUT ??
549
00:27:03,557 --> 00:27:05,526
WELL, THAT�S STILL
ON THE BOOKS,
550
00:27:05,559 --> 00:27:07,528
AND IT�S AVAILABLE
TO YOU AS WELL,
551
00:27:07,561 --> 00:27:09,329
AND OTHERWISE...
552
00:27:09,362 --> 00:27:11,532
THIS LOOKS PREMEDITATED.
553
00:27:13,700 --> 00:27:15,536
I NEED MORE TEA.
554
00:27:15,569 --> 00:27:18,138
NOW?
555
00:27:19,405 --> 00:27:22,843
NO. LEAVE ME ALONE
FOR A LITTLE WHILE.
556
00:27:22,876 --> 00:27:24,545
OKAY.
557
00:27:24,578 --> 00:27:27,814
JUST LET US KNOW
WHEN YOU NEED THE TEA.
558
00:27:30,250 --> 00:27:33,153
[ EXHALES DEEPLY ]
559
00:27:33,186 --> 00:27:35,155
WHAT I JUST SAID
TO THIS ANNA ??
560
00:27:35,188 --> 00:27:37,390
YEAH, LUCIANO MOVED HER
TO WHACK MARY.
561
00:27:37,423 --> 00:27:39,392
I THINK
THAT�S WHAT I BELIEVE.
562
00:27:39,425 --> 00:27:40,894
MEANING THIS ONE�S
GOING TO SKATE.
563
00:27:40,927 --> 00:27:42,896
UNLESS WE CONVINCE HIM
HE�S GOING FOR CONSPIRACY.
564
00:27:42,929 --> 00:27:44,998
CAN WE GET HIM THERE?
565
00:27:45,031 --> 00:27:47,968
FOLLOW MY LEAD.
566
00:27:48,001 --> 00:27:50,937
OH HO.
THE BIG NOISY MAN, HUH?
567
00:27:52,773 --> 00:27:54,975
WHERE ARE YOU FROM THERE,
LUCIANO, HUH?
568
00:27:55,008 --> 00:27:56,476
RED HOOK? BUSHWICK?
569
00:27:56,510 --> 00:27:57,644
NAPOLI.
570
00:27:57,678 --> 00:27:59,245
WHAT,
I DON�T TELL YOU?
571
00:27:59,279 --> 00:28:01,381
NAPOLI, UH?
572
00:28:01,414 --> 00:28:03,016
YOU BELIEVE THIS GUY?
573
00:28:03,049 --> 00:28:05,018
ALL HE NEEDS
IS AN ACCORDION
574
00:28:05,051 --> 00:28:08,088
AND ONE OF THEM
SQUEAKY LITTLE MONKEYS.
575
00:28:08,121 --> 00:28:10,023
ANYWAYS, LUCIANO,
576
00:28:10,056 --> 00:28:13,026
DESPITE YOU SAYING THAT
IT WAS YOU WHO KILLED MARY,
577
00:28:13,059 --> 00:28:14,260
WE�VE COME TO BELIEVE
IT WAS ANNA.
578
00:28:14,294 --> 00:28:16,262
ANNA? NO.
579
00:28:16,296 --> 00:28:18,264
ANNA. YES.
580
00:28:18,298 --> 00:28:20,834
IT WAS ME
WHO GET THE MONEY.
581
00:28:20,867 --> 00:28:23,369
ANNA. YES.
WITH YOU GETTING THE MONEY.
582
00:28:23,403 --> 00:28:24,605
NO. NO.
583
00:28:24,638 --> 00:28:27,774
YES, BUT THAT DON�T
QUITE QUALIFY YOU
584
00:28:27,808 --> 00:28:30,443
FOR CRIMINAL MASTERMIND,
LUCIANO,
585
00:28:30,476 --> 00:28:33,046
BECAUSE HERE
IN THE U. S. OF A.,
586
00:28:33,079 --> 00:28:35,849
WE GOT WHAT�S CALLED
CONSPIRACY LAWS.
587
00:28:35,882 --> 00:28:38,118
PLEASE. CON?? CONSH??
588
00:28:38,151 --> 00:28:40,353
CONSPIR??
NO, UH ?? CONSPIR??
589
00:28:40,386 --> 00:28:41,688
CONSPIR??
590
00:28:41,722 --> 00:28:43,189
A CONSPIRACY,
LUCIANO,
591
00:28:43,223 --> 00:28:46,192
IS EVEN THOUGH ANNA�S DOING
THE BODYWORK ON MARY,
592
00:28:46,226 --> 00:28:48,562
YOU EGGING HER ALONG.
593
00:28:48,595 --> 00:28:51,431
I, UH, I EGG ANNA?
594
00:28:51,464 --> 00:28:53,099
YEAH, YEAH.
YOU EGG HER.
595
00:28:53,133 --> 00:28:54,267
YOU GET HER TO DO IT.
596
00:28:54,300 --> 00:28:55,301
NO, NO, NO.
597
00:28:55,335 --> 00:28:57,303
I TELL ANNA,
"DON�T DO IT,"
598
00:28:57,337 --> 00:29:01,041
AND THEN I DO IT.
599
00:29:01,074 --> 00:29:02,543
GET OFF YOU DOING IT!
600
00:29:02,576 --> 00:29:04,778
YOU DIDN�T DO IT!
YOU WERE WITH THERESA!
601
00:29:04,811 --> 00:29:07,581
I TELL ANNA,
"DON�T DO IT,"
602
00:29:07,614 --> 00:29:11,117
AND I DON�T BELIEVE
THAT SHE DOES.
603
00:29:11,151 --> 00:29:13,119
OH, MEANING THAT
YOU WERE WITH THERESA.
604
00:29:13,153 --> 00:29:16,590
OH, HA. NO!
I DON�T KISS AND TALK.
605
00:29:16,623 --> 00:29:19,159
BUT YOU DO READ UP
ON THE CONSPIRACY STATUTES,
606
00:29:19,192 --> 00:29:20,493
HUH, LUCIANO?
607
00:29:20,527 --> 00:29:22,295
EXACTLY WHAT TO SAY
608
00:29:22,328 --> 00:29:25,165
THAT GETS YOU OUT
OF LEGAL RESPONSIBILITY.
609
00:29:25,198 --> 00:29:26,499
CHE STATUTE?
610
00:29:26,533 --> 00:29:27,500
CHE STATUTE?
611
00:29:27,534 --> 00:29:29,503
STATUTE DE LIBERTAD?
612
00:29:29,536 --> 00:29:31,772
[ MUMBLES IN ITALIAN ]
613
00:29:31,805 --> 00:29:34,307
GOD BLESS AMERICA.
614
00:29:38,779 --> 00:29:40,246
[ SIGHS ]
615
00:29:40,280 --> 00:29:41,882
FOLLOW MY LEAD.
616
00:29:46,386 --> 00:29:47,353
UH, TEA, ANNA.
617
00:29:47,387 --> 00:29:48,855
WE BROUGHT THE TEA.
618
00:29:48,889 --> 00:29:51,357
WE DECIDED IT WAS TIME.
619
00:29:51,391 --> 00:29:54,294
SO, DOES HE STILL SAY
HE DID IT?
620
00:29:54,327 --> 00:29:57,330
UH, LUCIANO PRETTY MUCH
HAS COME OFF OF THAT NOW.
621
00:29:57,363 --> 00:29:59,633
DOES HE SAY I DID IT?
622
00:29:59,666 --> 00:30:02,536
HE DON�T SAY
ONE WAY OR ANOTHER.
623
00:30:02,569 --> 00:30:04,871
SAYS HE TOLD YOU
NOT TO DO IT.
624
00:30:04,905 --> 00:30:07,841
DID HE EGG YOU ON,
ANNA?
625
00:30:09,710 --> 00:30:11,177
ALL HE SAYS,
626
00:30:11,211 --> 00:30:13,113
"I�M?A GONNA DO IT.
627
00:30:13,146 --> 00:30:15,115
"I�M?A GONNA DO IT.
628
00:30:15,148 --> 00:30:19,119
"SHE TREAT ME LIKE DIRT
AND CALL ME A DUMB DAGO,
629
00:30:19,152 --> 00:30:23,189
AND I�M?A GONNA BRAIN HER
WITH ONE OF MY TOOLS."
630
00:30:23,223 --> 00:30:26,026
AND THEN...
631
00:30:26,059 --> 00:30:28,028
"I CAN�T DO IT.
632
00:30:28,061 --> 00:30:29,530
"I CANNOT DO IT.
633
00:30:29,563 --> 00:30:31,898
"I CANNOT BRING?A MYSELF
634
00:30:31,932 --> 00:30:35,068
"TO TAKE?A THE HAMMER
TO HER AFTER 10:00
635
00:30:35,101 --> 00:30:39,405
WHEN SHE SLEEPS A?SOUND
LIKE A BABY EVERY NIGHT."
636
00:30:39,439 --> 00:30:41,407
BUT HE ASKED YOU
TO DO IT.
637
00:30:41,441 --> 00:30:44,077
"OH, ANNA...
638
00:30:44,110 --> 00:30:46,412
"DON�T?A DO IT.
639
00:30:46,446 --> 00:30:49,750
"DON�T?A DO IT.
640
00:30:49,783 --> 00:30:52,753
"I DON�T?A CARE,
EVEN IF YOU TORE UP THE WILL
641
00:30:52,786 --> 00:30:54,755
"AND I GET
ALL OF THE MONEY,
642
00:30:54,788 --> 00:30:57,223
"AND I LOVE YOU SO MUCH,
643
00:30:57,257 --> 00:30:58,825
"AND I WANT TO TAKE YOU
WITH ME TO NAPOLI
644
00:30:58,859 --> 00:31:02,095
"IF SHE WAS?A DEAD,
AND I WASN�T HER HUSBAND.
645
00:31:02,128 --> 00:31:04,230
DON�T?A DO NOTHING
TO MARY."
646
00:31:04,264 --> 00:31:06,232
I�M GOING
TO INTERRUPT YOU, ANNA,
647
00:31:06,266 --> 00:31:08,234
AND FOR THE SAKE
OF JUSTICE,
648
00:31:08,268 --> 00:31:10,236
AND YOUR OWN PEACE
OF MIND,
649
00:31:10,270 --> 00:31:13,774
I WANT TO ENCOURAGE YOU
TO REMEMBER DIFFERENT.
650
00:31:13,807 --> 00:31:16,076
AND DIFFERENT
DON�T MEAN LIE, ANNA.
651
00:31:16,109 --> 00:31:20,080
HE MAY HAVE BEEN,
UH, WINKING AT YOU
652
00:31:20,113 --> 00:31:23,584
OR, UH, INDICATING
IN SOME OTHER WAY
653
00:31:23,617 --> 00:31:26,953
THAT HE REALLY DID
WANT YOU TO MURDER HER
654
00:31:26,987 --> 00:31:30,524
SO THE BOTH OF YOU
WOULD HAVE A NEW LIFE,
655
00:31:30,557 --> 00:31:32,593
AND HE WOULD BE GUILTY
OF CONSPIRACY,
656
00:31:32,626 --> 00:31:36,730
AND YOU DON�T HAVE TO
DO THE TIME BY YOURSELF.
657
00:31:36,763 --> 00:31:38,632
NO!
658
00:31:38,665 --> 00:31:39,966
NO.
659
00:31:40,000 --> 00:31:43,804
ANNA, YOU KNOW,
JUST BETWEEN US IN THE ROOM,
660
00:31:43,837 --> 00:31:46,106
WHAT ABOUT
THE CONCEPT OF LYING ??
661
00:31:46,139 --> 00:31:48,074
KNOWING
THAT KILLING MARY
662
00:31:48,108 --> 00:31:50,110
REALLY WAS WHAT LUCIANO
WANTED YOU TO DO?
663
00:31:50,143 --> 00:31:53,479
A LITTLE WHITE LIE
THAT WOULD GET AT THE TRUTH
664
00:31:53,514 --> 00:31:54,648
ISN�T TECHNICALLY ??
665
00:31:54,681 --> 00:31:57,951
I WILL DO THE TIME,
666
00:31:57,984 --> 00:31:59,886
AND WHEN I GET OUT,
667
00:31:59,920 --> 00:32:03,524
THIS LITTLE FLING WITH THERESA
IS GOING TO BE OVER.
668
00:32:05,491 --> 00:32:08,461
WHAT DO I DO NEXT?
669
00:32:08,494 --> 00:32:09,863
WRITE?
670
00:32:12,032 --> 00:32:13,967
[ URINATING ]
671
00:32:14,000 --> 00:32:16,537
[ ZIPS FLY, FLUSHES TOILET ]
672
00:32:18,972 --> 00:32:19,940
I ASK YOU SOMETHING,
673
00:32:19,973 --> 00:32:20,907
YOU GOING TO TELL ME
THE TRUTH?
674
00:32:20,941 --> 00:32:22,943
WHAT?
675
00:32:27,280 --> 00:32:29,449
I�M ON RECORD
WITH THE PIPE PROBLEM.
676
00:32:29,482 --> 00:32:31,852
IS THAT LIKE
EXTENUATING CIRCUMSTANCES?
677
00:32:31,885 --> 00:32:34,788
YOU KNOW, TEMPORARY INSANITY
OR SOME OTHER DAMN THING?
678
00:32:34,821 --> 00:32:36,823
I�M NOT SAYING NO.
679
00:32:36,857 --> 00:32:39,025
�CAUSE I�M ON RECORD
THAT THE SEX
680
00:32:39,059 --> 00:32:40,694
WAS NOT PREMEDITATED.
681
00:32:40,727 --> 00:32:42,663
IT WAS DEFINITELY
NOT RAPE
682
00:32:42,696 --> 00:32:44,865
�CAUSE SHE
WAS ALREADY DEAD.
683
00:32:44,898 --> 00:32:47,200
I�D BE PREPARED TO SAY
684
00:32:47,233 --> 00:32:50,303
THE MURDER WAS ACCIDENTAL.
685
00:32:52,906 --> 00:32:55,375
SAY WE PUT ALL THAT
ON ONE PLATE.
686
00:32:55,408 --> 00:32:58,044
WOULD YOU BE PREPARED
TO GO FROM EYEWITNESS
687
00:32:58,078 --> 00:33:00,313
TO SAYING IT WAS YOU?
688
00:33:02,382 --> 00:33:05,018
I�M NOT SAYING NO.
689
00:33:05,051 --> 00:33:06,486
ALL RIGHT.
690
00:33:06,520 --> 00:33:09,355
BUT SO FAR,
691
00:33:09,389 --> 00:33:11,558
AM I HOLDING MY OWN?
692
00:33:11,592 --> 00:33:15,361
I WASN�T LOOKING.
I WAS GIVING YOU PRIVACY.
693
00:33:17,397 --> 00:33:18,999
ALL RIGHT.
694
00:33:36,617 --> 00:33:40,921
YOU EVER GET THE FEELING
YOU WERE WATCHING YOURSELF?
695
00:33:40,954 --> 00:33:42,989
HERE�S YOU DOING SOMETHING,
696
00:33:43,023 --> 00:33:44,991
AND HERE�S YOU, TOO,
697
00:33:45,025 --> 00:33:47,894
WATCHING YOURSELF DOING IT.
698
00:33:47,928 --> 00:33:50,664
SO CLAIMING YOU WERE
AN EYEWITNESS,
699
00:33:50,697 --> 00:33:53,934
THAT WASN�T YOU DENYING
YOU COMMITTED THE CRIME.
700
00:33:53,967 --> 00:33:57,270
NOT RULING MYSELF OUT
AS A SUSPECT, CORRECT.
701
00:33:57,303 --> 00:34:00,106
ARE YOU GOING FOR
THE HOMICIDE NOW, MARCUS?
702
00:34:00,140 --> 00:34:02,609
YOU GUYS EVER SEE
THAT JULIA ROBERTS MOVIE
703
00:34:02,643 --> 00:34:06,446
WHERE SHE�S THAT MAID
WAY BACK IN OLD?TIME ENGLAND,
704
00:34:06,479 --> 00:34:09,449
AND THAT GUY IN THE HOUSE
GOT A SPLIT PERSONALITY?
705
00:34:09,482 --> 00:34:10,951
COMES OUT AT NIGHT,
706
00:34:10,984 --> 00:34:14,354
AN IRRESPONSIBLE MONSTER.
707
00:34:14,387 --> 00:34:16,590
YOU SAW THAT MOVIE?
708
00:34:16,623 --> 00:34:19,292
HEY, I AM
A JULIA ROBERTS FREAK.
709
00:34:19,325 --> 00:34:21,461
ANYWAYS, WITH WHATEVER
HEAD PROBLEMS
710
00:34:21,494 --> 00:34:23,964
THE DOCTORS AND THE JUDGE
CAN WORRY ABOUT,
711
00:34:23,997 --> 00:34:26,299
AND WHATEVER
THE ACTUAL SEQUENCE WAS,
712
00:34:26,332 --> 00:34:29,469
YOU ADMIT IT WAS YOU
INVOLVED WITH THIS GIRL.
713
00:34:29,503 --> 00:34:33,039
I�M GOING FOR IRRESPONSIBLE
MONSTER COMES OUT AT NIGHT
714
00:34:33,073 --> 00:34:36,376
WITH NO CONNECTION
TO THE ACTUAL MARCUS POTTER
715
00:34:36,409 --> 00:34:38,044
THAT WATCHES HIM
716
00:34:38,078 --> 00:34:40,714
LIKE A HELPLESS...
717
00:34:40,747 --> 00:34:42,916
EYEWITNESS.
718
00:34:44,785 --> 00:34:47,621
OKAY, MARCUS,
WRITE IT LIKE THAT.
719
00:34:47,654 --> 00:34:50,056
LET ME ASK YOU GUYS
SOMETHING ELSE.
720
00:34:50,090 --> 00:34:52,225
AND 18 MONTHS AGO
OR 12 MONTHS AGO
721
00:34:52,258 --> 00:34:54,728
I WOULD TELL YOU
IT WOULD BE A WASTE
722
00:34:54,761 --> 00:34:56,462
OF THE TAXPAYERS� MONEY.
723
00:34:58,532 --> 00:35:00,667
YOU THINK I COULD GET
A DIVERSION PROGRAM?
724
00:35:17,450 --> 00:35:20,086
WELL, LUCIANO,
ANNA HAS CONFESSED.
725
00:35:20,120 --> 00:35:21,622
ANNA?
726
00:35:21,655 --> 00:35:23,524
GRAB YOUR CHEST
ALL YOU WANT.
727
00:35:23,557 --> 00:35:25,491
HIM AND ME BOTH SAW
"SANFORD AND SON."
728
00:35:25,526 --> 00:35:27,160
WHO�S SANFORDSON?
729
00:35:27,193 --> 00:35:29,996
YOU CAN GO NOW, LUCIANO,
IS WHAT WE�RE SAYING.
730
00:35:30,030 --> 00:35:31,998
BUT ANNA GOT TO STAY.
731
00:35:32,032 --> 00:35:35,101
YEAH, ANNA GOT TO STAY,
JUST LIKE YOU SET IT UP.
732
00:35:35,135 --> 00:35:36,302
OH, NO.
733
00:35:36,336 --> 00:35:37,938
LUCIANO, LEAVE IT ALONE.
734
00:35:37,971 --> 00:35:40,440
SAY NO AGAIN,
�CAUSE I WANT TO SEE YOU DO
735
00:35:40,473 --> 00:35:43,009
YOUR ENZIO PINZA IMPERSONATION
WITHOUT YOUR TEETH.
736
00:35:43,043 --> 00:35:44,778
I, UH,
737
00:35:44,811 --> 00:35:47,313
I DON�T GET PERMISSION
TO SEE ANNA?
738
00:35:47,347 --> 00:35:51,284
DO YOU GOT THE BALLS
TO RISK HER TURNING ON YOU
739
00:35:51,317 --> 00:35:53,286
THIS LATE IN THE GAME?
740
00:35:53,319 --> 00:35:55,889
MAYBE ANOTHER TIME.
741
00:35:58,925 --> 00:36:02,328
ENZIO PINZA.
742
00:36:04,264 --> 00:36:07,233
SOME ENCHANTED EVENING
743
00:36:07,267 --> 00:36:11,071
YOU WILL SEE A STRANGER
744
00:36:11,104 --> 00:36:14,240
YOU�LL SEE A STRANGER
745
00:36:14,274 --> 00:36:18,078
ACROSS A CROWDED ROOM
746
00:36:29,455 --> 00:36:32,593
MAY I HELP YOU?
747
00:36:32,626 --> 00:36:34,761
I CAN�T GO TO THE MORGUE.
748
00:36:34,795 --> 00:36:37,831
I GOT A MESSAGE FROM
THE MEDICAL EXAMINER TO GO,
749
00:36:37,864 --> 00:36:39,499
BUT I CAN�T.
750
00:36:39,533 --> 00:36:41,334
I BELIEVE YOU WERE TALKING
751
00:36:41,367 --> 00:36:44,671
WITH DETECTIVES RUSSELL
AND KIRKENDALL BEFORE.
752
00:36:44,705 --> 00:36:46,940
THE MEDICAL EXAMINER
WANTS ME
753
00:36:46,973 --> 00:36:51,244
TO IDENTIFY MY TWIN SISTER,
BUT I CAN�T DO IT.
754
00:36:51,277 --> 00:36:54,180
I KNOW THAT UNDER
CERTAIN CIRCUMSTANCES,
755
00:36:54,214 --> 00:36:57,283
THEY DO ALLOW OTHER
THAN NEXT OF KIN.
756
00:36:57,317 --> 00:36:59,620
CAN THEY PLEASE
ALLOW THAT?
757
00:36:59,653 --> 00:37:04,791
I�LL ABSOLUTELY
RELAY YOUR REQUEST.
758
00:37:04,825 --> 00:37:06,459
AND RELEASE HER
759
00:37:06,492 --> 00:37:09,630
TO THE JONAS BROTHERS
FUNERAL PARLOR.
760
00:37:13,166 --> 00:37:15,301
I�LL RELAY ALL THAT
TO THE DETECTIVES.
761
00:37:15,335 --> 00:37:19,239
HAVE THEY ARRESTED ANYONE?
762
00:37:19,272 --> 00:37:22,475
FOR WHAT IT�S WORTH,
I THINK THEY HAVE.
763
00:37:26,680 --> 00:37:29,182
I�M SO SORRY FOR YOUR LOSS.
764
00:37:30,951 --> 00:37:34,220
BEFORE YOU�RE READY TO DO
SOMETHING WITH THAT BREAK,
765
00:37:34,254 --> 00:37:35,989
IT�S NO BREAK AT ALL.
766
00:37:36,022 --> 00:37:39,225
I FIGURED NOW YOU�D BE READY
TO TAKE ADVANTAGE OF IT.
767
00:37:39,259 --> 00:37:42,228
MIGHT AS WELL GET YOUR
FRONT TEETH PUNCHED OUT
768
00:37:42,262 --> 00:37:45,465
THAN GET YOUR BREAK
BEFORE YOU�RE READY.
769
00:37:52,873 --> 00:37:54,407
WHAT�S THE MATTER?
770
00:37:54,440 --> 00:37:56,242
THAT�S MY BREAK.
771
00:37:56,276 --> 00:37:58,679
THAT�S HER
OUT AT THE DESK. WHO?
772
00:37:58,712 --> 00:38:02,348
THE GIRL I KILLED.
SHE�S ALIVE.
773
00:38:02,382 --> 00:38:03,917
MARCUS,
774
00:38:03,950 --> 00:38:06,186
THE DEAD GIRL
HAS A TWIN.
775
00:38:06,219 --> 00:38:07,888
PROBABLY THAT�S HER.
776
00:38:13,894 --> 00:38:16,530
HE WANTS ME
777
00:38:16,563 --> 00:38:20,233
TO EARN MY FIRST MIRACLE.
778
00:38:31,244 --> 00:38:34,314
I HATE THAT CAGEY DAGO
GETTING AWAY WITH IT.
779
00:38:41,922 --> 00:38:44,057
ANY POINT TO MY HOLDING OFF
SIGNING YOUR 5s?
780
00:38:44,090 --> 00:38:45,225
NO.
781
00:38:45,258 --> 00:38:47,460
YOU DON�T FIGURE
12 HOURS IN A CELL
782
00:38:47,493 --> 00:38:49,462
MAY PERSUADE THE COUSIN
THIS LUCIANO
783
00:38:49,495 --> 00:38:52,533
WHO PUT HER UP TO THE MURDER
SHOULD GET LOCKED UP, TOO?
784
00:38:52,566 --> 00:38:53,867
NO.
785
00:38:53,900 --> 00:38:56,469
ACTUALLY, WHAT HARM
COULD IT DO, ANDY,
786
00:38:56,503 --> 00:38:58,204
BOSS HOLDS OFF SIGNING?
787
00:38:58,238 --> 00:38:59,906
FINE, DON�T SIGN.
788
00:38:59,940 --> 00:39:01,407
ALL RIGHT.
789
00:39:01,441 --> 00:39:03,476
I�LL HOLD OFF.
GOOD NIGHT.
790
00:39:03,510 --> 00:39:04,945
NIGHT, BOSS.
791
00:39:07,681 --> 00:39:10,817
SEE HOW HE AVOIDED
THAT VITAMIN SUBJECT?
792
00:39:10,851 --> 00:39:12,418
LIKE THE PLAGUE.
793
00:39:15,756 --> 00:39:17,057
ANTHONY, RIGHT?
794
00:39:17,090 --> 00:39:19,492
CORRECT. YOU GUYS
WANT TO BUY CHOCOLATES.
795
00:39:19,526 --> 00:39:20,727
NO, WE DON�T.
796
00:39:20,761 --> 00:39:22,495
SURE, YOU DO ??
$500 WORTH,
797
00:39:22,529 --> 00:39:25,065
�CAUSE YOU�RE NOT DEALING
WITH NO RAT,
798
00:39:25,098 --> 00:39:27,601
AND THAT�S HOW
I�M GOING TO TRANSACT.
799
00:39:27,634 --> 00:39:30,771
IT WAS ANNA, HUH,
WITH LUCIANO EGGING HER ON?
800
00:39:30,804 --> 00:39:32,238
SAKE OF DISCUSSION.
801
00:39:32,272 --> 00:39:34,440
YOU GOT THIS
ON LUCIANO, RIGHT?
802
00:39:34,474 --> 00:39:36,442
WHAT DO YOU GOT,
BIG MOUTH?
803
00:39:36,476 --> 00:39:40,280
I GOT PLAIN, PECAN,
AND WHITE.
804
00:39:40,313 --> 00:39:43,283
SOLD, DEPENDING.
805
00:39:43,316 --> 00:39:46,620
POISONED HIS FIRST WIFE
IN NAPLES FIVE YEARS AGO ??
806
00:39:46,653 --> 00:39:50,957
SLOW?ACTING ARSENIC,
EVERY DAY IN HER PASTACCINI.
807
00:39:50,991 --> 00:39:52,258
WHICH YOU KNOW HOW?
808
00:39:52,292 --> 00:39:54,027
HE TOLD THERESA THE MAID,
809
00:39:54,060 --> 00:39:56,797
MAKING HIMSELF CREDIBLE
THAT MARY WAS GOING TO DIE.
810
00:39:56,830 --> 00:39:59,465
AND THERESA THE MAID
TOLD YOU?
811
00:39:59,499 --> 00:40:01,635
SHE�S IN
A TORMENT OF CONSCIENCE
812
00:40:01,668 --> 00:40:04,638
THAT THE PRIEST DIDN�T
GIVE HER NO RELIEF FROM.
813
00:40:04,671 --> 00:40:07,641
I AM HER TRUE CONFESSOR.
814
00:40:07,674 --> 00:40:10,644
HEY, LET THEM DIG
THE BODY UP IN NAPLES,
815
00:40:10,677 --> 00:40:14,114
AND THEN YOU�LL SEE
I�M TELLING THE TRUTH.
816
00:40:14,147 --> 00:40:17,818
LOCKING A GUY UP
IS LOCKING A GUY UP, ANDY,
817
00:40:17,851 --> 00:40:19,886
EVEN IN AN ALIEN
JURISDICTION.
818
00:40:19,920 --> 00:40:24,157
PLUS HE�S TAKING THERESA
BACK TO NAPLES, THE MORON,
819
00:40:24,190 --> 00:40:27,327
EXTRADITING HIMSELF BACK
TO THE COUNTRY OF HIS CRIME.
820
00:40:27,360 --> 00:40:29,630
HOW THE HELL OLD ARE YOU?
821
00:40:29,663 --> 00:40:33,567
[ Sighs ] I�M SICK OF PEOPLE
ASKING ME THAT TODAY.
822
00:40:33,600 --> 00:40:37,337
27 YEARS OF AGE,
AS GOD MADE ME.
823
00:40:53,453 --> 00:40:55,421
YOU GOT NO ALMONDS?
824
00:40:55,455 --> 00:40:57,357
MY BOY LIKES
CHOCOLATE ALMONDS.
825
00:40:57,390 --> 00:40:59,325
CHOCOLATE ALMONDS
I CAN GET.
826
00:40:59,359 --> 00:41:03,496
CHOCOLATE MARSHMALLOWS,
PLUS...
827
00:41:03,530 --> 00:41:06,533
ORIGINAL METS MEMORABILIA.
828
00:41:06,567 --> 00:41:09,302
YOU LIKE MARV THORNBERRY?
829
00:41:17,143 --> 00:41:19,212
UNDERSTAND ME ON THIS,
BALDWIN.
830
00:41:19,245 --> 00:41:21,682
FOND AS I AM OF YOU,
831
00:41:21,715 --> 00:41:24,851
GOOD AS WE GET ALONG,
832
00:41:24,885 --> 00:41:28,221
THE SLIGHTEST WHIFF
OF PRACTICAL JOKING,
833
00:41:28,254 --> 00:41:30,323
AND OUR PARTNERSHIP
IS HISTORY.
834
00:41:30,356 --> 00:41:33,059
I HEAR YOU, GREG.
835
00:41:33,093 --> 00:41:38,732
THE PRACTICAL JOKE
IS THE BANE OF CIVILIZED MAN.
836
00:41:38,765 --> 00:41:41,702
AS FAR AS ANDY SLAMMING
HIS HAND ON THE STALL DOOR,
837
00:41:41,735 --> 00:41:44,805
I GUESS NO WAY YOU COULD SAY
HE WAS WORKING ON THE CASE.
838
00:41:44,838 --> 00:41:47,974
WITH A PRACTICAL JOKE
COMPONENT FOLDED IN.
839
00:41:48,008 --> 00:41:50,076
AND WOULD YOU LIKE ME
TO RELATE TO YOU
840
00:41:50,110 --> 00:41:52,412
INCIDENTS OF PURE
PRACTICAL JOKING
841
00:41:52,445 --> 00:41:55,749
ON ANDY�S PART THAT COULD
OCCUPY OUR ENTIRE JOG?
842
00:41:55,782 --> 00:41:58,752
HOW MUCH WEIGHT
HAVE YOU LOST?
843
00:41:58,785 --> 00:42:01,354
3 3/4 POUNDS.
844
00:42:01,387 --> 00:42:04,090
WHY?
845
00:42:04,124 --> 00:42:06,593
IT�S SHOWING.
846
00:42:06,627 --> 00:42:08,428
IT�S PAYING OFF.
847
00:42:08,461 --> 00:42:11,598
YOU KNOW WHAT?
848
00:42:11,632 --> 00:42:13,934
DO ME A FAVOR.
849
00:42:13,967 --> 00:42:17,437
LET�S NOT DISCUSS
PRACTICAL JOKING
850
00:42:17,470 --> 00:42:19,573
OR ITS RAMIFICATIONS
851
00:42:19,606 --> 00:42:21,274
THE ENTIRE RUN.
852
00:42:21,324 --> 00:42:25,874
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