All language subtitles for Gomer Pyle U S M C S03E15 Loves Old Sweet Song 1080p BluRay FLAC2 0 H 264-BTN_track5_[eng]

[marching band plays]

[male announcer] Gomer Pyle - USMC.

Starring Jim Nabors as Gomer Pyle.

Also starring Frank Sutton
as Sergeant Carter.

[music continues]

[singing off-key] ♪ That old black magic
Has me in its spell ♪

♪ That old black magic
That you weave so well ♪

Look at that chick, Gomer.
Isn't she terrific?

Well, she's not too bad,
but a little squeaky on the high notes.

Maybe if she'd practice more.

I don't mean her voice, I mean her. Her!

She's the greatest-looking
thing I've ever seen.

Oh, yeah, she is nice-looking.

She looks like
she'd be a very sweet person.

But she sure could
stand a few voice lessons.

Who cares about her voice?

Look at that face,
that body that everything.

Everything is fine on her.

The only thing
that throws it off is her voice.

♪ Like a leaf that's caught in the tide ♪

♪ I should have stayed away,
But what could I do ♪

Boy, what a knockout. Ain't she, Boyle?

She's your type, eh, Vince?

You said it.
She's got everything, everything.

Great face, terrific figure

Class has she got class.

If she could only sing.

Huh?

What difference does that make?

This girl is a goddess,
can't you see that?

You're right,
she's a goddess with a rotten voice.

Listen, I got to meet her.

Hey, you got a pencil?
I'm going to send her a note.

This will get her over here.
Just wait and see.

Waiter, waiter?

Yes, sir?

Listen, will you see that Miss Poovie
gets this when she finishes?

Yes, sir.

Oh, and waiter,
a little something extra for you.

Thank you. I'll see that she gets it.

♪ You're the lover I have waited for♪

Duke, you gave him a dollar.

Gomer, one of the secrets of my success
is, I always go first class.

A dollar?

Waiter, waiter!

Yes, sir?

Listen, I wonder if you'd
do a little something for me.

Will you take this note

to that lovely young lady up there
when she finishes her song?

- Okay.
- And here here's two bits for you.

You really know your way around,
don't you, Vince?

Well, if you want things to happen,
you gotta grease the palm, kid.

♪ Under the old black magic called love ♪

[applause]

[mid-tempo music playing]

Hey, she got the note. See that, Gomer?

[chuckles] She got my note.

Pull that chair up, Boyle.
She'll be here in a second.

Excuse me, please.

Hello. I got your note.

Yes, Miss Poovie. We're certainly
delighted that you came over.

I was wondering if you might sit with us
for a few minutes and maybe have a drink.

Well, maybe just for a little while.

- Good, good.
- I have to sing again, you know.

Fine, wonderful, wonderful.

I'm, uh, I'm Duke Slater.
This is my good buddy, Gomer Pyle.

How do you like that?

She passed me right by and went over
and sat with the knuckleheads.

Waiter, waiter?

Yes, sir?

What happened? Wasn't that my note
you gave that young lady?

No, sir, it was a note
from those other fellas.

How come?

Well, I deliver the dollar notes first
and the quarter notes later.

You've certainly got a lot of talent,
and that's something I really know about.

You see, I've, uh, I've fooled around
in show business myself, you know.

- Really?
- Oh, yeah.

I wouldn't be surprised
if you went right up the ladder

and became one of the top singers.

[giggles] Do you really mean that?

Well, I'll admit in some parts,
you sang pretty as a catbird.

But in other parts,
you was just a freckle-off.

Hey, where you from, Gomer?

Mayberry, North Carolina.

[laughs] No, really?

Well, for goodness sakes,
do you know where I'm from?

Well, they're not going
to get away with this.

I'm going over there
and bring her back here.

Good luck, Sarge.

You don't mean it
You're from Turtle Creek?

Well, that's only 83 miles from Mayberry.

'Course I never have been there,
but I've heard all about it.

Well, you've been to Siler City.

Siler City? For goodness sakes.

I used to take the truck
up there all the time

to pick up radiator fittings.

And you know something else?

Besides a great voice,
you got style, real style.

Well, hello there, boys.

Nice to see you.

Well, hey, Sergeant Carter.
I didn't know you was here.

Allow me to introduce myself, Miss Poovie.

I'm Vince Carter, these boy's sergeant.

I'm pretty angry at them, too.

I mean, keeping you
all to themselves this way.

I just don't think
that's right, do you, boys?

Why don't you sit down
and join us, Sergeant?

Oh, no, I got a much better idea
than that.

Why don't you join me and my corporal
for a drink or two, Miss Poovie?

I'm sure these gentlemen wouldn't mind
sparing you for a minute, would you, boys?

- Well Well, I
- No, Sergeant Carter.

Not if Miss Poovie would like to.

I guess it's all right
with us, right, Duke?

You know, I really admire
your talent, Miss Poovie.

How about that?
Just when I was doing good.

I still think you was exaggerating
a little bit about her voice.

Voice? who cares about her voice?

As a matter of fact, I don't even know

what a talent like you is
doing in a joint like this.

Oh, uh, Miss Poovie,
this is Corporal Boyle.

- How do you do, Miss Poovie.
- Well, hello.

Look, Gomer, she's looking back over here.
She didn't want to leave me.

Boy, that Carter's got a lot of nerve.

She is looking back at us.
There's no question about that.

And I'll tell you something else.
You know what you got, Miss Poovie?

You got class. Ain't that right, Boyle?

I mean, that's the first thing
I said to Boyle

"There's a dame with class."

And if there's one thing
I know about, it's class.

How about a beer?

[drumroll]

[cymbals clash]

Oh, e-excuse me, fellas,
but that's my cue.

I've got to do another number.

Oh, sure, sure.

Don't stay away too long now. [laughs]

Boy, is that a dame or is that a dame?

- You know something, Boyle?
- What?

I think she goes for me, too.

Yeah? What makes you think that, Vince?

You mean, you didn't notice?

There was a thing between us.

You call it chemistry, electricity,
but I was there.

She felt it, I felt it, it was obvious.

Yeah? I didn't get it.

Well, of course you didn't get it.

It was passing between her and me,
her and me.

Chemistry ain't for the crowd.

If you say so, Vince.

[singing off-key] ♪ All or nothing at all ♪

Hey, Gome, would you mind
going back to the base yourself tonight?

No. Why?

I think I'll stick around until she's
finished. I want to talk to her again.

You know, maybe take her out
and buy her a steak or something.

- You wouldn't mind, would you?
- Oh, not at all, Duke.

Great.

Hey, listen, would you
loan me a ten until payday?

♪ Then I'd rather have nothing at all ♪

Isn't she something, Gomer?

Is she something?

The only thing against her is her voice.

[distant car horn honking]

You wouldn't want to ask her
if she has a friend for me, huh?

No, you just beat it, Boyle.
And take the jeep with you.

She'll be out any minute.

You sure you don't want it?
I can take the bus.

No, no, I'd rather walk her home.
Now just beat it, will you, please?

Okay, Sarge. Good luck.
Good luck with the chemistry.

All right, what are you
hanging around here for, Slater?

Oh, just waiting.

Yeah? Waiting for what?

Or should I say who?

W-Well, I'm, I'm--

You wouldn't by any chance
be waiting for Miss Poovie?

[Slater] Miss who?

Slater, let me point something out to you.

Why, Miss Poovie!

My advice to you, Slater, is to get
over there and get on that bus!

Hey!

Hold it!

- Miss Poovie!
- Miss Poovie!

- Miss Poovie!
- Miss Poovie!

Miss Poovie!

How could you do it, Gomer?
How could you do it?

Let her get on the bus
when you knew I was waiting for her.

But I, Duke, I couldn't help it.

The bus pulled away
before I could say anything.

And I couldn't
very well ask her to get off.

You took her right to her door, did you?

Yeah, and as a matter of fact,
we had a nice, long talk.

We must have sat out on her steps
for over an hour.

Yeah, did-did she mention me?
What'd she say?

Well, she did mention you once.
She said you had nice teeth.

Nice teeth? That's all?

Oh, boy.

First Carter comes along and butts in,
and then you come along and take her home.

Tonight I'm going back and I'm going to
really move in. Tonight.

So you never got to take her home, huh?

No. I told you,
I was talking to that stupid Slater,

and she went off on a bus.

- Gee, that's tough luck, Vince.
- Well, tonight's another night.

Tonight I'm going down there
and I'm not going to beat around the bush.

I'm really going to make
a pitch for her tonight.

I like your style, Vince.

Well, if there's one thing I know about,
Boyle, it's women.

Oh, hello, Sarge.

All right, Slater,
what are you doing here?

[applause]

Just get this through your head,
Miss Poovie's going home with me tonight.

There's going to be
no arguments about that.

- Miss Poovie!
- Oh, there you are, my dear.

And you're certainly looking lovely.

I have a table for us right over here.

Oh are you here alone?

That's right, all alone, honey.

As a matter of fact, I was just saying
good-bye to Private Slater here.

Good-bye, Private.

You see, the private
has a detail he forgot about.

He's got to sweep the parade grounds.

Ta-ta, Slater.
I'll see you in the morning.

Look, why don't we
just sit here at this table.

It's much better than the one I had.

So long, Slater.

Well, let's see, where's a waiter?

I'll get us a drink.

Are you still here?

Oh, please don't bother.

I really don't care for a drink.

Why? Is something wrong?

Oh, I know, you want Slater to leave.
Get lost, Slater, you heard me.

Oh, no, no, he doesn't have to go.
I mean, he can stay.

Well, well, actually,
I was expecting someone else.

- You don't have a boyfriend, do you?
- Actually I don't know.

What does that mean?

You know that Marine
that was here last night?

What Marine? Corporal Boyle?

No. Actually, the other one Gomer Pyle.

Gomer Pyle? What about him?

Well, I know this sounds sort of silly,
because I've only seen him once, but

Yeah, yeah?

Well

actually, I think I'm sort of

in love with him.

Can you imagine that?

Of all guys, Pyle?

I could have fell over.

This great-looking dame
telling me she's in love with Pyle.

Can you figure that, Boyle, Pyle?

Women are funny sometimes, Sarge.

You can't figure out what they want
or what they'll go for in a guy.

Excuse me, Sergeant.

What do you want, Pyle?

Well, I just came to pick up my pass
for the night.

Your pass?

Well, I don't know about that, Pyle.

I don't know why I should give you a pass

for hanging around
The Congo Club all night long.

I don't know whether
it's good for you fellas to do that.

But I'm not going to
The Congo Club, Sergeant.

I'm not going anywhere
near The Congo Club.

You're not?

Well, no, honest.

Oh.

- Well, okay, Boyle, give him his pass.
- Right.

Here you are, Pyle. Thanks.

Not that I'm really interested, Pyle,
but just where are you going tonight?

Oh, well, you remember that young lady
at The Congo Club named Lou-Ann Poovie?

Yeah, what about her?

Well, it's her night off, so she invited
me over to her house for dinner.

She's fixing all my favorites.

Apple dumplings, fried chicken,
hominy, fresh biscuits.

Well, thank you for the pass, Sergeant.
And I'll see ya.

There was this old possum
way up here in a tree,

and there was this
old half-blind hound dog

just barking and carrying on down here.

And right between them
was old Farley Upchurch.

Well, he's got this real high
squeaky voice and he was yelling,

[high-pitched voice]
Get the possum, you darn fool, not me!

Get the possum! Get the possum!

[laughing] Oh, boy, it was a sight.

Oh, that's funny.

Well, Farley Upchurch
He's something else.

I sure like being with you, Gomer.

I feel so comfortable.

Oh, well, that's probably
just 'cause I'm from back home.

Well, that's part of it, but also,
you remind me of somebody.

I do?

We've been talking about me all evening.
Let's talk about you.

What are you doing
out here so far from home?

Sometimes I wonder.

I was happy enough back there.

Had me a steady boyfriend.

You did?

Monroe Eford.

His daddy ran the feed store.

We was gonna get married.

Well, how come you didn't?

Well, Monroe just didn't understand
about my wanting a career.

He wanted to settle right down
and start having a family.

Oh.

And I was just determined
to pursue my career,

because singing is
so important to me, you know.

Yes, I do.

You know, I used to sing
in the church choir back home

and I know what it can mean to a person
who wants to make it their life's work.

Do you sing, Gomer?

Oh, a little.

Do you pick a little, too?

Well, not much.

Will you sing something for me?

- Aw
- Oh, please.

I don't know
if I remember anything or not.

Oh, come on.

Wait a minute.

There is one song
that I remember that I bet you know.

It's been kind of a long time.

♪ If you miss the train I'm on ♪

♪ Then you know that I have gone ♪

♪ You can hear the whistle blow ♪

♪ A hundred miles ♪

♪A hundred miles, a hundred miles
A hundred miles ♪

♪ A hundred miles ♪

♪ A hundred miles ♪

♪ You can hear the whistle blow ♪

♪ A hundred miles ♪

♪ Lord, I am one ♪

♪ Lord, I'm two ♪

♪ Lord, I'm three ♪

♪ Lord, I'm four♪

♪ Lord, I'm 500 miles away from home ♪

♪ Away from home
Away from home, away from home ♪

♪ Away from home ♪

♪ Lord, I'm 500 miles away from home ♪

You're not crying, are you?

No.

But you know, it's funny

The first time I met Monroe,

they were playing that song.

You kind of miss Monroe, don't ya?

I'd bet you'd be a whole lot happier if
it was Monroe sitting here instead of me.

[sniffles]

No, but thanks anyway
for playing that song.

Golly.

Pyle. Pyle, wait a minute.

Hey, Sergeant Carter.

Well, uh, what kind of
evening did you have, Pyle?

Oh, I had a wonderful time.

A real fine dinner.
She's a wonderful cook.

Yeah? Well, after dinner, did you

What's that you got on your cheek?
Lipstick?

Golly, I guess it is.

She kissed you?

How did you work that, Pyle?

I don't know,
it was a surprise to me, too, Sergeant.

See, I sang her this song
and she got so stirred up, she kissed me.

You sang her a song and she kissed you?

You're kidding.

No, singing means a whole lot to her.
It's practically her whole life.

Singing, huh? Singing really gets to her?

I guess it does.

Singing.
You sang her a song and she kissed you.

Uh-huh.

Well, good night, Sergeant.

Singing?

Yeah, it's too bad
that Pyle couldn't make it tonight,

but he had this guard detail
that he forgot about,

and I promised I'd fill in for him.

Well, it was awful nice of you
to walk me home, Sergeant Carter.

I hope that you'll remember to tell Gomer
that I understand about tonight.

'Night.

Wait a minute.
You're not going to go in just like that?

Well, it is sort of late.

Oh, well, it's not that late.

And besides, it's kind of a long walk
from that bus stop.

You wouldn't happen to have a bottle
of beer around in there, would you?

Oh, gee, no,
I'm so sorry, Sergeant, I don't.

Well, how about a bottle of pop?

Oh, I'm afraid all I have
is just a little bit of buttermilk.

Buttermilk?

Gee, that's perfect.
I haven't had any of that in years.

Okay.

Hey, what a comfortable
place you got here.

Real homey.

I love it, I really do.

Yeah, solid comfort.

You know what we ought to do sometime?

We ought to have a nice home-cooked meal.

I just love home cooking.

Apple dumplings, fried chicken,
hominy, hot biscuits.

That's my kind of eating.

I'll get your buttermilk now.

Yeah, it's a terrific place you got here.

[Carter singing flat]
♪ Love is a many splendid thing ♪

♪ It's the April rose that only grows
In the early spring ♪

♪ Love is nature's way of giving ♪

♪ A reason to be living ♪

♪ It's the golden crown
That makes a man a king ♪

Sergeant

Sergeant, I'm sorry, but I'm afraid
I'm all out of buttermilk.

Oh?

And it's getting late.

You'd better go now.

♪ Once on a high and windy hill ♪

♪ In the morning mist, two lovers kissed ♪

♪ And the world stood still ♪

Some other time, Sergeant.

♪ Then your fingers touched ♪

♪ My silent heart ♪

[man] Hey, cut the racket, buddy!

What do you think this is,
the Metropolitan Opera?

- [people shouting]
- [dog barking]

You know what she said to me?

"You'd better go now."

So?

Well, don't you know what that means
"You'd better go now"?

It means she don't trust herself.

So you went, huh, Vince?

Well, sure, what else?

I'm a gentleman.

But there are other nights, Boyle.

Other songs and other nights.

Golly! Golly!

Sergeant Carter! Sergeant Carter!
Corporal Boyle, where's Sergeant Carter?

- What's up?
- I came to get my pass.

- The most wonderful thing's happened.
- Oh, yeah, what?

- I finally convinced her to get married.
- Yeah, who?

Lou-Ann Poovie. You know,
the girl who sings at The Congo Club?

If Sergeant Carter comes back,

tell him I had to go
over to her place to help her get ready.

- Thank you, Corporal.
- Pyle

[humming tune]

Vince, where you been?
I called the barber shop.

They said you left ten minutes ago.
Wait till you hear.

What? What happened?

Well, Pyle was just here and, Vince

Vince, he and that dame
are getting married.

- Pyle and what dame?
- Your girlfriend, Lou-Ann Poovie.

- You're kidding!
- Vince, it's true.

He went over there to help her get ready.

He told me to tell you
'cause he said that you'd understand.

He told you that, and you let him go?
Just like that, he's going to get married!

Without asking the chaplain,
the CO, nobody?

Why didn't you stop him? There's a chain
of command in the Marine Corps!

Why didn't you stop him, Boyle?

You're supposed to...

Taxi. Taxi.

Oh, we missed it.

Pyle!

Hey, Sergeant Carter.

Boy, this is a surprise.

Did you come here to kiss the bride?

Bride? Just what did you
have in mind, Pyle?

Were you just going to go AWOL,

or were you planning on
going back to her hometown,

meeting her parents, getting married

and having a wedding supper
and getting back here in 12 hours?

Was that what you had in mind?

Oh, no, Sergeant. You see--

Do you know what you're letting
yourself in for? A court-martial.

Now wait, Sergeant, wait.

You got it all wrong.

We're not getting married.

I mean, Lou-Ann is, but I'm not.

Huh?

No, Lou-Ann's going back home
to marry Monroe Eford from the feed store.

You see, she came
out here for a singing career.

But she decided that her heart
was still back home with Monroe.

And it took Gomer here
to make me realize that.

You mean you had a boyfriend
back home all the time?

That's right.

Well, I didn't think so.

And there was nothing
between you and Pyle here at all?

No, not really, Sergeant Carter.

See, I just reminded her of Monroe,

and that's the reason
she liked having me around so much.

Well, Gomer reminded me so much of Monroe

that he made me want to
go straight back home to him.

Oh oh!

[Gomer] You know what, Sergeant Carter?

Lou-Ann's giving up
her singing completely.

No, really?

Well, I haven't given up my singing.

So this calls for a good-bye song
and a kiss.

Oh, no, Sergeant,
you don't really have to do that. Here.

[laughing]

Three o'clock today?

No kidding?

Well, best wishes, Lou-Ann.

She's getting married
at three o'clock today.

Well, listen, this is long distance,
so I guess I'd better hang up.

But, but wait just a minute.

We've got a surprise for you.

- You still want to do it, Sergeant?
- Sure. She'll get a real charge out of it.

- Hello? Hello?
- [inaudible dialogue]

Hello?

Operator? Hello? Hello?