All language subtitles for La.Brea.S03E05.1080p.x265-ELiTE[EZTVx.to].srt - eng(2)

.

[dramatic music]

- It's really nice
to have someone who cares.

- To get back down here,

I had to cross
some powerful people.

[dart whooshing]
Ah!

- Petra was worried that
they'd come after her.

They must be from the base.

- I want to expand your mind

and guide you to the memories
you've lost.

- I think I was stealing
some kind of microchip.

- The military was
weaponizing time travel.

That microchip contains all
the code to make it possible.

The chip is the key
to all of it.

- You said you didn't know

why your program
was interested in me.

What else have you
been lying about?

I'm gonna tell him
what's happening.

- You're not going anywhere.

- Where's Scott?

- I tried to fight them off,

but they took him.

It was the people
from the base.

- We came up with a plan

to dismantle the project
from the inside.

Kevin, I'm your sister.

You're the only family
I have in this world.

We have to shut down
the project,

and to do that,
we have to go to 1965.

- We need to get that microchip
back to 10,000 BC.

Eve's life depends on it.

* *

- With this,

we're one step closer
to bringing Eve back.

[ominous music]

* *

[bird calling]

* *

- [sighs]

- Izzy said
I might find you here.

- It's funny.

In a few thousand years,

this is gonna be
Eve's favorite spot.

It's called the Wisdom Tree.

She used to like
to come up here

because it would help her
see things clearly.

[scoffs]

You know, I appreciate
you getting me this.

But now I need to figure out
what the hell to do with it.

- Well, the plan was
to trade it for Eve.

- Yeah, it is.

I honestly don't know
if we can trust

whoever's on the other side
of that computer.

- No, we can't.

But it's all we have.

- I'm so close
to getting her back.

If I play this wrong,
I lose everything.

* *

- Look, it's likely

the person reaching out
is related to that program

that you were a part of.

Is there anything else
you can remember about it?

- No.

It's a bunch of memories
coming back,

but they're all to do
with my sister.

* *

Hey, look, did you, uh,
hear anything back about Paara?

- She should have returned
from her trip days ago.

- I'm sorry.

- You know, I fought so hard
to get back here to her.

Now I have a terrible feeling
it was all for nothing.

- No. No, no, no.

Every step of this journey
has seemed impossible,

and somehow,
we've always found a way.

- [chuckles]

- All I know is
I'm not gonna stop

until I get my family back.

And I don't think you will,
either.

* *

- You're right about that.

* *

[indistinct chatter]

* *

- Hey, Veronica.

Can I ask your advice
about something?

- Of course. What's up?

- It's about Leyla.

She offered to take me on
an overnight stargazing trip.

- And do you like Leyla?

Then that sounds amazing
and romantic.

What's the problem?

- There's so much
going on right now

with the microchip and my mom

and--and learning
Josh is in 1965.

- So you said no?

- Yeah.

But I feel terrible.

You know,
Leyla is the first person

I've felt this serious about,

and I'm worried
I screwed things up.

- Izzy, if you both
like each other,

I'm sure you'll find the right
time to go stargazing.

[soft music]

- What if there isn't
a right time?

I mean, how do you and Lucas
make it work down here?

* *

- We figure it out
one day at a time.

That's all you can do.

So I say trust your instincts,

and the right moment
will show itself.

- Izzy.

[tense music]

* *

This came in a few minutes ago.

- Yeah. It's pretty convenient.

It's like they already know
we have it.

- Yeah, I agree.

But I think we need to see
where it goes.

- Yeah.

- Yes.

[rapid beeping]

"Bring the chip to Cahuenga
Peak before sunset..."

* *

"And you get Eve."

* *

- Ask for some kind
of assurance

that they'll actually
bring her.

* *

[beeping]

[dramatic music]

* *

Gavin, I don't know.

- Hey, look, as much
as I want to get Eve back,

this feels like
some kind of a trap.

* *

- Hey.

What's happening?

- They want to make
a trade today.

- Okay.

That's good news, right?

You hand it over.

You--you get your wife back.

- I don't know.

* *

- What are you debating?

* *

- You know, I just need
some time to think.

So let's meet back here
in 10 minutes.

Then we make a decision.

* *

[insects chirping]

[birds chirping]

- Lucas.

- Sam?

- Wait up.

- What the hell are you
doing out here?

- I could ask the same thing,
except I know the answer.

- Is that right?

- Yeah.

You're pissed about Scott.

But you can't storm
that base alone.

- Dude, I'm not storming
some damn base.

- Okay.

Well, what the hell are you
doing out here?

- I just came out here
to see my mom.

[somber music]

Helps me think.

- I'm sorry.

I didn't realize. I'll go.

- You're right about one thing.

I mean,
I am pissed about Scott.

The guy's basically
my best friend.

And--and these people

just find them
in the middle of a fire?

Right? They find Levi.

They find Petra.

I mean, come on.

It's almost like
somebody's feeding them

information, right?

[tense music]

* *

- You think
it's someone at the Fort?

- But hey, I got no leads,

and--and I want to start
knocking heads.

But you know,
that obviously wouldn't

be great for Veronica.

So I am just out here

trying to calm the hell down.

* *

- I get it.

Why don't you
come back with me,

help me figure out
what's going on

without breaking any noses?

* *

- I'll--I'll catch up.

Gotta tell my mom the one piece
of good news, right?

About the baby?

* *

- Of course.

For what it's worth,

she would have been
proud of you.

* *

- Gavin.

Hey.

Gavin, I thought we were gonna
talk this through.

You just left.

- Yeah.

But it's my wife's life
on the line,

so it's my call.

- Hey, look, I get it, okay?

I get it.

And if I were in your shoes,
if it were Petra,

I would do the same thing.

In fact, I came out here
to help you make the trade.

- You got it all wrong.

I'm not out here
to make a trade.

I'm here to destroy it.

[dramatic music]

- Why would you do that?

- Because too many people have
already been hurt for this.

And no one should have
this kind of power.

I'll have to find another way
to save Eve's life.

* *

- I can't let you do that.

* *

- Maya, what are you doing?

- I'm taking back what's mine.

* *

.

- I'm gonna need the chip now.

- Yeah, that's not
gonna happen.

[dramatic music]

- Hey!

* *

Bag.

Now.

* *

- You knew it was me
sending those messages.

- You showed your hand,

running in the second the chat

ended, trying to convince me

to make the trade.

Then I realized all your help--

how you triggered my memories--

you were just using me
to get the microchip.

- You are clever, playing on

our deepest fears
about our families.

- You see, the thing
about being separated

from your family is,

you'll do whatever it takes
to get them back.

Now you--

you're gonna tell me
exactly where my wife is.

* *

[hollow clunk]

[banging]

[tense music]

* *

[dramatic music]

* *

- What the hell?

- Hey.

- I found something
in the council hut--

a radio
from the Ladera Air Base.

* *

- Gavin and Sam were convinced
Maya was our only problem.

- Yeah, but Maya never
set foot in that hut.

Only members
of the council are allowed.

* *

I don't get it.

Why would someone on
the council work with the base?

- I don't know...

but I'm sure as hell
gonna get some answers.

[horn sounding]

- Council's starting.

* *

Let me try to figure this out.

- Just be careful.

* *

[rotors thrumming]

[dramatic music]

* *

- Scott.

* *

- [breathing shakily]

Levi?

You're alive.

[sighs]

- More or less. [grunts]

It's not exactly
the Four Seasons in here.

Are you all right?

- Depends on your definition
of "all right."

What is this place?

What do they want with us?

- I don't know.

They keep interrogating me,

asking me questions about Gavin
and some microchip.

- What about Petra?

Is she okay?

- I don't know.

They separated us
as soon as we got here.

- Yeah, we need to get out.

All of our friends,
they're in danger.

[dramatic music]

- What do you mean?

- I mean,
we found Petra's mom,

Maya Schmidt,

but she lied to us.

She's working
with these people.

- Did they ask you anything?

- Yeah, just about
a research paper

I wrote on a fossilized plant.

- Do you think that
if you gave them something,

they may let you go?

- I gave them
everything I could,

which is absolutely nothing.

I was very high
when I wrote that paper.

- Scott, you have to think.

If there is anything,
anything at all

you didn't tell them,
it could help us.

- Uh...no, sorry.

I--I've got nothing.

- [sighs]

Okay.

We can figure this out.

- Yeah.

- We can still get out of here.

But I'm gonna need your help.

[door creaking]

- [gasps]

No, wait.

* *

Levi! Levi!

* *

- I'm only gonna ask you
one more time.

Where's Eve?

[tense music]

- You can threaten me
all you want.

But the problem is,
you've lost your leverage.

* *

See my watch?

* *

In 10,000 BC,

time doesn't serve
much purpose.

- It's a tracking device.

- Nobody move!

[dramatic music]

Guns down now!

On your knees.

* *

Get on your knees!

- Okay.

* *

[gunshot]

[gunshots]

* *

- Helena.

* *

.

- How did you get here?

- I went through
the Aurora you did

right before it winked out.

Did Maya get that chip?

- There was nothing
we could do.

- I can't believe this.

You have no clue
what that woman is capable of.

- Why don't you enlighten us?

- Maya Schmidt is the head
of a private security company

called the Reisander Group.

The Air Force contracted her
to create fighter planes

with time travel capability.

- You're telling me
the military is backing this?

- No. It's black ops money.

Only a handful of people
are aware it exists.

And no one knows her real plan:

to sell the planes
to the highest bidder,

no questions asked.

We have to stop her.

We have to get
to that base now.

* *

- Yeah, I remember
Paara saying the Fort,

they keep rafts
down by the river.

The current could get us
there faster.

- What are we waiting for?

* *

- Hey, hold up.

I'm starting to remember,
uh, how things ended

after we stole that microchip.

Listen, maybe
we should talk about it.

- Gavin, I tried to give you
a chance again.

Even then, you found a way
to disappoint me.

We need to go.

- [sighs]

* *

- Something needs to be done
about these abductions

before these soldiers take
anyone else.

- It's only the newcomers
they're after.

So maybe we should talk
about our real problem...

and stop sheltering the people
that bring us this trouble.

[tense music]

- If not for Veronica,

that fire would have
destroyed our village.

- And now there's a new danger
that threatens to destroy us.

I say we put it to a vote.

Do the refugees stay or go?

* *

- I understand your position.

But the greatest danger
in this community

doesn't come from my people.

* *

It comes from
someone in this room.

* *

I found this earlier today.

* *

[dramatic music]

- Who knows about this?

* *

- This is a serious accusation.

* *

I suggest we take a break,
then return with clear heads.

* *

- Ruth?

[soft music]

* *

She's not here.

- Joseph saw her
leaving the Fort

a couple of minutes ago.

- Where was she going?

- Apparently,
she told him something about

an emergency
diplomatic meeting

with another tribe.

- This doesn't feel right.

Do you really think
she was using that radio?

- If it walks like a duck...

- Did Joseph see
which way she went?

- He did.

Come on.
Maybe we can catch up to her.

* *

- Hey, thanks
for convincing me to come.

My stress is already lessened.

- I knew it would be.

- Hey, I should
probably head back.

I--I want to be there
when my dad gets back.

- No, please.

I haven't shown you what
I brought you out here for.

[soft music]

After my brother
and my father died,

I was lost.

But then I met you,
and you talked about your life

back home,
which made me think about

my own life
and what I want from it.

I don't want to spend every day
fighting to survive,

scared I'll lose
more people that I love.

* *

Izzy, I think I found
a way for us to just live.

And I want to show it to you

so you can tell me
what you think.

* *

- I don't understand.

- You will.

It's not much further, really.

* *

- Okay.

- [laughs]

[flies buzzing]

- Wait.

[tense music]

My dad came in this direction.

* *

What if he was here?

* *

- I'm an excellent tracker.

Let me help you find him.

I'll get you through this.

[dramatic music]

* *

- Get this to the lab
immediately.

- Yes, ma'am.

- Tell me about
the other situation.

Where are we at
with the prisoner?

- The officer doing
Mr. Israni's interrogation

is here to brief you now.

* *

- Ma'am.

.

[beeping]
[door clicks]

[dramatic music]

- Wait.

* *

[beeping]

What the hell?

You're a spy?

- Scott, shut up.
We don't have much time.

So let's just skip the part
where you don't trust me.

- Little hard to do
when you're wearing

the bad guys' uniform.

Oh, and you've even got
the freaking tattoo.

That's cute.

- Not for the reasons
you might think.

When my wife
and daughter died,

I was struggling,

and that's when I found out
about Reisander,

that Maya had operations
throughout time,

including 10,000 BC.

That was my best shot to get
back down here and find James.

- [sighs]

So that helicopter was
saving you, not capturing you.

- Yes.

- And they put you in that cell

to get information out of me.

- Because
they still believe that

I'm on their side,
which I am not.

Now, my allegiance
is to my friends,

and that includes you.

- First, I wouldn't call us
friends, okay?

All I know about you is that
you slept with Gavin's wife

and tried to kill his dad.

And if you truly are
on our side,

why are you still here?

You should be at the Fort
where Gavin needs you.

- Gavin is the reason
that I'm still here.

Look, I don't have the time
to explain this all to you.

But you need to listen
to exactly what I have to say.

Now, Maya's on her way
right now to ask you

about that research paper.

- What is the big deal
with that?

Why is she so interested in it?

- Apparently,
it has something to do

with the fossilized plants
you studied.

They're the key to making
her time travel tech work.

Now, did you show
that paper to anyone else?

- Why would I do that?

[door clanking]

- All right. Follow my lead.

[beeping]
- What?

[grunting, coughing]

No more lies!

[dramatic music]

- Speed bumps, Captain Delgado?

- No, ma'am.

Just as I suspected,
Mr. Israni here is claiming

that he didn't show
the paper to anyone else.

But I don't believe him.

- Why not?

- Because I've spent
enough time with this punk

to know that
he's gonna run his mouth off

every chance he gets.

He can spend hours talking
weather to a stranger,

so God knows
he couldn't stay quiet

about something like this.

- Is that true, Scott?

* *

- [breathing shakily]

- You understand,

I need to be the sole owner
of this technology,

which means I need to know
who you told.

- [grunting]

- Tell us the truth.

Tell us who you told, now.

* *

- Uh--wait, okay. Yes.
Yes, you're right.

You're right.
I did tell some people.

* *

- Who?

* *

- Who?

Ah...

well, if you weren't
such a monster,

maybe I'd give you some names.

But since you are,
you can go screw yourself.

* *

[grunting]

[coughing]

- Keep working on him.

- Extracting this information
might take some time.

Israni's friends are
undoubtedly coming for him.

I think it'd be safer
if we moved him offsite,

perhaps the long-term
detention center.

- I wasn't aware
you knew about that facility.

- I heard the other officers
discussing it.

I think it's a smart solution.

* *

- Very well.

I'll arrange it.

* *

- That was perfect.

That was exactly
what we wanted.

Great work.

* *

[birds chirping]

- Don't.

Whatever happened between us
is water under the bridge.

- Look, I don't remember
everything, okay,

just--just that
I abandoned you.

What happened?

- [sighs]

We both knew we were in danger
when we stole that chip.

So we came up with a pact
to escape the country.

[soft music]

[scoffs]

I even found us this cute place

in Mexico that fit us all--

you, me, Eve, the kids.

You were gonna
introduce them to me

when we got there,

tell Eve the truth
about our work.

But you changed your mind.

You backed out of Mexico
and let me take all the heat

for stealing that chip.

- Look, I can't imagine
how--how difficult

that must have been for you.

- For years, I was on the run.

You had your family.

I had no one.

I've never had a real family.

So when you promised
to include me in yours,

it was--

it was big.

* *

- Hey. Hey, I'm sorry.

I was a different person.

- Like I said,
it's water under the bridge.

[ominous music]

* *

[water splashing]

- Guys. Quiet.

I think there's something
in the water.

* *

[dramatic music]

* *

- Ah! Ah!

* *

- Helena! Where'd she go?

* *

Helena?

- Helena!

- Helena?

* *

- Gavin, she's there!

- [gasping]

- Helena, swim.
- Come on.

- Swim faster. Come on!

* *

Swim, swim, swim, swim.
- Come on.

* *

- [gasps]

* *

- Where'd she go?

- No.
- Helena!

She's just gone.

* *

Gavin! Gavin!

.

[dramatic music]

- Gavin!

- You see them?
- No.

* *

[both gasping]

- It's coming back!
- Gavin, swim!

- Come on. Come on.
- Come on.

* *

Come on.

* *

Come on, come on. Swim!

Swim! Give me your hand!

[all shouting indistinctly]

* *

- Shoot it. Go!
- Now!

- Now!

[rapid gunfire]

* *

The base is this way.

- Hey...you okay?

- You could have died.

- Yeah, but...

after you sacrificed everything
for me and my family,

I wasn't gonna let you
get eaten

by some oversized alligator,
now was I?

[somber music]

Hey, look.

When this is all over,

I'm gonna make it up to you,
okay?

And introduce you to my family.

Our family.

* *

- Hold up.

* *

- What you got?

- There's tire marks.

It means we're getting closer
to the base.

Everyone stay sharp.

[tense music]

* *

[birds chirping]

- Hey.

Don't move.

* *

- We're gonna talk this out.

- Why were you working
with the base?

- I had my reasons.

- Those people took
Levi, Petra, and Scott.

What possible reasons
could you have?

- It's complicated.

But I am responsible.

* *

- This doesn't make any sense.

You care about your people.

You wouldn't endanger them
like that.

* *

You're covering for someone.

Who is it?

[dramatic music]

* *

- Leyla, hang on.

Are you still following
footsteps?

Where are you taking us?

[birds chirping]

[soft music]

- It was supposed to be here.

- What's supposed to be here?

Leyla, what's going on?

- She told me this is where

I'd find an Aurora
to your time.

- My time?

- This is the place
I was telling you about,

a place to start a new life.

It was supposed to be here.

- You wanted the two of us

to go through an Aurora
by ourselves?

Leyla, we have friends
and family here who need us.

- They'd be okay.

- No, you don't know that.

I know you want
to escape from here,

but running is not the answer.

And who told you
there was gonna be

an Aurora here anyway?

[leaves rustling]

- It was Maya Schmidt.

- But she lied to you,
like she lies to everyone else.

* *

- Is it true?
You're working with her?

* *

- She said
no one would get hurt.

She said she'd help me get out.

And all I had to do was
tell her about

the people who came
to the Fort.

- People like my dad.

- You need to fix this.

* *

- I have an idea.

* *

This is what the base has
been using to spy on us.

It's encrypted,
but I bet you know

the code to unlock it.

That way, we can spy on them.

[tense music]

Come on.

* *

[beeping]

[static crackling]

[electronic warbling]

- Alpha 1, 1.

This is Bravo 2-5.

We have four targets acquired
south by the river,

one female, three males.

- Copy that.
Take the targets out.

- That could be my dad.

- We need to warn them.

* *

.

[brakes screeching]

[engine stops]

[tense music]

* *

- [sighs] Come on.

- The location's just ahead.

* *

- I'm sorry about
those punches.

You did great.

- Oh, jeez. Cheers, Captain.

Now will you tell me why
it's so important for us

to get to this site?

- It's where
they're holding Eve.

- Eve's here?

- Yeah.

I overheard the other guards
talking about it

when I first arrived
to the base.

That's why I stayed.

I've been trying
to find her ever since.

But I'm gonna go get her
and make things right.

- You mean right for Gavin?

- And everyone else.

I stole your chance
to get home.

I can't make up for that.

I'm hoping this'll at least--
[leaves rustling]

- Levi?

- Izzy?

[gun clicks]

[dramatic music]

[all grunting]

- [screaming]

* *

[panting]

- You all right?
- Are you okay?

- Where's Dad?

- What do you mean?

- We heard a call.

Said he was spotted
south by the river.

* *

We have to help him.

- No, Izzy,
you have to stay here.

These are trained soldiers.

- No, I--I can do it.

- I promise you.

The next time you see me,

your dad's gonna be with me,
okay?

* *

- Here we go. In position.

[suspenseful music]

* *

[gun cocks]

On my signal.

* *

- Over here!

[gunshots]

[dramatic music]

* *

[gun cocks]

* *

[gunshot]

- Levi!

* *

Dad!
- [coughing]

- Levi.

* *

- Hey. Let me see.

* *

- It's a gunshot.

- No. Levi.

- Sam.

- [panting]

- No. No.

* *

- [gasping]

- No.

* *

- Can you, uh--

can you all give us a minute?

- [moaning]

[somber music]

- I'm sorry.

* *

- [gasping]

- No.

[crying]

Levi.

- Hey, kiddo.

- I love you, Uncle Levi.

* *

- [gasping]

* *

- What the hell did you think
you were doing?

* *

- Eve's here.

She's--she's in
long-term detention.

* *

- Are you sure?

- Scott and I were
going to get her.

[gasping]

You're gonna find her here.

- Yeah, yeah, yeah.

We're gonna take care
of you first.

- No.

I'm dying.

It's okay.

I've made peace with everything
but you and me.

- Hey, hey.

None of that matters anymore.

You're my brother.

* *

- Brothers till the end.

- Yeah. Till the end.

* *

[somber music]

* *

- [sighs]

* *

He was a good man.

I know what he meant to you.

I'm sorry.

* *

- He said that Eve's here
in long-term detention.

* *

- Scott just told me
the same thing.

And he got the coordinates
off one of the guards.

* *

We should get over there
while we can.

It's only a matter of time

before Maya shows up
with more soldiers.

- We can't just leave him.

- That's what he'd want, Dad.

* *

- Okay.

Okay.
[both crying]

Okay.

* *

Let's go.

* *

- We should be getting close
to the site.

[tense music]

* *

- What the hell?

[dramatic music]

- Whoa. A double Aurora.

* *

- Sam, what's going on?

- I don't know.

The detention center
is supposed to be here.

- No, hold on. Look.

The note next to the longitude
line says R-E-D, red.

That's the Aurora to '65.

* *

- You think that's where
the detention center is?

- And Josh and Riley.
- It makes sense.

Maya has a full operation
in 1965

with a detention area too.

- Okay.

Then that's where we gotta go.

- Gavin, wait.

You need to save Eve,

but you also have to finish
what we started.

When you get to '65,

you have to destroy
Maya's infrastructure.

- How am I supposed to do that?

- I'll show you.

I'm coming with you.

- Okay.

Ready?

- Absolutely.

- Let's go get
our families back.

[dramatic music]

* *

.

[dramatic music]

* *