All language subtitles for Ossessione (1943)

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�gb�M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS���M��S��T�gS��a|�O�I�f�*ױ�B@M��libebml v1.4.4 + libmatroska v1.7.1WA�mkvmerge v81.0 ('Milliontown') 64-bitD��A^�ҀDa� <���s�����;�qkhD���1T�k���ׁsň-o�ϕ�]'��������S_TEXT/UTF8"���en�D)C�u@��������Visconti's first work established Italian Neorealism.�� ۠ڡԁ �Banned by the censors, he managed to save a copy of the film from destruction.��,C�u@��&f�����A shortened restored version was reassembled with sequences from an older print to restore the original version.��7C�u��:������Cut & Subtitles cha 2022���C�u�炌4�����OBSESSION���C�u���������Gas! I need gas!�� C�u�� ������Signor Bragana, I need gas!�� �C�u��e٠����My truck's engine is busted�� ޠ���� �and nobody wants to stop and take a look.�� \C�u��{������Everyone's in a hurry to drive on.�� 䠴����I wake up in the morning and here we are.�� sC�u���栽���They give me no peace, even when I've gone to bed.���C�u��� �����And this one? Who is he?�� ����� {Hey, you, get down!��HC�u���A�����It must be uncomfortable traveling in the back.��������Maybe we should set up a mattress for bums.�� �C�u��힠����Let's go. Hurry up.����¡�� You have to be careful. Those guys could rob you naked.��AC�u��������What do you want? Fill it up.�� �C�u��(g�����Hey, Bragana.���C�u��x�����Hey, Bragana. No, not here yet.�� ����� �Stay! Sit!�� XC�u���꠩���...three, four, six, four, six.��vC�u��_�����Do you serve food here?��C�u��"������I'm asking if you serve food here.�� C�u@�76�����Look, I'll pay for it. Okay, but in the other room.�� ������ �Wait, I'll bring it to you in the other room.�� C�u��Vz�����It's good.��4�����MDo you have anything to do with that potbelly outside?�� �������He's my husband.��*C�u��nѠ����He's lucky to have a woman like you,�� ܠ�����one that cooks so well.��yC�u���������You're exaggerating.�������� I am not a cook.���C�u���������Wait for me there.���C�u���@�����It's hot in here, by the stove.�� ^����� �You're built like a horse.���C�u���㠦���What's a little heat to you?��N�����Giovanna?���C�u�� ������We've caught a chicken thief hiding on a truck.��rC�u��)d�����He must still be around here.�� ������ ,You never know what those guys are up to.���C�u��?+�����Why have you stopped eating?�����He may try something.��!C�u��Tm�����You hear so many things these days.���������Here, it's even in the paper.���C�u��lK�����I hope...�������� CJust the one I was looking for.��8������Who told you could come into the kitchen?��SC�u���砹���Are you crazy? He could even steal the dishes.��NC�u���������Let's go, boy.��{������Thank goodness my brain still works.���C�u���K�����Well, princess, you do your nails every day��栞���rand let my house go.�� �C�u@��D�����Don't get mad at me. You're really smart.�������� ;You talk and talk and let him go without paying.��E�����Without paying? Yes. Without paying.���C�u��! �����Why didn't you say so before? Because...�� ޠ���� �I'll take care of him.���C�u��B㠣���Hey! You! Wait a minute!�� �C�u��Y������I told you, nobody can fool me.�� ������Where you come from, do you eat without paying?��1C�u��o������What are you saying? Don't play dumb.���������You didn't pay. The wife said so.�� lC�u���Ƞ����Your wife told you that? Yes.��D������That's a good story.���C�u���f�̡ƁNo need to repeat myself. Go ahead. Move it. Empty those pockets.���C�u���2�����So?��v������I'm broke. Think I'm gullible?�� u�����GYou ate and you've got to pay one way or another.�� $C�u��˶�����Then I'll give you my stuff. What would I do with it?�� �������If that's how you feel,���C�u@���㠤���we'll find something else.��K�����dWhat do you want to find? Come on. Pay up.�� Ǡ����I heard your truck broke down. So, what's that to you?�� �C�u@��r�����I'm a mechanic. So?��Ġ����5So, let's go take a look.��������]You think you can cheat me? If so, you'll pay for it.�� C�u@�� ؠ����It's written on your face that you're a good man.��d�ǡ���What were you doing on that truck? Where did you want to go?�� ������1I'm out of work. You're not really a bum, are you?��kC�u��B࠹���I like to travel. Rich people travel by train.��'������I get by. You get by?��C�u��rĠ����Hey, Bragana, you're late today. You can see I'm busy.�� ?����� �Then we'll take care of it ourselves.�� C�u���H�����Here are the chickens. Always picking at my tires.��%C�u��⬠����You also like working in the dark, don't you?��p������Come on.���C�u���Ӡ����Let's go. Here it is.���C�u@��Ϡ����Now let's see what you can do.�� `����� �We need to run it to hear how it sounds.�������Okay, let's do it.��TC�u��P򠴡��Did the distributor drop out on the road?��b������We need a spare. Is there a place nearby to get it?���C�u��t*�����The closest place is in Codigoro.��:����� �I could go by myself if I knew my way around here.�� 0C�u@���&�¡��Not a chance! I'll call. It's one hour away by bicycle.���������Meanwhile, you could mend the water pump outside.��C�u@���P�����You know, it's hard getting a mechanic just for that.�� ����� (Since you're already here...����ȡ�Yes, I'll take care of it. Half a day and it will be running.�� jC�u��ˠ�����Yes? Then take the tools and let's go.�� k�ġ��Hey, were you a bersagliere? Sure. In the Sixth Regiment.��_C�u�� ������Me, too. I spent 18 months as bersagliere.�� b����� {You too? What a coincidence.�� �C�u@�� |�����Sixth Regiment? That's the one for the best.�� o�Ρȁ �Actually, Laregola the Marshal used to say the Fourth was the best.�� �C�u�� 1������You mean Sergeant Laregola. You met him too?�� Ϡ���� %"Study war tactics and you'll reap the reward."���C�u�� OZ�����Hello, Father Remigio. Good morning, Bragana.�� ����� �Do you want to arm wrestle again?�� _C�u�� c������No, some other time.���ȡxIf Santa Lucia guides my aim, I want to pepper a dozen ducks.���C�u�� �Ӡ����Hey, Giovanna, I'm off to Codigoro. Codigoro?�� 렠��� QYes. Something urgent.�� 6C�u�� ˷�����Hello, hello... is this the shop?���C�u�� ᪠����I need a carbon brush.�� �¡�� �Could you send it right away? To Bragana at the Dogana.�� C�u�� �Π����Are you hungry now?��x�Сʁ�Then it's impossible for tonight. Can't you find someone to bring it?��C�u�� ������Yes, but I'm out of money. I can't pay you.�� !����� �I understand. That's fine.���C�u@�� 8��͡ǁCome, Ferruccio, would you like to go pick up a part for my truck?����¡���I'm sorry, I can't go. Come with me. We'll go together.�� AC�u�� U6�����Very well. Give me five minutes.�� s����� �Giovanna, bring my coat and hat.�� -C�u�� j������It was good of you to drop by.�� -�ʡā �At least I'll be able to give you news you'll be interested in.��C�u�� �������Is that right? Well.�� ������ 1I'll be back in an hour.�� C�u�� �2�����Bring me the bicycle. Doesn't he go too?��������He's the mechanic. He's going to fix the truck.���C�u�� �X�����A mechanic?����ѡˁYes, what's so strange about that? He sized up everything at a glance.��-C�u�� �Ġ����Do as you please.�������� dIt's my house. I'm the boss. Understand?�� �C�u�� �O�����Good morning, Signora Giovanna. Let's go, Father.��<������Where are you from? Senigallia.�� �C�u�� �������Ah, Senigallia. "Half saints, half rascals".�� �C�u@�� j�����In the meantime, work on that pump.�� =����� VI'll expect you to be done. Don't worry.�� %�����FLet's go, Father. Let's go.�� C�u@�� ������But you really don't know the news?��������I'm telling you. Come now, I know you.��{������I'm going to tell you. Those fellows are serious.���C�u@�� �e�̡ƁThey caught a 10-pound yellow eel. They will put it in the paper.��Ҡ����]Unreal! Why didn't you say so before?�� �C�u�� �����10 pounds!��s������Where did they cast the net? I don't know.�� 5C�u@��!��ġ��I meant to ask you. That's why I stopped by at the store.�� c����� �Let's go first to set things up for tomorrow morning.�� �C�u@��:�����There are some good places in the marshes.�� ������ �And the part for the truck?����ǡ��`I'll pick it up on the way back. First I want to find out...�� �C�u��Y�����oh... here comes the ferry.���C�u������Really? 10 pounds?��ޠ���� I'll bet you they caught it in the Lepre Valley.�� �C�u���������When did you notice I liked you?�������� KRight away.���C�u�� B�����When I asked for something to eat...���C�u��������and you didn't answer.���C�u��@Ϡ����Now you'll never leave me, right?�� PC�u��a͠����Not even to go back on the road?�� $C�u���������No.��!����� bPerhaps I was wrong about you.�� ,C�u���f�����You'll go boasting to everybody.��?����� hSome things I keep inside.�� #C�u���e�����You're the first woman I've been with in a long time.�� �C�u@����ȡI didn't have much of a social life in the last few months...�� ������ �longshoreman in Trieste, mechanic when I found work.��oC�u��r�����So who could I tell about this?��$������I don't know anybody around here.���C�u��+�����Then...��S����� �we'll get along.���C�u��G�����How come he's not back yet?��vC�u��`,�š��He's always like this. He always says he'll be right back.��7C�u��yy�����Maybe he is with the priest.��,C�u��������Why did you marry the old man? You never told me.��kC�u��������I don't even know myself.���C�u��������When I met him all proper-looking,��sC�u���⠞���I didn't have a job.����á�� OI was letting people ask me out. People just passing by.�� �C�u��)�ҡ́You don't know what it's like being without any money, on the street...��F������not knowing what to do.�� �C�u��.������And then...?�������vDo you understand? It means being asked out by men.���C�u��b蠜���Yes, I understand.��@����� �I thought I could be safe with him,�� /C�u��z򠥡��but it's worse than before.�� [�ơ���It's impossible, you see? To live like this... dirty, fake.���C�u���4�����What do I care about his money,�� ������if I have to work here in the kitchen?�� mC�u��蜠����Do I look like a cook to you?��r������You deserve to be a lady.�� �C�u��#�����You understand, don't you?�� p�����.With you I don't need to lie.�� 6C�u��6�����You're young.��xC�u���������You can't know what it's like with an old man.��Ӡ����7No, but I can guess.�� �C�u���Ġ����No... you can't understand...��R����� Fwhat it's like for a woman...�� C�u���������to live with an old man.�� F������Each time he touches me with those hands...���C�u��������I would like to scream.��'C�u��4�����I'm no lady.��=������I am just miserable.�� "C�u��Ƞ����I can't stand it anymore.��C�u��T𠓡��Listen...��L�����jwhat do you say we go away? You and me together.�� -C�u��m������But where?��ؠ����Who cares where? Wherever we want.�� �������No.��KC�u��������For me it would mean being propositioned again.���C�u���������For you, it's different, but for me...���C�u��ä�����I wish I had at least��Ƞ�����a place where I could go and live.���C�u���頍���No.�������yI'll stay here.���������I'll continue to take it.��C�u��z�����Until...���������Until?���C�u��������Until I don't know when.��uC�u��lA�����Tell me... will you love me... always?���C�u���������Yes, Giovanna, I believe so.�� �C�u���O�����Enough...��1����� not to want anything else?���C�u���8�����Yes, Giovanna.�������� -Then something must happen for us.���C�u��������But you must love me very much.���C�u���������Gino?���C�u���^�����Hey, Gino.��;�����That was a long time.���C�u���L�����Here's the part.�������� Did you fix the pump?��p������Yes. It works.��C�u���頝���Now you can fix it?��à����DHere, it's done.��C�u��������It runs real well!��#����� 5You did a good job!��AC�u��)������Now where are you going?��͠����Listen, Signor Bragana... What is it?�� C�u��B������I did the job, now we're even.�� 렶���/But now, I would like to ask for something.�� DC�u@��\�ġ��I have no place to go. If you need something else done...���������that is, if you could put me up for a few more days.���C�u@��v������Huh! Got tired of wandering around?��n������I won't give you any trouble.���������Actually, I don't need any help.�� 0C�u@���נȡBut if we don't help each other, between us ex-bersaglieri...��@�ʡā�hey, I'll give you food and drink, then we'll see what happens.��#C�u���$�����Okay.��������SNow, you can borrow my razor and clean up your face.���C�u���6�����Giovanna?��*�����Giovanna.���C�u���������Oh, you're here.��E����� Why didn't you answer?���C�u@��������Give me a kiss.��㠫����Can't you see someone is looking?��������oDon't act like this in front of strangers.�� �C�u��0o�����He's not a child.�� ����� MHe knows what goes on between a man and his wife.�� C�u��L�����Besides, he's no stranger. It's Gino.�� ����� �Didn't I tell you? He'll stay here a few days.�� �C�u��e�����With us?������� RYes, with us.��C�u��x�ѡˁIt's a pity for a mechanic like him to wear out his shoes on the road.��hC�u���������Here, Gino. Go shave yourself.�� ������Go ahead. Help me dry out.�� dC�u���������It's hot today.��U����� �There is a storm in the air.��@C�u���������It would be good if it rained.�� ������Did you get the chickens inside?��BC�u������How hot it is.��qC�u��Ƞ����Harder.�� G������Good. Scratch there a little bit.�� �C�u��������See, Gino? These are the pleasures of being married.��$������Yes, one should get married.��}C�u@��M��¡��You left it late. A little late, but I don't regret it.�� �����&You only think of yourself... as if I didn't exist.�� 'C�u��g������Don't worry, I've taken care of you too.�� ,����� �I have a document in here...�� ^C�u��������when the time is right, it will take care of you.�� 5����� �That's all. I know what I'm doing.���C�u��������A document?��FC�u@���������Who knows what kind of mess you've gotten into.��u������A "mess," she calls it!���������What's the saying?���C�u���k�����"The wise person makes the relatives happy."��N������Meanwhile, let's make sure everything is ready.�� �C�u������Tomorrow at sunrise I'm going fishing.��֠����FDo you want to come along?��C�u��N�����I'd rather stay here. I don't like fishing.���C�u�������Your loss!��vC�u��q�����That cat sounds like it's being tortured.��,�����EBecause the storm is coming. It'll break overnight.�� C�u���������Let's hope. I can't breathe.�� $����� =Why don't you take off your shirt?��������BBecause he's here.���C�u���Ҡ����Where did he go?��Z�����sI don't know. I'm not watching over him.�� �C�u���K�����So, you're still mad at him.�� ����� gIt is the heat. It gets to me. The heat. That's it.�� kC�u��������Gino!���C�u��2F�����I'm here.������� �What are you doing? Here, get something to eat.�� �C�u��i������It is going to rain soon.���������What have you done? There's a ton of pepper in it.�� AC�u���,�ѡˁJust what we need with this heat. You did this on purpose, didn't you?�� j����� �Idiot.��<C�u���"�����You ought to thank God someone is here just now.�� ������ $Here! I'm coming!���C�u��ܦ�����Look, I'm giving you this charm. Keep it.�������This way, with the three of us here, it can't go on.�� }C�u���ʠ����You're telling me. I feel the same.��*������Listen, Giovanna... leave, with me.�� �C�u��������That was a truck from Rovigo.�������� �The driver was telling me�� �C�u��1ʠ����they killed poor Saffi.�������� !They say it was of one of his workers.��C�u��F�����Because of his wife.���������Did they catch him? No, but they'll find him for sure.��1C�u��k������How was he killed?���������Shot from behind. They just found him there.�� �C�u���n�����Sometimes you lose control.�� Y������There go those cats again.��7C�u��������We must close the shutters...��`����� �or the wind will smash them.�� C�u���J�����Can't you hear them?��񠭡�� All right, I'll deal with the cats.�� �C�u���V�����Gino.��������Wait a moment.��$C�u���P�����Wait.������� MI can't take it anymore. I can't continue.�� �C�u@��철֡ЁYou're tired. We'll wait for a truck that can take us to the train station.�� ꠯���EI'm not tired, but I can't continue.���C�u�� ֠����You agreed last night.��^����� GNow we can't go back.���C�u��XO�����Why can't we go back now?�������� He is fishing. He didn't notice anything.�� �C�u��q��¡��You're out of your mind. We have to get to the station.�� ������]And then?���C�u���!�����Then? We'll catch a train.��7�����}No. It's impossible.�������|I know how these things end up.��_C�u��������I wasn't made to tramp about like you.�� k�á�� �We'll sleep in a hotel and tomorrow we'll look for work.���C�u���b�̡ƁDidn't you say that anything would be better than being with him?��C�u���>�����I was wrong.�������nGiovanna...���C�u��򟠢���Come back with me, Gino.�� �����@With your husband always around?���C�u�� ۠����Come back with me, Gino!��?����� �Gino!��`C�u��,E�����Gino, think about it.��{C�u��|ߠ����Tickets! Your tickets, please.�� C�u��‹�����Tickets please, gentlemen.��o������I don't have a ticket. Where are you going?�� �C�u���U�����I don't have a ticket. And I have no money.�� ^C�u@���������What do you mean?��M������I don't have a ticket or money to buy one with.�� ������If you want, I can get off at the next station.��lC�u@���ȡDon't worry, at the next station I'll get you off this train.�� �¡��~What is this? Why throw an honest person off the train?��C�u��4֠����Mind your own business.�� >����� �Stop being a bully. How much is it?�� C�u��Rˠ����I'll pay for his ticket.��𠽡��MTo Ancona, more than 100 lire, including the fine.��C�u��j6�����Is that so?��g������Very unfriendly to steal 100 lire in passing.��C�u���栺���Please yourself. It is 120 Lira, plus 50 Cents.���C�u���栱���I don't get paid to make distinctions.��hC�u��ȇ�����Thank you.��C�u��������Don't worry about it. We must help each other.��cC�u�� ͠����How far is Ancona?�������� Four stops... or five.�� C�u�� @l�����Ancona has a harbor, doesn't it?��s�����>Going to sea?��D������I don't know.���C�u�� \�����For now, I'll take a look around.���C�u�� p�����And you? What will you do there?��ˠ���� `I am an artist. One day here, one there,���C�u�� �?�����wherever I go there is work.�������� ]I'm coming from Trieste.��Π�����I'm called "Lo Spagnolo"��C�u�� �~�����because I worked in Spain a long time.�� NC�u�� �w�����If you want, you can join me.�� ����� (Two people can do a lot of things together.�� �C�u��!������Why not?���C�u��!B^�����What are we doing now? Going to look for a room.��C�u��!W]�����We'll look for work tomorrow.���C�u��!rà����Heads... we'll go left toward the harbor.�� zC�u��!���ǡ��The room usually costs eight. With two of you it will be 12.��WC�u@��!�H�����We'll pay tomorrow morning.��G������Tomorrow? No way. Pay now or no room.�� ޠ�����Let's not worry about this.���C�u��!ݹ�����You're a good man. What about him?�� P����� iHere's your money.���C�u@��"]�ȡYou see Gino, money has legs and should always be on the move��a������otherwise in your pockets it gets moldy.�� �C�u��"6��ġ��Instead, you get a bite, then pass it on to someone else.��`C�u��"Lؠ����Money made in Rome helps people in Torino, Palermo...�� ������ �Don't wear shoes in bed.�� �C�u��"c렠���Only the dead do that.��<�����ZDon't worry. We aren't going to ruin your sheets.�� 栕���YOkay, okay.�� C�u��"�Z�����Are you hungry? No.�� ������ �Usually I don't get hungry when I travel.�� �C�u��"�ؠ����Besides, these last few days�� �����#I've been eating regularly.���C�u��"�������Selling women's clothes?��=�����VHands off!��������Stay out of my business.�� C�u��#������Your face has changed.���C�u@��#;k�����I didn't know you were so involved. You talk too much.��?������I'm not talking too much. You wanted to hit me.�� C�u��#Y^�����You're right. I'm sorry.�� .�����I've never met a woman like her before.�� �C�u��#������If you stay with me, I'll show you��Ҡ�����the streets aren't just for making love to a girl.�� 8C�u��#�%�����That would be useless.���C�u��#�Y�����I understand what you say...�� ��á�� iyou have so many ideas... things I couldn't even repeat.�� �C�u��#�������You say we need to help each other.��W�����(You pay the train fare for someone without any money.�� IC�u��#�������I only know that without her...�� ������=I'll never be happy.�� �C�u��$`�����Why didn't you bring her with you?��g�ġ�� �She didn't want to come. That means she doesn't love you.�� �C�u��$.2�����Yes, she does...�� �C�u��$Bà����but she isn't like us.���������What do you mean, "not like us"?�� �C�u��$c�����She's brave enough to do some things,�� ������ hbut not enough to leave her house�� sC�u��$~ؠ����and her husband.���C�u��$�r�����She fears poverty.��UC�u��$�������You must go away, Gino.��������3As far as you can.��AC�u��$ݙ�����Leave?���C�u��$�j�����I need to forget her first.�� �C�u��%W�����Now I know that I want her...�������� ^no matter what it costs.���C�u��%31�����If I went back...�������� �I could not resist her... just as before.���C�u��%a֠����Listen to me. Get on a ship.�� �C�u��%�������The sea breeze will clear your mind of these ideas.�� ՠ�����And one day...��C�u��%�K�����You'll feel free again.��>�����$Free?���C�u��%ۮ�����Free.���C�u��'p2�����Did you miss your boat?��񠟡��There will be others.�� �C�u��(*k�����Shall we go?���C�u��)[�աρAn umbrella turned around like this jumps up and down, flies like a plane.�� C�u��)|������For 50 cents, I'll tell your fortune.��W������Robespierre, tell the gentleman what he can expect.�� dC�u��)�������Green. A nice color.�� 1����� IYou're in luck, Sir!���C�u��)�n�����The color of strength, the color of hope.��6�����#Determine your destiny, Gentlemen!�� �C�u��)�������50 cents.��������dOnly 50 cents.�� �C�u��)�"�����Excuse me.�������� oWatch closely, this is the water test.��rC�u��*`�����It's waterproof. There is no trickery,��렞���[just hold this, sir.�� C�u��*#������Look at the one that you'd buy at the store.�� 4����� �Here is the water test. Pour it in.���C�u��*?𠧡��You see how it comes through?�� k�����You can't fix a thing like that.�� �C�u��*Z5�����Look at mine, instead.���¡���The handle is genuine horn, the ribs are made of steel,���C�u��*sJ�š��and it's yours, not for 50 or even 40, not for 35 or 30...���C�u��*������but only 20 lire. Who doesn't have 20 lire nowadays?�� Š���� �Try it!��<�����lI'll be damned!�� �C�u��*�栟���Excuse me. Thank you.��`����� ~Look who's here! Where have you been hiding?�� �C�u��*�s�����You didn't even say goodbye!��D������Why didn't you say you weren't happy with us?�� =C�u��*�䠫���What are you doing? What's this?�� ������ �You know, the truck broke down again.�� �C�u@��*��á��I had to take it apart and call a mechanic from Ferrara.�� z����� �If you had been there... tell him, Giovanna.�� �C�u��*�Ѡ����Tell him, Giovanna, all the trouble I had.�� ������ KHow are you, Signora Bragana?��cC�u��+������A fine job you've found in town.�� 𠠡���It's tied in the back.��C�u��+0Ƞ����It's well tied, crossed double.�� ����� �I'll help you get it off.�� C�u��+I�����He deserves to leave it on for life.�� ֠���� XYou had a job, food and a bed with us�� pC�u@��+a������now you're a sandwich-man.�� ����� �Ballons!��{������Wait a minute. I'll take care of it by myself.��/C�u��+}_�����Buy nice Balloons!��)������...even the old proverb says so...�� �C�u@��+�?�����"O merry maiden, we sprinkle,��4�����Mthe rim of the vase with sweet liqueur.�� �������So infuse the bitter juice,���C�u@��+�꠽���and the dizziness gives birth to vitality."���������Please. Take this poster off for a minute.��H�����LI need to say hello to a friend.���C�u��+ϐ�����A friend? Yes, yes, a friend.�� c����� �Don't ask questions now.�� ?C�u��+�(�����Hey, wait a minute.�� ����� �So, Robespierre, take one.�� C�u��,.������50 cents!�� ������ 50 cents! It's no trick! It's the hand of fate.�� cC�u@��,P�����...and the store at home? We closed for two days.��Ӡġ���For Giovanna's sake, too. She's been neurasthenic lately.��C�u��,�V�����Here we are... Amici's Bar. This is where I will sing.���C�u��,������The Best Voice Contest. I'll win.���C�u��-R񠼡��Hey you... where are you going? I'm a contestant.�� J����� cHurry up, you're late.���C�u��-�Ӡ����I'm Giuseppe Bragana.���������I'm singing a piece from "La Traviata".��<������Here you go. Hurry up!�� �C�u��.�>�����You didn't go too far.��頤����If I scared you so much...�� �C�u��.Ī�����why did you stop halfway?�� �C�u��.�U�����Let's not talk about it, Giovanna.�� ˠ���� Tell me...��gC�u��/�����did you think about me sometimes?�� C�u��/�������What difference would it make?�� ������ �Giovanna...��������EI tried to forget you.�� &C�u��/�Ѡ����But I couldn't do it.��p����� dI can't live without you.�� �C�u��/�N�����Before, the world looked immense.�� ������[Now, there is only your store.�� MC�u��/�頪���I've been seeing you in my mind�� I����� �since you sent me away, alone.�� C�u��0ڠɡÁI didn't know that people could be so dependent on each other.���C�u��06������If that's what's bothering you,�������� Hyou'll be free again soon.���C�u��0P~�����I'll go back home with him.��������In time, you'll forget me.�� �C�u��0l������Giovanna!��������aYou must come with me. You know that's impossible.�� C�u��0�?�á��Then I'll come back to the store. Is that what you want?���C�u��1������Have you seen Gino? No, I haven't see him.�� �C�u��1-V�����Peppone, have you seen Gino?���������He's probably gone with some girl.�� tC�u��2=,�ʡāIt went well, didn't it? Too bad, that encores are not allowed.��WC�u��2Z|�����Be careful, you'll get sick. You're sweating.�� �C�u��2v��ơ��We have to celebrate your success. We too are from Ferrara.��������Yes, but I'm with my wife and friend.���C�u��2������Have a drink with us too. The champagne is very good.��&������Okay, let's go, let's go.���C�u��3_������Cheers!���C�u@��4S�¡��When there's free food and drinks, Gino's always first.�������ERemember when he first came and tried to diddle us?���C�u��4GX�����Everyone invited us to have a drink,���C�u@��4_�����but who paid in the end? Me, Bragana!�� �ȡ fSomeday they'll come to the store and I'll get my money back.���C�u��4|ՠ����Work is what matters and knowing how to earn money,��m������and having someone to leave it to.�� 6C�u��4�������Am I right?�� ����� �Well, Giovanna, when are we going to have a baby?�� C�u��4������We mustn't waste any more time. Tell her, Gino.��Ǡ�����But women are frightened of losing their figure.�� AC�u��4�(�á��It would be too bad to lose a voice like mine. Let's go.�� �C�u��5*󠪡��You know what I'm thinking now?��֠����HTry to guess.���C�u��5L�����Beniamino.��������%Don't you get it?���������We'll name him after Gigli, then he'll be famous, too.���C�u��5l,�����That's a good one, isn't it?�������� �Tonin!��E������Tonin, hurry up! I'm coming.�� �C�u��5�Р����Hurry up. We have a long way to go.�� C�u��6g�����Right away. Understand?�� GC�u��6.^�����Right away.���C�u��6u������Be careful. What are you doing?���������Don't worry. I have a good grip.�� kC�u��6�1�����Why not let him drive? Him?�� ������Why?��HC�u��6�領���I feel queasy.�������� YGet out, get some air. You'll feel better.�� eC�u��732�����Get behind the wheel... now!��]����� ZAre we close to the river?��C�u��7G;�����It's probably 500 metres away.���C�u��7������Well, now I feel better.�� 2C�u��7�������What are you doing?��-�����~Let him drive. You rest.���C�u��7�������Let's go.���C�u@��8�o�����Signor Bragana had drunk too much. He got sick.��ߠɡÁYou should have been driving. You're the mechanic, aren't you?�� C�u@��8������Yes, but he said I wouldn't know the road.�� 젤��� You had been drinking too?����á���We were all together, but he had been drinking the most.��C�u��8������All right, go on.������� ,After stopping because he was feeling sick,�� C�u@��9��ˡŁhe got back behind the wheel and drove on for about a kilometer.��k�ơ���Why did you leave the main road to get on the country road?��C�u��95Ӡ����He wanted to take a short cut.��֠¡���Maybe he didn't know the way well and missed the curve.���C�u��9X͠����Suddenly I felt us beginning to skid.�� d����� �I don't know what happened next.���C�u��9u/�����It happened in an instant.���������When I opened my eyes I saw blood everywhere.�� �C�u@��9��ȡHow do you think it happened that your boss died on the spot?���ȡ�Perhaps he was pinned between the steering wheel and the car.��BC�u��9�$�����The impact crushed his head.���������Why do you think Signora Bragana was unhurt?�� {C�u@��9ُ�����I told you already, I had no time to look.�� ��ơ�� �She was sitting next to the door. She must have jumped out.���C�u��9�h�����She jumped with her purse and hat?�� L����� Purse and hat?�� C�u��:������What do you mean?����ϡɁ A truck driver saw the lady get on the embankment and call for help.��IC�u��:-�͡ǁShe was holding her purse and had no trace of the accident on her.�� }C�u@��:Vՠơ��I found it on the ground. I took it to clean off the blood.�� ⠹��� �Then you jumped out before the car overturned?�� +C�u��:pS�á��Yes, a moment before. I feared and held the door handle.���C�u@��:���ʡāI asked my husband to let him drive, but he didn't want him to.��f������And he was going faster than usual.��5C�u��:�������What did you do after that?��䠹��� �I came back to the truck. I opened the door...���C�u��:�%�����My husband did not respond anymore.�������� �So i helped him out.��BC�u��:������Didn't he faint?������� 7Yes. That's why I flagged the truck.���C�u��:轠ơ��When the drivers arrived, he was already moving on his own.���C�u��;T�����Had you been with Signor Bragana for a long time?�� ����� �Once, for a few days.�� C�u@��;��ȡI didn't want to stay in one place any longer, so I moved on.����ɡÁ�Then we met in Ancona and he insisted that I return with them.�� �C�u��;:>�á��So you were traveling around and decided to settle down?�� ⠞���Yes, just like that.���C�u��;O㠞���Nothing to add? No.�� �������Let's go sign the report.���C�u��;{Š����"Death by accident," Superintendent?���C�u��;�!�����"By accident"? Put it this way.�� ������ ZLet's go back into town now.�� C�u��<�ޠ����This is all he wore with him.��GC�u��=��ʡāWith this permission, you can collect the body from the morgue.���C�u��=`ɠ����Thank you, Superintendent.��s����� RGoodbye, Signora.���C�u��=�j�����We may need further information�� ����� �before closing the investigation. We'll let you know.�� qC�u��? ������It's hot. Do you want a drink?�� IC�u��?h�����What is it? Aren't you glad to be back?�� R������I imagined the return quite differently.�� sC�u��?������We have to get used to that first.�� 堤��� When the store opens again�� 4C�u��?ķ�����and the people are around, it'll be easier.��LC�u��?�I�����We're reopening the store? Of course.�� rC�u��@ 젠���What are you thinking?���C�u��@*i�����Nothing.���C�u��@Y������I'm happy.��Ǡ���� nI still can't believe I'm here...��wC�u��@{ꠙ���alone with you.��̠����>Gino... isn't this what we wanted?���C�u��@�Ƞ����Yes. This is what we wanted.�� C�u��@���ǡ��When I think back to the days I spent behind this counter...��G�����rcrying... alone.�� :C�u��@�������I don't want that again.�� ~�����>Who is talking about it?���C�u��A ������What has been, has been.���C�u��AOx�����We must love each other very much, Gino.�� ������ �Otherwise, it was all for nothing.��C�u@��Am������Listen, Giovanna, we have to go away.�� @����� �Why?��������Because as long as we stay here, I'll always see him.��oC�u��A�$�����I'll never forget him.�� ��ǡ���I still see him behind that counter. I still hear his voice.���C�u��Aʃ�����Giovanna,���������let's sell the store and move away...�� -�����6away from here.��C�u��A�Z�����How ridiculous you are,�� 8����� Qscreaming in the middle of the store.�� �C�u��B$�����They'll hear you.���C�u��BvR�����Don't drink so much.��������{Someone's out there. Let them go.�� 5C�u��B������We can't. They saw us come in.��ՠ�����Then you go. I can't, dressed like this.�� PC�u��B�������I'll go upstairs.��}C�u��B�@�����You know what to do.���������There are the sodas and up there are the liquors.�� �C�u��B�0�����Open the windows.���C�u@��CX������Are you closed? No. What do you want?�� �ʡā �I knocked, but didn't see anybody. I'd like something to drink.�� �C�u��C����You work hard with one arm.���C�u��C�場���Are you the owner? The owner is upstairs.�� {����� �I'm sorry. Sometimes I feel like chatting.���C�u��D �����I'm new around here and I don't know anybody.�� Š����'I came to work in the brick oven.�� kC�u��D8F�����How much is it? One lira.�� b����� �So little? It's two and a half in Ferrara.�� ZC�u��DN������Give as you please.���C�u��Dgˠ����You must be knew at this.�� ����� �You're lucky I'm honest.�� C�u��D�O�����Who was it?��x�ȡ�One who claims to work in the brick kiln. He asked questions.��MC�u��E������Why don't people mind their own business?�� �C�u��EC�����I don't like nosey people.�� �C�u@��E2}�ˡŁWhat are you afraid of? You get too excited about little things,�� ������ about the first person, who comes in.�� C�u��EU>�����What were you doing there? Nothing.��A�����ZLet me see. What do you care?��C�����/I want to see. No.���C�u��Et������Give it to me, Giovanna. No, Gino!��=�����rLet me!���C�u��E�������Nice shot.�������� ^You guys were lucky.��C�u��E�à����The girl is here with the wine.�� ?�ơ�� �The Bragana wouldn't have spent so much money on a servant.�� �C�u@��E��ġ��He made her do it. Of course, he wants to be comfortable.�� ������ �Say what you like, they don't look happy.�� FC�u��E�#�����They always argue!��4C�u��F!�����There she comes right now, with Father Remigio.�� xC�u��Fi �����Father Remigio is here.��S�����fI chatted with him after Mass��C�u��F~נ����and then I asked him to come by.��y�¡��OIt was a long time since he last came by to play bocce.��]C�u��F�*�����It wasn't up to me. I had to give up the game.��gC�u��F� �����Good morning, Costa.�� ������@Have you been drinking again?���C�u��F�٠����I have nothing else to do to pass the time.����� FToday it's because you have nothing to do.�� �C�u��F�������Tomorrow it'll be because someone invited you.��ݠ���� �You always have an excuse to get so drunk.�� C�u@��F�S�����Because never anything happens here.��(�����KCalm down, my dear Costa.�� ��¡��~You know how hard it is after what happened to Bragana.��(C�u��G&ߠ����It was such a terrible tragedy. We can't get over it.�������SLet's not talk about it anymore.���C�u��G=������Peace to his soul.��砪���>Would you like a Strega, Father?��aC�u��GRe�����No, you don't have to.��Ҡǡ�� �But if it helps to break the ice with this good young man...���C�u��GW�ȡSee, you should end your agreement in view of this situation.���C�u��G������That's exactly why I came to see you today.�� C�u��G�=�ˡŁIf we... how would you say... legalize this situation right now?���C�u��G�ʠơ��No, no. Not right away. It would not quiet down the rumors.���C�u��G�頩���We aren't doing anything wrong.�� ������ �Thank you. People always say that.�� �C�u��H������But you're hurting yourselves.��|����� I feel like... he should find another place.��9C�u��H%������Maybe around here.��&�͡ǁ�I said from the beginning that it would have been better to leave.�� �C�u@��HB������I'm not afraid of rumors.�������bIt's not the rumors, Signora Bragana.�� >������We must not forget God and our duties.���C�u��Hg$�����Listen to me. Work alone. Maybe only for a while.��C�u��H{p�����Maybe we shouldn't continue to talk about it now.�� ����� �We will stop by your church in a few days.�� [C�u��H�v�����As you wish. But don't forget what I've told you.�� 젫���5We have to bring this to an end.�� cC�u@��H�u�����Good morning. Here come the musicians.��1����� lIt is the group from Polesella.��������qGood, very good. This is going to be a lot of fun!�� DC�u��HΑ�����Since they are here, I'll go play some bocce.�� ������ �Have a good time, Father.���C�u��H�=�����Would you like a glass of wine? Yes, please.�� �C�u��I;������Who said anything about marriage?�������� �Do you think I want to spend my entire life here?�� �C�u��IX �����You heard. Even the priest says we have to go away.�� 砳��� �Don't talk like this in front of others.�� WC�u@��I߃�����Do you hear what I'm saying? I feel like screaming...�� ��ǡ�� �telling everybody what's happening, to put an end to it all.�� �C�u��I�G�����You seem afraid to marry me.�� '����� [Maybe you don't love me anymore.�� LC�u��J������It was only last month when we met in Ancona,��(C�u��J$1�����and you were saying you couldn't live without me.�� Ҡ���� CThat's true...���C�u��J8@�����but each day I hate this house more.�� ������ �We cannot leave now. We would be excluded.�� �C�u��JS,�����No one would ever respect us. We have to stay.��������xWe have to. Do you understand?��~C�u��J{������I know... you've always feared uncertainty.���C�u��J�٠����Look...��u������I thought we could sell this place,�� ������<take the money and go anywhere we want.���C�u��J������Then we could truly start all over.��-����� �Let's think about it later, but not now.���C�u��J� �����It would be hard for us to sell the store quickly.��o�����iBut I can't handle it.��C�u��J��ΡȁI can't get used to it... sleeping in his bed, eating at his table.���������That's silly.���C�u��K ������We must face people... without fear.��#������So that's why you want people from Ferrara here,�� OC�u��K*������and the music, to get attention.�� Q����� �What are you thinking? We have to run the business.���C�u��KH������Carry on then, if you like partys so much.�� @������You've done many jobs. You could learn this one too.���C�u��Kk������It is not a job to guard a dead man's house.���C�u��K�������Signora Giovanna? I'm coming.�� �C�u��N#m�����How did you find me here?�����What a question. Everybody's talking about you.�� �C�u��N=)�����No. Let's go this way.��C�u��NU�ġ��What did you do with Robespierre and Federico Barbarossa?�� �������I didn't bring them with me. Why?�� .C�u��NqT�����You want to try your luck again?�������� �What do you need with them? You've played your hand.�� �C�u��N�Ѡ����You've settled down nicely.�� w������You've lost the fantasy of travelling, right?�� �C�u��N�������You can't wander around all your life.��Ơ�����You'll see, sooner or later it'll be the same for you.�� nC�u��N�������No,����ˡŁ Pactually you should know that. People like me never stand still.�� C�u��O P�ɡÁWhy are you talking to me like this? You've acted badly, Gino.�� ����� ZWhat's wrong with loving a woman?���C�u��O��š��It's not about the woman. Then I don't know what you mean.�� �C�u��Og������You know, Gino, I'm going to move on.�� ݠ�����It's the good season.���C�u@��O�q�����I came by with the thought you would come with me.�� ՠ���� �If it were like before, you would have said yes.��1C�u��O�?�����I wanted to go to Sicily.��w������Sicily is a beautiful place, you know.��aC�u��O�%�����Actually, all places are nice: Naples, Genoa...��������pHave you ever been to Genoa?�� C�u@��O�s�����In Genoa you can walk for hours along the quays.�� 򠾡���It's like a main street. You meet a lot of friends,���C�u��Pd�����everybody goes to Genoa.���¡��^I know they're building a road. It's easy to find work.��C�u��P"��ȡYou'll spend the day blasting your way through the mountains.��C�u��Pe������I don't like traveling anymore.�� C�u��P� �����I don't like traveling anymore.��y�����#What's become of you?��砩���#I don't like traveling anymore.��/C�u@��P����I don't like traveling anymore.��ՠ�����And stop playing God.����ʡā �All this talk... because I don't want to be a vagabond anymore.�� �C�u@��P�\�����A vagabond? Why do you speak in that tone?�� ٠š�� �I was wrong. I thought I could talk to you like one of us.���C�u��P�]�����You don't understand that some things are paid for.��4�����MShut up. Yes, I'll shut up.��wC�u@��Q:�����Don't worry, I'm not going to tell on you.������� Don't worry. Shut up!����ơ��1Stay here with that woman you earned in that beautiful way!���C�u��Q+9�����Shut up!���C�u��QCנǡ��Before, you only threatened me. Now you've got more courage.��񠙡�� Can I help you?���C�u@��QyZ�¡��You got hurt, man. Thank you. I'll take care of myself.�� ?�ȡLYour temper is too hot, young man. Even if he offended you...�� �C�u��Q������It's our business.��EC�u��Q�렩���I'll walk with you for awhile.��Р����*No, I'll go alone. I don't need anybody.�� ~C�u��Q�������Go away, boys. Go on.��iC�u��R!ݠ����Spagnolo!�� �C�u��Rv������Just saying it for your sake...�� 栱����Someone who burns as easily as a match���C�u��R�&�����could be dangerous.���C�u��SJ������Tavoltato Giuseppe, known as "Spagnolo"?��ݠ�����Yes, sir.��=C�u��Ta�����Let's go home, it's late.�� -C�u��T~m�����We made 780 lire today.�� b������It was a good idea to hire the Polisella ensemble.�� �C�u��T��¡��Why can't they leave us alone? It seems everyone knows.��+������What do you say?��~C�u��T�ߠǡ��One year ago about this time, I was in the Apuane Mountains.��\C�u��T����I worked in the quarry.�� -C�u��U'b�����You talk as if I wasn't here.�� zC�u��U�-�����Won't you eat something?��e������I'm not hungry.���C�u��W�-�����What are you doing? Give me the ball of wool.�� AC�u��X������Thanks.��R�����Are the kids bothering you?�� �������No, they cheer me up.��C�u��Xe������Ice cream. Biscuits.�� vC�u��X~�����Ice cream for you, sir?��hC�u��X�|�����Would you like one too?��M�����gAnother one.��VC�u@��X񐠹���That's good in this heat. Why are you smiling?�� Ƞ���� �No reason, I just feel happy.�� ,�����&That means you don't have any worries.��(C�u��Y�����I have some, but maybe I am glad to have met you.�� ������ �Or maybe it was the ice cream.���C�u��Y0������I guess you like to flirt.��������It depends, if I like someone.�� qC�u��YE������So you like me?���������Why do you ask? Do you have something in mind?�� ZC�u��YY������I don't find the word right now.�������� Are you from here? No, I'm leaving soon.�� �C�u��Yt������You're not from Ferrara? No.�� ����� �So you're going back home?��UC�u��Y�������I can no longer back home.�� �C�u@��Y������Where are you going, then?���������As soon as my contract expires, to Como.�� w�����*I am a dancer, but not a soloist.���C�u@��Y�󠼡��If you want to see me, I dance the hussar number.��栽����I am second from the left. At Cinema Teatro Verdi.�� |C�u��Y�3�����You're a good girl.�������{I'm glad I met you.��aC�u��Y�e�����Will you accompany me to the rehearsal?���������I can't, I'm waiting for someone. Too bad.�� �C�u��Z =�����Thank you for the ice cream, it was very kind of you.�� .����� nNice like me are only a few.��9C�u��Z�������Do you like her?��'�����@They stay at Number 15 in Via Saraceno.�� K�����ZThere are even prettier ones.��DC�u��Z�U�����You know what happened?���������Bragana had a life insurance.�� �C�u��[1�����They'll pay me, but they asked a lot of questions.��I�����bIt was harder than with the police.�� �C�u��[,�����Fortunately everything went well.��������I'll get 50,000 lire. We can expand the store.���C�u��[C������A life insurance policy?�� v�����NThat means you only got it because he died.���C�u��[d�ġ��That’s it. At least I think these things work this way.���C�u��[������Big business for the widow.��������But Gino, the money is yours too.�� �������And you think I want it?��OC�u��[“�����I don't even want to see it from a distance!�������� �Why didn't you tell me earlier?���C�u@��[ק�����How could I tell you before?��$�����=I didn't know either before I received the letter.��������Stop playing with me.��3C�u��[�ɠ����You are such a hypocrite!��砯����Stupid me, I didn't see through that.�� cC�u��\o�����As soon as we met,��Р���� �you told me that you wanted to get rid of him.�� �C�u@��\: �ġ��Now I understand why you didn't want to run away with me.�� ������ �It was this money...��������ENo, Gino. You're not thinking straight.�� �C�u��\\��ǡ��Now I know that you used me. You needed someone to help you.���C�u@��\z�СʁIf it had been only for the money, I could have found someone else...�� �ơ�� 'with more courage than you! It doesn't take much courage...�� �C�u��\�W�����to do what we did! Gino!��5����� �I'm sick of you.��{������I can't look at your face anymore!��nC�u��\����Watch your tongue.���������Are you going to blackmail me now?��2�����5I'll show you how I can go!���C�u��\̯�����Gino!��v�����Find someone else to enjoy the money!�� �C�u@��]�i�����Is there a girl living here?���������Her name is Anita. Yes. She is out now.�� ʠ�����If you want to wait, that's her room.�� C�u@��_^������Now you behave yourself!��������First you say yes, then no. What do I do now?��������$Go back to Rosina!���C�u��_�6�����I wasn't expecting your visit.�� XC�u��_�ޠ����I happened to walk by and thought I'd look up.���C�u��_�������Then it means that you like me.��]C�u��`<�����I'm glad you came by.�� PC�u��`@U�����You're different from other men.��Ǡ���� �I don't know why I feel this way.���C�u��`������Why did you come here?��C�u��a"������I'm going to eat.���C�u��a;������Do you want some? Are you hungry?���C�u��a�������Let's eat together. I'll go and get something.��7������Wait. I'm coming with you.��CC�u��b�Ǡ����Where are you going?��G�ӡ́_Now I understand why your tender heart was so upset about the insurance.���C�u@��b������Do you think I'm going to leave you with her?�� ������ �After all I did for you?���������For me? Yes, for you, and you know it!��eC�u��cG�����What we have done, we have done out of love.��۠�����Enough. She knows nothing about me.�� @C�u��c/������Do you have scruples about me?��6C�u��cOw�����Quiet! Stop all that talk.�� �C�u��c�u�����Gino, don't think about what I said before,�������7it wasn't fair. But I'm at the end of my rope.��SC�u��c�x�����You wanted me, Gino, and now you don't care about me.���������Let's go back home. You'll calm down.�� �C�u��c��ɡÁYou'll think straight again. You'll stop treating me so badly.��<C�u��c�`�����No. Leave me alone.�������BLook out, Gino.���C�u��c�������Look out? Why? You know.�� O������If I say a word, they'll get their hands on you.��sC�u��d+������Your choice. Come with me or...�� ����� 9Or what?�� �C�u��d������I'm sorry about what happened.�� �C�u��d������I have already eaten, make yourself comfortable.�� �C�u��d�'�����I'll tell you who she is.���������I'm not inquisitive.���C�u��eCq�����Why are you so different now? Why do you care?���C�u��e�(�ơ��You know that a late statement impedes the work of justice.�� C�u@��f���Signor Comissario, we have to work.��z�Сʁ�We are always on the road, here today and in Genoa or Turin tomorrow.�� ��ġ��mWhen you called us, we immediately told you what we knew.�� �C�u@��f+A�����Could you swear you saw both the man and the woman�� ������ �climb up the levee as the car was rolling down?���C�u@��fI�ʡāYes, it seemed strange to me because it is actually impossible.�������5I noticed it immediately and told my colleague.�� VC�u��fdà����We were the first to rescue them.����ʡāThen other people came and we thought we were no longer useful.��C�u@��f}>�����Yes, they already told me they were in a hurry���������because they had to be in Milano before noon.��ݠ�����All right. Have the statement signed.��&C�u@��f�/�����Come over here.��I������Where is currently... this Costa?�� u�¡��bDon't worry, Commissario. We haven't lost sight of him.�� �C�u@��f�^�����Today he's here in town, but he has a two-way ticket.�� �������He should be detained before he leaves town.��bC�u��f�������I want to question him.���������Sure, Superintendent.��\������I'll take care of it.��qC�u��g������I always have in my ears. That old man's gasps.��iC�u��g������As he was still trying to get up.�� �C�u��g6������Then I saw him falling back.��C�u��gM^�����She was looking at me...��7����� Iooking at me.��C�u��gdI�����Then I acted...��Ǡ�����without realizing what I was doing.�� �C�u��g�������She had been so unhappy.�� U�����Tell me...���C�u��g�j�����do you despise me now? No.�� à���� OTo me you are still the same person.�� C�u��g�^�����I will never be the same again.��eC�u��g�;�����Now I'm bound to her forever.���C�u��g�>�����Police. Did you see him?�� �C�u��h_�����Coffee.��`C�u��h�y�����Now I understand.���������That man has been following me for a month.�� ܠ����bHe's a policeman.���C�u��h�������She's reported me. She did it!��+������I must get out of here no matter what.�� 0C�u��h������What will you do? Think for a moment.�� Q����� �If you go back to her you will not save yourself.�� sC�u��h֯�����Look, you can help me. Go downstairs.��������]There's a man out there. Come, I'll show you.�� C�u��i#�����Did you see him?��d����� ]Do you recognize him? Yes.���C�u��i;������You must distract him until I get out of here.�� }������Tell him...���C�u��iS������you saw him looking up here.�� 3�ǡ�� VYou know who he is looking for. Tell him I left an hour ago.�� �C�u��ik �����Yes, tell him that.��N����� !"He was here, but left an hour ago."�� TC�u��i������What if he doesn't believe me?�� k����� ^That's true, but what else can be found?�� �C�u��i�������I'll tell him... that I'm mad at you��������because you didn't pay me.���C�u��j������I'll go now.���C�u��n=E�����Giovanna, open the door.�� �C�u��n�𠔡��Here I am.��ՠ���� �Now you can kill me if you like.�� C�u@��n볠����You kept your threat, didn't you?��젦���PI don't care about anything.��m�����(I know what you're capable of. I'm not afraid.�� :C�u@�o %�����Not afraid?��ߠ�����I don't care about anything.��+�����>You're not afraid? Why did you report me then?�� �C�u��o'N�����Do you still think about that threat?�������� DIt was just an attempt to keep you.���C�u��o=������But now, if you want to leave me, go ahead!�� K������I am no longer afraid of being alone.���C�u��oV�ġ��I already realized that I was like everyone else for you!�� n����� �No, Gino.��QC�u��ot#�����Don't you understand?�������-Don't tell stories!��\����� �Does it satisfy you to turn me in?��C�u@��o�-�ȡThey'll catch me and you'll have your revenge, isn't that so?�� Р�����I didn't denounce you, I was just angry�� �C�u��o�������when I saw that girl come ino our lives.���������Only because of this. But I got over it.���C�u��oω�����I had to imagine that you would leave.�� �����4I have been so dreading it in the last few days.���C�u��o�q�����You can only stay in one place for a certain time!�� 6C�u��p ۠����I still remember...���������the day you first arrived here!��0C�u��pA2�����You didn't even have socks on your feet.�� �C�u��p^۠����I can see why I loved you so well right away!�� �������And why I hated him so much.�� 1C�u��p�m�����I couldn't hurt you, even if I wanted to.�� Z����� �Not even to stop you from leaving.�� �C�u��p�I�����Because...��*������I'm expecting a baby from you, Gino.�� �C�u��p�<�����What are you saying?�� ����nYes, first I had doubts.�� �C�u��p�F�����Now I'm sure.��[����� DI should have told you, Gino.��TC�u��q0�����At the time I was completely confused,�� ꠠ����but now I see clearly.��RC�u��q#������I've thought about it a lot...��Р�����about us, the baby.��|C�u��qM���We have taken one life away,���C�u��qa������but we're giving one back.���������That's why I'm not afraid anymore.�� /C�u��q{K�����I have no grudge against you.�� Ġ���� *I know I love you, Gino,�� oC�u��q�������and I can never hurt you.�� BC�u��q�䠼���But how will you stop taking your hate out on me?�� C�u��q�������Here is your chance.�� S����� �I've told you everything.���C�u��q�d�����I'm here.��fC�u��rD������Tell me, do you think I am bad?��������nNo.��VC�u��s������I've looked for you all night.��Š���� �You're all wet.��XC�u��s�ؠ����Did you run? Yes, but I don't mind.�� {�����rForgive me, Giovanna.��C�u��s� ����It would have been terrible if I'd hurt you.�� a�����This night was a revelation for me.�� C�u��sЪ�����Everything has become different.�� kC�u��s�������Before, something was keeping me away from you.�� �������I had no peace.���C�u��t�Q�����Now I'm sure I love you.�� �C�u��t�������But we have to leave...�������� �for ever, immediately.���C�u��t������We will go away.������� ;It was impossible not to make a mistake���C�u@��t����with all we've been through, Gino.�� ��ˡŁ�From now on, you won't listen to me if I say no. You were right.��MC�u��t����Don't say anything more.��f����� �I already told you that everything changed.�� C�u��u�u�����Last night, why did you say I had denounced you?��C�u��u�!�����Because ... I don't know ... that man ...�� à���� �What man?��2C�u��v ڠ����The station was staked out. They are chasing me!���C�u��v�b�����Here, lean on my shoulder.�� `����� 5Comfortable? Yes, I'm fine.�� WC�u��v߄�����You can't imagine what it's like.�� <����� �Not that I'm having a baby, but how it feels.���C�u��v������Soon my belly will be big,�� ����� 9I don't mind getting ugly.���C�u��wm�����In fact, I want everyone to see it.�� _����� hThis is life, Gino.���������Yes, this is life. Finally.�� �C�u��w5�����Far from that house.��qC�u��wI������They will already be there, ransacking all the rooms.���C�u��w]I�����What if they catch us?��栱��� ]You couldn't be with me anymore, Gino.�� 3C�u��wsn�����Don't worry about it.��͠���� �Everything will be fine,���C�u@��w�������fate will help us.����¡���It can't abandon us now, that we are expecting a child.�� ��¡��2Don't worry. From now on, I'll take care of everything.��GC�u��w�Š����Where did the owners go?���������To Scardovari.��wC�u��w�:�����Scardovari? Did they take the car?�� ������ wYes. Are you sure?��9�����Let's not waste any time.���C�u��x�������We must be patient behind this truck.�� ����� �Try to pass. The fumes make me sick.�� C�u��x�`�����Close the window.��4C�u��x��¡��You know, from now on you'll have to take special care.�� ������FI've heard of women that had problems...�� 6C�u��x簠����because they exerted themselves.�� ������But that won't happen to me, will it?�� �C�u��y�����How else can I feel how my breasts swell every day?���C�u��yH�����Right, Gino?��C�u��zH㠙���Hurry, the car!�� XC�u��z�H�����Gino Costa,��G������let's go.��C�u��{X �����Subtitle: cha, 2022�� �S�k fg��������������� ۻ������������F��,����&f����������7����:����������ջ����4�����B����������������`���� ���� ����������� �����eٷ��������� ޻���qз�������,�� \����{���������� 仕���V�������3�� s�����淎�������������� ���������� ��������������*��H�����A�����#����������T�����#��A�� ໕��ힷ��������������򾷎������$��A�������������� �����(g�����B����滕��x�����e���� �����ӷ����e��1�� X�����귎��������v����_��������������"���������� ����76�����L���� �����C �����L��E�� ����Vz����������4����\Ƿ��������� �����gm��������^��*����nѷ����P���� 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