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These are the user uploaded subtitles that are being translated: 1 00:01:11,705 --> 00:01:15,505 MAN [SINGING]: ♪ Don't bring a frown to old Broadway ♪ 2 00:01:15,676 --> 00:01:19,306 ♪ You gotta clown on Broadway ♪ 3 00:01:19,479 --> 00:01:22,471 ♪ Your troubles there are out of style ♪ 4 00:01:22,649 --> 00:01:26,381 ♪ For Broadway always wears a smile ♪ 5 00:01:26,553 --> 00:01:29,784 ♪ A million lights, they flicker there ♪ 6 00:01:29,957 --> 00:01:33,416 ♪ A million hearts beat quicker there ♪ 7 00:01:33,594 --> 00:01:37,030 ♪ No skies of gray on the Great White Way ♪ 8 00:01:37,197 --> 00:01:44,194 ♪ That's the Broadway melody ♪ 9 00:01:47,708 --> 00:01:53,579 [SINGING] ♪ You are my lucky star ♪ 10 00:01:53,747 --> 00:01:59,743 ♪ I saw you from afar ♪ 11 00:01:59,920 --> 00:02:01,718 ♪ Two lovely eyes at me ♪ 12 00:02:01,888 --> 00:02:08,089 ♪ They were gleaming, beaming ♪ 13 00:02:08,261 --> 00:02:13,097 ♪ I was starstruck ♪ 14 00:02:13,266 --> 00:02:19,205 ♪ You're all my lucky charms ♪ 15 00:02:19,373 --> 00:02:25,437 ♪ I'm lucky in your arms ♪ 16 00:02:25,612 --> 00:02:28,343 ♪ You've opened heaven's portal ♪ 17 00:02:28,515 --> 00:02:34,511 ♪ Here on Earth for this poor mortal ♪ 18 00:02:34,688 --> 00:02:37,089 ♪ You are ♪ 19 00:02:37,257 --> 00:02:42,252 ♪ My lucky star ♪ 20 00:02:42,429 --> 00:02:47,595 ♪ You are my ♪ ♪ You are my lucky star ♪ 21 00:02:47,768 --> 00:02:52,763 ♪ I saw you ♪ ♪ I saw you from afar ♪ 22 00:02:52,939 --> 00:02:57,069 ♪ Two lovely eyes at me ♪ ♪ They were gleaming ♪ 23 00:02:57,244 --> 00:03:00,236 ♪ They were beaming ♪ 24 00:03:00,414 --> 00:03:06,945 ♪ I was starstruck ♪ 25 00:03:07,120 --> 00:03:12,115 ♪ You're all my ♪ ♪ You're all my lucky charms ♪ 26 00:03:12,292 --> 00:03:17,355 ♪ I'm lucky ♪ ♪ I'm lucky in your arms ♪ 27 00:03:17,531 --> 00:03:20,967 ♪ You've opened heaven's portal ♪ 28 00:03:21,134 --> 00:03:27,073 ♪ Here on Earth ♪ 29 00:03:27,240 --> 00:03:32,644 ♪ For this poor mortal ♪ 30 00:03:32,813 --> 00:03:35,976 ♪ You are ♪ 31 00:03:36,149 --> 00:03:42,088 ♪ My lucky ♪ 32 00:03:42,255 --> 00:03:47,887 ♪ Star ♪ 33 00:03:48,495 --> 00:03:49,860 Thank you, Miss Langford. 34 00:03:50,030 --> 00:03:53,364 Ladies and gentlemen, you have just heard Miss Frances Langford singing: 35 00:03:53,533 --> 00:03:56,764 "You Are My Lucky Star" from the forthcoming musical production... 36 00:03:56,937 --> 00:03:58,427 ...Broadway Rhythm. 37 00:03:58,605 --> 00:04:02,439 And now the Apex Brush Company again brings to you that cracked columnist... 38 00:04:02,609 --> 00:04:06,512 ...of the New York World Tribune, Bert Keeler, the voice of Broadway. 39 00:04:06,680 --> 00:04:09,581 Giving you the inside dope on what's what among the who's who. 40 00:04:09,750 --> 00:04:12,651 - Take it, Bert. - Good evening, you little scandal lovers. 41 00:04:12,819 --> 00:04:15,220 This is Bert Keeler speaking, the voice of Broadway. 42 00:04:15,388 --> 00:04:17,857 Coming to you with all the late indoor-sport results. 43 00:04:18,024 --> 00:04:19,150 And am I hot tonight. 44 00:04:19,326 --> 00:04:20,350 [CLICKING] 45 00:04:20,527 --> 00:04:21,627 Flash. New York, New York. 46 00:04:21,762 --> 00:04:24,823 The Park Avenue Bradley Masons are anticipating a blessed event. 47 00:04:24,998 --> 00:04:27,092 It's a boy at the William Tuckers. 48 00:04:27,267 --> 00:04:31,135 Flash. Two dozen safety pins were ordered this morning by the Howard Van Pelts. 49 00:04:31,304 --> 00:04:32,669 Washington, D.C. 50 00:04:32,839 --> 00:04:36,036 There's a rumor that Congress, to help balance the national budget... 51 00:04:36,209 --> 00:04:38,007 ...will put a tax on all divorces. 52 00:04:38,178 --> 00:04:40,078 Are you listening, Reno? Heh, heh. 53 00:04:40,247 --> 00:04:42,409 Imagine all those lawyers going back to work. 54 00:04:42,582 --> 00:04:44,132 BERT [OVER RADIO]: It's good? Flush. 55 00:04:44,151 --> 00:04:47,519 Or flash: It's quintuplets at the Tenth Avenue Angelo Pasquales. 56 00:04:47,687 --> 00:04:49,485 This is their 16th blessed event. 57 00:04:49,656 --> 00:04:51,784 Hmm, the stork must be using the spare room. 58 00:04:51,958 --> 00:04:55,519 Crash. It's a 72-pound boy at the home of the Leslie, Park Avenue, Rockfords. 59 00:04:55,695 --> 00:04:58,323 Flash: The stork left by aeroplane at midnight... 60 00:04:58,498 --> 00:05:02,867 ...for the home of the Sidney O'Hares in Baltimore-Happy landing. 61 00:05:04,404 --> 00:05:08,739 Boy. Call Bert Keeler. Tell him to see me as soon as he finishes his broadcast. 62 00:05:08,909 --> 00:05:10,434 Yes, sir. 63 00:05:16,116 --> 00:05:18,847 - Hi, chief. How'd you like the broadcast? - Rotten. 64 00:05:19,019 --> 00:05:22,853 Can't you write or talk about anything else except who's gonna have a baby? 65 00:05:23,023 --> 00:05:25,151 Why, chief, don't you like my baby talk? 66 00:05:25,325 --> 00:05:28,158 No. Your column reads like a clinical report. 67 00:05:28,328 --> 00:05:31,730 Listen to this, "The stork is flying high over the Conrad Barnums. 68 00:05:31,898 --> 00:05:34,128 A bundle of joy from heaven at the Bartons. 69 00:05:34,301 --> 00:05:37,236 A blessed event threatens the Campbells." It's old stuff. 70 00:05:37,404 --> 00:05:38,701 But the public loves babies. 71 00:05:38,872 --> 00:05:42,240 So do I, but I'm running a newspaper, not a birth forecast. 72 00:05:42,409 --> 00:05:46,107 Don't you think it gives my column a homey feeling, sort of a domestic touch? 73 00:05:46,279 --> 00:05:48,543 That's not Broadway. Now get this, Keeler. 74 00:05:48,715 --> 00:05:52,447 I want the stuff you get looking over transoms and peeking through keyholes. 75 00:05:52,619 --> 00:05:55,919 You can't get stuff through keyholes. Sometimes the people aren't home. 76 00:05:56,089 --> 00:05:58,319 Then you find out where they went and why. 77 00:05:58,491 --> 00:06:00,691 Suppose I find them and they're doing nothing wrong? 78 00:06:00,760 --> 00:06:03,627 People are always doing something wrong for a good reporter. 79 00:06:03,797 --> 00:06:06,926 I see. You want the kind of stuff that'll get me a sock in the nose. 80 00:06:07,100 --> 00:06:10,468 That's right. And you won't be making good until people hate you. 81 00:06:10,637 --> 00:06:13,629 I want everybody in this town looking for your scalp. 82 00:06:13,807 --> 00:06:15,798 Mmm, nice journalistic future I have. 83 00:06:15,976 --> 00:06:19,913 Don't worry. The minute I hear people calling you a rat, I'll raise your salary. 84 00:06:20,080 --> 00:06:23,243 All right, I'll be so big a rat you can put a saddle on me. 85 00:06:23,416 --> 00:06:26,044 Give that stork a rest. Put your nose to the ground... 86 00:06:26,219 --> 00:06:28,654 ...and dig up some news that's hot, and remember: 87 00:06:28,822 --> 00:06:31,917 One more blessed event in your column and you're through. 88 00:06:32,092 --> 00:06:36,654 Okay, chief. The only births I'll mention from now on will be on Pullmans. 89 00:06:38,298 --> 00:06:40,323 Bert, who do you think is gonna have a baby? 90 00:06:40,500 --> 00:06:41,592 - Who? - My mother. 91 00:06:41,768 --> 00:06:45,636 - From now on nobody's gonna have babies. - You can't stop my mother... 92 00:06:45,805 --> 00:06:48,604 - ...from having a baby. - I can stop it from having it in my column. 93 00:06:48,775 --> 00:06:52,439 What I'm driving at is we gotta stop watching the stork and pay attention... 94 00:06:52,612 --> 00:06:54,205 - ...to keyholes and transoms. - Why? 95 00:06:54,381 --> 00:06:57,749 Because I'll lose my job. And if I lose my job I've got to let you go. 96 00:06:57,918 --> 00:06:59,317 - Why? - Why? 97 00:06:59,486 --> 00:07:02,353 Because when I'm out of work, I don't need an assistant. 98 00:07:02,522 --> 00:07:04,149 Oh. 99 00:07:04,424 --> 00:07:06,620 I gotta get the lowdown on something important. 100 00:07:06,793 --> 00:07:09,421 - Well, ain't babies important? - The boss don't think so. 101 00:07:09,596 --> 00:07:13,260 We gotta dig up some dirt. What banker was seen with what chorus girl. 102 00:07:13,433 --> 00:07:15,424 Does it have to be a banker or a chorus girl? 103 00:07:15,602 --> 00:07:19,300 No, but it's gotta be somebody important who's doing something he shouldn't do. 104 00:07:19,472 --> 00:07:21,304 [ORCHESTRA PLAYING] 105 00:07:24,311 --> 00:07:27,212 Hey, looks like there's something hot going on down there. 106 00:07:35,822 --> 00:07:36,846 [SONG ENDS] 107 00:07:38,892 --> 00:07:40,883 [PEOPLE CHATTERING] 108 00:07:50,270 --> 00:07:52,295 - Thanks. - You're welcome. 109 00:07:52,572 --> 00:07:55,200 It's Bob Gordon, the guy who's producing Broadway Rhythm. 110 00:07:55,375 --> 00:07:57,605 - He's talking to a dame. - Who is she? 111 00:07:57,777 --> 00:07:59,211 I think it's Lillian Brent. 112 00:07:59,379 --> 00:08:00,778 - Lillian Brent? - Yeah. 113 00:08:00,947 --> 00:08:04,383 Say, she's got more dough than you and I will ever have. 114 00:08:04,651 --> 00:08:05,777 I'd like to help you out. 115 00:08:05,952 --> 00:08:07,943 Investing money in a show is risky business. 116 00:08:08,121 --> 00:08:10,112 - I wouldn't advise it. - I like taking chances. 117 00:08:10,290 --> 00:08:13,157 - I'd get a kick out of it. - I can't let you do it, Lillian. 118 00:08:13,326 --> 00:08:15,124 - Don't you believe in your show? - I do. 119 00:08:15,295 --> 00:08:18,095 - It's the best thing I've ever written. - That's good enough for me. 120 00:08:18,131 --> 00:08:19,496 [ORCHESTRA PLAYING] 121 00:08:19,666 --> 00:08:21,065 Look... 122 00:08:22,335 --> 00:08:24,201 ...who told you that I needed money? 123 00:08:24,371 --> 00:08:25,736 What's the difference? 124 00:08:25,905 --> 00:08:29,535 Well, I just didn't want you to think I'd take advantage of our friendship. 125 00:08:29,709 --> 00:08:31,973 You haven't. You had nothing to do with it. 126 00:08:32,145 --> 00:08:35,740 I like the idea of putting money into your show and I'm going to do it. 127 00:08:35,915 --> 00:08:37,041 But... 128 00:08:37,217 --> 00:08:40,983 ...we don't have to be too brutally businesslike about it, do we? 129 00:08:41,154 --> 00:08:42,747 It's a business proposition. 130 00:08:43,089 --> 00:08:46,525 - Won't there be anything personal in it? - Mm-hm. 131 00:08:46,693 --> 00:08:49,128 - What? - Your personal check. 132 00:08:49,295 --> 00:08:51,320 Oh, Bob. 133 00:08:52,699 --> 00:08:54,292 [SPEAKING INDISTINCTLY] 134 00:08:54,467 --> 00:08:58,631 I know the show's gonna be a great success and I want it to be, for your sake. 135 00:08:58,805 --> 00:09:02,105 But, darling, please don't become so interested in it... 136 00:09:02,275 --> 00:09:04,209 ...that you'll forget all about me? 137 00:09:04,544 --> 00:09:06,205 How could I? 138 00:09:08,448 --> 00:09:11,645 [SINGING] ♪ I've got a feelin' you're foolin' ♪ 139 00:09:11,818 --> 00:09:14,913 ♪ I've got a feelin' you're having fun ♪ 140 00:09:15,088 --> 00:09:18,023 ♪ I'll get a go-by when you are done ♪ 141 00:09:18,191 --> 00:09:20,819 ♪ Foolin' with me ♪ 142 00:09:21,761 --> 00:09:24,856 ♪ I've got a feelin' you're foolin' ♪ 143 00:09:25,031 --> 00:09:28,160 ♪ I've got a notion it's make-believe ♪ 144 00:09:28,334 --> 00:09:31,235 ♪ I think you're laughing ♪ ♪ Right up your sleeve ♪ 145 00:09:31,404 --> 00:09:34,499 ♪ Foolin' with me ♪ 146 00:09:34,674 --> 00:09:37,905 [SINGING] ♪ Life is worth living ♪ ♪ While you are giving ♪ 147 00:09:38,078 --> 00:09:40,911 ♪ Moments of paradise ♪ 148 00:09:41,081 --> 00:09:44,278 ♪ You're such a standout ♪ ♪ But how you hand out ♪ 149 00:09:44,451 --> 00:09:48,012 ♪ That hocus-pocus From your eyes ♪ 150 00:09:48,188 --> 00:09:51,419 ♪ I got a feelin' you're foolin' ♪ 151 00:09:51,591 --> 00:09:54,652 ♪ I've got a feelin' it's all a frame ♪ 152 00:09:54,828 --> 00:09:57,820 ♪ It's just the well-known old Army game ♪ 153 00:09:57,997 --> 00:10:01,262 ♪ Foolin' with you ♪ 154 00:10:01,634 --> 00:10:04,831 ♪ I've got a feelin' you're foolin' ♪ 155 00:10:05,004 --> 00:10:07,974 ♪ I've got a feelin' you're having fun ♪ 156 00:10:08,141 --> 00:10:11,167 ♪ I'll get a go-by when you are done ♪ 157 00:10:11,344 --> 00:10:14,939 ♪ Foolin' with me ♪ 158 00:10:15,115 --> 00:10:21,487 ♪ I've got a feelin' you're foolin' ♪ ♪ I got a notion it's make-believe ♪ 159 00:10:21,654 --> 00:10:24,988 ♪ And you are laughing right up your sleeve ♪ 160 00:10:25,158 --> 00:10:27,820 ♪ Foolin' with me ♪ 161 00:10:28,027 --> 00:10:31,258 ♪ Life is worth livin' while you are givin' ♪ 162 00:10:31,431 --> 00:10:34,230 ♪ Moments of paradise ♪ 163 00:10:34,767 --> 00:10:38,965 ♪ You're such a standout ♪ ♪ But how you hand out the» ♪ 164 00:10:41,574 --> 00:10:44,805 ♪ I've got a feelin' you're foolin' ♪ 165 00:10:44,978 --> 00:10:48,209 ♪ I've got a feelin' it's all a frame ♪ 166 00:10:48,381 --> 00:10:51,112 ♪ It's just the well-known old Army game ♪ 167 00:10:51,284 --> 00:10:54,549 ♪ -No foolin' ♪ ♪ -No foolin' ♪ 168 00:10:54,721 --> 00:10:58,521 ♪ -No foolin' ♪ ♪ -No foolin' ♪ 169 00:10:58,691 --> 00:11:05,688 ♪ -When I'm foolin' with you ♪ ♪ »When I'm foolin' with you ♪ 170 00:11:08,368 --> 00:11:10,666 CHORUS [SINGING]: ♪ I've got a feelin' you're foolin' ♪ 171 00:11:10,837 --> 00:11:12,999 ♪ I've got a feelin' you're having fun ♪ 172 00:11:13,173 --> 00:11:17,576 ♪ I'll get a go-by when you are done ♪ ♪ Foolin' with me ♪ 173 00:11:17,744 --> 00:11:22,238 ♪ I've got a feelin' you're foolin' ♪ ♪ I've got a notion it's make-believe ♪ 174 00:11:22,415 --> 00:11:24,440 ♪ I think you're laughing ♪ ♪ Right up your sleeve ♪ 175 00:11:24,617 --> 00:11:27,109 ♪ Foolin' with me ♪ 176 00:12:19,572 --> 00:12:21,131 [CROWD APPLAUDING] 177 00:12:39,225 --> 00:12:42,286 ♪ I've got a feelin' you're foolin' ♪ 178 00:12:42,462 --> 00:12:45,432 ♪ I've got a feelin' it's all a frame ♪ 179 00:12:45,598 --> 00:12:48,431 ♪ It's just that well-known old Army game ♪ 180 00:12:48,601 --> 00:12:51,696 ♪ Foolin' with you ♪ 181 00:14:02,542 --> 00:14:03,805 CHORUS: ♪ Life is worth living ♪ 182 00:14:03,976 --> 00:14:05,375 ♪ While you are giving ♪ 183 00:14:05,545 --> 00:14:08,378 ♪ Moments of paradise ♪ 184 00:14:08,548 --> 00:14:11,313 ♪ You're such a standout ♪ ♪ But how you hand out ♪ 185 00:14:11,484 --> 00:14:14,419 ♪ That hocus-pocus from your eyes ♪ 186 00:14:32,872 --> 00:14:35,204 - Snooper, do you know what this means? - What? 187 00:14:35,375 --> 00:14:38,606 Anytime a wealthy Park Avenue widow gets chummy with a Broadway guy... 188 00:14:38,778 --> 00:14:40,371 ...the public wants to know why. 189 00:14:40,546 --> 00:14:42,640 - Why, is that wrong? - Not at all. 190 00:14:42,815 --> 00:14:45,284 But one of them's got something the other one wants. 191 00:14:45,451 --> 00:14:47,818 It's the same in the Bronx. 192 00:14:50,790 --> 00:14:52,781 [PEOPLE CHATTERING] 193 00:15:10,009 --> 00:15:12,569 - See Mr. Newcombe. - Thank you. 194 00:15:15,114 --> 00:15:19,108 - Is this Robert Gordon's office of Albany? - What's that? 195 00:15:19,285 --> 00:15:22,152 I say, is this Robert Gordon of Albany's office? 196 00:15:22,321 --> 00:15:24,847 Albany office? No, no. New York office. 197 00:15:25,291 --> 00:15:27,282 Yes, I know. But what I mean is... 198 00:15:27,460 --> 00:15:30,486 ...is this Robert Gordon's office in New York of Albany? 199 00:15:30,663 --> 00:15:31,687 See if this is it. 200 00:15:31,864 --> 00:15:35,357 You wanna know if this is Albany's office of Robert Gordon's New Yor... 201 00:15:35,535 --> 00:15:36,559 Now you got me doing it. 202 00:15:36,736 --> 00:15:37,760 [PHONE BUZZING] 203 00:15:37,937 --> 00:15:39,737 Don't go away. I'll unravel you in a minute. 204 00:15:40,173 --> 00:15:43,404 Hello? No, sorry, he isn't in. 205 00:15:43,776 --> 00:15:46,404 Now then, let's start from scratch. 206 00:15:46,579 --> 00:15:48,877 - Just who did you want to see? - Bob. 207 00:15:49,415 --> 00:15:51,042 Bob? You mean Mr. Gordon? 208 00:15:51,217 --> 00:15:52,548 Yes. 209 00:15:52,718 --> 00:15:54,686 - What's your name? - Irene Foster. 210 00:15:54,854 --> 00:15:56,948 - Of Albany. - Why, yes. 211 00:15:57,123 --> 00:15:58,284 How did you know? 212 00:15:58,458 --> 00:16:00,051 - I'm psychic. - Really? 213 00:16:00,226 --> 00:16:02,320 - You know, Bob's from Albany too. - Is that so? 214 00:16:02,495 --> 00:16:04,930 We haven't seen each other since he left high school. 215 00:16:05,097 --> 00:16:06,292 For heaven's sake. 216 00:16:06,466 --> 00:16:08,400 We were sort of... 217 00:16:09,302 --> 00:16:11,396 - You know what I mean. - Oh, you weren't. 218 00:16:11,571 --> 00:16:14,836 Mm-hm. See this? It's his school fraternity pin. 219 00:16:15,007 --> 00:16:18,068 - Hmm. - He gave it to me five years ago. 220 00:16:18,244 --> 00:16:21,077 Gee, I'm dying to see him again. Is he in? 221 00:16:21,247 --> 00:16:22,772 Not yet. Have you an appointment? 222 00:16:22,949 --> 00:16:25,816 Oh, no. I wanna surprise him. 223 00:16:25,985 --> 00:16:27,851 He may not remember you after five years. 224 00:16:28,020 --> 00:16:31,354 Oh, he'll remember me, all right, especially this. 225 00:16:31,524 --> 00:16:34,516 - What's that? - We used to do that in school. 226 00:16:34,694 --> 00:16:37,095 - You did that to each other? - Uh-huh. 227 00:16:37,263 --> 00:16:38,526 Why? 228 00:16:38,698 --> 00:16:40,928 Well, because we were both born in January. 229 00:16:41,634 --> 00:16:44,069 Oh, I get it, the goat sign. 230 00:16:44,237 --> 00:16:45,864 - A couple of goats. - That's right. 231 00:16:46,038 --> 00:16:48,666 Excuse me. I'm Bert Keeler of the World Tribune. 232 00:16:48,841 --> 00:16:52,277 - I'd like to see Bob Gordon. - Oh, Mr. Gordon isn't in right now. 233 00:16:52,445 --> 00:16:54,311 Well, maybe you can help me out. 234 00:16:54,480 --> 00:16:56,744 You ought to know something about this. 235 00:16:57,450 --> 00:17:00,545 Confidentially, who's banking Gordon's show? 236 00:17:00,720 --> 00:17:02,779 Mr. Gordon isn't in right now. 237 00:17:02,955 --> 00:17:05,617 It's, uh... It's Lillian Brent, isn't it? 238 00:17:05,791 --> 00:17:08,391 - Mr. Gordon isn't in right now. - Mr. Gordon isn't in right now. 239 00:17:08,427 --> 00:17:09,519 All right, I'll wait. 240 00:17:12,532 --> 00:17:17,129 That's the eyes and ears of Broadway, with his nose in everybody's business. 241 00:17:17,870 --> 00:17:22,068 [MAN SNORING AND WHISTLING] 242 00:17:31,817 --> 00:17:32,943 [MAKES POPPING NOISE] 243 00:17:35,087 --> 00:17:37,317 [SNORING] 244 00:17:37,523 --> 00:17:39,582 [WHISTLING] 245 00:17:39,759 --> 00:17:41,090 Hey, pardon me. 246 00:17:41,260 --> 00:17:43,661 If you're asleep, you forgot to close your eyes. 247 00:17:43,829 --> 00:17:46,321 Oh, I'm not sleeping. 248 00:17:46,499 --> 00:17:51,335 I'm just practicing my... Rehearsing my specialty. 249 00:17:51,504 --> 00:17:52,733 What specialty? 250 00:17:52,905 --> 00:17:57,502 Well, I'm sort of an expert on snores. 251 00:17:57,677 --> 00:18:01,944 I've been trying to see Mr. Gordon for a month. 252 00:18:02,114 --> 00:18:03,377 What about? 253 00:18:03,549 --> 00:18:05,381 Snoring. 254 00:18:05,885 --> 00:18:07,444 I want to get into his show. 255 00:18:07,620 --> 00:18:08,644 Snoring? 256 00:18:08,821 --> 00:18:09,913 Precisely. 257 00:18:11,223 --> 00:18:14,750 Of all the human sound phenomena... 258 00:18:14,927 --> 00:18:17,692 ...perhaps the most inhuman... 259 00:18:17,930 --> 00:18:20,763 ...to other people are the snorers. 260 00:18:20,933 --> 00:18:24,733 Well, I agree with you. It is a very unpopular indoor sport. 261 00:18:24,904 --> 00:18:30,968 In discussing the human snore, or what we call in scientific terms... 262 00:18:31,143 --> 00:18:33,578 ...soft-palate calisthenics... 263 00:18:33,746 --> 00:18:37,808 ...I need scarcely point out that the basic snore... 264 00:18:37,984 --> 00:18:41,579 ...is the common or Pullman car form. 265 00:18:41,754 --> 00:18:43,188 Like this: 266 00:18:43,356 --> 00:18:45,017 [SNORING] 267 00:18:50,563 --> 00:18:52,053 Just an ordinary snore. 268 00:18:52,231 --> 00:18:55,758 Yeah, it would be silly to waste a good snore in a Pullman. 269 00:18:55,935 --> 00:19:01,203 Snores are produced by two movements of the breath... 270 00:19:01,374 --> 00:19:06,403 ...and so they may be classified under two general headings... 271 00:19:06,612 --> 00:19:10,913 ...varied inspirational forms and varied expirational forms. 272 00:19:11,083 --> 00:19:14,109 We'll take up the latter first. 273 00:19:14,286 --> 00:19:17,085 Go right ahead. It's very interesting. 274 00:19:17,490 --> 00:19:22,553 All of these expirational forms are dependent upon type one... 275 00:19:22,728 --> 00:19:26,687 ...which you've just heard, for their inspirational element. 276 00:19:26,866 --> 00:19:30,803 And so we have type 2-A... 277 00:19:30,970 --> 00:19:34,929 ...the labial or "ah-poo" variety. 278 00:19:35,207 --> 00:19:37,733 [SNORES AND SPUTTERS] 279 00:19:40,613 --> 00:19:44,049 You know, my... My grandmother used to snore like that. 280 00:19:44,216 --> 00:19:50,349 And 2-8 is the frictional or non-lubricated form. 281 00:19:50,523 --> 00:19:54,153 [SNORES AND WHISTLES] 282 00:19:54,326 --> 00:19:56,488 A little oil would help that one. 283 00:19:56,662 --> 00:20:02,157 And 3-A is the sad or melancholy form. 284 00:20:02,334 --> 00:20:05,964 [SNORES AND WHIMPERS] 285 00:20:07,440 --> 00:20:12,207 Which often merges into 3-B... 286 00:20:12,378 --> 00:20:16,508 ...the conversational or troubled-conscience variety. 287 00:20:16,682 --> 00:20:18,047 [SNORES] 288 00:20:18,217 --> 00:20:20,709 [MUMBLING INDISTINCTLY] 289 00:20:25,057 --> 00:20:28,925 I'm sorry, but I don't think my readers would be interested in an organ recital. 290 00:20:29,095 --> 00:20:33,191 But you haven't heard the air-brake whistle snore... 291 00:20:34,266 --> 00:20:35,756 - Hello, Gordon. - Good morning. 292 00:20:35,935 --> 00:20:37,369 MAN: Good morning, Mr. Gordon. 293 00:20:37,536 --> 00:20:39,868 WOMAN: Good morning, Mr. Gordon. 294 00:20:42,942 --> 00:20:46,674 Call the costumers and have them send over the sketches for that ballet number. 295 00:20:46,846 --> 00:20:50,544 Get in touch with Basil. I'd like to start rehearsing as soon as possible. 296 00:20:51,117 --> 00:20:52,983 Oh, yes. Yes, Mr. Gordon. 297 00:20:54,520 --> 00:20:57,182 He just didn't recognize you. 298 00:20:57,423 --> 00:20:58,754 I know he didn't. 299 00:20:58,924 --> 00:21:00,585 Why didn't you give him this? 300 00:21:00,760 --> 00:21:02,319 I forgot to. 301 00:21:02,495 --> 00:21:05,692 Well, it... It's always best to write for an appointment. 302 00:21:06,999 --> 00:21:08,592 I guess you're right. 303 00:21:08,768 --> 00:21:12,329 Ask Mr. Gordon if he'll see me. I gotta get back to the office. 304 00:21:12,705 --> 00:21:15,265 Bert Keeler of the World Tribune wants to see you. 305 00:21:16,041 --> 00:21:17,600 Yes, sir. 306 00:21:18,144 --> 00:21:19,839 He said he saw you on the way in. 307 00:21:20,012 --> 00:21:21,036 [CROWD CHUCKLING] 308 00:21:21,213 --> 00:21:23,238 Yeah? Well, ask him how I looked. 309 00:21:23,415 --> 00:21:26,612 No, wait. Tell him I want some news on the show. This is publicity. 310 00:21:26,786 --> 00:21:29,084 He wants some news on the show, Mr. Gordon. 311 00:21:29,255 --> 00:21:31,189 He said it's publicity. 312 00:21:31,357 --> 00:21:32,950 Yes, sir, I'll tell him. 313 00:21:33,125 --> 00:21:34,354 What did he say? 314 00:21:34,527 --> 00:21:37,019 He said when he wants publicity he'll hire a publicity man. 315 00:21:37,196 --> 00:21:38,220 [CROWD LAUGHING] 316 00:21:38,397 --> 00:21:40,092 Mm-hm. Well, he won't need one. 317 00:21:40,266 --> 00:21:43,566 This is one thing Lillian Brent won't have to pay for. Tell him to read my column. 318 00:21:43,669 --> 00:21:45,194 [CROWD LAUGHING] 319 00:21:54,213 --> 00:21:56,204 [SHOES TAPPING] 320 00:22:06,292 --> 00:22:10,058 TED [SINGING]: ♪ Sing before breakfast ♪ ♪ Help the birdies along ♪ 321 00:22:10,229 --> 00:22:13,665 ♪ Before you have that buttered toast ♪ ♪ Have a song ♪ 322 00:22:13,833 --> 00:22:18,168 ♪ You've got to sing before breakfast ♪ ♪ Green a tune and rejoice ♪ 323 00:22:18,337 --> 00:22:21,500 ♪ Before you use that coffeepot ♪ ♪ Use your ♪ 324 00:22:22,341 --> 00:22:26,209 ♪ The whole world may seem funny ♪ ♪ But it is good enough ♪ 325 00:22:26,378 --> 00:22:30,008 ♪ If you run out of money, honey ♪ ♪ Put it on the cuff ♪ 326 00:22:30,182 --> 00:22:32,617 ♪ And sing before breakfast ♪ 327 00:22:46,265 --> 00:22:48,029 [COFFEEPOT WHISTLING] 328 00:23:45,291 --> 00:23:47,885 - Oh, hello. - Hello. 329 00:23:48,060 --> 00:23:49,687 Oh, please go right ahead. 330 00:23:49,862 --> 00:23:52,797 We were just working up a little appetite for breakfast. 331 00:23:52,965 --> 00:23:55,161 I didn't mean to interrupt, I'm sorry. 332 00:23:55,334 --> 00:23:58,099 That's all right. Come on over and join us. 333 00:23:58,270 --> 00:23:59,931 Thanks. 334 00:24:00,773 --> 00:24:02,832 This is my sister, Sally Burke. 335 00:24:03,008 --> 00:24:05,204 - How do you do? - Hello. 336 00:24:05,377 --> 00:24:07,277 And my name is Theodore. 337 00:24:07,446 --> 00:24:09,278 But just call me Ted. 338 00:24:09,448 --> 00:24:11,974 - What's your name? - Irene Foster. 339 00:24:12,151 --> 00:24:14,381 That's a good name. For a girl. 340 00:24:14,553 --> 00:24:16,521 - Have you had breakfast? - Oh, yes. 341 00:24:16,689 --> 00:24:18,384 Well, sit down and have some more. 342 00:24:18,557 --> 00:24:20,787 I usually eat breakfast in the morning. 343 00:24:20,960 --> 00:24:25,830 Well, we usually eat breakfast at noon, it saves lunch. It's cheaper that way. 344 00:24:25,998 --> 00:24:28,092 - You just moved here today, didn't you? - Yes. 345 00:24:28,267 --> 00:24:29,826 - Where you from? - Albany. 346 00:24:30,002 --> 00:24:31,026 Albany? 347 00:24:31,203 --> 00:24:33,467 Hey, that's a swell town. 348 00:24:33,639 --> 00:24:34,868 We played there once. 349 00:24:35,040 --> 00:24:38,408 - Were we a panic in Albany. - I'll say. 350 00:24:38,577 --> 00:24:40,545 - What'd I do with those clippings? - Ted? 351 00:24:40,713 --> 00:24:43,011 Remind me to show you those clippings. Terrific. 352 00:24:43,182 --> 00:24:45,116 Oh, then you're in show business? 353 00:24:45,284 --> 00:24:47,548 Yeah. What line are you in? 354 00:24:48,220 --> 00:24:50,848 Well, I really came to New York to see Robert Gordon. 355 00:24:51,023 --> 00:24:54,015 - I thought he might give me a chance. - Did you see him? 356 00:24:54,193 --> 00:24:55,820 Yes, I saw him. 357 00:24:55,995 --> 00:24:57,429 But he didn't remember me. 358 00:24:57,596 --> 00:24:59,325 Was he, uh, supposed to? 359 00:24:59,498 --> 00:25:01,728 Well, he should. We went to school together. 360 00:25:01,900 --> 00:25:05,200 Oh, I get it. You're kind of that way over him, huh? 361 00:25:05,371 --> 00:25:07,362 Well, kind of. 362 00:25:07,539 --> 00:25:10,031 You're going back to see Mr. Gordon again, aren't you? 363 00:25:10,209 --> 00:25:12,610 - Never. SALLY: Oh, you've got to. 364 00:25:12,878 --> 00:25:13,970 Yeah, you got to. 365 00:25:14,146 --> 00:25:17,241 Look, you can't let a little thing like that upset you. 366 00:25:17,416 --> 00:25:19,578 - Coffee? - Thanks. 367 00:25:20,986 --> 00:25:25,321 - Well, I really don't feel much like eating. - Oh, trouble never upsets my appetite. 368 00:25:25,491 --> 00:25:27,459 [SINGING] ♪ You got to sing before breakf-- ♪ 369 00:25:27,626 --> 00:25:31,062 - Never sing before breakfast. - I don't believe in that stuff. 370 00:25:31,230 --> 00:25:33,699 Look, you've spilt the salt. Don't you pick some up... 371 00:25:33,866 --> 00:25:37,632 - ...and throw it over your shoulder? - No, I pick it up and throw it over my eggs. 372 00:25:38,037 --> 00:25:39,095 But that's bad luck. 373 00:25:39,271 --> 00:25:41,865 [SINGING] ♪ Don't be a superstitious dope ♪ 374 00:25:42,041 --> 00:25:46,137 ♪ To walk beneath a ladder ♪ ♪ Can never make you sadder ♪ 375 00:25:46,311 --> 00:25:48,712 ♪ Things people fear to me bring hope ♪ 376 00:25:48,881 --> 00:25:52,579 ♪ Thirteen's a lucky number ♪ ♪ If you wake from slumber ♪ 377 00:25:52,885 --> 00:25:57,550 ♪ And sing before breakfast ♪ ♪ Help the birdies along ♪ 378 00:25:57,723 --> 00:26:00,158 ♪ Before you have that buttered toast ♪ 379 00:26:00,325 --> 00:26:04,262 ♪ Have a song ♪ ♪ You got to sing before breakfast ♪ 380 00:26:04,430 --> 00:26:06,057 ♪ Green a tune and rejoice ♪ 381 00:26:06,231 --> 00:26:10,190 ♪ Before you use that coffeepot ♪ ♪ Use your voice ♪ 382 00:26:10,369 --> 00:26:14,203 ♪ The whole world may seem funny ♪ ♪ But it is good enough ♪ 383 00:26:14,373 --> 00:26:18,139 ♪ If you run out of money, honey ♪ ♪ Put it on the cuff ♪ 384 00:26:18,310 --> 00:26:22,679 ♪ And sing before breakfast ♪ ♪ Never cry at a thing ♪ 385 00:26:22,848 --> 00:26:26,546 ♪ Before you eat that shredded wheat ♪ ♪ Sing, just sing ♪ 386 00:26:26,718 --> 00:26:30,677 ♪ - And sing, sister, before breakfast ♪ ♪ - Sing, sing, sister, before breakfast sing ♪ 387 00:26:30,856 --> 00:26:33,450 ♪ - Sister, before breakfast sing, sister ♪ ♪ - Before breakfast ♪ 388 00:26:33,625 --> 00:26:35,184 ♪ Open your mouth and sing ♪ 389 00:28:04,983 --> 00:28:07,782 ALL: ♪ You got to sing before breakfast ♪ 390 00:28:07,953 --> 00:28:09,819 ♪ Green a tune and rejoice ♪ 391 00:28:09,988 --> 00:28:14,289 ♪ Before you use that coffeepot ♪ ♪ Use your voice ♪ 392 00:28:14,459 --> 00:28:18,418 ♪ The whole world may seem funny ♪ ♪ But it is good enough ♪ 393 00:28:18,597 --> 00:28:22,397 ♪ If you run out of money, honey ♪ ♪ Put it on the cuff ♪ 394 00:28:22,568 --> 00:28:27,028 ♪ And sing before breakfast ♪ ♪ Never cry at a thing ♪ 395 00:28:27,506 --> 00:28:31,409 ♪ Before you eat that shredded wheat ♪ ♪ Sing, just sing ♪ 396 00:28:31,577 --> 00:28:35,707 TED: ♪ And sing, and sing, and sing ♪ ♪ And sing ♪ 397 00:28:42,354 --> 00:28:44,345 KITTY: Well, I'll see that he gets the message. 398 00:28:44,523 --> 00:28:46,184 Yes, sir. 399 00:28:46,758 --> 00:28:48,988 Miss Corbett, where did this come from? 400 00:28:49,795 --> 00:28:52,560 A girl left it. Said to give it to you. 401 00:28:52,731 --> 00:28:54,165 A girl? 402 00:28:54,333 --> 00:28:56,529 Mr. Gordon, are you from Albany? 403 00:28:56,702 --> 00:28:57,931 Yes, I am. Why? 404 00:28:58,103 --> 00:29:01,698 And did you use to do this to a girl you went to school with? 405 00:29:04,910 --> 00:29:07,277 Sure, I remember. 406 00:29:07,446 --> 00:29:08,709 - Irene Foster. - That's it. 407 00:29:08,880 --> 00:29:10,609 - Where is she? - She's gone. 408 00:29:10,782 --> 00:29:11,840 Gone? Where did she go? 409 00:29:12,651 --> 00:29:14,676 - I don't know. - Where's she stopping? 410 00:29:15,420 --> 00:29:17,855 - I don't know. - Didn't you get her address? 411 00:29:18,023 --> 00:29:20,287 - No. - That's a fine way to conduct an office. 412 00:29:20,459 --> 00:29:22,928 Find out where she lives. Go on, get busy, find her. 413 00:29:23,095 --> 00:29:24,654 And hurry it up. 414 00:29:26,898 --> 00:29:28,229 - Is Bob Gordon in? KITTY: Yes. 415 00:29:28,400 --> 00:29:29,925 Thank you. 416 00:29:32,437 --> 00:29:34,701 - Have you seen Bert Keeler's column? - No. Why? 417 00:29:34,873 --> 00:29:36,136 Well, listen to this: 418 00:29:36,308 --> 00:29:40,142 Flash: Dan Cupid shoots a Park Avenue arrow into the heart of Broadway. 419 00:29:40,312 --> 00:29:42,804 Lillian Brent and Bob Gordon are billing and cooing. 420 00:29:42,981 --> 00:29:45,245 He's cooing until the billing for his new show... 421 00:29:45,417 --> 00:29:48,011 ...is backed by cash in the bank." How do you like that? 422 00:29:48,186 --> 00:29:49,881 Wait a minute. 423 00:29:50,222 --> 00:29:53,123 Get Bert Keeler on the phone and tell him I want to see him. 424 00:29:53,292 --> 00:29:54,953 Right away, Mr. Gordon. 425 00:29:55,127 --> 00:29:57,095 How dare Bert print such a thing in the paper. 426 00:29:57,262 --> 00:30:00,323 That guy's been getting away with murder lately by guessing lucky. 427 00:30:00,499 --> 00:30:03,093 Somebody told him I was putting money in the show. 428 00:30:03,268 --> 00:30:04,758 - Did you? - Don't look at me. 429 00:30:04,936 --> 00:30:07,405 - I didn't crack to anybody. - It won't happen again. 430 00:30:07,572 --> 00:30:09,233 - But the damage is done. - I'll say. 431 00:30:09,408 --> 00:30:13,311 Oh, Mr. Gordon, Mr. Keeler says if you wanna see him... 432 00:30:13,478 --> 00:30:15,913 ...you'll have to come to his office. 433 00:30:17,616 --> 00:30:19,050 Oh, he did, did he? 434 00:30:19,217 --> 00:30:20,707 All right, I'll do that. 435 00:30:22,020 --> 00:30:24,182 Don't go, I'll be right back. 436 00:30:25,257 --> 00:30:26,486 How do you like that? Ha! 437 00:30:26,658 --> 00:30:28,524 Gordon wants me to come up to his office. 438 00:30:28,694 --> 00:30:31,391 - He's a big guy in this town, isn't he? - So am I. 439 00:30:31,563 --> 00:30:34,624 The secret is to write about big shots, not mingle with them. 440 00:30:34,800 --> 00:30:37,633 I wonder if he'd be mad about that sock you took at him. 441 00:30:37,803 --> 00:30:41,103 Who cares? The more those guys burn, the bigger I become. 442 00:30:41,273 --> 00:30:44,208 Snoop, you know when a columnist is sure he's a success? 443 00:30:44,376 --> 00:30:46,276 - When? - When the people he writes about... 444 00:30:46,445 --> 00:30:49,380 ...get sore and wanna see him. Scully is right. Get them mad. 445 00:30:49,548 --> 00:30:51,676 Make them tremble when they pick up the paper. 446 00:30:51,850 --> 00:30:54,717 - And that makes you a success, huh? - That's right. 447 00:30:54,886 --> 00:30:57,981 And furthermore, I'm doing a lot of good. 448 00:30:58,156 --> 00:31:00,887 You may not realize it but I am. People aren't likely... 449 00:31:01,059 --> 00:31:03,153 - ...to go wrong for fear I'll print it. - Yeah? 450 00:31:03,328 --> 00:31:04,489 Yeah. 451 00:31:04,696 --> 00:31:08,223 You know, Snoop. I'm a reformer in a sense. 452 00:31:08,400 --> 00:31:10,368 What sense? 453 00:31:11,603 --> 00:31:13,401 MAN: Copy boy. 454 00:31:13,572 --> 00:31:15,370 Copy boy. 455 00:31:16,274 --> 00:31:18,072 Copy boy. 456 00:31:20,045 --> 00:31:21,843 Copy boy. 457 00:31:22,080 --> 00:31:24,071 [PEOPLE CHATTERING] 458 00:31:34,659 --> 00:31:37,526 Hello, Gordon. How is the show coming along? 459 00:31:38,830 --> 00:31:40,662 Glad to hear it. You know Snooper... 460 00:31:40,832 --> 00:31:44,234 - ...my assistant that digs up the dirt for me? - Not all of it. 461 00:31:44,403 --> 00:31:46,531 Keeler, I want a retraction of that item. 462 00:31:46,705 --> 00:31:49,766 You mean that, uh... That little boost I gave you in today's column? 463 00:31:49,941 --> 00:31:53,036 I mean this cheap attack you made against a friend of mine. 464 00:31:53,211 --> 00:31:55,236 Why, Bob, that's publicity. 465 00:31:55,414 --> 00:31:57,712 I usually get something for that kind of stuff. 466 00:31:57,883 --> 00:31:59,146 That's okay with me. 467 00:32:01,486 --> 00:32:03,580 All right, Keeler, put that in your column. 468 00:32:03,755 --> 00:32:06,520 Listen, when you hit him, you gotta hit me too. 469 00:32:06,691 --> 00:32:08,682 [CLATTERING] 470 00:32:15,434 --> 00:32:17,528 - Hey, Snoop. - Yeah? 471 00:32:17,702 --> 00:32:20,603 Remind me to ask for a raise tomorrow. 472 00:32:31,950 --> 00:32:34,715 - Give me a napkin, will you? - What's the matter with you? 473 00:32:34,886 --> 00:32:38,823 - Don't you know how to dunk a doughnut? - Sure, I just lost control, that's all. 474 00:32:38,990 --> 00:32:41,789 - Look, what do you think that hole is for? - Ventilation. 475 00:32:41,960 --> 00:32:44,952 No, you're thinking of the holes in cheese. It's for your thumb. 476 00:32:45,130 --> 00:32:47,155 - Now, look, you put your thumb here... - Yeah. 477 00:32:47,332 --> 00:32:50,962 ...your forefinger here and you do this. 478 00:32:53,939 --> 00:32:55,407 I gotta run down to the office. 479 00:32:55,574 --> 00:32:58,441 - If you hear any news give me a buzz. - You forgot your check. 480 00:32:58,610 --> 00:33:00,078 Yeah. 481 00:33:01,713 --> 00:33:05,274 Uh, excuse me, that was Bert Keeler sitting here, wasn't it? 482 00:33:05,450 --> 00:33:06,645 Yeah, why? 483 00:33:06,818 --> 00:33:10,311 - Is he a friend of yours? - Sure, Keeler and I are like that: 484 00:33:10,489 --> 00:33:12,014 This is me on the bottom. 485 00:33:12,190 --> 00:33:14,386 - He could do me a big favor, if he would. - Yeah? 486 00:33:14,559 --> 00:33:16,727 WAITRESS: Your order, please? - Coffee and doughnut. 487 00:33:16,728 --> 00:33:18,924 What about a favor Keeler could do you? 488 00:33:19,097 --> 00:33:22,158 Well, the girl my boss is looking for reads his column. 489 00:33:22,334 --> 00:33:24,826 - Who's your boss? - Robert Gordon. Do you know him? 490 00:33:25,003 --> 00:33:26,994 - Oh, yes, we've met. - Good. 491 00:33:27,172 --> 00:33:31,006 - And who's the girl? - Irene Foster and I've got to locate her. 492 00:33:31,176 --> 00:33:35,044 Listen, Keeler's a great guy, he'll help you. And besides, he does anything I say. 493 00:33:35,213 --> 00:33:37,648 Then will you please tell him to put in his column... 494 00:33:37,816 --> 00:33:40,877 ...that Robert Gordon would like to locate Irene Foster? 495 00:33:43,154 --> 00:33:46,419 - Listen. Do you wanna be a regular guy? - Give me a match. What is it? 496 00:33:46,591 --> 00:33:50,425 Put in your column that Bob Gordon is anxious to get in touch with Irene Foster. 497 00:33:50,595 --> 00:33:52,085 - Who's Irene Foster? - A girl. 498 00:33:52,264 --> 00:33:53,891 Yeah, I imagine that. Now what? 499 00:33:54,065 --> 00:33:56,693 You see, she's from Albany. That's Bob Gordon's hometown. 500 00:33:56,868 --> 00:33:59,428 She checked out of high school and came to see Gordon... 501 00:33:59,604 --> 00:34:03,199 ...but he didn't recognize her. So she ankles out of his office feeling bad. 502 00:34:03,375 --> 00:34:04,968 High-hatting his old friends, eh? 503 00:34:05,143 --> 00:34:07,441 - No, he's sorry now. - Where did you get all this? 504 00:34:07,612 --> 00:34:09,512 - I got a connection in the office. - Yeah? 505 00:34:09,681 --> 00:34:13,049 Look, will you put it in your column and mark it down as a favor to me? 506 00:34:13,218 --> 00:34:14,879 The pleasure is all mine. 507 00:34:15,053 --> 00:34:17,385 - Gee, you're a regular guy at that, Bert. - Thanks. 508 00:34:17,556 --> 00:34:20,924 And everybody in town thinks you're a heel, but I don't anymore. 509 00:34:21,092 --> 00:34:23,322 Well, thanks, Snoop. I... 510 00:34:27,065 --> 00:34:28,760 [KNOCKING] 511 00:34:28,934 --> 00:34:30,595 BERT: Come in. 512 00:34:34,105 --> 00:34:35,698 Mr. Keeler? 513 00:34:35,874 --> 00:34:38,172 - Yeah. - You remember me? 514 00:34:39,311 --> 00:34:42,975 Oh, yeah, you're the guy that goes around snoring at people. 515 00:34:43,148 --> 00:34:47,107 Snoop. Snoop. I want you to meet Mr., uh... 516 00:34:47,319 --> 00:34:48,343 Mr... 517 00:34:48,520 --> 00:34:50,181 [SNORES] 518 00:34:50,355 --> 00:34:52,084 - What's his first name? - I don't know. 519 00:34:52,257 --> 00:34:55,022 - He wants to get into Gordon's show. - Yeah? What do you do? 520 00:34:55,193 --> 00:34:56,558 I snore. 521 00:34:56,728 --> 00:34:59,527 Oh, you're part of the audience. 522 00:34:59,698 --> 00:35:06,263 No, I... You see, I'm really a research professor of sound phenomena. 523 00:35:07,072 --> 00:35:10,667 Hey, why don't you give him a sample of whatever you're talking about? 524 00:35:10,842 --> 00:35:12,241 Well, certainly. 525 00:35:12,410 --> 00:35:14,936 Well, for instance, there's... 526 00:35:15,113 --> 00:35:18,947 ...the light and thin or blond type of snore: 527 00:35:19,117 --> 00:35:20,607 [HIGH-PITCHED SNORE] 528 00:35:20,785 --> 00:35:25,780 Or the larger and fuller or brunette variety: 529 00:35:25,957 --> 00:35:27,391 [DEEP SNORE] 530 00:35:27,559 --> 00:35:30,859 And there's the ascending diapason: 531 00:35:31,029 --> 00:35:32,519 [RISING SNORE] 532 00:35:32,697 --> 00:35:35,064 And the descending diapason: 533 00:35:35,233 --> 00:35:36,723 [FALLING SNORE] 534 00:35:36,901 --> 00:35:41,031 And of course the double diapason: 535 00:35:41,206 --> 00:35:44,176 [RISING AND FALLING SNORE] 536 00:35:44,509 --> 00:35:46,238 - That's good. - Yeah. 537 00:35:46,411 --> 00:35:48,277 But, uh... 538 00:35:48,446 --> 00:35:52,747 The evident sign of the experienced and accomplished snorer... 539 00:35:52,917 --> 00:35:56,820 ...is type seven, the interrupted inspiration... 540 00:35:56,988 --> 00:35:59,685 ...or static lag variety: 541 00:35:59,858 --> 00:36:02,190 [SPORADIC SNORE] 542 00:36:03,995 --> 00:36:05,929 You know, I've been all through this. 543 00:36:06,097 --> 00:36:10,159 Which merges and extends itself ultimately... 544 00:36:10,335 --> 00:36:14,738 ...and I think I may say, without fear of successful contradiction... 545 00:36:14,906 --> 00:36:18,206 ...almost inevitably into type eight... 546 00:36:18,376 --> 00:36:21,073 ...which might be called the last word in snoring. 547 00:36:21,246 --> 00:36:27,618 This is the auto-resuscitation, or self-awakening variety: 548 00:36:27,852 --> 00:36:30,287 [SPORADIC SNORING] 549 00:36:38,496 --> 00:36:40,521 Uh, shall I go on? 550 00:36:40,699 --> 00:36:42,394 No, you stay and I'll go on. 551 00:36:42,567 --> 00:36:44,331 I'll go with you. 552 00:36:45,503 --> 00:36:47,870 Hey, why don't you come too? 553 00:36:49,708 --> 00:36:52,370 'The Main Stem' by Bert Keeler. 554 00:36:52,544 --> 00:36:57,038 "Gardenias to Irene Foster for walking out on Bob Gordon. 555 00:36:57,215 --> 00:37:01,311 Cabbages to him for not recognizing the Albany beauty. 556 00:37:01,486 --> 00:37:02,976 Some guys are like that. 557 00:37:03,154 --> 00:37:07,216 They prefer widows, especially if they are rich." 558 00:37:08,226 --> 00:37:10,285 How do you suppose he ever got a hold of that? 559 00:37:10,462 --> 00:37:12,897 What do you care, as long as your name's spelt right? 560 00:37:13,064 --> 00:37:14,998 You can't keep any secrets from Keeler. 561 00:37:15,166 --> 00:37:18,431 - Oh, I think that's awful. - What do you mean awful? 562 00:37:18,603 --> 00:37:20,697 Yeah. Say, onions from that guy... 563 00:37:20,872 --> 00:37:23,398 ...are better than chrysanthebubs from anybody else. 564 00:37:24,309 --> 00:37:25,834 Better than what? 565 00:37:26,010 --> 00:37:28,104 Chrysanthemums. 566 00:37:28,646 --> 00:37:31,616 - Why don't you go back and see Gordon? - I will not. 567 00:37:31,783 --> 00:37:33,512 You came here to see him, didn't you? 568 00:37:33,685 --> 00:37:35,847 Yes, but I still have a little pride left. 569 00:37:36,020 --> 00:37:38,853 So has Gandhi but he's getting awful thin. 570 00:37:39,023 --> 00:37:42,857 You know, if you could only do something besides dance. 571 00:37:43,027 --> 00:37:48,090 Gordon can buy hoofers a dime a dozen, but if you could do, say, a bubble dance... 572 00:37:48,266 --> 00:37:51,133 ...or a dance on a tightrope. 573 00:37:51,302 --> 00:37:53,202 I remember a fellow once that had an act. 574 00:37:53,371 --> 00:37:57,001 He used to dance and while he was dancing he'd spin a rope with one hand... 575 00:37:57,175 --> 00:37:59,542 ...and play a saxophone with the other. 576 00:37:59,711 --> 00:38:00,803 And in the meanwhile... 577 00:38:00,979 --> 00:38:03,607 [IMITATING KATHARINE HEPBURN] Oh, hello, what's your name? 578 00:38:03,782 --> 00:38:05,648 My name is Eva Lovelace. 579 00:38:05,817 --> 00:38:09,219 Of course I haven't done very much, just a little stock in Boston. 580 00:38:09,387 --> 00:38:10,980 Oh, that isn't really my name. 581 00:38:11,189 --> 00:38:13,487 I just use that for the theater. 582 00:38:13,658 --> 00:38:16,923 But it does have a sort of melodious sound, don't you think? 583 00:38:17,095 --> 00:38:21,032 Eva Lovelace. Oh, I can see my name in lights now. 584 00:38:21,199 --> 00:38:23,190 Oh, I do so wanna be a great actress. 585 00:38:23,368 --> 00:38:25,393 A really, truly great actress. 586 00:38:25,570 --> 00:38:28,733 Tell me, did you know Ellen Terry and Sarah Bernhardt? 587 00:38:28,907 --> 00:38:31,342 How I should love to be like Sarah Bernhardt... 588 00:38:31,509 --> 00:38:33,739 ...and have my name in the hall of fame. 589 00:38:33,912 --> 00:38:35,971 That's Katharine Hepburn in Morning Glory. 590 00:38:36,147 --> 00:38:37,979 Who do you think it is, Shirley Temple? 591 00:38:38,149 --> 00:38:41,949 Tell him that he'll never know what he's done for me. Not really. 592 00:38:42,120 --> 00:38:46,216 Our lives are like two rivers now, running into one sea. 593 00:38:46,391 --> 00:38:51,386 And that to be a great actress, one must experience every emotion in life. 594 00:38:51,563 --> 00:38:54,555 Oh, I know, don't ask me. 595 00:38:54,732 --> 00:38:57,861 I just do know that I love him. 596 00:38:58,036 --> 00:38:59,663 Really, I do. 597 00:39:00,572 --> 00:39:04,566 That's very good. Now, with this fellow with the rope and the saxophone. 598 00:39:04,742 --> 00:39:05,942 In the meanwhile, the girl... 599 00:39:06,077 --> 00:39:07,841 [IN NORMAL VOICE] Oh, you. 600 00:39:08,012 --> 00:39:12,040 And another thing, the circulation of the paper is growing and what's doing it? 601 00:39:12,217 --> 00:39:14,049 - Your column. - Right. 602 00:39:14,219 --> 00:39:16,745 You know, Snoop. I'm gonna be syndicated. 603 00:39:16,921 --> 00:39:19,117 Spread all over the country. 604 00:39:23,628 --> 00:39:25,619 [PEOPLE CHATTERING] 605 00:39:32,837 --> 00:39:35,863 Hey, listen, if you hit him you gotta hit me too. 606 00:39:36,040 --> 00:39:37,201 Keeler, I'm warning you. 607 00:39:37,375 --> 00:39:40,970 One more crack like that in your column and I won't be so easy with you. 608 00:39:48,453 --> 00:39:50,547 - Hey, Snoop. - Yeah? 609 00:39:50,722 --> 00:39:52,884 I can take it, can't I? 610 00:39:54,025 --> 00:39:56,357 LANGFORD [SINGING]: ♪ I've got a feelin' you're foolin' ♪ 611 00:39:56,527 --> 00:39:58,996 ♪ I've got a feelin' you're having fun ♪ 612 00:39:59,163 --> 00:40:01,131 ♪ I'll get a go-by when you are done ♪ 613 00:40:01,399 --> 00:40:03,333 ♪ Foolin' with me ♪ 614 00:40:03,935 --> 00:40:06,404 ♪ I've got a feelin' you're foolin' ♪ 615 00:40:06,571 --> 00:40:08,471 ♪ I've got a notion it's make-believe ♪ 616 00:40:08,973 --> 00:40:11,305 ♪ I think you're laughing ♪ ♪ Right up your sleeve ♪ 617 00:40:11,476 --> 00:40:13,410 ♪ Foolin' with me ♪ 618 00:40:13,578 --> 00:40:16,070 ♪ Life is worth living ♪ ♪ While you are giving ♪ 619 00:40:16,247 --> 00:40:18,682 ♪ Moments of paradise ♪ 620 00:40:18,850 --> 00:40:21,148 ♪ You're such a standout ♪ ♪ But how you hand out ♪ 621 00:40:21,319 --> 00:40:23,879 ♪ That hocus-pocus from your eyes ♪ 622 00:40:24,055 --> 00:40:26,490 ♪ I've got a feelin' you're foolin' ♪ 623 00:40:26,658 --> 00:40:28,786 ♪ I've got a feelin' it's all a frame ♪ 624 00:40:28,960 --> 00:40:31,224 ♪ It's just the well-known old Army game ♪ 625 00:40:31,396 --> 00:40:34,559 ♪ Foolin' with me ♪ 626 00:40:37,201 --> 00:40:39,751 BASIL: Girls, leave your name and address with Miss Corbett. 627 00:40:39,804 --> 00:40:41,738 Those we select will be notified later. 628 00:40:41,906 --> 00:40:44,932 All right, line up down front here. Come on, now. 629 00:40:45,109 --> 00:40:46,770 [WOMEN CHATTERING] 630 00:40:47,712 --> 00:40:49,840 All right, can you sing or dance? 631 00:40:50,014 --> 00:40:51,709 I sing but I can dance in a pinch. 632 00:40:51,883 --> 00:40:54,443 This is not a pinch, this is a show. 633 00:40:56,020 --> 00:40:58,284 I'll take your name and we'll call you in a pinch. 634 00:40:58,589 --> 00:41:00,216 All right, next. 635 00:41:00,391 --> 00:41:03,088 - Well, how tall are you? - Oh, about up to here. 636 00:41:03,261 --> 00:41:04,854 Okay, see Miss Corbett. 637 00:41:05,029 --> 00:41:06,497 But I've had no experience. 638 00:41:06,664 --> 00:41:08,689 KITTY: You won't need any. Name, please. 639 00:41:08,866 --> 00:41:12,097 My name is Irene Foster. I'm 5'5" in my stocking feet... 640 00:41:12,270 --> 00:41:14,500 ...and I've had one very unpleasant experience. 641 00:41:14,672 --> 00:41:17,039 - What are you...? - Shall I see Miss Corbett? 642 00:41:17,208 --> 00:41:19,074 No. You better come over here and see me. 643 00:41:19,243 --> 00:41:20,733 Thanks. 644 00:41:22,347 --> 00:41:25,874 Hmm. Looks like that's all for today, girls. 645 00:41:38,329 --> 00:41:41,026 - Well... - Well? 646 00:41:41,599 --> 00:41:43,033 Well. 647 00:41:43,401 --> 00:41:45,165 - Well... - You just said that. 648 00:41:45,336 --> 00:41:46,826 Yeah, I know, but... 649 00:41:47,005 --> 00:41:49,838 You're all grown up now. I mean, you look older. 650 00:41:50,008 --> 00:41:51,169 Well, I am older. 651 00:41:51,342 --> 00:41:55,301 That usually happens to a girl between the ages of 16 and 22. 652 00:41:55,480 --> 00:41:58,313 Yeah, now that I look at you, you haven't changed so much. 653 00:41:58,483 --> 00:42:00,315 I recognized you instantly. 654 00:42:00,485 --> 00:42:02,476 Yeah, I know, I'm sorry about that. 655 00:42:02,653 --> 00:42:06,055 My office is the last place in the world that I'd expect to run into you. 656 00:42:06,224 --> 00:42:07,885 You knew I'd get there someday. 657 00:42:08,059 --> 00:42:09,720 We used to talk about it. 658 00:42:09,894 --> 00:42:13,922 You were going to be the great producer and I'd be a great star. 659 00:42:14,098 --> 00:42:17,295 What funny, goofy dreams kids have. 660 00:42:17,468 --> 00:42:20,369 That is a great gag, your standing in line with those girls. 661 00:42:20,538 --> 00:42:22,700 That wasn't any gag. I wanted a job. 662 00:42:22,874 --> 00:42:26,276 Say, did you ever run into my friend, Henry Schultz? What's he doing now? 663 00:42:26,444 --> 00:42:28,674 Oh, he's running a delicatessen store. 664 00:42:28,846 --> 00:42:31,042 Bob, won't you give me a chance? 665 00:42:32,150 --> 00:42:35,643 You didn't come to New York to become that great actress you talked about? 666 00:42:35,820 --> 00:42:38,551 - That was one of the reasons. - What was the other? 667 00:42:39,323 --> 00:42:43,351 - I... I've forgotten. - Well, I'll bet it was a lot more important. 668 00:42:43,561 --> 00:42:47,156 Remember that summer in the Adirondacks when we lived next door to each other? 669 00:42:47,331 --> 00:42:49,732 I remember every day and... 670 00:42:49,901 --> 00:42:51,562 And every night of that summer. 671 00:42:51,736 --> 00:42:54,103 Up to five minutes ago, I'd forgotten all about it. 672 00:42:54,272 --> 00:42:55,899 Now I can't remember anything else. 673 00:42:56,074 --> 00:42:58,634 Bob, you came to New York and you made good. 674 00:42:58,810 --> 00:43:01,108 Now, I've come to New York and I wanna make good. 675 00:43:01,279 --> 00:43:04,943 I want everything we ever planned and dreamed about to come true. 676 00:43:05,116 --> 00:43:09,314 So do I, Irene, but New York and Broadway, they're not what we thought they were. 677 00:43:09,487 --> 00:43:10,977 They're hard and cold. 678 00:43:11,155 --> 00:43:13,647 A lovely creature like you wouldn't have a chance here. 679 00:43:13,825 --> 00:43:16,726 - Oh, Bob, you're wanted in the office. - Later. I'm busy now. 680 00:43:16,894 --> 00:43:19,226 It's important. 681 00:43:20,531 --> 00:43:24,092 - Okay. Don't run away. I'll drive you home. - All right. 682 00:43:24,469 --> 00:43:26,597 - Basil. - Yes. 683 00:43:29,307 --> 00:43:30,536 Who is it? 684 00:43:30,708 --> 00:43:33,302 - Lillian Brent. - Listen, tell her I'll see her later. 685 00:43:33,478 --> 00:43:35,037 She's been waiting all afternoon. 686 00:43:35,213 --> 00:43:38,672 - She has, huh? - And she's plenty burned up. 687 00:43:40,451 --> 00:43:43,443 - Well, what'll I tell her? - Never mind. I'll see her. 688 00:43:47,358 --> 00:43:49,759 - Sorry to keep you waiting so long. - You should be. 689 00:43:49,927 --> 00:43:52,157 - Well, I was detained. - So I understand. 690 00:43:52,330 --> 00:43:54,321 In an empty theater with a chorus girl. 691 00:43:54,499 --> 00:43:57,730 She isn't a chorus girl. She's an old friend from my hometown. 692 00:43:57,902 --> 00:44:00,337 Don't you think I'm more important than anyone else? 693 00:44:00,505 --> 00:44:03,065 Yeah, sure I do, Lillian. You ought to know that. 694 00:44:16,354 --> 00:44:20,291 [SINGING] ♪ In my imagination ♪ 695 00:44:20,458 --> 00:44:24,554 ♪ I live the things I like to do ♪ 696 00:44:24,729 --> 00:44:28,632 ♪ In my imagination ♪ 697 00:44:28,833 --> 00:44:34,533 ♪ Make believe it's really true ♪ 698 00:44:35,973 --> 00:44:39,932 ♪ In my imagination ♪ 699 00:44:40,111 --> 00:44:44,571 ♪ I paint a scene of ecstasy ♪ 700 00:44:44,749 --> 00:44:48,583 ♪ In my imagination ♪ 701 00:44:48,753 --> 00:44:52,883 ♪ My hero sings these words ♪ 702 00:44:53,057 --> 00:44:57,619 ♪ To me ♪ 703 00:44:57,795 --> 00:45:05,327 ♪ You are my lucky star ♪ 704 00:45:06,437 --> 00:45:10,135 ♪ I saw you ♪ 705 00:45:10,308 --> 00:45:13,972 ♪ From afar ♪ 706 00:45:14,145 --> 00:45:16,978 ♪ Two lovely eyes at me ♪ 707 00:45:17,148 --> 00:45:21,016 ♪ They were gleaming ♪ 708 00:45:21,419 --> 00:45:25,083 ♪ Beaming ♪ 709 00:45:25,256 --> 00:45:30,558 ♪ I was starstruck ♪ 710 00:45:31,562 --> 00:45:34,554 ♪ You're all ♪ 711 00:45:34,732 --> 00:45:39,329 ♪ My lucky charms ♪ 712 00:45:39,503 --> 00:45:42,905 ♪ I'm lucky ♪ 713 00:45:43,074 --> 00:45:46,772 ♪ In your arms ♪ 714 00:45:47,345 --> 00:45:52,078 ♪ You've opened heaven's portal ♪ 715 00:45:52,250 --> 00:45:59,247 ♪ Here on Earth for this poor mortal ♪ 716 00:45:59,824 --> 00:46:04,785 CHORUS [SINGING]: ♪ You are my lucky star ♪ 717 00:46:04,962 --> 00:46:10,093 ♪ I saw you from afar ♪ 718 00:46:10,268 --> 00:46:14,762 ♪ Two lovely eyes at me ♪ ♪ They were gleaming ♪ 719 00:46:14,939 --> 00:46:17,271 ♪ Beaming ♪ 720 00:46:17,441 --> 00:46:19,808 ♪ I was starstruck ♪ 721 00:46:19,977 --> 00:46:24,915 ♪ You're all my lucky charms ♪ 722 00:46:25,082 --> 00:46:30,179 ♪ I'm lucky in your arms ♪ 723 00:46:30,354 --> 00:46:34,985 ♪ You've opened heaven's portal ♪ ♪ Here on Earth for this poor mortal ♪ 724 00:46:35,159 --> 00:46:37,389 ♪ You are ♪ 725 00:46:37,561 --> 00:46:44,194 ♪ My lucky star ♪ 726 00:49:57,094 --> 00:49:58,892 Miss Foster. 727 00:50:00,331 --> 00:50:02,732 - Miss Foster. - Oh. 728 00:50:02,900 --> 00:50:06,200 - Oh, hello. - Boy, I wish I could concentrate like that. 729 00:50:06,370 --> 00:50:09,203 - Is Mr. Gordon still busy? - Oh, yes, he is. 730 00:50:09,373 --> 00:50:11,239 He sent me to tell you that he's busy... 731 00:50:11,408 --> 00:50:13,740 ...and he won't be able to take you home. 732 00:50:14,378 --> 00:50:15,812 Oh. 733 00:50:15,980 --> 00:50:21,111 - He's terribly sorry and so am I. - Thanks. 734 00:50:21,385 --> 00:50:23,877 - Goodbye. - Bye-bye. 735 00:50:24,922 --> 00:50:27,857 And another thing, if I'm to be in your new show... 736 00:50:28,025 --> 00:50:31,188 ...I demand all the attentions a leading lady deserves. 737 00:50:31,362 --> 00:50:33,160 - Leading lady? - Yes. 738 00:50:33,330 --> 00:50:35,162 You haven't one, have you? 739 00:50:35,332 --> 00:50:38,768 - No, not yet. - Well, darling, you have now. 740 00:50:38,936 --> 00:50:40,131 Now, wait a minute. 741 00:50:40,304 --> 00:50:42,204 Wait a minute. 742 00:50:42,439 --> 00:50:44,931 You know as well as I do that this part needs a name. 743 00:50:45,109 --> 00:50:47,441 If I can only get a star, the show's bound to click. 744 00:50:47,678 --> 00:50:49,612 And if you don't? 745 00:50:49,914 --> 00:50:51,109 What then? 746 00:50:51,282 --> 00:50:54,081 Well, I'll postpone production. Why take a chance? 747 00:50:54,251 --> 00:50:57,346 Listen. If I'm willing to take a chance, you should be. 748 00:50:57,521 --> 00:51:00,821 After all, darling. I am putting up the money. 749 00:51:00,991 --> 00:51:02,152 Mm-hm. 750 00:51:02,326 --> 00:51:05,728 - Is that the way you feel about it? - Exactly. 751 00:51:07,731 --> 00:51:09,256 All right. 752 00:51:09,767 --> 00:51:12,168 I'll tell you what I'll do. I'll gamble with you. 753 00:51:12,336 --> 00:51:16,933 If I don't get a star for this show in two weeks, I'll give you the part. 754 00:51:17,374 --> 00:51:18,500 Do you really mean it? 755 00:51:18,676 --> 00:51:21,839 - Positively. - Oh, Bob. 756 00:51:22,379 --> 00:51:23,847 Did you ring? 757 00:51:24,014 --> 00:51:25,243 Yes. 758 00:51:25,416 --> 00:51:29,250 Book passage for me on the first plane leaving New York for Los Angeles. 759 00:51:29,420 --> 00:51:31,184 - Yes, sir. - But, Bob, why? 760 00:51:31,355 --> 00:51:35,588 I'm going to Hollywood. I'm gonna find a star for this show if I have to steal Garbo. 761 00:51:35,993 --> 00:51:39,293 - There's a plane leaving for the coast at 9. - And I'll be on it. 762 00:51:39,463 --> 00:51:41,192 - Anything else? - No, that'll be all. 763 00:51:41,365 --> 00:51:44,096 Lillian, I've got an awful lot to do. May I take you somewhere? 764 00:51:44,268 --> 00:51:47,101 Yes. You can take me home. 765 00:51:52,676 --> 00:51:55,008 - Oh, Miss Corbett. KITTY: Yes, sir. 766 00:51:56,013 --> 00:51:57,811 Don't tell anyone that I'm leaving. 767 00:51:57,982 --> 00:52:00,144 - I want that kept quiet. - Yes, Mr. Gordon. 768 00:52:00,317 --> 00:52:02,115 - Good night. - Good night. 769 00:52:03,554 --> 00:52:05,079 Hello. 770 00:52:05,389 --> 00:52:07,414 - I ought to have you arrested. - For what? 771 00:52:07,591 --> 00:52:10,219 - For snooping. - I didn't hear anything, honest, I didn't. 772 00:52:10,394 --> 00:52:12,362 Except why Bob was talking to Lillian... 773 00:52:12,529 --> 00:52:15,760 If you tell Bert Keeler what you heard, I'll choke the socks off you. 774 00:52:15,933 --> 00:52:18,664 - I never tell Bert Keeler anything. - Promise me. 775 00:52:18,836 --> 00:52:21,396 Well, I will if you'll have dinner with me tonight. 776 00:52:21,572 --> 00:52:23,734 I'll do it just for meanness. 777 00:52:24,775 --> 00:52:27,039 Is this your idea of a dinner? 778 00:52:27,211 --> 00:52:30,237 We'll have more doughnuts and then I'll take you to a restaurant. 779 00:52:30,414 --> 00:52:32,473 Oh, you're too good to me. 780 00:52:34,218 --> 00:52:35,276 Hello, Snoop. 781 00:52:35,452 --> 00:52:36,544 Hi, Bert. 782 00:52:36,720 --> 00:52:38,119 - Hello. - Hello. 783 00:52:38,288 --> 00:52:40,814 - Well, any news? - No. 784 00:52:41,659 --> 00:52:45,892 - Oh, secrets, huh? - Honest, it's nothing you ought to know. 785 00:52:46,063 --> 00:52:48,088 Just the kind of stuff I print. What is it? 786 00:52:48,265 --> 00:52:49,528 Why don't you shut up? 787 00:52:49,700 --> 00:52:51,998 Well, I ain't said nothing. Yet. 788 00:52:52,169 --> 00:52:54,399 I guess you're looking for another punch in the nose. 789 00:52:54,571 --> 00:52:56,699 Yeah? Gordon won't ever do that again. 790 00:52:56,874 --> 00:52:59,070 - Not if he's in California. - No. 791 00:52:59,243 --> 00:53:01,610 Oh, so that's it. Gordon's going West, huh? 792 00:53:01,779 --> 00:53:03,247 What did you promise me, Snoop? 793 00:53:03,414 --> 00:53:05,712 Yes, Snoop. what did you promise the lady? 794 00:53:05,883 --> 00:53:09,615 I promised Kitty I wouldn't tell you that Gordon had a fight with Lillian Brent. 795 00:53:09,787 --> 00:53:11,414 - Snoop. - What about? 796 00:53:11,588 --> 00:53:14,956 It's nothing, it's just that he can't get a leading lady for his show. 797 00:53:15,125 --> 00:53:17,184 BERT: Mmm. 798 00:53:22,700 --> 00:53:24,634 You ought to have a zipper on your mouth. 799 00:53:24,802 --> 00:53:26,361 I don't know how to play one. 800 00:53:32,910 --> 00:53:34,639 So Gordon can't get a leading lady? 801 00:53:34,812 --> 00:53:38,180 Yeah. If he can't get one, he's gonna let Lillian Brent play the part. 802 00:53:38,348 --> 00:53:42,546 Well, why doesn't he get that French star? 803 00:53:42,720 --> 00:53:47,681 - What French star? - That... Oh, what's her name again? 804 00:53:48,992 --> 00:53:50,960 La Belle Arlette, that's it. 805 00:53:51,128 --> 00:53:54,098 - La Belle Arlette? - Yes, Mademoiselle La Belle Arlette... 806 00:53:54,264 --> 00:53:56,198 ...from the Comédie Française in Paris. 807 00:53:56,366 --> 00:53:57,390 Never heard of her. 808 00:53:57,568 --> 00:54:00,538 Oh, my dear child, don't say that. 809 00:54:00,704 --> 00:54:03,264 Everybody's heard of Arlette. Haven't they, Snoop? 810 00:54:03,440 --> 00:54:04,874 Oh, yeah, sure, certainly. 811 00:54:05,042 --> 00:54:07,875 - What's she like? - Tall, beautiful, blond. 812 00:54:08,045 --> 00:54:10,480 Maybe Mr. Gordon'd be interested. I have to be going. 813 00:54:10,647 --> 00:54:13,878 Oh, thanks for the banquet, Snoop. 814 00:54:14,051 --> 00:54:15,576 Anytime at all, Kitty. 815 00:54:15,753 --> 00:54:18,154 Don't forget to tell Gordon about Arlette. 816 00:54:18,322 --> 00:54:21,121 Hey, Bert, who's Mademoiselle Arlette? 817 00:54:21,325 --> 00:54:23,259 Just a cigar. 818 00:54:23,527 --> 00:54:26,087 Well, I can't get the angle of you trying to kid her. 819 00:54:26,263 --> 00:54:28,425 It isn't her. It's Gordon I want to rib. 820 00:54:28,599 --> 00:54:31,000 She'll go back and tell Gordon all about Arlette. 821 00:54:31,168 --> 00:54:35,036 - Then I'll build her up in my column. - But there is no Mademoiselle Arlette. 822 00:54:35,205 --> 00:54:37,264 Nobody knows it but you and me. 823 00:54:37,441 --> 00:54:39,739 Now I'm sorry you know it. 824 00:54:41,478 --> 00:54:45,574 Not since the arrival of the Statue of Liberty has France sent to this country... 825 00:54:45,749 --> 00:54:48,514 ...such a glamorous, beautiful and talented personality... 826 00:54:48,685 --> 00:54:51,017 ...as Mademoiselle La Belle Arlette. 827 00:54:51,188 --> 00:54:52,849 In this correspondent's opinion... 828 00:54:53,023 --> 00:54:57,119 ...it won't belong before Mademoiselle La Belle Arlette's beauty, talent... 829 00:54:57,294 --> 00:54:59,126 ...charm and, uh... 830 00:54:59,296 --> 00:55:00,764 [SNIFFS] 831 00:55:01,131 --> 00:55:04,066 ...mildness will make her the talk of the town. 832 00:55:04,234 --> 00:55:05,668 Flash. 833 00:55:08,305 --> 00:55:10,740 - Hello. Glad to see you back. - Thanks. Anything new? 834 00:55:10,908 --> 00:55:13,206 - Plenty. Hello. - Hi, Bob. Have a good trip? 835 00:55:13,377 --> 00:55:15,812 Terrible. Come on inside. 836 00:55:21,919 --> 00:55:24,081 Miss Corbett, will you come in, please? 837 00:55:25,656 --> 00:55:27,715 - Well, what happened in Hollywood? - Nothing. 838 00:55:27,891 --> 00:55:31,020 Those movie stars are guarded like a Turkish harem. 839 00:55:31,195 --> 00:55:33,391 That makes things tough. What are you gonna do? 840 00:55:33,564 --> 00:55:36,590 That's what I'd like to know. Everybody's in pictures. 841 00:55:36,767 --> 00:55:38,758 It's impossible to cast a show anymore. 842 00:55:38,936 --> 00:55:41,428 Why, haven't you heard about Mademoiselle Arlette? 843 00:55:41,605 --> 00:55:43,767 - Who? - Here, look. 844 00:55:44,608 --> 00:55:46,838 - Haven't you read about her? - No. Who is she? 845 00:55:47,010 --> 00:55:50,002 I don't know, but Keeler's been giving her boost in his column. 846 00:55:50,180 --> 00:55:52,581 Why, every manager in town's after her. 847 00:55:52,749 --> 00:55:53,841 Arlette? 848 00:55:54,017 --> 00:55:55,576 - Where's she from? - Paris. 849 00:55:55,752 --> 00:55:57,743 BOB: What's she look like? - I don't know. 850 00:55:57,921 --> 00:55:59,889 BOB: You haven't seen her? - No. 851 00:56:00,057 --> 00:56:01,889 - Where's she stopping? - I don't know. 852 00:56:02,059 --> 00:56:04,187 Why? What have you been doing while I was away? 853 00:56:04,361 --> 00:56:06,295 Nobody knows where she is. It's a mystery. 854 00:56:06,463 --> 00:56:09,364 We've gotta get in touch with her. Check every hotel in town. 855 00:56:09,533 --> 00:56:11,092 Yes, sir. 856 00:56:18,475 --> 00:56:21,103 All right, mademoiselle. Relax. 857 00:56:23,614 --> 00:56:25,810 Hey, when can I get out of this harness? 858 00:56:26,083 --> 00:56:28,074 My feet hurt. 859 00:56:35,759 --> 00:56:38,524 You look about as effeminate as Wallace Beery. 860 00:56:38,695 --> 00:56:42,495 Now, look, Snoop, all you have to do is sit here all day and answer the phone. 861 00:56:42,666 --> 00:56:44,725 - Now, can you talk like a dame? - I can try. 862 00:56:44,902 --> 00:56:46,495 Let's hear it. 863 00:56:47,070 --> 00:56:50,438 Buy me a Rolls-Royce, Daddy. 864 00:56:52,075 --> 00:56:56,034 You're thinking like one anyway, but you gotta get your voice higher, higher, way up. 865 00:56:56,213 --> 00:56:59,672 Look, Snoop, if there's any soprano in you, this is the time to bring it out. 866 00:56:59,850 --> 00:57:02,512 - Now, try it again. - Buy me... Ahem. 867 00:57:02,686 --> 00:57:04,654 [IN HIGH-PITCHED VOICE] Buy me a Rolls-Royce...! 868 00:57:04,821 --> 00:57:06,289 [IN NORMAL VOICE] I can't. 869 00:57:06,790 --> 00:57:08,087 Then we're stuck. 870 00:57:08,592 --> 00:57:10,458 Say, maybe you better be a man. 871 00:57:10,961 --> 00:57:12,360 What do you mean maybe? 872 00:57:12,529 --> 00:57:15,021 - As Arlette's secretary. - I'll feel more natural. 873 00:57:15,198 --> 00:57:16,927 All right. What are you going to say? 874 00:57:17,100 --> 00:57:19,432 - Remember, you're a French secretary. - Yeah. 875 00:57:19,603 --> 00:57:22,629 What are you gonna say when Gordon asks for Mademoiselle Arlette? 876 00:57:22,806 --> 00:57:26,640 - What are you going to say? - Well, I'll say, "Bonjour, oui, oui. 877 00:57:26,810 --> 00:57:29,045 [IN FRENCH ACCENT] Mademoiselle Arlette, she is busy. 878 00:57:29,046 --> 00:57:32,641 She is very, very busy with the rehearsal." 879 00:57:32,816 --> 00:57:34,066 [IN NORMAL VOICE] How's that? 880 00:57:34,151 --> 00:57:35,380 Very good. 881 00:57:35,552 --> 00:57:38,419 The other 50 million Frenchmen must be wrong. 882 00:57:38,588 --> 00:57:40,647 Well, does the dame have to come from Paris? 883 00:57:40,824 --> 00:57:43,122 Certainly, the publicity is out. 884 00:57:43,293 --> 00:57:45,057 Gee, I wish you could speak French. 885 00:57:45,228 --> 00:57:47,720 I speak French. Si, Si, señor. 886 00:57:47,898 --> 00:57:50,060 That's Spanish. 887 00:57:50,233 --> 00:57:53,134 Imagine that. I speak Spanish too. 888 00:57:55,839 --> 00:57:58,467 Hello? Hotel Carlton? 889 00:57:58,642 --> 00:58:03,341 Have you a Mademoiselle Arlette registered there? 890 00:58:04,314 --> 00:58:06,373 Oh, may I speak to her? 891 00:58:07,751 --> 00:58:09,879 [PHONE RINGING] 892 00:58:10,087 --> 00:58:12,351 Wait. Wait a minute. 893 00:58:13,390 --> 00:58:14,949 Now, hold it. 894 00:58:17,561 --> 00:58:19,061 [WOMAN SINGING IN FRENCH ON RECORD] 895 00:58:19,162 --> 00:58:22,154 - Now, listen, you talk just like a secretary. - Bonjour. 896 00:58:22,332 --> 00:58:23,925 This is Robert Gordon's office. 897 00:58:24,101 --> 00:58:26,433 May I speak to Mademoiselle Arlette? 898 00:58:26,603 --> 00:58:27,627 Oui, oui. 899 00:58:27,804 --> 00:58:30,205 [IN FRENCH ACCENT] Mademoiselle Arlette, she is busy. 900 00:58:30,374 --> 00:58:35,005 She is very, very busy rehearsing. 901 00:58:41,418 --> 00:58:43,284 [PHONE RINGS] 902 00:58:44,721 --> 00:58:46,189 - Hello. - Oh, Mr. Gordon... 903 00:58:46,356 --> 00:58:48,552 ...Arlette's on the wire. She's singing. 904 00:58:56,500 --> 00:58:58,468 It's Arlette. Shh. 905 00:59:06,443 --> 00:59:08,741 It's a cinch, it's not Crosby. 906 00:59:14,951 --> 00:59:16,385 BOB: Hello? 907 00:59:16,987 --> 00:59:19,319 Hello, this is Robert Gordon speaking. 908 00:59:19,489 --> 00:59:21,617 May I speak to Mademoiselle Arlette? 909 00:59:21,792 --> 00:59:23,624 Hey, it's Gordon. 910 00:59:24,694 --> 00:59:28,392 I am sorry. Mademoiselle Arlette, she is busy. 911 00:59:28,565 --> 00:59:33,298 She is very, very busy rehearsing. 912 00:59:36,973 --> 00:59:38,634 - Oh, Mr. Gordon. - Miss Corbett. 913 00:59:38,809 --> 00:59:41,904 I want you to send a telegram to Arlette. Arrange for an interview. 914 00:59:42,079 --> 00:59:43,843 Tell her that I must see her. 915 00:59:44,014 --> 00:59:47,348 Yes. sir. And, Mr. Gordon, Miss Foster's here. 916 00:59:47,517 --> 00:59:51,147 Oh. Well, yeah, all right. Have her come in. 917 00:59:53,390 --> 00:59:56,087 All right, Miss Foster. You can come in now. 918 00:59:57,561 --> 00:59:59,393 BOB: Hello, Irene. - Hello, Bob. 919 00:59:59,563 --> 01:00:02,663 Gee, I'm glad you dropped in. I've been wondering if you were still in town. 920 01:00:02,699 --> 01:00:03,723 [DOOR CLOSES] 921 01:00:03,900 --> 01:00:05,994 Oh, I want you to meet two friends of mine. 922 01:00:06,169 --> 01:00:08,433 - Ted and Sally Burke. - How do you do? 923 01:00:08,972 --> 01:00:10,235 The Burkes? 924 01:00:10,407 --> 01:00:11,806 Say, I remember you. 925 01:00:11,975 --> 01:00:15,639 I caught your act in Detroit. You used to work with a trained duck, didn't you? 926 01:00:15,812 --> 01:00:18,247 - That's right. - You still got that act together? 927 01:00:18,415 --> 01:00:20,213 Everything but the duck. 928 01:00:20,383 --> 01:00:23,284 You know, it's been a kind of a tough winter. 929 01:00:23,453 --> 01:00:27,253 - You mean you ate the act? - Last Christmas. 930 01:00:27,424 --> 01:00:30,758 - Oh, what are you doing now? - Nothing since the duck died. 931 01:00:30,927 --> 01:00:33,555 Mr. Gordon, this is Irene's appointment. 932 01:00:33,730 --> 01:00:35,198 We just came with her. 933 01:00:35,365 --> 01:00:36,764 She wants to go in your show. 934 01:00:36,933 --> 01:00:39,129 She's got talent, plenty of it. 935 01:00:39,302 --> 01:00:41,066 All she needs is a chance. 936 01:00:41,238 --> 01:00:43,070 And you can give it to her. 937 01:00:43,240 --> 01:00:46,574 - That's quite a compliment, Irene. - Really, Mr. Gordon, Irene is clever. 938 01:00:46,743 --> 01:00:48,177 We know. Don't we, Ted? 939 01:00:48,345 --> 01:00:51,280 - Sure do. - Well, I'd like to think it over, Irene. 940 01:00:51,448 --> 01:00:54,315 - Casting a show is a very important matter. TED: That's right. 941 01:00:54,484 --> 01:00:58,443 Say, how'd you like to go in my new show, both of you? 942 01:00:58,855 --> 01:01:01,222 Take it easy, Mr. Gordon. I got a weak heart. 943 01:01:01,391 --> 01:01:03,985 Really, we didn't come here to talk about ourselves. 944 01:01:04,161 --> 01:01:06,562 - It's about Irene. - Oh, that's all right, Sally. 945 01:01:06,730 --> 01:01:09,461 - But you don't understand... - Wait. I'm offering you a job. 946 01:01:09,633 --> 01:01:11,032 - Don't you want it? - We do. 947 01:01:11,201 --> 01:01:14,603 - Well, then, it's settled. - Oh, I think it's wonderful, Sally. 948 01:01:14,771 --> 01:01:16,170 But what about you? 949 01:01:16,339 --> 01:01:18,398 Mr. Gordon, what about Irene? 950 01:01:18,575 --> 01:01:20,168 I'll talk with Irene alone. 951 01:01:20,343 --> 01:01:24,041 - Come back, Ted. We'll talk about money. - You won't find us hard to deal with. 952 01:01:24,214 --> 01:01:26,114 That's fine. I'm glad you dropped in. 953 01:01:26,283 --> 01:01:28,047 SALLY: See you at the house, Irene. 954 01:01:28,218 --> 01:01:30,585 - Goodbye, Sally. - Goodbye. 955 01:01:31,087 --> 01:01:33,419 - Goodbye, Mr. Gordon. - Goodbye, Ted. 956 01:01:39,796 --> 01:01:42,060 Well, how do you feel now? 957 01:01:42,232 --> 01:01:43,859 I feel terrible. 958 01:01:44,034 --> 01:01:45,661 Terrible about what? 959 01:01:45,835 --> 01:01:49,601 We go in to get her a job and we come out with it. 960 01:01:49,773 --> 01:01:53,505 I told you we didn't need that duck. 961 01:01:54,377 --> 01:01:56,869 Well, I don't know what to say, Irene. 962 01:01:57,047 --> 01:02:02,349 I want you to... Well, I want you to understand how I feel about all this. 963 01:02:02,919 --> 01:02:04,387 I want you to go back to Albany. 964 01:02:04,554 --> 01:02:08,252 - But why, Bob? I've just come from there. - That's what you gotta understand. 965 01:02:08,425 --> 01:02:11,053 I know how it is. You worked hard at what you were doing... 966 01:02:11,228 --> 01:02:14,755 ...saved your money and deprived yourself of a lot of things you should've had. 967 01:02:14,931 --> 01:02:17,832 So you could come to New York and get a chance at what you wanted. 968 01:02:18,001 --> 01:02:19,332 - I did that. - I know you did. 969 01:02:19,502 --> 01:02:20,663 But it isn't worth it. 970 01:02:20,837 --> 01:02:22,999 What you get isn't what you came after. 971 01:02:23,173 --> 01:02:25,107 I know that too. 972 01:02:25,542 --> 01:02:27,840 Look, there's nothing for you here in New York. 973 01:02:28,011 --> 01:02:31,242 I could give you a bit in my show and maybe you'd get another and another... 974 01:02:31,414 --> 01:02:34,714 - That's all I want. That's enough for me. - Yeah, but not for me. 975 01:02:34,884 --> 01:02:37,683 If you were anyone else, okay. But you're not. 976 01:02:38,622 --> 01:02:40,681 I know what'd happen to you here in New York. 977 01:02:40,857 --> 01:02:44,487 I know how cheap and selfish this town is. The easiest thing for me to do... 978 01:02:44,661 --> 01:02:47,722 ...is to give you the chance and put you away and forget about it. 979 01:02:47,897 --> 01:02:48,921 But I can't. 980 01:02:49,099 --> 01:02:50,931 So I'm taking the hard way. 981 01:02:51,368 --> 01:02:52,665 Won't you go back to Albany? 982 01:02:52,836 --> 01:02:56,272 - Without even one try of what I want? - Without even one try. 983 01:02:56,439 --> 01:03:00,000 - Bob, do you honestly think it's best? - I know it is. 984 01:03:00,844 --> 01:03:03,575 All right, I'll go home. 985 01:03:04,014 --> 01:03:06,142 Oh, say, by the way... 986 01:03:06,783 --> 01:03:09,514 ...whatever happened to the fellow who gave you this? 987 01:03:13,590 --> 01:03:16,719 I don't know. I haven't seen him for years. 988 01:03:16,893 --> 01:03:18,725 He's probably forgotten all about me. 989 01:03:18,895 --> 01:03:22,525 Well, I imagine he ran off and died somewhere, don't you? 990 01:03:22,699 --> 01:03:24,724 I imagine so. 991 01:03:24,968 --> 01:03:26,629 Well, uh... 992 01:03:27,971 --> 01:03:29,803 ...will you wear it for me? 993 01:03:45,288 --> 01:03:47,780 Uh, I think you'd better go home and pack. 994 01:03:47,957 --> 01:03:50,585 I'll pick you up in an hour and drive you to the station. 995 01:03:53,496 --> 01:03:54,725 [DOOR CLOSES] 996 01:03:59,769 --> 01:04:02,568 Well, did you do yourself any good? 997 01:04:03,406 --> 01:04:06,671 - I'm going back home. - Why? 998 01:04:07,410 --> 01:04:09,742 Well, he thinks it's best for me. 999 01:04:10,547 --> 01:04:12,675 Oh, that's too bad. 1000 01:04:12,849 --> 01:04:15,716 But that's the way it goes in this racket. 1001 01:04:15,885 --> 01:04:20,823 - Are you sure you're not just stage-struck? - Of course not. 1002 01:04:21,358 --> 01:04:25,522 Oh, I know I could do something if I only had the chance. 1003 01:04:25,695 --> 01:04:29,256 You know. I've heard that a million times but... 1004 01:04:29,432 --> 01:04:32,891 Well, for some reason or other, I believe you. 1005 01:04:33,069 --> 01:04:34,559 You're the only one that does. 1006 01:04:34,738 --> 01:04:36,900 [PHONE BUZZES] 1007 01:04:37,474 --> 01:04:39,909 - Yes, sir? - Why don't you answer when I ring? 1008 01:04:40,076 --> 01:04:42,306 - Come in here. - Coming. 1009 01:04:49,819 --> 01:04:55,087 Oh. Stick around a few minutes, honey. I wanna talk to you. 1010 01:04:57,127 --> 01:04:58,686 Yes, sir. 1011 01:04:59,429 --> 01:05:01,693 Miss Corbett, get me a ticket and a compartment... 1012 01:05:01,865 --> 01:05:04,732 ...on the afternoon train for Albany. It's for Miss Foster. 1013 01:05:04,901 --> 01:05:06,335 Oh. 1014 01:05:06,503 --> 01:05:10,098 - She's an awful nice kid, isn't she? - Of course she is. 1015 01:05:11,141 --> 01:05:13,940 Mr. Gordon, why are you sending her back? 1016 01:05:14,110 --> 01:05:17,136 You don't think I want her to stay around this place, do you? 1017 01:05:17,313 --> 01:05:18,474 I think she'd like to. 1018 01:05:19,082 --> 01:05:22,382 Listen, will you stop worrying about my private affairs? 1019 01:05:22,552 --> 01:05:24,452 Yes, sir. 1020 01:05:24,621 --> 01:05:26,885 Have you been able to get in touch with Arlette? 1021 01:05:27,056 --> 01:05:28,751 I've been ringing her all morning. 1022 01:05:28,925 --> 01:05:30,154 All her secretary can say is: 1023 01:05:30,326 --> 01:05:32,728 [IN FRENCH ACCENT] "Mademoiselle, she is busy rehearsing. 1024 01:05:32,729 --> 01:05:35,096 Mademoiselle, she is having her face lifted." 1025 01:05:35,265 --> 01:05:37,427 [IN NORMAL VOICE] She's the busiest dame I ever saw. 1026 01:05:37,600 --> 01:05:39,090 All right, ring her again. 1027 01:05:39,269 --> 01:05:42,204 - I've gotta get in touch with her. - Yes, sir. 1028 01:05:44,841 --> 01:05:47,276 [PHONE RINGING] 1029 01:05:49,746 --> 01:05:52,078 [WOMAN SINGING IN FRENCH ON RECORD] 1030 01:05:53,650 --> 01:05:54,750 [IN FRENCH ACCENT] Hello. 1031 01:05:54,884 --> 01:05:56,045 Hello. 1032 01:05:56,219 --> 01:06:00,053 I'd like to speak to Mademoiselle Arlette if she's not baking a cake. 1033 01:06:00,223 --> 01:06:03,625 Bonjour. Oui, our”. Mademoiselle Arlette, she is busy. 1034 01:06:03,793 --> 01:06:08,526 She is very, very busy rehearsing. 1035 01:06:10,667 --> 01:06:12,829 Doesn't that dame do anything but rehearse? 1036 01:06:13,002 --> 01:06:15,130 I wanna talk to her. It's urgent. 1037 01:06:15,305 --> 01:06:17,865 This is Robert Gordon's secretary. 1038 01:06:18,041 --> 01:06:19,241 [IN NORMAL VOICE] Hi, Kitty. 1039 01:06:20,910 --> 01:06:22,469 Say that again, you. 1040 01:06:26,249 --> 01:06:27,944 Hello! 1041 01:06:39,662 --> 01:06:42,654 [WOMAN SINGING IN FRENCH ON RECORD] 1042 01:07:51,301 --> 01:07:54,134 IRENE: Good luck with the show, Bob. - Thanks, Irene, I need it. 1043 01:07:54,304 --> 01:07:57,797 - I wish I were going back to Albany too. - Oh, Albany is no place for you. 1044 01:07:57,974 --> 01:08:01,103 An amateur like me, maybe, but not you. You've arrived in New York. 1045 01:08:01,277 --> 01:08:04,941 - That's where you belong. - I know. I'd like to see the old place again. 1046 01:08:05,114 --> 01:08:07,446 What could possibly interest you in Albany? 1047 01:08:07,617 --> 01:08:09,346 Well, you're going to be there. 1048 01:08:09,519 --> 01:08:12,955 Well, it's nice to know I'd interest you in Albany anyway. 1049 01:08:13,122 --> 01:08:16,023 Do you know my address, in case you come up for a visit... 1050 01:08:16,192 --> 01:08:19,628 - ...or if you wanna write or something? - 560 Washington Avenue. 1051 01:08:19,796 --> 01:08:23,255 - Hmm! Quite a memory. - I spent all last night trying to remember it. 1052 01:08:23,433 --> 01:08:24,457 [BOTH LAUGHING] 1053 01:08:24,634 --> 01:08:26,068 MAN: Board! 1054 01:08:26,235 --> 01:08:28,863 - Goodbye, Irene. - Goodbye, Bob. 1055 01:08:29,172 --> 01:08:30,697 MAN: Board! 1056 01:08:30,873 --> 01:08:32,432 - You know something? - What? 1057 01:08:32,609 --> 01:08:34,543 I wish this train weren't pulling out. 1058 01:08:34,711 --> 01:08:37,544 Oh, I bet you tell that to all the girls. 1059 01:08:59,636 --> 01:09:03,368 - Mail this letter when you arrive in Albany. - Yes, ma'am. 1060 01:09:03,606 --> 01:09:06,007 - You won't forget? - No, ma'am, I won't. 1061 01:09:06,175 --> 01:09:07,506 Thank you. 1062 01:09:09,045 --> 01:09:11,537 Come on. Hurry. I've got a taxi waiting. 1063 01:09:14,417 --> 01:09:17,944 TED [SINGING]: It's time for promenading 1064 01:09:18,121 --> 01:09:21,421 And I'll be with you soon 1065 01:09:21,591 --> 01:09:28,429 All the best folks are parading On a Sunday afternoon 1066 01:09:28,598 --> 01:09:35,470 We'll rent a horse and carriage And I'll be proud of you 1067 01:09:35,638 --> 01:09:42,374 We'll talk about a marriage On the busy avenue 1068 01:09:42,545 --> 01:09:49,417 And then we'll ride To the countryside 1069 01:09:49,585 --> 01:09:54,614 I'll burst with pride In your Sunday gown 1070 01:09:54,791 --> 01:09:56,589 You're the talk of the town 1071 01:09:56,759 --> 01:10:03,665 Now, you can have the twilight And you can have the moon 1072 01:10:03,833 --> 01:10:10,762 Give me those happy moments On a Sunday afternoon 1073 01:11:35,358 --> 01:11:38,794 CHORUS [SINGING]: Now, you can have the twilight 1074 01:11:38,961 --> 01:11:42,124 And you can have the moon 1075 01:11:42,298 --> 01:11:45,791 Give me those happy moments 1076 01:11:45,968 --> 01:11:52,965 On a Sunday afternoon 1077 01:11:56,312 --> 01:11:58,906 Well, Bob, what do you think of it? 1078 01:11:59,081 --> 01:12:01,049 Well, the routine's okay. 1079 01:12:01,217 --> 01:12:04,312 What I'm worried about is finding a star for this show. 1080 01:12:06,556 --> 01:12:08,615 - I'd like to talk to you. BOB: Hi, Lilly. 1081 01:12:08,791 --> 01:12:11,954 I just found a very cute little poem about us in Keeler's column. 1082 01:12:12,128 --> 01:12:14,028 I'd like to read it to you. 1083 01:12:14,197 --> 01:12:16,632 Lilly was an amateur Who had a lot of dough 1084 01:12:16,799 --> 01:12:19,461 Bob was just another guy Who longed to do a show 1085 01:12:19,635 --> 01:12:23,037 Now Lil has the role she wants And Bobby has his million 1086 01:12:23,206 --> 01:12:27,439 The woman pays, the woman plays And Bob is stuck with Lillian 1087 01:12:27,610 --> 01:12:31,308 Can't you stop Keeler from printing such stuff in his column? 1088 01:12:32,748 --> 01:12:35,410 If I continue writing this column, I'll need a bodyguard. 1089 01:12:35,585 --> 01:12:36,677 - You're not yellow? - No. 1090 01:12:36,853 --> 01:12:39,379 But can't you put me on "Advice to the Lovelorn" 1091 01:12:39,555 --> 01:12:40,886 ...or "How to Bake a Cake"? 1092 01:12:41,057 --> 01:12:43,822 Listen, your column's going strong. You're a success. 1093 01:12:43,993 --> 01:12:45,825 People hate the ground you walk on. 1094 01:12:45,995 --> 01:12:48,896 Everybody in town wants to see you hit by a taxi. Think of it. 1095 01:12:49,065 --> 01:12:51,193 Boy, am I hot. Everybody hates me. 1096 01:12:51,367 --> 01:12:52,835 - Ain't that swell, Snoop? - Yeah. 1097 01:12:53,002 --> 01:12:55,596 Five people phoned me today and called you a rat. 1098 01:12:55,771 --> 01:12:58,570 Isn't that sweet? That entitles me to that raise, doesn't it? 1099 01:12:58,741 --> 01:13:01,540 - You get your raise. - Fine. I'll buy some accident insurance. 1100 01:13:01,711 --> 01:13:04,510 Keep up the good work, my boy. I may give you a bonus. 1101 01:13:04,680 --> 01:13:06,614 Thanks. Looks like I'll die a rich man. 1102 01:13:06,782 --> 01:13:08,648 If I live long enough. 1103 01:13:08,818 --> 01:13:11,378 Well, Snoop, here's another boost for my friend Gordon. 1104 01:13:11,554 --> 01:13:13,488 This is the crowning point of our career. 1105 01:13:13,656 --> 01:13:15,420 Say, we've been crowned twice already. 1106 01:13:15,591 --> 01:13:17,889 That's applause to a good newspaperman. Get this. 1107 01:13:18,060 --> 01:13:21,758 'Bob Gordon's efforts to get Mademoiselle Arlette for his new play have failed. 1108 01:13:21,931 --> 01:13:24,400 People are asking why. Maybe she read his play. 1109 01:13:24,567 --> 01:13:28,765 It's our guess that he will have to sign up Lillian "No Talent" Brent as his lucky star. 1110 01:13:28,938 --> 01:13:32,101 This move should make Gordon Broadway's public enemy number one." 1111 01:13:32,275 --> 01:13:35,404 - How do you like that? Right on the nose. - Yeah, but whose nose? 1112 01:13:35,578 --> 01:13:37,478 Oh, you're not a bit optimistic. 1113 01:13:37,647 --> 01:13:39,638 [PEOPLE CHATTERING] 1114 01:13:44,253 --> 01:13:45,448 [GLASS BREAKS] 1115 01:13:46,689 --> 01:13:48,248 SNOOP: That man is here again. 1116 01:13:50,526 --> 01:13:53,461 Hello, we were expecting you. 1117 01:13:54,096 --> 01:13:56,258 What's on your mind, Gordon? Unh! 1118 01:13:58,668 --> 01:14:00,033 SNOOP: Hey, listen... 1119 01:14:00,202 --> 01:14:01,636 [CLATTERING] 1120 01:14:07,209 --> 01:14:09,405 - Hey, Snoop. - What? 1121 01:14:09,578 --> 01:14:12,445 Get off. This is as far as we go. 1122 01:14:13,616 --> 01:14:14,879 What's the matter, hedging? 1123 01:14:15,051 --> 01:14:17,679 No, I'm not. But this show means everything to me. 1124 01:14:17,853 --> 01:14:20,550 Oh, come on. Be regular. Give me a few more days. 1125 01:14:21,023 --> 01:14:22,855 Listen, you promised me the lead... 1126 01:14:23,025 --> 01:14:25,722 ...if you weren't able to find anybody in two weeks. 1127 01:14:25,895 --> 01:14:27,863 Your time is up. 1128 01:14:28,030 --> 01:14:29,794 - Be reasonable, Lillian. - No. 1129 01:14:29,966 --> 01:14:33,197 We made a bargain and I expect you to live up to it. 1130 01:14:33,369 --> 01:14:34,700 [BOB SIGHS] 1131 01:14:36,339 --> 01:14:38,068 All right. 1132 01:14:40,676 --> 01:14:42,337 There's your contract. 1133 01:14:42,511 --> 01:14:44,206 Sign here. 1134 01:14:45,448 --> 01:14:49,681 I suppose you know that if the show flops, I'm ruined and you're out 60,000 bucks. 1135 01:14:49,852 --> 01:14:52,822 Yes, my sweet. I know all about that. 1136 01:14:52,989 --> 01:14:55,924 Now you sign, right under mine. 1137 01:15:00,663 --> 01:15:02,427 - Mr. Gordon. - Yeah? 1138 01:15:02,598 --> 01:15:05,329 Mademoiselle Arlette, she wishes to see you. 1139 01:15:05,701 --> 01:15:08,329 - Arlette? You mean she's here now? - Yes, sir. 1140 01:15:08,504 --> 01:15:10,233 Sign this contract and stop stalling. 1141 01:15:10,406 --> 01:15:12,966 Not if there's a chance of getting her for the part. 1142 01:15:14,310 --> 01:15:17,473 - All right, you have her come in now. - Yes, sir. 1143 01:15:19,749 --> 01:15:21,683 - Oh! - Oh! Don't you get jittery. 1144 01:15:21,851 --> 01:15:24,149 - What'd he say? - Don't you begin getting nervous. 1145 01:15:24,320 --> 01:15:26,379 I've lost 8 pounds since we started this thing. 1146 01:15:26,555 --> 01:15:29,320 - Who's nervous? - We'll both get the electric chair for this. 1147 01:15:29,492 --> 01:15:31,358 What's worse, I'm liable to lose my job. 1148 01:15:31,527 --> 01:15:34,792 Forget about that. I'm all right. You'll see the best Frenchwoman... 1149 01:15:34,964 --> 01:15:37,365 ...any high school dramatic society ever turned out. 1150 01:15:37,533 --> 01:15:40,594 If this were only a high school society. Do you know your name? 1151 01:15:40,770 --> 01:15:43,501 - Irene Foster. - Oh, no, you're Mademoiselle Arlette... 1152 01:15:43,672 --> 01:15:46,801 ...and you're from Paris and you've been very busy rehearsing. 1153 01:15:46,976 --> 01:15:51,311 [IN FRENCH ACCENT] Mr. Gordon, you sent for me, yes? 1154 01:15:52,314 --> 01:15:55,978 Yeah, well, it sounds a little Swedish but I guess you'll get by, I hope. 1155 01:16:02,458 --> 01:16:05,484 Mr. Gordon, you sent for me, yes? 1156 01:16:05,661 --> 01:16:08,187 Yes, of course, I did, mademoiselle, some time ago... 1157 01:16:08,364 --> 01:16:10,890 ...but, well, I'd given up hope of ever seeing you. 1158 01:16:11,067 --> 01:16:14,628 You see, I have been very, very busy rehearsing. 1159 01:16:14,804 --> 01:16:17,967 Yeah. Pardon me. May I present Miss Lillian Brent? 1160 01:16:18,140 --> 01:16:19,835 And why not? 1161 01:16:20,409 --> 01:16:23,242 I am always happy to meet people. 1162 01:16:24,080 --> 01:16:26,515 - How do you do? - Delighted. 1163 01:16:26,682 --> 01:16:29,242 If you don't mind, Bob, I'll run along. 1164 01:16:34,423 --> 01:16:38,223 Would you kindly ask Mr. Gordon to call me tonight if he's not too busy? 1165 01:16:38,394 --> 01:16:41,056 - I'll make a note of that. - Thanks. 1166 01:16:50,172 --> 01:16:51,401 - Snoop. SNOOP: Yeah? 1167 01:16:51,574 --> 01:16:53,167 Get a load of this. 1168 01:16:53,342 --> 01:16:57,438 "Bob Gordon signs Mademoiselle Arlette for new show Broadway Rhythm. 1169 01:16:57,613 --> 01:17:00,048 The beautiful and talented French actress, Arlette... 1170 01:17:00,216 --> 01:17:03,709 ...has signed a contract to star in Bob Gordon's Broadway Rhythm production. 1171 01:17:03,886 --> 01:17:07,982 The young producer is to be complimented for having secured the services of Arlette. 1172 01:17:08,157 --> 01:17:11,127 Rehearsals start today." What do you think of that? 1173 01:17:12,828 --> 01:17:15,695 SNOOP: Hey, that's a beautiful dame. 1174 01:17:17,933 --> 01:17:20,698 But how can Gordon sign Arlette when there is no Arlette? 1175 01:17:20,870 --> 01:17:22,895 That's what I'd like to know. 1176 01:17:25,474 --> 01:17:27,875 - Snoop. - What? 1177 01:17:28,944 --> 01:17:31,845 Have you spoken to anyone since the last time I was here? 1178 01:17:32,248 --> 01:17:33,682 Yeah, a lot of people. 1179 01:17:33,849 --> 01:17:34,873 What did you say? 1180 01:17:35,050 --> 01:17:37,385 [IN FRENCH ACCENT] "Mademoiselle Arlette, she is busy... " 1181 01:17:37,386 --> 01:17:39,377 No, no, no, Snoop. Did you say anything else? 1182 01:17:39,555 --> 01:17:40,716 - Yeah. - What? 1183 01:17:40,890 --> 01:17:42,824 - "She is very, very busy." - No, no. Look. 1184 01:17:42,992 --> 01:17:45,427 Look, Snoop, I want you to think. 1185 01:17:45,594 --> 01:17:48,962 Look, I don't want you to strain yourself. I just want you to think. 1186 01:17:49,131 --> 01:17:50,381 [IN NORMAL VOICE] About what? 1187 01:17:50,466 --> 01:17:54,494 Is there anyone in particular you remember speaking to while I was away? 1188 01:17:54,670 --> 01:17:55,865 - Yeah. - Who? 1189 01:17:56,038 --> 01:17:58,166 Kitty Corbett, Bob Gordon's secretary. 1190 01:17:58,340 --> 01:17:59,364 What did you say? 1191 01:17:59,542 --> 01:18:01,977 [IN FRENCH ACCENT] "Mademoiselle Arlette, she... " 1192 01:18:03,012 --> 01:18:04,207 Besides that? 1193 01:18:04,380 --> 01:18:06,576 [IN NORMAL VOICE] I said, "Hi, Kitty." 1194 01:18:06,749 --> 01:18:08,308 - What? - But I hung right up. 1195 01:18:08,484 --> 01:18:11,078 - You know me, trigger judgment. - Oh, you hung up? 1196 01:18:11,253 --> 01:18:13,753 Whenever I'm through with the phone, I hang up the receiver. 1197 01:18:13,889 --> 01:18:15,789 That's smart. Have you seen her since? 1198 01:18:15,958 --> 01:18:17,756 - Yeah, she was here. - Here? 1199 01:18:17,927 --> 01:18:19,088 What did she say? 1200 01:18:19,261 --> 01:18:21,593 I don't know. I was asleep. 1201 01:18:21,764 --> 01:18:23,391 Asleep? 1202 01:18:23,933 --> 01:18:28,166 - She was here and you were asleep? - Yeah, I dozed off. 1203 01:18:28,337 --> 01:18:30,362 She left this. 1204 01:18:37,580 --> 01:18:40,845 - Well, of all the dumb guys... - Don't worry about Corbett. 1205 01:18:41,016 --> 01:18:42,848 She won't tip the gag off. She said so. 1206 01:18:43,018 --> 01:18:46,818 Just the same, I gotta find out who this dame is that Gordon's got signed up. 1207 01:18:46,989 --> 01:18:48,289 SNOOP: What do you want me to do? 1208 01:18:48,424 --> 01:18:51,359 Go down to the ocean and pull a wave over your head. 1209 01:18:52,061 --> 01:18:54,052 [ORCHESTRA PLAYING] 1210 01:19:06,709 --> 01:19:07,733 [SONG ENDS] 1211 01:19:07,910 --> 01:19:10,436 Well, that's not so good, but I guess it'll have to do. 1212 01:19:10,613 --> 01:19:11,774 Take five minutes' rest. 1213 01:19:11,947 --> 01:19:13,540 MAN: Five minutes' rest. 1214 01:19:22,691 --> 01:19:23,891 [IN FRENCH ACCENT] Who is it? 1215 01:19:23,993 --> 01:19:26,018 BASIL: Mademoiselle Arlette? - Oui, monsieur. 1216 01:19:26,195 --> 01:19:28,163 Mr. Gordon's ready to see your number. 1217 01:19:28,330 --> 01:19:30,458 Très bien, I come, toute de suite. 1218 01:19:30,633 --> 01:19:31,930 All right. 1219 01:19:35,037 --> 01:19:37,904 Hey, keep your fingers crossed. 1220 01:19:44,513 --> 01:19:46,106 WOMAN: Oh, my. 1221 01:19:48,317 --> 01:19:53,483 Ah, ban/our, Monsieur Gordon, you ready for me, yes? 1222 01:19:53,656 --> 01:19:56,819 - Yes, mademoiselle. All ready. - Merci beaucoup. 1223 01:19:57,693 --> 01:19:59,354 [SPEAKS IN FRENCH] 1224 01:20:00,629 --> 01:20:02,961 You know Mademoiselle Arlette's music, yes? 1225 01:20:03,132 --> 01:20:04,827 Why, no, mademoiselle, I don't. 1226 01:20:05,000 --> 01:20:07,594 Oh, tsk, tsk, tsk. Too bad. 1227 01:20:07,770 --> 01:20:11,832 Then you play for me something like... 1228 01:20:12,341 --> 01:20:14,742 How you say, like...? 1229 01:20:15,210 --> 01:20:16,439 Like: 1230 01:20:16,612 --> 01:20:18,580 [PLAYING "SWANEE RIVER"] 1231 01:20:18,747 --> 01:20:22,240 - Oh, no, no, no, monsieur, no. - No? 1232 01:20:22,418 --> 01:20:25,080 Something with the... Ah! 1233 01:20:25,254 --> 01:20:27,120 With rhythm, n'est-ce pas? 1234 01:20:28,857 --> 01:20:30,018 - Yes? - You mean hot. 1235 01:20:30,192 --> 01:20:31,182 Yes. 1236 01:20:31,360 --> 01:20:32,691 [PLAYING "I GOT RHYTHM"] 1237 01:20:32,861 --> 01:20:35,262 Oh, no, no, no. 1238 01:20:35,431 --> 01:20:36,921 No. 1239 01:20:39,835 --> 01:20:41,564 [PIANO PLAYING UPTEMPO] 1240 01:20:41,737 --> 01:20:44,536 Ah! Very good. 1241 01:21:13,402 --> 01:21:15,063 No, no, no. No. 1242 01:21:15,237 --> 01:21:16,261 [PIANO STOPS] 1243 01:21:16,438 --> 01:21:18,964 That is all wrong. Don't play anything. 1244 01:21:20,743 --> 01:21:23,337 Oh, monsieur, I am so sorry. 1245 01:21:23,512 --> 01:21:25,640 You see, he does not understand. 1246 01:21:25,814 --> 01:21:28,545 Well, mademoiselle, may I get you another pianist? 1247 01:21:29,551 --> 01:21:31,952 Oh, no, no, no. 1248 01:21:32,121 --> 01:21:38,356 I tell you, I do for you like I did in Paris without any music. 1249 01:21:38,527 --> 01:21:40,928 It is much better that way. 1250 01:21:56,512 --> 01:22:00,005 Ah! You like this one, no? 1251 01:22:53,602 --> 01:22:55,593 [ORCHESTRA PLAYING] 1252 01:23:52,828 --> 01:23:54,557 You got him, sister. You got him. 1253 01:23:55,964 --> 01:23:58,661 This Arlette you've been spreading all over your column... 1254 01:23:58,834 --> 01:24:00,063 ...do you know who she is? 1255 01:24:00,235 --> 01:24:05,935 Yeah. She's a 5-cent cigar and a very bad smoke. 1256 01:24:06,108 --> 01:24:09,271 Maybe so. But there is a Mademoiselle Arlette living in Paris... 1257 01:24:09,444 --> 01:24:11,003 ...and she threatens suit. 1258 01:24:11,179 --> 01:24:13,045 Read that cable. 1259 01:24:16,218 --> 01:24:18,209 What are you gonna do about that? 1260 01:24:18,520 --> 01:24:20,887 Don't worry, chief. I'm killing Arlette tonight. 1261 01:24:21,056 --> 01:24:23,354 - Killing her? - Everything will be taken care of. 1262 01:24:23,525 --> 01:24:27,359 There won't be any bloodshed, just a nice quiet assassination. 1263 01:24:27,529 --> 01:24:29,657 And don't send orchids. 1264 01:24:29,831 --> 01:24:34,564 Oh, no, no, no, Monsieur Gordon, I never, never go out in public. 1265 01:24:34,736 --> 01:24:36,602 Tonight you've got to make an exception. 1266 01:24:36,772 --> 01:24:40,037 I've invited the press and the cast. The whole party is for you. 1267 01:24:40,208 --> 01:24:42,404 Why, the publicity alone will put the show over. 1268 01:24:42,578 --> 01:24:44,410 Oh, come on, please say you'll go. 1269 01:24:45,547 --> 01:24:47,481 Très bien, if you insist. 1270 01:24:47,649 --> 01:24:48,673 Ha, ha, swell. 1271 01:24:48,850 --> 01:24:50,443 [PHONE RINGS] 1272 01:24:51,753 --> 01:24:53,221 Hello? 1273 01:24:53,789 --> 01:24:55,382 It's for you, mademoiselle. 1274 01:24:55,557 --> 01:24:57,218 Merci. 1275 01:24:57,392 --> 01:25:01,022 - Hello? Oui? -This is Bert Keeler of the World Tribune. 1276 01:25:02,864 --> 01:25:05,026 I wanna see you at my office right away. 1277 01:25:05,200 --> 01:25:08,761 If you're as smart as I think you are, you'll grab a taxi and hurry over. 1278 01:25:08,937 --> 01:25:11,065 I come at once. 1279 01:25:12,874 --> 01:25:13,932 Anything wrong? 1280 01:25:14,109 --> 01:25:18,444 - No, no, no, nothing of importance. - Oh, whatever it is, I'd like to help you. 1281 01:25:18,614 --> 01:25:24,109 Monsieur Gordon, you will excuse me, please. I must go. 1282 01:25:24,586 --> 01:25:25,747 Can't I go with you? 1283 01:25:25,921 --> 01:25:30,222 Oh, no, man chéri, this is one time, Arlette, she must be alone. 1284 01:25:30,392 --> 01:25:31,951 All right. 1285 01:25:32,527 --> 01:25:35,462 Au revoir, until tonight. 1286 01:25:38,700 --> 01:25:42,102 Monsieur Keeler, you sent for me, no? 1287 01:25:42,270 --> 01:25:45,365 I'm Keeler and I sent for you, yes. 1288 01:25:45,540 --> 01:25:48,134 Oh, I'm so sorry. 1289 01:25:48,310 --> 01:25:51,803 You see, I have been very, very busy... 1290 01:25:51,980 --> 01:25:53,414 - ...rehearsing. - Rehearsing. 1291 01:25:53,582 --> 01:25:55,311 If you're a French, I'm a Chinaman. 1292 01:25:55,484 --> 01:25:58,510 - That is possible. - Sit down. 1293 01:26:03,759 --> 01:26:05,488 You know, I'm very happy to meet you. 1294 01:26:05,661 --> 01:26:08,528 - Oh, monsieur. - You can call me mister. 1295 01:26:08,697 --> 01:26:11,097 What made you think you could get away with a gag like this? 1296 01:26:11,199 --> 01:26:13,964 Gag? Well, what is it, gag? 1297 01:26:14,136 --> 01:26:18,130 Now listen, sister, if you wanna play games with me, I'll send out for some Parcheesi. 1298 01:26:18,306 --> 01:26:19,432 I don't like cheese. 1299 01:26:19,608 --> 01:26:21,201 [LAUGHS] 1300 01:26:22,778 --> 01:26:25,042 - Well? - Well? 1301 01:26:25,213 --> 01:26:26,813 All right, I'll handle it another way. 1302 01:26:26,915 --> 01:26:28,212 [INTERCOM BUZZES] 1303 01:26:30,152 --> 01:26:31,347 Get Bob Gordon on the phone. 1304 01:26:31,520 --> 01:26:33,220 [IN NORMAL VOICE] Don't do that, please. 1305 01:26:33,221 --> 01:26:34,916 Okay, skip it. 1306 01:26:35,190 --> 01:26:36,282 Now, talk fast. 1307 01:26:36,458 --> 01:26:39,587 I wanted to get into Bob's show and this was the only way to do it. 1308 01:26:39,761 --> 01:26:41,561 BERT: Why? - He wouldn't give me a chance... 1309 01:26:41,663 --> 01:26:44,860 ...under my right name. But as Arlette, he thinks I'm terrific. 1310 01:26:45,033 --> 01:26:47,297 He may be right and that's what I'm afraid of. 1311 01:26:47,469 --> 01:26:48,732 Well, the party's over. 1312 01:26:48,904 --> 01:26:51,236 I'm sorry I have to ruin a perfectly good racket. 1313 01:26:51,406 --> 01:26:52,874 - Why? BERT: Why? 1314 01:26:53,041 --> 01:26:54,873 I build up a phony Arlette as a gag. 1315 01:26:55,043 --> 01:26:57,171 You step in, Gordon cashes in on the publicity... 1316 01:26:57,345 --> 01:26:59,109 ...and I'm the biggest chump on Broadway. 1317 01:26:59,281 --> 01:27:02,444 - And everybody lived happily ever after. - But not on me. 1318 01:27:02,617 --> 01:27:04,813 Now, listen, I made Arlette and I can break her. 1319 01:27:04,986 --> 01:27:07,614 I got a paper behind me that'll print anything I write. 1320 01:27:07,789 --> 01:27:09,814 Here's my column for tomorrow. Get this. 1321 01:27:09,991 --> 01:27:13,791 "Arlette refuses Gordon's ridiculous offer and sails for France today." 1322 01:27:13,962 --> 01:27:16,932 And everybody lived happily ever after. 1323 01:27:17,099 --> 01:27:18,396 Without Arlette. 1324 01:27:18,567 --> 01:27:20,797 You'd deliberately ruin Bob Gordon's show... 1325 01:27:20,969 --> 01:27:23,836 ...just to get even for a couple of harmless blows on the jaw? 1326 01:27:24,005 --> 01:27:25,063 Harmless? 1327 01:27:25,240 --> 01:27:28,733 My getting into this show means a lot to me but it means much more to Bob. 1328 01:27:28,910 --> 01:27:30,241 And I'm going to protect him. 1329 01:27:30,412 --> 01:27:34,110 I don't care what you write about me in that column of yours. Get this straight. 1330 01:27:34,282 --> 01:27:37,377 You can't stop Arlette from opening in that show tomorrow night. 1331 01:27:37,552 --> 01:27:39,452 - Oh, excuse me. - Now, wait a minute. 1332 01:27:39,621 --> 01:27:41,783 Wait a minute. 1333 01:27:42,457 --> 01:27:45,893 If you don't think I can do it, maybe the real Arlette can stop you. 1334 01:27:46,061 --> 01:27:48,826 The real Arlette? There isn't any real Arlette. 1335 01:27:48,997 --> 01:27:50,726 That's what I thought. 1336 01:27:50,899 --> 01:27:55,063 Here's a cablegram we got from Paris. "Unless you discontinue publicity... 1337 01:27:55,237 --> 01:27:58,104 ...in your column and expose person masquerading as Arlette... 1338 01:27:58,273 --> 01:28:00,970 ...my attorneys will bring suit against you and Gordon. 1339 01:28:01,143 --> 01:28:02,440 Mademoiselle Arlette." 1340 01:28:02,611 --> 01:28:03,806 What do you think of that? 1341 01:28:05,981 --> 01:28:07,380 Gordon's giving her a banquet. 1342 01:28:07,549 --> 01:28:10,780 If she doesn't show as Arlette, we're in for another sock in the nose. 1343 01:28:10,952 --> 01:28:12,681 I can't help that. 1344 01:28:13,121 --> 01:28:15,613 I'm sorry, kid, I had to do this. 1345 01:28:26,568 --> 01:28:28,127 Just a minute. 1346 01:28:28,303 --> 01:28:30,829 You know, you're not in such a healthy spot yourself. 1347 01:28:31,006 --> 01:28:34,067 Whatever Bob and I have done was based on your phony information. 1348 01:28:34,242 --> 01:28:36,574 Now, you listen to me. 1349 01:28:38,046 --> 01:28:40,037 [ORCHESTRA PLAYING] 1350 01:28:51,993 --> 01:28:54,860 - I can't understand why she isn't here. - I can't understand... 1351 01:28:55,030 --> 01:28:57,727 - ...why she didn't come with you. - She'd rather come alone. 1352 01:28:57,899 --> 01:29:01,233 - Go phone the hotel. See if she's left yet. - Right-o. 1353 01:29:02,470 --> 01:29:05,235 - Good evening. - Good evening. 1354 01:29:05,640 --> 01:29:07,506 - Good evening, Mr. Keeler. - Good evening. 1355 01:29:07,676 --> 01:29:09,576 This way, please. 1356 01:29:15,851 --> 01:29:18,411 KITTY: Good evening, Mr. Gordon. SNOOP: Hello. 1357 01:29:18,587 --> 01:29:20,112 Irene. 1358 01:29:20,488 --> 01:29:21,887 Oh, hello, Bob. 1359 01:29:22,057 --> 01:29:24,116 What on earth are you doing back in New York? 1360 01:29:24,292 --> 01:29:26,386 I didn't go home. I've been here all the time. 1361 01:29:27,028 --> 01:29:28,518 Why didn't you let me know? 1362 01:29:29,164 --> 01:29:31,132 I really didn't think you were interested. 1363 01:29:31,299 --> 01:29:34,667 Pardon me, Bob, but Miss Foster is my guest for this evening. 1364 01:29:34,836 --> 01:29:35,928 Come, Irene. 1365 01:29:36,104 --> 01:29:37,799 Sorry, Bob. 1366 01:29:42,944 --> 01:29:44,673 I'm terribly nervous, Mr. Keeler. 1367 01:29:44,846 --> 01:29:47,713 Yeah? How do you think I feel? You know, this wasn't my idea. 1368 01:29:47,883 --> 01:29:51,285 Bob, get a load of this in Keeler's column. 1369 01:30:00,428 --> 01:30:02,628 BOB: Another one of Keeler's ribs. - At your expense. 1370 01:30:02,797 --> 01:30:05,459 - What? - I've checked everywhere. I can't locate her. 1371 01:30:05,634 --> 01:30:08,695 - Call her hotel. She's there. - I've called twice. She's not there. 1372 01:30:08,870 --> 01:30:11,498 They said she checked out late this afternoon. 1373 01:30:14,876 --> 01:30:17,208 Don't you think we ought to tell him? 1374 01:30:17,379 --> 01:30:19,609 Say, how would you like a sock in the nose? 1375 01:30:19,781 --> 01:30:21,909 Now, go ahead. You've just got time to make it. 1376 01:30:23,518 --> 01:30:24,747 [SONG ENDS] 1377 01:30:26,922 --> 01:30:28,913 [ORCHESTRA PLAYING] 1378 01:30:48,143 --> 01:30:53,206 [SINGING] ♪ Broadway, street of a million lights ♪ 1379 01:30:54,549 --> 01:31:00,352 ♪ Broadway, street of a million sights ♪ 1380 01:31:02,390 --> 01:31:09,023 ♪ Broadway, street of a million nights ♪ 1381 01:31:09,464 --> 01:31:16,461 ♪ Nights of pain and tears and sorrow ♪ 1382 01:31:16,638 --> 01:31:23,635 ♪ Nights that promise gay tomorrows ♪ 1383 01:31:25,013 --> 01:31:30,383 ♪ But up or down or sad or gay ♪ ♪ There's something in this old Broadway ♪ 1384 01:31:30,552 --> 01:31:33,283 ♪ That makes you tingle in and out ♪ 1385 01:31:33,455 --> 01:31:38,291 ♪ That makes you stand right up and shout ♪ 1386 01:31:38,460 --> 01:31:41,896 ♪ Gotta dance ♪ 1387 01:31:42,063 --> 01:31:48,059 ♪ Gotta dance ♪ 1388 01:31:48,837 --> 01:31:55,834 ♪ Broadway rhythm, it's got me ♪ ♪ Everybody dance ♪ 1389 01:31:56,311 --> 01:32:02,717 ♪ Broadway rhythm, it's got me ♪ ♪ Everybody dance ♪ 1390 01:32:02,884 --> 01:32:08,482 ♪ Out on the gay White Way ♪ ♪ In each merry café, orchestras play ♪ 1391 01:32:08,656 --> 01:32:13,526 ♪ Taking your breath away ♪ ♪ With that Broadway rhythm ♪ 1392 01:32:13,695 --> 01:32:19,293 ♪ It's got me ♪ ♪ Everybody sing and dance ♪ 1393 01:32:23,038 --> 01:32:30,035 ♪ Oh, that Broadway rhythm ♪ 1394 01:32:30,779 --> 01:32:37,776 ♪ Oh, that Broadway rhythm ♪ 1395 01:32:38,553 --> 01:32:42,217 ♪ When I hear that happy beat ♪ 1396 01:32:42,390 --> 01:32:46,020 ♪ Feel like dancing down the street ♪ 1397 01:32:46,194 --> 01:32:50,893 ♪ Oh, that Broadway rhythm ♪ 1398 01:32:51,066 --> 01:32:54,058 ♪ Writhing, beating rhythm ♪ 1399 01:32:54,235 --> 01:32:55,930 ♪ Gotta dance ♪ 1400 01:32:56,104 --> 01:32:57,731 CHORUS [SINGING]: ♪ Gotta dance ♪ 1401 01:32:57,906 --> 01:32:59,601 ♪ Gotta dance ♪ 1402 01:32:59,774 --> 01:33:01,469 ♪ Gotta dance ♪ 1403 01:33:01,643 --> 01:33:05,273 ♪ Broadway rhythm, it's got me ♪ ♪ Everybody dance ♪ 1404 01:33:05,447 --> 01:33:09,111 ♪ Broadway rhythm, it's got me ♪ 1405 01:33:09,284 --> 01:33:12,743 ♪ Broadway rhythm, it's got me ♪ ♪ Everybody dance ♪ 1406 01:33:12,921 --> 01:33:17,483 ♪ Broadway rhythm, it's got me ♪ ♪ On the gay White Way ♪ 1407 01:33:17,659 --> 01:33:19,252 ♪ In each merry café ♪ 1408 01:33:19,427 --> 01:33:20,690 ♪ Orchestras play ♪ 1409 01:33:20,862 --> 01:33:22,762 ♪ Taking your breath away ♪ 1410 01:33:22,931 --> 01:33:27,698 ♪ With that Broadway rhythm, it's got me ♪ ♪ Everybody dance ♪ 1411 01:33:27,969 --> 01:33:33,533 ♪ Everybody sing and dance ♪ 1412 01:33:33,708 --> 01:33:35,335 ♪ Broadway rhythm ♪ 1413 01:33:35,510 --> 01:33:37,103 ♪ Broadway rhythm ♪ 1414 01:33:37,278 --> 01:33:42,717 ♪ Broadway rhythm, it's got you, it's for me ♪ ♪ Everybody dance ♪ 1415 01:34:21,389 --> 01:34:22,879 CHORUS: ♪ Gotta dance ♪ 1416 01:34:25,226 --> 01:34:26,694 ♪ Gotta dance ♪ 1417 01:34:28,997 --> 01:34:34,936 ♪ Broadway rhythm, it's got me ♪ 1418 01:34:35,103 --> 01:34:36,832 ♪ Everybody dance ♪ 1419 01:34:40,141 --> 01:34:46,137 ♪ Broadway rhythm, it's got me ♪ 1420 01:34:46,314 --> 01:34:47,611 ♪ Everybody dance ♪ 1421 01:34:58,927 --> 01:35:01,828 ♪ Broadway rhythm, it's got me ♪ 1422 01:35:01,996 --> 01:35:06,263 ♪ Everybody sing and dance ♪ 1423 01:36:57,378 --> 01:36:58,868 CHORUS: ♪ Gotta dance ♪ 1424 01:37:01,249 --> 01:37:02,307 ♪ Gotta dance ♪ 1425 01:37:05,119 --> 01:37:08,919 ♪ Gotta dance, dance on Broadway ♪ 1426 01:37:09,490 --> 01:37:15,088 ♪ Broadway rhythm, it's got me ♪ ♪ Everybody sing and dance ♪ 1427 01:37:16,531 --> 01:37:18,260 ♪ Dance ♪ 1428 01:37:18,433 --> 01:37:19,730 ♪ Dance ♪ 1429 01:37:20,401 --> 01:37:21,527 ♪ Dance ♪ 1430 01:39:07,408 --> 01:39:10,241 CHORUS: ♪ Dance, if your head is reeling, dance ♪ 1431 01:39:10,411 --> 01:39:12,345 ♪ If you have no feeling, dance ♪ 1432 01:39:12,513 --> 01:39:14,481 ♪ If you're hot and breathing, dance ♪ 1433 01:39:14,649 --> 01:39:16,174 ♪ If you wake up screaming ♪ 1434 01:39:16,350 --> 01:39:22,312 ♪ Broadway rhythm, it gets you ♪ ♪ Everybody sing and ♪ 1435 01:39:22,490 --> 01:39:26,393 ♪ Dance all night ♪ ♪ Rhythm for dances got rhythm ♪ 1436 01:39:26,561 --> 01:39:32,295 ♪ Of Broadway ♪ 1437 01:39:34,168 --> 01:39:36,865 - Here, I got the boss for you. - Hello, Keeler speaking. 1438 01:39:37,038 --> 01:39:39,268 Stop press, flash a new lead mainstem column: 1439 01:39:39,440 --> 01:39:42,603 "What Bob Gordon will lead which Irene Foster down the bridal path... 1440 01:39:42,777 --> 01:39:44,506 ...after premiere of Broadway Rhythm? 1441 01:39:44,679 --> 01:39:46,670 What unidentified body, named Bert Keeler... 1442 01:39:46,848 --> 01:39:48,907 ...was chosen as best man by popular acclaim? 1443 01:39:49,083 --> 01:39:50,983 Question mark, exclamation point." 1444 01:39:51,152 --> 01:39:53,382 [MAN SNORING] 1445 01:39:53,588 --> 01:39:56,080 That sounds to me like the 2-A, the ah-poo variety. 1446 01:39:56,257 --> 01:39:59,750 No, no, I think that's 7-3, the super-static lag. 1447 01:39:59,927 --> 01:40:03,090 Oh, Mr. Keeler, you're both wrong. 1448 01:40:03,264 --> 01:40:05,164 [BOB SINGING NEARBY] 1449 01:40:05,333 --> 01:40:07,665 That was 5-A, the wah-wah... 1450 01:40:07,835 --> 01:40:10,930 [SINGING] ♪ I saw you from afar ♪ 1451 01:40:11,539 --> 01:40:17,808 ♪ You are my Shearer, Crawford, Hepburn ♪ ♪ Harlow and my Garbo ♪ 1452 01:40:17,979 --> 01:40:23,145 ALL [SINGING]: ♪ You are my lucky star ♪ 1453 01:40:23,317 --> 01:40:30,314 ♪ You are my lucky star ♪ 1454 01:40:56,651 --> 01:40:58,642 [ENGLISH SDH] 117542