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Previously on Hannibal...
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I've killed hardly anybody
during our residence.
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- What are you doing in Florence,
working with Roman? - Roman...
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00:00:09,384 --> 00:00:12,207
is speaking to the Studiolo Friday.
You should come.
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What wickedness has your attention, Mr. Dimmond?
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Yours, Dr. Fell.
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00:00:16,135 --> 00:00:18,925
Are you here to twist me into
an uncomfortable position?
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I'm here to help you untwist.
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Snails prefer eating with company.
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If only that company could be Will Graham.
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Is Will Graham still alive?
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Will was not a suitable
substitute for therapy.
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What have you done, Hannibal?
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Abigail?
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I didn't know what else to do, so...
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I just did what he told me.
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Where is he?
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Y- you were supposed...
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to leave.
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We couldn't leave without you.
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Time did reverse
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the teacup that I shattered
there to come together.
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The place was made for
Abigail and your world.
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Do you understand?
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The place was made for all of us,
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together.
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I wanted to surprise you.
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And you...
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you wanted to surprise me.
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I have let you know me.
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See me.
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I gave you a rare gift.
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But you didn't want it.
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Didn't I?
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You would deny me my life.
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N- no. No.
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Not your life, no.
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My freedom then, you
would take that from me.
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Confine me to a prison cell.
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Do you believe you could change me,
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the way I've changed you?
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I already did.
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Fate and circumstance have
returned us to this moment
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when the teacup shatters.
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I forgive you, Will.
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Will you forgive me?
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Don-, don't...,
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Non...
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No. No.
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You can make it all go away.
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Put your head back.
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Close your eyes.
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Wade into the quiet of the stream.
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How do you feel?
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Thirsty.
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There's someone here very anxious to see you.
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Synced and corrected by
** Ahmed Elshehawy **
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** Hannibal - Season 3 Episode 2 **
Primavera
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They told me he knew exactly how to cut me. {\pos(195,220)}
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They said it was surgical.
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He wanted us to live. {\pos(195,220)}
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He left us to die. {\pos(195,220)}
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But we didn't.
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00:09:39,465 --> 00:09:41,709
He was supposed to take me with him. {\pos(195,220)}
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We were all supposed to leave together. {\pos(195,220)}
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He made a place for us. {\pos(195,220)}
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- Abigail...
- Why did you lie to him?
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The wrong thing being the {\pos(195,220)}
right thing to do was... {\pos(195,220)}
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...was too ugly a thought. {\pos(195,220)}
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He gave you a chance to take it {\pos(195,220)}
all back and you just... {\pos(195,220)}
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kept lying. {\pos(195,220)}
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No one had to die.
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It's hard to grasp... {\pos(195,220)}
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what would've happened, {\pos(195,220)}
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what could've happened, {\pos(195,220)}
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and in some other world did happen.
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I'm having a hard enough time {\pos(195,220)}
dealing with this world. {\pos(195,220)}
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Hope some of the other {\pos(195,220)}
worlds are... {\pos(195,220)}
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easier on me. {\pos(195,220)}
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Everything that can happen, happens.
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It has to end well...
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and it has to end badly.
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It has to end every way it can.
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This is the way it ended for us.
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We don't have an ending.
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He didn't give us one yet.
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He wants us to find him.
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After everything he's done,
you'd still go to him?
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If everything that can happen, happens,
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then you can never really do the wrong thing.
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You're just doing what you're supposed to.
92
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When we have gone from this life,
I will always have this place.
93
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In your "Memory palace"?
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My palace is vast, even
by medieval standards.
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The foyer is the Norman Chapel in Palermo;
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severe, beautiful, and timeless,
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with a single reminder of mortality:
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a skull graven in the floor.
99
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8 months later
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Norman Chapel, Palermo Italy.
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Even in an enlightened world,
we come here to feel closer to God.
102
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Do you feel closer to God?
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God's not who I came here to find.
104
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Do you believe in God?
105
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What I believe is closer to science fiction
than anything in the Bible.
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We all know it, but nobody
ever says that G-dash-D
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won't do a G-dash-D-damned thing
to answer anybody's prayers.
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God can't save any of us...
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because it's inelegant.
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Elegance is more important than suffering.
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That's his design.
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You talking about God or Hannibal?
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Hannibal's not God.
114
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Wouldn't have any fun being God.
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Defying God,
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that's his idea of a good time.
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Nothing would thrill Hannibal more
than to see this roof collapse
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mid-Mass, packed pews,
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choir singing...
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He would just love it.
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And he thinks...
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God would love it, too.
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Is it him?
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Per favore, signore.
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Proibito qui. La cappella chiusa.
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LaManna, non lasciarlo uscire.
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Voglio parlare con lui.
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What did he say?
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He said he wants to talk to you.
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Signor Graham...
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Chief Investigator Rinaldo Pazzi.
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Questura di Firenze.
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You're a long way from Florence.
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You're a long way from Baltimore.
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I read everything I can find...
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on FBI profiling methods.
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I read all...
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about your incarceration.
139
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Keep reading. I was acquitted.
140
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You come to Palermo...
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and soon - very soon -
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a body is discovered.
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The priest at the Cappella
dei Normanni said...
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you have been spending a lot of time there.
145
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I've been praying.
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There is some comfort in prayer.
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It leaves you with the distinct feeling
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you're not alone.
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Signore...
150
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Vieni con me.
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Ciao.
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Is Will Graham here because
of the body at the cappella,
153
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or is the body here
because of Will Graham?
154
00:20:44,566 --> 00:20:46,116
Why are you here?
155
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I'm like you.
156
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I do what you do.
157
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We share the gift of imagination.
158
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I've got the scars of a man
who grabbed his gift by the blade.
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You grabbed the wrong end.
160
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Those moments when the connection is made,
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that is my keenest pleasure.
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Knowing.
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Knowing.
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Not feeling, not thinking.
165
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You know...
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who murdered that man
and left him in the Cappella Palatina.
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Don't you know?
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I met him...
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20 years ago.
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Il Mostro,
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the Monster of Florence.
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It was his custom to arrange his
victims like a beautiful painting.
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Il Mostro created images
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that stayed in my mind.
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20 years ago,
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I was dwelling on a couple found slain in
the bed of a pickup truck in Impruneta.
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Bodies placed garlanded with flowers...
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Like a Botticelli.
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Exactly like a Botticelli.
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His painting Primavera...
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still hangs in the Uffizi Gallery in Florence,
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just as it did 20 years ago.
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The garlanded nymph on the right,
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the flowers streaming from her mouth,
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match.
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Match...
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The Uffizi Gallery...
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that's where you met il Mostro.
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That's where...
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I met...
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this man.
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The Monster of Florence.
193
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Success comes as a result of inspiration.
194
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Revelation is
195
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the development of an image,
196
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first blurred,
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then coming clear.
198
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To find the inspiration il
Mostro used was a triumph.
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I went to the Uffizi and stood before
the original Primavera...
200
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day after day and most days...
201
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I'd see a young Lithuanian man...
202
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as transfixed by the Botticelli as I was;
203
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as transfixed as I imagined
il Mostro would be.
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And every day I saw him...
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he would recreate Primavera in pencil,
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just as he did in flesh.
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I knew.
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It was the best moment of my life,
209
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a moment of epiphany...
210
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that made me famous...
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and then ruined me.
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In haste and the heat of ambition, the
Questura nearly destroyed the young man's home...
213
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trying to find evidence.
214
00:24:20,727 --> 00:24:23,676
- He doesn't leave evidence.
- No, he doesn't.
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He eats it.
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00:24:26,851 --> 00:24:30,905
Another man - not an innocent man, but...
217
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innocent of those crimes -
218
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was a dream suspect.
219
00:24:36,207 --> 00:24:38,786
He was convicted on no evidence...
220
00:24:39,226 --> 00:24:41,676
except his character.
221
00:24:42,258 --> 00:24:46,113
Blame has a habit of not
sticking to Hannibal Lecter.
222
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It has a habit...
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00:24:53,607 --> 00:24:55,507
of sticking to you.
224
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I splintered every bone,
225
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fractured them...
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00:25:55,499 --> 00:25:57,159
dynamically.
227
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Made you malleable.
228
00:26:05,989 --> 00:26:07,463
I skinned you,
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bent you,
230
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twisted you...
231
00:26:19,192 --> 00:26:20,976
and trimmed you,
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head, hands, arms, and legs.
233
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A topiary.
234
00:26:40,634 --> 00:26:42,715
This is my design.
235
00:26:50,527 --> 00:26:53,582
A valentine written on a broken man.
236
00:28:18,233 --> 00:28:19,298
Will...
237
00:28:29,505 --> 00:28:31,755
I do feel closer to Hannibal here.
238
00:28:36,243 --> 00:28:38,763
God only knows where I'd be without him.
239
00:28:46,339 --> 00:28:48,211
He left us his, uh...
240
00:28:49,679 --> 00:28:51,279
his broken heart.
241
00:28:54,053 --> 00:28:56,040
How did he know we were here?
242
00:28:56,846 --> 00:28:58,040
He didn't.
243
00:29:01,174 --> 00:29:03,124
But he knew we would come.
244
00:29:06,108 --> 00:29:07,858
He misses us.
245
00:29:12,732 --> 00:29:16,620
Hannibal follows several trains
of thought at once without...
246
00:29:17,346 --> 00:29:19,009
distraction from any...
247
00:29:20,301 --> 00:29:21,851
and one of the trains...
248
00:29:23,996 --> 00:29:26,146
is always for his own amusement.
249
00:29:27,885 --> 00:29:29,435
He's playing with us.
250
00:29:30,684 --> 00:29:31,829
Always.
251
00:29:35,494 --> 00:29:37,392
You still want to go with him?
252
00:29:48,460 --> 00:29:49,460
Yes.
253
00:29:53,595 --> 00:29:55,195
He gave you back to me,
254
00:29:57,341 --> 00:29:59,098
then he took you away.
255
00:30:01,780 --> 00:30:05,430
It's Lucy and the football.
He just keeps pulling you away.
256
00:30:11,602 --> 00:30:13,821
What if no one died? What if...
257
00:30:17,422 --> 00:30:19,822
What if we all left together?
258
00:30:20,718 --> 00:30:22,468
Like we were supposed to,
259
00:30:24,141 --> 00:30:26,154
after he served the lamb.
260
00:30:29,842 --> 00:30:31,363
Where would we have gone?
261
00:30:34,308 --> 00:30:35,958
In some other world?
262
00:30:40,566 --> 00:30:42,216
In some other world.
263
00:30:47,745 --> 00:30:50,545
He said he made a place for us.
264
00:30:56,731 --> 00:30:59,231
A place was made for you, Abigail,
265
00:31:01,584 --> 00:31:02,927
in this world.
266
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It was the only place I could make for you.
267
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Are you...
268
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...praying?
269
00:34:33,533 --> 00:34:35,105
Hannibal doesn't pray.
270
00:34:36,921 --> 00:34:38,380
But he believes in God -
271
00:34:39,575 --> 00:34:40,675
intimately.
272
00:34:41,196 --> 00:34:44,374
I wasn't asking Hannibal Lecter.
273
00:34:48,064 --> 00:34:53,387
I think my prayers would feel
constricted by the saints...
274
00:34:54,115 --> 00:34:55,940
and apostles and...
275
00:34:58,798 --> 00:35:00,602
Jesus Pantocrator.
276
00:35:07,126 --> 00:35:09,379
How do your prayers feel?
277
00:35:10,923 --> 00:35:12,933
I hope my prayers...
278
00:35:13,311 --> 00:35:14,611
escaped,
279
00:35:15,312 --> 00:35:17,112
flown from here...
280
00:35:17,335 --> 00:35:18,833
to the open sky and God.
281
00:35:18,863 --> 00:35:21,317
Praying you catch him?
282
00:35:23,834 --> 00:35:26,784
You should be praying he doesn't capture you.
283
00:35:28,565 --> 00:35:32,077
I didn't head Questura di
Firenze the for nothing.
284
00:35:32,812 --> 00:35:34,346
You couldn't catch him when he was just a kid;
285
00:35:34,371 --> 00:35:37,667
what makes you think you're
going to catch him now?
286
00:35:37,692 --> 00:35:38,699
You.
287
00:35:39,567 --> 00:35:42,317
What makes you think I want to catch him?
288
00:35:46,441 --> 00:35:47,792
Signor Graham...
289
00:35:49,915 --> 00:35:52,559
Sei ancora qui, signor Graham, con me?
290
00:35:53,497 --> 00:35:54,614
Dove sei?
291
00:36:09,018 --> 00:36:13,062
If you could possibly be content,
292
00:36:14,467 --> 00:36:17,167
I would suggest you let il Mostro go.
293
00:36:18,789 --> 00:36:21,401
I can't do that any more than you can.
294
00:36:22,100 --> 00:36:23,600
He's going to kill you, you know.
295
00:36:27,749 --> 00:36:30,060
I'm usually right about these things.
296
00:36:30,070 --> 00:36:32,020
He let you know him.
297
00:36:33,071 --> 00:36:34,921
He sent you his heart.
298
00:36:39,022 --> 00:36:40,522
Where has he gone now?
299
00:36:42,664 --> 00:36:44,664
He hasn't gone anywhere.
300
00:36:50,170 --> 00:36:51,431
He's still here.
301
00:38:05,175 --> 00:38:06,259
Hannibal!
302
00:39:15,397 --> 00:39:16,597
Signor Graham?
303
00:39:43,812 --> 00:39:46,162
You shouldn't be down here alone.
304
00:39:51,685 --> 00:39:53,257
I'm not alone.
305
00:39:54,085 --> 00:39:55,185
I'm with you.
306
00:39:55,718 --> 00:39:57,618
You don't know whose side I'm on.
307
00:40:02,803 --> 00:40:04,920
What are you going to do when you find him,
308
00:40:05,775 --> 00:40:07,222
your il Mostro?
309
00:40:12,606 --> 00:40:13,706
I'm...
310
00:40:15,666 --> 00:40:18,236
I'm curious about that myself.
311
00:40:25,847 --> 00:40:28,622
You and I carry the dead with us,
312
00:40:28,768 --> 00:40:29,968
Signor Graham.
313
00:40:31,052 --> 00:40:33,552
We both need to unburden.
314
00:40:34,835 --> 00:40:38,185
Why don't you carry your
dead back to the chapel
315
00:40:39,811 --> 00:40:42,087
before you count yourself among them?
316
00:40:47,918 --> 00:40:49,534
You are already dead,
317
00:40:50,633 --> 00:40:51,683
aren't you?
318
00:40:57,205 --> 00:40:59,693
Buonanotte, commendatore.
319
00:41:44,858 --> 00:41:45,931
Hannibal...
320
00:42:07,978 --> 00:42:09,474
I forgive you.
321
00:42:28,320 --> 00:42:34,203
** Ahmed Elshehawy **
**ahmedelshehawy00@gmail.com**
22388
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