All language subtitles for Brian Netto - D e l i v e r y ... T h e B e a s t W i t h i n - English with German Subs

HERE WE GO.

THAT'S PRETTY GOOD.

THEY GAVE ME THIS LITTLE CAMERA

TO DO A LITTLE MINI CONFESSIONAL

BY MYSELF, SO I CAN TALK
ABOUT THE PRODUCTION.

AND NOW THERE'S LOUD
HELICOPTERS.

[helicopter whirring overhead]

UM, I HAVE TO DO THAT AGAIN.

OKAY.

IT'S GOT THESE, LIKE, TALL,

POINTY ROOF, SO IT REALLY DOES

FEEL LIKE A STORYBOOK.

WE REALLY ARE LIKE THE

STEREOTYPICAL AMERICAN FAMILY.

HOPEFULLY EVERYTHING WILL KEEP
GOING--GOING GOOD.

I HAD A BUDDY OF MINE WHO WAS

CASTING DIRECTOR, AND HE HAD HIS

OWN PROJECT GOING ON OF PEOPLE

WHO WERE HAVING TROUBLE

CONCEIVING THEIR FIRST CHILD,

AND HE SENT ME THIS AUDITION

TAPE ON KYLE AND RACHEL.

TALKED TO SOME PEOPLE
AT THE NETWORK.

I SHOWED 'EM THE TAPE.

THEY LOVED IT.
THEY LOVED THE IDEA, AND...

YOU KNOW, WE WERE SHOOTING
IN A FEW WEEKS.

LAPD IS REPORTING THAT.
I JUST TALKED TO THEM.

THEY SAID THERE'S NOTHING.

YOU KNOW, RACHEL AND KYLE
WERE LIKE FAMILY TO ME.

YOU DON'T SPEND THAT LENGTH OF

TIME IN THAT KIND OF AN INTIMATE

OF A SETTING WITH PEOPLE AND NOT

FEEL LIKE YOU'RE PART
OF THE FAMILY.

I'M HERE TO TELL
THE WHOLE STORY.

I FEEL LIKE PEOPLE SHOULD KNOW

THE WHOLE STORY SO THEY CAN,

YOU KNOW, KNOW WHAT HAPPENED.

I FEEL LIKE I OWE
THEM THAT MUCH.

HELLO, LITTLE BABY.

DO I THINK SOMETHING HAUNTED
RACHEL DURING HER PREGNANCY?

YES.

[upbeat music]

♪ ♪

THEY SAY THERE'S NOTHING LIKE

EXPERIENCING YOUR FIRST
PREGNANCY.

FROM MORNING SICKNESS
AND ACHY BACKS...

TO FEELING YOUR BABY KICK
FOR THE VERY FIRST TIME.

IT'S BEEN A LONG ROAD FOR US,

JUST GETTING TO THIS POINT.

AND THERE'S SURE TO BE PLENTY
OF ADVENTURES AHEAD.

BUT WE'RE UP FOR THE
CHALLENGE.

[BOTH] BECAUSE EVERY
CHILD IS A BLESSING,

ESPECIALLY WHEN IT'S
YOUR FIRST.

♪ ♪

HEY, BUDDY.

YOU GONNA GIVE HIM A HUG?

RIGHT NOW SHE'S DEALING WITH

THE WHOLE MORNING SICKNESS
THING, SO THAT'S TOUGH.

HOW YOU DOING?

HM...[murmurs]

YEAH, FOOD IS NOT MY FRIEND
RIGHT NOW.

- CAN YOU WASH THIS?
- WANT MORE?

- MM-MM.
- FOR ME?

EVERYTHING TASTES KIND OF
WEIRD AND--

AND I FEEL BAD 'CAUSE I CAN'T

DO ANYTHING TO HELP.

IT'S PART OF THE, UH--THE--

THE JOY OF MOTHERHOOD.

[laughter]

WELL, I FEEL BAD.

[whimpers]

YOU GONNA TAKE CARE OF
YOURSELF?

I'LL BE FINE.

THEY SAY IT GETS BETTER, SO...

AND I EAT FOR THE BOTH OF US,

SO THAT'S ME DOING MY PART.

CALL ME LATER.

OKAY.

BYE, MADDIE.

SAY, "BYE."
IT'S RUDE.

WE MET SOPHOMORE YEAR IN
COLLEGE, IN CLASS.

UM, AND IT'S FUNNY.

I DIDN'T THINK THAT HE LIKED ME

BECAUSE HE WAS ALWAYS ARGUING

WITH ME LIKE WE WERE ROOMMATES.

IT WAS DEBATE CLASS.

[laughs]

YOU LIKED HAVING THE ANSWERS.

I LIKED BEING RIGHT.

I THINK YOU JUST LIKED
PUSHING MY BUTTONS.

THAT'S WHAT IT IS.

SO WE DATED THROUGHOUT COLLEGE,

SORT OF OFF AND ON.

MORE ON THAN OFF.

YEAH, BUT THEN I REALIZED

THAT I WASN'T GONNA LET THIS ONE

GET AWAY, SO I,
UH--I LOCKED HER UP.

UM, WE MARRIED IN 2006, AND

NOT THAT LONG AFTER WE STARTED
TRYING TO HAVE A BABY.

RIGHT NOW, I AM WORKING
IN A FILM LAB IN BURBANK.

IT'S A TEMP JOB.

I WAS SUPPOSED TO BE THERE FOR
TWO MONTHS AND I HAVE BEEN THERE

FOR, LIKE, SIX MONTHS,
WHICH IS NICE.

IT'S GOOD TO HAVE
THE RELIABILITY.

I WORK AT AN
INSURANCE COMPANY.

I AM AN ACCOUNT MANAGER
IN SALES.

YOU KNOW, I DIDN'T GROW UP

THINKING I WANTED TO BE IN

INSURANCE--NO ONE DOES--BUT, YOU

KNOW, I CAN SEE MYSELF BEING

THERE FOR A WHILE.

THE DOCTOR TOLD US TO COME IN

AT THE TEN-WEEK MARK, AND WE

WERE REALLY EXCITED BECAUSE IT

MEANT WE GET TO HEAR
THE HEARTBEAT.

YOU KNOW, WE HAD A
COUPLE FALSE STARTS.

I LIKE TO CALL
THEM FALSE STARTS.

UM, WE LOST A PREGNANCY.

YOU KNOW, AND THEN YOU START TO
WONDER IF YOU CAN EVER GET

PREGNANT, BUT--

I HAVE KNOWN RACHEL FOR A
COUPLE YEARS NOW.

SHE CAME TO ME PRIVATELY JUST

FOR GYNECOLOGICAL SERVICES, AND

TO SEE THEM AT THIS POINT AND

DOING SO WELL IS REALLY

EXCITING 'CAUSE I CAN TELL
THEY'RE A COUPLE THAT JUST

REALLY--YOU KNOW, THEY REALLY
WANT TO BE PARENTS.

WE CAN GO AND HAVE A LISTEN TO
YOUR BABY IF YOU WANT.

READY TO DO THAT?

- LET'S DO IT.
- YES.

SIT BACK AND RELAX.

THANK YOU.

YAY, I AM--OOH.

OH.

HEY.

YOU HAVE TO GET RID
OF THE METAL.

[chuckles]

CAN YOU GET IT OUT?

I FORGOT I HAD THIS.

JUST TUCK THAT IN THERE, IF
THAT'S OKAY.

KNOW HOW TO GET--LIKE THAT?

ALL RIGHT.
IS THAT COMFORTABLE?

MM-HMM.

JUST RELAX.

MAKE SURE THIS IS--

WE DON'T WANT TO KNOW THE
SEX, SO...

WE WON'T BE ABLE TO TELL THE
SEX TODAY.

WE'RE JUST GETTING SOME SOUNDS.

NOTHING ON THE SCREEN?

NO, JUST SOUNDS.

WE DECIDED THAT WE DON'T WANT

TO KNOW THE SEX OF THE BABY.

NO.

SHOULD BE A SURPRISE.

YEAH.

SO WHEN IT COMES OUT, IT WILL

JUST BE SORT OF, "OH, THAT'S THE

PART YOU GOT."

[laughs]

MAKES IT A LITTLE MORE EXCITING.

JUST A LITTLE.

THAT'S GONNA BE COLD, HUH?

IT WILL BE COLD.

YEAH.

THIS IS THE COLD PART.

OHH, THAT IS COLD.

NOT TOO BAD.

THAT'S THE COLD.

IT'S NOT TOO BAD.

[chuckles]

LET'S SEE.

WE'LL FIND IT IN JUST A SECOND.

LET'S TRY OVER HERE.

OKAY.

[faint heartbeat]

THERE IT IS.

CAN YOU HEAR THAT?

- THAT'S IT?
- YEAH, THAT'S INTENSE.

CAN YOU HEAR THAT?

- [laughs] YEAH.
- OH, MY GOD.

RIGHT?
IS IT GOOD?

THAT'S AMAZING.

OH, IT'S A STRONG--THAT IS A
STRONG HEARTBEAT.

THAT'S HEALTHY?
THAT'S GOOD, RIGHT?

- OH, THAT'S FINE.
- OKAY.

HEARING THE HEARTBEAT FOR THE

FIRST TIME IS, UM...

IT'S AMAZING.

UM, I--

IT'S REAL, YOU KNOW?

[laughs] YES, YES.

IT'S LIKE, THIS IS HAPPENING.

YEAH.

LOUD.

ARE YOU KIDDING ME?

BUT IT'S THE FIRST TIME WE'VE

HIT THIS MILESTONE, SO THAT'S--

BUT SCARY LOUD.

THERE'S A MONSTER IN
THERE OR SOMETHING.

SHE IS RIGHT AT ABOUT EIGHT
WEEKS, SO AT THIS POINT,

ACTUALLY, IT'S PROBABLY THE--

MORE THE HIGHLIGHT
OF THE PREGNANCY.

THE REAL IMPACT IS IN
THE THIRD TRIMESTER,

WHEN THE DISCOMFORT STARTS.

YOU KNOW, IT'S THE FIRST TIME

WE'VE REACHED THIS MILESTONE, SO

WE CAN ACTUALLY
START TELLING PEOPLE...

- YEAH.
- AND THAT'S PRETTY COOL.

TODAY WE'RE GONNA MEET UP

WITH MY MOM, 'CAUSE SHE'S IN

TOWN, AND WE'RE REALLY EXCITED

'CAUSE WE'RE GONNA TELL
HER THE GOOD NEWS.

SHE'S GONNA READ
YOU LIKE A BOOK.

SHE'S GONNA SEE YOU
ACROSS THE STREET.

SHE'S GONNA SAY, "OH, MY GOD!"

WE ALSO HAD SOMETHING
WE WANTED TO TELL YOU.

THIS SHOW THAT WE'RE DOING, IT'S
NOT ACTUALLY ABOUT--IT'S NOT

ABOUT COUPLES WHO ARE
TRYING TO CONCEIVE.

IT'S ACTUALLY ABOUT
COUPLES WHO ARE PREGNANT.

WE'RE PREGNANT.

[laughter]

THERE WE GO.

OH, THAT IS SO GREAT!

OH, MY GOD.

OH, MY GOD, I'VE BEEN--I'VE BEEN

PRAYING FOR THIS.

I JUST COULDN'T BE MORE EXCITED.

SO WHEN?

- OCTOBER.
- MM-HMM.

OCTOBER 20TH.

DID YOU KNOW?

DID YOU SENSE IT?

DID YOU FEEL IT?

I WAS--I THOUGHT THAT THE

SIGNS WERE POINTING TOWARD IT.

OH, I WISH YOUR DAD
COULD BE HERE.

OH, HE WOULD HAVE BEEN SO HAPPY.

I'M SURE HE'S UP
THERE SOMEWHERE.

NOW, KYLE?

YES?

THIS IS A BIG RESPONSIBILITY.

"YOU KNOW, KYLE, THIS IS A
BIG RESPONSIBILITY."

SHE MEANS WELL.

THANK YOU, YEAH.

KYLE IS YOUNG FOR HIS AGE.

WE APPRECIATE HIS JOY OF LIVING,

BUT THIS IS A BIG
RESPONSIBILITY.

THIS IS A BIG DEAL.

I'M EXCITED.

YOU'LL BE A GOOD DAD.

THANK YOU, THANK YOU.

IT'S---I'M READY.

I'M READY.

I'M NOT WORRIED.

WE'RE A LUCKY FAMILY.

WE ARE VERY BLESSED.

GOD IS GOOD.

NICE PLACE, PRETTY GOOD.

YEAH.

MINE WAS DELICIOUS.
THANK YOU.

MY FRIEND JENNY, WE WERE
ASKING HER, LIKE, WHERE WOULD A

COOL PLACE TO GO, YOU KNOW,
JUST SOMETHING DIFFERENT THAN--

AND WHAT WOULD BARBARA LIKE?
THAT'S WHAT WE REALLY THOUGHT.

WHAT--WHERE WOULD BARBARA
FEEL COMFORTABLE?

SO...

SO YOU BRING ME TO A PLACE

WHERE THE WAITER HAS FANGS.

OH, MY GOD.

[laughter]

BUT THE SKELETON MASK, YEAH.

I SEE WHAT YOU
REALLY THINK, KYLE.

NO.

BARBARA AND I GET ALONG FINE.

I MEAN, WE DO.

SHE KNOWS HOW MUCH I
CARE FOR RACHEL.

THERE ARE JUST
DIFFERENCES, YOU KNOW?

I JUST THINK AT THE END OF THE
DAY SHE WISHES I WAS--

CATHOLIC?

YEAH.

YEAH.

I FOUGHT TO KEEP THE SHOW

VERY REAL, VERSUS
SOMETHING SCRIPTED.

THIS COULD MAKE A NETWORK, YOU

KNOW, A LITTLE NERVOUS BECAUSE

THEY CAN'T PREDICT
WHAT'S GONNA HAPPEN.

THEY LIKE A LOT OF
CONTROL ON THEIR SETS.

[gasps] $680.

CAN'T YOU JUST CARRY THE BABY?

YOU KNOW, AS IT TURNS OUT,

WE CAPTURED A VERY DRAMATIC AND

PRETTY SCARY MOMENT
FOR OUR PILOT EPISODE.

ABOUT A WEEK AGO WE WERE
JUST HAVING LUNCH,
LIKE WE USUALLY DO...

- YEAH.
- AND I WALK IN AND SHE JUST--

SHE JUST LOOKS AT ME FUNNY.

I KNEW SOMETHING WAS UP.

AND SO SHE JUST
ASKS ME OUTRIGHT.

YOU HAD, LIKE, THIS GLOW.

OF COURSE, WE NEEDED
TO THROW A PARTY AND...

NOBODY KNOWS YET.

NO ONE KNOWS YET,
BUT THEY'RE ABOUT TO.

ACTUALLY, GUYS,
I-I-I NEED YOUR ATTENTION.

WOW.

[laughter]

YOU HAVE IT.

I HAVE IT!

[laughs] OKAY.

I WILL COMMAND.

UM, ACTUALLY, WE'RE HERE

BECAUSE WE--I NEED TO
MAKE AN ANNOUNCEMENT.

OH, MY GOD.

ARE YOU PREGGERS?

YOU DON'T LOOK PREGNANT.
YOU DON'T LOOK PREGNANT.

I WAS JUST SAYING YOU HAD AN
ANNOUNCEMENT.

AND I'VE GOT A BEER IN MY
HAND AS WELL, KEVIN.

VERY NICE.

UM, WE ARE CELEBRATING A

PREGNANCY BECAUSE SOMEONE ELSE

HERE IN THIS ROOM IS PREGNANT.

[laughs]

GUESS WHO IS IT.

- SHE KNOWS!
- SHE KNOWS!

THEY KNOW IT'S NOT YOU.

PROCESS OF ELIMINATION!

OH, MY GOD!

RACHEL AND KYLE
ARE HAVING A BABY!

OUR FRIENDS KNOW HOW HARD

IT'S BEEN FOR US TRYING, SO IT

WAS JUST--IT WAS GREAT TO

FINALLY GET TO SHARE
THIS NEWS WITH THEM.

HAVE A LITTLE DONUT
ON THE WAY.

[overlapping chatter]

AND THAT'S WHY WE'RE HERE.

I'M SORRY. [laughs]

- HE SAID--
- OH, COME ON.

I THINK WE SHOULD ALL TOAST.

SO, A TOAST.

TO A HAPPY FAMILY
THAT'S ON ITS WAY.

YAY.

I KNOW HOW HARD YOU GUYS HAVE

WORKED, SO THIS IS GREAT NEWS.

- YOU KNOW, IT'S--
- NOT THAT HARD.

I'M THE FIRST OF MY FRIENDS
WHO'S GONNA HAVE A BABY.

I WAS THE FIRST TO GET MARRIED,

SO I KNEW THAT I WAS GONNA GET

IT FROM ALL SIDES.

IT'S GONNA BE YOU GUYS NEXT.

NO, I HOPE--YOU KNOW, AND I HOPE

THAT--I DON'T WANT THIS TO
CHANGE ANYTHING.

I MEAN, I KNOW IT'S GONNA CHANGE
THINGS, BUT I DON'T WANT IT TO,

LIKE, CHANGE HOW MUCH I
SEE YOU GUYS, AND--

LATER ON, RACHEL WASN'T FEELING

WELL SO SHE WENT TO LAY DOWN...

AND THEN WHEN WE GOT HOME
SHE STARTED FEELING WORSE.

[knocks] BABY?

OH, MY GOD, BABY.

BABY, BABY, BABY.

YOU OKAY?

OKAY, IT'S OKAY.

OKAY, OKAY, IT'S OKAY.

STOP, STOP, STOP, STOP, STOP,

STOP, STOP, STOP, OKAY.

ALL RIGHT.

WHEN I OPENED THE DOOR,

I REMEMBER THINKING,
"NOT AGAIN,"

JUST REMEMBERING HOW HARD IT WAS

ON HER THE LAST TIME.

[cries]

SHH.

WHEN WE GOT TO THE HOSPITAL,

THEY TOOK HER IN RIGHT AWAY.

THE DOCTOR SAW HER, AND WE SORT

OF KNEW THE SITUATION 'CAUSE

WE'D BEEN THROUGH IT BEFORE.

UM, THE HARDEST PART REALLY IS--

IS THE WAIT, YOU KNOW?

ESPECIALLY WHEN YOU KNOW HOW

IT'S GONNA TURN OUT.

I'M SORRY, SIR.

THE DOCTOR TOLD US THAT WE
HAD TWO OPTIONS.

WE COULD LET THE MISCARRIAGE RUN

ITS COURSE, UM, OR WE COULD HAVE

A PROCEDURE TO SPEED THINGS

ALONG, AND, UH, I TOLD RACHEL

THAT I'D SUPPORT HER EITHER WAY.

CAN YOU SEE IF THEY CAN GIVE
ME SOMETHING TO SLEEP?

YEAH.

IT'S GONNA BE OKAY.

ALL RIGHT?

I LOVE YOU.

I LOVE YOU TOO.

I'M SORRY.

I'LL BE RIGHT BACK.

OKAY.

HE GAVE US THE OPTION OF DOING

A PROCEDURE THAT WOULD SPEED IT

ALONG, UM, BUT I DON'T--FOR ME,

IT DIDN'T REALLY FEEL RIGHT.

YOU KNOW?

THIS IS THE FURTHEST WE'D COME

ALONG AND IT--I JUST FELT LIKE

YOU NEED TO JUST LET NATURE TAKE

ITS COURSE AND, UM--AND SO WE

DECIDED NOT TO DO IT.

IN THE MORNING, I WOKE UP AND

FOR SOME REASON, I JUST NEEDED

THEM TO DO ANOTHER ULTRASOUND.

RIGHT THIS WAY, PLEASE.

NO CAMERAS.

WE'VE RUN ALL THE TESTS WE

NEED TO AND WE LOOKED OVER

EVERYTHING BACKWARDS AND

FORWARDS, BECAUSE
WE FOUND A HEARTBEAT.

YOU'RE SURE?

YEAH.

YOUR BABY'S ALIVE AND WELL.

[laughs] THANK YOU.

YOU'RE GONNA BE PARENTS.

[laughs] OKAY.

THANK YOU.

THANK YOU.

WELL, IT'S BEEN VERY

EXHAUSTING AND STRESSFUL
AND CONFUSING.

THEY STILL DON'T KNOW
WHAT HAPPENED.

WE GOT A STRONG ONE.

BUT WE STILL HAVE OUR BABY.

EVERYTHING'S GONNA BE OKAY.

OF ALL PREGNANCIES, ABOUT 20%

ROUGHLY WIND UP IN MISCARRIAGE.

MISDIAGNOSIS IS RARE,
BUT IN THIS CASE,

EVERYTHING
TURNED OUT ALL RIGHT.

THEY'RE GONNA HAVE THEIR BABY.

IT'S GOOD.

I LOVE YOU.

THAT NIGHT OF THE HOSPITAL...

I CAN'T EXPLAIN IT, BUT THERE

WAS SOMEONE IN THE ROOM WITH ME.

NOT KYLE.

SOMEONE ELSE.

I THINK THAT, IN HER MIND,

IT WAS HER DAD.

I THINK SHE THINKS HER
DAD WAS THERE.

IT--IT JUST MAKES ME REALIZE

THAT I'M SURROUNDED BY MORE

PEOPLE THAN I KNOW.

OH, I CAN'T WAIT TO GO HOME.

THAT NIGHT IN THE HOSPITAL

IS WHEN I NOTICED
THINGS STARTED TO CHANGE.

WE HAD OUR FIRST EQUIPMENT

ISSUES, AND THERE WAS THIS

DEFINITE SHIFT IN WHAT WE WERE

CAPTURING, NOT ONLY WITH THE

TONE OF THE FOOTAGE
BUT WITH RACHEL.

WHY DON'T YOU JUST
SET THOSE DOWN?

I'LL TAKE CARE OF 'EM.

YOU CAN LAY DOWN.

[groans]

OH, COME HERE.

- [groans]
- IT'S OKAY.

I HATE THE HOSPITAL.

[laughs] I KNOW YOU DO.

WELL, NO MORE, OKAY?

AT LEAST FOR A WHILE.

I'M GONNA GO SLEEP
FOR A MILLION YEARS.

YEAH.

GOOD.

[sighs]

OH, MADDEN.

POOR BOY.

[dog growls]

HOW'S HE LOOK?

[dog growls, barks]

[gasps]

- HEY.
- HEY.

WHAT'S GOING ON, BUDDY?

[dog whimpers, barks]

OKAY, HEY.

OKAY.

I'M--YEAH, I'M DONE.

HEY, COME HERE.

WHAT'S THAT, HUH?

WHAT ARE YOU DOING?

YEAH, IT'S ALL RIGHT.

YOU OKAY?

YEAH, YEAH.

HEY, BUDDY.

IT'S JUST US, HUH?

YOU FEELING ALL COOPED
UP IN THERE, HUH?

LET'S GO FOR A WALK.
WHAT DO YOU SAY? YEAH?

EVER SINCE WE GOT BACK THAT
NIGHT FROM THE HOSPITAL,

THE DOG HAS BEEN ACTING
KIND OF STRANGE. LIKE--

I THINK HE'S CONFUSED BY
EVERYTHING THAT'S BEEN GOING ON,

SO HE'S ACTING OUT
A LITTLE BIT.

YEAH, TOWARDS ME.

IT'S ALL DIRECTED AT ME.

IT'S THE PILLOW.
THE PILLOW WAS AN ACCIDENT.

YEAH.

LOOK WHAT YOUR DOG DID.

IS THAT--

THAT'S MINE, YUP.

HE'S--HE'S NOT--IT'S
AN ACCIDENT.

HE'S NOT GOING
AFTER YOUR PILLOW.

ISN'T HE?

WELL, HE'S--THERE ARE THESE

PEOPLE AND THE CAMERAS AND HE'S

JUST FIGURING IT ALL OUT.

HE GETS SO DEFENSIVE
WHEN I TALK ABOUT HIS DOG.

I--WE'RE GONNA LOOK FOR A
BIGGER PLACE, AND I THINK

THAT'LL BE A GOOD SOLUTION
FOR EVERYBODY.

UH, SO I THINK A HOUSE
IS WHAT WE NEED.

I LIKE THE SORT OF
OPEN FLOOR PLANS.

I'M MORE FASCINATED BY, LIKE,

WHAT THEY'VE USED TO DECORATE

THE PLACE THAN THE ACTUAL HOUSE.

BUT, YOU KNOW, THIS COULD BE

YOUR MASTER RIGHT HERE.

HOUSE HUNTING HAS BEEN A LOT

MORE FRUSTRATING
THAN I EXPECTED.

NOT BAD, YOU KNOW?

I REALLY WANT IT TO BE DONE.

I WANT TO GET SETTLED, YOU KNOW,

BY THE TIME THE BABY GETS HERE.

I THINK I HAVE THAT NESTING

INSTINCT, SO IT'S, UH--

I'M GETTING VERY IMPATIENT.

SORRY. [laughs]

OH, MY GOD.

DON'T LOOK.

THAT'S NOT GOOD.

WHAT IS THIS BABY
SO HAPPY ABOUT?

[laughter]

WHY DON'T YOU USE THAT AS
THE BABY'S ROOM?

YEAH, WE'VE GOT NOTHING.

RACHEL WANTS TO MAKE AN OFFER ON

THE TRAP HOUSE.

[laughter]

ABRAHAM LINCOLN.

[laughter]

OKAY, WE'LL BE QUIET.

YEAH.

OH, I LIKE THESE ARCHES.

YEAH.

HECK YEAH.

WE WOULDN'T BE DOING
THIS ALL THE TIME.

[laughs]

IT IS--THIS IS MUCH BIGGER.

AS A REALITY SHOW PRODUCER,

YOU LIVE FOR MOMENTS LIKE THIS.

THIS IS WHAT MAKES THE SHOW.

[yelling in Armenian]

THESE UNPLANNED
DRAMATIC MOMENTS.

YOU WANT TO CAPTURE
THESE THINGS.

[yelling in Armenian]

HEY, HEY, OKAY, MOM, MOM.

I'M SORRY.

MOM!

YOU'RE JUST LIKE...[stammers]

YOU KNOW, "YOU GETTING THIS?"

[yelling in Armenian]

COME ON, LET'S JUST GO.

DON'T WORRY ABOUT IT.

HEY, WHAT THE--

WHOA, WHOA, WHOA, MOM!

LADY--

STOP, STOP, STOP.

GO.

[yelling in Armenian]

DAVID, WHAT THE FUCK?

[yelling in Armenian]

THIS LADY OBVIOUSLY HAD IT
OUT FOR RACHEL.

[yelling in Armenian]

STOP, STOP, STOP, STOP!

[yelling in Armenian]

OH, THAT WAS SO WEIRD.

YEAH, SHE--SHE SAW MY BELLY AND,

UH, SHE JUST STARTED
FREAKING OUT.

YOU KNOW, YELLING AND
POINTING AT ME AND--

WELL, IT'S A TOUGH TIME
RIGHT NOW FOR PEOPLE
LOSING THEIR HOMES.

IT WAS A LITTLE SCARY,
ACTUALLY, BUT--

I'M JUST GLAD SHE'S OKAY.

THAT THEY'RE OKAY.

MY EDITOR IS ARMENIAN AND HE

SAID THAT THE LADY WAS YELLING--

WAS SAYING "DEVIL."

SHE WAS SAYING "DEVIL."

THE MOVE INTO THE NEW HOUSE
WORKED FOR EVERYONE.

IT WORKED FOR THE SHOW.

BUT THE LITTLE--UM, THE LITTLE

INCIDENTS THAT STARTED

HAPPENING, THEY JUST
SEEMED TO GET WORSE.

WHAT ARE YOU THINKING?

THIS IS THE BABY'S ROOM.

YEAH?

YEAH.

I DON'T KNOW.

IT JUST--

FEELS THAT WAY?

IT DEFINITELY FEELS THAT WAY.

BECAUSE TWO CAMERAS IN OUR

FACES AREN'T ENOUGH, YOU GUYS

ARE INSTALLING SECURITY CAMERAS

IN THE CORNERS OF OUR HOUSE, AND

THAT WAY YOU CAN'T
EVER GET AWAY.

I GOT ONE UP HERE IN
THE BABY'S ROOM.

DON'T ASK ME WHY.

THERE'S NO BABY.

AND EVEN ONE--THIS IS THE BEST--

IN OUR BEDROOM!

SO THAT RICK CAN WATCH
US AND JERK OFF.

WE HAD MORE TECHNICAL
PROBLEMS ON THE SET OFDELIVERY

THAN I'VE HAD ON ANY OF MY
PREVIOUS SHOOTS AT ANY TIME.

OOH.

OOH, WAIT, WAIT, WAIT, WAIT.

FEEL, FEEL, FEEL, FEEL.

NO, NO, NO, OVER HERE.

IT'S VERY UNUSUAL THAT

INTERFERENCE WOULD BE CONTAINED

AROUND A PERSON OR AN AREA.

WHAT WOULD THE MURAL BE OF?

BUT THIS HAPPENED TO BE

OCCURRING AROUND RACHEL.

HELLO!

HEY, SWEETHEART.

HOW ARE YOU?

OHH.

WELL, MY MOM CAME TO VISIT,

SO THAT WAS NICE.

IT'S THE FIRST TIME THAT SHE'S

SEEN THE NEW PLACE
AND MY BABY BUMP.

INTO THE BEDROOM.

OOH, THAT'S
A STEEP STAIRCASE.

OH, I KNOW, YEAH.

I JUST HAVE MY STUDIO UP THERE.

YOU BE CAREFUL.

THIS IS LIKE A--

YEAH. [laughs]

LIKE A SHIP.

WELL, I'M SO--I'M THRILLED.

I THINK IT'S THE PERFECT LITTLE

HOUSE FOR THE PERFECT
LITTLE ANGEL.

ALSO, THIS IS THE
BABY'S ROOM.

THE BABY'S ROOM.

YEAH.

YOU KNOW, KYLE'S BEEN WORKING SO

MUCH AND I'M HERE BY MYSELF MOST

OF THE TIME, SO THAT'LL BE NICE

TO HAVE SOMEBODY HERE.

I WAS ACTUALLY THINKING ABOUT
PUTTING "AMANDA" ON THERE

EARLIER AND I FORGOT ABOUT IT.
HOW FUNNY.

OF COURSE YOU SHOULD PROBABLY
NOT TELL ANYONE THE NAME BECAUSE

EVERYONE WILL KNOW SOMEONE
THEY DON'T LIKE.

OH, MOM, CHECK THIS OUT.

WHO'S JEALOUS?

[dog barks softly]

[dog barks loudly]

RACHEL, DON'T DO THAT.

WHAT?

IT'S FUNNY.

THAT'S MEAN.

I DON'T KNOW.
I-I--

BIG DOG AROUND A LITTLE BABY?

I THINK THE DOG IS FINE AND

IF WE STOP PLAYING
TRICKS WITH HIM,

EVERYTHING WILL
BE ALL RIGHT.

OKAY?

DOG'S FINE.

IT'S KIND OF A
TOUCHY SUBJECT.

OKAY.

[gasps] AH!

[laughs]

HELLO.

HELLO.

YOU DON'T WANT TO BE
READING A MAGAZINE.

I DON'T WANT TO BE ON CAMERA.

WAIT A SECOND.
WAIT A SECOND.

- LET'S...
- OKAY, THAT IS NOT
WHAT THAT IS FOR.

[laughs]

WHERE YOU GOING?

I'M GONNA GO BE
BLOATED OVER HERE.

I'M TOO BIG TO BE RUNNING AWAY.

MM.

[groans]

YOU'RE ONE HOT MAMA.

FINE, STOP, STOP.

WHAT?

I'LL LEAVE YOU ALONE IF YOU

GIVE ME ONE SEXY SHOT
OF THAT BUMP THERE.

- THIS BUMP?
- POSE FOR ME.

[laughs] HAPPY NOW?

SO...

WHAT THE--

OH, MY GOD.

OKAY, THAT WAS WEIRD.

SO, THE FLIP CAMS WERE A GIFT

TO KYLE AND RACHEL.

I MADE THEM PROMISE ME THAT THEY

WOULD SHOW ME THE FOOTAGE AND

MAYBE WE WOULD, UH, USE THEM

FOR, YOU KNOW, A SPECIAL FEATURE

OR SOMETHING LIKE THAT, UH,

BEHIND THE SCENES.

IT WASN'T UNTIL AFTER SHE DIED

THAT ANYONE SAW HER VIDEOS.

I NEVER THOUGHT I WOULD HAVE

SEEN WHAT I SAW ON
THOSE CAMERAS.

THEY JUST WANT TO, LIKE,
CATCH--THEY JUST WANT TO TALK

ABOUT THE STUFF THAT'S
HAPPENING IN THE HOUSE,
YOU'VE BEEN HEARING.

WE DON'T WANT TO
TALK ABOUT THAT.

OH, WHY DON'T WE WANT--WE
DON'T WANT TO TALK ABOUT IT?

I DON'T SEE WHAT
THAT HAS TO DO WITH--THAT'S
NOT PART OF THE SHOW.

WELL, KYLE'S BEEN WORKING
REALLY LONG HOURS, AND, UM...

I DON'T KNOW. LATELY
I JUST--YOU KNOW,

IT'S AN OLDER HOUSE
AND IT CREAKS AND

WHATNOT.

LATELY I JUST GET REALLY SPOOKED

EASILY, YOU KNOW?

I-I HEAR A NOISE AND I THINK

SOMEBODY'S THERE.

SO THAT KEEPS ME
UP FOR A WHILE,

AND THEN WHEN I FINALLY

DO GET TO SLEEP I END UP HAVING

REALLY AWFUL NIGHTMARES.

BUT, YOU KNOW, I'VE BEEN

PAINTING MORE, SO THAT'S GOOD.

WELL, I DON'T KNOW IF IT'S

THE PREGNANCY OR THAT SHE'S JUST

COMMITTING MORE TIME TO IT,
BUT IT'S DIFFERENT.

IT'S INTERESTING, HER NEW STUFF.

I DO OIL PAINTING AND SO YOU
HAVE TO WAIT TILL IT'S DRY, AND

THEN YOU VARNISH IT, SO THEN YOU
HAVE TO WAIT FOR THE VARNISH TO

DRY, SO THAT'S KIND OF WHERE
WE'RE AT RIGHT NOW.

[laughs] YOU'RE PROBABLY
WONDERING, LIKE, WHAT
IS THIS MANNEQUIN?

THIS HERE IS MARLENA.

SHE'S BEEN--I'VE HAD
HER FOR A LONG TIME.

UH, YOU KNOW, IT'S--I'M NOT

GONNA GET A MODEL TO...

SIT HERE, ESPECIALLY IN THE

MIDDLE OF THE NIGHT, TO BE MY

MODEL, SO SHE'S REALLY GOOD IF I

WANT TO DO FIGURE DRAWING STUFF.

IT'S WEIRD 'CAUSE IT'S NOT

USUALLY THE KIND OF
THING THAT I PAINT.

I'M JUST REALLY FOCUSED ON EYES

AND BEING WATCHED.
YOU KNOW?

I MEAN, LIKE, THIS CHARACTER

ALMOST LOOKS AFRAID, AND THIS

ONE, IT'S JUST--IT'S JUST

STARING BACK AT ME.

I WAS UP LATE PAINTING, LIKE

USUAL, UM, AND I GOT REALLY

TIRED ALL OF A SUDDEN, SO I WENT

DOWNSTAIRS, UM, AND IT WAS

REALLY DARK, AND I-I JUST LEFT

IT, 'CAUSE I DIDN'T--I DIDN'T

WANT TO WAKE UP KYLE.

UM, SO I CRAWL INTO BED...

AND I'M ABOUT TO FALL ASLEEP,

AND THEN HE REACHES FOR ME...

BUT IT'S NOT KYLE.

UH, I CAN ONLY SEE HIS HAND.

IT'S SO DARK I CAN'T SEE HIS

FACE, AND HE HAS NAILS.

THEY'RE LIKE--THEY'RE LIKE

RAZORS, AND HE
REACHES FOR MY BELLY.

THERE'S A LOT OF BLOOD, AND I

CAN'T MOVE AT ALL,
AND I CAN'T YELL.

IT'S JUST--I TRY AND I TRY AND

I--NOTHING COMES OUT.

SO, YOU KNOW, THAT'S--AND THEN I

WAKE UP, AND THEN I DON'T WANT

TO FALL ASLEEP AGAIN, SO I GO

BACK UPSTAIRS TO PAINT.

[gasps]

WHAT?

IT WAS JUST A...NIGHTMARE.

IT'S NOT PICKLES AND
ICE CREAM WITH HER.

SHE HAS THIS CRAVING FOR MEAT...

WHICH IS WEIRD BECAUSE SHE...

SWORE OFF IT YEARS AGO.

HM.

IT'S--STOP.

IT'S NOT HEALTHY.
I'M NOT KIDDING.

- IT'S FINE.
- I CAN'T EAT THIS.
I'M NOT PREGNANT.

- NO, NO, NO, I LIKE IT RARE.
- RACHEL--

IT TASTES WEIRD WHEN
IT'S ALL COOKED.

- IT'S FINE.
- THAT'S--

SEE?

ONE THING I WOULD LIKE TO
MAKE CLEAR IS THAT THE

RESERVATIONS I HAD ABOUT HAVING
A HOME BIRTH WITH A MIDWIFE--

IN THIS CASE, UM, WITH THE

MASSYS--IS JUST MY CONCERN FOR

THE HEALTH AND SAFETY OF THE
CHILD AND THE MOTHER.

THERE'S SEVERAL THINGS
THAT WE'RE GONNA DO IN
THIS APPOINTMENT.

CERTAINLY I WOULD LIKE TO
THINK THAT HAD RACHEL STAYED IN

MY CARE THROUGHOUT HER PREGNANCY

THAT WE WOULD HAVE CAUGHT SOME
TYPE OF PRECLUDE TO IT THAT WE

COULD HAVE AVOIDED.

WHAT ARE YOU SCRATCHING AT
OVER THERE?

OH, I WAS--I HAD THIS
BRACELET.

- IT GAVE ME A RASH.
- HM.

BUT, YOU KNOW, I THINK I WAS

JUST ALLERGIC TO IT OR
SOMETHING.

NOW, ISN'T THAT MUCH NICER

THAN HAVING TO GO OUT AND GO

INTO THE DOCTOR'S OFFICE?

YES. [laughs]

AT THIS POINT, I JUST FEEL

VERY BADLY FOR BOTH FAMILIES.

JUST GET A RECORD OF IT.

GET SHOTS OF ALL THE MIRRORS.

OKAY.

OH, MY GOD.

I DON'T BELIEVE IT.
WE'RE HERE A MONTH,
SOMEBODY BREAKS IN.

I KNOW I LOCKED THE DOOR.

- I WOULDN'T FORGET THAT.
- DON'T--DON'T TOUCH IT.

- I LOCKED--
- DON'T TOUCH IT.

JUST WAIT FOR THE POLICE.

- OH, MY GOD.
- GET THIS.

WHAT IS IT?

GOD, WHAT IS THAT SMELL?

GET THIS.

OH, MY GOD.

YOU KNOW, IF WE LEFT MADDEN
IN THE HOUSE--

OH, DON'T START.

WHAT?

[sighs]

FWHY WOULD SOMEBODY DO THAT?

IT'S JUST A PRANK.

WHY US?

[thud]

OH, MY GOD.

LET'S GET OUT, LET'S GET OUT.

HURRY.

NO, NO, NO, NO, NO.

DON'T, DON'T.

DON'T GO UP THERE.

KYLE!

[sighs] GREAT.

KYLE?

KYLE?

ARE YOU KIDDING ME?

KYLE?

IT'S NOBODY.
IT'S NOBODY.

IT'S NOTHING.

I DON'T KNOW WHAT WE CAN DO.

EXCEPT LEAVE MADDEN
IN THE HOUSE.

I TOLD YOU.
WE'LL JUST WAIT FOR
THE POLICE TO COME.

KYLE?

WHAT?

HOW DO WE--

HOW DO WE SEE WHAT'S ON 'EM?

WE COULD PROBABLY
JUST CALL RICK.

NEIGHBORS DIDN'T SEE ANYBODY.

NOTHING WAS MISSING, AND AT

11:17, ALL THE CAMERAS WENT OUT.

AND IT WAS ALSO THE FIRST TIME

THAT WE CAUGHT THE VOICE
ON THE TRACK.

[overlapping, distorted screams]

RACHEL SENT ME A NUMBER OF

THE EVPs RECORDED BY THE

PRODUCTION TEAM.

EVPs BEING "ELECTRONIC
VOICE PHENOMENON."

PEOPLE BELIEVE THEM TO BE

RECORDINGS OF THE DEAD.

GEOFF BURROUGHS IS SOMEONE

THAT RACHEL REACHED OUT TO AFTER

SHE HEARD THE RECORDINGS.

HE'S A PARANORMAL RESEARCHER,

RADIO HOST GUY.

YOU KNOW, GEOFF IS OUT FOR
GEOFF, AND WHEN HE HEARD THAT

THERE WAS A SHOW INVOLVED HE

BECAME MUCH MORE INTERESTED.

WELL, THE TRIANGLES DRAWN ON

THE MIRRORS THAT RACHEL HAD

MENTIONED, THAT CERTAINLY RAISED

MY ANTENNA.

THE THAUMATURGIC TRIANGLE IS

SAID TO SUMMON DEMONS.

YOU KNOW, KYLE DIDN'T
TRUST HIM.

YOU HAVEN'T SLEPT IN OVER
A WEEK.

SURPRISED YOU'RE HEARING VOICES

ON ONE OF THOSE MICS?

HAVE YOU LISTENED TO IT?

YEAH, I HAVE.
IT'S GIBBERISH.

PROBABLY INTERFERENCE FROM A
CORDLESS PHONE OR SOMETHING.

CAN I GET A MIC CHECK?

HI, THIS IS KYLE.
KYLE'S MIC.

I'M JUST SAYING, I'M HOME BY
MYSELF AND THEN THE DOG'S

GROWLING AT ME FOR NO REASON?
I'M NOT TALKING ABOUT MADDEN.

- NOW THEY'RE PICKING UP...
- I'M NOT GONNA TALK
ABOUT MADDEN.

CREEPY SHIT ON MY MICROPHONE.

I MEAN--

- [sighs]
- [groans]

I'M ONLY ASKING.
MAYBE I JUST WANT TO
TALK ABOUT IT, AND--

WHAT DO YOU--WHAT DO YOU WANT
ME TO DO ABOUT IT?

HONESTLY, WHAT DO YOU
WANT ME TO DO ABOUT IT?

OKAY?

[sighs]

ARE WE READY?

NO, WE DON'T HAVE TO DO THIS.

NO, IT'S--YEAH, IT'S FINE.

OKAY.

ARE YOU FUCKING KIDDING ME?

THIS FUCKING MICROPHONE?

IT WILL PICK UP
WATER NOISE. OKAY?

SOMEBODY ELSE PICKS UP THE SAME

GODDAMN THING IN THEIR OLD

FUCKING HOUSE AND THEY PUT
IT ON THE INTERNET.

THE SAME EXACT NOISES?

NOISES!

NOISES!

IT'S NOT GHOSTS, RACHEL!

RACHEL HAD BECOME OBSESSED,

FOR A LACK OF A BETTER TERM,

WITH THE NAME ALASTOR, THE

ENTITY OF ALASTOR.

IN THE CATHOLIC FAITH,

ALASTOR IS A DEMON OF
REVENGE, BASICALLY.

IF THE DEMON ALASTOR HAD BECOME

OBSESSED WITH RACHEL AND IN FACT

POSSESSED HER, UH, IT WOULD HAVE

BEEN A VERY SERIOUS SITUATION.

THERE WAS NOTH--NOTHING,

ESSENTIALLY NOTHING THAT COULD

BE DONE TO REMOVE THE DEMON

UNTIL IT GOT WHAT IT WANTED...

AND RACHEL BELIEVED WHAT ALASTOR

WANTED WAS TO BE REBORN THROUGH

HER CHILD.

I LOVE HOW THE--I LOVE HOW

THE PERSON WHO CAME FORWARD

CAME FORWARD ANONYMOUSLY.

COWARD.

I WOULD NEVER STOOP TO
SOMETHING LIKE THAT.

MY TRACK RECORD SPEAKS FOR
ITSELF.

I DON'T NEED--I DON'T
NEED TRICKS.

NO, I DON'T ADMIT NOTHING.

I HAVE GREAT SHOWS.

THEY'RE GREAT SHOWS BECAUSE WE

DO THINGS RIGHT.

JUST LEAVE IT OUT, AND
I'LL EAT WHEN I GET HOME.

OH, OBVIOUSLY THEY'RE
FOLLOWING YOU.

YES, THEY'RE FOLLOWING ME.

WHAT ARE YOU DOING?

I DON'T KNOW WHAT WE'RE

DOING, BUT IT'S GOING TO GET ME

IN TROUBLE.

- COME ON.
- TROUBLE?

- LOOK--
- WHAT KIND OF TROUBLE?

LOOK, LOOK, JUST TELL 'EM.
JUST TELL 'EM.

TROUBLE, THIS GUY'S TROUBLE.

JUST TELL THEM TO TURN THE
CAMERAS OFF.

- IT'S JUST THAT SIMPLE.
- YEAH, I'VE TRIED.

HEY, GUYS, TURN THE CAMERAS OFF.

- FELLAS--
- GO FUCK YOURSELVES.

OKAY.

- SHOTS.
- SHOTS?

- SHOTS.
- SHOTS.

YOU NEED A SHOT.
I CAN TELL YOU NEED A SHOT.

- I ALREADY DID--
- HE DOES NEED A SHOT.

I'VE BEEN TRYING TO GET HIM TO
DO A SHOT SINCE I GOT HERE.

MASSY, MASSY...MASSY!

[all cheering]

SHUT YOUR MOUTH!

[rock music playing]

♪ ♪

[music stops]

I REALLY NEED THE HOURS,
BUILD UP GOODWILL.

I SH--I SHOULD HAVE CALLED.

I'M SORRY.

I DON'T KNOW.
I'M--I'M, LIKE--I'M BY MYSELF.

- I--
- YOU LEAVE ME WITH
THIS FREAKING DOG.

IS HE IN HERE?

YEAH.

YOU CAN'T LEAVE HIM--

I CAN'T DEAL WITH HIM.

HEY, BUDDY.

OH, NOW HE'S--OH, LOOK
HOW SWEET HE IS.

HE'S YOUR LITTLE BABY.

IT'S ALL RIGHT, BUDDY.

I WOKE UP THE OTHER DAY AND

HE WAS JUST STARING AT ME.

RACHEL, MAYBE IF YOU DIDN'T

ANTAGONIZE HIM ALL THE TIME,

HE'D BE OKAY.

I'M NOT ANTAGONIZING HIM.

HE'S FINE NOW.

HE'S FINE WHEN HE'S WITH YOU.

I'M NOT GONNA DO THIS WHOLE

THING ABOUT THE DOG.

I-I DON'T WANT THE DOG IN THE

HOUSE ANYMORE.

HE MAKES ME REALLY
UNCOMFORTABLE.

- YOUR FUCKING MOTHER, OKAY?
- OHH!

I KNEW THAT THIS
WOULD HAPPEN.

- SHE'S GONNA PLANT SOME...
- OH, IT'S MY MOTHER.

- THAT'S RIGHT.
- GODDAMN IDEA IN YOUR HEAD,

AND YOU'RE GONNA RUN
WITH IT, RACHEL.

I KNEW THAT THIS WAS GONNA
FUCKING HAPPEN!

THIS ISN'T ABOUT MY MOTHER.

THAT'S WHAT HAPPENED.

I SEE IT HAPPENING ALL THE TIME!

THIS IS WHAT HAPPENS.

SHE TELLS YOU WHAT SHE WANTS TO

DO AND YOU DO IT.

THAT DOG IS BARKING AND

GROWLING AT ME ALL THE TIME.

IT'S PISSING ON MY PILLOW.

RACHEL, I SWEAR TO GOD,

THIS IS IN YOUR HEAD, OKAY?

THIS IS IN YOUR HEAD.

IT PISSED ON YOUR PILLOW.

IT PISSED ON YOUR PILLOW, OKAY?

IT COULD HAVE BEEN MY PILLOW.

IT WAS A FUCKING--

BUT IT WASN'T!

YOU ACT LIKE NONE OF THIS
MATTERS.

- YOU DON'T GIVE A SHIT...
- I'M NOT GONNA PLAY THIS GAME.

ABOUT HOW I'M FEELING.

I AM NOT GONNA HUMOR YOU AND

PRETEND THAT THE DOG HAS SOME

VENDETTA AGAINST YOU, OKAY?

I'M NOT GONNA DO IT.
IT'S FUCKING RIDICULOUS.

OH, NOW I'M CRAZY
BECAUSE THE DOG--

- RACHEL!
- THE DOG DOESN'T LIKE ME.

IT'S FUCKING RIDICULOUS,
OKAY?

IT'S LIKE YOU'VE--YOU CARE
MORE ABOUT THAT--

- WHAT?
- I FEEL LIKE YOU CARE MORE

ABOUT THAT DOG THAN YOU CARE
ABOUT YOUR BABY.

FUCK THAT.

OH, YEAH, JUST GO.

WAY TO BE A FATHER!

I'M GOING FOR A WALK.

OH, YEAH, THAT'S GOOD.

EVERY TIME THERE'S AN ISSUE, WHY

DON'T YOU JUST LEAVE?

THAT'S FUCKING RESPONSIBLE!

MAN UP!

JESUS.

FUCK, GET OUT.

I DON'T FEEL BAD
ABOUT THE DRINKS.

I MEAN, I COULD HAVE CALLED.

I MEAN, ONE NIGHT OUT OF--

IT'S--IT'S NOT A BIG DEAL.

YOU KNOW, SHE SAYS THAT
I'M NOT COMMITTED ENOUGH
TO THE PREGNANCY.

WHAT AM I WORKING
12-HOUR DAYS FOR?

MAYBE I GOT TO DO MORE.
I DON'T KNOW.

MAYBE SHE NEEDS MORE OR
SOMETHING DIFFERENT.

LET'S GO INSIDE.

[dog growls, barks]

MADDEN.

MADDEN, IT'S OKAY.

[thud, barking]

YEAH.

UM, SO, THAT'S WHAT I'VE BEEN
DEALING WITH, JUST SO YOU KNOW.

I DON'T KNOW.

THERE WAS SOMETHING DIFFERENT
ABOUT HER NEWEST STUFF.

IT WAS...

THIS IS A GREAT SPACE.

DARKER.

DIFFERENT.
IT'S MORE BOLD.

HER NEWER WORK, IT
SEEMED MORE TROUBLED.

YEAH, THEY ALMOST LOOK
LIKE SCRATCHES IN A WAY.

I JUST KNEW SOMETHING
WAS DIFFERENT AND IT WAS
REFLECTED IN HER WORK.

I'M CURRENTLY CLEANING MY
BRUSHES BECAUSE THE WEIRDEST

THING ABOUT INSOMNIA IS THAT
EVENTUALLY YOU DO GET TIRED AND

YOU HAVE TO GO TO BED, BUT I'VE
BEEN PAINTING, SO I'VE BEEN,

UH--

[faint rasp]

SORRY, UM, WHAT WAS I SAYING?
OH, YEAH.

AND, UH, YEAH.

I'M JUST--

THERE'S SOMETHING THERE.

HMM?

OKAY.

I THINK I'M JUST TIRED AND
HEARING THINGS, SO--

RACHEL.

WHAT ARE YOU DOING?

UH, I WAS JUST CLEANING OUT

MY BRUSHES.

IT'S LATE, COME ON.

MOVE.

SHIT.

[sighs]

OH, JESUS.

- WHOA, HEY, HEY, HEY, HEY.
- DAMN IT.

STOP, STOP, STOP,
STOP, STOP, STOP.

- NO, NO, NO, NO, STOP.
- HONEY, GET READY FOR WORK.

STOP. HEY!

EASY.

JUST GET BACK.

JUST GET BACK.

[laughs] GO SIT DOWN.

GO SIT DOWN.

ARE YOU DONE IN THE BATHROOM?

- YEAH.
- WHAT HAPPENED?

I DON'T KNOW.

YOU DON'T KNOW.

SOMEBODY KEEPS KNOCKING ON
THE DOOR,

SO I DECIDED THAT I'M
GOING TO CATCH THEM...

EVENTUALLY.

OKAY.

THIS IS DUMB.

[knock at door]

SEE?

THIS IS WHAT I'M TALKING ABOUT.

NOBODY, AGAIN.

OKAY, I AM DONE WITH THIS.

IF YOU KNOCK ON MY DOOR AGAIN,

I WILL CALL THE POLICE.

KEEP THAT LOCKED UP.

UM...

KYLE'S GONNA BE HOME SOON,

SO WE'LL--

[knock at door]

[sighs]

JUST STOP!

DAMN IT.

UM...

YOU HEAR ME?

I KNOW WHAT YOU'RE DOING.

YEAH, I'M CONCERNED
ABOUT HER.

OF COURSE I'M CONCERNED.

SHE'S NOT SLEEPING.

YOU GUYS SEE IT.

SHE'S--SHE'S, LIKE,
NOCTURNAL NOW.

THE OTHER NIGHT,
I GET HOME LATE.

YOU GUYS HAVE ALREADY LEFT, AND

I FIND HER UPSTAIRS, AND SHE'S

ON THE FLOOR, RIGID LIKE--

LIKE--LIKE A PLANK, AND I--

AND I TRY TO WAKE HER UP.

I CALL HER NAME.

I SHAKE HER, AND
THERE'S NOTHING.

SHE'S GOT THESE SCRATCHES
ON HER ARMS, OKAY?

SHE DOESN'T REMEMBER ANYTHING.

HOW DO I KN--WASN'T HER--HAVE

YOU SEEN HER FINGERNAILS?

SHE--SHE CHEWS THEM, OKAY?

SHE--I HAVE LONGER FINGERNAILS

THAN SHE DOES, RICK.

I'M SEEING WHAT YOU'RE SEEING,

BUT I DON'T--

IS THERE ANYTHING THAT YOU'RE

NOT TELLING ME?

SHE LOOKS PALE TO ME.

SHE LOOKS--SHE'S WEAK TO ME.

SHE'S DISTANT TO ME.

I AGREE WITH ALL THOSE THINGS,

BUT I DON'T--I HEAR A VOICE THE

OTHER NIGHT.

I-I GET UP, I FIND HER SITTING

IN THE LIVING ROOM ON THE COUCH,

JUST STARING AND TALKING, AND

SHE'S NOT TALKING AS HERSELF.

WHAT DO YOU MEAN?

SHE'S NOT--IT'S NOT--IT'S--

SHE'S USING SOMEBODY
ELSE'S VOICE.

WHAT'S THAT?

I DON'T KNOW.

I REALLY DON'T KNOW.

THAT'S--OKAY, GOOD.

THAT'S--THAT'S GOOD.

- I MEAN, I WILL
CONSULT ABOUT THIS.
- YEAH, CONSULT SOMEBODY...

- HAVE YOU TALKED--
- WHO KNOWS WHAT THEY'RE DOING,

OKAY?

KYLE...

HAVE I EVER HEARD ANYTHING
LIKE THIS BEFORE?

NO.

THIS IS ONE OF THE RECORDINGS
FROM RACHEL'S MIC.

[guttural scream]

OKAY.

CONGRATULATIONS.

YAY.

HEAVEN?

[laughs]

I'M GONNA SCRUB IT,

AND I WILL LOOP IT FOR YOU.

[indistinct, overlapping speech]

[guttural scream]

I TOLD YOU.
I MADE IT CLEAR.

SHE CAN'T LISTEN TO THAT SHIT.

I DON'T WANT YOUR SOUND MEN
SEEKING THAT SHIT OUT.

I DON'T KNOW WHAT IT IS!

SHE RUNS WITH IT.
I KNOW SHE DOES. OKAY?

- LISTEN, MAN--
- WHAT ARE YOU THINKING?

I'LL TELL YOU WHAT I WAS
THINKING--I WAS--

RACHEL CAME OVER TO ME, UM,

WANTING TO LISTEN TO THE--

WHAT THE CREW PICKED UP ON

HER MIC, AND SHE CAME TO ME AS A

FRIEND, AND THIS HAD NOTHING TO

DO WITH THE SHOW AT ALL.

NOTHING.

I PLAYED HER THE RECORDINGS.

UM, THAT WAS IT.

IT WAS--IT HAD NOTHING TO DO

WITH THE SHOW.

SHE JUST WAS SOMEBODY WHO REALLY

WANTED TO KNOW
WHAT WAS GOING ON.

UP UNTIL THAT POINT, UH,
87 SEPARATE RECORDINGS.

WHAT DOES IT SOUND
LIKE TO YOU? VOICES?

VOICES FROM BEYOND?

THAT'S A NICE IDEA.
WHY DON'T YOU KEEP
TELLING RACHEL?

[laughter]

PERFECT.

DON'T DROP THE SIGN.

WHAT WAS I THINKING?

JUST KIDDING.

I'M KIDDING.

WHERE'S OUR GIRL?

I DON'T KNOW, KYLE.

WHAT?

SHE--

I THINK SHE'S USING
THE BATHROOM.

SHE WAS JUST HERE.

RACHEL?

[knocks]

HEY, BABY.

WHAT YOU DOING?

YOU'RE PAINTING THE NURSERY.

RIGHT NOW, WE GOT SOME PEOPLE

HERE, AND THEY WANT TO SEE YOU.

EVERYTHING'S GONNA GET DONE,

AND THERE'S GONNA
BE PLENTY OF TIME.

ALASTOR SAID THE BABY'S COMING
AND THE ROOM ISN'T READY.

OKAY, GUYS.

[rock music playing]

[indistinct chatter]

YOU GONNA HELP ME?

KYLE!

RACHEL?

HEY.
STOP, STOP, STOP.

- HEY, IT'S--
- [Madden whimpers]

- HEY, WHAT HAPPENED?
- THAT'S NOT MINE.

- IT'S NOT MINE.
- [Madden barks, whines]

I WAS JUST DOING THE DISHES,
AND HE CAME AT ME.

RACHEL?
RACHEL, WHAT IS GOING ON HERE?

- AND HE--
- WHAT?

OH, MY GOD.

WHAT'S GOING ON?
WHAT IS THIS?

WHAT IS THIS BLOOD?

KYLE?

[panting]

BARBARA, CAN YOU GO INTO MY

ROOM AND GET MY PHONE
OFF MY BEDSIDE TABLE?

YES.

[Madden barks]

RACHEL, JUST STAY THERE,
ALL RIGHT?

I DON'T KNOW IF
I SHOULD MOVE HIM.

I NEED TO CALL THE VET.

RICK?

RICK, WHAT--RICK, WHAT
ARE WE DOING HERE?

JUST KEEP--JUST
KEEP FILMING THIS.

JUST KEEP ROLLING.

RICK, CAN YOU COME HELP ME?

I-I DID IT.

I DID IT.

- I DID IT.
- [Madden yelps]

HOW'S SHE DOING?

SHE'S--WELL, SHE'S OKAY.

SHE'S RESTING.

I'M SORRY ABOUT YOUR DOG.

I'M GONNA GO SEE HER.

HEY, BABY.

IT JUST HAPPENED SO FAST.

I JUST TURNED AROUND,
AND HE WAS THERE, AND I--

[cries]

MM.

HEY.

[sobs, whimpers]

YOU GET THAT CAMERA OUT
OF MY FACE RIGHT NOW.

WHAT DO YOU WANT ME TO SAY?

SHE SAID MADDEN CAME AFTER HER,

CAME AFTER HER BELLY, THEN HE

CAME AFTER HER, AND SHE HAD TO

PROTECT HERSELF.

SO, WE GOOD?

SO, RACHEL, UH, YOU KNOW, HAD

HIM PUT HIS HAND ON HER BELLY,

UM, YOU KNOW, TO FEEL THE BABY.

AND WHEN HE DID, YOU KNOW, SHE

SAID, "CAN YOU FEEL IT?

IT'S INSIDE OUR BABY."

I MEAN, THAT'S--

I MEAN, WHAT DO YOU DO?

I MEAN, WHAT DO YOU DO?

I FIRST STARTED TREATING
RACHEL AFTER HER FATHER'S DEATH.

MY ORIGINAL DIAGNOSIS WAS THAT

SHE WAS A MANIC DEPRESSIVE, SO I

TREATED HER WITH MEDICATION.

HER MOTHER ASKED ME TO COME DOWN

AND EXAMINE RACHEL AGAIN, AND I

FOUND THE SYMPTOMS TO
BE TOTALLY DIFFERENT.

THE FACT THAT SHE STOPPED TAKING
HER ANTIDEPRESSANTS COULD HAVE

BEEN THE CAUSE, BUT
IT'S HARD TO SAY.

WHAT DO WE DO ABOUT
THE BIRTH?

YOU GOT TO HAVE THE BIRTH AT
HOME, AND YOU GOTTA GET HER BACK

ON HER MEDICATION.

PLEASE, WE HAVE GOT TO

CONVINCE HER TO HAVE
THE BIRTH IN THE HOSPITAL.

- THERE IS JUST--
- BARBARA, SHE DOESN'T
WANT TO GO TO THE HOSPITAL.

I DON'T CARE WHAT SHE WANTS.
SHE IS NOT THE ON--

YOU HAVE TO CARE ABOUT
WHAT SHE WANTS, BARBARA.

I AM HER MOTHER. OF COURSE
I CARE WHAT SHE WANTS.

I--THERE IS A BABY
AT STAKE HERE.

OH, MY GOD.

I'M SORRY.

THANK YOU FOR COMING.

KYLE HAD A HARD TIME MAKING

THAT--MAKING THE DECISION TO

KEEP RACHEL AT HOME, BUT

ULTIMATELY, HE FELT THAT HE HAD

MORE CONTROL WITH HER THERE.

YEAH, I WANT TO
LEAVE THE SHOW.

NO, NO, NO, NOTHING PERSONAL,

BUT I WANT IT ALL TO STOP.

BUT...

THAT'S NOT WHAT SHE WANTS.

"PROOF," SHE SAID.

SHE SAID THAT...

THIS WILL BE HER PROOF.

I THINK THAT SHE WANTS SOMEONE
TO SEE WHAT SHE SEES.

[static]

I WAS THE ONE THAT SUGGESTED
THE HOUSE BLESSING.

WITH EVERYTHING THAT'S HAPPENED

INSIDE THE HOUSE, I THINK IT'S

GOOD TO FORGET THE PAST AND TO

START WITH A CLEAN SLATE.

WHEN AN EXPECTANT MOTHER IS

WITH BABY, SHE HAS WELCOMED

JESUS INTO HER BOSOM, JUST AS

THE VIRGIN MARY DID.

WHEN YOU MOVED INTO THIS HOME,

YOU WERE ACCEPTING JESUS IN

WHICH TO GROW YOUR FAMILY IN

PEACE AND IN LOVE.

SO BLESSING YOUR HOME

THROUGHOUT AS MUCH AS POSSIBLE

WILL BRING ABOUT A BETTER SENSE

OF THE PRESENCE OF
JESUS IN YOUR LIFE.

OH, LORD ALMIGHTY, BLESS--

BLESS THIS HOME SO THERE MAY BE

PEACE AND LOVE IN THE EXPECTANT

MOTHER AND HER BLESSED HUSBAND.

IN THE NAME OF THE LORD, AMEN.

BLESS THE--[audio distorts]

[static]

- SIT DOWN.
- YOU OKAY?

[static]

YOU FEEL FAINT?

[static]

WHAT IS IT?

I FEEL--

YOU WANT SOME WATER?

NO.

HERE.

ARE YOU OKAY?

NO, I JUST--

HERE, LAY DOWN.

I'M AFRAID FOR OUR BABY.

STOP TALKING ABOUT THESE
THINGS, RACHEL.

JUST STOP. OKAY?

WHAT--WHAT IS IT?

DO YOU KNOW THE WAY THAT YOU

SOUND WHEN YOU SAY THESE THINGS?

I JUST--I FEEL LIKE THERE'S

SOMETHING AND IT WANTS OUR BABY.

- THERE'S NOTHING.
- YES, THERE IS.

- THERE'S NOTHING!
- YES, THERE IS.

THERE'S NOTHING WRONG
WITH THE HOUSE!

STOP SHOUTING! STOP SHOU--

THERE'S NOTHING WRONG
WITH THE BABY!

STOP SHOUTING, KYLE.

THERE'S NOTHING WRONG WITH
YOU, OKAY?

STOP IT.

KYLE.

CAN WE TAKE A BREAK, PLEASE?

WHAT? WHAT THINGS ARE--

I CAN'T EXPLAIN THEM.

STOP THE CAMERAS. HEY.

LET'S TAKE A BREAK.

I--

WHOA, HEY.

SHUT THE CAMERAS OFF!

BACK OFF.

KYLE!

HE'S JUST--

I'M SORRY.

UM--

[sighs]

GOD.

OKAY.

ALL RIGHT.

AND--

OKAY.

WE'RE DONE.

- OKAY.
- I DON'T KNOW.

NO. OKAY.

IT'S OVER.

I FEEL LIKE SOMETHING--

I THINK YOU SHOULD GO.

IT'S LIKE I CAN'T TALK TO--

GET OUT.

- JESUS.
- GET OUT.

FATHER ALVAREZ, I THINK YOU--

GET OUT!

- I'M COMING.
- GET OUT. OUT.

NO.

GET OUT. OUT.

I'M SORRY. I'M--

EVERYBODY, GET OUT.

EVERYBODY, GET OUT, PLEASE.

I'M NOT LEAVING.

- BARBARA, PLEASE GET OUT.
- I'M NOT--

BARBARA, GET OUT!

GET OUT OF MY HOUSE RIGHT NOW!

GET OUT OF MY HOUSE RIGHT NOW!

I'M NOT LEAVING
MY DAUGHTER WITH YOU!

MOM, MOM, JUST GO.

GO!

YOU KNOW, I-I FELT LIKE
WE HAD COME SO FAR.

WE JUST HAD TO FINISH.

KYLE TOOK SOME CONVINCING.

I'M NOT GONNA PRETEND LIKE
IT'S NOT EASIER WITHOUT A WHOLE

CREW OF PEOPLE AROUND.

I'M HERE.

YEAH, YOU ARE HERE.

I'M NOT SURE WHY.

I SPENT ALL MY
FREE TIME THERE.

I WOULD EVEN STAY
OVER SOME NIGHTS.

I FELT LIKE I WAS PART
OF THE FAMILY.

SERIOUSLY, SHE'S GAINING
WEIGHT, WHICH IS GOOD.

BUT, YOU KNOW, SHE'S...

NOT IN THE RIGHT PLACE

ALL THE TIME.

SHE'S NOT SLEEPING ENOUGH.

SHE'S EATING FUNNY.

SHE THINKS MARLENA HAS RUN OFF.

MARLENA?

HER MANNEQUIN.

SHE'S MISPLACED IT.

I DIDN'T KNOW WHAT WE WERE
GONNA CAPTURE.

I JUST KNEW THAT WE HAD--

NO, IT WAS NO CASH-GRAB.

IT WASN'T ANY SORT OF

EXPLOITATION TO FINISH
FOR MY OWN PROFIT.

NOTHING LIKE THAT.

IT WAS ABOUT--IT WAS ABOUT,

TOGETHER AS A GROUP,
FINISHING WHAT WE STARTED.

THAT WAS IT.

THAT WAS IT,
AND SOMEBODY NEEDED

TO BE THERE FOR HIM.

AND I PRAYED FOR RACHEL
AND THE BABY.

WHAT WAS THAT LIKE?

UH, IT'S LIKE MAKING

SMALL TALK WITH SOMEBODY YOU

HAVEN'T TALKED TO IN A WHILE.

WHAT?

THIS ISN'T FAIR.

LET ME SEE YOUR UNION CARD

BEFORE I HAND THIS TO YOU.

[laughs]

ALL RIGHT, HERE YOU GO.

NOT A TOY.

[sighs]

TOUGH TIMES DON'T LAST.

TOUGH PEOPLE DO, BROTHER.

WE'RE IN THE WHITE FLAG LAP.

WE'LL BE ALL RIGHT.

WOW.

LOTS OF ACTION.

I THINK WE'VE GOT
THE HEART OVER HERE.

[heartbeat throbs]

YEAH.

THERE WE GO.

OH, THAT'S SO STRONG...

AND HEALTHY SOUNDING.

[heartbeat continues]

[shriek]

[static]

[exhales]

WHAT WAS THAT?

I DON'T KNOW.

I DON'T KNOW.

OPEN THE DOOR!

[banging on door]

ARE YOU OKAY?

[banging continues]

IS SHE IN THERE?

RACHEL?

SHE'S IN THERE?

SHE'S IN THERE.

RACHEL?

RACHEL, OPEN THE DOOR, BABY.

RACHEL, OPEN THE DOOR.

HONEY, LET US IN.

RACHEL.

I GOT IT, BARBARA.

[grunts]

WHAT THE HELL?

WHY DIDN'T YOU ANSWER THE DOOR?

HEY, BABY?

CAN WE LOOK AT THIS REAL FAST?

WAIT.

WHY?

I JUST WANT TO SHOW 'EM REAL

FAST, JUST FOR A SECOND.

OKAY?

IT'S ALL RIGHT.

ENOUGH.

THE BABY KICKING.

I THOUGHT YOU WERE COVERING
RACHEL TONIGHT.

RACHEL?

BABY?

JESUS CHRIST.

OKAY, LET'S JUST NOT--

OKAY.

RACHEL?

BABY?

KYLE?

WHAT DO YOU KNOW
ABOUT THE MIRRORS?

I DON'T KNOW.

IT'S JUST THINGS IN HER
HEAD, YOU KNOW?

JUST--

SHE SAYS THAT THEY'RE A CONDUIT

TO THE...

[sighs] SPIRIT WORLD.

I DON'T KNOW.

I DON'T KNOW.

AND I JUST DON'T KNOW WHETHER

I'M SUPPOSED TO AGREE WITH HER

OR TELL HER THAT'S NOT TRUE.

YOU KNOW?

I DON'T KNOW.

I DON'T KNOW.

SHE WON'T TALK TO ME, YOU KNOW?

WHAT DO YOU WANT, KYLE?

KYLE?

WHAT'S WRONG?
I THOUGHT YOU WERE IN BED.

MM-MM.

I, UH--

I THOUGHT I JUST SAW
BLOOD ON THE FLOOR.

OKAY.

ALL RIGHT, COME ON.
YOU NEED YOUR SLEEP.

- LET'S GO.
- NO, NO, NO.

NO.

I JUST NEED YOU TO PUSH
THROUGH WITH ME, OKAY?

BUT I FEEL SO ALONE.

YOU'RE NOT ALONE.

I'M ALL ALONE.
I'M ALONE IN THIS.

- YOU'RE NOT ALONE.
- YES.

I'LL STAY WITH YOU.
COME ON.

[whimpers]

RACHEL?

[door slams]

SWEET DREAMS.

RACHEL?

WHAT THE FUCK?

RACHEL?

[static]

RACHEL?

OH, MY GOD.

JENNY, UH, IS RACHEL WITH YOU?

IS RACHEL THERE?

ALL RIGHT, I GOTTA GO.

SHE SAID EVERYTHING.

I DID NOT KNOW WHAT TO DO.

I JUST--I'M SO SORRY.

I SHOULD HAVE CALLED
YOU EARLIER.

I JUST LET HER REST FOR A BIT.

YOU KNOW, SHE NEEDED TO
CALM DOWN A LITTLE BIT.

UH, YEAH, SHE'S RIGHT HERE.

JESUS, I'M SORRY.

[static]

HEY, IT'S ME.

YEAH, OKAY, ALL RIGHT.
ARE YOU OKAY?

MM-HMM.

BABE, YOU CAN'T JUST LEAVE

THE HOUSE LIKE THAT.

[static]

[static]

[dogs barks]

LOOK.

SHE DID THIS?

NOW SHE SAYS SHE DOESN'T
REMEMBER.

[fly buzzes]

[sighs]

LOOKS LIKE A NEST.

KYLE?

KYLE?

[groans]

[groans]

RACHEL?

NO, UPSTAIRS.

[sighs]

RACHEL?

RACHEL?

[audio distorts] RACHEL?

COME ON, BABY.

LET'S GO TO BED, HUH?

LET'S GO TO BED.

COME ON.

RACHEL, LET'S GO TO BED.

WE NEED TO GO TO BED.

RACHEL.

RACHEL, WE NEED TO G--

[moaning]

[laughs]

[static]

WE'RE GOING TO BED, HONEY.

COME ON.

WE'RE GOING TO BED NOW.

WE'RE GOING TO BED.

[knock at door]

[whimpers]

KYLE CALLED ME AROUND 7:00,

7:30, TOLD ME IT WAS TIME.

[door opens]

RACHEL WAS GOING INTO LABOR.

I DIDN'T WANT TO GO.

I-I FELT LIKE SOMETHING

REALLY BAD WAS GONNA HAPPEN.

YOU'RE JUST FINISHING
A CONTRACTION?

IT'S FINISHED.

WHERE ARE YOU AT WITH THAT?

UM, ABOUT EVERY FIVE MINUTES

AND ABOUT A MINUTE APART--

OR A MINUTE LONG.

HOW ARE YOU DOING, RACHEL?

I'M OKAY.

I'M TIRED.

YEAH.

ALL RIGHT.

I'M GONNA DO AN INTERNAL EXAM.

I WANT TO SEE WHERE YOU'RE AT...

OKAY.

AS FAR AS HOW OPEN YOUR

CERVIX IS.

[sighs]

MY DARLING GIRL.

YEAH.

ALL RIGHT, WELL, THIS IS

NOT--IT'S GONNA PINCH A BIT,

OKAY?

SO WHAT YOU REALLY WANT TO DO IS

TRY AND BREATHE WITH IT.

OKAY?

ALL RIGHT.

[clears throat]

[groans]

TRY AND BREATHE.

[groans]

ALL RIGHT, THERE WE GO.

YOU'RE AT 4 CENTIMETERS.

CAN YOU WALK?

[sighs]

CONCENTRATE ON
YOUR BREATH WORK.

TRY AND BREATHE AS LOW AS YOU

CAN INTO YOUR PELVIS.

YEAH.

YOU'RE DOING GREAT.

TWO, THREE, FOUR.

[groans]

NOW DEEP.

DEEP, DEEP, DEEP, DEEP BREATHS.

[groans]

THERE YOU GO.

ONE, TWO, THREE,

FOUR, FIVE.

[exhales]

THREE, FOUR, FIVE.

[exhales]

ONE, TWO, THREE,

FOUR, FIVE.

SO GOOD.

WE'RE MOVING ALONG HERE.

SO PROUD OF YOU, BABY.

[breathing heavily]

SO TIRED.

I KNOW.

BUT YOU KNOW WHAT?

YOU'RE DOING GREAT, AND IT'S

GONNA BE OVER SOON, AND YOU'RE

GONNA BE A MOM, AND I'M GONNA BE

A DAD.

AND YOU'RE GONNA BE SO GOOD.

YES, YOU ARE, YES.

NO.

NO.

NO.

DON'T SAY THAT, BABY.

NO.

IT'S GONNA TAKE OUR BABY.

UNLESS I KILL--

[muttering]

[groans]

ONE...

[whimpers]

TWO, THREE, FOUR...

[groans]

FIVE.

ONE, TWO...

[groans]

THREE, FOUR, FIVE.

HERE, LET ME HELP YOU.

KYLE, WOULD YOU GET ME A COOL

WASHCLOTH, PLEASE?

SURE.

[dogs barking in distance]

YOU'RE DOING REALLY GOOD,

RACHEL.

THERE WE GO.

BREATHE, GOOD.

[indistinct argument

in background]

BREATHE.

BARBARA, WHAT IS THIS?

BREATHE DEEP, RACHEL.

GOOD, BREATHE.

BREATHE, GOOD.

[indistinct argument continues]

BREATHE, GOOD.

WHAT'S GOING ON?

[overlapping arguing]

SHE CALLED MY SERVICE AND--

I CALLED HIM.

- I ASKED HIM TO COME, YES.
- OKAY.

I DIDN'T KNOW YOU
WERE COMING.

SHIT.

RACHEL? RACHEL?

DR. SHORE'S CAME DOWN, OKAY?

I WANT YOU TO TALK TO HIM.

HI, RACHEL, IT'S DR. SHORE.

RACHEL, CAN YOU LOOK AT ME?

[gasps, moans]

KYLE, SHE NEEDS TO BE
IN A HOSPITAL.

I CAN GET AN AMBULANCE
HERE RIGHT AWAY.

YOU TELL ME WHAT TO DO.

YEAH, YEAH, DO IT.

RACHEL, EVERYTHING'S GONNA
BE OKAY NOW, ALL RIGHT?

IT'S GONNA BE FINE.

JUST RELAX.

- JUST BREATHE, OKAY?
- [gasps]

[screams]

I TOLD YOU!

[dogs barking in distance]

[overlapping chatter]

IT'S HERE, IT'S HERE!

IT'S HERE!

BREATHE.

SHH.

RELAX, BREATHE.

COME ON.
COME ON, BREATHE.

- HE'S HERE.
- I GOTTA FIX THE LIGHTS.

KEEP--STAY WITH HER.

KEEP THAT ON HER, RICK.

RACHEL?

RACHEL, LOOK AT ME.
IT'S OKAY.

- IT'S OKAY, RACHEL!
- IT'S ALL RIGHT, RACHEL.

LOOK AT ME.

IT'S GONNA BE OKAY.

BABY, IT'S OKAY!

IT'S JUST THE LIGHTS.

THAT'S ALL IT IS.
JUST THE LIGHTS.

LOOK AT ME.

WE'RE OKAY, EVERY--

[static, piercing shriek]

[distorted audio]

GET IT OUT OF ME.

GET IT OUT OF ME, NOW!

OKAY.
WE'RE DOING IT NOW.

- BREATHE.
- OKAY, WE'RE DOING--

HELP ME, PLEASE!
HELP ME!

BREATHE.
BABY, BREATHE.

BABY, BREATHE.
BREATHE, BABY.

BABY, BREATHE.

[gasps]

RACHEL, BREATHE.

BREATHE, RACHEL.

BABY, COME ON, BREATHE.
COME HERE.

[groans]

OH, GOD.

[groans]

ALL RIGHT.

OH!

YOU'RE OKAY.

I'M HERE. YOU'RE OKAY.

YOU'RE OKAY.

[groans]

YOU'RE OKAY.

[wails]

[audio distorts]

YOU'RE ALMOST THERE.

YOU'RE ALMOST DONE.

ONE MORE PUSH.

[groans]

[audio distorts]

[moans]

[baby cries]

YOU HAVE A HEALTHY BABY BOY.

IT'S OUR LITTLE BOY.

[baby cries]

OH, GOD, THANK YOU.

THANK YOU.

ALL RIGHT.

I'M GOING TO CUT
THE UMBILICAL CORD.

ALL RIGHT.

WE DID IT.

WE DID IT, BABE.

[baby cries]

THAT'S THE BABY.

HEALTHY BABY BOY.

I WANT TO SEE MY BABY.

OKAY, GO RIGHT AHEAD.

OH.

[baby crying]

EVERYTHING'S GONNA BE FINE.

[baby cries]

GOOD NIGHT, ALASTOR.

[shriek, audio distorts]

HERE WE ARE WITH THE NEW BABY
ON THE WAY AND A NEW HOUSE, AND

IT'S JUST--I DON'T KNOW.

IT'S LIKE ALL OUR
DREAMS ARE COMING TRUE.

WE'RE VERY LUCKY.

GONNA GO LIKE THIS.

AND THEN...