All language subtitles for Hearts & Bones 2019

(REPORTER SPEAKS IN
FOREIGN LANGUAGE)

Moving on to the main axis
in our show for today.

Our national team fails to win
The Gulf Cup in its 23rd version

and now hopes are high
for the Olympic team.

to make amends

In today's show we'll talk
about two main axises

Firstly, we'll talk about our national
team's participation in The Gulf Cup.

The positive and negative aspect
along the duration of the championship

and the reasons behind the hard
elimination from the semi finals

We'll talk about our Olympic team
and its coming participation

in Asian Cup in China
with overwhelming news about...

DAN: Yeah, slow
down there, bud.

about calling up for players...

Yeah, stop here, stop here.

We'll discuss these topic with our
guest for today's show

Please welcome captain Qussai Hashim
our international X player

Welcome to our show, captain.

Hello and thank you
and your audience for having me.

Let get right into it, captain.

What do you think of our
national team in The Gulf Cup?

(CAMERA CLICKING)

DRIVER: This
is not safe, Dan.

(CAMERA CLICKING)

(SIGHING)

Can you read that?

DRIVER: Maasoum Asiz,
he's a local councillor.

What's that?

Hey, it's okay, it's okay.

Hey, it's okay.

(DRIVER SPEAKS IN
FOREIGN LANGUAGE)

It's okay!

(GRUNTING)
(GRAVEL RUSTLING)

DRIVER: Dan, please!

Get back!

There are landmines.

(SOMBRE MUSIC)

Okay, okay.

It's okay.

(CAMERA CLICKING)

(DRIVER SPEAKS IN
FOREIGN LANGUAGE)

No!

(BOOMING)

(BIRDS CHIRPING)

(PLANE WHOOSHING)

(STEPS CLACKING)

(SIGHING)

(KEYS CLINKING)

(SIGHING)

(SPLASHING)

REPORTER: Last year we
heard a number of times

that the crisis in Syria
has reached a tipping point.

It did (DROWNED
OUT BY CLATTERING)

MAN: Well I don't
use tipping points

or decision points for
a simple reason that

I think in the
progression of history

there are certain points
that we'll look back and say

that was a critical day.

Yesterday was a
very critical day.

I mean this was going
for the jugular,

and they did.

The opposition to Cassa,

to have struck down
his own brother-in-law,

one of the strongest,
toughest men in the regime,

a man blamed by the
United Nations, by the way

(KNOCKING)
for murdering Jessica Haimie.

(CLATTERING)

(BREATHING HEAVILY)

(LIGHTLY TENSE MUSIC)

(CHATTERING IN FOREIGN LANGUAGE)

(LIGHT MUSIC)

- Hey.
- Hi.

- G'day mate, how are you?
- How are you doing?

Okay, thanks.

No problem, you have
whatever you want.

ATTENDANT: All right.

All right, thank you.

(SOMBRE MUSIC)

REPORTER: Calling
commission by the conservative

think tank, the Institute of
Public Affairs or the IPA.

MAN: Strong
progressions that so much

very carefully selects one.

WOMAN: Can see the act.

Which also makes it an offence

to humiliate or intimidate a
person based on their race.

James Pattison used
to work for the IPA.

These days though he's a
liberal Senator in Victoria.

Hey.

Back again?

Yes, is it all right?

Yeah, knock yourself out.

(GATE CREAKING)

My wife has agreed
to look at the house.

OLD MAN: Yeah that's
good, really good.

(CHUCKLING)

Oh, Dan, thanks.

Sorry to rush you, mate, but
we're on the air in seconds

so take this mic here.

This one?

Now do you need a glass
of water or something?

No I'm fine,

- thank you.
- Okay,

if you could just
put the cans on.

Ready to go?

Okay we're on in 10 seconds.

Okay.

FRAN: Quiet now.

ANNOUNCER: Across Australia,
you're with Fran Kelly,

Radio National Breakfast.

You're listening
to RN Breakfast

and our next guest
has spent much

of the last couple of decades
documenting human pain

and misery really,
all over the world.

Dan Fisher, welcome
to RN Breakfast.

Thank you.

Dan, your work is well
known all over the world,

but strangely, it's
rarely shown here.

And our Minister for
Board of Protection

describes your photographs
as misery porn.

What do you think
of that description?

Have you heard that before?

Have you had to
respond to that before?

Look, I photograph what
my conscience asks me to.

Even if it's hard
to see, to watch.

Hopefully the images I take

enable us to say of the subject,

"We can see you, we
understand your plight.

"You're not collateral damage."

FRAN: We're speaking
with award-winning

war photographer Daniel Fisher.

Dan's work will feature
at the Testament Festival

at the State Library
later this year.

Dan, do you think we've
become desensitised

to these kind of images?

DAN: I hope not.

ADA: So I heard
the interview.

Yeah, well, I can
only be as interesting

as the questions, Ada.

Listen, we're
all super excited

about your involvement
in this festival.

If I could just
get another image

for the promotional material,

something not too off-putting.

Yep.

ADA: It's marketing, Dan.

I didn't realise we
were selling anything.

ADA: Of course we are.

It's a family event.

We don't want to give
the kids nightmares.

We're not dropping
bombs on them.

It's the bombs that give
them the nightmares.

ADA: Dan.

Okay, I'll find a photo
of an orphan with a puppy.

ADA: No puppies.

Partners don't like
third world dogs.

They like their dogs well fed.

Jeez.

WOMAN: Dan, are you home?

Gotta go, Josie's here.

ADA: Say hi to Josie for me.

I will.

Ada says hi!

JOSIE: Welcome home!

The washing machine's
buggered again.

You're soaked.

How was the trip?

DAN: It was good.

JOSIE: That's good.

DAN: What's
with all the boxes?

I'm just trying to tidy up.

I missed you this trip.

I always miss you.

I bought strawberries.

(LIGHT MUSIC)

(CAR HONKING)

ATTENDANT: Hi there.

Hi.

I'm looking for the
photographer, Daniel Fisher.

He will be in your
Testament Exhibition.

Oh, no, he doesn't
actually work here.

You could ask our
Special Projects Curator.

Her email's on the
back of this brochure.

I wish to send
him an invitation.

Have you tried his website?

Actually, I can do (MUMBLING)

How was the trip?

Good.

Really?

I'll tell you about it later.

(BUZZER RINGING)

(LAUGHING)

I've got it.

All right, I'm coming!

Hi, my friend.

Hello.

I'm Sebastian Ahmed.

Okay, I didn't call
a taxi, you know.

I'm looking for Daniel
Fisher, the photographer.

Well you found him, that's me.

I heard you on the radio.

Your radio interview.

You were talking of hope.

Are you a man of hope, sir?

Not generally, no.

What is it you want?

I have formed
a community choir

and it's my hope that
you can photograph us.

I'm not that kind
of photographer, man.

Daniel Fisher from
Sydney, Australia.

You have been to my
country of South Sudan.

You know there is much
repair work for us to do.

I wish you to photograph
our contribution.

I'll get you a
contact, just hang on.

Daniel.

I wish to invite you to the
Croydon community centre.

We are there every Tuesday
from seven o'clock.

Now look, Leo, I'm
the wrong man, okay?

Did you want me to sign that?

No, thank you.

Okay, just wait here.

I'll get you a phone number.

Who was it?

Some man, South Sudanese.

Taxi driver looking
for a photographer.

Dan, I'm pregnant.

15 weeks.

I've had all the tests,
everything's fine, I'm fine,

the baby's fine.

I thought we decided.

I know.

I wanted to get the all
clear before I told you.

DAN: Fuck.

I thought you'd be pleased.

I am.

I thought we decided!

JOSIE: I know.

DAN: Do I get a say in this?

Of course.

But Dan, this is happening.

What's that meant to mean?

(BUZZER RINGING)

JOSIE: Dan.

Dan?

Dan!

(BREATHING HEAVILY)

SEBASTIAN: Are you all right?

Are you okay?

DAN: You don't have to wait.

I will wait.

Do you have many
pictures of my village

outside Maridi in South Sudan?

I've no idea.

Thank you for helping me, but,

really you don't need to wait.

My friend, we can help you.

DAN: Graham, you
didn't have to come.

The doctor says that
you can go home tomorrow.

What happened?

I don't know, I just tripped.

Jesus.

Graham Fisher, Dan's brother.

I'm Sebastian Ahmed,
pleased to meet you.

JOSIE: Mr. Ahmed
brought Dan in his taxi.

Well, what do we owe you?

No, please.

Be well, Daniel Fisher
from Sydney, Australia.

Hang on.

Mr. Ahmed.

Sorry.

Sorry, were you
there when he fell?

Yeah.

JOSIE: What happened?

He tripped, as he said.

And I didn't really
see what happened.

- Okay.
- Yeah.

Okay.

- Thank you.
- No worries.

(LIGHT MUSIC)

Hello.

- How are you?
- How are you?

No, he is sleeping.

- Oh, sorry.
- Sleeping.

(TRAIN CHUGGING)

WOMAN: Hello, my darling.

(MACHINE WHIRRING)

Have you ever experienced
memory loss before?

No.

Yes.

Yes, he has.

Any headaches?

Coordination issues?

No.

He doesn't sleep.

Well I've never really slept.

He's restless all
night, he wakes suddenly.

Have you ever
had a head trauma?

Some, yeah.

DOCTOR: What, more than one?

Yeah.

From mainly small artillery.

Mortars, land mines,

you know other munitions
like IEDs, grenades,

that sort of thing.

In close proximity?

Yeah.

DOCTOR: Repeat exposure?

Yep.

And over what period
of time, months?

Years?

Decades.

Okay.

Any panic attacks?

Yes.

Traumatic flashbacks?

Yeah.

Okay.

This is the hippocampus.

Now since your last scan,
there's a (DROWNED OUT BY HUMMING)

We're gonna sit with our
feet together, spines tall.

Guys, if it's a bit
uncomfortable to sit

with your feet together,

you can have your legs crossed
if that feels better for you.

Let's place one hand on
the belly and one hand

on the heart.

So in the centre of your chest.

Nice, and guys you
can do the same.

So one hand on your
partner's belly

and one hand in the
middle of your chest.

I have facilities, I'm
prepared to share them.

I have a business,
I'm prepared to share,

I also have an excellent
financial advisor.

And did I mention I
will soon have a boat.

Your new archive.

Well, what Josie's
been able to pack up,

I gather you're
dragging your feet.

I started scanning
a long shortlist.

I thought you were flat out.

Well I'm here for you, okay?

We all are.

I'm making a file of selects

for you to have a look at too.

There are some great shots.

This exhibition is
gonna be a cracker.

When do we move the rest?

I wanted to talk
about mum's rings.

Mum's wedding ring?

About bloody time.

I thought I might
surprise Jos before I go.

You're not going away, Dan.

Well that's my
decision to make.

You sure Claire
doesn't want them?

If I'd given Claire
an engagement ring

as small as that,

she would have dumped my ass.

Anyway you know Claire.

Phobic of that second hand shit.

REPORTER: Videos like
these tell a familiar story

from inside Syria.

Like most, they're
hard to verify

but appear to show evidence
of the Assad regime's

assault on the city of Hama.

Not all violence is
so easily visible.

Amnesty International
says the tactics

are being used on prisoners.

(BUZZER RINGING)

MAN: The methods of
torture is returned to

Just a minute please.

One, two, three, four.

(SINGING IN FOREIGN LANGUAGE)

That was beautiful.

We hope you will
fall in love with us

and in voices of hope.

You are one of us.

I am not sure
that I am really.

We also suffer with
Post Traumatic Stress.

We shake off the bad spirit.

Don't be ashamed, my brother.

Yes, don't be ashamed,
it's easy, look.

(LAUGHING)

See?

I'm Sebastian Ahmed
from South Sudan.

High Equatoria region.

And I'm Mohamed Bangoura.

I'm from Guinea.

I am Timpani, I
am from Zimbabwe

which is in the south,
and part of Africa.

I'm Eric Ndabunguye from
DR Congo, Congo-Kinshasa.

My name is Dereb Desalegn.

I'm from Ethiopia.

My name is Sammla Stole.

I'm from South Africa.

My name is Rassin
Kassang and I'm from Syria,

what is left of Syria.

And I'm Daniel Fisher

and I'm from Sydney, Australia.

(SINGING IN FOREIGN LANGUAGE)

Do you remember Maridi?

No.

Well not fully, not really, no.

There was a massacre.

Yeah.

You were there.

In your book there
are photographs.

I know, but,

that was 15 years ago and
my memory's full of holes.

I understand.

Many died.

All my family.

I'm sorry about your family.

(SIGHING)

Thanks, God.

I have a wish

that you will not display
photograph of my village

to the Australian public.

We do not deserve to be judged.

(SIGHING) People won't judge.

They always judge us but
they cannot understand.

Well that's exactly why
the photos need to be seen.

I cannot agree.

There have been
enough suffering.

Our choirs are what the subject

for the Testament exhibition.

Look, I haven't made
my final decision.

We are brothers, yes?

(SPEAKS IN FOREIGN LANGUAGE)
Goodbye.

(SPEAKS IN FOREIGN LANGUAGE)
Goodbye.

It's still here.

Sebastian, if no one wants it,

it must be a dump, eh?

What could be wrong
with it, it's a house.

A house cannot be built on air.

It must be built on land.

Kalmi, you'll have a
garden with veggies

and a chicken palace!

All I'm saying is for
the same amount of money

we can have a nice
clean apartment

with nothing that needs fixing.

Oh, you need a haircut.

So cut it.

ANISHKA: Go to the barber.

I like it better
when you'll do it.

After your shift.

Anishka, you are a bully.

(LAUGHING) I can't
help it if I know

what's best for everyone, eh?

She here?

Oh, oh.

- Wait, wait.
- I think I'll get the bag.

Wait a second.

- Good morning.
- Good morning,

how are you?

I'm good, how are you?

Well thank you.

ANISHKA: That's good.

She's good today.

- Yeah, she's been good?
- Yeah, she's good.

She's ready, okay.

Ah, thank you.

(LIGHT PIANO MUSIC)

Coming up, up up up,
heels on the ground, good.

Look at the hand, present it.

Come back, great.

Okay let's get rid of the bars.

(CLICKING) Pick sticks.

Very good.

JOSIE: And this one's Haiti.

ADA: Shall we start
with the published works?

JOSIE: Yes.

And just as a way in?

JOSIE: We were thinking of
breaking it down by country

rather than year.

Sure.

JOSIE: Great.

DAN: I'm not
sure about these.

They're one of
your best known.

It's Sebastian
Ahmed's village.

The taxi driver?

ADA: You know
someone from here?

He set up a community choir.

He wants me to photograph them.

They're pretty good.

Great story.

He asked me not to exhibit
photos of his village.

Why?

His family died in
the massacre there.

All the more reason
to include them.

You're making sure
they're not forgotten.

Can we talk some more about
the Sudanese pictures?

You've worked so hard
not to censor yourself

and now a taxi driver's
telling you what to do?

(SIGHING)

Eve's.

These booties.

(JOSIE SOBBING)

(CLIPPER BUZZING)

Oh, don't scalp me.

You said short.

The hair, not me.

Then stop wriggling.

I'm too excited.

I don't want to move.

I love it here.

What do you love so much?

The carpet.

It's my favourite colour, puke.

And it's provide us
with free electricity.

And I love the stain
on the ceiling.

The obscene mystery stain?

Mhmm, yes.

The very one.

Careful, Sebastian. (SCOFFING)

SEBASTIAN: I know that you
are allergic to our new house.

But I will make it perfect.

How?

You already work nonstop.

When we are safe in our
own piece of this earth,

we can begin our true life.

We work.

That is our life.

It's all we ever do.

Sebastian, one day
you'll look at the tired

old woman in your bed

and you'll say "Who is this?"

And I'll say, "It's
me, remember?"

Oh, Sebastian, look,
I'm covered in hair.

It's too much.

I have to have another shower.

Come on, I'll scrub
your back, old man.

SEBASTIAN: I'm shy.

You are not shy.

(KIDS GIGGLING AND
CHATTERING IN DISTANCE)

(PERCUSSIVE DANCE
MUSIC IN DISTANCE)

(SINGING IN FOREIGN LANGUAGE)

MAN: That was good.

MAN: I forgot my part.

MAN: Do a bit faster?

MAN: Faster?

MAN: Miss that note.

MAN: No, 'cause
I missed a note.

MAN: Let's do it once more.

Oh!

- Hello.
- My friend.

Come, come, come, join us.

No, no, no, no.

Please don't let me interrupt.

SEBASTIAN: Come and sing.

No, I can't
sing, I can't sing.

People are more scared to sing

than to shoot a gun.

Oh, I understand that.

Where is your camera?

Oh, come, don't worry.

Just come, come sit.

- Hello.
- Hey.

Hey, hey, hey.

- Mohamed, hi.
- How you doing?

How you do?

Hey, hey.

Please.

(SINGING IN FOREIGN LANGUAGE)

Thank you, good night.

See you, see you,

- see you, goodbye.
- All right, goodbye.

See you, take care.

Really good singing, beautiful.

MAN: Who's catching
a train with me?

Can I give you a lift?

SEBASTIAN:
That's kind of you.

Yeah?

- Thank you.
- Okay.

When will you
bring your camera?

What, so I can record
your good deed for Allah?

God already knows everything.

For each of us there is an
angel to record our deeds.

Oh, I don't believe in angels.

I'm an infidel.

SEBASTIAN: Angels are not
deterred by your lack of faith.

(LAUGHING)

DAN: I'm parked there.

SEBASTIAN: Yeah,
you parked there?

(MEN SINGING IN
FOREIGN LANGUAGE)

DAN: Right up the back?

SEBASTIAN: Yeah.

Thanks for the ride.

It's my pleasure,
Sebastian, thank you.

Come, you will meet my family.

No, I should go,
really, thanks.

Please, we are already here.

They will love to meet you.

(SIGHING)

Okay.

SEBASTIAN: Yeah.

Not too long though.

All right.

You must not butt in
and discuss my wife

by speaking the past.

I have never told her
about my life from before.

Do you tell your
wife what you witness

when you are away?

(SIGHING) Not everything, no.

You see, there
is too much pain.

A man must protect his family.

I understand.

Yeah, please, let's go.

Are you done?

One more spoon?

One more, nope?

Here comes the train.

There we go, good girl.

Anishka.

Daniel, this is my wife Anishka.

Hi Anishka.

Anishka, this is Daniel.

Hello, hello.

(SPEAKS IN FOREIGN
LANGUAGE) Sebastian, eh?

Why didn't you tell me

you were bringing somebody home?

Ah it's all right.

Don't worry, Nish.

- Sorry.
- Sorry.

It's okay.

- We're here.
- So.

- Is it okay?
- Daddy's back.

Maybe I should go.

Ah no, it's all
right, it's okay.

Please, please be seated.

- Okay.
- Yeah.

This is Kalmira.

- Hello, Kalmira.
- What a cutie face.

Hello.

(SEBASTIAN SMOOCHING)

The place is a mess.

I will tidy up.

Oh, please.

The tea?

Yes.

Beautiful.

ANISHKA: This is a mess,

- the entire thing.
- I will cook a curry.

ANISHKA: What with?

- What with?
- Please don't go

to any trouble.

All we have is leftovers
from the restaurant.

DAN: That sounds great.

ANISHKA: It'll only
take a minute to prepare.

Daniel is a photographer
that I'm praying

that he will chronicle
our voices of hope.

- Okay.
- Yeah.

I will heat up the food.

I will heat up the food.

It's all right.

Please, Daniel,
feel at home please.

Okay, thank you.

All I'm saying is for
the same amount of money

we can have a nice
clean apartment.

Thank you.

Our apartment is built on air.

Land is security.

Only land.

Listen to Scarlett O'hara.

As God as my witness, I will
never be homeless again.

(LAUGHING)

I'm just teasing you.

Land, land, land.

With your friend,
it is always land.

DAN: You're yawning.

I know, she's very,

you are tired my darling.

It was nice to meet you Dan,

I'm going to take her to sleep.

You too Anishka, thank you.

Thank you so much.

Come to mama.

Land is security.

Sebastian, let go
of the land situation.

Say goodnight, say goodnight.

Don't excite her.

Always before bedtime
you will excite her.

You are always
nibbling at her.

No, not always
nibbling at my baby.

DAN: Good night, Anishka.

ANISHKA: Good night.

Thank you.

You heard our choir

and now you have seen my heart.

You understand I
would like to see

any other photographs
of my village?

Really?

You're not strong
enough to bear witness

alone, my friend.

Okay.

Okay.

Thanks for tonight, thank you.

All right.

Oh god.

JOSIE: You okay?

Yeah I'm fine.

Go back to sleep.

(LIGHT MUSIC)

JOSIE: What are you doing?

Sebastian wants to see
the photos of his village.

You don't need his permission.

I know, but it's his history.

It's your life's work.

Hasn't made a
difference, has it?

You can't know that.

I've got a brain full
of plaque for what?

Right, go.

You go back to bed.

I'm a mess.

Why is it easier for
you to talk to a stranger

than me?

Why don't you come
to the choir with me?

You'll love it.

(CROWD APPLAUDING)

Thank you, thank
you, thank you.

Sebastian, Anishka, Kalmira,
(SPEAKS IN FOREIGN LANGUAGE)

Hello.

(SPEAKS IN FOREIGN LANGUAGE) - Hello.
- Welcome.

(SPEAKS IN FOREIGN
LANGUAGE) Sebastian, today,

you have guaranteed
your future here

in this great country.

- (SPEAKS IN FOREIGN LANGUAGE) Congratulations. Congratulations.
- (CROWD APPLAUDING)

Thank you.

- Thank you.
- Now let's cut the cake.

(CROWD CHEERING)

Anishka doesn't know
anything about the photos.

JOSIE: Okay.

I don't think he's
told her anything

about his past at all.

You're kidding.

Sebastian.

- Oh, Dan.
- Congratulations.

Oh, thank you.

Thank you so much.

- You remember Josie?
- Hello.

- So lovely to see you again.
- Josie, how are you?

Good to see you too.

DAN: Hi, Anishka.

Hello Dan, how are you?

This is Josie, my partner.

Anishka.

JOSIE: Congratulations
on the house.

Thanks.

We're running out of
space at the apartment.

JOSIE: Oh! (LAUGHING)

Double congratulations!

How long?

Four months, yes.

Oh and you too, (SPEAKS
IN FOREIGN LANGUAGE)

Dan tells us about the bub.

So when are you moving in?

SEBASTIAN: It
may be some months

before the house is ready.

It's got potential.

At the moment,
that's all it's got.

Oh dear.

Hey.

I'm here to steal the baby,

show it to the band.

Ah!

(DAN BREATHING HEAVILY)

You pull the car here over.

What's wrong?

Can you pull the
car over, please, Jos?

What's wrong?

Dan, what's wrong?

Dan?

What is it?

Why didn't you
tell me straight away

you were pregnant?

You were in the field.

I didn't wanna worry you.

So you decided
for me, did you?

I was being considerate.

What is going on?

I would have liked to know.

That's not how it works, is it?

You wanna help choose the photos

so that's what happens.

You wanna renovate, we renovate.

You want us to stay in Sydney

so I spent half my
life in the air.

You want another baby, righty-o.

What about what I want?

You do what you
want all the time.

You always have.

I make plenty of compromises.

It's not my fault
that you're unwell!

I know how hard this is for you,

your life is changing.

Oh, Jesus, that's
fucking words,

one way of putting
it, look at me.

If I could donate an
organ to fix you, I would.

But it's not all bad.

Your work is being honoured.

You can improve physically.

You've got me and the baby.

But I could lose
you and the baby.

There is no way I would
have wanted you to risk

having this child

after what happened.

You know that!

And that's why you
didn't tell me!

How many times have
you risked your life

without asking me first?

All right.

I'll leave you to it.

Stay, please.

Stay.

This was my favourite
time of year

before the wet season.

They would take new
calves out on the valley.

I was with my first wife then.

Where is she now?

Raped.

Then murdered with machetes.

You don't have to put
yourself through this.

You have opened
a door to the past.

I must go through.

All men would go
there to a meeting.

All the women and
children were at home.

We didn't know
there were militia

in the area, teenage boys
drinking paint stripper.

Paint stripper, not beer.

I try to find a reason
for what happened.

There was no reason.

I can see in my mind

the feast of bull flies

biting each other.

You know the big
flies that bite?

I think we call
them horseflies maybe.

We call them bull flies.

Because they charge at us.

They come from the earth when
they smell sweat and blood.

One charges at a boy, bites him.

He is angry.

The boy fires his weapon
and the rest join him.

It is a frenzy.

The frenzy, they will
desire to feel it again

for the rest of their lives.

We heard the shots and
we ran to our homes.

I had two sons.

And the youngest had
beautiful daughter.

You were a witness but
you don't remember.

You are fortunate.

But we are no longer victims.

DAN: You take them.

You take them.

(LIGHT MUSIC)

(CAR WHOOSHING)

MAN: G'day.

Hey, hey, hey.

Please, get other taxi.

MAN: I'm not going far.

I'm finished for the day.

- Hey just drive, pal.
- See there is no light here.

(MAN MUMBLING)

You need to get up.

MAN: Just drive the
fucking cabbie, mate.

- I'm not getting out!
- I'm asking you

to get out now.

MAN: Drive!

You're a taxi, fine!

Fuckin!

(BABY CRYING)

Look at this!

Get out!
(MAN LAUGHING)

MAN: Hello.

SEBASTIAN: Get out!

You all right?

You all right, mate.

SEBASTIAN: Get out!

MAN: She's all right,
settle down, mate.

All right, settle down.

All right, all right, all right!

(THUDDING)

You have no right!

(LIGHTLY TENSE MUSIC)

(PHONE RINGING)

(PHONE VIBRATING)

Hello?

Dan.

It is my daughter, it is Mariam.

They are all dead.

All the families.

And you buried them yourself?

Yes, we buried
with our own hands.

But there were many.

Perhaps my tears
made me blind.

Let me check the
dates and the times.

Sebastian, I have a
contract with the Red Cross.

No.

DAN: They can
help you find her.

SEBASTIAN: No.

Look, nothing
bad's gonna happen.

Are you here legally?

Of course.

I have every citizenship proof.

Sorry, it's okay.

My passport and my
certificate of marriage,

my driver licence
and my tax returns.

I understand, it's okay.

What if she is alive?

What then?

I'll help you find her.

But you'll need to tell Anishka.

(LIGHT MUSIC)

(TRAIN WHOOSHING)

Yay!

(LAUGHING)

The drier will conk out next.

DAN: We're in here.

SEBASTIAN: Oh,
where are you going?

This is the Red Cross.

Do you want me to
do this for you?

I can take the documents in.

No, no, no.

It's all right with me.

Okay, you stay here, okay?

Stay here, I'll be right back.

- You sure you wanna go in?
- Stay here.

Absolutely.

Stay right there.

Dan.

It's okay, stay there.

Sebastian.

This is Janine.

Hi, Sebastian.

Hi, how are you?

Now Janine needs to
photocopy your documents.

- It's all right.
- No I actually

- need to keep this one.
- It's okay.

She needs to photocopy these

and you need to
fill in this form.

I'll be right back.

All right.

It's okay.

You're sure of her?

She's a good friend.

She looks dangerous.

She's not dangerous at all.

Now this is an application form.

We fill this in just one by one.

Yeah.

- Dan.
- Give it back to Janine.

Dan, I'm really sorry.

You know I didn't
want to come here.

I know.

You are true friend of mine.

I will show you my new house.

I'd love that.

But first we fill
in the form, yeah?

Yeah.

(LAUGHING)

This place is very dangerous.

I understand.

So date of birth.

SEBASTIAN: This is the main...

DAN: Bathroom, yeah.

SEBASTIAN: Yeah
it's the main bathroom

where you place the tub and

make it just perfect.

A little bit of
painting and make it

a good place to live in, yeah.

DAN: Nice and strong.

Yeah, very strong.

Ah there's fleas.

It's a old carpet.

This is the reason Anishka
doesn't like coming here.

(RIPPING)

You got some nice
boards here I think.

- Yeah, oh.
- Yeah.

Oh really we can actually,

it's a good wood, man.

That's right.
(KNOCKING)

Yeah, it's a good wood.

They're good boards.

Do you wanna pull it up?

Get rid of the whole thing,
get rid of the fleas?

Yes, yes, please, let's do it.

(LIGHT MUSIC)

They're beautiful.

- Yeah?
- They're beautiful,

they're beautiful.

(COUGHING)

You good?

SEBASTIAN: It's good, yeah.

(WATER SPLASHING)

DAN: Thanks.

I suppose I could do you.

Yup.

Oh dear.

Running water.

The world is full of miracles.

Yeah.

You're gonna want a hand

sanding those floors in there.

SEBASTIAN: You would do that?

DAN: Yeah.

You would help me?

DAN: Yeah.

Of course I'd help you.

That's good.

ANISHKA: Where have you been?

Shh.

Don't use that trick with me.

I've been to our new house.

The floor is good good.

Dan helped me tear
up the carpets.

Look at the time, eh?

I'm sorry.

But I've never been so happy.

Never in my life.

I better have a shower.

Sit with me.

(SEBASTIAN SOBBING)

What's it?

(MACHINE PULSING)

DOCTOR: There we go.

I have a very strong heartbeat.

Do you wanna know the sex?

Yeah.

- Yes, yes.
- Yeah.

Okay, let's have a look.

There we are.

It's a girl.

You okay?

Aw.

(SIGHING)

It's good to see
you here together.

Now, I would like
to talk about Eve.

Do you make time
to remember her?

We used to.

We had lots of photos up.

And then we felt we
should try to move on.

DOCTOR: That's
understandable.

I've been thinking
about her a lot lately.

Well I can recommend
some good people

to offer support if you need it.

The complications
around Eve's birth

is obviously a concern.

And with a second pregnancy
the risks are higher.

What are the figures?

Well it's hard to say.

Well, might give it a go, eh?

- Dan, please.
- No, no, that's fine.

It's a fair question.

Around 15% of foetuses affected
by a placental abruption died

and there is one in
four chance that Josie

will develop the
condition again.

Now Josie, for you personally
the risks are low but there,

- Excuse me.
- Mmm.

JOSIE: Dan.

Dan.

You all right to
drive yourself home?

(BASHING)

(SOMBRE MUSIC)

(GRUNTING)

Is it him?

With the gun?

(SIGHING) Yeah.

Yup.

Busy night.

SEBASTIAN: Not bad.

Did you have a nice evening off?

Mmm.

What is wrong?

SEBASTIAN: I must
tell you something.

Okay.

SEBASTIAN: You'll have
many feelings about it.

What is it?

SEBASTIAN: I want you to know

once I had another
wife with two sons.

And I once had another daughter.

I thought they were all dead.

But my daughter
could be still alive.

Her name is Mariam.

DAN: So we could see
from the scarification

and from the ring
that it was him.

Well maybe he, you
should go to the police.

He could be a war criminal.

He's not, he's not a
criminal, he's not a criminal.

He's standing there with
a gun to somebody's head.

It's obvious why he
doesn't want it exhibited.

He's been manipulating you.

Is there any way
I can you know,

just pull out of this festival?

Why?

What is the whole point of it?

Don't sabotage
yourself now, Dan.

On a happier note,

I know I said we wouldn't
buy anything just yet but

I couldn't help it!

Tada!

- For you.
- Wow, so many.

- And for you, my darling.
- Thank you.

Thank you.

- (LAUGHING)
- Oh, they're beautiful.

Jos, which one do you want?

And they do come
with the heel.

(LAUGHING)

Thank you.

(GLASS CLINKING)

(CLEARS THROAT)

To Dan.

Soon to be father

and his lovely wife.

Ooh, sorry, has he
popped the question yet?

Nah.

(LAUGHING)

No one can ever replace
your beautiful Eve.

She was a perfect package

and we all ache to
hold her each day.

But life goes on

even though sometimes
you wish it wouldn't

and there are times you
think you're doing okay,

that you think
you're gonna make it

and then you'll see something or

hear a song and,

you'll feel exactly like
you did the day she died.

But there will come a day

when the thought
of your little girl

will bring a smile
before it brings a tear.

To Dan and Josie, soon
to be wonderful parents.

(GLASSES CLINKING)

Thank you Graham.

(GRAHAM CHUCKLING)

CLAIRE: There's
still one more.

JOSIE: Oh blimey, gosh.

You've been shopping, girl.

SEBASTIAN: Nish.

You need to stop talking.

I can't hear any more.

But I've only ever wanted...

I have to catch up.

Stop, please.

I'm heartbroken for you
that you lost your family.

But I'm,

I'm very angry.

Of course.

No, stop please.

Please, just.

Sebastian, stop, Sebastian.

- Sebastian stop!
- You and Kamli.

Stop.

It is not for me that you lied.

I don't need protecting,
I'm not a child.

Who am I to you?

Who am I to you?

- You are everything.
- Who am I to?

You are everything.

Who?

SEBASTIAN: Everything.

I need you to stay at
the house for a few days.

Nah, it's too hard...

Just a few days.

So I can catch up.

- Now please...
- This is doing my head in.

Now, please.

We need to resolve
this, let's talk.

Let's talk.

(VACUUM WHIRRING)

(RAG SQUEAKING)

DAN: Sebastian?

I told Anishka.

Did she throw you out?

She needed space.

I'm tired, I will skip
choir practise tonight.

There's something I
need to talk to you about.

That photograph.

The man with the gun.

That's you, isn't it?

Why didn't you just tell me?

Now you are judging me.

I'm not judging you.

Look, just be straight
with me for once, okay?

Get out.

Get out!

DAN: You lied to me.

Never!

You lied to yourself.

You see the scared black
man kneeling on the ground

and you think it must be me?

That's bullshit!

(GRUNTING)

Get out!

I remember everything!

It was a war!

I killed the man who
killed my family!

And I would do it
again and again

and any man would!

Now before they killed my son,

before they butchered my son,

my son said to me,
"Father, don't worry.

"I will tell God everything
and he will make it right."

He was only five years
old, five years old!

(BIRD SQUAWKING)

(DOOR CREAKING)

Just do what you can, Jos.

It's bleeding.

I can't, you need stitches.

They're expecting
you at the surgery.

I'm fine.

You need to see the doctor!

Are you going to report him?

He attacked you.

You weren't there!

I'll drive myself.

Dan, Dan, your phone.

Anishka?

Hi, hi, it's Josie Avril.

Dan's partner.

How are you?

I'm good.

Look, I need to
show you something.

(BUZZER RINGING)

That was quick.

Sorry, Josie, it's me.

Can I talk to Dan please?

He's upstairs,
what do you want?

I just want to talk to him.

- Allow me to talk to him.
- I'm sorry, please leave.

You know, to hurt
Dan is unforgivable.

I never ever wanted
to hurt anyone.

So please allow
me to talk to him.

You should have
told him the truth.

Yeah I know.

Please, let me just talk to him.

I just want to apologise to him.

- I'm sorry, I'm sorry.
- Please allow me.

Dan can't help you
anymore, Sebastian.

Please allow me.

(SLAMMING)

(WATER TRICKLING)

Do you miss it?

I did, when I stopped.

But ballet's not an easy life.

It's not as romantic
as it looks.

How long to go?

A few months.

Must be a girl.

You're carrying high.

Are you all right, Anishka?

Sebastian's a good man.

I'm sure he is.

I don't think anyone
can keep their life

hidden like that
without paying a price.

I think he needs help.

You mean counselling.

He's been through so much.

So have you.

Losing your daughter.

It hasn't been easy.

No pictures though.

What do you mean?

No pictures of
you during the worst

moment of your life.

Losing everything,
burying your dead,

hope gone.

Dignity, gone.

There are no pictures
of you in hell.

(TAPPING)

When you lost everything,

I bet people showed
some respect.

Looked the other way.

Eh?

How dare you.

(RIPPING)

Oh my god.

(KNOCKING)

(BANGING)

Who are you?

Hmm?

I'm going crazy.

Except I can't.

Because I'm pregnant

and I have a baby to look after

and a 12 hour workday tomorrow.

You have put our family
in danger, Sebastian.

I won't be moving here.

And I don't want you.

You are on your own.

(ZIPPING)

You can't do this.

Dan.

You need help.

I spoke to Anishka.

What?

I rang her.

Dan, Dan!

Just stop for a minute

and tell me what you
think you're doing.

I'm going to Syria.

I'm doing my job.

Do you remember what
the neurologist told us?

Look, let me call Graham.

Just come inside.

Please.

Please, just stay here with me.

Just for tonight.

We need you.

Sebastian came here.

DAN: What do you mean?

I don't want him
coming here, Dan.

Please, Dan!

(DOOR SLAMMING)

Dan!

(CAR STARTING)

Dan, please!

(REVVING)

(CLATTERING)

(PRAYING IN FOREIGN LANGUAGE) Verily we belong to God
and verily to Him do we return.

(CRASHING)

(LIGHTLY TENSE MUSIC)

(KNOCKING)

Hello!

Hey!

Are you in there?

(TYRES SCREECHING)

(GATE CREAKING)

Now listen.

I don't know what
he's up to in there

but he was making
a hell of a racket.

I knocked on the door but I am.

Yep, all right, thanks.

Sebastian?

Sebastian!

Dan, Dan, Dan!

What's happening?

It's okay, it's okay,

- it's okay.
- What's going on?

Wait, what, what?

- It's okay sweety.
- What?

Tell me, tell me,

- tell me.
- Sebastian tried

- to kill himself.
- What?

(ANISHKA WHIMPERING)

What?

DAN: Medic!

(PHONE RINGING)

Dan?

Hello?

Dan?

(DAN SOBBING)

Where are you?

Dan?

Jos.

JOSIE: Yeah, yeah I'm here.

I'm scared.

Just tell me where you are.

(DAN SOBBING)

It's all right.

(PLANE WHOOSHING)

(BIRDS CHIRPING)

(CAR HONKING)

(CHICKENS CLUCKING)

(MEN CHATTERING IN FOREIGN LANGUAGE)
Come on.

Thank you very
much, very much.

(ANISHKA SPEAKS IN FOREIGN LANGUAGE)
Hello.

(SPEAKS IN FOREIGN LANGUAGE) - Hello.
- Hello.

Nice to see you.

Nice to see you too.

Hello, all right.

- I'm fine.
- Anishka.

Hello my brother.

I'm good, thank you.

MAN: Open the
door, open the door.

Slow down, slow down,

you're gonna trip on that step.

You good?

Yeah.

Hey Nish.

ANISHKA: Hello,
Dan, how are you?

Good, how are you?

I'm good, thank you.

Is he up?

He's out in the back.

I've got some news for him.

Can I help?

(GATE CREAKING)

Hey, Seb.

Dan.

They found Mariam.

She wants to meet you.

Yeah.

My friend.

You must exhibit photograph

from my village.

The man with the gun,

he is a part of me.

Yeah.

Yeah.

(LIGHT MUSIC)

(CROWD CHATTERING)

(CHUCKLING)

It's all amazing.

Okay, everyone ready?

We are going to sing now.

One, two, three.

♪ Well we know
where we're going ♪

♪ But we don't know
where we've been ♪

♪ And we know what
we're knowing ♪

♪ But we can't say
what we've seen ♪

♪ And we're not
little children ♪

♪ And we know what we want

♪ And the future is certain

♪ Give us time to work it out

(BRIGHT MUSIC)

♪ Yeah

♪ We're on a road to nowhere

♪ We're on a road to nowhere

♪ We're on a road to nowhere

♪ There's a city in my mind

♪ Come along take that
ride, it's all right ♪

♪ Baby it's all right

♪ And it's very far away

♪ But it's growing day by day

♪ And it's all right

♪ Baby it's all right

♪ Would you like to come along

♪ Then come help
me sing this song ♪

♪ And it's all right

♪ Baby it's all right

♪ They can tell you what to do

♪ But they'll make
a fool of you ♪

♪ And it's all right

♪ Yeah it's all right

♪ There's a city in my mind

♪ Come along and take a ride

♪ And it's all right

♪ Baby it's all right

♪ And it's very far away

♪ But it's growing day by day

♪ And it's all right

♪ Baby it's all right

♪ Hey would you
like to come along ♪

♪ You can help me
sing this song ♪

♪ And it's all right

♪ Baby it's all right

♪ Don't let them
tell you what to do ♪

♪ 'cause they'll
make a fool of you ♪

♪ And it's all right

♪ Baby it's all right

♪ We're on a road to nowhere

♪ We're on a road to nowhere

(LIGHT MUSIC)